Swan Magazine March 2018

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IN THIS ISSUE PAGE

FEATURES Books and Writing

Books

Hills Author Tribute March at KSP Scribblers Festival Short Story Competition The Idler The Ute

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Business Card Board

Finance with Steve Networking

43 38 39

Cuppa With a Coppa Federal Notes Survey to Fight Drug Abuse Jessica Shaw MLA Moondyne Joe’s Back New Fire Signs People SAFE SVRN

National Polocrosse Championship Special Electors Meeting WA Tourism Awards

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Business

Community

Front Page Photograph: Sensei Bob Allen carries the Queen’s Baton Photograph: Melinda Brezmen (See story on page 24)

PAGE The Compassionate Friends What’s On

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Chef Explorer Douglas Wineries & Dineries The Cork and Bottle

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Film Reviews Fringe 2018 Awards Kookaburra Outdoor Cinema Theatre with Gordon The Fringe Reviews Toodyay Music Festival What’s Up at Black Swan?

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Sweetest Place to Be Large Animal Rescue Course Gardening

12 13 25

Dining Out

Entertainment

Leisure

40 40 41 DISCLAIMER The information in this publication is of a general nature. The articles contained herein are not intended to provide a complete discussion on each subject and or issues canvassed. Swan Magazine does not accept any liability for any statements or any opinion, or for any errors or omissions contained herein.

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SWAN MAGAZINE WEBSITE:

www.swanmagazine.com.au

Email: editor@swanmagazine.com.au Registered Address: 18 Tokay Lane, The Vines, Western Australia 6069 APRIL DEADLINES: Advertisements: 1st April Editorial: 1st April Copyright: Swan Magazine 2018 2

BOOKS JUST OUT Title: Since You’ve Been Gone: A Year of Firsts Author: Honey Ford Publisher: Balboa Press Australia ISBN: 9781 5043 1166 3

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n April 7, 2014, Honey Ford and her husband, Nathan, heard devastating news that would change their lives forever. Their 17-year-old daughter, Chelsea, had a brain tumor.

In Since You’ve Been Gone: A Year of Firsts, Ford shares the true story of the tragic reality a small family endured after their only child was diagnosed with brain cancer.

The book tells a candid story of love, inner-strength and courage as Ford chronicles her family’s heartbreaking journey from the moment they learned of the diagnosis through Chelsea’s continual challenges as she battled the disease through surgery and subsequent treatments.

As Ford fought to keep her only child alive, she details how she became a passionate advocate for Chelsea, relayed news to family and friends, coordinated visitors and organized a muchneeded getaway to Fiji for the family.

As the worst possible outcome became a reality, she reveals how she managed to get through the darkest of days and a year of firsts—one step at a time—while providing inspiration to others enduring similar challenges.

“This book will help readers understand the devastation that brain cancer causes a family and their community,” Ford says. “ I think it will also show that even in the most dire of circumstances, life can be wonderful, people can be wonderful and to just take one step at a time.”

“Our daughter’s story needs to be shared to raise awareness of this insidious disease and the desperate need for a cure. Chelsea did not win her fight against brain cancer but her strength and commitment to fighting was very much inspiring.”

Available at Amazon and Barnes & Noble About the Author Honey Ford and her husband, Nathan, reside in Brisbane, Australia. Their daughter, Chelsea, was just eighteen years old when she passed away in 2014 from brain cancer after a brave six-month battle.

Ford believes that everything happens for a reason and that this is hers—to tell the world about her darling daughter. ~oOo~ Title: Everything’s OK: Past Traumatic Stress Dissolved Author: Todd Berry and Rob Ginnivan Publisher: Balboa Press Australia ISBN: 9781 5043 0927 1

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odd Berry and Rob Ginnivan assist military, police and emergency services personnel and their families with an integrative approach to wellness through mind stillness, warrior body movement, camaraderie, music and other modalities. They wanted to share their experience and wisdom which prompted them to write Everything’s OK: Past Traumatic Stress Dissolved.

The book gives insights, hints and tips to deal with lingering stress that occurs when faced with traumatic situations in life. Geared toward those living with post-traumatic stress disorder (PTSD), chronic stress, as well as carers and family members associated with people working on the frontline. It helps the broader population understand, at a deeper level, how to help those who have been traumatized.

“PTSD and other mental health disorders are prevalent throughout society, in particular with the men and women working at the frontline,” the authors say. “With the current post traumatic stress epidemic growing, the book is timely in being able to reach those affected by their service.”

“PTSD is just a diagnosis. With determination and hard work, you can still live a rewarding and fulfilling life. There is hope for everyone suffering from past traumatic stress and the families involved,” the authors add.

Available at Amazon and Barnes & Noble About the Author Todd Berry is a veteran who was deployed in the 1990s and early 2000s and has been managing PTSD for several years. He holds a psychology degree, teaches yoga, contributes to the International Guidelines for PTSD and is a service ambassador to veteran support charities.

Rob Ginnivan, author of Now & Now, is a mindfulness coach for organizations, veterans, celebrities and schools. A founding board member of Frontline Yoga, Ginnivan helps people living with PTSD gain a sense of calm, joy and peace of mind. ~oOo~ Title: The Two Letters Author: Mazi Mcburnie Publisher: Balboa Press Australia ISBN: 9781 5043 0289 0

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hen her husband, George, passes away, Alice receives two letters at different times that reveal the secrets he kept.

This sends Alice on a quest for truth to London, Cape Town and New Zealand. Three families soon become embroiled in Alice’s pursuit for closure.

Meanwhile, Alice’s daughter is ill, and she must go to great lengths to care for her. “Alice’s entire search is about love actually—which love is real and which is fake?” Mcburnie says.

“As she unravels the mystery of George, she retains her stalwart strength, struggling to turn heartbreak into hope and fear into faith.”

The Two Letters is Mcburnie’s second novel, created to offer readers “a feeling of having had a good read.”

Available at Amazon and Barnes & Noble About the Author Mazi Mcburnie loves her family and does a lot of charity work by making quilts for children’s hospitals and cooking desserts for large groups of senior citizens. She enjoys gardening and has a large collection of bearded irises.

Mcburnie also wrote Gypsy Lullaby and is working on another novel, Sarah’s Path of Courage.

More information is available at: www.masimcburnie.com.

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BOOKS AND WRITING HILLS AUTHOR TRIBUTE

MARCH AT KSP WRITER’S CENTRE

SHANNON COYLE

SHANNON COYLE

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embers of the Katharine Susannah Prichard Writers’ Centre and local Perth hills community can be proud of the progressive woman writer who inspired a generation when Katharine will be paid tribute to at the 80th International Women’s Day event.

The special event to mark the 80th anniversary of the very first International Women’s Day event held in Western Australia will convene at the Perth Town Hall on Thursday 8 March 2018.

SP offers several social writing groups which are run weekly, fortnightly and monthly for ages ten and up.

Whether you are a beginner or a published author, there is a group here for you. Come along to meet like-minded peers and participate in critiquing of works-in-progress, writing exercises, and discussions on publishing and craft. Learn about industry trends, events and opportunities, and enjoy morning tea or glass of wine – depending on the timeslot!

Costs from $5 per session; Free first class trial for youth groups. No need to book, just consult the KSP Writers’ Centre website for group details and times, and head on over.

Workshop: So You Want To … Express Other Voices Saturday 17 March, 1.00-4.00pm

This workshop led by KSP Writer-in-Residence Tineke Van der Eecken offers a co-learning process focusing on transformational techniques for the creation of authentic and diverse voices in prose.

Suitable for emerging and established writers, and those from a diverse background. Tineke is the Belgian-born Fremantle author of Café d’Afrique, a memoir/travelogue set in Africa. Tineke writes and performs poetry, including multilingual poetry, and is a coorganiser of Poetry d'Amour, an annual love poetry event in Perth.

She was shortlisted for the 2016 City of Fremantle TAG Hungerford Award, and has won the Festival Choice Award at the 2011 Ubud Readers and Writers Festival Poetry Slam, and the 2011 Karen W Treanor Poetry Award.

Tickets from $35.

KSP SUNDOWNER SESSION featuring Louise Allan and Michelle Johnston Friday 23 March, 6.30-8.00pm

KSP Sundowner Sessions give you the chance to mingle with and learn from authors who've achieved great things in the industry - and want to share their knowledge with you.

This month, meet UWA Publishing authors Louise Allan and Michelle Johnston who have both published debut novels in 2018.

BYO drinks and nibbles and take a seat in the Balcony Bar for a great evening of questions and socialising.

Complimentary glass of Lion Mill red wine on entry, while stocks last.

For more details please visit the KSP website www. kspwriterscentre.com or phone the office 9294 1872.

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At the inaugural event in 1938, Greenmount author and political activist Katharine Susannah Prichard was invited as a special guest speaker and no doubt she spoke of the power of literature. ‘I write to reach people’s common sense and intelligence, to show them that if they unite they can make a different world possible,’ said Prichard.

Join the Minister for Women’s Interests, Hon Simone McGurk MLA, and four remarkable speakers who will discuss how they continue to ‘press for progress’ in their chosen disciplines.

The speakers reflect the original International Women’s Day meeting when Dr Roberta Jull spoke with Katharine Susannah Prichard (nee Throssell) author; Mary ‘Molly’ Kingston (nee Connor) lawyer; and Irene Greenwood, broadcaster and activist.

International Women’s Day is held globally on 8 March each year to celebrate the achievements and contributions of women. The ‘press for progress’ theme in 2018 reflects a call to action to press forward to progress gender parity.

This event is being run by the Department of Communities, Western Australia. For more information and to book, visit the Eventbrite website.

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BOOKS AND WRITING SCRIBBLERS FESTIVAL

brand new festival celebrating storytelling is bringing twentyfour nationally and internationally celebrated children’s book authors to Perth this May, including literary luminaries Chris Riddell, A.F. Harrold, Jesse Andrews and Leigh Hobbs.

Alongside dedicated programming for schools and families, the inaugural Scribblers Festival program, which was released on Thursday, March 1, features a teen podcasting caravan, a poetryreading train conductor, and creative workshops spanning live cartooning to collective cartography, to haikus upcycled from castoff books.

Festival Director Katherine Dorrington said the festival was a collaboration between FORM and the Town of Claremont exploring the impact storytelling can have on helping children navigate the world.

“We want to ignite and nurture a Katherine Dorrington and Maria Alessandrino.

(Photograph by Bewley Shaylor, courtesy of FORM) lifelong love of reading,” Ms Dorrington said, “for children to experience the Western Australia. It is the natural wonder of meeting their favourite evolution of a dedicated two storytellers, to sit spellbound as they breathe life into their words year pilot program developed by and make their characters dance off the page.”

FORM, trialing creative learning

The Festival will include three days (9-11 May) of schoolin primary schools and steered specific programming to be hosted by Scotch College. A weekend by internationally recognized for families (12-13 May) will include a Mother’s Day Market, and creativity expert Paul Collard, starting 1 March, a Golden Feather Treasure Hunt will engage who will make a special address at children from across Western Australia. the launch event of the Scribblers

Scribblers Festival is the only festival of its kind in Festival Program.

“With a focus on visual literacy, students will learn how we make meaning from words and DEBORAH MURTHWAITE images with hands-on activities, conversations and discussions with he Peter Cowan 600 Short Story Competition was launched by the centre in 2010 in honour of our namesake Peter Cowan, one visiting authors and illustrators,” Ms Dorrington said.

“The schools programming will also include an evening of Western Australia’s most esteemed writers and academics. of professional development for teachers to discuss these topics

It is fitting that the competition celebrates short story directly with participating industry professionals.” writing as Peter Cowan published several volumes of short fiction and is well known for writing in this genre. Peter was the recipient of several major writing awards, and was made a Member of the Order of Australia in 1987. He was named a Western Australian State Living Treasure in 1999.

Writers are now invited to submit entries for this year’s competition. Entries must be unpublished works, and not have won prior recognition with a maximum 600 words per story

In the spirit of the festival, Scribblers is holding the Golden

Both theme and age are open.

Feather Treasure Hunt - a special literary competition leading

The are prizes and certificates available up to the May launch date. Feather bookmarks will be hidden

1st prize $200, 2nd prize $100, 3rd prize $50, in in participating libraries’ children’s and young adult books addition there is a Novice Writer Award of $50 plus a Judges’ throughout Western Australia, encouraging kids to visit their Encouragement Award for Youth (12-17 years) $50. local libraries.

There are four Highly Commended Certificates and four

Among the hidden feathers are a handful of special golden Commended Certificates. feathers which, when found, will earn a major prize for lucky

The entry fee per item is $10.00 each or $20.00 for three readers. entries, $30.00 for five entries for adults and $5 per entry for

FORM’s project space, The Goods Shed in Claremont will youth. serve as the hub of Scribblers Festival, with branch-off workshops

The closing date for entries is 30th March 2018 and the and talks at the neighboring Claremont Lawn Tennis Club, and Awards Day 19th May 2018. marquees outside both venues.

More detail can be found on the Peter Cowan Writers’ centre website on the competitions page: www.pcwc.org.au.

SHORT STORY COMPETITION

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TOODYAY MUSIC FESTIVAL

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oodyay is only a short one hour drive easterly from Perth CBD. It’s a great day trip destination or relax for a night or two in one of the accommodation options around the Toodyay’s historical town.

The streets of Toodyay will be alive with buskers’ music entertaining diners in our cafes and for shoppers alike. There will be music of all genres and styles to suit everyone’s taste.

A range of food and drinks will be available for festival goers from a variety of vendors. There will also be stalls for those that wish to purchase music festival merchandise.

The Toodyay Music Fest runs from 10:00am and ends at 9pm on the 24th March, with what promises to be a fun and exciting free family community event.

Take a rug or chairs and share a great day out with your friends and family and help make Toodyay shine.

For more information go to www. toodyaymusicfest.com The Music Festivall Committee would like to thank the sponsors who have made the Festival possible: TCRC, Toodyay Shire, Boral, Toodyay Op Shop and DC Productions

roductions.

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DINING OUT

The Thoughts of an Ageing, Balding Foodie

THE CORK AND BOTTLE DOUGLAS SUTHERLAND-BRUCE

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ll men have a pub they remember with fondness - it may be true of women also, I wouldn’t presume to know, but all of us have a Long Bar at the Collegians Club, or a Red Lion in Berwick on Tweed that lingers in the mind.

What makes this pub the pub is entirely individual - it may be the ales, the seats, the wooden panelling, the servers, the location, the ... I don’t know.

But, I do know when I walk into one I recognise it - and the Cork and Bottle in Bassendean is such a pub. A pub where you can be comfortable, fed, recognised, cossetted and indulged.

The Cork and Bottle has been open just over two years, the brainchild of business partners Stuart Ridgeway and Steve Fletcher and it is just the most delightful place. Its on Old Perth Road in Bassendean where it spills out over the pavement under shady trees, fairy lights and a pine pole pergola around aged wine barrels and small tables with comfortable chairs.

Inside is traditional Old English with an Australian accent. The ceiling has unique ornamentation in the form of two stripped back double sculls, complete with two pairs of shoes.

These are historic racing shells, elegant, slim and beautiful - a nice analogy for the Cork and Bottle itself.

There are small tables, long tables, high tables, padded armchairs, barstools, chairs with arms - pretty much something for everyone. The walls are hung with art, posters, photographs and more.

The night we attended, a happy group of four, several people were playing chess and other board games, sitting in small conversational groups, eating and drinking. The lighting is flatteringly low, the aroma of food tantalising and the warmth of the welcome all-enveloping.

We found our way to a nice table, ordered at the bar draft beer and cider (very good cider) and a range of soft drinks, canned beers and wines and sat down to have a glance at the menu.

The menu is a cut above ‘Pub Grub’ at moderate cost.

There are several share platters available - Mixed Marinated Olives ($12), Arancini Balls ($15), Szechuan Calamari ($16) and the two we actually ended up ordering - Housemade Chicken Liver Paté ($16) and the oddly

named ‘Potato Spun Prawns’ ($16).

They were absolutely delicious but unusual - thin strings of potato, wrapped and deep-fried about fat delicious prawns served with a sharp sauce.

And the paté was absolutely superb - rich, smooth and perfectly cooked and presented. It was served with onion jam, some crisply delicious tiny gerkins, two kinds of fresh crusty bread and nachos.

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Both Angela and Tony ordered the Beer Battered Fish and Chips ($16), a goodly portion of golden fried Snapper with the dearest little stainless steel basket full of gorgeous chips and a small bowl of garlic aioli. Excellent value and perfectly cooked - as indeed was all the food we ate - flavour-full and tasty.

