Swan Magazine July 2016 by Douglas Sutherland-Bruce

Unit 8 Vale Town Centre 31 Egerton Drive Aveley WA 6069 Phone: 9296 7688

Email: frank.alban@mp.wa.gov.au

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EDITORIAL ELECTION 2016

s I sit here writing this editorial the Federal election has not been finally settled, although it seems more than likely that the Coalition will be returned to Government, however it is still not entirely clear whether it will be as a minority or majority government. If they are returned as a majority it will be with a very slim majority indeed. Certainly, saving Mr Christopher Pyne’s egregious statement that the Liberal Party was ‘an election-winning machine’, no one can claim that the NLP have ‘swept to victory on a tide of popular opinion.’ What they have achieved is winning unpopular support. It’s as if the Australian public has screamed loudly and clearly ‘We don’t trust you - either of you, but we trust the coalition slightly more.’ There are a number of lessons that both major parties should take from this election, and one huge lesson that the voters should take. Let me talk about this first. Many voters, on social media, in newspapers and in TV interviews stated ‘What’s the use of voting, my vote will never make a difference’ and variations on this theme. A few brief statistics: As of now, 12,488,101 votes have been counted (79.66% of the total votes cast) Of these 626,686 were informal due to one cause or another. If those ratios remain the same, as seems likely, just under a million Australian voters will not have had their choices known or considered. In some cases this was deliberate, in some cases the result of confusion, the AEC’s somewhat ambiguous instructions regarding the Upper House voting and some simply incompetent. All of this before you even take voter fraud into account. Of the votes so far counted 5,353,836 were in favour of the Coalition and 5, 325, 659 in favour of the Australian Labor Party. Of the five (at one point thirteen) seats too

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close to call the margin in every single case was fewer than 1,000 votes and in one particular seat the margin was seven (7) votes at one point. In the very same seat (Flynn) the informal vote at the same time was roughly 6,000 wasted votes. So never assume your vote will not count or be worthless. That’s our lesson.

As for the politicians, tacticians and spin doctors the lesson is even simpler - we, the voters, are not interested in what you think we’re interested in, and if you asked us, spoke to us and listened, you’d know that. More than that, you actually know what does matter to us and don’t care. Superannuation, for example. After decades of being told how important it is that we save for our old age, be self-funded and not a drain on the public purse we have done that, saved our pennies until it has built into a prize worth eyeing by whichever party is running short of money. This is particularly true of a party that assured us that there would be no changes to superannuation and then proposed to introduce, retrospectively, grabbing changes. These are the things that do concern us, and you ignore then at your peril. if you do not give us these things we will vote for minor parties that represent our fractured view of Australian politics. Truth. Please don’t lie to us. Don’t say ‘there will be no Carbon Tax under any government I lead’ and then introduce a Carbon Tax. Please don’t say ‘We will never make changes to Superannuation’ and then propose changes. John Howard won an election promising to bring in the GST, a hugely unpopular tax but saying he was going to introduce it, not saying he wouldn’t. Voters respected his transparency. Stability. We don’t want the Prime Minister we voted for - Kevin Rudd or Tony Abbott - unseated

when things start looking bad in the polls. I am aware that we don’t vote for a Prime Minister, but we vote for a party with a leader we trust, and to have them unceremoniously removed because they are momentarily unpopular makes us not trust you. It also sets a bad precedent, as we have now seen with the Liberal Party following the lead of the Labor Party, and with curiously similar results. Respect. Do not, at your peril, treat us as morons, disregard our wishes and belittle our choices. Many hundreds of thousands of people voted for Pauline Hanson and her party and for Mr Turnbull to say she would not be a ‘welcome presence’ in the Upper House is disrespectful to those who voted for her in an entirely democratic manner. Wrong-headed or not their views are at least as valid as the voters who voted for you, Mr Turnbull. Honesty. If you voted against a measure, be willing to take the consequences. Those who voted to spill the previous Prime Minister have paid a heavy price for that perfidy, extracted by the voters. Fiona Scott, Peter Hendy, Wyatt Roy and Luke Simpkins all lost their seats. Don’t be smug and condescending. Don’t tell us that we’re too stupid to understand if we merely disagree - both sides are guilty of this ‘We didn’t explain it well enough’ is not an excuse. You did explain it well enough, we just don’t agree with you. Integrity. If you are the leader of the Republican movement do not be in a hurry to jettison what you honestly think would be good for the country if you think it would be an unpopular view. We automatically assume that if you’re prepared to abandon that dearly-held principle, that would you discard others in the name of power. Don’t scare-monger. Mediscare did not lose you votes or gain you votes, it merely highlighted how grubby both parties have become. Listen. Don’t tell us what’s important to us, listen to what we think is important or we’ll give you the Senate of nightmares. Bear this in mind when we go to the polls again later this year.

IN THIS ISSUE PAGE

FEATURES

PAGE Entertainment

Art & Leisure

Gardening Glass+ Exhibition MAC in July Why Collect Stamps?

18 17 15 16

Movies with James Prepare to Meet Thy Tomb Secret Black & Midnight Hags The Importance of Being Earnest Theatre with Gordon

27 24 24 25 26

Books Editorial The Idler Poetry Winners of the Ethel Webb Business Business Card Board Computers Finance with Steve Get Social with Jay Is PR Good for Business?

32 1 35 34 33

Caversham House Douglas’ Wineries & Dineries Food Trivia Swan Valley Dishes Up

20 22 23 23

40 30 31 28 29

My Life with Winston Show Some Ticker Think F.A.S.T.

36 37 37

Aged Care in Hasluck 2 Swan Valley and Regional Network Sod Turned on Northlink 6 Bird’s Eye View 7 Sporting Schools 7 What’s On 8 Quick Grants 9 Heritage Grants 9

Styled by Kirsty Weddings

Books and Writing

Community

Food & Wine

Health

Community

SAFE 39 Style & Fashion

10 12

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COMMUNITY AGED CARE IN HASLUCK

THE HON. KEN WYATT AM MP (MEMBER FOR HASLUCK) ged care is a matter that runs to the very heart built our infrastructure and are the reason that government because I know the positive impacts of the Hasluck electorate. our country is the strong, safe and internationally that they will have on this electorate. There is work to be done, but we have set It is a matter that affects every individual and competitive nation that it is today. every family whether through a desire to plan Caring for our ageing community, however, is the right direction, a direction that the people of their own care as they age, or their assistance to so much more than just delivering a bed. It is also Hasluck deserve. a loved one. If it doesn’t affect you directly, it will about providing older Australians with a choice in more than likely affect someone whom you love. the type of care they receive. This is why aged care, although often This means that we must support older perceived as the less glamorous area of public Australians throughout the course of their ageing health, is one of the most important to me as I years, in the choices they themselves have deemed serve as the member for Hasluck. they require, not what the government deems With Australia’s population continuously they require. ageing, it is at the forefront of my mind that I Most Australians, when given the opportunity, ceaselessly advocate to ensure that the people choose to live as long as they can in their own of Hasluck receive the health care they need, homes. Indeed most Western Australian’s including in aged care. comparative to other states, overwhelming wish It is incredibly beneficial that as Assistant to pass away in their own homes. Minister for Health and Aged Care, I can bring to Providing the choice to remain at home the table essential advocacy skills and experience both greatly contributes to the quality of life of as I work with groups like the Kalamunda Aged an individual and reduces the contribution of Care Working Group to provide a voice to some of taxpayers in delivering our world class health the most vulnerable people in our community. system. In the most recent Aged Care Approvals From February 2017 therefore, home care Round, I was proud to see that Hasluck stood package funding will follow the individual, up in a competitive independent process for the allowing older Australians to choose the care allocation of a further 154 residential care places, which suits their specific needs best so that they which were officially announced in March. can direct the funding to the provider of their he Hon Ken Wyatt has been re-elected for the The individuals these places will assist have choice, rather than waiting for a place to become seat of Hasluck. He easily withstood a swing contributed so much to our country; they are available. of 3.7% to the ALP, being returned at 52.3% of two our nation builders. They have fought our wars, I am proud of the aged care reforms of this party preferred of the votes (75.5% counted).

KEN WYATT RE-ELECTED

Thank you Hasluck – “ I am honoured to continue 9359 0322 2

Ken.Wyatt.MP@aph.gov.au

“

working for you.

Authorised by A.Cox, 2/12 Parliament Place, West Perth WA 6005.

KEN WYATT

KenWyatt.com.au

KenWyattMP

Equine Emergency Rescue Shauna and I recently attended a Large Animal workshop at Brookleigh Equestrian Centre in the Swan Valley. The following knowledge we aquired at this workshop can be invaluable in the event of an incident with a horse or large animal. When a human family member is injured or critically ill, we know to call 000 and ask for an ambulance. But who should you call if you find a larger family member - your horse - trapped in an overturned horse float or a muddy dam and unable to free itself? The answer is simple; again, you call 000 but this time ask for a rescue truck, then call your vet to sedate the horse before the rescue can begin and treat any injuries once it's out. Worldwide, mud rescue and incidents involving horse floats are the two most common rescues involving horses. Horses also fall down cliffs and into ditches and gullies. They stumble into sinkholes and septic tanks, get stuck in quicksand and become caught in fire and trapped or washed away by floodwater. These rescues are difficult and extremely dangerous because, when trapped, even the quietest horse can be unpredictable and react explosively to the slightest movement or noise anywhere around it. Therefore, emergency responders must plan the rescue carefully and everyone involved must treat the horse as an immediate danger to their own life or health. Specialised techniques exist for rescuing horses and other large animals safely. Emergency responders never remove injured humans from an accident scene by dragging them out with ropes tied around their necks, wrists or ankles but that is exactly how they manhandle horses, often with devastating consequences. Through ignorance, they routinely strangle, drown and drop horses instead of using the large surface area and skeletal strength of the animal's torso to avoid tissue damage and trauma to delicate structures. Before emergency responders arrive, move all friends, family and bystanders well away from the horse and ask them to keep quiet so they donâ&#x20AC;&#x2122;t stimulate him into a panic response. Check the area for hazards or obstacles that could make the rescue more dangerous and when emergency responders arrive, tell them where these hazards are. -------------------------------------------------------With thanks, to MaryAnne Leighton who is the author of "Equine Emergency Rescue: a guide to large Animal Rescue". She conducts Large Animal Rescue workshops throughout Australia and New Zealand www.equineER.com For WA training courses - www.wahc.com.au

E: frank.alban@mp.wa.gov.au Tel: (08) 9296 7688 Unit 8, Vale Town Centre, 31 Egerton Dr, AVELEY, WA, 6096

COMMUNITY WA VOLUNTEER SERVICE AWARDS

he Hon Alyssa Hayden MLC congratulated the eleven volunteers from the East Metropolitan Region who were among thirty-seven West Australian volunteers to be recognised by the State Government for their services to the community at the recent WA Volunteer Service Awards. “The WA Volunteer Service Awards recognises West Australian volunteers who have served one organisation for twenty-five years or more, or fifty years or more continuously. Their hard work and commitment have helped many community organisations to get where they are today.” Alyssa Hayden said. The Liberal Government recognises the important of volunteers in Western Australia and provides $1.3 million annually to the community services sector to support volunteering. Nominations for the WA Volunteer Service Awards are ongoing and can be submitted at any time throughout the year at http://www.dlgc. wa.gov.au. The awards program is committed to acknowledging and celebrating the remarkable endeavours of Western Australia’s volunteers. These prestigious awards promote the value and important contribution of volunteering to the social, cultural, economic and environmental well-being of Western Australia and pay tribute

to those who inspire and promote the spirit of volunteerism through their exemplary endeavours. Congratulations to: Miss Deonne Bridger (Ballajura) Services to Archery.

Darlington Theatre Players (Inc).

Ms Marjan Martin (Darlington) Theatre Trustee, Secretary and Choreographer.

Ms Lee Thompson (Helena Valley) Actor, Assistant Stage Manager.

Mr Richard Coleman (Darlington) Services to theatre since 1974 as an actor, set Mr John Robertson (Bayswater) designer and member of production committee. Twenty-six years’ service to Scouting. Swan Valley District Committee member since 1997, Ms Kerry Davies (Lesmurdie) currently Committee Secretary. Services to Court Welfare Service since 1991, volunteering in the Midland and Perth Magistrate Mrs Geraldine Roxburgh (Morley) Courts. Twenty-five years’ service with Look Good Feel Better program. Ms Janet Hole (Darlington) Oversees theatre archives, actor and backstage Mr John Wilson (Dianella) assistant for the Darlington Theatre Players (Inc). 1985 made a sit ski and formed WA Ski Club assisting over 1000 disabled people. Mr Errol James (Morley) 36 years’ service to St Vincent de Paul Society. Mrs Hayden commended those volunteers Conference Vice President and a dedicated, well who had contributed over twenty-five years to respected member. continuous service to one organisation as it was such a significant contribution to public life. Mr Iain Martin (Darlington) For those volunteers who had dedicated Many years as Musical Director, member of fifty years of service, they will be recognised at a Executive Committee as Vice President of the ceremony to be held on “Thank a Volunteer Day”.

A BUZZ IN CITY OF SWAN

hose who are yet to attend a free sustainable living workshop held by the City of Swan don’t need to be green with envy! The popular 2016 Thinking Green workshops, which focus on a range of interesting topics such as edible weeds and worm farms, will continue. So far they have been a big hit among residents. There have been twenty-two various workshops attracting a staggering more than five hundred people. The feedback has been overwhelmingly positive with enthusiastic comments received about the presenters, the content of the workshops and how inspired people felt. The next cab off the rank is an Introduction to Beekeeping workshop, followed by Bird Watching Talk and Walk Sessions. (There will be several run throughout the month). City of Swan Mayor Mick Wainwright said the free workshops were a great opportunity to offer something inspiring and engaging to the residents. “Not only are we encouraging sustainable

living, we’re arming our community with useful ways to save money while helping the environment,” he said. “Worm farming, for example, is an easy way to recycle food and organic waste into natural fertiliser products. It is also an activity that can involve the whole family”. The workshops have proven so popular that the City has taken it one step further by offering residents a $100 subsidy on a worm farm, complete with worms and worm castings. Almost two hundred people have already participated in the six worm farming workshops held this year. Ballajura Ward Councillor John McNamara said the workshop about edible weeds was also a favourite. “Who’s ever considered the nutritional benefit of what grows wild in your garden?” he said. “It’s surprising what we can learn through the Thinking Green series. “Workshops are always presented by knowledgeable speakers so attendees leave armed with accurate and up-to-date information.”

This year the Thinking Green program also included free Eco Home Audits for City of Swan residents, with over eighty audits completed. “It’s fantastic to see so many City of Swan residents participating in our workshops and making a concerted effort to embrace sustainable living,” Mayor Wainwright said. More information about the Thinking Green Workshops series can be found on the City of Swan’s website: http://www.swan.wa.gov.au.

SWAN VALLEY AND REGIONAL NETWORK SOD TURNED ON NORTHLINK WA

Some very high-priced road labourers taking a break from their usual jobs

round has been broken on the first section of the $1.12 billion NorthLink WA project to provide a non-stop transport route between Morley and Muchea. Federal Minister for Major Projects said the $894 million Commonwealth commitment will improve freight efficiency and the capacity of the freight network. “The Turnbull Government is investing in a record infrastructure package to drive jobs and growth and secure the successful transition of the economy,” Minister Fletcher said. “The 2016-17 Budget lays out more than $50 billion in infrastructure investment as we shift from a mining-based economy to a more diversified economy with broader drivers of growth. Nowhere in the country is this transition being more keenly felt than in Western Australia.” Member for Pearce Christian Porter said the project was an essential component in the Coalition Government’s long-planned integrated freight transport system for Perth. “Addressing congestion will save billions of dollars each year from lost productivity – NorthLink WA is a major infrastructure investment that will bring benefits to the whole community. “NorthLink will potentially avoid up to sixteen sets of traffic lights on the freight route from Kewdale to Muchea, as well as one railway crossing and twenty-one speed limit changes. “I advocated strongly for this project when I first campaigned for the seat of Pearce and I am proud the Coalition Government recognised the need for this important piece of infrastructure and committed the unprecedented level of road funding into the electorate.” Member for Cowan Luke Simpkins said the existing section of the Great Northern Highway through the Swan Valley is experiencing strong traffic growth. “There will be new interchanges at Collier Road and Morley Drive, as well as a flyover at Benara Road,” Mr Simpkins said. “Tonkin Highway will become a six-lane freeway between Guildford Road and Reid Highway, with new flyovers to go in at Beechboro Road North and Marshall Road. Tonkin Highway provides a vital link for traffic movements to commercial and industrial areas across Perth.” The Commonwealth has invested $6.3 billion in Western Australia from 2013-14 to 2019-20 as part of an unprecedented Infrastructure Investment package of more than $50 billion nationwide. NorthLink WA will provide a vital, state of the art transport link between Morley and Muchea. It will reduce travel times and congestion, and provide significant productivity benefits. NorthLink WA includes upgrades to Tonkin Highway, including bridges and flyovers at Benara Road, Morley Drive and Collier Road and a new 37km high standard link from the intersection of the Reid and Tonkin Highways to Muchea. More details of this exciting project can be found on the website: http://getthebiggerpicture. wa.gov.au/northlink-wa/.

