GEORGE LAM
THE QUEEN’S GRAMOPHONE for orchestra
MANCHESTER LIGHTHOUSE MUSIC
GEORGE LAM
THE QUEEN’S GRAMOPHONE for orchestra
MANCHESTER LIGHTHOUSE MUSIC
Preface How do I write a piece of music for a city where I was born, grew up, and have since left almost 18 years ago? My most vivid memories and images of Hong Kong remain frozen in 1992, the year that I left for the United States. The colony and its booming economy await anxiously for reunification, while my friends from school and their families emigrated to various places around the world to avoid what they expected to be an impending catastrophe. This nostalgia for a bygone time and place reminded me of the way Wong Kar-Wai framed colonial Hong Kong in his films; the antique sensuality of In The Mood For Love, the bittersweet surrealism in Chungking Express, the fragmented future of 2046 – they all look to a collective memory of the past to comment on the contemporary. For The Queen’s Gramophone, I decided to write about Hong Kong by similarly evoking a collective nostalgia, in the form of an imaginary gramophone at a nightclub in 1950s Hong Kong, in an imaginary black-and-white Cantonese movie: “A couple sits at a table in an empty restaurant, staring coldly just beyond each other. To break the silence, the man gestures for the waiter, tips him, and instructs him to turn on the jukebox. The record player teases out an unfamiliar tune. The couple stands up, the woman puts her arms on the man’s shoulders, they begin to dance. They dance, and the evening begins its slow dissolve.”
Orchestra 2 Flutes (2nd doubling piccolo) 2 Oboes 2 B-flat Clarinets (2nd doubling E-flat Clarinet) 2 Bassoons 2 F Horns 2 C Trumpets 1 Trombone Timpani Percussion 1 Snare Drum Suspended Cymbal Small Crash Cymbals Glockenspiel Piccolo Snare Drum Claves
Percussion 2
Sandpaper Blocks Bass Drum Tam-Tam Splash Cymbal Triangle Bongos
Strings
Duration: approximately 12 minutes.
The Queen’s Gramophone was commissioned by the Hong Kong Sinfonietta, who first performed the work on November 6, 2009 at Hong Kong City Hall, with Yip Wing-Sie, conductor. An electronic copy of the score is available as a free download at www.gtlam.com. Parts are available for sale; please contact the composer at georgelam@gmail.com. Š 2009 George Lam (ASCAP). All Rights Reserved.
for the Hong Kong Sinfonietta
Transposed Score
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Reminiscent, q = 72
THE QUEEN’S GRAMOPHONE
GEORGE LAM (2009)
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Cl. 1
Cl. 2
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Bsn. 2
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Tpt. 2
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Picc.
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Ob. 1
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Cl. 1
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Tpt. 2
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09152009
18
! " 86
Fl. 1
accel.
q = 88
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B 8 09152009
26
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p
3
0 0 0 .( n( n( n ( ( . ( n ( . ( ( . ( n ( ( ( .( ( n( ( ( ( . ( n ( b ( n ( ( .( @ . ( n ( . ( .( n( n( ( ( .( ( . ( b ( n ( b ( ( " n( ( b( b( n( 8
Eb Cl.
Perc. 1
3
0 .0( n( n( ( n( n( @ 0( ( / ( .( .( ( n( .( .( .( n( ( .( .( .( n( .( .( .( .( .( n( n( n( .( .( ( .( ( ( ( .( ( n( / 8
3
Tbn.
3
/ / .( ?8 4
" -
Cl. 1
Hn. 1
3
0 0 0 ( ( ( b ( n ( ( .( n( ( b( n( ( b( ( ( ( ( b ( b ( n( ( n( @ n ( ( .( .( .( .( n( . ( n ( ( b ( . ( n ( ( ( " b( ( .( .( ( .( ( .( 8
3 p
Ob. 2
3
3
3
3
Ob. 1
3 f
3
Picc.
3
3
3
3
31
r 3 ( / n( 0 p
f
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32
143 ( ( .( ! ? ( .( ( n ( ( / Fl. 1 " 8 3
3
3 f
( .( .( .( .( . ( / " ?8 ( (
Picc.
3
3
3 f
( .( .( .( .( . ( / " ?8 n( (
Ob. 1
3
3
3
3
3 f 3
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Ob. 2
/
Cl. 1
3
3
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Eb Cl.
3
3
( $? + 8
Bsn. 1
Bsn. 2
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Hn. 2
Tpt. 1
Tpt. 2
/
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3
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3
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3
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Perc. 2
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3 f
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Perc. 1
3 f
3 p
molto rall.
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146 a tempo, q. = 60 0 rall. 0( b( n( ( .( n( .( .( n( n( ( .( .( n( n( ( . ( . ( n ( ( n ( . ( ( ( 146 ( . ( ( . ( .( ( ( ( . ( ( . ( .( n( ( ( ! ? .( n( ( .( ( n( n ( ( ( .( .( n( .( .( n( @ Fl. 1 " 8 8 3 ff brilliant
Picc.
Ob. 1
Ob. 2
Cl. 1
Eb Cl.
