Place production design report compressed

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Co-Housing For Single Young Professionals in the Creative Industry. By Grace Vickery


Contents


Contents Part 1A

Proposed Plans

55-62

Introduction

01

Building Concept

63-64

Concept Research

02

Long Section

65-66

Site Analysis

03-06

Building Regulations

67-72

Building Analysis

07-08

Space Standards

73-77

Existing Plans

09-13

Part 3 A

Statement of Intent

14

Construction Detail

78

FF&E Schedule

79-80

Part 2 A Creativity

15

3D Plan of Detail

81

Client Study

16

Plan and Section 1:50@A1

82

Precedents

17-24

Sample Board Plan

83

Criteria Matrix and Building Schedule

25

Sample Board

84

Bubble Diagrams

26-28

Part 3 B

Part 2 A Vertical zoning

29

Zoning

30-32

Sketch Model

33

Concept Sketches

34-40

Logo Design

41

Neon Signs

42

External Development

43-44

Model

45-46

Material Discussion

47-48

Mood Boards

49-52

Collage

53-54

Technology Study

85-88

Bibliography

89-92


01

Introduction

Introduction

Co-Housing For Singles

Co-Housing originated in Denmark where a woman

Currently in the UK there is a housing crisis that is

Children must have hundreds of parents.

called Bodil Graae believed that ‘Children must have

affecting a large amount of young people. Figures

hundreds of parents’ and reached out to find people

show that only a fifth of 25-year-olds own their own

interested in creating a collective community. From

home. One of the top concerns includes a shortage

this in 1972 the first community Saettedammen was

of houses as they are unavailable, unaffordable or

founded and included 27 houses. The community

not appropriate for user's needs. It is believed home

has traditions including animal husbandry, walks,

renters pay about 34% of their income towards rent.

parties and lectures that they provide for each other.

Problems with housing is worse in London due to their

Bodil Graae - Sættedammen Community, Denmark.

of depression by 80% in people of working age.

From

Denmark,

co-housing

quickly spread to

Sweden and the Netherlands. In the 1990's it appeared in the USA before finally reaching the UK. There are around 18 communities currently in the UK with 60+ in development. One of the aims of co-housing is to tackle isolation and loneliness. It is estimated that +50% of brits don’t know their neighbours and 1 in 3 live alone. One of the target groups are elderly people as it is thought around 5 million of them say that TV is their main companion. Living in isolation is also believed to have a number of health detriments. It can increase the risk Furthermore, it increases the risk of dementia and heart attacks, which their 2-3x Less likely to survive. Therefore, it is in the best interest of people

higher cost of living. For this reason, young people may choose to live outside of London. Bournemouth currently has a housing strategy plan that they aim to complete by 2020. One of their key aims relevant to this project is to increase the number of affordable homes for first-time buyers. The strategy also has three main priorities; To balance the housing market, improve the qualities of homes I.e. more houses and less flats, and create sustainable communities. The poor quality and expensive market forces young singles to move away from the area and adds to the stigma that Bournemouth is for the Elderly. By creating a co-housing community for young singles in Bournemouth, it will encourage people to stay and will keep a fresh atmosphere. Additionally, it will bring new business and opportunity to the town.

living alone to move to a co-living community.

Part 1A.


Concept Research

02

Concept Research Co-Housing in Bournemouth Figure 1 - Mercury House, Bournemouth

One large example of co-housing in Bournemouth

facilities include a study room, table tennis room

for young people is the types of living on offer for

and laundry room. There is also a member of staff

students. There are a variety of choices of halls around

on duty at night to ensure the safety of residents.

the town such as Mercury House, as seen in Figure 1. This offers a variety of spaces including communal and private. It offers studio flats with en-suites and kitchenettes which allows the residents independence as well as communal living spaces such as a lounge.

Figure 2 - SĂŚttedammen Community, Denmark.

Another example of Halls in Bournemouth is Lansdowne Point as seen in figure 3. This residence combines the aspects of the previous two halls because it offers a shared kitchen facility. Each flat contains 4-6 bedrooms and has an adjacent kitchen

Alternative halls found in Bournemouth such as Bay

and living space. These halls are a more common

View Hotel, which I have experienced first-hand,

type of living environment that is offered to students

offer a co-living environment. Here residents have

around the country. As well as these flats, these

their own en-suite room, but are not provided with

halls also have a dining facility on the ground floor,

kitchen facilities. Instead the company provides

which all residents have access to and have a budget

breakfast and dinner for residents and is eaten in a

to spend in there daily as part of their total fee. The

communal dining room. The positives of this is that

benefits of this style of living is that it offers residents

residents socialise daily and are not isolated to their

the opportunity to mix on a large and small scale and

room. There is also a communal living room where

have the opportunity to meet other people in the halls.

Figure 3 - Lansdowne Point, Bournemouth

Part 1A.

they can relax and watch television together. Other


05 03

05 Site Analysis

02

06

04 03

01

12

08 09 07

10 11

Site Analysis


01 Bournemouth Square

Site Analysis

04

Bournemouth is a multicultural seaside town on the south coast of England that was founded in the 1800’s. It’s located near the New Forest and Poole. Its commonly been known as a resort location for families

02 Site - Dean Park House

08 Mercury House Student Accomodation

and a place for retirement. The location of Bournemouth is on the coast, providing a contrasting environment of the ‘city’ vibe and a traditional seaside town. This meets the needs of various personal interests. Currently the population is growing due to a variety of aspects including migration. This makes it a diverse and cultural environment that offers many opportunities in work, education and lifestyle.

03 Yates - Bar, Restuarant and Club

09 Cameo- Nightclub and Bar

There are a variety of modes of transport around Bournemouth including: Buses, cars, walking, train, bikes and skateboarding. Buses run in and out of Bournemouth providing access to local and surrounding areas. They also run to the train station where people can travel around the country. Another way people can do this is to use

04 Horseshoe Common

10 Walkabout Australina themed Bar and Restaurant

Bournemouth Airport where there are 2 main companies. Thomson and Ryanair fly from here to a few select countries. Skateboarding and biking are common around the town and are seen a lot along the beach front and in parks. Dean park house is located in the centre of town meaning clients will not have to walk far in order to find most things they need such as shops and food. They are a 10-minute walk from the bus station in the square, as seen on the map, which means anything

05 Turtle Bay Resturant and Bar

11 Camel - Bar and Shisha Bar

they can’t access by foot, can surely be reached effortlessly by bus.

The site, Dean Park house, is currently used as an office building, rented by Goadsby to many companies. The reason for this use is likely due to the large floor sizes, the onsite parking (which is clearly

06 Wessex Way Access route into Bournemouth by Car or Coach

12 Bournemouth Railway and Coach Station

advertised by Goadsby) as well as the ideal location. This location is suitable for becoming a co-house for creative young professionals due to its potential being a large building with 9 levels including two car parks. It can become a high density living environment because of the space and is ideal for the client as the location in Bournemouth gives access to the developing creative community and events. The

Part 1A.

06

07 BH9 Complex Cinema and Restaurants


design can give back to the community through public access to areas of the building. The public are allowed access to the bar and gallery space, which will help create revenue for the building and additionally display clients work publicly and may lead to work opportunities.

