Átt full score (02 03 14) by Halldór Smárason

HALLDÓR SMÁRASON

átt for orchestra

Dedicated to the Manhattan School of Music Symphony

FULL SCORE

Instrumentation

2 Flutes (1st doubling Piccolo, 2nd plays Alto) 2 Oboes (2nd plays English Horn) 2 Clarinets (2nd plays Bass Clarinet) 2 Bassoons (2nd plays Contrabassoon) 4 Horns in F 3 Trumpets in C 2 Trombones 1 Bass Trombone 1 Tuba Harp Piano 4 Voices offstage 3 Percussionists Bass Drum, Glockenspiel, 1 Suspended Cymbal 2nd: Snare Drum, Xylophone, Tam Tam, Wood Blocks, Chimes 3rd: Vibraphone, Temple Blocks, Tambourine, Triangle Timpani (32” and 29”) 1st:

Violin I (min. 12) Violin II (min. 10) Viola (min. 8) Violoncello (min. 6) Contrabass (min. 4)

The score is written in concert C Duration: ca. 6’

Performance Notes All instruments Toward the end of the piece, all instrumentalists are asked to whisper the Icelandic words “sem á”, pronounced “sem ouw”. They can either appear within a given timeframe, to be whispered freely, or attached to a certain rhythm. Near the end of the piece, the conductor is asked to leave the stage, making the orchestra conclude the piece without any conductor. Woodwinds At some points in the piece, the flutists and oboists are asked to remove their headjoints/reeds and blow directly through their instruments. Diamond noteheads indicate notes produced by blowing through the tube without creating tones, i.e. only air. Diamond noteheads marked with consonants indicate air sounds altered with certain consonants. Notes marked with snap pizzicato signs indicate slap tongue. In addition to whispering, some players are asked to vocalize the consonant “sss” at some point in the piece. Dashed arrows to and from flutter tongues indicate gradual changes to or from a sustained note. Notes with “x”-noteheads indicate key clicks.

Lines drawn on staves indicate whistle tones.

Brass The following mutes are needed for this piece: Horns and tuba: Straight mutes. Trumpets and trombones: Bucket mutes. Diamond noteheads indicate notes produced by blowing through the tube without creating tones, i.e. only air. In the horns and the tuba, air sound is filtered by indicating the number of valves compressed and released. Dashed lines indicate gradual changes of valves compressed. In the trombones, air sound is filtered by indicating the position numbers. Dashed lines indicate gradual slide between positions. In the trumpet, glissando lines with arrows indicate gradual changes between valves. When producing air sounds, stems without noteheads indicate position of beats within measures. At some point in the piece, the trumpeters are asked to turn their mouthpiece upside down in their instruments and blow through the tube. Diamond noteheads marked with consonants indicate air sounds altered with certain consonants.

Notes with diagonal noteheads indicate tap on the mouthpiece with a palm. At some points in the piece, the horn players are asked to slowly bend the pitch down by stopping the bell with hand. In addition to whispering, some players are asked to vocalize the consonant “sss” at some point in the piece. Dashed arrows to and from flutter tongues indicate gradual changes to or from a sustained note. Towards the end of the piece, after the conductor has left the stage, the third trumpeter is asked to cue the rest of the orchestra with a certain rhythm. Harp & Piano At some point in the piece, the harpist is asked to scrape a string of the instrument with a guitar pick. Notes without stems that appear in boxes should be played as fast as possible and repeated for as long as indicated.

At some point in the piece, the pianist is asked to gliss. inside the piano with a medium yarn mallet.

Boxes that include conventional notation should be repeated for as long as indicated.

At some point in the piece, the pianist is asked to press down the keys silently before playing a staccato note, to create certain overtones.

At some point in the piece, the pianist is asked to perform a pizzicato inside the piano.

Voices Before the piece starts, the voice performers should be placed at certain locations, moving around the hall through a majority of the piece. A detailed location plan is provided in the voice score, but general instructions are as follows: - Voice 1 starts outside the main entrance of the hall. - Voices 2 and 3 start sitting in the audience on the ground floor. - Voice 4 starts sitting in the audience on the balcony. The text of the piece is written in Icelandic. It is as follows: Icelandic

IPA transcription

English transcription

English

og meðan og sofa er að vera og sér í við sem á augun þín

ɔx m̥ɛðaɲ ɔx sɔfa ɛr að vɛra ɔx sjr i vɪð sɛm̥ au øixʏɲ θiɲ

och methaan och sohfa air aath vera och cher ee vith sem ouw uyghun theen

and while and sleep is to be and yourself in by that of your eyes

All the voice performers should have similar appearance, wearing black clothes and simple masks. The voice parts are notated as words within timeframes, i.e. the voice performer can project the word or words within certain margins of time. Boxes including numbers preceded by the letter L indicate the number of location, that is the place where the voice should be located or should be heading each time. The voices are often given a certain direction to project the sound to, that is indicated by “direction” or the abbreviation “dir.”. Voice 1 is asked to carry a megaphone and use it when indicated.

Percussion The following mallets are needed for this piece: Percussion 1: Bass bow, brushes, gaffer tape, hard wooden mallets, heavy felt mallets, sticks. Percussion 2: Bass bow, chime hammer, hard rubber mallets, hard wooden mallets, heavy felt mallets, sticks. Percussion 3: Bass bow, brushes, hard wooden mallets, medium yarn mallets, triangle beater. Timpani: Soft mallets. Notes with “x”-noteheads indicate events played on the rim of the instrument. Notes marked with “+” indicate rimshots. A tape sign indicates an event where gaffer tape is ripped off the bass drum. In addition to the whispering, the percussionists are asked to shout, speak and whisper the word “hah!” at some point in the piece. Strings A few abbreviations are used in the score in order to save space: c.l.t. = Col legno tratto. c.l.b. = Col legno battuto. s.p. = Sul ponticello. c.s. = Con sordina. s.s. = Senza sordina. Strings should always play non vibrato, unless indicated otherwise. Notes without stems that appear in boxes should be played as fast as possible, repeated for as long as indicated and not coordinated between players. Notes with “x”-noteheads without stems that appear in boxes indicate sections played on either the tailpiece or the lower bout of the body (specially indicated each time). The rhythms inside the boxes should be played approximately, repeated for as long as indicated and not coordinated between players. Dashed arrows to and from trills or tremolos indicate gradual changes to or from a sustained note.

Boxes that include conventional notation should be repeated for as long as indicated, and not coordinated between stands.

Lines drawn on staves indicate harmonic glissandi, either harmonic or artificial (specially indicated).

Bold crescendo lines, generally located above the staff lines, indicate bow pressure increase (bow pressure cresc.).

In addition to whispering, some players are asked to vocalize the consonant â&#x20AC;&#x153;sssâ&#x20AC;? at some point in the piece.