SWAN VALLEY AND REGIONAL NETWORK BIRD’S EYE VIEW SPORTING SCHOOLS BOOST FOR PEARCE

ederal Member for Pearce, Christian Porter has welcomed the commitment from a re-elected Turnbull Government to boost Pearce’s Sporting Schools Programme. “This programme was introduced into local primary schools in 2014 and while the take-up has been fantastic, there is plenty more that can be done to tackle an increase in childhood obesity,” Mr Porter said. “There are already twentynine local schools in Pearce participating in the Sporting Schools Programme. “Students at Merriwa Primary School, one local school already participating in the Sporting Schools Programme, benefit from sporting activities before, during and after school allowing them to develop healthy and active habits. “This week's $60 million dollar commitment provides an opportunity for more Pearce schools to become involved, it means we can continue the programme past 2017, as well as expand into years 7 & 8 which will combat a significant 'drop out' in physical activity at this age. "The most up to date research tells us threequarters of our local children are spending their spare time watching television, with just a third managing the recommended one hour of physical activity a day. "This programme assists schools across Pearce to deliver sporting activities before, during or after school, increases participation and connects them to other sporting activities and teams across Pearce. Sporting Schools' is geared to help our children be active, engaged and having fun, while teaching positive leadership skills and greater community engagement.” The Coalition Government is committed to helping address childhood obesity, encouraging the prevention of avoidable health problems right through to adulthood, and promoting more active lifestyles for Australians.

Ben Ashton, a PhD student at UWA, working with magpies at Lilac Hill Park

niversity of WA researcher Dr Kate Morgan will give an insight into the Australian magpie at the next meeting of the Guildford Association on Tuesday, July 19 at 7.30pm at The Mechanics Institute in Meadow Street, Guildford. All members and residents are welcome to attend. Dr Morgan, who is investigating the vocal behaviour of magpies, will talk about the research currently being undertaken with the magpies in Guildford. “Many of the magpie groups in Guildford are part of an ongoing set of studies in the behaviour and reproduction of the Western Australian magpie,” Dr Morgan said. “Hopefully I can give some insight into

both the techniques we use and what we have learned so far about these amazing animals. “I will discuss what we know about behaviour, cognitive ability, cooperation and reproduction in the Australian magpie.” The talk will be followed by a general meeting of the association.

Member for Pearce, Christian Porter visiting students at Merriwa Primary School, one of the local schools already participating in the Sporting Schools Programme 7

WHAT’S ON IF YOU WOULD LIKE AN EVENT LISTED IN THIS COLUMN RING OUR OFFICE ON 6296 5161 Entries for non-profit entities are free, commercial entries are welcome at $10 per fifty words. ALCOHOLICS ANONYMOUS Glen Forrest Group Every Monday evening We meet at 7.00pm at the Glen Forrest Uniting Church, Mc Glew Rd, Glen Forrest. Call Dermot 0488 905 211 or John 0448 074 536 or the Perth Office (all hours) 9325 3566. AUSTRALIAN BREASTFEEDING ASSOC. Discussion groups, guest speakers, morning tea. Free breastfeeding counselling. Expectant mothers, mothers, babies and children welcome. National Breastfeeding Helpline 1800 686 2686 is a 24 hour 7 days a week service. Swan/Mundaring Group meets every Monday, 9:30-11:30am at the Gumnuts Family Centre, 8 Mudalla Way, Koongamia.  A qualified ABA counsellor is present at each meeting to give confidential information and support on breastfeeding issues. Contact Natalie 9572 4971.

With a diverse and unique array of locally handcrafted products and produce, there will be something of interest for all. From garden ornaments, homemade jams and relishes to handmade soy candles, cards, bags, cushions, children’s toys, bears, baby and children’s wear. Individually designed and crafted glassware, jewellery and beautifully made wood products and so much more to tempt you. Make a day of it, stroll around the markets and then take the time to wander about the heritage listed town of Guildford. Enjoy a picturesque Heritage Walk Trail or pay a visit to the antique, art and craft shops along the cafe strip. Enquiries: Bromwyn, 6278 4252.

on 1st, 3rd, 4th, and 5th. Tuesday, and at 7-00pm. on 2nd Tuesday of each month. A demonstration and cuppa are the norm. Men and Women are welcome. Enquiries to Ted 9295 4438. TALKING HORSES Wednesday evenings 6:00pm The WA Horse Council equestrian radio program is now in its seventh year. The programme is broadcast on the Community Radio Station 91.3 SportFM. To ensure that your club, event, breed or business gets coverage, call Diane Bennit 0409 083 617. SWAN VALLEY COMMUNITY CENTRE Monday Mornings The Art Group meets at Baskerville Hall from 9am – 12pm for just $5.00 per session. The group leader is Gilly, she can help and advise with most media. Feel free to come and have a look and meet our local artists – they are a very friendly lot, new members welcome! For more information call 9296 1976 or email enquiries@swanvalleycommunitycentre.com Web: www.swanvalleycommunitycentre.com.

MORRIS DANCING All welcome. It’s like bush dancing, with sticks and bells. It’s aerobic exercise and great fun! Tuesdays 7-9pm practice, Guildford Town Hall, cnr James St and Meadow St, Guildford. And Kalamunda Group meets fortnighly on a drinks later at the Woodbridge Hotel with live Thursday, 9:30-11:30am at the Maida Vale Baptist Irish music Church, Edney Road, High Wycombe. For more information please contact: Contact Jenny 9252 1996. Christine Hogan: 9279 8778 Email: madtattersmorris@iinet.Net.Au Northam Group meets each second Tuesday of Website: madtattersmorris.Myclub.Org.Au TUESDAY BADMINTON CLUB the month at the Bridgeley Community Centre, Tuesdays Wellington Street, Northam 10am to Noon. Join us for Social Badminton from 9am - 11am BASKERVILLE FAMILY PLAYGROUP Fourth Tuesday each month at Toodyay Playgroup, EMPTY SESSION – at Brown Park Recreation Centre. Beginners Stirling Terrace, Toodyay. Noon to 2pm. Please Friday Mornings Welcome. Contact Miriam 9274 5058. phone Louisa 9574 0229. Baskerville Family Playgroup has a free session on Friday mornings in a ‘ready to play’ SWAN HARMONY SINGERS HILLS CHRONIC PAIN SUPPORT GROUP facility, great toys and resources as well as a Wednesdays 1st Wednesday of each month fenced playground. Set in lovely rural surrounds, Come and sing with us! Swan Harmony Singers is a Hilltop Grove Estate, 1645 Jacoby Street, at Baskerville Memorial Hall, Baskerville. community choir that meets, 7-9pm, to sing music Mahogany Creek. Morning tea provided, between Normal playgroup costs apply. ($25 per family/ ranging from jazz to pop, plus the occasional 10.30 - 12.00 noon. term, $30 annual insurance fee to Playgroup WA) classic. No auditions. Join us at the Salvation Army Enquiries Terina 9572 1655. Phone 9296 1976 or 0419 922 791 or check our Church Hall, 371 Morrison Rd, (opposite Swan webpage www.swanvalleycommunitycentre.com View Primary School), Swan View. Enquiries: call Anna on 9299 7249, or Chris on 9298 9529 or THE HILLS CHOIR Monday Evenings MUSTARD SEED - DISCOVERING COMPUTERS 0435 062 728. Do you enjoy singing and joining with others Mustard Seed is a non-profit organisation to make beautiful music? Come and join the Hills and caters for all aspects of everyday computing. ELLENBROOK AND DISTRICT MENS SHED Inc. Choir. We meet from 7.30 to 9.30pm at the Uniting Ability levels from beginners onwards. Do you Tuesday, Wednesday, Thursday Church on Stoneville Road, Mundaring. Contact want help with Windows 10? Have an iPad and We are open at 4 Transit Way Ellenbrook from Margie on 9295 6103 for further information. don’t know what it will do? We can help. Cost is 10.00am to 3.00pm. Potential members can turn $3 per session. To gain a place enrol now. Forms up on those days and there will be someone to explain what we do and give membership details. and information are available. SWAN VALLEY SQUARES – ELLENBROOK Annual fees are low and members can do Phone 9299 7236 or 0416 815 822 or Every Friday Night their own thing, participate in projects for the Modern Australian Square Dancing from E. mustardcomputers@gmail.com community or simply just come in for a chat and a 8.00 pm – 10.00 pm Woodlake Community Hall, cuppa. 1 Highpoint Blvd, Ellenbrook. Friendly, fun and ELLENBROOK COMMUNITY We are considering extending our days to low cost. No previous experience necessary. All WEIGHT LOSS CLUB include Saturdays or evenings if there is enough Welcome. Contact Greg Fawell 0417 912 241 or Every Wednesday evening www.swanvalleysquares.weebly.com We meet from 6.45pm to 8.00pm at the interest. Woodlake Community Hall, Meeting room 1. Highpoint Blvd, Ellenbrook. Friendly support SWAN VALLEY COMMUNITY CENTRE STIRLING SQUARE MARKET group and low cost. Male and females of all MUSIC CLASSES Third Sunday of every month Tuesday mornings At Stirling Square, Corner of James and ages welcome. Contact Shirley 9276 7938 Learn to play tunes on piano or keyboard shirleysardelich@aapt.net.au. Meadow Streets. 9am - 3pm. immediately – the SIMPLY MUSIC method. Play Situated in the heart of Guildford, within five songs, chords, blues and classical in small groups minutes walking distance from the Guildford SWAN WOODTURNERS GROUP at a reasonable price. Train Station, a visit to the Stirling Square Market The group meets in the rear hall of The Senior Call Heather 9296 4181 for more details. is sure to please. Citizens’ Centre, The Avenue, Midland, at 1-00pm. 8

COMMUNITY HERITAGE GRANTS PROGRAM NOW OPEN

he Heritage Grants Program is now open for applications. Applications will remain open until 4pm, Friday 29 July 2016. Contact the Heritage Council today to discuss your project and get an application form. Our grants team is available Monday to Friday on telephone 6552 4117 or by emailing grants@ stateheritage.wa.gov.au. From the 2016-17 round onwards, application forms will only be available by contacting the State Heritage Office.

ABOUT THE PROGRAM The Heritage Council's annual Heritage Grants Program offers assistance to private owners of State Registered heritage places to undertake urgent conservation works, or develop conservation management plans or strategies. Eligibility: Only places included in the State Register of Heritage Places are eligible. To check the status of your property, visit inHerit or contact the Heritage Council. Who can apply?: Grants of up to $100,000 are available through a competitive process and owners are required to match funds to the projects. Heritage grants are offered for projects that: > Seek to stabilise built structures, conserve significant features, restore deteriorated building elements such as roofing, flooring or joinery, or those that take measure to slow, prevent or correct damage to a place. > Demonstrate planning for the future by commissioning conservation management plans or strategies. Find out more about Conservation Management Documents. All private owners and corporations can apply except:

> Commonwealth, State and local government agencies > Heritage grant recipients who are yet to complete works funded in previous years > Not-for-profit organisations that are eligible for Lotterywest funding. A grant application may be considered where a not-for-profit organisation demonstrates a conscientious objection to funding from Lotterywest, or does not meet Lotterywest's funding criteria. Heritage grants are not available for certain projects. > General (non-heritage) maintenance > Insurance-related claims > New construction or repairs to structures which are not of heritage significance > Projects already underway or completed (no retrospective funding) > Works that are the subject of a work order, or required under a Heritage Agreement > Educational or promotional activities, including interpretation > Administrative costs of the applicant. If you would like more information about the Heritage Grants Program, contact the Senior Grants Administrator on 6552 4117, 1800 524 000 (freecall regional) or email: grants@stateheritage. wa.gov.au. You can receive updates on the Heritage Grants Program by subscribing to our eNewsletter, Heritage Matters.

QUICK GRANT HELPS

local primary school is sporting some colourful new artwork thanks to a Shire of Mundaring grant. Sacred Heart Primary School was recently awarded a Quick Grant, valued at $500. The grants are designed to help community groups with small projects such as training, equipment or those activities which benefit the community, up to $500.

Shire President David Lavell said the school created splashback artwork that will be enjoyed for years to come. “Under the guidance of art teacher Mrs Alcock, the Year 6 students created some stunning paintings. These were then collated, printed and installed on a wall between two acrylic sheets. “The effect is very powerful and will be a great legacy by these students for others to enjoy.” The artwork was installed in the undercover area in early June, organised by the school’s P&F Association. The Shire’s Quick Grants rounds run twice a year. For more information visit www.mundaring. wa.gov.au or call Tracey on 9290 6678.

Swan Magazine

STYLED BY KIRSTY www.shopandstylespecialists.com

International Fashion Event Comes To Swan We’re only months away from the first ever Australian Eco Fashion Week and it’s being held right here in our own beautiful Swan Valley. From November 19th to the 26th Swan Valley based Australian Eco fashion designer, visual artist and earth ambassador Zuhal Kuvan-‐Mills and her label Green Embassy will host Perth Eco Fashion Week. Kuvan-‐Mills has been showing Green Embassy haute couture collections at Eco Fashion Weeks all around the globe. Paris, London and Vancouver, just to name a few, have seen her environmentally friendly and ethically produced garments walk the runways. Eco designers from all around the world will showcase their collections in a vibrant and dazzling week of fashion. As the Director of Fashion Styling for the event, I have to admit, I needed to do some research on what this eco fashion thing was all about. I can honestly say that what I’ve discovered has impacted my thinking in the most profound way. The fast fashion industry that we’ve come to know and love h as a truly dark and dirty undercurrent. Clothes that are mass-‐produced at low quality to last one season are more and more becoming the fashion of choice. Whilst this is attractive to our wallets, it might not be so attractive to our conscience when we ask that question we’ve all been wondering, ‘how do they do it for this price?’ Sweatshops are in operation all around 10

the world producing these clothes under what could easily be described as immoral conditions. A workday can be anywhere between 10 and 14 hours long. The pay can be as little as 20 cents per hour. So if a worker made that shirt you’re wearing and could finish four in one hour they would have made 5 cents per garment. It’s important to understand who these workers are. I think it helps to be able to see it in your mind. They are young. And I mean really young. On average aged between 5 and 18 years. 90% of the workers in international sweatshops are women. Well, they’re girls. Most of them don’t live long enough to become women. I wonder is there a little girl in your family? Or a little girl you know? What would you do if you knew that she was the one working a 15 hour day so that you could wear that $15 t-‐shirt you got on sale at your favourite fast fashion outlet? The ugly truth is, if you’re reading this and wearing a national label it’s more than likely i t was made i n a sweatshop. Eco fashion, to me, is the world finally saying we messed up. We created an industry that is robbing us of a generation of daughters. And now it’s time to stop.

So when Eco Fashion Week comes to Perth in November, buy a ticket and bring a friend. Join the conversation. Find out more. Come and see some of the most creative and dramatic fashion shows you have ever seen. See how accessible sustainable and ethical fashion really i s. For more information go to www.perthecofashionweek.com .au Sponsors and volunteers are invited to contact Zuhal Kuvan-‐ Mills via email at email@perthecofashionweek.co m.au And I’m so looking forward to seeing you all there! *All garments pictured are by Green Embassy the label www.greenembassy.com.au

Swan Magazine 11

WEDDINGS TOP TEN TIPS FOR ... CHOOSING A WEDDING PHOTOGRAPHER MEGAN ZIERCH

et’s face it – Unless you’re in the business, you probably have no idea where to start when selecting your Wedding Photographer! So here are ten top tips, to help ensure you find the Perfect Photographer for Your Wedding!

integral part of one of the most important days of your life and at the end of the day, they should be there to help make your day Perfect (sometimes, as the Verge girls have done, it comes down to the

• Do they look smart and professional? • Do they instill confidence in you? • What’s their style? The way they act – are they casual, laugh-out-loud types, or quite demanding?

little details; getting you a glass of water, helping you with your dress, or making sure your hair looks flawless!). Regardless of how talented a photographer is, or how many awards they have won, if you have no chemistry with them, then your wedding photos won’t truly reflect your personality, style and the emotion of your day. It’s important that you feel comfortable with them as you’ll be spending 90% of the Big Day with your photographer. • Do you feel relaxed around them? Are 3. THE RIGHT ATTITUDE they relaxed & friendly, or are they bossy and Your wedding photographer will be an overbearing?

• Do you ‘click’ with them? You’ll only be able to judge these things once you meet them face-to-face.

1. PORTFOLIOS, GALLERIES, SAMPLES… The most important aspect of the whole process is that you fall in love with the photographer’s work! If you don’t ‘click’ with their images, then move on… It’s also important to note that many photographers work very hard to make sure their portfolio will blow your mind…sometimes they even use models and professional lighting. Make sure you see what their ‘normal’ wedding photos look like; photograps of an actual wedding, otherwise you might be in for a shock when you see your own wedding images! 2. EXPERIENCE IS ESSENTIAL Everyone has to start somewhere… but it shouldn’t be on your Wedding Day! You need to trust that your photographer is experienced, equipped for all circumstances, has the experience and knowledge to go with the flow and deal with everything that might happen on your Big Day. After all, this is a huge, once-in-a-lifetime event, and you don’t want to be the guinea pig for someone less experienced than you deserve! Make sure you ask the important questions: • How many weddings have you shot? • Do you have a back-up camera body and alternate lenses? • Will you bring an assistant, or second shooter? • Have you shot at our location before? • Do you shoot weddings for a living, or as a hobby?