Bsn. 1
" ?8
3
.0( . ( n ( . ( .( n( n(
3
3
3
3
3
3
3
3
3
3
3 ff brilliant
3
3
3 ff brilliant
3
3
3 ff brilliant
3
3
3
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3
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a tempo, q. = 60
ff brilliant
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3
3
ff
Vln. I
3
3
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ff
Perc. 2
3
. ( . ( n ( . ( ( . ( n ( . ( ( . ( ( ( n ( C(DDDDDDDDDDDDDDD ( .(
3
n0( n ( ( ( . ( ( . ( .( n( ( .( .( ( b( n( .( n( ( n( .( .( ( ( ? / / / "8
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Tbn.
3
0 3 3 .0( n ( . ( n ( b ( ( n( 3 ( ( ( .( ( ( ( n( ( ( ( ( b ( n( n( n ( b ( b ( ( n ( n ( b ( b( ( ( b ( b ( ( b ( b ( n ( b ( b( ( ( b( b( b( ( ( .( n( C(DDDDDDDDDDDDDDD ? @ ( .( "8 8
! ? (# Hn. 1 " 8
Tpt. 2
3
3
ff
Tpt. 1
3
( . ( n ( . ( ( . ( ( . ( ( n ( C(DDDDDDDDDDDDDDD 0 3 3 3 ( b( b( n( n( .( .( . ( n ( n( ( n( .( ( .( .( ( .( .( n( n( b( ( n( ( ( b ( ? ( @ ( / ( .( ( ( b( "8 8 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff brilliant 0 0( 3 3 3 b ( ( ( . ( n ( . ( .( n( n( ( .( .( n( n( ( . ( . ( n ( ( ( . ( ( ( ( .( ( .( .( ( ( ( .( ( .( .( / n( ( .( ( n( .( .( n( @ " ?8 8 .( n( ( .( ( n( n( ( n(
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Hn. 2
3
0 b( ( n( ( ( ( ( b( ( ( b( ( b( b( n( n( .( .( . ( n ( n( ( n( .( ( .( .( / .(
3 ff brilliant
.0( . ( n ( . ( .( n(
3
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p
p
p
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@ 8 @ 8 @ 8 @ 8 @ 8 09152009
34
meno mosso, q. = c.50
b 149 ! @ n( .( ( b( n( (CDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD ( ( ( ( / 1 Fl. 1 " 8 4
(C)DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD (# ( ( ( (to flute) 4 / 1 " @8 pp (C)DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD (# ( ( ( 4 / 1 " @8 3
Picc.
Ob. 1
3
b CDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD @ n ( ( ( ( ( ( / 1 . ( n ( ( b( "8 4
(C)DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD @ ( ( ( / 1 " 8 (# 4 3
Cl. 1
3
pp
pp
b CDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD (to Bb clarinet) 3 3 ( ( / 1 " @8 n( .( .( n( n( ( ( ( 4
Eb Cl.
( $@ + 8
Bsn. 1
Bsn. 2
Hn. 1
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Tpt. 1
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pp
pp
Ob. 2
molto rall.
Tam-Tam
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f espr.
f espr.
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155 slower, e = c.126 0( 154 n ( . ( . ( ( n( .( ( # ( ( ( ! ; ? Fl. 1 " 8 8 f
Fl. 2
( ? 0( n( .( " ;8 ( .( .( 8 ( ? 0( n( .( " ;8 ( .( .( 8
Eb Cl.
Bsn. 1
Bsn. 2
( ? 0( n( .( " ;8 ( .( .( 8
Tpt. 1
Tpt. 2
Tbn.
(#
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Vc.
Cb.
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Hn. 2
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Cl. 1
(#
ff
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Ob. 2
(
ff
f
Ob. 1
35
p
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f espr.
09152009
36
Fl. 1
! "
Ob. 1
Ob. 2
"
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$
Tpt. 2
"
Vln. I
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Tpt. 1
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Hn. 2
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Fl. 2
163 slower still, e = c.116 (# ( ( .( +
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159
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44
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Fl. 1
Picc.
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46
Fl. 1
224 ! ;' "!
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! Fl. 1 "
48
233
"
Picc.
"
Ob. 1
"
Ob. 2
"
Cl. 1
"
Cl. 2
Bsn. 1
Bsn. 2
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Tpt. 2
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September 10, 2009 - Durham, North Carolina in memoriam Nicholas Maw 09152009
George Lam (b. 1981) lives in Durham, North Carolina, and is pursuing a PhD in music composition at Duke University. Recently, George has been interested in writing music that directly engages with everyday life, exploring the intersection between music, theater, and the documentary. George is currently working on a new documentary opera about the legacy of Durham's cigarette industry, created from collected interviews, oral histories and archival materials. George's music has been performed by Volti (San Francisco, CA), American Opera Projects (Brooklyn, NY), Red Clay Saxophone Quartet (Greensboro, NC), Boston University Concert Band, Charles River Wind Ensemble (Boston, MA), Aspen Contemporary Ensemble, Hong Kong Voices and the Hong Kong Sinfonietta. George was a Schumann Fellow at the 2006 Aspen Music Festival and School's composition master class, as well as an Angus Allnatt Foundation Fellow at the 2004 Dartington International Summer School. Other recent fellowships and residencies include American Opera Projectsâ&#x20AC;&#x2122; Composers & The Voice workshop series, the Virginia Arts Festival John Duffy Composers Institute, and the 2007-08 Volti Choral Arts Laboratory commissioning and residency program. George holds degrees from the Peabody Conservatory of Music and Boston University, and is co-artistic director of Rhymes With Opera, a new opera company dedicated to bringing new opera and music-theater into unexpected spaces.