Towards the end of the piece, after the conductor has left the stage, the concertmaster is asked to cue the rest of the orchestra with a certain rhythm.

3+2 45 ( )

átt

q = 52

Flute Alto Flute

° &

‚ #‚ Œ

‚ #‚ ≈

‚

Oboe English Horn

‚ #‚ ‚ ‰

Clarinet in Bb Bass Clarinet in Bb Bassoon Contrabassoon

? ? ¢

*3)

»j œ Œ

‰

*1)

‰

Œ *3)

1 Horn in F 2

° &

‰

Ó™

≈

œ »

Trumpet in C

1 2

Œ Ó

œ »

1 2

ææ ‚ ‰

ææ #‚

*1) flutter

‰

ææ ‚

ææ ‚‚

ææ ‚ #‚

O ™ *1) bucket mute sempre ‚ Œ

*1) bucket mute sempre pos. 7

‚ ‚‚ ™ ‚

Ó™

O™

Harp

{

Piano

Percussion 1

œ œb œ

œ b œ #œ

œ œ œ 14

œ œ œ œ

ææ ææ ææ ‚ #‚J #‚J ‚ ‚

2 3

*1) pos.7

"ff"

œ Óo

sss...

7 “pp‘

Percussion 3

Timpani

j ‰ J

1-3

° &

j O ‰

"ff"

ì ì ì ì

gliss. inside the piano with medium yarn mallet

4-6

1-3

œj

◊ÿ œ ‰ ‰ & 3

j œ™

Viola 3-4

1-2

œj

˙ œ œ b œ œ # œ# œ # œ œ n œ œb œ œ œ œ œb œ

ææ œ™

*8) (unis.) *9) c.l.b.

≥ ì≈ n œœ >. . pp

ppp

œj

œœ

˙™

œ œ b œ œ b œ œ œ b œ œnœ œ

1 Double Bass 2

‰ Œ o

. ... .

≈‰ Œ

"mp" *6) play 2 times

‰

¿ ¿ œj

¿ ¿

˙ ˙

"mp"

? ¢

Ó™

˙™

œj

*6) play 3 times

*6) play 2 times

‰ Œ

r œ ˙

≈ ¿

"mp"

*6) play 1 time

"mp"

œj™

≈¿

"mp"

*1) Blow through the tube without creating tones. *2) Air sound with consonants. *3) Slap tongue. *4) Play as fast as possible and repeat. Do not coordinate. *5) Col legno tratto. *6) Bow on the tailpiece. Play approximate rhythm. Do not coordinate.

¿ œ

ìŒ ì ì ìŒ

j ‚

ppp

Ó Ó

¿¿

˙ Ó ˙

ì≈‰ Ó

‰

A ‰

j œ ‰ Œ o *1o) pizz. *11)

j æ œ œ

ææ œ

trem.

Œ ‰

ææj bœ

ææ ˙

*1o) pizz.

ppp

ææ œ

ìŒ

r œ

œj

æ œ

¿¿ ¿

I s.p.

˙™

ææ œ

˙™ O˙ ™ ™gli altri

¿¿ ¿

ppp

¿ ¿ ì‰

heavy felt mallets 3

soft mallets roll rit.

I s.p. principal solo

play 3 times

‚™

∑

˙™

j œ ‰ Œ

≥ Ó œœ .. .. . .. > pp *8) (unis.) >œ≥*9). . c.l.b. .. . . . ‰ ≈œ ≈‰ Œ

*6) play 2 times

∑

*8) (unis.) *9) c.l.b.

Tam-tam

"f"

Violoncello

j ‚ ‚

∑

brush

Triangle

& B

all valves closed stopped

‰

j ‰ Œ ‚

closed

…≈ drag from bell to edge (do not scrape) ‰ Ó œ™

1-2

‚

j œ ˙

‰

˙ ™brush upside down

‰

Violin II 4-5

‰

repeat

> sticks on rim bowed ¿¿¿¿ ¿ ¿ ¿ ¿‰ œ o p mf

ppp

‚

Bass Drum Suspended Cymbal

Ó™

‰

pp sempre dim.

2 2 j ‚ ‰ ‚

ppp

◊ÿ œœœ# œœœ œ ‰ ‰ R ‰

œ™

*4) *5) c.l.t.

j ‚

snares on brushes

Violin I

∑

‰

#‚

Tambourine

‰

‚

3:5

"ff"

*4) *5) c.l.t.

‚

3+2 45 ( )

‚

"ff"

hard wooden mallet partly muted with hands

q = 52

∑

¢/

°? ¢

‚™

j ‚ ‰

#‚

œ#œ œ

Snare Drum

"ff"

‚

ppp

‰

∑

Snare Drum

Percussion 2

˙ Ó

*1) all valves open

j ‰ ‚

‚‚ ‚ ‚ ‚ ‚ 3

"ff"

*7)

‰

"ff"

scrape string vertically with a guitar pick

j ‰3 ‰

‚

ÿ *4) ◊ œ œ b œ œb œ œ œ nœ œ n œ œ œ œ # œ # œ œ œ œœ œœ bœ nœ œ ≈ ◊ÿ ≈ œ

sss... sss... *7) 3

∑

Ó™

j Œ #œ œ +

pp sempre

œj™

» » ≈‰ œ œ ‰ ≈ bœ œ R » +» open

‚™

*1) straight mute sempre

Tuba

bucket mute sempre

Bass Trombone

*7)

Halldór Smárason

ææ ææ æ ææ æ ææ ææ æ æ ‚ # ‚ ‚ #‚ ‚ ‚ #‚

flutter

*1)

pos. 7

≈

œ bœ slowly bend down the pitch ‰ by stopping the bell with hand p 3 o

Trombone

» ≈ #œ ‰

by stopping the bell with hand

Trumpet in C 3

œj

"f"

œ œœ R » »» o slowly bend down the pitch

‚

3 4

‰

≈

*1) all valves closed

Horn in F

» » n »œ » ‰ Œ Œ œ #œ œ b‚ ‚ ‚ n ‚ ‚ b ‚ J b ‚ b ‚ ‚ ‚ n‚ p

sss...

"ff"

"p"

œj

*7)

n ‚# ‚ n ‚n ‚ # ‚n ‚ ‰ ‚ #‚ n‚ #‚ ‚n‚#‚ n‚ #‚ Œ » œ bœ œ ≈‰ ‰ Œ » » R

‚ #‚ ‚ ‚ #‚ ‚ #‚ # œJ Œ *3) without the reed » » ≈ œ Œ

n‚ ‚n ‚ # ‚ n ‚ # ‚n ‚ # ‚ ‚ # ‚ ‚ ‚ # ‚n ‚# ‚ ‰ <t> <k> <k> n‚ ‚ ≈ Œ ‰ <k> n ‚ ≈ b‚ R "ff"

‚ #‚ ‚ ‚ ‚ ≈ *2)

*1) without the reed 5

*1) without the headjoint

o ì˙

pizz.

