ReAnimania 2015 Catalog by Hagop Kazanjian

ƼǭǛǚǜǹǚǨǚǯ – Editorial ƹǮƤǹǤ – Juries ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǹǞǹ – Competition Programs ǐƤǺǚǝǹƤǢǮƤǯǯǞǹ – Screenings ǍǞǹǚǧǯƤǯǝ – Revival ƾǚǟǭǚǨǞǹǳƤǢǮƤǯǯǞǹ – Companies ǇǻǶƤǺǱǫǚǨǚǯ ƿǚǶǸǚǸƤǢǮƤǯǯǞǹ – Institutions ƶǽǶǳǞǹǞƬǯǸǚǥ ưǯǤǭǚǺǤǚ – Experimental Animation ǒǚǶǸǚǷǚǷǞǹǚǜǹǚǨǚǯ ǚǯǤǭǚǺǤǚ – DocumentaryAnimation ƷǯǢǚǺǤǨ ǯǚǦǚǜǧǞǹ – Work in Progress ǌǞƩǯǚǹǯǞǹ – Workshops

1 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

«ǋƴưǅƺǃưǅƺư» 2015 ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ ǒưǋưǎǇǅƺ ƿƺǃǅưƳƺǏ ǎǅǔǏƴǅ ǒưǋưǎǇǅƺ ƲƴǁưǏǍƴǌǎưƾưǅ ǁƴƾưǍưǏ ǍǹǞǣ ǓǚǶƤǯǤ ǒưǋưǎǇǅƺ ƿưǃưƾưǏƲǇǁ ƲǚǛǹǤǞǥ ƱǞǹǛǞǹǮǚǯ ǃƺǊưƵƲưǄƺǅ ƼǇǏƿƣǏƳ ǎǤǺǤǚǯǚ ƻǱǶǨǤ ǃǚǽǶ ƿǚƤǚǹǝ ǌƤǟǤ ǇǻǤǥǶǱǯ ƹǚǯ ƼǚǲǤǨ ǃǚǹǝǤǨǮǚǯ ƲƴǁưǏǍƴǌǎưƾưǅ ƼǇǏƿƣǏƳ ƿǚǹƤǢǮƤǯ ƼǚǲǚǸǹǮǚǯ ƲȀǱǹǜ ƲȀǱǹǜǮǚǯ ǋƤǛǞǯ ƲȀǱǹǜǮǚǯǺ ƳǚǷǤǢ ǃƤǹǚǝǮǚǯ ưǯǞǸǚ ƴǹǟǯǨǮǚǯ ƳǚǷǤǢ ǌǚǩǚǨǮǚǯǺ ǆƤǰǚǯ ǉǞǸǹǱǶǮǚǯ ưǹǚǭ ǌƤǽǤǚǶǮǚǯ ǃǚǹǨǱ ƱǹǚǭǛǤǥǥǚ ǌǱǯǚ ƿǚǹƤǢǮƤǯǮǚǯ ǃǤǽǚǮǞǥ ǉǱǫǱǶǮǚǯ ưǹǸǚǨ ưǥǞǽǶǚǯǮǚǯ ǅǚǤǹǚ ǃƤǹǚǝǮǚǯ

ưǆƼưǎưƾưƵǃ ưǯǤ ǌǭǛǚǸǤ ƲǱǩǚǹǤǨ ƱǚǥǚǮǚǯ ƳǚǷǤǢ ǃǨǹǸǲǮǚǯ ƻƤǶǞ ưǷǞǝǤǶǮǚǯ ƻǤǥǤǢ ǁǚǟǚǹǮǚǯ ǄǚǨǱǛ ƲǚǟǚǯǬǞǚǯ ǃǚǹǤǯǞ ưǝǚǭǮǚǯ ǅǚǹǞǨ ǃǤǯǚǶǮǚǯ ǅǚǸǚǥǤ ưǰǤǜǱǷǚ ǅƤǯǞ ƼƤǸǚǷǞǹǸǮǚǯ ǊƤǥǤǚ ǅǤǨǱǫǱǶǮǚǯ ǊǱǹǴ ƲǠǱǹǜ ǌƯǚǯ ǅǚǜǜǚǰǞǚǯ Ǎǚǩǚǜǯ ƼǱǴǱǮǚǯ ǓǹǤǶǸǤǯǞ ƵǚǽǚǹǮǚǯ ƿưǃưƳǏǇǁ ƳǤǚǯǚ ƾǚǹǸƤǭǮǚǯ ƼǃƱưƲƺǏ ưǯǚǩǤǸ ǁǚǟǚǹǮǚǯ ƸưǏƲǃưǅƺǈǅƴǏ ưǯǯǚ ƳǤǥǚǯǮǚǯ, ƻǤǥǤǢ ƼǚǵǚǸǮǚǯ, ưǹƤǶǮǚǨ ǌǚǹǜǶǮǚǯ, ưǹǚǭ ǌǚǹǜǶǮǚǯ ƲǏưǕƺƾ ƳƺƵưǄǅ ưǤǝǚ ǉǞǸǹǱǶǮǚǯ

2 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

REANIMANIA 2015 INTERNATIONAL ANIMATION FILM FESTIVAL

FESTIVAL FOUNDER DIRECTOR FESTIVAL ARTISTIC DIRECTOR Vrej Kassouny FESTIVAL MANAGER Gabriel Berberian INTERNATIONAL BOARD Tizina Loschi Max Howard Susie Wilson Jean Khatchig Mardikian ARTISTIC BOARD Harutyun Khachatryan Gevorg Gevorgyan Ruben Gevorgyants David Muradyan Aneta Yerznkyan David Sahakyants Shushan Petrosyan Aram Sukiasyan Marco Brambilla Sona Harutyunyan Mikael Poghosyan Artak Aleksanyan Naira Muradyan

STAFF Ani Smbati Goharik Balayan Davit Mkrtchyan Luse Avetisyan Lilit Ghazaryan Hagop Kazanjian Marine Adamyan Narek Minassian Natalie Ashigova Nuneh Khudaverdyan Julia Nikoghosyan George Kevork Sevan Naccashian Vahagn Khojoyan Christine Zakarian COORDINATOR Diana Kartumyan EDITOR Anahit Ghazaryan TRANSLATORS Anna Dilanian, Lilith Kharatian, Arusyak Sargsian, Aram Sargsian GRAPHIC DESIGN Aida Petrosyan

3 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

5 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƼǭǛǚǜǹǚǨǚǯ

ƴǹȀǚǯǡ, ƿǚǮǚǶǸǚǯǡ ǚǮǥȀǶ ǚǯǩǯǚǹ Ǡ ǳǚǸǨǞǹǚǺǯǞǥ ǚǵǚǯǺ «ǋǞưǯǤǭǚǯǤǚǮǤ»ȁ ǃǞǯǽ ǭǞǧ ǪǞǵǽǛǞǹǱǻǭǯǞǹ Ǟǯǽ ǱǻǯǞǺǞǥ 7 ǸǚǹǤǯǞǹǤ ǡǯǢǚǺǽǱǻǭǘ 350 ǝǤǭǱǻǭǤǺ 35 ǞǹǨǹǤǺ 2008-Ǥǯ ǭǤǯǲȀ 1200 ǝǤǭǱǻǭ 90 ǞǹǨǹǤǺǘ ǚǮǶ ǸǚǹǤǘ 2015-Ǥǯȁ ǍǞǹǴǤǯ 3 Ǩǚǭ 4 ǸǚǹǤǯǞǹǤǯ ǚǯǜǚǭ ǱǻǯǞǺǞǥ Ǟǯǽ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǞǹ ǭǞǧǚǯǱǻǯ ǵǞǣǤǶǱǹǯǞǹǤǺ, ǱǹǱǯǽ ǚǵǚǴǤǯ ǚǯǜǚǭ ǷǶǸǚǩǞǥ Ǟǯ ǭǞǹ ǼǚǵǚǸǱǯǤǯ Ȁ ǭǞǟ Ǳǻ ǭǞǹ ǣǮǱǻǹǤǯǞǹǤǯ ǩǚǯǪǯǞǥ ǤǹǞǯǺ ǯǱǹǚǶǸǞǫǧ ǨǤǯǱǯȁ ưǮǶ ǼǚǶǸǡ ǭǞǧ ǳǚǸǤǷ Ǡ ǭǞǟǘ ǛǱǥǱǹǤǶ ǩǚǭǚǹ, ǭǞǯǽ ǩǚǴǱǫǞǥ Ǟǯǽ ƿǚǮǚǶǸǚǯǤ ǶǹǸǱǻǭǘ ƴǹȀǚǯǱǻǭ ǭǤǴǚǟǜǚǮǤǯ ǩǚǹǢǚǨ ǶǸǞǫǧǞǥ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǞǹǤ ǩǚǭǚǹȁ «ǋǞưǯǤǭǚǯǤǚǯ» Ǥǹ ǱǻǫǫǷǚǧǱǻǢǮǚǭǛ, ǭǚǶǯǚǜǞǸǯǞǹǤ ǭǤǴȀ ǭǤǴǚǟǜǚǮǤǯ ǨǚǳǞǹ ǩǚǶǸǚǸǞǥǱǷ, ǷǚǹǳǞǸǱǻǢǮǚǯ ǝǚǶǡǯǢǚǺǯǞǹǱǷ Ȁ Ǥǹ ǨǹǢǚǢǱǰǚǨǤ ǯǱǹǚǶǸǞǫǧ ǧǹǚǜǹǱǷ ǚǳǚǜǚǮǱǻǭ ǯǳǚǸǚǨ ǱǻǯǤ Ǡǖǥ ǚǷǞǥǤ ǭǞǧ ǜǱǹǧǱǻǯǞǱǻǢǮǱǻǯ ǧǚǷǚǥǞǥȁ ƿǚǯǱǻǯ ƿǚǮǚǶǸǚǯǤ ǵǞǛǹǞǯǝǤǯǜǤ, ǩǚǯǱǻǯ ǭǞǹ ǭǚǶǯǚǜǞǸǯǞǹǤ, ǭǞǹ ǚǹǸǚǝǹǱǻǢǮǚǯ, ǭǞǹ ǳǚǸǭǱǻǢǮǚǯ Ƿǹǚ ǚǰǦǚǹǩǤ ǱǻǰǚǝǹǱǻǢǮǱǻǯǡ ǩǹǚǷǤǹǞǥǱǻǘ ǭǞǹ ǼǚǵǚǸǱǯǯ ǚǳǚǜǚǮǱǻǭ ǚǮǶ ǚǶǳǚǹǞǟǱǻǭ Ȁ Ǳǲ ǭǤǚǮǯ ǝǞǵ ǰǚǸ ǚǯǞǥǤǽǯǞǹ ǱǻǯǤȁ ưǮǶ ǛǱǥǱǹǡ ǭǞǯǽ ǭǤǰǸ ǚǹǞǥ Ǟǯǽ ǭǤǚǶǤǯ Ǳǻ, ǷǶǸǚǩ Ǟǭ, ǚǮǝǳǞǶ Ǡǥ ǳǤǸǤ ǰǚǹǱǻǯǚǨǞǯǽȁ ƿǚǷǚǸǱǻǭ Ǟǭ, Ǳǹ ǤǯǲǳǞǶ ǚǯǤǭǚǺǤǱǯ ǨǤǯǱ ǶǸǞǫǧǞǥǯ Ǡ ǚǯǩǚǸǯǞǹǤǺ ǛǚǫǨǚǺǚǧ ǦǭǛǚǨǚǮǤǯ ǚǰǦǚǸǚǯǽǤ ǚǹǝǮǱǻǯǽ, ǚǮǯǳǞǶ Ǡǥ «ǋǞưǯǤǭǚǯǤǚǯ» ǭǞǧ ǦǭǛǚǨǚǮǤǯ ǚǰǦǚǸǚǯǽǤ ǚǹǝǮǱǻǯǽ Ǡǘ Ǥ ǝǞǭǶ ǛǚǟǭǚǢǤǷ ǚǯǩǚǸǯǞǹǤ ǯǷǤǹǮǚǥ ǚǰǦǚǸǚǯǽǤǘ ǶǨǶǚǧ ǨǚǭǚǷǱǹǯǞǹǤǺ, ǭǚǶǯǚǜǞǸǯǞǹǤǺ, ǨǚǟǭǚǨǞǹǳǤǲǯǞǹǤǺ, «ǋǞưǯǤǭǚǯǤǚǮǤ» ǸǚǹǞǺ ǸǚǹǤ ǭǞǧǚǺǱǫ Ǳǻ ǚǬǱǫ ǩǚǯǝǤǶǚǸǞǶǤǺ, ǩǱǷǚǯǚǷǱǹǯǞǹǤǺ... Ǳǻ ǲǞǭ ǚǶǞǥǱǻ ǚǷǚǹǸǞǥǱǷ ǚǮǶ Ǩǚǭ ǚǮǯ ǤǯǲǤǺ, ǽǚǯǤ ǝǞǵ ǞǹǨǤǹǡ ǰǞǯǚǺǯǞǥǱǻ ǜǱǹǧǱǻǭ ǯǷǤǹǮǚǥǯǞǹǤ ǢǤǷǯ Ǳǻ ǽǚǯǚǨǡ ǲǤ ǝǚǝǚǹǱǻǭȁ 100 ǸǚǹǤ ǚǵǚǴ ǭǞǹ ǳǚǸǭǱǻǢǮǚǯ ǚǷǚǟǞ ǣǚǭǚǺǱǻǮǺǡ ǰǱǻǵ ǞǨǚǷ, ǛǚǮǺ ǞǹǛǞǽ ǲǡǯǨǬǷǞǺǤǯǽ, ǚǮǥ ǩǚǨǚǵǚǨǡǘ ǧǤǥ ǸǷǞǺǤǯǽ Ȁ ǨǞǯǚǺ ǧǚǵǞǹ ǚǷǞǥǚǺǹǞǺǤǯǽ, ǷǞǹǚǧǯǱǻǯǝ ǚǳǹǞǺǤǯǽȁ

It is now impossible to imagine Yerevan, Armenia, without ReAnimania. We have successfully created an international platform for animated ȃlms in the heart of Armenia, Yerevan. ReAnimania aims to create ties between specialists, to run masterclasses, and through its new scholarship programme, aims to attain even greater achievements [in the ȃeld]. It is for the rebranding for Armenia, for our specialists and our productions, and to get the world to pay attention to our history. For the sake of all of this, our festival still has a long way to go. I believe that, just like how animated ȃlms are the result of individuals working as a team, “ReAnimania” is the result of great teamwork by many dedicated individuals: volunteers, specialists, organisers, the ever growing audience of “ReAnimania” and sponsors. I can say that our achievements and successes will not be limited with those mentioned above, we still have a lot to do and we can, as long as we are surrounded with people devoted to their nation and country. A hundred years ago, the hourglass of our history was turned upside down, but we never gave up, quite the opposite, we sprang up and we continued to plant the trees of life for the sake our revival. Here’s a toast to you, ReAnimania, and a toast to you, Armenia. Vrej Kassouny 10.20.2015

ƾǞǯǚǖǺǝ, ǋǞưǯǤǭǚǯǤǚ ǍǹǞǣ ǓǚǶƤǯǤ 10.20.2015Ǣ.

6 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƹǮƤǹǤ Juries

ƻǤǚƬǸǹǚǣ ǿǤǥƬǹ Feature ȃlms ǅǤǨǱǥǚ ƱǤǚǯǨǱ-ƻǞǷǹǤǯ ƽǯǷǞǥ Ǡ 1979-Ǥǯ, ǶǱǷǱǹǞǥ Ǡ ǒǚǹǤǟǤ Duperré Art School-Ƥǭ Ȁ 2002-Ǥǯ ǩǹǚǸǚǹǚǨǞǥ Ǡ ǞǹǞǦǚǯǞǹǤǯ ǩǚǶǺǞǚǜǹǷǚǧ Ǥǹ ǚǵǚǴǤǯ ǜǤǹǽǡǘ «ǌǤǭǱǯǡ ǚǵǚǯǺ ǜǤǰǞǹǯǞǹǤ», ǱǹǤ ǩǚǭǚǹ ǃǚǯǨǚǨǚǯ ǜǹǚǨǚǯƤǢǮǚǯ ƩǴǚǟǜǚǮǤǯ ǨǞǯǸǹǱǯǡ ǩǚǯǪǯǞǥ Ǡ Graphic Octogone ǭǹǺǚǯǚǨǡȁ ưǮǝ ǣǚǭǚǯǚǨǷǚǯǤǺ ǶǨǶǚǧ ǯǚ ǩǹǚǸǚǹǚǨǞǥ Ǡ 25 ǜǤǹǽ, ǚƬǯ ǚǯǜǚǭ ǾǜǸǚǜǱǹǧǞǥǱǷ ǯǨǚǹǚǟǚǹǝǭǚǯ ǯǱǹ ǸǞǦǯǤǨǚǘ ǶȀ Ȁ ǶǳǤǸǚǨ ǯǨǚǹǯǞǹ Ǩǚǭ ǨǱǳǤǸ ǜƤǮǯǞǹǱǷ ǭǱǝǞǥǯǞǹ, ǯǨǚǹǯǞǹ ǚǨǹǤǥǱǷ Ǩǚǭ ǲǤǯǚǨǚǯ ǢǚǯǚǽǱǷȁ ǅǤǨǱǥǚ ƱǤǚǯǨǱ-ƻȀǹǤǯ 27 ǚǯǤǭǚǺǤǱǯ ǿǤǥƬǹǤ ǩǞǫǤǯǚǨ Ǡȁ ƿǤǭǚ ǚǰǦǚǸƤǭ Ǡ Une Histoire de Jeannot ǯǱǹ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ Ƿǹǚ, Ǳǹǡ ǚǹǸǚǝǹƤǭ Ǡ La Luna ǡǯǨǞǹƤǢǮƤǯǡȁ Nicolas Bianco-Levrin Born in 1979, Nicolas Bianco-Levrin studied at the Duperré Art School in Paris and published his ȃrst book for children “Simon without nights” in 2002 for which he won the Graphic Octogone price from the International Center of Litterature for Children. Since that time, he published 25 books, using each time a new technic of illustration: picture in black and white or in color of rough models, drawings with acrylic or chinese ink. Nicolas Bianco-Levrin directed 27 animation ȃlms. He is now working on a new short: Une Histoire de Jeannot, produced by La Luna productions.

ǊǞǽ ǉǱǫǱǶǮǚǯ ƽǯǷǞǥ Ǡ ǃǱǯǸǞǷǤǝǞǱǻǭ (ǇǻǹǱǻǜǷǚǮ), ǚǷǚǹǸǞǥ Ǡ «Sagrada Familia»-ǯ Ȁ ǱǹǳǞǶ ǚǯǜǥǞǹǞǯǤ ǭǚǶǯǚǜǞǸ ǶǱǷǱǹǞǥ Ǡ ACUEU-Ǳǻǭ: ǇǹǳǞǶ ǶǱǺǤǚǥǚǨǚǯ ǚǰǦǚǸǱǫ ǷǞǹǚǳǚǸǹǚǶǸǷǞǥ Ǡ Wellfare Minister-Ǳǻǭȁ ǊǞǽǡ ǝǞǹǚǶǚǯ, ǳǹǱǝǮǱǻǶǞǹ Ȁ ǱǻǶǱǻǺǤǲ Ǡ, ǭǤǚǣǚǭǚǯǚǨ ǚǷǞǥǤ ǽǚǯ 20 ǸǚǹǤ ǟǛǚǫǷǞǥ Ǡ ǭǰǚǨǱǻǢǚǮǤǯ ǥǹǚǜǹǱǻǢǮǚǭǛ: ǅǚ ƻǚǸǤǯǚǨǚǯ ưǭǞǹǤǨǚǮǱǻǭ ƿǚǮǨǚǨǚǯ ǨǤǯǱǮǤ ǚǵǚǴǤǯ ǯǞǹǨǚǮǚǺǱǻǺǤǲǯ Ȁ Cinemateca Armenia-Ǥ ǩǤǭǚǝǤǹ-ǸǯǾǹǞǯǯ Ǡ: Cinemateca Armenia-ǯ Ǥǹ 13-ǚǭǮǚ ǜǱǹǧǱǻǯǞǱǻǢǮǚǯ ǡǯǢǚǺǽǱǻǭ ǤǹǚǨǚǯǚǺǹǞǥ Ǡ ǩǚǸǱǻǨ ǧǹǚǜǤǹ, Ǳǹǡ ǨǤǯǱǯ ǛǚǹǪǹ ǱǹǚǨǤ ǩǚǶǺǯǞǥǱǻ Ȁ ƿǚǮǚǶǸǚǯǤ Ȁ ƻǚǸǤǯǚǨǚǯ ưǭǞǹǤǨǚǮǤ ǭǤǴȀ ǭǰǚǨǱǻǢǚǮǤǯ ǼǱǦǚǯǚǨǭǚǯ ǯǳǚǸǚǨ ǱǻǯǤȁ ǎǚǹǛǞǹ ǼǚǵǚǸǱǯǯǞǹǤ ǣǚǭǚǯǚǨ ǞǫǞǥ Ǡ ǣǮǱǻǹǤǤ ǳǚǸǚǶǦǚǯǚǸǱǻǯ Ȁ ǳǚǹǜȀǚǸǹǷǞǥ ǭǰǚǨǱǻǢǚǮǤǯ ǚǨǸǤǷ ǜǱǹǧǱǻǯǞǱǻǢǮǚǯ ǩǚǭǚǹȁ Jack Poghossian Born in Montevideo (Uruguay), he graduated from “Sagrada Familia” and majored in English Language at ACUEU. He was also trained as social worker at the Wellfare Minister. Actor, producer and teacher, has also developed cultural journalism for more than 20 years. He is the ȃrst representative of Armenian cinema in Latin America and director founder of Cinemateca Armenia in its 13 years, a program of promotion, cultural exchange and cinema excellence between Armenia and Latin America. He has headed and integrated the jury in many international ȃlm festivals and has been awarded for his cultural activity.

ƻȀǱǯ ǃǤǯǚǶǮǚǯ ƻȀǱǯ ǃǤǯǚǶǮǚǯ (ǧǯ. 1970, ƲǮǱǻǭǹǤ) ƸǚǸǞǹǚǨǚǯ ǨǹǢǱǻǢǮǱǻǯ ǶǸǚǺǞǥ Ǡ ƴǹȀǚǯǤ ǜǞǫǚǹǷǞǶǸǚǢǚǸǞǹǚǨǚǯ ǤǯǶǸǤǸǱǻǸǱǻǭ: ƳǞǹǚǶǚǯ Ǡ ǚǰǦǚǸǞǥ ƲǮǱǻǭǹǱǻ «ưǵǚǶǳǞǥ» Ȁ Ǎǚǹǝǚǯ ưǬǞǭǮǚǯǤ ǚǯǷǚǯ ǢǚǸǹǱǯǯǞǹǱǻǭ: ƾǤǯǱǨǹǢǱǻǢǮǱǻǯ Ǡ ǶǸǚǺǞǥ ǒǚǹǤǟ 8-ǹǝ ǩǚǭǚǥǶǚǹǚǯǱǻǭ: 1996-Ǥǯ ǶǸǚǺǞǥ Ǡ Ǥǹ ǭǚǜǤǶǸǹǱǶǚǨǚǯ ǝǤǳǥǱǭǡ ǜǞǹǚǟǚǯǺǱǻǢǮǚǭǛ: ǅǨǚǹǚǩǚǯǞǥ Ǡ ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǞǹ ǿǹǚǯǶǤǚǨǚǯ ǨǤǯǱǡǯǨǞǹǱǻǢǮǱǻǯǯǞǹǤ ǭǚǶǯǚǨǺǱǻǢǮǚǭǛ: ǅǹǚ «ƳǚǰǯǚǭǱǻǹǡ» ǿǤǥǭǡ ǭǚǶǯǚǨǺǞǥ Ǡ ǚǷǞǥǤ ǽǚǯ 80 ǭǤǴǚǟǜǚǮǤǯ ǨǤǯǱǼǚǵǚǸǱǯǤ Ȁ ǚǹǣǚǯǚǺǞǥ 35 ǭǹǺǚǯǚǨǤ Ǳǻ ǩǤǰǚǸǚǨǭǚǯ: LEVON MINASIAN Levon Minasian (born 1970, Gyumri, Armenia) began his theatre studies at the Institute of Fine Arts and Theatre in Yerevan (Armenia). He worked as an actor at the Araspel and Vardan Adjemian Theatres in Gyumri. He studied ȃlm at the University of Paris-8 (France). In 1996, he received his Master’s Diploma with distinction. Levon Minasian directed short ȃlms, produced by French production companies. His short comedy “The Piano” has participated to more than 80 festivals worldwide, received 35 awards and mentions.

8 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ Short ȃlms ƼǱǻǚǯ ǉǚǛǥǱ ƵǚǹǚǭǞǥǚ ƼǱǻǚǯ ǉǚǛǥǱ ƵǚǹǚǭǞǥǚǯ` (ƱǱǻǞǯǱǶ ưǮǹǞǶ, ưǹǜǞǯǸǤǯǚ) ǚǯǨǚǦ ǵǞǣǤǶǱǹ Ȁ ǚǯǤǭǚǸǱǹ Ǡȁ ƾǤǯǱǚǹǷǞǶǸǤ ǤǯǶǸǤǸǱǻǸǡ ǚǷǚǹǸǞǥǱǻǺ ǩǞǸǱ ǶǨǶǞǥ Ǡ ǯǨǚǹǞǥ Ǥǹ ǶǞǼǚǨǚǯ ǿǤǥǭǞǹǡȁ ƺǹ ǛǱǥǱǹ ǚǯǨǚǦ ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǞǹǡ ǱǫǴ ǚǰǦǚǹǩǱǻǭ ǚǹǣǚǯǚǺǞǥ Ǟǯ ǭǹǺǚǯǚǨǯǞǹǤ, ǤǶǨ ưǹǜǞǯǸǤǯǚǮǱǻǭ 3 ǚǯǜǚǭ ǚǹǣǚǯǚǺǞǥ Ǡ Codor de Plata ǭǹǺǚǯǚǨǤǯȁ 2008 ǢǷǚǨǚǯǤǯ ƾǚǯǯǱǻǭ ǯǹǚǯ ǡǯǸǹǞǥ Ǟǯ ǱǹǳǞǶ Saatchi & Saatchi ǅǱǹ ǵǞǣǤǶǱǹǯǞǹǤ ǺǱǻǺǚǸǚǦǸǚǨǤ ǯǞǹǨǚǮǚǺǱǻǺǤǲ: 2010Ǣ. ưǯǯǞǶǤǤ ǃǤǴǚǟǜǚǮǤǯ ưǯǤǭǚǺǤǱǯ ǒǚǵǚǸǱǯǤ ǣǚǭǚǯǚǨ ǭǤ ǚǭǛǱǫǴ ǩǚǸǱǻǨ ǧǹǚǜǤǹ Ǡ ǞǫǞǥ Ǥǹ ǿǤǥǭǞǹǱǷȁ ǅǹǚ ǷǞǹǴǤǯǘ Luminaris ǿǤǥǭǡ ǚǹǣǚǯǚǺǞǥ Ǡ ǚǷǞǥǤ ǽǚǯ 300 ǭǤǴǚǟǜǚǮǤǯ ǭǹǺǚǯǚǨǤ, ǯǞǹǚǵǮǚǥ ưǯǯǞǶǤ 2011-Ǥ ƿǚǯǝǤǶǚǸǞǶǤ Ȁ Fipresci ǭǹǺǚǯǚǨǯǞǹǤ Ȁ ǭǸǞǥ Ǡ ǔǶǨǚǹ 2011-Ǥ ǥǚǷǚǜǱǻǮǯ ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǞǹǤ ǺǚǯǨǤ ǭǞǴȁ Juan Pablo Zaramella Juan Pablo Zaramella (Buenos Aires, Argentina) is an independent director and animator. After his graduation at the Instituto de Arte Cinematograȃco de Avellaneda as an Animation Director, he started directing and animating his own ȃlms. All his independent shorts have been awarded all around the world, and in Argentina he won the most important prize for cinema, Condor de Plata Award, in 3 opportunities. In 2008 he was selected for Saatchi & Saatchi New Directors Showcase in Cannes. In 2010, Annecy International Animation Festival presented a special program with all his works. His last short ȃlm “Luminaris” has won more than 300 international awards, including the Audience Award and Fipresci Award at Annecy 2011, and was part of the Oscars Shortlist for Best Animated Short 2011. ưǥǞǽǶǚǯǝǹ ƿǞǛǱǮǚǯ ưǥǞǽǶǚǯǝǹ ƿǞǛǱǮǚǯǡ 2004-Ǥǯ ǚǷǚǹǸǞǥ Ǡ Gobelins-Ǥ ǨǤǯǱǮǤ ǽǱǥǞǴǡȁ Michel Ocelot-Ǥ Azur & Asmar ǿǤǥǭǱǻǭ ǚǵǚǴǤǯ ǽǚǮǥǞǹǡ ǚǯǞǥǱǻǺ ǩǞǸǱ ǸǞǫǚǼǱǦǷǞǥ Ǡ ƾǚǥǤǿǱǹǯǤǚǘ DreamworksǱǻǭ ǚǰǦǚǸǞǥǱǻȁ ǅǚ ǟǛǚǫǷǞǥ Ǡ Kungfu-Panda-Ǥ (2008) Ȁ Monsters vs Aliens (2009) ǭǱǻǥǸǿǤǥǭǞǹǤ ǨǞǹǳǚǹǯǞǹǤ ǚǯǤǭǚǺǤǚǮǱǷȁ ƿǞǛǱǮǚǯǡ ǚǰǦǚǸǞǥ Ǡ Ǥǹ Exodus ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǤ Ƿǹǚ, ǛǚǮǺ ǰǱǻǸǱǷ ǩǞǵǚǺǞǥ Ǡ Dreamworks-ǤǺ Ǳǻ ǝǚǝǚǹǞǺǹǞǥ Ǡ ǚǮǝ ǯǚǦǚǜǤǧǡǘ Ǥǹ ǚǵǚǴǤǯ Cg ǿǤǥǭǡ ǯǨǚǹǞǥǱǻ ǩǚǭǚǹȁ «ǃǱǻǯǞǯ, ǥǱǻǶǯǤ ǳǚǩǚǳǚǯǡ» ǿǤǥǭǤ Ƿǹǚ, Ǳǹǯ ǚǹǸǚǝǹǞǥ Ǡ On Enternainment-ǡ, ƿǞǛǱǮǚǯǡ Ȁ ǩǚǭǚǵǞǣǤǶǱǹ ƱǞǯǱǤ ǕǤǥǤǳǱǯ ǚǰǦǚǸǞǥ Ǟǯ 6 ǸǚǹǤȁ ǕǤǥǭǤ ǯǨǚǹǲǚǨǚǯ ǪȀǚǷǱǹǱǻǭǡ ǚǹǷǞǥ Ǡ ǒǚǹǤǟǱǻǭ, ǤǶǨ ǚǹǸǚǝǹǷǞǥ Ǡ 2013-Ǥǯ, ǃǱǯǹǞǚǥǱǻǭȁ ǕǤǥǭǡ ǡǯǸǹǷǞǥ Ǡ ưǯǯǞǶǤ ǿǤǥǭǞǹǤ ǼǚǵǚǸǱǯǱǻǭ Ǳǻ ǎǱǨǤǱǮǤ ǚǯǤǭǚǺǤǱǯ ǼǚǵǚǸǱǯǱǻǭ ǚǹǣǚǯǚǺǞǥ Ǡ ǥǚǷǚǜǱǻǮǯ ǥǤǚǭǞǸǹǚǣ ǿǤǥǭ ǭǹǺǚǯǚǨǤǯȁ «ǃǱǻǯǞǯ» ǪǞǵǽ Ǡ ǛǞǹǱǻǭ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǬǚǯǚǲǱǻǭ Ȁ ǚǹǝǞǯ ǚǮǶ ǸǚǹǷǚ ǶǨǟǛǤǯ ǜǹǚǯǺǱǻǭ ǩǚǴǱǫǱǻǢǮǱǻǯǯǞǹ ƺǸǚǥǤǚǮǱǻǭ Ȁ ǋǱǻǶǚǶǸǚǯǱǻǭȁ Alexander Heboyan Alexandre Heboyan graduated in 2004 from Gobelins ȃlm school. After a ȃrst experience on Michel Ocelot Azur & Asmar, Alexandre moved in california to work at Dreamworks. He animated characters on Kungfu-Panda (2008) and Monsters vs Aliens (2009). On the side he was developing a short movie, Exodus, but Alexandre left Dreamworks and stopped this project to direct his ȃrst Cg movie. Mune, the moon guardian, with Benoit Philippon, produced by On Enternainment, took 6 years in the making. The art was created in Paris, and Cg production took place in 2013 at Mikros Montréal. The movie was selected in Annecy ȃlm festival, and won the best feature in the Tokyo Animation Award Festival. Mune is getting a worldwide release, and was already a success in Italy and Russia early this year. ǋƤǛǞǯ ǃǚǥǚǮǚǯ ǋǱǻǛǞǯ ǃǚǥǚǮǚǯ` (1971) ǯǨǚǹǤǲ, ǥǱǻǶǚǯǨǚǹǤǲ Ȁ ǵǞǣǤǶǱǹȁ ǌǱǷǱǹǞǥ Ǡ ƴǹȀǚǯǱǻǭ, ƸǞǹǥǞǭǞǟǮǚǯǤ ǜǞǫǚǹǷǞǶǸǤ ǽǱǥǞǴǱǻǭ ǶǸǚǺǞǥ Ǡ ǯǨǚǹǲǤ ǱǹǚǨǚǷǱǹǱǻǭ, ǤǶǨ ƲǞǫǚǹǷǞǶǸǤ ǳǞǸǚǨǚǯ ǚǨǚǝǞǭǤǚǮǱǻǭ ǶǱǷǱǹǞǥ Ǡ ǜǹǚǿǤǨǚǮǤ ǛǚǣǯǱǻǭȁ ǋǱǻǛǞǯǡ ǩǞǵǱǻǶǸǚǸǞǶǱǻǢǮǱǻǯǱǻǭ Ȁ ǨǤǯǱǮǱǻǭ ǚǰǦǚǸǞǥ Ǡ ǱǹǳǞǶ ǯǨǚǹǤǲ Ȁ ǷǤǟǱǻǚǥ ǠǿǞǨǸǯǞǹǤ ǫǞǨǚǷǚǹǘ ǤǹǚǨǚǯǚǺǯǞǥǱǷ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǧǹǚǜǹǞǹ ƿǚǮǚǶǸǚǯǱǻǭ, ƺǶǹǚǮǞǥǱǻǭ, ǅǤǝǞǹǥǚǯǝǯǞǹǱǻǭ, ƾǚǯǚǝǚǮǱǻǭ Ȁ ƿǯǝǨǚǶǸǚǯǱǻǭȁ ǋǱǻǛǞǯ ǃǚǥǚǮǚǯǡ Armenian Genocide in Contemporary Graphic & Art Posters (2001ǢǷǚǨǚǯ, ưǭǶǸǞǹǝǚǭ) ǭǤǴǚǟǜǚǮǤǯ ǜǹǚǿǤǨ ǝǤǟǚǮǯǤ ǭǹǺǱǻǮǢǤ ǩǤǭǚǝǤǹǯ Ǡ: ǃǹǺǱǻǮǢǡ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǡǯǝǱǻǯǞǥǱǻǢǮǚǯ Ǡ ǚǹǣǚǯǚǺǞǥȁ ǅǞǹǨǚǮǱǻǭǶ ǋǱǻǛǞǯǡ ǩǚǮǨǚǨǚǯ ǜǞǫǚǜǹǱǻǢǮǚǯ ǭǚǶǤǯ ǷǚǹǳǞǸǱǻǢǮǚǯ ǝǚǶǞǹ Ȁ ǶǞǭǤǯǚǹǯǞǹ Ǡ ǚǯǺǨǚǺǯǱǻǭ, ǯǚȀ ǝǚǶǚǷǚǯǝǱǻǭ Ǡ Motion Design Ȁ Postproduction ƸǇǑǃǇ ǶǸǞǫǧǚǹǚǹ ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯǱǻǭȁ Ruben Malayan Ruben Malayan (1971) is an artist, photographer, and art director. Having completed his studies in Yerevan, Armenia, he holds a Degree in Painting from Terlemezian Art College, and a Degree in Graphics from the State Institute of Fine Arts. As an art director and visual effects supervisor, Ruben has been working in broadcast and cinema for over 15 years, realizing creative projects in Armenia, Israel, The Netherlands, Canada and India. Ruben Malayan is the founder (2001, Amsterdam) of “Armenian Genocide in Contemporary Graphic & Art Posters” international graphic design competition, which has received considerable acclaim in books and magazines worldwide, as well as coverage in the international press. Presently Ruben is running master classes and workshops of Armenian Calligraphy as well as teaching Motion Design and Postproduction course in Tumo Center for Creative Technologies. He exhibits art both locally, and abroad.

9 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƹǮƤǹǤ Juries

ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ Graduation ȃlms

ǋǱǯ ƳǤǞǯ ǋǱǯ ƳǤǞǯǡ 1999Ǣ. ǝǚǹǪǞǥ Ǡ l’Archipel Paris Ciné ǨǤǯǱǢǚǸǹǱǯǤ ƬǯǞǴǞǹǡȁ ǃǤǚǣǚǭǚǯǚǨ ǩǤƨǚǝǹǞǥ Ǡ Sacrebleu Productions-ǡȁ ƿǤǭǚǝǹǭǚǯ ǾǹǤǺ Ǥ ǷǞǹ ǚǷǞǥǤ ǽǚǯ 50 ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ Ǟǯ ǚǹǸǚǝǹǷǞǥ, ǱǹǱǯǽ ǡǯǸǹǷǞǥ Ǟǯ 1000-ǤǺ ǚǷǞǥǤ ǚǟǜǚǮǤǯ Ȁ ƩǴǚǟǜǚǮǤǯ ǼǚǵǚǸǱǯǯǞǹƤǭȁ Sacrebleu Productions-ǡ ǚǹǣǚǯǚǺǞǥ Ǡ Ʃ ǰǚǹǽ ǛǚǹǪǹ ǳǚǹǜȀǯǞǹǤ. ƾǚǯǯ 2010-Ǥǯ «ǆǯǞǹǤ ǨǫǟǤ» ǿǤǥƩ ǩǚǭǚǹ ǚǹǣǚǯǚǺǞǥ Ǡ ƾǚǯǯ ǨǤǯǱǼǚǵǚǸǱǯǤ «ǇǶǨǞ ǚǹǭǚǷǞǯƤ ǬǮƤǫǤǯ», 2010-Ǥǯ Clermont Ferrand-Ƥǭ ǥǚǷǚǜƤǮǯ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ Ȁ 2013-Ǥǯ ǥǚǷǚǜƤǮǯ TV ǚǯǤǭǚǺǤǱǯ ǳǹǱǝǮƤǶǞǹǤ ǩǚǭǚǹ ǚǹǣǚǯǚǺǞǥ Ǡ Procirep ǭǹǺǚǯǚǨǤ, 2011-Ǥǯ «Madagascar, A Journey Diary»-Ǥǯ ǯǱƩǯǚǺǷǞǥ Ǡ ǔǶǨǚǹǤ, «Tram & Man on the Chair» ǿǤǥƩ ǩǚǭǚǹ ǚǹǣǚǯǚǺǞǥ Ǡ Annecy 2 ǛǮƤǹǞǫǚǳǚǨǮǚ ǭǹǺǚǯǚǨǤȁ ǉǹǱǝǮƤǶǞǹƤǢǮƤǯǤǺ ǛǚǺǤ ƳǤǞǯǡ 5 ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ ǵǞǣǤǶǱǹ Ǡ, ǱǹǱǯǽ ǡǯǸǹǷǞǥ Ǟǯ ǚǷǞǥǤ ǽǚǯ 300 ǼǚǵǚǸǱǯǯǞǹƤǭǘ ƾǚǯǯ, ƾǥǞǹǭǱǯ-ǕǞǵǚǯ, ƱǹǞǶǢ Ron DYENS In 1999, Ron DYENS became the manager of the cinema l’Archipel Paris Ciné (2 auditoriums). Meanwhile he founded Sacrebleu Productions, a ȃlm production company. About ȃfty short ȃlms have been produced since then and have been selected in more than one thousand national and international festivals. Sacrebleu Production received prestigious honours such as: Palme d’Or in Cannes in 2010 for Barking Island, the Procirep Awards of the best short ȃlms producer in Clermont Ferrand in 2010 and of the best Animation TV producer in 2013, a nomination to the Academy Awards 2011 for «Madagascar, A Journey Diary», two Annecy crystal awards for Tram & Man on the Chair … Alongside his production activity, Ron Dyens directed ȃve short ȃlms, which were selected in more than three hundred festivals such as, Cannes, Clermont-Ferrand, Brest… ƲǚǹǤ ǆǷǚǹǺ ǔǶǨǚǹǤ ǚǵǚǴǚǝǹǷǚǧ ǵǞǣǤǶǱǹ, ǭǹǺǚǯǚǨǯǞǹǤ ǚǹǣǚǯǚǺǚǧ ǚǯǤǭǚǸǱǹ, ǵǞǣǤǶǱǹ, ǯǨǚǹǤǲ Ȁ ǭǚǯǨǚǷǚǹǣ: ƿǚǜǞǺǚǧ ǜǱǹǧǯǚǨǚǯ ǶǞƩǯǚǹǯǞǹ Ƥ ǭǚǶǯǚǜǤǸǚǨǚǯ ǝǚǶǡǯǢǚǺǯǞǹ Ǡ ǷǚǹƤǭ ǚǟǜǚǮǤǯ Ȁ ƩǴǚǟǜǚǮǤǯ, ǸǚǹǹǚǨǚǯ, ƩǴǤǯ, ǚǷǚǜ ǝǳǹǱǺǯǞǹƤǭ, ǨǤǯǱǼǚǵǚǸǱǯǞǹƤǭ, ǢǚǯǜǚǹǚǯǯǞǹƤǭ, ǚǭǚǵǚǮǤǯ ǬǚǭǛǚǹǯǞǹƤǭ, ǩǚǭǚǮǯǽǚǮǤǯ ǨǞǯǸǹǱǯǯǞǹƤǭ, ǛǚǯǸǞǹƤǭ Ƥ ǩǱǜǞǛƤǣǚǹǚǯǯǞǹƤǭ: ƺǹ Single Frame Films ǡǯǨǞǹƤǢǮǚǯ ƩǴǱǺǱǷǘ ǱǹǳǞǶ ǳǹǱǝǮƤǶǞǹ, ǯǨǚǹǤǲ Ȁ ǵǞǣǤǶǱǹ, ǚǯǤǭǚǺǤǱǯ ǿǤǥƬǹ Ǡ ǶǸǞǫǧǞǥ Disney, Sesame Street, MTV, Fox Television, Corporation for Public Broadcasting ǡǯǨǞǹƤǢǮƤǯǯǞǹǤ Ȁ ǚǮǥǱǺ ǩǚǭǚǹ: ưǮǣǭ ǃǤǲǤǜǚǯǤ ǩǚǭǚǥǶǚǹǚǯǤ ưǹǷǞǶǸǤ Ȁ ǝǤǟǚǮǯǤ ǝǳǹǱǺǤ ǝǚǶǚǦǱǶ Ǡ: ǅǹǚ ǨǤǯǞǸǤǨ ǨǤǯǱǽǚǯǝǚǨǯǞǹǡ, ǤǯǶǸǚǥǚǺǤǚǯǞǹǡ Ȁ ǿǤǥƬǹǡ ǺƤǺǚǝǹǷǞǥ Ǟǯ ǸǚǹǛǞǹ ǞǹǨǹǯǞǹǤ Ƭǧ ǢǚǯǜǚǹǚǯǯǞǹƤǭ Ƥ ǳǚǸǨǞǹǚǶǹǚǩǯǞǹƤǭ: Gary Schwartz Gary Schwartz is an Academy Award nominated ȃlmmaker, award winning animator, director, artist and educator. He conducts intensive hands-on animation workshops in elementary, middle, high school, under-graduate, graduate, post-graduate, professional training, ȃlm festivals, museums, summer camps, community centers, prisons and psychiatric hospitals national and internationally in an environment of creativity, imagination and self-expression. Through his company, Single Frame Films, Gary produced, designed and directed animation for Disney, Sesame Street, MTV, Fox Television, the Corporation for Public Broadcasting and others. Gary Schwartz is currently Lecturer at the University of Michigan School of Art & Design. His kinetic cinema sculptures, installations and ȃlms have been exhibited in major museums and galleries internationally. ǆǚƩǹǚǭ ƼǚǲǚǸǹǮǚǯ ƴǶ 24-ǚǭǮǚ ǯǨǚǹǤǲ Ǟǭ ƴǹȀǚǯǤǺȁ ǒǱǽǹƤǺ ǶǨǶǞǥ Ǟǭ ǯǨǚǹǞǥ Ƥ ǱǹǱǰ ǣǚǭǚǯǚǨ ǚǯǺ ǱǹǱǰǞǥ Ǟǭ ǨǹǢƤǢǮƤǯǶ ǰǚǹƤǯǚǨǞǥ ǭǚǢǞǭǚǸǤǨǚǮǤ Ȁ ǿǤǟǤǨǚǮǤ ǱǥǱǹǸƤǭȁ ƳǤƬǺǤ ƿǉǂƿ, ǱǹǳǞǶǟǤ ǝǚǵǯǚǭ ǤǯǣǞǯǞǹȁ ƿǚǭǚǥǶǚǹǚǯǯ ǚǷǚǹǸǞǺǤ ǭǚǜǤǶǸǹǱǶǤ ǚǸǤǬǚǯǱǷȁ ƿǚǭǚǥǶǚǹǚǯǚǨǚǯ ǸǚǹǤǯǞǹǤ ǡǯǢǚǺǽƤǭ ǷǞǹǴǚǳǞǶ ǩǚǶǨǚǺǚ, Ǳǹ ƤǟƤǭ Ǟǭ ǝǚǵǯǚǥ ǚǯǤǭǚǸǱǹȁ ǆǚǸ ǰƤǸǱǷ ǜǸǚ Ȁ ǭǚǶǯǚǨǺǞǺǤ ǚǯǤǭǚǺǤǚǮǤǯ Ȁ ǳǚǸǨǞǹǚǳǚǸǭǚǯ ǚǹǷǞǶǸǤǯ ǚǵǯǲǷǱǫ Ʃ ǰǚǹǽ ǷǚǹǳǞǸƤǢǮǚǯ ǝǚǶǞǹǤ Ȁ ǶǞƩǯǚǹǯǞǹǤȁ ǆǚǸ ǰƤǸǱǷ ǶǨǶǞǺǤ ǚǰǦǚǸǞǥ ƸƣǃǇ ǶǸǞǫǧǚǹǚǹ ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯƤǭǘ ǱǹǳǞǶ ǳǚǸǨǞǹǚǳǚǸǭǚǯ ǚǹǷǞǶǸǤ ǶǞƩǯǚǹǯǞǹǤ ǫǞǨǚǷǚǹ Ȁ ǨǱǯǸǞǯǸ ǝǤǷǞǥǱǼǞǵȁ ưǮǶ ǚƬǯǯ ǤǯǪ ǩǯǚǹǚǷǱǹƤǢǮƤǯ ǸǷǞǺ ǚǷǞǥǤ ǦǱǹǚǺǯǞǥƤ ǜǤǸǞǥǤǽǯǞǹǶȁ ǍǞǹǴǞǹǶ ǭǚǶǯǚǨǺǞǺǤ GOBELINS-Ǥ ǚǭǚǵǚǮǤǯ ǧǹǚǜǹǞǹǤǯǘ ƤǶǚǯǞǥǱǷ ǨǞǹǳǚǹǤ ǚǯǤǭǚǺǤǚ ǚǰǦǚǹǩǤ ǸǚǹǛǞǹ ǞǹǨǹǯǞǹǤǺ ǞǨǚǧ ǳǹǱǿǞǶǤǱǯǚǥ ƤǶƤǺǤǲǯǞǹǤ ǭǱǸȁ Shamiram Khachatryan I am a 24 years old artist from Yerevan. I kept drawing throughout my childhood, so after some time I decided to continue my education in the direction of physics and mathematics. I applied to State Engineering University of Armenia to become an engineer. I graduated from the university with my Master’s degree. During my university education I ȃnally realized that I want to be an animator. Very soon I found and participated in many workshops and master classes related to animation and comics art. Shortly after, I became employed by a big organization called TUMO Center for Creative Technologies as Comics Art Workshop Leader and Content Developer. This gave me the opportunity to summarize and continue to increase my knowledge in this sphere. Recently I participated in GOBELINS summer program studding character animation with great teachers from all around the world.

10 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƿǞǵƤǶǸǚǸǞǶǚǮǤǯ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǿǤǥƬǹ TV and Educational Films ǎǚǢȀǤǨ ǃǚǯƤǨǮǚǯ ǎǚǢȀǤǨ ǃǚǯƤǨǮǚǯǯ ǚǷǚǹǸǞǥ Ǡ ƴǉƿ-Ǥ ǃǤǴǚǟǜǚǮǤǯ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹ Ȁ ǤǹǚǷƤǯǽ ǿǚǨƤǥǸǞǸǡ: 2007-Ǥǯ ǱǹǳǞǶ ǨǚǭǚǷǱǹ ǚǯǝǚǭǚǜǹǷǞǥ Ǡ ǯǱǹǚǛǚǺ «ǇǶǨǞ ǧǤǹǚǯ» ƩǴǚǟǜǚǮǤǯ ǨǤǯǱǼǚǵǚǸǱǯǤǯȁ 2009-ǤǺ ǼǚǵǚǸǱǯǤ ƩǴǚǟǜǚǮǤǯ ǨǚǳǞǹǤ ǫǞǨǚǷǚǹǯ Ǡ Ƥ «ǇǶǨǞ ƽǤǹǚǯǤ» ǳǹǱǝǮƤǶǞǹǯǞǹǤǺ ƬǨǡȁ 2011-2012 ǢǷǚǨǚǯǯǞǹǤǯ «ǇǶǨǞ ƽǤǹǚǯǤ» ǵǞǣǤǶǱǹǯǞǹ ǚǵǚǯǺ ǶǚǩǭǚǯǯǞǹǤ ǧǹǚǜǹǤ ǩǚǭǚǨǚǹǜǱǫǯ Ǡ: 2012-Ǥ ǩƤǯǷǚǹǤǯ ǩǤƨƤǭ Ǡ Ǥǹ ǶǞǼǚǨǚǯ TAO ǡǯǨǞǹƤǢǮƤǯǡ, Ǳǹǯ ǚǹǝǞǯ ǚǹǸǚǝǹǞǥ Ǡ ǲǱǹǶ ǿǤǥǭ: 2013-ǤǺ ǫǞǨǚǷǚǹƤǭ Ǡ ƿǚǮǚǶǸǚǯǤ ǩǚǯǹǚǮǤǯ ǩǞǵƤǶǸǚǡǯǨǞǹƤǢǮǚǯ ǿǤǥƬǹǤ Ȁ ǨǹǨǯǾǹǤǯǚǨǭǚǯ ǛǚǣǤǯǡȁ 2013-Ǥǯ ǱǹǳǞǶ ǳǹǱǝǮƤǶǞǹ ǭǚǶǯǚǨǺǞǥ Ǡ Berlinale Talent Campus-Ǥǯ, ǸǚǹǛǞǹ ƩǴǚǟǜǚǮǤǯ ǿǤǥǭ-ǼǚǵǚǸǱǯǯǞǹǤ Ȁ ǿǤǥƬǹǤ ǰƤǨǚǯǞǹǤǘ ǱǹǳǞǶ ǼǱǹǪǚǜǞǸ, ǼǚǵǚǸǱǯǚǮǤǯ ǯǞǹǨǚǮǚǺƤǺǤǲ Ȁ ǳǹǱǝǮƤǶǞǹȁ Tatevik Manoukyan Tatevik Manoukyan is a graduate of Yerevan State University, Department of International Relations and International Law (MA). In 2007, during her studies at the University, she applied as a volunteer to be involved in the works of newly founded international ȃlm festival in Yerevan – GOLDEN APRICOT. From 2009 she is heading the International Department of this festival. She is involved in the GOLDEN APRICOT Production activities, as a producer. From 2011-2012 she was the coordinator of DIRECTORS ACROSS BORDERS Eastern Partnership Project in the frames of GOLDEN APRICOT IFF. From 2012 January she has founded her own Production Company – TAO PRODUCTION, which has already 4 ȃlms in different periods of production. From 2013 she is heading the Films and Dubbing Department of Public TV Company of Armenia. Participated at Berlinale Talent Campus in 2013, as a producer, at lots of international ȃlm festivals and ȃlm markets as an expert, festival representative and producer.

ƻǤǟǚ ưǹǢǤǯǮǚǯ ƻǤǟǚ ưǹǢǤǯǮǚǯǡ ǯǮƤ ǮǱǹǽǺǤ ǯǨǚǹǤǲ Ǡǘ ǚǯǤǭǚǺǤǱǯ ǝǤǟǚǮǯǞǹǤ ǞǹǨǚǹ ǸǚǹǤǯǞǹǤ ǼǱǹǪǱǷȁ ǃǚǶǯǚǜǤǸƤǢǮǚǭǛ ǝǤǟǚǮǯǞǹ Ǡ Ȁ ǭǱǸ ǞǹǨƤ ǸǚǶǯǚǭǮǚǨ ǯǨǚǹǞǥƤǺ ǩǞǸǱ ǚǰǦǚǸǞǥ Ǡ ǸǚǹǛǞǹ ǡǯǨǞǹƤǢǮƤǯǯǞǹǤ ǩǞǸǘ MTV’s Daria, Disney’s Doug, Teenage Mutant Ninja Turtles on Fox Kids, Dreamworks’ Turbo FAST, and Metalocalypseon Adult Swim/Cartoon Networkȁ 2006-Ǥǯ ƻǤǟǡ ƩǚǺǚǷ Adult Swim’s The Venture Bros-Ǥǯǘ ǱǹǳǞǶ ǜƤǯǚǷǱǹǭǚǯ ǳǚǸǚǶǦǚǯǚǸƤȁ 2014-Ǥǯ ǯǚ “Outstanding Achievement in Production Design in an Animated TV/Broadcast Production”-Ǥ ǩǚǭǚǹ ǯǱƩǚǺǷǞǺ ANNIE-Ǥȁ 1997-Ǥǯ ƻǤǟǡ ǚǷǚǹǸǞǥ Ǡ ǋǱǝ ưǮǥǚǯǝǤ ǝǤǟǚǮǯǤ ǩǚǭǚǥǶǚǹǚǯǤ ǛǚǨǚǥǚǷǹǤǚǸǡȁ Liza Artinyan Liz Artinian is a New York-based artist with a long career as an animation designer. Specializing in background design and paint for nearly two decades, Liz has worked for variety of productions including MTV’s Daria, Disney’s Doug, Teenage Mutant Ninja Turtles on Fox Kids, Dreamworks’ Turbo FAST, and Metalocalypseon Adult Swim/Cartoon Network. In 2006, Liz joined the art team of Adult Swim’s The Venture Bros as Color Supervisor. In 2014, she received an ANNIE nomination for her work on The Venture Bros, for “Outstanding Achievement in Production Design in an Animated TV/Broadcast Production.” Liz is a graduate of The Rhode Island School of Design, receiving her Bachelor of Fine Arts in 1997.

ƱǡǯƤǚ ǕǤǥǤǳǱǯ ƱǡǯƤǚ ǕǤǥǤǳǱǯǡ ǶǨǶǞǥ Ǡ ǶǺǞǯǚǹǤǶǸǤ ǨǚǹǤǞǹǚǯ «ǓǹǸǤǯǽ» (2002)ǭǚǹǸǚǿǤǥƩǺ, ǱǹǤ ǳǹǱǝǮƤǶǞǹǯ Ǡ ǌǚǭƤǞǥ ƿǚǝǤǝǚǯ: ǅǹǚǯ ǛǚǺǚǩǚǮǸǞǥ Ǟǯ ǚǯǨǚǦ ǚƬǹǤǨǚǺǤ ǳǹǱǝǮƤǶǞǹ ǓǹǤǶǸǤǯ ǍǚǽǱǯǡ Ȁ ǔǹǚǯǣ ǶǸƤǝǤǚǮǤ ǕǹǞǝǞǹǤǨ ƳǮƤǭǚǯ: ǍǞǹǴǤǯǶ ǯǹǚǯ ǩǹǚǷǤǹǞǥ Ǡ ǜǹǞǥƤ Ȁ ǛǞǭǚǝǹǞǥƤ «ǔǹǱǹǱǺǚǮǤǯǘ ǉǤǤ ǩǚǭǚǹ»(2010) ǿǤǥǭǡ, ǝǞǹǞǹƤǭǘ ǕǱǹǞǶǸ ǍǤǢǞǮǽǹǡ Ȁ ǋƤǳǞǹǸ ǕǹǞǯǝǡ: ưǰǦǚǸǞǥ Ǡ ǱǹǳǞǶ ǶǺǞǯǚǹǤǶǸ Ʃ ǰǚǹǽ ǚǯǤǭǚǺǤǱǯ ǶǞǹǤǚǥǯǞǹǤ ǩǚǭǚǹ: Benoit Philippon Benoit Philippon started out as a scriptwriter for the action ȃlm Sweat (2002), produced by Samuel Hadida. He was then discovered by Christine Vachon, an independent American producer, and Frederique Dumas from Orange Studio, who hired him to write and direct Lullaby for Pi (2010), starring Forest Whitaker and Rupert Friend. He has also worked as a scriptwriter for diverse animated series.