Lisa suffers from coeliac and her diet is extremely curtailed as a result, but Cork and Bottle rose magnifcently to the occasion and she enjoyed her meal of gluten-free provender as much as we did. She had a whole Baked Camembert ($22), ovenbaked in a small cast-iron casserole on a bed of caramelised onion, served with Nachos.

We chatted, browsed, listened to low background music and, above all relaxed.

Then someone suggested sweets.

All desserts are $10 and include some of what we had (bearing in mind Chef occasionally has an inspiration and crafts a ‘Chef’s Special’.)

The Cork and Bottle Cheesecake is justly famous and we certainly had a slice of that.

A somewhat more intriguing titled dish is the ‘Berry Stack’, which we guessed was a short stack of pancakes with berry sauce.

But, no. It was a large glass of what appeared to be berry crumble - not too sweet, fortunately, but fruitier as you went further down, and crunchy with biscuit, oats, Demarara sugar, cream and fruit.

The gluten free option turned out to be a serve of Vacherin, the elegant French cheese as a dessert - delicious.

Less a pub than a social hub, as the best pubs always are the Cork and Bottle will become my standby for whenever I want a quick, good meal, a swift half or a a leisurely evening of conviviality.

Excellent draft beer and cider at reasonable cost, wines and spirits and wide range of cocktails, delicious food in good variety at affordable prices and most of all the ineffable, indescribable atmosphere of warmth and welcome.

I shall be back, and you should all try it at least once.

Very Highly Recommended Indeed.

The hidden gem of a bar in Bassendean 77 Old Perth Road

OPEN Wednesday - Thursday 5-10ish Friday 5 - 10:30ish Saturday - Sunday 12 - 10:30ish HAVING A FUNCTION? - FULLY CATERED & NO HIRE FEE 9

DOUGLAS’ WINERIES AND DINERIES

These are the restaurants and eateries, casual and formal, and wineries that I personally reccommend and eat at for pleasure.

Fully Licensed Lunch & Dinner A Great Family Friendly Restaurant Only Minutes From Home!

Hours: Mon, Tues & Pub Hols Closed Wed & Thurs 5:00pm – 9:00pm Friday 5:00pm – 9:30pm Saturday 11:30am – 9:30pm Sunday 11:30am – 9:00pm

9453 9698 BOOK ONLINE

quills.com.au

Wattle Grove Shopping Centre, 338 Hale Road, Wattle Grove

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CHEF-EXPLORER

A TASTE OF THE WORLD CUP BRENDAN MURPHY

THE WORLD CHAMPION SPANISH TAPAS

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efore we get officially started I just have to start with an appetiser for you in honour of a past World Champions Spain.

I ultimately consider myself a true football fan, and sometimes have been disappointed in the eventual winner in many a past tournament. But not so, in 2010, when Spain played the best football and truly deserved to be Champions!

The question is can they do it again?

So what better to start a book of world food and football than with a classic Tapas! It is a dish I used to cook by the bucket load when I worked in a Spanish-Moroccan-British themed restaurant in Gibraltar during the late eighties, and in recent years at my Taste of Spain Cooking Class at ‘Taste Budd’s Cooking Studio’ in Highgate.

SPANISH PRAWNS

Gambas Pil Pil (Serves four) Ingredients 500g WA King Prawns 40ml good Olive Oil 1- 2 small Chillies, (depends on how hot you want it) diced finely 3 cloves Garlic, crushed Salt Chopped parsley 50 ml of Sherry 80ml cream Lemon Wedges, to serve Method 1.

Peel the prawns completely, then cut along the back of

each prawn halfway through so it curls

Remove the vein and wash again 2.

Heat the oil in a frying pan until very hot and add the ChilIi,

sauté for a minute or so then add the prawns garlic and

salt, stirring until prawns are bright pink 3.

Deglaze pan with sherry 4.

Enrich with cream to make a sauce. But remove the prawns

so you do not overcook them 5.

Reduce sauce a little by simmering for a minute or so 6.

Sprinkle with parsley, and re add the prawns 7.

Serve immediately with crusty bread and wedges of lemon.

SUPPORT A LOCAL AUTHOR

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SPORTS AND LEISURE SWEETEST PLACE TO BE FOR WALKER CHRIS MCRAE

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or many young Australian kids, the prospect of pulling on a jersey for a major league sports team is something which is a lifetime goal, a dream or simply a fantasy!

The training, dedication, money, time and energy required to pursue this dream is extraordinary and generally includes overseas training camps, sponsorship deals and sacrifices.

Being in Australia, the allure of the MLB, NHL, NFL and NBA can seem unattainable for most. However, Australia has now conquered the final frontier of North American sports thanks to a twenty-four year old Sydney-sider by the name of Nathan Walker.

Two dates will now be etched into Australian sporting history. On October 4th 2017, Walker was named to the roster for NHL team, the Washington Capitals, stamping his name as the first ever Australian to make the National Hockey League in it's 100 year history.

Just two days later on the evening of 6th October, Walker made his NHL debut in the Capitals' home opener against the Montreal Candiens at Capital One Arena, Washington DC.

So just how did a young hockey enthusiast from Sydney end up taking to the ice on hockey's big-gest stage? It all started, like many young hockey players in Australia by watching everyone's favourite hockey larrikins...the Mighty Ducks.

Walker began playing hockey at the age of six and took to the game at a rapid pace. In 2007, Walker took his game overseas, being picked up by Czech Republic club HC Vikovice. Playing between their Under-18 team and also playing back home for the Sydney Ice Dogs in the Australian Ice Hockey League, Walker would soon find him-self in the Senior team for HC Vikovice before North American hockey beckoned.

Walker was signed by the Youngstown Phantoms of the United States Hockey League during Season 2012-13 during which he played twenty-nine games before missing playoffs due to injury. That year would prove to be pivotal for Walker as he continued his training between Australia and the Czech Republic before being invited to attend the Washington Capitals development camp in September that year.

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After a solid camp, Walker became the first Australian to enter the American Hockey League and found a home with the Capitals' AHL affiliate the Hershey Bears. Walker played four seasons with the Bears, recording a total of 202 games with thirty-four goals in the process. In 2014, Walker was granted entry to the NHL radar by being selected by the Capitals in the 2014 entry level draft

After some challenges with injury and continuing to play in Hershey, Walker was back with the Capitals for the 2017 training camp earlier this year. After a gruelling and lengthy camp with fast paced hockey and strict roster cuts, history was made as Walker was named to the Capitals roster, making him the first Australian to enter the NHL!

The past twelve months has been a rollercoaster for Walker. After the dizzying high of his NHL debut and the games that followed, Walker became a healthy scratch for the Capitals numerous times, just missing out on the game rosters. As a result, he was placed on waivers and many hoped that he would make his way back down to Hershey.

However, the young Aussie was in demand and was soon snapped up by the Edmonton Oilers. Playing a handful of games in Edmonton, Walker was again on the move soon after with waivers beckoning once again. Being labelled ‘the boomerang’

by Australian fans and followers, Walker returned to the Capitals organisation and was then assigned to Hershey, much to the delight of local fans.

For Nathan himself, the whirlwind of three organisations in five months has been a great experi-ence. “I was fortunate enough to start the year off in Washington and then got the opportunity to play a few games in Edmonton and now I’m back in Hershey” he said. “It’s definitely been a long year but a great experience” he continued.

Playing at both the AHL and NHL level has assisted Walker tremendously in developing his game. “Being in Hershey has helped me a tremendous amount” he said. “It’s a very professional organisation and the way things are done here really sets you up to play NHL” he concluded.

Affectionately known as ‘Chocolate Town’ U.S.A, Hershey is tucked away in the south east of Pennsylvania with a population of just over 14,000.

Concluded on page 44 ...

LEISURE LARGE ANIMAL RESCUE COURSE DIANE BENNIT

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he WA Horse Council’s AR3 Masterclass will be held at the State Equestrian Centre, on Tuesday 29th and Wednesday 30th May and will be presented by Anton Phillips from the United Kingdom, a world leader in Large Animal Rescue training.

Anton is one of three Animal Rescue Specialists who worked with the Hampshire Fire and Rescue Service and he was the catalyst to develop the UK’s first specialist Animal Rescue Team, which has enabled the UK Fire and Rescue Service achieve safer working practices.

Large Animal Rescue is recognised as one of the most dangerous activities a firefighter will be engaged in, and the HFRS specialist team leads the world in animal rescue work.

A highlight of the Masterclass will be the extensive practical sessions over the two days where course participants will work with the rescue training mannequin in a variety of rescue scenarios.

A Warm blood horse that jumped onto and fell partially through a piggery roof

For the first time in Western Australia a large animal rescue Refresher Day will be held on Thursday 31st May. This Refresher 12:30 - 13.30 Lunch is open to anyone who attended Anton’s 2017 course, either of

• Restraining and moving animals / physical restraints MaryAnne Leighton’s courses or any other recognized Large

• Practical manual manipulation rescue techniques Animal Rescue training.

Registration forms will be out shortly on the WA Horse 14:30 Afternoon tea Council’s contact list and also the Facebook page and as numbers • Safe extrication of a horse from a Float demonstration are limited, it is essential to register early.

• Securing a horse to a rescue glide

For more information email: diane@horsehotline.org.

• Extrication from a float Exercise

PROGRAM

2018 WAHC AR3 MASTERCLASS – 29th & 30th May 2018​​ Day 1 08:00 ​ Registration 08:30 ​ Introduction to course

• Priority of first attendance

• Large animals in distress - reactions: fear, flight,

herd mentality, weapons

• Associated people: horse owner, farmer and farm

machinery, other responders, veterinarians,

bystanders, media

• Behavioural characteristics and senses of prey animals:

flights zone, sight, smell, touch, hearing

• Incident Control

• Zoonotic and other health issues

• PPE

• 10.00 morning tea

• Natural sedatives

• Role of the Vet

• Anatomy of the horse

• Chemical control methods: sedation and anaesthesia,

OH&S considerations

• Viability of the animal and risk to people

• Euthanasia

17:00 End of session Day 2 08:00​ Advanced rescue scenarios all day 10:00​ Morning tea 12:30​ Lunch 1330​ Rescue scenarios 15:00​ Afternoon tea 15:30​ Post incident protocols 16:30 End of course discussion Scenarios and solutions – covered in the morning session mud horse float, overturned float ditches fire transport cattle grids water: still water / moving water / floodwater holes, wells, sinkholes large scale incidents Practical exercises – practiced in the afternoon session Mechanical Vertical Lifting for rescue, medical suspension and hobbled lift using both service and non-service equipment Righting an overturned horse float exercise

www.wahorsecouncil.com.au 13

FEDERAL NOTES HON KEN WYATT AM, MP Member for Hasluck , Minister for Aged Care and Minister for Indigenous Health

OVARIAN CANCER AWARENESS

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s February was Ovarian Cancer Awareness month, I would like to take the opportunity to urge the Swan Magazine readers to familiarise themselves with the four main symptoms of ovarian cancer.

- Abdominal or pelvic pain

- Increased abdominal size or persistent bloating

- needing to go to the toilet often or urgently

- Feeling full after eating only a small amount.

If these symptoms are new and you experience one or more of them persistently over a month, you should consult your doctor.

You know your body better than anyone else, so always listen to what your body is saying and trust your instincts.

Each day in Australia, four women are diagnosed with ovarian cancer and three will die from the disease. To further help women who may be at risk, the Turnbull Government has provided almost $3 million to support the new TRACEBACK project.

This 4 year project will identify and offer testing to women at risk of having the BRCA 1 and 2 genes which predispose them to ovarian cancer. TRACEBACK will involve genetic testing of around 1500 tissue specimens collected from Australian women diagnosed with ovarian cancer over the past fifteen years.

These results will help women understand their risk of developing ovarian cancer and/or breast cancer and allow them to take preventative action.

I recently held a community information session in Guildford with the Australian Digital Health Agency on My Health Record, specifically discussing the benefits for senior Australians including ‘grey nomads’.

My Health Record is a secure online summary of your health information which can be accessed by yourself and authorised health professionals. By the end of 2018 every Australian will have a My Health Record, unless they choose not to have one. There are multiple benefits to having a record,

ADVERTISEMENT

KEN WYATT MP Federal Member for Hasluck 9359 0322

ken.wyatt.mp@aph.gov.au

kenwyatt.com.au

kenwyattmp

Authorised by K.Wyatt MP, Shop 10-12 Forrestfield Marketplace, 80 Hale Road, Forrestfield WA 6058.

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including improved safety in an emergency and better access to your healthcare information.

To register, or to find further information, please visit www.myhealthrecord.gov.au.

Please contact my Forrestfield electorate office if you have any queries or if you require more information on anything I have mentioned.

The office number is 9359 0322 and my email is: ken.wyatt.mp@aph.gov.au.

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AFTERNOON TEAL

he Ovarian Cancer Australia are calling on all Australians to help reduce the impact of ovarian cancer and improve the outcomes for women and their families living with this insidious disease.

By hosting an Afternoon Teal event, you are helping your loved ones know the signs and symptoms of the disease and know their family history.

The Afternoon Teal campaign encourages people to host a fundraising event for their friends, family or colleagues. Whether it’s a high tea, picnic, golf day, movie night or gala dinner, anybody and everybody can get involved!

Ovarian Cancer Australia relies on fundraising community to be able to help them continue to deliver awareness, support, advocacy and research programs. Ovarian Cancer Australia is the only national organisation that provides direct support to those living with ovarian cancer – both the women experiencing the disease and their loved ones – through support groups, phone support, online resources and more.

Please register your event today or make a donation and help to ensure that no woman living with ovarian cancer ever walks alone.

More information cn be found here: www.afternoonteal. net.au

COMMUNITY CUPPA WITH A COPPA SURVEY TO FIGHT DRUG ABUSE

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DI GRAHAM

KATE PHILLIPS

lthough Western Australia’s rate of methamphetamine use has dropped in recent months, it is still amongst the highest in the nation, and is having a dramatic and damaging effect on the community, including small businesses.

In line with the State Government’s Methamphetamine Action Plan (MAP), the Small Business Development Corporation, Stirling Business Association and the Regional Chambers of Commerce and Industry WA (RCCIWA) have joined forces to conduct a survey of small business owners about meth use in the workplace and the wider community, and what needs to be done to tackle drug affected behaviour.

The state-wide survey is designed to reveal how widespread the problem is, how businesses are coping and what can be done to mitigate the damage.

According to Small Business Commissioner, David Eaton, whether it’s through absenteeism, low productivity, violence, theft, workplace injuries or fatalities, drug abuse is taking its toll in the workplace.

“Often, small business employers have close relationships with their employees, so having a staff member with a drug habit affects them on many levels, emotionally and financially,” Mr Eaton said.

Stirling Business Association representative and Human Resources (HR) consultant, Jayne Griffiths participated in the MAP Taskforce Workplace Forum and believes small business owners often lack the expertise to deal with employees’ drug problems.

“Small businesses don’t have HR managers and often don’t know where to access the support they need to handle these kinds of issues,” Ms Griffiths said.

Kitty Prodonovich, CEO of RCCIWA says the levels of meth addiction in the regions is having a far reaching and potentially devastating impact that affects entire communities.

“The Australian Institute of Criminology estimates the use of drugs, especially meth, otherwise known as ice, is costing Australia around $4.4 billion a year in healthcare, crime and economic loss and this is worse in the regions than in the metro area,” Ms Prodonovich said.

All small business owners are encouraged to complete the survey as the information gained will assist in formulating effective strategies to tackle this problem. All responses are anonymous and the survey closes on Monday 19 February 2018.

Visit www.smallbusiness.wa.gov.au to complete the survey.

J

oin the City and Ellenbrook Police for a coffee and a chat, local residents are invited to share a coffee or hot chocolate with members of the local Police Station and Ward Councillors for an informal, face to face chat.

City of Swan Mayor David Lucas said the first session would take place on Tuesday March 6, between 3 and 4.30pm at the Ellenbrook Library’s Sun Lounge.

“The idea of the new initiative is to provide the community with an opportunity to meet their local Police Officers and Councillors in an informal setting and have a good chinwag about community issues,” he said.

“It is also an opportunity for the City and Ellenbrook Police to provide the community with information on proactive crime prevention and personal safety.”

Pearce Ward Councillor Patty Williams said that the ‘Coffee with a Coppa’ sessions would also help to foster a stronger connection between the community and those who serve them.

