Swan Magazine May 2018 by Douglas Sutherland-Bruce

IN THIS ISSUE PAGE

FEATURES Books and Writing

May at KSP PCWC Patron’s Prize Reviews & Just Out The Idler The Ute

3 4 4 47 23

Business Card Board Finance with Steve Networking

43 50 51

Business

Community

Front Page Photograph: Still from the film: Half-Safe, showing old Guilfordian Ben Carlin in Paris in 1955. (See story on page 7)

PAGE

Aged Care Reforms 31 Alicia First Runner-Up 21 CoS Grants 37 Ellen Brook Angling 19 Federal Notes 20 Lili-Mae Triumphs 30 Midland Oval Re-Development 31 Notes from Parliament 19 SAFE 54 Standing Up for Swan Hills 18 St John of God Turns 120 45 SVRN 38 New Chamber of Commerce 52 Swan Valley Future 52 Bulk Verge Collection Finished53

Rural Property Revegetation 53 The Compassionate Friends 55 What’s On 22 Food

A Taste of the 2018 World Cup 16 Douglas Wineries & Dineries 14 Help Save Slate Cafe 17 Penny Garden 12 Sweet Temptations Tour 15 The Original Grumpman Sauce 17 Entertainment 100 Lunches at Garrick 32 Act belong Commit Toodyay Fibre Festival 35 Art and Artists 44 Adventure Travel Film Festival 7 Film Reviews 38 Theatre with Gordon 48 The Gondoliers - review 33 TV with Chris 46 Leisure

House and Garden Alternative to Grass

56 56

DISCLAIMER The information in this publication is of a general nature. The articles contained herein are not intended to provide a complete discussion on each subject and or issues canvassed. Swan Magazine does not accept any liability for any statements or any opinion, or for any errors or omissions contained herein.

Annie’s Vintage Wonderland Your One Stop Vintage Prop & Decor Shop 0430 456 586

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SWAN MAGAZINE WEBSITE:

www.swanmagazine.com.au

Email: editor@swanmagazine.com.au Registered Address: 18 Tokay Lane, The Vines, Western Australia 6069 JUNE DEADLINES: Advertisements: 1st June Editorial: 1st June Copyright: Swan Magazine 2018 2

BOOKS MAY AT KSP WRITER’S CENTRE SHANNON COYLE

A-MAY-zing Events at the KSP Writers’ Centre

hese are the events and workshops being run at the Katherine Suzanna Pritchard Writer’s Centre.

Retro 80s Literary Dinner Tuesday 15 May, 6:00pm-9:30pm Get your biggest perm and bluest eyeshadow on and join us for a special 80s themed literary dinner. Enjoy the best of the 80s while sipping white wine spritzers on the verandah, followed by three traditionally retro courses and readings from KSP Established Writer-in-Residence Kaaron Warren, whose most recent novel, The Grief Hole, won a Canberra Critic’s Circle Award for Fiction, a Ditmar Award, the Australian Shadows Award and the Aurealis Award. BYO drinks. Dietary requirements catered for with notice. Cost: Tickets from $35. Workshop: So You Want to … Find the Story Saturday 19 May, 1:00-4:00pm Every object tells a story. Some we know, such as the family heirlooms, or the items we’ve bought or received ourselves. Others we can imagine. In this workshop with award-winning author Kaaron Warren, we’ll look at a series of objects found and photographed in our streets, or collected from home or op shop, with the intention of developing character, plot and history for a short story or longer work. Participants are welcome to bring objects to share, but there will be plenty provided. Every attendee will also receive a home-made encyclopaedia notebook. Cost: Tickets from $35. About the Facilitator Kaaron Warren published her first short story in 1993 and has had stories in print every year since. She has lived in Melbourne, Sydney, Canberra and Fiji, She’s sold many short stories, four novels (the multi-award-winning Slights, Walking the Tree, Mistification and The Grief Hole) and six short story collections. Her most recent novel, The Grief Hole, has won multiple awards. Her stories have appeared in Australia, the US, the UK and elsewhere in Europe, and have been selected for both Ellen Datlow’s and Paula Guran’s Year’s Best Anthologies. Her next short story collection is Primer #2: Kaaron Warren: Exploring Dark Fiction. She has stories upcoming in Ellen Datlow’s Mad Hatter’s and March Hares, Looming Low from Dim Shores, Nate Pederson’s Sisterhood, Cemetery Dance’s Dark Screams series, and Bitter, a novella, from Cemetery Dance. Kaaron was a Fellow at the Museum for Australian Democracy, where she researched prime ministers, artists and serial killers. In 2018 she will be Established Artist in Residence at Katharine Susannah Prichard House in Western Australia. She’s taught workshops in haunted asylums, old morgues and second hand clothing shops and she’s mentored several writers through a number of programs.

Kaaron works two days a week in a second hand bric a brac shop, which provides her with endless ideas for stories. She will be Guest of Honour at the World Fantasy Convention in 2018, New Zealand’s Lexicon and Stokercon in Michigan in 2019. You can find her at www.kaaronwarren.wordpress.com/ and she Tweets @KaaronWarren KSP Sundowner Session (featuring Heather Ellis) Friday 25 May 6:30-8:00pm This month, meet Heather Ellis, author of Ubuntu: One Woman’s Motorcycle Odyssey Across Africa, a memoir about a life-changing adventure into the soul of Africa where she finds Ubuntu — a traditional Bantu word that means ‘I am because we are’. Ubuntu has received rave reviews in Australia and is listed as a ‘Bestseller’ in travel on Amazon. This special author talk includes an engaging slide presentation and plenty of time for Q&A. BYO drinks and nibbles. For more details please visit the KSP website www. kspwriterscentre.com or phone the office on 9294 1872.

BOOKS AND WRITING PCWC 2018 PATRON’S PRIZE REVIEW DEBORAH MURTHWAITE

oets of all ages and experience are encouraged to enter the 2018 Patron’s Prize for Poets Competition. This competition has an open theme and entrants may submit poems up to a maximum of fifty lines. Entries must be unpublished and not have received any previous awards or recognition in any other competition within or outside Australia. The ‘Novice Poet Award’; to be eligible for this category the poet must not have won any previous awards or recognition in any other competition. This is to encourage beginning and fledgling poets to enter, who may feel they have no chance against established poets entering the ‘Open’ category. This category was very successful last year and continues in 2018. The prize is $50. The competition also caters for youth with the ‘Judges Encouragement Award for Youth’ for young poets aged from 12-17 years to encourage and support the upcoming poets of the future. The prize is $50. The ‘Open’ category carries a $200 First Prize, with $100 for Second and $50 for Third Prize. There are also four, Highly Commended and four Commended Certificates to be awarded in the competition. For further details of the competition and registration please Click Here: www.pcwc.org.au/competitions/2018-patrons-prizefor-poets-competition/ This competition closes on 8th June 2018. Good luck everyone.

Supporting writers of all ages and abilities

"I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror – The wide brown land for me!" Dorothea Mackellar

JUST OUT

2018 Patron's Prize for Poetry Competition Entries Close: 8 th June 2018 Maximum 50 lines per poem

THEME:

Open

AGE:

Open

1st prize $200

PRIZES:

2nd prize $100

Novice Poet Award $50

Title: The Lightworker Author: Tim Drown Publisher: Balboa Press Au ISBN 9781 5043 0203 6

3rd prize $50

Judges’ Encouragement Award for Youth (12-17 years) $50

Four x Highly Commended Certificates Four x Commended Certificates

$10.00 each entry $20.00 for three entries

ENTRY FEE: CLOSING DATE: AWARDS DAY:

The Sheperd’s Hut Tim Winton 9780 1437 8611 5 Chris McRae

im Winton is a familiar name in the Australian literature landscape. His poetic writing and vivid storytelling has brought him much success through stories such as Cloudstreet, Eyrie, Breath (see the feature on the feature film in this issue) and Lockie Leonard. Many of these have also been translated into feature films and television series’ and his work has extended to the stage with plays such as Shrine and Signs of Life. Winton’s latest The Shepherd’s Hut is the Western Australian author at his bold best. Told through the eyes of seventeen year old Jaxie Clackton, the story follows the youngster across the vast and unforgiving landscape of Northern WA. Coming from a violent and unforgiving background, a series of horriffic events force Jaxie to go on the run. He flees from himself and the fear of his home life, choosing instead to battle his way across unforgiving terrain. He soon comes across an old hut and a chance encounter with an elderly stranger leads him to question everything about his life, relationships and most of all…faith. For Jaxie, faith is not a big part of his life, but his connection with the stranger, the land and his discovery of dark secrets lead him to question who he is and why his life matters. The Shepherd’s Hut does not hold back with Winton’s description of the character of Jaxie as well as the Peter Cowan Writers Centre Inc. character’s approach to his situation proving vivid and (not for profit organisation) Edith Cowan House violent. Building 20 ECU Joondalup Campus It appears at first that Jaxie is bound for a path of 270 Joondalup Drive Joondalup 6027 destruction, however the story weaves hidden beauty into PO Box 239 the fabric of the violent world that Jaxie knows. The poetic Joondalup WA 6919 nature of the writing entwined with Winton’s vivid love of Tel: (08) 9301 2282 Email: cowan05@bigpond.com the setting gives the storry a very poignant feel. Website: www.pcwc.org.au A story of loss, pain and ultimate discovery, The Shepherd’s Hut is a bruisingly brilliant piece of work by Winton. Shocking and stunning at the same time, it gives the reader a vivid sense of the hardships of the very well developed character of Jaxie Clackton. Grabs you, shakes you round and doesn’t let go. Gripping reading!

Our Patron, Professor Emeritus Andrew Taylor, invites entries for the

LINE LIMIT:

Title: Author: I.S.B.N: Reviewed:

$30.00 for five entries Student entries $5 per entry 8th June 2018 21st July 2018

Please refer to the attached Rules of Entry and Entry Form Contact Peter Cowan Writers Centre on (08) 9301 2282 or e: cowan05@bigpond.com for any queries

y all appearances, Jake has a pretty good life. He has the house, the car, a steady job and, hopefully, one day – a wife. But something’s just not right. Haunted by a recurring dream, he is beginning to question what his life is really all about. When an unlikely mentor enters his life, Jake is confronted by painful truths about his life and his tendency to sabotage his own happiness. As he slowly gains more and more insight, Jake falls in love with a young woman who appears to be the partner of his dreams. Yet, just as Jake finds joy, disaster strikes. Overwhelmed and disillusioned, Jake struggles with the compulsion to throw his new life and everything he has learned away. He searches for the courage and wisdom to pull himself together before it’s too late.

BOOKS In The Lightworker: Awakening, Jake must decide to move forward into a new way of life or fall back to the unfulfilling security of his comfort zone. “I had always been interested in self help books that were presented in narrative form, yet there were relatively few available,” says author Tim Drown. “I also knew I wanted to write about the hidden significance of mythology and story in the human psyche. What better way to present it than in narrative form?” Drown adds that the book is geared toward people who are challenging their up-bringing, personal histories and societal norms to carve their own path through life. Available at Amazon and Barnes & Noble.

Not one person in the world has exactly the same gifts, talents, background, or future. Do not try to be like someone else, because you will fail for sure. Be the best version of yourself and the person God has created you to be. Available at Amazon and Barnes & Noble

About the Author Ellen Joubert is a speaker, trainer, coach and mentor in confidence building, style and beauty, leadership and personal color analysis. She grew up in South Africa and qualified as a beauty therapist, hairdresser and modelling trainer. As the owner of a modelling and deportment school, combined with a beauty salon and photographic studio, her models were confident and ready for the catwalk within three months. They produced many winners of modelling and beauty queen titles. After years of training teens, graduates and women in South Africa, life took her on a twelve year career in the media industry and worked as an advertising executive. In About the Author 2006, she, her husband and two Tim Drown has worked as a pastor, counselor and educator. daughters migrated to Australia He is a founding member of Authentic Manhood Australia and in search for a better and safer lives in Perth with his wife and family. life. In the process of wanting ~oOo~ to keep growing, while working as an advertising executive, Title: Style Yourself with Confidence: Styling Tips and Joubert completed a diploma Techniques for Each Body Shape in management and diploma in Author: Ellen Joubert human resources. Publisher: Exlibris Au After years of working in a highly competitive and cutthroat ISBN 9781 5434 0639 9 industry, she decided in 2016 to get back into coaching, helping teens and women to gain their self-confidence. llen Joubert’s passion always was, and still is, to equip women on how to refine their appearance. She believes women need help to build their self-confidence. However, she realized the majority of women do not have the opportunity to learn the secrets of how to style their specific body shape and features the best that will help build their self-confidence. Her belief prompted Joubert to write The book makes it easy for every woman to understand the art of being well dressed and to have a practical application on how to emphasize her good features and hide or minimize the less attractive ones. According to Joubert, once a woman has the understanding on how clothing styles and color work, she will be enlightened for the rest of her life. For her, a woman who is confident in her own skin will pave the way as a role model for future generation of women. “The knowledge on how to confidently dress in style is restricted to a minority of women. The majority of women did not have the opportunity to learn the ins and outs about styling techniques,” Joubert stresses. “My book is a practical application for all women, teaching them how to style their specific features the best. Since a woman can have two to three different body shapes during her lifetime, this book will be a lifetime investment. We are never too young or too old to learn about styling secrets.” An excerpt from the book: DISCLAIMER The information in this publication is of a general nature. The articles contained herein are not intended to provide a complete discussion on each subject and/or issues canvassed. Swan Magazine does not accept any liability for any statements or any opinion, or for any errors or omissions contained herein. 5

Marshall Arts Boutique Events presents

For the First Time in WA

The Adventure Travel Film Festival May 25th - 27th 2018

Guildford

Tickets www.marshallarts.net.au Tickets and and info: info: www.marshallarts.net.au 6

ENTERTAINMENT ADVENTURE TRAVEL FILM FESTIVAL

He had been aware of the event for a while—it’s based in London but also shown in Scotland and Bright, Victoria—but it was only when attending last year in Victoria that he fully understood how special this festival is and was blown away by the content: “…the films I saw were something else entirely, the DIY passion just leapt off the screen. It was fantastic”. Determined to bring the festival to WA, when Marshall left his job as Festivals Coordinator at the City of Fremantle in 2016 he contacted the organisers, Austin Vince and Lois Pryce, to float the idea of bringing the festival down-under to the West. They loved the idea as the festival is a passion for them and the opportunity to get these incredible films in front of more people on the other side of the world was an exciting proposition. And after a few months of negotiations a deal was struck!” Austin Vince and Lois Pryce are both avid motorcycle travellers. Vince made the cult classic motorcycle travel film Mondo Enduro, a whacky full length doco about Austin and five friends on an around-the-world odyssey. The film inspired Ewan McGregor and Charlie Bormann to make the Long Way Round. In fact, they engaged Austin as an advisor when planning the making of the series and they are both regular visitors to Adventure Travel Film Festival in London. Lois Pryce was named earlier this year by UK newspaper The Telegraph as one of sixteen women travellers “you should know

The Adventure Travel Film Festival is coming to Guildford! t is a festival that has been inspiring travellers, and armchair travellers, for nearly a decade. And now it is coming to WA for the first time. “I don’t think an international film festival has been held in Guildford before”, reflected Alex Marshall, Director of Marshall Arts Boutique Events, the man behind bringing the festival to WA. Marshall had always loved travel documentaries but felt that films and TV programs, with their big budgets and support crews, made the dream of adventure travel out of reach for the average would-be adventure traveller.

ENTERTAINMENT about”. Lois has been travelling the world on her motorcycle for two decades and has written a number of books. In 2013 and 2014 she made two solo motorcycle trips of Iran. They were truly transformative experiences which began her enduring love affair with this most fascinating and misunderstood country. Her Iranian adventures are the subject of best-selling book, Revolutionary Ride. Enthusiastic fans started sending them fantastic travel films wanting to share their own experiences. Mostly made by unknown filmmakers, the films came from all over the globe and covered every form of transport—boats, bicycles, buses, motorcycles, 4x4s and even hitch-hiking and train-hopping. Lois and Vince gradually realised they were accruing an extensive and possibly definitive, collection of adventure travel films. Like Marshall they felt that the ‘adventure travel’ shows they saw on TV, although polished and professional, were nothing in comparison to the real-life dramas that were arriving in their letterbox. They thought this had to be the tip of an iceberg and once they started searching actively, films came to the

surface that were absolutely mind-blowing. They were amazed, and excited, that adventures of this quality, old and new, were unknown by the public. They wanted to share these films and the Adventure Travel Film Festival was born. The Adventure Travel Film Festival in Guildford will feature thirty-two independent travel films and two incredible vintage travel films over three days. Some are feature length; some as short as three minutes! But they all have such astonishing spirit. Christian John Hadjipateras of the Huffington Post wrote in his review of the London festival: "What I find unique about this festival is that it celebrates and promotes those filmmakers who didn’t look for rewards, but simply wanted to document their travels. The fact that they’re brilliantly shot also adds to the natural way that these films inspire at every level.” Marshall has complemented the extensive film program with a selection of fascinating speakers to share their travel exploits with the audience. Tim Cope, who has traveled the entire length of the Asian steppe, 10,000 kilometres from Mongolia to Hungary on horseback, will give two presentations and take Q&A about his trip. Perth Hills resident, Sandy Robson, was named the Australian Geographic Adventurer of the Year in 2017. She will give a presentation about her epic 23,000 kilometre solo kayak voyage from Germany to Australia, paddling for five years through twenty countries. She refers to her kayak as the ‘First Class Ticket to Everywhere’. Other speakers include legendary elite climber and passionate disabilities advocate Paul Pritchard whose new film Lowest to Highest will be screened at the festival as a part of its world premiere weekend. The film follows five friends as they attempt to be the first to cycle from Australia’s lowest point, Kati Thanda–Lake Eyre, to the highest, the summit of Mount Kosciuszko.

ENTERTAINMENT

attractions sealed the deal. A little known and forgotten 1960’s TV documentary from the United States The Odyssey of the Half Safe was one of a short run series called It’s a Small World. It concerns the unbelievable journey of ex-Guildford Grammar School student Ben Carlin. While serving in the Indian Army Corps of Engineers during World War II, Carlin become interested in the Ford GPA amphibious jeep. He quipped to his friends: "with a bit of titivation, you could go around the world in one of those things". The seed was sown. After demobbing from the army, Carlin moved to the US and purchased, and modified, a Ford GPA which he christened Half Safe. In July 1950 he set off to circumnavigate the globe. Chris

The 2150 kilometre journey would be hard enough for anyone but Duncan is blind, Walter can’t breathe, Daniel can’t walk, Conrad can’t bend, and half of Paul’s body doesn’t work. What could possibly go wrong? Well, Paul will be at the Festival to tell you all about it.

SO WHY IS GUILDFORD THE LUCKY HOST OF SUCH A LINE-UP?

When looking for location to the run the festival Marshall initially thought of Fremantle. After running festivals in Fremantle for years he had all the contacts “but it just didn’t seem to fit in Freo”. Under the guise of “family days out” the Marshall family went scouting around country WA for the perfect location. However, it was the combination of Guildford’s charms and a hometown boy’s adventure travel story that made Guildford the perfect spot for the Adventure Travel Film Festival. Sitting at a café in Guildford it was blindingly obvious: “not only did it have five beautiful venues all within a short walk of each other, it had charm, character, nice cafes and great pubs and great restaurants”. But watching the trucks, caravans, 4WDs and laden motorcycle campers passing by he realised that Guildford was a travel hub; a staging post for great adventures heading North or East. It also sits right underneath the flight path into Perth airport, a constant reminder of the possibilities of travel. Then when the films arrived from London for the 2018 program, one of the main 9

Scott, a UK-based travel writer, described this project, as possibly running the Adventure Travel Film Festival”. The Festival runs from 25th – 27th May. More information the most dangerous undertaking in the history of adventure and tickets from www.marshallarts.net.au travel. It was a miracle the jeep wasn't sunk and to this day nobody has matched this achievement. The man behind the trip disappeared into obscurity, the adventure faded into history apart from a degraded DVD of that old American TV show and the original 16mm colour footage Carlin shot lost to time. At least, it's been that way until now. New York-based travel writer, Ben Carlin biographer and guest of the festival, Gordon Bass, has searched for years and turned up the master copy of this footage in pristine condition, at the University of Southern California–Hugh M. Hefner Moving Image Archive. Yup, it really is two canisters of film, not a VHS, a DVD or an MP4. Celluloid. The Archive has generously loaned Marshall this precious film which will be screened for the first time in over fifty years exclusively in all its 16mm glory at the Western Australia Adventure Travel Film Festival Guildford. For Marshall the opportunity to run the festival, share amazing films, meet amazing speakers and unearth rare film footage has been an adventure in itself. “It’s been amazing talking to all these people on the phone, the enthusiasm for the festival is fantastic” he laughs. Having never run a major film festival previously and with no financial backers, it’s been a quite a ride. In the last eight months he has sold Christmas trees, driven buses, cleaned gutters, done gardening, even sold his antique motorcycle to fund the festival. “It’s more of a passion than a job” he told Swan Magazine. “I’d always wanted to do this festival, and it’s amazing to finally see coming to fruition”. The royalties from the screenings get paid directly to the filmmakers as there are no production companies or distributors. Marshall is planning his own travel adventure after the festival, preparing his Postie bike to ride to Uluru via the Great Central road and the Holland Track. “What better way to fund an overland adventure than by 10

CORRIDORS COLLEGE WHAT IS A CARE SCHOOL? SARAH HICKEY

or many young people completing their education is financially impossible especially when they are homeless or at risk of homelessness, for some who are exposed to bullying it is emotionally traumatic and school is a terrifying place to be and sadly for a number of young people with learning difficulties they quickly fall behind the rest of their class with little hope of catching back up. So what do these students do? In short, they behave in a negative manner and stop attending school before compulsory leaving age and avoid having to return to complete their educations. There is another option for these students and it is possibly the best kept secret in the community. If you are a local to Midland you may have heard of Corridors College, you may also have heard that Corridors is a CARE School, but do you understand what that is? By definition it is a “Curriculum and Reengagement in Education” School. The prime purpose is to provide education to secondary aged students who have been unable to access or have significant difficulty in accessing mainstream education. By Corridors definition it is a safe place young people can go to access a team of professionals who will support personal growth through education. The Midland College has been in operation since 1998 and has seen hundreds of students come through the doors and while the landscape may have changed the heart and soul of this not for profit organisation has stayed the same. For Corridors, the goal is not just assisting a young person to finish Year 12, it is also about reengaging them in communities, assisting them to rebuild positive relationships in their lives, growing self confidence and installing healthy lifestyle choices. At the time when graduation is nearing Corridors also look to assist their students find apprenticeships, traineeships or employment to ensure they continue on a positive life path. The students of Corridors College work towards vocational certificates instead of graded assessments and exams. Within the certificates students cover numeracy and literacy learning that include English, Mathematics, Science, History, Society and Environment, Art & Design, and Technology. Corridors College is a part of Corridors Group which is three entwining entities; College, Welfare and Training (a registered training organisation). The three arms work in tandem to fully assist the students of Corridors College in their journeys. Corridors Group holds values that form the basis of the actions for the whole school family, whether that be staff or student, and encourage the school community to uphold and rise

to these values together. Respect: Showing care and concern for other people and property. Responsibility: For our words and our actions – be in charge of yourself. Tolerance: Understand and accept that people are different. Excellence: Do your very best. Integrity: Do the right thing – be honest, sincere, truthful and trustworthy. As of April 2018, Corridors College had an enrolled student number of 131 and with the added help from parents, caregivers, significant others and the community, they are each on Individual Education Plans (IEP’s) to overcome their personal difficulties and to achieve a valued and contributing place in our society. In October 2018 Corridors will be hosting an Open Day where members of the community can come to the campus while it is student free to take a tour, speak to the staff and ask questions. If you want to register your interest you can email: sarah. hickey@corridors.wa.edu.au - or you can simply follow the Group on Facebook, LinkedIn or Instagram.