11 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƹǮƤǹǤ

ưǯǤǭǚǺǤǱǯ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǱǨǯǞǹ Animated music Videos

Juries ǆƤǰǚǯ ǉǞǸǹǱǶǮǚǯ

ǆƤǰǚǯ ǉǞǸǹǱǶǮǚǯǡ ǧǯǷǞǥ Ǡ ƴǹȀǚǯƤǭ ǶǞǳǸǞǭǛǞǹǤ 23-Ǥǯ: ǌǱǷǱǹǞǥ Ǡ ƴǹȀǚǯǤ ǢǤǷ 172 ǝǳǹǱǺƤǭ, ǚǳǚ ǨǹǢƤǢǮƤǯǡ ǰǚǹƤǯǚǨǞǥ Ǡ ǒǚǯǱǶ ƸǞǹǥǞƬǟǮǚǯǤ ǚǯǷǚǯ ǜǞǫǚǹǷǞǶǸǤ ƤǶƤƨǚǹǚǯƤǭǘ ǜǞǫǚǯǨǚǹǤ ǛǚǣǯƤǭ: ưǷǚǹǸǞǥƤǺ ǩǞǸǱ ƤǶƤǭǡ ǰǚǹƤǯǚǨǞǥ Ǡ ƴǹȀǚǯǤ ǜǞǫǚǹǷǞǶǸǤ ǳǞǸǚǨǚǯ ǚǨǚǝǞƩǚǮǤ ǜǹǚǿǤǨǚǮǤ ǿǚǨƤǥǸǞǸƤǭ: ƴǹǜǤ ǚǶǳǚǹǞǟƤǭ Ǡ 1989 ǢǷǚǨǚǯǤǺ, ǚǵǚǴǤǯ ǛǞƬǥǡ ǞǫǞǥ Ǡ ǒǚǹǤǟƤǭ: 1989-1991ǢǢ.-Ǥǯ ǚǰǦǚǸǞǥ Ǡ «ưǹǪǚǜǚǯǽ» ǢǚǸǹǱǯ-ǶǸƤǝǤǚǮƤǭ (ǃǞǸǹǱ ǢǚǸǹǱǯ)ǘ ǱǹǳǞǶ ǩǚǜƤǶǸǤ Ȁ ǛǞƩ ǯǨǚǹǤǲȁ ǀȀǚǷǱǹǞǥ Ǡ 3 ǯǞǹǨǚǮǚǺƤǭ: 1991-Ǥ ǾǜǱǶǸǱǶ ǚǭǶǤǯ ǚǵǚǴǤǯ ǚǯǜǚǭ ǞǥƤǮǢ Ǡ ƤǯǞǺǞǥ «ưǄǇ» ǰǱƤ-ǧǹǚǜǹƤǭ Ȁ ǝǚǹǪǞǥ Ǡ ƴǹǜǤ ǳǞǸǚǨǚǯ ǢǚǸǹǱǯǤ ǚǵǚǴǤǯ ǶǞǹǯǝǤ ǭǞǯǚǨǚǸǚǹǯǞǹǤǺ ǭǞǨǡ: ưǹǣǚǯǚǺǞǥ Ǡ ǛǚǟǭǚǢǤǷ ǭǹǺǚǯǚǨǯǞǹǤ, ǚǮǝ ǢǷǱǻǭǘ 2006-Ǥǯ ǚǹǣǚǯǚǺǞǥ Ǡ ƿƿ ǷǚǶǸǚǨǚǷǱǹ ǚǹǸǤǶǸǤ ǨǱǲǭǚǯȁ

Shushan Petrosyan Shushan Petrosyan was born in Yerevan on 23rd of September. Shushan Petrosyan studied at school number 172 in Yerevan, then continued her education in the State College of Fine Arts in Yerevan after Phanos Terlemezyan, in the department of paintings. She continued her education at Yerevan State Academy of Fine Arts in the faculty of graphics. She has been working as singer from 1989, her ȃrst performance was in Paris. From 1989 to 1991 worked in “Ardzaganq” theatre-studio (“Metro” theatre) as a costume and stage designer. She decorated 3 performances. In the year 1991 she ȃrst performed in the show “Yes” and became one of the soloists of the ȃrst generation of State Theatre of Song. Was received many prizes, including receiving the title of the Honoured Artist of the Republic of Armenia in 2006.

ưǹǞǯ ƱǚǮǚǝǮǚǯ

ƽǯǷǞǥ Ǡ 1981 ǢǷǚǨǚǯǤǯ ǍǚǯǚǪǱǹƤǭ: 1998-ǤǺ 2002-ǡ ǶǱǷǱǹǞǥ Ǡ ƴƸƾǉƺ-Ƥǭǘ ǱǹǳǞǶ ǢǚǸǹǱǯǤ Ȁ ǨǤǯǱǮǤ ǝǞǹǚǶǚǯ: 2007-ǤǺ ǶǨǶǞǥ Ǡ ǯǨǚǹǚǩǚǯǞǥ ǞǹǚǣǰǸǚǨǚǯ Ȁ ǜǱǷǚǟǝǚǮǤǯ ǩǱǥǱǷǚǨǯǞǹ: ƺǯǲǳǞǶ ǯǚȀ ǚǰǦǚǸǞǥ Ǡ ǸǚǹǛǞǹ ǩǞǵƤǶǸǚǡǯǨǞǹƤǢǮƤǯǯǞǹƤǭ, ǱǹǳǞǶ ǩǞǵƤǶǸǚǶǞǹǤǚǥǯǞǹǤ ǵǞǣǤǶǱǹ: ƿǚǹǮƤǹǤǺ ǚǷǞǥ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹǤ ǩǞǫǤǯǚǨ Ǡ: 2015-Ǥǯ Ƴǚǹ 21 ǩǞǵƤǶǚǸǚǡǯǨǞǹƤǢǮǚǯ ǞǹǚǣǰǸǚǨǚǯ ǭǹǺǚǯǚǨǚǛǚǰǦƤǢǮǚǯ ǣǚǭǚǯǚǨ ǶǸǚǺǞǥ Ǡ ǸǚǹǷǚ ǥǚǷǚǜƤǮǯ ǵǞǣǤǶǱǹ ǭǹǺǚǯǚǨǡ:

Aren Bayadyan

Was born on 1981, in Vanadzor. From 1998-2002 studied at Yerevan State Intstitute of Theatre and Cinematography as an actor of theatre and cinema. Since 2007 stated making musical video clips and commercial videos. Has worked with many TV companies as a director of TV soap-operas. He is the creator of more than 100 musical video clips. In 2015 won the prize of the best director during the award ceremony of Ƴǚǹ 21.

ǃǤǹǸǚǝ ƲǚǟǚǟǮǚǯ

1980 ǢǷǚǨǚǯǤǺ ǚǰǦǚǸǞǥǱǷ ƿǚǮǚǶǸǚǯǤ ǚƬǯǚƬǧ ǶǸƤǝǤǚǮƤǭ Ȁ ǚǰǦǚǸǞǥǱǷ ǩǚǮ ǥǚǷǚǜƤǮǯ ǚǯǤǭǚǸǱǹǯǞǹǤǺ ƬǨǤǘ ǋǱǛǞǹǸ ǌǚǩǚǨǮǚǯǺǤ Ȁ ǯǹǚ ǃƴƽ ǢǤƩ ǩǞǸ, ǃǤǹǸǚǝ ǁǚǟǚǹǮǚǯǡ ǶǨǶƤǭ Ǡ Ǥǹ ǨǚǹǤǞǹǚǯ ǚǯǤǭǚǺǤǚǮǤ ǱǥǱǹǸƤǭȁ ƳǹǚǯǤǺ ǩǞǸǱǘ 1993-2014 ǢǷǚǨǚǯǯǞǹǤǯ, ǚǳǹǞǥǱǷ ǅǮƤ ǄǱǹǽƤǭ, ǰǚǹƤǯǚǨǞǥ Ǡ ǨǚǹǤǞǹǚǯ ǚǯǤǭǚǺǤǱǯ ǚǹǸǚǝǹƤǢǮǚǯ ǱǥǱǹǸƤǭǘ ǶǸǞǫǧǞǥǱǷ ǩǞǵƤǶǸǚǸǞǶǚǮǤǯ ǜǱǷǚǟǝǯǞǹ Ȁ ǞǹǚǣǰǸǚǨǚǯ ǷǤǝǞǱǯǞǹȁ AT&T True Voices ǚǹǰǚǷǤ ǣǚǭǚǯǚǨ ǚǳǚǩǱǷǞǥ Ǡ ǚǭǛǱǫǴǚǨǚǯ 2D ǧǚǵǚǮƤǢǮƤǯǯǞǹ ǭǱǸ 100 ǚǯǤǭǚǺǤǱǯ ǩǞǵƤǶǸǚǚǥǤǽǯǞǹǤ ǩǚǭǚǹ Ȁ ǳǚǸǹǚǸǞǥ Ǡ ǚǯǩǚǭǚǹ ǯǱǹǚǹǚǨǚǯ Ȁ ǣǚǭǚǯǺǚǮǤǯ ǜǱǷǚǟǝǯǞǹ Fisher Price, EMI Records, Chase Visa, HBO, Macy’s, FSA, Hasbro, Club Med, “Ecko”, Red Bull “Old Navy”, “The New York City Department of Sanitation” Ȁ ƤǹǤǰǯǞǹǤ ǩǚǭǚǹȁ ǅǞǹǨǚǮƤǭǶ ǃǤǹǸǚǝǡ ǛǯǚǨǷƤǭ Ǡ ƴǹȀǚǯƤǭ Ȁ ǟǛǚǫǷƤǭ Ǡ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ Ȁ Ǳǲ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǜǱǹǧƤǯǞƤǢǮǚǭǛȁ

Mirtad Gazazian

Starting in 1980 at the largest studio in Armenia and working with one of the best Animator and Director for All time Robert Sahakyants and his GREAT team he began his career in Animation ȃeld. Soon thereafter, living in New York from 1993 to 2014 fortunately I continued my journey in Animation industry, working and creating television commercials and music videos. Provided full 2-D animation services for over 100 animated television spots for the AT&T True Voices campaign and created numerous innovative and entertaining commercials for Fisher Price, EMI Records, Chase Visa, HBO, Macy’s, FSA, Hasbro, Club Med, “Ecko”, Red Bull “Old Navy”, “The New York City Department of Sanitation” and more. Currently Mirtad resides in Yerevan and continues his creative and not-so-creative milestones in Animation.

12 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƻǤǚƬǸǹǚǣ ǿǤǥƩ ǜǚǫǚǼǚǹ Best ȃlm concept ưǹǚǭ ǃǞǩǹǚǛǮǚǯ ƽǯǷǞǥ Ǡ 1971 ǢǷǚǨǚǯǤǯ ƴǹȀǚǯƤǭ: 1989-1994 ǚǷǚǹǸǞǥ Ǡ ƴǹȀǚǯǤ ǳǞǸǚǨǚǯ ǜǞǫǚǹǷǞǶǸǚǢǚǸǞǹǚǨǚǯ ǤǯǶǸǤǸƤǸǤ ǜǹǚǿǤǨǚǨǚǯ ǝǤǟǚǮǯǤ ǛǚǣǤǡ (Yerevan Fine Art Institute, Graphic Design Department): 1998-ǤǺ «ǋƤǛǤǨǱǯ» ǭǰǚǨƤǢǚǛǚǯǚǨǚǯ ǩǚǯǝǞǶǤ ǩǤƨǚǝǤǹ, ǸǯǾǹǞǯǯ Ǡ (Founder and director of “Rubicon” quarterly magazine): 2004-ǤǺ ƩǯǲȀ 2010-ǡ ǝǚǶǚǦǱǶǞǥ Ǡ ƲǞǫǚǹǷǞǶǸǤ ǳǞǸǚǨǚǯ ǚǨǚǝǞƩǚǮƤǭ (Lecturer in the National Academy of Fine Arts): 2004-ǤǺ ǚǵ ǚǮǶǾǹ «ǌǚǹǜǤǶ ƼǚǲǞǯǺ – ǒǹǤǯǢǤǯǿǱ» ǩǹǚǸǚǹǚǨǲǚǨǚǯ ǧǹǚǜǹǤ ǫǞǨǚǷǚǹǯ Ǡ:

Aram Mehrabian Was born on 1971 in Yerevan. 1989-1994 graduated from Yerevan Fine Art Institute, Graphic Design Department. Since 1998 is the founder and director of “Rubicon” quarterly magazine. From 2004 to 2010 was a lecturer in the National Academy of Fine Arts. From 2004 till now is the supervisor of publishing program “Sargis Khachents-Printinfo”

ǅǚǹǞǨ Ǎǚǯ ưǰƤǫǚǢǱǮǚǯ ưǯƤǯǶ ǅǚǹǞǨ Ǎǚǯ ưǰƤǫǚǢǱǮǚǯ Ǡ: ƽǯǷǞǥ Ǟǭ ƴǹȀǚǯƤǭ: ǃǚǶǯǚǜǤǸƤǢǮǚǭǛ ǚǶǸǷǚǧǚǛǚǯ Ǟǭ, ǚǷǞǥǤ Ƥǰ ǶǸǚǺǞǥ Ǟǭ ǯǚȀ ǤǹǚǷǚǜǤǸƤǢǮǚǯ ǭǚǜǤǶǸǹǱǶǤ ǨǱǲƤǭ: ưǮǣǭ ǱǹǳǞǶ ǤǹǚǷǚǛǚǯ ǚǰǦǚǸƤǭ Ǟǭ Ȁ ǚǹǝǞǯ ƤǢ ǸǚǹǤ Ǡ ǫǞǨǚǷǚǹƤǭ Ǟǭ ƽǤǹǚǯǤ ǃǰǚǨƤǢǚǮǤǯ ƿǚǯǜƤǮǺǡ, Ǳǹǡ ǭǰǚǨƤǢǚǮǤǯ ǦǯǝǤǹǯǞǹǱǷ ǟǛǚǫǷǱǫ ǨǚǟǭǚǨǞǹǳƤǢǮƤǯ Ǡ: ưǟǚǸ ǣǚǭǚǯǚǨ ǩǤƨǚǨǚǯƤǭ ǯǨǚǹƤǭ Ǟǭ: ưǮǶ ǸǚǹǤ ǭǚǮǤǶǤǯ ƴǹȀǚǯƤǭ ǨǚǮǚǺǚǷ «ǃǚǶǯǤǨǚǳǚǸƤǭ» ǦǱǹǚǜǹǱǷ Ǥǭ ǚǵǚǴǤǯ ǚǯǩǚǸǚǨǚǯ ǺƤǺǚǩǚǯǝǞǶǡ, ǱǹǸǞǫ ǯǞǹǨǚǮǚǺǹǞǺǤ ǸǚǹǛǞǹ ǸǚǹǤǯǞǹǤ ǡǯǢǚǺǽƤǭ ǯǨǚǹǚǧ ǜǱǹǧǞǹǶ: ƺǛǹȀ ǩǞǫǤǯǚǨ-ǵǞǣǤǶǱǹ ǭǚǶǯǚǨǺǞǥ Ǟǭ ǲǱǹǶ ǨǚǹǬǚƬǸǹǚǣ ǷǚǷǞǹǚǜǹǚǨǚǯ ǿǤǥƬǹǤ, ǤǯǲǳǞǶ ǯǚȀ ƬǨ ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥƩ ǶǸǞǫǧǭǚǯ ǚǰǦǚǸǚǯǽǯǞǹǤǯ:

Narek Van Ashughatoyan My name is Narek Van Ashughatoyan. I was born in Yerevan. I’m a theologist by profession, having obtained a Master in Law degree later on. I currently work as a lawyer and also lead the Tsirani Cultural Hub, an organization working on cultural issues, for eight years now. I largely paint in my free time. This year in May, my ȃrst personal exhibition titled “Tale of Fragments” was held in Yerevan, where I presented my works created throughout the years. Besides being a painter, I’ve also participated in the production of four short documentary ȃlms and a short animation ȃlm as author and director.

ưǹȀ ǉǞǸǱǶǮǚǯ ƽǯǷǞǥ Ǡ 1972 ǢǷǚǨǚǯǤ ǭǚǮǤǶǤ 6-Ǥǯ ƴǹȀǚǯƤǭ, ǚǯǷǚǯǤ ǽǚǯǝǚǨǚǜǱǹǧ ƱǞǯǤǨ ǉǞǸǹǱǶǮǚǯǤ ǡǯǸǚǯǤǽƤǭ: ǃǚǮǹǡ` ưǥǤǶ ưǝǚǭǮǚǯǡ, ǭǚǶǯǚǜǤǸƤǢǮǚǭǛ ǴƤǢǚǨǚǩǚǹ, ǩǚǮǸǯǤ ǭǰǚǨƤǢǚǮǤǯ ǜǱǹǧǤǲ Ǡ: 1995-2005ǢǢ. ǪȀǚǷǱǹǞǥ Ǡ ǩǞǵƤǶǸǚǸǞǶǚǮǤǯ ǩǚǫǱǹǝƤƨǞǹ Ȁ ǥǹǚǸǷǚǨǚǯ ǧǹǚǜǹǞǹǘ ǚǰǦǚǸǞǥǱǷ ƿǚǯǹǚǮǤǯ ƿǞǵƤǶǸǚǸǞǶƤǢǮǚǯ, ƿǚǯǹǚǮǤǯ ƴǹǨǹǱǹǝ ǚǥǤǽǤ, «ƾǚǮǭ», «ǉǚǹǚǝǤǟ», «ƴǹǨǤǹ ǃǞǝǤǚ», «ǆǚǹǭ», «ǆǚǯǢ», «ǆǱǫǚǨǚǢ», «ƺǯǸǞǹǯǮƤǟ», «ư1+», «ưǏ» ǩǞǵƤǶǸǚǡǯǨǞǹƤǢǮƤǯǯǞǹǤ ǳǚǸǷǞǹǯǞǹǱǷ: 2005-ǤǺ ǶǨǶǚǧǘ ǭǚǶǯǚǨǺǞǥ Ǡ Ʃ ǰǚǹǽ ǚǯǩǚǸǚǨǚǯ Ȁ ǦǭǛǚǨǚǮǤǯ ǺƤǺǚǩǚǯǝǞǶǯǞǹǤ: 2015-Ǥǯ ǽǚǫǚǽǤ ǨǞǯǸǹǱǯƤǭ ǛǚǺǷǞǺ «ưǹȀ ưǹǢ ƲǚǥǥǞǹǤ» ǺƤǺǚǶǹǚǩǡ: 2015-Ǥǯ ƿƿ ǯǚǦǚǜǚǩ ǌǞǹǣ ǌǚǹǜǶǮǚǯǤ ǨǱǫƩǺ ǳǚǹǜȀǚǸǹǷǞǺ ƿƿ ǷǚǶǸǚǨǚǷǱǹ ǯǨǚǹǲǤ ǨǱǲƤǭǱǷ: Arev Petrosyan Arev Petrosyan was born in an artistic environment. Her father - Benik Petrosyan is a renowned sculptor, her mother - Alice Adamyan, is a violin player and a well-known ȃgure in the artistic world. Arev Petrosyan has started her artistic career and became famous by coming up with innovative solutions and unique colors when designing TV studios, concert halls, interiors, as well as cooperating with such famous corporations and brands as Coca-Cola, Schwarzkopf, iCON Communication, 106 City FM and many others. Arev was able to establish herself professionally and ȃnd her unique place in the artistic world. Several collectors have Arev’s paintings in their personal collections and highly value her unique art. 2015 September, president of Republic of Armenia Serj Sargsyan awarded Arev Petrosyan as an Honored Artist of Armenia.

13 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ƹǮƤǹǤ Juries

ƸƤǭǱ ǶǸǞǫǧǚǹǚǹ ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯ Tumo Center for Creative Technologies

ǅǚǯǞ ǌǚǹǜǶǮǚǯ

ƴǶ ǅǚǯǞǯ Ǟǭ: ƽǯǷǞǥ Ǟǭ 2000 ǢǷǚǨǚǯǤ ǯǱǮǞǭǛǞǹǤ 6-Ǥǯ: ǌǱǷǱǹƤǭ Ǟǭ ǃǦǤǢǚǹ ǌǞǛǚǶǸǚǺǤ ǨǹǢǚǩǚǭǚǥǤǹƤǭ: ưǷǚǹǸǞǥ Ǟǭ ƿǚǮǨǚǯƤǰ ƳǚǯǤǞǥǮǚǯǤ ǚǯǷǚǯ ǚǹǷǞǶǸǤ ǝǳǹǱǺǤ ǯǨǚǹǲƤǢǮǚǯ ǛǚǣǤǯǡ (ǫǞǨǚǷǚǹǘ ǌǸǞǼǚǯ ǃǤǯǚǶǮǚǯ): ƿǚǬǚǦƤǭ Ǟǭ ƸƤǭǱ ǌǸǞǫǧǚǹǚǹ ǎǞǦǯǱǥǱǜǤǚǯǞǹǤ ƾǞǯǸǹǱǯ: ưǮǯǸǞǫ ǭǚǶǯǚǨǺǞǥ Ǟǭ ǚǯǤǭǚǺǤǚǮǤ ǛǚǟǭǚǢǤǷ ǝǚǶǡǯǢǚǺǯǞǹǤ, ǱǹǱǯǽ ǷǚǹƤǭ ǠǤǯ ǚǹǸǚǶǚǩǭǚǯǤǺ ǣǚǭǚǯǚǧ ǭǚǶǯǚǜǞǸǯǞǹǡǘ ưǵǯǚǛ ǈǚƤǝƤǹǤǯ, ƻǤǟǚ ưǹǢǤǯǮǚǯǡ, ƳǞǛǱǹǚ ǕǞǮǹǶǡ, ǋǱǟǚǥǤǯ ƱǚǛǚǮǚǯǡ, ƵǚǹƤǩǤ ƲǚǥǶǸǮǚǯǡ, ǃǤǥǞǸǚ ǉǱǶǸǤǲǡ:

Nane Sargsyan: I’m Nane. I was born on November 6, 2000. I’m studying at school named after Mkhitar Sebastatsi. I left from school of art (patining branch) named after Haykanush Danielyan. I attend TUMO center for creative technologies. I took part in many animative trainings, which were taught by professionals arrived from abroad. They were Arnab Zaurduri, Liza Artinyan, Deborafrais, Babayan Rosalie, GAlstyan Zaruhi, Mileta Pstich.

ƲǹǞǸǚ ǃǚǯƤǨǮǚǯ

ƽǯǷǞǥ Ǟǭ 1998Ǣ. ǩƤǥǤǶǤ 31-Ǥǯ: ǌǱǷǱǹƤǭ Ǟǭ ƼǚǲǤǨ ƳǚǰǸǞǯǺǤ ǚǯǷǚǯ ǢǤǷ 114 ǝǳǹǱǺǤ 12-ǹǝ ǝǚǶǚǹǚǯƤǭ: ǈǱǹǶ ǸǚǹǤ ǩǚǬǚǦǞǥ Ǟǭ ǷǱǨǚǥǤ ǝǚǶǞǹǤ: 2013 ǢǷǚǨǚǯǤ ǯǱǮǞǭǛǞǹǤǺ ǩǚǬǚǦƤǭ Ǟǯ ƸƤǭǱ ǌǸǞǫǧǚǹǚǹ ǎǞǦǯǱǥǱǜǤǚǯǞǹǤ ƾǞǯǸǹǱǯ: ƸƤǭǱǮƤǭ ǭǚǶǯǚǨǺǞǥ Ǟǭ ǚǯǤǭǚǺǤǚǮǤ ǩǞǸ ǨǚǳǷǚǧ ǛǚǟǭǚǢǤǷ ǝǚǶǡǯǢǚǺǯǞǹǤ, ǚǮǝ ǢǷƤǭ ǯǚȀ ƲǚǹǤ ǆǷǚǹǺǤ «ƺǯǲǳǞǶ ǶǸǞǫǧǞǥ ǚǯǤǭǚǺǤǚ» ǝǚǶǡǯǢǚǺǤǯ, ǱǹǤ ǡǯǢǚǺǽƤǭ ǶǸǞǫǧǷǞǥ Ǡ “EXQUISITE BRAIN” ǚǯǤǭǚǺǤǚǯ: 2015 ǢǷǚǨǚǯǤ ǚǳǹǤǥǤǯ ǭǚǶǯǚǨǺǞǥ Ǟǭ ƼǱǹǷǚǢǤǚǮǤ Vaȃ Animation Film Festival-Ǥǯ, ǱǹǸǞǫ “EXQUISITE BRAIN”-ǡ Maxi ǨǚǸǞǜǱǹǤǚǮƤǭ ǜǹǚǷǞǺ ǞǹǨǹǱǹǝ ǸǞǫǡ: ǅǚȀ ǭǚǶǯǚǨǺǞǥ Ǟǭ ƸƤǭǱǮǤ ưǯǤǭǚǺǤǚǮǤ ǭǹǺƤǮǢǤǯ Ȁ ǜǹǚǷǞǥ ǞǹǨǹǱǹǝ ǸǞǫǡ:

Greta Manukyan: I was born on July 31, 1998. I’m at 12th grade and I’m studying at school No114 named after Khachik Dashtents. I took vocal lessons for 4 years. I have been attending TUMO center for creative technologies since 2013. I took part in many training about animation including Gary Schwartz’s training “How to create animation?” during this training “exquisite brain” was created. In April 2015 I took part in Vaȃ Animation ȃlm festival which took place in Croatia where the “exquisite brain” won the 2nd place in Max category.

ǅƤǯǞ ƼǚǲǚǸǹǮǚǯ

ƽǯǷǞǥ Ǟǭ 1994 ǢǷǚǨǚǯǤ ǯǱǮǞǭǛǞǹǤ 25-Ǥǯ ƴǹȀǚǯƤǭȁ ưǷǚǹǸǞǥ Ǟǭ ƿǚǨǱǛ ƾǱǴǱǮǚǯǤ ǚǯǷǚǯ ǨǹǢǚǩǚǭǚǥǤǹǡȁ ưǮǣǭ ǶǱǷǱǹƤǭ Ǟǭ ƸƣǃǇ ǶǸǞǫǧǚǹǚǹ ǸǞǦǯǚǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯƤǭ Ȁ ǂǆƿưƿ-Ǥ ǝǤǟǚǮǯǤ ǛǚǣǯƤǭȁ ưǰǦǚǸƤǭ Ǟǭ «ưǜǤƤǭ»-Ƥǭǘ ǱǹǳǞǶ ǦǚǫǤ ǝǤǟǚǮǯǞǹ Ȁ ƿǚǮǚǶǸǚǯƤǭ ƴǷǹǱǳǚǨǚǯ ǞǹǤǸǚǶǚǹǝǚǨǚǯ ǳǚǵǥǚƬǯǸƤǭǘ ǱǹǳǞǶ ǜǹǚǿǤǨ ǝǤǟǚǮǯǞǹȁ 2012 ǢǷǚǨǚǯǤǯ ǞǫǞǥ Ǟǭ ǨǚǭǚǷǱǹ ǋǞưǯǤǭǚǯǤǚǮƤǭȁ ưǰǦǚǸǚǯǽǯǞǹǶ ǺƤǺǚǝǹǷǞǥ Ǟǯ Pantone Canvas Gallery-Ƥǭ Ȁ Art People Gallery-Ƥǭȁ

Nune Khachatryan I was born on November 25, 1994 in Yerevan. I graduated from school after Hakob Kojoyan. Now I am studying at TUMO creative technologies center and CHSHAH design branch .I`m working at “ưǜǤ” as game creator designer and at European Youth Parliament in Armenia. In 2012 I was a volunteer at Pantone Canvas Gallery and at People Gallery.

14 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ Competition Programs

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ ƻǤǚƬǸǹǚǣ ǿǤǥƬǹ ƿưǍưǏưƾǆǋǇǻƸǄưǅ ƾưƼưǏƳƷ / ǋǇǻǌưǌǎưǅ, 2015 ǋǞǣǤǶǱǹǘ ǌǞǹǜǞǮ ǌǹǞǜǤǯ ǃǱǶǨǷǚ. 18-ǹǝ ǝǚǹǤ ǶǨǤǟǛ: ƿǚǮǸǯǤ ǨǚǦǚǹǝ ǊǞǮǽǱǛǤ ǚǰǸǚǹǚǨǤ ǰƤǹǴǛǱǥǱǹǡ ǚǵǞǫǧǷǚǧǚǮǤǯ ǛǚǯǞǹ Ǟǯ ǸǞǫǤ ƤǯǞǯƤǭ… ƾǵǷǤ ǣǚǭǚǯǚǨ ǞǹǞǦǚǯǞǹǡ` ƱǹǮƤǶǤ ǝƤǶǸǹ ǃǚǹǜǱǯ Ȁ ǚǰǚǨǞǹǸ ǉǤǸǞǹǡ, ǳǚǸǵƤǭ Ǟǯ ǩǤǯ ǪǞǵǚǜǤǹǡ: ƱǹǮƤǶǤ ǚǭǛǱǫǴ Ƥǣǡ ǜǚǥǤǶ Ǡǹ ǚǮǝ ǪǞǵǚǜǹǤǺ: ƿǤǭǚ ǯǚ ǲǤ ǨǚǹǱǫǚǯǚ Ǥǹ ƿǚǮǹǞǯǤǽǡ ǼǹǨǞǥ ƼǚǷǚǹǤǺ: ǉǤǸǞǹǡ Ȁ ǃǚǹǜǱǯ ǳǞǸǽ Ǡ ǜǯǚǯ ƾǚǦǚǹǝǚǨǚǯ ǚǰǦǚǹǩ, ǱǹǳǞǶǟǤ ǷǞǹǚǨǚǯǜǯǞǯ ǪǞǵǚǜǤǹǡ: ưǮǝ ǯƤǮǯ ǣǚǭǚǯǚǨ ǨǚǦǚǹǝ ƱǹǮƤǶǡ ǨǵǷƤǭ Ǡ ǶȀ ƤǣǞǹǤ ǝǞǭ:

WIZARD OF BALANCE, RUSSIA, 2015, 1:16:00, 6+ Director Sergey Sregin Moscow. The beginning of 18th century. Around Tower’s laboratory of famous wizard Jacob Bruce there are mysterious events… During quarrel the children (Bruce daughter Margo and pupil Peter) have torn the ancient manuscript. Bruce’s magic power has been concluded inside. Now he can’t protect The Fatherland from the Dark. Peter and Margo must go to the Magic world in order to restore the manuscript. At this time Magician Bruce combats with black magic.

ǓưǕưǏƳ / ƱƴƻƲƺư, 2015, 16+

CAFARD, BELGIUM, FRANCE, NETHERLANDS, 2015, 93 MIN

ǋǞǣǤǶǱǹǘ ƹǚǯ ƱƤǥǢǩǤǥ

Director Jan Bultheel

1914 ǢǷǚǨǚǯ, ǾǜǱǶǸǱǶȁ ǃǤǯǲ ǊǤǯ ǃǱǹǝǚǯǢǡ ƱƤǞǯǱǶ ưǮǹǞǶƤǭ Ǡ, ǱǹǳǞǶǟǤ ǝǚǵǯǚ ǡǭǛǰǚǭǚǹǸǤ ǚǰǦǚǹǩǤ ǲǞǭǳǤǱǯ, ǯǹǚ ǝǶǸǞǹǡǘ ǃǤƩǤǯ, ǔǶǢǞǯǝƤǭ ǛǵǯǚǛǚǹƤǭ Ǡ Ʃ ǜǞǹǭǚǯǚǺǤ ǟǚǷǢǤǲȁ ǊǤǯǡ ǞǹǝǷƤǭ Ǡ, Ǳǹ ǷǹǞǣ Ǡ ǥƤǧǞǥƤ ǚǮǝ ǚǯǛǚǹǱ ǚǹǚǹǽǤ ǩǚǭǚǹȁ ƺǹ ǭǚǹǟǤǲ ǍǤǨǸǱǹǤ Ȁ ǞǹǤǸǚǶǚǹǝ ǟǚǹƩǨ ƲƤǤǝǱǯǤ ǩǞǸ ǯǚ ǚǯǝǚǭǚǜǹǷƤǭ Ǡ ƵǃƳ-Ǥǯǘ ǚǰǦǚǹǩƤǭ ǚǵǚǴǤǯ ǟǹǚǩǚǳǚǸ ƬǽǞǯǚǯǞǹǤ ǝǤǷǤǟǤǚǮǤǯȁ ƻǚǷ ǳǚǸǹǚǶǸǷǚǧ ǟǹǚǩǚǳǚǸ ƬǽǞǯǚǯǞǹǡ ǦǹǷƤǭ Ǟǯ ǕǥǚǯǝǞǹǶǤ ǺǞǦǞǹƤǭȁ ƵǱǹǽǤǯ ǚǹǚǜ ǨǞǹǳǱǷ ǸǞǫǚǼǱǦƤǭ Ǟǯ ǚǹȀǞǥǮǚǯ ǬǚǨǚǸȁ ǃǤƩǤ ǩǫǤƤǢǮǚǯ ǥƤǹǡ ǚǷǞǹƤǭ Ǡ ǊǤǯǤǯȁ ƱǚǮǺ ǳǚǸǞǹǚǟǭǚǨǚǯ ǳǚǮǭǚǯǯǞǹǡ ǝǚǣǚǯ Ǟǯ, Ȁ ǯǚ Ƥ Ǥǹ ǡǯǨǞǹǯǞǹǡ ǯǞǹǜǹǚǷǷƤǭ Ǟǯ ǝǹǚǭǚǸǤǨ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯ ƬǴ, Ǳǹǡ ǯǹǚǯǺ ǨǸǚǯǤ ǚǰǦǚǹǩǱǷ ƬǨȁ

August 1914. While Jean Mordant is away winning the title of World Wrestling Champion in Buenos Aires, his daughter Mimi is raped by German occupiers in Ostend. Jean swears he will avenge this immoral disgrace. With his coach Victor and young nephew Guido, he enrolls in the prestigious ACM, the ȃrst Armored Car Division ever. But the heavily-built armored vehicles keep getting stuck in the mud of Flanders. The battalion is hastily transferred to the Eastern front. Jean is devastated by frustration for he has just learned that Mimi is pregnant. But war conditions are ruthless and he and his friends embark on a dramatic journey that ultimately will drag them around the world.

16 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs Feature Films ưǅưƿƺǎ, ƿưǄưǌǎưǅ, 2014, 1:20:00

ANAHIT, ARMENIA, 2014, 1:20:00

ǋǞǣǤǶǱǹǯǞǹǘ ƳǚǷǤǢ ǌǚǩǚǨǮǚǯǺ, ƻǮƤǥǮǚ ǌǚǩǚǨǮǚǯǺ

Directors David Sahakyants, Lyulya Sahakyants

«ưǯǚǩǤǸ» ǞǹǚǣǰǸǚǨǚǯ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǡ ǯǨǚǹǚǩǚǯǷǞǥ Ǡ ǁǚǟǚǹǱǶ ưǫǚǮǚǯǤ ǩǚǭǚǯƤǯ ǩǞǽǤǚǢǤ ǭǱǸǤǷǯǞǹǱǷ: ǉǚǸǭƤǢǮƤǯ ǞǹǨƤ Ǥǹǚǹ ǶǤǹǱǫ ǞǹǤǸǚǶǚǹǝ ǩǞǹǱǶǯǞǹǤǘ ǩǱǷǷǤ ǚǫǴǤǨ ưǯǚǩǤǸǤ Ȁ ǚǹǽǚǮǚǟǯ ǍǚǲǚǜǚǯǤ ǭǚǶǤǯȁ ǉǚǩǳǚǯǷǞǥ Ǡ ǩǞǽǤǚǢǤ ǩǤƨǚǨǚǯ ǥǞǮǸǭǱǸǤǷǡ` ǩǚǭǛǞǹǚǸǚǹ Ƥ ǛǚǯǤǭǚǺ ǜǞǫǞǺǨƤǩǤ ưǯǚǩǤǸǡ ǢǚǜǚǷǱǹǤ ǱǹǝƤǯǘ ǍǚǲǚǜǚǯǤǯ ǶǱǷǱǹǞǺǯƤǭ Ǡ ǜǯǚǩǚǸǞǥ ǚǹǩǞǶǸǡȁ ƿǚǯƤǯ ǶǤǹǚǧ ǚǫǴǨǚ Ǎǚǲǚǜǚǯǡ ǝǚǵǯƤǭ Ǡ ǜǱǹǜǚǜǱǹǧ Ȁ, ǚǯǺǯǞǥǱǷ Ʃ ǰǚǹǽ ǼǱǹǪƤǢǮƤǯǯǞǹǱǷ, ǳǚǹǸƤǢǮǚǯ Ǡ ǭǚǸǯƤǭ ǲǚǹ ƤǣǞǹǤǯȁ ƺ ǷǞǹǴǱ, ǚǹǽǚǯ ƩǚǮǯ ǚǮǯ ǭǚǹǝǡ ǲǠ, ǱǷ ǢǚǜǚǷǱǹƤǭ Ǡ, ǚǮǥǘ ǯǚȀ ǯǚ, ǱǷ ǚǹǚǹǞǥ, ǨǚǵƤǺǞǥ Ƥ ǶǤǹǞǥ ǜǤǸǤ:

“Anahit” is an animation screening biased on a homonymous fairy tale by Ghazaros Aghayan. The leading idea of the fairy tale is kept: a skillful beauty Anahit teaches the king Vachagan Armenian traditional handicrafts - hand weaving. Eventually, a wise king should not only reign, but also be able to make handicrafts, build and create, as well as love. As any other folk tale “Ahahit” is based on the eternal struggle of good and evil. Here the baddies are Azar, Vachagan’s uncle and his servant Enver. Among the heroes there is a mad and vulnerable magician Petros, a horse Andok born from a magical spring, a faithful dog Zangi, as well as mentors of the protagonists: quaint Shushan and guru Serob.

ǊƺǇǍưǅƺƺ ƾǁƵƺǅ / ǂưǉǇǅƺư, 2014, 13+

GIOVANNI’S ISLAND, JAPAN, 2014, 1:42:00, 8+

ǋǞǣǤǶǱǹǘ ǃǤǟƤǩǱ ǅǤǰǤǨƤǛǱ

Director Mizuho Nishikubo

ǕǤǥǭǡ ǩǤƨǷǚǧ Ǡ ƴǹǨǹǱǹǝ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǳǚǸǞǹǚǟƩ ǤǹǚǨǚǯ ǝǞǳǽǞǹǤ Ƿǹǚȁ ǊǤǱǷǚǯǤǤ ǨǫǟǤǯ ǆǤǨǱǸǚǯǤ ǜǹǚǷǭǚǯ Ȁ ǚǮǯǸǞǫ ǸǞǫǤ ƤǯǞǺǚǧ ǝǞǳǽǞǹǤ ǼǱǽǹǤǨ ǳǚǸǭƤǢǮƤǯǯ Ǡȁ ƳǞǳǽǞǹǡ ǸǞǫǤ Ǟǯ ƤǯǞǺǞǥ 2 ǞǫǛǚǮǹǯǞǹǤǘ ǊƤǯǞǼǤ Ȁ ƾǚǯǸǚǮǤ ǚǲǽǤ ǚǵǴȀ Ȁ ǯǹǚǯǺ ǭǚǶǯǚǨǺƤǢǮǚǭǛȁ ǃǤǯǲ ƬǧǚǩǚǶǚǨǯǞǹǡ ǝǚǷǞǹ ǠǤǯ ǯǮƤǢƤǭ, 2 ǞǫǛǚǮǹǯǞǹǡ ǡǯǨǞǹǚǯƤǭ Ǟǯ ǶǱǷǞǸǚǨǚǯ ǞǹǞǦǚǯǞǹǤ ǩǞǸǘ ǚǮǶǳǤǶǱǷ ǼǱǹǪǞǥǱǷ ǩǚǶǨǚǯǚǥ ǤǹǞǯǺ ǯǱǹ ǰǹǴǚǳǚǸǡȁ «ǊǤǱǷǚǯǤǤ ǨǫǟǤǯ» ǽǚǫǚǽǚǨǚǯ ǛǚǦƤǭǯǞǹǤ ǣǚǭǚǯǚǨ ǚǯƬǫ ǞǹǞǦǚǯǞǹǤ ǭǚǶǤǯ ǚǯǲǚǼ ǱǫǛǞǹǜǚǨǚǯ Ȁ ǩƤǟǤǲ ǳǚǸǭƤǢǮƤǯ Ǡ:

Based on real events in the aftermath of World War II, Giovanni’s Island is the littletold story of the Soviet occupation of Shikotan –a tiny island off the northern coastline of Japan– as seen through the eyes of two young brothers, Junpei and Kanta. While the adults plot, Junpei and his brother forge unlikely friendships with the Soviet children as they try to make sense of their new surroundings. Giovanni’s Island is a touching and tragic tale of childhood innocence in political conȄict.

17 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ ƻǤǚƬǸǹǚǣ ǿǤǥƬǹ ǃǇǻǅ. ƻǇǻǌǅƺ ǉưƿưǉưǅƷ/ǕǏưǅǌƺư, 2014 ǋǞǣǤǶǱǹǘ ưǥǞǽǶǚǯǝǹ ƿǞǛǱǮǚǯ, ƱǞǯƤǚ ǕǤǥǤǳǳǱǯ

MUNE, FRANCE, 2014, 1:25:48

ǃƤǯǞǯ ǼǱǽǹǤǨ, ǟǷǚǹǬǚǥǤ ǚǮǧǞǭǚǹǝ Ǡ ǨǚǦǚǹǝǚǨǚǯ ǚǰǦǚǹǩƤǭȁ ǅǚ, Ǥ ǩǚǨǚǵǚǨ Ǥǹ ǺǚǯǨƤǢǮƤǯǯǞǹǤ, ǥƤǶǯǤ ǳǚǰǸǳǚǯǯ Ǡȁ ǅǹǚ ǚǰǦǚǸǚǯǽǯ Ǡ ǜǤǰǞǹ «ǛǞǹǞǥ» Ȁ ǩǞǸȀǞǥ ǞǹǚǟǯǞǹǤ ǚǰǦǚǹǩǤǯȁ ƱǚǮǺ ǯǚ ǝǚǵǯƤǭ Ǡ Ǥǹǚǹ ǩǚǴǱǹǝǱǫ ǚǫǞǸǯǞǹǤ ǳǚǸǬǚǵǡ, Ȁ ǶǸǷǞǹǯǞǹǤ ǳǚǰǸǳǚǯǯǞǹǤǯ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǜǱǫǚǯǚǥƤ ǚǹȀǡȁ ǌǱǩǞǯǤǘ ưǹȀǤ ǳǚǰǸǳǚǯǤ Ȁ ǼǦǹƤǯ ǍǚǽǶǤ ǯǞǹǨǚǮƤǢǮǚǭǛ:

In a fantastical world, Mune, a mischievous faun, is chosen to be the Guardian of the Moon: the one who brings about the night and watches over our dreams. But catastrophes occur and the underworld demon steals the Sun. With the help of Sohone, proud Guardian of the Sun, and fragile Glim, Mune embarks on an extraordinary quest that will make him a legendary guardian!

ƳƺǍưƿưǏƷ, 2014, 16+

POSSESSED, SPAIN, 2014, 1:22:18, 16+

ƺǌǉưǅƺư,

Directors Alexandre HEBOYAN, Benoît PHILIPPON

ǋǞǣǤǶǱǹ` ǌƶǃ

Director SAM

ǎǹǤǯǤǯǘ ǚǰǦǚǹǩƤǭ ǩǚǮǸǯǤ ǿǥǚƬǯǨǱ ǳǚǹƤǩǤǯ, ǦǱǹǡ ǩƤǶǚǩǚǸƤǢǮǚǯ ƬǴ Ǡ Ƥ ǶǸǤǳǷǚǧ Ǡ ǥǽǞǥ ǛǞǭǡ: ƳǚƩǚǯǡǘ Ǥǹ ƤǢǚǭǮǚ ǱǹǝǤǯ, ǝǤǷǚǩǚǹ Ǡ: ǌǚǸǚǯǚǯ ǶǸǤǳƤǭ Ǡ ǯǹǚǯ ǨǚǸǚǹǞǥ ǚƬǯǚǚǹǮƤǯǱǸ Ȁ ǝǚǣǚǯ ǛǚǯǞǹǡ:

Trini, the world famous Ȅamenco dancer, has been deeply depressed and has abandoned the stage. Damian, her 8-year-old son, is possessed by a malicious devil that makes him do the most bloody and cruel misdeeds.

18 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs Feature Films ƴǏƾưǏ ǂưǅưǉưǏƿ Ƴƴǉƺ ƿǄǇǻǌƺǌ / ǕǏưǅǌƺư, Ƴưǅƺư, 2015, 13+ ǋǞǣǤǶǱǹǘ ǋǞƩ ǈǚǮǞ ǌǚǰǚǯ ǞǹǤǸǚǶǚǹǝ, ǚǹǤǶǸǱǨǹǚǸ ǚǫǴǤǨ Ǡ, ǱǷ ǚǳǹƤǭ Ǡ 19-ǹǝ ǝǚǹǤ ǋƤǶǚǶǸǚǯƤǭ Ȁ ǞǹǚǟƤǭ Ǡ ǃǞǧ ƿǮƤǶǤǶǤ ǭǚǶǤǯ: ǅǚ ǸǳǚǷǱǹǷǚǧ Ǡ Ǥǹ ǳǚǳǤǨǤǘ ǔǥƤǨǤǯǤ ǬǚǨǚǸǚǜǹǱǷ, ǱǷ ǬǚǯǚǲǷǚǧ ǩǞǸǚǦƤǮǟ Ǡ Ȁ ǝǞǵ ǲǤ ǷǞǹǚǝǚǹǪǞǥ ƿǮƤǶǤǶǚǮǤǯ ƱȀǞǵƤǭ ǤǹǚǨǚǯǺǷǱǫ ǷǞǹǴǤǯ ǩǞǸǚǦƤǟƤǢǮƤǯǤǺȁ ǔǥƤǨǤǯǤ ǩǞǸǚǦƤǮǟǤ ǪǤǹǽǡ ǼǱǦǚǯǺǷǞǥ Ǡ ǢǱǵǯƤǩƤǯǘ ǌǚǰǚǮǤǯ, ǛǚǮǺ ǷǞǹǴǤǯǤǶ ǧǯǱǫǯǞǹǡ ǚǹǝǞǯ ǳǚǮǭǚǯǚǷǱǹǷǞǥ Ǟǯ ǌǚǰǚǮǤ ǚǭƤǶǯƤǢǮǚǯ ǩǚǭǚǹǘ ǚǵǚǯǺ ǷǞǹǴǤǯǤǶ ǩǚǭǚǪǚǮǯƤǢǮǚǯȁ ưǮǶǳǤǶǱǷǘ ǌǚǰǚǯ ǜǯƤǭ Ǡ Ǥǹ ǞǹǚǟǚǯǽǤ ǩǞǸȀǤǺ, ǩǞǵǚǯƤǭ Ǡ ǸǚǯǤǺ Ȁ ǱǹǱǰƤǭ Ǡ Ʃǚǯǚǥ ǔǥƤǨǤǯǤǯ... ǞǹǨǚǹ Ǭǚǯǚǳǚǹǩ ǝǞǳǤ ǩǮƤǶǤǶȁ

LONG WAY NORTH, FRANCE, DENMARK, 2015, 1:21:00 Director Remi Chaye Sasha, a young aristocratic girl growing up in Russia at the end of the 19th century, dreams of the Great North and anguishes over the fate of her grandfather Oloukine, a renowned scientist and Arctic explorer who has yet to return from his latest expedition to conquer the North Pole. Oloukine has passed on his calling as an explorer to Sasha, but her parents, who have already made the arrangements for their daughter’s marriage, do not approve in the least. So Sasha rebels against her destiny, Ȅees her home and resolves to go join Oloukine... a long way North.

ǒǇǓǏƺƾ ưǁǊǅưƾƷ ǀƾưǅ ƼưǅǇǻƸƺǐ / ǈƴƼƺư, ǌƻǇǍưƾƺư, ƲƴǏǃưǅƺư, 2015, 1:11:00

LITTLE FROM THE FISH SHOP, CZECH REPUBLIC, SLOVAKIA, GERMANY, 2015, 1:11:00

ǋǞǣǤǶǱǹǘ Ǆǚǯ ƱǚǥǞǮ

Director JAN BALEJ

ƽǱǷǤ ǩǚǸǚǨƤǭ, ǪǨǯǞǹǤ ǯǷǚǜǚǦǭǛǤ ƤǫǞǨǺƤǢǮǚǭǛ, ǾǷǨǤǚǯǱǶǤ ǪǚǮǯǡ ǳǚǸǭƤǭ Ǡ ƽǱǷǤ ǢǚǜǚǷǱǹǤ Ȁ ǯǹǚ ǝƤǶǸǹ ǒǱǽǹǤǨǤ ǳǚǸǭƤǢǮƤǯǡ: ƸǚǜǚǷǱǹǡ ǭǱǹ Ȁ ǞǹǞǽ ǝƤǶǸǹǞǹǤ` ǒǱǽǹǤǨǤ, ǃǤǴǯǞǨǤ Ȁ ǃǞǧǤ ǩǞǸ ǥǽƤǭ Ǡ ǸƤǯǡ Ȁ ǜǯƤǭ Ǡ ǭǚǹǝǨǚǯǺ ǩǞǸ ǚǳǹǞǥƤ: ǅǚǷǚǭǚǸƤǮǺǤ ǢǚǫǚǭǚǶǞǹǤǺ ƬǨǤ ǪǨǚǯ ǦǚǯƤǢƤǭ, Ƥǹ ǚǰǦǚǹǩǤ ǸǚǹǛǞǹ ǞǹǨǹǯǞǹǤǺ ǭǚǹǝǤǨ Ǟǯ ǚǮǺǞǥƤǭ, ǯǹǚǯǽ ǷǚǹƤǭ Ǟǯ ǸǚǣǚǯǚǨǤǹ ǨǮǚǯǽ` ǩǤǰǞǥǱǷ ǚǯǺǚǧ ǸǚǹǤǯǞǹǡ: ǃǤ Ǿǹ ǤǯǽǯǚǷǶǸǚǩ Ȁ Ǥǯǲ-Ǳǹ ǸǞǫ ǯǚȀ ǥǨǸǤ Ʃ ǞǹǤǸǚǶǚǹǝ Ǌ.Ǌ ƱǱǜǚǯ ǚǯƤǯǱǷ, ǭǸǯƤǭ Ǡ ǪǨǚǯ ǦǚǯƤǢ: ǒǱǽǹǤǨǤǯ ǝƤǹ Ǡ ǜǚǥǤǶ ǸǫǚǮǤ ǤǯǽǯǚǷǶǸǚǩƤǢǮƤǯǡ, ǼǚǮǥƤǯ ǟǜǞǶǸǯǞǹǡ Ȁ ǥǶǚǧ ǞǹǚǣǰǸƤǢǮƤǯǡ: ưǮǝ ǳǚǩǤǺ ǶǨǶǚǧ` ǜǥǦǤǷǚǮǹ ǼǱǦǷƤǭ Ǡ ǒǱǽǹǤǨǤ Ȁ Ǥǹ ǡǯǸǚǯǤǽǤ ǨǮǚǯǽǡ, Ƥ ǶǨǶǷƤǭ Ǡ ǒǱǽǹǤǨǤ ǶǤǹǱ ǳǚǸǭƤǢǮƤǯǡ:

Deep underneath the surface of the sea, accompanied by the ȃsh orchestra, the voice of the ocean is telling a story about the Sea King and his daughter Little. With his mother and three daughters - Little, Middle and Eldest – he abandoned the devastated waters of their home, and went to live amongst the humans. In a darkened ȃsh shop in the heart of a harbor district teeming with people from every corner of the world, they live a monotonous life ȃlled with work, reminiscing the times bygone. One day, a conȃdent and somewhat brash young man – J.J./Bogan enters the ȃsh shop. Little is utterly fascinated by his self-assured demeanor, the glossy veneer and the pounding music that follows him. From this moment forward, the life of Little and her family is to take a sea change. Thus begins the love story of Little.

19 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ǃǚǝǚǭǡ Ȁ ƳǞǷǚǯ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ33 ǋǞǣǤǶǱǹǘ ǅǚǸǚǥǤǚ ǃǤǹǟǱǮǚǯ ǕǤǥǭǡ ǶǤǹǚǮǤǯ ǞǵǚǯǨǮƤǯƤ ǚǯƬǫ ǟǱǩǞǹǤ ǭǚǶǤǯ Ǡȁ

Madam and Deva, Russia, 2015, 06:33 Director Natalia Mirzoyan

The ȃlm is about innocent victims of love triangles.

Ǌǚǟ ǨǱǸǱǹǚǧǤ ǩǚǭǚǹ, ƺǸǚǥǤǚ, 2014, 15ȁ20 ǋǞǣǤǶǱǹǘ ƻǞǱǯǚǹǝǱ ƾǚǹǚǯǱ, ǊƤǟǞǳǳǞ ǌǳǤǯǚ «Ǌǚǟ ǨǱǸǱǹǚǧǤ ǩǚǭǚǹ»-ǡ ǯǷǤǹǷǚǧ Ǡ ǼǱǹǪǚǵƤ ǝǞǹǚǶǚǯ Ȁ ǵǞǣǤǶǱǹ ǅǚǸǱ ǕǹǚǶǨǚǮǤǯ, ǱǷ ǶǸǞǫǧǞǥ Ǡ «ǦǟǛǟǱǺǤ ƬǢǱǝǡ», Ǳǹǡ ǚǟǚǸ ǚǹǸǚǩǚǮǸǷǞǥƤ ƩǴǱǺ Ǡǘ ƤǶƤƨǚǶǤǹǞǥƤ ǚǯǜǤǸǚǨǤǺ ǷǤǬǚǨǡȁ ưǭǛǱǫǴǱǷǤǯ ǨǤǹǚǵǞǥǱǷ ǚǮǶ ƬǢǱǝǡǘ ǿǤǥǭǡ ǱǹǳǞǶ ǞǹǚǣǰǸǚǨǚǯ-ǳǚǸǨǞǹǚǮǤǯ jam-session Ǡ, ǱǹǸǞǫ Noise of Trouble’s Ǵǚǟ ǤǭǳǹǱǷǤǟǚǺǤǚǯ ǩǹǚǰǚǥǤǱǹǞǯ ƩǚǦǚǵǯǷƤǭ Ǡ ǷǞǹǚǺǚǨǚǯ ǿǱǹǚǯǞǹǤǯȁ ǌǸǞǫǧǷǞǥ Ǡ ƻǞǱǯǚǹǝǱ ƾǚǹǚǯǱǮǤ ǨǱǫƩǺ, ǦǭǛǚǜǹǞǥ Ǡ ǊƤǟǞǳǳǞ ǌǳǤǯǚǯȁ 20000 ǜƤǯǚǷǱǹ Ȁ ǼǱǹǚǜǹǷǚǧ ǿǱǸǱǜǹǚƨǞǹǡ ǩǚǯǝǤǶǚǸǞǶǤǯ ǯǞǹǜǹǚǷƤǭ Ǟǯ ǜƤǯǚǷǱǹ ǳǚǹǤ ƬǴȁ

Jazz for a massacre, Italy, 2014, 15:20 Director Leonardo Carrano, Giuseppe Spina “Jazz for a massacre” is a tribute to the experimental artist and cineaste Nato Frascà, inventor of “the doodle method”, a form of free expression to explore the unconscious. Ideally applying this method, the ȃlm comes out as a musical-pictorial jam-session where Noise of Trouble’s jazz improvisation combines well with the abstract forms, created by Leonardo Carrano directly onto ȃlm, and edited by Giuseppe Spina. 20,000 painted, engraved and etched photograms involve the spectator in a chromatic dance. ƻƤǺǨǤ, ƲǞǹǭǚǯǤǚ, 2015, 04ȁ35 ǋǞǣǤǶǱǹǯǞǹǘ ǎǱǛǤǚǶ ǎǹǞǛǞǥǴǚǹ, ƾǚǹǱǥ ǋǚǸǚǲǚǨ ƿǱǹǶǢǡ ǥƤǺǨǤǯǞǹ Ǡ ǳǚǸǹǚǶǸƤǭȁ ǃǤ ǥǚǷ Ƥ ǪǚǯǪǹǚǥǤ ǚǰǦǚǸǚǯǽȁ ƱǚǺǤ ǝǹǚǯǤǺ Ǥǹ ƩǚǨ ǚǰǦǚǸǱǫǡ ǰǼǱǢǞǺǯƤǭ Ǡ ǤǹǞǯȁ ǍǚǦǞǯǚǥƤ, ǛǚǮǺ ǩǞǸǚǽǹǽǹǚǰǚǹǣ... ǓǚǯǤ Ǳǹ ưǜǯǞǶǡǘ ǷǤǨǤǯǜ-ǾǹǤǱǹǝǡ, ǢǷƤǭ Ǡ, ǢǞ ǶǤǹǚǩǚǹǷǚǧ Ǡ ǤǹǞǯȁ ǎǫǚǯ ǲǜǤǸǤǘ Ǥǯǲ ǚǯǞǥȁ ƴǹǛ ǸǞǶǯƤǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǡ ưǜǯǞǶǡ ǥƤǺǨƤ ǸƤǼ ǜǱǫǚǯƤǭ, ǯǹǚ ǨǚǶǨǚǧǯǞǹǡ ǩǚǶǸǚǸǷƤǭ Ǟǯȁ ǅǚ ǩǞǵǚǺǯƤǭ Ǡ ưǜǯǞǶǤǯ ǚǰǦǚǸǚǯǽǤǺȁ ƱǚǮǺ ǞǹǞǨǱǮǚǯ ǼǱǢǱǹǤǨ Ǡ ǛǚǹǪǹǚǯƤǭȁ ƴǷ ƿǱǹǶǢǡ ǩǚǶǨǚǯƤǭ Ǡ, Ǳǹ ǚǯǸǚǹǛǞǹ ǲǠ ǯǹǚ ǯǨǚǸǭǚǭǛȁ ƾǚǹǱǸƤǭ Ǡ ǯǹǚǯȁ ưǮǶ ǤǙǯǲ Ǡ ǚǹǞǥȁ ưǹǮƤǯǡ ǞǵƤǭ Ǡ ǜǥǦƤǭȁ ǃǤǚǯǜǚƩǺ ǛǵǨǯǷǞǥǱǷǘ ǯǚ ǝƤǹǶ Ǡ ǷǚǟƤǭǘ ǝǞǳǤ ǚǭǚǮǤ ǷǚǮǹǞǹȁ ƲǸǯƤǭ Ǡ ǯǹǚǯ ǧǱǷǤ ǭǱǸ, Ʃ ǯǚǷǚǨǤ ƬǴȁ ƱǚǮǺ ǯǚǷǚǨǡ ǳǚǸǹǚǶǸǷǚǧ Ǡǹ ǥƤǺǨǤǯǞǹǤǺȁ ƿǱǹǶǢǡ ǲǤ ǨǚǹǱǫǚǯƤǭ ǚǵǚǴ ǜǯǚǥ, ǚǮǹǷƤǭ Ǡȁ ưǫǴǤǨǡ ǯǹǚǯ Ƥǰ Ǡ ǸǞǶǯƤǭ Ȁ Ʃ ǩǶǨǚǮǚǨǚǯ ǨǹǚǨǞ ǧǚǫǤǨ Ǡ ǰǤǨǚǯƤǭ Ǥǹ ǩǞǸȀƤǭǘ ǼǱǢǱǹǨǤ ƬǴȁ

MATCH, GERMANY, 2015, 04:35 Directors Tobias Trebeljahr, Carol Ratajczak Horst makes matches. A good, boring work. Yet his only employee is kind of confusing him. Scaring but fascinating... Because Agnes, the viking-lady seems to have a crush. On him! He doesn’t know how to handle that! When he sees her stealing a box of matches, his suspicions are conȃrmed. He ȃres her. But in the evening a storm rises. And Horst realises he cares about her! He misses her! What has he done? And his head starts to burn. Blazing with Ȅames he runs out into the wastelands. He ȃnds her on a boat, seabound. But the boat is made of matches! Horst cannot come, he’s still burning. She sees him to late. A giant ȃre-Ȅower glows after her in the tempest. ǃǞǫǞǝǚǮǤǯ ǜǤǰǞǹ, ƺǹǚǽ, 2014, 02ȁ26 ǋǞǣǤǶǱǹǘ ƾǚǮǩǚǯ ưǯǷǚǹ ǉǚǸǭƤǢǮƤǯǡ ǳǚǸǞǹǚǟƩ Ȁ ǝǹǚ ǷǚǸ ǨǱǫƬǹǤ ǭǚǶǤǯ Ǡȁ

Melody night, Iraq, 2014, 02:26 Director Kayhan Anwar

The story is about war and the bad face of war.