Œ *5) c.l.t. *12) s.p.

ppp

Ó ˙

˙™

Ó *7) Vocalize; do not use instrument. *8) Ricochet. Do not coordinate bounces. *9) Col legno battuto. *10) Irregular tremolo. Do not coordinate. *11) Gradual changes from a sustained note to a tremolo and back. *12) Sul ponticello.

ææj ‰ œ

°&

B Ó™

Fl. A.Fl.

Cl. 1

Ó™

‰

j ‚

Bsn.

Hn.

1 2

‚

? Ó ¢

j ‰ œ

o ° & bb œœ ™ o p

? œ

stopped

Tpt. 1

Tpt. 2

œJ +

& ‚™ & Ó™

‰ Ó

j œ

‚

stopped

‚™

#‚ ‚™

>. j œ J

‚

‚™

#‚ ‰

"mf"

bucket mute

j œ

œ Œ

‚

r b‚ ≈ ‰

‚

‰

‚

closed

r j ‚ ‚™

‚

™

∑

all valves closed

j ‚™ j œ >. mp

r n‚ O

‚

‰

bucket mute

j œ >.

B. Tbn.

Tba.

Hp.

Pno.

V. 1

Perc. 3

1-2 div.

? ¢ ? ?

{

j ‚™

‚

‚ 2

? Ó™

{

r ‚≈‰

‰

? Ó™

‚ ≈‰ R

straight mute all valves closed

j ‚

open

‚

"ff"

#‚

‚

ppp

open <sch>

‰

˙™

˙ b œ—

∑

Ó™

∑

>≥. . . . . . . . Œ œ >≥. . . . . . . . c.l.b. >≥. . . . . . . . Œ ‰ œ‰ œ pp .. . . . . . . >≥

Ó™

o b œ—

B Ó™

c.l.b.

Ó™

Ÿ≥ b œœ c.s. arco ≥ Ÿ œ

*4) *5) c.s. arco

*5)

c.l.b.

medium yarn mallet motor off Vibraphone place a finger on the middle of the key to produce harmonic

*2) L1 *3) speak through megaphone direction: the conductor

Ó™

walk slowly into the hall, toward L1

° ¢/

"ff"

∑

° &

‰

j ‚. >

"f"

˙™

Vln. I 3-4 div.

° ¢

#‚

‚

‰

<ah>

j ‚ ‰

pos. 4

‚ J

fpp

*4) c.s. *5) arco

*6)

Ÿ ≥ b œ œJ ‰ c.s. arco ≤ fpp œ

œj

c.l.b.

5-6 div.

Vln. II

Vla.

‰ Œ

>≥. . . . . . . . ‰ Ó œ œ pp ....... >≥.

Ó™

c.l.b.

Ó™

c.l.b.

Œ *7) play 3 times

*7) play 3 times

‰

*6)

œj™

≈¿¿ ˙

Ó™

≤ œœj J c.s. arco ≤ pp

*4) *6) c.s. arco

c.s. ord.

*4)

1-2 div.

‰

"f"

open

ppp

j ‚. >

<ah>

Ó™

j ‰ œ. “‘

Ó™

∑

& bœ

O ∑

ppp

œ “‘

"f"

≈Œ

Ó™

˙™

≈

Tbn. 1

j ‚™

‚ Œ

Œ ‚

fpp

"f"

j œ ‰

Ó™

r≈ ‰ b‚

‚ b œœJ . ‰ > <sch> <ah>

‚O

O™

‚‚ "f"

O "f"

‚

all valves open

Tpt. 3

"pp"

–O ™

Hn. 3

Hn. 4

+ œ

‚

with the headjoint n.v.

‚# ‚ ™

‚

B. Cl.

Œ ‰

bœ œ

c.s. ord.

Vc.

Ó™

*4)

? ˙™

Ó™

o œ bœ

c.s. ord. arco I

c.s.

pp arco ord.

Db.

2 div.

*4)

1 div.

c.s. arco

? ¢

∑ *1) Non vibrato. *2) Location number. *3) Speak the word within the given time frame. *4) Do not coordinate with other stands. Repeat.

c.l.t. s.p. c.s.

*4) arco ord. II

˙™

ppp

˙™

o œ bœ

arco ord.

pp II

*5) Gradual changes from a trill to a sustained note (trill rit.). *6) Gradual changes from a sustained note to a trill (trill accel.). *7) Bow on the lower bout of the body. Play approximate rhythm. Do not coordinate.

° & ˙ ™ Ó 9

Fl. A. Fl.

Cl. B. Cl.

Tpt. 1

Tpt. 3

B. Tbn.

œ˙

n.v. (ord.)

Ó˙™

Œ ‰

Ó™ ¢& b ˙ ™

b ˙œ pp

n.v.

‚ b œ‚J . ><ah> ‰ *1) <sch>

° &

‰

Ó™

j œ. > p

‰

j ‚. >

‰

<ah>

#‚ p

? ˙™

? œ

{

Hp.

V. 1

Perc. 3

° ¢

° Vibraphone ¢& <° >

∑

<Ÿ> ° b ˙˙ & <Ÿ>

Ÿ œœ

œœ

<Ÿ> ˙œ

Ÿ

Ÿ œœ

˙™

Ÿ œ & œ Ÿ

Ÿ œœ Ÿ

˙˙

fpp

1-2

Vln. II 3-4

Vla.

1-2

r œ

ì≈ ‰

—œ

r œ

—œ

r œ

ìÓ

˙™

B ˙

Ó™

˙™

1 div.

o œ ? œ

Db.

˙™

o œ ? œ ¢

o bœ

Ó™

˙™

Ÿ ≥ b œœ ≥ Ÿ

˙™

Ó™

fpp

˙œ ≥ Ÿ

‰

≤ œœj J ≤

Ÿ ≥ œœ ≥ Ÿ

III pizz.

≥

c.l.b.

b œ. . . . . . . . > pp

Ÿ≥ <n> b œj œ œ œ J ≥ Ÿ

œ œ

∑

o ˙ b˙

˙™

ì ˙™

˙™

fpp

*1) Gradual changes from one sound to another.

j ‚. >

‰

j ‚. >

‰

˙™

Ó™

<ah>

"ff"

Ó™

Ÿ ≥ œœ

œœ

≥ Ÿ

fpp

˙˙

Ó™

Ÿ b ˙˙

˙˙

Ÿ ≥ œ œJ œœ ‰ ≤ Ÿ≥

˙˙

˙˙

fpp

‰

≤ œœj J ≤

Ÿ ≥ œœ ≥ Ÿ

fpp

≥

b œ. . . . . . . . > pp

<n> Ÿ ≥ b œj œ œ œ J ≥ Ÿ

œ™ œ™

œ œ

Ÿ œ≥

o œ œ

o œ ì bœ

o œ œ

o ˙ b˙

œ œ

fpp

Ÿ ≥ œ œJ ‰ ≤

fpp

‰

≤ œœj J ≤

>≥. . . . . . . . Œ Ó bœ bœ Œ . ....... >≥ c.l.b. ≥

c.l.b.

b œ. . . . . . . . >

<n> Ÿ ≥ œ bœ œ œ œ œ ≥ Ÿ

œ œ

˙ ˙

œ œ

o ˙ ˙

o œ œ

o ˙ b˙

o œ œ

fpp

Ÿ œ≥ fpp

o œ œ

fpp

o ˙ b˙

c.l.b.

fpp

o œ ì bœ

o b œ—

c.l.b.