DINING OUT

The Thoughts of an Ageing, Balding Foodie

PENNY GARDEN

DOUGLAS SUTHERLAND-BRUCE

remember when Penny Garden Restaurant had its Grand Opening - some years ago now - and I have eaten there many times alone and with the family since. Two years ago the restaurant was bought by husband and wife team Charlie and Jackie Rego and they have worked hard and tirelessly to improve and expand the menu and quality of this lovely little restaurant with the lake views and old copper pennies in the garden. Penny Garden is fully licensed and the menu is extremely well-thought out with options and choices for all. I didn’t meet the chef, but I’d have been happy to shake his hand. We called in, a happy family of four, on a Wednesday evening. The restaurant was busy, always a good sign on a Wednesday and sat inside, although outside under cover or even entirely al fresco is possible, and I imagine that would be lovely in the warmer months. The inside verges on the uncluttered and has a high cathedral-style roof, polished concrete flooring and lots of tables in different sizes for varying sized parties, perfect for couples, parties, functions and even wedding receptions or anniversary celebrations. In only five years my wife and I will have been married for fifty years. Not hinting or anything .... Service, by Charlie himself, was fast and pleasant. We sat back and started to browse the menu - of massive proportions and difficult choices. Sometimes one can look at a menu and think ‘Lord, I don’t know. What is there here I can eat? Yabbies in Lime Sauce? Don’t think so. Deconstructed Fruit Salad? What the hell is that?’ and so on. Not at Penny Garden. Every dish I looked at I could have eaten, leading to what Captain Blackadder called ‘the agony of choice’.

I say menu, but there are several on offer. We were looking at the a la carte menu, but there are several set menus (table d’hoté, to be technical) as well as a Seniors menu, High Tea Menu and the many Weddings and Events Package menus. Had we those to choose from as well we’d be sitting there still unable to decide. After much discussion and ‘If you get that can I have a taste’ and ‘That looks nice, perhaps I should have that’ we settled on entrees and mains, leaving dessert as a negotiable topic for later decision. Exhausted we ordered a rather nice bottle of Cab Merlot (Windy Hill - very drinkable at $34 the bottle or $8.50 by the glass) and waited for our food. The wine list is short but serviceable, the spirits range wide and including beer and ciders as well as liqueurs and a startling range of cocktails, such as the traditional Mojito (Rum, lime, mint and soda) and ‘Old Fashioned’ (Bitters, bourbon, sugar and orange) to the truly outré such as a ‘Wild Lover’ (Aperol, Chambord, vodka, lychees, lime, strawberries and cranberry juice). It wasn’t long in coming. James and Jess’s final selection was a plate of Szechuan Squid - a pepper squid salad, served with a house-made pickled mild green chili and lime aioli dressing ($19.50) topped with a few prawn crackers - delicious. The squid tasty and tender and a generous portion and a trifle of coleslaw in vinaigrette just to cut the richness. Angela chose not to have an entree to make sure of having room for ‘Cheesecake of the Day’. For myself, I debated over the Roasted Mushroom Arancini of Porcini Mushrooms, served with a rocket and roasted pine nuts salad and aioli ($16.50), weighing up the choice against a PG Tasting plate of dips, Feta and olives, Chorizo Turkish bread, olive oil and balsamic vinegar ($26), coming down heavily on the side of ‘Soup of the Day’ which turned out to be pea and ham - split green peas and ham hocks with a swirl of olive oil and bacon-y bits. It was absolutely superb, rich and delicious, served with a slice of garlic toast. Old-fashioned and comforting. 12

After a short pause mains arrived - for Jess a ‘Roasted Pork Belly’ ($36) of crispy crackling, braised red cabbage with bacon and a dusting of matchstick apple. Jess chose to replace the usual mashed potato with extra cabbage. Jess thoroughly enjoyed it and it was everything one would hope for from pork belly succulent and rich. Angela looked at the Prawn and Chorizo Risotto of North West King prawns, chorizo, onions and garlic, white wine and spinach ($38.50) which looked pretty tempting, but in the end she chose a Thai Beef Salad ($28.50) of warm roast beef in a Thai style marinade, rice noodles and bean shoots, dressed with coriander, peanuts and Nam Jim dressing. Salad perhaps wasn’t the best choice on a coldish evening, but the tastes were excellent. James also picked a salad - the classic Caesar Salad, served with chicken ($31). Penny Garden’s version is made in the tradition style with bacon, anchovies, Cos lettuce, croutons and Parmesan cheese. The only difference was the egg was boiled rather than coddled and the bacon in curls rather than bits - but the closest to the original I’ve seen in a while. For myself, I was torn between Pan fried Gnocchi, Fennel Whiting, Grilled Lamb Backstrap, Fettuccine Carbonara and Scotch Fillet Steak and eventually asked Charlie for a recommendation - and ended up with Hickory Beef Ribs ($35) - two huge beef ribs, smothered in spicy BBQ sauce, coleslaw and roasted Kipfler potatoes (skin on) - an excellent choice, thank you Charlie. Succulent, the sauce amazingly rich, the unusual potatoes particularly flavourful, the ribs were supremely good and, as it turned out, a massively filling portion. By sweet course time we were all full, but the desserts looked so tempting that we fell, but not far. We chose the ‘Shared sweet plate’, ostensibly for two, but all four of us were very satisfied with the mini banoffee pies, a glass full of Pavlova, a small bread and butter pudding with Brandy custard and a glass of chocolate mousse. We rounded off an exceptionally fine meal with exceptional coffee - both frothy and flat, spicy chai and satisfied smiles all round. Penny Garden is now firmly on our list of favourites. Try it, I’m sure you’ll agree. Very Highly Recommended Indeed.

OPEN FOR LUNCH 6 DAYS A WEEK BREAKFAST ON WEEKENDS & PUBLIC HOLIDAYS DINNER WEDNESDAY TO SATURDAY 4752 WEST SWAN ROAD, WEST SWAN BOOKINGS: 9274 7277 www.pennygardenrestaurant.com.au 13

DOUGLASâ&#x20AC;&#x2122; WINERIES AND DINERIES

These are the restaurants and eateries, casual and formal, and wineries that I personally reccommend and eat at for pleasure.

The hidden gem of a bar in Bassendean 77 Old Perth Road

OPEN Wednesday - Thursday 5-10ish Friday 5 - 10:30ish Saturday - Sunday 12 - 10:30ish HAVING A FUNCTION? - FULLY CATERED & NO HIRE FEE

FOOD SWEET TEMPTATIONS TOUR MORISH NUTS

DOUGLAS SUTHERLAND-BRUCE

he second stop on our Sweet Temptations Tour of the Swan Valley was the iconic Morish Nuts at their new home they share with Mondo Nougat. Morish Nuts is the creation of Archie Moroni and his wife Marie Mapp. Archie was a university student at the time (1998) and he and Marie produced the delicious toasted treats, a half-kilo at a time, on a camping gas ring in the kitchen, Archie doing the cooking and Marie bagging and wrapping. The nuts were sold at the university and at local markets and as they proved ever more popular Archie shelved his university plans until later - they’re still there on the shelf, just waiting. Some say the name comes from the ‘Mor ‘in Moroni and some that they use recipes perfected by the Moors in the Byzantine era, but I think it comes from the fact that the nuts are so good, they’re a bit ‘More-ish’. From the first few nuts to the present vast range of produce, Morish Nuts have used nuts mostly sourced from Australian producers. They roast and lightly caramel-coat the nuts to enhance the natural flavor of the nuts and kernels. There is an extensive range of savoury offerings, including Australian macadamias, roasted and salted. Wasabi and Abalone coated, offer unique taste sensations. Morish Nuts offer a wide range of treats that are free of gluten, lactose, additives, preservatives and colourants. They also offer gluten free range of products, distinguished by the black and white bags. The products range from the traditional caramel coated Morish Nuts to the mouth-watering peanut brittle and peanut or macadamia crunch. The exotic

hot & spicy caramel coated peanuts, almonds, cashews and macadamias dusted with chilli, lime zest and select spices will add a zing to the taste buds. Although the nuts are widely available both in many stores and markets, it’s worth while paying a visit to the shop/factory. The kitchen is visible and behind glass so you can watch the chefs creating their delicious treats. It’s absolutely fascinating watching peanut brittle being made and there are free samples to taste and explore as well as a wide range of merchandise like gift hampers from the $24 ‘Mum’s Yums’ to the $74 Morish Jumbo Cooler Bag. The shop is at 640 Great Northern Highway, Herne Hill and is open seven days a week from 9:30am to 5:00pm.

FOOD

A TASTE OF THE 2018 WORLD CUP

wan Magazine’s food writer, Brendan Murphy is widely admired by his followers for his anecdotes about his travels as a free-lance chef and his amazing, easy to follow recipes. What is less known is his passionate devotion to the noble sport of Association Football. At the time of the last Football World Cup he produced a charming book tied into the cuisine of the various contestants. And it’s come round to that time again as the nations line up to test their prowess. And Brendan has again dug into his memories, his recipe notes and his vast knowledge of football to engage, entertain and educate. To whet your appetite for foreign food here is a starter for ten:

Gambas Pil Pil (Spanish Prawns) Ingredients 500g (1 lb) King Prawns 6 tsp good Olive Oil 1- 2 small Chillies, finely shredded 3 cloves Garlic, crushed Salt Chopped parsley 50 ml of Sherry 50-60ml ml cream (optional) Lemon Wedges, to serve

6. Serve immediately with crusty Bread and wedges of Lemon. This dish is traditionally served as an entrée or Tapas.

Method 1. Peel the Prawns, leaving the tail intact. Cut along the back of each Prawn halfway through so it curls. Remove the vein.

If you’d like to buy a copy of A Taste of the 2018 World Cup as an eBook, copies are obtainable on-line from Amazon or you can email Brendan directly on: chefexplorer@gmail.com.

2. Heat the Oil in a frying pan until very hot and add the Chillies, sauté for a minute or so then add the Prawns Garlic and Salt, stirring until prawns are bright pink. 3.

Sprinkle with parsley.

Deglaze pan with sherry.

4. Enrich with cream to make a sauce if desired. But remove the prawns so you do not overcook them.

FOOD HELP SAVE SLATE CAFE DOUGLAS SUTHERLAND-BRUCE

portion of Marshall Road in Bennett Springs and Dayton Boulevard in Dayton has been temporarily closed from May 1, for a period of sixteen weeks, as part of the New Lord Street project. The temporary road closures will allow for the construction of a new intersection, a significant upgrade which will eventually remove the highly congested roundabout at St Leonards Boulevard. In addition, Marshall Road will be widened and realigned to join Dayton Boulevard and a new roundabout will be constructed to connect Dayton Boulevard, Lord Street, Marshall Road and Isoodon Street. Altone Ward Councillor Peter Lyndon-James said

nearby local businesses will remain open and accessible at all times during the temporary road closure. “Slate Café, Sikh Gurdwara and Shree Swaminarayan Temple are all open over the next sixteen weeks, and will be accessible via Marshall Road from Altone Road,” he said. Which is all well and good, of course, but Cafés rely heavily on passing trade and the livelihood of the owners and staff hang in the balance over the next four months. They need you to keep going with your family, kids and pets to this charming café - do yourself and them a favour and keep going.

THE ORIGINAL GRUMPYMAN RIB SAUCE

DOUGLAS SUTHERLAND-BRUCE

egular readers of my food ramblings will recall that I lauded the American Ribs and Grill, a take-away kiosk at Hillarys Boat Harbour for the food, which included some of the finest ribs I ever threw a lip over. I went there several times, dragging various members of the family, first unwillingly, then enthusiastically. The food, prepared and cooked by Jack, using his own home-made sauces and rubs were beyond compare and I was not the only one urging him to make, package and sell his saucy creations. At the time he said he was too busy cooking and catering to his patrons to even consider it. But, as the Latin tag has it, Tempora mutantur (times change) and the changing conditions at Hillarys Boat Harbour mean that Jack has closed down this icon of delicious food and Jack put his feet up for a well-earned rest. Which lasted about a week before the desire for service crept upon him again and, with more time at his disposal and the help of his family, he has created a basis for producing his sauces for home use. His most famous was the rib sauce and that is what he has prepared for sale first. Always better known for his food than his manners (think the Soup Nazi) Jack was widely known as 'Grumpy Jack', and that's the name he has chosen for his range of marinades – 'The Original Grumpyman Rib Sauce' . Currently available in four strengths – Original, Mild, Spicy and Extra Spicy. Jack is selling them through eBay, that reputable online store very much in use by the online shopper. A 250ml sachet of sauce will cost you $11.50 (plus $7.95 for postage). This represents excellent value for money as the ingredients are all of the best quality, and prepared and reduced for a long time to get them to the peak of perfection for you. The sauce is

gluten-free, lactose-free and GMO free. As well as enjoying them on Jack's cooking I have now used them on my own, home-made ribs and have had very similar results to my family's satisfaction and my own sense of achievement (wholly unfounded, Jack did most of the work – all I did was slather on the sauce, wait and slow-bake). I understand that as the range of sauces increases more will become available and I look forward to that. In the meantime, tuck into the Original Grumpyman Rib Sauce. It's available on eBay. Very Highly Recommended.

STANDING UP FOR SWAN HILLS BRINGING THE TRAIN TO ELLENBROOK! JESSICA SHAW MLA – MEMBER FOR SWAN HILLS

his has to be one of the most exciting announcements I’ve been a part of since becoming your local MP. On the 27th of April, the McGowan Government was pleased to announce that we have secured $500 million in Federal Government funding towards the MorleyEllenbrook Metronet Rail line. Coupled with Federal Opposition Leader Bill Shorten’s $700 million commitment to Ellenbrook Rail (announced in October last year), this week’s announcement guarantees the delivery of the project. No matter who wins the next election, Ellenbrook will receive funding for a train line (though an extra $200 million towards it would be nice!) When the McGowan Government came to office in March last year, no work had been done on Ellenbrook Rail. Given that Metronet is this government’s most important election commitment, we started work straight away. The New Lord Street earthworks lay the foundation for that part of the rail route. We have relocated the 88m telecommunications tower from the

Jessica Shaw MLA LOCAL MEMBER FOR SWAN HILLS

@JessicaShawMLA Jessica.Shaw@mp.wa.gov.au 9296 7688 HERE TO HELP Aveley, Bailup, Belhus, Brigadoon, Bullsbrook, Chidlow, Ellenbrook, Gidgegannup, Melaleuca, Mount Helena, Sawyers Valley, The Vines, Upper Swan, and Wooroloo. Office Address 8/31 Egerton Drive Aveley WA 6069

Postal Address PO Box 2265 Ellenbrook WA 6069

Standing up for Swan Hills Authorised by Jessica Shaw, 8/31 Egerton Drive, Aveley, WA 6069

Ellenbrook Town Centre, beginning the site works for the new Station. In April, Minister Saffioti announced the successful tenderer for the train line’s detailed design and engineering. A team of three companies are now working together to examine different routes, undertake detailed planning, design and engineering and ascertain the best station locations. To ensure that the rail line meets our local needs, the Government has also conducted a community survey with almost 2000 respondents – an incredible response! In March, Minister Saffioti and I hosted a community forum at Ellenbrook Secondary College to outline the results of that survey, answer questions about the project and obtain further feedback. This planning work will feed into the development of a final business case that will appropriately cost the project and select the best possible route alignment and asset design. Given that we started with a blank slate, it is important that we take the time to do the job well, cost it appropriately and ensure the project meets our community’s needs. From a standing-start, we’ve come a long way! The Ellenbrook rail line will make a huge difference to our local community. The project will create hundreds of jobs and new business opportunities in the station precincts, as well as jobs during construction. The inclusion of stations at Whiteman, Ellenbrook and Caversham will give our area a much needed tourism boost, 18

making the Swan Valley even more accessible. Integrating these stations with a bus network will enable local vineyards and tourism destinations to access more customers. The first phase of construction for the Morley-Ellenbrook line is expected to start at Bayswater Station in 2019, where the Midland, Forrestfield-Airport and MorleyEllenbrook lines will intersect. The design at this point in the rail network will be complex and is vital to the operational success of all three projects. On completion, residents from the Swan Valley and Ellenbrook will be able to travel to the airport, via public transport, without having to go all the way to Perth. Many people in our area also access Midland train station. The Federal infrastructure spending announcement this week also included $83 million towards the McGowan government’s project to relocate Midland Station eastwards. Currently, Midland station is disconnected from the community and is a hotspot for anti-social behaviour. Stations must be integrated into local townships, creating active social, commercial and community spaces. Studies have shown that, when properly designed, station precincts can be dynamic, vibrant and safe areas. The relocation of the station next to Midland Gate, SJOG Hospital and WA Police’s base at the Midland Railway Buildings will ensure that our community’s transport needs are served and will create great business and employment opportunities. Continued on the next page

Concluded from the previous page ... The McGowan government has also announced that at least 50% of our new fleet of rail cars will be built here in WA. This ensures that our tax payer dollars will create local manufacturing jobs. Phase One of Metronet will require 102 new railcars, or 17 new trains. Phase Two will replace the ageing A-series train fleet, and build 144 railcars, creating a pipeline of manufacturing work for years to come. All-in-all, I’m so pleased with the progress we have been able to make over the last year on transport. We’ve introduced extra East-West bus routes to Joondalup, increased bus services to Midland, addressed road bottlenecks on Lord Street and have now secured funding to ensure that we deliver the best possible train line for our community. I would welcome any feedback you might have on any of these projects – please feel free to contact the office at any time. If you’d like more information about Metronet, sign up for updates at www.metronet.wa.gov.au/contact/ register-for-updates/modal-form. If you’re a local business and would like to know more about government tenders or manufacturing projects, take a look at our new website: www.tenders. wa.gov.au/watenders/index.do.

COMMUNITY ELLEN BROOK ANGLING WHITNEY SLATER

project to restore the habitat for endangered native fish and revegetate the Ellen Brook will begin later this year, after the Ellen Brockman Integrated Catchment Group (EBICG) received a grant for more than $40,000. The City of Swan supports the work and will continue to provide EBICG with technical advice throughout the project. The EBICG hopes to discover if the BlackStriped Mud Minnow, an endangered native fish, is present in the Ellen Brook. City of Swan Mayor David Lucas said the Minnow is the smallest freshwater fish in WA, and research from Murdoch University showed it has suffered large reductions in range due to loss of habitats, particularly on the Swan Coastal Plain. “The Minnow plays an important role in our ecosystem by eating mosquitos and midges, which keeps insect populations under control,” he said. The project will also look at how far upstream Pearl Cichlids, a feral fish species, has travelled. Any feral fish species captured along the brook will be removed, and native vegetation will be established on four hectares along the Ellen Brook to provide habitat protection. The project was funded through the Department of Biodiversity, Conservation and Attractions Community Rivercare Grants. The work is part of a three year, $117,370 project to survey the Ellen Brook for the presence of native and feral fish, monitor water quality, control weeds and revegetate the Ellen Brook. The Ellen Brook is a natural waterway and discharges into the Upper Swan Estuary near West Swan Road in Belhus. According to the State Government, much of the Ellen Brook catchment has been cleared for agriculture. Some of the remaining areas of vegetation have a high conservation value, containing rare and endangered flora and fauna such as the Western Swamp Tortoise.

NOTES FROM PARLIAMENT SUPPORT FOR COMMUNITY KINDERGARTENS

Hon Donna Faragher JP MLC Member for East Metropolitan Region

discriminatory decision. ommunity kindergartens have long been recognised as Community kindergartens are a special place for many children an acceptable alternative to school-based kindergarten and their families and they should continue to be supported. programmes. They are an important option for many families If you would like to discuss this or any other matter please and have been supported by successive governments however contact my office on 9379 0840. they are now under threat. From next year the enrolment threshold for community kindergartens to ADVERTISEMENT access operational funding and staff from the Department of Education will increase from ten to sixteen confirmed student WESTERN AUSTRALIA enrolments. If they do not reach this number their funding will be cut, creating significant uncertainty for families and staff. To make matters worse, they are required to provide jp mlc confirmed enrolments to the Department by 10 August 2018, less than four months away. Member for East Metropolitan Region This early deadline does not take into Shadow Minister for Education; account late or changing enrolments. Training; Women’s Interests Changing the rules without any consultation is a clear attempt by the McGowan Government to reduce the number of smaller community kindergartens. Ground Floor, 108 Swan Street Guildford 6055 In the past month, I have met with local community kindergartens to discuss 9379 0840 | Faragher.eastmetro@mp.wa.gov.au their concerns around this unfair and Authorised by D.Faragher, 108 Swan Street, Guildford WA 6055.

Donna

FARAGHER Here to help!