“This initiative is all part of the City’s ‘Place’ approach, to help nurture positive relationships across all areas of the community and build a sense of place and community in Ellenbrook,” she said. “It also gives us a chance to hear firsthand what is happening in the community and what is affecting them and their families.”

For more information on the initiative please visit the City’s website www.swan.wa.gov.au/events/coffeewithacoppa and you can find more information on Ellenbrook Place here.

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NEW FIRE SIGNS

he City of Swan has installed three new electronic Fire Danger Rating signs to help increase fire safety in the region. The signs, located in Middle Swan, Gidgegannup and Bullsbrook, advertise the daily Fire Danger Index and any fire bans that have been put in place.

The electronic signs will not only improve fire safety messaging, but time and resources, as they did not rely on staff and volunteers to manually update them. During our warmer months the fire danger rating can change on a daily basis and fire bans can be declared at any time, so it’s vital that information is updated as quickly as possible.

These new signs not only allow messages to be broadcast immediately, but can be updated remotely via the mobile network.

The new FDR signs had been placed on main arterial roads to capture the greatest ADVERTISEMENT number of commuters. As the signs operate on a mobile network, they have the option to update the signs through an RSS feed from WESTERN AUSTRALIA the Bureau of Meteorology which updates at 4am and allows us to catch the early commuters. The new FDR signs can be found at the following locations: * Toodyay Rd, Middle Swan (near jp mlc Campersic Rd) * Toodyay Rd, Gidgegannup town site Member for East Metropolitan Region * Chittering Rd, Bullsbrook (near Shadow Minister for Education; Maroubra Ave) Training; Women’s Interests

While the new signs will help boost fire safety awareness in the region, it’s also important for residents to stay up to date with fire warnings and information.

Ground Floor, 108 Swan Street Guildford 6055

Sources such as the Emergency WA website, social media and tuning into ABC 9379 0840 | Faragher.eastmetro@mp.wa.gov.au local Radio and listening to 6PR if you are in Authorised by D.Faragher, 108 Swan Street, Guildford WA 6055. the metropolitan area.

Donna

FARAGHER Here to help!

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STANDING UP FOR SWAN HILLS RESIDENTS AND RATEPAYERS ASSOCIATIONS JESSICA SHAW MLA – MEMBER FOR SWAN HILLS

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any community members contact me each week (particularly the Bullsbrook Residents and Ratepayers Association) to raise concerns about extractive industry proposals across the electorate, and the impact they have on our towns.

Swan Hills has amazing natural areas, along with unique flora and fauna. Many people move here for a ‘tree change’ and to enjoy the semi-rural and rural lifestyle that it offers, the village community and the amenity.

This also means the area we call home is full of natural resources that are essential to the construction of our homes and infrastructure.

They have a high commodity value and are potentially pegged for future development.

People tell me they are worried about the impacts these developments may have on their lifestyle and property prices. They are anxious about the future: what it will mean for their retirement ‘nest egg’ and for their children and their grandchildren, whom they hope to hand their property down to.

Communities are deeply concerned that these projects will have significant odour, noise and dust impacts, cause rain water, ground water and surface water contamination, result in potential exposure to dangerous materials such as asbestos, as well as the impacts to heritage and biodiversity and fire risk.

Ms Shaw and a group of concerned residents

Increased daily truck and semi-trailer movements on local roads that pass dense housing community facilities, such as local schools and childcare centres, pose serious road safety risks. The Swan Hills area’s popularity as a tourist route, for cyclists and motorcyclists may also be in jeopardy.

I understand that some development proposals are being submitted repeatedly MLA through Local Government, the State Administrative Tribunal or Development LOCAL MEMBER FOR SWAN HILLS Assessment Panels. Communities feel a heavy toll from voicing their opposition to these developments. @JessicaShawMLA

People worry that they are not being adequately consulted and that their voices Jessica.Shaw@mp.wa.gov.au are not being heard. Proponents likewise feel frustrated with the lack of certainty and the time taken to get approvals for proposals.

9296 7688

The local residents and ratepayer groups do a wonderful job supporting HERE TO HELP the community on these issues. We are very fortunate to have a number of local Aveley, Bailup, Belhus, Brigadoon, associations, including the Bullsbrook Residents and Ratepayers Association, Bullsbrook, Chidlow, Ellenbrook, Gidgegannup Progress Association, Mount Helena Residents and Ratepayers Gidgegannup, Melaleuca, Association, Chidlow Progress Assocation, Brigadoon Progress Association, Sawyers Mount Helena, Sawyers Valley, Valley Resident and Ratepayers Association and Swan Valley Ratepayers and Residents The Vines, Upper Swan, and Wooroloo.

Association.

Two new groups currently forming are the Ellenbrook and Districts Residents Office Address Postal Address and Ratepayers Association and the Upper Swan Residents and Ratepayers Association.

8/31 Egerton Drive PO Box 2265 These groups will bring a much needed community voice and I encourage you to join Aveley WA 6069 Ellenbrook WA 6069 and support them.

I will be hosting representatives of these valued community groups in Parliament in March to discuss common issues across the electorate and to look at ways I can assist to facilitate better outcomes for both the community and industry in Swan Hills.

We must be able to access the basic raw materials Perth needs to build our homes and infrastructure. These projects also deliver a range of local employment opportunities. Affordable building materials also make housing more affordable, driving construction jobs for our local tradespeople.

Extractive Industry businesses need certainty to develop these resources.

And we need a better balance.

The planning framework fails wherever it permits incompatible land uses to occur, such as quarrying and landfill near homes. It does not provide local communities with an adequate opportunity to have their voices heard and Standing up for Swan Hills imposes significant costs and uncertainty on businesses.

Continued on page 44 ...

Jessica Shaw

Authorised by Jessica Shaw, 8/31 Egerton Drive, Aveley, WA 6069

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COMMUNITY FESTIVALS THE ACT-BELONG-COMMIT TOODYAY MOONDYNE FESTIVAL 2018 TAIA SINCLAIR

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estern Australia's First and Foremost Colonial Festival. Sunday 6 May 2018 The legend of Moondyne Joe, the Avon Valley’s legendary bushranger transforms the picturesque historical town of Toodyay, Western Australia into a lively daylong festival.

A highlight of the day being the reenactment of Moondyne Joe’s various escapades throughout the town, his arrests and mock trials. Join in the fun with Moondyne Joe as he runs around town, robbing shops, escaping custody and being a general menace. Cheer on Joe’s gang, ‘floozies’, coppers, swaggies and the Town Crier.

This is a FREE Festival from 9am to 4pm. So come along and experience the community spirit in the centre of Toodyay, complete with street theatre, colonial village, entertainment, artisan and heritage crafts, healthy food stalls and loads of non-stop, amazing fun activities for all the family.

Everyone is encouraged to dress in pioneer period costume!

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WHAT’S ON IF YOU WOULD LIKE AN EVENT LISTED IN THIS COLUMN RING our office on 0418 934 850 Entries for non-profit entities are free.

ALCOHOLICS ANONYMOUS - Glen Forrest Group Every Monday evening We meet at 7.00pm at the Glen Forrest Uniting Church, Mc Glew Rd, Glen Forrest.

Call Dermot 0488 905 211 or John 0448 074 536 or the Perth Office (all hours) 9325 3566.

AUSTRALIAN BREASTFEEDING ASSOC. Discussion groups, guest speakers, morning tea. Free breastfeeding counselling. Expectant mothers, mothers, babies and children welcome. National Breastfeeding Helpline 1800 686 2686 is a 24 hour 7 days a week service.

Swan/Mundaring Group meets every Monday, 9:30-11:30am at the Gumnuts Family Centre, 8 Mudalla Way, Koongamia. A qualified ABA counsellor is present at each meeting to give confidential information and support on breastfeeding issues. Contact Natalie 9572 4971.

Kalamunda Group meets fortnighly on a Thursday, 9:30-11:30am at the Maida Vale Baptist Church, Edney Road, High Wycombe. Contact Jenny 9252 1996.

Northam Group meets each second Tuesday of the month at the Bridgeley Community Centre, Wellington Street, Northam 10am to Noon.

Fourth Tuesday each month at Toodyay Playgroup, Stirling Terrace, Toodyay. Noon to 2pm. Please phone Louisa 9574 0229.

Christine Hogan: 9279 8778 for a chat and a cuppa.

Email: madtattersmorris@iinet.Net.Au We are considering extending our days Website: madtattersmorris.Myclub.Org.Au to include Saturdays or evenings if there is enough interest.

MUSTARD SEED COMPUTERS

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DISCOVERING

Mustard Seed is a fifteen year old non-profit organisation and teaches all aspects of everyday computing. Ability levels from beginners onwards. Want help with Windows 10? In need of instruction with your Mac computer? Have an iPad or Android tablet and don’t know what it will do? We can help. Cost is $3 per session.

Classes are heldat 56 McGlew Road, Glen Forrest. To gain a place enrol now.

Phone 9299 7236 or 0478 604 163 or E: mustardcomputers@gmail.com W: noodlebytes.com

SWAN WOODTURNERS GROUP

The group meets in the rear hall of The Senior Citizens’ Centre, The Avenue, Midland, at 1-00pm. on 1st, 3rd, 4th, and 5th. Tuesday, and at 7-00pm. on 2nd Tuesday of each month. A demonstration and cuppa are the norm. Men and Women are welcome. Enquiries to Ted 9295 4438.

SWAN VALLEY COMMUNITY CENTRE

Monday Mornings The Art Group meets at Baskerville Hall from 9am – 12pm for just $5.00 per session.

Group leader Gilly can help and advise with most media. Feel free to come and have a look and meet our local artists – they are THE HILLS CHOIR a very friendly lot, new members welcome!

Monday Evenings Do you enjoy singing and joining with For more information call 9296 1976 or others to make beautiful music? Come and enquiries@swanvalleycommunitycentre.com join the Hills Choir. We meet from 7.30 to www.swanvalleycommunitycentre.com 9.30pm at the Uniting Church on Stoneville SWAN HARMONY SINGERS Road, Mundaring.

Contact Margie on 9295 6103 for further Wednesdays Come and sing with us! Swan Harmony information.

Singers is a community choir that meets, 7-9pm, to sing music ranging from jazz ELLENBROOK COMMUNITY to pop, plus the occasional classic. No WEIGHT LOSS CLUB auditions. Join us at the Salvation Army Every Tuesday evening We meet from 6.45pm to 8.00pm at Church Hall, 371 Morrison Rd, (opposite the Woodlake Community Hall, Meeting Swan View Primary School), Swan View. room 1 Highpoint Blvd, Ellenbrook. Enquiries: call Anna on 9299 7249, or Chris Friendly support group at low cost. Male on 9298 9529 or 0435 062 728. and females of all ages welcome. Contact Shirley 9276 7938 shirleysardelich@aapt.

ELLENBROOK AND DISTRICT MENS net.au.

MORRIS DANCING

All welcome. It’s like bush dancing, with sticks and bells. It’s aerobic exercise and great fun!

Tuesdays 7-9pm practice, Guildford Town Hall, cnr James St and Meadow St, Guildford.

And drinks later at the Woodbridge Hotel with live Irish music For more information please contact:

SHED INC.

Tuesday, Wednesday, Thursday We are open at 4 Transit Way Ellenbrook from 10.00am to 3.00pm. Potential members can turn up on those days and there will be someone to explain what we do and give membership details.

Annual fees are low and members can do their own thing, participate in projects for the community or simply just come in 18

SWAN VALLEY COMMUNITY CENTRE MUSIC CLASSES

Tuesday mornings Learn to play tunes on piano or keyboard immediately – the SIMPLY MUSIC method.

Play songs, chords, blues and classical in small groups at a reasonable price. Call Heather 9296 4181 for more details.

HILLS CHRONIC PAIN SUPPORT GROUP

1st Wednesday of each month Hilltop Grove Estate, 1645 Jacoby Street, Mahogany Creek. Morning tea provided, between 10.30 - 12.00 noon.

Enquiries Terina 9572 1655.

MIDLAND MEN’S SHED

Every Tuesday morning We meet socially every Tuesday morning from 9.30am to 11.30am in the Bellevue Baptist Church Hall and our usual attendance is around fifty-five. At least once a month we have a guest speaker on a range of topics.

We also go on excursions to various places of interest (e.g. HMAS Stirling, Aviation Museum, Fremantle Ports, ALCOA, etc.).

Our workshop with wood working and metal working is in Midvale and for the opening hours and further details please contact Rob Cutter on 0419 967 873.

Also in operation is our music group – the Rockin’ Shedders which is going from strength to strength and their repertoire of songs increases each week.

For more information on the Shed please contact Kevin Buckland on 0417 961 971 or by email to kebinsv@tpg.com.au.

EASTERN KNITTERS

DISTRICTS

MACHINE

Friday - second and fourth We meet from 9:00am to noon at 10 Brockman Road, Midland.

Feel welcome to join us for morning tea and see how easy it is to make your own garments.

For more information contact Pat 9309 3260; Liz 9572 7074 or Pat 9295 2793.

TALKING HORSES

Wednesday evenings 6:00pm The WA Horse Council equestrian radio program is now in its seventh year. The programme is broadcast on the Community Radio Station 91.3 SportFM. To ensure that your club, event, breed or business gets coverage, call Diane Bennit 0409 083 617.

FICTION THE UTE JOHN TAYLOR

CHAPTER 11 – THE GULF

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illy decided he’d fly to Whellana and assess things over there before committing to Black Rock. He refuelled and within a few hours was approaching their strip.

Billy noticed a vehicle leaving the homestead heading towards him. He landed and taxied back, pulled up and jumped out meet the driver who turned out to be the manager’s wife, Mary.

She advised Billy that her husband Fred was in the stock camp about fifty kilometres out, pointing to a range disappearing off in the distance.

“He’s at the end of that range: a fairly big map, with yards and the strip alongside. The main track follows along this side and other tracks come in as you go. You’re welcome to stay, but there’s still plenty of daylight to make it; any problems, just come back.

I’ll try the radio, sometimes you’re lucky and I’ll get Fred to put a smoke up if he gets the message.”

Billy wanted to keep moving, so thanking Mary for her trouble, climbed back into the aircraft and flew along the edge of the range, with many tracks running into the main track. In fact, one came through the range along a gully, twisting and turning more creek than track; Could be handy one day: Billy filed it away in his memory.

He landed downwind of the yards and camp, taxiing up close. The crew were all busy going about their business, a dog finally got up a bark and meandered over, unsure whether to go for a pat or a bite as Billy walked over. A nuggetty little bloke handed the branding iron over, instructing stockmen to continue with the business; they hardly missed a beat, obviously a very competent crew.

Fred stuck his hand out and introduced himself. A hard case, Billy reckoned. “Heard you were coming! Got a few in a little paddocks ready to truck! Can’t let you have my breeders, though!

This drought won’t last!” He predicted, defending his corner, hard edge to his voice.

Billy was set back by this approach, thinking back to what Harry had mentioned about politics amongst managers and men, the need to handle each case on its merits. Billy was well aware of the fiercely independent attitude of every man, and his proverbial dog, in this country. His old mate’s words on gulf blokes.

“Watch them gulf blokes!” reappeared in his mind. Maybe this is what he meant. You’d reckon they were his cattle, the way he’s going on!

The yard crew were packing up, sun hanging well down.

Billy and Fred had moved on a little, but not very far. They’d drawn a few mud maps on the ground with sticks, losing them now in the fading light. Fred was a dyed-in-the-wool mill-man; reckoned if he was gonna drive a dozer he’d have gotten a job on a mine.

“Windmills!” He exclaimed. “Look after ‘em and they’ll go forever! All they cost was a bit of fiddle farting around with parts and grease! And leather!” He added. “And they’re as good as new!”

“Bad enough fixing bull buggies!” He snorted. “Not enough decent stockmen around these days!”

Only a youngish bloke, Billy was thinking slowly along as Fred ranted. Been around a bit, though by the look and sound of him. Seems to be settling a bit. Wonder if he’ll pull a rum? After a while, with the sun nearly gone and desert chill creeping in, Fred reckoned they’d better get over for tea and with a brusque “Bring your swag” led the way.

Pretty quiet around the fire; Billy got introduced around to half a dozen blokes, some Aboriginals and a few girls, the rest still tubbing up before tea.

Billy was not introduced ‘as’ anything, just introduced. As time passed, dinner and wash up done, some people drifting off,

when out of nowhere Fred suggested a rum.

“We drunk rum up here! Would you like one?” Fred politely asked, including Billy into his merry band of rum drinkers.

