Solo by guillermo lauzurika

Guillermo Lauzurika

SOLO For Baritone Saxophone and Electronics

Timestamps in brackets are indicative. Marks on box have strong syncrony with the electronic part. There are two versions of the electronic part: - Stereo version (44.1 khz, 16 bits) for send to PA. - Stereo version (44.1 khz, 16 bits) with metronome click, for rehearsal purpose and as stage monitor. - Import audio files in 2 stereo audio tracks of a sequencer. - Send electronic version to PA. - Send electronic version with metronome click to stage via wireless headphones. - Microphone for sax: send to PA and to stage monitor. - Balance in mixer between the sax output to PA, regarding electronics to PA. - Send a copy of the computer screen with stopwatch, to scene via video monitor.

Las marcas de tiempo entre paréntesis son solo indicativas. Las marcas encuadradas tienen fuerte sincronía con la parte electrónica. Hay dos versiones de la parte electrónica: - Estéreo versión (44.1 khz, 16 bits) para enviar a PA. - Estéreo versión (44.1 khz, 16 bits) con claqueta para ensayar y como monitor de escena. - Importar archivos esteréo en 2 pistas estéreo de un secuenciador. - Enviar versión electrónica a PA - Enviar versión electrónica con claqueta a escena vía auriculares inalámbricos - Micrófono para saxo: enviar a PA y envío a escena por monitores - Equilibrar en mesa la salida a PA del saxo con respecto a la electrónica. - Enviar copia de pantalla del ordenador con cronometro a escena vía monitor de video.

q = 60 Start Chrono



 

Baritone Sax

 3          



 



                      sff-p ff 

 



2´32

 Tf                                         9 3 Ta





 Tf          9

  

      

f 1 2 3A 4 5





sff-mp

   6                 ff

   

sf-p



3´15





        P             9 9

2´20



 note extreme high               2´52

inharmonic

                mf

(3´25)

3´20

 Tf                                  9 3

2´55

inharmonic                                    9  3

                                                           f f ff 2´16

  

1´32 1´33  6     1´35  6      6                                              f sff-p ff f 6 6 1´26

                                       3 

 

1´22

2´30



                            f 1´20

                    

  3             

6 

 

 3                    f sf

(49) (55) 46 59 frull frull 6  6  6 6 6 6 6 6 6                                                                                                           f   ff ff-p ff sf fp f f sf ff f sf-p f f

Guillermo Lauzurika

(14)

ff sff *An accidental lasts for one note only

 

SOLO

(9) slap

(3´32) subtone

3´38

(3´46) subtone

                       pp   f ff sff sff pp p pp reverse (4´14) (4´24)   C2 (4´01)  (4´39) Tf Tf Tf      1    key clicks improvisation norm.                   Tc      2       +3                                                          3     p mf    f ff mp mf f P



detimbré

 





detimbré

norm



detimbré 85 (5´36)

(4´58)

                                (5´05)

     mp





P C3

norm bisb

                               ppp

                     Tf

90 (5´56)

ppp

   mf

107 7´04



    

114

    

           

    

6´32

 

                  6 6                                       6 6 6 6

123

 bisb   (6´09)                  

          (6´56)





7´52

broken sound (with harmonics)

    ff

       6

7´56

              

norm

         

                                   

(8´04)



(8´08)

                                                                pp

                   detimbré

              

   

                             

mf-p

 

7´34



       

 6 6                                                             6 p f mp

7´18



norm

imharmonic



(5´29) detimbré

 ppp

                                    ff-p ff ff-p ff ff 6

          

repeat ad libitum

detimbré



bisb

     

(5´24) C3

bisb                                                 

norm

bisb              bisb                                  6 6

              

121



ppp









    



 



 

  



(4´50) x 2 4 5 6



improvitation

  

fff

(8´16)