The site is based at the end of the high street near a variety of bars and clubs, which makes it ideal for the young single client this project aims to attract. There are a lot of other businesses such as takeaways and cafes which would gain from an establishment like this as it is easy and tempting for clients to use these facilities. This will help build the local economy of Bournemouth and keep money in the area. Alternative sites around Bournemouth that could be used could include in the student towns of Winton and Charminster, or a site near the outskirts near Poole or Castlepoint. Although these locations offer plenty of shops and restaurants, they are not at the hub of events and transport. They have far less options in these terms and could require a car as a means of transport. The periphery of Bournemouth tends to have a cheaper housing market as most young people cannot afford to live centrally. Therefore, it Is important to make this co-house affordable.

Historical maps of Bournemouth as seen in Figure 4 Compared to figure 5 Show the development of the town since the 1800's, who's population grew from 17,000, to 60,000 due to the industrial revolution and today sits at over 180,000. The map comparison shows however that not a lot of the roads have changed such as Old Christchurch road and Dean Park Road, that sits around the site.

Dean Park House is between two parks known as Horseshoe Common and Meyrick Park, which both have been there since the 1800's. They offer a place to walk that is not surrounded by buildings and tourism, unlike the beach, that gets overcrowded in peak seasons. There are manmade paths all around the site, including Wessex Way that is passes behind the building and the whole of town.

Part 1A.

05

Site Analysis


Site Analysis

1. Here is a map of Bournemouth and Poole’s bus route via More Bus. It shows a variety of systems around the area allowing easy and efficient transport. This is ideal for young professionals in the area to travel at a low cost for work and personal activities. My project seeks to create a sustainable way of living, which using public transport aids. Dean park house is located a 10-minute walk from the bus station in the square, making it an ideal location to access many routes, including the M1, for example, which takes passengers directly to the train and coach station. This will enable clients to get in and around Bournemouth with ease.

06

Figure 4

The map on the right shows the density of buildings in Bournemouth. There is a high density over most of the area but has a few areas, mainly parks, where there are no buildings at all. Horseshoes common is one of these and right next to Dean Park House. This map shows how Bournemouth is a developing town with a high density of people mainly due to birth rate and migration (Bournemouth Borough Council, 2016). This high density brings business opportunities and therefore young professionals looking for work. Below it is a picture of a map from 1893 where you can see the town has a lower density and is more spaced out. Horseshoe common however is the same and there are buildings in the site location.

Figure 5

Part 1A.

2.


07

Building Analysis

Building Analysis Dean Park House Dean Park House is located at the end of Dean Park Crescent and is accessible through alternative transport. It has a front, rear and under-ground car park, meaning its accessible by car and motorbike. Being set off the edge of the road it as also accessible by bike, as riders can come off the main road into the property. In the same way it is accessible by foot as

AM

a sidewalk from the high street takes you directly to the property. The site is only accessible from the front and onto Dean Park Crescent, however the building can be accessed through the underground car park and the fire exit on the left side. A staircase also goes up this side of the building, giving access and a fire escape for each floor in the case of a fire blocking the other exit. The site is situated around a bend off the main high street and is therefore not visible to the

Part 1A.

PM


Building Analysis

public going about their daily routine. This creates

There are two eight passenger lifts in addition to two

an ideal environment for a house development as

staircases at either side of the building. It received

clients need privacy, especially on the lower floors.

internal and external refurbishment in 2015 which

in the back right of the building and are adjacent with the public toilets. They reach across the back to a small kitchenette. The building sits in the middle of the site allowing a route in a curve from front to back around the right side of the building, therefore cars can access the front and back car park. In the righthand space between the building and the boundary there is a disabled ramp leading up the

included new windows at the front and rear. There are 15 of these at the back and 12 at the front which is repeated on each level. The advantage of these are that they let in a lot of natural light through the floors, and this can contribute to a eco–friendly environment. The exterior is made from white brick and has a blue strip around between the ground and first floor. The main access point is on the front fright side of the building at ground floor level.

entrance porch. Due to the car park no plants are

The sun path as seen in the map previously travels

growing naturally from the ground. However, there is

from east to west around the back of the building.

a tree based at the front of the building and various

Behind Dean Park House is the road Richmond

large plant pots at the front of parking spaces. This

Gardens which leads to parking behind the premises.

is useful as there is unlikely to be any tree roots that

The benefits of this is that there are not any buildings

would affect the use or development of the building.

that will block the sunlight reaching all floors even

There is potential for vegetation growth as the plot

at the bottom. The front of the building on the other

is large and could replace the front or rear car park,

hand does not receive direct sunlight at any point

as there is still and underground carpark. Both sides

of the day. Internally the front may be reached by

of the building contain a stairwell and therefore will

natural light through an open plan environment.

not affect the privacy of clients from their windows.

The relationship between the interior and exterior

As it is opposite Horeshoe Common, privacy at the

is held through the large windows. They allow views

front of the building is fairly high apart from the

out onto the trees either side. At the top of the

occasional passer-by or car. The road at the front is

building views from around Bournemouth can be

a no parking road, which means it should be easy to

seen giving a sense of height and light and space.

exit and enter the premises without obstructions.

In terms of the building physically, there are 4 load

Dean Park House is a seven storey building with two

bearing pillars throughout the building that are

levels of underground parking and a flat roof. It is a

exposed centrally in the space. Apart from these

rectangle form with areas that subtly protrude, such

there are some aspects of the building that can

as the 1st floor over the porch. It is placed on a hill

be carefully changed, which as the walls near the

which leaves the top car park floor partially exposed.

entrance. Light alterations can open up the space without compromising the safety of the structure.

Part 1A.

Services of the building such as plumbing are mainly

08


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14

Throughout this unit I will be exploring how Dean Park House, a multi-storey building, can be used as a co-living space for young creative professionals. I will be designing shared facilities and private spaces in order to meet the needs of a co-living environment. Precedents of other co-housing communities such as Roam Co-Living Housing Complex, Bali, by Alexis Dornier, Share House LT Josai, Nagoya, by Naruse Inokuma Architects, The Collective Old Oak Common, London, by PLP, will inspire my work in terms of function, style and communal living. I will take on challenges of working with a multistorey building and creating a design with the future in consideration. I will use the skills I have learnt in my first year, and new skills to create a realistic but creative design. I aim to design a layout that allows movement through the building and a flow between shared spaces as a result of the layout and design. Furthermore, I will design with sustainability in mind to ensure the establishment is environmentally friendly and will maintain a good condition in the future.

Statement of Intent Co-Housing For Young Singles

Part 1A.

13/11/2017 13:43:50

Statement Of Intent


15

Creativity

Creative Industry Bournemouth In recent years Bournemouth has seen an up rise in the creative industry. There are over 450 creative agencies in and around the area as a result of this and has led to the industry's growth as a whole. One of the reasons a creative young professional would be attracted to this establishment is because of these work opportunities. Some may have graduated from the Arts University Bournemouth and wish to remain in the area and some may be put off the expenses of inner city life elsewhere. Jobs range from architecture to graphic design. Arts By the Sea Festival is an example of the creative industries presence in Bournemouth. It is hosted by Arts Bournemouth Film and Visual Art. Its intentions include the development and support of art in Bournemouth by collaborating with international and local partners. This Year, the 2017 show, focused on environmental issues to help raise awareness.