FEDERAL NOTES HON KEN WYATT AM, MP Member for Hasluck , Minister for Aged Care and Minister for Indigenous Health

ANZAC MILITARY MAP

Paul Bridges, curator at the Swan Guildford Historical Society Inc. and Ken Wyatt MP, Federal Member for Hasluck holding the new military map at the war memorial in Stirling Square, Guildford

revealed in my military map and guide released in time for ANZAC Day 2018. We must acknowledge with pride our region’s important role, beginning with the training of the 10th Light Horse Regiment in Guildford and the ADVERTISEMENT preparations for Gallipoli. While there are many other WA sites associated with Gallipoli, our links are particularly strong. Covering the Hasluck electorate, from Gidgegannup to Gosnells, the map pinpoints almost a hundred and twenty sites of significance, from the Great War onwards. The breadth of Hasluck’s ANZAC tradition is truly remarkable. Working together with local governments, Returned and Services Leagues, historical societies and community groups, it has been an honour to produce such a unique and comprehensive guide for the first time. Federal Member for Hasluck From the location of a former secret radio base to memorials to some of 9359 0322 ken.wyatt.mp@aph.gov.au Australia’s most revered soldiers, this will be an invaluable resource for years kenwyatt.com.au kenwyattmp to come. It includes address details and each site’s significance, plus a colour code to indicate its era of activity. Authorised by K.Wyatt MP, Shop 10-12 Forrestfield Marketplace, 80 Hale Road, Forrestfield WA 6058. This map compliments the work done

he rich ANZAC tradition and vital role of local communities during more than a century of military history has been

KEN WYATT MP

by Barbara Dundas for the Guildford ANZACS poppy project which identified more than a hundred residences where Great War soldiers were billeted, with each of these houses now marked with a poppy. The Guildford Association, Kalamunda Historical Society, Swan-Guildford Historical Society, State Heritage Office, National Archives, Australian War Memorial and West Australian Army Museum contributed to the new Hasluck ANZAC map and guide. While our major memorials such as Blackboy Hill are listed, I am sure local communities will be fascinated by the stories around lesser-known locations including the Blue Goose aircraft crash site and the shed where a giant Bofors gun was stored. Lest we forget. The map is a work in progress so if you have any comments or contributions please contact my office via email on ken. wyatt.mp@aph.gov.au. Copies are free and can be obtained by contacting my office on 9359 0322 or ken. wyatt.mp@aph.gov.au.

COMMUNITY ALICIA - FIRST RUNNER-UP AUSTRALIA GALAXY PAGEANT MARION LOGIE

licia van Schoonhaven is a busy free-lance commercial and runway model, public speaker and presenter with ten years of modelling experience and four years of public speaking experience at both local and international events. In addition, she does considerable charity work and is currently the Face of Sax Sea Boutique (swimwear boutique). Has extensive pageant experience, most recently placing 1st Runner-Up at Miss Galaxy Australia 2018which she described as ‘by far one of my proudest achievements.’ She went on ‘However for years I have dreamed of representing my home country Australia on the international stage ... so, with that said, it is with great excitement to announce that I am now a National Finalist for Miss Global Australia which will be run alongside Miss Intercontinental Australia and Australia's Teen Queen forming the Australian #powerpageant. ‘I entered Miss Global Australia back in 2015 where I placed 3rd Runner-Up and was awarded the Best in Interview. I absolutely loved this pageant system but I never had the courage to enter again because I was always worried about the talent section. However, this year I have decided to take grasp of this opportunity with both hands and I have challenged myself to learn something new. ‘To all of those who have messaged me or asked me about this since Galaxy... here's your answer: ‘I didn’t come this far, to only come this far...’ She is also a contributor to, ambassador for, and fierce supporter of the Fear to Freedom Project, which aims to eliminate the stigma surrounding mental illness. The program shares the stories of ten women, including Alicia, who have been through difficult hardship, from bullying, to mental illness to domestic violence. The next book in the series is due for launch quite soon. Watch this space ....

WHAT’S ON IF YOU WOULD LIKE AN EVENT LISTED IN THIS COLUMN RING our office on 0418 934 850 Entries for non-profit entities are free. ALCOHOLICS ANONYMOUS - Glen Forrest Group Every Monday evening We meet at 7.00pm at the Glen Forrest Uniting Church, Mc Glew Rd, Glen Forrest. Call Dermot 0488 905 211 or John 0448 074 536 or the Perth Office (all hours) 9325 3566. AUSTRALIAN BREASTFEEDING ASSOC. Discussion groups, guest speakers, morning tea. Free breastfeeding counselling. Expectant mothers, mothers, babies and children welcome. National Breastfeeding Helpline 1800 686 2686 is a 24 hour 7 days a week service. Swan/Mundaring Group meets every Monday, 9:30-11:30am at the Gumnuts Family Centre, 8 Mudalla Way, Koongamia.  A qualified ABA counsellor is present at each meeting to give confidential information and support on breastfeeding issues. Contact Natalie 9572 4971. Kalamunda Group meets fortnighly on a Thursday, 9:30-11:30am at the Maida Vale Baptist Church, Edney Road, High Wycombe. Contact Jenny 9252 1996. Northam Group meets each second Tuesday of the month at the Bridgeley Community Centre, Wellington Street, Northam 10am to Noon. Fourth Tuesday each month at Toodyay Playgroup, Stirling Terrace, Toodyay. Noon to 2pm. Please phone Louisa 9574 0229.

Christine Hogan: 9279 8778 for a chat and a cuppa. Email: madtattersmorris@iinet.Net.Au We are considering extending our days Website: madtattersmorris.Myclub.Org.Au to include Saturdays or evenings if there is enough interest.

MUSTARD SEED COMPUTERS

DISCOVERING

Mustard Seed is a fifteen year old non-profit organisation and teaches all aspects of everyday computing. Ability levels from beginners onwards. Want help with Windows 10? In need of instruction with your Mac computer? Have an iPad or Android tablet and don’t know what it will do? We can help. Cost is $3 per session. Classes are heldat 56 McGlew Road, Glen Forrest. To gain a place enrol now. Phone 9299 7236 or 0478 604 163 or E: mustardcomputers@gmail.com W: noodlebytes.com

SWAN WOODTURNERS GROUP

The group meets in the rear hall of The Senior Citizens’ Centre, The Avenue, Midland, at 1-00pm. on 1st, 3rd, 4th, and 5th. Tuesday, and at 7-00pm. on 2nd Tuesday of each month. A demonstration and cuppa are the norm. Men and Women are welcome. Enquiries to Ted 9295 4438.

SWAN VALLEY COMMUNITY CENTRE

Monday Mornings The Art Group meets at Baskerville Hall from 9am – 12pm for just $5.00 per session. Group leader Gilly can help and advise with most media. Feel free to come and have a look and meet our local artists – they are THE HILLS CHOIR a very friendly lot, new members welcome! Monday Evenings Do you enjoy singing and joining with For more information call 9296 1976 or others to make beautiful music? Come and enquiries@swanvalleycommunitycentre.com join the Hills Choir. We meet from 7.30 to www.swanvalleycommunitycentre.com 9.30pm at the Uniting Church on Stoneville SWAN HARMONY SINGERS Road, Mundaring. Contact Margie on 9295 6103 for further Wednesdays Come and sing with us! Swan Harmony information. Singers is a community choir that meets, 7-9pm, to sing music ranging from jazz ELLENBROOK COMMUNITY to pop, plus the occasional classic. No WEIGHT LOSS CLUB auditions. Join us at the Salvation Army Every Tuesday evening We meet from 6.45pm to 8.00pm at Church Hall, 371 Morrison Rd, (opposite the Woodlake Community Hall, Meeting Swan View Primary School), Swan View. room 1 Highpoint Blvd, Ellenbrook. Enquiries: call Anna on 9299 7249, or Chris Friendly support group at low cost. Male on 9298 9529 or 0435 062 728. and females of all ages welcome. Contact Shirley 9276 7938 shirleysardelich@aapt. ELLENBROOK AND DISTRICT MENS net.au.

MORRIS DANCING

All welcome. It’s like bush dancing, with sticks and bells. It’s aerobic exercise and great fun! Tuesdays 7-9pm practice, Guildford Town Hall, cnr James St and Meadow St, Guildford. And drinks later at the Woodbridge Hotel with live Irish music For more information please contact:

SHED INC.

Tuesday, Wednesday, Thursday We are open at 4 Transit Way Ellenbrook from 10.00am to 3.00pm. Potential members can turn up on those days and there will be someone to explain what we do and give membership details. Annual fees are low and members can do their own thing, participate in projects for the community or simply just come in 22

SWAN VALLEY COMMUNITY CENTRE MUSIC CLASSES

Tuesday mornings Learn to play tunes on piano or keyboard immediately – the SIMPLY MUSIC method. Play songs, chords, blues and classical in small groups at a reasonable price. Call Heather 9296 4181 for more details.

HILLS CHRONIC PAIN SUPPORT GROUP

1st Wednesday of each month Hilltop Grove Estate, 1645 Jacoby Street, Mahogany Creek. Morning tea provided, between 10.30 - 12.00 noon. Enquiries Terina 9572 1655.

MIDLAND MEN’S SHED

Every Tuesday morning We meet socially every Tuesday morning from 9.30am to 11.30am in the Bellevue Baptist Church Hall and our usual attendance is around fifty-five. At least once a month we have a guest speaker on a range of topics. We also go on excursions to various places of interest (e.g. HMAS Stirling, Aviation Museum, Fremantle Ports, ALCOA, etc.). Our workshop with wood working and metal working is in Midvale and for the opening hours and further details please contact Rob Cutter on 0419 967 873. Also in operation is our music group – the Rockin’ Shedders which is going from strength to strength and their repertoire of songs increases each week. For more information on the Shed please contact Kevin Buckland on 0417 961 971 or by email to kebinsv@tpg.com.au.

EASTERN KNITTERS

DISTRICTS

MACHINE

Friday - second and fourth We meet from 9:00am to noon at 10 Brockman Road, Midland. Feel welcome to join us for morning tea and see how easy it is to make your own garments. For more information contact Pat 9309 3260; Liz 9572 7074 or Pat 9295 2793.

TALKING HORSES

Wednesday evenings 6:00pm The WA Horse Council equestrian radio program is now in its seventh year. The programme is broadcast on the Community Radio Station 91.3 SportFM. To ensure that your club, event, breed or business gets coverage, call Diane Bennit 0409 083 617.

FICTION THE UTE JOHN TAYLOR

CHAPTER 13 – THE BIG LIFT

am Billy could see plenty of stars, a scudding wind blowing things about, but not too bad; give it a bit longer, he reckoned, drifting off soundly. The wind kept niggling away and then strengthening a little. The hangar door probably woke him, giving a decent whack as a gust hit it at about 3:00am. He decided to have another go at this letter to Janey, sure he was on the right track. Maybe some more flowers, he mused. Gotta stop dwelling on it and make it happen, determinedly sitting at the hangar table, kettle coming up on the boil. Surely I’ve got a chance now, slept on it an’ all! Nothing; nothing cohesive anyway. He battled away a while, fixed a cuppa, filled a thermos and finally packed up the manuscript. Maybe inspiration would come in the air flying, save it all till later. Billy pushed the plane from the hangar, turned the lights off and closed the door, climbed in and cranking the engine and running it up smoothly, he powered off to the south. Next stop Mount Cole or more so Gilbert’s South! He levelled the little plane out idly, wondering how Gulf Gill was. They’ll be right, give the boys a hand here for a few days, fix this bloody letter and head back up; commercial this time, bugger that mail plane! Daylight saw him lining up at Gilbert’s, taxiing over to fuel up, Gilbert limping from a motor car, dragging one leg badly, soon rounding up at the fuel dump. “Early start, young feller, or you been camping out?” He joked, knowing full well the score. Over breakfast Gilbert fleshed out the deal. Best he’d heard. “Henry had received a couple of road train loads from Crewmore Siding. No more”, he added, “than just a siding.” To the best of his knowledge they were going all right, but it’s a long haul from Crewmore to Glen Dolan. Cool weather’s a big advantage. I’ve heard stock numbers on this lift are high. Make good use of the cool weather, Billy. If she starts coming in hot, pull out straight away!” He cautioned. “The Mount Barndon to Crewmore line was considered too old forty years ago. Haven’t heard of any proper work being down on it for ages. In fact, I thought it’d been mothballed. So there you go! Henry reckons he’s got a coupl’a good young blokes up there; just unloading and tailing out onto water. There’s plenty of fee from here to Crewmore. It’ll carry on a while too. Get ‘em all out of the gulf, though, Billy, if you can, but be quick. Better get going, eh? And, Billy”, He said, trying to supress a grin, “keep a look out on some of them gulf blokes!” Billy’s mind, wandering around rail, the Gulf and the odd Truckie, clicked back on line. He thanked Gilbert for the meal, opting to talk back to the plane and was soon back in the air, wrestling with wording on Janey’s letter, writing was hard enough in the air, words were still not coming out right. The reflective glare of Glen Dolans’ sheds ceased the letter business, for now anyway. Dropping down, Billy observed one truck leaving, another unloading and a fair mob of cattle at hand. Taxiing in closer Billy noticed Henry stumping around supervising operations; two skinny jackeroos, several Aboriginals of various ages and the truckies; everyone moving and on the job. Another group of horsemen appeared from around the wing, obviously returning from settling stock in on a mill and feed, ready for another mob. Billy’s worry frown was disappearing, replaced with a widening grin as he waved at a couple of stockmen that he had hired. Henry motioned for Billy to meet him at the kitchen. “See you’ve been busy. Believe we’re going to get busier still.”

He commented in a bushman’s style of compliment. “We’ve got the feed. Been a holiday resort up to date. Thought about a ‘roo shooter yet?” He added, “No point feeding them now we’ve got the cattle. Happen to know a professional shooter; he’ll thin ‘em out!” Billy left it up to him, happy to have someone culling out vermin. “Please advise Mr Jones of any arrangement in writing, and he’ll want details, Henry; mention economics.” Billy added on his way to the yards. The crew were letting cattle out, blocking them up as the main mob came through big double gates, until finally they were on big mob, moving slowly away towards the creek, allowing them time for a good drink. Late afternoon they pushed them out on to a big flat, buffalo grass up to their knees where they propped, tired and foot sore from the journey, many hunkering down, chewing their cud. Billy noticed very few losses after tallying cart note dockets. Truckies had unloaded or left several too weak to travel; a few cows had calved down in transit. “Lose a few, gain a few!” Henry, receiving a schedule over the Flying Doctor that more trucks were expected tonight, drove out to get the boys to push the first big mob farther out on the flat. “They’ll pick up a wind out there and be spread to kingdom come by tomorrow. Next mob can resident in here a while.” He told Billy as they drove. “Push ‘em well out, you blokes. You’ll be after dark getting’ in. Dinner’ll be on; maybe a little drink, eh?” He called to the boys, winking at Billy in the passenger seat. Billy and Henry had a big stew going when the boys got back; unsaddling and washing down before tea. They soon fronted up at the cook hour for the promised rum and, of course, generous dollops of stew. Both cooks had been tasting the brew and the stew, for some hours now and

Billy was, as of now, considering himself to be quiet the gulf man, with much valuable accumulated advice on this hallowed ground: And Henry, “having originated from Crab Rock Station and I quote”, quoted Henry, “You don’t get any more gulf than that!” Tipping a neat rum down. “Saluté, young man!” The night wore on, experiences round the countryside made vivid once again in tales and fables told. Finally, an engine joined in duet with the generator set, another roared on a higher exhaust note, into a gully, onto the brakes, staccato rattle from the Jake, soon head lights blazing at the yards; truckies’ ramps and swing out gate, cattle snuffle dung and grass, cautious steps, steel flap to race, hooking hips on crate gate posts, turning, backing, breaking off. Henry wandered off before they’d done. Enough for today, he reckoned. Billy invited the truckies up to the homestead, wheeling their rigs round the front yard, for a plate of stew and tea. They all took up the offer of a shower but declined a quick kip, happy to be moving on, claiming Gilbert would overrun them with cattle if they didn’t keep moving. “He’s pulling them out of thank you woodwork, all his, he reckons. We know Gilbert, though, eh, boys.” From one outspoken fellow. The resident all slurping stew, nodded in assent. Billy was happy to hear positive reports on Gil’s ability as tomorrow morning, plan whatever would be in motion and Gilbert would be moving within a week on a blitzkrieg muster to beat all. “Harry Drummond’s wanting cattle? We’re just the boys to get ‘em an’ when it rains up there we’ll cart ‘em all back!” A few thoughts of letter writing flitted through Billy’s mind before slipping off to seep. Thought mixed with rattling crates, spring hanger boxes, the rise and fall of exhaust notes through creeks, around bends, as governors kick on load, the odd Jake rattle, rattlin’ in, backing off, brake lights glare, trailers snaking, pulled in line, powering through, long nights and days. Total quiet at last descends, till fire coals stirred and billies boils, from sighing gums and lowing cattle, day’s not here but it’s begun, people moving, rolling swags, moving out back with the cattle: cross flats and creeks, from holding paddocks; endless load, drought stricken cattle. Billy was in the air early, heading south. More meetings, another sat phone, interview some stockmen and, of course, this damn letter still weighing on his mind, and then off to the gulf. Towards late afternoon, evening, Hillview range outline appeared, is small plane tacking across the breeze. Billy’s spirits were yo-yoing between the letter and the gulf, curious as to who’s at the office, Hillview or at home. Thinking of another lunch at that restaurant on the hill, Getting to like the good life, eh, chuckling to himself on approach at Hillview strip. Come on, feller, keep moving, he reminded himself. Hearing Billy as he banked around, Margaret drove down the strip, looking very glamorous in her new red Jeep, to down, distant range, on rolling green, sunset accentuating Margaret’s profile, clearly outlined against bright skies. Come on, feller, keep moving; distractions round her could stymie the muster. “Harry around?” Billy casually enquired, swinging into the open Jeep. Make a decent bull buggy, plenty of grunt by the feel of it. Billy thought, wheels spinning a little on the verge as Margaret gunned off towards the homestead, filling in spaces as they went. Harry was still overseas, Margaret 24

advised, adding that he’d had long discussions with Mr Jones on Billy’s proposition regarding management of the Gulf cattle lift, handing Billy a fax with regard to his carte blanche control of mustering, transport and dispersal of cattle from Gulf properties listed, via rail and trucking companies as required; politely requesting Billy to square administrative dealings away with Mr Jones as usual at all times. In rounding off Harry said he was looking forward to exchanging his business suit for work clobber and attending a tool box meeting up country in the very near future. Sunset had run its course, a cool evening breeze batted along the verandah. Margaret and Billy had finished their third cocktail, Billy marvelling at colours swirling in conical glass and the effects the nectar was having on his mind. Attraction flared, bodies touched, moved inside, between French doors, part pushed one side. They started on the shag pile rug, thoughts and clothes pushed aside, moonlight shone, moonlight shone a pale white sheen, shone through the night and before dawn; an encore from last night’s feast, from huddled sleeping inert forms, cuddled on the shag pile floor, as slowly bodies consummate, clinging to moon’s last rays. Slowly now, night turns to day. Billy walked back up to the hangar after an OJ and toast with Margaret, noticing quite a spring in his step, avoiding contact with other people in the penalty, looking forward to a quiet, early drive downtown, thinking of Janey, and how to handle the situation. Thought better of calling, only been a week. Check in at the office; finally able to obtain more sat phones and be on the next flight to Mount Barndon; first available for Barndon being 3 pm - ETA seven to seven thirty. Gilbert had actually returned with a text message, obviously having found someone young enough to drive the phone, and open text messaging. Leaps and bound! Billy beamed. Settling back on board, opening sandwiches and juice, fleecy clouds partly obscuring agricultural patchwork: Designs, drifting off in parchment semi-desert, eroded creek lines spilling, in and out of clay pan flats, reflective sheds and billabongs, message in dots and dashes as cloud conceals or swings its curtain back. Rod met the 7:00pm at Barndon airport and they retired to the Barndon Arms for a thorough debriefing; Billy happy, paperwork up to date, stock losses very low. Fred had sent a few loads in; Billy knew the score there and would attend to Fred shortly. Meanwhile Gill had been powering on, road train after road train loads of cattle being sent to Mount Barndon railhead.