œ œ

fpp

Ÿ ˙˙ Ÿ >≥. . . . . . . . Œ bœ . ....... >≥ c.l.b.

≥ Ÿ

Ÿ b ˙˙ Ÿ

fpp

œ B

Ÿ ≥ œœ

Ÿ

fpp

>≥. . . . . . . . Ó bœ . ....... >≥ c.l.b. c.l.b.

b œ—

Œ ∑

o œ œ

#‚ p

o bœ

o œ œ

‰

<ah>

<sch>

‰

fpp

o ˙ b˙

bœ ìB œ œ

Ó™

˙™

j œ

"ff"

œ œ

fpp

Ÿ œ

c.s.

Ó™

c.l.b.

fpp

>≥. . . . . . . . Ó bœ . ....... >≥ c.l.b.

œ Œ

fpp

"f"

bœ—

b ˙˙

Ÿ ≥ œ b œ ì ‰ J ≤

c.l.b.

‰

˙ o mfp

ì≈ ‰

#‚

fpp

2 div.

ì œ

j ‚. >

<ah>

Ó™

bœ—

>≥ ì ≈ ‰ . . . . . . . .Ó bœ bœ Œ . .......Œ pp >≥ c.l.b.

œ ™ B œ™

Vc.

‰

bœ

∑

Ÿ

fpp

5-6 div.

<sch>

j œ. > p

‰

Ÿ

˙™

Vln. I 3-4 div.

‰

∑

˙™

1-2 div.

‚ b œ‚J . ><ah> ‰ <sch>

mfp

Ó™

œ ‰

Ó˙™

˙™

ppp

˙™ Ó

b˙

˙™

fpp

∑

"ff"

mfp

Tba.

‰

<ah>

j œ bœ

*1) <sch>

b˙ ‚ .J >

‚ <sch>

œ Œ

‰

fpp

˙™ Ó™

Ó™

¢&

˙™ Ó

o ˙ b˙ fpp

o œ œ

o ˙ b˙ fpp

° & ˙ Œ 13

Fl. A. Fl.

Cl. B. Cl.

‰

bœ ‚ .‚J >

<sch>

& ˙

‰

fpp

bœ

∑

Hn. 1

b˙

Ó™

Óœ

n.v. (ord.)

Ó ˙™

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

b˙

? ¢ °

Ó™

>. j ‚ ‰ "f" ∑ <ah>

& Ó <sch>

& Œ

‰

#‚ p

j ‚. ‰ >

<ah>

‰

‚ J

? Ó

Hp.

Pno.

V. 1 Perc. 1 Perc. 2

Perc. 3

1-2 div.

Vln. I 3-4 div.

{ {

Œ o bœ

& Ó

°/

œ p

¢& Ó <° <Ÿ> ° b ˙˙ & <Ÿ>

‚

<Ÿ> ˙œ & Ÿ Ÿ ≥ œ & œ ≥ Ÿ

>j V ‰

Ó™ ˙™

j ‰ œ o

‚

‚™

Œ Ó

‚ ‰ J o

‚ ‚™

closed

‚ J

‚™

Ó™

≥ Ÿ

˙˙

C œœ

Ÿ ≥ œ œJ ˙œ ‰ fpp ≤ Ÿ≥ pp

≤ œœj J ≤

œœ

fpp

Ÿ ≥ œœ ≥ Ÿ

œœ

fpp

‚ J

˙™

"mf"

‰

j œ

≈ ‚j™

‚

"f"

≈ ‚j™

‚

Ÿ<n> b œœ Ÿ

Ÿ b œœ Ÿ Ÿ œœ Ÿ

‚

‚ ‚™

‚

‚ Ó J

‚™

j ‚ ‚ ‚™

‚™

j ‚

∑

‚

walk toward L2

l.v.

b OOOO

œ >. f OO ™™ OO ™™

j r œ œ≈‰

˙™

fpp

≤

≥ Ÿ

>≥. . . . . . . . Ó Ó bœ . ....... >≥ c.l.b.

Ó OO OO

fpp

bowed motor off

Ÿ<n> # œ≥ ‰ #ÓO j #œ œ >. c.l.b.

.j œfi

<n>IV Ÿ ≥ #œœ

IV (s.p.)

˙ Ó

bœ œ

˙ ˙

œœ

˙˙

Ó ˙

œœ

˙˙

Ó ˙

b ˙˙

œœ

˙˙

arco

œœ

˙˙

# œœ ≥ Ÿ

s.p.

fpp

Ÿ ≤ ≥ œœ œœ œœ ≤ Ÿ≥

<n> Ÿ ≥ œœ

fpp

s.p.

b œœ

≥ Ÿ

s.p. nat. harm. gliss. do not coordinate s.p. III œ

˙™

∑

fpp c.l.b. ord.

> ‰ #œ.j˙

pp arco

>≥. . . . . . . . Ó Œ bœ bœ Œ . ....... pp >≥ c.l.b. ≥c.l.b. Œ Œ b œ. . . . . . . . > pp c.l.b.

Vln. II 3-4 div.

1-2 div. Vla. 3-4 div.

1-2 div. Vc. 3

1 div.

Ó™

B Ÿ<n> ≥ b œj œ œ œ J ≥ Ÿ

œ ™ B œ™

fpp

B ˙ o œ ? œ

o œ bœ

o œ œ

œ™ œ™ ˙ o œ œ

fpp

Db.

2 div.

o œ ? œ ¢

o œ bœ

<n> Ÿ ≥ œj b œ œ œ œ œ J ≥ Ÿ fpp Ÿ œ≥ o œ œ

œ œ

o œ œ

o ˙ ˙

o œ œ

o ˙ ˙

o œ œ

fpp

o œ œ

fpp

*1) Tap with a palm on the mouthpiece. *2) Key click.

o œ œ fpp

bb ˙˙

arco

˙ ˙

arco

nat. harm. gliss. do not coordinate s.p. œ II

˙™

∑

Ó™

arco arco

‰

> .j œ Œ .J >c.l.b.

. œfij c.l.b.

Ó™

‰

>. œ J

c.l.b. ord.

c.l.t. s.p.

c.l.b.

p unis. c.l.t. s.p.