20 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 1 Short Films ǈǞǯǽ ǨǚǹǱǫ ǚǳǹǞǥ ǚǵǚǯǺ ǸǤǞǟǞǹǽǤ, ǋƤǶǚǶǸǚǯ, 2014, 15ȁ20, 6+

ǋǞǣǤǶǱǹǘ ƾǱǯǶǸǚǯǸǤǯ ƱǹǱǯǤǸ ƴǹǨƤ ǸǤǞǟǞǹǚǜǯǚǺ, ǞǹǨƤ ǡǯǨǞǹ ǤǹǞǯǺ ǚǵǾǹǮǚ ǨǮǚǯǽƤǭ ǚƬǯ Ǥǯǲ ǚǯƤǭ Ǟǯ, Ǳǹ ǤǹǞǯǺ ǡǯǝǩǚǯƤǹ Ǟǹǚǟǚǯǽǯ ǤǹǚǨǚǯƤǢǮƤǯ ǝǚǵǯǚȁ ƱǚǮǺ ǚǮǶ ǳǚǸǭƤǢǮƤǯǡ ƩǚǮǯ ǞǹǚǟǚǯǽǤ ǭǚǶǤǯ ǲǠȁ

We can’t live without cosmos, Russia, 2014, 15:20, 6+ Director Konstantin Bronzit Two cosmonauts, two friends, try to do their best in their everyday training life to make their common dream a reality. But this story is not only about the dream. ǇǸǽǤ ǸǚǨ ǯǚǮǞǽ, ǃǤǚǺǮǚǥ ƸǚǜǚǷǱǹƤǢǮƤǯ, 2015, 01ȁ34 ǋǞǣǤǶǱǹǘ ǓǞǢǤ Ǎǚǯǜ ǌǚ Ʃ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ, Ǳǹǡ ǺƤǮǺ Ǡ ǸǚǥǤǶ ƻǱǯǝǱǯǤ ƬǸǹǱǯǞǹǤ ǸǞǶǽǡ, ǪǚǮǯǡ Ȁ ǰǚǹǣƤǭǡǘ ǱǜǞǰǯǲǷǚǧ ǦǱǹǩǹǝǚǯǰǚǨǚǯ ǯǶǸǚǹǚǯǯǞǹǤǺȁ

MIND THE GAP, United Kingdom, 2015, 01:34 Director Katy Wang

An animation portraying the sights, sounds, and movement of the London Underground trains, inspired by its iconic seat patterns. ǉǚǳǤǨǶ ǨǞǵǚǶǤ ǧǚǵ Ǡ ǞǫǞǥ, ǋƤǶǚǶǸǚǯ,2015,12ȁ30,8+ ǋǞǣǤǶǱǹǯǞǹǘ ǎǚǸǮǚǯǚ ǉǱǥǤǞǨǸǱǷǚ, ǔǥǜǚ ǉǱǥǤǞǨǸǱǷǚ ǌǚ ǿǤǥǭ-ǩǤǰǱǫƤǢǮƤǯ Ǡ Ʃ ǸǫǚǮǤ ǭǚǶǤǯ, ǱǷ ƤǯǤ ǨǮǚǯǽǤ Ȁ ǭǚǩǷǚǯ ǭǚǶǤǯ Ǥǹ ǳǚǸǨǞǹǚǺƤƨǞǹǡȁ ǌǚ ǯǚȀ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǚǯǶǱǷǱǹ ǳǚǳǤǨǤ ǭǚǶǤǯ, ǱǷ ǨǚǹǱǫǚǯƤǭ Ǡ ǥǶǞǥ ǧǚǵǞǹǤ ǰǯǲǚǵƤǢǮƤǯǡ Ȁ ǩǚǷǚǸƤǭ Ǡ, Ǳǹ «ǃǚǹǝǡ ǲǤ ǭǚǩǚǯƤǭ ǚǮǯǽǚǯ ǣǚǭǚǯǚǨ, ǽǚǯǤ ǝǞǵ ǯǹǚǯ ǶǤǹƤǭ Ǟǯ»: My Grandfather was a cherry tree, Russia, 2015, 12:30, 8+ Directors Tatiana Poliektova, Olga Poliektova This is a movie-memory, narrated by a young boy about his views on life and death. It’s also a story about an unusual grandfather, who could listen to the trees breathing and believed that “Person can’t die if someone still loves him”.

ƲǥƤǦǝ Ʃǖ ǨǱǹǺǹƤ, ƻǞǩǚǶǸǚǯ, 2015, 04ȁ00 ǋǞǣǤǶǱǹǘ ƾǚǹǱǥǤǯ ǌǳǞǲǢ ƾǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǘ 2D ǯǨǚǹǯǞǹǱǷ Ȁ ǸǞǦǯǤǨǚǮǱǷȁ ǎǞǶǱǫǚǨǚǯ ǳǚǸǭƤǢǮƤǯ Ǡ ǚǮǯ ǭǚǶǤǯ, ǢǞ Ǥǯǲ ǩǞǰǸ Ǡ ǨǱǹǺǯǞǥ ǜǥƤǦǡȁ ǌǳǤǸǚǨ ǜǥƤǦǡ ǳǸǸǷǞǥǱǷ ǩǚǶǯƤǭ Ǡ ǶȀ ǠǨǹǚǯǤ ǨǞǯǸǹǱǯǤǯȁ ǎǞǶǱǫǚǨǚǯ ǨǱǫǭǡ ǟǚǹǜǚǯƤǭ Ǡ ǿǤǥǭǡ ǳǚǸƬǥƤ ǣǚǭǚǯǚǨȁ ǒǱǽǹǤǨ ǳǚǸǭƤǢǮƤǯǯǞǹǤǺ ǶǨǶǞǥǱǷǘ ǼǱǦǷƤǭ Ǡ ǿǤǥƩ ǤǭǚǶǸǡ Ȁ ǜƤǮǯǞǹǡȁ ǃǸǽǞǹǤ, ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǤ Ȁ ǨǚǳǞǹǤ ǳǚǨǚǶǡ ǩǚǯǜǞǺǯƤǭ Ǡ ǸǦƤǹ ǚǷǚǹǸǤȁ

DON’T LOSE YOUR HEAD, Poland, 2015, 04:00 Director Karolina Specht A short animation using drawing and 2D techniques. It is a visual story about how easy it is to lose one’s head. A white head rolls slowly towards the center of a black screen. One event triggers an avalanche of others. The visual side of the ȃlm develops with the ȃlm narration. Starting from simple compositions through successive number of layouts and density of forms up to the ȃnal scenes full of colors like in a kaleidoscope. An abundance of thoughts, relations and connections leads to a tragic ending. ǃǚǮǹǚǭƤǸ, ǍǹǚǶǸǚǯ, 2015, 0:02:55 ǋǞǣǤǶǱǹǘ ǃǚǭƤǨǚ ǎǨǞǰǞǥǚǰǷǤǥǤ ǉǚǸǭƤǢǮƤǯ ǶǤǹǱ ǭǚǶǤǯ:

Sunset, Georgia, 2015, 0:02:55 Director, Mamuka Tkeshelashvili

Tale about love.

21 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ƺǭ ǧǱǷǚǮǤǯ ǦǞǺǜǞǸǯǤ ǳǚǸǭƤǢǮƤǯǡ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2015, 10ȁ00 ǋǞǣǤǶǱǹǘ ǄǚǯǥǚǮǤ ǈǞǯ ưǮǶ ǚǯǤǭǚǺǤǚǯ Ǥǭ ǭǚǯǨƤǢǮǚǯ ǭǚǶǤǯ Ǡ, Ǳǹǡ ǚǯǺǨǚǺǹǞǥ Ǟǭ ǩǱǹǶ ǩǞǸ, ǱǷ ǭǚǩǚǺǞǥ Ǡ Ʃ ǽǚǯǤ ǸǚǹǤ ǚǵǚǴȁ ưǮǶ ǚǯǤǭǚǺǤǚǯ ǯǷǤǹǷǚǧ Ǡ ǩǱǹǶ Ƥ ǯǚȀ Ǥǭ ǸǦƤǹ ǾǹǞǹǤǯȁ ǉǚǸǭƤǢǮƤǯ Ǡ Ʃ ǚǫǴǨǚ ǭǚǶǤǯ, ǱǷ ǷǞǹǴǚǺǯƤǭ Ǡ ǚǮǯ ǯǨǚǹǡ, Ǳǹǡ ǲǤ ǷǞǹǴǚǺǹǞǥ ǩǱǹ ǨǞǯǝǚǯƤǢǮǚǯ ǾǹǱǽ: ǅǨǚǹǤ ƩǴǱǺǱǷ ǷǞǹǚǜǸǯƤǭ Ǡ ǧǯǱǫǤ ǶǞǹǡ Ȁ ǩǹǚǣǞǰǸ Ǡ ǸǚǥǤǶ ǩǱǹ ǭǚǩǤǺ ǩǞǸǱ ƤǯǞǺǚǧ ǸǦƤǹ ǾǹǞǹǤǯȁ ưǮǶǾǹ ǞǶ ǳǚǸǹǚǶǸǞǥ Ǟǭ ǚǮǶ ǚǯǤǭǚǺǤǚǯ, ǱǹǳǞǶǟǤ ǯǷǤǹǞǭ ǶǤǹǞǥǤ ǩǚǮǹǤǨǤǶ Ƥ ǤǯǪ ǼǹǨǞǭ ǚǮǶ ǷǰǸǤǺȁ ǕǤǥǭƤǭ ǩǚǮǹǡ ǝǶǸǞǹǡ ǳǚǸǭƤǭ Ǡ, Ǳǹ ǞǹǛ ǨǱǹǺǯƤǭ ǞǶ ƬǨǤǯ, Ƥǭ ǩǞǸ ǦǱǶǞǥ ǞǶ ǦǞǺǤǯǞǹǤ ƩǴǱǺǱǷ, ǯƤǮǯ ǦǞǺǤǯǞǹǤ ƩǴǱǺǱǷ ǩǯǚǹǚǷǱǹ Ǡ ǥǶǞǥ ǯǹǚǯǺ ǪǚǮǯǡȁ ƿǱǹ ǭǚǩǤǺ ǩǞǸǱ ǚǫǴǤǨǡ ǛǚǟƩǺǶ ǚǹǞǥ Ǡ ǝǚȁ ƱǚǮǺ ƩǚǮǯ ǥǵƤǢǮƤǯ Ǡ ǥǶǞǥȁ ƴǹǛ ǯǚ ǷǞǹǴǚǺǯǤ ǯǨǚǹǡ, ǨǨǚǹǱǫǚǯǚ ǥǶǞǥ ǦǞǺǤǯǞǹǤ ǪǚǮǯǡȁ ƽǱǷǤ ǪǚǮǯǡ, ǩǱǹ ǪǚǮǯǡȁ ǌǚ ǲǤ ǯǰǚǯǚǨƤǭ, ǢǞ ǯǚ ǥǶƤǭ Ǡ ǚǨǚǯǴǯǞǹǱǷ, ǯǚ ǥǶƤǭ Ǡ ǭǸǽǱǷ. ƩǸǽǡ ǷǞǹǚǧǯǷǞǥ Ǡ Ȁ ǷǞǹǚǤǭǚǶǸǚǷǱǹǷǞǥȁ ǅǚ ǯǚȀ ǨǚǹǱǫ Ǡ ǸǞǶǯǞǥ ǚǹǦǤǝǞǚǯǞǹ, ǱǹǱǯǽ ǷǚǫƤǺ Ǡ ǲǠǤǯ ǧǚǫǨǞǥȁ ưǮǶ ǳǚǸǭƤǢǮƤǯǡ ǩǚǯǝǤǶǚǸǞǶǤǯ ƤǟƤǭ Ǡ ǚǶǞǥ, Ǳǹ ǨǮǚǯǽǤ ǳǸƤǮǸǡ ǞǹǛǞǽ ǲǤ ǚǷǚǹǸǷƤǭ, Ǳǹ ǭǚǩǡ ǭǚǩ ǲǠ, ǚǮǥǘ ǷǞǹǚǧǯƤǯǝȁ ƴǢǞ ǛǚǺǞǶ ǶǹǸǤǝ ǝƤǵǡ Ȁ ǩǚǯǜǶǸǚǯǚǶ, ǨǩǚǶǨǚǯǚǶ, Ǳǹ ǨǮǚǯǽǡ ǰǚǹƤǯǚǨǷƤǭ Ǡ, Ǳǹ ǧǚǫǤǨǯǞǹǡ ǚǬƤǭ Ǟǯ Ȁ Ǳǹ ǝƤ ǩǚǮǹǤǨǤǝ ǰǚǹƤǯǚǨƤǢǮƤǯǯ ǞǶȁ ǉǚǸǭƤǢǮƤǯǡ ǩǚǯǝǤǶǚǸǞǶǤǯ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǩǞǸȀǞǥƤ ǚǫǴǨǚ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯǡ Ȁ ǩǚǶǨǚǯǚǥƤ, Ǳǹ ǟǜǚǮǚǨǚǯ ǤǭǚǺƤǢǮƤǯǡ ǷǞǹǚǼǱǦǷƤǭ Ǡ ǩǱǜƤ, ǞǹǛ ǶǹǸƤǭ ǜǚǹƤǯ Ǡ ǛǚǺǷƤǭȁ MY SEASHELL MEMORY, United Kingdom, 2015, 10:00 Director YANLAI CHEN The animation is about my childhood with my father whom died in several years ago. So, this animation is made for my father and also made for all my sad and apologies days. The story through the girl ȃnishing a portrait that she haven’t ȃnished when her father lived to repay the paternal love and say goodbye to the sad days after her father leave her. In the present life, I want make this animation to repay my dearest father and to save myself to go out from this grief. In the story, the father told the girl that if she missed some one she can speak to them through the seashell, and she can hear their sound from the seashell. But after her father die, she tried to do like this for many times. It was silence inside the seashell. When she ȃnished the portrait, she ȃnally can hear the sound from the seashell. It was a sea sound. It was also her father’s sound. It not means her ears can hear the sound she missed, it means her mind can hear. Because her mind is relieved and rebirthed. And she can also see the orchid, which didn’t bloomed for many years Ȅowering again. This story want tell the audience that Life is a cycle. It will never have the end. Death is not a death, it is a rebirth, every death just your feeling. If you open the door of your heart and relieve yourself, then you will ȃnd the world still over there, Ȅowers will rebirth and blooming again, and you are the continuation of your father’s life. The story tries to let the audience follow the girl’s journey to understand that perception turns with the soul; whereas appearance springs from the heart.

ǇǻǢǱǸǯƤǨ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ47 ǋǞǣǤǶǱǹǘ ǌǞǹǜǞǮ ǍǚǷǤǥǱǷ ǇǻǢǱǸǯƤǨǯǞǹǡ ǚǵǚǯǺ ǧǱǷǤ Ǡǥ ǨǚǹǱǫ Ǟǯ ǚǳǹǞǥ, ǛǚǮǺ ǰƤǸǱǷ ǪǚǯǪǹǚǯƤǭ Ǟǯȁ

Octopus, Russia, 2015, 06:47 Director Sergey Vavilov

Octopuses can live without the sea, but they get bored of it!

ƴǷǶ ƬǨ ǜǥǦǚǹǨ, ǕǹǚǯǶǤǚ, ǋǞǣǤǶǱǹǯǞǹǘ ǉǹƤǯǞǥǞ ƱǹǚǮ, ƾǱǹǞǯǸǤǯ ƱǚǹǶǞǥǱ, ưǹǢƤǹ ƳǞǳǱǮǤǹǞ, ưǥǞǽǶǚǯǝǹǞ ǃǞǥǽǤǱǯǝ, ǃǚǹǜǱǦ ǋǞǷǱǥ ƲǥǦǚǹǨǯǞǹǤ ǦǚǯƤǢƤǭ Ʃ ǝǣǷǚǹ ǩǚǬǚǦǱǹǝƤǩǤ Ǥǹ ǯǭǚǯ ǟǟǷǞǥǤ ǰǚǯ ǩǞǸ ǼǯǸǹƤǭ Ǡ ǤǹǞǯ ǶǚǟǱǫ ǚƬǯǚǡǯǸǤǹ ǜǥǦǚǹǨǡȁ ƿǚǭǛǞǹǚǸǚǹ ǷǚǬǚǵǱǫǡ ǚƬǯ Ǥǯǲ ǚǯƤǭ Ǡ ǾǹǤǱǹǝǤǯ ǩǚǬǱǮǚǯǚǥƤ ǩǚǭǚǹ, ǛǚǮǺ ǯǚǦǚǯǪ ǰƤǯǡ ǚƬǯ Ǥǯǲ ǛǚǹǝǚǺǯƤǭ Ǡȁ

One more hat, France, 2014, 04:16 Directors Prunelle BRY, Corentin BARCELO, Arthur DEPOIRE, Alexandre MELQUIOND, Margaux REVOL In a hat shop, a difȃcult lady customer, with her dog, as scornful as her, is looking for the perfect hat. The seller, conscientious, tries to do well, but the jealous dog is going to make it difȃcult.

22 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 1 Short Films ǌǞǛǚǶǸǤǚǯ, ưǃǅ, ǇǻǨǹǚǤǯǚ, 2014, 17ȁ53, 12+ ǋǞǣǤǶǱǹǘ Ǎǥǚǝ ǃǚǹǶǚǷǤǯ ǌǞǛǚǶǸǤǚǯǡ ƤǢǚǭǮǚ Ǹǫǚ Ǡ, ǱǷ ǚǮǶ Ʃǚǳǚǫǚǫ ǚǰǦǚǹǩƤǭ ǚǳǹƤǭ Ǡ ǶǱǷǱǹǚǨǚǯ Ǹǚǯǡ, ǸǚǸǤǨǤ ǩǞǸȁ ƱǚǮǺ ǞǹǛ ǯǚ ǩǞǧǚǯǤǷ Ǡ ǽǰƤǭ, ǯǹǚ ǞǹȀǚǨǚǮƤǢǮƤǯǡ ǚǹǢǯǚǯƤǭ Ǡȁ ǉǚǸǭƤǢǮƤǯǡ ǳǸǸǷƤǭ Ǡ ǌǞǛǚǶǸǤǚǯǤ Ȁ ǯǹǚ ǡǯǨǞǹǯǞǹǤ ǰƤǹǴ, ǱǷǽǞǹ ƤǟƤǭ Ǟǯ ǼǚǦǲǞǥ ǚǯǸǚǯǞǥǤ ǤǹǚǨǚǯƤǢǮƤǯǤǺ Ȁ ƬǧǚǩǚǶǚǨǯǞǹǤǺȁ

Sebastian, USA, Ukraine, 2014, 17:53, 12+ Director Vlad Marsavin Sebastian, an 8-year old boy, lives with his grandmother in an ordinary house, ordinary monochrome world. But when he gets on the bike to go for a ride, the adventure into his imagination begins. The story revolves around Sebastian and his friends who are trying to run away from the inescapable realities of the adult existence. ƻƤǶǯǱǸǡ,ƾǚǯǚǝǚ, 2015, 04ȁ20 ǋǞǣǤǶǱǹǘ ǕǞǱǝǞǹ ǇǻǰǞǷ ǌǮƤǹǵǞǚǥǤǶǸǚǨǚǯ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮƤǯ ǜƤǮǯǞǹǤ Ȁ ǪȀǞǹǤ ƬǴǘ ǯǞǹǰǯǲǷǚǧ ǕǞǝǞǹǤǨǱ ƲǚǹǶǤǚ ƻǱǹǨǚǮǤ ǛǚǯǚǶǸǞǫǧƤǢǮƤǯǯǞǹǤǺȁ ǎǞǶǱǫǚǨǚǯ ǳǱǞǟǤǚǘ ǩǚƬǭǷǚǧ ǿǚǯǸǚǶǸǤǨ ǞǹǚǟǯǞǹǤ ǵǤǢǭǱǷ Ȁ ǨǹǽǱǸ ǜǤǰǞǹǯǞǹǱǷȁ

The Sleepwalker, Canada, 2015, 04:20 Director Theodore Ushev

A surrealist journey through colours and shapes inspired by the poem Romance Sonámbulo by Federico García Lorca. Visual poetry in the rhythm of fantastic dreams and passionate nights.

23 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 2 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ƿǚǥǚǛƤǝǨǚ, ǇǻǨǹǚǤǯǚ, 2014, 11:12, 6+ ǋǞǣǤǶǱǹ` ƳǞǼǱǮǚǯ ǃǚǯƤǨ ǕǤǥƩ ǜǥǦǚǷǱǹ ǩǞǹǱǶǡ ƿǚǥǚǛƤǝǨǚǯ Ǡ, ǱǷ Ǳǲ ƩǚǮǯ ǛǞǸǱǯǤ Ƥ ǣǚǭǚǯǚǨǚǨǤǺ ǚǳǚǨǞ ǨǚǵƤǮǺǯǞǹǤ ǩǚǮǹǯ Ǡ, ǚǮǥ ǯǚȀ ǱǫǴ ǭǱǝǞǵǯǤ ǶǨǟǛǯǚǷǱǹǱǫǡ: ƿǚǥǚǛƤǝǨǚǯ ǩǤǯ ǸƤǯ Ǡ, ǱǹǸǞǫ ǣǚǭǚǯǚǨǡ ǢǱǫǯƤǭ Ǡ Ǥǹ ǨǯǤǽǡ: ǅǚ ǯǭǚǯ Ǡ ǧǞǹ ǭǚǹǝƤ, ǚǮǯ ǝǞǳǽƤǭ, ǞǹǛ ǤǹǚǨǚǯƤǭ ǞǹǞǦǚ Ǡ: ǒǱǽǹǤǨ ƿǚǥǚǛƤǝǨǚǮǤ ǳǚǸǭƤǢǮƤǯǡ ƬǧǚǯǚǥƤ, ǩǤǰǱǫƤǢǮǚǯ, ǞǹǚǦǸǤǽǤ Ȁ ǚǹǭǚǸǯǞǹǤ ǩǚǯǝǞǳ ƤǯǞǺǚǧ ǶǤǹǱ ǭǚǶǤǯ Ǡ:

Halabudka, Ukraine, 2014, 11:12, 6+ Director Depoyan Manuk The main character in the ȃlm is Halabudka who is not just the father of modern buildings of glass and concrete, but also the beginning of all modern. Halabudka is an old house where time has left its marks on him. He looks like the old man but in nature he is a child. The story of the little Halabudka is a story about growing up, memory, gratitude and love for his roots. ưƬǥǤǚ Ȁ ƳƤǚǹǸǞ, ǉǱǹǸƤǜǚǥǤǚ, 2015, 08:30, 6+ ǋǞǣǤǶǱǹǯǞǹ` ǃǱǯǤǨǚ ǌǚǯǸǱǶ, ưǥǤǶ ƲƤǤǭǚǹǞǶ ưǮǶ ǳǚǸǭƤǢǮǚǯ ƬǴ Ƭǯǽ ǝǚǵǯƤǭ Ǟǯǽ ưƬǥǤǚǮǤ Ȁ ƳƤǚǹǸǞǤ ǶǤǹǱ ǷǨǚǯ: ưǮǶ ǭǚǹǝǤǨ ǚǮǥȀǶ ǲǞǯ ǶǤǹƤǭ Ǥǹǚǹ Ȁ ǼǱǹǪƤǭ Ǟǯ ǩǚǫǢǚǩǚǹǞǥ ǚǮǯ ǟǜǚǺǭƤǯǽǯǞǹǡ, ǱǹǱǯǽ ǚǵǚǴǚǺǞǥ Ǟǯ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǤ ǚǷǚǹǸǤǺ ǩǞǸǱ: ǅǹǚǯǺ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǯǭǚǯ Ǟǯ ǚǹǦǤǷǚǮǤǯ ǚǹǨǫǤ, Ǳǹǡ ǳǚǸǨǞǹƤǭ Ǡ ǯǹǚǯǺ Ǜǚǣǚǯǭǚǯ ǳǚǸǭƤǢǮƤǯǡ: ǃǞǯǽ ǝǚǵǯƤǭ Ǟǯǽ ǯǹǚǯǺ Ǜǚǣǚǯǭǚǯ Ȁ Ǥǹǚǹ ǭǚǶǤǯ ƤǯǞǺǚǧ ǩǤǰǱǫƤǢǮƤǯǯǞǹǤ ǷǞǹǚǺǭǚǯ ǷǨǚǯ: ǕǤǥǭǡ ǶǸǞǫǧǷǚǧ Ǡ ǳǤǽǶǞǥǯǞǹǱǷ, ǶǸǱǳ-ǨǚǝǹǞǹǱǷ, ǚǹǢǯǚǺǯƤǭ Ǡ 50-ǚǨǚǯǯǞǹǤ ǜƤǯǚǸǞǦǯǤǨǚǨǚǯ ǟǜǚǺǱǫƤǢǮƤǯǯǞǹǡ Ȁ ǳǚǸǨǞǹƤǭ Ǡ Ǳǲ ƩǚǮǯ ǜǱǹǧǱǫƤǢǮƤǯǯǞǹǤ ǶǮƤǹǵǞǚǥǤǟǭǡ, ǚǮǥȀ ǸǚǥǤǶ Ǡ ǩǞǜǯǚǨǚǯ ǜƤǯǚǮǤǯ ǸǳǚǷǱǹƤǢǮƤǯ ǶǤǹǱ ǚǷǚǹǸǤ ǭǚǶǤǯ:

AMÉLIA & DUARTE, Portugal, Germany, 2015, 08:30, 6+ Directors Mónica Santos, Alice Guimarães

In this story we are guided through the relationship of Amélia and Duarte, two people that felt out of love and are trying to cope with the feelings that come after a relationship has ended. Their relationship has the shape of an archive box and their contents illustrate the story about their breakup. We are guided through their separation as they try to divide, destroy and erase the memories of each other. The ȃlm is made in pixilation and stop-motion and has a Technicolor feel of the 50s, portraying not only the surrealism of their actions, but also providing an ironic chromatic impression about the end of love. 100 % ǎǹǚǭǚǝǹƤǢǮƤǯ, ƱƤǥǫǚǹǤǚ, 2015, 04:05, 18+ ǋǞǣǤǶǱǹ` ƳƩǸǹǤ ǄǚǜǱǝǤǯ ǌǱǷǱǹǚǨǚǯ ǭǚǹǝǯ ǚǳǹƤǭ Ǡ Ǥǹ ǨǮǚǯǽǯ ǤǯǲǳǞǶ ǨǚǹǱǫ Ǡ, ǚǵǚǯǺ ǺǚǯǨƤǢǮƤǯǯǞǹǤ, ǞǹǚǟǚǯǽǯǞǹǤ Ǩǚǭ ǯǳǚǸǚǨǯǞǹǤ: ǅǚ ǽǚǫǚǽǚǮǤǯ ǩǹǞǰǤ ǚǯǩǚǭǚǹ ǛǴǤǴǯǞǹǤǺ ƬǨǯ Ǡ:

100 % Mood, Bulgaria, 2015, 04.05, 18+ Director Dmitry Yagodin

Ordinary man goes through life in the only way he can - without desires, dreams or aspirations. One of the countless cells in the body of the vast urban monster. ƱǞǯǴǚƩǯǡ ǜǯƤǭ Ǡ Swinger-ǯǞǹǤ ǦǯǴƤǮǽǤǯ, ưǷǶǸǹǚǥǤǚ 2015, 05:48, 15+ ǋǞǣǤǶǱǹ` ƳǞǽǥǚǯ Ʊǡǹǯ ƱǞǯǴǚƩǯǡ ǚǹǝǞǯ ǣǚǭǚǯǞǥ Ǡ Swinger-ǯǞǹǤ ǦǯǴƤǮǽǤǯ, ǛǚǮǺ Ʃ ǨǞǹǳ ǝǵǚǯ ǭǱǸ ǩǚǶǯǞǥƤǺ ǩǞǸǱ ǤǭǚǯƤǭ Ǡ, Ǳǹ ǭƤǸǽǡ ǟƤǮǜǞǹǱǷ Ǡ: ƿǶǸǚǨ ǸǹǚǭǚǝǹǷǚǧ, Ǳǹ ǸƤǯ ǲǤ ǜǯǚǥƤ ƩǚǮǯǚǨ Ȁ ǲǛǚǷǚǹǚǹǷǚǧ, Ƭǹ ǩǞǹǱǶǡ ǱǹǱǰƤǭ Ǡ ǟƤǜǡǯǨǞǹ ǜǸǯǞǥ:

Benjamin Goes To A Swinger ‘ Party, Australia, 2015, 05:48, 15+ Director Declan Byrne Benjamin has just arrived at his ȃrst swingers’ party but – after eagerly stripping off – has discovered he’s not allowed in without a partner. Determined not to go home alone and unsatisȃed, our hero sets out to ȃnd a mate.

24 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 2 Short Films ǌȀ ǣǚǳǚǷǞǯ, ƳǚǯǤǚ, 2014, 03:07 ǋǞǣǤǶǱǹǯǞǹ` ǃǤǰǞǥ Ȁ ǇǻǹǤ ƾǹǚǯǱǸ ƼǬǬǷǚǧ ǸǚǯǜǱ:

Black tape, Denmark, 2014, 03:07 Directors Michelle & Uri Kranot Entangled tango.

ƺǭ ǸƤǯǡ, ǕǹǚǯǶǤǚ, 2014, 11:54 ǋǞǣǤǶǱǹ` ǕƤǱǯǜ ǃǚǤ ǅǜƤǮǞǯ ƿƤǜǱǮǤ ǭǚǮǹǡ ǷǞǹǚǝǚǵǯƤǭ Ǡ ǸƤǯ: ǃǞǨ Ǿǹ ǚǯǺ, ǞǹǛ ƿǮƤǜǱǯ ǚǹǢǯǚǯƤǭ Ǡ, ǚǭǛǱǫǴ ǸƤǯǡ ǳǚǸǷǚǧ Ǡ ǥǤǯƤǭ ǶȀ ǼǞǸƤǹǯǞǹǱǷ:

My Home, France, 2014, 11:54 Director Phuong Mai Nguyen

Hugo’s mother is back home. The day after, when Hugo wakes up, he ȃnds black feathers all over his house. ƿǚǰǷǞǥǱǷ ǱǲǦǚǹǯǞǹǡ, ǕǹǚǯǶǤǚ/ƱǞǥǜǤǚ, 2015, 07:00 ǋǞǣǤǶǱǹ` ǕǹǤǺ ǌǸǚǯǝǚǞǹǸ ǒǱǽǹǤǨ Ǹǫǚǯ ǲǤ ǨǚǹǱǫǚǯƤǭ ǽǯǞǥ: ǅǚ ǨǚǯǲƤǭ Ǡ ǩǚǮǹǤǨǤǯ, ǱǷ ǩǮƤǹǚǶǞǯǮǚǨǤ ǚǶǸǤǬǚǯǯǞǹǤǯ ǢǞǹǢ Ǡ ǨǚǹǝƤǭ: ƿǚǮǹǤǨǡ ǸǫǚǮǤǯ ǦǱǹǩƤǹǝ Ǡ ǸǚǥǤǶ ǩǚǰǷǞǥ ǱǲǦǚǹǯǞǹǤǯ: ǒǱǽǹǤǨǡ ǚǯƤǭ Ǡ ǩǱǹ ǚǶǚǧǤ ǯǭǚǯ Ƥ ǰƤǸǱǷ Ǥǹ ǭǚǩǬǚǨǚǥǤ ǰƤǹǴǛǱǥǱǹǡ ǥǤǽǡ ǱǲǦǚǹǯǞǹ Ǟǯ ǩǚǮǸǯǷƤǭ:

Counting Sheep, France / Belgium, 2015, 07:00 Director Frits Standaert A little boy can’t get to sleep. He calls his father who is reading the newspaper downstairs in the living room. To get out of reading him yet another story, he tells his son to try counting sheep. The little boy does as he is told but soon ȃnds himself with a dozen sheep around his bed. ǒǚǨǤ ǸǚǨ, ưǃǅ, 2014, 09:03 ǋǞǣǤǶǱǹ` ǃǚǮǨ ư ǌƩǢ ƱǚǯǸǚǹǨǷǚǧ ǰǯǤǨǡ ǰǱǨǤ ƬǴ Ǡǘ ǩǚǮǸǯǚǛǞǹǞǥǱǷ, Ǳǹ ǚǭǛǱǫǴ ǚǰǦǚǹǩǡ ǶǳǚǶƤǭ Ǡ ǝǵǚǯ ǭǮƤǶ ǨǱǫǭƤǭ… ƼǞǥǚǩǞǫƤǢǮƤǯ, ǚǯǨǱǸǹǞǥǤ ǝƤǵ:

Cooped, United States, 2014, 09:03 Director Mike A Smith A sofa-bound dog is shocked to discover that a whole world waits just outside the door... The maddening, unbreakable door. ǎǞǹǡ, ƶǶǸǱǯǤǚ, 2015, 18:00, 12+ ǋǞǣǤǶǱǹ`ǋǤǩǱ ǇǻǯǢ «ǎǞǹǡ» ǿǤǥǭǡ ǩǤƨǷǚǧ Ǡ ǠǶǸǱǯǚǺǤ ǜǹǱǫ ǕǹǤǞǝǞǛǞǹǸ ǎƤǜǥǚǶǤ «ǉǱǳǤǯ Ȁ ƿƤǩƤǯ» ǨǚǹǬ ǳǚǸǭǷǚǧǽǤ Ƿǹǚ: ǿǤǥǭǡ Ƭǟ ǳǚǸǭƤǭ Ǡ ǉǱǳǤ ǚǯƤǯǱǷ ǰǚǯ Ȁ ƿƤǩƤ ǚǯƤǯǱǷ ǨǚǳǤǨǤ ǭǚǶǤǯ, ǱǷǽǞǹ ǶǳǚǶƤǭ Ǟǯ ǤǹǞǯǺ ǸǤǹǱǴ ǷǞǹǚǝǚǹǪǤǯ: ƱǚǮǺ Ʃ Ǿǹ ǳǚǹǟ Ǡ ǝǚǵǯƤǭ, Ǳǹ ǸǞǹǡ ǚǮǥȀǶ ǲǤ ǜǚǥƤ: ưǮǝ ǾǹǷǚǯǤǺ Ǥ ǷǞǹǘ ǶǨǶǷƤǭ Ǡ ǚǮǶ ǞǹǨƤǶǤ ǩǚǭǚǸǞǫ ǨǮǚǯǽǡ: ǆƤǯǡ ǤǹǚǨǚǯƤǭ ǚǷǞǥǤ ǦǞǥǚǺǤ Ǡ Ȁ ƤǣǞǫ, ǽǚǯ ǨǚǳǤǨǡ: ǉǱǳǤǯ ǞǯǢǚǹǨǷƤǭ Ǡ ǨǚǳǤǨǤ ǛǱǥǱǹ ǚǶǚǧǯǞǹǤǯǘ ǝǹǚǯǱǷ ǺƤǮǺ ǸǚǥǱǷ ǯǹǚ ǜǞǹǚǨǚǮƤǢǮƤǯǡ, ǤǶǨ ǨǚǳǤǨǡ ǝǚǵǯƤǭ Ǡ ǨǚǭǚǨǱǹƤǢǮǚǯ Ȁ ǦǞǥǚǜǚǹƤǢǮǚǯ ǦǱǹǩǹǝǚǯǤǰ:

The Master, Estonia, 2015, 18:00, 12+ Director Riho Unt

“The Master” is based on the short story, “Popi and Huhuu”, by the Estonian author, Friedebert Tuglas, and tells a story of a dog Popi and a monkey named Huhuu, who are waiting for their master to come home. But one day it becomes clear that he’s not going to be coming home anymore. From that day their mutual lives begin. While he is actually smarter and stronger than his simian companion, Popi capitulates to every one of Huhuu’s whims in a show of obedience and subservience. Huhuu, meanwhile, becomes a symbol of debauchery and lunacy.

25 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 2 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ưǢǱǵǤǯ ǯǶǸǚǧǡ, ǕǹǚǯǶǤǚ, ƿǚǹǚǷǚǮǤǯ ƾǱǹǞǚ, 2015, 06ȁ55 ǋǞǣǤǶǱǹǘ ƳǚǩǞ ǊǞǱǯǜ ưǢǱǵǤǯ ǯǶǸǚǧ ǭǚǹǝǡ ǸǚǯǴǷƤǭ Ǡ Ȁ ǚǯǡǯǝƬǴ ǨǚǶǨǚǧƤǭ Ǥǹ ǜǱǮƤǢǮǚǯǡȁ Ƴǚ ƩǚǮǯ Ʃ ǯǨǚǹ Ǡ, Ǳǹ ǞǶ ǶǸǞǫǧǞǥ Ǟǭ... ƿǯǚǹǚǷǱǙǹ Ǡ, Ǳǹ ǞǶ Ǡǥ ǳǚǸǨǞǹ Ǟǭ, Ǳǹ ǶǸǞǫǧǞǥ Ǟǯ ƤǹǤǰǯǞǹǡ:

Man on the chair, France, South Korea, 2015, 06:55 Director Dahee Jeong Man on the chair is tormented and constantly doubts his very own existence. It is just merely a picture that I created... Could I also be an image crafted by others? ƾǚǦǚǹǝǚǨǚǯ ǩǱǷǤǸ, ưǷǶǸǹǤǚ, 2015, 13:30 ǋǞǣǤǶǱǹǘ ǉǱǥ ǍǞǯǤǯǜǞǹ ǉǚǸǨǞǹǯǞǹǤ ǳǚǹǚǝǱǽǶǯ ǚǮǯ Ǡ, Ǳǹ ǝǹǚǯǽ ǢǚǽǺǯƤǭ Ǟǯ ǚǮǯ, Ǥǯǲ ǺƤǺǚǝǹƤǭ Ǟǯ Ȁ ǩǞǵǚǷǱǹƤǢǮǚǯ Ƿǹǚ Ǟǯ ǳǚǩƤǭ ǚǮǯ, Ǥǯǲ ǽǞǟ ǭǱǸǞǺǯƤǭ Ǟǯ: ǃǤǚǣǚǭǚǯǚǨ, ǨǸǚǷǡ Ǩǚǭ ǭǚǨǞǹǞǶǡ, ǱǹǤ Ƿǹǚ ǳǚǸǨǞǹǯǞǹǡ ǩǚǮǸǯǷƤǭ Ǟǯ, ǯǭǚǯ Ǟǯ ǷǚǩǚǯǤ, Ǳǹǡ ǳǚǰǸǳǚǯƤǭ Ǡ ǯǹǚǯǤǺ, Ǥǯǲ ǺƤǺǚǝǹƤǭ Ǡ: ǇǹǳǞǶ ǳǚǸǨǞǹǯǞǹ, ǯǹǚǯǽ ǞǹǚǰǦǚǷǱǹǱǫ ǩǞǵǚǷǱǹƤǢǮƤǯ Ǟǯ ǯǞǹǨǚǮǤ ǡǯǨǚǥǭǚǯ Ƥ ǚǮǥ ǸǞǫǞǹǤ ǩǤǰǱǫƤǢǮǚǯ ƩǴȀ: ǌǚ ǚǵǚǷǞǥ ǨǤǹǚǵǞǥǤ Ǡ ǢǷƤǭ ǚǮǯǳǤǶǤ ǿǤǥƩ ǩǚǭǚǹ, ǤǯǲǳǤǶǤǯ Ǡ «ƾǚǦǚǹǝǚǨǚǯ ǩǱǷǤǸǡ», ǱǹǸǞǫ ǜǱǹǧǱǫƤǢǮƤǯǯǞǹǡ ǸǞǫǤ Ǟǯ ƤǯǞǯƤǭ ưǵǚǴǤǯ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǳǚǸǞǹǚǟƩ ǣǚǭǚǯǚǨ: ƺǹǚǝǚǹǪƤǢǮƤǯ, Ǳǹǯ ǚǹǝǞǯ ǩǤǰǱǫƤǢǮƤǯ Ǡ Ȁ ǩǤǭǚ ǝǞǹǚǨǚǸǚǹƤǭ ƤǯǤ ƩǚǮǯ ǳǚǸǭǚǨǚǯ ǩǤǰǱǫƤǢǮǚǯ ƬǴ: ƴǹǛ ƤǟƤǭ Ǟǯǽ ǩǤǰǞǥƤ ǨǱǲ ǚǯǞǥ, ǝǚ ǚǯƤǭ Ǟǯǽ ǱǹǳǞǶ ǳǚǸǨǞǹƤǭ, ǷǞǹǚǳǚǸǨǞǹƤǭ, Ǳǹǡ ǯǨǚǹǤ ƬǴ Ǡ Ƥ ǲǤ ǨǚǹǱǫ ǾǜǯǞǥ, ǛǚǮǺ ǺƤǺǚǝǹƤǭ Ǡ ǣǚǭǚǯǚǨǚǮǤǯ ǩǞǵǚǷǱǹƤǢǮƤǯǡ: Uncanny Valley, Austria, 2015, 13:30 Director Paul Wenninger One paradox of images is that they hold back what they show, and keep at a distance, what they bring close. At the same time, the canvas or screen on which they appear seems like a shield offering protection from what is shown. As pictures, they guarantee a distance between the present of perception and the elsewhere of the recording. This seems even more applicable to a ȃlm such as Uncanny Valley, which deals with World War I - an event that is already beyond something that can be remembered, and now only plays out in historical memory. When it wants to be called to mind again, then as depiction—as representation, which in the image, can’t help but depict its distance to what is shown.

ƺǶǨ ǩǤǭǚ Ǹǫǚǭǚǹǝǡ, ƺǹǚǯ, 2014, 05ȁ00, 16+ ǋǞǣǤǶǱǹǘ Ƶǚǯǚ ƿǚǭǚ ǁǚǹǤǛ ƾǤǯǡ Ǟǹǚǟ Ǡ ǸǞǶǯƤǭ, Ǳǹ Ǥǹ ǚǲǽǞǹǡ ǢǵǲƤǯ Ǟǯ ǝǚǵǯƤǭ, ǢǵǲƤǯ, Ǳǹǡ ǶǨǶƤǭ Ǡ ǬǚǭǼǱǹǝǞǥȁ ưǮǶ ǬǚǭǼǱǹǝƤǢǮǚǯ ǣǚǭǚǯǚǨ ǛǚǦǷƤǭ Ǡ ǭǚǹƩǯǯǞǹǤ, ǝǞǭǽǞǹǤ Ƥ ǯǚǦǯǚǨǚǯ ǪȀǞǹǤ ǼǱǼǱǦƤǢǮǚǯ ǳǚǸǬǚǵ Ǡ ǝǚǵǯƤǭ Ƥ ǷǞǹǚǼǱǦǷƤǭ Ǡ ǚǮǥ ǪȀǞǹǤ: ǍǞǹǴƤǭ ǢǵǲƤǯǡ ǷǞǹǚǝǚǵǯƤǭ Ǡ ǨǯǱǴ ǝǞǭǽǤǯȁ

AND NOW THE MAN, Iran, 2014, 05:00, 16+ Director Zana Hama Gharib

The woman’s eyes become a bird in her dream. And the bird begins a journey. In this journey, it encounters bodies, faces and causes change in their early shapes and changes to other ȃgures... At the end, the bird returns to the woman’s face. ƵǞǳǱ, ƺǶǳǚǯǤǚ, 2014,03ȁ08 ǋǞǣǤǶǱǹǘ ƾǞǶǚǹ ƳǤǚǟ ǃǞǥǞǯǝǞǟ ǎǚǹǤǯǞǹ ǚǵǚǴ Ʃ ǪƬǵǚǮǤǯ ǚǵǚǷǱǸ Ʃ ǼǱǽǹǤǨ ǚǫǴǤǨ ǜǯƤǭ Ǡ ǼǚǮǸ ǩǚǷǚǽǞǥƤ Ƥ ǸǯǤǺ ǛǚǷǚǨǚǯ ǩǞǵǚǯǚǥǱǷǘ ǯǨǚǸƤǭ Ǡ ǚǹǮǚǯ ǩǞǸǽǞǹ... ǩǞǸȀƤǭ Ǡȁ ǌǚ ǚǷǚǟǞ ǚǯǤǭǚǺǤǚ Ǡ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ ǩǚǭǚǹȁ

Zepo, Spain, 2014, 03:08 Director Cesar Diaz Melendez Time ago, a winter morning, a little girl went out looking for ȃrewood, she went far away from home and came across a blood trail... she followed it. A sand animation on glass short ȃlm.

26 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 3 Short Films ǀƬǵ ǉǚǳǤǨǡ, ƿǚǮǚǶǸǚǯ, 2015,06ȁ00, 3+ ǋǞǣǤǶǱǹǘ ƻȀǱǯ ǉǞǸǹǱǶǮǚǯ ǀƬǵ ǉǚǳǤǨǡ ǯǚǭǚǨ Ǡ ǶǸǚǯƤǭ ǩǚǹƤǶǸ ǡǯǸǚǯǤǽǤ ǞǹǞǦǚǮǤǺ, ǱǷ ƤǟƤǭ Ǡ Ǥǹ ǩǞǸ ǞǹǞǦǚǯǞǹǤǯ ǦǚǫǚǥǤǽǯǞǹ ǛǚǣǚǯǞǥȁ ǀƬǵ ǉǚǳǤǨǡ ǱǹǱǰƤǭ Ǡ ǨǚǸǚǹǞǥ ǞǹǞǦǚǮǤ Ǟǹǚǟǚǯǽǡ, ǛǚǮǺ ǰƤǸǱǷ ǰǼǱǢǷƤǭ Ǡǘ ǸǞǶǯǞǥǱǷ ǢǤǨǯǚǳǚǩǯǞǹǤ ǨǱǫƩǺ ǳǚǰǸǳǚǯǷǱǫ ǞǹǞǦǚǮǤ ǳǚǥǚǸǚǯǭǚǯ ǸƤǯǡȁ

The Santa, Armenia, 2015, 06:00, 3+ Director Levon Petrosyan

Santa gets a letter from a child of a rich family who wants to deliver toys for children together with him. Santa decides to make his wish come true, but hi is left confused when ȃnds out that the child lives in a luxurious palate watched by security. ǃǤǯǲȀ ǰǚǸ Ƥǰ ǥǤǯǞǥǡ, ƱǹǚǟǤǥǤǚ, 2015, 01:40 ǋǞǣǤǶǱǹ` ưǥǞǽǶǚǯǝǹǞ ƳƤǛǤǞǥǚ ƱǵǯǚǳǞǸ ǢǚǜǚǷǱǹǡ ǚƬǯǚǮǯ ǭǚǯǹǚǭǚǶǯƤǢǮǚǭǛ ǩǞǸǚǟǱǸƤǭ Ǡ Ǥǹ ǭǱǥǱǹǚǨǤ ǵǞǶƤǹǶǯǞǹǡ:

Before is too late, Brazil, 2015, 01:40 Director Alexandre Dubiela A tyrannical king explores the resources of his planet until the last consequence.

ƶǵǯǤ ƱǤǶǨƤǤǢ, ưǷǶǸǹǚǥǤǚ, 2015, 21:00 ǋǞǣǤǶǱǹ` ưǝǚǭ ǠǥǤǱǢ ǌǚ ƩǚǮǯǚǨ ƼƤǥ ǒǚǹǤǟǞǺǤ ǦǹǸǷǤǥǚǨǯǞǹ ǳǚǸǹǚǶǸǱǫ ǭǚǹǝƤ ǳǚǸǭƤǢǮƤǯ Ǡ, Ƥǭ ǨǮǚǯǽǡ ǜǥǦǤǷǚǮǹ ǼǱǦǷƤǭ Ǡ, ǞǹǛ ǶǚǸǨǚǧ ǚǫǚƭǤǯ ǩǚǮǸǯǷƤǭ Ǡ Ǥǹ ǝǵǚǯ ǰǞƩǯ:

Ernie Biscuit, Australia, 2015, 21:00 Director Adam Elliot The clayography of a lonely Deaf Parisian Taxidermist whose life is turned upside down and back to front when a dead pigeon arrives on his doorstep.

ǕƤǜǚ ǢǚǷǴƤǢǚǨǤ, ǰǞǼǱǹǤ Ȁ ǛǯǚǳǚǸǨǞǹǤ ǩǚǭǚǹ, ƻǞǩǚǶǸǚǯ, 2014, 0:18:00, 16+ ǋǞǣǤǶǱǹ` ǊǞǹǟǤ ƾƤǲǤǚ ǊǞǹǟǤ ƾƤǲǤǚǯ 13 ǸǚǹǷǚ ǥǵƤǢǮƤǯǤǺ ǩǞǸǱ ǨǹǨǤǯ ǷǞǹǚǝǚǹǪǞǥ Ǡ Ǥǹ ǯǱǹ ƬǝǤǸǚǸǤǷ ǳǚǸǭƤǢǮǚǭǛ, Ǳǹǯ ƤǯǤ ǳǱǞǸǤǨ ǿǤǥƩ ǨǚǵƤǺǷǚǧǽ: ǕǤǥǭǡ ǩǤƨǷǚǧ Ǡ ǳǚǸǨǞǹǤ Ȁ ǞǹǚǣǰǸƤǢǮǚǯ ǩǚǹǚǛǞǹƤǢǮǚǯ Ƿǹǚ: ưǮǯ ǺƤǮǺ Ǡ ǸǚǥǤǶ ǟǜǚǺǭƤǯǽǯǞǹǤ ǚǵǚǴǚǺǭǚǯ ǜǱǹǧǡǯǢǚǺǡ Ȁ ǚǮǯ ǛǯǚǳǚǸǨǞǹǤ ǱǹǱǯƤǭǡ, ǱǹǸǞǫ ǸǞǫǤ ǨƤǯǞǯǚǯ ǜǱǹǧǱǫƤǢǮƤǯǯǞǹǡ:

Fugue for Cello, Trumpet and Landscape, Poland, 2014, 0:18:00, 16+ Director Jerzy KUCIA Jerzy Kucia is back after thirteen years of silence with this meditative story in the form of a poetic ȃlm based on a relationship between images and music. The ȃlm shows the process of evoking feelings and searching for landscape speciȃcity by recounting events which have taken place in the scenery.

27 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 3 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ

Ʋǯǚ ƶƻƴ ǽǚǫǚǽ, ǈǤǯǚǶǸǚǯ, 2015, 09:28 ǋǞǣǤǶǱǹǘ ǍǞǯǮƤ ƻǤ ǕǤǥǭǡ ǦǸǹǚǨǚǯƤǢǮƤǯǯǞǹǤ ǭǚǶǤǯ Ǡ: ǓǚǫǚǽǚǨǤǹǢ ǩǚǶǚǹǚǨƤǢǮƤǯƤǭ ǦǸǹǚǨǚǯƤǢǮƤǯǡ Ǳǲ ƩǚǮǯ ǲǤ ǷǞǹǚǺǞǥ, ǚǮǥȀ ǚǷǞǥǤ Ǡ ǚǬƤǭ` ǵǚǶǚǮǚǨǚǯ ǦǸǹǚǨǚǯƤǢǮƤǯ, ǨǹǱǯǚǨǚǯ ǦǸǹǚǨǚǯƤǢǮǚǯ Ȁ ǚǮǥǯ, ǛǚǮǺ ǞǹǛǞƨ ǚƬǯǚǶǚǹǶǚǼǞǥǤǯ ǦǸǹǚǨǚǯƤǢǮƤǯǯ Ǡ ǯƤǮǯ ǵǚǶǚǮǤ ǯǞǹǨǚǮǚǺƤǺǤǲǯǞǹǤ ƩǴȀ: ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ƽ ǽǚǫǚǽǤǺ ǞǨǚǧ ǼǱǽǹǤǨ ǦǱǟƤǨǤ ǭǚǶǤǯ, ǱǷ ǜǯƤǭ Ǡ ǭǚǮǹǚǽǚǫǚǽǘ ǒ ǽǚǫǚǽ, ǱǹǸǞǫ ǚǳǹƤǭ Ǡ ǒǤǫǡ:

Go To City ELE, China, 2015, 09:28 Director Wenyu Li

The ȃlm is about discrimination! In the civilized society, the discrimination has not disappeared, but there is a growing trend: racial discrimination, regional discrimination, and so on, but sometimes the most terrible is that the discrimination between the same race. A story about a little pig who comes from the “P town” go to the metropolis-”City ELE” where the elephants live. ǓǚǹǞ ǚǳƤǹ, ǕǹǚǯǶǤǚ, ƱǞǥǜǤǚ, 2015, 07ȁ00 ǋǞǣǤǶǱǹǘ ǓǥǞƬǯǢǤǯ ǋǱǛǚǲ ưǮǶ ǽǚǫǚǽǤ ǛǱǥǱǹ ǭǚǹǝǨǚǯǺ ǳǚǩǚǹǚǯǯǞǹǡ, ǚǼǶǞǯǞǹǡ Ȁ ǶǸǚǭǱǽǶǯǞǹǡ ǝǚǸǚǹǨ Ǟǯ, ǛǚǮǺ ǬǚǰǤ ǣǚƨ Ǡ, ǤǶǨ ǩǞǵƤǶǸǚǺƤǮǺǱǷ ǦǱǩǚǹǚǹƤǢǮǚǯ ǩǚǫǱǹǝƤǭ Ǡȁ ƱǱǥǱǹǯ ǤǹǞǯǺ ǸǯǞǹƤǭ (ǧǞǹ ǒǤǫǡ, ưǹǴǞǹǤ ǡǯǸǚǯǤǽǡ, ǆƤǯǡ, ƾǚǸƤǯ, ǃǹǴǮƤǯǡ, ǇǟǯǤǯ Ȁ ƤǹǤǰǯǞǹǡ) ƤǰǚǝǤǹ ǥǶƤǭ Ǟǯ ǾǹǷǚ ǛǚǫǚǝǹǚǸǱǭǶǡǘ ǓǚǹǞ ǚǳƤǹȁ «ƹǚǮǵǤ ǳǞǶ,- ǚǶƤǭ Ǡǹ ǩǚǫǱǹǝǚǷǚǹǡ,- ǳǞǸǽ Ǡ ǩǚǸƤǨ ǛǚǫǚǝǹǚǭǚǶ ǚǷǞǥǚǺǯǞǥ»ȁ ƱǚǮǺ ǚǮǯǸǞǫ Ǩǚǹ Ʃ ǛǚǹǪǹǚǦǱǶ ǨǚǸƤ Ȁ Ǳǲ Ǳǽ ǲǨǚǹǱǫǚǺǚǷ ǥǶǞǥ, ǢǞ Ǳǹǯ Ǡǹ ǚǮǝ ǛǚǫǚǝǹǚǭǚǶǡȁ

Stone Soup, France / Belgium, 2015, 07:00 Director Clementine Robach The cupboards, plates and bellies of the people of this little town are all empty, but it is supper time and there is a cookery show on the TV. In each of their homes, they all (old Elephant, the Bear family, Dog, Cat, Ant, Hedgehog, etc.) listen attentively to the recipe of the day: “Stone Soup”. As well as a rock, the presenter tells them, you have to add a special ingredient. But there is a power cut and nobody gets to hear what this ingredient is.