Billy reckoned, with conditions down south being mild and the old boy’s brigade bolstered by young blokes sprinkled through unloading trucks and tailing out was not to be too big an issue. Rod was staying on and happy to move out bush if necessary. “Things are slowing up in this neck of the woods; apart from Drummond Pastoral that is! I guess you’re the only show in town.” Billy thought a couple of beers were in order. Soon enough he was back to the yards to do the pre-flight checks on the plane before powering off into the dawn, banking around invisible threads and levelling out, Billy flew on a nornor-east heading, obtained from Gill over the satellite phone, passing expected landmarks. A smudge of smoke on the horizon caused a slight deviation to Gill’s boundary camp. A mob of cattle were drifting in, riders on the wing and tail, having been out all day for meagre feed, their condition was still okay for trucking on. After yarding, with horses fed, young blokes patching tyres, they sat down off the fire a bit, a couple of rums with some stew and cheer; they discussed the station boundary near, discussed the rates of Gill’s employ and clean skins that he’d enjoyed; then settled back and reminisced of tracks and truckies coming in, of every topic known to man and every handy angle, till rum had all but loosened teeth and stars blown off their course. Nobody noticed, nobody cared; couple of drivers stirred fire and stew; strong cold wind still whipping through, tugging at swag flaps, flapping the fly, shading the cook between jinker and fire. Daylight’s here, truckies are off, down to the yards, loading ‘em on, followed along, by a motley crew, wolfing down bread and lukewarm stew. Steady on loading, cattle not right, wind whipping through, making ‘em toey, hooking at shadows low overcast skies, kicking at rails, stock crate gates to blacken nails, yelling loud. Heat, dust and flies. Finally loaded, blackened nails, squashed hands narrowly averted, kicked gate swinging round. Truckies got trucking as truckies do, boiling up dust; powering on through the day, further on in the night, coming on daylight at last some respite. Away from the noise, away from the glare; far away from where you are there, in cul-de-sac quietly cloistered away; away for the moment twixt break of day. **** Billy and Gill took a look round from the air. Their corporate neighbours were not to be found. They were all away in the south, each lodging a drought relief claim, their only away to tide over the devastating. That afternoon they hatched a scheme, to swoop on mobs hanging on a trusty mill; too poor to walk across the plain for fear they wouldn’t get back again to whet their whistle at that trusty mill, out there on an endless bigger plain. They wheeled in early before daylight, mobs coming to water took to fright and headed out on that endless plain, soon settling down to a steady gait as stockmen watched ‘em, backing off; carefully picking their way over gibber rock. Sorefooted and thirsty they struggled on, at least three hundred and fifty strong. The aeroplane’s landed, out on the plain, pilot sits back in the solitary shade, that only wings and fuselage can provide, sitting on newsprint, hot even in shade, watching the cattle hobbling near. Horsemen ride up, backs covered with flies, to rest in the shade: a moment’s release on this scorched ground, strewn with rocks as stock hobble by. Late afternoon brings a pleasant respite, a cooler breeze blowing, perhaps more in the night as cattle trudge onward, one giving in, carcase for carrion crow and their kin. Aeroplane pilots have left for the day, picking it right as cool breeze blows, providing ‘em lift, with no bouncing about, as hot air pockets had plagued ‘em by day back to the camp a horseman goes, not far from the yard; back for a buggy with water and grub, pick for the horse, a fresh bale of hay. Back through creek country, close to the yard, cattle still out well out on the plain, single files, approaching yards after

dark. Located the leaders still going strong, riders on the wing humming a song, not that you’d spook ‘em; they’re way past that, simply a habit out there on the track. Cattle droving along, footsore and tired cross the plain. “Don’t let ‘em camp up; won’t start ‘em again! Water your horse from your upturned hat; a mouthful of hay will help him get back! Back to the creek country, in by the yard, reckon they’ll catch scent from the grass, dreaming of standing in water up to their hocks. Dream on you cattle, just don’t bloody stop!” In through some thickets nor far from the yard, leaders in drinking their fill from the trough, weak cattle staggering up from behind, scent from the water driving ‘em on. Shambling along, wild eyed, starving cattle, been blocking ‘em up with horse and bull cat, not far till midnight; so far it’s all right, three hundred and fifty a fairly good start. See what comes at daylight; how many behind, for crows and dogs and shifting sands of time. Getting past midnight, cattle spread out, working ‘em wide, working ‘em back, some hunkered down too weary to roam, low at their mates as they nudge ‘em and go. Horsemen and horses, walking cattle back, ringing ‘em slowly, camping ‘em down. Coming on daylight, some stockmen camped up, others still moving, camp fires lit up: Soon be a billy of strengthening tea, as stockmen rotate for a wash and a feed. All day we’ll watch ‘em, round creek banks and flats, watching ‘em feeing, strengthen ‘em back. An evening walk, past the soak for a drink, pugged and slurried from the last mob’s cloven feet. Watching the cattle best part of a week, waiting for trucks: cutting and branding, mixing mobs with their own; from out of the scrub where they found ‘em alone. As the mobs tailed out, tailed out from the yards, watched on nightshifts, daylight peeking in, snuffling clean water, end of the creek, all day round the banks forage green pick. Billy and Gill were pretty chirpy on this last life, a good straight line of cattle; they’d had time to talk. Going in hard, mustering early, leaving stockmen to tail out by day, and yard up mobs in the evening. Billy cranked the sat phone and spoke to Rod and Mr Jones. “I don’t want this weaker mob hanging around Mount Barndon rail yards. The quicker we get them on a good feed down south the better!” Rod organised relief drivers so those trucks would go straight through, no worries there. “The rest, hay and water, mix ‘em up and train ‘em out!” “Replace a few discoloured plastic eartags, tickle up the brand, she’ll be right!” They’d worked out a strategy during this time, to handle the rest of the gulf job: People, vehicles, who to include or exclude as they worked their way back from Crab Rock Station. Gill reckoned they’d be better going up there first and working their way down. “Even a small break in the weather up here can pull you up, and when the rain comes, Crab Rock’s first.” He warned. “Far as young Freddy goes, he and his crew will be rolling their swags and coming with us. Was going to bring him across here but we were doing all right. Told him to stay at Whellana and top up those bullock paddocks!” He continued with admiration creeping into his voice. “Believe he’s turnin’ into something of a manager, keeping cattle back and stuff. He’ll be right, top end bloke, you know. His old man’s up there; he’s all right. As for that bloke at Black Rock”, he muttered, frowning, “soon’s he’s gone the better. Heard him on the flying doc crapping on about something. We’ll be down there soon. Soon sort him and that uppity missus of his right out!” A small crew were left with the cattle, Billy in charge, while Gill and the rest drove back to the station to pack up. “Be gone a couple of months”, Gill reckoned. “Could be a few drives like this last one pop up, soon whacks a week on, but worth it. Good line of stock that were only gonna die where they were. Do you s’pose the insurance bloke would count the bones. Unreal, eh? I’ve seen those blokes in action; don’t wanna see ‘em again. Ah, 25

well, better get going, eh?” Gill trailed off as he moved along to his vehicle. Trucks came, trucks left; everybody landed at the homestead for a couple of nights and then off, off for Crab Rock Station. Mr Jones hardly raised an eyebrow when Billy informed him, just thanked him for the call. “Everything’s in order as far as paperwork is involved. Rod’s doing a good job and cattle numbers are high and well in budget,” he told Billy. “But on this next leg would you mind spreading the team or something? It would be disastrous to be caught in a wet, even a small wet.” He worried. “Billy, are you still there, Billy?” Mr Jones asked. “And, Billy, we really must reduce talk time on these satellite telephones. Do you know how to test, Billy? Thank you. Good luck!” and hung up. My, how life rolls on, Billy sighed. The team travelled along, cutting through station country, around Mount Barndon and Black Rock. Fred and his crew joined them at Whellana; Fred excited to finally be included. A circus-like holiday atmosphere rolled along with the motley convoy of bull buggies, a light road train carting horses and stores and several smaller trucks; as it would be necessary to split teams from time to time. Then there was hay for yarded cattle, impossible to obtain locally. Additional

horse tucker, fuel and cooks jinker with stores included, all necessary in maintaining a mustering mobility. The odd longer droving trip was required, bringing cattle down to trucking yards out of rough country. Weekly mail trucks had been stockpiling fuel and stores at Crab Rock and Mount Howards over that past three or four runs. This would enable mail runners to keep up supply when mustering started. Crab Rock Station homestead duly proposed over the engine cowl, Billy wheeling straight in on the mangrove lined strip, tucked in behind a limestone out crop: aquamarine sea misting off, blurring to an indistinct horizon, contrasting vividly along a stark white beach, wheel marks disappearing down its length. It was quite a celebration when the musterers finally arrived at Crab Rock homestead. Billy and Gill flew in separately on the evening of the mustering plants arrival, having done a thorough recce of each station: logging position, numbers and condition of cattle, and liaising with neighbours on their way north. With Gill being brought up in the area it became something of a social jaunt. His familiarity with the people and the area extended Billy an introduction well along the pecking order of opportunity; invaluable to newcomers, outsiders and in particular corporate employees. Gill, who could speak to them with authority on the subject, explained the chances of coming through this drought with anything were remote, and pointed out Drummond Pastoral’s perspective on drought affected areas being to reduce numbers dramatically whilst maintaining infrastructure, as in their example in the south, naturally on reduced employment levels. Everybody, of course, knew Gilbert Roberts, now at Mount Cole, as a gulf legend. The operation was obviously worked in a stockman-like manner. “Why else would old Gilbert stay on and he’s still having a rum,I believe!” The comments were made nodding sagely, tipping one or two backs themselves. “This drought looks like hanging in a while!” Nodding again, adding things like “El Nino” or “Global Warming”, though it seemed pretty cool to us!” and “Who is El Nino anyway, a Spanish bullfighter? Ho, ho!” “The Christmas party!” Billy almost groaned sarcastically. “Can’t wait for it.” Hoping to excuse himself early; waiting on a lead from Gill to finally shut down. “Protocal’s fine, but this very quickly beats all. Gonna be good comin’ through here mustering though. There’ll be El Nino all right! Us, full noise, on the run. Hmm!” Billy pondered. “Hope these boys are ready to go!” Having observed a bull buggy a good way down the beach on approach, Probably fishing, he’d thought. Everything was in order. Pete the manager and his wife had already been out with their plant, keen to destock in these uncertain times. An increasing number of predominantly fly-in tourists maintained an interesting cash flow and in the future, with few or no cattle and a corresponding reduction in the workforce, extra accommodation would be available for more croc watching,

fishing, lazing about, paying tourists. Pete also happened to have a decent boat and an amenable disposition backed up by his very capable wife Lora. Crab Rock Station may well be worth a visit at a later date. Billy was thinking of Janey and the kids and feeling a little remorse at not having contacted them. Nearly three weeks, he reckoned, just get this show on the road and I’ll call, tailing off lamely as his mind went back out on the job; spurring the boys a little, willing himself back on the course he knew, and she knew he had to go. Perhaps when it’s over it’ll be different. What makes these other women tick? He wondered. Mind you, there’s not many of them. Perhaps being born an’ bred up here’s the difference. Janey was good all that time with Bob’s mob. Maybe Clyde’s place brought us unstuck, or maybe it’s the city. His mind wandered to a centralised homestead where he could supervise from, Janey teaching their expanding family with School of the Air and them all riding their horses along the creek in the evening. Come on, feller, he reminded himself. You’ve been this path before. Cattle! Gotta get the cattle! Turning his energy onto a pile of flat buggy tyres; flogging himself out on bead-breaker and levers till all was even and all was done. Sun setting on a dead-flat sea; slight yellow bulge appearing on either orb edge as it kisses the horizon and sinks, leaving black sky, black sea. Waves slap quietly on pale white sand: a bull buggy blurting off out. Probably the boys taking some tourists for a spin, jerked Billy back to reality, moving quietly off to his swag. Avoiding all; tomorrow it’s on! They spread out along the coast well before daylight, horsemen assembling groups inland a few kilometres, picking up little mobs as buggies drove ‘em in. Yarding that evening was not very heartening, but considering the country, Billy reckoned not bad. Tomorrow they’d get onto better dirt, easy warm up for everyone today. Shift camp tomorrow, away from touristy influences. They left the buggies and horses at the stockyards, travelling back to Crab Rock on one bull buggy. The crew, having got to know each other over the past couple of days, shacking around, pulling the steering wheel and rocking the vehicle, rather violently one would think if not having had the experience of being bumped around by a tonne or so of angry bull in thickets and gullies. Order was called and the heavily loaded buggy maintained an even keel back along the coastal track to Crab Rock homestead camp. Dinner tonight consisted of fish, shellfish and pickled occy. This menu followed them down to the Mount Howard boundary where Jim and Sylvia, with their crew, joined up, then Helen, taking over as camp cook, had a preference for beef, stews, roasts, salted, dried and vegies from her homestead garden. Distance was becoming a problem with the seafood delicacies anyway, as was supply: there being few people left at Crab Rock to fish, all being involved one way or another with the muster. Horsemen moved cattle from Crab Rock yards on daylight, quietly grazing them off in a southerly direction. The buggies had lined up earlier on, more or less east-west of the yards, crackling exhausts reverberating as the muster entered creek country. Billy overhead and Gill conducted the muster via radio, diving on little mobs or mickery bulls holed up in thickets, back firing the engine, moving cattle into one mob. As they day progressed it became obvious to Billy too much time was being spent ferreting out scrubbers, so word was passed round to bypass any cattle that couldn’t be brought into line quickly: Mount Howard yards were still a long way off. Twilight bathed the yards, causing blindness to man and beast, feeble headlights from buggies lost between day and dark; nevertheless they pushed on anxious to be yarded before pitch dark. Cattle blocked at the wing: Billy having landed some time back, set ball taps gushing water into trough’s and spread a few biscuits of hay along the wing, hoping to lead them in. The leaders picked up the scent; horsemen working wide funnelled the mob onto the wing, hearing more than seeing, relying on their sure-footed stock horses to see them through.

It was pitch black when Billy closed the gates on the last of the mob. “Well”, he reckoned, “that was the last anyway.” A couple of buggies provided light and a quick run around the flat, along and off the wing, turned up no strays. “Bound to be some”, Billy reckoned. “Get ‘em when we come for those scrubbers, that’s if they drought don’t get ‘em first.” Pete and Lora were returning next day to Crab Rock; leaving two of their stockmen, horses and one buggy with strict instructions to “look after ‘em”. Lora, baking up one last fisherman’s basket for dinner that night and crib the next day, advising all, “You’re now in cattle country proper and Sylvia will be cooking beef, good beef mind, still and all beef!” Lora tailed off, washing and packing up. “No more of this for us, at least till some decent rain arrives. This mob’s the last.” She commented with some relief. Other cattle had been pushed over the Mount Howard boundary from east and western areas of Crab Rock over the past weeks: “This last drive down the middle, apart from scrubbers, is it and the drought could well put paid to them. Tourism’s good, always a fresh batch of people having a good time, spending money: Mail trucks never had it better. One day when they fix the road…” Lora sighed pensively. “I wonder whether it will actually be for the best. Be able to truck the cattle out, rather than these long days droving. Anyway, we wasn’t have any cattle to speak of so that’s that!” as she closed the book on her old life. They planned to truck from Mount Howard boundary yards, two road trains, arrived late the following afternoon, loading up just before dark and moving straight off. A few of the boys stayed back, tailing the remaining cattle out for a feed. The rest of the crew mustering from south, east and west back to the yards, turning up decent mobs each day. Shortly it was time to move, Billy and Gill split the team; Gill moving on south, recommencing mustering where they’d mustered back from; Billy mopping up a few areas and tailing out, waiting on trucks, expected any day. The road from Whellana being pretty rugged, involved breaking up road trains from time to time, towing them over sometimes as doubles, more often as singles; arduous, timeconsuming work. It took Billy and his crew four days to finish up at the boundary yards. They’d had a good run, so had Gill, right out the west end of Mount Howard with a motor vehicle of cattle a mile wide. “Bloody big mob, Billy!” He exclaimed over the sat phone. “Gonna bed ‘em down on this big flat tonight and bring ‘em on in the morning.” Reckoned he’d ordered a heap of trucks when he’d seen this motor vehicle strung out along the creek. “What, with the time it takes them to get here, we’ll be right. Couple should arrive tomorrow night.” Gilbert went on a bit; with Billy wincing, thinking of Mr Jones and the sat phone bill. Still, we’ve moved a fair number of cattle without much fuss to date, he reconciled. Mind you, Gill has been, and still is, the main shaker, but it’s all happening. Let it roll, let it roll. Gill passed on the advice to Billy that he should head west, then south along the range, mustering east to Mount Howard’s central yard. This move, combined with Gill’s steady advance, would clean up this quadrant of the property. “A little look around the end of the range wouldn’t hurt,” Gill added. “Often a few neighbours hanging there.” Gill reckoned he’d send Jim over. “You need someone who knows the country. Soon’s you get a motor vehicle, though, send him back. Silv’ will miss him. Gotta keep the cook happy!” Billy set the crew off early, instructing them to follow the plane if the radios gave trouble. He’d catch them about morning smoko, after fuelling at the yards. Upon leaving the yards Billy climbed to two thousand feet and there out west was a black line of, he presumed, cattle munching their way on dead grass, scrub and whatever pick 27

was available en route to Mount Howards central yards. He also saw road trains winding around the ridges, a long way off. Dust storms, tracking transports as they closed distance on Mount Howard’s central stockyards. Billy banked around, spotting a vehicle dust trail wending its way off on the Mount Howard yard road; his mind’s eye picturing Jim, whom he’d met on the inspection with Gill, travelling up to Crab Rock; aware he would cut his crew’s tracks before the yard and then follow them onto the range. Billy flew on, a bird’s-eye view of the snail’s pace proceedings below. Dust trails tracking movements, boiling densely at their source, thinning out as vehicles crawled across the landscape. Billy flew on, waggling his wings at his blokes, having swooped in low over their vehicles, powering off ahead. The range strip was long with plenty of shady trees indicating wind direction. It wasn’t long before Billy had a smoke wafting up from a small campfire and was sitting back enjoying the quiet and a cup of tea; the odd mooing along the range drifting on the breeze. Later, engine notes rise and fall roused him from his dozing: motor cars arriving shortly after, ringing in around the fire, adding quart pots and camp ovens to the blaze; the new arrivals attending general camp duties, ongoing vehicle bush mechanics and maintenance. The bead-breakers’ clash and the clang of tyre levers being dropped, drowning out all soft bush notes till later, as dark approached, repairs finished by torch light, tools packed away, a last engine revved in a quick check for an early start, and all that was heard now was the night. A horsebell quietly clanks way off, quiet seeps in; the night is black as tar. Billy made a few false starts, once at midnight, fortunately checked his watch before making a noise. Another at 2:00 am inspired him to rise and make an entry in his diary. He only lasted half an hour before dropping off, cool night encouraging him off to his swag whereupon he nearly slept in. Fortunately his wristwatch vibrated and sent off little bell tones, mixing with horsebells in his mind, vibrations forced him to a stage of wakefulness where it slowly drifted in it wasn’t horsebells, and it was already twenty minutes further into today than he wished to be. A couple of older hands had risen and stirred the fire, not bothering to wake anyone else, kicking back drinking tea, rugged against a chill wind, patiently waiting. Horsebells approaching offered a modicum of normal stock camp life. Hobbles removed, horses moving freely round the yard, snuffling at dust-scummed water, phosphoresce faintly gleaming off the riffle, snatching at biscuits of hay, yellow against black. Nip and kick as horses frolicked in semi dark. Engines fired, settling at idle as they warmed, general instructions, generally listened, all aware decisions made depended entirely on individual merits. “Remind you again, no scrubbers, unless they fall in with a mob and behave ‘emselves; otherwise let ‘em drop back or cut ‘em out as they go. Don’t take a chance with a rogue; shoot it and keep moving. They’re no good out here. We want no injuries! It’s unlikely, but we could make the yards before dark; otherwise it’s night watch on the flat!” Thus, with a rev and small kick of the wheel they started. Horses loading bridles toed off, stirrup leathers trucked, ready to roll, quick hitch on girth and surcingle. Billy waited till six fifteen before taking off, the sun being very slow coming through a heavy mist. “Normal for this time of year”, Pete advised, receding visibility. This delay allowed buggies and horsemen time to spread out, down about fifteen kilometres of range. “Exhaust note rattling around’ll start ‘em”, Billy reckoned, “followed by an air borne attack. Could make the yards in daylight; not wishing to have a repetition of the other night.” Bloody lucky there, he reckoned. Still, would have picked ‘em up come morning, they were at least as tired as us! Time, he reminded himself, already been a week up here: 28

gotta make the pace! Lining up lumpy hills through clearing mist, the beginning s of the ranges, unsure where the buggies were, thinking they’d be halfway along, when he spotted the horse truck and float, sunlight gleaming in on a mist wet, slab white side. Stockmen unloading saddled horses, some already pushing off into the scrub away from the range. Billy nodded approvingly at progress to date, aware a couple of buggies would be down further; at least one, probably Jim, would be positioning himself around the end, behind a mill, checking out tracks, waiting on the spotter plane. In case he cut any cattle off, Billy came in wide and fairly high. With a bit of mist still hanging about, he picked up the buggy on his first run three hundred metres in. A few little mobs already moving along well he gave a little blip on the throttle, dipping a wing their way, banked around repeating the arc on a parallel course, pointing out the same mobs, and some more on the next run back. The mist had pretty well cleared. Billy gave the area underwing a low level attack, backfiring and working the horn. A couple of bull buggies roared in working on a face, mobbing up cattle, settling them into a steady gait towards Mount Howard trucking yards. Billy headed back off along the range, half a kilometre in; aware the buggies had already moved cattle on to some extent. Can’t beat a cold morning for getting things started! Billy ripped around, stall-warning beeping off its dial, diving on a mob of cattle disappearing into a thicket, a few degrees off course. Good enough to keep the buggers moving! He observed a buggy bounding over their way: already a respectable-sized motor vehicle was moving off the range. From his vantage point in the air Billy was able to see quite a few more, further out on the plain and wooded verge, grazing out, unaware they had a ticket to ride, and a first-class walk and perhaps a little sleep over the flat, if they didn’t make the yards today. Billy kept the pressure on, reducing the size of the front, cutting them off from several mills on the one side, directing more cattle across to the main, slower moving motor vehicle. Aware the day was moving on, a decision would have to be made in the next couple of hours one way or other: camp up or move on. A belt of heavy scrub and several kilometres still between Howard’s yards and the mob. Time, out on this relatively easy country, would be the deciding factor. Cattle were walking up well, good numbers being picked up as they went. Billy landed, discussing the situation with Jim, who seemed at ease with walking on in. The moon was coming in earlier, something that didn’t sit well with Billy. He’d had enough of that twilight caper the other night to last him. This mob was nowhere near as tired as the last. So, on they pushed. Billy headed back to camp to supervise the setting up of gates and yards to accept the cattle. Two big mobs were now converging on Mount Howard yards, his and Gill’s. Billy could see their dust lifting amongst timber along the creek as he flew in. Gill was obviously flying on in too. Gill arrived shortly after, Billy helping him set up before he saddled a spare horse, going straight back out to assist with the end of the drive and yarding; Billy doing likewise. Gilbert would obviously yard first whilst Billy’s mob was still coming in. “She’ll be right!” Gilbert assured him. “Once mine are in we can all surround your mob; they’ll hang by the yard and there on that little flat!” Trotting off down the creek he shouted back, “There’s enough of us here to eat ‘em! Bring ‘em in close, mate!” Billy was buoyed up on this show of enthusiasm and confidence from Gill. Just haven’t handled cattle much in the dark before, he thought. Looks like standard procedure for these blokes. The sun was dipping when Billy got out to his mob. Too far for me, he thought, looking out into dwindling light, deep shade thrown off trees and scrub, creek banks will be halfway hiding cattle in gloom if they paused. Stockmen pushed themselves and horses along wings, buggies harrying behind, propping and reversing in wheel spin urgency from the closing night.