“Reckon I might have bumped into a real gulf bloke here, Billy was thinking, or maybe his old man was; but this bloke’ll do for a start. As the night rolled on freely, with more mud maps appearing in the firelight, Billy got the “good oil” on the Black Rock manager.

“Lazy useless bugger! Can’t keep people! Gets all them no hopers from out of town! Wreck this gear and he can’t fix it!

I gave him a hand for a while; wouldn’t help! Wouldn’t sweat in a pressure cooker! Won’t even drive those machines! Gets people in, all no hopers! They’ll bog in a billabong one day or something!” Fred fired along, “Told him to stay his side of the boundary!”

Armed with this information Billy tried to slow the rum session down, aiming on an early start, not sure where, but early.

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Feigning tiredness, which wasn’t hard, Billy retired, sure that old mate here would be up real early.

“Gulf bloke, you know!” Sure enough, before the morning star glimmered Billy heard clanking at the fire, a flame flared, illuminating the scene: Fred, hot to trot, stirring up the crew. Billy rolled out, found a pannikin and helped himself to tea. A plan had evolved overnight waiting on dawn to bloom.

Billy waited on Fred organising his crew, saddling horses and starting buggies, preparing to let the branded, dehorned and castrated cattle out, cows and calves back on a mill a few Ks away. Bullocks, barren cows and anything else Fred deemed no good to him escorted to a five by five kilometre bullock a little way off, ready to truck.

“There’s two or three hundred or more there now and more in similar paddocks around the run. Be able to pick up seven or eight hundred head pretty quick!” Fred confidently reported. Billy believed him, after all, he’d seen how quick Gilbert had operated and this bloke was in the same draft as him; Birds of a feather, smiled Billy.

“Reckon I might fly back to town, Fred. There’ll be more cattle landing there today.” Billy explained, thinking out past tomorrow, considering his resources; including people, trucks and rail, further south.

“We’re spread real thin”, he added, taking into account hundreds of head landing with limited resources to tail them out, maintain mills and so on. Gone far enough north, Billy thought.

Need to consolidate a little.

“You keep culling the mob, eh, Fred, and tip ‘em in these holding paddocks”, he advised, to which Fred gave a very immature, “S’pose, but you’ll need to shift ‘em real soon; not much tucker out there.”

“No worries,” Billy replied. “You keep lining them up; I’ll truck ‘em! What’s a good sched time, Fred? I’ll give you a call in a few days!”

With no further ado Billy topped up his fuel and oil from jerry cans he carried, preferring not to help himself to Fred’s supplies. He may consider fuel among his personal belongings along with his cows. After pre-flight checking he moved right on, confident his plan would work.

People up here hadn’t grasped Harry’s plan entirely; Harry was talking about a big lift and there was a plenty of feed to accommodate them down south. Stockmen were a problem, but then good labour’s always hard to get. Fred and his crew were good, Billy reckoned, might just leave ‘em awhile, put a plan together and include ‘em later.

Cattle he’s holding back will survive. Swing in wide on the boundary musters and pick up the lot. Whellana was a long 20

narrow run lending itself ideally to his plan. Shame Fred clashed with the neighbours; could have joined forces and done the lot.

Politics, Billy mused, looking out over Black Rock Downs and its very obvious lack of stock.

Wouldn’t be surprised if Fred already had the neighbours mustered. Catch ‘em all later when we get up here, I ‘spose, moving on in his mind and job. Billy flew on past Whellana boundary and Black Rock, keeping a good eye on the fuel gauge.

Late morning he arrived at Mount Barndon stockyard strip, giving the town a not so low-level pass.

Rod, up to his normal standard, fronted up at the strip before Billy had shut down. Gilbert was still trucking he informed Billy, another six decks tonight and additional decks to be confirmed tomorrow. Rod had upped the ante on rail car loading by including a tractor to push rail cars into position, expediting the loading operation considerably.

His crew had sobered right up, Rod with holding pay, drying ‘em right out. Billy was on his way out to Gilbert’s , requiring fuel only at Barndon, which Rod was able and happy to organise.

“A little hunch, eh, Bill? And have our agent fuel your plane on account; filtered of course!” He offered. The pub lunch was good. Billy, anxious to move, didn’t stay for dessert. Back to the plane, a quick check of fuel drains, pleased to find no contaminants and off into the blue.

Focussing on his next meeting, a case of quality rum tucked in behind, Billy did a little loop on his way to Gilbert’s homestead, in case they were still camped out. Sure enough, a small smoke on the distant horizon guided him in.

Quite sociable bloke, this Gilbert, Billy reckoned. Always keeping a sign out. Helps us new blokes, he thought, grinning wryly, lining up with the near limp wind sock. Yard’s busy, bulging with cattle, small mob being turned out in the late afternoon, obviously trucks arriving soon, couldn’t keep this big a mob around for long.

Billy walked over from the plane, everyone too busy to see him coming in, good idea to walk a bit. Gilbert looked up as he came over to the crush, preoccupied with the project, a quick “g’day”, lopping another horn as he spoke.

Billy helped bring more cattle up, carefully assessing; obviously Gill wanted to finish the remainder off, with dark fast approaching. The team were working well, stockmen taking little mobs to mill quite late. The yard crew were still branding and dehorning, now by buggy light.

“Twelve decks tomorrow and then the main crew can move on”, Gill explained between the applications on the dehorner, plaintive bawling as branding irons burnt, hair and hide stench mixing with wood smoke on a rising wind.

“Finally it’s done: tonight the trucks, tomorrow early loading and moving the last cows with small calves and a few good bulls out to some tucker, the rest on down the road.” Gilbert at last relaxed.

“Let’s get a drink. I’m stuffed!” He offered, as the branding fires were doused. Billy came good with a bottle from his stash, “and to you”, he added, listening whilst Billy outlined his plane, which simply put was that they had to shift more cattle and a man on the ground at each end was required.

Billy suggested Gill put another week in on his property. At the rate he’s going we could expect a mop up the last stragglers by a smaller team after a week or so, possibly working from the homestead, to be enough.

“And Gilbert”, Billy gently advised, “then I’d like you to roll your swag and head up around the gulf taking as many of your crew as you can spare from the premises up!” carefully topping

Gilbert’s pannikin as he spoke. Around eleven that night a distant drone above the gen set indicated trucks, cogging up and down through creeks and bends as they came along.

“They’re good!” Gill commented, “They’re bloody good!

Think I’ll have a tub. They’ll come over for some steak. I’ll think about what you said, Billy, sounds all right. Bit of a busman’s holiday, but a change.” Tapering off as he proceeded to the makeshift shower.

“Steaks are there if you’re up. Those blokes know where to come; we don’t load after eleven or so unless there’s a problem.”

“Gulf blokes!” Billy said. “An old mate of mine once said they’re all right!” Billy moved on as he’d never moved on before, back into Mount Barndon, kicking himself for not familiarising himself with the sat phone operation. Could’a booked tickets from out at the stockyards to wherever, had a chat to Janey, even Mr Jones!

Billy grimaced, thinking of the grilling from Mr Jones and picking up the traces with Janey. Mount Barndon hove in view. As it happened the pennies were falling Billy’s way, Rod was at the stockyards feeding up for the next mob and after a quick chat assured Billy there’d be a seat on the mail plane this arvo.

“After all, I’m the booking agent, and I’ll come back out and tie your plane down, so no worries!” He said with a grin. “May as well fuel it as well and check the oil!” He’s not a Gulf bloke but he seems okay too, Billy thought, moving himself and a bit of gear over to the stock and station agent’s standard issue sedan.

Another decent counter lunch and a few cold beers after he’d called home and the office, leaving messages for both parties. Ah, well, Billy reckoned, they’ve been messaged! A few more cold beers and out to the main strip.

“Eight hours to home this way”, Rod explained. “Stops all over the place, mail bags, freight; diverted to the odd walking wounded if the Flying Document’s busy. Had one the other day who couldn’t walk, passengers and crew helped him on, apparently he made it. Eight hours, mate! See you soon!”

Rod reiterated. “Been keeping in touch with Mr Jones, bit of a character, eh. Jesus!” Rod exclaimed. “Forgot to tell him about that dead beast on the last lot, Billy!” “Mr Jones”, Billy retorted, Billy decided he didn’t need to be up listening to truck talk either, keeping a straight face, “Mr Jones will require the semitrailer walking over to the plane and his swag as truck spotties arced number plate, the driver’s licence number and the deceased through the trees. All he remembered was the clank of fry pans, animals details; including family tree, and if possible , exact faint whiff of steak cooking, before drifting off, very happy with location of its demise.” proceedings to date.

With a wave and a grin he entered the confines of the

Nobody could wait for daylight. Trucks were started, medium-sized twin-engine mail plane, settling in as comfortably idling, building air pressure, one road train ready at the race, cab as he could. Eight bloody hours in this bucket; could nearly do it work lights glaring. Gilbert started the generator, illuminating in the Cessna, he thought, but then recalled the boredom of the the general area. Cattle shrinking back from the sudden glare, flight up. Besides, three hours on the commercial flight back will quickly adjusting, moving along as they were harried by stockmen even things out, relax a bit, settling back a little happier with this tapping poly pipe on rumps and rails, a hollow monotone echoing thought. At least I’m not on a mail or cattle truck, sliding round as it strikes; cattle baulking at shadows thrown from race rails the ridges, opening gates and so on. and stock crates; huge black heart timber corner posts, creating

Be home in eight hours, no worries, could be worse! dark holes in the stockyard confines, stopping livestock in their

Larger town lights had been appearing more frequently tracks; arc lights reaching out to the edge of scrub and gum tree in the last hours; time had marched on. Billy was a bit out of it, line, lighting creeks, soft shad on opposite banks, blending in psyched down with a little alcohol and boredom combined with moonlight. the mental and physical strain release from these past days. Bit

Billy finally had to drag Gilbert way from the yard, more strain coming at home, he thought, spotting a cluster of anxious to be on with his plan; this as usual required him to be lights. The country’s closing into civilisation; can’t be far now. moving. With sat phone still in its box in his hand Billy blocked

Shortly after the Engine note altered, fuselage tilted down Gil, catching him as trucks were changing at the race and the slightly forward. Home sweet home, Billy sighed, coming in with stockmen had moved off with another little mob. Finally he was a gentle thump as the landing wheels locked into place; another able to win Gill’s attention. not so gentle thump, as wheels contacted the runway, a squeal as

“How’d you go?” Billy asked, not waiting on formalities they gained traction, spinning, braking and turning onto concrete or preliminary banter. “Yeah, I’ll do it,” Gill replied, “but not on aprons opposite the main terminal building. manager’s wages, more like up on contract bull running rates!”

Light glare flooding out, dimming towards runway landing

Billy wasn’t surprised at this request and in fact had it for lights. Billy grabbed his only baggage and strode off towards a string in his bow if required. But there you are, probably all the terminal doors, shivering against the sudden winter’s chill, that was holding him back, a bit shy to talk about the dollar! Billy quickly finding a cab, quoting his street address, settling back in assured Gill that he would square a deal away to this effect with the warm interior, familiar landmarks but vastly different country Mr Jones, maybe even Harry. But first off, thinking ahead about sliding past. politics, “This bloke’s a key player, along with Rod, in this game.

End of Chapter Eleven Those truckies think they’re busy, wait till the second half.”

Billy grinned, thinking ahead, a long way ahead, way

Living and working under the harsh but strangely down south to commitments he had. Gilbert kept the satellite beautiful conditions of the Australian bush, JT (as he is known to phone and a list of numbers, people requiring to be contacted in his closest friends and readers) appreciates the spirit of those the team. Billy suggested he find a young bloke or RFDS type to hardy souls that have survived the modern challenge. explain operation of the phone, pointing out there was a book

If you would like to read the whole novel, it can be and that calls were very expensive: Both men now anxious to get purchased as either an epub for kindle or iPad. Go to John’s on with their lot. website - www.poetdownunder.com or www.lulu.com/shop/

“Check now and then for messages, eh, Gill. Left what’s john-taylor/the-ute/ebook/product-22566720.html or on the left of that carton, don’t you go losing it now,” Billy smiled. Both Apple store parties half turned to move on, stuck their hands out in mutual www.itunes.apple.com/au/book/the-ute/id1086709294?mt=11 agreement and camaraderie.

21

THE IDLER The Idle Thoughts of an Idle Mind

concerns centred on six main areas as outlined below.

Initial mumblings were about the printed program.

Comments made focused on the lack of information about the session topics and those appearing. Patrons said this made it hard to get enthusiastic or make choices. A retreat to the website didn’t help, evidently.

A further concern with the program was the overlapping of sessions. Patrons reminisced about previous years when they had just enough time to slip between session. To do this day I have GLENNYS MARSDON no idea how they managed that sleight of hand. This year several events overlapped, some only slightly, but enough to mean that patrons had to make more of a choice rather than roll up on the day and flit between the smorgasbord of sessions. As a result, some of my workaholic friends decided to miss the weekend altogether as they didn’t have the time to plan their weekend.

There’s no doubting the University Club is a stunning wo things are true. Change is never easy, and success is a venue, one patrons would often retreat to in previous years for function of a clearly defined goal. This year saw the Perth a moment of reprieve, especially on the heaving mass that was Writers Festival undergo a major metamorphosis after fifteen Family Day. The decision to minimize the event footprint to the years. Would the changes herald the birth of a new species, one immediate radius around the Club drew a range of reactions from full of youthful enthusiasm and fresh ideas, or a longing to return patrons. to the familiar womb?

Many said they enjoyed the air conditioning, while

The first hint of change came with the announcement the small session rooms didn’t fare so well, especially when that the weekend events would be extended over a week, and patrons were left standing at the back of the room due to overheld across various metropolitan venues, a suggestion that was subscription. While talking about ticketing, at the other end of received with open arms. The content of this review is limited the spectrum was the embarrassing situation of a national icon to the weekend events at UWA as having a full-time job I, like speaking to thirty-nine patrons in a vacuous Banquet Hall, while many others, only have time for literary exploration at the the crowd outside couldn’t buy tickets as ‘the computer says no’. weekend.

Online the session was listed as sold out.

The feedback is based on comments made to me

Regular festival attendees know to expect queues, by random patrons I had the pleasure of meeting, ladies especially for food and beverages. In recent years this issue had administering the online survey, writer friends and other been resolved with the introduction of a designated food truck comments overheard. In the spirit of remarks made on the area. I, for one, was pleased to read that this would be continued weekend by the perennially wise A.C. Grayling, about ‘creating this year. In reality though some caffeine depleted patrons new forms not just tearing down’, this piece attempts to provide commented that one food truck and two coffee vans does not a constructive feedback rather than critical review. food truck section make.

As promised at the preview night, the troublesome tents

Of more concern to patrons however were the queues had been eradicated except for one enormous structure over to get into the main venues, the Banquet Hall and Auditorium. the amphitheatre. The amphitheatre worked extremely well as Deciding to hold a session in a Banquet Hall would surely suggest a focal point, with good sound, good visibility and a fabulous the likelihood of a large audience, which in turn would imply the atmosphere especially as the sun set. Less enthusiastic comments need to open all four doors and employ at least four volunteers to were made however as the sticky Sunday weather left some check tickets. patrons hankering for the air conditioners of old, who would have The reality was one young volunteer manning one thought? open door, her deer-in-headlights expression contradicting

Just as well it wasn’t the usual forty degree February the impressive job she did. This could be excused if modern weather. technology meant all tickets had to be scanned, but many patrons

As with any writers’ event a handful of speakers were handed over paper tickets. Consequently, for most of these singled out for providing thought provoking insights, great sessions the queue snaked around the corner and into the café to entertainment or a terrific laugh, rather than just selling their get mixed up with people ordering coffee. wares. The ability to meet them at the signing table was deemed

It wasn’t long before waiting patrons decided to open a invaluable by some patrons. second door and make their own way in, only to be told to exit so

The retention of the free sessions, a much-loved they could be counted off. Most didn’t comply rendering the count aspect that sets the Perth event apart from its eastern states counterparts, was heralded and well supported. Also successful was the ability to buy tickets online at the last minute rather than having to line up at a box office.

Added to this the close proximity of events was well received by people with injuries, disabilities and the elderly.

Sadly, that is the extent of the positive comments made to me over the weekend. At first I thought the rumblings of discontent could be explained by peoples’ innate resistance to change.

