Urbia by guillermo lauzurika

Guillermo Lauzurika

URBIA For Tenor Saxophone and Electronics

Dedicated to Ana Ortega. There are two versions of the electronic part: - Stereo version (96 khz, 24 bits) for send to PA via sequencer. - Stereo version (96 khz, 24 bits) with metronome click, for rehearsal purpose and as stage monitor. - Import audio files in 2 stereo audio tracks of a sequencer. - Send electronic version to PA. - Send electronic version with metronome click to stage via wireless headphones. - Microphone for saxophone: send to PA and to stage monitor. - Balance in mixer between the sax output to PA, regarding electronics to PA. Sax: about -3db on bars 1, 15, 28; + 4dB on bars 7, 21, 34; 0db on the beat 51 - Send a copy of the computer screen with stopwatch, to scene via video monitor. There is a electronic part version with 57 numbered stereo audios (44.1 khz, 16 bits) for trigger with Max/Msp via MIDI switch pedal. There is a score with 57 number marks to trigger these audios. There is also available a bass sax version with the same electronic part options as the tenor version, but with diferent score.

Didicada a Ana Ortega. Hay dos versiones de la parte electrónica: - Estereo versión (96 khz, 24 bits) para enviar a PA. - Estereo versión (96 khz, 24 bits) con claqueta para ensayar y como monitor de escena. - Importar archivos de audio en 2 pistas estéreo de un secuenciador. - Enviar versión electrónica a PA - Enviar versión electrónica con claqueta a escena vía auriculares inalámbricos - Micrófono para saxo: enviar a PA y envío a escena por monitores - Equilibrar en mesa la salida a PA del saxo con respecto a la electrónica. Saxo: aproximadamente -3db en compases 1, 15, 28; +4db en compases 7, 21, 34; 0db en compas 51 - Enviar copia de pantalla del ordenador con cronometro a escena vía monitor de video. Hay una versión de la parte electrónica con 57 audios numerados (44.1 khz, 16 bits) para disparar con un patch the Max/Mspa via pedal MIDI. Hay una versión de la partitura con 57 marcas numeradas para disparar estos audios. Tambien hay una versión par saxo bajo con las mismas opciones de las partes electronicas que en la versión para tenor, pero con partitura diferente.

Urbia

Guillermo Lauzurika

q = 60

Tenor Saxophone

Electronics

      



without mouthpiece Trumpet Sound (T.S.) 8´´ resulting sounds in Bb





  



fingering



 

8´´





 



    

 

                  

        T.S.

     2´02´´

        f

1´09´´

  

 

      p





 p

 

frull



T.R.

1´51´´

    



1´51´´



 

+C4 +C4 C2____________

T.R. FTG             frull  2´37  3                       3             3                                                       3   3 3 3     3 C2

T.R. T.R. FTG frull

2´28





2´28



ff-p



ff ff-p





  1´62´´                  p



42,5´´

                                          t k t k t t k t k t  tsh tsh

   FTG





        

       

   

1´09´´

T.S.

frull







1´37,66



El.

gliss.

FTG

 30

Ten Sax.

                     



El.

  

+C4 +C3_____ C2________

       t k t k t k t tsh  f



  C2  frull  3 1´37,66                                                                                    f 3   3 mf f tsh tsh t k t k t k t k t k t k t 23

Ten Sax.

  closed      



open



El.

 12                           f    fp

   

42,5´´

Tongue Ram (T.R.) releasing and removing the tongue

+C3 C2_________

Ten Sax.

 



                

*An accidental lasts for one note only

Flutage (FTG) C2 open

FTG

ff-p



  

2´37



  42

El.











T.R. FTG

                    3

    53

El.

ord

(vibrato of intensity) 3

4´06´´ slap inharmonic

 

 

ff-p

  ff

cresc

3´35,5´´ inharmonic

3´40´´ slap

3   6                                                                      ff mf ff mf mf f f mf f f 3´54´´ 3´52´´  3´40´´                

 

inharmonic

4´40´´  

3´52´´ bisb

4´27´´ slap

3´54´´ bisb

bisb

4´30´´ slap

     3 3                                                                               mp f p ff p ff f ff f ff f         4´18´´        4´27´´ 4´30´´                  

bisb 4´18´´

 

bisb

4´50´´

4´52´´

  slap   6 bisb  slap  bisb  3 3 3                                                                           3 3 4´40´´ 3 bisb

El.

ff-p

 

3                       p ff f   4´06´´       3

Ten Sax.

to mouthpiece



El.