ǒǱǦǨǚǳǚǨǺǷǚǧƤǢǮƤǯ, ǕǹǚǯǶǤǚ, 2015,11ȁ25 ǋǞǣǤǶǱǹǘ ƱǱǹǤǶ ƻǚǛǞ ǃǞǧ ǚǯǶǚǩǭǚǯƤǢǮƤǯǤǺ ƩǯǲȀ ǼǱǽǹ ǚǯǶǚǩǭǚǯƤǢǮƤǯ, ǸǤǞǟǞǹǽǤ ǛǱǥǱǹ ǛǚǯǞǹǡ ǶǞǹǸǱǹǞǯ ǨǚǳǷǚǧ Ǟǯ. ǯǹǚǯǽ ǼǱǦǚǟǝƤǭ Ȁ ǷǞǹǚǨǚǯǜǯǷƤǭ Ǟǯ ǰǚǹǣǭǚǯ Ȁ ǨǞǹǳǚǹǚǯǚǼǱǦƤǢǮǚǯ ǣǚǭǚǯǚǨȁ

Rhizome, France, 2015, 11:25 Director Boris Labbe From the inȃnitely small to the inȃnitely large, all things in the universe are tightly connected: they interact and restructure in a combination of movements and perpetual metamorphoses. ǌǤǥǥǱǯ 672, ǕǹǚǯǶǤǚ, 2014, 04ȁ35 ǋǞǣǤǶǱǹǘ ƱǚǶǸǤǞǯ ƳƤǳǹǤǞǟ ƲƤǮǯǞǹǡ Ȁ ǚǯǤǭǚǺǤǚǯ ǚǷǞǥǤ Ƥ ǚǷǞǥǤ ǦǱǹǯ Ǟǯ Ƭǟ ǸǚǯƤǭȁ

Sillon 672, France, 2014, 04:35 Director Bastien Dupriez

Colors and animations drive you deeper and deeper into these vinyls.

28 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 3 Short Films ǌǚǯǹǷǚǧǽ, ǕǹǚǯǶǤǚ, ƺǸǚǥǤǚ, 2014, 08:09 ǋǞǣǤǶǱǹ` ǍǤǹǴǤǯǤǚ ǃǱǹǤ ǇǻǶƤǺǤǲǡ Ȁ ǚǰǚǨǞǹǸǡ ƨǚǺǞǥ Ǟǯ ǝǚǸǚǹǨ ǝǚǶǚǹǚǯƤǭ: ǅǹǚǯǺ ǩǚǮǚǺǽǯǞǹǤǺ Ȁ ǣǞǶǸǞǹǤǺ ǨǚǹǞǥǤ Ǡ ǞǯǢǚǝǹǞǥ, Ǳǹ ǶǨǶǷǞǥ Ǡ Ʃ ǸǚǹǾǹǤǯǚǨ ǚǵǞǹǞǶƤǭ:

Haircut, France, Italy, 2014, 08:09 Director Virginia Mori

A teacher and her pupil linger in an empty classroom. Through their looks and gestures, a strange confrontation begins.

ǀǞǵǯǱǺǡ, ǕǹǚǯǶǤǚ, 2014, 08ȁ07 ǋǞǣǤǶǱǹǘ ƾǥǞƬǯǸǤǯǞ ǋǱǛǚǰ ǀǮƤǯ Ǡ ǜǚǥǤǶȁ ƻǤǥǤǯ Ǥǹ ǳǚǳǤǨǤ ǩǞǸ ǢǵǲƤǯǯǞǹǤ ǛƤǮǯ Ǡ ǳǚǸǹǚǶǸƤǭ, ǱǹǳǞǶǟǤ ǨǞǯǝǚǯǤǯǞǹǡ ǩǚǫǢǚǩǚǹǞǯ ǪƬǵǡȁ «ƺǶǨ ǚǮǜƤ ǭǮƤǶ ǨǞǯǝǚǯǤǯǞǹǡ, ǱǹǸǞǫǤǙǺ Ǟǯ ǨǚǺǚǹǚǯ ǜǸǯǞǥƤ ǪƬǵǯ ǚǯǺǨǚǺǯǞǥƤ ǩǚǭǚǹ»,- ǩǞǸǚǽǹǽǹǷƤǭ Ǡǹ ǼǱǽǹǤǨ ǚǫǴǤǨǡȁ ưǮǶǳǤǶǱǷǘ ǯǚ Ǥǹ ǪǞǵǯǱǺǡ ǝǯƤǭ Ǡ ǧǚǵǤ ǛǯǤ ǭǱǸ, ǱǹǸǞǫ ǯǹǚǯǽ ǸǞǫǚǝǹǞǥ ǠǤǯ ǢǵǲƤǯǯǞǹǤ ǛƤǮǯǡȁ

The Mitten, France, 2014, 08:07 Director Clémentine Robach It is snowing. Lily and her grandfather are making a little bird house to help the birds survive over the winter. “But where do the other animals in the garden ȃnd shelter in winter?” wonders the little girl. So she puts one of her mittens at the foot of the tree where they have fastened the bird house. ƻǤǥƤ, ƻǤǛǚǯǚǯ - ǿǹǚǯǶǤǚ, 2014, 07ȁ45 ǋǞǣǤǶǱǹǘ ǋǚǷǚǯ ǋǚǩǤǭ ƻǤǥƤǯ ǲǚǼǚǟǚǯǺ ǟǜǚǮƤǯ Ǡ Ȁ ǟǚǹǭǚǯǚǥǤ, ǛǚǮǺ ǯǚȀ ǚǯǸǚǯǞǥǤ ǚǭǱǢǦǚǧȁ ǅǚ ǶǸǚǯƤǭ Ǡ ǭǚǹǝǨǚǯǺ ǚǯǺǮǚǥǡ ǸǞǶǯǞǥƤ ǰǯǱǹǩǡ. Ȁ ǚǮǝ ǚƬǯǡ ǨǚǸǚǹǷƤǭ Ǡǹ Ǥǹ ǨǚǭǽǤǺ ǚǯǨǚǦȁ

Lilou, Lebanon / France, 2014, 07:45 Director Rawan Rahim

Lilou is extremely sensitive and curious, but also crippled by an unbearable shyness. She receives the power to see into the past of people, and that will force her out of her introversion.

ƵǚǸǤǨ, ǋƤǶǚǶǸǚǯ, 2014, 03ȁ05 ǋǞǣǤǶǱǹǘ ǃǚǹǤǯǚ ƾǚǹǳǱǷǚ ƵǚǸǤǨǤǯ ǪǞǹǛǚǨǚǥƤǭ Ǟǯȁ ƿǤǭǚ ǯǚ ǚǳǹƤǭ Ǡ ǰǚǸ ǼǱǽǹǤǨ ǥƤǺǨƤ ǸƤǼǤ ƬǴ Ƥ ǳǥǚǯǚǷǱǹƤǭ Ǡ Ǥǹ ǼǚǦƤǶǸǡȁ

Ladybug, Russia, 2014, 03:05 Director Marina Karpova The Ladybug has been taken prisoner. Now she is living in a teensy tiny matchbox and plotting her escape.

29 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 4 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ƿǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮƤǯ, ưǹǜǞǯǸǤǯǚ, 2015, 03:36 ǋǞǣǤǶǱǹ` ǉǚǛǥǱ ƲǱǶǸǚǯǮǚǯ ưǮǶ ǩǚǸǨǚǯǰǚǨǚǯ ǸǚǹƤǭǘ 2015 ǢǷǚǨǚǯǤǯ, Ƭǯǽ ǶǸǞǫǧǞǺǤǯǽ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǘ ǯǷǤǹǷǚǧ ƿǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮǚǯǡ: ƸƤǹǽǚǨǚǯ ǨǚǵǚǷǚǹƤǢǮƤǯǡ ƬǹǣƤǭ Ǡ ǩǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮƤǯǡ: ưǯǺǞǥ Ǡ ǚǹǝǞǯ 100 ǸǚǹǤ, ǚǮǶǾǹ ǚǳǹǤǥǤ 24-ǯ Ǡ Ȁ Ƭǯǽ ǰǚǹƤǯǚǨƤǭ Ǟǯǽ ǳǚǮǽǚǹǡ, Ʃǯǲ ǲǩǚǶǯǞǯǽ Ǭǚǯǚǲǭǚǯ: ǌǚ ǩǚǹǜǚǯǽǤ ǸƤǹǽ Ǡǘ ǯǷǤǹǷǚǧ 1.500.000 ǟǱǩǞǹǤ ǩǤǰǚǸǚǨǤǯ:

Armenian Genocide, Argentina, 2015, 03:36 Director Pablo Gostanian

In this special year 2015, we did this cell animation short for the Armenian Genocide centenary. The Turkish government denies to the date that the genocide took place. It has passed a hundred years, today April 24th, and we`ll keep on ȃghting till recognition. This is a small tribute to the 1.500.000 victims. ǃǤǚǮǯǚǨ ǨǮǚǯǽ, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2014, 02:00 ǋǞǣǤǶǱǹǯǞǹ` ǊǱǛ ǊǱǹǤǶ Ȁ ǃǚǹǤǞǨǞ ƾǚǦǚǹǝǚǨǚǯ ǷǤǯǤǥǚǮǤǯ ǶǨǚǷǚǵǚǨ ǥǶǞǥǤǶ ƩǚǮǯǚǨ ǉǤǚǯ ǩǚǯǨǚǹǧǚǨǤ ǨǚǹǱǫǚǯƤǭ Ǡ ǬǚǯǚǳǚǹǩǱǹǝǞǥ Ǥǹ ǨǮǚǯǽǤ ƩǴǱǷ:

A SINGLE LIFE, Netherlands, 2014, 02:00 Directors Job Joris & Marieke When playing a mysterious vinyl single, Pia is suddenly able to travel through her life. ƾǮǚǯǽǡ ǦǱǹǸǚǨǷǚǧ Ǡ, ƲǞǹǭǚǯǤǚ, 2015, 03:00, 6+ ǋǞǣǤǶǱǹǘ ǌǤǭǱǯ ǆǯǞǥǭǚǯ ƾǮǚǯǽǤ ǩǤǯǜ ǨǚǹǬ ǝǞǳǽ, ǱǹǱǯǽ Ǥǹǚǹ Ǟǯ ǨǚǳǷǚǧ ǶȀ ǢǞǥǞǹǱǷ:

Life is rugged, Germany, 2015, 03:00, 6+ Director Simon Schnellmann

Five short sequences about life are linked together by a black point.

ǊǤ. ǃǚǩǡ ǥǱǫƤǭ Ǡ, ǃǱǥǝǱǷǚ,2014, 05:18 ǋǞǣǤǶǱǹ` ƳƩǸǹǤ ǍǱǥǱǰǤǯ ǊǤǯ ǰǚǸ ǚǯǛǚǦǸ ǭǚǩ Ǡ, ǱǷ Ǥǹ ǜǱǹǧǤǺ ǚǮǝǽǚǯ Ǡǥ ǜǥƤǦ ǲǤ ǩǚǯƤǭ: ưǮǶ ǚǯǜǚǭ ǳǞǸǽ Ǡ ǸǚǯǤ ǾǷǨǤǚǯǱǶǤ ƬǴǸǞǫƤǭ ƨǚǺǚǧ ǯǚǷǚǩǞǯǤ ǩǱǜǤǯ, ǛǚǮǺ ǚǶǞǥǡ ǩǞǰǸ Ǡ, ǚǯǞǥǡ`ǝǣǷǚǹ:

Dji. Death Sails, Moldova, 2014, 05:18 Director Dmitri Voloshin

Dji is a terribly unlucky death who doesn’t seem good at his job. This time he has to take the soul of a pirate stuck in the middle of the ocean, but that is easier said than done!

30 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 4 Short Films ǃǞǽǞǯǚ ǷǚǹǞǥ, ưǃǅ, 2014, 03:51, 18+ ǋǞǣǤǶǱǹ` ǅǚǢǞ ƸǞǤǶ «ǃǞǽǞǯǚ ǷǚǹǞǥ»-ǡ ǩǞǜǯǚǨǚǯ ǩǚǮǚǺǽ Ǡ ǷǚǹǱǹǝǯǞǹǤ ǯǨǚǸǭǚǭǛ: ǉǚǮǢǮƤǯǯǞǹǱǷ:

DRIVING, United States, 2014, 03:51, 18+ Director Nate Theis DRIVING is a satirical look at people in their cars. With explosions.

ƲƤǤǝǚ, ƱǹǚǟǤǥǤǚ, 2014, 11:22 ǋǞǣǤǶǱǹ` ǋǱǟǚǯǚ ǇǻǹǛǶ ƲƤǤǝǚǯ ǩǚǬǞǥǤ ǾǹǤǱǹǝ Ǡ, ǱǷ 30 ǸǚǹǤ ǰǚǹƤǯǚǨ ǚǰǦǚǸǞǥ Ǡ ǽǚǫǚǽǚǳǞǸǚǹǚǯǤ ǚǹǦǤǷƤǭ: ǅǹǚ ǨǮǚǯǽǡ ǼǱǦǷƤǭ Ǡ, ǞǹǛ ǢǞǹǢƤǭ ǸǞǶǯƤǭ Ǡ ǯǨǚǹǲƤǢǮǚǯ ǝǚǶǡǯǢǚǺǤ ǩǚǮǸǚǹǚǹƤǢǮƤǯ: ƲǥǦǚǷǱǹ ǩǞǹǱǶƤǩƤ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǟǜǚǮƤǯƤǢǮǚǯ ǰǯǱǹǩǤǷ ǺƤǮǺ Ǡ ǸǹǷƤǭ ǚǹǷǞǶǸǤ ǚǟǝǞǺǤǨ Ƥ ǷǞǹǚǨǚǯǜǯǱǫǚǨǚǯ ǩǚǸǨƤǢǮƤǯǡ, ǚǹǷǞǶǸǡ ǱǹǳǞǶ ǷǞǹǚǼǱǦƤǢǮǚǯ Ȁ ǜǞǫǞǺǤǨǤ ǡǯǨǚǥǭǚǯ ǪȀ:

Guida, Brazil, 2014, 11:22 Director Rosana Urbes

Guida, a sweet lady who has been working as an archivist at a Courthouse for 30 years, has her routine changed when she sees a newspaper ad about life drawing classes in a cultural center of the city. Through the main character’s creative sensibility, the short ȃlm offers a reȄection about the artistic inspiration recovery process, art as a transformation agent and the concept of beauty. ƿǤǯ ǝǚǰǯǚǭƤǹǤ ǳǚǸǭƤǢǮƤǯǯǞǹǡ, ǄǱǩǚǯ ǌǢǹǚƤǶ, ǋƤǶǚǶǸǚǯ, 2015, 13ȁ00, 6+ ǋǞǣǤǶǱǹǘ ƴǥǞǯǚ ǉǞǸǨǞǷǤǲ ǃǞǯǽ ǩǤǭǚ ǍǤǞǯǯǚǮǱǻǭ Ǟǯǽǘ ǚǰǦǚǹǩǤ ǢǚǸǞǹǚǨǚǯ ǭǚǮǹǚǽǚǫǚǽǱǻǭȁ «ưǷǞǥǤ ǰǚǸ ǰǱƤǯǞǹ»` Ƕǚ ǩǚǮǸǯǤ ǢǚǜǱǻǩǤ ǃǚǹǤǚ ƸǞǹǞǟǚǮǤ ǨǚǹǜǚǦǱǶǯ Ǡǹ. ǾǳǞǹǚǯǞǹǡ, ǛǚǥǞǸǯǞǹǡ, ǝǤǭǚǨǚǩǚǯǝǞǶǯǞǹǡ ǽǚǫǚǽǱǻǭ ǰǚǸ ǨǚǹȀǱǹ ǠǤǯ ǍǤǞǯǯǚǯ ǯǚȀ ǩǚǮǸǯǤ ǞǹǚǣǰǸǚǨǚǯ ǜǞǹǝǚǶǸǚǯǤǘ ǌǸǹǚǱǻǶǯǞǹǤ ǩǚǮǹǞǯǤǽǯ Ǡǹȁ

TALES OF THE OLD PIANO. Johann Strauss, Russia, 2015, 13:00, 6+ Director Elena Petkevich We are in Vienna, the theatrical capital of the world. “More shows” was the motto of the famous queen Maria Theresa, and operas, ballets, and masquerade balls were an important part of city life. …And also Vienna was the home of a great musical dynasty – the Strauss family… ƸǚǜƤǩǤ Ʊǚǭǡ, ǆǷǞǮǺǚǹǤǚ, 2015, 11ȁ00 ǋǞǣǤǶǱǹǘ ǃǚǮǚ ƲǞǩǹǤǜ «ǂǱǬǱǹǚǯ - ǽǚǫǚǽǡ» ǚǭǳǞǹǤǺ ǷǞǹ ǜǸǯǷǱǫ Ʃ ǽǚǫǚǽ Ǡ, Ǳǹǡ ǨǚǵǚǷǚǹƤǭ Ǡ ǢǚǜƤǩǤǯȁ ƿǳǚǸǚǨǯǞǹǡǘ ƴǵǚǯǨǮƤǯǤǯ Ȁ ǓǚǵǚǨƤǶǤǯ, ǸǚǵǚǳƤǭ Ǟǯ ǤǹǞǯǺ ǞǹǨǹǤ ǷǞǹȀ-ǯǞǹǽȀ ǥǤǯǞǥƤǺ Ȁ ƤǟƤǭ Ǟǯ ǚǟǚǸǷǞǥ ǤǹǞǯǺ ƸǚǜƤǩǤ ƱǚƩǺȁ «ǂǱǬǱǹǚǯ ǽǚǫǚǽǡ» ǳǚǮǢƤǭ Ǡ ǩǹǚǷǚǵƤǢǮƤǯǤǺ, ǼǱǢǱǹǨǱǸ ǧǱǷƤǭ ǷǞǹǚǧǷƤǭ Ǡ ǥǚǶǸǚǯǚǷǤ Ȁ ǷǞǹǴƤǭ ǝǚǵǯƤǭ ǸǤǞǟǞǹǚǯǚǷȁ

Queen Bum, Switzerland, 2015, 11:00 Director Maja Gehrig

«Teeter-Totter-Town» is a Queendom high above the clouds. The subjects, Triangle and Fourangle, suffer from the ups and downs of their little world and would like to get rid of their Queen Bum. «Teeter-Totter-Town» explodes in an array of ȃreworks, turns into a raft aȄoat on stormy seas and ȃnally drifts as a starship through outer space.

31 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 4 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ǃǚǹƩǯǡ, ǕǹǚǯǶǤǚ - ƱǞǥǜǤǚ, 2014, 14ȁ00 ǋǞǣǤǶǱǹǯǞǹǘ ƻƤǤǶǞ ƻǞǭǱǤǯǞ ǎǱǹǞǶ, ǇǻǤǥǤǚǭ ƿǞǯ ǃǞǹ ǩǚǶǚǹǚǨƤǢǮƤǯǡ ǾǳǸǤǭǚǥǚǺǷǞǥ Ǡ ǥǚǷǚǜƤǮǯǶ ǧǚǵǚǮǞǥƤ ǸǯǸǞǶƤǢǮǚǯǡ, ǝǱǜǭǚǯǞǹǤǯ Ƥ ǷǞǹǚǹǸǚǝǹƤǢǮǚǯǡȁ ǅǚȀ ǨǯǱǴ ǭǚǹƩǯǡȁ

The Flesh, France-Belgium, 2014, 14:00 Directors Louise Lemoine Torrès, William Henn

Our society has been optimized to best serve the economy, dogma and reproduction. Woman’s body too. ǃǞǨ ǳǚǹǚǯǤǯ ǨǚǳǷǚǧ ǷǚǜǹǞǹǡ, ǕǹǚǯǶǤǚ, 2014, 08ȁ00 ǋǞǣǤǶǱǹǘ ƱǞǯǱǤǢ ǈǮǱǫ ǃǚǮǹǡ ǯǚǦǚǸƤǭ Ǡ Ǥǹ ǲǚǼǚǟǚǯǺ ǧƤǮǥ ǸǫǚǮǤǯ Ȁ ǸǚǯǞǥ ǲǤ ǨǚǹǱǫǚǯƤǭ, Ǳǹ ǱǹǝǤǯ ǚǭǛǱǫǴ Ǿǹǡ ƤǸƤǭ Ǡ Ƥ ǽǯƤǭȁ ǍǞǹǴǚǳǞǶ Ʃ Ǿǹ Ǹǫǚǯ ǱǹǱǰƤǭ Ǡ ǚǰǦǚǸǞǥǘ ǚǯǶǳǚǶǞǥǤǱǹǞǯ ǺƤǺǚǝǹǞǥǱǷ Ǥǹ ǞǹȀǚǨǚǮƤǢǮƤǯǡ, ǶǸǞǫǧǚǹǚǹƤǢǮƤǯǯ Ƥ ǩǚǭǚǵƤǢǮƤǯǡȁ

TIGERS TIED UP IN ONE ROPE, FRANCE, 2014, 08:00 Director BENOIT CHIEUX An extremely lazy young boy is harassed by his mother who cannot bear to see him eat and sleep all day after day. He eventually decides to get to work and shows unexpected imagination, creativity and tenacity. ǂǚǭǼǱǹǝƤǢǮƤǯ ǱǸǽǱǷ, ƺǶǳǚǯǤǚ, 2015, 14ȁ43,16+ ǋǞǣǤǶǱǹǘ ƼǹǤǶ ǌǞǭǛǞ ƲǤǰǞǹǷǚ ǜǯǚǺǽǤ ǬǚǭǼǱǹǝƤǢǮƤǯȁ ƲǯǚǺǽǡ ǥǤ Ǡ ƤǫȀǱǹǯǞǹǱǷȁ ǀǞǹ ǦǺǤǨƤǭ Ǡ Ʃ ǯǮǚǹǝǚǮǯǚǺǯǱǫ ƤǫǞǨǤǺ: ƺǙǯǲ ǨǚǯǞǽ ǝƤǽ ǩǚǯǜǤǶǸ ƤǫȀǱǹƤǢǮƤǯ ƤǯǞǯǚǥƤ ǩǚǭǚǹȁ

Travel by feet, Spain, 2015, 14:43, 16+ Director Khris Cembe

A night train journey. A wagon full of passengers. An annoying companion in your compartment... What would you be willing to do in order to have a peaceful journey? 98-ǹǝ ǚǥǤǽ, ƻǤǛǚǯǚǯ, 2015, 14ȁ55 ǋǞǣǤǶǱǹǘ ƶǥǤ ƳǚǫǞǹ ƺǹ ǨǮǚǯǽǤǺ ǩǤǚǶǢǚǼǷǚǧǘ ƱǞǮǹƤǢǤ ǚǹǷǚǹǪǚǯǯǞǹƤǭ, ǔǭǚǹǤǯ ǨǥǚǯƤǭ Ǡ ǽǚǫǚǽǡȁ ƷǯǨǫǭǷǚǧ Ʃ ǚǰǦǚǹǩǤ ƬǴ, Ǳǹǯ ǚǮǝǽǚǯ ǭǱǸ Ȁ ƩǚǣǚǭǚǯǚǨ ǚǮǯǽǚǯ ƬǨƤǶǚǺǚǧ Ǡ, ǯǚ ǶǨǶƤǭ Ǡ ǳǚǮǽǚǹǞǥ Ǥǹ ǪǞǵǽǛǞǹƤƨǞǹǯ Ƥ ǸƤǯǡ ǳǚǩǞǥƤ ǩǚǭǚǹȁ

Waves ‘98, Lebanon, 2015, 14:55 Director Ely Dagher Disillusioned with his life in the suburbs of segregated Beirut, Omar’s discovery lures him into the depths of the city. Immersed into a world that is so close yet so isolated from his reality that he eventually ȃnds himself struggling to keep his attachments, his sense of home. ǆǰƤǨǡ, ƸǚǮǷǚǯ,2015, 04:00 ǋǞǣǤǶǱǹ` ƻǤ, ƾǚǮǤ-ƿƤǞǤ ǃǤ ǧǞǹ ǜǹǱǫ-ǯǚǳǚǶǸǚǨ ǰǚǸ Ǡ ǷǶǸǚǩƤǭ Ǥǹ ǚƬǯǚǶǤǹǞǥǤ ǡǯǨǞǹǱǴǡ` ǽǚǭƤǯ: ǓǚƩǯ ǯǹǚǯ ǱǜǞǰǯǲƤǭ Ǡ ǶǸǞǫǧǚǜǱǹǧǞǥ: ƹǚǭǚǯǚǨǤ ǡǯǢǚǺǽƤǭ ǯǹǚǯǺ ǡǯǨǞǹƤǢǮƤǯǡ ǷǞǹǚǧǷƤǭ Ǡ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǿǚǯǸǚǶǸǤǨ ƤǫȀǱǹƤǢǮǚǯ: ưǹǝǮǱǙǽ ǽǚƩǯ ǤǶǨǚǳǞǶ ǜǱǮƤǢǮƤǯ ƤǯǤ: ƳƤǽ ǩǚǷǚǸǱǙǻǭ Ǟǽ ǝǹǚǯ:

The Whisper, Taiwan(R.O.C.), 2015, 04:00 Director Li, Kai-Huei An old rabbit writer ȃrmly trusts his dearest friend ð wind. He brings him the inspiration for creation. As the time passing by, their friendship experiences a fantastic creative journey. Does the wind really exist? Do you believe in it?

32 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 5 Short Films ǅǚǷǚǦƤǺ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ30, 12+ ǋǞǣǤǶǱǹǘ ƺǜǱǹ ǃǞǥǯǤǨǱǷ, ǅǚǸǚǥǤǚ ǃǤǹǟǱǮǚǯ ǉǚǸǭƤǢǮƤǯǯ ǚǮǯ ǭǚǶǤǯ Ǡ, ǢǞ Ǥǯǲ ǨǥǤǯǤ, ǞǢǞ ƤǰǚǝǹƤǢǮƤǯ ǝǚǹǪǯǞǽ ǭǚǯǹƤǽǯǞǹǤǯ Ȁ ǩǞǸǚǟǱǸǞǽ ǪǞǫǯǚǩǚǹǨǞǹǡȁ

The Hatchway, Russia, 2015, 06:30, 12+ Directors Igor Melnikov, Natalia Mirzoyan The story about what happens if you pay attention to the small things and go exploring the hidden hatchways. ưǷǤǹǷǚǧ, ƾǚǯǚǝǚ, 2015, 01ȁ56 ǋǞǣǤǶǱǹǘ ǃǚǹǤǚ ǃƤǹǚǝǮǚǯ ưƬǯ Ǿǹ ǭǚǮǹǡ ǱǹǝƤǯ ǝǳǹǱǺ ƤǫǚǹǨǞǥƤǺ ǚǵǚǴ ǩǹǚǣǞǰǸ Ǡ ǸǚǥǤǶ Ȁ ǶǳǚǶƤǭ Ǡ ǯǹǚ ǷǞǹǚǝǚǹǪǤǯ, ǲǤǭǚǯǚǥǱǷ, ǢǞ ǚǹǝǮǱǽ ǠǥǤ ǨǸǞǶǯǤǙ ǱǹǝƤǯǘ ǝǹǶǤ ǵƤǭǛǞǹǤ ǳǚǸǬǚǵǱǷȁ

Shattered, Canada, 2015, 01:56 Director Anna Maria Mouradian

Every day the mother says goodbye to her child before he goes to school and waits for him to come back without knowing if she will see him again, because of the bombs outside. ƴǯǢǚǜǤǸǚǨǺƤǢǮǚǯ ǸƤǯ, ƶǶǸǱǯǤǚ, 2015, 10:41, 18+ ǋǞǣǤǶǱǹ` ǉǹǤǸ ǎǞǯǝǞǹ ǕǤǥǭǡ ǩǤƨǷǚǧ Ǡ ǧǦǯǞǥƤǮǟ ǭǚǽǹǱǫǤ ǞǹǚǟǯǞǹǤ ǞǹǨǚǹǚǸȀ ƤǶƤƨǚǶǤǹƤǢǮǚǯ Ƿǹǚ: ưǵǨǚ ǩǚǹƤǶǸ ǯǮƤǢǤǺ ǡǯǸǹǷǞǥ Ǟǯ ǩǚǬǚǦ ǩǚǯǝǤǳǱǫ ǳǚǸǨǞǹǯǞǹǡ Ȁ ǶǺǞǯǚǹǡ ǜǹǷǞǥ Ǡ ǡǶǸ ǚǮǝ ǳǚǸǨǞǹǯǞǹǤ: ǍǤǬǚǨǚǜǹƤǢǮƤǯǡ ǺƤǮǺ Ǡ ǸǚǥǤǶ, Ǳǹ ǿǤǥǭǡ ǚǮǯ ǞǹǚǟǤ ǭǚǶǤǯ Ǡ, Ǳǹǡ ǧǦǯǞǥƤǮǟ ǭǚǽǹǱǫǡ ǚǵǚǷǞǥ ǩǚǬǚǦ Ǡ ǸǞǶǞǥ:

House of Unconsciousness, Estonia, 2015, 10:41, 18+ Director Priit Tender This ȃlm is based on a long-term study of the dreams of chimney sweepers. The most frequently encountered images have been selected from the abundant material available and the script was created on the basis of those images. Statistics support the claim that this ȃlm presents one of the dreams that chimney sweeper’s encounter most frequently. ǎƤǯǡ, ǋƤǶǚǶǸǚǯ, 2015, 09:32, 12+ ǋǞǣǤǶǱǹ` ǕǤǥǤǳ ǄǚǹǤǯ ǕǤǥǭǡ Ƭǟ ǳǚǸǭƤǭ Ǡ Ʃ ǡǯǸǚǯǤǽǤ ǭǚǶǤǯ: ƲǥǦǚǷǱǹ ǩǞǹǱǶǡ ǯǨǚǹǤǲ Ǡ, ǱǷ ǨǞǹǸƤǭ Ǡ ǤǹǞǯ, ǩǞǸǱ Ǥǹ ǰǹǴǚǳǚǸǡ` Ǥǹ ǚǰǦǚǹǩǡ Ȁ Ǥǹ ǎƤǯǡ: ƱǯǚǨǚǹǚǯƤǭ ǚǮǥȀǶ Ǳǲ Ʃ ǛǚǯǤ ǩǚǭǚǹ ǸǞǫ ǲǨǚ: ƱǚǮǺ Ʃ Ǿǹ ǩǚǮǸǯǷƤǭ Ǡ Ʃ ǭǚǹǝ, ǱǷ ǸǞǫǤ ǨǚǹǤǽ ǲƤǯǤ. ǯǹǚ ǚǰǦǚǹǩǡ ǚǭǛǱǫǴǱǷǤǯ ǨǚǟǭǷǚǧ Ǡ ǸǚǵǞǹǤǺ Ȁ ǛǚǵǞǹǤǺ:

The Home, Russia, 2015, 09:32, 12+ Director Philipp Yarin

This ȃlm tells us a story of one family. The main hero is an artist, who creates herself, then her environment: her world and her Home. In her house there’s no space for anything else. But then a man appears who doesn’t need space: his world is made up of letters and words. ƶǹǥǨǤǯǜ, ǆǷǞǮǺǚǹǤǚ, 2015, 05:30 ǋǞǣǤǶǱǹ` ǊǞǱǹǴǤǶ ǆǷǤǺǜǞǛǞǥ ƿǚǮǹƤǱǹǝƤ ǚǯǸǚǵǱǷ ǪǤǚǷǚǹƤǭ Ǟǯ: ƿǤǷǚǯǝ ǞǹǞǦǚǮǤǯ ǢǷƤǭ Ǡ, ǢǞ ǸǞǶǯƤǭ Ǡ ƶǹǥǨǤǯǜǤǯ, Ǳǹǡ Ȁǖ ǩǭǚǮƤǭ, Ȁǖ ǷǚǦǞǺǯƤǭ Ǡ ǯǹǚǯ: ƿǤƨǷǚǧ Ǡ ƲǮǱǢǞǤ «ưǯǸǚǵǤ ǚǹǽǚǯ» ǳǱǞƩ Ƿǹǚ, ǤǶǨ ǞǹǚǣǰǸƤǢǮƤǯǡ ǆƤǛǞǹǸ/ƻǤǶǸ-ǯǯ Ǡ:

Erlking, Switzerland, 2015, 05:30 Director Georges Schwizgebel A father rides with his son through the forest. The sick child thinks he sees the Erlking, who both charms and frightens him. Based on Goethe’s poem Erlkönig and the music of Schubert/Liszt.

33 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 5 ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ ƾǮǚǯǽ ƿǞǹǭǚǯ ƿ. ǋǱǸǤ ǩǞǸ, ƶǶǸǱǯǤǚ, ƼǱǹǷǚǢǤǚ, ƳǚǯǤǚ, 2015, 11:06 ǋǞǣǤǶǱǹ` ǈǤǯǸǤǶ ƻƤǯǝǜǹǞǯ ƿǞǹǭǚǯǡ ǚǵǯǞǸ Ǡ, Ƥǭ ǝƤǹ Ǟǯ ǜǚǥǤǶ ǚǥǨǱǩǱǥǚǮǤǯ ǦƩǲǽǯǞǹǡ, ǛǚǹǪǹ ǞǹǚǣǰǸƤǢǮƤǯǡ Ȁ ǳǚǯǤǹǡ: ǅǚ ǲǤ ǩǞǸǚǽǹǽǹǷƤǭ ǭǚǽǹƤǢǮǚǭǛ Ȁ Ǹǚǯ ǦǚǵǯǚǰǼǱǢǤǺ ǤǹǞǯ ƩǚǮǯ ǚǷǞǥǤ ǥǚǷ Ǡ ǟǜƤǭ: ǃǤ Ǿǹ ǰǚǸ ǭǚǽǹǚǶǞǹ Ʃ ǨǚǸƤ, ǱǷ ǢǚǼǢǼǷǚǧ ǭǚǲǱ-ǸǫǚǭǚǹǝǨǚǯǺ ǩǚǯǝǞǳ ǢƤǥƤǢǮƤǯ ƤǯǤ, ǱǹǱǰƤǭ Ǡ ǸǞǫǚǼǱǦǷǞǥ ǚǵǯǞǸǤ ǭǱǸ: ǅǚ Ǥǹ ǩǞǸ ǯǚȀ ǛǞǹƤǭ Ǡ ǼǱǰǞǨƤǥ, ǝǚǰǯǚǭƤǹ Ȁ Ǳǹ ǚƬǯǚǷǚǸǯ Ǡ` ǝǚǶǚǨǚǯ ǞǹǚǣǰǸƤǢǮǚǯ ǪǚǮǯǚǜǹƤǢǮƤǯǯǞǹ:

Life with Herman H. Rott, Estonia, Croatia, Denmark, 2015, 11:06 Director Chintis Lundgren Herman is a rat who enjoys heavy drinking, loud grind music and chess. He doesn’t care much for cleaning and the disorder in his apartment only makes him feel more at home. One day a very tidy cat who has a weakness for messy macho-men, decides to move in. She also brings a vacuum cleaner, a piano, and what’s worse - a collection of classical music records. ǃǤǰǸ ǩǱǜǯǚǧ, ƲǞǹǭǚǯǤǚ, 2014, 06:00, 6+ ǋǞǣǤǶǱǹǘ ǊǱǰǞǯ ƾƤǩǞǯ ƿǚǭǚǵǱǸ ǚǨǯǚǹǨ ǩǱǜǯǚǧƤǢǮǚǯ ǭǚǶǤǯ:

Always Tired, Germany, 2014, 06:00, 6+ Director Jochen Kuhen

Brief notes on tiredness.

ǒǱǨǞǹǤ ǨǫǟǤ, ƻǚǸǷǤǚ, 2014, 06ȁ00, 7+ ǋǞǣǤǶǱǹǘ ƶǝǭƤǯǝǶ ǊǞǯǶǱǯǶ ǃǱǦǹǚǜƤǮǯ ǧǱǷǤ ƬǴǸǞǫƤǭ Ʃ ǜǱǹǰ ǨǫǟǤ Ǩǚȁ ưǮǶ ǜǱǹǰ ǨǫǟƤǭ ǜǱǹǰ ǱǹǶǱǹǝǯǞǹ Ǟǯ ǚǳǹƤǭȁ ƾǮǚǯǽǡ ǳǚǹǟ Ǡ Ƥ ǝǚǣǚǯȁ ǒǱǨǞǹǡ Ȁ ǱǹǶǱǹǝǯǞǹǡ ǚǳǹƤǭ Ǟǯ ǧǚǯǹ ǩǚǨǚǭǚǹǸƤǢǮǚǯ ƬǴȁ ǃǤ Ǿǹ ǥƤǶǚǯǨǚǹǤǲǡ ǜǚǥǤǶ Ǡ, ǱǹǳǞǶǟǤ ǚǹǪǚǯǚǜǹǤ ǯǹǚǯǺ ǚǵǾǹǮǚǯȁ ǉǚǹǟǷƤǭ Ǡ, Ǳǹ ǯǹǚ ǩǚǭǚǹ ǚǮǝ ǚƬǯǡ ǲǚǼǚǟǚǯǺ Ǜǚǹǝ Ǡ ǥǤǯǞǥƤȁ

Isle of Seals, Latvia, 2014, 06:00, 7+ Director Edmunds Jansons In the middle of a grey sea there is a grey isle. On this grey island grey hunters live. The life is simple and harsh. Seals and hunters live together in a cruel balance. One day, the Photographer arrives to document this everyday life. For him it turns out to be deadly complicated. ƱǚǺƤǭǡ, ƱǞǥǜǤǚ, 2014, 06ȁ05 ǋǞǣǤǶǱǹǘ ưǸǞǥǮǞ ƾǱǥǞǨǢǤǿ «ƱǚǺƤǭǡ» ǯǞǹǨǚǮǚǺǯƤǭ Ǡ ǿǤǥƬǹǤ ǦǚǵǯǷǚǧ ǞǯǢǚǜǹǞǹǡ:

THE OPENING, Belgium, 2014, 06:05 Director Atelier Collectif «The opening» mixes the ȃlm credits codes.

ƴǹǞǦǚǯǞǹǤ ǣǚǭǚǯǚǨǡ, ǋƤǶǚǶǸǚǯ, 2014, 05ȁ40 ǋǞǣǤǶǱǹǘ ǅǤǯǚ ƱǤǶǮǚǹǤǯǚ ǃǤ Ǿǹ ǳǚǳǤǨǤ Ȁ ǢǱǵǯǤǨǤ ǨǮǚǯǽǤǺȁ ƻǤǹǤǨǚǨǚǯ ǳǚǸǭƤǢǮƤǯȁ

Children’s time, Russia, 2014, 05:40 Director Nina Bisyarina

One day in the life of the grandfather and grandson. Lyrical story.

34 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 5 Short Films ǆǚǸ ƩǚǮǯǚǨ ǚǽǥǱǹǡ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ00 ǋǞǣǤǶǱǹǘ ƻǞǱǯǤǝ ǆƬǥǨǱǷ ǃǤǚǮǯǚǨ ǚǽǥǱǹǤ ǩǚǭǚǹ ǶǚǹǶǚǼǞǥǤ ǝǣǷǚǹ Ǿǹ Ǡǹȁ ƿǚǷǚǯǚǛǚǹ Ƿǚǫǡ ǚǷǞǥǤ ǥǚǷ ǨǥǤǯǤ:

Very lonely Cock, Russia, 2015, 06:00 Director Leonid Shmelkov

It was a hard day for the very lonely cock. Perhaps tomorrow it’ll be better.

ƾƤǳǚǷǚ, ǋƤǶǚǶǸǚǯ, 2014, 13ȁ00 ǋǞǣǤǶǱǹǘ ǔǨǶǚǯǚ ǈǞǹǨǚǶǱǷǚ ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǞǹǤǸǚǶǚǹǝ ǚǫǴǨǚ ǭǚǶǤǯ, ǱǷ Ʃ ǚǯǜǚǭ ǚǯǸǚǵƤǭ ǩǚǯǝǤǳƤǭ Ǡ ǧǞǹ ǨǚǦǚǹǝǤȁ ƾǚǦǚǹǝǯ ǾǜǯƤǭ Ǡ ǯǹǚǯ ǚǯǺǯǞǥ ǩǤǚǯǚǥǤ ǼǱǦǚǨǞǹǳƤƨǞǹǤ ƩǴǱǷ Ȁ ǝǚǵǯǚǥ ǩǚǶƤǯ Ƥ ǤǯǽǯǚǷǶǸǚǩȁ

Kupava, Russia, 2014, 13:00 Director Oksana Cherkasova A story of a young girl who once met an old witch in the woods. The witch helped her go through wonderful transformations and become mature and self-conȃdent.

ǉǚǸǭƤǢǮƤǯǯǞǹ ǩǤǯ ǝǚǰǯǚǭƤǹǤ ǭǚǶǤǯ, ǋƤǶǚǶǸǚǯ, 2015, 13:00, 6+ ǋǞǣǤǶǱǹǘ ưǥǞǽǶǚǯǝǹ ƲƤǹǤǞǷ ƲǥǤǯǨǚ ǚǯƤǯǡ ǜǚǥǤǶ Ǡ ǩǱǫǤ Ʃ ǸǞǶǚǨǤ ǚǯǷǚǯƤƩǺ, Ǳǹǯ Ǡ ǜǥǤǯǚǯ` ǨǚǷǡ: ưǭǛǱǫǴ ǨǮǚǯǽƤǭ ǃǤǦǚǮǤǥ ƺǷǚǯǱǷǤǲ ƲǥǤǯǨǚǯ ƤǟǞǺǞǥ Ǡ ǨǚǷǤǺ ǪǚǮǯǞǹ ǶǸǚǯǚǥ, ǱǹǱǯǽ ƤǫǞǨǺǞǥ Ǟǯ ǤǹǞǯ ǭǚǯǨƤǢǮƤǯǤǺ ǶǨǶǚǧ:

TALES OF THE OLD PIANO. Mikhail Ivanovich Glinka, Russia, 2015, 13:00, 6+ Director Alexandr Guriev The name Glinka comes from a type of soil – glina, clay. And all his life Mikhail Ivanovich Glinka wanted to craft from “clay,” the sounds that were surrounding him from the moment of his birth, the ȃne china of music.

ǅǶǸǚǹǚǯǯǞǹ No. 0458, ǋƤǶǚǶǸǚǯ, 2015, 06:32 ǋǞǣǤǶǱǹ` ƺǷǚǯ ǃǚǽǶǤǭǱǷ ưǯǩǚǷǚǯǚǨǚǯ ǳǚǸǭƤǢǮƤǯǯǞǹ, ǱǹǱǯǽ ǸǞǫǤ Ǟǯ ƤǯǞǯƤǭ ǚǮǜƤ ǯǶǸǚǹǚǯǯǞǹǤ ǭǱǸ:

Benches No. 0458, Russia, 2015, 06:32 Director Ivan Maximov Some absurd situations around the park benches.

35 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1 ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ #ƻƺǅƲǇ ǉǱǹǸƤǜǚǥǤǚ, 2015, 0:10:30 ǋǞǣǤǶǱǹǯǞǹ` ƳǚǯǤǞǥ ǕǤǥǤǳǞ, ǍǤǯǶǞǯǢ ǋǱǨǞ ƻǤǯǜǱǯ, ƩǚǮǯƤǢǮƤǯǡ, ƤǹǤǰǯǞǹǤ ǚǹǩǚǭǚǹǩǚǯǽǡ ǩǚǫǢǚǩǚǹǞǥƤ Ȁ ǡǯǨǞǹǯǞǹ ǜǸǯǞǥƤ ǯǳǚǸǚǨǱǷ ǜǹǚǯǺǷƤǭ Ǡ ǶǱǺǤǚǥǚǨǚǯ ǨǚǮǽǞǹƤǭ: ǆƤǸǱǷ ǯǚ ǩǚǶǨǚǯƤǭ Ǡ, Ǳǹ ǷǤǹǸƤǚǥ ǡǯǨǞǹǯǞǹǡ, ǥǚǮǽǞǹǡ Ȁ ǶǞǥǿǤǯǞǹǡ ǞǹǴǚǯǨƤǢǮƤǯ ǲǞǯ ǛǞǹƤǭ:

#LINGO, Portugal, 2015, 0:10:30 Directors Daniel Filipe, Vicente Roque To overcome loneliness and contempt of others, Lingo connects to social networks to get some companionship. BrieȄy he’ll realize that online friends, likes and selȃes do not bring happiness. ǒǱǼǱǦǚǨǚǯ ƴǹǨǹǚǲǚǼƤǢǮƤǯ, ƱǞǥǜǤǚ, 2015, 0:04:20 ǋǞǣǤǶǱǹ` ǃǚǹǤ-ƱǹƤǯǞ ǝǡ ǈǚǶǞǮ ƴǹǞǦǚǯǞǹǡ Ƥ ǨǞǯǝǚǯǤǯǞǹǡ ǨǞǹǳǚǹǚǯǚǼǱǦǷƤǭ Ǟǯǘ ǺƤǮǺ ǸǚǥƤ ǩǚǭǚǹ, ǢǞ ǤǯǲǳǞǶ ǨǚǹǱǫ Ǡ ǮƤǹǚǽǚǯǲǮƤǹǡ ǟǜǚǥ ǶǞǼǚǨǚǯ ǭǚǹƩǯǡ, Ƥ ǚǮǝ ǚƬǯǡ ǸǞǫǤ Ǡ ƤǯǞǯƤǭ ƤǹǤǰǯǞǹǤ Ƥ ǶǞǼǚǨǚǯ ǚǲǽǤ ǚǵǚǴ:

Variable Geometry, Belgium, 2015, 0:04:20 Director Marie-Brune de Chassey

Children and animals are changing states to illustrate the way one can sense its own body, under the eyes of others and through one’s own gaze. ưǭǚ, ǕǹǚǯǶǤǚ, 2015, 0:03:24 ǋǞǣǤǶǱǹǯǞǹ` ƶƩǥǤǞ ưǥǭǚǤǝǚ, ƻǤǚǯǜ ƿƤǚǯǜ, ǃǚǯǶƤǹǞǩ ƾǚǭǚǹǤ, ǊƤǥǤǞ ǋǱǛǞǹǸ, ǊƤǥǤǞǸǞ ǉǞǱǳǱǹǸǤǞ, ƸǱǯǤ ǇǻǯǶǞǹ 1950 ǢǷǚǨǚǯ, ǂǚǳǱǯǤǚǮǤ ǚǼ. ǚƬǹǤǨǚǺǤ ǨǤǯǡ ǟǤǯǷǱǹǚǨǚǯ ǚǭƤǶǯƤ Ȁ Ʃ ǦƤǭǛ ǡǯǨǞǹǯǞǹǤ ǩǞǸ ǚǮǺǞǥƤǭ Ǡ ǜǮƤǫ: ƼǭǛǤǺ ǚǯǴǚǸǷǞǥǱǷ` ǯǚ ǩǚǯǝǤǳƤǭ Ǡ ǅǚƩǨǱǮǤǯ` ǞǹǤǸǚǶǚǹǝ ǪǨǯǱǹǶǤǯ:

Ama, France, 2015, 0:03:24 Directors Emilie Almaida, Liang Huang, Mansoureh Kamari, Julie Robert, Juliette Peuportier, Tony Unser 1950: On the coast of Japan, an American woman is visiting a village with her military husband and a group of friends. Breaking away from the group, she meets with Namiko, a young ama ȃsherwoman. ǓǚǯǤ Ǳǹ ǜǯƤǭ Ǟǭ ƺǶǹǚǮǞǥ, 2015, 0:07:53, 10+ ǋǞǣǤǶǱǹ` ƺǯǛǚǹ ƾǱǹǞǭ ǋǱǯǤǤ ǞǫǛǚǮǹǡ ǭǚǩǚǺǞǥ Ǡ ǟǤǯǷǱǹǚǨǚǯ ǧǚǵǚǮƤǢǮǚǯ ǣǚǭǚǯǚǨ, ǱǹǤǺ ǭǚǮǹǡ ǩǚǮǸǯǷǞǥ Ǡ ǦǱǹǡ ǩƤǶǚǩǚǸƤǢǮǚǯ ƬǴ: ǋǱǯǤǯ ǯǨǚǹƤǭ Ǡ, Ƥ Ǥǹ ǯǨǚǹǯǞǹǡ ǠǴǞǹǤǺ ǨǞǯǝǚǯǚǯƤǭ Ǟǯ: ǎǞǶǯǞǥǱǷ ǭǱǹ ǷǤǰǸǡ` ǋǱǯǤǯ ǱǹǱǰƤǭ Ǥǹ ǯǨǚǹǯǞǹǤ ƩǴǱǺǱǷ ǷǞǹǚǨǞǯǝǚǯǚǺǯǞǥ ǞǫǛǱǹǡ, ǚǮǝ ǨǞǹǳ «ǷǞǹǚǝǚǹǪǯǞǥǱǷ» ǯǚȀ ǭǱǹǡ:

As I Go, Israel, 2015, 0:07:53, 10+

Director Inbar Korem Roni’s brother died during the army service and her mother is in deepening depression. Roni draws and her drawings come alive out of the pages. Seeing her mother’s sorrow Roni decides that through her drawings she will bring her brother to life, and by that, she will bring her mother back to her. ƽǚǥǷǤǹ, Ʃ ǨǱǸǹǷǤǹ, ƲǞǹǭǚǯǤǚ, 2015, 0:03:26 ǋǞǣǤǶǱǹ` ǉǤǚ ƳǣƤǨǤǲ ǃǞǸǚǫǚǥǚǹǤǺ ǳǚǸǹǚǶǸǷǚǧ ǚǹǽǚǮǚǟǯǡ ǳǚǹǤ ǣǚǭǚǯǚǨ ǤǹǞǯ ǩǚǹǭǚǹǞǺǯƤǭ Ǡ ǳǚǹǡǯǨǞǹǱǴǡ: ǃǤǯǲ ǨǤǹǚǨǚǯǚǯǚ ǚǯǦƤǶǚǼǞǥǤǯ, ǯǹǚ ǸǞǶǽǡ ǼǱǦǷƤǭ Ȁ ǦǞǫǚǢǮƤǹǷƤǭ Ǡǘ ǯǞǹǽǤǯ Ȁ ǚǹǸǚǽǤǯ ǚǟǝǞǺƤǢǮƤǯǯǞǹǤ ǩǞǸȀǚǯǽǱǷ:

Bend don´t break, Germany, 2015, 0:03:26 Director Pia Djukic A prince made of wire adapts himself to his particular counterpart during a dance. His shape is transformed and deformed because of inner and outer inȄuences till the inevitable happens.

36 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 1 Graduation ȃlms ǍǞǹǚǝǚǹǪ ǸƤǯ, ǕǹǚǯǶǤǚ, 2014, 0:04:18 ǋǞǣǤǶǱǹǯǞǹ` ƳǱǹǤǚǯ ƻǤ Ȁ ƻǞǱ ǆǷǚǮǺǞǹ ǍǤǞǸǯǚǭǚǨǚǯ ǳǚǸǞǹǚǟƩ ǣǚǭǚǯǚǨ ǞǹǨƤ ǞǫǛǚǮǹǘ ǚǹǭǚǸǯǞǹǱǷ ǈǤǯǚǶǸǚǯǤǺ, ǱǹǳǞǶ ǳǚǮǭǚǯǚǜǹǚǮǤǯ ǟǤǯǧǚǵǚǮǱǫǯǞǹ ǨǵǷƤǭ Ǟǯ ưƬǹǤǨǚǮǤ ǩǚǭǚǹ: ƲƤǭǚǹǸǚǨǤǺ ǩǞǸ ƨǚǥƤǺ Ȁ ǴƤǯǜǥǤǯǞǹƤǭ ǨǱǹǞǥƤǺ ǩǞǸǱ` ǯǹǚǯǽ ǶǸǤǳǷǚǧ Ǟǯ ǜǸǯǞǥ ǟǤǯǷǱǹǚǨǚǯ Ǜǚǟǚ ǷǞǹǚǝǚǵǯǚǥƤ Ǭǚǯǚǳǚǹǩǡ:

Back Home, France, 2014, 0:04:18

Director Dorian Lee and Léo Schweitzer During the Vietnam War, two brothers of Chinese ancestry ȃght for the American forces as mercenaries. Isolated from their battalion and lost in the jungle, they have to ȃnd their way back to the military base. ƱǫǚǷǱǺ, ǕǹǚǯǶǤǚ, 2014, 0:08:52 ǋǞǣǤǶǱǹ` ƻƤǶǤǞǯ ưǯǸǤǜǯǤ ǃǤ ǭǚǹǝ ǨǯǱǴ Ȁ ǱǹǝƤ ǩǞǸ ǩǚǯǜǤǶǸ ǚǳǹƤǭ Ǡ ǚǯǸǚǵƤǭ: ƱǚǮǺ ǚǮǶ ǩǚǯǜǤǶǸ ǨǮǚǯǽǤ ǩǞǸȀƤǭ ǢǚǽǯǷǚǧ Ǡ Ʃ ǶǚǹǶǚǼǞǥǤ ǜǚǫǸǯǤǽ: ưǮǶ ǚǯǤǭǚǺǤǱǯ ǿǤǥƩ ǯǳǚǸǚǨǯ Ǡ Ƭǟ ǩǚǹǺ Ǹǚǥ. «ƺǙǯǲ ǯǰǚǯǚǨƤǢǮƤǯ ƤǯǤ ǛǚǦǸǡ ǭǚǹǝƤ ǩǚǭǚǹ: ǃǤǙǢǞ ǪǚǦǱǫƤǭǡ ƩǚǨ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯ Ǡ»:

Bark, France, 2014, 0:08:52 Director Lucien Antigny “A man lives peacefully in the wood with his wife and son. But behind this life a terrible secret is hidden lucky “is looking for happiness”. This animated short is questioning our search as well as its aim: What does luck mean for the individual? Is failure the only possibility?

ǃǚǵǚǦƤǫ, ǽǚǹǞǹ Ȁ ƬǸǚǿǤǟǤǨǚ, ǕǹǚǯǶǤǚ, 2014, 0:05:46 ǋǞǣǤǶǱǹ` ƻǤǟǚ ǃǚǸƤǺǚǨ ƲǚǫǸǯǤ ǩǚǯǝǤǳƤǭ ǥǬǤ ǭǱǸ, ǦǱǶǚǨǺƤǢǮǚǯ ǢǞǭǚǯ ǽǚǹǞǹǯ Ƥ ƬǸǚǿǤǟǤǨǚǯ Ǟǯ:

Mist, stones and metaphysics, France, 2014, 0:05:46

Director Lisa Matuszak A furtive meeting around a lake, which speaks of stones and metaphysics.