˙™

ppp

unis. c.l.t. s.p.

ppp

‰

œ >.

c.l.b. ord.

>. œ J

arco

bb ˙˙

arco

>. œ J

c.l.b.

arco (s.p.)

ppp

Ó™

‰

ppp

L2 whisper through megaphone dir.: L9

∑

closed

fpp s.p.

c.l.b.

Œ + sticks œ

press down the keys silently without creating tones

‚™

‚ j œ ‰

‚ ‚™

open

fpp

˙™

≥ ˙œ œ

‚ Œ J

closed

s.p. II

≥ ˙˙ ≥

∑ ‚ ‚ #‚ ≈ ‰ J R

‚™

ppp

all valves closed

"mf"

‚

"ff"

>j V ‰

hard rubber mallet

Œ *

Ó 3

"ff"

pos. 1

meðan

Snare Drum

fpp

‰

"ff"

∑

*1)

Ó™

<n> Ÿ ≥ œœ

œœ

Ó™

"ff" all valves open

‚

∑

o bœ

‚

2 valves closed

pos. 7

Xylophone

Vibraphone

‚ ‚

fpp

1-2 div.

≈# ‚ ™ J

Ó™

open 1

>. j ¿ ‰ ¿J >. *2) "f" *2) > .j ‰ ¿ ¿J*2) >.

"mf"

° ¢

‚

˙™ ∑

*2)

>j V ‰

fpp

5-6 div.

‚

*1)

Ó™

>j VJ ‰ > *1) "mf"

Ó™

? ¢

‚

*1)

Ó™

all valves closed

Ó™

"ff"

mfp

Tba.

"f"

Hn. 3

1 Tpt. 2

> .j Œ ¿J >. *2) *2)

.j ¿fi

‰

<ah>

Bsn. Cbsn.

C ˙ Œ

˙ Ó

Ó ˙™ arco (s.p.) I

˙o

ppp

° &

D Ó™

Fl.

A. Fl.

Cl. B. Cl.

Hn. 2

? ¢ °?

˙™ Œ

‰

œ Ó

‰ œŒ R 3 »

‰ ‰ œj œæ

*2) lip bend

‰

*2) lip bend

bœ æ æJ

flutter

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Hp.

V. 1

2 3

Perc. 1

Ó™

3 ‰ ‰ ‚j ‚ <sch>

‚™

? ?

{

j ‚

all valves closed

‰

*1)

‰

ppp

"f"

1-2 div.

Vln. I 3-4 div.

5-6 div.

1-2 div.

‚

Ó™

‚

˙™

1-2 div.

sss...

1-2 div. Vc.

sss...

fpp

‚

o g

o g ...

exhale

inhale

exhale

o g

˙™

Vibraphone

Œ O

˙™

remain sitting

>. ‰ œr Œ O™ 3

c.l.b.

‰

j ‚ ‚

j ‚ 2

‚

ppp

o g

o g ...

exhale

inhale

exhale

° D O

˙™ ˙™

œ œ

˙™ ˙™

œœ Ó

c.l.b.

with megaphone

& ˙˙ &

Œ ˙

˙™ ˙™

œœ

˙™ ‰

‰ >. Ó r œ ˙™ 3

c.l.b.

stand up

>Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ 3 ‰ ˙ œ o p

Ó Ó

*3)

∑

(non cresc.)

Ó™ Ó

Œ œ

∑

>. Ó ™ j bœ ˙

‰

c.l.b.

Ó™

Œ œ

>. Ó ™ j bœ œ Ó™

? ˙

˙™

˙ ˙o ™

*1) Glissando at approximate pitches. *2) Gradual changes from a sustained note to a flutter. *3) Increase bow pressure (bow pressure cresc.).

c.l.t. (s.p.)

ppp

‰

œJ

‰

˙™

˙ Ó™

‰ ‰

(non cresc.)

‰

j ‰ œ

pizz.

p *3)

pp (non cresc.)

> .r œ≈ .R p> c.l.b. . œfij

> .r ≈ œ p R >. c.l.b. c.l.b.

. j œfi

> .r ≈ p œ R >. c.l.b.

. j œfi

c.l.b. c.l.b.

r≈ œ. >

*3)

˙™

œJ

c.l.b.

. œfij

c.l.b.

‰

. œfij

> .r œR ≈ c.l.b. . (ord.) > p ‰

Ó™

‰

Ó™

*3)

c.l.b. (ord.)

Ó™

Ó ∑

j ‰ œ

˙™ Ó

Ó Ó

arco

œœ

arco

> .r œR ≈ . c.l.b. > (ord.) p c.l.b.

∑

˙˙ ™™

˙o

put dishcloth on skin snares on sticks

B ˙ ˙

˙™

b˙

without megaphone

˙™

‰ 3 >Œ .r ˙ ™ œ p

o g

medium yarn mallet

˙ ‰

? ¢

‚ "ff"

Œ ˙

‚

Œ o

"ff"

˙™

heavy felt mallet

™

j ‚

walk toward L3 whisper without megaphone in coordination with steps

Bass Drum

˙˙

‚

˙ & ˙

Db.

‰ #‚j ‚

mfpp

œ 1

Vla.

3-4 div.

j3 ‚ ‚

"ff"

(non cresc.)

Vln. II 3-4 div.

open

œj

‰

Snare Drum

° &

˙™

°/

¢&

"f"

∑

Perc. 3

‚

ppp

dir.: L8

Ó™

pos. 7

ppp

Perc. 2

<sch>

˙™

‚≈ ‰

"ff"

‚

bucket mute

j œ ‰

<sch>

j ‚

<sch>

O™

j ‰ b‚ o

‰

<sch>

‰

Ó™

Hn. 3

˙™

æj #œæ ‰ o ™ Ó flutter

j œ ‰

>. r œ≈ R. >p

c.l.b.

. j œfi

c.l.b. c.l.b.

>. r œ≈ R. >

. j œfi p c.l.b. œfij

c.l.b. .

r œ. ≈ p> c.l.b. ‰ r≈ œ >. p

˙ Œ

‰

c.l.b. ord.

r œ. ≈ > p

E ° & 21

Fl.

A. Fl.

bœ

Piccolo

‰

‚

flutter

Ó Œ

b˙ » bœ

Eng. Hn.

Cl.

B. Cl.

Bsn. 1

Cbsn.

Hn. 1

& &

Ó™

? Ó™

™

‚

Ó™

all valves closed ≈ ‚j™

"f"

‚

"pp"

? ‚™

‚ & ‚

‚ ‚™

‚

Ó™

‚™

#‚ ‚

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Hp.

Pno.