Figure 6

An example of this was an installation called 'Save our Seas: Message in a Bottle' by Lulu Quinn. It is an 8-metre-long bottle made up of plastic bottles that have washed up on the beach. The artist welcomed people to write a message of visions and hope and put them inside the bottles of the installation. Another Example of the presence of creativity in Bournemouth can be seen through developing street art as seen in Figure 6. It is a creative and artistic style of graffiti that takes over whole walls or objects. This can be seen around Bournemouth such as in the triangle against Ojo Rojo, a Mexican restaurant and on the side of a building in Lansdowne.

Part 1B.

Part 1B.

every Autumn with over 60 events including; Art, Dance,


Client Study

16

Client Study Creative Young Professional The demographic for Dean Park House Co-Living is single creative professionals. These can be anything from a recent graduate to a first time renter. Co-living appeals to these clients because of their lower cost of living compared to a house. It also has social benefits as it tackles isolation and exclusion problems in society. The clients may be looking to move away from a bustling city lifestyle, commonly found in London, without giving up the ideal location and work opportunities. Equally the client may be a native to the area and looking to move out from home without straying too far and maintain that support. This establishment is further geared to creative personalities due to Bournemouth’s growing creative industry. More businesses are developing in the region creating a market for this client. In turn, creative professionals may attract more businesses to the area growing the industry further. Single professionals targeted for this residency are young and open minded as well as creative. They can be of any nationality and gender as the environment promotes inclusivity. The diversity will bring a variety of ideas that can be shared between individuals and inspire their works. Dean Park House CoLiving has the aim of creating a family atmosphere between

The Old Oak Collective

Part 1B.

residents that have a supportive attitude.


Benny Lam spent 4 years capturing a series called “Trapped” which delves into the world of coffin cubicles and cage homes. The aim was to bring attention to the social injustice surrounding the tenants of Hong Kong. With one of the most expensive housing markets in the world, people have no choice but to live in typically 6’x2.5’ rooms, which are illegally divided by landlords. Despite the room being too small to stand up in, activities including cooking and sleeping take place in the tiny spaces. From this precedent I will be looking at how small spaces can be opened up communally to create a large practical space. This takes into consideration privacy and security as well as integration. From seeing the small and degrading rooms that Hong Kong leaves some people with, my design aims to be spacious despite being high density, which implies limited personal space.

Coffin Homes.

17

Concept Study


18

TietgenKollegiet is located in Ă˜restad Nord, a neighbourhood in The University of Copenhagen. It is described as everchanging with lots happening over the past few years. Other residence halls have been built adjacently with a supermarket and cafĂŠ. The destination is also between city and nature. It sits next to protected green belt Amager FĂŚlled as well as a nearby metro station that goes into the city. The 360 rooms face each other in a circle around a central courtyard and provide integrated storage and a moveable wardrobe that can be used as a room divider. They have en-esuites in every room, however only offer communal kitchens as they encourage communal living. The kitchens are the focal point of the residence and aim to create a family-like relationship between residents as well as providing new experiences and ways of living. Other communal facilities include a common room, cinema, pool and work tables. This precedent influences my design process as I look at facilities that should be private and communal as well as the ways these spaces can be intergrated.

Part 1B.

Tietgen Halls.

Precedents


1. Roam, Bali Alexis Dornier

Alexis Dornier completed this co-living project in Ubud, Bali for the company Roam, who offer the chance for people to move between different complexes around the world. It offers spaces including a rooftop lounge, a swimming pool, a large communal kitchen and a barbecue garden. Because of the companies' vision for people to move between the locations, Dornier designed spaces that include traditional Balinese style and domestic details from around the world. The complex is made up from three previous apartment blocks that are formed in a U-shape and used more recently as a boutique hotel. This project is similar to mine through this as Dorniner's team took what was existing and completely overhauled it by adding new bathrooms and windows. It inspires my project through its simple design and the importance of growth socially. This project also has an inner courtyard with a pool which inspires the idea of having a significant central space, which I want to consider when designing.


2. The Collective Old Oak Common, London

This complex focuses on the concept of residents having everything at their fingertips which is why I have chosen to look at it. It is based in London and is the largest shared living space around the world that combines hotel and student living. It contains 550 rooms, and can be seen as a high-density living environment similarly to my project. The CEO of the company, Reza Merchant, said "in theory you wouldn’t have to leave the building if you didn’t want to, because you have everything at your fingertips." The project aims to cater for the trend co-living and offers shared apartments with communal lounges, kitchens and bathrooms. Other facilities

PLP

include a co-working space, a restaurant, gym, spa and laundrette. I will use this concept to look at making communal spaces but explore ways of creating revenue from alternative sources such as the public in response to the smaller scale of my site.


3. Share House LT Josai, Japan Naruse Inokuma Architects

This complex was created by a Japanese firm called Naruse Inokuma Architects. The aim of the project was to encourage the residents to interact in different ways and through communal areas. They built it on the principles that complete strangers need to naturally continue to share spaces. The rooms are of equal dimension and spaced across three levels around a void of open plan living. They created multiple areas of shared space, each with a different sense of comfort. These spaces include a large seating area, kitchen counter, rug space and sitting room. This complex is of a smaller scale than the others I have looked at and contains only 13 rooms and is of increasingly popular style in japan. What inspires me from this design is how you can see all parts of the communal space through the open plan style and the central void. The style of the design is simple which makes it cost effective, something I will also consider in my design.


4. We Live, New York We Work Located in New York, this establishment is a 4 storey building that was low cost desk renting space owned by the company WeWork, which they have converted into 200 fully furnished and serviced residential units. They use the principles of shared spaces to help reduce the cost of living for residents and enables them to live more fulfilling lives socially. They offer studio, one bedroom, 2 bedroom and four bedroom units, which residents can share or have their own depending on how much they want to pay. Smaller spaces like kitchens, lounges and bathroom are shared within units, whereas large communal areas and designed for wider use. The units are simply furnished with tiles and wood surfaces and part of the deal of living there includes the ranging provisions of shampoo to books. Additionally, the company provides communal events in the shared spaces including meals, game nights and fitness classes. They are about creating friendships and neighbourhoods within the security and comfort of the establishment. This project has inspired me through the concept that a space can be shared ad made private depending on the user's needs. Also, the variety of smaller and larger shared spaces

Part 1B.

which stops overcrowding of areas in a large building occupancy.


5. Mini Living Shared Urban Living MINI has developed a concept for shared urban living and exploring ways it can apply its brand value to solve housing shortages. This installation demonstrates a 30m apartment that could form a part of a micro-neighbourhood with shared facilities. The design consists of a wood-clad apartment with fold out shelving that acts as walls. A kitchenette and workbench are incorporated into these shelves and when occupants want to be social they can open them outwards and share facilities or close them for privacy. I think this concept identifies the idea of co-living well and in a new modern way. MINI researched into its customers and found that housing was a key concern. Therefore, they wanted to create an alternative to traditional property ownership and house shares. They further identified that one of the highest priorities of people was finding an attractive and affordable apartment. MINI Living project manager says “if you live on a small footprint, you can still get the maximum experience by sharing everything that you have�. I am inspired by this installation through its movable spaces that can adjust to different situations and requirements. I will take this concept through into my design in order to provide a space that is diverse and adaptable.