By day two however when concerns were voiced, and loudly applauded by the assembled crowd, I took more notice. The

REVIEW: PERTH WRITERS’ FESTIVAL 2018

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22

null and void. This unique approach to queue management meant ticket-holders were still pouring in after the sessions had started, something seated patrons decided to comment on, loudly, in front of the international guests on stage.

The decision to start each session with a reading was interesting. Some authors read a small passage, undoubtedly wishing they didn’t have to read at all, others not so. I was told of one gentleman who read for seven minutes. Seven minutes out of a thirty minute session that included housekeeping instructions and a welcome to country.

Another example relayed to me was of a panel of five authors, each reading for two minutes, thereby taking up one third of the session. Or the two renowned speakers reading for five minutes each.

The reduction to thirty minutes was another hotly debated topic in the café, as was the need for a welcome to country at each session, rather than once at the beginning of the day. As a result moderators were often left with time for only one or two questions but countless missed opportunities.

Evidently the frustration at the signing table was added to by the fact that the book purchasing space was small, with patrons squished in as they waited for books to be unpacked.

Many of the above comments point to teething problems that can be ironed out. Meanwhile some of the saddest and most impactful feedback I received originated from writers. Writers, the very people who toil away year on year and without whom there would be no books and therefore no festival.

While they pointed out a number of logistical issues, they were more concerned about the lack of writing workshops.

Extending the format beyond a weekend into a week made them think there might have been greater opportunity to attend and or teach workshops.

Of even greater concern than all of these logistical points however was a statement which I first heard as a whisper in the queues until it was strongly declared and heavily applauded during one of the sessions. It was pointed out that this year’s audience was largely made up of white, older, western suburbs patrons.

Writers events offer the prospect of getting to know authors, to hear about their writing process, the difficulties they face and a myriad of other insights that can only be achieved when creative minds have time to sit down and chew the fat.

Given the depth of experience and wisdom on the stage, we can only wonder what interesting ideas, ground breaking solutions, or inspiration for new books could have been garnered, had they had time to chat. I was extremely fortunate to be in one session where we were privileged to a such an exchange.

A fascinating discussion between two great minds who greatly respected each other.

We watched on like naughty children hiding in the corner of the lounge hoping the adults in the room hadn’t seen us, as they broached the subject of male friendships in the modern era. Just as one of elders was about to voice his sudden moment of clarity, the moderator had to call time. I hope they continued the debate in the corridor.

Audience questions can be a mixed bag, there’s always someone, usually the person with the least knowledge, who decides to avail the presenter with their own theory rather than ask a question. Often though an audience member, perhaps a long-time fan, will ask a far more pertinent question than a moderator who has only had time to read the most recent book.

Sadly, this year the time taken up with readings meant audience questions were not just limited, but often non-existent.

Several patrons expressed their regret at being told they could ask their questions at the signing table. The flow on effect was long queues at the signing table as patrons took the opportunity to ask their questions, the insights shared between them rather than a wider audience.

When such an audience declares the event ‘elitist’ you have to take note. Underlying this was considerable discussion about whether the festival had ‘had their funds cut’ or been ‘held to ransom’ by the UWA Club, a point often debated though not resolved. With so many magnificent venues in Perth, including other universities, surely this cannot be the case. Either way the general consensus of those who spoke to me was that the event felt less patronized, less inclusive, less grand and less to be proud of.

The bottom line? As with any initial change to an iconic event the 2018 Perth Writers Week received mixed reactions, which will no doubt be reflected in the survey that took place.

Ultimately the feedback I received lead me to the conclusion that the iconic rambling Perth Writers Festival has morphed into a Perth Festival Readers Week. Undercurrents of such a shift started appearing in previous years and it would appear that 2018 has seen them fully actualised.

If the objective was to target readers wanting to ‘try before they buy’, bookclubs and authors or publishers releasing new books, then the goal was achieved, albeit with several functionality issues not least of which a bookshop that was deemed ‘hopelessly inadequate’ and ‘lacking in organisation’.

This created another lost opportunity as several patrons reported buying ‘one book each instead of our usual four’. If the objective was to open reading up to a wider audience, to grow the pie, then the feedback I received suggests there is further work to be done.

Still, all is not lost. If the future of the event lies in being a Readers Week, this creates space for an alternative Perth Writers Festival.

Concluded on page 44 ...

23

PEOPLE SENSEI BOB CARRIES THE QUEEN’S BATON LISA SKRYPICHAYKO

T

he Queen’s Baton was in good hands this week, carried through Guildford by longtime local resident and karate teacher Bob Allen, in the lead up to the Gold Coast 2018 Commonwealth Games.

The humble instructor who prefers to let his actions speak for themselves was honoured to have been chosen as one of just over 310 baton bearers, relishing the opportunity to participate in the relay with many other distinguished community leaders and athletes.

With over fifty-five years of martial arts experience, Bob Allen 7th dan Kyoshi has amassed an extraordinary amount of knowledge and skills. Sensei Bob (as he prefers to be called) started his martial arts training in 1963, learning ju jitsu at the Midland Police & Citizens Youth Club.

He commenced in Goju Ryu karate in 1969, began teaching classes in 1973, and opened his first dojo in Bayswater a year later. Since then, Sensei Bob has taught approximately 2500 students.

Of these, approximately fifty younger students attained junior black belt rank, and about sixty adults have earned senior black belts.

Several of his students studied with him as youths, returning to continue their journey with him decades later.

Others who continued training beyond the initial black belt level have achieved higher ranks and instructor qualifications.

Four of Sensei Bob’s most senior students have been awarded the rank of Sensei, and with their assistance at his Swan Hills Goju Ryu dojos, students benefit from over 190 combined years of karate wisdom.

In addition to karate instruction, Sensei Bob has been a senior kata coach for the West Australian Karate Federation (WAKF) team since 2013. Athletes coached by Sensei Bob have reached equal 6th place (and the top eight for team kata) at the world competition level.

Under his guidance, competitors have won numerous gold medals in competitions in Oceania and at the national and state levels. One of his students, Joe Coniglio, competed at the world level and was recognised by the WAKF as an outstanding sports star in 2000, 2003 and 2004.

Three other students have been appointed state team captains. Sensei Bob also served as a state and national referee of kata and kumite for twenty-two years, and on retirement from

refereeing was recognised by the WAKF as ‘Referee of the year’.

Sensei Bob has been the Western Australian Shibu-cho (chief instructor) with Okinawa Goju Ryu Ryusyokai karate since 2012, and was given the title Kyoshi (expert instructor) for Goju Ryu Australia in 2017. He is the WA representative for Okinawa Matayoshi Kobudo Rengokai Sohonbu, a worldwide organisation dedicated to traditional Okinawan weaponry, and also teaches tai chi to complement these disciplines.

Despite his illustrious CV, Sensei Bob likes to avoid the limelight, preferring to hone his own techniques and understanding to the highest degree. By his own account, Sensei Bob began his karate as a struggler, progressing slowly, but through tenacity and continued practice he developed solid foundations for his karate.

He says that not having been a “natural” was a blessing in disguise, forcing him to work hard and analyse every move, and credits this attention to detail as key to his success. He feels it is his duty to accurately and faithfully transmit the knowledge and traditions of those who have gone before him, while seeking to inspire those who follow his martial path.

Reflecting on his experience as a baton bearer for the 2018 Queen’s Baton Relay, Sensei Bob admitted “I was shocked to discover that I was one of only a very few across WA chosen for this honour, but so proud to have my family and friends here to share this incredible moment in my life.” He added, “Every year, I set goals as to what I plan to achieve personally and professionally. I’ve been so fortunate recently that I’m beginning to run out of goals!”

His students are sure, however, that this teacher, mentor and role model will find new ways to continue to raise the bar for himself and those he teaches.

24

HOUSE AND GARDEN TRANSFORM YOUR GARDEN WITH TREES MARION LOGIE

our series of trees for the Western C ontinuing Australian garden.

This month we’re looking at purely decorative and/or

flowering trees for the Perth warm temperate climate.

Not necessarily natives, these are those that give shade in summer, and allow the sun through in winter.

Always plant your tree with good quality soil conditioner mixed in well with your existing soil and with a length or ‘root barrier’ around the root zone (below the soil surface).

A root barrier is a safe and effective way of encouraging trees to send their roots down deeper into the soil before branching out.

This also helps minimise disturbance of paving, driveways and walls from tree roots too near the surface.

LIQUIDAMBAR

aka Sweet gum, Redgum, Satin-walnut and American storax (Liquidambar styraciflua) This is a hardy and attractive tree that is ideal for larger gardens and parklands. The name comes from the sweet resin which was used in the manufacture of chewing gum, a stabiliser in cakes and a flavour in baked foods.

The fine grained timber was also used in furniture making. This form grows to around thirteen meters in twenty years.

The trees drop their hard, spiky seedpods in Autumn by the hundreds and these can become a serious nuisance on pavements and lawns.

ORNAMENTAL FLOWERING PLUM

(Prunus cultivars) With their dark green to ruby red foliage and pink spring blossoms these are a showy addition to any smaller home garden. There are many cultivars to choose from - just go to your local nursery and browse.

They generally have a round or columnar canopy and heights range from three to six meters.

More next month ...

25

ENTERTAINMENT KOOKABURRA OUTDOOR CINEMA SWINGING SAFARI (M) Aust Comedy Saturday 10th & Sunday 11th March Director: Stephan Elliott Stars: Guy Pearce, Kylie Minogue, Radha Mitchell, Julien McMahon, Asher Keddie, Jeremy Sims, Jack Thompson

1970s Australia: A 200-ton blue whale washes up on a local beach and the kids think it’s the biggest thing that’s ever happened in their lives.

Behind closed doors, the Mums and Dads of this quiet suburban cul-de-sac celebrate in their own special way, by joining the sexual revolution. It’s a time of boxed wine, bad hair, bad styles, bad choices, but good times.

And like the rotting whale, it’s all about to go spectacularly wrong. Swinging Safari is a celebration of the Australian summer combined with a healthy dose of nostalgia and laugh out loud comedy.

isolation. Elisa’s life is changed forever when she discovers the lab’s classified secret -- a mysterious, scaled creature from South America that lives in a water tank. As Elisa develops a unique bond with her new friend, she soon learns that its fate and very survival lies in the hands of a hostile government agent and a marine biologist.

SWEET COUNTRY (MA15+) Aust Drama Saturday 24th & Sunday 25th March Director: Warwick Thornton Stars: Hamilton Morris, Bryan Brown,

Thomas M. Wright, Ewen Leslie, Anni Finsterer,

Matt Day, Sam Neill, Natassia Gorey-Furber

Inspired by real events, Sweet Country is a period western set in 1929 in the outback of the Northern Territory, Australia. When Aboriginal stockman Sam (Hamilton Morris) kills white station owner Harry March (Ewen Leslie) in self-defence, Sam and his wife Lizzie (Natassia Gorey-Furber) go on the run. They are pursued across the outback, through glorious but harsh desert country.

Sergeant Fletcher (Bryan Brown) leads the posse with the help of Aboriginal tracker Archie (Gibson John) and local landowners Fred Smith (Sam Neill) and Mick Kennedy (Thomas M. Wright). Fletcher is desperate to capture Sam and put him on trial for murder – but Sam is an expert bushman and he has little difficulty outlasting them. Eventually, for the health of his pregnant wife, Sam decides to give himself up. He is put on trial in the courtroom of Judge Taylor (Matt Day). But will justice be served?

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (MA15+) US Drama/Comedy Friday 16th & Saturday 17th March Director: Martin McDonagh Stars: Frances McDormand, Woody Harrelson, Sam Rockwell, John Hawes, Peter Dinklage

After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Harrelson), the town’s revered chief of police.

When his second-in-command Officer Dixon (Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated

FINDING YOUR FEET (M) UK Comedy/Romance Friday 30th, Saturday 31st March & Sunday 1st April Director: Richard Loncraine Stars: Imelda Staunton, Celia Imrie, Timothy Spall, Joanna Lumley

When Sandra, Lady Abbott (Staunton) discovers that her husband of forty years is having an affair, she seeks ref- uge with her estranged sister Bif(Imrie) in London. Sandra is a fish out of water next to her outspoken, bohemian sibling.

But when Bif drags her along to a community dance class, step by step, Sandra finds the courage to reinvent herself.

Finding Your Feet is a hilarious and heartwarming comedy proving it’s never too late to start again.

THE SHAPE OF WATER (MA15+) US Fantasy Thriller/Romance Sunday 18th & Friday 23rd March Director: Guillermo del Toro Stars: Sally Hawkins, Doug Jones, Michael Shannon, Otavia Spencer, Michael Stuhlbarg

From master story teller, Guillermo del Toro, comes The Shape Of Water - an other-worldly fable, set against the backdrop of Cold War era America circa 1962.

In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of 26

MENASHE (PG) US Friday 6th April only Director: Joshua Z Weinstein Stars: Menashe Lustig, Ruben Niborski,

Yoel Weisshaus,Meyer Schwartz, Yoel Falkowitz

Performed entirely in Yiddish, a language not used in cinema for many decades, Menashe follows a kind, hapless grocery store clerk as he struggles to make ends meet and responsibly parent his young son, Rieven.

In the wake of his wife’s death, tradition prohibits Menashe from raising his son alone, so Rieven’s strict uncle adopts him, leaving Menashe heartbroken.

THE DEATH OF STALIN (MA15+) UK Comedy/Drama Friday 20th, Saturday 21st & Sunday 22nd April Director: Armando Iannucci Stars: Steve Buscemi, Jason Isaacs, Jeffrey Tambor,

Michael Palin , Andrea Riseborough,

Simon Russell Beale, Rupert Friend

The one-liners fly as fast as political fortunes fall in this uproarious, wickedly irreverent satire from Armando Iannucci (Veep, In the Loop). Moscow, 1953: when tyrannical dictator Joseph Stalin drops dead, his parasitic cronies square off in a frantic power struggle to be the next Soviet leader.

Among the contenders are the dweeby Georgy Malenkov (Jeffrey Tambor), the wily Nikita Khrushchev (Steve Buscemi), and the sadistic secret police chief Lavrentiy Beria (Simon Russell Beale). But as they bumble, brawl, and backstab their way to the top, just who is run- ning the government?

Combining palace intrigue with rapid-fire farce, this audacious comedy is a bitingly funny takedown of bureaucratic dysfunction performed to the hilt by a sparkling ensemble cast.

LADY BIRD (M) US Drama/Comedy Saturday 7th & Sunday 8th April Director: Greta Gerwig Stars: Saoirse Ronan, Laurie Metcalf, Tracy Letts,

Lu- cas Hedges, Timothée Chalamet, Beanie Feldstein

Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humour and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strongwilled mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job.

Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. (See review on page XX).

PHANTOM THREAD (M) US Drama Friday 27th, Saturday 28th & Sunday 29th April Director: Paul Thomas Anderson Stars: Daniel Day-Lewis, Lesley Manville, Vicky Krieps

Set in the glamour of 1950’s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the centre of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma , who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

An illuminating portrait both of an artist on a creative journey, and the women who keep his world running.

THE BBQ (PG) Aust Comedy Friday 13th, Saturday 14th & Sunday 15th April Director: Stephen Amis Stars: Shane Jacobsen, Manu Feildel, Julia Zemiro,

Magda Szubanski, Nicholas Hammond, Frederik Simpson

The BBQ Laid-back suburban everyman Darren “Dazza” Cook loves to entertain his friends and neighbours with his weekly backyard barbecues, utilizing the ancient rum-barrel barbecue that family legend prescribes as having come from Cpt James Cook’s Endeavour.

Unexpectedly thrust into the limelight by his employer when an International BBQ Festival comes to town, Dazza needs to sharpen up his act, so enlists the guidance of the mysterious Scottish chef known only as ‘The Butcher’. As Dazza hones his chops perfecting the perfect steak, his twelve year-old son Jayden is challenged to prove the dubious Cook family ancestral link, with unexpected results.

Just a reminder that the gates now open at 6:15 and the show starts at 7:30. Bring your picnic basket and enjoy a meal under the stars before the show. Blankets and cushions advisable if cool...

27

By arrangement with the author

Directed by: Brittany Isaia At The Town Square Theatre

THE RETURN By

Reg Cribb

Wed Thurs Fri Sat Sun 27 28 29* 2 4 5 6* 9 11 12 Curtain Up 8:00pm ~ *Matinées 2:00pm Fish and Chip Supper - May 5th

Tickets: Adults $20.00 Conc $17.00 Fish & Chip Night $30.00 TryBooking www.whatson.com.au Group Bookings Linda Murray 0448 779 891

April May

April 27th to May 12th. 2018 28

ENTERTAINMENT WHAT’S UP AT BLACK SWAN? IRENE JARZABEK

NEW CHAIR his designer eye to the theming of lack Swan State Theatre Company the Summer of the Seventeenth Doll has announceds that its chairman of dinner party (Saturday 12 May) and the five years Mark Barnaba AM, will stand Dirty Dancing dance party later in the down in coming months. year.