The Golden rule – use someone you trust 100% Don't commit to any photographer if you’re less than 100% confident in them. Don't waste your time if you don't absolutely love their work and make sure you have great chemistry with your photographer. Once you’ve made your decision, just step back and let them work their magic. You'll be seeing them after the wedding too,

WEDDINGS so be sure you enjoy working together, and that they're easy to contact. The more questions you ask, the more confident you will feel when making the final decision on which photographer to choose. When viewing portfolios, think about the images: • Do they look artificial and composed, or are they natural? • Do they evoke emotion? • Is there a good mixture of portraits and groups? • Do they tell a story of the entire wedding day? • Do they capture detail well (expressions, dress details, etc)? Also ask the photographer for references. It is often useful and reassuring to find out from past clients if the photographer was punctual, friendly, enjoyable to work with, etc. 4. SECOND SHOOTERS A second photographer is a great way to ensure that no details are missed from your day; you can capture a wider range of angles and allows for more artistic freedom within your images. Many people don’t see the point in having a Second Shooter and may wonder if the Primary Shooter is not competent enough on their own. But a second shooter is a fantastic (and often essential way) of capturing every moment of your Special Day. How else would you capture the groom’s expression as he sees his bride for the first time? Or capture the long-distance shots during your ceremony…from a balcony. Second Shooters are well worth asking your photographer about! Trust me…you’ll appreciate them once the Big Day is finished!

How much do you love their work? What’s included in their packages (Are you comparing apples with apples…are you truly getting VALUE for money)? Are they simply building a portfolio, or is Wedding Photography their full-time profession? In most cases, there’s a reason for the price difference! You’ll find it when you start to look closer… 7. YOUR PACKAGE – WHAT DO YOU GET? Do you know exactly what you get? Packages can be very vague. You should figure out exactly what you’re getting for your cash. So, your photographer is asking for $3000. What do you actually get? Albums? Prints? Hours? Disc? How big is the album? Do you get the images in digital format? If so, who has copyright? Is the photographer’s logo watermarked across them all? Is editing included? What are the hidden extras? How much more will you have to spend to get exactly what you want? Make a list of what you want. It might sound simple, but you’d be surprised how much variation is out there! Some photographers offer a disc of all the photos. Some only offer a selection of images in an album. What’s important to you? Write down everything. Seriously; everything - Albums, coverage, prints, digital copies, wall enlargements (what size?), second shooter… Write down everything you can think of that you want from your photography. Then, compare that to what your prospective photographer is offering. When in doubt – Just Ask! If you love their work, AND they’ll give you everything on your list, AND they’re in your budget…BINGO!

5. IS YOUR PHOTOGRAPHER…WELL…YOUR PHOTOGRAPHER? Many photographers employ an impressive Salesperson to WOW you and ‘sell’ you on their photography… But is the person you meet, trust and ‘click with’, the person that will actually be shooting your wedding? If you’re unsure, just ask! It’s essential for you to meet the actual photographer who will be with you the whole day, to decide on which 8. CONTRACTS...UGH photographer you hire to capture those beautiful They suck. We hate using them, but memories. contracts are super-important as a matter of communicating. They will explain exactly what you’re getting, what the photographer is 6. BUDGET IS THE KEY It’s very true what they say: Price plays an responsible for, what you’re paying for, and what important factor in your decision, so you should happens if things go wrong. definitely ‘shop’ on price (to create your shortlist), So, how’s your photographer’s contract? Make sure you read it. You’ll want to understand but the essential key is to not ‘buy’ on price. All photographers are definitely NOT the absolutely every point in it, and if you don’t then you need to ask someone. Ask the photographer. same! If two photographers are priced $1000 apart, Ask your mum. Ask your dog. Ask someone! and you wonder why the difference is so big, then If your photographer is hesitant to discuss the you should ask about how much experience they details of their contract (or if they simply don’t even have one), that’s a huge red warning flag! have? All photographs courtesy of Verge Studio.

golf instructor/student that has an expensive camera, and shoots weddings on the weekends? Give them a call during work hours and ask them! Make sure that whatever the answer, you’re 100% happy with them when you book and pay your deposit. **Remember - deposits are normally nonrefundable! ***When in doubt – refer back to Tip #3 10. VIDEOGRAPHY? Deciding to hire a Photographer is a nobrainer. Videography is a bit trickier… Some companies offer both services, but remember that these are two completely different skill sets…so make sure that you’re happy with the individual people responsible for each of these jobs. Some photographers and videographers just outright refuse to get along with each other, and spend a lot of time getting in each other’s way. Some are absolutely amazing at working together… How’s yours?

-oOo Just keep in mind that you’re paying for their services, so if your photographer isn’t willing to work with your videographer and vice-versa, maybe you need to find someone who will remember that it’s Your Wedding Day! They should be working harmoniously to make sure your Wedding Day memories are 9. WHAT DO THEY ACTUALLY DO? captured perfectly for you, forever… Is your Photographer a Photographer? Or is Courtesy of Verge Photographic Studio your photographer really a truck driver/doctor/ 13

PERTH STAMP & COIN SHOW 2016 Perth, Western Australia

Saturday 13th & Sunday 14th August 2016 This 2 day show will bring together not only International, Interstate and local stamp, coin, banknote & collectable dealers but also an upstairs room of local collectors with their own single tables selling their excess or unwanted material, very similar to the European “Flea Market” style stamp shows. This will be a drawcard for all collectors as it means there is something for everybody's budget. This show has now become an annual event and both the number of dealers and those attending has increased over the last 4 years. It does not feature an auction or exhibits but is exclusively for dealers and collectors to buy and sell. The following is a brief summary; * 2 day event at the University of WA, Crawley (off Hackett Drive) * Stamps, postcards, coins, banknotes, militaria & collectables * 26 International, Interstate & Local dealers * Local collectors “flea market” tables upstairs (14 confirmed so far) * A full range of Stamp & Coin/banknote catalogues & accessories for sale * Hutt River Province Post Office * Plenty of parking & café facilities * Promotional website at www.perthstampandcoinshow.com * Limited edition designer signed PNC with gold overprint (Only 100) * Free stamp, postcard, coin & banknote valuations * $1500 of prizes to be won * FREE ENTRY We encourage all collectors to participate, whether as buyers or sellers. If you have always wanted to try the “dealing” side of the hobby, then please consider taking a table at only $40 and sell those unwanted duplicates or dormant collections! Those funds can then be used to buy from your fellow collectors’ tables! And remember you can sell any collectables, so if you collect stamps but have coins & banknotes, then this will be an excellent forum to sell them. Best of all you will be guaranteed a table at next years event when you have another years worth of material to sell! An application form is available along with any other required answers by contacting Ian Boulton on 9297 3040 or 0414 929 235. Alternatively you can Email stampdealer@iinet.net.au or visit www.perthstampandcoinshow.com

www.perthstampandcoinshow.com PROUDLY SPONSORED BY

ACE STAMP AUCTIONS - Experience the Difference and 14

PHOENIX COIN & BANKNOTE AUCTIONS who will be conducting free coin & banknote valuations during the event

LEISURE WHY COLLECT STAMPS?

tamp collecting is the most popular hobby in theme, such as animals, flowers, cars, dinosaurs, the world! In Australia alone there are over one space travel or fairy tales. million stamp collectors. People of all ages love to Personalised stamps allow a photograph to collect stamps, but why? be printed on the tab of a currently valid postage There are many reasons why people collect stamp and can feature photos of family members, stamps, but the main reason is that it is easy and friends or favourite pets. fun. Legend stamps. Australia once had a rule that People often begin collecting because they no living person (except the Queen and members like the designs on particular stamps, or because of her family) could be shown on stamps. In 1997, of an interest in a favourite topic, such as sport, the first of the “Australian Legends” stamps were animals or space exploration. Stamp collecting is issued, honouring Sir Donald Bradman, Australia’s a great way to learn about other most famous cricketer. countries and cultures too. Instant stamps. During the People also collect stamps Sydney 2000 Olympic Games, the because they like to have world’s first instant stamps were keepsakes from special events produced for every Australian and milestones. Also, some athlete or team that won a gold stamps can be rare and very medal. These were printed and valuable if you are lucky enough made available the day after the to find them. gold medal was presented. Whatever the reason, Souvenir stamps sheets. stamp collecting is fun and it's Special stamp sheets that are really easy to get started. You produced for a variety of reasons don't need much to start your The world’s first stamp - and events: charities, football collection – just a few stamps and the ‘Penny Black’, 1840 teams, concerts and even movies. a place to keep and display them. Also, your stamp collection can STAMP MONTH be as individual as you are – so why not start In October each year Australia Post celebrates collecting today? Stamp Collecting Month. Although this annual The first thing to do is decide what type of stamp issue only started in 1993, we’ve produced stamps to collect. That can be hard! a huge range of philatelic products and other Why not begin with stamps you already have, promotional material, so it could be an interesting or ones you are given by friends or family? You collecting theme. can collect used stamps, mint stamps (without Since 1989 all Australian stamps have had postmarks), or a variety of other types of stamps. the year of issue printed on them, so it’s easier There are many different types of stamps you to identify stamps from 1989 onwards (although can use or collect. Here are a few you’ll find in you might need a magnifying glass!) The year also Australia: appears on Australia Post issues for the Definitive stamps have commonly used Australian Antarctic Territory, Christmas stamp values (such as for a standard letter) so they Island and the Cocos (Keeling) Islands. can stay in circulation for a long time. The good thing about stamp collecting Commemorative stamps celebrate social or is that it’s not an expensive hobby. All you historical events of national importance. really need is a stamp album... and some Thematic stamps stamps have a common stamps!

STARTING YOUR COLLECTION Buy packets of mixed stamps from an Australia Post retail outlet or reputable stamp dealer. Ask your family and friends to save the stamps from their letters for you, or swap stamps with your friends Purchase a stamp album, this makes it easy to keep your stamps safe. CHOOSING A STAMP ALBUM A stamp album helps you organise and display your collection. There are many types to choose from, but one of the most popular is a loose-leaf album, with separate sheets in a binder. The separate sheets help you to organise your album any way you want and you can add new sheets to your collection whenever you need to. Transparent stamp mounts or stamp hinges are the best way of attaching your stamps without damaging them. Never lick stamps to stick them in your album, and never use glue or tape! It will ruin the stamps. Why not write about each stamp, to make your album more interesting? Find out when and why it was issued, or the designer’s name. TOOLS OF THE HOBBY Stamp tweezers have blunt ends, so they will not damage stamps. Stamp dealers and Australia Post retail outlets sell them. A magnifying glass will help you see small details. You can use your magnifying glass to search for the year on the Australian stamps in your collection. It will be in very tiny figures and tucked away somewhere in the stamp design. There is so much more to discover about stamps. Courtesy Australia Post

IAN BOULTON is the Perth based full time registered stamp dealer and one of the few remaining full time stamp dealers in Australia with over thirty years experience in philately. With international experience gained at Stanley Gibbons in London and then his own stamp dealing business started in 2005, his professionalism and knowledge has resulted in a loyal following. In addition he started the annual Perth Stamp & Coin Show in 2012 and this has now become Perth's premier philatelic and numismatic event held every August with twenty-seven international, national and local dealers. Ian is a member of Philatelic Traders Society, London, the Australian Philatelic Traders Association, the Australian Numismatic Dealers Association and the Internet Philatelic Dealers Association and hence pledged to the very highest commercial standards. So do not hesitate to contact Ian for a free valuation of your stamps, with cash paid instantly should you wish to sell following this consultation. Alternatively if you are seeking that elusive stamp or even new to the hobby, you will always be greeted by a level of professionalism and enthusiasm to put you at ease and ensure you will enjoy the king of hobbies! 15

ARTS MAC IN JULY

uly is all about sewing obsessions, machines and ironing! Behind closed doors this week, the final pieces of Machines & Makers are being painstakingly stitched into place, ready for the unveiling of the highly anticipated exhibitions at MAC 7pm. In the pinning together of the fabric for the Machines and Makers project, artists, community groups, school students and individuals of all ages have been stitching, digging out old sewing machines and reminiscing on childhood memories and our sewing heritage. The Machines & Makers Open Day on Sunday 17 July (10am - 4pm), brings together all of the community groups involved and promises a “compleat” day of fun for all the family. For more details about the project and all the exciting events be sure to visit the Mundaring Arts Centre website or keep up to date on our Facebook Page. Taking stitch, textile printing and wearables to another level, the Make Your Mark workshops offer lots of creative opportunities over the school holidays. There is so much to get steamed up about at MAC this month, you won't want to miss out - we look forward to seeing you soon!

CLARE STROUD

primary school students working with textile artist Sarah Toohey. They tell stories of personal connections to the sewing machine and local history through stitch, fabric and embellishment. Image: Narayani Palmer, Memory, hand sewn felt pin cushion

The Gallery, Ellenbrook - MAKE YOUR MARK 30th July – 14th August Curated by Catherine Czerw The Mundaring Arts Centre invites you to join yhem in celebrating the diverse artforms created during the Make Your Mark workshops held in the City of Swan from Oct 2015 – July 2016. The Gallery, Ellenbrook comes alive with the creative outcomes by hundreds of people from five to seventy-five years who took part in this visual arts series. The exhibition will be opened at 7pm on Friday 29 July by City of Swan Mayor, Cr Mick Wainwright, followed by a live performance by Annika Moses. 34 Main Street, Ellenbrook. Open Monday to Friday from 10am to 2pm, Weekends 1pm to 5pm. Proudly supported by Mundaring Arts Centre, City of Swan and Ellenbrook Arts.

EXHIBITIONS Gallery 1 - MACHINES AND MAKERS 8th July - 14th August Curated by Jude Van Der Merwe Mundaring celebrates our regions sewing history with leading contemporary artists responding to the political, social and economic impacts of the invention and use of the domestic sewing machine (1850’s -1980’s). Featuring works by Paul Caporn, Mikaela Castledine, Geoffrey Drake Brockman, Stuart Elliott, Eva Fernandez, Judith Forrest, Coral Lowry, Angela McHarrie, Tee Ken Ng, Nalda Searles, Linda van der Merwe and Susie Vickery, WORKSHOPS & EVENTS the exhibition was opened by fashion designer BOTANICAL SCREENPRINTING and artist Megan Salmon on 8 July. With Louise Snook Tuesday 12th July at the Midland Junction Arts Gallery 2 - A NEEDLE PULLING THREAD Centre from 11am to 2pm. 8th July - 14th August This July school holidays create your own With a cornucopia of stitched objects unique work of art, then print it on a tea towel assembled in a shrine to the sewing machine, A using screen printing techniques with talented Needle Pulling Thread is an exhibition of works multi-media artist Louise Snook. created by community groups, high school and Louise will show you how to create your own

Children’s workshops during

Make Your Mark

botanical screen design to use multiple times to create works on paper and on fabric to take home

and love for years to come. Supported by Act-Belong-Commit in partnership with City of Swan Costs: $40. The workshop is suitable for ages eight years and over. Materials supplied - bring your own lunch WONDERFUL WINGS WORKSHOP With Lucinda Crimson Wednesday 13th and Thursday 14 July at the Ellenbrook Gallery from 12pm to 3pm. This July school holidays, join costume designer Lucinda Crimson for two sessions to create an amazing pair of wings from a selection of recycled and found materials using simple construction techniques. With your new skills and your wonderful

MUNDARING ARTS CENTRE Come in to discover the latest exhibitions and a wide range of locally made, hand crafted pieces, many of which are exclusive to the Mundaring Arts Centre Viewing Hours

10am - 5pm Tues – Fri 11am - 3pm Sat & Sun Closed Mon & P/Holidays + 25 Dec-13 Feb

7190 Great Eastern Highway (corner Nichol Street) Mundaring WA 6073 | T: +61 8 9295 3991 www.mundaringartscentre.com.au

ARTS 10am - 4pm. This is a feast of free events to whet the appetite of sewers and sewing machine enthusiasts with Collectors Gordon Freegard and Charles Lithgow showing examples from their respective collections - including the No.1 Singer, the oldest sewing machine in Australia. Gordon and Charles will be on hand throughout the day to discuss machines with other enthusiasts. Visitors will be able to learn to cut a pattern; use a dressmakers mannequin; share sewing stories; bring in old clothes, textiles, sewing tools for expert advice in the Old Stuff Road Show; browse through vintage and collectable stalls; try a treadle machine; and sort their cuffs from their collars in an ironing competition that is sure to get you all steamed up!

wings as inspiration, you can design and make the rest of your costume at home and then enter your creation in the Worn Out Worn Art Wearable Art Parade in November. Costs $5. The workshop is suitable for ages seven to sixteen years. Materials supplied. Supported by Act-Belong-Commit in BEGINNER'S JEWELLERY With Bethamy Linton partnership with City of Swan. Sunday the 24th July at Bethamy's Studio 380 Clenton Road, Gidgegannup from 11am to 3pm. MACHINES & MAKERS OPEN DAY Sunday the 17th July at Mundaring Hall from In this four hour workshop, Bethamy will guide you through making hand cut and patterned jewellery pieces to take away with you.