Billy was still able to establish direction by creek line or the occasion glimpse of rapidly darkening range point, hoping for an early end to twilight, at least some starts to steer by: Better still a nice big moon! It is overdue, Billy reassured himself, along with cloud-covered horizons. At this point of near hopeless resignation to whatever card may be dealt up next they heard, as one, buggies approaching wide on either wing, nudging along quietly, feeling their way onto the mob.

wemt, outback getting cattle, bullocks for the road. Ever onward the muster progressed, yarding, tailing cattle, waiting on trucks, feeding, drafting, trucking out. Now Mount Howard South had an advantage by way of proximity to a national park and neighbouring land considered too poor for permanent pastoral development, mainly due to unreliable permanent water. Livestock however, in good seasons, were allowed to

Vehicles propping, others working along to the tail, guided in on revving motors gunning up creek banks as they paused, shutting down, listening. Stockmen on horseback bolstered ranks, previously hard-pressed on the wings, escorting the mob along, getting a scent of other cattle, water and feed: little enough of feed, but still a scent to starving cattle. They emerged from the scrub just as the full moon rose above the cloud, part grinning through thin cloud wafting by. A phalanx of cattle proposed, marching across the flat, closely attended by rider and idling buggies and within half an hour, straight onto the Mount Howard trucking yard wing, extended across to the fringe of scrub. The cattle working their way pushed and stumbled steadily along broad double gates spread back welcoming the mob. Sylvia had a huge camp oven of stew quietly simmering on the edge of the coals with other pots bubbling along, ready for a top up. “Stew! Glorious stew!” Sylvia was oft heard to sing as she added ingredients to the brew. Stockmen drifted in from their chores of hobbling, feeding, shifting the odd recalcitrant beast from pen to pen or perhaps bush bate; bit of stitching on a rip as they sat around the campfire with their stew. “Then motor car repairs ‘cause tomorrow it’s on again - early!” Billy and Gill reckoned. “It was fair enough on the yarding to have a taste, short but sweet! Big day tomorrow. Trucks coming!” then tailing out and preparations for another decent sized muster at Mount Howard South. Daylight was coming, morning stars cleared, trucks arrived and idled down, dust hardly shuffled near the camp and so they worked the cattle, those not fixing gear, loading up the cattle, clinching loosened horseshoes, topping fuel and oil. Loading up the cattle as road trains proposed as on and on they travelled to Mount Barndon Rail, and back. Back out to outback stockyards, outback the farthest

access the area, enabling established country a spell. Cattle drifting back in from these areas, with assistance from time to time, provided Drummond Pastoral with a large number of somewhat undernourished cattle; however, still strong enough to truck, greatly expediting the business of restocking southern properties. Billy, Gill and the crew, complemented by capable stockmen and cooks at different points on their mustering, branding, eartagging, dehorning and cattle trucking journey south had moulded into a hard-core unit. Thousands of cattle had been handled over the past month or so. Logistically this project could be compared with a wartime military operation, with scrub bulls firing back, ambuscade and tactical planning, constant companions in an ongoing push against entrenched opposition; always obstinately opposing incursions on their patch. Bush mechanics was the order of the day and often into the night. Head-on confrontations with enraged animals often avoided due to cost in down-time repairs. They had a fortnight or so, depending on the availability of trucks, at Mount Howard before moving on to Ramona Downs where, as with Whellana, mustering had been in progress for some time. Roads were of a reasonable standard and bullock paddocks were easily accessible to musterers. At this point Billy considered moving south, checking lines of transport and distribution. He also carried a wad of dusty paper which from time to time during respite from the hunt he would search through; sometimes adding a word or sentence, trailing off lamely. Dialling numbers, not actually connecting on the sat phone, helped a little. Fortunately, there was a constant distraction by way of repairs, cattle camp politics and communication with Rod at Mount Barndon; a never-ending juggling act, like a three-ring circus with lions on the loose. Consequently, the letter to Janey progressed, if one went so 29

far as to say progress being a dog-earned pile of writing paper, partly entered hieroglyphic squiggles around a formal letterwriting procedure, tapering off into nothing, as being progress. It’s not for lack of trying, Billy argued back and forth with himself, sometimes while stargazing in the early hours. Just can’t put it down on paper. Surely it’s not someone else, his pride flexing on this thought, putting niggling doubt to one side, fumbling the phone in the dark, desperately wanting to get to the bottom of missing words on dog-eared paper. As usual, wristwatch bells rang in start time; clear headed now on movements for the day. “First off out of here, cattle, Mr Jones; Harry if he’s around.” A little shiver ran through Billy, recalling his impromptu performance with Margaret, OJ and toast: All good healthy stuff! He rationalised. And all the while a scruffy pile of dogeared paper was yapping at him, only the intensity varied, constantly on his case. A quick yarn with Gill while fuelling up revealed that Gill was right to carry on this end; no problem now they had Mount Howard under control with road trains arriving as they spoke, the first driving straight up to the yards and the cattle being moved ready to load. “Become quite a polished operation!” Billy commented. Gill grunted, running an experienced eye over the loading, the camp and a bit of mechanising happening off stage. “They’ll be right just so long as we keep ‘em right! That bloke down at Black Rocks is next on the list. Reckon I’ll keep Jim, Lora and Freddy on; just go through Black Rocks like a pack of salts and let you deal with him later. I’ll stay polite, just keep moving, you know.” Gill reckoned, placing the fuel hose back in its holder and with a wave of the hand and a “see ya round” he headed back off to the yards. More trucks arriving caused Billy to walk away from the noise a little, while talking to Rod on the sat phone regarding a flight, emphasising “not the mail plane, Rod, not the bloody mail plane!” Adding that he’d be down late afternoon and would like to move on without the traditional Mount Barndon Arms debriefing! “Next time”, Billy added. “But now I need to get south pronto!” Walking back to his plane as he spoke, cranked aerial pointing carefully at that spot in space-age communication. Normal pre-flight checks were completed, and he was off with a lift he hadn’t experienced for some time; winging across reasonably familiar country, prominent landmarks jogging his mind: Mount Barndon’s bulk rearing on a far horizon. Rod was working at the yards, cattle in hand, with a rake of wagons being pushed with a small tractor, long having retired the pinch bar. Billy taxied towards the yards. Rod instructed his crew to continue and drove over, waving to Billy to hurry. “Commercial’s leaving real soon; you’re booked but we’d better move; next flight’s the mail plane!” He said in a threatening tone. On a quick debrief on events and gossip since they’d last spoken, Billy discovered Mr Jones had taken ill, hence the lack of communication; which Billy had put down to an aversion to the use of expensive communication devices and that Harry was due any day flying the twin on a general tour of his gulf properties. “And heaven knows what else he may have in store”, Billy added. “Sky’s the limit with this bloke Rod! You’ll be right with him, though. His missus is a bit of a goer too!” Not going into any further detail than that, looking straight ahead into the middle distance or whatever. They arrived at Mount Barndon international in time to check in for the direct flight home. End of chapter thirteen The Ute conludes next month. If you would like to read the whole novel as an eBook, it can be purchased from John’s website - www.poetdownunder. com or www.lulu.com/shop/john-taylor/the-ute/ebook/ product-22566720.html or on the Apple store www.itunes.apple.com/au/book/the-ute/id1086709294?mt=11 30

COMMUNITY LILI-MAE TRIUMPHS ANN ORLOWSKI

ili-Mae Newman is a talented young local dancer. She has recently competed at the Bayswater Dance Festival where she took first place in Classical Ballet (fourteen and under). All those competing in this section are if an elite class. This is the largest dance festival in Western Australia with dancers from over sixty dance schools attending. Lili-Mae has recently returned from the performing Art Academy in Hong Kong where she received training from teachers from the Royal Ballet (London). Lili-Mae is a dedicated dancer with a passion for classical ballet she feels privileged to attend the Katherine Mantle performing Arts Academy and thanks all her amazing teacher for their support and inspiration, Last year Lili Mae trained with the English national ballet school in London and also competed in the Alana Hayes competition in New Photo by Mellisa Larson Zealand.

COMMUNITY MIDLAND OVAL RE-DEVELOPMENT

he City of Swan Council has taken the next important step to realising the vision for the Midland Oval Redevelopment – the development will transform Midland for future generations. “After decades of talking, it is time for action,” Mayor David Lucas said yesterday. “The masterplan for a new residential development in the heart of our community represents the future for our children and our grandchildren. “It will change the way we live and socialise and it will revitalise the heart of our community.” At the Ordinary Council Meeting Council voted to increase public open space by up to 5,800sqm, in addition to existing public open space. The motion also instructed City CEO Mike Foley to proceed with the agreement for the DeMol Group to construct the extension of The Avenue from Keane Street to Sayer Street, in accordance with the City’s specification prior to the completion of a development on Lot 4, The Avenue. Mayor Lucas said the Council had responded to community concerns about the amount of public open space in the development. “We have heard and accepted the criticisms and we have responded by increasing the amount of public open space. We are confident this decision pays greater homage to the oval and makes way for a significant amount of additional green space. "Further, the original proposed paved event space in the Cale Street Piazza will now become a predominantly green space. “We will always be ready to accept constructive criticism and hear the community’s concerns, but we will not miss this opportunity to transform the heart of Midland for future generations.” “We know we can do this type of development well. The Woodbridge Riverside Park attracts families from all over Perth as one of the best nature-based playgrounds in the metropolitan area. “This is what we want for the centre of Midland, the development will deliver a mix of spaces for sport, recreation, play and the arts. There will be walking paths, nature play and water play, a large event screen, public art, a community garden and a large kickabout area which can be used for community events like fairs, markets and food trucks.” Mayor Lucas said Council's decision gave the City greater direction to move forward with the construction of the road network, which has all the necessary planning approvals to proceed. "An information workshop will be run by City staff within the next six weeks to explain the recent changes to the plan, and we encourage our community to attend," he said. Councillor Mark Elliott said the decision was a positive step forward and set a clearer direction for all. "2018 marks fifty years since the first discussions of the Midland Oval redevelopment took place, which makes this decision a significant step forward for Council, City staff and community. Council has again shown their commitment to getting on with delivering a unique and vibrant precinct in the heart of the Midland CBD.” The City will now work with the Developer, De Mol Group, to determine the next steps for the development. On Wednesday evening, Council also voted to advertise the Midland Oval Redevelopment Business Plan, which will be prepared for circulation to all ratepayers in the coming weeks. The business plan is specifically related to the buying and selling of land within the precinct and includes details around the governance structure for the project. The business plan will be available at the City's Administration Centre, Libraries and Leisure Centres, and will also be promoted on the City's website.

AGED CARE REFORMS

enior residents in Hasluck and their families will benefit from significant aged care quality reforms today announced by the Turnbull Government. At the heart of these reforms, aged care regulation, compliance and complaints handing will be brought together in a new and independent Aged Care Quality and Safety Commission. Federal Member for Hasluck and Minister for Aged Care, Ken Wyatt MP, welcomed the reforms and said that they would bring the residents of Hasluck much needed reassurance that everyone receiving aged care is being looked after properly. A new performance rating system against the quality standards will also be introduced providing residents of Hasluck with access to a comparison tool when selecting aged care providers. Ensuring senior Australians and their families have clear, concise information when choosing aged care options is also critical. “When I speak to people in the community their desire for reform in the aged care sector has been made very clear, and they have been urging the Government to make the hard decisions” said Mr Wyatt.

Federal Member for Hasluck and Minister for Aged Care, Ken Wyatt MP,

“This announcement is a significant reform in raising the bar on quality aged care, and sends a strong message to Australians that quality aged care is a top priority for the Turnbull Government.” “The new independent Aged Care Quality and Safety Commission, will give the more than 1.3 million Australians in Commonwealth aged care support and their families, peace of mind that they will receive safe, quality care,” Mr Wyatt said. The establishment of the Commission is in response to the Carnell-Paterson review into failures at South Australia’s Oakden Older Persons Mental Health Service. The review, commissioned by the Turnbull Government, found the current aged care regulatory framework does not adequately provide the assurance the community expects. The new Commission will start from 1 January 2019 and will bring together the functions of the Australian Aged Care Quality Agency, the Aged Care Complaints Commissioner and the aged care regulatory functions of the Department of Health. The reforms will include development options, in consultation with the aged care sector, for a Serious Incident Response Scheme to ensure the right systems are in place to identify an incident and prevent it from occurring again. “We recognise that the vast majority of providers give consistent, quality care to their residents. But, as we have seen, there can be failures.” Mr Wyatt said. “Our senior Australians built the nation that we enjoy today. They have rightly earned the respect of the community and must be cared for with the dignity they deserve.” 31

ENTERTAINMENT 100 LUNCHES AT GARRICK DOUGLAS SUTHERLAND-BRUCE

evenge is sweet in Garrick Theatre’s latest production 100 Lunches – A Gourmet Comedy by Jack Sharkey and Leo W. Sears. Playwright Jack Sharkey was born in Chicago, Illinois. He began writing when he was ten years old. He graduated from college with a BA in Creative Writing, worked as a school teacher for two years from 1953 to 1955, then enlisted in the army where he wrote, produced and directed one show a month for the Enlisted Men’s Club. In 1958, he went to New York to begin a full-time freelance writing career, returning to Chicago in 1961 to work as joke editor for Playboy Magazine and editing the Allstate Insurance Company magazine for eleven years, until 1975. He wrote his first stage comedy in 1965 and went exclusively into playwriting in 1975. 100 Lunches premiered in Phoenix, Arizona, in 1989. 100 Lunches is directed by Leslie Lee, who has previously done the play at Northam’s Link Theatre and is joined on stage by his son, Andrew, who plays the waiters in swanky New York restaurants. Alan Shaw, Andrew Lee and Jennifer McGrath in 100 Lunches “I was approached to do it by a group from the Garrick who came to see it at Northam two years ago,” Reynolds. As usual, theatre reviewer Charity Starr gives Leslie Lee said. “This is a lovely little romantic comedy, which is Reynolds’ play a scathing review. This time, however, she also one of my favourites.” shows up at the author's door, asking for help in writing a play of 100 Lunches starts the morning after the opening night of her own. the latest murder mystery by renowned playwright Charlton Reynolds agrees - but only if they can meet over a series of lunches for which Starr must foot the bill. The ploy is to soak her for a series of exorbitant tabs, enjoy New York’s finest meals and leave her with a stinker of a play based on his flawed guidance. Starr, who’s secretly in love with Reynolds, ends up experiencing what it's like to be reviewed herself after her play is produced. Director Leslie Lee has spent the best part of thirty years roaming around theatres in Toodyay and Northam. He’s taken part in about fifty plays, four feature films and lots of television commercials, doing everything from acting to set design and construction, directing and producing. Recently he has ventured down the hill to the big smoke where he has been involved with Arena, Garrick Theatre and Limelight Theatre. This is his first time directing at the Garrick where he’s lined up a talented cast for 100 Lunches. 100 Lunches opens on May 24th and runs until June 9th at Garrick Theatre, 16 Meadow Street, Guildford at 8:00pm (Matinees 2:00pm). Tickets cost $22, $19 (concession), $22 and may be booked by phoning Elaine Gilberthorpe on 9378 1990 or emailing on bookings@ garricktheatre. asn.au or on-line at wwwtrybooking.com. Leslie Lee and Andrew Lee 32

ENTERTAINMENT THE GONDOLIERS - REVIEW DOUGLAS SUTHERLAND-BRUCE

L to R: Gianetta (Nicole McMullen) Casilda (Grace Feltoe) and Tessa (Brigitte Heuser) in The Gondoliers

t was Robert Benchley who sent a telegram to David Niven when he arrived in Venice 'Streets full of water, please advise'. Certainly not the first joke to be made about the famous city, but perhaps the wittiest was Gilbert and Sullivan's last great collaboration, The Gondoliers. There were two others after it, Utopia Ltd and The Grand Duke, but the first was poorly received and the last a failure. The story, in true Gilbertian style, is complex, convoluted and comic: The son of the king of Barataria was stolen as a baby for safe-keeping, sent to live with a Gondolier and his infant son and now cannot be distinguished, one from the other. So both young men, now also Gondoliers, must rule Barataria as joint king until the rightful king can be discovered.

Sullivan's music for the operetta contains some of his sweetest and gayest pieces, both charming and catchy. This is the latest choice of the Gilbert and Sullivan Society of Western Australia in celebration of their sixty-seven years of operations, having been founded by Bernard Manning in 1951. The production has been set by director Ian Toyne in the 1950s - reminding us how flattering the dress styles were for women. It also allows the dancers to make some very twist-y, jittery and shakin' moves. I was fortunate to attend the opening night (a sell-out) and was much struck by the energy and gusto with which the whole cast attacked the performance. There were a few, tiny, lapses and an occasional script safari, but nothing of note and only visible to the trained eye. The two golden gondola boys - the Ant and Dec of the Venetian set- Marco (Chad Henderson) and Giuseppe (Wesley Williams) were effective and beguiling and their two girls Tessa (Brigitte Heuser) and Gianetta (Nicole McMullen) were gorgeous and musical. The comic baritone, The Duke of Plaza-Toro (an immensely grand grandee of Spain) was played by the highly experienced David Cosgrove with great verve, while looking remarkably like a well-known, slightly orange, POTUS. His Duchess (Belinda Cox) is a recent WAAPA graduate and brought huge energy to her flamboyant role. The chorus of Gondoliers and Contadine were excellent (including new-comer Vikram Tilak, making his debut with the company). Mounting a production of this size (there were twenty in the orchestra alone under Michael Brett's direction) is a huge undertaking and this is a very professional production deserving full houses and praise. The show ran at the Dolphin Theatre in the University of WA. Recommended. The Duke and Duchess of Plaza-Toro (Belinda Cox and David Cosgrove) (Photograph courtesy of the G & S Society of WA)

ENTERTAINMENT ACT-BELONG-COMMIT 2018 TOODYAY FIBRE FESTIVAL

he cooler weather has arrived, and it’s that time of the year to think about getting out the knitting needles and crochet hook or whatever weaves your yarn! Or better still make plans to head out to Toodyay (just 65 klms east of Midland) in the picturesque Avon Valley for the annual Toodyay Fibre Festival. The Festival, to be held on Sunday 3rd June celebrates all Natural Fibre incorporating Animal, Earth, and Plant: Preserving tradition, craft techniques and artisanship and expanding boundaries through new skills and ideas…including recycled. The Festival is colourful, educational and interactive with part of the main street closed to allow the free movement of visitors enjoying the ‘fibre’ related stalls, working artisans, exhibitions, demonstrations and fun, hands on activities. In preparation for your visit and your delight - the locals have been busy yarn bombing Toodyay’s main street, where ‘street art’ can be seen randomly all over the festival buildings.

HIGHLIGHTS

Fibre Processing Village: Held in both the Toodyay CWA Hall and the main street, the Village has resident artisans and interactive displays showcasing the steps and processes required from shearing the animal to spinning the wool and then weaving or knitting and crocheting a garment. Along with the sheep shearing there will be alpaca patting, and our amazing local musician Eleanor Frith playing fiddle and the ‘saw’. The Village is new to this year’s festival and is sure to be a significant attraction of sight, sound and smell! :-)

Mad Hatters Tea Party: Within the Toodyay CRC Courtyard you will experience and participate in a completely bonkers and wonderland tea party style environment - enter if you dare…and be greeted by the madness…and perhaps go down the rabbit hole…and while you are there participate in the Giant French Knitting or make a ‘Mad Hat’ and enter the competition (taking place near the Toodyay Christmas Shop) Others will also be creating magic on the day and having their own stalls and activities. These include the ‘Uniquely Toodyay’ shop where there will be some exciting and interactive stalls in their outdoor area on the main street. In addition see the sheep shearing, and pet the alpaca on display with their traditional decorations of bright yarn tassels - originally sewn into the ear to help the farmer identify individuals in the herd now worn as customary Alpaca flair. Or say hi to Rev Peggy at the Anglican Church where the grassed area will have an interactive Jonah and the whale activity…not far from the Camel rides in Stirling Park. There is a Gold Coin Entry fee (per person)…every little bit helps keeps Festivals like this alive! …or it is Free if you choose to wear a mad hat!

Fibre Fashion Parade: In Toodyay’s Memorial Hall you will see and experience an expression of innovation and creative wearable art showcasing original designs specifically using natural fibre fabrics or predominantly natural materials and/or recycled natural products be they of animal, plant or earth origin. The Memorial Hall will also have unique displays and stalls with delightful treasures in fibre art. Artisan Stalls and Demonstrations: Throughout the street and in the Halls you will find traditional artisans at work or with amazing pieces on display. These displays will inspire and create opportunity for the public and especially younger families to connect with artisans and understand and learn these crafts or even join a group - when returning home - to learn and to keep the craft going within families and communities. We have some special artisan groups displaying at this year’s festival including Toodyay Spinners & Weavers, Rag Bag Quilters; WA Fibre & Textile Association; FeltWest; Handweavers, Spinners & Dyers Guild of WA; WA Textiles Arts Group; along with visiting (renowned) artisans Martien van Zuilen and Sara Quail (both felt artisans), Nalda Searles (textile artist / basket exhibition); Marijke Tromp (Tromp Studios); Susanna Edwards (Mexican Straw Art - an ancient form of painting). The talented locals include Bev Bush; Dr Despina Weston; Margot Watkins; and Hazel McKone who operates WA’s only Alpaca fleece spinning mill at The Fibre of the Gods, right here in Toodyay.

THANKS

The TFF committee would like to thank themajor sponsors - WA State Government through Healthway & Lotterywest and the Shire of Toodyay; along with our key local donations from Avalon Homestead (B&B Conference Facility); Toodyay Op Shop (Something for Everyone); Toodyay Bakery (Fine Coffee & Artisan Baker); Toodyay Meat Hook (Paddock to Plate); Uniquely Toodyay (Produce, Crafts & Gallery); and, Lifelong Learning with Di Granger (Wellness, Workshops and Tours commencing 2019)

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COMMUNITY CITY OF SWAN GRANTS FOR LOCAL GROUPS

our local organisations in the City of Swan have received a financial boost to help bring their great community projects to life. Four groups were collectively awarded more than $80,000 as part of the City’s 2017-18 Proactive Community Grants program. City of Swan Mayor David Lucas said the successful recipients all had invaluable ideas that could now become a reality. “Many organisations in our community, both big and small, rely on grant funding to get their projects, activities and initiatives off the ground,” he said. “We are delighted to be able to support these local community groups because it’s their fantastic initiatives that help enrich our community. “The successful applicants have varied and diverse ideas, which involve providing support services for young women in Ellenbrook, assisting local pet owners and undertaking conservation efforts.” Pearce Ward Councillor Cate McCullough said the Proactive Community Grants program aims to enhance the wellbeing, sustainability and development of the community by focussing on priority areas for improvement. “The grants program focuses on four key areas, all aligned to City of Swan strategic objectives, our youth, our ageing population, our community’s safety and our sustainable environment. “Eligible organisations offering a project or activity in the City were encouraged to apply for a grant, valued between $5,000 and $50,000, for an initiative that would address these focus areas.” The next round of Proactive Community Grants will open in October 2018.