Mr Barnaba, who has expertly As part of the Resident Artists program steered the organisation through Chloe Ogilvie will be working as the a period of substantial growth and Lighting Design Associate on the transition, will hand over his post as following 2018 productions: Assassins, Chair, to current board member Nicola The Events and Xenides.

Forrest.

Ian Michael will run post show events,

“I firmly believe that planned script readings, attend rehearsals, transition of leaders is vital for any company runs, events and functions organisation and choosing the right and conduct artist meetings for the time is critical.” Mr Barnaba said.

Company.

“Black Swan State Theatre Company The fourth resident artist, Katt Osborne is now in an excellent position, having comes with a wealth of experience transitioned to Artistic Director Clare from the independent theatre sector Watson and embarking on a thrilling and will act as an Assistant Director on 2018 season for our audience”.

Xenides. She recently was the Assistant

Barnaba goes on to say that “one Director on Dr Seuss’s The Lorax for of the achievements I am most proud of The Old Vic in London. Katt will also is achieving gender parity in our Board be working with St Mary’s Anglican of directors, as well as being the only Girls’ School on experiences for their Australian major theatre company to community, aiming to inspire students Nicola Forrest currently have a co-female executive in their leadership aspirations. team. It is very fitting that Nicola is my The Resident Artists Program has successor and with Nicola Forrest, Clare Watson and executive evolved over the years with assisting emerging and mid-career director Natalie Jenkins at the helm, I know the organisation is in artists being mentored within the company across all disciplines extremely capable hands”. on productions in both the Heath Ledger Theatre and Studio

Having joined the Board in late 2013, Mrs Forrest says Underground. that she is extremely honoured to take on the role of Chair. “I

Artistic Director Clare Watson, is thrilled to have these am exceptionally proud that we will be the first state theatre to four highly skilled and diverse artists join the Black Swan family, have three women in leadership and I look forward to continue which includes administration and technical staff, creatives who working closely with Natalie and Clare. Clare’s artistic vision is join us for each production, the Board and most importantly, the centred on making Black Swan’s productions more accessible and audience. She believes that “each of these artists is dedicated to I am excited about our intention to serve the community with new their practice, adventurous, and have an abundance of creative works that present our diversity. I take the responsibility of this energy. We are all looking forward to collaborating with each role very seriously and am full of anticipation for the seasons to one of these passionate artists, sharing their ideas, and as a team come.” emboldening our vision for the company.”

B

ARTISTS TAKE UP RESIDENCE

Black Swan are pleased to announce their Resident Artists for 2018 are; Tyler Hill (Designer), Ian Michael (Actor/ Director), Chloe Ogilvie (Lighting Designer) and Katt Osborne (Director).

The black swan Resident Artists Program provide artists within specific areas of expertise, sustained engagement with Black Swan across the year.

Working alongside Artistic Director Clare Watson, these artists will develop leadership skills, collaborate on developing future programs, take on key creative positions throughout the season and become advocates for the company in the broader community.

In 2018, Tyler Hill worked as the set and costume designer for Black Swan, Perth Festival, and DADAA on You Know We Belong Together (directed

by Clare Watson), and will be the set designer on Hir. He will also be adding

L to R: Chloe Ogilvie, Ian Michael, Tyler Hill and Katt Osborne {Photograph by Cam Campbell) 29

FILM REVIEWS FOLLIES

Sondheim in the West End Reviewer: James Forte

A

s previously mentioned in my July column from last year, the National Theatre Live film performances of London West End shows and broadcast them to cities around the world. In Perth, the plays are shown at special screenings by Luna Cinemas. Apart from drama, they also have a series of operas, ballets and musical comedies.

On the 18th February, Luna showed a revival of Stephen Sondheim’s 1971 masterpiece Follies directed by Dominic Cooke at the National Theatre.

Whether you regard Sondheim as the American Andrew Lloyd Webber or Webber as the British Sondheim, you have to

The music is perhaps Sondheim’s least memorable but the dance routines, where the veterans show that they can still perform, are showstoppers. Near the end, they combine with the ghostly chorus line for one final magnificent effort. Bravo Imelda Staunton!

For more information on this fantastic initiative, do an Internet search on “National Theatre Live” or “Luna Cinemas”.

The next piece of broadcast theatre will be Richard Bean and Clive Coleman’s comedy Young Marx in mid March. ~oOo~

LADY BIRD

agree that the two have dominated musical theatre of the last thirty years. Sondheim came first – shooting to fame as the lyricist of West Side Story in 1957. Readers may remember Gypsy (last year at Stirling Theatre), A Funny Thing Happened on the Way to the Forum (my favourite memory is of Edgar Metcalf directing and performing in this at the Playhouse), Company (at the Subiaco Arts Centre in 2013) and Sweeny Todd (winning awards recently at Pinjarra). Perhaps he is now best known for A Little Night Music and Into the Woods. (Note to artistic directors and production managers: it is about time we saw those two shows in Perth again.)

But back to Follies. It is 1971 in New York and the old Weisman Theatre is being demolished. A final party is being held on the stage – bringing together people who have performed there over the last fifty years.

In particular we meet the girls of the Follies Chorus Line (based on the real Ziegfield Follies which ran on Broadway from 1907 to 1931 - which in turn was inspired by the Folies Bergère in Paris). The aging ladies meet to reminisce and tell a few misty stories of their show-biz careers.

The set is magnificent – a half demolished rear wall of a stage mounted on a huge revolve which hardly stops moving – revealing the back of the theatre with stage door and fire escape.

There amorous young men wait for the girls as they leave after the show.

The story centers on two married couples who met at the theatre thirty years earlier. Imelda Staunton is Sally Plummer and Janie Dee is Phyllis Stone. Both are outstanding.

They are well supported by Philip Quast and Peter Forbes as their wayward husbands. An interesting idea of Sondheim is to pair each of the four with a young ‘ghost’ representing themselves as they once were. Their memories are acted out in a sequence of vignettes.

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Reviewer:

C

Chris McRae

oming of age films are not a new concept. Many a script has been penned focusing on teenagers navigating their way through the challenges of adolescence. There are those which can be littered with angsty cliches and predictable storylines.

Then there are those whose poignant moments drive the characters’ relateability and whose screenplay’s are intelligent, often humerous and sometimes heartbreakingly real. Acclaimed actress, writer and producer Greta Gerwig’s directorial debut Lady Bird, firmly falls into the latter category.

The dramedy is centred around seventeen year old Christine ‘Lady Bird’ McPherson who lives a somewhat dull existence in Sacramento, California. Her strained relationship with her overbearing, strong willed mother Marion (Laurie Metcalf) impacts her ability to live independently and paves the way for an identity crisis and sense of rebellion. She must balance her family struggles alongside the challenges

and selling electronic equipment of his own devising and invention with a wife and four children.

A man of integrity and bravery he mortgaged his home and business to a local businessman in order to raise the capital required for the venture. The 40 foot (12mtr) tri-hulled catamaran was a new design and largely unproven for this kind of sailing at the time.

He set off on the last permissible day, the 31st October, 1968.

The reports he made via radio showed initially slow progress through the Atlantic, then he picked up speed, shattering several sea speed records, round the Cape of Good Hope, across the Pacific Ocean, south of Australia, round Cape Horn and up the coast of South America back towards home.

of managing friendships, attraction and sex, all against the backdrop of what she sees as a lifeless city from which she wants to escape. Her supportive father Larry (Tracy Letts) acts as a relief from her mother’s exhaustive nature whilst her older brother Miguel (Jordan Rodrigues) and his girlfriend Shelly (Marielle Scott) prove more of a nuisance than supportive family members.

This gem of a film strikes the perfect balance between sharp, laugh out loud humour and poignant hearbreak, shifting effortlessly from one to the other. Gerwig’s screenplay is brilliantly sarcastic and intelligent and her attention to detail is stunning. The perfectly crafted screenplay is embodied by stunning performances from Golden Globe winners Saoirse Ronan and Laurie Metcalf. Three time Academy Award nominee Ronan is sensational as Lady Bird (a name that was gifted to her by her), who goes far beyond moody stares and angsty comments to create a thoroughly relateable teenage rebel.

A scene involving Lady Bird and best friend Julie (Tony Award winning Beanie Feldstein) lying on the floor of their Catholic school’s bathroom eating communion wafers directly from the jar whilst discussing the intricacies of sex is a perfect example of the razor sharp, irreverent humour the film does so well. Academy Award nominees Lucas Hedges (Manchester By The Sea) and Timothee Chalamet (Call Me By Your Name) are also excellent as Lady Bird’s love interests Danny and Kyle.

Just as strong in support is Laurie Metcalf as Lady Bird’s seemingly cold and unloving mother Marion. In a rather poignant moment between Mother and Daughter, Lady Bird asks her mother “I know you love me but do you like me”? It is moments like these where the film’s realism really strikes a chord. The love of a mother often reveals itself in ways which may come across as unsupportive or cold, but at its foundation lies a bond that can be stretched to its limit yet never broken.

At its heart, Lady Bird is a story about the unconditional love between a mother and daughter and the importance of home being more than a sense of place. Perfectly pitched between clever, often irreverent comedy and hearbreaking realism, Lady Bird is a masterpiece of coming of age filmmaking and explores what it means to ‘fly away home’.

Lady Bird has been nominated for five Academy Awards including Best Picture, Best Actress (Saoirse Ronan), Best Supporting Actress (Laurie Metcalf), Best Director (Greta Gerwig) and Best Original Screenplay (Greta Gerwig).

On the 10th July, 1969 his boat, the Teighnmouth Electron, was found empty and sailing under a mizzen sail with no trace of Donald. Close inspection of the papers on board showed that, in fact, he had not sailed around the world at all, but stayed in the Atlantic, reporting false positions and progress.

The papers, some 25,000 words, along with self-filmed footage and recordings, also showed his mental deterioration as he struggled between the likelihood of death if he went on, and the financial ruin for himself and his family if he turned back.

An honourable man forced by circumstances of his own making into dishonour he found the position agonising, which, combined with the loneliness and isolation for which he was not prepared, proved his undoing.

We do not know if he committed suicide or was swept off the boat by a freak wave. There was nothing on the boat to indicate what had happened, the logs of his true journey were laid out in plain sight and the only piece of equipment missing was a ship’s clock.

The Mercy, the story of Donald Crowhurst’s venture, directed by James Marsh (The Theory of Everything) and starring Colin Firth (The King’s Speech) and Rachel Weisz (The Constant Gardener) is not an easy film to watch, the direction, photography, script and acting are of such a high quality and the knowledge that this is a true story make it immensely real.

Concluded on page 44 ...

THE MERCY

A man of honour forced, by his own actions, into dishonour Reviewer: Douglas Sutherland-Bruce

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n 1968 a man, Donald Crowhurst, with little ocean sailing experience set off to sail around the world non-stop and single handed as part of the Sunday Times’ Golden Globe race for a five thousand pound prize.

A man who had been a pilot in the RAF, a local councillor, a member of the Liberal Party and a small businessman making 31

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COMMUNITY THEATRE THEATRE WITH GORDON

every single actor embraced and inhabited their character, giving the play their everything.

First time director, Caroline McDonnell has been very well admired for her acting skills at the Irish Theatre Club, and has been nominated for awards. Caroline has played madcap humour and tragic drama; and here she has competently managed to pass on her skills to the cast. A very good first directorship.

This play is one of Noel’s funniest for years, but sadly KADS had one of its poorest audience attendances. Everyone there really enjoyed themselves, with laugh out loud humour every couple of minutes, and some real depth performances.

Highly recommended.

Optimism is the faith that leads to achievement.

- Helen K eller KALAMUNDA HERE I COME alamunda, Here I Come is the latest hilarious offering from Cork born, WAAPA lecturer, Noel O’Neill. Award winning playwright Noel’s works are a guarantee of a fun night at the theatre.

This true to life, Three-Act play is being presented by the Kalamunda Dramatic Society, in the KADS Theatre, Town Square, Barber Street, Kalamunda. The 100-minute shows have curtain up at 8.00 pm nightly until Saturday 3rd March.

Scene: A working class home in Northside, Dublin about 1999.

The set: The combined kitchen, dining room and sitting room is painted cream, with a green dado frieze. The walls have a mix of photos of relatives and several religious. There is a solid set of oak chairs and table. Across the room is a three seater sofa. Noel O’Neill, Bill Weighell and Geoff Rumsey have produced a true to life home of the day. The lighting and sound were designed and operated by Mark Ramsey and John Spurling.

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Lulu (Eimear Baylor) is nurse, who has her own flat across the road from her parents. Standing on the stage apron she introduces us to her relations.

Her stubborn father who is always right, Daddy Paddy (Gerry Grogan) is a local bus driver; her wellloved granddad (Stanley O’Neill) sadly lives in the past. Her loving Mammy (Denice Byrne – moving performance) is highly religious, and spends half her day adoring the Pope, the other half she spends trying to encourage her lazy ‘runt of the litter’ son, Charlie (Ultan Keily) to find a job – a dreaded thought.

Into the room walks Davey (Connor Rice) who is a suave, hardworking lad with an eye for the women.

Another son, Billy (Brian O’Donovan) is focused on one thing only – becoming famous as a comedian – although at the moment, as he shows with his family audience try-outs, he is failing badly. Then there is poor pedantic Mikey (Nathan Holland) slightly dim, mixed with his young teenager’s hormones, a deadly mix.

Two of the children have announcements to make that will upset their parents.

If you are an immigrant from the British Isles, you will love this laugh a minute play. Every character has a richly written and very different personality. This play should become a training manual of how to build personalities into a play. Although there are different levels of acting skills (so the pace was slightly off), 33

THEATRE REVIEWS THE FRINGE IS BACK FOR 2018!

THE GHOSTS OF FREMANTLE Cutting edge sound engineering and filmmaking techniques Reviewer: Douglas Sutherland-Bruce PAUL ROBERT-HOUDIN is generally credited with the invention of Son et lumière in 1952 when he projected images onto an historic building with a musical accompaniment. Son et lumière means 'sound and light'.

It's a concept unusually adaptable and one used by the music and arts collective Genrefonix to great effect in their presentation of The Ghosts of Fremantle as part of the Perth World Fringe 2018.

The show encompasses some of the most cutting edge techniques and photo-videographical advancements in its making. For example, as the crowd streamed into the venue, drones were above filming them, which footage was incorporated into the show itself.

The live music was invigorating and modern and the narration was slightly over-shadowed by it, but the narration, while interesting and informative wasn't really essential. Just as a side note Joseph 'Moondyne Joe' Bolitho Johns was born in Cornwall in 1826 and would have spoken with a marked Cornish accent rather than an Australian one.

And I'm not sure the short satire on The Real Housewives of Armadale was entirely effective, but the music was wonderful, the filming imaginative and novel, the whole concept convenience and gratification. This is illustrated with film clips. enlightening and impressive.

In Fritz Lang’s 1927 film Metropolis, the male scientist Rotwang Recommended. creates a robot in the form of the heroine Maria. And so on: to the present day and the female voice of Apple’s Siri. (Actually Siri is neither a robot nor a fembot - but that is not relevant here.)

Therefore men - if you go to see this show - be prepared to be seen as the enemy. There may be attempts to make you squirm in your seat.

Actually, most of the robots in the world are not in human shape. Industrial robots (the sort you see on car production lines) are mostly dumb, mobile tools. They have straight lines and hard surfaces and hydraulic pistons. The innuendo is deliberate. If they are anything, they are male in character.

But they are not the robots of this piece. Here we have the androids of the arts. From science fiction to domestic helpers to the life-size dolls you purchase from sex shops. They have curves and are squishy and very feminine.

This is a fifty minute, one-woman show built around a number of segments. Michelle Aitken is a recent graduate in contemporary dance from WAAPA and she shares the stage with a Roomba as she presents a number of examples of robots in the

FUTURE’S EVE Bring on the Fembots Reviewer: James Forte THIS IS THE Perth Fringe World Festival. That is to say Future’s Eve is wild, young, experimental, kinky. As a straight white guy - past the age of retirement - I am probably not the best person to be writing about this type of in-your-face theatre.