You will learn basic roll printing, riveting and cutting techniques. Costs: $110. This workshop is suitable for beginners over sixteen years Materials supplied - Bring your own lunch. LAVENDER FARMER Thank you to Victoria who has generously donated her new lavender products as gifts for guest speakers and for our opening night raffle. The Lavender Farmer makes products by hand from natural resources on their local farm. With the desire to create exquisiteness and perfection from nature’s offerings, dried flowers, essential oils, natural dyes and cosmetics are created from organically grown local lavender. Visit www.lavenderfarmer.com.au

GLASS+ EXHIBITION AT ZIGZAG

n exhibition by Glass Artists of Western Australia will be on show at ZigZag Gallery Kalamunda from the 14th July until the 7th August. Entitled GLASS+ the theme was intended to inspire this group of artists to think outside their usual practice and to combine glass with other materials such as wood, metal, ceramic or fibre. The inaugural Gordon Award will be presented at the opening night event on 15th July at 6:30pm. A jury panel will select an artist to receive this prize. The award acknowledges the contribution the Gordon Family has made to the development of art glass in Western Australia. The Peoples’ Choice Award will give the public a chance to vote for their favourite piece in the exhibition. The Glass Artists of WA formed when a group of like minded glass artists got together after the hugely successful National Glass Exhibition Flair which was held in Perth in 2014. A Facebook page was set up to allow glass artists to communicate, share images, information, to connect with the wider community and with the aim of promoting art glass. The Facebook page is here: www.facebook.com/glassartistsWA/ A core group of people have been working together to facilitate more opportunities for glass artists in this state and this exhibition at ZigZag Gallery is one such example.

Glass+

14 July - 7 August 2016

Official opening: 6:30pm 15 July 2016 A dynamic exhibition by the Glass Artists of Western Australia Exhibition Continues Until 7 August 2016 Mon−Fri 9−4, Sat−Sun 10−4 50 Railway Road, Kalamunda (08) 9257 9953 zzcc@kalamunda.wa.gov.au

www.zzcc.com.au

GARDENING STEPS TO LANDSCAPE DESIGN

inter is when we can really enjoy our gardens - because all we can do is plan, no actual sweating. If you’re thinking or re-landscaping think about these points. Start Up Front: If you’re wondering where to start a landscape transformation, look no farther than your front yard. It’s the first thing that you see driving up to your house, and you can wow guests before they even enter your home. Just remember that curb appeal is important, but no matter how pretty your landscape is, it needs to be functional. Hardscape First: Do all of your hardscaping projects before you set out any plants. Hardscaping can include a pergola, sidewalk, driveway, parking areas, decks, fencing, patios or arbour. These projects usually involve construction, which can compact your soil or damage turf and plantings, so it’s important to complete any heavy work before plantings begin.

Toil In the Soil: When it is time to garden, amend your soil by adding organic matter such as finely shredded wood chips, peat moss, mushroom compost or leaf mould before setting out plants. Loose, fertile soil will encourage root growth on new plantings and allow them to become established quickly. Clearly define your turf and bed lines. First use a garden hose to lay out your

bed lines then use orange spray paint to mark the A Little on the Side: Side yards are often narrow lines. strips that are rarely seen. They can be a good place to house your utilitarian needs. Garbage Plant Next to Your House: Your foundation cans, firewood, storage and garden sheds often planting should embrace your house and not work well tucked into your side yard. If you have cover it. Low-growing shrubs or groundcover dogs it might be a good place to install a dog run. should be planted in front of low windows and You’ll probably need a walkway on at least one porches. Larger rounded shrubs or small trees side of your house so you can easily navigate from work well planted on the corners of your home. the front of the house to the backyard. These larger plants will frame up your house and help soften the box-like structure. Remember to Choosing the Right Plants: Before planting create a small bed in your front yard for annual anything, study your landscape. See where the colour. Flowers will add instant charm. sun rises and sets. Some plants love the morning sun but will not tolerate western sun. Consult Move to the Back: Your backyard should be an with a local garden centre about the plants that outdoor living area to enjoy. If you need privacy, you intend to use and know their needs. Plants install wooden fencing or large shrubs around the that need full sun such as herbs, vegetables, roses perimeter to create walls. Decks and patios make and many bedding plants require five or more great sitting or dining areas when the weather’s hours of sunlight, so make sure you design your appropriate and they create a nice overflow for areas appropriately. guests during parties. How Big?: Know a tree or shrub’s ultimate size Gather Around the Fire: Grilling stations or before you put it in the ground. A small yard is outdoor kitchens can be used to cook your meals not a good place for trees such as river birch, red and not heat up the kitchen. Fire pits and outdoor maples, sugar maple, oaks or magnolia. Trees such fireplaces are very popular and allow you to enjoy as Japanese maples, crepe myrtles and redbud your yard even when there’s a little chill in the air. would be better suited for little landscapes. Avoid Both of these options make for easy entertaining planting brittle trees such as river birch or silver or a fun family activity. maples next to your house or close to parking areas to avoid damage from falling limbs. Wants and Needs: Consider your options and the space you will need. If you have a sunny backyard Plant Shapes and Textures: Add some design you might consider putting in a kitchen garden elements to your landscape by playing off the where you can grow a few herbs or vegetables. shape and texture of plants. Use fine-textured Just be sure the area you choose receives several plants that have small leaves or needles next hours of sun. Do you need a children’s play area? to bold-textured plants that have large leaves. If so, position it where you can see it from your Upright linear growing plants can be positioned deck or patio to keep a watchful eye on the young next to round or low-growing plants to create ones. interest. Concluded on page 32 ...

EDUCATION

DINING OUT

The Thoughts of an Ageing, Balding Foodie

CAVERSHAM HOUSE

DOUGLAS SUTHERLAND-BRUCE f one thinks about Caversham House in the Swan Valley, one immediately thinks of a rather posh wedding venue. And, of course, it is - complete with elegant topiary dolphins and spirals, immaculately clipped hedges, sweeping Corinthian columns in glacial white, dove grey velvet and ivory white neo-Adam mouldings surprisingly comfortable ball-room chairs. But it’s very much more than that for the average Australian diner, it’s a rather splendid place to take luncheon. After all, how many times do we actually married (providing we’re not Elizabeth Taylor or Micky Rooney) as compared to the times we’re looking for a decent place to eat lunch. The hardest part is finding the entrance, really

because it’s not very well signposted. I can tell you that you sweep in the entrance, guarded by two fearsome grotesques on either side that look as though they’ve just flown in from Notre Dame in Paris, up the long drive and break to the right hand car park. Once out of your car (which you immediately wish you’d taken through the car wash first, since the place is immaculate) there’s a Palladian archway in front of you. Once through there, along a hedge-lined pathway, turn left at the Gazebo through the French doors into the restaurant proper of ivory white and smooth grey velvet draperies. The tables are elegant, draped in white napery and with tiny ballroom style chairs. The cutlery is equally elegant, simple but heavy, and the menu beautifully printed on heavy velum paper in buckram buckboards. The menu is not vast - five entrées, five mains, five sides and five desserts.

Prices for entrée and mains are set -$19 and $39. It is at this point that would like to introduce the chef - Chef Ingo Maass. Chef Ingo came to Caversham House eight months ago and has worked hard with the owners and front of house staff to produce a beautiful, balanced menu of meat, seafood and poultry with vegetables and herbs from Caversham House’s own vegetable garden, on the premises. I was fortunate enough to be able to have a chat with Chef Ingo, author of New Arabian Cuisine, and we were in total agreement about the necessity of the freshest produce, local protein and simplicity of cooking to allow the flavour to speak plainly. We were both in raptures about the quality and availability of West Australian lamb and the local produce readily available and with almost no food miles. Born in Germany, and trained, well pretty much everywhere, Chef has spent time in Dubai and elsewhere, honing his skills. His book, a combination of anecdote and recipe with the most

exquisite photographs, is on sale through Amazon And, I have to tell you, very considerable skills they are. The menu Roxy and I ate off was very new, only the second day of operation, but nevertheless bedded in beautifully. The wine list is also not extensive, but very well balanced and relying mostly on quality local wines. The wine waiter was also knowledgeable, which is always nice and had opinions, which in my opinion is vital. I really like a waiter to be able to make a suggestion when I ask for something ‘sweetish, white and fruity’ The suggested wine was all of that. Available by the glass or by the bottle. Roxy was a trifle late so I kept myself busy with a dish of home-made sourdough buns served warm with capsicum butter and EVOO ($3). Delicious and crusty and warmed in an oven not in a microwave. You can always tell the difference. For entrée I chose Slow Roasted Pork Belly, simply presented with a chunk of crisp, crunchy crackling and three apple balls, sweet and softly juicy on a tiny pillow of apple sauce, the same as accompanied the protein. The meat was absolutely magnificently flavoured, tasty and succulent. Although elegant the portion was quite large and certainly satisfying. Roxy’s selection was the ‘Vegetable Square’, literally so, as it turned out, with a quenelle of black olive tapenade - olives, capers and anchovies chopped finely. The name comes from the Provençal for capers - tapenas. Very strongly flavoured on its own, the tapenade went superbly with the vegetables. I’d hesitate to call it nouvelle cuisine since the portions are substantial, although the presentation was breath-takingly artistic. My main course is a case in point (see the photographs). The dish was crusted Rack of Lamb, cooked to perfection as medium to rare. The plate looked like a landscape - a river of red wine jus, between banks of pureed peas set with rocks of potato croquettes, peeled roast tomatoes and pearlised, caramelised onion shells, flowing under the bridge of the Frenched bones of the rack. Charming, but every artistic touch and flourish edible. And deliciously edible. Roxy had a simple dish of filet steak, simple to describe but sublime to taste - also beautifully presented, with a spear of roasted asparagus, a splendid jus and a fondant potato - that’s the pillar at the top of the plate. Fondant potatoes are a bugger to cook, it’s a long and tricky process involving frying in frothy butter, poaching in stock with garlic cloves and thyme, but well worth the effort - if someone else is cooking it. Roxy’s steak was delicious and if I hadn’t been making those little grunts and groans one makes with really, really tasty food I might have envied her. As a side dish we shared truffle-infused mashed potatoes served with miniature lardons of crisp bacon - delicious.

Chef was kind enough to send over a plate of the Salt-Water Barramundi to try and that was excellent. The skin crispy and the flesh, succulent and translucent. Served on a bed of mash with braised medallions of leeks, slivers of beetroot and radishes and curls of courgette. Barramundi is what the Americans call ‘seabass’. Barramundi is Aboriginal for “large-scaled silver fish” and they are delicious, not too ‘fishy’ in the sense that mackeral are, and not too ‘gamey’ as some of the larger fish can be. At this point in the meal, one usually thinks about dessert, and pretty damn enticing the sweet menu looked. But, there was just absolutely no possible way I could have crammed another mouth ful in. Happily, of course, I can come back and have another go, he said with a satisfied smile. It will come as no surprise to learn that Caversham House won the Gold Plate in 2014 and 2015 for Licensed Casual Dining – Metro and has also been a finalist for the 2014 and 2015 CIA Gold Plate Venue Caterers Award and Tourism Restaurant. Service is formal, if not silver service, but courteous and friendly. Caversham House is not the choice for a quick lunch, nor for a cheap and cheerful bite. It is not expensive as it’s exceptional value for money, but a three course meal will run you about $75 a head. And there is no way that you would want to rush your meal, this is a place to enjoy and linger

over your food over a long lunch, preferably with an attractive red-head, but in any case to be leisurely sampled and savoured. In summary, the decor is elegant and formal, the menu small but perfectly balanced, the food magnificent and the service correct and friendly. Very Highly Recommended Indeed.

DOUGLAS’ WINERIES AND DINERIES WHY THIS PAGE?

lthough I have as healthy an ego as the next man (providing I’m not standing next to Malcolm Bligh Turnbull) I’m not publishing this page just for my own gratification and aggrandisement. In the twenty-nine years since I began writing as a food writer and restaurant critic I have developed a following who seem to enjoy my sometimes mordant views on restaurants. Over the years I have had some magnificent meals and eaten at some sublime restaurants, as well as those at the other end of the scale. I recall once submitting an article on a Chinese Restaurant (since closed) where I had had a less than satisfactory meal. In my usual fashion, as the food was not good, I wrote about the decor - in excruciating detail, ending with the words ‘and I believe food was available.’ And do you know, the editor wouldn’t print it. With hindsight I can see his point, but at the time I wasn’t that pleased. But I was thrilled a few years later when I wrote a review, published on the 1st April (remember that date) of an imaginary restaurant called Le Petomane’s and describing the grey

DOUGLAS SUTHERLAND-BRUCE

interior, tin plates and special dishes of stuffed hedgehog and pudding consisting of lard and suet and generally indulging myself. The real joy of it came when, the day after publication, I received a phone call from a Chamber of commerce wanting the restaurant’s address and phone number so they could offer them membership. So at least one person read it and drew entirely the wrong message from it. Many others have read and enjoyed my articles I’m happy to say and I know this because of the many phone calls over the years. Sometimes the calls are ‘Thank you, took your advice and went there and had a good time.’ Other times it might be ‘Are you out of your mind, took your advice, went there, hated the place.’ But by far and away the call I get most often is a variation on ‘My greataunt is turning eighty and I want somewhere nice to take her, where do you recommend?’; ‘It’s my anniversary next month and I want somewhere nice to take her, where do you suggest?’; ‘My mates and I are throwing a surprise party for my parents - where should we go?’ And so on. I do love getting these calls because I enjoy talking to people passionate about food and dining and getting feedback.

But before I can answer any requests or make any suggestions there are a few things I would normally ask. The first is always ‘What’s your budget?’ Because I can really suggest some super restaurants but they may be out of your range. Although price is important, it is of course by no means the only criterion - style, number of guests, ages of diners and so on. A romantic, dark and lush restaurant may be perfect for your Valentine’s Day dinner for your crush, but less satisfactory for the Rugby Club wind-up. Anyway, if you’re a reader, don’t hesitate to ring and talk about food - BUT, I’m not always easy to get hold of since I regard the telephone with deep suspicion and quite often the ringer’s turned off because I’m talking to someone, eating a meal, in a theatre or writing. So, as a second choice you might like to have a look at this page which is for advertisers I have personally been to and have an opinion about. Each advert also has a live link to the website of each organisation so that you have a look at their menus or wares in some detail as well as my personal rating, which regular readers will know runs from ‘Not Recommended’ all the way up to ‘Very Highly Recommended Indeed.’ So here are a selection of wineries and dineries that I personally recommend - I’ve been there, had a good time and think you will too. If you do, or don’t, I’d love to hear from you, too. Happy eating and drinking!

FOOD SWAN VALLEY DISHES UP THE BEST

hat better location to launch a restaurant program focused on supporting local produce than the stunning Swan Valley. The City of Swan embraced the opportunity to work with the Department of Agriculture and Food to launch its Buy West Eat Best (BWEB) Restaurant Program at Sandalford Wines. The program is part of the department’s broader successful BWEB food labelling initiative that supports the local food industry in Western ustraliaA. The innovative program highlights the important role restaurants play in attracting visitors to the Swan Valley and their commitment to promoting the best local produce as a humane food region. Mayor Mike Wainwright said the BWEB Restaurant Program would offer many exciting benefits for local producers, suppliers, chefs and restaurants. “Ultimately it will provide them with a platform to showcase their support for Celebrations were held at the launch of the Buy West Eat Best Restaurant Program local producers and suppliers and the L-R: Critic Rob Broadfield, Deputy City of Swan Mayor David Lucas, CEO Mike Foley, City of opportunity to increase the profile of Swan Mayor Mick Wainwright, Cr Cate McCullough, Principal Policy Officer at Department of Agriculture and Food (DAFWA) Deborah Pett and Cr Darryl Trease. their own business,” he said. Some of the benefits for members include invitations to attend field trips Mayor Wainwright said he was thrilled the To celebrate the launch of the restaurant to WA’s food producing regions, trade days Department of Agriculture and Food was keen program, there is an opportunity for the first where chefs can meet new producers and sample to work with the City by launching the restaurant thirty City of Swan businesses that qualify and supplies, as well as many other networking program in the local area. register for the program, to receive a fifty per cent forums. He was joined at the launch by restaurant subsidy on their annual membership fee. Significantly, membership will incorporate industry representatives, City of Swan staff “I look forward to seeing a number of City of widespread social media coverage including including Chief Executive Officer Mike Foley and Swan and Swan Valley businesses flying the Buy competitions and promotions via the Buy West council members. West Eat Best banner, showcasing the very best Eat Best platform which has more than 12,000 “After all, the Swan Valley is not known as our region has to offer,” Mayor Wainwright said. followers. There is also a section that will offer Perth’s Valley of Taste for nothing. Of the 2.1 For more information about how to register various marketing tools and multiple links to million people who visit the region each year, the for the program, please send an email to Robin. relevant sites and businesses. majority come here to dine,” he said. Birch@agric.wa.gov.au

FOOD TRIVIA R Refried beans aren’t really what they seem. Although their name seems like a reasonable translation of Spanish frijoles refritos, the fact is that these beans aren’t fried twice. In Spanish, refritos literally means “well-fried,” not “re-fried.” R Rice is the staple food of more than one-half of the world’s population. R Saffron, made from the dried stamens of cultivated crocus flowers, is the most expensive cooking spice. R Since Hindus don’t eat beef, the McDonald’s in New Delhi makes its burgers with mutton. R Sliced bread was introduced in 1930. Before that the standard for ‘the greatest thing since’ was the wheel.