6. Mini Living Forests

During the London design Festival Asif Khan created a "space in between" homes and workplaces through a forest installation. It consists of three translucent boxshaped structures filled with plants that present ideas about how people can meet in a shared space to work and relax outside the office or home. They use polycarbonate for the structure as they believe it is an ideal material to communicate the aspect of something private happening in public. They incorporate plants because it adds a homely element. All three boxes named, Connect, Create and Relax, have a different purpose. Connect is one that relates to what I am exploring as it features a corridor and communal table that encourages people to meet and interact. I want to bring

Part 1B.

this concept into my designs as a way of helping co-living individuals connect.


Criteria Matrix & Accomodation Schedule

Entrance Reception Public toilet Lift Stairs Gallery Bar Kitchen Bathroom Bedroom Study Space Office Laundry Parking Windows Deliveries Lounge

25

Entrance Reception Public toilet Lift Stairs Gallery Bar Kitchen Bathroom Bedroom Study Space Office Laundry Parking Windows Deliveries Lounge

Adjacent Minor Adjacentcy Not Adjacent

Criteria Matrix and Building Schedule.


Bubble Diagrams

26

On this page I have explored different space ideas, based on my criteria matrix and building schedule. I looked at the buildings potential use vertically based on these zone ideas. I established that it would be more practical for services to be on the lower floors, due to the stair and lift facilities, and for the residential areas to be on

Part 1B.

the upper levels. The basement is ideal for storage and to receive deliveries due to its exiting garage opening.


27

Bubble Diagram

Building Analysis Dean Park House

Stairs and lift adjacent to the store room.

STAIRS

STAIRS

RECEPTION

STORE ROOM For deliveries. LIFT

GALLERY

LIFT

OFFICE

PUBLIC W/C

BAR

Here are my zoning plans to demonstrate how the uses of the space are connected and used. The first diagram of the basement level will hold the laundry room and staff services, such as a staff office and storage room. The stairs and lift will be adjacent to the store room making git accessible around the building. The laundry room will be adjacent to the lifts making it easily accessible for residence to carry their laundry down. The office will also have access to the stairs and lift for direct use.

Level 0.

Level -1.

LAUNDRY ROOM

Toilets adjacent to the bar.

The groundlevel is accessible bythe public aswell as the residents and staff.Therefore, a reception is required to welcome guests. This will be directly adjacent the bar and gallery facilities to ensure the public stay in the restricted zones of the building. The bar must be adjacent to the toilet due to the sale of food and beverages. The gallery reception d bar will work in a circulation format making each area easy to use.


Bubble Diagram

STAIRS

28

STAIRS LIVING AREA KITCHEN LOUNGE

STAIRS

STUDY ROOM

LIFT

BEDROOM

Level 1 is a private space specifically for residence to socialise and co-live. It will comprise of a lounge and study space. These spaces are will be designed to alternate between private and communalwhich creates a multifunctional space.Therewill be a communaltoiletonthe floor, so people do nothaveto access otherlevels forthis facility.

BATHROOM

Level 2-6.

Level 1.

W/C

Bathroom adjacent to the bedrooms

Level’s 2-6 will contain the residential floors. Here they will have access to alternating kitchen and bathroom facilities as well as communal seating spaces. They will also have a private bedroom space. There must be bathrooms on the same level as all the rooms to enable user to quickly access a toilet or sink. The residential levels should be directly accessible to two sets of stairs in case of a fire, therefore the main living area will be open to both end and staircases.


but with specific room ideas and layouts. On this page I have expanded my vertical zoning ideas and looked at how services can function throughout the building. I also considered who would be using what areas of the building to effectively plan the space. The residential areas would only be accessed by residents and occasionally staff, therefore I have planned to place them at the top of the building. Additionally, because the bar and gallery are open to the public I have placed this on the ground floor to eliminate the need for them to travel to other floors. Although the staff move throughout the building, they need a location for admin, storage, deliveries and cleaning cupboard. Because of the need for road access for delivery, the ideal location is in the current upper car park level. To keep all the staff areas together I will also place these other facilities on the same floor. The laundry room could also be on this level to keep services together. I have left the existing lower car park level the same for residents or staff to park.

Part 2A.

Throughout part 2A I have explored more zoning ideas


30

On this page are 4 ideas for voids between the restaurant and gallery space, and the lounge and study space. I wanted to combine these areas to demonstrate the communal living aspect of the project. The lounge space would look over the bar whilst the study space would have a glass wall for noise control. This ideas stem from my precedent study of Share House and the way the space in that project is split over floors using voids and balconies.

Part 2A.

Zoning


31 03

Spatial Planning Zoning

On this page I have explored the layout of the services and staff floor. It was important to maintain the link between the two stairwell doors for fire safety for users to quickly access the upper level in need of escape. Therefore, I planned ideas where the staff room had a link to both doors then the storage rooms and laundry room have direct access to a door. As this space is made for services I looked at practical room shape ideas that are easy and efficient to use I kept the laundry room in the left bottom corner due to the link with WC services above. Therefore, there wouldn’t be a need to create

Part 2A.

new services to provide the machines with power and water.


Sketch model Zoning

03 32

On this page I looked at ways of laying out the resident’s floors. I looked at placing the bathroom at the front of the building but decided that again it was more cost efficient to keep it in the location of the services. I also decided to place the kitchen in the central area to create a communal and central zone. Therefore, when people come out

Part 2A.

of their room they are in a community environment.


Here is a sketch model of a concept I developed showing the natural lighting effect on voids. Because of the effect of potential noise on the lounge from the bar I decided to feature voids in the resident’s space instead. This relates even closer to my inspiration for Share House. This is because I have created voids that are different on each floor. This brings light into different areas of the space whilst allowing it to travel all the way down the centre. Because I have planned to put rooms around the edge of the floors, it will be hard for natural light to reach the centre. This means the voids are a way of tackling the lack of natural light source. The central concept is also drawn off my precedent Roam in Bali. This complex has a central courtyard where there is a communal space and pool. think a central communal area helps include everybody that is around it.

Part 2A.

33

Sketch Model


Concept Spatial Planning Sketches

03 34

To start thinking about the design of my project I created some concept sketches. On this page I created three ideas involving the design of the bar. I was particularly interested in lighting being the focal point of my design. By designing a light with repetitive figure, I was aiming to demonstrate the sense of community through lots of indivifual forms coming together in a space. Different shapes helped me look at this flooring are connecting as well as reflecting the shape of the lighting.

Part 2A.

concept. I particularly like the third drawing as the design of the bar and


35

Concept Sketches

Another drawing I have created shows a lighting feature design. This idea incorporates faux flowers and lighting together as an installation. The idea behind this reflects the location next to Horseshoe Common. I also drew the idea off my precedent Forests bringing people together to relax outside of home or the office in a homely environment.

Part 2A.

by Mini. They had a similar concept of


Concept Sketches

36

On this page I developed my previous idea of multiple individuals for a lighting design. To make a more apparent concept of lots of individuals coming together I have designed a round lighting fixture. The multiple shades travel across the room towards the bar as people walk into the room. The shades will additionally

Part 2A.

vary in size creating depth to the room.


Part 2A.

37

Concept Sketches


Concept Sketches

38

On the opposite page I have sketched some sink ideas to show multiple sink ideas. These were to grasp an idea of the style of the bathrooms. I want them to be sleek and modern to appeal to the tastes of the young clientele. On this page is a full concept sketch of the building. This sketch helped me grasp the area of the building and what is below and above areas of each floors. It also showed the

Part 2A.

layout of walls on each floor and how much open space there will be.