For more information, visit: www.swan.wa.gov.au/ AvailableGrants GIRLS WITHOUT LIMITS Grant amount: $45,000 Focus Area: Youth Development Girls Without Limits Chairperson, Caroline Thompson: “The Proactive Grants funding provided by the City of Swan will enable Girls Without Limits to provide a regular after school program for young girls in the Ellenbrook area - building on the ongoing success of our school holiday programs. “The programs, run by our experienced team of facilitators, will include a mixture of fitness, mindfulness and art, and the focus will be on the development of positive self-image and resilience. By providing the girls with a safe and supportive environment and positive role models, GWL hopes to positively impact the lives of many young girls, their families and the broader community in Ellenbrook.” RSPCA WA Grant amount: $5,000 Focus Area: Community Safety RSPCA WA Community Outreach Coordinator, Nat Foster: “We know that many people are struggling financially at the moment and unfortunately, when times are tough, it’s often pets who feel the pinch too. “Our Community Action Days aim to ease the burden for pet owners, by providing practical support to help with the costs of pet ownership. “The free services available at the event will immediately improve the wellbeing of pets who come along on the day, while giving us the opportunity to educate the local community about broader welfare issues concerning their pets. “We’ll also have a number of Pet Assistance Packs for members of the public who are unable to attend on the day. These contain pet food, treats and flea and worming medications, as well as our contact details for those needing further assistance.” CONSERVATION VOLUNTEERS AUSTRALIA Grant amount: $10,000 Focus Areas: Ageing Population and Sustainable Environment Regional Manager, Tristan Duke: “I would personally like to thank the City of Swan for this opportunity to support connecting the City of Swan’s community in local conservation projects. “Conservation Volunteers Australia will enable an easy streamlined approach for the local community to take part and do their bit for the environment. Being awarded this grant, the City is providing more opportunity for their residents to get outdoors, look after their environment providing better social, health and environmental outcomes.” BLACKADDER/WOODBRIDGE CATCHMENT GROUP Grant amount: $20,797 Focus Area: Sustainable Environment Jennifer Catalano, Blackadder/Woodbridge Catchment Group: "The BWCG is thrilled to have City support to work on a project that will seek to protect and enhance existing biodiversity "hotspots" in the catchment - as well as to re-stock public reserves with more local native plants. “It isn't widely known that our City contains two floristic community types that are critically endangered and considered to be of national significance. “We also have endangered bird species such as Black Cockatoos that need more of their native food plants to save them from extinction. “We want to make our area a beautiful place that locals will be proud of, where children can hear bird songs and experience the wonders of nature into the future." 37

FILM REVIEWS CHAPPAQUIDDICK Party-Machine Gunners Reviewer: James Forte

his exceptionally well-made film is so appropriate for today’s political scene, I can only assume its timing is not a coincidence. In their screenplay, Taylor Allen and Andrew Logan emphasise the ever-widening credibility gap between the true character of a political candidate and the sanitized public image. Where psychology, social engineering and political science are degraded to spin-doctoring, fictitious

disinformation and outright lies to fill the gap. So Chappaquiddick is a film for those interested in political history. Dr Johnson famously remarked that patriotism is the last refuge of a scoundrel. ‘My country, right or wrong!’ Next is: my party, right or wrong. Finally - the unquestioning loyalty to a single family. Dynasties are fascinating. In Western Australia, Richard Court, Bob Hawke and Kim Beazley all had relations in Parliament. In America, the Bush and Clinton families have tried to establish dynasties. But they never came close to the aura which surrounded the name of Kennedy. Joseph Kennedy had ambitions to be the first Catholic American president. Roosevelt made him ambassador in London just prior to the Second World War. Notoriously disparaging of the British war effort, he made repeated attempts to meet Hitler. This effectively killed his hopes of ever becoming president - but he had four sons. Joe junior died on war service in 1944. The most famous, JFK (as president) was assassinated in 1963. Bobby was the frontrunner for the presidency in 1968 when he was also shot. This left the youngest, Senator Ted Kennedy, to continue Joseph’s dreams of running America. All this changed, in July 1969, on a small Massachusetts island called Chappaquiddick. The story is well-known to older generations. Ted Kennedy leaves a party late at night with secretary Mary Jo Kopechne. His car is seen taking a turn onto a quiet back road. Unfortunately this leads to a narrow bridge. The car goes into the water. Somehow Ted gets out (it has never been explained how) but Mary Jo is trapped. She survives for two hours in a small air pocket but dies when all the oxygen is gone. Ted walks back to 38

the party and fails to report it to the police for nine hours. Conspiracy theories abound, but as far as I can tell the screenplay stays faithfully to the facts as given in a number of reports after the inquest. Australian Jason Clarke completely inhabits the persona of Teddy and Kate Mara portrays an intelligent and ambitious Mary Jo. In the seven days after the accident (which coincide with the week man first walked on the moon) Ted is revealed to be a deeply flawed individual. John Curran’s capable direction focuses on his state of mind: appalling indecision and remorse, primarily for what this will do to his political career. The most fascinating part concerns the assembly of the high-powered team of fixers, lawyers and public-relations people to shield Ted (and the Democratic Party) from his own folly. For example, Ted’s drivers license had expired – a few phone calls to loyal Kennedy followers and the problem never existed. Sheesh – wish I had that kind of power. As an aside, the presidential campaigns of the time were controlled using early computer simulations (see, for example, The 480 by Eugene Burdick) – the forerunner of the techniques used by Cambridge Analytica to get Trump elected a year ago. Put starkly, the electorate is there to be manipulated. This film is a fine portrayal of the way politics has been developing in our democracies. Three and a half stars. Chappaquiddick opens at Luna Cinemas on May 10th. ~oOo~ LOVELESS Dostoevsky updated Reviewer: James ForteSomehow when I think of life in Russia, I visualize small rooms with a small television in tall, grey, concrete blocks of apartments. And if the occupants are well off, there will be a GAZ or Trabant car parked in the street. In other words, I think of the austerity of the communist era. How things have changed! Not in subject – the misery of the

FILM REVIEWS people has been a central theme since Tolstoy, Dostoevsky and Chekhov – but in style. Prepare yourself for a deeply introspective study of contemporary world-citizens. It could be set almost anywhere on earth. This one is in a suburb of Moscow. It is also a lesson in virtuosic film-making. It won the jury prize at Cannes and was nominated for an Academy Award for best foreign film. Boris and Zhenya are in their early thirties. They have a modern apartment filled with the latest appliances including smart phones and Apple laptops. They have a reasonable income from their rather mundane office jobs. Their occupations are not important. What matters is that their marriage has worn out. Incompatible, they exist for the next opportunity to be with their respective lovers. They are working their way through the process of divorce and that includes selling the apartment. There is one huge impediment – their twelve-year-old son, Alyosha. Neither wants him. And he knows it. And he also knows that soon he will lose his bedroom and his freedom and be sent to a boarding school. The film opens with a long series of shots of snow-covered

woods. They are both beautiful and threatening and they are the major part of Alyosha’s journey home from school. One day he does not complete the journey. When he disappears, his parents are so absorbed in their own private lives that they initially fail to notice. It is hard to fault any part of this film. The direction by Andrev Zvyagintsev provides a deep examination of two troubled characters. Although not particularly likable, we have a certain understanding and sympathy for their circumstances. They are merely trying to correct the mistake they made when they married. They must find a new life. One can immerse oneself in this film, the way one can in Russian literature. It reveals the soul of a nation. Without doubt, Dostoevsky would have loved it. Four stars. Loveless opened at Luna Cinemas on April 25th. ~oOo~

THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY Magnificent Eccentricity Reviewer: James Forte

f there is one thing that the English do far better than anyone else, it is eccentricity. As an Englishman, I am proud of this fact. Why else would I spend my limited time researching obscure films? In 1951, they made a movie of the novel Appointment with Venus by Jerrard Tickell - of the wartime rescue of a cow from the Germans on the Channel Islands. The invaders were confiscating all the livestock and the islanders were starving. So let’s make a movie about a cow. True, the cow had a wonderful pedigree, but even so… So sixty-five years later, they decide that that worked well – we should do it again. This time the novel is The Guernsey Literary and Potato Peel Pie Society (henceforth TGLAPPPS) by Mary Ann Shaffer and Annie Barrows. This is the best and most eccentric film title I have come across in many years. The moment I saw it, I knew I had to see this film.

This time it is about a pig rather than a cow. The islanders have managed to hide the animal from the Germans and have a feast late one night. Unfortunately on their way home, breaking curfew, they are discovered by a patrol. Hastily they explain that they were attending a meeting. “Of what society?” the Nazi officer demands. The title of TGLAPPPS is invented and added to the register of accepted organisations on the Islands. A soldier will monitor them – and so regular meetings are required. Now how inventive is that? And we are only five minutes into the movie. The cast includes some of the best in the business. Jumping to 1946, popular London author Juliet Ashton (played by Lily James – most recently in The Darkest Hour) hears about the group and decides to visit Guernsey. Despite being engaged to an American officer, who is yet to go home after the war, we all know she is going to fall in 39

love with the young farmer Dawsey (Michiel Huisman, Game of Thrones). Katherine Parkinson (Doc Martin’s receptionist), Sir Tom Courtney, Kit Connor and Dame Penelope Wilton make up TGLAPPPS membership. This is a comedy. There are many laugh-out-loud moments juxtaposed with some grim pathos (particularly when the children are being evacuated before the occupation). There is a steel-hard dramatic theme running through the heart of the story: one of the original members of TGLAPPPS is missing and we need to know what happened to her. The film is from the producers of The Best Exotic Marigold Hotel and the director, Mike Newell, is most widely known for his Four Weddings and a Funeral. And, of course, if you are doing a story of Guernsey, you film it in Devon. These people know all about brilliant eccentricity. As a bonus, I was delighted with the self-referential theme: the book TGLAPPPS is about the writing of the book TGLAPPPS. Picturesque and somewhat predictable, this is a happy, feel-good film recommended for your next spare afternoon or evening. Four stars. TGLAPPPS opened at Luna Cinemas on April 19th. ~oOo~

TULLY

A film to share and celebrate with friends Reviewed by: Douglas Sutherland-Bruce

confess I never saw Monster, I assumed that casting arguably the most beautiful actress in Hollywood as a serial killer who was ugly both within and without was a gimmick pure and simple. I was wrong. Having now seen Tully, starring the lovely Charlize Theron, I know she was cast because she can act. In Tully she plays Marlo, a mother of two, one with some unspecified difficulty, always described as ‘quirky’, which makes him anxious, unduly sensitive to sounds and situations, and she’s very heavily pregnant with the third. She has a husband Drew (Ron Livingston) who is supportive and loving, but busy at work with frequent trips. Once the baby is born, which we see without rose-tinted glasses, she seems overwhelmed. Her wealthy brother gives her the gift of a month’s worth of Night Nanny, a service designed to relieve the pressure of getting up at night other than to feed the baby. At first, she’s reluctant, but as things get worse, she gives in and Tully (Mackenzie Davis) arrives, a unique, helpful kindred soul. They bond and the film explores what it is to be female, a mother and a deepening friendship.

Tully is a difficult film to categorise. It’s tagged as a ‘dark comedy’, but it’s certainly not a comedy, not even darkish. There are laughs, but there is a looming sense of tragedy and foreboding, which comes to a head in a stunning scene with an astounding conclusion. The cinematography is supremely smooth and professional, the acting superb. Theron gained fifty pounds for the role over three and a half months, and took a further year and a half to lose it after filming wrapped. Tully is a wonderfully ‘quirky’ movie, professional and wellwritten, from which you will learn more than you ever wanted to know about motherhood (if you’re a man) and identify with Marlo’s situation, if you’re a woman. Very Highly Recommended Indeed. ~oOo~ THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY An absolute joy of a movie Reviewed by: Douglas Sutherland-Bruce

very now and then we get a book or play with a really long but catchy title. One thinks of The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade by Peter Weiss, or The Man Who Held The Queen to Ransom and Sent Parliament Packing by Peter van Greenaway and, my personal favourite, And to My Nephew Albert I Leave the Island What I Won off Fatty Hagan in a Poker Game by David Forrest. The Guernsey Literary and Potato Peel Pie Society is in that style of complicated but memorable names. But that’s not the most memorable thing about the movie - it is an absolute joy on every level. The film is based, quite closely, on the 2008 bestseller of the same name by Mary Ann Shaffer. The story of the book is fascinating. Mary Ann Shaffer was an editor, librarian and bookshop worker who, at the age of seventy at the urging of her friends wrote a book - The Guernsey Literary and Potato Peel Pie Society. The publishers required extensive re-writing by which time she was very ill and the re-write was carried out by her niece, Annie Barrows, a noted children’s writer and the author of the Ivy and Bean series of books. Sadly Mary never saw the book in print dying shortly before publication. The book is written in the now dated epistolary style such as Jean Webster’s Daddy-Long-Legs, Helene Haff’s 84, Charing Cross Road and Letters of an Indian Judge to an English Gentlewoman (probably by Dorothy Black), which is also in the long name class. I have not read the book, although I have now ordered a copy, but I have seen the movie made from it and starring Lily James, Dame Penelope Wilton and Jessica Brown Findlay (all previously seen in TV’s Downton Abbey). In addition, the film has Sir Tom Courtney, Katherine Parkinson (The IT Crowd, Doc Martin) and Matthew Goode (The Good Wife). The movie (and book) revolves around the German Occupation of what Churchill called ‘our dear Channel Islands’ during the Second World War. This event, though still within living memory, seems to have slipped from the public consciousness, but leaving scars for the islanders, who were oppressed, had inhabitants killed, deported and resisted as best they could unsupported by anyone. The Channel Islands were occupied from mid-1940 to mid-1945, the last winter the worst with both invader and invaded nearly starving as no supplies came from Britain, obviously, and the

Tully (Mackenzie Davis) and Marlo (Charlize Theron) in Tully 40

Lily James is Juliet Ashton in The Guernsey Literary and Potato Peel Pie Society (Photograph courtesy of StudioCanal)

1944 D Day landing cut the islands off from their German supply lines, too. The film is described in the logline as a ‘comedy’. It is not. Certainly, there are comic moments and situations, but it is essentially a story of courage, love, romance and loyalty, mixed well in with a large dollop of a love of literature and the written word. Wonderfully well cast with deeply talented actors the plot concerns Juliet Ashton (Lily James) a writer who, in 1946 is suffering from writer’s block having successfully produced a series of light, uplifting, morale-boosting columns during the war under the name of Izzy Bickerstaff. Quite by chance, she gets a letter from a Guernsey pig farmer, Dawsey Adams (Michiel Huisman) asking for the name of a bookseller in London, as there are now none in Guernsey. He mentions the book club he belongs to, the Guernsey Literary and Potato Peel Pie Society and how it came into being following a dinner of roast pork and the necessity to lie to the German invaders. This intrigues her and a correspondence follows, culminating in her visiting the island to meet the members of the Guernsey Literary and Potato Peel Pie Society. Their stories intrigue her more and she falls in love with the island and its people, unravelling the story as she goes. The film is gorgeously photographed, the island (and Devon, where a good deal of it was filmed) is breath-taking and the costumes impeccable and perfectly in period, the settings the most effective and accurate evocation of immediate post-war Britain since Darkest Hour (which also had Ms James in it). The props and set dressing are magnificently nostalgic and evocative and the acting an example to all of the value of understatement and deeply moving. I defy anyone to watch the scene of the ship evacuation of the children to Britain unmoved. The Guernsey Literary and Potato Peel Pie Society opened on the 19th April, at Luna Cinemas. Very Highly Recommended Indeed.

BREATH Breath Of Fresh Air Reviewer: Chris McRae

ast month saw the WA and Perth premiere’s of Simon Baker’s adaptation of Tim Winton’s acclaimed novel Breath. Swan Magazine writer Chris McRae was in attendance at the Perth Premiere and Q&A. He had the opportunity to get an insight into the film and it’s talent with director Simon Baker, writer Tim Winton and actors Samson Coulter and Ben Spence. Tim Winton is one of Australia’s most renowned authors. His stories delve into the human psyce and deal with the themes of love, loss, teenage awakening and pain in a vivid manner, set against the sprawling coastal backdrop of rugged Western Australian. The landscape is mirrored in the harsh, unforgiving and often striking nature of his characters. This is never more evident than in his 2008 bestseller Breath. Enter American producer Mark Johnson (Breaking Bad) who, along with Winton, kickstarted Breath’s journey to the big screen several years ago. Published in 2008, Breath was Winton’s twentieth book and eighth novel, written seven years after 2001’s Dirt Music. The novel went on to achieve critical acclaim and was awarded the 2008 Age Book of the Year (Fiction) and the 2009 Miles Franklin Literary Award. Having already seen several of his stories adapted for the big and small screens including 2007’s TV series of Lockie Leonard, a miniseries adaptation of Cloudstreet (2011) and the short film collection The Turning (2014), Winton’s work is no stranger to the visual treatment. Enter acclaimed Australian actor Simon Baker. The 48 year old, originally from Balina on the north coast of New South Wales, has made a name for himself over twenty years spent in Hollywood. Most notably, Baker spent seven years depicting

the character of Patrick Jane on The Mentalist (2008-15) along with roles in films such as The Devil Wears Prada (2006) and LA Confidential (1997). For his first foray into the world of film director, Baker returned home to Australia to helm the Winton classic Breath. Having been brought up on the east coast, Baker, unlike Winton, was unaware of the hidden beauty which lay tucked away in the South West corner of Western Australia. “As soon as I saw the South West, it blew my mind as to how stunningly beautiful it was” Baker said. The film was shot on location in Albany and Denmark and Baker stated that “I hadn’t really seen it depicted in Australian films before and I wanted the film to feel unique”. With a unique location for the visually arresting story, Baker faced the challenge of adapting Winton’s work. For many, book to film adaptations can be a risk which is either executed perfectly or does not do the original material justice. Baker and Winton agreed early on however that not every aspect of the beloved story would make the film version. Winton had no problem with this. “I just wanted the film to be a good version in of itself. I didn’t need it to be a good version of the book” Winton said. “The book is mine and the film is theirs” he concluded. Baker echoed Winton’s words through his interpretation of the story. “I wanted to make a film that made me feel the same way I felt when I read the book. It’s not necessirily going to have the same punctuation and the same story” Baker said. For Winton, Western Australia has always been home and his love for the landscape leaps off the page in his writing for Breath. In many of Winton’s stories, this is depicted through a voice or point of view. For Breath, this is through the adult voice of young surfer Pikelet. Winton was surprised when Baker asked him to provide the voice of the grown up Pikelet. “I thought, being the smart guy that he is that he would have got a proper actor” he said with a smile. Winton brings a beautiful sense of melancholy to the older voice of the young teen which is very effective and at times, moving When it came to casting the roles of Pikelet and Loonie, Baker knew he needed boys who could handle themselves on a

surfboard. For Margaret River local Ben Spence and Manly born Samson Coulter surfing was all they knew. Baker knew he wanted to tap into their raw talents in order to play Pikelet and Loonie in the film. For Spence, it was an experience like no other. “It was a good experience” he said. “I’ve never been in a film so I did the best job I could. I had a lot of help from Simon and I’ll definitely take a lot away from it and hopefully get another acting role” he continued. As surfers with no acting experience whatsoever, Baker was determined to use this to his advantage to make the film a really authentic experience. “Working with the boys, the trick was to keep the good stuff there and we had to create a very free environment” he said. “We certainly weren’t actors” said Samson Coulter with a laugh. “I think it was easier for Simon to guide a couple of surfers through what it is to act than to put actors in the water and try and make that part of the story authentic” he continued. For many of the stunning surfing sequences, there was no acting required however with the power of nature taking over for many of the film’s adrenaline fuelled shots. For Coulter and Spence, they will always feel at home on the water. “We were surfers, we still are surfers and we’re not too sure if we’re actors yet” Coulter concluded with a cheeky smile. The film itself begins with Winton’s narration and an introduction to best mates Ben ‘Pikelet’ Pike (Coulter) and Ivan ‘Loonie’ Loon (Spence) who reside in a sleepy coastal town in the 1970’s. The risk taking Loonie and the more pensive Pikelet find comfort in the company of one another and together they soon discover the thrills and captivating nature of surfing. Their obsession is taken to the next level when they cross paths with Sando (Baker), a reclusive former world champion surfer who inspires the boys with his gung ho attitude and his continuous search for the next big wave. Sando’s bush-set retreat becomes a second home for the boys much to the disapproving eye of wife Ava (Elizabeth Debicki), a former skiier with a career ending knee injury and a lost love for adventure.

For the boys, the joy of surfing and the mentorship of Sando gives them the ultimate rush as they search for their own meaning at an age where masculinity is everything and fear is not an option. The cinematography of the film is simply stunning. A love letter to the coast and the terrifying nature of the ocean, the surfing sequences are simply spectacular. In their first ever film roles, Samson Coulter and Ben Spence do a fantastic job as Pikelet and Loonie respectively. Spence’s natural ‘larrikin’ nature is so relateable and Coulter’s often brooding and introspective Pikelet is bang on the money. The boys have drawn on their own experience and their characters are not only believable, they are mesmerising. Just as good are Simon Baker as the worldy Sando and Elizabeth Debicki as the enigmatic Ava, a clearly wounded shell of her former self. Well known Australian actors Richard Roxburgh and Rachel Blake play Pikelet’s parents, who will do anything to raise their son with love and keep him out of harms way. Winton’s narration from the point of view of the grown up Pikelet is used sparingly and gives a beautiful and at times heartbreaking poignancy to the story. The themes in Breath are challenging and, at times, heartbreaking as the young boys struggle to deal with their budding maculinity and stereotypes. The relationship between them is one in which banter takes the form of insults which reveal an underlying love and friendship betwen the two. Sando’s fluctuating relationship with Ava is both tender and torn as is the growing distance between Pikelet and his parents. One of the penultimate lines in the film perfectly sums up the merging of the fractured relationships, the connection with the ocean and the concept of that deep breath before submerging yourself. “Fear is natural. It is what we do with it that makes us who we are”. Breath is both inspiring and challenging. It will make you question what we do with our own fear and how we as human beings allow ourselves to be swallowed up, taken away and reborn. A stunning achievement for Baker and all involved. 43

ART AND ARTISTS MAY AT MAC E MCDONALD

WIRU Julie Dowling PRESENTED IN PARTNERSHIP WITH YAMAJI ART Midland Junction Arts Centre - West Gallery Viewing 30 May to 29 June, Wed to Fri 10am - 5pm Julie Dowling presents a series of new miniatures. Called Wiru, which means ‘Spirit’ in Badimaya language, the works represent a community of individuals all related to one language and spirit in the mid-west of WA. Each miniature portrait represents the individuals that make up families who are all decolonising by learning and speaking the Badimaya language.

fter a successful opening, the Mundaring Junction Art Centre galleries are filled with three new exhibitions exploring details of our natural environment. We have a bumper workshop program with our ceramics and printmaking studios gearing up for you to try your hand at new challenges. And callouts for our Swan Environmental Art Award and MAC Member’s Exhibition are open currently, so get applying to have your work featured in our galleries. CURRENT EXHIBITIONS THE SPACE BETWEEN LINES Dragica Milunovic Midland Junction Arts Centre - West Gallery Viewing until 18 May, Wed to Fri 10am - 5pm Using principles of line-making and repetition, Dragica Milunovic investigates how layering within space can create complex results. Closely observing lines and patterns in nature, Milunovic builds paintings with depth and creates a sense of vibration within the works.