R Sweetbread is neither sweet, nor bread. It is a R The color of a chilli is no indication of its dish made up of the pancreas or the thymus gland spiciness, but size usually is - the smaller the of a calf or lamb. pepper, the hotter it is. R Swiss Steak, Chop Suey, Russian Dressing, and R The herring is the most widely eaten fish in a Hamburger all originated in the US. the world. Nutritionally its fuel value is that equal to that of a beefsteak. R Tequila is made from the root of the blue agave cactus. R The herring is the most widely eaten fish in the world. Nutritionally its fuel value is that equal R The bubbles in Guiness beer sink to the to that of a beefsteak. The English word “soup” bottom rather than float to the top as in other comes from the Middle Ages word “sop,” which beers. means a slice of bread over which roast drippings were poured. The first archaeological evidence of R The California grape and wine industries soup being consumed dates back to 6000 B.C.E., were started by Count Agoston Haraszthy de with the main ingredient being Hippopotamus Moksa, who planted Tokay, Zinfandel, and Shiras bones! varieties from his native Hungary in Buena Vista in 1857. R The hottest chile in the world is the habanero. 23

ENTERTAINMENT PREPARE TO MEET THY TOMB AT GARRICK SARAH BROOKES

irector Lynne Devenish is throwing political correctness out the window when she brings her baffling murder mystery spoof Prepare To Meet Thy Tomb to the stage at Guildford’s Garrick Theatre this month. Ms Devenish said the play followed Tomb With A View and Tiptoe Through the Tombstones to complete the trilogy of plays from Norman Robbins about the family that play together and slay together, the murderous Tombs. “As night falls on Monument House Hotel and Alternative Health Spa, Hecuba Tomb and her niece Drusilla receive a series of unexpected visitors,” she said. “Novelist Philippa and her assistant Daphne are seeking refuge from a mysterious follower they fear may be the notorious Norfolk Strangler. “Hot on their heels comes flamboyant, openly gay TV presenter Quentin Danesworth and vacuous honeymooners Robert and Miranda.

SECRET, BLACK AND MIDNIGHT HAGS HAVING A GREAT TIME

“The uninvited guests are soon snooping around the secret passages of the creepy old DOUGLAS SUTHERLAND-BRUCE mansion and asking too many questions for comfort.” Ms Devenish said the play featured over-the- am a great and long-time admirer of the works of the late Sir Terence (Terry) Pratchett. His top characters and shocking plot twists. creation of the Discworld will stand as a milestone “No secret panel is unoccupied, no cup of tea untouched, and nobody is who they appear to in years to come in the development of fantasy fiction. His death in March last year from early-onset Alzheimer's was a terrible loss, depriving the world of many unwritten books. But as his friend and co-writer of Good Omens, Neil Gaiman, said in his obituary 'it doesn't behoove us to be greedy' and there is a body of over forty novels. Of these, more than half have been made into stage plays by Stephen Briggs and others. One of these, and an early Discworld novel, is Wyrd Sisters, based roughly on Shakespeare's Macbeth given Sir Terry's unique twist. This is Darlington Theatre Player's latest production and their first foray into the Pratchettian universe. The trouble with presenting anything so beloved on stage is that everyone has a clear and vivid idea and ideal of the characters. I could draw you a detailed picture of what Granny Weatherwax looks like to me, as could any fan. And you betray that image at your peril. Young director Harrison MacLennan has assembled a very young cast to present this classic be,” she said. “The play is set of the genre. Garrick Theatre Club presents in the modern day with First let me say that the sets designed and built the characters appearing by Owen Davis and his team is nothing short of By arrangement with ORIGIN Theatricals on behalf of Samuel French ostensibly normal whilst miraculous. Beautifully detailed and painted on continuing to uphold about six reversible truck flats the scenes changes the Tomb traditions of (a LOT of them) were smooth, swift and silent. murdering by contract, MacLennan has made use on every single or whim, whichever square inch of the theatre - in front of the curtain, on the thrust, the wings and the aisles. comes first.” D i r e c t o r This innovative use of the stage added to the Devenish's first acting imaginative use of lights and sound was simply gig was at the age of five magical. at the Karachi Grammar As might be expected with such a young and School in Pakistan largely inexperienced cast (for many this was their followed by several roles first time on stage) the stagecraft was somewhat in the UK before coming problematic but the energy and enthusiasm made up for it. to Australia. She has been an The cast was filled out by some highly active member of Garrick experienced actors which re-dressed the balance. since 1968, winning Taneal Thompson makes a welcome return to awards for both acting Marloo as the villainous duchess. and directing. Garrick is Fi Livings, as the doyenne of witches, Granny Weatherwax, was outstanding, as was relative her second home. PERFORMANCE DATES 2016 Prepare to Meet newcomer Chantelle Pitt's Nanny Ogg. Her accent JULY 28 29 30 31* AUGUST 4 5 6 7* 10 11 12 13 Thy Tomb starts on July roamed all over the British Isles from Ireland, All performances start at 8:00pm sharp except for matinees 28th at Garrick Theatre, through Cornwall to the Outer Hebrides but that 10 Meadow Street, just added to the charm of her performance. July Sunday 31st and August Sunday 7th at 2:00pm Guildford and runs until In fact 'charming' is probably the most TICKETS Adult $20 Concession $17 Members & Children $15 significant description of the production. August 13th. BOOKINGS: 9378 1990 or To book The third of the coven was Alisha Napier as bookings@garricktheatre.asn.au contact 9378 1990 the wet hen Magrat and she managed to hold her or email bookings@ own extremely well against the much stronger www.garricktheatre.asn.au other two, which is very much to her credit. garricktheatre.asn.au Concluded on page 27 ...

ENTERTAINMENT THE IMPORTANCE OF BEING EARNEST DOUGLAS SUTHERLAND-BRUCE

t is an odd thought that it is arguable that the greatest recent practitioners and lovers of the English language are not, in fact, English. George Bernard Shaw was Irish, Dylan Thomas was Welsh and possible the writer of the funniest play in the language was also Irish. Oscar Fingal O'Flahertie Wills Wilde (born 1854) was the son of a celebrated Irish Nationalist and poet who wrote as Speranza and her husband, knighted for services to medicine. He was brought up in a cultured and literate household and began to write at an early age poems, novels and plays. His work, The Importance of Being Earnest, is as fresh and funny as the day it was written, the situations as clever and the appeal is as fresh as the day it was written. Directors are always looking (unnecessarily in my view) for ways of making the play new and difference, and recently there has a trend for casting men as Lady Bracknell - David Suchet, David Woods, Michael FitzGerald, Geoffrey Rush, Stephen Fry, Patrick Fyffe (Dame Hilda Brackett) and Brian Bedford, for example. Adding to this Y chromosome list is now Keith Scrivens (My Fair Lady, Sunset Boulevard, Noises Off and much more) and the grandest of dames in in Serial Productions’ latest attempt at the classic. He joins a stellar cast of some of Perth’s most talented comic actors - Rodney van Groningen, Joe Isaia, John Taylor, Brendan Tobin, Jacqui Warner, Krysia Wiechecki, Amanda Watson and Clare Wood (another trans-sex role, as she’s playing Lane.) The whole is directed by the multi-award winning Peter Clark and it will be interesting to see what he does with this timeless classic. Clark’s view of Shakespeare’s Midsummer Night’s Dream was well-received by audiences seen, as it were, through Benny Hill’s round glasses. He may well bring his innovative eye afresh to the play that brought ‘Bunburying’ into the language, perhaps a tiny touch of the ‘Carry On’ or a soupçon of panto. If there is someone who has never seen the

play it concerns the wedding plans of Jack ‘Earnest’ Worthing (Rodney Van Groningen) and his dear friend and boon companion Algernon Moncrief (Joe Isaia) who cousin is Jack’s intended, the lovely Gwendoline Fairfax (Amanda Watson). Alas, Jack has no family to speak of and so is unlikely to meet the rigorous requirements of Gwendoline’s mother, the redoubtable Lady Bracknell (Keith “Prism, where is that baby?” Scrivens. L to R: John Taylor (Canon Chasuble) Jacqui Warner (Miss Prism), Algernon, who Joe Isaia (Algernon Moncrieff) and Keith Scrivens (Lady Bracknell) becomes infatuated with Jack’s ward, the Serial Productions have a history of delectable Miss Cecily Cardew (Krysia Wiechecki) outstanding shows - last year’s Noises Off was a joy offers to help in return for ... oh, it doesn’t really and the best production of that classic this writer matter. has ever seen. The play is a glorious example of confusion, The Importance of Being Earnest runs from explanation, genteel blackmail and one of the Wednesday the 24th of August until the 10th most superb scenes ever written - the interrogation September at Sterling Theatre, Morris Place, scene in which Lady Bracknell cross-examines the Innaloo. hapless Jack on his prospects. Tickets cost $25 for adults ($22 concession) This is the scene which presents every actor and may be obtained by going on-line to the playing Lady B their most difficult challenge. In trybooking website: www.trybooking.com/LNGM the 1930 Dame Edith Evans invested the line ‘A I have seen many, many productions of this handbag?’ with such profound horror and deep play, have directed it twice and acted in it once intonation that it has become a trap and snare so I know it as well as any man can, I think - and for every other actor to avoid repeating or being I’m very much looking forward to seeing Serial seen to copy it - https://www.youtube.com/ Productions take on The Importance of Being watch?v=oyuoUwxCLMs - if you’d like to see what Earnest. I mean.

Director Peter Clark explaining a point to one of his actors 25

COMMUNITY THEATRE REVIEWS THEATRE WITH GORDON

How will her friends and family accept this unacceptable behaviour? Amanda Muggleton, who, in true Amanda style, performed almost the whole of the second act completely in the nude, brought this one-woman show to Australia in the 80s. This production is still sexy, but without flesh. The play takes the form of a 110-minute monologue, a huge task at the best of times. When you add the need for a quality Liverpool accent, the unique Scouse mannerisms and their dry innate sense of humour, the task becomes mammoth.

Optimism is the faith that leads to achievement. - Helen K eller SHIRLEY VALENTINE Shirley Valentine is one of Willy Russell’s most loved plays. It is a one-character play written by the Liverpudlian playwright and composer while still in his thirties. This hilarious play premiered 1986 in Liverpool, but it was Pauline Collins who took the show to London and Broadway for a 324-show run. In 1988-89, the play won Laurence Olivier Awards for Best New Comedy and Best Actress, followed by two Tony Awards, one for Best Performance by a Leading Actress and another for Best Play. It went on to win the Outstanding Broadway Debut award. This delightful comedy is now being presented by the Kalamunda Dramatic Society Theatre (KADS) at their theatre in the Town Square, Barber Street, Kalamunda. The curtain goes up at 8.00 pm for 130 minutes of fun and tears each Wednesday, Friday and Saturday until the 30th July. Jodi Cant’s set is simple but effective. The scene is the kitchen of a working class home in Liverpool during the 1980s. A table and four chairs represent Shirley’s kitchen. The walls are flats painted pale lemon with a few black drapes. The Greek setting is a contoured lounger, with sky blue flats (built by Alistair Woodcock and Karen Woodcock-Hall). Steve Marr and Les Marshall operated Don Allen’s simple but effective lighting. The simplicity focused the audience’s attention on the script and dazzling acting. We join 42-year-old Shirley Bradshaw – nee Valentine (Jenny Howard-McCann) – in her kitchen, peeling potatoes; yet another evening meal for her unappreciative husband. Over the years, Shirley has found that the kitchen wall is a far better friend, and more responsive, than her brain dead, boring husband. One day, Shirley’s best friend wins a ticket for two to Greece and suggests that they go to the Greek Isles together. Being a dutiful and conscientious wife, Shirley has grave doubts at first, and then after much discussion with ‘wall’, she realises how her lifestyle has changed with marriage, and so decides to go and rediscover her lost youth and vibrancy. 26

Jenny Howard McCann

Further, add the ability to engage the audience, as though you are gossiping in private to your best friend, whilst having the comedic ability to delivery hilarious stories that may actually incorporate tragic undertones. These demands on any actor are massive, even for a major award-winning actor like Jenny; but she shone in all departments, with a truly stunning performance. There were numerous belly laughs and a few tears. Jenny’s performance was crammed with energy, and even after a couple of hours, the pace kept bounding along. Fabulous teamwork from the skilled director and her highly talented performer. I can imagine a sell-out, so get your tickets quickly. THE ASTRONAUT The Astronaut is a warm and touching story that was inspired by a Samuel Beckett tale. The play has been developed by WAAPA’s lecturer in movement, Samantha Chester and course coordinator, Frances Barbe. This City of Perth’s Winter Arts Festival, 50-minute production, which has inoffensive adult concepts, can be seen at The Blue Room Theatre, 53 James Street, Northbridge. The performances start at 8.30 each evening until Saturday 9th July.

A mantelshelf clock chimes and the pendulum ticks. In the corner of the 60’s style sitting room is an old TV on a G-plan table, a standard lamp and an old, easy armchair. In the centre of the room is a solid oak dining table, buried in jigsaw pieces. The pieces are in thick layers all over the floor. Not just one jigsaw, but 2-3 dozen 1,000 piece sets – all mixed together. This unusual set design is the brainchild of Isabel O’Neill. Matthew Osborne’s clever vision and lighting design is combined with the graphic designs of Rhys Morris. The tech operator is Tim Green who works closely with the production manager Amelia Trenaman. As the clock stops chiming, the elderly recluse, Gwen (Samantha Chester) awakes. She puts down the National Geographic magazine resting on her lap, and picking up a cup of cold tea from the sideboard, she shuffles across to the table. Pushing aside some of the jigsaw pieces, she starts assembling another picture. Amongst the pieces she finds a few small, audio tape cassettes. Selecting one, she inserts it into a machine on the table. The audio tapes are memories of significant times of her life; these clippings from TV and radio, are of famous events and musicals – Elvis is her favourite – they give the old dear security from the fast moving dangerous world outside. Whilst watching the 1969 July moon landing her life changes. Sam Chester’s slow, physical theatre radiates warmth that immediately has the audience empathising with the old lady – Gwen is someone every one of us knows well, perhaps a mother, a grandma or maiden aunt that some members of our family may think is a little dotty, but is still greatly loved. Frances Barbe’s direction is blended with dramaturge by Victorian College of Arts’ graduate in dance, Julie-Anne Long. With melodic backing by Sydney based composer, Ekrem Mülayim, the result is an almost dream-like performance from Sam. This play is unusual in its presentation, almost without dialogue and with many loving recollections from the past. A poignant, loving look at old age.

Samantha Chester

‘THE FLICKERS’ WITH JAMES FORTE The Man Who Knew Infinity INSPIRING SCIENCE n 1995, Dava Sobel’s Longitude was published and became an instant best seller. In providing a biography of clockmaker John Harrison (1693-1776), she explored one of the most important problems up to the 18th century – how to determine your position at sea. The WA coast is littered with the wrecks of Dutch ships that had no way of measuring the distance they had sailed from the Cape of Good Hope. That all changed with Harrison’s chronometers. You can still see them today at Greenwich, reliably and accurately clicking away the seconds. Think of all the lives they have saved. And if that does not bring a lump to your throat, nothing will. (If you have never read Longitude, then hurry up and finish this issue of Swan Magazine and go out and get yourself a copy!) Although it was not the first such work, Longitude triggered a spate of books which illustrated important scientific and technological revolutions through the lives of some obsessive individual; someone who devoted their life to solving the apparently impossible. Simon Winchester’s The Map that Changed the World covered the work of William Smith who drew the first geological map of Britain and made systematic coal mining, canal building and the industrial revolution possible. Victorian England was littered with such heroes: Charles Babbage, George Cayley, Charles Darwin. Last year we had The Imitation Game about Alan Turing and The Theory of Everything on Stephen Hawking. This year we have the filming of Robert Kanigel’s book The Man who knew Infinity (the level of hyperbole in the titles seems appropriate for such people). It tells the story of Ramanujan (1887-1920), played by Dev Patel (Slumdog Millionaire, The Newsroom and The Best Exotic Marigold Hotel), an Indian genius whose advanced mathematics were self-taught but whose intuitive insights pushed the finest brains of the time. When most mathematicians would be pleased to discover and publish one fundamental identity or equation, Ramanujan produced nearly four thousand. At Cambridge he collaborated with G H Hardy (Jeremy Irons in top form) who provided the rigour to turn his conjectures into provable theorems.