T.R.



Ten Sax.



T.R.   3  frull  frull  3´17 6 6 6      3 3                                                                               t k t k t k t t k t k t k t tsh tsh    ff-p ff ff-p ff f ff f ff ff ff f ff f ff   3´17     

                       ff f ff f ff  3´35,5´´              62

ff f

frull





Ten Sax.





      46

El.

FTG

                                                                           tsh  t k t k t k t k t k t k t t k t k t k t    t k t k t t k t k t tsh ff-p ff

+C4 +C4 C2__________ FTG

Ten Sax.



T.R.

 

Ten Sax.

 



     

ff p 4´50´´

4´55´´ slap

inharmonic   3  3                                       3

  4´52´´  4´55´´3  3   3          3   



 

    78

El.



                         

El.



 



5´19´´

Ten Sax.

El.

5´42´´

  

    inharmonic

                ff



                                                 mp

5´42´´

bisb bisb slap                                                 3 3 3 mp   6                 slap

 

106    



6´28´´



inharmonic 7´08,´´5

                        

    

slap







       pp

  6                      6´46.75 slap inhar.



  

              

6´14´´



6´14´´

7´00,5´´ slap inharm

6´51´´



                                                                     6 



6´41.25´´ slap inharmonic





6´28´´





3                       

El.



Ten Sax.

 88

Ten Sax.

slap

El.

slap slap                                                     84

Ten Sax.



 6´41.25´´   

      

 7´08,´´5    

        6



7´15´´ bisb

  fp

 

7´15´´



Ten Sax.

slap slap bisb slap bisb reverse   5´19´´                                                             3 3 slap

  



6´46.75

6´51´´

 



7´19´´ bisb

    

                                                 f



 

7´19´´



7´00,5´´

q = 80 (e.=q) bisb

 

 





 

El.

ff 7´32,5´´

8´10´´  bisb                      p

El.



El.

8´10´´



   

q = 120 (q=q) bisb

8´41´´ bisb

8´36,2´´





8´36,2´´



 

8´41´´







9´11´´

9´30.5´´ bisb

                                          fp slap



9´16´´

                           slap

  



          



  



 

slap

 f

    



8´27,2´´

slap                  

9´11´´

slap





 



bisb

  







                              8´27,2´´

8´18,2´´

bisb

slap                                                 

158

Ten Sax.

                       3

bisb                                                             3 3

148

Ten Sax.



  8´18,2´´        

 134

Ten Sax.

7´37´´

124

Ten Sax.

slap  slap            3                            3               3     ff f ff ff slap

 7´43´´ 7´51,2´´       3 3      

  33 

 

7´51,2´´ inharmonic slap slap



Ten Sax.

114         3     

slap     7´43´´  3                                      3 3 slap 7´37´´



7´32,5´´ slap

9´16´´



slap                                      

  9´38´´

slap                                               f  9´30.5´´  9´38´´    



    166

Ten Sax.

El.



slap                                               

9´52,5´´

                                               slap





9´52,5´´

El.

   

10´11,5´´ bisb

10´01´´   slap slap 174                                                                                                fp  10´07´´

Ten Sax.

 







10´07´´

 

10´01´´

10´11,5´´

  

         10´18´´     9                                                                             9 9 9 9 9 9 f fp f 9 ff f     10´18´´       

183

Ten Sax.

El.

        q= 160 (e.=q)                  10´31´´

192

Ten Sax.

El.

10´31´´                    

 bisb                                             

10´43´´

10´38,5´´



El.



10´38,5´´

mp-p





10´43´´

mf-p 10´47,5´´

 

11´00,6 q = 120                                    204            9                                                                9 9 f f fp f piú f 9 ff-p ff fff  11´00,6 10´55´´ 10´51,2´´                10´51,2´´ bisb

Ten Sax.

10´47,5´´                       9

10´55´´