It has a heavy feminist slant - I can applaud that - and it takes aim at the way men are guilty of modeling objects, such as robots, on the female form. Most particularly for their 34

home (including cooking breakfast for the audience).

She has devised this show to challenge the stereotypes and illustrate the similarities between past science fiction and future artificial intelligence.

This piece of theatre adds to the debate on the morality of giving machines female characteristics. Michelle Aitken remember the name - we are going to be hearing a great deal more from her.

Future’s Eve is definitely unconventional. It opened at Paper Mountain, a small performance space on William Street, on the 21st January for four nights and was given extra slots at The Blue Room Studio theatre on 21st and 22nd February.

I should think that further seasons in larger theatres are likely and Michelle has expressed the hope to take it on tour.

Recommended.

JESSIE GORTDON IS RUINING YOUR NIGHT Tortuous, satisfying, heartbreaking jazz and blues songs Reviewer: Douglas Sutherland-Bruce THE ELLINGTON JAZZ Club is the perfect venue for Swing and Jazz. Cosy, intimate and redolent of good food, much booze and truly great music.

you and she are alone in a world of glorious sound and nostalgia.

Just as the great Duke Ellington refused to be categorised as a ‘Jazz Musician’, preferring ‘American music’, so Jessie is far more than simply a Jazz singer - Swing, Blues, all are her meat and drink, bringing her unique phrasing and timing as well as her gorgeous voice to standards such as Lullaby of Birdland, Padam, Padam and more.

Jessie Gordon is Ruining Your Night was everything one would hope it to be. By turns she made us laugh, listen enraptured and turn one’s heart over with pathos and thoughts of times past.

It doesn’t hurt that she’s tall, beautiful and statuesque, but most of all - outrageously talented.

Very, Very Highly Recommended Indeed.

Founded in 2009 by the much-missed Jazz musician and lecturer, Dr Graham Wood, in its first year of operation it hosted 520 shows, featuring more than 2,500 musicians.

Since then, it has played host to thousands more and been an indispensable part of the Perth Fringe World since its inception. It is also a second home to Perth-born singer Jessie Gordon.

Jessie is no stranger to Fringe, having won eight music awards at previous Fringes (breaking news - she won this year’s ‘Music and Musicals Award’ too, presented by Nova 93.7)

Her show that I saw, of the several she’s in this Fringe, is the rather oddly named Is Ruining Your Night - so called, apparently because she relates a couple of illuminating, but troubling incidents as well as singing the music for which she is so well known.

Far from ruining my night, she absolutely made it with her rich, amazingly fitting voice and bubbly, delightful stage persona. Which is almost indistinguishable from her normal self, only more made up and in sparkly, sparkly dresses.

She is a consummate performer with the trick of imparting intimacy. In a crowded club, she sings just for you and

DROWNING The mental state of one’s mind amidst grieving as art Reviewer: Douglas Sutherland-Bruce MARIJKE LOOSJES IS a West Australian born artist. She works in the ephemeral area of performance art as well as the more corporeal ones of photography and sculpture.

Since graduation from Curtin University with a Bachelor of Arts in Fine Arts in 2011, she has mounted a number of exhibitions and performances both here and in Europe.

Her significant contribution to the Perth Fringe World Festival is the performance of her piece Drowning.

Loosjes is a striking figure, tall, slender and elegant with much of the natural lean grace of an Afghan Hound in movement - a miracle of controlled passion. Her face is that of a Renaissance Madonna, calm and beautiful. She looks like Dame Edith Sitwell painted by Modigliani, other-worldly and omniscient.

The wordless performance consists of the four stages of grief as understood by Loosjes - acceptance, pain, adjustment and connection. Different to those postulated by Elizabeth KublerRoss, but no less valid.

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first trip to Europe. The writer (a Curtin graduate) and director, Lucy Clements (WAAPA) are West Aussies now based in Sydney.

The play is a one-act written to be part of a two-play evening at the Old Fitz theatre in Woolloomooloo. It premiered there in May last year. According to the notes, a number of other Perth-ites in Sydney have worked on the script and this is its third incarnation.

My guess would be a steady lengthening to about fiftyfive minutes so that it can stand alone on a programme. Unlike many other Fringe plays, it is important enough to have the luxury and space of the Studio Underground.

Dame Edith Sitwell, Marike Loosjes (Photograph by Aaron McPolin), portrait of Jeanne Hebuterne by Amadeo Modigliani

Accompanied by music Ms Loosjes strips herself metaphorically and literally naked, allowing us to look into her soul as with minimal props she vividly and movingly embodies the emotions and facets of loss.

The forty-five minutes of the show held the audience at Paper Mountain’s Common Room absolutely spell-bound. Not a cough, not a shuffle of a foot, just rapt silence.

A young artist that will repay watching, Loosjes has a great future ahead of her.

Very Highly Recommended Indeed.

THE WIND IN THE UNDERGROUND Return of the Misfit Reviewer: James Forte THERE IS A genre of theatre and cinema based on the fragmented (usually dysfunctional) family being brought together by some event (typically the death of the mother or father) and sitting around dragging out the secrets that each has long buried.

Perhaps ‘genre’ is too strong a word. Concept? Trope?

Theme? Meme? August: Osage County (which won Tracy Letts a Pulitzer Prize in 2008) is a well-known example. I remember thinking that this was a great source of plots for future dramas.

The new young playwright, Sam O’Sullivan, has taken this idea and shifted the emphasis slightly to produce an interesting variation on the theme. The fragmented family consists of four siblings and the task is not so much to bury a parent as to redecorate and then pack-up the great old house where they grew up.

The conversations centre on the secrets of their relationships, as revealed in the games they used to play. And the shift in emphasis is on the Australian coming of age ritual of the 36

Its strength is the excellent ensemble acting of the four-members of the original cast. Timing and mutual support is immaculate as they jumped seamlessly from the present day to their childhood games. And for me, it was wonderful to see Whitney Richards back at the State Theatre Centre.

The title comes from the stories related by Simon – the misfit who left home – to Claire. In the London Underground, the arrival of a train is preceded by the wind of air pushed along through the tunnel. A revelation for the traveller, mundane to the locals. For Simon a metaphor for being pushed along through life.

The set is minimalist. A garden table and chairs with a scattering of cardboard boxes. Sound and lighting competently complement the action.

The Wind in the Underground has a youthful exuberance. In the range of Fringe Festival events (all the way from the experimental and virtually unwatchable to the sublime) this is reliable theatre which will capture your interest and attention.

ENTERTAINMENTS THE FRINGE 2018 AWARDS

P

erth’s popular Fringe Festival had a final 2018 celebration with the Fringe World Awards ceremony at The Edith Spiegeltent.

The third largest Fringe in the world, Fringe World is a broad community celebration of more than 750 events from international and local artists performing at almost 130 venues across the city.

The 2018 Festival sold more than 360,000 tickets and generated box office sales of almost $10 million. Total ticketed and non-ticketed attendance was more than 800,000 with audiences devouring cultural and entertainment offerings throughout the 31 day festival.

Amber Hasler, Fringe World Festival Director said that the Festival was pleased with the growth in attendance from families with young children, proving that you’re never too young to enjoy the Fringe!

“Our hubs in Northbridge including The Pleasure Garden and Fringe Central at The Perth Cultural Centre have been warm and welcoming spaces for people of all ages and we foresee that our family programming will continue to grow in the years to come,” Ms Hasler said.

Festival highlights included the cabaret program at His Majesty’s Theatre, Leedypalooza in Leederville, The Pickled Swan in Midland and the City of Perth Fringe World Buskers Weekender.

The Fringe brought new and surprising offerings in 2018, including The Showman’s Fair at the Urban Orchard, which was unlike anything seen in Perth before. The wild Dutch mini-festival thrilled audiences with live music, mini-shows and a long table dining experience that will be talked about for years to come.

Fringe World is the platform for talented local artists and performers - our Homegrown Heroes - to showcase their wares to Western Australia audiences and 61% of the more than 3,700 artists participating in 2018 were Western Australian.

The Festival Awards round out what has been an incredible program of events. Fringe proudly presents the most generous Awards of any Fringe festival in the world.

Fringe World Awards are given to the best shows in each genre category, plus there are a bunch of special awards, with winners receiving cash, development support and direct touring opportunities.

The Martin Sims Award is the top prize of the Festival, recognising the best new Western Australian work that is destined to succeed on the world’s stage.

The 2018 Festival Martin Sims Award went to What Doesn’t Kill You (Blah Blah) Stronger, which will receive $10,000 and touring opportunities to other Fringe Festivals through the World Fringe Alliance.

The wickedly funny new cabaret What Doesn’t Kill You (Blah Blah) Stronger features bizarre and extraordinary tales of survival from all over the world and is presented by Holland St Productions, creators of 2014 Martin Sims Award Winner, Point & Shoot.

The full list of award winners for 2018 is as follows;

Circus Award

Briefs: Close Encounters

WA Winner: Lunar Circus presents The Circus Cabaret Comedy Award

Super Woman Money Program

WA Winner: Luke Bolland - Name Dropper Dance & Physical Theatre Award

The Honeymoon Suite Film & Multimedia Award

12 Films Heart Free & Community Award

Leedypalooza - Dancin' in the Street Music & Musicals Award

Jessie Gordon is Ruining Your Night Theatre Award

Winner (joint): Anyman Artifice with Stuart Lightbody Visual Arts Award Making Place Street Performance & Buskers Award

Head First Acrobats The West Australian Arts Editor Award

A Simple Space

WA Winner: What Doesn't Kill you (Blah Blah) Stronger ECU Performing Arts Award

WA Youth Theatre Company for yourseven WA Emerging Artist Award

WA Youth Theatre Company for yourseven Spirit of the Fringe Award

Winner (joint): Intra Herena Mr Ivan King Independent Program Award

Summer Nights Independent Venue Award

The Blue Room Theatre Melbourne Fringe Tour Ready Award

Future’s Eve Adelaide Fringe Tour Ready Award

The Cockburn Incident Sydney Fringe Tour Ready Award

How to Period Like a Unicorn

Martin Sims Award

What Doesn't Kill You (Blah Blah) Stronger The Blaz Award (Presented to the best writing for performance by a WA writer. The Award honours Perth playwright George Blazevich who passed away in 2016.)

Matt Penny’s Find the Lady Cabaret Award

Betty Grumble LOVE ANGER (or Sex Clown Saves the World AGAIN!)

WA Winner: Backdoor Cabaret Children’s Award

Children are Stinky

WA Winner: Mr. Ricochet's Family Circus Show

Erin Hutchinson and Tyler Jacob Jones in What Doesn’t Kill You (Blah Blah) Stronger 37

FINANCE SHOULD YOU FEAR RUNNING OUT OF MONEY IN RETIREMENT? STEVE BLIZARD

S

urprising new research reveals that many Australian retirees fear running out of money, with the majority spending less than the Government Age Pension.

The unexpected finding, which is also affected by age and location, was revealed in Milliman’s latest Retirement Expectations and Spending Profiles (ESP) analysis of 300,000plus retirees’ real-world annual expenditure.

Released in February, the Milliman report highlights the essential conservatism of Australian retirees when it comes to spending their retirement savings, pointing to the need for greater understanding about why retirees are so fearful and what can be done about it.

without a deeper understanding of the motivations driving retiree behaviour. It suggested that superannuation funds should be seeking to obtain more information from members about what may be the reason for their fears.

Are older retirees more prone to frugality given their experience of multiple recessions compared to younger generations?

While the Australian economy has suffered several slowdowns in recent decades, the last technical recession occurred in the early 1990s.

Many of today’s retirees entered the workforce during the 1970s, a period when the economy suffered four recessions in a decade.

Has the experience of these many booms and busts made some retirees more cautious now that they are no longer in the workforce?

SCRAPING BY

The report shows that Australians aged 65 to 69 spend a median of just $31,068 (from all sources including super, nonsuper savings and government benefits) annually.

To fund this expenditure with 75 percent certainty would require a superannuation balance of about $130,000 invested in a balanced fund.

This also includes the substantial contribution of the age pension (set at a maximum of $20,745 a year), which funds a substantial portion of retirement income.

This isn’t to say that $130,000 should be a goal – it shows that even small differences in savings can have a hugely positive impact on members’ actual retirement lifestyles.

IS THE DESIRE TO LEAVE A BEQUEST TO ADULT CHILDREN STRONGER THAN ASSUMED?

The family home has become a significant source of wealth for many older Australians as East Coast residential property prices have soared over recent years.

However, few retirees resort to using this wealth to fund their retirement, with reverse mortgages remaining an unpopular option.

Most retirees want to ‘age in place’, viewing their home as another safety net if required to potentially pay for an aged care bond or other unexpected events, and plan to leave their tax-free home to their adult children.

But does this strategy leave significant housing equity locked-up that could be used to help fund retirement needs instead?

Government policies, such as excluding the family home from the Age Pension assets test and state-imposed stamp duties on property transactions, create perverse incentives for retirees to hold on to their home.

ARE RETIREES ATTEMPTING TO SELF-INSURE AGAINST LONGEVITY RISK?

Rarely does a week go by when there isn’t a negative media report about Government running out of money to pay future pensions, which reinforces these fears in retirees.

The Milliman report said that running out of retirement savings represented a key concern for many people given that a 60-year-old male was now expected to live for a further 26.4 years and a 60-year-old woman for 29.1 years, according to the Government’s 2015 Intergenerational Report.

The report said this concern may be a driver for the substantial proportion of retirees with account-based pensions who draw down the minimum legislated annual amount.

However, the Age Pension, which can be viewed as a government-backed perpetual lifetime annuity, indexed to inflation, is traditionally viewed as a safety net rather than a discretionary income source for savings.

The report’s analysis said its findings suggested that mandatory and voluntary measures to boost superannuation might not be enough to produce improved retirement lifestyles

CHALLENGING YOUR BELIEFS

However, preparing for retirement can be an opportunity to re-examine our beliefs, worries and concerns about money.

During my thirty years of practice as an investment adviser, it has become evident from client interviews that the fear of running out of money is often implanted and programmed into our thinking early in life.

While it is great mystery how our feelings about money plays out in our psyche, having the courage to process and challenge these beliefs can open up a new life of financial freedom.

DIFFERENT COPING METHODS

There are very different ways of managing fear of running out of money.

When a child is raised in a home where money was always scarce, sometimes due to parents who struggled with gambling or alcoholism, it is possible to experience going hungry at a young age or feel inadequate for not having new clothes or toys.

So, it is logical that when such a child reaches adulthood, they could be more likely to obsess about running out of money and keep saving, no matter what, as a sense of security. Concluded on the next page ...

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BUSINESS - NETWORKING SHAKE IT OFF! SHARRON ATTWOOD

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ow’s your handshake? Have you ever thought about it? I bet you are thinking about it now? What makes for a good handshake and does yours measure up?

When you head out to business event you’ll run through the checklist- business cards, appropriately dressed, elevator pitch – check, check, check! But then you go to shake hands, an accepted social convention that we give little thought to – delivering it on auto pilot.

Yet it’s that one chance to impress on a conscious and subconscious level.

Why shake hands anyway? How and when did this come about? Why not a high five or fist bump?

As most theories go, around the 5th Century BC, in Greece, the handshake originated as a symbol of peace. The idea was to show that neither person was carrying a weapon.

It is further mooted that the shaking gesture started in Medieval Europe where knights would shake the hand of another in an attempt to shake loose hidden weapons.

In modern times we have continued the tradition – making it less about weapons and more about hidden intentions perhaps?

Many cultural sensitivities need to be considered when shaking hands – especially in business where we may not know the person quite well enough recover from a faux passé.

One such example is that it is considered rude and disrespectful to use one’s left hand – as in many cultures this is the hand reserved for personal hygiene.

It is also considered rude to have your left hand in your pocket or fully clenched when shaking with the right – as you may be concealing weapons – and in present day it’s seen as lack of intent or focus. It’s just too casual in a business setting.

Some cultures bypass the handshake all together – but it has become quite widely accepted. For business purposes I’d suggest researching the sensitivities particular to any cultural groups you regularly encounter.

I am often asked about the etiquette of a man shaking the hand of a women. Traditionally, a man should wait for a woman

to extend her hand before extending his. So, the woman decides what is appropriate in this instance. Great general advice really.

It has also been the rule that the initiator of the handshake should be whomever is seen to be superior. So the interviewer, the manager, the father-in-law and as previously mentioned, women.

Eye contact must also be made at the time of, and during, the handshake. Not in some sort of creepy, deranged lunatic way – but just enough to be engaging and to connect.