Part 2A.

39

Concept Sketches


Concept Sketches

40

These sketches show some kitchen ideas in the central zone of the resident’s space. Either side of the unit are moving walls that allow for rooms to become communal around the kitchen and living space. These sketches also helped me understand how people would have to move around the space and the practicality of the design. On this page I have drawn a rendered kitchen concept that I sketched on the previous page. I wanted to look at this idea more in depth because I like the incorporation of the unit and the table maximising the social concept of the space. This idea was inspired by my We

Part 2A.

Live precedent, where residents cook together as a social activity.


create WE W W WE create E E WE create WE create WE W E W E Create Create


Neon Signs

On the opposite page I have shown how I came to my logo and brand design. The brand name WEcreate is formed from the communal aspect of the development and the creative collaboration that will develop from community. I started from using the initials W and E and placed them in different ways around each other. I experimented with different fonts and connected the initials to the word create. I decided the second font, through creative wasn’t professional, another characteristic for my clients. Therefore, I reverted to the original font and played around with the position on the word create. I came to the top conclusion with ‘WE’ in bold and create in lower case to emphasise the communal living aspects. In terms of outdoor signage, I have decided to use a neon sign, which not only can be seen 24/7 but also emphasises the creative aspect. By using this sort of sign, it also promotes the public bar and gallery after dark. Due to its location, off the main high street, the sign will help draw attention to it. I also chose the colour blue to glow as it reflects the colour scheme of the interior, and the seaside location. Below is a design on the external signage I have created. I have placed the neon sign along the edge of the building to maxamise its size. At this height it can also be seen from around town, and is good for promotional purpose. I have also created garden walls down the builidng to mask the unslightly colours and materials.

Neon Signs.

42


External Development

Daytime (NTS)


Nightime (NTS)


my concept and explore different lighting

Model

affects. I used a pink and yellow filter to exaggerate the light and show where it hits the building at different angles. I chose to cut my model I half to fully show the effect of the central voids. Also, due to the positioning of the rooms around the edge of the rooms, a section model shows the inner rooms as well.

Part 2A.

45

I built a model to the scale 1:100 to demonstrate


On this page are some close ups of the interior of my model. The voids will be connected by a series of staircases and therefore creating a larger communal space.This promotes residents to move around the building and socialisewith everyone, not just their floor. The void also let’s light down to the 2nd floor. By making this model I was able to see how the space will work around the pillars that run down the centre of the building. Making a scale model also allowed me to see if my spaces are a realistic and practical size, particularly through the centre of the resident’s areas.

Model

46



Here I have are some material boards I have created to explore the effect of different texture combinations. The first board on the opposite page shows autumn hues such as red, orange and yellow. This idea is gender neutral and will create a homely environment. I like the mixture of soft and hard materials such as velvet against stone because it appeals to contrasting seasons. I also included faux ostrich skin to add an exotic affect. The second material board I have created has a cooler colour palette and focuses on pastels. Again, I have used terrazzo stone and marble, but combined it with plastic material, which have a more modern and futuristic appearance. By using a wood, a more traditional sense I brought to the design. This material palette could become quite cold and not as homely for users. This material board uses more neutral tones with a feature colour of turquoise. This keeps the palette gender neutral and creates bold colour schemes keeping in touch with a stone (marble) feature, I have also used a chunky knit material, velvet and faux croc skin, which creates a variety of textures. Bold copper contrasts with the other materials with its shine quality, whereas the others are matte. I have chosen to take this scheme further as it appeals to the majority and the turquoise reflects the seaside location.

Material Discussion


49

Staff and Laundry Room Mood Board

Modern Materials

Angular and Curved Figures

Natural Forms

Part 2A.

Dark Hues


Bar and Gallery Mood Board

50

Minimalist Art Alternative Floor Patterns

Classic Furniture

Part 2A.

Round Forms of Lighting


51

Lounge and Study Room Mood Board Turquoise and Navy Paint

Round Feature Lights

Contrasting Colours

Turquoise Sofas

Harsh Patterns Contrasting with Flat Colours


Accomodation Mood Board

Minimalist Art

Simple Furniture

Natural Stones and Plants

Natural Forms Complimentary Colours

52


Part 2A.

53

Collage


Collage

54

On the left page are some collages of my laundry space and staff room. This was to develop the colours and furniture from my mood board. I have used neutral tones to appeal to the variety of users. This space is also in the first level of the basement, meaning there are no windows and a lack of natural light. Therefore, these light tones and materials will help lighten the space in combination with artificial lighting. On this page is a collage of the bar and gallery. This was so I could visualise the colour scheme together and the texture. My choice of turquoise and blue reflects the location of being by the sea n Bournemouth. Combining turquoise and navy together make a bold statement and empathises each other despite their non-contrasting appearance.

Part 2A.

Collages


55

Proposed Plans

-1. Laundry, Staff and Storage Room 1:100 Level -1


Proposed Plans

0. Bar and Gallery 1:100 Level 0

56


57

Proposed Plans

1. Lounge and Study Room 1:100 Level 1


Proposed Plans

2. Residents Rooms and Kitchen 1:100 Level 2

58


59

Proposed Plans

3. Residents Rooms and Bathroom 1:100 Level 3


Proposed Plans

4. Residents Rooms and Kitchen 1:100 Level 4

60


61

Proposed Plans

5. Residents Rooms and Bathroom 1:100 Level 5


Proposed Plans

6. Residents Rooms and Kitchen 1:100 Level 6

62


63

Proposed Plans

7. 3D Building Concept Daytime


8. 3D Building Concept Nightime


65

Long Section

9. Long Section 1:100 Throughout this part I have presented my design scheme. Each space connects to another through moveable walls and circulation routes. This promotes the sense of community and sharing that I aimed to achieve. Through inspiration from my precedent Share House I created connected floors through voids that allow light and movement through the space. My research into Mini installations inspired my design through their moveable walls in the Urban Living project and their communal meeting space in Forests. We Live by We Work inspired my communal kitchen space that allows users to move around all sides of the island. This will create a social cooking environment. And finally, the collective old oak inspired the modern design featuring bold colours. This will appeal to the young client. Creating model and collages helped me to visualise the space and how lighting will affect the interior. Through the creation of material and mood boards I chose sleek and modern colour schemes and furniture styles to combine. Using turquoise as the main feature colour reflects the seaside location and is a calming colour, creating a homely environment.



Part 2B.

Part 34 - Student Housing and Housing for Young People.