SPECIMENS Tim Maley PRESENTED IN PARTNERSHIP WITH DADAA Midland Junction Arts Centre - East Gallery Viewing 30 May to 29 June, Wed to Fri 10am - 5pm Opening Night - Fri 25 May 6.30pm - 8pm Specimens is a series of works on paper in which Tim Maley represents the intricate bodies of beetles, moths, butterflies and caterpillars. With delicate marks made in watercolour and pencil, Maley captures the fragility of the insects and imbues the pictures with a sense of wonder and reverence.

IN FULL BLOOM Midland Junction Arts Centre - East Gallery Viewing until 18 May, Wed to Fri 10am - 5pm Students tutored by Jacqueline Coates, present their representations of the natural environment through a series of painted works inspired by recent workshops. Flowers have been a favourite subject matter of painters, from Fantin Latour to Monet and Georgia O’Keefe, during the Bloom workshops artists looked to the microcosm of the flower to discover a stunning theatrical landscape of colour, light and form.

WORKSHOPS & EVENTS WHEEL THROWING FOR BEGINNERS With Lee Woodcock Midland Junction Arts Centre Wednesdays 16 May - 20 Jun from 6pm - 9pm Join local ceramicist Lee Woodcock as he leads you through a six-week workshop series designed to develop the essential skills to confidently use a pottery wheel. Over the course of the weekly sessions participants will learn a variety of throwing, glazing and adornment techniques to create unique vessels. With clay, tools and firing costs included, this intimate workshop series only has seven spots available, so be sure to secure your place. Suitable for 16+ yrs Cost: $270 (Materials Supplied)

PENUMBRA Bina Butcher & Tessa Beale Midland Junction Arts Centre - The Store Viewing until 18 May, Wed to Fri 10am - 5pm Penumbra focuses on observing and simplifying frequently overlooked details of the natural world. In an effort to create a context for contemplation, during their three-month residency at Midland Junction Arts Centre, Bina Butcher and Tessa Beale gathered natural materials and documented interventions in the environment. This exhibition of the results of their explorations creates the conditions for a slower, quieter consideration of our surroundings.

WORKING BIG - LARGE SCALE MIXED MEDIA With Gayle Mason Midland Junction Arts Centre Friday 18 & 25 May from 10am – 4pm If you’ve ever dreamt of creating your own large-scale dynamic painting, join acclaimed artist Gayle Mason over two intimate days of ‘working big’ with mixed media. Gayle will demonstrate how to achieve movement and interest in your

LIKE WATER Jo Darvall Mundaring Arts Centre - Gallery 1 Viewing until 27 May, Wed to Fri 10am - 5pm, Sat & Sun 11am 3pm Jo Darvall’s paintings reflect her research into the work of WA painter Kathleen O’Connor exploring O’Connor's connection to water, her homecoming to Fremantle from Paris after WWII, and the engineering feats of her father, CY O’Connor. Darvall's recent works depict the beautiful waterways that define her adopted state of Western Australia. 44

new gestural works, utilising bold and composed marks on large canvas and paper. You will investigate drawing techniques on day one and painting on day two, ensuring you make a creative and unique statement with your final works. Suitable for 16+ yrs Cost: $250 ABANDONED ART - WEARABLE ART FOR EVERY BODY With Sarah Zel Chescoe Midland Junction Arts Centre Saturday 19 May & Sunday 20 May 10am – 4pm In this highly creative, interactive workshop, design and develop your own sensational Abandoned ‘Wearable’ artwork by recycling and upcycling a diverse range of abandoned materials in a multitude of ways. Then exhibit your creation at the WOWA Wearable Art Parade and Exhibition in November 2018 at Midland Junction Arts Centre. Suitable for 15+ yrs Cost $140 (Materials supplied) PHYSICAL MINDFULNESS OF PAINTING - MEET THE ARTIST Saturday 19th May - 1pm - 3pm Mundaring Arts Centre Join us to celebrate the body of works created during Harrison See’s residency at Mundaring Arts Centre. Harrison will present a brief overview of the outcomes of the residency and answer questions about his arts practice. Suitable for all ages Cost - free

COMMUNITY ST JOHN OF GOD TURNS 120

KATIE MCKEOWN

t John of God Subiaco Hospital, founded by the Sisters of St John of God on 19 April 1898, is celebrating its 120th anniversary this week. This special milestone will be marked with a number of activities that recognise the hospital’s heritage, community and significant contribution to medical and surgical advances. St John of God Subiaco Hospital CEO, Professor Shirley Bowen, said the 120th anniversary was about celebrating the enduring contribution the hospital has made in caring for generations of Western Australians and recognising the many caregivers who have carried on the Sisters’ legacy. “St John of God Subiaco Hospital is an iconic landmark in our city. Most people in Perth know someone who was born here, someone who has been cared for here or someone who has worked here.” “The hospital has positively impacted the lives of hundreds of thousands of people over the last 120 years. In 2017 alone, we admitted more than 80,000 patients, supported more than 800 doctors and employed more than 2,500 caregivers across all areas of the hospital,” Professor Bowen said. “Commemorating our 120th anniversary is a time to reflect on our heritage, on the many people who have a connection with the hospital, and on our contribution to medical research. It is also a time to feel inspired about our future.” Tomorrow the hospital will commission its new Clinical Command Centre, which will further enhance the patient experience by centralising management of main theatres, improving patient flow through the hospital and increasing communication with doctors.

St John of God Subiaco in 1912

The Clinical Command Centre also offers a one-call service for late bookings, which makes it easier for doctors to get patients in who need to be operated on quickly. “Our new Clinical Command Centre is a great example of integrating technology and innovation to support our mission of delivering excellence in patient care,” Professor Bowen said. “The past leaders of our hospital, in particular the Sisters of St John of God, all drew on innovation to improve patient experience and create clinical excellence.” “Clinical Excellence and an exceptional patient experience are our highest priorities and the coming years will see further innovation and development. It is a pivotal and exciting time for St John of God Subiaco Hospital,” Professor Bowen said. 45

TV WITH CHRIS ROSTERED ON (Netflix)

retail, this is well worth a watch. Rostered On Season 1 is now streaming on Netflix

he beauty of Netflix and other streaming services is the ability to not only engage with high quality original content and a plethora of old and new favourites. The change to discover new and seemingly unknown films and television series is a great selling point. Often, there comes a series with a small budget, a small cult following and not a lot of background. These can often be the best kinds of shows.

GREENHOUSE ACADEMY (Netflix) he boarding school dramedy has been done before. The stereotypical preppy high school where the girls join a sority and the guys are either a jock, a nerd or a misfit. The concept is not new and has been done to death, however continues to provide a popular foundation stone for American College comedies. Enter Greenhouse Academy. On it’s surface, it seems like another College drama. However, dig a little deeper and it tackles issues such as feminism, stereotypes and the fragility of loyalty. The story is set at the titular Greenhouse Academy, a prestigious boarding school for the leaders of the future where only the best of the best are admitted. The school is separated into two houses, the Eagles and Ravens which both pride themselves on their reputation, personality qualities and loyalty. After losing their astronaut mother in a horriffic rocket launch disaster, siblings Alex (Finn Roberts) and Hayley (Ariel Mortman) Woods are admitted to Greenhouse Academy and end up on opposite sides in rival houses. Their loyalties to each other are tested as both do their best to fit in and make their mark on their respective houses. Soon however, an investigation which appears to lead back to the school and those associatied with it threatens to throw things into turmoil. The two houses must band together to stop an evil plot which will their school and lives in jeopardy. Aimed at a young adult audience, the style of Greenhouse Academy combines the investigative drama of Pretty Little Liars with the feel of Vampire Academy (without the bloodsuckers) with great results. A talented young cast and plenty of cliffhangers make this series highly engaging and always leaving you with wanting to know what will happen next. A great watch for young adult audiences with plenty of mystery, drama and even a little bit of romance. Greenhouse Academy Seasons 1 and 2 are now streaming on Netflix. Season 3 will be released in 2019.

The Aussie comedy Rostered On falls into this category. With Season 1 of the irreverent comedy filming and being released back in 2016, it made its way onto YouTube before being released by Netflix at the beginning of April this year. With only six twenty-five minute episodes, it is an easy watch and you’ll be left wanting more. The highly relateable independent sitcom is set in the fictional Electroworld, an electronics store which plays host to a hilarious team of highly irreverent and always hilarious retail workers. The jokes come thick and fast and the comedy lies in the awkward pauses and self depricating dry humour which is destinctly Australian. What makes this comedy work so well is the relateability to the characters’ situations. The frustratingly real tagline of ‘the customer is always right’, the annoying positivity of the often clueless store manager and the work ethic of ‘that guy who will be in retail for the rest of his life’. The stereotypes are spot on and the manner in which the pains of working in corporate retail is tackled with hilarious results. The humour of Rostered On is distinctly Australian in nature and may not translate across borders. However, for an independent comedy stemming from home soil and for anyone who has worked or still works in 46

THE IDLER The Idle Thoughts of an Idle Mind

THE PERTH COMEDY FESTIVAL 2018 GLENNYS MARSDON

an I make a suggestion? If you live in Perth and you’re having trouble contacting a friend between now and May 20th, don’t panic. Before you call in the tracker dogs make sure you do a reccie of the Perth Comedy Festival venues. I’ll give you ten to one that they’ve slipped down onto the floor between the seats, having laughed themselves silly. Yes, it’s that time of year again, when we wander the streets with an inane grin on out faces, exchanging knowing glances with passers-by. The Perth Comedy Festival kicked off on April 23rd and runs until May 20th. One of the main events of the Festival is the Gala night which I was lucky enough to attend. These nights always sell out early as the tapas of comedians on show arouse your tastebuds for what’s to come. This year the event was hosted by Rhys Nicholson. I’d seen him on various television shows and while I found him funny I wouldn’t have bought a ticket to his show, until now. His sharp wit and audience interaction was amongst the best on the night, as he wandered the stage like a flamingo inspired praying mantis. The other acts on the bill included Deanne Smith, Neel Kolhatkar, Famous Sharron, Daniel Sloss, Nadia Collins, Colin Ebsworth, and James Smith. Mike Goldstein gave a hilarious account of becoming an Australian citizen, a country that loses a Prime Minister at sea, and then names a swimming pool after him. Also talked about was Luke Heggie who took parental responsibilities to a whole new level, explaining the power of a lawnmower in getting kids to put their toys away. He also had some unique insights into dogs, spandex wearing cyclists and retro furniture in cafes. The audience loved him. I’ll be seeking out his shows. But it was Ian Bagg that everyone was raving about afterwards. Hailing from Canada and rated in the Top 5 on NBC’s Last Comic Standing list, he totally controlled the crowd. When I heard that he was once an explosive engineer it made sense. His ability to bounce off the crowd, rather than deliver a pre-written show was brilliant, and no doubt feeds off a deep-seated need for adrenaline. Here’s hoping he never quenches this desire.

The Festival is held at the gorgeous art deco Astor and Regal Theatres, plus the larger Riverside and State Theatres. I’m always amazed by the crowd management at the Astor, as hundreds of people stream out a side door while the next crowd comes in the front door. This year sees the addition of the Hellenic Club of WA. Aside from individual acts this venue also hosts The Biggest Comedy Show on Earth, where a line-up of comedians will have just five minutes each. It’s sure to be interesting. With so much talent in town it’s incredibly difficult to choose. So far I’ve narrowed down my comedy dance card to: • Scotsman Craig Hill. He’s always on my list. I mean how can you go passed a comedy routine that includes, music, dancing, mountains of swagger and a leather kilt.? This year his show is aptly named ‘Someone’s Gonna Get Kilt’. I can’t wait to see him flaunt his stuff; • Finally, finally I get to see Jason Byrne and from a safe distance hopefully, so I can enjoy the show without a side order of terror. If you haven’t seen Jason before just pray you aren’t sitting in the front section or worse still end up on stage as a ‘helper’, he’s deliciously mad; • I, like the rest of Australia, now have a deeper love for Fiona O’Laughlan after her time on I’m a Celebrity Get Me Out Of Here. I’m looking forward to hearing what she really thought about her jungle mates, particularly a certain tennis player. Maybe, just maybe if we’re lucky Ron might make an appearance too; • To round off my experience I’m also going to comedy icons Lano and Woodley who are in town later in the month. I remember seeing them at the Regal Theatre many, many years ago and have followed them as an act and individuals ever since. From all accounts they haven’t lost their sparkle, having taken out the recent People’s Choice Award. What an absolute thrill to see these two brilliant comics together again. For me it’s like getting to see Morecombe and Wise or Lewis and Martin. No pressure guys. Make sure you see them live at least once in your lifetime. Hopefully I can also squeeze in my new finds of Luke Heggie, Rhys Nicholson and Ian Bagg. Also on the bill are the always good; Stephen K Amos, Jimeoin, Wil Anderson, Urzila Carlson, Cal Wilson, David O’Doherty, Lawrence Leung, Nazeem Hussan, and Arj Barker to name a few. Like I said if you don’t hear from your friends for four weeks no need to call out the search party. That’s it. The end. Or should I say ‘Bung, Bung’. Anyone who went to Ian Bagg’s show knows this reference to the Law and Order theme. If you’re seeing a show in the Regal Theatre there’s an added bonus. A range of venues in Subiaco are offering food and drink specials for ticket holders. Go to www.subiaco.wa.gov.au/ comedyfest for more information about these offers. For more information go to www.perthcomedyfestival.com. Craig Hill

COMMUNITY THEATRE THEATRE WITH GORDON

Optimism is the faith that leads to achievement. - Helen K eller CAUGHT IN THE NET aught in the Net is a hilarious farce, coincidentally written eighteen years ago (see play) by Ray Cooney, internationally recognised as the Master-of-Farce. This is Cooney’s sequel to Run for your Wife possibly the world’s most popular farce. This two hour, delightful, ludicrous and absurd play is being presented by the Wanneroo Repertory Inc., at the Limelight Theatre, in Civic Drive, Wanneroo. The curtain goes up at 8.00 on Thursday, Friday and Saturday evenings until Saturday 12th May. The scene: alternates between two South London areas, a smart flat in Streatham and a country cottage style house in Wimbledon. The set: The scenery was divided into two. One side of the stage was a traditional, ground floor flat, painted in pale blue and cream. The other house had exposed brick walls and a staircase. The essential for farces, six doors – all fitted with locks – ensured total pandemonium. The same furnishings and fixtures are used for both houses. The set was designed by RJ Smolders, and Gordon Park helped him build it. The set’s properties and décor was by Robert Vincent, with Carol Keppler’s most convincing garden artwork being seen outside the window and front doors. A huge amount of work went into this set, but it was deservedly greeted with applause when the curtains opened. RJ and Helen Smolders staged managed the show. Wally Fry’s lighting was evenly spread over the stage, and looked natural. Daniel Toomath had dozens of sound effects – especially the mobile phones – which required split second timing. Very good technical work. Eighteen years after the Run for Your Wife fiasco, taxi driver John Smith is now happily married to his two unsuspecting wives.

In Wimbledon, fifteen-year old Vicki (Jenna McGougan Shaw) is thrilled; she has just received an email from shy, caring, sixteen-year old Gavin (Josh Flaherty), her online pen pal who now wants to meet her. Vicki asks her overworked, feisty Mum, Mary (Fiona Forster) if she can invite Gavin around for tea. Vicki receives the well-known answer, “Ask your Dad!” Vicki tells her father (Gordon Park) how, surfing on the net, she has met this wonderful boy that lives in Wimbledon, and how, incredibly, his father’s name is exactly the same as his, John Leonard Smith. Her father realises immediately that his daughter by one wife is now trying to strike up a relationship with his son from another marriage. In John’s other home in Wimbledon, young Gavin is saying “goodbye” to his mother, Barbara (Colleen Hopkins) before he sets off across town to meet Vicki for the first

time. John, now faced with utter turmoil, calls upon his insecure Streatham lodger, Stanley (Chris McCafferty) for support. Stanley is already suffering as he tries to organise a seaside holiday with his senile father (Roger Oakes). In fact, John walks away leaving poor Stanley attempting to cope alone. The style of acting was slightly unusual, as both homes were occupied throughout the play, and the three-seater settee, centre-stage, was often being used by both families (in different houses) at the same time. Some of the audience might have a little problem conquering this unusual approach, but within minutes the whole audience had grasped the principle and the raucous laughs began. The script was intricate, but superbly structured, so was still easy to follow. On a couple of occasions John and Stanley received applause for their challenging dialogue. The director, Susan Vincent, again showed her vast versatility in yet another genre. Susan has received numerous awards for her musicals and serious dramas, now she reminds us that she is one of WA’s best farce directors. The cast were amazing. Most of us know and admire Gordon Park from previous comedies, but here his sidekick, Chris MCafferty handled his ‘impossible’ situation with complete skill. The two youngsters, Josh Flaherty and Jenna McGougan Shaw were amazing as the pan-faced children, who had no idea what was happening. Fiona Forster was tremendous as the wife at the end of her tether, who contrasted wonderfully with Colleen Hopkins, the placid, health freak across town. Then poor old Dad, Roger Oakes, added to the confusion with his poor interpretation of his surroundings and some uncomfortable gymnastics. Every actor was given – and achieved – very different personalities. Well interpreted and acted with exceptional chemistry and teamwork. This is possibly the best of farces, perfectly presented. Most houses are sold out already, so get in quickly for your ticket. A hundred and twenty minutes of non-stop laughs. THE RETURN The Return is a gripping Australian story by WA playwright and NIDA acting graduate, Reg Cribb. In 2001 it won one of theatre’s major awards, the Patrick White Playwrights’ Award, and was then shortlisted for the Queensland’s Premier’s Literary Award. His Last Cab to Darwin collected even more prestigious awards. Written seventeen years ago, when Perth – and the world in

general – was a fairly uneventful and pleasant place to live, Cribb’s story came as a shock and warning. The play is based around a real train trip, when he witnessed two thugs harassing an attractive woman on a Midland to Fremantle train. With an immense amount of skill, and beautiful dialogue, Reg has interwoven several fascinating threads into this script. This is a play that sheltered teenagers, fourteen years and over should see, as a warning of what can happen late at night. In 2006, Reg Cribb adapted the play into a film, retitling it Last Train to Freo. When the two lead actors were preparing for the film, they caught the last train from Midland. Upon entering the train they saw three Aboriginal girls belting one another. When they offered to help, they were promptly told to ‘F*** off’. This eighty minute, one act, enthralling production is being presented by The Kalamunda Dramatic Society WA, in the historic Town Square Theatre, Central Mall in Kalamunda. I heard how grateful the cast and director were to receive a most encouraging and caring communication from Reg Cribb. Reg, if you see this review, you would have been so proud of this talented team and their production. The evening shows have curtain up at 8.00 pm. The performances are on a Wednesday, Friday and Saturday night, until Saturday 12th May. The scene: is a Perth train carriage on the Midland to Fremantle line, after midnight. The set: WOW. Owen Davis’s set is the nearest you could find to the real thing. All of the seats were genuine, in fact on entering the theatre I almost sat in the priority seat out of habit. The yellow support bars, posters and the sliding doors with light buttons at the side were all there. These doors were not simply flat, as I have seen in other productions, but curved to fit the contour of the body shell. The furnishings took a real battering throughout the production action, and yet did not yield once – congrats to the builders, Owen Davis and Joe Isaia. Mark Ramsey and Brittany Isaia’s sound design was perfect. There was the constant faint sound of the engine whir, background Muzak, the authentic air blast as the doors opened, and the numerous station announcements. The sound operator was Eden Sambridge; he did not miss a beat on his complex cue list. The lighting designer was again Mark Ramsey, aided by Joy Miles. The lighting effect of the old style, sodiumyellow street lights as they flashed past, was most authentic. The production was liaised and managed by Charlotte Weber and Belinda Beatty.The play’s poignant opening voice-over set the timbre for this edgy drama. The train doors open and a young blonde lad, Trev (Steven Ozanne) in a vest and shorts leaps in and swings on the yellow bars. He is followed by a slim, older man, Steve (Cameron Leese) who tells him in no uncertain terms, to behave and settle down. We are left in no doubt that Steve means what he says. At the next station an attractive, smartly dressed, twenty-year old girl, Lisa (Jade Gurney) enters the train and starts to read her university course book. The two men sit next to her, and with light hearted banter, start to chat her up. Troubled Trev who has led a life of poverty and violence, has no subtlety; however, welleducated Steve seems to be getting through to this demure young lady. A couple of stations later, a miserable middle-aged woman, Maureen (Alexandra Genève) enters the carriage carrying a small suitcase. Behind Maureen is a quiet young man (Matthias Pesch) who sits in the corner and reads his book, trying to be disinterested in the belligerent behaviour of the two thugs.