ǈǩǚǮǚ, ǃǤǚǺǮǚǥ ƸǚǜǚǷǱǹƤǢǮƤǯ, 2015, 0:10:00 ǋǞǣǤǶǱǹ` ƳǞǛǚǯǴǚǯ ǅǚǯǝǤ ǃǤ ǸǚǹǞǺ ǭǚǹǝ ǧǞǹǚǯǱǺƤǭ ǚǳǹƤǭ Ǡ Ǥǹ ǶǤǹǞǥǤ ǨǯǱǴ ǭǚǶǤǯ ǩƤǰǞǹǱǷ, Ǥǯǲǡ ǯǹǚǯ ǶǸǷǞǹǤ ǳǞǶ ǩǞǸȀƤǭ Ǡ: ƱǚǮǺ ǯǹǚ ǚǯǺǮǚǥǡ ǚǟǝƤǭ Ǡ ǯǞǹǨǚǮǤ Ƿǹǚ: ǉǹǚǨǚǰǡ ǩǚǮǸǷƤǭ Ǡ ǝǣǷǚǹ ǡǯǸǹƤǢǮǚǯ ǚǵǴȀ` ǩǤǳǯǱǶǚǺƤǭǡ` Ǳǲ ǤǹǚǨǚǯ Ǟǹǚǟ, ǢǞ ǨǮǚǯǽǯ` ǤǯǲǳǞǶ Ǳǹ Ǩǚ:

Chhaya, Unated Kingdom, 2015, 0:10:00 Director Debanjan Nandy An old man trapped in a mundane senior center living by the memory of his beloved wife as his own shadow. But as his past sets in threatening his present, Prakash ȃnds himself before a difȃcult decision: a mesmerizing but, unreal dream or life itself? ǓǚǫǚǽǚǮǤǯ ǦǯǴƤǮǽ, ƲǞǹǭǚǯǤǚ, 2015, 0:03:33 ǋǞǣǤǶǱǹ` ƾǤǭ ǅǜƤǮǞǯ ǇǻǰǚǝǹƤǢǮƤǯ ǱǹǱǯǞǥƤ ǬǚǯǚǳǚǹǩǤǯ ǭǚǹǝǡ ǜǸǯƤǭ Ǡ Ǥǹ ǩǚǷǞǹǣǚǨǚǯ ǌǤǹƤǯ:

City Party, Germany, 2015, 0:03:33

Director Kim Nguyen On the Search for Attention, a man ȃnds his eternal Love.

37 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1 ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ ƾǱǶǭǱǞǸǤǨǱ, ƺǸǚǥǤǚ, 2015, 0:04:46, 12+ ǋǞǣǤǶǱǹ` ǃǚǹǸǤǯǚ ǌǨǚǹǳǞǥǤ ƺǯǲǳǤǶǤǯǯ Ǡǹ ǚǰǦǚǹǩǡ ǯǚǦǽǚǯ ǸǤǞǟǞǹǽǤ ǶǸǞǫǧƤǭǡ: ưǹǝǮǱǙǽ ǤǹǚǨǚǯƤǢǮƤǯǡ ǜǱǮƤǢǮƤǯ ƤǯǤ ƩǚǮǯ ǚǮǯ ǳǚǸǬǚǵǱǷ, Ǳǹ Ƭǯǽ ǚǮǯ ǜǤǸǚǨǺƤǭ Ǟǯǽ: ưǫǴǤǨǡ ǼǯǸǹƤǭ Ǡ ǚǮǶ Ƭǧ ǩǚǹǺǤ ǳǚǸǚǶǦǚǯǡ: ǒǯǸǹǸƤǽǤ ǣǚǭǚǯǚǨ ǯǚ ǳǚǸǨǞǹǚǺǯƤǭ Ǡ, ǢǞ ǨǚǹǱǫ Ǡ ǝǚǸǚǹǨǞǥ ǚǰǦǚǹǩǡ Ʃǯǲ ǸǤǞǟǞǹǽǤ ǯǚǦǯǚǨǚǯ ǸǞǶǽǡ ǶǸǚǯǚǥǡ: Ǉǻ ǯǚ ǰƤǸǱǷ ǩǚǮǸǯǚǛǞǹƤǭ Ǡ ǤǹǞǯ ƩǚǮǯǚǨ` ǱǹǳǞǶ ƤǫǫǚǨǤ ǨǞǸ, ǱǹǳǞǶ ǸǤǞǟǞǹǽǤ ǚƬǯǚǼǱǽǹ ǭǚǶǯǤǨ: ƻǤǯǞǥǱǷ ǚǰǦǚǹǩǤ ǷǞǹǴǤǯ ǭǚǶǯǤǨǡǘ ǯǚ ǶǸǤǳǷǚǧ Ǡ ǱǹǱǰǞǥ. ǩǚǭǚǹǞǙǥ ǤǹǞǯ ǸǤǞǟǞǹǽǤ ǚǹǚǹǤǲǡ, ǢǞǘ ǝǹǚ ǭǚǶǯǤǨǡ: ǅǚǮǞǥǱǷ ǚǮǝ ǼǱǽǹǤǨ ǨǞǸǤǯǘ ǯǚ Ǩǚǯǜ Ǡ ǚǵǯƤǭ Ȁ Ǥǯǽǯ ǤǹǞǯ ǩǚǹǺ Ǡ ǸǚǥǤǶ. «ƾǱǹǧǚǯǞǭ ǤǙǯǪ: ƾǱǹǧǚǯǞǭ ǸǤǞǟǞǙǹǽǡ»:

Cosmoetico, Italy, 2015, 0:04:46, 12+

Director Martina Scarpelli What was it like, before the birth of the universe? Does reality exists just because we are able to perceive it? A girl searches for an answer to the big questions. In doing this, she imagines she can empty the universe to get to the very ȃrst portion of the cosmos. And so she ȃnds herself alone, with the smallest part of the universe – just a point. Facing this last part of the world she is forced to choose whether to consider itself as part of the cosmos, or as its creator. Looking at that small point, she stops and asks herself: shall I destroy myself ? Shall I destroy the universe? ưǫǷǞǶǤ ǥǚǺǡ, ưǃǅ, 2015, 0:04:00 ǋǞǣǤǶǱǹ` ǊǞǮǶǱǯ ǋǱǯǺǚǯǤ ǒǱǽǹǤǨ Ǹǫǚǯ ǼǱǹǪƤǭ Ǡ ǼǹǨǞǥ ǚǫǷǞǶǤ ǪǚǜǤǯ ǞǹǨƤ ǨǵǷǚǹǚǹǯǞǹǤǺ, ǱǷǽǞǹ ǶǚǹǶǚǼ Ǟǯ ǸǚǹǚǧƤǭ ǚǯǸǚǵƤǭ:

Cry of the Fox, USA, 2015, 0:04:00 Director JASON RONZANI A young boy tries to save a baby fox from two bullies who upset a threatening presence in the forest. ǓǱ ǚǲǽǞǹƤǭ, ǕǹǚǯǶǤǚ, 2015, 0:06:06 ǋǞǣǤǶǱǹǘ ưǹǯǚǥ ǊƤǥǤǞǯ ǃǚǹǝƤ ǭǚǹƩǯǡ ǩǚǷǞǹǣ ǳǚǸǷǚǧ Ǩƨǚ ǳǚǸǞǹǚǟƩ ǶǚǹǶǚǼǯǞǹǱǷ:

In your eyes, France, 2015, 0:06:06

Director Arnal Julien The body of a man is forever marked by the horrors of war.

ƴǹǨƤ ǡǯǨǞǹ, ǕǹǚǯǶǤǚ, 2014, 0:04:02 ǋǞǣǤǶǱǹ` ǅǚǸǚǥǤǚ ǈǞǹǯǤǰǞǷǚ ưǯǜǚǭ ǥǚǷǚǜƤǮǯ ǡǯǨǞǹǯǞǹǡ ǨǚǹǱǫ Ǡ Ǥǹǚǹ ǲǩǚǶǨǚǯǚǥ, ǞǢǞ ǯǹǚǯǽ ǞǹǨƤ ǸǚǹǛǞǹ ǚǰǦǚǹǩǯǞǹǤǺ Ǟǯ:

Two Friends, France, 2014, 0:04:02 Director Natalia Chernysheva Even the best of friends can have trouble understanding each other when they are from two different worlds. ǌǭǛƤǨ, ưǃǅ, 2015, 0:07:40 ǋǞǣǤǶǱǹ` ǄǚǯǜǟǤ ǆǤ ƳƤǹǤǚǯǡ ǧǯǷǞǥ Ǡ ǝǞǭǽǤ Ʃ ǚǮǯǳǤǶǤ ǚǹǸǚǩǚǸƤǢǮǚǭǛ, Ǳǹǡ ǛǱǥǱǹǤǺ ǸǚǹǛǞǹ Ǡ:

Eggplant, USA, 2015, 0:07:40

Director Yangzi She Durian was born with his facial expressions opposite to everyone else’s.

38 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 1 Graduation ȃlms ƶǥǞǨǸǹǱǬǚǯǬǡ, ƲǞǹǭǚǯǤǚ, 2015, 0:02:45 ǋǞǣǤǶǱǹ` ǅǚǸǚǥǤǚ ǐ. ư. ǕǹǞǤǸǚǶ

ƵƤǜǚǹǚǯƤǭ ǼǱǽǹǤǨ ǬǚǯǬǡ ǳǸǸǷƤǭ Ǡ ǥƤǶǚǭǼǱǼǤ ǰƤǹǴǛǱǥǱǹǡ: ƿǚǯǨǚǹǧǚǨǤ ǯǚ ǠǥǞǨǸǹǚǩǚǹǷƤǭ Ǡ: ǂǚǯǬǡ ǝǤǳǲƤǭ Ǡ ǳǚǸǤǯ, ǱǹǤǺ Ʃ ǽǚǯǤ ǯǨǚǹ Ȁ ǜǱǷǚǟǝǚǮǤǯ ǳǱǶǸǞǹ Ǟǯ ǨǞǯǝǚǯǚǯƤǭ: ǎǚǹǾǹǤǯǚǨ ǨǚǸǷǤ Ȁ ǬƤǸǤǨǤ ǯǨǚǹǯǞǹǡ ǶǨǶƤǭ Ǟǯ ǷǚǟǞǥ ǬǚǯǬǤ ǩǞǸȀǤǺ: ƾǛǵǯǞǯ ǚǹǝǮǱǙǽ ǯǹǚǯǽ ǬǚǯǬǤǯ: ElectroȄy, Germany, 2015, 0:02:45

Director Natalia C. A. Freitas In a toilet, a small Fly Ȅies around a lamp. Suddenly it gets an electric shock! The Fly lands on the wall and as it touches it, some drawings and advertising posters come to life. The drawings of a curious cat and a chicken begin to run after the Ȅy. Will they get it? ƺǯǲ-Ǳǹ Ʃ Ǜǚǯ, ƲǞǹǭǚǯǤǚ, 2015, 0:06:50 ǋǞǣǤǶǱǹ` ƴǥǞǯǚ Ǎǚǥǿ ǅǚǷǢǡ, ǱǶǨǤǯ Ȁ ǨǹǚǨǡ ǜǚǯǪǞǹ Ǟǯ ǩǶǨǚ ǩǳǚǹǸ ǥǞǵǚǯ ǯǞǹǶƤǭ: ǒǱǽǹǤǨ ǥǞǵǚǯ ǩǚǭǚǹ ǚǯǩǯǚǹ Ǡǹ ǩǚǭǚǨǞǹǳǷǞǥ ǚǮǝ ǭǸǽǤ ǩǞǸ: ǅǚ ǚǯǯǰǚǯ, ǸǚǹǾǹǤǯǚǨ Ȁ Ǳǲ ǳǤǸǚǯǤ ƺǅǈ-ǇǏ Ʃ ǛǚǯǤ ǝǞǹƤǭ Ǡ:

SOME THING, GERMANY, 2015, 0:06:50 Director Elena Walf Oil, gold and ȃre are the treasures inside the proud giant mountains. For the little mountain it’s impossible to keep up with that. He’s just in possession of this tiny, strange and useless SOME THING. ǌǤǹǚǦǚǫ, ǆǷǞǮǺǚǹǤǚ, 2015, 0:05:31 ǋǞǣǤǶǱǹ` ǋǚǩǞǥ ƲǞǹǛǞǹ ƴǢǞǹǚǮǤǯ ǜǱǹǧǷǚǧǽǯǞǹǤǺ ǩǮƤǶǷǚǧ ǞǹǚǟǚǯǽǯǞǹǡ ǺǚǯǨƤǢǮƤǯǯǞǹǡ ǝǚǹǪǯƤǭ Ǟǯ ǰǱǰǚǼǞǥǤ: ǍǚǥǢǞǹǡ ƩǚǮǯǚǨ Ǡ: ưǰǦǚǸǚǺǯǞǥǱǷ Ǥǹ ǥǷǚǺǽǚǸƤǯǡǘ ǯǚ ǸǞǶǯƤǭ Ǡ, ǢǞ Ǥǯǲ ǩǞǰǸƤǢǮǚǭǛ Ǡ Ǥǹ ǷǞǹǯǚǰǚǳǤǨǡ ǨǳǯƤǭ ǩǚǹȀǚǯǤ ǟǜǞǶǸǤǯ: ƲƤǺǞ ǚǷǞǥǤ ǽǚǯ ǞǹǛȀǠ ǯǚ ǭǱǸ Ǡ Ǥǹ ǞǹǴǚǯǨƤǢǮǚǯǡ:

Flirt, Switzerland, 2015, 0:05:31

Director Rahel Gerber Dreams woven from airy fabrics make wishes tangible. Walter is a loner. Hanging up his laundry the resident sees how easily his shirt contacts his neighbor’s dress. Might he be closer than ever to his own happiness?

39 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 2 ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ ƺǹǚǜǱǹǧƤǭ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2015, 0:07:33 ǋǞǣǤǶǱǹ`ǋǤǩǚǯǯǱǯ ƶǷǚǯǶ ǃǚǶǯǚǨǤǺ ǞǫǤǹ ǼǱǽǹǤǨ, ǭǱǥǱǹǷǚǧ ǭǸǽǤ ǚǹǨǚǧǯǞǹǤǯ ƤǫǞǫǤ ƬǴ Ȁ ǛǚǺǚǩǚǮǸǤǹ, ǢǞ ǤǯǲǳǞǶ Ǡ ƩǸǽǡ ǜǚǫǚǼǚǹ ǝǚǵǯƤǭ:

Fulȃlment, UK, 2015, 0:07:33 Director Rhiannon Evans Adventure through parts of the brain with a little, lost thought and discover what it takes to make a great idea. ǉǚǩǭǸǱǺǤ, ƸǚǮǷǚǯ, 2015, 0:04:34 ǋǞǣǤǶǱǹ` ƶǹǿǚ ƻǤǯ ưǫǴǨǚ ǷǚǦǡ ǭǱǹ ǩǤǷǚǯǝƤǢǮƤǯǤǺ Ȁ ǤǹǞǯǺ ǷǚǸ ǨǞǺƤǢǮƤǯǡ ǭǚǮǹ-ǚǫǴǤǨ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǝǚǹǪǯƤǭ Ǟǯ ǚǯǱǹǱǰ: ǅǹǚǯǽ ǭǱǸ, ǛǚǮǺ Ȁ ǞǹǛǞƨ ǲǚǼǚǟǚǯǺ ǩǞǵƤ Ǟǯ ǤǹǚǹǤǺ, ǨǚǹǧǞǶ ǱǫǴ ǨǮǚǯǽǡ ǳǚǩǭǸǱǺǤ Ǟǯ ǦǚǫƤǭ:

Hide And Seek, Taiwan, 2015, 0:04:34 Director Eartha Lin

The girl’s fear of her mother’s disease and the quandary of their role make their relationship uncertain. They are close yet sometimes so far away from each other, as if playing hide and seek all their lives. ǃǞǫǹǡ` ǜǥǦǚǹǨǤ ƬǴ ǋǞǣǤǶǱǹǘ ǅǤǨǱǥǚǶ ǍǚǽǶ, ưǭǚǯǝǤǯǞ ƳƤǹǚǯǝ ƱǹǱǯǽǶƤǭ ǼǱǽǹǤǨ ǚǫǴǤǨǡ ǚǳǹƤǭ Ǡ Ǥǹ ǶǱǷǱǹǚǨǚǯ ǨǮǚǯǽǱǷ Ƥ ǼǱǹǪƤǭ Ǡ ǩǚǹǛǞǺǱǫ ǩǱǹ ǩǞǸ Ǜǚǹǝ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǩǚǭǚǸǞǫǞǥ ǛǞǮǶǛǱǥǤ ǯǨǚǸǭǚǭǛ ƤǯǞǺǚǧ Ǥǹ ǭǱǥƤǺǽǤ ǩǞǸ:

Honey in the Hood, France, 2014, 0:06:30 Directors Nicolas WAX, Amandine DURAND In the Bronx, a little girl lives her everyday life while trying to conciliate her difȃcult relationship with an alcoholic father and her passion for baseball.

ISKON Anima Aeternam, ǌǞǹǛǤǚ, 2015, 0:14:06, 15+ ǋǞǣǤǶǱǹ` ǃǤǩǚǦǤǥǱ ƳǹǚǜǚǶ ưǳǹǞǥǱǷ ǶǞǼǚǨǚǯ ǩǱǜƤ ǩǞǸ ǚǯǯǞǹǝǚǰǯǚǨƤǢǮǚǯ ƬǴ` ǭǚǹǝǡ ǩƤǶǚǩǚǸǱǹǞǯ ǼǱǹǪƤǭ Ǡ ǯǮƤǢǚǨǚǯǚǺǯǞǥ ǤǝǞǚǥǯǞǹǡ Ȁ ǦǞǥǽǤ ƩǴǱǺǱǷ ǛǚǺǚǸǹǞǥ, ǢǞ Ǳǹǯ Ǡ Ǥǹ ǤǶǨǚǨǚǯ ǛǯƤǮǢǡ: ǍǞǹǴǤǯ ǳǚǩǤǯ ǩǱǜƤ ǪǚǮǯǡ ǭǚǹǝƤ ǢǚǽǯǷǚǧ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯǞǹǤ Ȁ ƤǣǤ ǩǚǭǚǹ ǨǥǤǯǤ ƤǫǞǨǺǱǫ ǥƤǮǶ: ƿǞǸǱ ǯǚ ǚǹǝǞǯ ǶǸǤǳǷǚǧ ǨǥǤǯǤ ǩǚǯǝǤǳǞǥ ƤǣǞǫ ǼǱǢǱǹǤǨǤ ǩǞǸ Ȁ ǨǚǸǚǹǞǥ ǷǞǹǴǯǚǨǚǯ ǡǯǸǹƤǢǮƤǯǡ:

ISKON Anima Aeternam, Serbia, 2015, 0:14:06, 15+

Director Mihajlo Dragaš Living in the disharmony with his own soul, a man desperately tries to materialize the ideals and to explain with intellect that which is part of his eternal nature. At the last moment, the voice of the soul, will like a guiding light point him to the hidden potential and strength of the right way. Then he will ȃnally have to face the terrifying storm and make the ultimate choice. ƺǷǚǯǡ Ȁ ƲǚǮǥǡ, ƲǞǹǭǚǯǤǚ, 2015, 0:04:58, 3+ ǋǞǣǤǶǱǹ` ưǯǯǚ ƻǞǷǤǯǶǱǯ ǇǹǳǞǶǟǤ ǼǱǽǹǤǨ ƺǷǚǯǡ ǝǚǵǯǚ ǤǶǨǚǨǚǯ Ǹǫǚǭǚǹǝ, ǯǚ ǳǞǸǽ Ǡ ǚǯǺǯǤ ǦǤǟǚǦƤǢǮǚǯ ǢǞǶǸǡ, ǱǹǤ ǣǚǭǚǯǚǨ ǳǞǸǽ Ǡ ǶǳǚǯǤ ǜǚǮǥǤǯ: ƱǚǮǺ ǝǚ ǚǮǝǽǚǯ Ǡǥ ǩǞǰǸ Ǜǚǯ ǲǠ, ǽǚǯǤ Ǳǹ ƺǷǚǯǡ Ȁ ǜǚǮǥǡ ǶǤǹƤǭ Ǟǯ Ǥǹǚǹ:

Ivan and the Wolf, Germany, 2015, 0:04:58, 3+ Director Anna Levinson In order to become a real man, little Ivan has to pass a test of courage in which he has to kill a wolf. But it is not easy at all, since Ivan and the wolf like each other right away.

40 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 2 Graduation ȃlms Le Constructeur de Malheur, ưǷǶǸǹǤǚ, 2015, 0:09:01 ǋǞǣǤǶǱǹ` ǕǤǥǤǳ ƲǹǚǸǺǞǹ “Le constructeur de malheur” 3D ǚǯǤǭǚǺǤǱǯ, ǨǚǹǬǚƬǸǹǚǣ ǿǤǥǭǡ Ǡ, Ǳǹǡ ǺƤǮǺ Ǡ ǸǚǥǤǶ 20-ǹǝ ǝǚǹǤ ǶǨǟǛǤǯ ǚǳǹǱǫ ǿǹǚǯǶǤǚǺǤ ǜǮƤǸǚǹǚǹǤ ǨǮǚǯǽǡ: ǅǚ ǼǱǹǪƤǭ Ǡ ǨǮǚǯǽǤ ǨǱǲǞǥ ǢǵǲǞǥƤ Ǥǹ Ǟǹǚǟǚǯǽǡ, ǛǚǮǺ ǚƬǯ ǚǯǜǚǭ ǡǯǨǯƤǭ Ǡ:

Le Constructeur de Malheur, Austria, 2015, 0:09:01 Director Philipp Gratzer

The 3D-animated short “Le constructeur de malheur” shows the life of a French inventor in the beginning of the 20th century. He’d like to fulȃll his personal dream of Ȅying but he fails again and again. ƳǚǸǚǳǚǹǸǷǚǧǤ ǷǞǹǴǤǯ Ǿǹǡ, ǕǹǚǯǶǤǚ, 2015, 0:02:15 ǋǞǣǤǶǱǹǯǞǹǘ ǉǞǵǤǯ ƱưǄǌưƸ, ǌǚǹǚǩ ƳǇǋǅƴ, ƶǢǤǞǯǞ ǃǇƻǅƺƴǋ, ƶƩǥǤ ǕƤǱǯǜ, ƺǟǚǛǞǥ ǉǤǱǥǚǢ ƾǚƩǥǚǯ ǚǷǚǜ ǝǳǹǱǺǤ ǚǰǚǨǞǹǸƤǩǤ Ǡ, ǱǷ ǳǚǹǚǳƤǭ Ǡ ǽǯǯƤǢǮƤǯǯǞǹǤ ǩǚǭǚǹ: ǀǚǯǪǹǚǺǚǧ Ǥǹ ǜǱǹǧǤǺǘ ƾǚƩǥǚǯ ǛǚǺƤǭ Ǡ Ƕǚǵǯǚǹǚǯǡ Ȁ ǸǞǶǯƤǭ Ǡ ǨǞǯǝǚǯǤ ǦǞǺǜǞǸǤǯ: ƴǹǛ ǨǚǳǷǚǧƤǢǮƤǯǡ ƬǧǚǯƤǭ Ǡ, ǝǞǵǚǩǚǶ ǚǫǴǤǨǡ ǱǹǱǰƤǭ Ǡ ǦǞǺǜǞǸǯǤǯ ǳǚǹǜȀǞǥ Ǥǹ ǨǮǚǯǽǤ ǥǚǷǚǜƤǮǯ ǣǚƬǹǡ:

The Last Day of a Condemned, France, 2015, 0:02:15 Directors Perrine BAYSSAT, Sarah DHORNE, Etienne MOLINIER, Emilie PHUONG, Isabelle PIOLAT Camille is a young high school girl who is studying for her exams. Bored by her work, Camille has a look into the fridge and ȃnds a live lobster. As her affection grows, the teenage girl decides to make the lobster live the best hours of its life… ƴǹǚǣǰǸǚǨǚǯ ǷǤǰǚǳǡ, ǆǷǞǮǺǚǹǤǚ, 2015, 0:08:26, 6+ ǋǞǣǤǶǱǹǘ ƾǚƩǥ ǃƤǥǞǹ ǒǱǽǹǤǨ ǚǫǴǤǨǡ ǚǯǸǚǵƤǭ ǡǯǨǞǹǚǯƤǭ Ǡ ǷǤǰǚǳǤ ǩǞǸ: ǅǹǚǯǽ ǶǨǶƤǭ Ǟǯ ƩǚǶǤǯ ǯǷǚǜǞǥ, ǛǚǮǺ ǚǮǶ ǚƬǯǡ ǚǮǝǽǚǯ Ǡǥ ǚǯǷǸǚǯǜ ǲǠ. ǩǚǭǚǵ ǢǚǜǚǷǱǹǡ ǢƤǮǥǚǸǹƤǭ Ǡ ƩǚǮǯ ǟǤǯǷǱǹǚǨǚǯ ǞǹǢǞǹ…

The Musical Dragon, Switzerland, 2015, 0:08:26, 6+

Director Camille Müller A little girl befriends a dragon in the woods. They begin to play music together, but this is not without danger, for the obstinate king allows only military marches... ǋǱǛǱǸ ǼǱǽǹǤǨǡ, ǌǤǯǜǚǳƤǹ, 2015, 0:04:25, 5+ ǋǞǣǤǶǱǹ` ǍƤ ǊƤǯ’ưǯ ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǲǤǯǚǺǤ ǸǫǚǮǤ Ȁ ǵǱǛǱǸǤ ǡǯǨǞǹƤǢǮǚǯ ǭǚǶǤǯ: ǎǫǚǮǤ ǚǯƤǯǡ ǊƤǯ ƱǚǾ Ǡ, ǯǚ ǚǳǹƤǭ Ǡ ǸǤǳǤǨ 1960-ǚǨǚǯǯǞǹǤ ǌǤǯǜǚǳƤǹǤ Ʃ Ǹǚǯǡ: ǅǚ ǶǤǹƤǭ Ǡ ǳǚǸǹǚǶǸǞǥ ǼǱǽǹǤǨ ǵǱǛǱǸǯǞǹ, ƩǯǲȀ Ʃ Ǿǹ ǜǸǯƤǭ Ǡ ǚǯǩǹǚǣǞǰǸ ǭǚǶǞǹǡ Ƭǧ ǵǱǛǱǸ ǳǚǸǹǚǶǸǞǥƤ ǩǚǭǚǹ: ǋǱǛǱǸǡ, ǱǹǤǯ ǳǚǸǹǚǶǸǞǥ Ǡ Ǹǫǚǯ, ǩǞǸǚǽǹǽǹǷǚǧ Ǡ ǤǹǞǯ ǰǹǴǚǳǚǸǱǫ ǚǰǦǚǹǩǱǷ: ǊƤǯ ƱǚǾǯ ǼǱǹǪƤǭ Ǡ ǶǱǷǱǹǞǺǯǞǥ ǋǱǛǱǸǤǯ ǩǚǹǭǚǹǷǞǥ Ǥǹ ǜǱǹǧǚǵƤǮǢǯǞǹǤǯ: ưǮǯƤǚƬǯǚǮǯǤǷ, ǵǱǛǱǸǤ ǩǞǸǚǽǹǽǹǚǶǤǹƤǢǮƤǯǡ ǸǫǚǮǤǯ Ǳǲ ƩǚǮǯ ƤǹǚǦƤǢǮƤǯ, ǚǮǥȀ ǼǱǹǪǚǯǽ Ǡ ǛǞǹƤǭ:

Kitbash Kid, Singapore, 2015, 0:04:25, 5+

Director Wu Jun’An The story is about a friendship between a Chinese boy and a robot. Jun Bao a Chinese boy who lives on a typical 1960s Singapore housing estate. He enjoys making small robots until one day he found the parts he needs for a big robot. The robot that he made is curious about the world around it. Jun Bao began to test his robot to ensure that it is functional. However the curiosity of the robot brings not only joy but trouble to the boy.

41 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 2 ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ ǃǚǹǤƤǶ, ǕǹǚǯǶǤǚ, 2014, 0:04:08 ǋǞǣǤǶǱǹ` ǉǤǞǵ-ƹƤǥǮǞǯ ǕǤǞǫ ǃǚǹǤƤǶǤ ǨǮǚǯǽǡ ǜǥǦǤǷǚǮǹ ǰƤǵ Ǡ ǜǚǥǤǶ: ǅǚ ǚǭǛǱǫǴ Ǿǹǡ ǚǯǺǨǚǺǯƤǭ Ǡ ǦƬǥǱǷ, ǳǚǵǨǞǥǱǷ, ǚƬǯ Ǿǹ ǯƤǮǯ Ǿǹǡ, ǰǚǹƤǯǚǨǚǨǚǯ ǨǵǤƭǞǹ ǡǯǨǞǹǯǞǹǤ ǩǞǸ, ǱǹǱǯǺǤǺ ǲǤ ǨǚǹǱǫǚǯƤǭ ǚǟǚǸǷǞǥ:

Marius, France, 2014, 0:04:08

Director Pierre-Julien Fieux Marius’ life comes down to the bottle and to the struggle. He drowns out his day in alcohol, falls, gets up, falls again; a continual ȃght against this companion that he cannot get rid of. ƾǚǳƤǮǸ Ƭǫǹ, ǕǹǚǯǶǤǚ, 2015, 0:04:45 ǋǞǣǤǶǱǹǯǞǹ` ƾǱǯǶǸǚǯǺ ǊǱǥǤǿ, ƳǚǿǯǞ ƳƤǹǱǰǞ, ǕǚǯǤ ƻǱǸǞǥǤǞ ǒǱǽǹǤǨ ƬǫƤǯ, Ǳǹǡ ǼǱǰƤǺ ǚǥǞǹǜǤǚ ƤǯǤ, ǩǚǮǸǯǚǛǞǹƤǭ Ǡ Ʃ ǮƤǹǚǩǚǸƤǨ Ǜǚǯ, Ǳǹǡ ǼǱǦǞǥƤ Ǡ ǚǭǛǱǫǴ ǳǚǹǶǤ ǨǮǚǯǽǡ…

Blue Honey, France, 2015, 0:04:45 Directors Constance Joliff, Daphne Durocher, Fanny Lhotellier A small bee, allergic to pollen, discovers an extraordinary product that will dramatically impact the life of the hive... ǃǤǞ, ƱǞǥǜǤǚ, 2014, 0:04:20 ǋǞǣǤǶǱǹ` ǃǤǹǣǚǭ ǉǥǞǸǤǯǽǶ ǃǞǯ-ƬǯǚǨ ǛǯǚǨǚǹǚǯƤǭ, ǩǚǭǚǨǚǹǜǲǤǺ ǨǚǦǷǚǧ. ǨǮǚǯǽǡ ǚǯǺǯǱǭ Ǡ ǃǤǞǤ ǨǱǫǽǱǷ… ƾǮǚǯǽ, Ǳǹǡ ǨǚǹǧǞǶ ƤǹǤǰ ǸǞǫ Ǡ, ǨǮǚǯǽ, Ǳǹǡ ǨǚǹǱǫ Ǡǹ ǥǤǯǞǥ:

Mie, Belgium, 2014, 0:04:20 Director Mirjam Plettinx

All alone in her Ȅat and chained to her computer, Mie watches life go by… Life like it is elsewhere; life the way it could be.

ǔǥǤǥǱ, ưǃǅ, 2015, 0:05:54 ǋǞǣǤǶǱǹǘ ưǱ ƻǤ «ǔǥǤǥǱ»-ǯ 2D ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ: ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ ǤǯǸǹǱǷǞǹǸ ǚǫǴǨǚ ǭǚǶǤǯ, ǱǷ ǜǞǹǤ Ǡ Ǥǹ ǚǯǪǯǚǨǚǯ ǨǤǶǚǢǚǼǚǯǺǤǨ ǸǚǹǚǧǽƤǭ, Ȁ ǝǚ Ǡ ǚǰǦǚǹǩƤǭ ǜǱǮǚǸȀǞǥƤ ǯǹǚ ǪȀǡ: ǅǚǦǚǜǤǧǡ ƬǧǚǯǚǥƤ, ǶǤǹǱ Ȁ ǼǱǦǚǯǚǨǭǚǯ ǭǚǶǤǯ Ǡ: ưǮǯ ǶǸǞǫǧǷǞǥ Ǡ ǚǷǚǯǝǚǨǚǯ Ǩǚǝǹ ǨǚǝǹǤ ǩǞǸȀǤǺ ǸǞǦǯǤǨǚǮǱǷ, ǢǷǚǮǤǯ ǯǨǚǹǲƤǢǮǚǭǛ Ȁ ǛǚǯǚǥǤ ǨǚǝǹǞǹǤ ǚǯǤǭǚǺǤǚǮǱǷ:

Olilo, USA, 2015, 0:05:54

Director Ao Li OlilǾ is a 2D animation short. The story is about an introverted girl who is held captive by her own semi-transparent personal space; this is her way to survive in the world. The project deals with growing up, love and sharing. It was created through a combination of frame-by-frame traditional and digital drawing and key frame animation. ƸǚǶǨǡ ǯǷǚǬǞǥƤ ǜǱǹǧǱǫƤǢǮƤǯ, ƲǞǹǭǚǯǤǚ, 2015, 0:05:20 ǋǞǣǤǶǱǹ` ǍǤǥǝǛǱǹ ưǃǅ-ǯ ǱǹǱǰƤǭ Ǡ ǶǨǶǞǥ «ƸǚǶǨǡ ǯǷǚǬǞǥƤ ǜǱǹǧǱǫƤǢǮƤǯǡ», ǸǤǞǟǞǹǚǨǚǯ Ʃ ǧǹǚǜǤǹ, ǱǹǤ ǯǳǚǸǚǨǯ Ǡ ǼǫǤǯ ƤǫǚǹǨǞǥ ǸǤǞǟǞǹǽǘ ǱǹǳǞǶ ǭǚǹǸǚǩǹǚǷǞǹ ƼǌƿǃǤǯ: ǆƤǸǱǷ ǷǚǮǹǤ ǼǤǫǡ Ǭǚǯǚǳǚǹǩ Ǡ ǡǯǨǯƤǭ ǝǞǳǤ ǸǤǞǟǞǹǽ, ǱǹǸǞǫ Ǡǥ ǶǸǤǳǷǚǧ Ǡ ǩǚǯǝǤǳǞǥ ǳǹǱǿǞǶǤǱǯǚǥ ǸǤǞǟǞǹǚǨǚǯ ǰƤǯ ƻǚǮǨǚǮǤǯ:

Operation Rising Tusk, Germany, 2015, 0:05:20 Director Wildboar The USA decides to start ‘Operation Rising Tusk’, a space program aiming to send an elephant into space, to challenge the USSR. Soon a wild elephant is on the journey to the ȃnal frontier, where he has to face the professional space-dog Laika…

42 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 2 Graduation ȃlms ƿǚǴǱǫǚǨǡ, ƲǞǹǭǚǯǤǚ, 2015, 0:11:00, 12+ ǋǞǣǤǶǱǹǯǞǹ` ƺǯǞǶ ǓǹǤǶǸǤǯǞ ƲǞǤǟǞǹ, ǓǹǤǶǸǞǯ ƾǚǹǤǯǚ ƲǞǤǟǞǹ «ƿǚǴǱǫǚǨǡ» ǞǹǴǚǯǨƤǢǮƤǯ Ǡ ǼǯǸǹƤǭ: ưǮǶ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǡ Ƭǟ ǩǚǹǺ Ǡ ǸǚǥǤǶ. «ƺǙǯǲ Ǡ ǩǚǴǱǫƤǢǮƤǯǡ ǭǚǹǝƤ ǩǚǭǚǹ: ưǹǝǮǱǙǽ ǪǚǦǱǫƤǭǡ ƩǚǨ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯ Ǡ»:

LUCKY, Germany, 2015, 0:11:00, 12+ Directors Ines Christine Geisser, Kirsten Carina Geisser “Lucky» is looking for happiness. This animated short is questioning our search as well as its aim: What does luck mean for the individual? Is failure the only possibility?

ƿǹǞǰǯ Ǥǭ ǶǹǸƤǭ, ưǃǅ, 2015, 0:04:17 ǋǞǣǤǶǱǹ` ǄǚǩǷǞǯ ƹǞǯǜ «ƿǹǞǰǯ Ǥǭ ǶǹǸƤǭ»-ǡ ǚǯǤǭǚǺǤǱǯ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥǭ Ǡ, ǱǹǤ ǩǞǫǤǯǚǨǯ Ǡ ǄǚǩǷǞǯ ƹǞǯǜǡ: ǕǤǥǭǡ Ʃ ǼǱǽǹǤǨ ǸǫǚǮǤ ǭǚǶǤǯ Ǡ, ǱǷ ǷǚǦǞǯƤǭ Ǡ ǩǚǯǝǤǳǞǥ Ǥǹ ǶǹǸƤǭ ǚǳǹǱǫ ǩǹǞǰǤǯ: ƱǚǮǺ, Ǥ ǷǞǹǴǱ, ǡǯǝƤǯƤǭ Ǡ ǯǹǚǯ, ǱǹǤǺ ǩǞǸǱ Ǹǫǚǯ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ƤǯǞǯƤǭ ǜǸǯǞǥƤ Ǥǹ ǯǞǹǽǤǯ ǦǚǫǚǫƤǢǮƤǯǯ Ȁ ǛǚǺǚǩǚǮǸǞǥƤ ǚǰǦǚǹǩǤ ǜǞǫǞǺǨƤǢǮƤǯǡ:

Monster in my heart, USA, 2015, 0:04:17 Director Yawen Zheng “Monster in my heart” is an animated short ȃlm by Yawen Zheng. The ȃlm tells a story of a little boy who is afraid to face the monster that lives in his heart. But at the end he accepts him, which lets him ȃnd his inner peace and discover the beauty of the world.

43 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 3 ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ ǉǚǥǭ ǋǱǸ, ưǃǅ, 2014, 0:07:30 ǋǞǣǤǶǱǹ`ǋǚǮǡǯ ƲǤǥǤǶ ƿǞǸǚǟǱǸǞǥǱǷ ǕǥǱǹǤǝǚ ƶǷǡǹǜǥǞǮǝǶƤǭ ǸǞǫǤ ƤǯǞǺǚǧ ǚǵǞǫǧǷǚǧǚǮǤǯ ǳǚǮǢǮƤǯǡǘ ƱǤǥ ǚǯƤǯǱǷ Ʃ ǾǝǚǲƤ ǩǚǮǸǯǚǛǞǹƤǭ Ǡ Ʃ ǚǹǨǫ, Ǳǹǡ ǳǚǮǢǮƤǯǤǺ ǲǤ ƭǚǶǷǞǥ: ƿǞǸǚǽǹǽǹƤǢǮƤǯǤǺ ǝǹǝǷǚǧǘ ǯǚ ǚǹǨǫǡ ǸǚǯƤǭ Ǡ Ǥǹ ǦǺǤǨ: ǌǚ ǚǵǚǴǤǯǯ Ǡ ǚǮǯ ǱǹǱǰƤƨǞǹǤǺ, ǱǹǱǯǺ ǩǚǭǚǹ ǯǚ ǩǞǸǱ ǳǤǸǤ ǟǫǴǚ:

PALM ROT, USA, 2014, 0:07:30 Director Ryan Gillis Investigating a mysterious explosion in the Florida Everglades, a crop-duster named Bill discovers a lone crate that survived the wreckage. Curiosity gets the better of him and he pulls the crate unto his airboat. That’s just the ȃrst in a series of decisions he learns to regret. ƿǚǮǨǚǨǚǯ ǢǫǢǞǹ, ƱǞǥǜǤǚ, 2015, 0:06:33 ǋǞǣǤǶǱǹ` ǔǹǯǞǥǥǚ ǃǚǲǤǚ ƴǹȀǚǯǤ ǦǚǯƤǢǯǞǹǤǺ ƬǨǤ ǸǞǹǡ Ƭǟ ǩǹǚǷǤǹƤǭ Ǡ Ǥǹ ǦǚǯƤǢǘ ǥǶǞǥƤ Ǥǹ ǳǚǸǭƤǢǮƤǯǯ Ƥ ǩǮƤǹǚǶǤǹǷǞǥƤ ǭǹǜǞǹǱǷ: ƸǵǲƤǯǯǞǹǤ ƤǫǞǨǺƤǢǮǚǭǛǘ Ƭǯǽ ǛǚǺǚǩǚǮǸƤǭ Ǟǯǽ ǚǮǝ ǭǚǹǝƤǘ ƿǚǮǚǶǸǚǯǤ ǜƤǮǯǞǹǱǷ ǥǤ ǨǮǚǯǽǡ:

Armenian Papers, Belgium, 2015, 0:06:33

Director Ornella Macchia At the market of Yerevan, a merchant invites us to share his fruits and his history… Accompanied by birds, we discover the life of this man full of the colors of Armenia... ǃǚǮǹǤǨǤ ǭǚǶǤǯ, ǋƤǶǚǶǸǚǯ, 2015, 0:07:20, 6+ ǋǞǣǤǶǱǹ`ƳǤǯǚ ǍǞǥǤǨǱǷǶǨǚǮǚ ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǭǚǮǹǤǨǤ ǭǚǶǤǯ, ǱǷ ǢǷƤǭ Ǡǘ ǸǷǞǥ Ǡ ǚƬǯ Ǥǯǲ Ƥ ǱǲǤǯǲ ǲƤǯǤ Ǡǥ…ǛǚǮǺ ǨǮǚǯǽǡ ǸǚǥǤǶ Ǡ ǯǱǹ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯǞǹ:

About a mother, Russia, 2015, 0:07:20, 6+ Director Dina Velikovskaya This story is about a mother who has given so much that it looks like she has nothing left... but the life opens up the new opportunities.

ƸǵǲǯǚǨǡ, ǋƤǶǚǶǸǚǯ, 2015, 0:02:40 ǋǞǣǤǶǱǹ` ƴǨǚǸǞǹǤǯǚ ǕǤǥǤǳǱǷǚ ƸǵǲǯǚǨǡ ǩǚǯǝǤǳƤǭ Ǡ ǜǞǸǚǪǤƤǯ, ǯǹǚǯǽ ǡǯǨǞǹǚǯƤǭ Ǟǯ Ƥ ǶǨǶƤǭ Ǟǯ ƩǚǶǤǯ ǚǳǹǞǥ:

The Bird, Russia, 2015, 0:02:40 Director Yekaterina Filippova A bird met a hippo; they became friends and started living together.

ƺǯǲ ǚǩǚǷǱǹ Ǡ, ǕǹǚǯǶǤǚ, 2015, 0:02:25 ǋǞǣǤǶǱǹǯǞǹ` ƿǮǱǜǱ ǝǡ ǕǚƤǨǱǭǳǹǞǸ, ƶǷǚ ƻƤǶǛǚǹǱǯǮǚǯ, ǓǚǹǱǥǤǯ ǆǞǵǤǞ, ǊǱǚǯ ǋǚǷǤǸ ǠǸ ưǹǸǮƤǶ ǉǤǥǱǜǹǞǸ ǌǢǤǷǞǯǡ, ǌǚǯǝǹǤǯ, ǊǱǞǥǡ Ȁ ƸǱǭǚǶǡ ǚǩǚǷǱǹ ǪǚǯǪǹǚǺǚǧ Ǟǯ: ǕƤǸǛǱǥǤ ǭǚǹǟǚǝǚǰǸǤǺ Ʃǯǲ ǚǫǛǚǯǱǺ, ǦǚǫǚǩǹǚǳǚǹǚǨǤǺ Ʃǯǲ ǶƤǳǞǹǭǚǹǨǞǸǤ ǨǚǮǚǯǚǸǞǫ, ǱǲǤǯǲ ǯǹǚǯǺ ǲǤ ǩǞǸǚǽǹǽǹƤǭ:

Que dalle, France, 2015, 0:02:25

Directors Hugo de Faucompret, Eva Lusbaronian, Caroline Cherrier, Johan Ravit et Arthus Pilorget Steven, Sandrine, Joel & Thomas are pretty bored. From the soccer stadium to the garbage dump, passing by the playground & the supermarket parking, nothing seems to amuse them.

44 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 3 Graduation ȃlms ǉǚǹǸǚǝǹǚǯǽ, ƾǚǯǚǝǚ, 2014, 0:03:23 ǋǞǣǤǶǱǹ` ƹǚǮƬ ƲǤǹǚǥǝǱ ưǮǯ ǠǚǨǯǞǹǡ, ǱǹǱǯǽ ǳǚǹǚǯǯǞǹǤǺ ǨǚǦǷǚǧ Ǟǯ ǚǳǹƤǭ ǚǰǦǚǹǩƤǭ, ǰǚǹƤǯǚǨ ǯǞǹǽȀǘ ǝǚǸǚǹǨƤǢǮƤǯ, ǡǯǨǯǞǥƤ ǝǞǭ Ǟǯ ǳǚǮǽǚǹƤǭ:

Religatio, Canada, 2014, 0:03:23 Director Jaime Giraldo Beings that live in a world hanging from ropes are all engaged in a struggle to avoid falling into the void below.

ǒǱǼǱǦƤǢǮƤǯ, ưǃǅ, 2015, 0:05:24 ǋǞǣǤǶǱǹǯǞǹ` ǃǚǹǤǚ SǞǶǤǥǮǚ ǉƤǜǥǤǞǶǞ, ǄǤǴƤǯ ƻǤƤ «ǒǱǼǱǦƤǢǮƤǯ»-ǡ 3D ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ, Ǳǹǡ ǳǚǸǭƤǭ Ǡ ǤǯǽǯǚǛǚǺǚǩǚǮǸǭǚǯ ǭǚǶǤǯ, ǞǹǛ Ǥǹǚǹ ǩǚǨǚǵǚǨ ǢǷǚǺǱǫ ǩǞǹǱǶǯǞǹǤ ǼǱǦǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǯǳǚǶǸƤǭ Ǟǯ, Ǳǹ ǜǥǦǚǷǱǹ ǩǞǹǱǶǡ ǨǚǯǜǯǤ Ǥǹ ǨǮǚǯǽǤǯ ǝǞǭ ǩǚǯǝǤǭǚǯ Ƥ ǼǱǦǤ ǚǮǯ: ǓǚǫǚǽǤ ǨǤǯǡ ǩǚǯǝǤǳƤǭ Ǡ ǚǯǸǚǵǤǺ ǞǨǚǧ ǷǚǮǹǤ ǨǯǱǴǡ Ƥ Ʃǯǲ ǼǱǹǪƤǭ Ǡ ǯǹǚǯ ǽǚǫǚǽǚǨǹǢǞǥ, Ǥǯǽǯ Ǡ ǚǷǞǥǤ ǷǚǮǹǞǯǚǯƤǭ Ƥ ǷǞǹǚǝǚǵǯƤǭ Ǡ Ǥǹ ǯǚǦǚǶǨǟǛǯǚǨǚǯ ǷǤǬǚǨǤǯ:

Shift, USA, 2015, 0:05:24 Directors Maria Cecilia Pugliese, Yijun Liu Shift is a 3D animated short ȃlm that tells a story about self-discovery in which the interaction between characters that appear to be antagonists makes the main character confronts her own life and change. A woman from a city encounters a wild woman from the forest and while trying to civilize her, she becomes wilder and goes back to nature herself.

ǅǤǼǶǤ Ȁ ǒǱǹǨǤǯǜǢǱǯǤ ǽǹǞǚǝǞǳǽǡ, ƾǚǯǚǝǚ, 2015, 0:02:29, 6+ ǋǞǣǤǶǱǹ` ǃǞǥǱǝǤ Ǎǚǯǜ «ǅǤǼǶǤ Ȁ ǒǱǹǨǤǯǜǢǱǯǤ ǽǹǞǚǝǞǳǽ»-ǡ ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ ǱǶǸǤǨǚǯƤǢǮǚǯ ǞǹǨƤ ǚǯǝǚƨǞǹǤ ǭǚǶǤǯ, ǱǹǱǯǺ ǳǚǹǸǚǨǚǯƤǢǮƤǯǯ Ǡ ǜǱǫǚǺǷǚǧ ǪƤǯ ǷǞǹǚǝǚǹǪǯǞǥ ǦǞǥǚǜǚǹǷǚǧ ǧǯǱǫǯǞǹǤǯ:

The Casebook of Nips & Porkington, Canada, 2015, 0:02:29, 6+ Director Melody Wang

The Casebook of Nips & Porkington is an animated short about two members of the constabulary and their quest to return a kidnapped egg to its distraught parents.

ǇǻǫȀǱǹƤǢǮƤǯ, ưǃǅ, 2015, 0:02:20 ǋǞǣǤǶǱǹ` ǉƤǿǤǭǚ ǍǱǜǝǤǳǹǚǶǤǿ «ǇǻǫȀǱǹƤǢǮƤǯ»-ǡ 2D ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ: ǉǚǸǭƤǢǮƤǯǡ ǩǤƨǷǚǧ Ǡ Ʃ ǯǨǚǹǲǤ ǨǮǚǯǽǤ Ƿǹǚ, ǱǷ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯ ǣǚǭǚǯǚǨ ǨǱǹǺǯƤǭ Ǡ Ǥǹ ƤǫǞǛǞǵǡ: ǕǤǥǭƤǭ ǞǹǤǸǚǶǚǹǝ Ǹǫǚǯ ǳǚǸǭǱǫǯ Ǡ: ƺǶǨ ƤǫǞǛǞǵǡ ǤǹǚǨǚǯƤǭ ǜǥǦǚǷǱǹ ǩǞǹǱǶǯ Ǡ, Ǳǹǡ ǷǚǮǞǥƤǭ Ǡ ǚǯǶǳǚǶǞǥǤ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮƤǯǡ:

The Journey, USA, 2015, 0:02:20 Director Puthima Wongdeeprasith “The Journey” is a 2D Motion Graphics Animation. The story is based on the artist’s life when she lost her luggage traveling between continents. In the ȃlm, a young boy is the narrator. And the main character is actually the luggage, which enjoys the unexpected adventures he encounters on the trip.

45 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 3 ưǷǚǹǸǚǨǚǯǿǤǥƬǹ ǌȀ ǞǹǨǤǹ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2014, 0:05:00 ǋǞǣǤǶǱǹ` ƳǚǛǤ ƵǚǮǯǚǛ ǕǚǤǝǩǤ ƴǹǨǚǹ ǣǚǭǚǯǚǨ Ʊǚǫǝǚǝ ǽǚǫǚǽǡ ǭƤǶƤǥǭǚǯǯǞǹǡ ǩǚǭǚǹǞǥ Ǟǯ ǌȀ ǞǹǤǨǤǹ: ǉǚǸǬǚǵǡ ǽǚǫǚǽǡ ǧǚǧǨǱǫ ǚǹǭǚǷǞǯƤ ǦǤǸ ǧǚǵǞǹǯ ǠǤǯ, ǱǹǱǯǽ ǷǞǹȀǤǺ ǚǭǛǱǫǴǱǷǤǯ ǶȀ ǠǤǯ ǞǹȀƤǭ, ǛǚǮǺ ǩǞǯǺ ǽǚǫǚǽǡ ǯǞǹǜǹǚǷǷǞǺ ǷǞǹǴǤǯ ǳǚǸǞǹǚǟƨǞǹǤ ƬǴ, ǌȀ ǞǹǨǤǹǡ ǤǯǪ ǩǚǭǚǹ ǪǞǵǽ ǛǞǹǞǺ ǯǱǹ ǤǭǚǶǸ. ǭǚǩǷǚǯ, ǚǹǮǚǯ, ǩǱǜȀǱǹ ǝǹǱǰǯǞǹǤ Ȁ Ʊǚǫǝǚǝ ǽǚǫǚǽǤ ǛǯǚǨǤǲǯǞǹǤ Ƿǹǚ ǤǶǥǚǭǚǨǚǯ ǩǚǹǨǚǝǹǚǯǽǯǞǹǤ ǽǚǫǚǽ: ƿǞǽǤǚǢ-ǚǯǤǭǚǺǤǚǯ Ǥǭ ǽǚǫǚǽǤ ǛǵǯǚǛǚǹƤǢǮǚǯ ǼǱǦǚǛǞǹƤǢǮƤǯǯ Ǡ: ǃǞǯǽ ƩǚǮǯ ǷǞǹǴƤǭ Ǟǯǽ ǩǚǶǨǚǯƤǭ, Ǳǹ ǜǞǫǞǺǤǨ ǨǤǯǡ ǷǞǹǚǳǚǸǨǞǹƤǭ Ǡ Ʊǚǫǝǚǝǡ, ǯǚ ǳǚǸǞǹǚǟƩ ǣǚǭǚǯǚǨ ǨǱǹǺǹǞǥ Ǡ Ǳǲ ƩǚǮǯ Ǥǹ ǞǹǞǦǚǯǞǹǤǯ, ǚǮǥȀǘ Ǥǹ ǩǱǜǤǯ: ǃǞǹ ǾǹǞǹǤǺ ǶǨǶǚǧǘ ǶȀ ǩǚǜǚǧ ǨǤǯǡ ǪǜǸƤǭ Ǡ ǜǸǯǞǥ Ǥǹ ǚǳǚǜǚǮǤǯ ǷǞǹǚǛǞǹǱǫ ǩǚǹǺǤ ǳǚǸǚǶǦǚǯǡ, ǛǚǮǺ ǚǯǺǮǚǥǡ ǦǚǯǜǚǹƤǭ Ǡ. ǚǷǚǯǝƤǢǮǚǯ ǩǚǭǚǪǚǮǯǘ ǩǞǽǤǚǢǡ ǳǚǸǭǷƤǭ Ǡ ǶǹǬǡǭǳǚǯ ǣǚǭǚǯǚǨ, Ǳǹǡ ưǹȀǞǥǽƤǭ ǡǯǝƤǯǷǚǧ ǸǚǹǛǞǹǚǨ Ǡ: ǍǞǹǴƤǭ Ƭǯǽ ǩǚǮǸǯǷƤǭ Ǟǯǽ ǚǯǱǹǱǰ ǷǤǬǚǨƤǭ. ǜƤǰǚǨǡ Ǥ ǷǤǬǚǨǤ ǲǠ ǨǚǯǦǚǸǞǶǞǥ ǨǯǱǴ ǚǳǚǜǚǯ, ǤǯǳǞǶ ǩǯǚǹǚǷǱǹ ǲǠ ǨǚǯǦǚǸǞǶǞǥ ƺǹǚǽǤ ǬǚǨǚǸǚǜǤǹǡ: ưǮǶ ǝǚǶǚǨǚǯ ǶǤǹǚǮǤǯ ǳǚǸǭƤǢǮƤǯǡ ƩȀǯƤǮǯ ǣǚǭǚǯǚǨ ǭǚǹǸǚǩǹǚǷǞǹ Ǡ ǯǞǸƤǭ ǃǤǴǤǯ ưǹȀǞǥǽƤǭ ǸǤǹǱǫ ǜǞǯǝǞǹǚǮǤǯ ǝǞǹǞǹǤ ǷǞǹǚǛǞǹǮǚǥ ǚǵǨǚ ǨǚǹǧǹǚǸǤǳǞǹǤǯ Ȁ ǺƤǮǺ Ǡ ǸǚǥǤǶ ƱǚǫǝǚǝǤ Ȁ ǨǯǱǴ ǯǭǚǯƤǢǮƤǯǡ, ǱǹǱǯǽ ǶǦǚǥ ƤǣǞǹǤ ǪǞǵǽƤǭ Ǟǯ:

The black land, UK, 2014, 0:05:00 Director Daby Zainab Faidhi The city of Baghdad has long been referred to as Ardh Al Sawad (the Black Land) by Muslims. The dense palm trees that cover the city appear as black matter from above; since recent wars occupied the city the title has taken on a new meaning for me – Black Land - of death, blood, religious Ȅags and their Islamic enforcement on the people of Baghdad. This fairy tale animation, is a metaphorical story of the rape of my homeland. The beautiful woman representing Baghdad, which we only discover at the end, who has lost not only her children to the wars and destruction, but her soul. Starting in the present day, the woman, in black, attempts to ȃnd an answer for her future but revisits the past, told through coffee reading – a traditional fortune- telling method in the Middle East. At the end we are left with a bleak answer, the fortune teller is unable to predict the woman’s future – mirroring Iraq’s unknown destiny. This classic love story also challenges stereotypical gender roles of the Middle East and shows the resemblance between the woman and the city of Baghdad in surrendering to the wrong powers.

ǉǚǸǭƤǢǮƤǯ ǧǞǹ ǪǨǯǱǹǶǤ, ǯǹǚ ǝƤǶǸǹ ǃǚǰǞǯǨǚǮǤ, ǶǚǹǶǚǼǞǥǤ ƿǹǞǰǤ, ǭǚǮǱǹ ǌǤǝǚǹǲƤǨǤ Ȁ ǨǞǹǷǚǧ ǚǹǽǚǮǚǝǶǸǞǹ ǭǚǶǤǯ, ǋƤǶǚǶǸǚǯ, 2015, 0:06:11 ǋǞǣǤǶǱǹ` ǍǞǹǤǨ ǃǚǹǤǭǚ ǉǚǸǭƤǢǮƤǯǡ ǧǞǹ ǪǨǯǱǹǶǤ, ǯǹǚ ǝƤǶǸǹ ǃǚǰǞǯǨǚǮǤ, ǶǚǹǶǚǼǞǥǤ ƿǹǞǰǤ, ǭǚǮǱǹ ǌǤǝǚǹǲƤǨǤ Ȁ ǨǞǹǷǚǧ ǚǹǽǚǮǚǝǶǸǞǹ ǭǚǶǤǯ Ǡ:

The tale about the poor ȃsherman, his daughter Mashenka, the ugly Beast, major Sidorchuk and the eaten princess, Russia, 2015, 0:06:11 Director Verik Marina The tale about the poor ȃsherman, his daughter Mashenka, the ugly Beast, major Sidorchuk and the eaten princess.