67 Building Regulations


Building Regulations

Building Regulations Part L

Part L

68

zone of floors 2-6 with natural light. Due to the direct impact and hot water services are required to adhere to the use of

4.23 Controlled Fittings

from rain, hail, snow and other direct vertical impact, this multiple showers and more toilet facilities. More individual

In the context of this approved document, the application of the term controlled fitting to a window, roof, rooflight or door refers to a whole unit, I.e. including the frame. Consequently, replacing the glazing whilst retaining an existing frame is

window would be reinforced through the use of tempered glass spaces are required to be heated; I.e. bedrooms, which externally and interior laminated pane, to protect occupants means larger amounts of energy being consumed. Ways I from falling glass. By using thicker layers of this glass, it will also have looked to tackle this include, new and more efficient eliminate the loud acoustic noise from hammering rain or hail. boilers for the building. Another method I have looked at

not providing a controlled fitting, and so such work is not In

order

to

notifiable and does not have to meet the part L standards, I

have

considered

although where practical it would be sensible to do so. insulated Similar arguments apply to a new door in an existing frame. 4.24

reduce

glazing

summertime using and

solar

heat

heat-absorbing low-emissivity

provided, reasonable provision in normal cases would be the installation of draught proofed units whose performance is no worse than given in table 3 (U-value 1.8 W/(m2.k). In addition, insulated cavity closers should be installed where appropriate. If a window, pedestrian door or rooflight is enlarged or a new one created, then the area of the windows and pedestrian doors

tints, coatings.

is draught proofing improvements, which the guidelines also discuss. There is a large quantity of windows in the building, which could need draught-proofing. Metal or plastic draught-proofing strips are a long-term solution to this A303

problem and house be installed around all of the windows.

Controlled Services

1

A

4.29

Where windows, roof windows, rooflights or doors are to be

gain,

Where work Heating and involves hot controlled water

services, systems

be demonstrated by (including insulation

the

provision

reasonable following

out...the includes pipes, ducts guide and vessels)

the

or

extension

provision the

B

F

G

of

would

guidance

following

E

set

services: DN

Mechanical

ventilation

and of rooflights expressed as a percentage of the total floor area Mechanical of the building should not exceed the relevant vale from table cooling/air-conditioning two (20%), or should be compensated for in some other way... Fixed

internal

lighting

...Where enhanced performance requirements (e.g. wind load,

safety,

security

or

acoustic

attenuation)

require

2 A302

thicker glass to be used, reasonable provision would be demonstrated if the window unit with the equivalent standard glazing thickness can be shown to comply.

As I have changed the use of the building form commercial to

In my design I have placed a rooflight above the voids in the residential and commercial, certain provisions are required centre of the building. The aim of this was to provide the central in terms of controlled services. A larger amount of heating

-

1 A302


69

Building Regulations

Building Regulations Part K - Protection from falling, collision and impact 2 A302

“

K1. Stairs, ladders and ramps shall be so designed, constructed and installed as to be safe for people moving between different levels in or about the building. Building Regulations, Part K.

Not to Scale


Building Regulations 869

250

10 9 8 11

7

6

5

4

3

2

1 Rev

Description

Date

12 13 14

70

15 16

CODE

SUITABILITY DESCRIPTION

STATUS

PURPOSE OF ISSUE

17 18

www.autodesk.com/revit PROJECT

Project Name

19 TITLE

Unnamed CLIENT

Author

Owner CHECKED BY

Checker

SCALE (@ A1)

1 : 10

DRAWING NUMBER

A100

DATE

01/23/07

PROJECT NUMBER

Project Number

REV

10/11/2017 17:48:15

DRAWN BY

869

250

10 9 8

Through the centre of my building I have created four voids that connects five floors using stairs. The aim of these was to allow

5

4

3

2

1

12

levels to one another, adding to the concept of co-living.

13

These stairs all conform to the requirements set out in Part

14

K of the building regulations. Section 1 part 1.3 states that the minimum rise and going of a general access stair to be

15

between 150mm – 170mm for the rise and 250mm – 400mm

16

for the going, which you can see in figure 7. Part 1.15 states that the minimum stair width is 1200mm and the minimum width

17

between handrails is 1000mm. Figure… demonstrates this.

18

Part 1.17 says that if you have more than 36 risers in a

19

Figure 7

869

Not to Scale

consecutive flight, then a minimum of one change of

Level 1 4000

920

risers, with a change of direction at 10 risers. The reason for

6

11

light through the centre of the building and to link the different

direction is required between flights. My stairs consist of 19

7

this was to minimise the space the stairs used on the lower floor and to not block the light flowing through the voids.

Figure 8

Part 1.35 demonstrates the use of handrails on stairs and how they must be on either side of the flight and stand at a minimum of 900mm high and a maximum of 1000mm. As you can see in figure 8, I have created a handrail that sits at 920mm high, to conform to this.

Level 0 0

Not to Scale


71

A303 Building Regulations

Building Regulations 1 Part M - Access to and use of buildings

800

1172

Figure 9

My each

design with

consists 8

rooms.

of

five

These

accommodation relate

to

the

floors, building

regulations Part M, Section 2, part 2.25. This states that: a.

Every bedroom must have a clear access room of a

minimum 750mm wide from the doorway to the window. b.

Not to Scale

At least one double bedroom must provide a clear access

zone a minimum of 750mmwide to both sides and the footof the bed. c.

Every other double room can provide a clear access

zone a minimum of 750mm wide to one side of the bed. This is demonstrated in my project as can be seen in figure 9, I have left a minimum gap of 750mm either side of all double beds, and a gap of 1172mm at the end of the bed. This allows the user to move freely around the room to access the wardrobe, windows and each side of the bed including its nightstands.


Building Regulations

Building Regulations Part B Volume 1 - Fire Safety

The building regulations Part B volume 2 refers to fire safety throughout buildings and dwellings. Part 1.14 says that smoke alarms should be placed in the circulation spaces between sleeping spaces and where fires are most likely to start Part 1.12 of volume 2 states that there should be one smoke alarm on every story of a dwelling house. I have related to this in my design through placing a fire alarm in the kitchen area of the accommodation floors as seen in figure 10, to detect the signs of smoke from the oven and hob. I have also placed them around the circulation route of the floor by all of the bedrooms. On the alternate floors that have bathrooms, I have placed a fire alarm in the bathroom for safety and again in the same places around the floor. On the communal floors I have placed fire alarms near the electrical devices such as TV’s and where people may sit with laptops in the study space. I have also placed them around the bar and gallery.

Figure 10

Fire Alarm

No.

Description

Not to Scale Date

PROJECT

www.autodesk.com/revit

Project Name

CLIENT Date

Issue Date

Owner

Project number

Project Number

Scale (@ A3)

1 : 10

:26:17

Not to Scale

72


Part 34 - Student Housing and Housing for

73 Space Standards

DN UP

---

-


74

Space Standards

Space Standards Metric Handbook HMO’s

(Houses

in

Multiple

Occupation)

Requirements

5.08 Local Authroityt Requiremtns of HMO’s covers – WC’s, Baths and Showers Provide one WC, one washbasins and one shower per flat for up to 5 people. If 5 people shre a WC it should be separate from the bathroom, unless the HMO is small and the occupants tend to live as a single household. If DN

there

amenities A

are should

WC

further

washbasins be

and than

no

in

more

rooms, than

washbasin

one

floor

the

one

floor away.

should

away

than

other

not one

be floor

From figure 11, you can see I have placed 8 showers in the bathroom. As two of the accommodation floors provides large communal bathroom, that makes a total of 16 showers for residents. As the Metric Handbook suggests, there should be 1 shower per 5 people. This makes more than required showers for the 40 residents, as only 8 would be required. It also says that there should be one wash basin for very toilet, which figure… also demonstrates. By placing these bathrooms on alternate floors, no residence will be more than one floor away from these facilities, another suggestion from the handbook.

Not to Scale Figure 11

Including the toilets on communal floors, and the two toilets on the other alternating floors with kitchen facilities, there is a total of 15 toilets in the building and at least one on each floor. This sanitary

demonstrates requirements

how for

I

have

HMO’s

in

considered my

building. .