Steven Ozanne (Trev) and Cameron Leese (Steve)

With amazing theatre genes, director Brittany Isaia (mentored by Joe Isaia) has proved herself as an accomplished actor on several occasions, but here she has taken on the task of directing. She could easily have selected a nice easy comedy or light drama, but instead has selected one of Australia’s best written, character-based plays, with amazing dialogue. It is a piece that even the most competent directors would avoid like the plague, and she made it work – and how!! This play requires a first class cast, as even one weak link and the whole drama could have collapsed. Brittany has chosen Leese as her lead, an experienced actor but one who up to now usually plays quiet, almost loveable parts. I was a little worried that he might not have the authority and overbearing nature, but he was supreme, totally chilling. Then came young Steve as the larrikin, who was playing his first major part, and he nailed it. Jade realised that her part wasn’t totally submissive and conquered the balance of shy and demure, with a bit of female feistiness. This intimate theatre makes the threat and involvement even more horrendous as the audience feel that they are actually in the train carriage with the menacing, unpredictable and dangerous group, for the whole hour’s journey. The audience sat in absolute silence, mesmerised throughout this study in peer pressure, unease and repressed vehemence. This was one of KADS best plays in some time, and is sure to be put forward for theatre awards. The full house loved it, so booking is advisable. 49

FINANCE SMART WAYS TO BOOST YOUR SUPER STEVE BLIZARD

ost Australians will spend up to two decades or more in retirement, but will you be able to afford all the things you’ve thought about doing in retirement, before your savings run out? By starting now and making even small changes to how you approach your super savings, you can move closer to the retirement you’d like – and hopefully make your savings last longer. MAKE PERSONAL BEFORE-TAX CONTRIBUTIONS By making a personal super contribution and claiming the amount as a tax deduction, you may be able to pay less tax and invest more in super. In most cases, the contribution will generally be taxed in the fund at the concessional rate of up to fifteen percent instead of your marginal tax rate, which could be up to forty-seven percent, including the Medicare Levy. This strategy could result in a tax saving and enable you to increase your super balance. To claim the super contribution as a tax deduction, you need to submit a valid ‘Notice of Intent’ form to your fund. Your financial adviser can assist you with this form, after you have made your pre-June 29 contribution (30 June this year falls on a Saturday). You will also need to receive an acknowledgement of your contribution from the super fund before you complete your tax return, start a pension or withdraw or rollover money from the fund to which you made your personal contribution. It’s generally not tax-effective to claim a tax deduction for an amount that reduces your taxable income below the threshold at which the ninteen percent marginal tax rate is payable. This is because you would end up paying more tax on the super contribution than you would save from claiming the deduction. If you are considering taking advantage of an end of tax-year personal deductible super contribution, check with your financial adviser or tax consultant to calculate the optimal contribution for you.

SALARY SACRIFICING SUPER You might also be able to reduce your tax and boost your

super balance through salary sacrifice, which is an agreement with your employer to contribute a certain amount of your pre-tax salary into your super. Implementing a salary sacrificing (or salary packaging) super strategy has some great benefits. Instead of being taxed at your marginal tax rate, these contributions are generally taxed at the concessional rate of up to fifteen percent (additional fifteen percent tax applies to concessional super contributions if your combined income and concessional contributions exceed $250,000). For example, if you earn $95,000 a year, you could save up to 24c in every dollar sacrificed. If you’re a high income earner, you’ll be taxed an extra fifteen percent on your before-tax contributions (30 per cent in total); however this is still lower than your marginal tax rate of 47 percent (including the Medicare Levy). Before tax (or concessional) contributions also include mandatory 9.5 percent super guarantee contributions made by your employer and are capped at $25,000 per year, regardless of your age. Most employers permit super salary sacrifice, however personal deductible super may be preferable if they restrict your contributions to a particular fund. MAKE AFTER-TAX SUPER CONTRIBUTIONS Maybe you’ve received an inheritance, a bonus, or sold an asset? If you are considering making nonconcessional (after-tax) contributions to your super, there are important things to consider.

worth of contributions.

BRING FORWARD RULE The after-tax contributions cap is $100,000 pa, or up to $300,000, if you are eligible to bring forward two years’

CO-CONTRIBUTIONS Government super co-contributions also help eligible people boost their retirement savings. If you're a low income earner and you make personal (after-tax) contributions to your super fund, the government also makes a contribution (called a co-contribution) up to a maximum amount of $500. The amount of government cocontribution you receive depends on your income and how much you contribute. When you lodge your tax return, the ATO will work out if you're eligible. If the super fund has your tax file number (TFN) they’ll pay it to your super account automatically. The way your co-contribution is calculated depends on the financial year in which you made your personal super contributions. You can visit the ATO website for specific qualifying income levels and amounts. You may be able to make after-tax

BUSINESS - NETWORKING HAVE YOU EVER GOOGLED YOURSELF? SHARRON ATTWOOD

ecruiters, employers, clients, staff, your kids & Tinder dates gone bad are all Googling your name – so why aren’t you? I’ve got you wondering now haven’t I? Go have a look – no longer the realm of the #EgoSurfer – it’s a necessity for anyone in business to know what others are able to discover. Further – it’s about the way they interpret what they find.

has and where it comes from so you can control what you add. Where might your name pop up? Where do you post or comment that may retain or display your name? A mere minute as your Facebook profile photo will see the image pop up on Google for eternity. Commenting in public groups can see your opinion easily found. Not all groups are private – you need to check. Similarly, that letter to the editor, angry reviews or all the positive things you say – can show up in a Google search! Secondly – Know what you can tidy up and how to go about it. It’s important to remember that Google is just calling it as it sees it. You can’t blame Google for that. When content is returned that you don’t feel works in your favour – you need to go to the source to have it dealt with. It can be as easy as approaching the web master (impressive title) and asking. You may find yourself still listed on the team page of a company you no longer work for – or in website photographs that are no longer relevant. You may just need

WHAT IS IT SAYING ABOUT YOU? Are you afraid of what information or pictures will pop up? Easier to just not look? Initially, my clients feel powerless to control it (or don’t care yet) – so ignore it – not a strategy I recommend. Straight up I need to say that I am not against having a digital footprint – it can be a very handy thing and assist in the growth of your business and in the acquisition of future opportunities. Appearing to have no information Check yourself on Google? out there can make people wonder why – and in the absence of the truth people will create their own. Alien? Witness protection? On the run under an assumed name? You are better to to ask. control your online image and make it work for you. Google has a very well defined process for dealing with Firstly - It’s important to know what information Google complaints about content that is illegal, infringes copy write or goes against ‘community standards’. However – this may well be limited to them preventing the content from coming up in their contributions to your super before you turn 65, even if you’re not searches – they aren’t the internet Police. You will still need to working. involve the web master or contact the actual Police or even a After 65, you’ll need to meet a ‘work test’ each financial year Lawyer if required. to be able to make after-tax contributions (you’ll need to have Thirdly – Look at sharing good content so that it dilutes worked 40 hours over a consecutive 30 day period), but you can’t anything you aren’t happy about and can’t get rid of. If page one is make standard after-tax contributions once you’re 75. a little hit and miss when it comes to painting a clear idea of your brand – some strategic sharing is called for. TOP UP YOUR SPOUSE’S SUPER The number one thing I discover when assessing a client’s Is your spouse working part-time, earning a low income or digital footprint is a slew of unfinished profiles. Business currently not working (but not retired)? Associations, Charity groups, Hobbies and clubs – all half filled If so, you may both be able to benefit by making a ‘spouse out. It’s worth completing these profiles and ensuring they are contribution’ to their super account. consistent about you. Don’t make it hard for people to Know, Like In the 2017/18 financial year, if your spouse's assessable and Trust you – let them in a little. income is less than $40,000 and you make a spouse contribution And this is not just a Gen Y issue – my son told me the kids at on their behalf into their super account, you’ll receive a tax offset school all googled their parents in IT class recently. Scary or a of up to $540 a year (other eligibility criteria applies). good learning? My son shared that some kids were more than a little apprehensive – but not him! Phew – he knows me well – as SEEK PROFESSIONAL ADVICE does anyone who cares enough to google my name. Remember the tax and super systems are complex and subject to change, and everyone’s financial situation is different. So before making any major changes make sure you speak to your tax consultant to determine if these strategies suit your financial situation. Courtesy of Roxburgh Securities 51

SWAN VALLEY AND REGIONAL NETWORK NEW CHAMBER OF COMMERCE KELLY MARSHALL

here is a new voice for Business and Community in the Aveley, Brabham, Bullsbrook, Ellenbrook, Henley Brook, Swan Valley and The Vines. They aim to be the voice for business and community in the Upper North-East region in Perth and surrounds - helping businesses and region to thrive. They aim to be the catalyst for business and community growth in their area: Advocacy, Stakeholder Engagement, Business Networking with a Difference, Events, Community and Business Interfacing and more, we aim to revolutionise the way a Chamber works and lift our region’s success over the short and long term. The Chamber are offering the first 100 foundation members a reduced membership fee of $100 for a year - a saving of up to $650 per business. The Chamber knows that these memberships will be snapped up very quickly, so if you would like to take advantage of this offer, please act quickly to make sure you don’t miss out. This Chamber is very different to other Business Associations, Chambers and the like, as they see the importance of businesses connecting with their community, and community connecting with businesses. Their membership incorporates small, medium and large businesses as well as not-for-profit and community groups/clubs.

This allows members of the community to combine their voices into one, and be heard at local, state and federal level to achieve real and lasting outcomes for business and community. They already have fantastic plans in place for member events, services and assistance to be provided throughout the year. The Chamber plan to collaborate with surrounding Associations and Chambers as they understand the value of working together First, become a Foundation Member. They can act as your voice. Second, be actively and enthusiastically involved in events, advocacy, lending your voice and opinion, sharing your expertise, building business and community connections that will help you and others prosper. Check the website to become a Foundation Member: www.chamberofcommerceandcommunity.com

LAUNCH EVENTS

SWAN VALLEY FUTURE

s part of the McGowan Government commitment to hone Swan Valley planning laws a community survey is helping shape the Swan Valley region’s future. There has been a high response rate from residents and landowners - more than 600 Swan Valley residents and landowners have responded to a survey that will help shape the future character of the region. Conducted in November and December in 2017, the survey invited 1,864 local addresses to participate. The overall response rate of thirty-four per cent is regarded as very high and reliable. Respondents commented on issues integral to the Swan Valley community such as right to farm, retaining rural land uses, subdivision, water availability, tourism initiatives, the role of the Swan Valley Planning Committee, and the future and identity of the Swan Valley. The survey is part of an independent review of the Swan Valley planning framework, which incorporates the Swan Valley Protection Bill and associated development plan. The review is being led by the Hon John Kobelke, who also completed more than 50 one-on-one community stakeholder interviews as part of the consultation process. The survey findings will be published in Mr Kobelke's final report and recommendations to the Minister for Planning, to help determine future land use planning for the region. Planning Minister Rita Saffioti: "Upon taking government, I wanted to ensure all issues were considered as we proceed with plans to reform the Swan Valley Planning Act 1995. "This survey has investigated issues close to the heart of the Swan Valley community and will help shape the future identity of this diverse region. "The high response rate demonstrates the value of genuine community consultation in the planning process - we will now prioritise a solution for the future." John Kobelke, independent reviewer, said: "The generosity of so many Swan Valley residents in completing the survey, and their willingness to share their views in lengthy interviews reflects the community's passion for this unique region." 52

Go to one or both of our local launch events! For members, their guests/family and invited guests only. The Ellenbrook Launch Event is on Monday, May 14, from 5:30 until 7:00 pm. (See details on the invitation below.) It’ll be a great night welcoming our brand new members, supported by some of our local officials who are excited about the Chamber’s launch and have already been supporting our establishment. Find more details and register here: www.chamberofcommerceandcommunity_launch. eventbrite.com.au BULLSBROOK LAUNCH The Bullsbrook Launch the following evening, Tuesday May 15 at the Ethel Warren Community Centre. Register here: www.chamberofcommerceandcommunity_ bullsbrook_launch.eventbrite.com.au The Chamber of Commerce & Community are going to start with a bang and can’t wait to see you there.

SWAN VALLEY AND REGIONAL NETWORK BULK VERGE COLLECTION FINISHED RURAL PROPERTY REVEGETATION he City of Swan will be introducing on-call verge collections PROGRAM

in July 2018 and moving away from scheduled bulk verge collections. Residents will be able to book the service online from June 2018 . On-call collections will give residents the opportunity to have a collection at a time during the year that suits them. Each resident will have a limit of two collections per year · covering recyclables (metals, white-goods, e-waste) green waste and general waste. · In addition, residents will be permitted to receive up to three mattress collections per year. Online bookings will need to be made at least two weeks prior to the chosen date. The collection will be arranged to fall in line with the week that your yellow lid recycling bin is collected, year round, on a fortnightly rotation. If you can't wait until July, there are alternate options for disposal of your recyclables and waste: Bullsbrook Recycling Centre The Bullsbrook Recycling Centre is free to all City of Swan residents with ID and proof of address. You can find a full list of accepted items, including white goods, green waste, e-waste, building and construction materials and much more, as well as opening hours, online. No commercial loads will be accepted.

he Rural Properties Revegetation Program offers native plants free to City of Swan residents whose property is 10,000 square metres (2.5 acres) or greater in size. The program aims to supply plants to residents in rural areas to encourage revegetation of their properties using endemic native species. These plants are adapted to Perth region's soils and climate and have low watering requirements.

WHEN CAN I APPLY?

The program is advertised in local papers and e-newsletters covering the rural parts of the City of Swan each year. Residents are invited to fill out an application form and return it to the City of Swan. Applications are collated and letters are sent out to applicants advising of the number of plants allocated to them and details of pick up. WHERE AND WHEN CAN I PICK UP MY PLANTS? An assortment of local plants are grown by a local contractor on behalf of the City and plants are made available for collection by rural residents in June of each year. WHO IS ELIGIBLE FOR THE PROGRAM? The program is available to residents whose property in the City of Swan is 10,000 square metres (2.5 acres) or greater in size. Proof of identity will be requested as part of the application process to determine your eligibility. HOW MANY PLANTS ARE GIVEN AWAY? Each year approximately 10,000 plants are ordered for the giveaway. Over the years it has been running, the scheme has provided tens of thousands of plants to rural residents for revegetation.

ONE DAY FIRST AID COURSE JENNA WHISTLER

WHAT TYPES OF NATIVE PLANTS ARE AVAILABLE? A range of trees, shrubs of various sizes, groundcovers and wetland/creek species are available. They are all endemic to the area (only found here). Please note that an updated brochure is made available each year, reflecting the species available. For more information, please contact City of Swan at 9267 9267.

he City of Swan is providing first aid training for community group representatives that run activities and events in the City of Swan. The session is open to two representatives from each community organisation and places are limited so get in quick!! Provide First Aid: Sunday 27th May 2018 One day course with pre-learning component.

WHAT IS ‘PROVIDE FIRST AID’ COURSE?

This is a general course that would benefit all those at work, home or for leisure. This course provides an excellent general grounding in first aid and will enable you to perform appropriate first aid procedures and basic life support skills. This unit satisfies training requirements across a range of community and workplace settings. Provide First Aid is recommended for anyone wanting to learn essential first aid skills or those needing a formal first aid certificate for work. Please note: This course has limited places and criteria must be met to attend. For additional information please contact Joanna Fazzalari 9267 9136 or email: joanna.fazzalari@swan.wa.gov.au. 53

PHOTOGENIC RABBITS

ave you ever met a photogenic rabbit? At SAFE we’re often taking photos of cute kittens and cheeky puppies but rabbits aren’t usually the most pose-friendly animals. Sometimes our SAFE photoshoots don’t go entirely to plan. Puppies tend to want cuddles and to lick the camera lens or the photographer while kittens either want to wrestle or hide. It’s a dream to photograph a cat who likes to sit still or an older dog who knows all the tricks in the book like sit, stay, drop, coupled with a smiley face. Rabbits Keko and Clover know how to work the camera. They turned on their glam charm for their studio photoshoot showing off just how friendly they are. These milky-white four-year-old girls from the same litter love each other very much. Keko and Clover adore being patted and brushed and groom each other throughout the day. They are house bunnies and love sleeping on the dog bed! Their cage is inside with the door open so they can hop in and out as they please throughout the day. They also love hanging out under the cabinet inside where it is dark and cool. Bunnies need to eat mostly good quality hay, but also vegetables, leafy greens, fruit, seeds, roots and herbs to stay healthy. They love tunnels with different levels to jump on, hide away and to dig in and especially when you change it around from time to time. Sticks and bark are great to chew on. Rabbits are happiest when they have at least 4 hours a day to roam freely around the house or bunny secured yard. If you think you can offer this photogenic duo a loving home please contact our Perth branch, SAFE Metro on 0475 346 545.

Becoming a foster carer is a great way to help an animal in need by opening your home to a cat, rabbit or a dog on a temporary basis. It is a very fulfilling experience to be involved in enabling an animal who had little hope for the future to be placed in a permanent loving home. Foster care enables our animals to learn good house manners, interact with other people and other animals and generally build skills to make their transition into permanent homes a smooth one. And all the while, they feel loved and SAFE. It allows them to relax so we can see their true personalities and make great matches for them and their adopters. Your time as a foster carer with us can range from a short to long-term foster care or even just on one occasion - your choice. CAN WE CRASH AT YOUR PLACE FOR A WHILE? #FosteringSavesLives You will have ongoing support from SAFE whilst you have an animal in your care. Examples of the support we provide are behavioural SAFE INC. AT A GLANCE advice if needed, supply of food and SAFE is WA’s largest volunteer-based animal rescue and rehoming service using the kitty litter, and payment of authorised foster care model. Our goal is to save homeless pets from unnecessary euthanasia by vet visits. And if a placement isn’t fostering, desexing and rehoming them. working out, we’ll find another foster We are a not for profit organisation administered by a skilled board of directors, home for the animal. meeting high standards in the charity sector. SAFE Inc. is a proud member of Animal Your opinions about the placement Welfare League of Australia. process for your foster pet will be SAFE began in the Pilbara in 2003 and has grown to a network of 12 branches around strongly considered. the state, with an average of over 300 companion animals in care each month. Our animals are all vaccinated, With more than 20,500 cats and dogs desexed and rehomed since our inception, we desexed when old enough and are making a difference! microchipped. Click on the link ~ Would you like to join us in saving lives Join our team of volunteers: safe.asn.au/volunteering.html by sharing your home with one or more Be a financial supporter: safe.asn.au/Donate.html of our foster cats, kittens, rabbits or Look at our animals available for adoption: safe.asn.au/Pets_available dogs? Call our Perth branch, SAFE Metro on 0475 346 545. 54

COMMUNITY Compassionate Friends of Western Australia strives Tthathetochild’s support families who have lost a child, regardless of age throughout WA.

We are a non-profit, non-government funded charity that provide peer call support, group meetings, a drop in centre, sending out quarterly newsletters, Anniversary Cards, we hold Walk of remembrance and a candlelight service (non-religious) at Christmas. We are run by volunteers and bereaved parents that are further along in their grief and wish to help others who have suffered this tragedy. WALK OF REMEMBRANCE HELD Although everybody’s grief is different it helps to talk to someone IN MARCH EACH YEAR who has actually had this tragedy happen to them. They WON”T say “I know how you feel” as no one can, but they Events like these above give the bereaved some hope of a life will say “I don’t know exactly what you are feeling but this is how I after the death of their child. They connect with others that have been through the same tragic experience. felt when my child died”. In doing so its helps them to feel that they are not alone in their grief, that there is a worldwide connection to other suffering the same.

We raise funds by holding events, charity drives and donation from our members and outside bodies. Although this is fantastic, we still struggle with the cost of keeping our doors open so any suggestion on fundraising or donations are gratefully accepted. VOLUNTEERS NEEDED We are always looking for volunteers to help man Sausage Sizzles, Charity Shopping Centre Drives and other events along with peer support volunteers (bereaved parents) for telephone support and group meeting facilitation.

DONATIONS Donations allow us to purchase stamps so we can send our booklets and other information to the newly bereaved, community groups, doctors surgeries and hospital throughout Western Australia. They help us cover advertising cost in newspapers throughout Western Australia, pay for our office and utilities allowing us to have Peer Support Workers come in and contact to bereaved that wish to have contact. The Compassionate Friends of WA Inc. receives no Government funding in any way.

HOUSE AND GARDEN ALTERNATIVES TO GRASS

MARION LOGIE

t the end of summer we look at our water bills, the brownish, patchy lawn that probably needs mowing and some of us may well think ‘There has to be a better way, another alternative.’ A lush, healthy lawn is visually appealing, welcoming, and can add to the value of a home or business. But while grass is the most common choice, it’s not necessarily the best and certainly not the only. WHY THE GRASS ISN’T ALWAYS GREENER All grass is created equal, right? Wrong; there are multiple types of grass, each with its own benefits and disadvantages. Property owners typically report the following issues with traditional grass: Requires consistent maintenance. Grass needs to be mowed monthly (at least) and requires the additional expense of a lawn mower and fuel. Requires the addition of chemicals for pest control. Pests love grass. To keep them at bay and protect your loved one outdoors, you need to perform routine pest control treatments. Requires supplemental irrigation. Particularly in dry areas, grass is prone to die during times of drought. Keeping a lush lawn intact during dry seasons will require frequent watering and maybe even an irrigation system. If you’re looking for easier ideas to create a beautiful landscape, you’re in luck. Alternatives to traditional grass lawns are convenient, stunning, and naturally inviting. Choosing the best lawn for your property requires an evaluation of its purpose, location, and environmental risks. Will the lawn remain relatively undisturbed by traffic, or will it be an area where people play, work, or drive? Consider your unique needs before selecting a grass alternative Whether you’re tired of mowing the lawn constantly or simply want a different look and feel to your outdoor space, grass alternatives may be the perfect option for you. Explore the factors you need to consider before choosing a lawn type and why traditional grass may not be ideal. SO WHERE DO I START? The following will give you an idea of the type of plants you will need to use depending on what kind of effect you are trying to achieve.

No Traffic: Plants for no traffic areas mean just that… they won’t take kindly to being stomped all over. However, no traffic areas allow for an enormous amount of flexibility when it comes to planting style and plant choice, and can look absolutely fantastic when complete. Consider planting no traffic species in an area where lawn may have been difficult to establish, such as regions under large trees or sloping banks. As well as creating a visual feast, these types of areas can often become great habitat for our native birds and butterflies. Suggestion: Isotoma fluviatilis A low, mat-forming, Australian native ground-cover with dainty flowers. Fertilise in spring. Frost tolerant but drought sensitive. Propagate by division. Produces tiny blue star-shaped flowers throughout summer. Ideal for rockeries and borders in partly shaded locations. Pretty groundcover over rocks and between pavers in moist positions, or

at the edges of ponds. Light Traffic: Light traffic plants are those which will tolerate and bounce back from 56

small amounts of disturbance. Generally, the plants utilised in these styles of plantings are low lying, and somewhat flexible, allowing them to bounce back when trodden on. If the traffic through these areas is going to be a little heavier, try utilising stepping stones through the planting. This will not only look great, but allow for significant movement through the landscape. More next month ...

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