V. 1

2 3

Perc. 1

‚#‚™ ™

? ? Œ ¢

™

‚ "f" 4

‚™

‚

j ‚ ‰

‚

#‚

j #‚

‰

‚™

? ? ˙

{

r ‚≈‰

pos. 4

? Ó

“” b >œ mf

˙™

‰

°/

˙ ˙™

L3-4

∑ œ

s o f a

b ˙™

ææ ˙

ææ œ

ppp

ææ ˙

‚

Œ speak without megaphone dir.: L7-6

> ‰ mp e r

Ó ™

#‚

ææ œ

ìÓ

"ff"

‰

‚™

‚

>j V ‰

"mf"

‚ ‰

>j V ‰

Ó™

"mf"

ppp

"mf"

>j V ‰

Ó o pos. 7 ≈ ‚r

Timp.

Vln. I

Vln. II

1-2 div.

¢&

°? ¢

≈ ‚™ J

pos. 2

˙™

bœ p

° & &

Ÿ ≥ œœ s.p.≤

arco s.p.

fpp

≤ #˙˙™ arco s.p. ≤

˙˙ ≥ Ÿ

Ÿ ≥ œ

fpp

Vc.

Db. 1-2 div.

fpp

? ¢ ˙ Œ

ppp

c.l.t. s.p.

Ó ˙

˙™

∑

Œ œ

bœ “‘

˙™

e r exhale

inhale

˙O

˙o

j ‰ œœJ

j œœJ ‰

˙Oo ˙ Ó

Ó˙™

c.l.t. s.p.

ppp

‚

walk toward L5 whisper without megaphone in coordination with steps

˙O

arco IV

b ˙O o arco ord. ˙

∑

œœ ≥ Ÿ Œ

arco c.s. III

œœ

arco s.p.

arco IV

‚™

bowed

soft mallet

Vla.

3-4 div.

b˙

‚

Vibraphone Perc. 3

ppp

Xylophone

ppp

≈#‚r

‰

"mf"

mallet bhard œ. rubber ‰ Œ & J

‚

‚‚

‚

∑

Ó™ Œ

j ‰ o ‚

"mf"

all valves closed

‚

"f"

1 valve closed j ≈ ‚™

∑

Suspended Cymbal bowed

˙™

œj

open

‚

>j V ‰

™

j ‚

‚

"ff"

speak through megaphone dir.: L7-8

ìŒ

Tam-tam

closed

n‚ #‚ ™

pos. 1

bœ

open

‚

"mf"

{

Ó™

"ff"

2 valves closed ≈ ‚j™

‚™

‚

Ó™

‚™

‚

closed

‚

"ff"

‚

"mf"

swipe with brush

Perc. 2

˙ Œ

#‚

flutter

ppp

‚‚

"f"

ææ ˙

‚

bœ

"f"

‚ ‚™

‚ n‚ ™

‚

"f"

‚

‚ ˙

‚ ‚

‰

j b‚

open

stopped ≈ ‚r

j œ

‚‚

with the reed

all valves closed

™

‚

"f"

» bœ

Ó™

Ó open

‰

‰ b‚ ‚ Ó

<t>

‚™

2 valves closed

‚™

bœ ‰ Œ æ æ

j ‰ ‚

bucket mute

"f"

Ó™

‚ ‚™

Ó™

closed

‚™

flutter

"f"

j ‚ ‰ o

open

stopped all valves closed

Ó closed

‚ ‚™

‚

all valves closed

Tpt. 3

open

‚

b˙

r≈ ‰ Ó ‚ p ‰ ‚j ‚

≈ j ‚™

‚

"ff"

<t>

b‚ ‚ b‚ ‚ Ó

œ œ J æ p

"mf"

‚‚

‚

Hn. 4

Tpt. 2

≈ r ‚

2 valves closed

Tpt. 1

Ó™

? ¢

ææææææææææææææææ j ‰ b ‚. > ‚

flutter

‚™

‚

Hn. 2

Hn. 3

‰

pp without the reed

Ob.

ææ æ b œ œæ Œ

Flute

ææ ææææ ææ ææææ ææ ‚ ææJ ‚

pp flutter

c.l.t. s.p.

˙ Ó

e r ... exhale

° & Ó™ 25

Fl. A. Fl.

‰

3 > ‰ .r Ó œ R <t> 3

Ob.

Eng. Hn.

Cl.

B. Cl.

& Ó

‚

& Ó™

Cbsn.

Hn. 1

‰ r Ó œ

? ‚™j

≈Ó

‰

? Ó™

‰

≈ j ‚™ pp

r ‚ ‰™

3 valves closed

‚ ‚™

‚

stopped all valves closed

‚

™

& <#>‚ ™

Tpt. 3

& ‰

j ‚ ‚

(bucket mute)

bucket mute

j #‚ ‚ pp

? ‚ ¢

Vln. I

e r exhale

° ¢/

3-4

» ‰ œr

‚™

‚‚

™

‚‚

‚

"ff"

≈ ‚j™

‚

b‚ ™

"f"

pos. 7

#‚™

#‚

» 3 ‰ r ˙™ œ p ppp

‚

‚ ‚ #‚ Œ

‰

‚

‚ ‚ ‚# ‚

» 3 ‰ r œ p

‚ ‚™

‚

™

‚

"ff"

‚ ™

˙™

"f"

ìÓ

Œ ‚ ‚ #‚ 7 r ‚≈‰ Œ

‚

™

‚ ™ 2

‚

lay down on the floor

‚

ppp

"pp

pos. 7 ≈ ‚j™

closed

‚ ‚ ‚‰

≈ Ó

‚ ‚™

open

‚

‚≈‰ 7

Ó speak through megaphone point bell upwards

Ó™

˙™

ìŒ

˙™

ìŒ

hard wooden mallets

concertmaster solo

b˙

principal solo c.l.b.

principal solo c.l.b. ord.

>. œ J

B Œ

arco (s.p.) III

œj

3 œj

ord.

≈ Œ œj

3 œj

c.l.t. s.p.

ppp

j ‰ œ

j œ ‰

pizz. (s.p.)

Œ œj

3 œj

≈ Ó ˙

bœ

j œ ‰

arco

˙™

j ? ‰ b œ. ˙ ¢ >

bœ

≈ Ó

pp c.l.b. ord.

b˙

j ‰ œ

‰

? ‰ b œj Ó >. p

tutti arco 3

? Œ

. ‰ œ œ œ œ œœœœœœœJ pp

tutti arco

nat. harm. gliss. do not coordinate

Db.

closed

c.l.b.

"ff"

‚

‚™

‚

inhale

e r ... exhale

open

‚

˙™

nat. harm. gliss. do not coordinate s.p. ˙ ™ IV

? –œ

‰

‚

Ó Œ

Vc. 3

nat. harm. gliss. do not coordinate s.p. ˙ ™ II

1-2

j ‰ b‚

‚

‚ ‚™

˙™

& ‰ ‰ œ.j Ó > p

Vla.