J E Littlewood (a marvelous portrayal by Toby Jones) noted that every integer was his personal friend. He was elected a Fellow of the Royal Society at the age of thirty-one. The film provides wonderful glimpses of the relationship between Indian and British scientific culture during the Raj (Stephen Fry has a cameo role) and of life at Trinity College, Cambridge before and during the First World War. These are the days before calculators or computers and some frighteningly large numbers were calculated by hand – whether chalked on some temple floor or written in ink in a candlelit college room late at night. (I did not spot any slide rules and the abacus only appeared in the Indian scenes!) The film opens with Ramanujan already filling notebooks with his ideas but forced to seek clerical work to support his wife and mother. He was of the Brahmin caste and received a good education in English and basic mathematics. I would have liked to have seen more of his attempts at self-education in tertiary level calculus and combinatorics from library books. Instead we are taken almost immediately to Cambridge and an unqualified Indian trying to make his way in the status-obsessed levels of English academia. So do not be put off by the equations, this is a fine film about human endeavour and relationships. The Man who knew Infinity is currently showing at the Luna Leederville.

Concluded from page24 ...

Nanny Ogg (Chantelle Pitt)

I must make a special mention of Ryan Marano's Duke Felmet. He was wonderful in the fairly tricky part of a murderer wracked by guilt and unable to get the blood off his hands, no matter what he tries, scrubbing brush, sandpaper and eventually a cheese grater. Marano is currently studying theatre at WAAPA and as he has expanded his experience and range he has grown rapidly in stature and skill. A young man to watch, I think. The cast worked well together and the audience thoroughly enjoyed themselves, as I would expect any audience to do - it would be hard to not like this delightful show. Trivia: Sir Terry's coast of arms has as its motto Noli Timere Messorem (Don't fear the reaper). Fans will know why. Highly Recommended.

GET SOCIAL WITH JAY and they are giving you the opportunity to make your voice heard. When you add the feeling of sincere gratitude into the mix, the sheer anxiety dissipates a bit. If others have faith in your ability, you should give it a shot. 2) Be flexible Don’t over structure everything you’re planning to say. A structured speech can help you stay organised, but might feel unnatural for your audience if it is too rigid. With some flexibility, you can modify your speech as you go along. Understand the content of your speech, and keep some things to say in mind, but don’t worry so much about where and when you will say them… they will flow out when the right moment presents itself. Having some flexibility also takes into consideration that not all audiences are created hen I originally launched Crisp Crow equal. Be prepared to morph your presentation Communications, I couldn’t imagine public or speech in line with your audience response. speaking would become part of my business journey. 3) Get jazz hands The idea of speaking publicly, either in front Use your hands! It makes your audience feel of real, live humans or on the air, made my heart more at ease, and you seem more personable. palpitate and mind race. We’re human, after all, and we already And here’s the odd thing: with a background communicate so much with body language. and training from one of Australia’s premier So shake out those nerves and keep yourself Drama and Music institutions and a life time spent moving. And more importantly, remember to take on stage (I started dancing at two and my first job a deep breath before you begin. was of professional cheerleader) I should have There are some absolutely rivetingly been completely confident. fascinating TED talks about body language. Watch However, to put yourself in the vulnerable them and practice as you go. position of public speaking is simply a different, more nerve wracking experience than 4) Be enamoured communicating through words, or indeed, as it Talk about something you love. When you seems, song. talk about something you’re crazy about, you’ve When I was asked to speak at my first event, already prepared most of your speech. I thought perhaps it would be a one off. It was a In my podcasts and workshops, where I talk trial by fire – a full day of MC’ing to a hall full of about Crisp Crow Communications and all that clever people, complete with making up jokes and is entailed in successful copywriting, I’m really telling anecdotes about my kids and my job when talking about my love for writing. the day’s schedule was held up. Passion and purpose are the perfect sources Shortly after, I realised I had enough clients to begin a discussion. wanting to work with me one on one with digital Plus, an audience wants communications training to put them all in a to know who is speaking to room together, do it all in one shot, and save them them, and what better way each a couple of hundred dollars. to get to know a person by From there, workshops were booked out, I hearing them talk about received more invitations to speak, and I soon had something they love? to get used to the idea that this is how my clients wanted to meet me – in person. Teaching them 5) Give value something. Impart some wisdom to If you’re a woman in business, chances are the audience that they can use your clients want this from you too. to implement change THAT I’ve learned some tips on public speaking VERY DAY. from not only stumbling through my own You want your audience presentations but also from some highly effective to go home having learned public speakers I’ve met on the circuit. something they can practice in their personal lives. For example; some FIVE TOP TIPS Top Tips to Public Speaking Success (for entrepreneurs say life is about introverted, scared little copywriters and other finding work/life balance – but I disagree. I believe life is chickens) about blending all roles that 1) Feel honoured. Someone thinks you have something to say, constitute our lives. I am not a

SOME THOUGHTS ON PUBLIC SPEAKING

copywriter by day and a mother by night. Rather, I’m a mother who sometimes has to write content for a company’s website during my child’s soccer match. This is a belief that melds my personal and work life together, and it’s something I strive to share with my audience in the hope of helping them. While these are just a few tips on public speaking, it’s important to challenge the fear of putting yourself out there because that ultimately paves the way for something extraordinary. When people come up to tell me how I helped change the way they did business, or when they send emails about how touched they were by something I said, it makes all that fear and gruelling anticipation worth it. When I make connections after speaking, it reminds me how tangible my lesson is. Different people learn in different ways, so if we scrap the idea of giving a speech or presentation forever, we’re missing out on all that interaction with people who don’t learn by reading. We’re all human, and we all have fears, but public speaking doesn’t have to be one of them. Once you’ve stepped out of your comfort zone and plunged yourself into the realm of public speaker, you might even come up with some tips on public speaking of your own. I have spoken to the wider business community through live podcasts on presenting yourself effectively online as well as how to build relationships with clients. I’ve also conducted workshops on copywriting, content marketing, digital communications, and creating content for social media. Being asked to participate in these podcasts and workshops was all a real threat to my comfort zone, but as I always say: no one gets into small business to feel comfy. Have questions? Want to know if I drank beforehand? You’re welcome to email me! Courtesy of Crisp Crow Communications

BUSINESS IS PR GOOD FOR BUSINESS? ALLEN NEWTON

he short answer is, ‘Yes, absolutely.’ There are some wonderful stories that come out of businesses, both small and large. Tales of success, breakthroughs in product development and stories of innovation taking place in organisations are everywhere. Satisfaction comes from these achievements – and if organisations can find a way to tell people about them it can play a significant role in generating profit. But often when a business has made some kind of breakthrough and has a unique and interesting story to tell, knowing which way to turn to get its messages into the market can be frustrating. Advertising plays a part in getting these messages out, but for all sorts of reasons it can be difficult to tell a complete story in an advertising campaign. It’s here that Public Relations has a role to play – and not only for big business. If an organisation is doing something

unique, something new, or achieving significant results it should be telling that story. While the media can be a daunting creature to deal with if you are not familiar with how it operates, it’s worth remembering the media is a hungry beast that needs to be constantly fed. And that provides opportunities for your business. It could be as simple as

Perth Night Noodle Markets

spending an hour or two creating a media release which explains a business success and then getting it into the right hands at an appropriate media outlet. For example, you only have to look at the pages in this issue of the Swan Magazine to see stories of success and achievement.

Perth Night Noodle Markets

Television is always looking for enticing stories with compelling images, trade publications are hungry for industry news and radio is always on the lookout for confident spokespeople with strong opinions and something to say. If an organisation can respond quickly it’s often possible to contribute to fast moving news cycles, jumping in with industry knowledge that adds something to a breaking news stories in the news environment, in newspapers or online. And there can be opportunities to express opinions about developments in a business’s own area of expertise. PR professionals can also be very helpful in organising events.

NEWTON GANSKA COMMUNICATIONS

ur family business, Newton Ganska Communications, looks after organising publicity for events as large as Fairfax Events’ Night Noodle Markets and Good Food Month and CMS Events’ City Wine, Unwined Subiaco, Sunset Wine and Taste Great Southern, but we also get involved with product launches and celebrations for individual clients. My wife and partner, Helen Ganska, and I are both seasoned journalists with strong connections to the media industry and strong knowledge of who to approach with what kind of story. Operating from our home in Guildford we’re working alongside businesses in the City of Swan and across the metropolitan area helping with everything from developing case studies to build a picture of an organisation, through to organising publicity to help develop profile or to raise

awareness about particular products and services. We’re experienced writers so can create content for a broad range of purposes and because we’ve worked in our own businesses and for Australia’s major media outlets in Perth we have an extensive range of contacts we can approach to try and get stories run for our clients. For those not so confident in dealing with the media we’re able to provide coaching. Our existing clients range from the food and beverage industries to technology, the notfor-profit sector, professional services, industrial coatings, local government and media. Our fees are reasonable and we offer fixed price contracts on each project we undertake. Let us buy you a coffee and talk to you about how we can work together and help your business. Give us a call on 08 6468 4489. 29

COMPUTERS ONE PAGE WEBSITES JESS SUTHERLAND-BRUCE B.W.

ecently at Hawk’s Web Workshop, we’ve been dabbling in the art of the ‘one-page’ website. What started out to be a university assignment for the male section of this partnership, it has become one of our favourite developments! The enjoyment of the single page website comes from the ease of the design and the elegance of the story. It focuses on the idea that web is different to print and focuses on the advantages that web fortuitously gives to designers; the ease and access to animation in script, the ability to tell a story through layout, and immersive, linear experience. The one-page site is what it sounds like: an entire website on one page. It follows the traditional conventions of having ‘links’ at the top of the page for ease of access and searchability, but instead of these links being to separate pages within a website, they anchor inside the same page, creating something akin to chapters to develop ideas and explanations under. This creates a long, one-page site, that is best experienced via scrolling. You may be thinking, ‘well isn’t that going to create one big mess of a design layout?’ but it doesn’t! Due to the cleanliness of the layout and straightforwardness of delivery, the site is a simplistic dream. The layout becomes increasingly important with one page websites, leading to the use of big bold block colours, effective use of beautiful and vibrant pictures, and clever use geometric shapes and icons to show information through images. It becomes an artwork to reflect the design, taste and passion of your business. The one-page site is therefore fantastic for businesses with websites with a small amount of content or a very organised amount of contact that can fit under multitudes of headings or subheadings. It also works very well for those who have a

clear, defined business practise or mode they run in. As a one-page website requires careful consideration of information layout, it means that everything is right in front of a viewer, and you get to decide how they receive the information that you are delivering. Consequently this means that clear communication is easier. When we develop a website, we ultimately what to achieve a method that communicates information or an idea. The unappreciated beauty with a one-page website is that you control the flow of information, how it is experienced and how it is delivered. You don’t have to worry about people getting lost, or having too many layers built into each other. (We all know what government websites feel like.) With the ability to organise the appearance of information, and being able to tailor the site to how you want it consumed, comes the ability to easily view and digest the site – you know your viewers won’t get overwhelmed, because you can pace what they are reading and looking at. All they have to do is scroll. One-page websites have an added bonus of looking polished and professional with less investment in designing dozens of slightly differing pages. They are easy to lay out and build in animation to. They have a stylish way to reveal information and content. Instead of trying to balance and work on dozens of pages, the one-page website has one scrolling, partially animated website that just flows from one piece of content to the next. The design and flow is akin to the infographic designs one sees displaying lots of information. With a one-page website, the content is much

easier to manage, parts of the website easier to move and appearance to alter. The user is ensured to have the same experience time and time again, and, from a designer point of view, it is easier make small changes for a client without the intricate repercussions and cascade of effects that the changes may have on a multipage website. The most beneficial outcome of the one-page site is the ease of use for the consumer. Not only is it sleek and stylish, but it works incredibly well with smart devices (smart phones and tablets) due to its inherent web based design, and an ease of shareability. We haven’t talked much about shareability of websites, but this is an idea that stems from the ability to share information via social media. The one-page site has a fantastic shareability value due to the fact that there is only one page or part to share. A viewer doesn’t have to worry about sharing the wrong page via social media, and once shared, you have your whole site being shared, rather than simply just the homepage. Best of all, to upgrade to a one-page website will often cost you less than having a whole site re-design! While not an option for all, especially those in the e-commerce business, the one-page site is a wise design choice for those who take the plunge. It will not disappoint! Courtesy of Hawk’s Web Workshop As a special offer for all the readers of Swan Magazine, if you contact Hawk’s Web Workshop on 0400 181 372 or by email at hawkswebworkshop@gmail.com. you can get a one hour first consultation for free.

IT’S TAX TIME!

ere are five simple tips that everyone should use With good reason! Using an accountant to help with to ensure they maximise their tax refund: your tax return will not only save you time and stress – it will also ensure that you get a better tax refund. 1. Claim deductions for everything you are And any fees charged for your tax return are fully entitled to claim deductible on your following year’s tax return. The simplest way to increase your tax refund: Claim a deduction for every expense you are legally 4. Don’t forget the small stuff! entitled to claim. Don’t go overboard - you can A $10 donation to charity or a $5 textbook might only claim legitimate items that you have receipts not seem like much at the time, but each of these for. ‘Made-up claims’ or ‘generous guesses’ lead to small purchases across twelve months can add up to ATO reassessments, audits and surprising tax bills hundreds of dollars – all money that you can claim arriving from the ATO. as deductions on your tax return. Whenever you buy anything related to your 2. Keep good records work, no matter how small it is, keep the receipt. Each year during tax time, many taxpayers spend Keeping track of the small stuff is a sure fire way to countless hours tracking down receipts from across ensure you receive the best possible tax refund. the past twelve months. Those people wasted hours of their time- your solution is simple: Spend just 5. Use a tax agent service five minutes a week organising your receipts and 70% of Australians lodge their tax return via a logbooks. You’ll save hours of frustration AND you’ll tax agent. Why? Because a tax agent is someone ensure you receive the best possible tax refund. working on your side to help increase your tax refund and help you avoid ATO trouble. 3. Get the advice of professional accountants But tax agents are not all the same. Ask around Over 70% of Australians use a tax agent’s services. and check testamonials.

FINANCE BREXIT A FORCE FOR EU REFORM STEVE BLIZARD

n a historic vote which has ended months of speculation, the UK electorate has voted to leave the European Union (EU) with “Brexit”. While the speculation may have ended, the uncertainty has not. Immediately following the referendum, it’s as if a reset button has been pressed on UK politics, with Nigel Farage resigning as the leader of UKIP and leadership of the Tories and Labor are now up for grabs. The actions that the UK now takes may end up becoming a template for others in the EU to follow. Leaving the EU is going to be difficult for the UK to unravel because there is no precedent to follow and there are significant constitutional and legal hurdles to overcome. The UK joined what was then known as the European Economic Community in January 1972 when Prime Minister Edward Heath signed the Treaty of Accession in Brussels. Membership of the Common Market took effect in 1973. The EEC morphed into the EU following the Maastricht Treaty in 1993. So there are over forty years of ‘unpicking’ required. The UK is now required to invoke Article 50 of the Lisbon Treaty, although the precise timing of this step is entirely in the hands of the British government. Once invoked there is approximately a twoyear period allowed to organize the ‘exit’.

Germany seven percent, Portugal’s seven percent, Ireland eight percent and Holland’s six percent. In Japan, the Nikkei 225 index slumped by eight percent. In North America the reaction was relatively muted, with a fall of 3.6 percent by the S&P 500.

