Winslow Homer In the Wheatfield
Guarisco Gallery COLLECTIONS
HENRI EBASQUE
L
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Baigneuses à la fontaine, St. Tropez 36” x 43” fr.
Henri Lebasque, an important Post-Impressionist painter, explored different styles, such as Fauvism, Intimisme, and Divisionism. Lebasque was also a founding member of the progressive Salon d’Automne.
Vase de Chrysanthèmes 40” x 32” fr.
Les Gorges du Loup, route de Grasse 38” x 45” fr.
G. D’espagnat
E. Cucuel
Sommer Stille 33” x 27” fr.
M. Luce
Les laveuses au bord de la Cure à Bessy 23½” x 26¾” fr.
Camille Pissarro
Vacher dans un pré à Eragny, 1890 15” x 18¼” unfr. 24” x 27” fr.
Literature: Pissarro and Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings (Wildenstein Institute, Paris, 2005), vol. 3, p. 579 (no. 881) (color illus.)
11½” x 13½” fr.
G. D’espagnat Au jardin 36⅜” x 43¾” fr.
G. D’espagnat
Bouquet de fleurs 30” x 26” fr.
G. Loiseau
L’avant port de Dieppe 25” x 28½” fr.
H. Geoffroy
At the fountain 32” x 27½” fr.
H.C. Pissarro Venise en fêtes 19¾” x 24” fr.
H.C. Pissarro
Neige au bois Jôdin 24¾” x 28¼” fr.
Albert
André
Albert André was a protégé and dear (best) friend of the great Impressionist painter Renoir. He trained under Renoir and wrote the first biography of the artist. Later he associated himself with the Les Nabis group. André bequeathed his art collection to France, and the museum in Bagnols-sur-Cèze is named in his honor. Exhibited: Second Exhibition of the International Society of Sculptors, Painters, and Gravers, Knightsbridge, London, May–July 1899 (no. 4) Literature: Mermillon, Marius, Albert André (Paris, 1927), p. 63, no. 2 (illus.) Yeatman, Evelyne, Albert André (Paris, 1990), p. 23 (illus.) Catalogue of the Pictures, Drawings, Prints and Sculptures at the Second Exhibition of the International Society of Sculptors, Painters, and Gravers (London, 1899), p. 68 (illus.) To be included in the forthcoming catalogue raisonne by Mme. Evelyne Yeatman. H.A. Barnoin Brittany Port 13½” x 15½” fr.
A. André
Femme à la promenade 46” x 35 ½” unfr. 54¼” x 43½” fr.
F. Fanelli
A Dachshund Pup 14½” x 12½” fr.
M. Walter
Tuck’s Point, Massachusetts 34” x 40” fr.
W. Quirt
O. Gauthier
The Farm 28 ¼” x 32 ¼” fr.
Still-life in color (1963) 22½" x 19 ⁄2" fr.
C. Vénard
Still-life with Compote Dish 48” x 48” fr.
A. Lhote
La salle à manger 22” x 25” fr.
C. Vénard
Still-life of Flowers, Fruit and Jug 46½”x 46½” fr.
C. Vénard
Still-life with Fruits in White Vase 18½” x 21½” fr.
B. Browne Two Heads 30" x 36" fr.
P. Dubois
Portrait de Mme. Legrand 38” x 29½”
C. Vénard, Still-life (Music), 49⅛” x 49 ⁄8” fr.
C. Levier
Provence 38½” x 48½” fr.
O. Gauthier
Untitled (1949) 37" x 31" fr.
B. Buffet
Nature morte au fond rouge 39” x 53” fr.
J. Le Bescond
Trinidad 42¾" H x 14" D x 14" W
C. Levier
Nature morte: vin et fruits 32” x 38” fr.
S.Y. Hong
Noise #09 39 3/8” x 39 3/8” fr.
‹ M. Cassatt, Portrait of Master St. Pierre as a Young Boy, 38” x 31” fr. ‹ J. Lurçat, Blue Moon, 18” x 19¾”
E. Renssen
View of Amsterdam 40½” x 46½” fr.
D. Wilks
A Menorah of Freedom 17” H x 26” W x 11” D
E. Renssen
Nude in Pantaloons on a Red Sofa 42½” x 56 ¾” fr.