46 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 3 Graduation ȃlms ǎǫǚǯǘ ǰǯǚǪǨǚǯ ǨǱǸǮƤǭǱǷ, ǌǤǯǜǚǳƤǹ, 2015, 0:08:16, 5+ ǋǞǣǤǶǱǹ` ǃǚǹǤ ǎǱǩ ƳǞǮƤǯ ǩǞǸǚǽǹǽǷǚǧ Ǡǹ ǨǞǸǤ ǩǚǜƤǶǸǱǷ ǸǫǚǮǱǷ, ǱǷ ǚƬǯ Ǿǹ ǚǯǺǯƤǭ Ǡǹ Ǥǹ Ǹǚǯ ǨǱǫǽǱǷ: ưǮǶ ƩǚǮǯǚǨ ǠǚǨǡ` ƳǞǮƤǯ, ǦǚǫƤǭ Ǡ Ǥǹ ǦǚǫǚǥǤǽǱǷ ǚǮǯǽǚǯ ǣǚǭǚǯǚǨ, ƩǯǲȀ Ʃ Ǿǹ ǶǤǹǞǥǤ ǦǚǫǚǥǤǽǡ ǡǯǨǯƤǭ Ǡ ǳǚǸƤǩǚǯǤǺ: ưǵǚǯǺ ǷǚǦǞǯǚǥƤ Ȁ ǞǹǨǚǹǛǚǹǚǨ ǭǸǚǧǞǥƤǘ ǯǚ ǦǚǫǚǥǤǽǡ ǷǞǹǚǝǚǹǪǯǞǥƤ ǸǚǹǛǞǹǚǨ Ǡ ǜǸǯƤǭ, ǞǹǛ ǩǞǵǷƤǭ ǸǞǶǯƤǭ Ǡ ǧǚǯǱǢ ǸǫǚǮǤǯ: ƿǞǸȀǞǥǱǷ ǨǞǸǤ ǩǚǜƤǶǸǱǷ ǸǫǚǮǤǯǘ ƳǞǮƤǯ ǼǱǽǹǤǨ ǚǹǨǚǧ Ǡ ǶǨǶƤǭ` ǛǚǺǚǩǚǮǸǞǥƤ ǚǵǞǫǧǷǚǧǚǮǤǯ ǚǯǧǚǯǱǢǤǯ Ȁ ǩǚǶǨǚǯǚǥƤ` ǤǯǲǳǞǶ Ǡ ǶǨǶǷƤǭ ǡǯǨǞǹƤǢǮƤǯǡ: ƾǞǸǤ ǩǚǜƤǶǸǱǷ Ǹǫǚǯ ǯǭǚǯ Ǡ ǯǱǹǚǺǷǚǧ ǩǞǽǤǚǢǤǘ ǨǞǸǤ ǩǚǜƤǶǸǯǞǹ, ƲǱǪǤǥǚ Ȁ ǩǚǴǱǫƤǢǮƤǯ ǛǞǹǱǫ ǨǚǸƤ Ǩǚǭ ǭǚǯǞǨǤǯǞǨǱ, ǝǚǶǚǨǚǯ ǩǞǽǤǚǢǤ ǜǥǦǚǷǱǹ ǨǞǹǳǚǹǯǞǹ, ǱǹǱǯǽ ǺƤǮǺ Ǟǯ ǸǚǥǤǶ, ǢǞ ǤǯǲǳǞǶ Ǟǯ ǩǚǨǚǵǚǨ ǨǱǫƬǹǯ Ǥǹǚǹ ǪǜƤǭ: ǕǤǥǭǡ Ǥǹ ǸǞǶǚǨǱǷ ǜǹǚǷǤǲ Ǡ` ǩǞǹǱǶǯǞǹǤ` 2 ǞǹǞǦǚǮǤ Ȁ Ƿǚǵ ǜƤǮǯǞǹǱǷ ǳǚǸǨǞǹǷǚǧ 3D ǴǹǚǮǤǯ ǚǯǤǭǚǺǤǚǮǤ ǰǯǱǹǩǤǷ: ǌǚ ǞǹȀǚǨǚǮǚǨǚǯ ǼǚǦƤǶǸ Ǡ, Ǳǹǡ ǛǚǺǚǩǚǮǸƤǭ Ǡǘ ǤǯǲǳǞǶ Ǟǯ ǞǹǞǦǚǯǞǹǯ ǡǯǝƤǯƤǭ Ǥǹǚǹ, ǤǯǲǳǞǶ Ǟǯǽ Ƭǯǽ ǸǞǶǯƤǭ ƩǭǮǚǯǺ Ȁ ǤǯǽǯǞǹǶ Ƭǟ`ǚǮǯ ǸǚǹǛǞǹ «ǝǤǭǚǨǯǞǹǤ» ǸǚǨ, Ǳǹ ǚƬǯ Ǿǹ ǨǹƤǭ Ǟǯǽ:

The Boy in the Whale Suit, Singapore, 2015, 0:08:16, 5+

Director Marie Toh Daiyu is intrigued by the boy in the whale suit who passes by her Ȅat every day. A solitary creature, Daiyu plays with her toy on her own, until one day, her beloved toy falls out the window. Fearless and unthinking, she ȃnds a way to retrieve her toy, and sees the boy from afar. As she follows the boy in the whale suit, Daiyu goes on a mini adventure, to discover who this mysterious stranger is, and how friendships are formed. The Boy in the Whale Suit is an updated fairy-tale, with whale suits, Godzilla, and the good luck cat, or maneki-neko, as prominent ȃgures in a classic story of how opposites attract. The ȃlm is charming in its demeanour, using two children as protagonists and Ȅuid 3D animation enveloped in bright colours. It is a whimsical escapade exploring how children perceive each other, and how we see other and ourselves, in the many different ‘suits’ that we don each day. ǃǞǧǯ ƿǚǹǥǱǝǡ Ȁ ƿǹǞǰǡ, ƳǚǯǤǚ, 2014, 0:07:14, 15+ ǋǞǣǤǶǱǹ` ƾǚǹǶǸǞǯ ǉǞǸǞǹ ƾǴǚǹƤǥǿ - ƿƤǳ ƼǚǭǚǬǤǨǯǞǹǤ ǢǚǸǹǱǯǤ ǚǹǽǚǮǚǟǯǡ ǱǹǱǰƤǭ Ǡ ǭǸǯǞǥ ǞǹǞǦǚǯǞǹǤ ǚǭǛǱǦǤ ƬǴ: ƴǹǛ ǜǤǰǞǹǡ Ǡ ǜǚǥǤǶ, ǢǚǸǹǱǯǡ ǥǺǷƤǭ Ǡ ƬǧǚǩǚǶǚǨǯǞǹǱǷ, ǱǹǱǯǽ ǺǚǯǨǚǯƤǭ Ǟǯ ǸǞǶǯǞǥ ǤǹǞǯǺ ǸǷǚǧ ǜƤǭǚǹǤǯ ǩǚǭǚǹǣǞǽ ǯǞǹǨǚǮǚǺƤǭ: ǍǶǸǚǩƤǢǮǚǭǛ Ȁ Ǥǹ ǚǭǛǱǫǴ ǩǭǚǮǽǱǷǘ ǚǹǽǚǮǚǟǯǡ, Ǥǹ ǨǚǹǱǫƤǢǮƤǯǯǞǹǤ ǲǚǼǱǷ, ǞǹǨǹǱǹǝ ǚǯǜǚǭ ǦǚǫƤǭ Ǡ ǩǞǽǤǚǢǤ ǚǹǽǚǮǚǟǯǤ ǝǞǹǡ: ƿǚǯǝǤǶǚǸǞǶǡ ǩǤǚǺǚǧ ǲǠ, ǚǹǽǚǮǚǟǯǡ ǶǸǤǳǷǚǧ Ǡ ǛǚǷǚǹǚǹǞǥ ǩǚǯǝǤǶǚǸǞǶǤ ǳǚǩǚǯǴǯǞǹǡ:

The Great Harlot and the Beast, Denmark, 2014, 0:07:14, 15+ Director Karsten Peter Kjærulf-Hoop A marionette theatre prince manages to entertain his crowd of children during the daytime. As night falls, the seats of the puppet theatre ȃll up with adults wanting their money’s worth of entertainment. Bursting with conȃdence, the prince ups his charm and conȃdence as he plays a second round as the fairytale prince to the best of his abilities. The audience is not amused, and the old entertainment machine takes over; rusty gears start turning, loose strings tighten; the prince is forced through a cavalcade of immoralities in an attempt to satisfy the demands of the audience. ǆǹǴǭǱǥǤǨ, ƳǚǯǤǚ, 2015, 0:07:25 ǋǞǣǤǶǱǹ` ǉǞǝǹǱ ƺǷǱ ƾǚǹǷǚǥǱ ǌǚǹǶǚǼǞǥǤ ǞǹǢȀǞǨƤǢǮƤǯ ƤǯǞǺǱǫ ǽǚǫǚǽƤǭ, ǩǞǸȀǞǥǱǷ Ǥǹ ǰǚǯǡ, ǛǚǹǤ ǰǹǴǭǱǥǤǨ ƳǤǱǯ ǛǚǺǚǩǚǮǸƤǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǡ ǷǚǸ ǩǚǶǚǹǚǨƤǢǮƤǯǡ ǨǱǹǺǹǞǥ Ǥǹ ǦǚǫǚǫƤǢǮƤǯǡ:

Vagabond, Denmark, 2015, 0:07:25

Director Pedro Ivo Carvalho Following his dog’s kidnapper through a relentlessly moving city, the warmhearted vagabond Dio discovers how bad society has gone to keep up its pace.

47 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 3 ưǷǚǹǸǚǨǚǯǿǤǥƬǹ ƴǥǽ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2015, 0:03:00 ǋǞǣǤǶǱǹ` ǄƤǨǚǮǤ ƳƤ «ƴǥǽ»-ǡ ǱǜǞǰǯǲǷǚǧ Ǡ ǆǞǹǤ ƸǚǹǨǥǤ «ǃǤǚǮǯǚǨ ƩǚǶǤǯ» ǜǱǹǧǤǺ, Ǳǹǡ ǚǮǶ ǢǷǚǮǯǚǺǷǚǧ ǚǰǦǚǹǩƤǭ ǣǚǭǚǯǚǨǚǨǤǺ ǨǮǚǯǽǤ ǚǹǸǚǺǱǥǚǯǽǯ Ǡ: ưǯǟǜǚ ǽǚǫǚǽǚǺǤǯǞǹǤ Ƥ ǩǞǵǚǦǱǶǯǞǹǤ ƬǴ ǚǵǨǚ ǚǯǯǨǚǹǚǜǹǞǥǤ Ǩǚǳǡ ǛǚǺǚǩǚǮǸƤǭ Ǡ ǷǤǹǸƤǚǥ ǩǚǫǱǹǝǚǨǺƤǢǮƤǯǤǺ ƤǯǞǺǚǧ ǨǚǦǷǚǧƤǢǮƤǯǡ: ǇǫǛǞǹǜǚǨǚǯ Ƥ ǧǚǮǹǚǩǞǫ ǩǞǸȀǚǯǽǯǞǹǡ ǺƤǮǺ Ǟǯ ǸǚǥǤǶ ǚǮǯ ǯǞǜǚǸǤǷ ǷǞǹǚǛǞǹǭƤǯǽǡ, ǱǹǤǺ Ǳǲ Ǳǽ ǲǤ ǨǚǹǱǫ ǦƤǶǚǼǞǥ. ǝǹǚ ǳǚǸǬǚǵǡ ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǚǯǷǞǹǴ ǩǱǶǽǯ Ǡ ǭǚǹǝǨǚǮǤǯ ǨǮǚǯǽ, Ǳǹǡ ǜǚǥǤǶ Ǡ ǭǚǹǝǨǚǯǺ ǚǯǷǞǹǴ ǺǚǯǨƤǢǮƤǯǯǞǹǤǺ:

Way Out, UK, 2015, 0:03:00

Director Yukai Du

‘Way out’, inspired by ‘Alone Together’ by Sherry Turkle, is a reȄection of modern life in this digital age. The exaggerated contrast between emotionless citizens and characterized phones reveals our over-̺dependence on virtual communication. A dramatic and extreme consequence shows a negative attitude, for which no one can escape the trend of technology that originally comes from the endless appetence of human beings. ƱǞǫǡ, ǕǤǯǥǚǯǝǤǚ, 2015, 0:03:37 ǋǞǣǤǶǱǹ` ưǯǯǤ ǔǴǚ ưǮǶ ǽǚǫǚǽǡ ǛǚǷǚǨǚǯǚǲǚǼ Ƭǧ ǲǠ ǞǹǨƤǶǤ ǩǚǭǚǹ, Ǳǲ Ǡǥǘ ǯƤǮǯǤǶǨ ǤǹǞǯǺ ǛǞǫǞǹǤ:

The Moustache, Finland, 2015, 0:03:37 Director Anni Oja This town is not big enough for the two of them. Nor their moustaches.

ǍǚǮǹǤ ǨǹǚǨ, ǕǹǚǯǶǤǚ ǋǞǣǤǶǱǹǯǞǹ` ƿǮƤǜǞǶ ǔǳǸǞǹ, ǉǤǞǵǞ ǉǤǯǱǯ, ǅǤǨǱǥǞ ǌǢǚǿǡǹǝ, ǍǚǥǞǯǸǤǯ ǌǸǱǥ, ưǹǯǚƤǝ ǎǹǤǛƤǸ, ǆǚǯǜ Ƶǚǯǜ ƶǯǚǯ ǨǤǯ ǩǹǰǞǴ Ǡ, ǱǷ ǰǚǸ Ǡ ǶǤǹƤǭ Ǥǹ ǭǚǶǯǚǜǤǸƤǢǮƤǯǡ: ƾǹǚǨǱǷ Ǥǹ ǸǚǹǷǚǧƤǢǮƤǯǡ ǚǟǝƤǭ Ǡ ǡǯǸǚǯǞǨǚǯ ǨǮǚǯǽǤ Ƿǹǚ:

Wildȃre, France, 2015, 0:02:15 Directors Hugues OPTER, Pierre PINON, Nicole STAFFORD, Valentin STOLL, Arnaud TRIBOUT, Shang ZHANG Ena, a passionate ȃreȃghter and wife, is very involved in her profession. Her fascination with ȃre reveals itself as it impacts her family life.

ƴǶ ƤǟƤǭ Ǟǭ, ưǹǜǞǯǸǤǯǚ, 2014, 0:08:13 ǋǞǣǤǶǱǹǘ ǅǤǨǱǥǚǶ ƾǱǯǸǞ ƳǳǹǱǺǤǺ ǷǞǹǚǝǚǵǯǚǥƤ Ǥǹ ǶǱǷǱǹǚǨǚǯ ǬǚǯǚǳǚǹǩǤǯ ƼƤǚǯǶǤǸǱǯ`ƩǚǮǯǚǨ Ʃ Ǹǫǚ ǉǱǹǸƤǜǚǥǤǚǮǤ ǜǮƤǫǞǹǤǺ, ǩǚǯǝǤǳƤǭ Ǡ Ʃ ǼǱǽǹǤǨ ǥǽǷǚǧ ǪǤƤ: ǅǱǹ Ȁ ǜǞǫǞǺǤǨ ǡǯǨǞǹǱǴ ǩǞǸ ǦǚǫǚǥƤ ƤǹǚǦƤǢǮƤǯǡ ǶǸǤǳƤǭ Ǡ ǸǫǚǮǤǯ ǭǸǚǧǞǥ, Ǳǹ ǯǚ ǨǚǹǱǫ Ǡ ǳǚǩǞǥ ǪǤƤǯ: ǅǚ ǲǤ ǨǚǹǱǫ ǳǚǸǨǞǹǚǺǯǞǥ, Ǳǹ ǤǹǚǨǚǯƤǭ ǪǤǯ ǶǳǚǶƤǭ Ǡ Ǥǹ ǤǶǨǚǨǚǯ ǸǤǹǱǴ ǷǞǹǚǝǚǹǪǤǯ:

I want it!, Argentina, 2014, 0:08:13

Director Nicolás Conte In his usual way back from school Juancito, a solitary country boy from Patagonia, meets a little horse which seems to be abandoned. The joy of having a new and wonderful friend to play with makes the boy think he can keep it. He cannot realize that the horse is actually waiting for the return of his real owner.

48 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 3 Graduation ȃlms ưǯǜǥǦǚǹǨ ǶƤǯǨǡ, ƲǞǹǭǚǯǤǚ, 2014, 0:04:26 ǋǞǣǤǶǱǹ` ǉǤǚ ưƤǸǞǹǤǞǝ ưǯǸǚǵǤ ǦǱǹǽƤǭ Ʃ ǚǵǚǷǱǸ Ʃ ǼǱǽǹǤǨ ǶƤǯǨ ǚǹǢǯǚǯƤǭ Ǡ ǚǵǚǯǺ ǜǥǦǚǹǨǤ:

Schwammerlbert, Germany, 2014, 0:04:26 Director Pia Auteried In a forest clearing in the middle of the woods, a little mushroom awakes one morning without his hat.

ƿǚǹǶǚǯǤǽ ǝǣǱǦǽƤǭ, ǕǹǚǯǶǤǚ, 2015, 0:02:46 ǋǞǣǤǶǱǹǯǞǹ` ǄǚǯǤǽ ƱǱǤǵǞƤ, ǉǤǞǵǞ ƱƤǸǞǸ, ǃǚǜǚǥǤ ƲǚǵǯǤǞǵ, ƾǥǞƬǯǶǞ ǃǚǹǞǸ ǋǚǽǞǥǡ Ǥǹ ǚǹǪǚǨƤǹǝǯǞǹǡ ǚǯǺǨǚǺǯƤǭ Ǡ ǜǮƤǫƤǭ: ǃǤ Ǿǹ ǵǞǚǥǤǢǤ ǰǱƤ ǯǚǮǞǥǤǶ ǱǹǱǰƤǭ Ǡ ǤǹǚǨǚǯǚǺǯǞǥ ǚǰǦǚǹǩǤ ǚƬǯǚǚǵǞǫǧǷǚǧǚǮǤǯ ǩǚǹǶǚǯǤǽǡ:

Wedding in hell, France, 2015, 0:02:46 Directors Yannick BOIREAU, Pierre BUTET, Magali GARNIER, Clémence MARET Rachelle his spending her vacations in the country. One night, as she is watching a silly reality TV wedding show, she decides to plan the most magical marriage.

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1 ƿǞǵƤǶǸǚǸǞǶǚǮǤǯ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǿǤǥƬǹ «ƱǱǥǱǹǶ ǚǜǚǹǚǨǚǸǞǹǞǹ Ǟǯǽ», ưǃǅ, 2015, 0:01:35 ǋǞǣǤǶǱǹ` Acme Filmworks Inc ǋǞǣǤǶǱǹǯǞǹ ƱƤǹǨƤ ǌǚǯǨƤǹǡ Ȁ ǊǞǿǹǤ ƲǱǝǞǯ ǤǹǞǯǺ ƤǹƤǮǯ ǷǤǟƤǥ ǞǫǚǯǚǨǯ ǾǜǸǚǜǱǹǧǞǥǱǷǘ ƤǶƤƨǚǶǤǹƤǭ Ǟǯ ǭǢǞǹǚǮǤǯ ǦǚǯƤǢƤǭ ǱǹǱǰƤǭ ǨǚǮǚǺǯǞǥƤ Ƭǹ ǚǮǯ ǞǫǚǯǚǨǯǞǹǡ, ǱǹǱǯǽ ǚǟǝƤǭ Ǟǯ ǸǯǸǞǶƤǢǮƤǯǯǞǹǤ Ȁ ƤǸǞǥǤǽǤ ǚǹǸǚǝǹǭǚǯ Ƿǹǚ: ưǹǝǮƤǯǽƤǭ ǛǱǥǱǹǶ ǷǞǹǚǧǷƤǭ Ǟǯǽ ǚǜǚǹǚǨǚǸǞǹǞǹǤ:

“We Are All Farmers” Nature’s Path, United States, 2015, 0:01:35 Director Acme Filmworks Inc. Using their unique visual style, director Burcu Sankur and Geoffrey Godet explore the ways our decisions in the grocery store affect the types of farms that are created and the way food is produced. In the end, we are all farmers. ƱǉƲ (ƱǯǱǻǢǮǚǯ ǳǚǰǸǳǚǯǱǻǢǮǚǯ ǜǱǹǧǚǨǚǥǱǻǢǮǱǻǯ), ǔǝǤ ǚǫǸǱǸǷǚǧƤǢǮƤǯ, ưǷǶǹǚǥǤǚ, 2015, 0:02:38, 5+ ǋǞǣǤǶǱǹǘ ǌǸǞǿǚǯ ǍǞǹǯǤǨ ǔǝǤ ǚǫǸǱǸǷǚǧƤǢǮƤǯǡ ǥǱǻǹǴ ǦǯǝǤǹ Ǡ: ǔǜǸǚǜǱǹǧǞǥǱǷ ǳǚǹǟ, ǭǤǚǣǚǭǚǯǚǨ ǩǹǚǭǚǮǚǨǚǯ ǳǚǸǭǱǫǚǨǚǯ ǱǬǡ, ǿǤǥǭǡ ǛǚǺǚǸǹƤǭ Ǡ ǚǫǸǱǸǷǚǧƤǢǮǚǯ ǳǚǸǬǚǵǯǞǹǯ Ǳǻ ǩǞǸȀǚǯǽǯǞǹǡ Ƥ ǩǚǹǺ Ǡ ǛǚǹǪǹǚǺǯǱǻǭ. «ƺǯǲǳǤǶǤǙǯ Ǡ ǩǤǭǚ ǾǝǤ ǱǹǚǨǯ ǚǮǯǸǞǫ, ǱǹǸǞǫǘ ǝǱǻ ǞǶ»:

EPA Air Pollution, Australia, 2015, 0:02:38, 5+ Director Stefan Wernik Air Pollution is a serious issue. Using a simple yet evocative narrative this ȃlm explains the causes and effects and asks the question, ‘What’s the air quality like where you are today?’ ǋǱǢǚǹǤǤ ǬǚǨǚǸǚǹǜǤǹǡ, ƿǯǝǨǚǶǸǚǯ, 2014, 0:02:08 ǋǞǣǤǶǱǹ` ǌƤǹǞǰ ƶǹǤǮǚǢ ǕǤǥǭǡ ǋǱǢǚǹǤ ǚǨƤǭǛǤ ǢǚǼǚǧ ǴǚǯǽǞǹǤ ǭǚǶǤǯ Ǡ, Ǳǹǡ ǯǳǚǸǚǨ ǱǻǯǤ ƿǯǝǨǚǶǸǚǯǤ ǭǱǸ 10000 ǝǳǹǱǺƤǭ ǚǯǷǬǚǹ ƺǯǸǞǹǯǞǸ ǨǹǢƤǢǮǚǯ ǩǯǚǹǚǷǱǹƤǢǮǱǻǯ ǶǸǞǫǧǞǥ: ǃǤǥǤǱǯǚǷǱǹ ǚǫǽǚǸǯǞǹ ǱǻǯǞǺǱǫ ǞǹǨǹǱǻǭ ǨǹǢƤǢǮƤǯǡ ǭǫǷƤǭ Ǡ ǞǹǨǹǱǹǝ ǳǥǚǯ ǩǚǸǨǚǳǞǶ ǚǮǯ ǭǚǹǝǨǚǯǺ ǩǚǭǚǹ, ǱǷǽǞǹ ǳǚǮǽǚǹƤǭ Ǟǯ ǭǤ ǨǸǱǹ ǩǚǺǤ ǩǚǭǚǹ: ưǵǚǯǺ ǨǹǢƤǢǮǚǯ ǛǯǚǨǲƤǢǮǚǯ ǚǮǶ ǰǞǹǸǤ ǩǚǭǚǹ ǚǫǽǚǸƤǢǮǚǯ ǰǞǭǡ ǩǚǫǢǚǩǚǹǞǥǡ ǚǷǞǥǤ Ǡ ǝǣǷǚǹǚǯƤǭ: ưǮǶ ǤǹǚǷǤǬǚǨǡ ǢǱǻǮǥ ǲǤ ǸǚǥǤǶ, Ǳǹ Ƭǹ ǞǹǨǹǤ ǱǫǴ ǯǞǹƤǣǡ ǟǜǚǯǽ: ǋǱǢǚǹǤ ǚǨƤǭǛǤ ǴǚǯǽǞǹǱǷ ǚǯǯǨǚǹǚǜǹǞǥǤ ǼǱǼǱǦƤǢǮƤǯǯǞǹ Ǟǯ ǨǚǸǚǹǷǞǥ ǚǮǶ ǛǯǚǜǚǷǚǵƤǭ: ǅǹǚǯǽ ǜǱǹǧǚǹǨǞǥ Ǟǯ ǚǮǯ ǜǚǫǚǼǚǹǡ, Ǳǹ ǞǢǞ ǭǚǹǝ ǧǯǷǞǥ Ǡ ǲǽǚǷǱǹǱǻǢǮǚǯ ƬǴ, ǝǞǵ ǲǤ ǯǰǚǯǚǨƤǭ, Ǳǹ ǱǫǴ ǨǮǚǯǽǡ ǳǞǸǽ Ǡ ǚǫǽǚǸ ǭǯǚ: ƼǢǚǯǞǥǱǷ ǨǹǢƤǢǮǚǯ ǥǚǮǯ ǸǚǹǚǧǱǻǭǡǘ ǨǚǹǱǫ Ǟǯǽ ǼǱǦǞǥ ǰǚǸ ǰǚǸǞǹǤ ǬǚǨǚǸǚǜǤǹǡ: ƿǞǯǺ ǚǮǶ ǬǚǨǚǸǚǜǹǞǹǤ ǷǞǹǚǼǱǦǭǚǯ ǜǚǫǚǼǚǹǯ Ǟǯǽ ǺǚǯǨǚǺǞǥ ǳǚǸǨǞǹǞǥ Ƭǹ ǿǤǥǭƤǭ: ǓǚǹǞǹǤǺ ǜǹǽǞǹǤǯ ǚǯǺƤǭǡ ǳǚǹǟǚǳǞǶ ǩƤǮǶ Ǡǹ, Ǳǹǡ ǤǹǚǨǚǯƤǢǮƤǯ ǝǚǹǪǚǷ ǋǱǢǚǹǤ ǚǨƤǭǛǤ ǴǚǯǽǞǹǤ ǰǯǱǹǩǤǷ: ưǮǶ ǨǞǯǸǹǱǯǚǨǚǯ ǜǚǫǚǼǚǹǤǯ ǩǞǸȀǞǥǱǷ Ǡǥ ǃƤǭǛǚǤ ƲǱǷǚǯǝǤ ǢǚǫǚǭǚǶǤ ǸǚǫǚǯǝǚǷǱǹ ǞǹǞǦǚǯǞǹǡ ǚǳǚǩǱǷǞǥ Ǟǯ ǚǮǶ ǿǤǥƩ ǞǹǚǣǰǸƤǢǮƤǯǡ: ƴǹǞǦǚǯǞǹǡ ǳǞǸǽ Ǡ Ǳǲ ǢǞ ǚǰǦǚǸǞǯ, ǚǮǥ ǨǹǢƤǢǮƤǯ ǶǸǚǯǚǯ. ǚǩǚ Ƕǹǚ ǭǚǶǤǯ Ǡ ǯǹǚǯǺ ǶǹǸǚǵǱǻǲ Ǟǹǜǡ, Ǳǹǡ ǮƤǹǚǩǚǸƤǨ ǨǚǦǚǹǝǚǯǽ Ǡ ǩǚǫǱǹǝƤǭ ǿǤǥƩǯ:

Rotary Fateline, India, 2014, 0:02:08 Director Suresh Eriyat This ȃlm was to depict the efforts of Rotary Club to provide free E- learning opportunities across 10000 schools in India. In a country where millions are mired in poverty, education takes a backseat for those struggling to make a living. Without an education, it becomes even harder for this section of the population to break the cycle of poverty. This is turn stops us as a country from realizing our full potential. Efforts like those of the Rotary Club have made signiȃcant difference in this area, enforcing the idea that just because someone is born in poverty doesn’t mean they have to be trapped in it for the rest of their lives. By taking action to foster widely accessible education, we can change the fates of many. It is this idea of rewriting the fate line that we have sought to depict in our ȃlm. The journey from bricks to books is a hope that has been given form by the actions of Rotary Club.In keeping with this central idea, the talented kids of Mumbai’s Govandi Slum provided the soundtrack for this ȃlm. Their heartfelt song about the need for education to escape child labor lends its own special magic to the ȃlm.

50 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 1 TV and Educational ȃlms ǐǚǯǞǥ-ǩǚǷǚǽǞǥƤ ǭǱǝǞǥǡ, ƲǞǹǭǚǯǤǚ, 2014, 0:02:41 ǋǞǣǤǶǱǹǘ ǎǱǛǤǚǶ ǓǯǤǿ ǃǞǧ ǜǚǫǚǼǚǹǡ. ǰǚǸǞǹǯ Ǟǯ ǼǯǸǹƤǭ, ǽǲǞǹǡǘ ǜǸǯƤǭ Ȁ ǽǲǞǹǤǺ ǱǹǱǰǯǞǹǡǘ ǨǮǚǯǽǤ ǨǱǲƤǭ: ƴǹǛ ǪǞǵǯǚǹǨƤǢǮƤǯǯǞǹǡ ǪǜǸƤǭ Ǟǯ ǯǱǹǚǹǚǹƤǢǮǚǯ, ǨǮǚǯǽǤ ǨǱǲǞǥƤ ǜǱǹǧǡǯǢǚǺǡ ǚǷǞǥǤ Ǡ ǝǣǷǚǹǚǯƤǭ: ǌǢǞǯǿǱǹǝǤ ǩǚǭǚǥǶǚǹǚǹǚǯǤ ǞǹǨƤ ǝǚǶǚǦǱǶ ǩǚǹǺ Ǟǯ ǛǚǹǪǹǚǺǹǞǥ Ƥ ǳǚǸǚǶǦǚǯǡ ǜǸǞǥ ǓǚǹǞ ǝǚǹƤǭ: ưǯǜǚǭ Ƭǹ ǳǚǸǭǚǨǚǯ ǯǚǦǯǤǯǞǹǡ ǚǷǞǥǤ ǚǹǚǜ ǠǤǯ ǚǵǚǴǡǯǢǚǺ ǨǚǸǚǹƤǭ, ǞǹǛ ǩǞǸȀƤǭ ǠǤǯ ǚǮǶ 3 ǩǚǶǚǹǚǨ ǨǚǯǱǯǤǯ, ǱǹǱǯǽ Ʃǯǲ ǚǮǶǾǹ ǨǤǹǚǵǞǥǤ Ǟǯ: ǆǷǞǮǺǚǹǚǨǚǯ “Die Mobiliar” ǚǳǚǩǱǷǚǜƤǢǮǚǯ ǜǱǹǧǚǨǚǥƤǢǮƤǯǡ ǶǱǷǱǹǞǺǯƤǭ Ǡ ǨǤǹǚǵǞǥ ǺǚǯǞǥ-ǩǚǷǚǽǞǥƤǫ ƬǢǱǝǡǘ ǨǚǹǬ ǣǚǭǚǯǚǨƤǭ ǩǚǴǱǫƤǢǮǚǯ ǩǚǶǯǞǥƤ ǩǚǭǚǹ:

The Hunter-Gatherer Model, Germany, 2014, 0:02:41 Director Tobias Knipf The big idea: Many search for it, few ȃnd it – and just a fraction of them implement it successfully. When enterprises search for innovation, the process becomes even more complex. Two professors from Stanford addressed this problem and found the solution in the Stone Age: Even our prehistoric ancestors were more efȃcient in achieving progress when they followed three simple rules that still apply today. The Swiss insurance company “Die Mobiliar” asked us to visualize this “Hunter and Gatherer” method for training purposes in a short and entertaining way. ƺǯǪ ǜǤǸǞǶ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, ǃǚǹǱǨǨǱ, ƿǱǹǝǚǯǚǯ ǋǞǣǤǶǱǹǘ ǋǚǴ ǄǚǜǯǤǨ ǃǞǹǪǚǷǱǹ ưǹȀǞǥǽƤǭ Ȁ ƿǮƤǶǤǶǚǮǤǯ ưǿǹǤǚǨǚǮƤǭ 15 ƩǥǤǱǯ ǞǹǞǦǚ ǲǤ ǩǚǬǚǦƤǭ ǝǳǹǱǺ: ưǮǶ ǿǤǥǭƤǭ ǯǹǚǯǽ ǛǚǺǚǸǹƤǭ Ǟǯǘ ǤǯǲƤ:

You Know Me, UK / Morocco / Jordan, 2015, 0:02:00 Director Raj Yagnik There are 15 million children out of school in the Middle East and in North Africa. In this ȃlm some of them explain why.

ƾǤǢǡ Ȁ ƾǞǮǢǡ, ƾǤǳǹǱǶ, 2014, 0:05:00, 2+ ǋǞǣǤǶǱǹǘ Toonbox 2 ǼǱǽǹǤǨ ǼǤǶǤǨǘ ƾǤǢǡ Ȁ ƾǞǮǢǡ, ǶǤǹƤǭ Ǟǯ ǤǹǞǯǺ ǦǚǫǚǥǤǽǯǞǹǤ ǚǹǨǫǡ: ƿǞǯǺ ǯǹǚǯǽ ǺǚǸǨƤǭ Ǟǯ ǚǹǨǫǤ ƬǴ, ǨǚǦǚǹǝǚǯǽǡ ǶǨǶǷƤǭ Ǡ: ƴǹǞǦǚǯǞǹǤ ǞǹȀǚǨǚǮƤǢǮƤǯǡ ǸƤǯǡ ǷǞǹǚǧƤǭ Ǡ ǩǚǳǚǥǚǶǤ ǨǫǟƤ, ǪǤǚǹǰǚǷǚǹǚǯǤ Ǩǚǭ ƩǴǯǚǝǚǹǮǚǯ ǚǭǹǱǺǤ: ưƬǯ ǚǯǜǚǭ ǼǤǶǤǨǯǞǹǡ ǶǸǞǫǧƤǭ Ǟǯ ƩǚǯǜǚǭǚǮǯ ǯǱǹ ǚǰǦǚǹǩǘ ǟǚǹǭǚǯǚǥǤ ǛǚǺǚǩǚǮǸƤƨǞǹǱǷ Ƥ ǚǯǚǨǯǨǚǥǯǞǹǱǷ: ưƬǯ ǝǹǷǚǜƤǭ ǼǤǶǤǨǯǞǹǡ ǩǚǯǝǤǳƤǭ Ǟǯ Ʃ ǚǵǞǫǧǷǚǧǚǮǤǯ ǚǯǧǚǯǱǢǤ, ǱǷ ǤǹǞǯǺ ǽǱǫǚǹǨǷǚǧ ǭǚǮǹǡ Ǩǚǭ ǩǚǮǹǯ Ǡ: ưǯǧǚǯǱǢǡ ǾǜǯƤǭ Ǡ ǞǹǞǦǚǯǞǹǤǯ ǥƤǧǞǥƤ ǛǱǥǱǹ ǩǚǯǞǥƤǨǯǞǹǡ, ǚǯǜǚǭ ǷǚǮǞǥǞǥ ǚƬǯǚǝǣǷǚǹ ǼǱǹǪƤǢǮƤǯǯǞǹǡ: ƾǤǢǤ Ȁ ƾǞǮǢǤ ǟǚǷǞǰǸǚǥǤ ǳǚǸǭƤǢǮƤǯǯǞǹǡ ǧǯǱǫǯǞǹǤǯ ǾǜǯƤǭ Ǟǯ ǦǚǫǤ ƩǴǱǺǱǷ ǺƤǮǺ Ǹǚǥ, ǢǞ ǤǯǲǳǞǶ ǨǚǹǞǥǤ Ǡ ǥƤǧǞǥ ǚƬǯǚǦǬǬǷǚǧ ǭǚǯǨǚǨǚǯ ǦǯǝǤǹǯǞǹǡ: ưǮǶ ǿǤǥǭǡ ǾǜǯƤǭ Ǡ ǞǹǞǦǚǯǞǹǤǯ ǜǸǯǞǥ ǚƬǯǚǛǚǹǝ ǩǚǹǺǞǹǤ ǳǚǸǚǶǦǚǯǯǞǹǡ, ǥǤǯǞǥ ǽǚǫǚǽǚǷǚǹǤ, ǣǚǭǚǯǚǨǤǯ ǽǯǞǥ Ȁ ǬǤǰǸ ǶǯǷǞǥ: ƾǞǹǳǚǹǯǞǹǡ ǯǚȀ ǺƤǮǺ Ǟǯ ǸǚǥǤǶ, ǢǞ ǤǯǲǳǞǶ ǶǱǷǱǹǚǨǚǯ ǦǚǫǚǥǤǽǯǞǹǱǷ ǩǞǸǚǽǹǤǽǹ ǦǚǫǞǹ Ǧǚǫǚǥ:

Kit & Kate, Cyprus, 2014, 0:05:00, 2+ D Studio irector Toonbox Studio Two small kitties named Kit and Kate love their toy box. As soon as they hop inside, magic starts to happen. Kids’ imagination transforms their room into a blueberry island, race track or a medieval castle. Every time the kitties create a whole new world with amazing discoveries, surprises and not-so-easy-to-solve dilemmas! In each episode the kitties meet a mysterious stranger who always happens to be their Mum or Dad in disguise. The stranger helps the kids to solve all the puzzles and enjoy even the bumpiest ride. Sweet stories of Kit and Kate help parents through a game show their kids how to solve even the most twisted kiddy problems. This movie teaches children to ȃnd answers to difȃcult questions, be polite, go to bed on time and eat properly. The characters also show how to start an amazing game with usual toys.

51 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1 ƿǞǵƤǶǸǚǸǞǶǚǮǤǯ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǿǤǥƬǹ ưǷǚǟǞ ǨǞǯǝǚǯǤǯǞǹ, ƿǚǮǚǶǸǚǯ, 2015, 0:05:00 ǋǞǣǤǶǱǹǘ ǃǚǯǚǯǚ ƾǞǯǸǹǱǯ «ưǷǚǟǞ ǨǞǯǝǚǯǤǯǞǹǡ» ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥƬǹǤ ǰǚǹǽ Ǡǘ ǳǚǸǹǚǶǸǷǚǧ ǚǷǚǟǤ ǚǯǤǭǚǺǤǚǮǤ ǸǞǦǯǤǨǚǮǱǷ: ǄƤǹǚǽǚǯǲǮƤǹ ǝǹǷǚǜ ǯǞǹǨǚǮǚǺǯƤǭ Ǡ Ʃ ǨǞǯǝǚǯǤ. ǨǞǯǝǚǯǤǯǞǹǤ ǚǯƤǯǯǞǹǤ ǩǞǹǢǚǨǚǯƤǢǮƤǯǡ ǩǚǭǚǳǚǸǚǶǦǚǯǞǺǷǚǧ Ǡ ǩǚǮǞǹǞǯǤ ǚǮǛƤǛǞǯǤ ǸǚǵǞǹǤ ǩǞǹǢǚǨǚǯƤǢǮǚǯǡ:

Sand Animals, Armenia, 2015, 0:05:00 Director Manana Center “Sand Animals” is a series of short animation ȃlms created with sand animation technique. Each episode illustrates an animal which has a name starting with a letter from the Armenian alphabet. ƿǱƬǹǤ ǯǞǹǚǰǦǚǹǩǡ, Couch Gag, ưǃǅ, 2014, 0:01:13 ǋǞǣǤǶǱǹǘ Filmworks Inc. ǌǤǭǼǶǱǯǯǞǹǤ ǚǵǞǫǧǷǚǧǚǮǤǯ ǢǚǦǸǡ Ƭǟ ǸǚǯƤǭ Ǡ ƿǱƬǹ ǌǤǭǼǶǱǯǤ ǩǚǯǞǥƤǨǚǮǤǯ ǯǞǹǚǰǦǚǹǩǡ:

“Inside Homer” Simpson’s Couch Gag, United States, 2014, 0:01:13 Director Acme Filmworks Inc. This Simpson’s couch gag takes us on a tour through the enigmatic world inside Homer Simpson. ƾǚǹȀǱǹ ǶǞǹǤǚǯǞǹ, ǕǹǚǯǶǤǚ, 2014, 0:09:15, 14+ ǋǞǣǤǶǱǹǘ ǃǱǹǤǶ ƿƤǷǞǥǤǯ ƾǧǱǻ ǩǱǻǭǱǹǱǷ ǼǱǽǹǤǨ ǝǞǹǚǶǚǯǯǞǹǡ ǭǸǯǱǻǭ Ǟǭ ǦǱǰǱǹǚǜǱǻǮǯ ǨǤǯǱǢǚǸǹǱǯǯǞǹǤǺ ǭǞǨǡ Ǳǻ ǝǞǭǚǵǝǞǭ ǩǚǯǝǤǳǱǻǭ ǢǰǯǚǭǤǯǞǹǤǘ ǩǹǞǰǯǞǹǤ Ȁ ǚǯǜǚǭ ǩǚǫǢǚǨǚǯ ǨǞǯǝǚǯǤǯǞǹǤ: ǃƴƽ ǌưǏǌưǒǇǍ, ǃƴƽ ƿƴǏǇǌǅƴǏǇǍ, ǃƴƽ ǉǇǋǅǇǄǇǍ, ǃƴƽ ƼƣǂưǉǇǍ, ǃƴƽ ǍƴǌƸƴǏǅǇǍ, ǃƴƽ ǌƺǏǇǍ ƴǍ ǃƴƽ ƴǏƴǍƾưǄǇǻƸǄưǃƱ: BIGSHOT SERIES, France, 2014, 0:09:15, 14+ Director Maurice Huvelin Little actors with caustic humour, cross the greatest cinema sets and face tough enemies, absurd monsters and ever victorious animals. With BIGHORROR, BIGHEROES, BIGPORN, BIGPANIC, BIGPEPLUM, BIGWESTERN, BIGROMANCE and BIGFANTASY. ǃǚǟǚǩǞǵǚǺǱǻǭ` ǰǚǹǣǭǚǯ ǭǞǴ, ǃǤǚǺǮǚǯ ƸǚǜǚǷǱǹǱǻǢǮǱǻǯ, 2014, 0:00:46 ǋǞǣǤǶǱǹǯǞǹǘ ƿǱǨǱǻ Ȁ ưǝǚǭ «Stop frame»-Ǥ ǷǚǹǳǞǸǯǞǹǡǘ ƿǱǨƤǯ Ȁ ưǝǚǭǡ, ǛǞǭǚǝǹǞǥ Ǟǯ ǚǮǶ ǦǬǬǷǚǧ ǿǤǥǭǡ Wilkinson Sword Hydro 5 ǚǧǞǥǤǤ ǜǱǷǚǟǝǤ ǩǚǭǚǹ: ǄƤǹǚǽǯǚǲǮƤǹ Ǩǚǝǹǡ Ȁ ǭǱǹƤǽǡ ǯǨǚǹǷǞǥ Ǡ Timeslic-Ǥ ǨǱǫƩǺ ǯǚǦǚǜǧǷǚǧ ǷǚǮǹǨǮǚǯƤǭ 48 Ǩǚǝǹ ǯǨǚǹǱǫ ǸǞǶǚǦǺǤǨǱǷ: ƿǱǨƤǯ Ȁ ưǝǚǭǡ ǤǹǞǯǺ ǜǚǫǚǼǚǹǡ ǚǮǶǳǞǶ Ǟǯ ǛǚǺǚǸǹƤǭ. «ǉǚǸǭƤǢǮƤǯǡ ǩǤƨǚǨǚǯƤǭ ǭǱǹƤǽǯǞǹǡ ǶǚǼǹǞǥƤ ǭǚǶǤǯ Ǡ: ǃǱǹƤǶǤ ǩǚǹǝǚǹƤǭǡ ǩǚǭǚǨǺǷƤǭ Ǡ ǞǹǚǣǰǸƤǢǮǚǯ ǵǤǢƩǨ ǩǚǹǷǚǧǯǞǹǤǯ: ǃƤǹƤǶǯǞǹǡ Ȁ ǛǞǫǞǹǡ ǶǚǼǹǷƤǭ Ǟǯ ǷǚǹǶǚǷǤǹ ǏǚǮǡǯ ǃǽƲǹǞǜǱǹǤ ǞǹǚǣǰǸƤǢǮǚǯ ǵǤǢƩǨ ǩǯǲǮƤǯǯǞǹǤ ǯǞǹǽǱ: ƲǚǫǚǼǚǹǡ ǧǚǜǞǥ Ǡ JWT’-Ƥǭ. ƾǥǚƤǝǤǚ ǌǚǿǜǞǮǢǤ, ǍǞǹǤǢǤ ǕǞǯǯǞǹǤ Ȁ ǩǞǵƤǶǸǚǸǞǶǚǮǤǯ ǳǹǱǝǮƤǶǞǹ ǋǤǲǚǹǝ ưǝǨǤǯǶǤ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǡǯǨǞǹƤǢǮƤǯǤǺ: Manscaping in Motion, United Kingdom, 2014, 0:00:46 Directors Hoku & Adam The master stop frame duo Hoku & Adam directed this incredibly intricate ȃlm for Wilkinson Sword Hydro 5 Groomer. Every single frame and beard shave has been captured in-camera by a 48-piece camera rig designed by Timeslice. ! Describing their idea, Hoku & Adam say ‘The story of this is basically just beards rocking out.’ The beard styling is synchronized to the beats of the track. Beards and moustaches are shaved into the rhythm of the track by barber Ryan MacGregor. The idea came from agency JWT’s creative; Claudia Southgate & Verity Fenner and TV Producer Richard Adkins. ƹǚǯǯǚ ƾǤǹǰǯǞǹ - ǽǚǫǚǽǤ ǱǜǤǯ, ǌǥǱǷǚǨǤǚ, 2015, 0:03:38 6+ ǋǞǣǤǶǱǹǘ ưǯǝǹǞǮ ƾǱǥǞǯǺǤǨ, ǍǞǹǱǯǤǨǚ ƾǱǺƤǹǨǱǷǚ ǀǞǟ Ǟǯǽ ǯǞǹǨǚǮǚǺǯƤǭ ƹǚǯǯǚ ƾǤǹǰǯǞǹǤ ǳǚǰǸǱǯǚǨǚǯ ǩǱǥǱǷǚǨǡǘ ǯǞǹǰǯǲǷǚǧ ǩǤǯ ǝǳǹǱǺǤ ǷǤǝǞǱǦǚǫǞǹǱǷ: Jana Kirschner - Spirit of the City, Slovakia, 2015, 0:03:38, 6+ Director Andrej Kolencik, Veronika Kocourkova Ofȃcial Music Video for Jana Kirschner inspired by the old school video games.

52 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 1 TV and Educational ȃlms ǋ120 ǔǶǢǤǯ, ǆǷǞǮǺǚǹǤǚ, 2014, 0:01:03 ǋǞǣǤǶǱǹǯǞǹǘ ƾǥǚƤǝǤǚ ǋǱǿǥǤǯ Ȁ ƺǷ ƲǚǢǴǚǹ

ǅǱǹǘ ǚǯǝǤǭǚǝǹǞǥǤ, ǝǤǭǚǺǨǱǻǯ ǋ120 ǔǶǢǤǯ ǭǱǝǞǥǤ ǳǚǮǱǻǶǚǨǤ ǚǯǰǚǹǣ ǬǚǯǚǳǚǹǩǱǹǝǱǻǢǮǱǻǯǡ, Ǳǹǯ ǚǯǝǤǭǚǝǹǞǥǤ Ǡ ǚǭǞǯǚǷǚǸ ǤǹǚǷǤǬǚǨǯǞǹǱǻǭ ǚǯǜǚǭ: R120 Austen, Swtzerland, 2014, 0:01:03 Director Claudia Röthlin & Yves Gutjahr Stop motion journey of the new irresistible, resistant handbag R120 AUSTEN that stays irresistibly resistant even in the most adverse circumstances. ǆǚǸ ǼǱǽǹǤǨ ǨǤǯǱǢǚǸǹǱǯ, 2015,0:00:45 ǋǞǣǤǶǱǹǘ ƾǚǹǱǥǤǯ ưǸǸǤǚ ƻǚǹǤǷǤǞ

ǋǱǭǞǮǯǡ ǭǚǮǹǤǨǤ ǩǞǸ ǚǵǚǴǤǯ ǚǯǜǚǭ ǜǯǱǻǭ Ǡ ǨǤǯǱǢǚǸǹǱǯ: ǌǳǚǶǷǱǫ ǱǻǫȀǱǹǱǻǢǮǱǻǯǡ ǥǤ Ǡ ǚǯǚǨǯǨǚǥǯǞǹǱǷ Ȁ ǞǹȀǚǨǚǮǱǻǢǮǚǭǛ: Very Little Cinema, France, 2015, 0:00:45 Director Caroline Attia Larivière Romain along with his mother is going to his ȃrst movie. The journey that’s ahead of him if full of surprise and imagination.

ǄǤǯ Ȁ Ǆǚǯǚ, ǋƤǶǚǶǸǚǯ, 2015, 0:11:00 ǋǞǣǤǶǱǹǘ «ǆǚǵ» ǝǳǹǱǺ-ǶǸƤǝǤǚ ǌǚ ǳǚǸǭǱǻǢǮǱǻǯ Ǡ Ǆǚǯǚ ǚǯǱǻǯǱǷ ǞǹǤǸǚǶǚǹǝ ǚǫǴǨǚ Ȁ Ǥǹ ǄǤǯ ǚǯǱǻǯǱǷ ǚǮǥǭǱǥǱǹǚǨǚǮǤǯ ǡǯǨǞǹǱǴ ǭǚǶǤǯ: ǄǤǯǡ ƴǹǨǤǹ ǭǱǥǱǹǚǨ Ǡ ǞǨǞǥ Ǥǹ Ȁ ǸǤǞǟǞǹǚǯǚǷǤ ǩǚǭǚǹ ǷǚǵǞǥǤǽ ǜǸǯǞǥǱǻ ǯǳǚǸǚǨǱǷ: ưǭǞǯ ǝǹǷǚǜǱǻǭ ǺǱǻǺǚǝǹǷǱǻǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǟǯ Ǆǚǯǚǯ Ȁ ǄǤǯǡ ǱǻǶǱǻǭǯǚǶǤǹǱǻǭ ƴǹǨǤǹ ǭǱǥǱǹǚǨǡ, ǛǚǺǚǩǚǮǸǱǻǭ ǸǚǹǛǞǹ ǭǰǚǨǱǻǮǢǯǞǹ ǱǻǯǞǺǱǫ ǭǚǹǝǨǚǯǺ ǚǷǚǯǝǱǻǮǢǯǞǹǯ Ǳǻ ǶǱǷǱǹǱǻǮǢǯǞǹǡ: ǕǤǥǭǤ ǩǤǭǯǚǨǚǯ ǯǳǚǸǚǨǯ Ǡ ǚǯǝǹǚǝǚǵǯǚǥ ǭǚǹǝǨǚǮǤǯ ǨǮǚǯǽǤ ǛǱǥǱǹ ǨǱǫǭǞǹǤǯǘ ǡǯǸǚǯǤǽ, ǭǚǶǯǚǜǤǸǱǻǢǮǱǻǯ, ǩǚǜǱǻǶǸ, ǨǵǤǷ Ȁ ǩǚǰǸǱǻǢǮǱǻǯ, ǨǮǚǯǽ Ȁ ǭǚǩ, ǚǹǷǞǶǸ Ȁ ǥǞǟǱǻ Ȁ ǚǮǥǯ: Yin & Yana, Russia, 2015, 0:11:00 Director School-studio “SHAR” Young girl named Yana and her friend alien named Yin. He came to Earth in search of a universal kind of fuel for himself and his Ȅying saucer - the information. In every episode Yin and Yana explore our planet, ȃnd out about traditions and customs of different people and cultures. The topics of the episodes have to do with all aspects of human life: family, profession, clothes, games, ȃghting and making up, life and death, art and language, etc. ƼǚǫǚǫƤǢǮǚǯ ǚǯǨƤǭ, ǝǹǷǚǜ 1: «ƹǚǵǚǯǜƤǢǮƤǯ», 2015, 0:04:19, 5+ ǋǞǣǤǶǱǹǯǞǹ` ưǹǞǜ ǃǦǤǢǚǹǮǚǯ, ưǹƬǯ ǎǤǹǚǸƤǹǮǚǯ ƴǷǹǱǳǚǨǚǯ ǩǚǭǚǜǱǹǧǚǨǺƤǢǮǚǯ ǰǹǴǚǯǚǨǯǞǹƤǭ ǤǹǚǨǚǯǚǺǷǚǧ ǧǹǚǜǤǹ Ǡ, ǱǹǤ ǯǳǚǸǚǨǯ Ǡ Ǧǚǫǚǫ ǬǚǯǚǳǚǹǩǱǷ ǥǱǻǧǞǥ ǁǚǹǚǛǚǫǮǚǯ ǩǚǹǺǡ: ƽǹǚǜǤǹǯ ǤǹǚǨǚǯǚǺǷǱǻǭ Ǡ ǂǜǯǚǣǚƬǹǤ ƿǚǭǚǨǚǹǜǭǚǯ ǅǚǦǚǪǞǵǯƤǢǮǚǯ ǚǴǚǨǺƤǢǮǚǭǛ Ǳǻ ƴǃ-Ǥ ǩǱǷǚǯǚǷǱǹǱǻǢǮǚǭǛ:

Peacefall, Episode 1 “Legacy“, Armenia, 2015, 0:04:19, 5+ Director Areg Mkrtchyan, Armen Tiraturyan Project implemented within the European Partnership for the peaceful settlement of the conȄict over Nagorno-Karabakh (EPNK), with the support of Crisis Management Initiative (CMI) and funded by the European Union.

53 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 2 ƿǞǵƤǶǸǚǸǞǶǚǮǤǯ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǿǤǥƬǹ ƱƤ - ƱƤǭ, ƴǹǨǚǹ Ǭǚǯǚǳǚǹǩ ǝǞǳǤ ǸƤǯ, ƺǸǚǥǤǚ, 2014, 0:22:53 ǋǞǣǤǶǱǹǘ ǃǚƤǹǤǺǤǱ ǕǱǹǞǶǸǤǞǹǤ 1944 Ǣ. Ǫǭǵǚǯǡ ƺǸǚǥǤǚǮǱǷ ƬǨ ǢǚǼǚǵƤǭ Ǡ ǮƤǹǚǩǚǸƤǨ ǨǞǯǝǚǯǤǯǞǹǤ Ʃ ǦƤǭǛ. ƱǱǥǝǶǸǤǝǡǘ ƤǣǞǫ Ȁ ƬǧǚǩǱǜǤ ǶǤǺǤǥǤǚǨǚǯ ǪǤǯ, ǊǞǽǡǘ ǚƬǹǤǨǮǚǯ ǟǤǯǷǱǹǚǨǚǯ ǰƤǯǡ, ưƤǹǞǥǤǚǯǘ ǩǵǱƬǚǨǚǯ ǨǚǸƤǯ, ǱǷ ǝǣǷǚǹ ǤǹǚǷǤǬǚǨǯǞǹǤǺ ǝƤǹǶ ǜǚǥƤ Ǹǚǫǚǯǝ ƤǯǤ Ȁ ǓǹǤǶǸǱǿǞǹǡǘ ǸƤǶǨǚǯǚǨǚǯ ǞǹǨǚǹǚǳǱǲ ǚǽǚǫǚǫǡ: ǔǝǚǮǤǯ ǩǚǹǪǚǨƤƩǺ ǩǞǸǱ ǦƤǭǛǡ ǽǚǹǤ ǸǚǨ ǩǚǮǸǯǚǛǞǹƤǭ Ǟǯ Ʃ ǼǱǽǹǤǨ ǸǫǚǮǤ: ƾǚǸǚǹǷǚǧǤǺ ǩƤǟǷǚǧǘ Ǹǫǚǯ ǚǯǡǯǝǩǚǸ ǨǹǨǯƤǭ Ǡ ǯƤǮǯ ǛǚǵǞǹǡǘ ǛƤǭ, ǛƤǭ: ưǩǚ ǚǮǶǳǞǶ ǶǨǶǷƤǭ Ǡ ǞǹǨǚǹ ǬǚǭǼǱǹǝƤǢǮƤǯǡ: BOO BOOM The Long Way Home, ITALY, 2014, 0:22:53 Director MAURIZIO FORESTIERI A peculiar group of animals wanders around Italy in the winter of 1944: Boldsteed, a strong Sicilian horse with a generous heart; Jack, an American military dog; Aurelia, a Roman cat with a talent for getting out of sticky situations; and Christopher, the longwinded rooster from Tuscany. The group ȃnds a small boy under the rubble after an air raid. Because of the shock he no longer speaks and repeats the same two words: “Boom! Boom!” The long journey was starting..