CURRENCY CRASH Since the June 23 vote, investors have been dumping the pound - which has slumped fifteen percent, to $1.28, its lowest level in more than three decades. After appearing to stabilize, the pound resumed its decline after three big asset management firms halted withdrawals from real estate investment funds. Up to £13 billion of UK property investments MARKET REACTION have since been locked in, as investors scrambled The markets reacted violently because the to withdraw cash in the wake of the Brexit vote. majority of the ‘bets’ were on the “remain” side. Interestingly, the UK stock market CONTINENTAL POLITICS experienced one of the mildest falls on the Friday Perhaps the most serious repercussions are in – down a little under four percent. Europe itself. At the time of writing it is little different from “Euro-scepticism” is becoming more deeply its 2016 start position. entrenched in Europe. The weaker Eurozone countries suffered the Around one third of European parliamentary most – Greece, Italy and Spain all experienced members represent Euro-sceptic parties and the market declines of more than ten percent. Brexit vote may have set off a chain reaction France’s market was down by eight percent, which could ultimately lead to the unravelling of

a united Europe. At least five other countries are at risk of leaving the union including Italy, the Netherlands and Austria. Politics in Italy is again in turmoil with the Five Star Movement’s rise emblematic of the disconnect between people and politics that appears pervasive in the developed world. In addition, there are now serious fears in Brussels, that the Italian government will not be able to fund a rescue package for its banking sector. THE UK WILL POWER ON Without doubt there are complex issues to unwind but none of it is insurmountable. However, the UK will be fine, as trade and immigration will continue. The UK needs Europe and Europe needs the UK. Nigel Farage, now a retired Ukip leader, urged the next Tory leader, who will be elected by September 9, to remember that the “customer is king and we are the customer” when it comes to negotiating a new trade relationship with Europe. There is also a big world outside Europe that the UK can freely interact with. Frustrated by EU trade negotiations, Chinese officials are open to launching trade talks with Britain in the aftermath of the Brexit vote, raising hopes that the UK’s economy can receive a boost after it leaves the EU. The indications from China are that deals are possible. Regrettably Britain has not negotiated a trade deal for decades as EU membership meant Brussels was responsible for international treaties. As a result the British government is not yet in a position to begin substantive negotiations on leaving the European Union and it would therefore be unwise to start the process ticking by triggering Article 50, Foreign Secretary Philip Hammond has said. Hammond also said the government would need to build up its trade negotiating resources and would look to friendly governments to help it do so. The UK has few trade specialists within its civil service, at a time when the country needs to negotiate a new arrangement with Brussels as well as the fifty countries with which the EU deals, on top of extra treaties the UK will wish to draw up with the rest of the world. To help fill the gap, New Zealand has already offered to loan staff to Britain’s civil service. Europe, excluding the UK has been bogged down with anaemic growth and high unemployment for years. If Brexit is the catalyst that leads to break-up of the Eurozone and structural reform of the EU it would therefore be a good thing. Courtesy of Roxburgh Securities 31

BOOKS JUST OUT Skeletons Dance in My Cupboard Ingrid Parker Holm Xlibris AU 9781 4990 3190 4

laughter and some moments of reflection to the readers," says Holm. "I love to encourage others to find creative ways of expressing themselves. Giving a sense of fulfillment and as a way of feeling complete." estern Australian author and poet Ingrid An excerpt from Skeletons Dance in My Parker Holm believes poetry should not Cupboard: The Skeletons be limited Live in the cupboard to the literary and Where they dance the scholarly. With T-shirts and underwear Her book, With lovehearts Skeletons Dance in My Cupboard About the Author: Ingrid Parker is a contemporary Holm is a life coach and drama teacher take on poetry and director. She grew up in The that takes the Hague, Holland. She lived in France elitist label out and Singapore, enjoying the cultural of the art and diversity and making friends. In 1997, offers a deep and she moved to Perth where she now evocative approach lives with her husband, three adult to handling life children, three dogs and a very old cat. gracefully and creatively. -oOo Skeletons Dance in My Cupboard is an Eye of God exquisitely woven illustrated poetry book for Title: every reader. It unveils punchy, personal poetry Author: C.A. Kopacz that speaks volumes about the universality of Publisher: Balboa Press AU 9781 5043 0252 4 emotions - love, despair, loneliness, pain and ISBN: bliss. n Eye of God, a tech-savvy priest records his Though a reflection of the author's unique confessions on his laptop, but when the laptop experiences, the theme conveys feelings that are is stolen, he must take drastic measures to get generally felt by all. The poems speak about the past and it back. the present, laments on the need of the self As Father Daniel Peters questions how far to be recognized and resonates collective he will go, he faces a school girl’s crush and her understanding on subjects such as divorce, father’s blackmail attempts. finding new love, making a new beginning, the Author C.A. Kopacz loosely based his lead loss of a beloved pet, children, sadness, joy and character on a priest he knew a few years ago who the complexities of spiritual life, among many practiced his calling while being married. others. The author wishes for no more than the “He had a strong dislike for the church’s inner enjoyment of a good book as she bares and shares workings and authority structure,” Kopacz says. “I came from a strong Catholic background and herself in these poetic pages. "I would love for my book to bring joy, the idea of everything being recorded by someone you are supposed to trust was an interesting idea I was willing to expand on.” Have a book to publish? An excerpt from Eye of God: R Family History R Non-Fiction “Dan dropped the bag back through the window, and Anna wrapped her legs around it R Autobiography R Biography as best she could. She unbuckled her carseat, and R Fantasy R Fiction quickly he lifted her up. R Poetry Dan reached out to pull her to him as soon as she was close enough. He buried the young girl’s head in his chest, hiding her mother from her as Get expert advice Title: Author: Publisher: ISBN:

long as he could. Once off the car, Dan scooped Tommy from the ground. He was still crying, and Dan thought his shoulder was likely dislocated. With Anna on his hip, and Tommy bawling in his arm, Dan carried the two back to his bike, and called for the police. About the Author: C.A. Kopacz lives Blacktown and is a budding entrepreneur. He is new to writing but has been an avid storyteller for years. Having gone through a tough couple of years with his health and losing a close family member, he decided to throw caution to the wind and write his first novel. He plans to continue to write part time.

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Concluded from page 18... Finishing Touches: Adding containers, hanging baskets and window boxes is a great way to incorporate a little more colour into a landscape. A large planter or grouping of containers placed by your front door will create an inviting entrance. If you have several planters use a common plant or colour in each of them for repetition and continuity. Too many colours combined together can become chaotic looking. Incorporating Your Personality: Add your personal touches to your garden. You can do this with garden art, statues, water features, a birdhouse or architectural fragments. Use lowvoltage night lighting to highlight these items, but also position lights along walkways to make maneouvering after dark easy and safe. Maintenance: To keep a beautiful landscape it must be maintained. Keep new plantings watered and mulched. Mulch makes a landscape look finished but it also helps soil retain moisture and keeps weeds in check. Work on your landscape but also enjoy it. Your outdoor areas should be an extension of your home. A beautiful and functional landscape makes your house more appealing and will increase its value.

WRITING WINNERS OF THE ETHEL WEBB BUNDELL LITERARY AWARDS

he Society of Women Writers WA is pleased to announce the winners of the Ethel Webb Bundell Literary Awards 2016. Congratulations to all.

HELEN ILES

top paragraph and immediately know whether to proceed. I did not use that expedient. I read them all to the end, story by story – out of one box, and into another. Or else into a tray I used for my long list. Twenty-nine stories landed in that tray. POETRY Expressed as a percentage, it means more than WINNER: Marilyn Humbert (NSW) for Ricco SECOND: Rose van Son (WA) for Black-winged a quarter earned a second look, which says a lot about the engaging quality of the fiction received Stilt THIRD: Coral Carter (WA) for Florence Eveline for this contest. What do I look for in a short story? After the language in which it is expressed, I look for HIGHLY COMMENDED entertainment, engagement, and edification. And Shane McCauley (WA) for Three Nude Sketches these elements are instant if the writer seeks to Jeff Guess (SA), Late Scratching nail four things: premise, character, setting, and Jeff Guess (SA), The End of the Weekend style. Joanne Mills (WA) for Indelible It’s simply not enough to tell stories. As modern sentient beings, we have the storytelling COMMENDED thing down pat. Everyone can tell or write a story. Jan Napier (WA) for Parisian Cats We do it all the time. Helen Iles (WA) for Serpent River Renee Pettitt-Schipp (WA) for What the rain said Humans are storytellers – all of them. A short story contest is hardly one in which the best story Alicia Bakewell (WA) for I'm leaving Adelaide is chosen. They’re all by and large good stories. It’s about how capably, how skilfully, and how SHORT STORIES artistically that story is written. WINNER: Wendy Riley (VIC) for Tori's Story SECOND: Maureen O'Shaughnessy (NSW) for If all contestants were given the same theme, premise, and plot, the remit might be a bit clearer. Queen B THIRD: Maris Morton (NSW) for Gone for Good Many enter a contest thinking their story “idea” is what’s competing. That the twist at the end is what counts. That originality is king. That novelty will HIGHLY COMMENDED win the day. None of that is true for me, although Rose Allan (QLD) for Rough Justice it certainly helps if they are present to a certain Nadine Browne (WA) for The Tower extent. What counts above all is the writing. It was clear many entrants still think in this COMMENDED way, but novelty, originality and ideas alone can Belinda Hermawan (WA) for The Scheme never win a short story competition. It’s always the Maria Radanov (VIC) for The writing. The way the story is Promise of the Sandalum told. The language used. The Tree manipulation of sentences. The word choices, the verbal Named after Ethel Webb ingenuity that renders a story Bundell, Western Australian memorable … those are writer, poet and educator, what boost the entertaining, these literary awards seek educative, or edifying content. excellent poetry and short You do notice I have stories. not mentioned form, or The competition awarded correctness. Although prizes of $500 for the winner, correctness makes for more $300 as second prize and pleasant reading and causes $150 for third in each less distraction, it does not category. The Judges this year make a story. were Kevin Gillam for poetry Neither does perfect form and Roseanne Dingli for short make for a perfect story. And, stories. Ethel Webb-Bundell even though this is a short story competition, telling a JUDGE’S REPORT story might be a necessity, but EXTRACTS it’s certainly nowhere near enough to only and - ROSANNE DINGLI simply do that. Some earned instant exclusion Judging any kind of competition is because all they did was tell a story, more or less complicated. By no stretch of the imagination correctly. could this have been easy – there were 108 entries, A short story has a mission, and that is to most of them 3000 words long. That alone posed somehow express or comment upon, or elaborate, a logistical problem. or celebrate, or bemoan, or bring to the reader’s I’m not a fast reader because I like to absorb notice, in narrative form, one or more elements of the material. Many people think one can read the the human condition.

Now you might say the human condition is all around us, and it would be difficult indeed to avoid it in a story. And that’s where the difficulty lies. And it’s why some might comment that many stories start in the middle of something and don’t end; they just stop. Well – the middle of something is a literary expedient called in media res, and it’s probably the best way to start a modern story. And ‘just stopping’ sometimes means the premise has been rounded off, and readers can reach their own conclusions through the writer’s “denouncement, epiphany, or resolution” choice of ending. Taking an anecdote, finding its relevance to humans, expressing wonder, awe, shock, surprise, disappointment or denial about one or more aspects of how humans think and behave … and wrapping it all up in writing that shimmers and shines is a very very difficult thing to do. Courttia Newland observes, in Writing Short Stories: A Writers’ and Artists’ Companion, that tales “enabled the nations of the world to form narrative frameworks that either helped to encapsulate their visions of themselves, or expressed their conception of their narratives and their gods.” So our fiction is important. It plays a role in interpreting our society within its time, and that is never easy. It was not easy for short story writers of other ages, and it’s not easy now. Yet thousands try, making judges all over the world in hundreds of contests ask themselves; do the writers know it’s what they are expected to do? Do entrants know they are expected to look at how humans react to humanity, take an example, and wrap it up in brilliant writing to create a short story? Let me say something about form and correctness. I dare to offer some Thou shalt nots, which many entrants seem to have forgotten or overlooked. Firstly – because the top page with all the details is detached from the others, it’s important to type the title again up top, on the page where the story begins. Second – spacing: it’s not correct to leave a space between paragraphs. Fiction runs on. And there’s only one space after a full stop. And double line spacing has gone out of fashion, 1.5 or 1.25 is quite enough. Third – watch your vocabulary. Unless yours is historical fiction written from your character’s perspective in the time of the period, don’t use archaic words such as amongst, methinks, naught, perchance, hither, mayhap, wherein, behold, goodly, amidst, hearken and so forth in your modern narratives. They give your work a dated flavour, especially if your genre is contemporary fiction. Fourth – don’t ignore punctuation and spelling, and the consistency of character names. And do use modern punctuation, and not what you learned a long time ago in typing class. Continued on page 34 ... 33

WRITING Concluded from page 33 ... Like everything else in life, including the way we cook, the way we communicate, the way we socialize, the way we dress, and the way we form partnerships, punctuation and vocabulary have changed, and continue to alter as we speak. They have evolved, so when you read, do note how things are done NOW. And do watch for errors. For example, when letters are missing from a word, they are replaced by an apostrophe, not a quote. And all apostrophes face the same way. Fifth – don’t use the ellipsis or the exclamation mark outside quotes, and teach yourself the difference between a hyphen and an em dash. Last of all – try not to remove every adjective and adverb, in an effort to use fewer words to frame your fiction. Brevity and terseness are fine for journalism, but creative writing – although it’s not about overly-descriptive passages or information dumps – needs to be verbally creative. Choose which words to use, and choose good ones, but don’t think you need to excise every “unnecessary” word. Although these mechanical points are important, they did not bar any story from the long list on this occasion, although making a choice was that much easier for me when reading was not encumbered by errors, omissions, or lack of correctness. I must mention genre. Only a few stories stood outside of the ‘general fiction’ category. A few exceptions made this even more noticeable. One sci-fi story, a couple of historicals, two or three takes on ancient myths and fairy tales, and one experimental. Most were variations on the relationship, personal, and anecdotal stories encapsulating such emotions as loss, revenge, envy, desire, stubbornness, the various forms of love, and anger. Only a few anchored their stories in locations that endured in the mind. The vast majority happened in anonymous domestic places; only some were named or recognizable as real Australian or foreign spots. There was nothing very exotic or exciting in the way of location, which was a pity, because location grounds a story and gives that irreplaceable ‘travelling’ feeling we so enjoy. My choices were made on the ability of the writer to put into beautiful and appropriate language a compelling grounded story that made me think of some aspect of Life. ABOUT THE AUTHOR/JUDGE Born and raised in Malta, Rosanne Dingli received her education and her most significant youthful experiences in the Mediterranean. She was there when Malta became independent from Britain in 1964. Speaking three languages fluently from childhood, the cocktail of cultures of her early life became inseparable from how she understood the world. Emigrating to Australia in 1982 confounded a number of long-held presumptions about culture, freedom, what it means to be a woman, and the 34

Her first novel, Death in Malta, was written quickly, but took years to edit to its present form. According to Luke was a labour of intensity, love and discovery. Camera Obscura is the book she had to write. The Hidden Auditorium was a matter of renewing acquaintance with one favourite character.

POETRY GRIEVE EMMA OLIVER

Portrait of Ms Dingli by Mark Flower Photography, Perth

whole business of becoming an author. Her first published piece, in 1985, when she was living in Narrandera, NSW, set her on a one-way journey towards life as a writer, which she has tried several times to give up, without success. It led her at different times to jobs that consistently confirmed the publishing industry endures swift and sudden changes, and is as full as other things in life of rogues, angels and every other kind of creature in between. She has met the full gamut, from sour scoundrels to sweet spirits.

can’t grieve I should be able to cry For what you did But I feel hard inside Tough as nails I have to carry on Can’t feel my feelings Can’t say where they’ve gone I use to wear My heart on my sleeve So open, so vunerable So free to forgive Youv’e taken my softness The essence of me And wonder why I can’t When you say you need me Gotta look after myself I can’t help you too You gotta do this alone As we all must do.

NATIONAL WRITING COMPETITION FOR FICTION AND NON-FICTION WRITERS

he 2016 Trudy Graham-Julie Lewis Literary Award for Prose is a national writing competition which encourages all writers, young, old and new, to put pen to paper. The Peter Cowan Writers’ Centre Inc. honours prose writer Julie Lewis, the Centre’s Patron from 1995–2003 and an OAM recipient in 1992; and Trudy Graham, the Centre’s President from 1995– 1997 and a Life Member, with this award. Prose writers may submit fiction or nonfiction prose entries up to 2000 words per entry. Entries for the competition, which has an open theme, must be unpublished works, not on offer for publication before the announcement of the prize winners, and not have been recognised in any other competition. The competition also includes a category for youth of twelve to eighteen years of age with the ‘Judges Encouragement Award for Youth’. As commented by Dr. Maureen-Helen, last year’s judge, “Overall, I was struck by the

inventiveness, creativity and quality of writing in this section. The entries show evidence of serious reading and promise for the future”. Prize money for the award consists of $200 for first place, $100 for second place and $50 for third place. The 'Judge’s Encouragement Award for Youth’ at $50 provides recognition to young writers with talent, and as an encouragement to continue their writing. The centre will also award four Highly Commended Certificates and four Commended Certificates. The competition will close on 12th August 2016: entries must be post-marked by this date. Further information, guidelines and entry forms for the competition are available on PCWC’s website at: www.pcwc.org.au and queries regarding the competition may also be directed to the centre on (08) 9301 2282 or by e-mailing cowan05@bigpond.com with competitions in the subject line.