C. Levier
La Loge 37” x 31” fr.
Jean-Pierre
3CASSIGNEUL6 b. 1935
Le collier rose 31” x 27⅜” fr.
Femme Alongéee 37" x 44" fr.
L’espagnola 47¼” x 36⅜” fr.
Rose 34” x 30” fr.
Danseuse au Lido 39” x 33½” fr.
UP-CYCLING refers to the re-use and repurpos-
ing of materials for other than their original intention. It has been used by artists throughout history, including: American quilters, Joseph Cornell, Robert Rauschenberg, Georges Braques, and Picasso, all of whom have reused materials or objects to create new, more complex works of art.
A. Gazier
Palais d’été 76 ¾” x 38 ¼” unfr.
D. Powell
Mark Twain 70” x 60” fr.
Jamali
Heavenly Gaze 59 ½” x 53 ½” fr.
E. Mattini
Mosaic-Orchestration XI 41" x 41" fr.
S. York
Stallion Dreams 23” H x 21” W x 11” D
J. Le Bescond
Petite Idylle 29½” H x 17¾” W x 7¾” D
D. Powell
Marilyn 72" x 67" fr.
A. Gazier
Escalier Bleu 76¾” x 38¼” unfr.
J. Le Bescond
Adagio 62”H x 23” W x 24” D
C. Alan
Narrative: Lotus ‘Traced Awakening’ 48¾” x 48¾”
E. Guarisco
Stallion II 20” H x 20” W x 12” D
K.H. Lee
K.H. Lee
Monument: Degas, Dancer Practicing at Barre 58¾” x 45½”
KYU-HAK LEE
specializes in mixed-media mosaics. His unique method involves wrapping pieces of styrofoam with strips of colored paper, including magazine, newsprint, and traditional Korean hanji paper. Lee then uses the styrofoam piece like an individual brushstroke to model form. Drawing inspiration from the masters of the past and combining it with his own creative technique to create a work of art uniquely his own.
Van Gogh, Self-Portrait with Bandaged Ear 59¼” x 46¼” fr.
C. Alan
Populus: Homage to Van Gogh 66 ½” x 52½” fr.
G. Pferdekamper
At Attention 8” H x 8” W x 10” D
At Rest 6¾” H x 10” W x 11½” D
At Play 5½” H x 11½” W x 5” D
C. Alan
Narrative: Bridled (Hay Horse) 49” x 49” fr.
C. Alan
Narrative: Dress ‘Hokum Fall’ 40” x 50” fr.
C. Alan
Populus: Dame Elizabeth Taylor, “Liz” 46½” x 46½” fr.
F. R. Unterberger
Arrival of the Fishermen in Capri 60” x 55” fr.
H.J. Geoffroy
A Simple Pleasure 28¾” x 32½” fr.
H. J. Geoffroy
Captive Audience 27¼” x 31½” fr.
C.C. Henderson
The Royal Mail Coach 11½” x 15½” fr.
E. Petit
Hunting Scene 31½” x 36” fr.
J. Shapland
Coastal Sunset (pair) 16½ x 20½” fr.
F. Morgan
Tug-of-War 52” x 65” fr.
L. Giran–Max
Enfants au bord de la rivière 50 ¾” x 43½”
D. Enjolras
Two Ladies in a Boudoir 35” x 28” fr.
G.T. Ribot
A Vase of Roses and Lilacs 24¾” x 28” fr.
A. Barye
African Elephant 4" H x 4½" W x 2" D
M. Moreau
25” H x 19” W x 17” D
T. F. Dicksee
Olivia Unveiling to Viola (Twelfth Night) 37½” x 32½” fr.
E.H. Cauchois
Chrysanthemums Blooming on a Terrace 53” x 36½” fr.
P. Palmer
Just Kids 49½ x 37½” fr.
E. Pechaubes The Horse Race 25½” x 29” fr.
Guarisco Gallery At The Four Seasons Hotel
2828 Pennsylvania Avenue, NW | Washington, DC 20007
www.guariscogallery.com 202-333-8533 guariscogallery@guariscogallery.com
L. Kronberg
Ballet Papillon 41” x 46 ¼” fr.
PRESORTED STANDARD U.S. POSTAGE
PAID
PERMIT #273 ANNAPOLIS, MD
Guarisco Gallery