You should also offer some form of greeting – “nice to meet you” and use their name.

It’s a way to connect and can also assist in remembering their name.

Keep your hand dry! No one likes a moist handshake.

Similarly, the look of someone having to wipe their hand down their leg to dry it off as they walk towards you can be quite off putting. In an event setting it’s not just a sweaty palm to consider. Hold your drink in your left hand and be mindful of eating with the right.

I’m often asked about length – and we seem to worry about a handshake being too long rather than too brief. So – research tells me two to five seconds is optimum. Someone in authority or a tad ‘famous’ may prefer and expect a shorter shake.

Longer handshakes are a bit warmer and more familiar – so use them accordingly. I think we’ve all experienced that person who just won’t let go – leaning out for a handshake and then pulling us in – as if we have been captured! Politely and calmly withdraw your hand – get free!

Remember too that the shaking action is no more than three up and down movements. You are not sawing a log or preparing to arm wrestle.

There is no winner when it comes to shaking hands – no need to assert dominance. But there is history and social conventions that make it an effective greeting in many cultures.

So I’ll ask again – How’s your handshake?

Concluded from the previous page ...

But another method of managing the fear of running out of money is less obvious.

Other individuals work out ways of making large amounts of money, or using savings as investment capital, in order to make more money.

However, in order to make more money, these people can often be reckless, taking unduly high levels of capital risk in order to meet their financial needs.

But both individuals, while markedly different, are still controlled by the fear of running out of money.

No matter how much in savings is held, it will seem as if it’s never enough.

Courtesy of Roxburgh Securities Coming up: In a future article I will investigate ways of financially surviving retirement.

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SWAN VALLEY AND REGIONAL NETWORK

T

NATIONAL POLOCROSSE CHAMPIONSHIP

he State Government, through Tourism Western Australia, will sponsor the 2018 Swan Valley National Polocrosse Championships, which are expected to attract more than 1,500 visitors to Perth.

A combination of polo and lacrosse, polocrosse was developed in Australia in 1938.

It now features more than 4,000 players nationally and has extended to countries such as New Zealand, the United States of America, Canada, South Africa, the United Kingdom and Ireland.

The national championships are held every two years on a rotational basis around seven Australian States and Territories.

The 2018 event, celebrating its 50th golden jubilee, will mark the fourth time Western Australia has hosted the championships since 1980.

More than 570 players and strapper’s will participate in the championships across seven days, in categories ranging

from under-12 juniors to masters.

The 2018 Swan Valley National Polocrosse Championships will be held from October 1-7 at the Perth polocrosse grounds within the State Equestrian Centre at Brigadoon in the Swan Valley.

Comments attributed to Tourism Minister Paul Papalia:

"We look forward to hosting visitors from across the country, in Perth for the championships, to showcase the significant changes that have happened since the event was last held here in 2008.

"Mass participation events such as this attract visitors to the State, which helps to fill hotel rooms, creates jobs and makes a contribution to the $10.1 billion tourism industry through visitor spend.

"I would like to wish all players the best of luck when they compete in the championships this year, and encourage everyone to explore our extraordinary city and State."

SPECIAL MEETING ELECTORS REGARDING MIDLAND OVAL

R

esidents are ramping up efforts to save 2.7 hectares of green open space in the proposed Midland Oval redevelopment with a special meeting of electors called for Tuesday, March 13 at 5.30pm – and all Swan residents are invited to attend.

Residents are calling for the oval to be a central park and 144 signatures were lodged by residents asking for more public consultation before the Midland Oval Masterplan (MORM) is finalised and works start.

The call for more and better consultation follows acknowledgement by the council last month that the Midland community did not consider their suggestions during the public consulation period were listened to and acted on.

Residents are also questioning the details of the spend, which to date is over $32 million – and the tab’s still running...

Midland District Community Group (MDCG) spokesman Patrick Irwin said all the community wanted to do was to work with the city and get a better plan on the table.

40

He said public consultation on the oval had restrictions and those restrictions limited the community’s input.

“The community was gagged,” he said. “Our rates are being used to fund an expensive propaganda campaign against our own asset; against our Midland Oval.”

The "one-way only" so-called “consultation" at our cost, is used as an excuse to ignore the community, despite the hundreds of ratepayers voices raised at public meetings and thousands of signatures on petitions over the last twenty-five years, all saying consistently: Save Midland Oval.”

Mr Irwin said the community continues to urge councillors to reconsider the oval’s redevelopment design in the light of consistent community and business feedback asking to keep the green open space at the Midland Oval.

“The design covers eleven hectares and our vision is to include a Midland Central Park comprising at least 2.7 hectares of green open space with no thoroughfare road through it.”

A

SWAN VALLEY AND REGIONAL NETWORK W A TOURISM BUSINESSES WIN GOLD

record number of Western Australian tourism businesses have won gold in national awards, eight WA tourism businesses each took a gold medal at the Qantas Australian Tourism Awards which is the highest number of WA winners on record.

Out of the twenty-five national categories, eight gold medals were awarded to WA businesses for showcasing excellence in the tourism industry. In addition, four WA businesses took home silver medals and two were awarded bronze medals.

The awards, which have been operating for more than thirty years, recognise and celebrate Australia’s best tourism businesses that have demonstrated a commitment to excellence.

Western Australian gold medal winners included:

· Fremantle Prison (Cultural Tourism);

· Swan Valley Visitor Centre (Visitor Information Services);

· Horizontal Falls Seaplane Adventures (Adventure Tourism);

· Australia’s North West (Destination Marketing);

· Sandalford Wines (Tourism Wineries, Distilleries & Breweries);

· Horizontal Falls Seaplane Adventures - Horizontal Hotel (Unique Accommodation);

· Beach House at Bayside (Hosted Accommodation); and

· Swan River Seaplanes (New Tourism Business).

The Swan Valley Visitor Centre is no stranger to awards, having received several over the past few years. They are your pitstop for visitors to the Swan Valley and their friendly staff will help you get the most out of your Swan Valley sojourn.

They’ve been voted the best visitor centre in the state and top two nationally, and they like to think that has something to do with our wide knowledge and helpful hints.

They know the Swan Valley inside and out and back to front, and can tell you all the hidden nooks and crannies, the award winners, the family friendly, the romantic spots, the natural wonders and the many interactive experiences on offer.

They’re open Monday to Sunday all year round, from 9am to 4pm (closed Christmas Day).

Sandalford Wines say the best in quality, service and customer satisfaction has taken them to the pinnacle of the Australian tourism industry with the Swan Valley winery winning Gold in the category of Tourism Wineries, Distilleries & Breweries at the 2017 Australian Tourism Awards.

Chief executive officer Grant Brinklow said the accolade was all the sweeter as the milestone achievement had long been coveted.

“To all of us, it represents the realisation of Peter, Debra and Garry Prendiville’s vision that Sandalford would become the very best at what we do. While we have been a Gold winner in this category at state level on ten occasions previously, this was the first time we have been awarded the national prize.

“We are feeling ecstatic; having won Bronze and Silver at these awards the past two years to now be taking the Gold trophy back to our winery is simply fantastic.”

Mr Brinklow said the company loved being a part of Australia’s tourism industry and were very proud of Sandalford’s history and heritage.

41

A LOVE STORY In one way, SAFE is a matchmaking organisation. When a dog or cat is adopted we try our best to ensure the match will work, with both parties (human and four-legged) compatible and ready for living with each other’s quirks. With all the different human and animal personalities in play, we’re very proud when we make a good match like Rockie and Don.

Rockie was known in town as the wildest dog in the west. A cattle dog cross with loads of energy from a troubled background, this six-monthold was definitely a handful. He was in need of foster care with someone who had time to train his excitable nature.

One day, when options were running low, Don Justin wandered into the SAFE office interested in fostering a dog. After a short interview, it was agreed Don would foster Rockie for a trial period.

The next week was filled with shredded doonas, scavenged garbage bins and chewed tabled legs. To top it off, one night Don came home to find Rockie sitting on top of a two-metre high fridge, too scared to jump down and no one entirely sure how he had actually got up there.

Naturally, SAFE offered to compensate Don for the damage. They also offered to take Rockie back, but Don likes a challenge and wasn’t ready to give up yet! He could see something special in Rockie. SAFE had put this dog in the right hands.

With a lot of patient training Rockie is now a transformed dog. He sits, stays, walks well on a lead, always comes when

called and just loves his Pilbara beach walks. He was recently permanently adopted - by Don! ‘When it came to the crunch I couldn’t let him go. We’ve been through a lot and I sometimes can’t believe how far he’s come. I didn’t think we’d even last the first week together.”

The story doesn’t end there. So great was our matchmaking, that the sparks flew between our SAFE photographer Helen and Don at Rockie’s photo shoot! It developed into a love match and Helen is now also a part of Rockie’s new life. Helen’s great knowledge of dogs and dog training is an added bonus in this love nest! Rockie went from being a troubled puppy looking for a permanent home to a happy dog with an adopted dad, mum and doggie brother Barra, also a SAFE adoptee.

SAFE INC. AT A GLANCE Rockie’s story is one of many SAFE SAFE is WA’s largest volunteer-based animal rescue and rehoming service using the success stories. Foster care is just the foster care model. Our goal is to save homeless pets from unnecessary euthanasia by start of our SAFE animals’ new journey in life and there are many amazing fostering, desexing and rehoming them.

We are a not for profit organisation administered by a skilled board of directors, stories to tell. meeting high standards in the charity sector. SAFE Inc. is a proud member of Animal WANTED – FOSTER CARERS Welfare League of Australia.

Becoming a foster carer is a great way SAFE began in the Pilbara in 2003 and has grown to a network of 12 branches around to help an animal in need by opening the state, with an average of over 300 companion animals in care each month.

With more than 14,000 cats and dogs desexed and rehomed since our inception, we your home to a cat, rabbit or a dog on a temporary basis. It is a very fulfilling are making a difference! experience to be involved in enabling

Click on the link ~ an animal who had little hope for the Join our team of volunteers: safe.asn.au/volunteering.html future to be placed in a permanent Be a financial supporter: safe.asn.au/Donate.html loving home.

Look at our animals available for adoption: safe.asn.au/Pets_available Concluded on page 44 ...

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COMMUNITY Compassionate Friends of Western TwhoheAustralia strives to support families have lost a child, regardless of that

child’s age throughout WA. We are a non-profit, non-government funded charity that provide peer call support, group meetings, a drop in centre, sending out quarterly newsletters, Anniversary Cards, we hold Walk of remembrance and a candlelight service (non-religious) at Christmas.

We are run by volunteers and bereaved parents that are further along in their grief and wish to help others who have suffered this tragedy.

Although everybody’s grief is different it helps to talk to someone who has actually had this tragedy happen to them.

They WON”T say “I know how you feel” as no one can, but they will say “I don’t know exactly what you are feeling but this is how I felt when my child died”.

We raise funds by holding events, charity drives and donation from our members and outside bodies.

Although this is fantastic, we still struggle with the cost of keeping our doors open so any suggestion on fundraising or donations are gratefully accepted.

WALK OF REMEMBRANCE HELD IN MARCH EACH YEAR Events like these above give the bereaved some hope of a life after the death of their child. They connect with others that have been through the same tragic experience.

In doing so its helps them to feel that they are not alone in their grief, that there is a worldwide connection to other suffering the same.

VOLUNTEERS NEEDED We are always looking for volunteers to help man Sausage Sizzles, Charity Shopping Centre Drives and other events along with peer support volunteers (bereaved parents) for telephone support and group meeting facilitation.

send our booklets and other information to the newly bereaved, community groups, doctors surgeries and hospital throughout Western Australia.

They help us cover advertising cost in newspapers throughout Western Australia, pay for our office and utilities allowing us to have Peer Support Workers come in and contact to bereaved that wish to have contact.

The Compassionate Friends of WA Inc. DONATIONS Donations allow us to receives no Government funding in any purchase stamps so we can way.

43

Concluded from page16 ...

Concluded from page 12...

Whilst there are a number of very responsible operators, who value their relationship with their communities and take approvals compliance seriously, I am increasingly concerned that inadequate approvals and monitoring processes allow irresponsible operators to have a significant and adverse impact on surrounding communities and the environment.

I am excited that a review of Planning in Western Australia is underway, as announced by the Hon. Rita Saffioti MLA, Minister for Planning on 16 November 2017.

The Review will examine a number of key areas including fully recognising the need for community participation and responding to community concerns about the transparency and accountability for Development Assessment Panels.

A Green Paper will be released in March 2018 to assist with public consultation and further details will be available on www. planning.wa.gov.au/Planning-reform.aspx

Comments and submissions will inform a White Paper which will include the Government’s proposals for Planning Reform. Further comment from the community will be sought on these proposals before their finalisation and implementation.

I strongly encourage the community of Swan Hills to have your say on this important issue!

A rich history and plenty of tourism hotspots complete with Hersheypark and plenty of chocolate related attractions thanks to the Hershey Company make the town a warm and inviting place to live and visit.

From a hockey perspective, the Bears are one of the oldest and most historic organisations in the American Hockey League.

2018 marks their 80th year, having been established as the Hershey Hockey Club in 1938 by Milton S. Hershey.

Since then, the Bears have experienced great success with eleven Calder Cups (the most recent in 2009-10) and twentythree Conference Championships (most recently in 2015-16).

The presence of Hersheypark has also allowed the Bears to participate in Outdoor games. Only last month the Bears and a historic alumni team took to the outdoor ice at Hersheypark Stadium for the 2018 Outdoor Classic against the Lehigh Valley Phantoms.

The local community have embraced the first Australian in the AHL during his time in Hershey. “The fans have really embraced that side of it” he said. Walker has played a total of 217 games for the Bears since 2013 and has become a fan favourite in Chocolatetown. “It’s a great hockey community here and the fans are great” he continued. As for the chocolate? “My favourite would have to be Reeces Pieces” he concluded.

Walker’s story and success has and will continue to pave the way for many young hockey players from Australia to follow their dreams of following a professional hockey career.

“First and foremost you need to be working hard in whatever you’re doing” he said. “I think if you have a dream and want to pursue it then it needs to be all hands on deck and go out and do it” he concluded.

Concluded from page 42 ...

Foster care enables our animals to learn good house manners, interact with other people and other animals and generally build skills to make their transition into permanent homes a smooth one. And all the while, they feel loved and SAFE. It allows them to relax so we can see their true personalities and make great matches for them and their adopters.

Your time as a foster carer with us can range from a short to long-term foster care or even just on one occasion - your choice.

You will have ongoing support from SAFE whilst you have an animal in your care. Examples of the support we provide are behavioural advice if needed, supply of food and kitty litter, and payment of authorised vet visits. And if a placement isn’t working out, we’ll find another foster home for the animal.

Your opinions about the placement process for your foster pet will be strongly considered.

Our animals are all vaccinated, desexed when old enough and microchipped.

Would you like to join us in saving lives by sharing your home with one or more of our foster cats, kittens, rabbits or dogs?

Call our Perth branch, SAFE Metro on 0475 346 545.

Concluded from page 23...

One focusing on the needs of current and emerging writers who will ultimately feed back into the Readers Week. Hopefully someone, perhaps one of the enthusiastic local writing centres, will take up the challenge to fill this space.

In the meantime, I thank and congratulate the organisers for attracting an interesting group of authors to Perth, for kicking some goals (e.g. the amphitheatre), for completing what must have been a daunting task and setting in motion a rebirth. I also thank all those patrons who stopped for a chat.

I look forward to seeing how the event grows and trust this collection of comments from patrons provides some assistance.

Concluded from page 31 ...

Such is the skill of the film-makers that one is in the yacht with Donald Crowhurst with the eerie sounds, the impossibly huge waves, the brilliant sunshine and the empty, empty sea. A scene in which he has to climb to the top of the main mast to attempt a repair is entirely terrifying in its reality. The subject of his death (his body was never recovered) is treated as the enigma it is, with suggestions and hints. But the real question arising from the film is why do men, and it’s usually men, put themselves and their loved ones into these predicaments from which there is no possible outcome with honour.

It is a situation often reflected in life - seldom so dramatic as a solo round the world sailing race, but many people set out on ventures, staking all on an outcome, risky at best.

The Mercy is an amazing film, vivid, thought-provoking and flawlessly created. it is. however, not light entertainment.

Nevertheless, I urge you to see it.

The Mercy opens at both the Cinema Paradiso in Northbridge and the Windsor Cinema in Nedlands on the 8th March.

Very Highly Recommended Indeed.

44

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