THE IDLER The Idle Thoughts of an Idle Mind

A DEBATE OF STADIUM PROPORTIONS GLENNYS MARSDON

s I write this piece the nation is preparing itself for the 2016 Federal election, which means our media is festooned with debates about health, education and tax reform. Way out west however there’s a far greater debate going on, one which has even managed to capture the attention of the notoriously disengaged youth sector. The topic of debate, who or what will open the new Perth stadium. The official website has the opening earmarked for 2018, however with 42% of the complex already completed there are rumours of an earlier finish. The stadium is deemed to be a ‘multi-purpose’ venue with a capacity of 60,000 and a ‘fans first’ approach. Recently local radio station Nova 93.7 asked its listeners what they thought the opening act should be. The results have left me pondering about how far the stadium management would be prepared to go to meet its ‘multi-purpose’, ‘fans first’ stance. Would they really be prepared to follow some of the public’s suggestions? I’m sure there’d be no problems with the front runner idea of an AFL game, particularly an Eagles versus Dockers Derby. Given that the official website has the opening scheduled for the start of the AFL season, perhaps this has already been secretly locked in. Other front runners were an international cricket match between Australia and England, or a soccer match featuring the same teams. Just to be clear, no, the listeners didn’t want to see the current Australian and English cricket teams playing soccer. For one thing we have no idea what anatomical deceits lie beneath their

baggy white pants. Mind you if cricketers did don shorts, the females of the species might develop a greater interest in a game that goes on for four days, only to end in a draw. Next came rugby, and a predictable Australia versus the All Blacks stoush to exercise the ongoing trans-Tasman rivalry. Alternatively, given the recent influx of Irish to the state, there was also a call for an Australia versus Ireland … well anything really. Keeping in the sports genre, other suggestions were, softball and badminton, although there may be a limit on how many (shuttle) cocks can be let loose in any one place at one time. Table tennis was also mentioned; it is an Olympic sport after all. So too was polo, but with ponies instead of horses, which conjured up images of rainbow coloured ponies trotting around the oval, their pink fairy floss manes fanning out like spinnakers behind them. Meanwhile at the other extreme there was roller derby and the illusive Danny Green versus Anthony Mundine clash. Several listeners suggested holding an event prior to the pitch being laid. Events that topped the list were Monster Trucks, Speedway, Xtreme Games and even a sand gouging rodeo. Then there were more sedate suggestions such as chess, though I wasn’t sure if the listeners meant one giant game of chess, or an international tournament. Lawn bowls also cracked a mention, along with marbles, what a fantastic idea. Imagine the whole pitch littered with kids flicking their cats eye’, tonks and tom bowlers towards the ‘bunny holes’. Or maybe two teams of grown men testing their aim and concentration with oversized coloured glass balls and steely metal ball-bearings, the mind boggles. Thoughts extended to Twister, which was inspired. Who wouldn’t want to see a football field full of endon-end Twister games, or one giant game with chiropractors replacing referees on the sidelines. Failing that there was Tag Chasey which would keep the accountants happy considering the lack

of equipment required. Sadly, no one mentioned an international Tiddlywinks tournament which personally, I consider a travesty. Some thoughts about animal based attractions followed with greyhounds taking the lead. Others considered snail or turtle racing, maybe they’d been watching one too many home renovation shows, and become accustomed to the heart stopping affair of watching paint dry. To be fair though before you discard the idea completely, what about a snail versus turtle race hey, hey? And then there was Ferret Legging, what could possibly go wrong? Let’s not forget Beer Pong which I can only assume is drinking a lot of amber fluid while playing a giant game of Pong (if you don’t know what that is you’re too young). Someone suggested synchronised swimming, an idea which surely came to them after one too many games of Beer Pong. Only two people suggested a concert, showing our preference for sport and activity, which will please the Act-Belong-Commit Marketing Department no end. Not surprisingly, given the radio stations audience, there was strong support for Quidditch (if you don’t know what that is you’re too old). This was the second highest suggestion especially with the inclusion of Daniel Radcliffe as a special guest. One person suggested another forty thousand seats, and another lingerie football … say no more. The idea I liked the most was an event where the public could step onto the oval and join in a wide range of games, with all proceeds going to a children’s charity. I can see it now … teenagers on quidditch broomsticks hoovering over giant chess pieces, deliberating their next move. Xtreme motorbike riders looping the loop overhead and catching a stray tiddly, or is wink, from the tournament going on below them. A snail racing ahead of a turtle and achieving a personal best thanks to the two greyhounds sniffing at his shell. And wayward badminton shuttlecocks being caught in the teeth of rainbow polo ponies. Now that would truly hit the ‘multipurpose’ tag and if it’s what the fans want then … well how can they not? Though perhaps it’s best to leave off the Beer Pong, Twister and ferrets, as in my eyes that combination could only end in disaster. Mind you it couldn’t be as bad as a certain AFL Grand Final featuring an overseas singer, could it? Let the debate continue. 35

HEALTH MY LIFE WITH WINSTON KAYLENE BURNELL

Winston came into my life when I needed him the most, we have been a successful working team for eight years now and I have lost count of how many times he has saved my life. I no longer have to spend a lot of time in hospital and my family don’t have to worry about me because they know that as long as Winston is with me then I am safe. - Kaylene Burnell

t’s not surprising to hear someone speak about their medical specialist in such glowing terms. What is surprising is that Kaylene’s “medical adviser” has four paws. Kaylene was diagnosed with type 1 diabetes thirty-four years ago and she also has other medical complications “The scariest thing of all is that I am hypoglycaemia unaware and so do not experience the symptoms most people do when their blood sugar levels get dangerously low”. The warning signs of hypoglycaemia (low blood sugar level, commonly called a ‘hypo’) include sweating, nausea and confusion. Because Kaylene doesn’t have any of these warning symptoms no one knows if she was having a hypoglycemic episode. Kaylene had to test her blood sugar levels hourly and hope that she didn’t have a hypo within that hour between tests. But a hypo can happen anywhere at any time and would often sneak up on Kaylene causing her to have seizures or she would pass out in a comatosed state and the family would have to call the ambulance. Kaylene’s blood sugar levels frequently fluctuate from high to low and vice versa often within an hour or less and with no warning. “I have an amazing family and I love them all dearly,” Kaylene said. “I spent many days, often weeks in hospital and when I wasn’t in hospital my family would have to monitor me very closely. I was afraid to go out on my own in case I collapsed from a hypo, not realising my blood sugar levels had become unstable. My husband Andrew often had to take time off work and when he wasn’t home our children would have to become my minders and they learnt at a very young age how to call 000 for an ambulance. Eventually Andrew ended up having to leave work and he became my full-time carer.” “My endocrinologist tried everything to try and help me control my fluctuating unstable blood sugar levels and he told me and my family that we needed to pray for a miracle. It was during one of my many hospital admissions that my nurse told me about Paws for Diabetics Inc and when I was discharged from hospital we joined the organisation.” On the 5th September 2008 Winston arrived at Perth airport and was put to work. When Kaylene and her family arrived at the airport to collect him, unbeknownst to her or any of the family, Kaylene was experiencing a hypo. As soon as Kaylene took Winston out of his puppy crate he alerted her to the hypo. She tested her blood

sugar level and confirmed what Winston had told her and he saved Kaylene’s life - for the first time. A couple of weeks later Kaylene’s endocrinologist met Winston and he witnessed for himself Winston alerting Kaylene to a hypo and he gave Winston a special nickname “Winston the Wonder Whippet” because he and all of Kaylene’s medical team could see how much Kaylene’s life had greatly improved in those first couple of weeks that Winston had come to live with her. Dogs have a naturally heightened sense of smell; around 220 million scent receptors in their nose as opposed to the five million that humans have. Professional trainers have learned to harness these skills by training dogs to recognise certain smells. These could include the fruity smelling ketones a person’s body produces when they are experiencing a hyperglycaemic episode when blood sugar is too high, or the unique scent a person gives off during a hypoglycaemic episode when blood sugar is too low. The specially-trained dogs give their owners warning well in advance of an impending hypoglycaemic episode, allowing for prompt treatment to avert the episode from happening. A hypoglycaemic attack left untreated can lead to coma and even death, so these dogs are literally real life-savers. “Winston will alert me in various ways depending on the situation and where we are,” Kaylene said. “Sometimes he will just sit and look intently at me, sometimes he will get my attention by softly whimpering and licking my hands, face or feet. He will also alert me by tapping me with his paw, put his paws on my lap or nudge me with

his nose and when my blood sugar level is low he will get all cuddly. Sometimes he will jump up at me to get my attention, if we are out walking, he will stop and stand in front of me to stop me from walking any further until I have tested my blood sugar levels.” “If I have to be admitted to hospital, Winston will always come with me,” continued Kaylene. “If my blood sugar levels become unstable, for example because of the heavy medication after surgery, he will alert Andrew or my family if he can’t get my attention. If they are not with us then Winston will alert the doctors and nurses.” When Winston alerts, Kaylene will immediately test and treat her blood sugar levels accordingly. Winston will alert Kaylene when her insulin pump alarms and he often alerts her before a CGM has even registered that there is a problem and he is always 100% accurate with his alerts. “My family and I thank God every day for Winston. We are also very thankful to Winston’s breeder and Paws for Diabetics Inc for all the love, care and support that they have given us over the years and for helping me to train Winston to be the wonderful Diabetic Alert Dog that he is today.” ABOUT PAWS FOR DIABETICS INC Paws for Diabetics Inc (PFD) is a non-profit charity of dedicated volunteers involved in the training, placement and accreditation of diabetic alert dogs for type one and type two diabetics who have the potentially life threatening medical condition called Hypoglycaemia Unawareness. PFD has been training dogs since 2005. They are the main leading diabetic organisation here in Australia and training dogs for diabetic alert is their main sole aim. PFD choose breeds that are naturally attached to one owner and mature quickly. When choosing a puppy from a litter to train, PFD looks for an outgoing and curious nature. All dogs are sourced from reputable breeders and while adult dogs have been effectively trained to become diabetic alert dogs PFD has a higher success rate with puppies because they bond with their owners right from the start. Dogs are assessed and re-accredited once a year. The annual check also includes vet examinations to ensure the dog is fit and healthy enough to continue his duties. HOW CAN I HELP? Paws for Diabetics Inc is a charitable not-forprofit organisation of dedicated volunteers. They receive no government funding of any kind and rely on donation to keep going. Your taxdeductable donation may be made by calling 08 9443 6596 or by sending a cheque to PO Box 81, Osborne Park, WA. For more information visit our website www. pfd.org.au.

HEALTH SHOW SOME TICKER TO BEAT STROKE

undreds of thousands of Australians may be living with an undetected killer that is putting them at serious risk of stroke. Around 460,000 Aussies have atrial fibrillation, an irregular heartbeat which can be fatal if left untreated. Shockingly around thirty percent of those who have the condition don’t even know it. hearts4heart is joining with the Stroke Foundation in hosting free screening events around the country as part of Atrial Fibrillation Awareness Week, Asia Pacific Heart Rhythm Society’s global campaign to shine the spotlight on this hidden condition. hearts4heart Chief Executive Officer Tanya Hall said if left untreated or poorly managed, atrial fibrillation may lead to serious health complications, including stroke and heart disease. “Up to thirty percent of Australians with atrial fibrillation are undiagnosed, putting them at serious risk of stroke, heart disease and even death,” Ms Hall said. “The good news is atrial fibrillation can be managed but it needs to be detected first. Don’t let a stroke be the first sign of this condition. “In partnership with the Stroke Foundation we are urging people to attend a screening event in their local area or visit their own health provider to get checked for atrial fibrillation. “During Atrial Fibrillation Awareness Week put

your health first by getting a simple, free, and fast check – 30 seconds could save your life,” she said. Throughout Atrial Fibrillation Awareness Week, events will be held at hospitals across Australia with free screenings that test heart rates, and provide education for people on atrial fibrillation. Stroke Foundation Chief Executive Officer Sharon McGowan said there needed to be more awareness of atrial fibrillation in the community. “Stroke is one of this country’s biggest killers and a leading cause of disability. It strikes down thousands of Australians each year. But it doesn’t have to be this way,” Ms McGowan said. “More than 14,000 Australians will have a stroke caused by atrial fibrillation this year, which is why it is crucial we do more to detect and manage this dangerous condition. “Despite being one of the most common heart arrhythmias too many people in the community have no idea they have the condition and are at risk of a major stroke. “Stroke does not discriminate – it impacts men and women at any age. A quick, thirty second screening for atrial fibrillation could mean the difference between life and death.

beat at the same time, somewhere between sixty and a hundred times per minute. If someone has an irregular heart, the left side of the heart (left atrium) beats rapidly and unpredictably and can beat irregularly at over 400 times per minute. If untreated, it can result in a high risk of stroke. Atrial fibrillation affects up to 460,000 Australians and causes around thirty-six percent of strokes. The condition costs the Australian economy at least $1.25 billion every year. HEARTS4HEART hearts4heart is a health promotion charity, supported by clinicians, working to improve the diagnosis, treatment and quality of life for people affected by heart rhythm disorders. It advocates on behalf of all patients to Government for better treatment options, such as drug therapies and catheter ablation.

STROKE FOUNDATION Stroke Foundation is a not-for-profit organisation that aims to stop stroke, save lives and end suffering and the only national charity dedicated exclusively to stroke. The Stroke Foundation is dedicated to raising ATRIAL FIBRILLATION awareness, preventing stroke, facilitating research, Atrial fibrillation is a particular type of irregular improving treatment and making life better for heartbeat. In a healthy heart, all four chambers stroke survivors.

THINK… F.A.S.T.

How do you know if someone is having a stroke? The National Stroke Foundation recommends the F.A.S.T. test as an easy way to remember the most common signs of stroke. Using the F.A.S.T. test involves asking these simple questions: Face: Check their face. Has their mouth drooped? Arms: Can they lift both arms? Speech: Is their speech slurred? Do they understand you? Time: If you see any of these signs call 000 straight away. A stroke is always a medical emergency. Recognise the signs of stroke call 000. A stroke is not a heart attack. A stroke happens when the supply of blood to the brain is suddenly

interrupted. Some strokes are fatal while others cause permanent or temporary disability. The longer a stroke remains untreated, the greater the chance of stroke related brain damage. Emergency medical treatment soon after symptoms begin improves the chance of survival and successful rehabilitation. Facial weakness, arm weakness and difficulty with speech are the most common symptoms or signs of stroke, but they are not the only signs. Other signs of stroke may include one, or a combination of: Weakness or numbness or paralysis of the face, arm or leg on either or both sides of the body Difficulty speaking or understanding Dizziness, loss of balance or an unexplained

fall

Loss of vision, sudden blurring or decreased vision in one or both eyes Headache, usually severe and abrupt onset or unexplained change in the pattern of headaches Difficulty swallowing The signs of stroke may occur alone or in combination and they can last a few seconds or up to 24 hours and then disappear. When symptoms disappear within 24 hours, this episode may be a mini stroke or Transient Ischaemic Attack (TIA). If you or someone else experiences the signs of stroke, no matter how long they last, call 000 immediately. The faster your act, the more of the person you save. 37

 

This i s the Swan Valle y

         

Time to get cosy with a glass of Swan Valley Red

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  

COS02019

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LOVING LEELEE AND LARRIKIN LAMBKIN

t SAFE we often get animals that bond very strongly with the other animals in their foster homes. It’s a great way for them to learn social skills and prepare them for their new permanent homes where they might be sharing with other dogs and cats. Leelee and Lambkin have a beautiful story: this pair are mother and daughter and they have bonded so strongly in their foster home that we’d love to find them a permanent home together. These two will melt your heart: they groom each other, sleep together and eat together and are adorable to watch. We are therefore offering a special deal on this pair – double the fun for the price of one. Nine-month-old Lambkin is the larrikin of the pair. She is adventurous and always ready for smooches and cuddles from either people or Mum and just loves to play. She’ll be there in the morning encouraging her humans to wake up before scampering off to play and see what is else is going on in the world. Most of all though she likes to be where her mum is – holding her paw when they’re chilling out together and sleeping nearby. Two-and-a-half-year-old mother Leelee is a sweet, gentle natured cat. Her super smoochy side will emerge if you’re patient and gentle. She’ll usually stay on the floor when asking for cuddles but if you pick her up, she’ll settle on the couch and enjoy her tummy being gently rubbed. This Tortie point fluffy tailed diminutive lady is full of grace and sensibility. Leelee would settle in a house with children as long as they are not too boisterous. She and her cheeky daughter Lambkin would prefer a home where they are the only animal gorgeousness being doted on by their humans. Both girls are desexed, vaccinated, microchipped and toilet trained. If you’d like an ideal pair who get on famously, will smooch you and entertain you, contact SAFE Karratha on 08 9185 4634. VOLUNTEERING INFORMATION SAFE is a not for profit organisation that saves rehomeable animals from euthanasia. We have ten branches around the state and are always in need of volunteers in many different roles to help our animals into foster and permanent homes. Have you considered volunteering? We have volunteers

working effectively from all over the country performing and array of tasks. Our overheads are kept small as we rely on our volunteers to care for the animals, take photographs, write profiles, coordinate photographers and profilers, do website content management, write stories for publications, do public relations and administrative work. Email and internet makes volunteering possible from anywhere. We’d also love to welcome more foster carers to our network in Perth and across the state. Fostering is a vital role as it provides rehabilitation, training, caring and loving of animals to prepare them for their new lives with permanent owners. We are always in need of donations to pay vet bills - every rescue animal has to be desexed, vaccinated and microchipped. Volunteer fundraisers and marketers to help raise these much needed funds. If you’d like to donate, information can be found on our website: www.safe.asn.au If you’d like to make a difference and join our team of volunteers and foster carers, please email karratha@safe.asn.au or phone us at SAFE Karratha at (08) 9185 4634.

Volunteering - ordinary people performing extraordinary tasks to help others There are so many opportunities for you to help those in our communities! For more information or to make an appointment, call us now on 9278 9690. Swan Volunteer Resource Centre (Midland) 9278 9690 10am-4pm, Monday to Friday (closed Wed)

Ellenbrook Pop Up Volunteer Centre 9207 8787 10am-3pm, Wednesdays

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