DN

75

UP

Space Standards

Space Standards Metric Handbook ---

7.03 Services Services Electric power Provide sockets at worktop and at low level. Some colleges meter and charge for cookers separately

from

rents

to

discourage

wasteful

use

of

energy (a lone potato baking in the oven for an hour). Incorporate hobs

in

a

time

case

they

switch are

with left

on

cookers by

and

mistake.

Lighting and mechanical extract These should be good. Also provide generous opening windows positioned to avoid noise and smell annoyance to neighbouring study bedrooms. Provide Refuse

a Place

fire bins

blanket for

easy

and cleaning

extinguisher. and

emptying.

No.

Description

Date

PROJECT

I have used a time switch cooker and hob to help create a safe

www.autodesk.com/revit CODE

environment and to stop someone forgetting they have left either one. I have also placed the kitchen in an area where there

STATUS

SUITABILITY DESCRIPTION

PURPOSE OF ISSUE

SHEET

Project Name

CLIENT

Project num

Drawn by

DRAWING

Issue Date

Unnamed

Author

Checked by

Checker -

are current services to minimise the cost of moving services to another area. This space also features large windows that can be used to ventilate kitchen as well as an extractor fan over the hob. In this area, it is spate from the majority of bedrooms to -

reduce the noise level affecting residents in their private space.

---

As you can see in figure 12, I have placed a fire extinguisher in the kitchen, near the likely origin of a fire starting to increase fire safety. As I discussed previously, I have also placed a fire alarm and sprinkler system around the floor.

Figure 12

Ow

Date

Project Num

A309


Space Standards

76

Space Standards Metric Handbook DN

UP

8.01 DCB Laundry

DCB

Where accommodation is in ‘houses’, provide a washing machine in the kitchen. Elsewhere, include a laundry with washing and drying machines of a robust commercial type, coin operated with emergency cut-off switch, plus a sink for hand-washing clothes, facilities for ironing and folding clothes and seats for waiting. Laundries can be noisy, smelly and humid and are liable to flooding. There is also a risk of theft where clothes are left unattended. Choose the location carefully and provide good lighting, ventilation and a floor gully. Fittings and equipment should allow easy maintenance. Services such as electricity supply, hot water, etc. must be adequate for the level of use. Due to the large scale of this building, as suggested, I have created a communal laundry room as you can see in figur 13, with 10 washing machines and 10 dryers. These machines are coin operated, which helps towards the feasibility of the establishment. Across the other side of the room are 3 ironing boards with a large comfy seating area to separate the space. To avoid the problems resulting for flooding possibilities, I

Figure 13

have placed the laundry room on level -1 reducing the damage potentials on floor below. The machines are also placed in the area of the building where services are existing, reducing the building cost of placing them, elsewhere. Ventilation

No.

Description

Date

PROJECT

www.autodesk.com/revit CODE

STATUS

SUITABILITY DESCRIPTION

PURPOSE OF ISSUE

SHEET

Project Name

CLIENT

Project number

Drawn by

DRAWING NUMBER

Issue Date

Floor Plans

Owner

Date

Author

Checked by

Checker

Project Number

A301

Scale (@ A3)

1 : 50

REV

17/11/2017 16:01:21

services are placed above to ensure adequate ventilation.


77

Space Standards

Space Standards Metric Handbook

8.06 Parking, Loading and Unloading Both the local planning authority and the college are likely to have parking policies. Each situation has its appropriate provision. Students attending an out-of-town campus are more likely to have cars. Security is important: both for guarding against theft and for personal safety. Parking areas should be overlooked and relatively close to entrances. Inconvenient locations lead to management problems with students and staff. Soft and hard landscaping should be used to improve the appearance of parking. Each student arrives at the start of the academic year with large quantities of luggage. They nearly all arrive on the same day; provide sufficient space near to the building entrance for unloading several vehicles simultaneously. In order to tackle the possibilities of residence having cars, I have left the lower basement, level -2, as a car park. It has a secure gated entrance that allows access to only residence, ensuring the safety of these vehicles. With access to the lifts, when residents move in or out, it is easy for them to carry luggage through the building. For extra parking for visitor, there is a large car park at the back of the building, that is

A303

also existing. Both car parks are directly accessible to the main road, making the process easy and safe.

1

UP

-

-

-


Part 3A.

Construction Detail

79

This precedent shows the construction of a ladder desk, a key piece of furniture in my study space. The process involves layering pieces of wood up a frame, creating a ladder affect. In my design two desks will lean against each other for support instead of a wall. A sloid wood like oak is ideal for this purpose as it is sturdy and hard wearing, which it needs due to its constant use.

Construction Detail Precedent Ladder Desk

Anna White, Ladder Desk Construction


ID

Furniture

Dimensions

Location

Description

Remarks

Quantity in space

S1

2154mmx864mm

Lounge space and central study Large two seater sofa furnished Creates two communal seating room. in turquise velvet. Dark oak leg spaces for multiple activites. features.

5

B1

Large- 1010mmx1010mm Medium- 814mmx814mm Small- 400mmx400mm

Lounge space, infront of the TV’s.

Various sizes of cream bean bag Comfortable and relaxed seatfor multiple occupants to watch ing. TV or socialize.

2 large 2 medium 6 small

D1

819mmx114mm

Study Rooms.

White ladder desk for user to Plenty of space for user to work 32 spread out vertically. Made and store items whilst working. from sturdy oak painted white.

V1

1077mmx69mm

Either side of feature wall in lounge.

Large TV for users to watch on Large for multiple users to two differnt screens. enjoy.

2

T1

800mmx800mm

Between the two sofa areas in the bottom left corenr of the room.

Coffe table between sofas for drinks and belongings.

Sleek coffee table to create a relaxing space.

2

P1

2760mmx1500

In the bottom right corner of the room.

Pool table to serve as another communal activity.

In the corner as not to distract other areas of the room.

6

L1

2029mm reach

Over sofa area.

Large overhead light with a warm glow to create a chilled atmosphere.

2

L2

200mm long

Along seperation wall and between TV space.

Large bronze floor lamp to sublty light the sofa area, creating a warm and relaxing environment. Long white glass pendant lights featured around the room to create a glowy atmosphere.

Feature lighting creating a modern and cozy space.

6

L3

Large- 1500mmx1500mm Small- 600mmx600mm

L4

200mmx200mm

Aroudn circualtion of the study room, in the study rooms and along the corridor space between. Above pool table

FF&E Schedule

Large and small circular ceiling Bright light to safely guide lights aroudn the space to light users around space. hallways.

5 large 16 small

Wooden tube pendant light above pool table to give a clear space.

1

This schedule shows the relationship between furniture, materials and my chosen detail area. I have highlighted the important aspects such as quantity and location of both.

Pendant light to enhance specific space.


ID

Image

Room Number

Location

Description

Remarks

Quantity on Level

S1

Level 0-2

On the sofas in the communal space.

Turquoise Velvet.

Turquoise velvet sofa with wood detail.

5

B1

All Levels

On the bean bags in the communal space.

Cream chunky knit.

Round multi-shaped bean bags made from a chunky knit fabric.

10

D1

Level 1

Used for ladder desks.

White wood.

Used for the structure and the surface of the ladder desk.