ƿǤǯ ǣǱǫǱǷǹǝǨǚǯ ǩǞǽǤǚǢ 2, ƳǚǷǤǢǡ, ǃǚǩǚǺǚǧǡ, ƾǱǥƤǭǛǤǚ, 2014, 0:05:47 ǋǞǣǤǶǱǹǯǞǹǘ ƾǚǹǥǱǶ ƶǝƤǹǝǱ ǌƩǢ, ǃǚǹǶǞǥǱ ƳǞǭǚǸǞǤ ƳǚǷǤǢǡ ǩǤǰƤǭ Ǡ ǔǹǤǟǚǛǚǮƤǭ, ǃǞǽǶǤǨǚǮƤǭ ǚǯǺǨǚǺǹǚǧ Ǥǹ ǭǚǯǨƤǢǮƤǯǡ, ǤǹǞǯǺ ǡǯǸǚǯǞǨǚǯ ǛǤǟǯǞǶǡ, ǝǤǚǹǚǯǡ, ǩǤǰƤǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǡǹ ǩǚǮǹǡ ǶǯǚǩǚǷǚǸƤǢǮǚǭǛ ǚǶƤǭ, ǢǞ ǳǞǸǽ Ǡ ǸǞǫǚǼǱǦǞǥ ǛǤǟǯǞǶǡ, ǞǹǛ «ǼǱǽǹǤǨ ǟǱǩǞǹǡ» ǛǚǺǚǨǚǮƤǭ ǠǤǯ:

Old Folk’s Tales 2. David, The Dead, Colombia, 2014, 0:05:47 Directors Carlos Eduardo Smith, Marcelo Dematei

David remembers how his child life elapsed on Orizaba, Mexico, around the family business, a mortuary, and how his father applied curious superstitions to move the business when the “little deads” were missing.

ƶǥǭǚǯǝǱ, ǋƤƩǯǤǚ, 2014, 0:03:23 ǋǞǣǤǶǱǹǘ ưǯǸǱǯ ǔǨǸǚǷǤǚǯ «ƶǥǭǚǯǝǱ»-ǯ Ʃ ǳǚǸǭƤǢǮƤǯ Ǡ ǞǹǤǸǚǶǚǹǝ ǨǱǯǜǱǮǚǛǯǚǨ ǞǹǞǦǚǮǤ ǭǚǶǤǯ, ǱǷ ǧǯǷǞǥ Ǡ ƾǤǷƤ ǚǯǸǚǵǤ ǭǱǸ: ǅǹǚ Ǧǚǫǚǫ ǨǮǚǯǽǡ ǷǞǹǚǧǷƤǭ Ǡ ǱǫǛǞǹǜƤǢǮǚǯ, ǞǹǛ ǩǚǹǪǚǨǷƤǭ Ǟǯ ǤǹǞǯǺ ǜǮƤǫǤ Ƿǹǚ Ȁ ǚǵȀǚǯǜƤǭ ǭǱǹǡ: ƺǹǚǨǚǯ ǝǞǳǽǞǹǤǺ ǱǜǞǰǯǲǷǚǧǘ ƶǥǭǚǯǝǱǯ ǶǨǶƤǭ Ǡ ǷǸǚǯǜǚǷǱǹ, ǛǚǮǺ Ȁ ǜǞǫǞǺǤǨ ưǿǹǤǨǚǮǱǷ Ǥǹ ǠǳǤǨǚǨǚǯ ǬǚǭǼǱǹǝƤǢǮƤǯǡ:

Elmando, Romania, 2014, 0:03:23 Director Anton Octavian Elmando is the story of a young Congolese child, born near the forest of Kivu. His peaceful life takes a tragic turn when his village is attacked and his mother is kidnapped. Inspired by true events, young Elmando is on an epic journey through a perilous yet beautiful Africa in search of her.

54 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 2 TV and Educational ȃlms ưǯǸƤǯ, ǈǤǥǤ, 2015, 0:24:08,018+ ǋǞǣǤǶǱǹǘ ƼǱǶǞ ƺǜǯǚǶǤǱ ǅǚǷǚǵǱ ƾǱǽǶ ƱǚǹǤ ǜǚǥƤǶǸ ǼǱǫǱǺǯǞǹǤ ǚǯǝǹǚǰǦǚǹǩ. ǚǵǚǴǡǯǢǚǺǤ ǛǚǺǚǨǚǮƤǢǮƤǯ: ưǯǸƤǯǯǞǹǤ ǦƤǭǛǡ ǛǯǚǨǷƤǭ Ǡ ǨǚǭƤǹǴǯǞǹǤ ǸǚǨ, ǚǳƤǰǚǺǚǧ Ƥ ǩǞǸǚƨǚǺ ǭǚǮǹǚǽǚǫǚǽƤǭ, ǱǹǸǞǫ ǯǹǚǯǽ ǳǚǮǽǚǹƤǭ Ǟǯ ǤǹǞǯǺ ǦǹǚǭǚǸǡ ǳǚǩǞǥƤ ǩǚǭǚǹ, ǤǶǨ ǚǮǝ ǩǚǹǺƤǭ ǯǹǚǯǺ ǾǜǯƤǭ Ǡ ƩǥǤǱǯǚǸǞǹ ǚǥǛǤǯǱǶ Ǹǫǚǯ, ǱǷ ǚǶǸǷǚǧǚǺǯƤǭ Ǡ ǯǹǚǯǺ: ǅǹǚǯǽ ǳǞǸǽ Ǡ ǱǫǴ ƨǚǯ ǚǯǨǚǦ ǚƬǯ ǤǯǲǤǺ, ǚǯǨǚǦ ǺǹǸǚǰƤǯǲ ǪƬǵǯǞǹǤǺ, ǩǚǭǚǬǚǹǚǨǯǞǹǤǺ, ǚǽǥǱǹǚǨǵǤƭǞǹǤǺ, ǚǯǾǹǤǯǚǨǚǯ ǜǚǫǢǚǨǚǯǯǞǹǤǺ, ǚǫǚƭǤǯǞǹ ǶǳǚǯǱǫǯǞǹǤǺ, ǭǚǹƨǚǷǚǬǚǵƤǢǮƤǯǤǺ Ƥ ǝǞǳǤ ǝǣǱǦǽ Ƥ ǦƩǲǽ ǸǚǯǱǫ ƤǫȀǱǹƤǢǮƤǯǤǺ:

Homeless, Chile, 2015, 0:24:08, 18+ Director José Ignacio Navarro Cox

Welcome to the underworld of the streets, the waste of progress. Underneath a bridge, beneath the idiotized and underdeveloped capital city they inhabit, a group of bums ȃght to protect their trench, with the help of albino millionaire boy “cottage cheese” who idolizes them, they shall survive freezing winter, epidemics, cockȃghts, illegal immigrants, killer pigeons, low life prostitutes, a trip to hell and booze... a lot of booze.

ƲǚǮǥǚǭǚǹǝǯ Ƥ ƹǚǮǵǡ, ƿƤǯǜǚǹǤǚ, 2015 ǋǞǣǤǶǱǹǘ ưǹǱǯ ƲǚƤǝǞǹ ǃǞǧǚǩǱǜƤǢǮǚǯ ǭǚǶǤǯ ǚǮǶ ǳǚǸǭƤǢǮǚǯ ƬǴ Ƭǯǽ ƾǱǮǱǸǤǘ ǜǚǮǥǚǭǚǹǝƤ, ƺǨǸǱƩǘ ǶǚǹǝǚǭǚǹǝƤ, Ȁ ƺǮǚǮǤǘ ǽǚǹǚǣǚǮǵǤ ǚǹǨǚǧǯǞǹǤ ǚǨǚǯǚǸǞǶǯ Ǟǯǽ ǥǤǯƤǭ: ǅǹǚǯǽ Ƭǟ ǸǚǯƤǭ Ǟǯ ǛǯǤǨ ǚƬǹǤǨǮǚǯ ǩǯǝǤǨǯǞǹǤ ǛǚǯǚǩǮƤǶƤǢǮǚǯ ǚǵǞǫǧǷǚǧǚǮǤǯ Ȁ ǝǤǸǚǹǣǚǯ ǚǰǦǚǹǩǡ:

Coyote and the Rock, Hungary, 2015, 0:09:38 Director Aron Gauder In a story about generosity, we follow the adventures of Coyote (the wolf-man), Iktome (the spider-man), and Iya (the rock). They take us into the spectacular and magical world of Native American folklore.

ƱǚǹǤ ǂǚǯǚǳǚǹǩ, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2014, 0:03:00 ǋǞǣǤǶǱǹǘ ǊǱǛ, ǊǱǹǤǶ Ȁ ǃǚǹǤǞǨǞ ƸǤǭǡ ǇǻǢǹǞǲƤǭ ǣǚǭǚǝǹǷǞǥ Ǡ Ǥǹ ǡǯǨǞǹƤǩƤ ǩǞǸ, Ǳǹ ǝǤǸǤ ǎƤǹ ǝǞ ǕǹǚǯǶǡ: ƱǚǮǺ ǩǚǮǸǯǷƤǭ Ǡ ǳǚǸǯǞǰǯǞǹǤ ǩǚǨǚǵǚǨ ǨǱǫǭƤǭ Ȁ ǶǸǤǳǷǚǧ Ǡ ǥǤǯƤǭ ǜǸǯǞǥ ǯǹǚǯ ǩǚǶǯǞǥƤ Ǭǚǯǚǳǚǹǩǡ:

Le Tour Utrecht - Bon Voyage!, Netherlands, 2014, 0:03:00 Directors JOB, JORIS & MARIEKE Tim has a romantic date to watch the start of the Tour de France in Utrecht with his girl. But he ends up at the wrong side of the barriers and has to ȃnd a way to get to her.

55 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 2 ƿǞǵƤǶǸǚǸǞǶǚǮǤǯ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǿǤǥƬǹ ƸǤǛǤǚǽ, ƲǞǹǭǚǯǤǚ, 2014, 0:07:25 ǋǞǣǤǶǱǹǘ ƿǞǯǹǤǨǞ ǋǱǢǞ ƴǹǤǸǚǶǚǹǝ ƸǤǛǤǚǽǡ ǶǨǶƤǭ Ǡ ǼǯǸǹǞǥ ǨǱǹǚǧ ǞǫǛǱǹǡ, Ƥǭ ǲǚǹ ǱǜǤǯ Ǡǹ ǜǱǫǚǺǞǥ: ǉǚǹǟǷƤǭ Ǡ, Ǳǹ ǚǮǯ ǷǸǚǯǚǜǚǷǱǹ, ǛǚǮǺ ǨǚǦǚǹǝǚǨǚǯ ǬǚǭǼǱǹǝƤǢǮƤǯ Ǡ: ǌǚ ƺǯƤǤǢǯǞǹǤ ǥǞǜǞǯǝǤ ǚǟǚǸ ƬǨǯǚǛǚǯƤǢǮƤǯǯ Ǡ:

Tibiaq, Germany, 2014, 0:07:25 Director Henrike Rothe The young Tibiaq sets off to look for his lost brother who was captured by an evil spirit. It turns out to be a dangerous but magical journey. Free adaption of an Inuit legend.

Wiener Blut, ƼǱǹǷǚǢǤǚ, 2014, 0:08:00, 18+ ǋǞǣǤǶǱǹǯǞǹǘ ƵǥǚǸǨǱ ǉǚǦǱ, ƱƤǹǞǨ ư ǎǚǥǸǞǹ ǕǤǥǭǡ ǯǞǹǨǚǮǚǺǯƤǭ Ǡ ǩǞǫǤǯǚǨǤǘ ƴǹǨǹǱǹǝ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǳǚǸǞǹǚǟƩǺ ƤǯǞǺǚǧ ǩǤǰǱǫƤǢǮƤǯǯǞǹǡ: ǎǤǨǤǯ ǌǚǹǤǨǚǯ ǜǯƤǭ Ǡ ǩǹǞǚǨǚǯ ǧǞǹǚǯǱǺ, ǱǹǸǞǫ ǳǞǸǽ Ǡ ǚǳǹǞǹ ƩǯǲȀ ǨǮǚǯǽǤ ǷǞǹǴǡ ǩǚǯǜǤǶǸ Ƥ Ǧǚǫǚǫ ǳǚǮǭǚǯǯǞǹƤǭ, Ǳǹǡ, ǶǚǨǚǮǯ, ǷǞǹǚǧǷƤǭ Ǡ ǩǱǥǱǽǱǶǸǚǮǤǯ ǝǣǱǦǽǤ Ȁ ǯǚ Ǡǥ ǰǚǸǞǹǤ ǳǞǶ ǝǚǵǯƤǭ Ǡ ǟǱǩǞǹǤǺ ƬǨǡ: ǕǤǥƩ ǳǚǸǨǞǹǚǮǤǯ ǱǜǞǰǯǲǭǚǯ ǚǫǛǮƤǹ Ǡ ǩǚǯǝǤǶǚǺǞǥ ǊǱǹǴ ƲǹǱǶǤ Ȁ ǔǸǱ ƳǤǽǶǤ ǚǹǷǞǶǸǡ:

Wiener Blut, Croatia, 2014, 0:08:00, 18+ Directors ZLATKO PAJO, BOUREK Å TALTER The ȃlm represents author’s own memory of the dawn of the World War II in Germany. Mrs. Sarika is leaving to a Jewish retirement home, something that should have been a quite and peaceful end of life, turned into a terror of holocaust and she becomes a victim as well. The ȃlm is visually inspired by art of George Grosz and Otto Dix.

ǔǸǚǹǯǞǹǤ ǛǚǹƤǢǮƤǯǡ. ǝǹǷǚǜ 1,2, ƿǚǮǚǶǸǚǯ 2015, 0:03:28 ǋǞǣǤǶǱǹǯǞǹǘ ưǹȀǤǨ ưǹǱǮǚǯ, ƻȀǱǯ ƱǚǫǝǚǶǚǹǮǚǯ, Ƶǚǵǚ ƱǚǹǶǞǫǮǚǯ, ƲǹǤǰǚ ƲǹǤǜǱǹǮǚǯ «ǔǸǚǹǯǞǹǤ ǛǚǹƤǢǮƤǯ»-ǡ ǿǤǥǭǚǰǚǹǡ ǯǷǤǹǷǚǧ Ǡ ƿǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮǚǯ ǩǚǹǮƤǹǚǭǮǚǨǤǯ: ƿǤƨǚǨǚǯ ǯǳǚǸǚǨǯ Ǡ ǰǯǱǹǩǚǨǚǥƤǢǮƤǯ ǩǚǮǸǯǞǥ ǛǱǥǱǹ ƩǶǤǱǯǞǹǯǞǹǤǯ Ȁ ǛǚǹǤ ǭǚǹǝǨǚǯǺ, ǱǷǽǞǹ 1915-Ǥǯ ǾǜǯǞǥ Ǟǯ Ƭǹ ǯǚǦǯǤǯǞǹǤǯ:

The Kindness of Strangers: episode 1,2/ Armenia, 2015, 0:03:28 Directors Arevik Aroyan, Levon Baghdasaryan, Zara Barseghyan, Grisha Grigoryan “The Kindness of Strangers” series is dedicated to the centennial of Armenian Genocide and its main purpose is to thank the missioners and kind people, who helped our ancestors in 1915.

56 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs 2 TV and Educational ȃlms ƺǭ ưǹǴǱǻǨǡ, ƻǞǩǚǶǸǚǯ, 2014, 0:03:32, 5+ ǋǞǣǤǶǱǹǘ ƵǱǿǤǚ ǌǚǤǟǱǷǶǨǚ «ƺǭ ǚǹǴƤǨǡ» ǩǚǭǚǹǮǚ ǤǹǚǨǚǯ ǳǚǸǭƤǢǮƤǯ Ǡ ǡǯǨǞǹƤǢǮǚǯ, ǶǤǹǱ Ȁ ưǹǴƤǨǤ ǭǚǶǤǯ: ƻǤǥǤǯǘ ǚǶǚǺǱǫǡ, Ƭǟ ǳǚǸǭƤǭ Ǡ Ǥǹ ǛǹǝǱǸ ǡǯǨǞǹǱǴ ǩǞǸ ƤǯǞǺǚǧ Ƭǧ ǚǹǨǚǧǤ, ǷǞǹǞǥǽǯǞǹǤ Ȁ ǷǚǮǹǠǴǽǯǞǹǤ ǭǚǶǤǯ:

Bear Me, Poland, 2014, 0:03:32, 5+ Director Zoȃa Scislowska Bear me’ is the almost true story about friendship, love and the Bear. Lili, the narrator tells us about her great adventure with a furry friend, and all its ups and downs...

ǎǤǨǯǤǨǚǮǤǯ ǯǞǹǨǚǮǚǺƤǭ, ƺǹǚǯ, 2015, 0:07:29 ǋǞǣǤǶǱǹǘ ǕǚǮǣǞǩ ǌǞǿǞǹ-ǌǚǝǞǫǤǚǯ ǀǞǫǯǚǩǚǹǨ ǯǞǸǷǚǧ ǼǚǮǸǞ ǸƤǼǡ ǝǞǵ ǳǚǸƬǥƤ ǩǞǽǤǚǢǯǞǹ ƤǯǤ. ǟǷǚǹǬǚǥǤ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǳǚǸǭƤǢǮƤǯǯǞǹǘ ǩǚǮǸǯǤ ǤǹǚǯǚǺǤ ǼǤǥǤǶǱǼǚ ǌǚǚǝǤǤ ǶǸǞǫǧǚǜǱǹǧƤǢǮƤǯǯǞǹǤǺ:

The Puppet Show, Iran, 2015, 0:07:29 Director Faezeh Sepehr-Sadeghian

A wooden box thrown away in the attic that still has some tales to tell, funny and educating tales from the writings of famous Iranian philosopher Saadi.

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹ A bigger man, ǈǤǥǤ - ƲǞǹǭǚǯǤǚ, 2015, 0:03:50 ǋǞǣǤǶǱǹǘ ǓǹǤǶǸǤǚǯ ǍǤǞǶǞǯǿǞǥǝ ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ ǛǱǥǱǹ ǯǹǚǯǺ ǩǚǭǚǹ, ǱǷǽǞǹ ǞǹǛȀǠ ǺǚǯǨǚǺǞǥ Ǟǯ ǝǚǵǯǚǥ ǵǱǽ - ǚǶǸǫ: ƿǱǥǱǷǚǨǯ ǚǭǛǱǫǴǱǷǤǯ ǪǞǵǽǤ ǚǰǦǚǸǚǯǽ Ǡ, ǱǹǸǞǫ ǾǜǸǚǜǱǹǧǷǚǧ Ǟǯ ƩǚǮǯ ǭǚǯǹǚǯǨǚǹǯǞǹ Ȁ ǳǹǱǞǨǺǤǚǯǞǹ: ƴǹǚǣǰǸƤǢǮƤǯǡ ǜǹǷǞǥ Ǡ ƱǹǤǸǚǯǚǺǤ ǞǹǜǤǲ - ǨǱǭǳǱǟǤǸǱǹ ǒǞǮǼǡǹǿǞǮǶǤ ǨǱǫƩǺ: ƾǚǸǚǹƤǭ Ǡ ǨǞǯǝǚǯǤ ǯǷǚǜǚǦƤǭǛǡ:

A bigger man, Chile – Germany, 2015, 0:03:50

Director Cristian Wiesenfeld A music video about anyone who ever wanted to be a Rock star. It was made complete by hand using only miniatures and projections. The song was written by British singer-songwriter Paperface, and features a live orchestra. Sometimes, ƱǹǚǟǤǥǤǚ, 2015, 0:04:06 ǋǞǣǤǶǱǹǘ ǕǚǛǤǱ ƱǤǱǯǚǝǱ ƳǚǶǚǨǚǯ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ, Ǳǹǡ ǳǚǸǨǞǹƤǭ Ǡ ǶǤǹǱ ǜǚǥ - ǜǯǚǥƤ ǳǚǹǟ Ȁ ǟǷǚǹǬǚǥǤ ǢǞǟǤǶǯǞǹǡ` ǯǞǹǰǯǲǷǚǧ ǩǞǽǤǚǢǯǞǹǤ Ȁ ǭƤǥǸǿǤǥƬǹǤ ǩǞǹǱǶǯǞǹǱǷ:

Sometimes, Brasil, 2015, 0:04:06, Director Fábio Biondo Classic animated ȃlm that show of simple and funny way all theses love comings and goings through anthropomorphic ȃguresinspired in tales and cartoon ȃlms.

The Nursery Rhyme’s Bar, ǕǹǚǯǶǤǚ, 2014, 0:03:46 ǋǞǣǤǶǱǹǘ ǌǢǞǿǚǯǤ ǃǚǹǜǞǹǤǢǞ 30 ǸǚǹǤ ǛǚǺǚǨǚǮǱǻǢǮǱǻǯǤǺ ǩǞǸǱ ǜǚǮǥǡ ǷǞǹǚǝǚǵǯǱǻǭ Ǡ Ǥǹ ǶǤǹǞǥǤ Ǜǚǹǡ: ƱǚǮǺ ǚƬǯ Ǥǯǲ ǼǱǦǷǞǥ Ǡ:

The Nursery Rhyme’s Bar, France, 2014, 0:03:46

Director Stephanie Marguerite The wolf returns to his favorite bar after a 30-year absence. But everything has changed.

From the Eastern Lands, ƺǹǚǯ, 2015, 0:05:02 ǋǞǣǤǶǱǹǘ ǌǚǹǚǩ ƸǚǛǤǛǟǚǝǞǩ ǌǚ ưǹȀǞǥǮǚǯ ǨǱǫƬǹǤ ǭǤ ǞǹǤǸǚǶǚǹǝ ǟǱǻǮǜǤ ǶǤǹǱ ǳǚǸǭǱǻǢǮǱǻǯ Ǡ, ǱǷǽǞǹ ǚǳǹǱǻǭ Ǟǯ ǪǜǱǫǚǨǚǯǱǻǢǮǚǯ ǭǢǯǱǥǱǹǸƤǭ: ǅǹǚǯǺ ǩǚǯǝǤǳǭǚǯ, Ǜǚǣǚǯǭǚǯ Ȁ ǭǤǚǷǱǹǭǚǯ ǩǤǭǯǚǨǚǯ ǸǞǫǡ ǞǹǚǣǰǸǱǻǢǮǱǻǯǯ Ǡ`ǚǹǷǞǶǸǤ ǭǤ ǸǞǶǚǨ, Ǳǹǡ ǢǞǢȀǚǺǯƤǭ Ǡ ǶǤǹǱ ǝǣǷǚǹǤǯ ǼǱǹǪǚǵƤǢǮƤǯǡ:

From the Eastern Lands, Iran, 2015, 0:05:02 Director Sarah Tabibzadeh The story of a familiar love between a young couple in the eastern lands who live neighborhood of gravity. Main point of their meeting, separation and Join is music: an art that makes easier difȃcult experience of love. Banks of the Ohio, ưǃǅ, 2015, ǋǞǣǤǶǱǹǘ ǋǱǛǤǯ ǌǢǤǥ ǌǤǹǱ ǱǫǛǞǹǜǚǨǚǯ ǳǚǸǭǱǻǢǮǱǻǯ, ǱǹǤ ǩǤǭǽǱǻǭ ǡǯǨǚǧ Ǡ 19-ǹǝ ǝǚǹǤ Ʃ Ǜǚǥǥǚǝǘ «ǔǩǚǮǱǮǤ ǚǼǞǹǤǯ»: ƾǚǸǚǹǱǻǭ Ǡ ƲǚǯǜǶǢǚǜǹǚǶǡ, ǜǥǦǚǷǱǹ ǝǞǹƤǭ` ưǥǞǽǶǚ ƳǤǹǽǶ: Banks of the Ohio, USA, 2015, 0:04:12 Director Robin Steele A tragic love story based on “Banks of the Ohio” - a 19th-century murder ballad performed by Gangstagrass, featuring Alexa Dirks

58 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs Animated Musical Clips Birdie Num Num, ǕǹǚǯǶǤǚ, 2014, 0:03:07 ǋǞǣǤǶǱǹǘ ǕǥǱǹǞǯǸǤǯ ƲǹǞǥǤǞ ƱǯǚǨǚǹǚǯǱǻǭ ǚǳǹǱǫ ǛǱǻǥǝǱǜǡ ǞǹǚǟǱǻǭ Ǡ ǶǚǷǚǵǯǞǥ ǢǵǲǱǻǯǯǞǹǤ ǩǞǸ:

Birdie Num Num, France, 2014, 0:03:07 Director Florentine Grelier A bulldog, in an apartment, dreams he could Ȅy off, along with the birds.

Crackhouse, ƶǶǸǱǯǤǚ, 2014, 0:04:15 ǋǞǣǤǶǱǹǘ ǃǚǹǸǤǯǱǻǶ ƾǥǞǭǞǸ ǃǤ ǭǚǹǝ Ʃ Ǿǹ ǨǚǸƤ Ǡ ǸƤǯ ǛǞǹƤǭ: ǉǚǹǟǷǱǻǭ Ǡ, Ǳǹ ǯǚ Ǥǹ ǯǱǹ ǡǯǸǚǯǤ ǨǞǯǝǚǯǱǻ ǩǚǭǚǹ ǩǚǸǱǻǨ ǳǥǚǯ ǱǻǯǤ: ƺǯǲȀǠ, ǯǚ ǞǹȀǤ ǲǜǤǸǤ, Ǳǹ ǨǚǸǱǻǯǞǹǡ Ǥǯǡ ǨǮǚǯǽ ƤǯǞǯ: 2012Ǣ-Ǥ ǩǱǥǚǯǝǚǨǚǯ ǷǤǬǚǩǚǹƤǮǺ ǭǰǚǨƤǢǚǮǤǯ ǯǚǦǚǜǧǤǺ ǱǜǞǰǯǲǷǚǧǘ Crackhouse ǚǯǤǭǚǺǤǱǯ ǶǚǹǶǚǼ - ǨǚǸǚǨǞǹǜƤǢǮƤǯǡ ǳǚǸǨǞǹƤǭ Ǡ ǝǚǛ ǶǢǞǼǤ ǪǚǮǯǞǹǱǷ ǱǫǱǫǷǚǧ ǦǞǥǚǜǚǹ ǚǹǷǚǹǪǚǯǡ:

Crackhouse, Estonia, 2014, 0:04:15

Director Martinus Klemet A man brings a cat home one day. It turns out he has a special plan for his new pet. However, he doesn’t seem to know that cats have nine lives. Inspired by a controversial Dutch art project from 2012, animated horror comedy „Crackhouse“depicts psychedelic suburb Ȅooded by stern dubstep sounds. Dear Sadness, ƲǞǹǭǚǯǤǚ, 2015, 0:04:40, 12+ ǋǞǣǤǶǱǹǘ ǌǤǥǷǤǚ ƾƤǛƤǶ ǇǻǫȀǱǹƤǢǮƤǯ ǝǞǳǤ ǞǹȀǚǨǚǮƤǢǮǚǯ ǸǦƤǹ ǚǰǦǚǹǩ: ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ ǸǦǹƤǢǮǚǯ, ǝǹǚ ǱǜǞǰǯǲǱǫ Ȁ ǚǷǞǹǤǲ ƤǣǤ ǭǚǶǤǯ:

Dear Sadness, Germany, 2015, 0:04:40, 12+ Director Sylwia Kubus Journey to the gloomy world of fantasy. This is the storyabout sadness, its inspirational and destructive power. Got to get to Mary, ǃǞǧ ƱǹǤǸǚǯǤǚ, ƲǞǹǭǚǯǤǚ, 2015, 0:01:30, 5+ ǋǞǣǤǶǱǹǘ ǊǞǹǱƩ ƲǞǱǹǨǞ ưǵǚǴǤǯ 3D ǚǰǦƤǮǣ, ǵǤǢƩǨ ǞǹǚǣǰǸǚǨǚǯ ǳǚǸǭƤǢǮƤǯǡ «ưǝǤǶǱǯǤ ǳǚǸǭƤǢǮƤǯǯǞǹǤǺ», Ǳǹǡ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǯǞǹǢǚǼǚǯǺǞǥƤ ǨǤǶǚǩǞǽǤǚǢǚǮǤǯ ƸǱǭ ƸǱǹǯǞǷǚǥǤ` ǢǚǥǞǶǺǤ ǷǚǬǚǵǚǨǚǯǤ ǶǤǹǚǮǤǯ ǳǚǸǨǞǹǚǺƤƨǞǹǤ ǚǰǦǚǹǩǡ, ǞǹǛ ǯǚ ǞǹǜƤǭ Ǡ ǃǞǹǤǤ ǩǚǯǝǞǳ Ǥǹ ǬǰǭǚǹǤǸ ǶǤǹǱ ǭǚǶǤǯ: “Tom Thorneval - Dream Merchant Extraordinaire” ǷǞǳǤ ǚǵǚǴǤǯ ǸǞǶǚǹǚǯǯ Ǡ, ǞǹǛ ƸǱǭǡ Ǭǚǯǚǳǚǹǩ Ǡ ǡǯǨǯƤǭ ǃǞǧ ƲǱǛǥǤǯ ƿǞǽǤǚǢǚǮǤǯ ǞǹǨǤǹǘ ǷǚǬǚǵǞǥƤ ǚǮǯ ǛǱǥǱǹ ǞǹǚǟǯǞǹǡ, ǱǹǱǯǽ ǞǹǛȀǠ ǯǚ ǶǸǞǫǧǞǥ Ǡ: ƴǹǚǟǯǞǹǡ ǷǚǬǚǵǞǥƤǯ ǳǞǶ ǯǚ ǭǸǚǝǤǹ Ǡ ǱǶǨǱǷ ǛǞǵǯǚǷǱǹǷǚǧ ǜǯǚǥ ǃǞǹǤǤ ǭǱǸ Ȁ ǦǯǝǹǞǥ ǯǹǚ ǪǞǵǽǡ: ƴǹǚǣǰǸƤǢǮƤǯǡ Ȁ ǚǯǤǭǚǺǤǚǯ ǚǹǢǯǚǺǯƤǭ Ǟǯ ǃǞǹǤǤ ǩǞǸ ǤǹǞǯǺ ǚǵǚǴǤǯ Ȁ ƩǚǨ ǩǚǯǝǤǳǭǚǯ ǩǤǰǱǫƤǢǮƤǯǯǞǹǡ: ǌǚ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǡǯǢǞǹǺǱǫǯǞǹǤǯ ǯǚǮǞǥ Ȁ ǥǶǞǥ ǩǞǹǱǶǯǞǹǤ ǳǚǸǨǞǹǚǺƤƨǞǹǡ ǬǤǰǸ ǚǮǯǳǞǶ, ǤǯǲǳǞǶ ǯǨǚǹǚǜǹǷǚǧ Ǡ ǜǹǽƤǭ, ǩǱǥǱǷǚǨƤǭ Ȁ ǞǹǚǣǰǸƤǢǮǚǯ ƬǴ: ƿǚǭǚǯƤǯ ǷǞǳǡ ǥƤǮǶ Ǡ ǸǞǶǞǥ 2015-Ǥ ǾǜǱǶǸǱǶǤǯ:

Got to get to Mary, England/ Germany 2015, 0:01:30, 5+ Director Jerome Goerke The ȃrst 3D Enlivened Rhyme from the Addison’s Tales musical storyworld gives a glimpse into the imaginings of Tom Thorneval, the half-fairy dream merchant from Thales, as he sings of his true love Mary. The scene occurs at the start of the novel “Tom Thorneval - Dream Merchant Extraordinaire” shortly after Tom has set off for the Grand Goblin Fair to sell all the dreams he has spent years creating. Once he has sold his dreams, and with his wagon (hopefully) laden with the gold, he plans to return to Mary and ask for her hand in marriage. The song and animation reveals his memory of his ȃrst and only meeting with Mary. Enlivened Rhymes from the Addison’s Tales storyworld allow readers to look and listen into a character’s imagination in a way that blurs the distinction between book, video and music. The accompanying novel was released in August, 2015.

59 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹ Happy Camper: The Daily Drumbeat, ǅǤǝǞǵǥǚǯǝǯǞǹ, 2014, 0:03:05 ǋǞǣǤǶǱǹǯǞǹǘ ǄǱǛ, ǄǱǹǤǶ Ȁ ǃǚǹǤǞǨǞ ǃǞǧ ǽǚǫǚǽǤ ǸǚǯǤǽǯǞǹǤǺ ƬǨƤǭ ǚǳǹǱǫ ǚǯƬǫ ǚǹǚǹǚǧǯǞǹǤ ǦƤǭǛǡ ǼǱǹǪƤǭ Ǡ ǬǚǨǚǸǚǜǹǚǨǚǯ ǦǚǫǤ ǸǞǭǳǡ ǳǚǩǞǥ:

Happy Camper: The Daily Drumbeat, Netherlands, 2014, 0:03:00 Directors JOB, JORIS & MARIEKE On the rooftops of a big city a group of innocent creatures is trying to keep up the pace of a fatal game.

Heroes, ưǃǅ, 2015, 0:04:00 ǋǞǣǤǶǱǹǘ ƱǹǤǢǚǯǤ ǓǚǭǼǛǞǥ ưǥǛǤǯǱǶ ǭǚǹǝƤ Ȁ ǥƤǶǯǤ ǶǤǹǱ ǳǚǸǭƤǢǮƤǯǯ Ǡ…

Heroes, USA, 2015, 0:04:00

Director Brittany Campbell About a love between an albino man and the moon…

Hue, ƱǹǚǟǤǥǤǚ, 2015, 0:04:10 ǋǞǣǤǶǱǹǘ ǊǞǽǶǱǯ ǕǚǹǤǚǶ ƸǞǮǽǶǞǤǹǚ ưǯǜƤǮǯ ǝǚǰǯǚǭƤǹǤ ǪǚǮǯǡ:

Hue, Brasil, 2015, 0:04:10 Director Jackson Farias Teixeira The sound of a colorless piano.

Music Dances, ƾǚǯǚǝǚ, 2015, 0:01:57 ǋǞǣǤǶǱǹǘ ƾǤǹǤǥ ǕǞǶǞǯǨǱ ưǵǚǯǺ Ʃ Ǜǚǵ ǚǶǞǥƤ Music Dances-ǡ ǳǚǸǭƤǭ Ǡ ǭǚǹǝǨǚǮǤǯ ǶǱǷǱǹǚǨǚǯ ǟǜǚǺǭƤǯǽǤ` ǶǤǹǱ Ƥ ǳǚǹǟ ƬǹǪǞǺǭǚǯ ǭǚǶǤǯ: ƴǹǚǣǰǸƤǢǮƤǯǡ ǢǚǼ Ǡ ǶǸǚǯƤǭ, ǞǹǛ ǟƤǮǜǞǹǡ ǶǨǶƤǭ Ǟǯ ǳǚǹǞǥ:

Music Dances, Canada, 2015, 0:01:57 Director Kirill Fessenko

Without saying a word, “Music Dances” tells a story of a common human feeling - love - and of a common human interaction - courtship. Music sweeps down the couple’s gowns as they dance towards abandon. My Africa, ƺǶǹǚǮǞǥ, 2015, 0:04:00 ǋǞǣǤǶǱǹǘ ǌǚǹǤǞǥ ǓǞǶǥǚǶǤ «ƺǭ ưǿǹǤǨǚ» ǢǞǭǚǸǤǨ Ǟǹǜǡ ƹǤǥǚǝ ǓǚǩǚǯǚǮǤ ǯǱǹ ǪǚǮǯǚǶǨǚǷǚǵǚǨǤǺ Ǡ, Ǳǹǯ ǚǯǝǹǚǝǚǵǯƤǭ Ǡ Ʃ ǽǚǯǤ ǨǚǹȀǱǹ ǶǱǺǤǚǥǚǨǚǯ ǩǚǹǺǞǹǤ: ưǮǝ ǩǚǹǺǞǹǤǺ ƬǨǯ Ǡ. «ƾǚǹǱǙǫ Ǡ Ʃ ǭǰǚǨƤǮǢǡ ǚǷǞǥǤ ǥǚǷ ǡǯǨǚǥǷǞǥ, ǽǚǯǘ ǭǮƤǶǡ»: ưǿǹǤǨǚǯ ǚǮǶ ǨǱǯǸǞǽǶǸƤǭ ƸǞǥ-ưǷǤǷǤ ǚǮǥǚǛǚǯƤǢǮƤǯǯ Ǡ: ƴǹǨǚǹ ǣǚǭǚǯǚǨ ǽǚǫǚǽǤ ǼǱǫǱǺǯǞǹǱǷ ǟǛǱǶǯǞǥƤǺ ǩǞǸǱ ǩǞǹǱǶǡ ǶǨǶƤǭ Ǡ ǭǸǚǧǞǥ ǩǤǯ ǷǚǮǹǞǹǤ ǭǚǶǤǯ:

My Africa, Israel, 2015, 0:04:00 Director Sariel Keslasi

“My Africa” The Theme song from The new double album of Gilad Kahana, deals with a few deep social questions. One of these questions is -can a certain culture be perceived as better than the other one? Africa in this context is actually an allegory to Tel-Aviv. After a long time of walking in the city’s streets, My experience made me think of a primordial place.

60 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs Animated Musical Clips I’m Not The One, ƼǱǹǷǚǢǤǚ, 2015, 0:03:58 ǋǞǣǤǶǱǹǘ ƴǥǞǯǚ ǔǹǱǟ ƳǣǷǚǹ Ǡ ǝǤǭǚǝǹǞǥ ǨǚǯǚǺǤ ǩǭǚǮǽǤǯ, ǛǚǮǺ ǜǤǸǞǯǚǥǱǷ, Ǳǹ ǶǞǹǡ ǼǱǦǚǝǚǹǪ ǲǠ, ǥǚǷǚǜƤǮǯ ǸǚǹǛǞǹǚǨǡ ǩǞǵǚǯǚǥǯ Ǡ:

I’m Not The One, Croatia, 2015, 0:03:58

Director Jelena Oroz It’s hard to resist female beauty, but knowing that love won’t be returned, the best option is to leave. People from the Sky, ƺǵǥǚǯǝǤǚ, 2015, 0:03:05 ǋǞǣǤǶǱǹǘ ƳǞǮǷǤǝ ǉǤǞǹǶǞ ǃǚǹǝǤǨǘ ƴǹǨǯǽǤǺ, Ǳǹ ǯǱǹ ǛǚǹǪƤǯǽǯǞǹǤ Ǟǯ ǩǚǶǺǯǞǥƤ Count Tornado-Ǥǯ: ưǮǶ ǩǱǥǱǷǚǨǡ ǯǹǚǯ ǨǭǫǤ ǯƤǮǯǤǶǨ ǚǷǞǥǤ ǩǞǵƤǘ ǝǞǳǤ ǶǸǹǚǸǱǶǿǞǹǚǮǤ ǞǹǚǣǰǸǚǨǚǯ-ǨǱƩǨǚǨǚǯ ǚǰǦǚǹǩ: «ǃǚǹǝǤǨǘ ƴǹǨǯǽǤǺ» ǚǯǤǭǚǺǤǱǯ ǩǱǥǱǷǚǨǡ ǭƤǥǸǿǤǥǭǚǮǤǯ ǸǚǹǛǞǹǚǨ Ǡ, Ǳǹ ǚǹǸǚǝǹǷǞǥ Ǡ Black Hole Studio-Ǥ ǨǱǫƩǺ Ȁ ǳǚǸǨǞǹƤǭ Ǡ Count –Ǥǯǘ ǱǹǳǞǶ ǚǯǛǚǹǞǩǚǭǛƤǮǹ ǸǤǞǟǞǹǚǨǚǯ ǨǚǮǚǯ ǣǚǭǚǯǱǫ ƩǴǚǶǸǫǚǮǤǯ Timelord: ƺǹ ǜǚǫǸǯǤ ǜǱǹǧǚǨǚǥǯǞǹǤǘ ƳƤƳǚǩǤ, ǓǯǨǱǸ ǌǯǚǮǥǤǞǯǤ, ǌǤǹǞǯ ǊǞǯǤ Ȁ ƤǹǤǰǯǞǹǤ ǩǞǸ, ǯǚ ǼǱǹǪƤǭ Ǡ ǴǚǦǴǚǦǞǥ Ȁ ǩǞǵǚǺǯǞǥ ǢǰǚǯǚƩ ƤǣǞǹǤǯ, ǱǹǱǯǽ ƤǟƤǭ Ǟǯ ǛǵǯǞǥ ǯǹǚǯ, ǤǶǨ ǯǚ ǩǚǴǱǫǚǺǯƤǭ Ǡ ǚǯƭǚǶ ǝƤǹǶ ǳǹǧǯǞǥ: Count Tornado-ǯ ǩǱǥǱǷǚǨƤǭ ǚǶƤǭ Ǡ. «ƴǶ ƤǹǚǦ Ǟǭ ǯǭǚǯ ưǷǚǸǚǹ ƤǯǞǯǚǥƤ ǩǚǭǚǹ, ǱǷ ǨǵǷƤǭ Ǡ ǚǰǦǚǹǩǤ ǩǚǭǚǹ, ǚǯǜǚǭ ǞǹǛ ǚǮǝ ǚǰǦǚǹǩǡ ǝǹǶƤǭ Ǡ… Ȁ ǭƤǥǸǿǤǥƩ ƬǴ»:

People from the Sky, Ireland, 2015, 0:03:05, PG Director David Pierce People from the Sky to elevate Count Tornado to new heights. This video will propel him even further into the stratosphere of the music comedy world. The animated video to ‘People from the Sky’ was produced by Black Hole Studio and depicts a cartoon version of the Count as an Interstellar Timelord arriving at an unfriendly space station. With the assistance of his undercover agents: DooDah; Slippery Snailien; Siren Jenny; and a host of others, he manages to outwit and outrun the enemy forces attempting to capture him, but he escapes unharmed. Count Tornado said of the video “I am delighted to have an Avatar of myself ȃghting oppression in the world, even if that world is in outer space…and is in a cartoon!” Shirley Bassey “If You Go Away” (Rebeat Remix), ƺǹǚǯ, 2014, 0:04:25 ǋǞǣǤǶǱǹǘ ưǰǦǚǯ ǋǚǩǜǱǟǚǹ ƾǤǛǞǹ ǚǰǦǚǹǩƤǭ Ǥǹ ǡǯǨǞǹƤǩƤǯ ǨǱǹǺǹǚǧ Ǹǫǚǭǚǹǝǡ ǼǱǹǪƤǭ Ǡ ǯǹǚ ǭǚǶǤǯ ǩǤǰǱǫƤǢǮƤǯǯǞǹǡ ǷǞǹǛǞǵǯǞǥ ǨǯǱǴ ǸǞǶǽ ƤǯǞǺǱǫ ǵǱǛǱǸǤ ƬǴ:

Shirley Bassey “If You Go Away” (Rebeat Remix), Iran, 2014, 0:04:25 Director Ashkan Rahgozar In a cyber punk kind of world, a man who has lost his girlfriend tries to upload the memories he carries of her into a female-shaped robot.

Subconscious, ƱǹǚǟǤǥǤǚ, 2015, 0:05:01, 16+ ǋǞǣǤǶǱǹ` ǕǚǛǤǱ ƱǤǱǯǝǱ ƺǙǯǲ Ǡ Ƭǟ ǤǶǨǚǳǞǶ ǳǞǸǽ: ƺǙǯǲ Ǟǯǽ Ƭǯǽ ǤǹǚǨǚǯƤǭ ǟǜƤǭ: ƴǹǛ Ǟǹǚǟǡ ǜǚǥǤǶ Ǡ ǞǯǢǚǜǤǸǚǨǺƤǢǮǚǯ ǨǞǹǸǚǧ ǳǚǸǨǞǹǯǞǹǱǷ, ǚǮǯ ǨǚǹǱǫ Ǡ Ƭǟ ǟǚǹǭǚǺǯǞǥ Ǥǹ ǦǱǹǡ ǷǚǦǞǹǱǷ Ƥ ǺǚǯǨƤǢǮƤǯǯǞǹǱǷ:

Subconscious, Brazil, 2015, 0:05:01, 16+ Director Fábio Biondo What do we really want? What do we really feel? When a dream comes by way of images painted by subconscious can be surprised with our deepest fears and desires.

61 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹ Owl Me Tender, ǋƤǶǚǶǸǚǯ, 2015, 0:03:57 ǋǞǣǤǶǱǹǯǞǹ` ưǥǞǽǶǞǮ ưǥǞǽǶǞȀ, ǌǷǞǸǥǚǯǚ ưǯǝǹǤǚǯǱǷǚ, ưǯǝǹǞǮ ƱǚǦƤǹǤǯ, ǅǚǸǚǥǮǚ ƱǞǹǞǟǱǷǚǮǚ, ưǥǞǽǶ ƱƤǝǱǷǶǨǤ, ưǯǝǹǞǮ ƵǱǥǱǸƤǦǤǯ, ƲǚǮǚǯǚ ǃǚǢȀǱǶǮǚǯ, ƺǷǚǯ ǃǚǽǶǤǭǱǷ, ǅǚǤǹǚ ǃƤǹǚǝǮǚǯ, ǃǱǯǤǽǞ ưǥƬǥǞ ǋǞǯǚƤǥǢ, ǃǚǹǤǯǚ ǋǱǶǞǢ, ǄƤǥǤǚ ǋƤǝǤǺǨǚǮǚ, ǌǚǰǚ ǌǷǤǹǶǨǤ, ǅǚǸǚǥǮǚ ǌǨǹǮǚǛǤǯǚ, ǃǤǦǚǮǤǥ ǎƤƬǥǮǚ, ǄƤǥǤǚ ǎǦǚǮ, ǋǚƩǥ ǇǻǶǭǚǯǱǷ, ǋǤǭ ǆǚǹǚǿƤǸǝǤǯǱǷ: ǌǚ 1994 ǢǷǚǨǚǯǤ ǿǹǚǯǶǤǚǨǚǯ “Les Pires” ǛǞǯǝǤ “Owl me tender” ǞǹǜǤ ǚǯǤǭǚǺǤǱǯ ǩǱǥǱǷǚǨǯ Ǡ: ưǮǶ Ǟǹǜǡ ǤǶǨǚǳǞǶ ǰǚǸ ǩǚǮǸǯǤ Ǡ ǚǯǤǭǚǺǤǱǯ ǩǚǶǚǹǚǨƤǢǮǚǯ ƬǴ: 10 ǞǹǨǹǯǞǹǤ 20 ǚǯǤǭǚǸǱǹǯǞǹ ƩǚǷǱǹǷǞǥ Ǟǯǘ ǶǸǞǫǧǞǥƤ ǚǮǶ ǞǹǜǤ ǚǯǤǭǚǺǤǱǯ ǸǚǹǛǞǹǚǨǡ:

Owl Me Tender, Russia, 2015, 0:03:57 Directors Aleksey Alekseev, Svetlana Andrianova, Andrey Bakhurin, Natalya Berezovaya, Alex Budovsky, Andrey Zolotukhin, Gayana Matevosyan, Ivan Maximov, Sergey Merinov, Naira Muradyan, Monique Almelle Renault, Marina Rosset, Yulia Ruditskaya, Sasha Svirsky, Natalya Skryabina, Mikhail Tumelya, Yuliya Tkhay, Ramil Usmanov, Rim Sharafutdinov Animated music video for the song “Owl me tender” recorded by french band “Les Pires” back in 1994. This record became really popular in animation community. 20 animators from 10 different cities around the world united in 2014 to create an animation jam based on this song.

Supermarket, ǌǞǹǛǤǚ, 2015, 0:07:05 ǋǞǣǤǶǱǹǘ ǋǚǶǸǨǱ ƾƤǨǤǲ Supermarket ǚǯǤǭǚǺǤǱǯ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǡ ǩǤƨǚǨǚǯƤǭ ǩǚǭǚǨǚǹǜǲǚǮǤǯ ǩǱǥǱǷǚǨ Ǡ, ǱǹǸǞǫ ǨǸǞǶǯǞǽ ǨǥǱǹ ǰǚǹǣǚǨǚǯ ǩǚǹǢǚǨǤ Ƿǹǚ ǷǚǟǱǫ Ʃ ǨǞǹǳǚǹ: ǆǚǹǣǚǨǚǯ ǩǚǹǢǚǨǡ ƬǦǚǯǤǟƩ ǭǚǶ Ǡ, Ǳǹǡ ǨǚǹǜǚǷǱǹǷƤǭ Ǡ ǿǤǥƩ ǳǹǱǮǞǨǸǱǹǤ ǶǨǟǛƤǯǽǱǷ: ƿǞǯǺ ǩǞǹǱǶǡ ǶǨǶƤǭ Ǡ ǷǚǟǞǥ, ǿǤǥƩ ǳǸƤǮǸǡ ƬǨǯǚǹǨƤǭ Ǡ, ǚǮǶ ǶǨǟǛƤǯǽǱǷ Ǡ ǯǨǚǹǷǞǥ Supermarket ǩǱǥǱǷǚǨǡ: ƳǤǹǽǱǷ ǳǚǮǭǚǯǚǷǱǹǷǚǧ` ǩǚǯǝǤǶǚǸǞǶǤ ǭǱǸ ǚǵǚǴǚǯƤǭ Ǡ ǸǳǚǷǱǹƤǢǮƤǯ, ǢǞ Ǥǯǽǡ ǚǯǪǚǭǛ ǦǚǯƤǢǤ ƬǴ Ǡ Ȁ ǜǯƤƨǞǹ Ǡ ǨǚǸǚǹƤǭ: ǃǤǯǲ ǦǚǫǚǺǱǫǡ ǷǚǟƤǭ Ǡ, ǿǤǥǭǡ ǩǞǸǡ ǳǸǸǷƤǭ Ǡ, Ȁ ǰǚǹǣǚǟǚǭǛǮƤǫǡ ǥǺǷƤǭ Ǡ ǭǢǞǹǽǱǷ Ȁ ǞǹǛ ǯǹǚ Ƥǣǡ ǶǳǚǵǷƤǭ Ǡ, Ǩǚǝǹǡ ǩǞǸ Ǡ ǜǯƤǭ, ǟǚǭǛǮƤǫǯ Ǡǥ ǝǚǸǚǹǨǷƤǭ Ǡ:

Supermarket, Serbia, 2015, 0:07:05 Director Rastko Kuki The animated musical ȃlm Supermarket is mostly computer generated and includes an character running on a circular mobile platform. The mobile platform is part of a mechanism which operates on the principle of a ȃlm projector. As he is running, the character launches ȃlm reel, on which the above-mentioned scene from the supermarket is recorded. Because of its position in the mechanism, the protagonist can see only the content recorded on the reel. In other words, he has the impression that he is inside the supermarket and shops. While the player is running, the movie reel is moving forward and the trolley is ȃlling with products and when his strength gives him away, the reel rewinds back and carts are emptied.

SUPERLUX “Reptile Smile”, ƱǞǥǜǤǚ, 2014, 0:04:32 ǋǞǣǤǶǱǹǯǞǹ` 13 ƬǧǚǩǚǶǚǨ ǃǤ ǸǚǹǾǹǤǯǚǨ ǸǚǹǚǧǽǤ ǚǯǷǞǹǴ ǦǱǰǱǹǚǺƤǭǡ ǭǮƤǶǤ ƬǴ…

SUPERLUX “Reptile Smile”, Belgium, 2014, 0:04:32

Director 13 adults An inȃnite zoom of a strange space to another one …

62 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Competition Programs Animated Musical Clips

Eyes, ưǥǛǚǯǤǚ, ǆǷǞǮǺǚǹǤǚ, 2015, 0:05:14 ǋǞǣǤǶǱǹǘ ƾǥǞǮǝǤ ƶǶǨǤ ǃǤ ǞǹǚǟǱǫ Ǥǹ ǚǯǽǯƤǢǮǚǯ ǝǞǭ ǳǚǮǽǚǹƤǭ ǷǞǹǚǧǷƤǭ Ǡ ǚǹǨǚǧǚǮǤǯ ǬǚǭǼǱǹǝǤ, ǱǷ ǩǚǯǝǤǳƤǭ Ǡ Ǥǹ ǶǤǹƤǯ, Ȁ ǚǹǝǞǯ ǝǣǷǚǹ Ǡ ǥǤǯƤǭ ǚǶǞǥ` ǞǹǛ Ǡ ǷǞǹǴǚǯƤǭ ǤǹǚǨǚǯƤǢǮƤǯǡ Ƥ ǶǨǶǷƤǭ Ǟǹǚǟǡ:

Eyes, Albania, Switzerland, 2015, 0:05:14 Director Kleidi Eski A dreamer in her struggle to get sleep, becomes part of an adventurous journey to meet her lover, where it becomes hard to tell when reality ends and dreams begin. Telephonophobia, ǉǱǹǸƤǜǚǥǤǚ, 2015, 0:03:08 ǋǞǣǤǶǱǹǘ ǌǚǯǝǹǚ ưǹǚƤǦǱ ƿǚǭǚǨǚǹǜǲǚǮǤǯ Ǧǚǫǘ ǩǚǭǚǨǺǷǚǧ ǩǚǭǚǨǚǹǜǲǚǮǤǯ ǜǞǫǚǜǤǸƤǢǮǚǯǡ:

Telephonophobia, Portugal, 2015, 0:03:08 Director Sandra Araújo GameLine video games combined with computer-based aesthetics.

The Prodigy: Wild Frontier, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2015, 0:04:00 ǋǞǣǤǶǱǹ` ǃǚǶǲǚ ƿǚǥǛǞǹǶǸǚǝ ưǯǸǚǵƤǭ ƨǚǥƤ ǣǚǭǚǯǚǨ ǅǞǥǶǱǯǡ ǛǚǺǚǩǚǮǸƤǭ Ǡ ǝƤǚǥǤǟƩ ǤǶǨǚǨǚǯ ǜǚǫǚǼǚǹǡ: Wild Frontier-ǡ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ Ǡ The Prodigy-Ǥ ǩǚǭǚǹ:

The Prodigy: Wild Frontier, Netherlands, 2015, 0:04:00 Director MASCHA HALBERSTAD

While camping in the woods Nelson discovers the true meaning of dualism. WILD FRONTIER is a music video for The Prodigy. Urn ST Tavern, ǆǷǞǝǤǚ/ƲǞǹǭǚǯǤǚ, 2014, 0:05:00, 12+ ǋǞǣǤǶǱǹ` ǃǚǢǤǚǶ ƲǱǹǝǱǯ ǃǤ ǭǚǹǝ ǚǯǸǚǵƤǭ ǽǚǮǥǞǥǤǶ ǜǸǯƤǭ Ǡ Ʃ ǼǚǛ` Urn St. Tavern ǚǯƤǯǱǷ: ƱǚǮǺ ǼǚǛǡ ǚǮǝǽǚǯ Ǡǥ ǩǚǬǞǥǤ ǸǞǫ ǲǠǹ: ǌǚ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ Ǡ Fanfare Ciocarlia-Ǥ Ȁ Adrian Raso-Ǥ ǩǚǭǚǹ:

Urn ST Tavern, Sweden / Germany, 2014, 0:05:00, 12+ Director Mattias Gordon A man walks into the woods and ȃnds a pub called Urn St. Tavern. But this pub is no nice place. This is a music video for Fanfare Ciocarlia and Adrian Raso.

Wende – Last Resistance, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2014, 0:04:00 ǋǞǣǤǶǱǹ` ưǤƬ ǝǡ ƹǱǯǫ ƴǹǛ ǞǹǤǸǚǶǚǹǝ ǚǫǴǤǨǡ ǩǚǯǝǤǳƤǭ Ǡ ǥǬǤǺ ǝƤǹǶ ǞǨǚǧ ǶȀ ƤǹǷǚǨǚǯǤǯ, ǭǵǚǮǥ ǳǚǸǭƤǢǮƤǯǡ ǶǨǶǷƤǭ Ǡ: ƾǩǞǸȀǤǙ ǯǚ ƤǹǷǚǨǚǯǤǯ Ȁ ǨǭǸǯǤ ǚǹǝǮǱǽ ǴƤǹǡ, ǢǞǙ ǨǝǤǭǚǝǹǤ: ǉǚǸǭƤǢǮƤǯ ǨǚǭǽǤ ƤǣǤ Ȁ ǞǹǤǸǚǶǚǹǝƤǢǮǚǯ ǭǚǶǤǯ: Wende – Last Resistance, Netherlands, 2014, 0:04:00 Director AIMÉE DE JONGH

When a young girl encounters a ghost rising from the water of a lake, a dark story begins. Will she follow the ghost into the water, or will she resist? A story about inner strength and adulthood.

63 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹ

Robot Vitaliy, ǋƤǶǚǶǸǚǯ, 2014, 0:03:56 ǋǞǣǤǶǱǹ` ǅǚǸǚǥǤǚ ƱǞǹǞǟǱǷǚǮǚ ǌǚ “Neschastniy sluchay”.ǞǹǜǤ ǩǱǥǱǷǚǨǯ Ǡ: ƾǚǹǬ ǨǮǚǯǽ ƤǯǞǺǱǫ ǵǱǛǱǸǤ ǶǤǹǱ Ȁ ǯǹǚ ǡǯǨǞǹǯǞǹǤ ǳǚǸǭƤǢǮƤǯǯ Ǡ:

Robot Vitaliy, Russia, 2014, 0:03:56 Director Natalia Berezovaia The video for the band’s song “Neschastniy sluchay”. History rather short life robot romance and his friends.