‚ b‚

#‚™

c.l.b. ° ‰ ‰ >œ. Ó J &

B ‰

‰

‚™

<d>

Wood Blocks

1-2

» j ‰3 r œ œ

"f"

≈Œ

e r ... exhale

inhale

Vln. II

j ‚™

‚

‰

e r exhale

"f"

‚

™

open

r ‚≈‰

2 valves closed

‚

‚™

‚

‚™

all valves closed j ‚

‰

‚

? Ó™ ˙™

™

‚™

‰

‚

j ‰ b œ.

mf sub.

closed

V. 2

Perc. 2

‚

b¿

all valves closed

‚

"f"

? Ó™

walk up to the balcony

V. 3

‚

‚ b‚

j ‰ b œ.

<d>

"f"

"ff"

j Ó b¿

‚‚

open

‚ ‚™

"ff"

V. 1

#‚ ‚ ™

? ˙™ 3

Tba.

<sch>

"f"

r≈ ‰ ‚

Tpt. 2

B. Tbn.

‰

‚

≈ Ó

‚™

open

‚

‚ ‚™

‚

‰ b ¿j Ó

‚™

≈ r ‚‚

Ó™

‚

‰ œ.r Ó > p 3 ‰ r Ó œ

<sch>

j Ó b¿

‰

3 <t>

‚

<d>

Hn. 4

r≈ ‰ ‚ o ‰

‰ r Ó œ >.

? Ó ¢

Hn. 3

Tbn. 2

"mf"

Tbn. 1

‚

<t>

Hn. 2

Tpt. 1

‚

.j b œJ ‰ . p

<d>

& Ó™

‰

<k>

without the reed 3

Bsn. 1

<k>

‚‚

‚™

>. j ‰ œJ >.

<t>

bœ

c.l.t. (s.p.)

˙™

‰ b œj ˙ ppp

˙™ Ó™

œ (c.l.t.) (s.p.)

b˙

ppp

að

° b ˙™ & œJ ‰ >. 29

Fl. A. Fl.

fpp

Cl. B. Cl.

Bsn. Cbsn.

Hn.

1 2

ord.

? Ó

° & Ó

Œ ‰ œ 3

Hn. 3

o bœ bœ + Œ

+ œ

Tpt.

1 2

# ˙˙ ™

open

Tpt. 3

& #œ

? Œ

Tbn. 2

B. Tbn.

Pno.

V. 1

Perc. 1

? ˙ ¢

{

Œ Œ

Perc. 2

Perc. 3

/ ¢&

œœœ ‰

‰

j ‰ œ

Ÿ<n> F ≥ ° ## œœ & s.p. ≥ Ÿ<n>

˙˙

Ÿ≥<n> & ‰ s.p.œœ ≥ Ÿ<n> s.p.

& b œœ pp

s.p.

‰

j # œJ j #œ

œ J

j œœ œœ J <n> Ÿ ≥ ˙˙ ≥ Ÿ<n>

◊ÿ Œ j ¿ ‰

bœ bœ

Glockenspiel

≥ Ÿ Ÿ ≥

j œ œ

fpp

arco s.p.

B #˙™ ˙™

j ‰ œ °

‰ ∑

‰

œj

‰

ppp

bœ

‰

bœ J

‰

œœ œ Ó

œnœ b œ‰

œ #œ

˙œ

j #œ

j œ ‰

‰

‰ œ 3

j œfi

nœ #œ œj ‰

œJ

‰ Œ

j œ

◊ÿ bœ bœ

∑ Ó

fpp

Ó™

‰

Ó™

‰

j # œJ œ pp

#œ™

j œ Œ

ppp

◊ÿ ‰ bœ bœ p

Ó™ ‰

j œ

◊ÿ bœ b ‰ œœnœœœœœb œb œ œ œ

Ó™

œ œ œÓ

+ œ

Ó™

að

˙™

œ nœ œŒ

‰ b œ b œ nœfij nœ #œ œj J ‰

ord.

˙™ o bœ bœ +

◊ÿ œœnœ œœœœb œ œœœŒ nœ

˙™

œ J

‰ bord. œ™ œ œ Œ .> <t>

Œ œ

‰

Ó™

œnœ b œ

að

‰ bœ bœ J pp

j nœfi

nœ #œ

Ó™

‰

˙™ ˙™

Ÿ≥<n> œœ ## œœ œœ œœ

œ œ œ‰

‰

Ó Ÿ≥<n> j ## œœ ## œœ J ≥ Ÿ<n>

˙™ ˙™

s.p.

Ÿ≥<n> œj ‰

œœ ™™

˙˙™™

˙œ œ

‰

œœ ™™

j b œœ J

œœ ™™

˙˙™™

j œœJ pp

œœ

œ <n> Ÿ ≥ œœ ≥ Ÿ

˙™

œ™

#œœ

œœ ™™

Ÿ ≥ œœ œœ œœ ™™ ≥ Ÿ fpp

arco (s.p.)

˙˙™™

˙˙

arco (s.p.)

œ˙

#˙ ™

? bœ ¢

arco (s.p.)

ppp

œœ

˙˙

j œ

j œœ J

Ÿ≥<n> œœ œœ œœ

œœ

≥ Ÿ<n>

fpp

œœ œ ≥ Ÿ<n>

œœ

Ÿ≥<n> œœ ≥ Ÿ<n>

Ÿ≥<n> œœ œ œœ œ J ‰ ≥ Ÿ<n>

œœ

j œœ ‰ J

œœ

fpp

œœ

<n> Ÿ ≥ œœ b œœ œœ ≥ Ÿ<n> fpp <n> Ÿ ≥ œœ œœ œœ 3 ≥ Ÿ fpp fpp Ÿ≥ 3 j j œ œ œ fpp

˙˙

fpp

Ÿ≥<n> œjœ œ œ œj J ‰ ≥ Ÿ<n>

˙˙™™

fpp

fpp fpp

Ÿ≥<n> œœ ≥ Ÿ<n>

<n> Ÿ ≥ œœ œœ œœ œœ œœ ≥ Ÿ<n> pp fpp <n> Ÿ ≥ œœ œœ œœ œœ œ œ 3 ≥ Ÿ fpp fpp ≥Ÿ 3

˙˙™™

j œœ ‰ J

fpp

œJ

j œ œ

œœ #œœ

œ œ

fpp

œJ

œœ œœ b ˙˙

j œœ œœ œ

œœ œœ ˙˙

j œœ œœ œ

j œ

œ <n> Ÿ ≥j œœ œœ J ≥ Ÿ

fpp

Ÿ ≥ ˙

fpp

j œœJ œœ œ ≥ Ÿ

Ÿ ≥ #œ

Ÿ ≥ œœ ≥ Ÿ

œœ #œœ

œœ

œœ ™™

j œœJ

˙˙

œœ œœ ˙˙

˙˙™™

j œœ œœ ™ œ

œ™

j œ

nœ #œ

j œ #œ ™

Ÿ ≥ œ bœ œ ≥ Ÿ

˙™

j œ œ™ œ

œ œ

j œœJ

˙˙

œœ

˙˙

<n> Ÿ ≥j œœ ≥ Ÿ<n> fpp <n> Ÿ ≥ j œ fpp

œœ ™™

˙˙

Ÿ≥<n> œœ ≥ Ÿ<n>

˙˙

j œœ œœ ™ œ

fpp

s.p.

arco (s.p.)