32

L1

Level 1-2

Used for the floor standing lamp.

Copper metal.

Cover the base, neck and shade 2 of the lamp.

L2

Level 0-5

On the pendant lights.

White glass.

Used for the shades of the hanging pendants.

T1

Level 0-1

On coffee tables.

Grey marble.

Used as a surface on the coffee 2 tables creating a sturdy surface.

L3

Level -1-6

Used for circular ceiling light.

Cream faux croc skin.

Used to cover the shades of the 21 ceiling lights for a alternative appearence.

L4

Level -1-6

Used for tube pendant light.

Dark oak.

Used to create a striking feature 1 above the pool table.

P1

Level 1

Used for Pool table.

Grey faux wood,

Create a soft and sophisticated piece of furniture.

6

1


L3

L3

D1

L3

L3 L3

L4

D1

L3 P1 L3 L3 L2

B1 L3

L2

V1

L2

D1 L3

L3 L3 B1 L3

D1 L3 S1 L3

L1

T1 S1

S1

T1

L1 S1

3D Perspective for FF&E.

Part 3A.

81

FF&E


800

2400

3050

2978

3050

4230 1319

2285

4230

800

4230

2988

L3

D1

125

Nort

L3

D1

D1

3239

4990

D1

S1

2417

1435

L2

S1

P1 B1

T1

T1

L1

B1

V1 V1

800

2154

S1

S1

2760

S1

Rev L2

L1

864

800

1758

5190

Description

Date

L2

125

914

320

1500

1 A309

1

01 First Floor 1 : 50

501

1

501

A309

1665

L4

L3

L3

L3

L3

V1 V1

L3

L3

L3

150

320

L1

L2

L2 P1

L2

320

B1

B1

T1

S1

S1

STATUS

PURPOSE OF ISSUE

www.autodesk.com/revit PROJECT

T1

S1

SUITABILITY DESCRIPTION

S1

Place Production

300

421

900

785

63

L1

CODE

2700

1867

120

4110

1475

125 5969

419

520 13425

874

568

800

580

275

TITLE

Detail Study CLIENT

create WEPark Dean House

Level 1 Section 1 : 50

DRAWN BY

Grace Vickery SCALE (@ A1) 1 : 50

CHECKED BY

DRAWING NUMBER

1

DATE

11/15/17

PROJECT NUMBER

1

REV

16/11/2017 12:16:56

2


83

Sample Board

1:100 Plan for Sample Board


05 Floor Lamp

06 Faux Croc Sking Light

07 Blind

Chunky Cream Knit

1. Sample Panel

Copper Metal

Communal Lounge and Study 03 Velvet Sofa

02 Plant

04 Marble Coffee Table

Turquoise Velvet Grey Marble

Faux White Croc Skin

Parquet Tiles

01 Knit Bean Bag


Technology Study Lighing, Daylighting and Lighting Quality

In my detailed space I have designed a lighting feature that hangs against a central diving wall. It is a ceiling to floor feature, a like that of Torafu Architects, which aims to lighten up the corridor space of my design in a create way. As you can see in the plan view, the location of the lights covers a long are of the corridor to reach either side of the TV wall. The lights draw attention aw2ay from the vats wall behind, which is harsh against the adjacent bi folding walls. Dean Park House only features windows on the long sides of the exterior, meaning any internal rooms don’t always get reached by natural light. In order to include natural light in my internal study rooms, I have created bi folding walls, that not only tackle communal living but also this lighting issues. If the groups studying wanted some natural light they can open these doors to the large windows.

Aesop Kawaramachi by Torafu Architects features squid fishing lamps Torafu Architects have used lighting in a double height space in order to create a focal point of the room. The aim was to utilize the vaulted ceiling and fill the space with light. This positively impacts the space by creating a light and clear space. The bare and mechanical appearance of the light structure emphasizes the height of the space.

Thye can additionally open the door on the entrance side to the windows of the corridor, which could help exclude noise. However, if they choose to just include artificial light, I have placed the circular ceiling lights above to create a warm but efficient lighting, that won't be too bright for users. By utilizing the natural lighting from the windows, the building will use less electrical energy.

Part 3B.

85

Technology Study


04 Fourth Floor 12600

Technology Study

Technology Study

03 Third Floor

Lighing, Daylighting and Lighting Quality

Harbour + Partners’ by Architect Richard Rodgers

9450

Richard Rogers exposes light fitting and wires in this office space for Harbour + Partners'. The effect of this is a mechanical and robotic atmosphere that relates to the movement of futuristic and modern design. The repetitive rows of lights have a space ship style, particularly with the dark ceiling background. I have a similar concept in my design as you can see from my section view. I chose to expose the light fittings over the

02 Second Floor

bar and gallery space of my design to relate to the concept of creativity. By showing these exposed features, you can see all of the detail behind the design. In addition, due to the large number of lights in this room, it makes it easier to find the source of a problem affecting the lights, should there be one and means maintenance will no disrupt the bar space for as long. It positively impacts the design through creating and open and interesting atmosphere and it demonstrates the modern and futuristic styles of design. This in turn appeals to the new upcoming market of clients.

6300

In terms of the environment this reduces the cost of trying to find the source of the problem, and saves to use of material to cover the services. Less energy sources will be used to find the problems and maintain the lights.

01 First Floor 3150 00 Ground Floor

86


87

Technology Study

Technology Study

Anechoic Chamber, Microsoft campus by Eckel Industries

A303 1

800

UP 1172

DN

Noise Control The Anechoic Chamber at Microsoft campus is described as 'a place where sound comes to die' (Wilson Rothman, 2009). It was built to test new hardware products like microphones and webcams. The slats of wood feature around the whole room in order to have maximum affect. This is an extremely creative solution to noise control. In my design I have created bi folding doors along the entrance to the bedrooms in order to alter the privacy of the space. On one hand when people want to share their space and make it communal they can. On the other hand, if they want privacy they can close the doors. Because of the large amount of emphasis on communal living, these residents may cherish an amount of time away in a private space, therefore, it is important when the room is closed off that there is a high level of noise control. Therefore, the bi folding door is have created are made from solid wood with a plastic shiny plastic coating. Doors that are hollow the tend to allow noise to travel through. I have also considered the use of rockwool insulation that is known for its sound proofing qualities as well as fire protection. It also has a positive impact on the environment as it absorbs carbon as it grows and it is made of natural sources I.e. rock.


Technology Study

88

Technology Study Perles Family Studio, by Flansburgh Architects

Heating and Air Conditioning Services

This precedent demonstrates concealed air and heating services. The architects use underfloor heating and cooling systems to regulate the temperature of the studio. This concept saves space and noise that air conditioning or radiators create. I have taken this concept into my design in the same way. These services will help keep the building at an ideal temperature throughout the year. Radiators and air conditioning systems also can disrupt the style of the interior, so underfloor methods appeals to the taste of the design. Due to the high levels of the building, top floor windows would have to have safety precautions such as a limited opening distances. Therefore, residence may not be able to get enough cold air into their room if they need to. By regulating the temperature though these systems, it reduces the need for window openings. Using

a

company

like

Flowcrete

UK,

these

systems

could

become

eco-

friendly by using recycled materials and reducing energy savings by up to 30%

compared

to

radiators

and

standard

air

conditioning

(Flowcrete

UK).


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