All Beautiful Things, ƺǶǹǚǮǞǥ, 2014, 0:02:50 ǋǞǣǤǶǱǹǯǞǹ` Ƴǚǿǯǚ ƺǯǜǥǚǯǝǞǹ, ǋǚǿǤ ǄǚǯǤǜǞǹ ƴǹǸǚǶǚǹǝ ǨǤǯǡ ǴǚǯƤǭ Ǡ ǚǟǚǸǷǞǥ Ǥǹ ǸƤǯ ǥǺǷǱǫ ǴǹǤǺ: ưǥǤǽǡ ǛǚǹǪǹǚǯƤǭ Ǡ Ȁ ǸƤǯǡ ǚǭǛǱǫǴƤǢǮǚǭǛ ǱǫǱǫǷƤǭ Ǡ ǴǹǱǷ, Ȁ ǴǹǤ ǚǹǸǚǺǱǥǽǤ ƬǴ ǞǹȀƤǭ Ǡ ǛǱǥǱǹǱǷǤǯ ǚǮǥ ǚǰǦǚǹǩ: ƾǯǱǴ ǚǹǸǚǺǱǥǽǡ ǤǹǞǯ ǸǚǯƤǭ Ǡ Ʃ ƤǹǤǰ ǚǰǦǚǹǩ, Ȁ ǩǱǥǱǷǚǨǡ ǷǞǹǴǚǯƤǭ Ǡ ǯǹǚǘ ǚǹǝǞǯ ǼǱǦǷǚǧ ǤǹǚǨǚǯƤǢǮƤǯ ǷǞǹǚǝǚǹǪǱǷ:

All Beautiful Things, Israel, 2014, 0:02:50

Directors Dafna Englander, Raȃ Yaniger A young woman struggles to fend off the water entering her house. The tide rises and falls as the water Ȅows in and out of the house and the reȄections in the water reveal a different world. The reȄection of the woman takes off on her own into the other world, and ends up returning to a changed reality.

En Heng, ǈǤǯǚǶǸǚǯ, 2014, 0:01:25, 10+ ǋǞǣǤǶǱǹ` Ǎǚǯǜ ǄƤ - ǺǤ En Heng-ǡ ǶǸǱǳ - Ǩǚǝǹ ǚǯǤǭǚǺǤǱǯ ǪȀǱǷ ǯǨǚǹǷǚǧ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ Ǡ. ǚǮǯ ǳǚǸǭƤǭ Ǡ ǶǞǹƨǚǩǞǫƤǨǤ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯ ǭǚǶǤǯ` Ǥǹ ǯǭǚǯ ƬǨǤǯ ǜǸǯǞǥƤ ǩǚǭǚǹ: ưǮǶǸǞǫ ǲǨǚ Ǳǲ Ʃ ǞǹǚǣǰǸǚǨǚǯ ǜǱǹǧǤǽ, ǚƬǯǡ ǚǹǷǚǧ Ǡ ǤǹǚǨǚǯ ǚǵǚǹǨǚǯǞǹǤ Ȁ ǭǚǹǝǨǚǮǤǯ ǪǚǮǯǞǹǤ ǦǚǵǯƤǹǝǱǷ, ǱǹǱǯǽ ǷǞǹǺǷǞǥ Ǟǯ ǭǚǹǝǨǚǯǺ ǚǵǾǹǮǚ ǨǮǚǯǽǤǺ:

En Heng, China, 2014, 0:01:25, 10+ Director Wang Yu-zi En Heng (Hmm) is a music video in the form of stop-motion animation, telling a story about a sperm’s journey in pursuit of its soul mate. Not relying on any normal instrument, the music is made through a creative mixture and integration of sounds of real objects and human voices which are collected in people’s daily life.

64 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

ǐƤǺǚǝǹƤǢǮƤǯǯǞǹ Screenings

ǃǚǹǜǚǹǞǯ, ưǃǅ, ǕǹǚǯǶǤǚ, ƾǚǯǚǝǚ, ƺǵǥǚǯǝǤǚ, ǓǚǢǚǹ, ƻǤǛǚǯǚǯ, 2014, 84 ǋǞǣǤǶǱǹǘ ǋǱǴǞǹ ưǥǞǹǶ ưǮǶ ǩǞǸǚǽǹǽǤǹ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǡ ǚǹǸǚǝǹǞǥ Ȁ ǫǞǨǚǷǚǹǞǥ Ǡ ǌǚǥǭǚ ƿǚǮǞǨǡȁ ǕǤǥǭǤ ǶǺǞǯǚǹǤǶǸǯ Ǳǻ ǵǞǣǤǶǱǹǡ ǋǱǴǞǹ ưǥǥǞǹǶǯ Ǡȁ ǕǤǥǭǡ ǊǞǛǹǚǯǤ «ǃǚǹǜǚǹǞǯ» ǳǱǞǭǤ ǚǯǤǭǚǺǤǱǯ ǸǚǹǛǞǹǚǨǯ Ǡȁ ƿǚǶǸǚǸǷǞǥǱǷ ǃǤǴǞǹǨǹǚǨǚǯ ǧǱǷǤ ǜǮǱǻǫǞǹǤǺ ǭǞǨǱǻǭǘ ƾǚǭǤǥǚǯ ǭǚǽǹǱǻǭ Ǡ ǚǽǶǱǹǷǚǧ ǳǱǞǸ ǃǱǻǶǚǢǚǿǚǮǤ ǸǱǻǯǡ, ǛǚǮǺ ƾǚǭǤǥǚǮǤ ǩǚǭǚǹ ǚǷǞǥǤ ǝǣǷǚǹ Ǡ ǩǞǸȀǞǥ ǚǟǚǸǚǸǞǯǲ ǝǶǸǞǹǡǘ ưǥǭǤǸǹǚǮǤǯǘ ǯǹǚǯ ǼǱǹǪǚǯǽǤǺ ǩǞǵǱǻ ǳǚǩǞǥǱǻ ǩǚǭǚǹȁ ưǮǶ ǞǹǞǽǡ ǯǞǹǜǹǚǷǷǱǻǭ Ǟǯ ǭǤ ǬǚǯǚǳǚǹǩǱǹǝǱǻǢǮǚǯ ǭǞǴ, Ǳǹǡ ǳǞǸǽ Ǡ ǚǷǚǹǸǷǞǹ ǃǱǻǶǢǚǿǚǮǤ Ǹǚǯǡ, ǛǚǮǺ ǶǨǟǛǱǻǭ ǯǹǚǯǽ ǳǞǸǽ Ǡ ǼǚǦǲǞǯ ǤǰǦǚǯǚǷǱǹǯǞǹǤǺ, ǱǷǽǞǹ ǷǚǦǞǯǱǻǭ Ǟǯ, Ǳǹ ǃǱǻǶǸǚǿǚǮǤ ǬǰǭǚǹǤǸ ǦǱǶǽǡ ǚǳǶǸǚǭǛǱǻǢǮǱǻǯ ǨǩǹǚǩǹǤȁ

The Prophet, USA, France, Canada, Ireland, Qatar, Lebanon, 2014, 84 Director Roger Allers

This breathtaking animated feature, produced and spearheaded by Salma Hayek. Written and directed by Roger Allers, the ȃlm intersperses Gibran’s elegant poetry within stunning animated sequences. Set in a Mediterranean seaside village, Kamila cleans house for exiled artist and poet Mustafa, but the more difȃcult job is keeping her free-spirited young daughter, Almitra, out of trouble. The three embark on a journey meant to end with Mustafa’s return home – but ȃrst they must evade the authorities who fear that the truth in his words will incite rebellion.

ǇǻǹǷǚǨǚǯ Ǹǫǚǯ, ǕǹǚǯǶǤǚ, 2015, 84 ǋǞǣǤǶǱǹǯǞǹǘ ưǥǚǯ ƲǚǯǮǱǥ, ƹǚǯ-ƻǱǻǼ ǕǞǥǤǺǤǱǥǤ ǅǮǱǻ ǄǱǹǽǱǻǭ ǭǤ ǚǵǞǫǧǷǚǧǚǮǤǯ ǭǚǹǝ ǷǯǚǶǱǻǭ Ǡ ưǥǞǽǶǤǯ Ȁ ǱǶǸǤǨǚǯǱǻǢǮǚǯ ǸǞǶǱǻǲǡ ǶǨǶǱǻǭ Ǡ ǩǞǸǚǳǯǝǱǻǭǡȁ ƿǤǷǚǯǝǚǯǱǺǱǻǭ ưǥǞǽǶǡ ǚǵǚǴǤǯǡ ǩǚǯǝǤǳǱǻǭ Ǡ ƻǞǱǮǤǯǘ 11-ǚǭǮǚ ǭǤ ǸǫǚǮǤ, ǱǷ ǨǚǹǱǫǚǯǱǻǭ Ǡ ǝǱǻǹǶ ǜǚǥ Ǥǹ ǭǚǹǭǯǤǺȁ ǇǻǹǷǚǨǚǯǤ ǯǭǚǯǘ ǚǯǸǞǶǚǯǞǥǤ ǛǱǥǱǹǤ ǩǚǭǚǹ Ǹǫǚǯ ǨǚǹǱǫǚǯǱǻǭ Ǡ ǚǯǺǯǞǥ ǳǚǸǞǹǤ ǭǤǴǱǷȁ ưǮǥǚǯǝǚǨǷǚǧ ǜǚǯǜǶǸǞǹǡ ǽǚǫǚǽǤǯ ǶǳǚǵǯǱǻǭ Ǡ ǩǚǭǚǨǚǹǜǲǚǮǤǯ ǷǤǹǱǻǶǱǷȁ ưǯǶǱǷǱǹ ǞǹǞǦǚǮǤ ǰǯǱǹǩǤǷ ưǥǞǽǶǡ ǷǞǹǶǨǶǱǻǭ Ǡ Ǥǹ ǩǞǸǚǟǱǸǱǻǢǮǱǻǯǯǞǹǡȁ

Phantom Boy, France, 2015, 84 Directors Alain Gagnol, Jean-Loup Felicioli In New York, a mysterious man disȃgured hurt Alex, a police inspector started in pursuit. Immobilized in hospital, Alex ȃrst met Leo, an eleven year old boy who has the ability to get out of his body. Like a ghost, invisible of all, it takes off and passes through the walls. The disȃgured gangster threatens the city with a computer virus. Thanks to the extraordinary powers of the child, Alex resumes its investigation.

66 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ

Ցուցադրություններ Screenings

67 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Ցուցադրություններ Screenings

68 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Revival

1992:

, (

, `“Blob”

, , , , “Blob cose mai viste”, : `

, ):

Leonardo Carrano Since 1992 he has been working with experimental animation cinema. His works, resulting from the combination of different techniques and languages, experimental and half-way between the abstract and the referential, soon attracted the attention of critics and were selected for major festivals in Italy and abroad (The Film Festivals in Venice, Rome, Locarno, Montreal, Paris, Zagreb, Casablanca, Shanghai, Beijing, Milan, Naples and Palermo). His animated lms have frequently been broadcast in some RAI programmes such as “Blob” and “Blob cose mai viste”. In 1994, we provided the digital scenography for the Fininvest program L’ANGELO. In his work, Carrano has also collaborated with well-known and popular composers like Sylvano Bussotti, Giorgio Bastianelli, and Ennio and Andrea Morricone.

« «

session ,

, 2014, 0:15:20, ,

» »-

Noise of Trouble’s ,

»,

jam20000

Jazz for a massacre Italy, 2014, 0:15:20, Leonardo Carrano, Giuseppe Spina “Jazz for a massacre” is a tribute to the experimental artist and cineaste Nato Frascà, inventor of “the doodle method”, a form of free expression to explore the unconscious. Ideally applying this method, the lm comes out as a musical-pictorial jam-session where Noise of Trouble’s jazz improvisation combines well with the abstract forms, created by Leonardo Carrano directly onto lm, and edited by Giuseppe Spina. 20,000 painted, engraved and etched photograms involve the spectator in a chromatic dance.

72 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Revival

, ,

: :

1976-

: 1982: 1988-

: 2000»

: 2010-

: 2007«

»:

» -

: « » : Serge Avédikian Director, screenwriter and actor. He was a student at the Conservatory of Dramatic Art in Meudon, worked with students in the Paris and played in many theater pieces of classical and modern repertoire. In 1976, he founded a theater company and directed several plays. In 1982, he be gan producing documentary lms, while continuing his work as an actor in lms and theater. In 1988, Avédikian founded his own production company and produced personal lms. Meanwhile, he continued his act ing course in theater, lm and television. Since 2000, Serge devotes more space to the theater and cinema as an actor and continues to make movies with the help of new producers. In 2007, he produced his rst feature documentary lm We Have Drunk the Same Water. In 2010, he won the Palme d’Or for Short Film in Cannes for his short animation lm Barking Island. He is the coauthor of the feature art lm Me, Paradjanov, Soviet Artist which is devoted to the life and works of the lm director Sergei Paradjanov. In the lm he also plays the role of the main hero. He has also staged Anu

1910

: `

, 2010, 15 :

, ,

Barking Island, France, 2010, 15min, Serge Avédikian Constantinople 1910. The streets are overrun with stray dogs. The newlyestablished government, in uenced by a model of Western society, uses European experts to choose a method of eradication before deciding, suddenly and alone, to massively deport the dogs to a deserted island away from the city.

73 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

1996-

: 2000 .

2D 2007 .

2001 .

: ` KASSart- , :

2D , 2007 nean’s Films Crossing Borders)

, , : MFCB (Mediterra2007-2008 .

Vrej Kassouny Vrej Kassouny is a 2D animation director, lmmaker, painter and a caricaturist. Graduated from M. Sarian Fine Art School in Aleppo, Syria in 1996. In 2000 he received his Painter and Art Teacher Degree from P. Terlemezian Fine Art College in Yerevan. He has also participated in 3-month 2D animation course in UWE, Bristol University, and has received his Certi cation in December of 2007. In 2001 he started his own animation studio, KASSart, specializing in animation, advertising and lms. Besides commercial clips in 2D animation and has cooperated with different companies in Armenia and abroad to create interactive tutorial CD’s, and has geared its interests towards producing short, feature, documentary animation lms. He participated in MFCB (Mediterranean’s Films Crossing Borders training in Cannes 2007, also at EAVE’s producing coaching workshops in Dubai DIFF year 2007 and 2008.

, 2014, 00:12:27,

.« ,

»: : ,

, `

, …

: …

Aurora, Armenia, 2014, 00:12:27, Vrej KASSOUNY He is captured in a boxed life, and his one and only dream is to FLY in the sky and shout; “I can FLY…” He longs for freedom or even a crumb of it, while the little bird longs for crumbs of bread... The only way for him to live this feeling is to daydream for now. On the other hand, an unnoticed little creature, a bird, has wings, and even can y in the sky higher than he ever could imagine... But still, he must nd his way out, so he might FLY someday…

74 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Revival

(

1971,

. 1950,

» »-

)

(

, 1972,

Yubik Muradyan Yubik Muradyan (born 1950, Ddmashen, Armenia) Muradyan has been an artist at Armen lm Studio since 1971. In 1972 he took courses Soyuzmult lm Studio, Moscow (lecturers Feodor Khitruk, Vyacheslav Kotyonochkin, Andrey Khrzhanovsky).

, 2008, 00;10;10,

: :

Bitlis, Armenia, 2008, 00:10:10, Yubik Muradyan The lm is about complicated relations between the grandfather who is born in Bitlis and the grandson born in Fresno. For the grandfather it is unacceptable that his grandson is an American and is unable to understand how it is possible to speak without saying a single word.

` ESAAT :

21 Cambre-

ENSAV La

` «

…

2010

»,

Ornella Macchia French young director of Italian and Armenian origin, Ornella Macchia obtains her Diploma of Art profession in the ESAAT in Animation Film in 2010. At 21 years old, she continues her studies at ENSAV La Cambre where she directed several short lms of various techniques. After a humanitarian project in Armenia, she decided to direct her graduation lm “Armenian Papers” about a fruit merchant who offers his fruits and his story...

, 2015, 0:06:33

Armenian Papers, Belgium, 2015, 0:06:33, Ornella Macchia At the market of Yerevan, a merchant invites us to share his fruits and his history… Accompanied by birds, we discover the life of this man full of the colours of Armenia...

75 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

2venite-

(

Pablo Gostanian 2venite is a design and motion graphics studio in Buenos Aires Argentina. Works doing branding and motion graphics for TV channels, advertising agencies and other worldwide clients. We are a young studio that moves steadily forward, we give our all in every project and we work hard to surpass our client’s expectations. ,

. 100

, 2015, 03:36,

2015 :

24-

1.500.000

, 100

100 Years - Armenian Genocide, Argentina, 2015, 3:36 min, Pablo Gostanian In this special year 2015, we did this cell animation short for the Armenian Genocide centenary. The Turkish government denies to the date that the genocide took place. It has passed a hundred years, today April 24th, and we`ll keep on ghting till recognition. This is a small tribute to the 1.500.000 victims.

Yelling Studio

(

): Yelling :

: :

(

)

, : Yelling Studio We are four friends, and we met at the Tumo Center for Creative Technologies, Animation Department. After 3 years of studying, with the support of Tumo we co-founded Yelling Animation Studio, which became Tumo’s rst animation start-up. In the end of April we completed our debut work, two animated episodes dedicated to the 100 year anniversary of the Armenian Genocide (1915). Few words about us: Arevik, 21 and Zara, 20 are students of Yerevan State Academy of Fine Arts. Levon, 19 – studies physics at the Yerevan Armenian-Russian Slavonic University, and Grisha is a former system developer. We are currently working on our second project - a short lm about a boy and a dog. «

, Yelling Studio,

, 2015, 3:28 :

The Kindness of Strangers, Yelling Studio, Armenia, 2015, 3:28 “The Kindness of Strangers” series is dedicated to the centennial of Armenian Genocide and its main purpose is to thank the missioners and kind people, who helped our ancestors in 1915.

76 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Companies

Sacrebleu

Sacrebleu Productions 1999 .

Sacrebleu 50 1000-

“Chienne d’Histoire” Palme d’Or , Travel Diary, The Great Rabbit Ours d’argent , Man on the Chair , Sunday lunch 2010rep

Sacrebleu

Proci2013-

Sacrebleu-

Since its creation in 1999, Sacrebleu Productions has produced more than 50 short lms, leading to more than 1000 festival selections. More recently, our lms have had a great success, with “Chienned’Histoire” by Serge Avédikian which won the Palme d’Or at the Cannes Festival, “Madagascar, Travel Diary” by Bastien Dubois, nominated at the Oscars, “The Great Rabbit” by Atsushi Wada, winning the Ours d’argent at the Berlinale, “Man on the Chair” by DaheeJeong, Cristal D’Annecy winner, “Sunday lunch“ by Céline Devaux, selected at the Cannes Festival and winner at many festivals. In 2010 Sacrebleu won the Prize Procirep for the Best Short Films’ Producer and in 2013 the Award for the Best TV Producer of Animated Movies. Sacrebleu is currently producing TV series, short and feature lms, both animation and live action.

78 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Companies 2008,

Kroak 2008, France, 3 Directors Julie Rembauville, Nicolas Bianco 1. Kroak, shing trip Kroak goes shing early in the morning. From its bundle, he takes a whole panoply of tools, and waits for the sh that doesn’t come. When, nally, something takes the bait, it’s not a sh but a fridge that goes out from the sea, then a laid out table, and then a strange sh. -

2. Kroak, return to bear Kroak is looking for food, with a craving for a walrus for dinner. He digs into the ice and comes face to face with a bear. , :

2008,

,4 «Pretty Boy Floyd»

Kid Loco 2008, France, 4 Director Olivier Chabalier Video clip of Kid Loco’s «Pretty Boy Floyd», inspired by Klimt’s paintings and by the collective imagination of children’s tales.

2014,

, 6:55 ,

...

Man on the chair 2014, France, 6:55 Director Dahee Jeong Man on the chair is tormented and constantly doubts his very own existence. It is just merely a picture that I created... Could I also be an image crafted by others? 2008,

,6 ,

My little brother from the moon 2008, France, 6 Director Frédéric Philibert A little girl try to understand why her little autistic brother is not like other children.

79 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Faces from places 2013,

“Faces from places” -

Faces from places 2013, France, 3 Director Bastien Dubois “Faces from places”, the animated series directed by Bastien Dubois is offering us a subjective trip around the world, high in colors, with original stories, which mixes motion capture and 3D skills with the attractiveness of diaries. Skills with the attractiveness of diaries. RHIZOME

2015,

, 11:25 , :

RHIZOME 2015, France, 11;25 Director Boris Labbé From the in nitely small to the in nitely large, all things in the universe are tightly connected: they interact and restructure in a combination of movements and perpetual metamorphoses.

2002, 20-

,4 ...

Words Words 2002, France, 4 Director Ron DYENS A man and a woman in the 20’s. They are making a journey in ballon. But suddenly…

2011,

, 12

, ,

Where dogs die

2011, France, 12 Director Svetlana Filippov A man grows up and leaves his mother’s home. During his life, all he dreams about is to come back home – to retrieve his past. But a lot of things happen, things that cannot be xed: his mother grows old, the house where he was so happy falls apart, his dog dies. It happens to everyone and it is unavoidable. And everything turns to be just a memory or a dream or a movie.

80 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Companies )

Faces from places ( 2013, ,3

...

Faces from places (Nagorno Karabakh) 2013, France, 3 Director Bastien Dubois Two travelers get lost on the Armenian roads. Armenia, Azerbaijan, Nagorno-Karabakh? We are getting familiar with local geopolitics...

2009,

, 11;30

»-

Madagascar, a journey diary Director Bastien Dubois 2009, France, 11.30 Madagascar is a journey diary that redraws the trip of a European traveller confronted with Famadihana customs. The pages of the diary turn, then the drawings liven up, we cover the luxuriant landscapes of Madagascar before being introduced to the Malagasy culture.

2012,

: ,

, :

Tram 2012, France, 7 Director Michaela Pavlatova It’s the humdrum daily routine for Tram’s conductress. As every morning, men get on the tram to go to work, one after another, all similar, quiet, grey, apathetic. And yet, on that day, following the jolts and the road’s vibrations, to the rhythm of the tickets inserted in the ticket-stamping machine, the conductress gets turned on and the vehicle gets erotic. The tram conductress’ desire turns the reality into a surrealistic and phallic fantasy. She then takes a ride on the passengers’ giant and blushing penises. Music maestro!

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

2014,

, 13:39 , ,

Beach Flags 2014, France, 13;39 Director Sarah Saidan Vida is a young Iranian lifeguard. Popular on her team, she is determined to ght in order to be the one to participate in an international competition in Australia. However, when Sareh who is as fast and talented as her, joins the team, Vida will have to face an unexpected situation. 2006,

,8 ,

The memories of dogs 2006, France, 8 Director Simone Massi My cheeks brush against the stones, I look out from a break in the wall.

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Institutions

EMCA EMCA

1999-

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EMCA

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EMCA or School of Film Animation Technologies EMCA or School of Film Animation Technologies Created in 1999, under the aegis of the Angoulême Chamber of commerce and Industry. EMCA is located in Angoulême, France. There are 36 students in EMCA, which is a two-year course focusing on 2D animation, and 16 in EMCI, a one-year program focusing on 3D. Some students complete only one or the other, but the entire three-year course covers both components, according to Christian Arnau, head of education at EMCA. Students learn the entire animation process, from storyboard to layout to animation; the focus is nding a good balance between acquiring a strong technical base and developing individual creativity; as is the case with many schools, each student must complete their own lm before graduation. The students also are challenged with technical exercises based on studio productions; many teachers in the courses are professionals who use real-life examples in the classwork. Graduates nd positions in studios around the world, including in Europe (England, Ireland, Spain and Switzerland) and Japan, as well as in France, mostly in Paris or at a number of creative companies located in the Charente region (where Angoulême is), collectively known as the Syndicat Magelis Pôle Image. Some become animation directors or writers, while others become Flash or 3D animators or compositors.

84 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Experimental animation

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Narek Van Ashughatoyan My name is Narek Van Ashughatoyan. I was born in Yerevan. I’m a theologist by profession, having obtained a Master in Law degree later on. I currently work as a lawyer and also lead the Tsirani Cultural Hub, an organization working on cultural issues, for eight years now. I largely paint in my free time. This year in May, my rst personal exhibition titled “Tale of Fragments” was held in Yerevan, where I presented my works created throughout the years. Besides being a painter, I’ve also participated in the production of four short documentary lms and a short animation lm as author and director.

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, 2015, 6.32 «

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“Tale of Fragments” Armenia, 2015, 6.32 Director Narek Van Ashughatoyan The lm has been produced based on the works presented at Narek Van Ashughatoyan’s “Tale of Fragments” exhibition. This lm presents the imaginary journey of the fragments created by the painter through ve worlds: the universe, hell, paradise, Narekavan City and the seas. The animated journey starts and ends with real-life scenes, symbolizing that imaginary fragments live in real environments as well... and we only have to paint them.

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Experimental animation

1965 .

: 1972 `

UGC- , Video- ,

` Light Cone1994

, ,

, : Orion Classics` : :

Re:Voir

L’AbominableFrameWorks

Pip Chodorov Born in New York, 1965, Pip Chodorov has been into lmmaking and music composition since 1972. He studied cognitive science at the University of Rochester, N Y and lm semiotics at the University Of Paris, France. Worked in lm distribution - Orion Classics, NYC; UGC, Paris; Light Cone, Paris; and, currently, Re:Voir Video, Paris, which he founded in 1994 (www.re-voir.com ) along with The Film Gallery, the rst art gallery devoted excusively to experimental lm. He is also co-founder of L’Abominable, a cooperative do-it-yourself lm lab in Paris, and the moderator of the internet-based forum on experimental lm, FrameWorks. His lms range from animation (of photos espacially) to lm diary and are characterized by humour, lightness and awakening consciousness, more than by structural or lyric tendancies.

, 2012, 80 `

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Free Radicals: A History of Experimental Film, USA, 2012, 80 Director Pip Chodorov What is experimental lm? The artists and poets who began using celluloid before World War I still reside in a No Man’s Land. Excluded from movie theatres, they created an independent network that allowed them to produce and show their lms. In doing so, they built a body of work that still in uences our culture. I wished to share with you a few of the lms I love and introduce to the free, radical artists who made them.

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Documentary Animation

, -

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1981

Amer Shomali Amer Shomali is a Palestinian multidisciplinary artist, using painting, digital media, lms, installations and comics as tools to explore and interact with the sociopolitical scene in Palestine focusing on the creation and the use of the Palestinian revolution iconography. He holds a master’s degree in animation from the Arts University Bournemouth in the United Kingdom and a bachelor’s degree in architecture from Birzeit University, Palestine. He was born in Kuwait in 1981, and is currently based in Ramallah, Palestine.

, « « 2014

»,

»-

1978 :

«18

» :

, :

2014

Paul Cowan Paul Cowan is a Canadian lmmaker who spent the bulk of his career with the National Film Board of Canada. Cowan was nominated for an Academy Award for Documentary Feature for GOING THE DISTANCE, a documentary about the 1978 Commonwealth Games. He was the director of the controversial docudrama The Kid Who Couldn’t Miss and cinematographer on the Oscar-winning Flamenco at 5:15. In 2014, Cowan completed the documentary The Wanted 18, co-directed with Palestinian artist Amer Shomali , about the efforts of the Palestinian town of Beit Sahour to establish an independent dairy industry during the First Intifada. The lm premiered at the 2014 Toronto International Film Festival .

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Documentary Animation

«18

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The Wanted 18, Canada, 2014, 75min Directors Amer Shomali,Paul Cowan

, 2014, 75 ,

1987

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A story of the most powerful army in the Middle-East chasing 18 cows told from the unique perspective of the cows and the Palestinian activists. In 1987, at the beginning of the rst Intifada, Palestinian leaders asked their communities to develop Palestinian alternatives to Israeli products. In response, a group of Palestinians started a cooperative dairy farm in Beit Sahour near Bethlehem with 18 cows. All of the activists were intellectuals and paci sts who knew nothing about raising cattle or operating a dairy. But, after some training and the purchase of some cows from an Israeli kibbutz, these newbie dairy farmers managed to start producing a high quality competitive product. The people in the Bethlehem area came to depend completely on the cooperative’s milk, which they called the ‘intifada milk’. However, once the cooperative became successful the Israeli army wanted it closed. The Palestinian farmers hid the 18 cows in people’s houses and continued to produce milk. The cooperative survived and continued to produce milk for years. The cows were hidden in mountains caves and cared for by new activists. A few years later many of the activists moved on and the cooperative had to shut down. The few cows who remained were sold and butchered by a Palestinian butcher. The Wanted 18 is an animated documentary. Our 18 cows start out minding their own business in the elds of an Israeli kibbutz and end up hiding in caves in the hills of Palestine. These gentle, kind animated cow characters will present a unique perspective on the story and on the absurdity of their situation. Our cows are «outsiders». Neither «Israeli» nor «Palestinian», they bring an honest, unfettered voice to the lm, often reacting to events as they unfold. The cows are a hodge-podge of characters who ultimately represent the complex emotions and perspectives that one nds in the Palestinian-Israeli con ict.

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Work in Progress

Yelling Yelling

2014

, stop-motion-

1Yelling

: 3

Yelling Animation Studio Yelling Animation Studio was founded on July 1, 2014. Our passion is 2D, stop-motion and classic hand-drawn animation.We are four friends and we met at the Tumo Center for Creative Technologies, Animation Department. After 3 years of studying, with the support of Tumo we co-founded Yelling Animation Studio, which became Tumo’s rst animation start-up. In the end of April we completed our debut work, two animated episodes dedicated to the 100 year anniversary of the Armenian Genocide (1915). «

» :

“The Kindness of Strangers” “The Kindness of Strangers” series of two animations dedicated to the centennial of the Armenian Genocide.

1994 – 1996

1996 – 2002

2008 -

Levon Abrahamyan From 1994 to 1996 Levon Abrahamyan started studying in State College of Fine Arts named after Phanos Terlemezyan, specialty: graphic designer. From 1996 to 2002 he continued his education at Yerevan State Academy of Fine Arts, Specialty: Artist. Since 2008 Levon Abrahamyan is a member of the Union of Artists of Armenia. He received several awards for book illustrations.

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Tailless fox The movie is about a little fox , who is exploited by everybody . Whatever he asks for he doesn’t get , moreover , they always demand something from the fox . Only at the end of the movie , the fox gives his tail to the woman for getting a little milk himself .

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Work in Progress

: : 1976-

: 1982-

: 1988-

: 2000: 2007-

« »:

» »

« : 2010«

Serge Avedikian Director, screenwriter and actor. He was a student at the Conservatory of Dramatic Art in Meudon, worked with students in the Paris and played in many theater pieces of classical and modern repertoire. In 1976, he founded a theater company and directed several plays. In 1982, he began producing documentary lms, while continuing his work as an actor in lms and theater. In 1988, Avédikian founded his own production company and produced personal lms. Meanwhile, he continued his acting course in theater, lm and television. Since 2000, Serge devotes more space to the theater and cinema as an actor and continues to make movies with the help of new producers. In 2007, he produced his rst feature documentary lm We Have Drunk the Same Water. In 2010, he won the Palme d’Or for Short Film in Cannes for his short animation lm Barking Island. He is the coauthor of the feature art lm Me, Paradjanov, lm director Sergei Soviet Artist which is devoted to the life and works of the Paradjanov. In the lm he also plays the role of the main hero. He has also staged Anush opera

1946,

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Last Round in Istanbul In 1946, between Addis Ababa and Istanbul, a Turkish boxer (Suleyman) and an Armenian boxer (Armen) are caught in the trap of a ruthless chase. After their ght in Ethiopia, Suleyman, knowing he is wanted for war crimes, stages his own death to switch identity. Armen, accused of murdering Suleyman must ee. They will meet in Istanbul, where they nally will settle their accounts. Stan O’Brien, an Irish boxer, leading the investigation for the English, will be dragged into this journey. Maria, Armen’s sister will do what it takes to save her brother. Her romantic encounter with O’Brien will be decisive.

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

1961 . « «

2000 .»

»6

(2012),

17-

: 1977 . : 1980-

»: » 6

10 2013 . «

: 2002 . : 2010 . « :

»-

Narira Muradyan Born in 1961 Dec. 17 in Yerevan. In 1977 she started studying in State College of Fine Arts named after Phanos Terlemezyan. From 1980 she started her work as a production designer in “Armen lm”. She was a freelance painter in different theatres, and starting from the year 2000, she worked on TV. In 2002 she started working on animation series called “The Flight of the Feather“. In 2010 she made 10 little series based on the “Children Bible“. She has done 6 series called “Angel in town“. She also has done 6 series based on Ruben Hakverdyan’s famous songs. “Balet” (2012) is Muradyan’s last lm, which was awarded the prize in 2013 Hayak as the best animation lm of the year. , ,

New Year The family of Moomy Throlec is sleeping usually in winter, but this time, they woke up just when it was New Year and they didn’t even understand that it was a holiday.

1986 .: 2003-2008 : 2008 . 2011 -

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Arthur Mikaelian Arthur Mikaelian was born in 1986. From 2003 to 2008 has studied in Yerevan State Institute of Theater and Cinema, in the department of Cartoon Directing. In 2008 has shot “Drunken Hens“ animated movie, which has awarded a special jury prize, the prize named after Sahakiants and the prize of the best animated movie during “I AM” International Youth Film Festival. Since 2011 has worked on “Lazy Huri’’ musical cartoon motivated by the the namesake tail of Hovhannes Tumanian.

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: Lazy Huri The lm’s plot is based on Hovhannes Tumanyan’s “The Lazy Huri” fairy tale where the existing injustices and inequalities of life is represneted by a lazy girl, whose mother does everything to make a hardworking trader and her lazy girl get married. The rst task given to Lazy Huri should be a real a true test for herself , but everything is happened differently .

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

, ,

Workshops

, , , DUMPSTERMATION, STOP-MOTION meets FOUND OBJECT Gary Shcwartz Animator, director, artist, educator DUMPSTERMATION, STOP-MOTION meets FOUND OBJECT

, Stop MotionJuan Pablo Zaramella Director, animator Stop – Motion Master Class

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)

Hoyt Silva Sequential Illustrator Visual Storytelling

Liza Artinian Color supervisor and background artist Theory Technique in Background Painting

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YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

Workshops ,

Nicolas Bianco Levrin Director, author of comics STORYBOARD – Cartoon and comic’s book

Charlie Sansonetti TV series producer Animation Crossroad in Caucasus

Sacrebleu Productions-

Ron Dynes CEO at Sacrebleu Productions French animation: production and coproduction

/ , Alexandre Heboyan & Benoit Philippon France / Director, animator

99 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL

ՏՈՆ

Comics art Հայ ուրվականը - 2015 Նկարիչ՝ Թոմաս Ազուլեոս Հեղինակներ՝ Լորա Մարշան, Գիյոմ Պերիե Հրատարակչություն՝ Print Info «Հայ ուրվականը» պատմում է Բրիջիտ Բալյանի և Վարուժան Արթինի (1960-2015) ճամփորդությունը Մարսելի Արամ կենտրոնից մինչև Թուրքիա: Ճամփորդությունը նրանց հասցրել է մինչև Դիարբեքիր, որտեղ 2014 թվականին տեղի է ունեցել Ցեղասպանությունը վերապրած 99 հայերի լուսանկարները ներկայացնող ցուցահանդես՝ կազմակերպված Հայոց Ցեղասպանության 99-րդ տարելիցի առթիվ: Լուսանկարներից մեկը պատկերում է Վարուժան Արթինի հայրական պապին՝ Սահակ Արթինին, որն իր 50 հոգանոց ընտանիքից միակ փրկվածն է եղել: Ստեղծագործությունը հիմնականում պատմում է Բրիջիդ Բալյանի և Վարուժան Արթինի՝ այնպիսի թուրքաբնակ հայերի հետ հանդիպումների մասին, որոնք ուշ են հայտնաբերել իրենց հայկական ծագումը՝ մինչ այդ կրելով թուրքական, քրդական կամ ալևիական ազգանուններ: Այս վավերագրական կոմիքսը ստեղծելու համար Լորա Մարշանը, Գիյոմ Պերիեն և Թոմաս Ազուելոսն հետևել են Քրիստիան Վարուժան Արթինի ճամփորդությանը դեպի Թուրքիա՝ դեպի իր հայրական պապի հայրենիք: Մինչ 2014 թվականը Վարուժանը երբեք չէր մտածել Թուրքիա գնալու մասին՝ վախենալով, թե կարող է «քայլել իր նախնիների ոսկորների վրայով»: Ճամփորդությունը դեպի այս «Աուշվից՝ բաց երկքնի տակ» փաստորեն լուրջ մարտահրավեր էր Վարուժանի և իր կնոջ՝ Բրիջիտ Բալյանի համար: Բայց այն միայն ուխտագնացություն չէր: Նրանք հանդիպեցին նաև 1915-ը վերապրածների զավակներին, որոնք բնակվում են Թուրքիայում: Այսօր այս քրդացած, թուրքացած մուսուլման հայերը դուրս են լողում ստվերից և պատմում են իրենց պատմությունը՝ հույս ուենալով վերգտնել կորցրած ազգային ինքնությունը: Այս գիրքը արթնացումի և դեպի իրականության թռիչքային վերադարձի մասին է: Ցեղասպանությունից 100 տարի անց այն ժամանակակից հայացք է՝ ուղղված հայկական ինքությանը:

Le fantôme arménien– 2015 Artist: Thomas Azuléos Author: Laurent Marchand, Guillaume Perrier Publisher: Futuropolis It is the story of an alarm clock or, in the words of Varuzhan, of a genuine “jump in the real”. Until 2013, Varuzhan had never envisaged to go to Turkey, at the risk of “trample the bones of his ancestors”. The trip up to this “Auschwitz to open skies” is not only a pilgrimage. Varuzhan and his wife Brigitte depart at the meet the descendants of Armenians who remained in Turkey in 1915 and who survived the massacre. Because today these Armenians Kurds, Turks, Alawis, Muslims, come out of the shadow, telling their story and aspire to regain a lost identity in a country that continues to officially deny, one hundred years after the genocide.

7 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ

Պատկերապատման արվեստ Հայ Արամը - 2015 Նկարիչ՝ Մաժոքս Հեղինակ՝ Աբել Ալվես Հրատարակչություն՝ Dragoncomics Editora Սա Արամի պատմությունն է, գյուղացի, ով սեփական կյանքը վտանգելով փրկում է զարմուհուն` Թամարին, 1915թ. երիտթուրքերի կառավարության կողմից ծրագրված Հայոց ցեղասպանության հազարավոր զոհերից մեկին: Հնարավոր է, որ «Իմ անունը Արամ է» պատմությունները, որտեղ Վիլյամ Սարոյանը նկարագրում է կոտորածներից հետո Ֆրեզնոյում /Կալիֆորնիա/ հաստատված հայերի կյանքը, հիմք են հանդիսացել Աբել Ալվեսի հետաքրքիր, հաճելի վավերագրական գրքի համար, որը կրում է հայտնի հեքիաթների վերնագրին նման ﬕ անուն:

Aram el Armenio - 2015 Artist: Majox Author: Abel Alves Publisher: Dragoncomics Editora This is the story of Aram, a peasant who risks his life to save his niece Tamar, one of the many victims of the Armenian Genocide planned in 1915 by the government of the Young Turks. The stories of “My name is Aram”, where William Saroyan described the life of the Armenians installed in the Fresno (California), after the massacres, could be the precedent of the interesting, pleasant and documented book of Abel Alves, who carries a title similar to those famous fairy tales.”

Մամիկոն - 2015 Նկարիչ՝ Նաիրա Մուրադյան Հեղինակ՝ Ջեք Հաշյան Հրատարակչություն՝ MediaMAX 2015 թվականի մարտ-հուլիս ամիսներին www.mediamax.am կայքում ներկայացվել է ամերիկացի գրող Ջեք Հաշյանի «Մամիկոն» վեպը՝ ռուսերեն թարգմանությամբ: Թարգմանության հեղինակը Արտաշես Էմինն է: Վեպը «western»-ի ոճով պատմում է Հայոց ցեղասպանությունը վերապրած Մամիկոնի մասին, ով երկար տարիներ որոնում է իր ընտանիքը սրի քաշած թուրք զինվորականին:

MAMIKON – 2015 Artist: Naira Muradyan Author: Jack Hashian Publisher: MediaMAX During march-july of 2015, Jack Hashian’s novel “Mamikon” was introduced in Russian language on mediamax website. The author of translation is Artashes Emin. The novel recalls the story of Armenian Genocide survivor Mamikon, presented in a “western manner”. Mamikon, for a long time, is searching for the Turkish officer who had killed all his family.

6 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ

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Comics art Նեﬔսիս գործողություն – 2015 Նկարիչ՝ Հոյտ Սիլվա Հեղինակ՝ Ջոշ Բլայլոք Գրող Ջոշ Բլայլոքը և արտիստ Հոյթ Սիլվան պատմում են Սողոմոն Թեհլերյանի պատմությունը` ցեղասպանությունը վերապրած հայ, ով Բեռլինի փողոցներում սպանեց Թուրքիայի նախկին առաջնորդ Թալեաթ Փաշային, վրեժխնդիր լինելու Օսմանյան կայսրությունում 1.500.000 հայերի սպանության համար: 1915թ. Թալեաթ Փաշան` Թուրքիայի Օսմանյան կայսրության առաջնորդը, հրամայեց իր երկրի սահմաններից ներս գտնվող բոլոր հայերի մասսայական կոտորածը, ինչի արդյունքում մահացան ավելի քան 1.500.000 անմեղ զոհ:

Operation Nemesis – 2015 Artist: Hoyt Silva Author: Josh Blaylock Writer Josh Blaylock and artist Hoyt Silva tell the story of Soghomon Tehlirian, the Armenian survivor who killed the former leader of Turkey Talaat Pasha on the streets of Berlin to revenge the execution of 1,500,000 Armenians in the Ottoman Empire … and walked away from court a free man. In 1915, Talaat Pasha, leader of the Turkish Ottomon Empire ordered the mass execution of every Armenian within his nation’s borders, resulting in the death of over 1,500,000 victims.

Ծաղկի օրագիրը – 2010 Նկարիչ՝ Վիվիան Նիկեզ Հեղինակ՝ Լորան Գալանդո Հրատարակչություն՝ GRAND ANGLE Փարիզ, 1983 թվական: Հադիսատեսից ﬔկի տկարանալու պատճառով թուրք ջութակահարի հաﬔրգն ընդհատված է: Մինչ շտապօգնությունը կգա, ծերունին ﬕ քանի խոսք է ասում, որոնք գրավում են երաժշտի ուշադրությունը: Հաջորդ օրը նա գնում է յոթանասունամյա Տիգրան Սարյանի մոտ: Ծերունին սկսում է ﬕ երկար պատմություն՝ 20-րդ դարի առաջին ցեղասպանության՝ հայոց ցեղասպանության պատմությունը: Անատոլիա, 1915 թվական: Տիգրանը ինը տարեկան է: Ստամբուլի հրամանով հայերը պետք է արմատախիլ արվեն: Աﬔնուր օսմանյան բանակը զորակոչում է հայ տղամարդկանց և վերացնում նրանց երկրի երեսից: Ծերերը, երեխաներն ու կանայք ստիպողաբար բռնում են գաղթի ճամփան, որ նրանց դեպի մահ է տանում: Երիտասարդ երաժիշտը հետաքրքրությամբ լսում է Տիգրանի պատմությունը: Նրա հավատքն ու համոզմունքներն այլևս երբեք նույնը չեն լինի:

Le Cahier a fleurs – 2010 Artist: Viviane Nicaise Author: Laurent Galandon Publisher: GRAND ANGLE 1983, Paris. The concert of Turk violinist is stopped because of the illness of one audience. While the ambulance is on its way, the old man speaks out few words, which attracts the musician’s attention. On the next day the violinist goes to the 70 years old Tigran Sarian. The old man starts telling a long story, the first genocide of the 20th century. The Armenian genocide story. 1915, Anatolia. Tigran is nine years old. On the command of the Turkish government, all Armenians must be killed. The Ottoman army recalls the Armenian men to military service to murder them later. The elderly, children and women forcedly take the way of exile which leads them to death. The young musician listens carefully to Tigran’s story. His beliefs and convictions will never ever be the same.

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Պատկերապատման արվեստ Մինչ «Հոգիների աճուրդը» Նկարիչ՝ Տիգրան Մանգասարյան Հրատարակչություն՝ Sosy Gazarian-Kevoian «Հոշոտված Հայաստան» կոչվող գիրքը գրվել է Հայոց ցեղասպանության ականատես Ավրորա Մարդիգանյանի հուշերի հիման վրա` առաջին անգամ տպագրվելով անգլերենով` 1918թ. Նյու Յորքում: Հայոց ցեղասպանության ականատես, հեղինակ, ցեղասպանությունը վերապրած Արշալույս /Ավրորա/ Մարդիգանյանի առաջին հուշերում մանրամասն նկարագրվում են այն սարսափելի պահերը, որը կրել է ցեղասպանության ժամանակ: 1918թ. Կալիֆորնիայում «Մետրո Գոլդուեն Մեյեր» ստուդիայի ռեժիսոր Օսկար Ապֆելը պատրաստեց մի համր ֆիլմ` «Հոգիների աճուրդը», որը ցեղասպանության մասին ֆիլմն էր` հիմնված Ավրորա Մարդիգանյանի հուշերի վրա: Տիգրան Մանգասարյանի գրաֆիկական վիպակը հրատարակվել է «Հոգիների աճուրդը» ֆիլմի նկարահանման 90-րդ տարելիցի կապակցությամբ:

Prior to the “AUCTION OF SOULS” (AURORA) – 2008 Artist: Tigran Mangasaryan Publisher: Sosy Gazarian-Kevoian The book is written on the basis of the eyewitness of Armenian genocide Aurora Mardiganian’s memoirs titled as “Ravished Armenia”, which was first published in 1918 in New York in English. In one of the first documentary memoirs of the eyewitness of Armenian genocide, the author, survivor of the Genocide Arshaluys (Aurora) Mardiganyan from Chmshkatsag gave a detailed account of the terrible experiences she endured during the genocide. In 1918 in California, “Metro Goldwin Mayer” studio, director Oscar Apfel made a silent film “Auction of Souls”; which actually became the first genocide movie, based on Aurora Mardiganian’s memoirs. Tigran Mangasaryan’s graphical novel was published in connection of the 90th anniversary of the shooting of “Auction of Souls”. Նեմեսիս՝ հատուկ գործողություն-2014 Նկարիչ՝ Պաոլո Քոսսի Հեղինակ՝ Ջ-Բ Ջիան, Ժան Վարուժյան Հրատարակչություն՝ Varoujan Sirapian / Sigest Գրաֆիկական վիպակ՝ նվիրված Սողոմոն Թեհլերյանին և «Նեմեսիս» ծրագրին: 1921թ. մարտի մի օր մի երիտասարդ ներխուժեց Բեռլինի Հարդենբերգ փողոց` հետևելու տեղի բնակիչներից մեկին, ով դուրս էր եկել զբոսնելու: Րոպեներ անց նա տապալեց իր թրիախին` փամփուշտ արձակելով ուղիղ գլխին: Դատի ժամանակ հայ երիտասարդը` Սողոմոն Թեհլերյանը հաստատեց սպանության փաստը, բայց պնդեց, որ ինքը մարդասպան չի: Զոհը Թալեաթ Փաշան էր, որ կազմակերպել էր Թեհլերյանի ընտանիքի և մի ամբողջ ժողովրդի կորտորածը: Միայն տասնյակ տարիներ անց Զարյան ինստիտուտի և Հայ Հեղափոխական Դաշնակցության արխիվները կբացահայտեն արդար վրեժխնդրության աստվածուհու «Նեմեսիսի» անունով կոչված այս հատուկ առաքելության իրական պատմությունը:

Special Mission Nemesis – 2014 Artist: Paolo Cossi Authors: J-B Djian & Jan Varoujan Publisher: Varoujan Sirapian / Sigest Graphic novel dedicated to Soghomon Tehlirian and the organization called “Nemsis.” One day in March, 1921, a young man burst into Hardenberg Street, Berlin, trailing a neighborhood resident who was out for a stroll. Minutes later, he struck down his target with a bullet through the head. At his trial, the young Armenian, Soghomon Tehlirian, acknowledged the killing but claimed he was no murderer. It was the victim, Talaat Pasha, who had orchestrated the massacre of Tehlirian’s family and people. Decades afterwards, the archives of the Zoryan Institute and the Armenian Revolutionary Federation (Tashnagtsutiun) would reveal the true story of this special mission (hadoog kordz in Armenian), code-named “Nemesis” for the goddess of righteous vengeance.

4 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ

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Comics art Մեծ Եղեռն - 2009 Նկարիչ և հեղինակ՝ Պաոլո Կոսի Հրատարակչություն՝ DARGAUD Տարեսկզբյան մի շատ գեղեցիկ բացահայտում. Ֆրանսիայում անհայտ իտալացի հեղինակի՝ Պոլո Կոսիի ստորագրությունը կրող կոմիքս: Հայոց ցեղասպանության մասին հանրային կարևորության ալբոմ՝ վերնագրված «Մեծ եղեռն»: Ցեղասպանություն, որը շատ արագ մոռացվեց, և որը լրատվությունը քիչ լուսաբանեց: Սա միայն պատմական ալբոմ չէ, որ մեզ է ներկայացում չոր փաստեր ու թվեր: Բազում հերոսների միջոցով հեղինակը մեզ հաղորդակից է դարձնում մարդկային մի մեծ ողբերգության: Ծանր, հուզիչ, դաժան մի ալբոմ, որը դաջվում է ընթերցողի հոգում և փոխում նրան առհավետ:

Medz Yeghern by Paolo Cossi – 2009 Artist & Author: Paolo Cossi Publisher: DARGAUD A very nice start of the year revealed: a comics bearing the signature of an Italian author unknown in France. An album of public importance about the Armenian Genocide named “Great Calamity”. A Genocide that was forgotten very quickly and was hardly elucidated in media. It is not only a historical album presenting merely facts and numbers. The author acquaints us with the great human tragedy through various characters. It is a hard, touching and cruel album which remains in the reader’s heart and changes him forever.

Լռություն Նկարիչ՝ Տիգրան Մանգասարյան Հրատարակչություն՝ Print Info Հայաստանում թողարկվել է Հայոց ցեղասպանությունը պատկերող առաջին գրաֆիկական հրատարակությունը` «Լռություն. հրաման Կոնստանդնուպոլսին»: Ինչպես գրքի ներկայացման ժամանակ նշեց նկարազարդումների հեղինակ Տիգրան Մանգասարյանը, մինչ օրս Հայաստանում ոչ ﬕ նմանատիպ բան չի հրատարակվել: Այս հրատարակությունը Հայաստանի երիտասարդությանը պատմում է 1915-1923թթ. կորուստների իրական թվի մասին: Գիրքը ստեղծելու գաղափարը Տիգրան Մանգասարյանի մոտ ծնվել է 2 տարի առաջ, ապա նա դիմել է սցենարիստ Ռուբեն Ծատուրյանին, ով կարծում է, որ որ չափազանց դժվար էր աշխատել գրքի համար հիմք հանդիսացած նյութի հետ: Գրքում Հայոց ցեղասպանությունը ներկայացվել է Հարություն Փարթաշյանի ընտանիքի պատմության միջոցով:

Lrutyun/ SILENCE – 2005 Artist: Tigran Mangasaryan Publisher: Print Info “Silence. Order to Constantinople”, the first graphic edition depicting the Armenian Genocide has been published in Armenia. As the author of the illustrations Tigran Mangasaryan said at the presentation of the book, nothing of the kind has been issued in Armenia so far. The present edition tells the young population of Armenia about the real amount of losses during the period of 1915-1923. The idea of creation of the book occurred to Tigran Mangasaryan 2 years ago and then he appealed to script writer Ruben Tsaturyan, who in his turn noted that it was rather difficult to work with the material which served a basis for the book. The history of the Armenian Genocide is represented in the book through the story of Harutyun Partashian’s family.

3 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ

Պատկերապատման արվեստ Հայաստանցի Մեծ - Ման - 2006 Հեղինակ և նկարիչ՝ Ֆարիդ Բուջելալ Հրատարակչություն՝ Ֆուտուրոպոլիս ՇԱՏՐՎԱՆ Ան-Գայել ՖՈւՏՈւՐՈՊՈԼԻՍ Հայկական հրատարակչություն՝ Varoujan Sirapian / SIGEST Ֆուտուրոպոլիսն այս անգամ վերահրատարակել է «Հայաստանցի Մեծ-Ման» գործը՝ («Փոքրիկ Պոլիոյի արկածները» գործի երրորդ հատորը) այսպիսով ազդարարելով Ֆրանսիայում Հայաստանի տարվա սկիզբը: 1960 թվական: Մամուդի կյանքն ընթանում է Ալժիրի պատերազմական թատերաբեմում, իր ընտանիքի, ընկերոջ՝ Ռեմիի կողքին, տուլոնյան սովորույթներով մինչև այն օրը, երբ հայրը Ալժիր է վերադառնում մի անծանոթ կնոջ ուղեկցությամբ. տատիկը՝ Հայաստանից, իր տատիկը: Սլիմանիների ընտանիքը նշում է Սուրբ ծնունդը. առաջին զգալի փոփոխությունը տատիկի ժամանումից ի վեր: Հայ տատիկը քրիստոնյա է: Այդ նույն տարում Մամուդին պետք է թլպատեն: Քրիստոնյա, մուսուլման... արմատների ինչպիսի՜ խառնուրդ: Մամուդը, որ ոչինչ չգիտի ցավոտ և խորհրդավոր հիշողություններով խարանված այդ կնոջ մասին, օր օրի բացահայտելու է մի ամբողջ ժողովրդի և իր հայ ընտանիքի ողբերգությունը:

Mémé d’Arménie – 2006 Artist & Author: Farid Boudjellal Publisher: Futuropolis FONTAINE Anne-Gaelle FUTUROPOLIS Armenian edition publisher: Varoujan Sirapian / SIGEST Futuropolis republished the work “Mémé d’Arménie” (the second tome of the work “The adventures of Little Polio”) announcing the start of the year of Armenia in France. The year of 1960. Mahmud is spending his life during the Algerian war where he is living the Tulunids traditions with his family and friend Remi, till the day when his father is back to Algeria accompanied by an unknown woman; his grandmother from Armenia. The Suleiman’s are celebrating the Christmas, the first significant change after grandma’s arrival. The Grandma is an Armenian Christian. On the same year Mahmud has to be circumcised. Christian, Muslims … what a combination of roots. Mahmud that had no idea about the painful and mysterious life of that woman, day by day he discovers the tragedy of his family and all the Armenian nation. Վարդո - 2015 Ստեփան՝ Ստեփան Թորոսյան Հեղինակ՝ Կորյուն Ապրիկյան Հրատարակչություն՝ STEINKIS group 1915 թվական, ապրիլ: Մոլեգնում է Առաջին համաշխարհային պատերազմը: Թուրք դեռահաս Հասանը հոր հետ նախաձեռնում է վտանգներով հղի մի առաքելություն՝ երկու հայ երեխայի՝ Մարիամին և Վարդոյին, ուղեկցել մի ապահով տեղ:

VARTO – 2015 Stepan: Stephane Torossian Author: Gorune Aprikian Publisher: STEINKIS group April, 1915. The World War first is approaching. Turkish teenager Hasan and his father start a mission full of dangers- to save two Armenian kids Mariam and Varto, by taking them to a safe place.

2 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ

YEREV

Comics art Նկարիչ Տիգրան Մանգասարյան Ողջունում եմ «ՌեԱնիմանիա» փառատոնի յոթերորդ քայլարշավը՝ ցանկանալով նրան շարունակականություն և վերելք: Հաստատելով նրա վստահ առաջընթացը՝ ուրախ եմ տեղեկացնել, որ այս տարի փառատոնը կներկայացնի նաև ﬕ նոր ժանր՝ «Պատկերապատման արվեստը»: Պատկերապատուﬓերը /կոﬕքսները/ անիմացիոն ֆիլﬔրի հետ ժամանակակից պատկերային աշխարհընկալման անբաժանելի մաս են կազմում: ՊՊ-ն հաՃախ անվանում են 9-րդ արվեստ: Ժամանակակից 9-րդ արվեստը շատ լայն ընդգրկում ունի՝ մանկական ուրախ պատմություններից ﬕնչև դրամատիկական լայնածավալ վեպեր: «ՌեԱնիմանիա 2015-ը» իր առջև դրել է երկփեղկ ﬕ խնդիր, որով փորձ է արվում ﬕ կողﬕց ներկայացնել օտար հեղինակների աշխատանքներ և մյուս կողﬕց՝ խթանել Հայաստանում այս արվեստի արմատավորումը: Իրենց բնույթով և կառուցվածքով պատկերապատուﬓերը շատ մոտ են կանգնած անիմացիոն ֆիլﬔրին: Երկուսն էլ նկարներով պատմություն են պատմում՝ հետևելով կառուցվածքային նույն սկզբունքին: Մեկ փառատոնի շրջանակներում նրանց համատեղ ներկայությունը պիտի ավելի իմաստալից դարձնի փառատոնի վերջնական առաքելությունը:

Artist TigranMangasaryan I congratulate the ReAnimania festival on its 7th jubilee, wishing continuity and climb. Confirming the Festival’s sure growth, I’m happy to inform that this year the Festival will introduce a new genre – Comic Art. Along with animated films comics are the indisputable part of modern illustrational perception. Comic Art is often called the 9th art. The modern 9th Art includes many different categories: from happy children’s stories to dramatic novels. ReAnimania 2015 has set a two goals in front of them: to introduce the foreign artist’s works and at the same time to help in the implementation of this form of Art in Armenia. By their nature and structure the comics stand close to animated films. Both of them tell stories through pictures – following the same structural basis. Their joined presence at one festival will make the said festival’s final mission more meaningful.

1 YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