œœ

fpp

s.p.

Db. 1-2

&Œ

œœ ™

˙˙™™

˙˙

bœ

að

œœ ™™

˙˙™™

˙˙

œœ

s.p.

Vc.

bœ

medium yarn mallet

˙™ ˙™

˙˙

fpp

1-2

œ J

mfpp

∑ œJ ‰

‰

fpp

s.p.

j œ

fpp

s.p.

& œ

˙ ‰

fpp

3-4 div.

fpp

<n> Ÿ ≥ ˙œJ œ

& œœ

Vla.

fpp s.p.

1-2 div.

<t>

Vibraphone

˙˙

Ÿ≥<n> œ œ ˙ & ‰ s.p. ≥ Ÿ<n>

fpp

˙ Œ

s.p.

Vln. II 3-4

œj œj

‰

◊ÿ œœnœnœœœ b œœb œœ b œœnœ œnœœb œb œ œb œb œ‰ bœ œ nœ

Ó™ Œ

‰

œ J

˙ Ó

fpp fpp

1-2

‰

œ b œœ ‰ J >.

Bass Drum sticks on rim j n¿fi /

s.p.

5-6 div.

Œ Œ

fpp

Vln. I 3-4 div.

‰

œ J

Ó™

s.p.

1-2 div.

Œ œJ

œ Ó

Ó™

Snare Drum brush 3

Ó™

° hard wooden mallets & b œ b œ œfij nœ #œ ™

‰

Ó™

œ nœ b œ‰

° ¢

Ó™

˙ Ó

◊ÿ & bœ bœ

œJ

˙ Ó

fpp

b œœj J >.

<t>

˙ Ó

◊ÿ b œœœ œœœb œb œ œœb œ‰ & œ ppp

œj

‰

"pp"

pp open

Óœ ™ œ

∑

Ó™

∑

? Ó ¢

œj ‰ œ

bœ

ord.

˙ ˙

Ÿ ≥ ˙ ˙ ≥ Ÿ

˙ ˙™ ˙™

fpp

œ™ œ™

j bœ J

ppp

fppp

œ œ

Ÿ ≥ œ œ œ œ ≥ Ÿ

fppp

œ œ

œj b œ œ

œj œ

° –b ˙ & 33

Fl.

œ J

‰

G Ó™

‚

A. Fl.

Ob. Eng. Hn.

Cl. B. Cl.

Bsn. Cbsn.

Hn.

1 2

‰

j œ œ

j œ ‰

ord.

whistle tones

‰ Ó™

? ? ¢

œj

‰

∑

˙™

‰

œj

œJ

œ™

œJ

∑

‰

œJ

≈ >.j ‰ ≈œ œJ 3

Œ ‰

‰ œ 3

‰

oj bœ bœ +

+ j œ

‰

>3 j ≈‰ ≈‚ ‚J ‚ ‚

<s>

‰

<ah>

Tpt. 3

Tbn.

1 2

<#><#> œ ™™

Tba.

Perc. 1

Perc. 2 Perc. 3

2 Vln. I 3-4 div.

5-6 div.

1-2 div.

>3 j ≈ ‚ ‚ ‚≈‰ J

œ™

˙™

{

° ¢ ° & <#>œj ‰ /

° &

<Ÿ> <Ÿ> <Ÿ> <Ÿ>

Db. 2

? ? ? ?

Ó™

˙ ˙

˙™

˙˙™™

3 <s>

3 <ah>

v e ra

n‚ p

∑

‰

<sch>

#‚ Œ

j ‚. ‰

<ah>

Ó Œ

ppp

hammer

˙™

Œ Œ

˙™

nat. harm. gliss. do not coordinate (s.p.) IV div. III (s.p.)

unis.

b œO O

div. IV pp (s.p.)

‰

*2) s.s.

‰

j ¿

*2) s.s.

c.l.b. (ord.) 3

≈ œj ‰ >.

bow the tailpiece

"ff"

œj

*2) s.s.

˙˙™™

˙˙

Ó™

*2) s.s.

j b œœ J

œJœ ™ œ 3 ≥ fpp Ÿ<n> Ÿ ≥ 3 j œ œ

j œ

œœ œœ œ

œ œœ

fpp

œ™

–˙™ j œ œ Ÿ œ≥ œ J Ÿ ≥ j œ œ

fppp

œ J

œ™

j œ œ™

*1) Turn the mouthpiece upside down. *2) Senza sordina.

˙˙™™

*2) s.s.

˙™

*2) s.s.

˙™ ˙™

*2) s.s.

tutti c.l.b. (ord.) 3

≈ j ‰ œ >. p

Ó™ Ó™

ord. II

nO O

‰

art. harm. gliss. do not coordinate s.p. IV

‰

bb œO

*2) s.s.

∑

Œ Œ

*2) s.s.

ord. IV

∑

c.l.b. (s.p.)

œ . ....... >≥ pp

≥ œ. . . . . . . . > pp c.l.b. (s.p.)

ord. I div.

Ÿ ≥ œ #œ œ fpp

œœO œ

Ÿ≥ œ œ œ

œ™

Ÿ ≥ j œ œ

œ™

bb œO

fpp

œ #œ œ J

j œœ

fpp

fppp

? ¢ —œ ™

≥ Ÿ

˙™

œ™

˙˙

Ÿ<n> j ≥ œœ #œœ œ œ ≥ Ÿ fpp Ÿ ≥ œ œ œœ œœ

˙˙™

<#>œ ™

˙œ ™™

˙˙

principal solo ord. III

>≥. . . . . . . . œ . ....... >≥ c.l.b. (s.p.) pp c.l.b. (s.p.)

bow the tailpiece

ord. III div.

>. j ¿ ‰

‰

unis. nat. harm. gliss. do not coordinate s.p. j IV œ

*2) s.s.

c.l.b. ord. 3

≈ œj ‰ >.

*2) s.s.

j bœ œ

"ff" *2) s.s.

œ™ œ™

#>œ

Œ >œ pp

principal solo ord. I

‰ Œ

nat. harm. gliss. do not coordinate s.p. œj II

‰

c.l.b. ord. 3

tutti c.l.t. (s.p.)

ppp

≈ œj ‰ >. p

‚

"mf"

r5 #‚ n‚

j ‚ ∑‚

heavy felt mallet

˙˙™™

j ‚ ‚

stand up and walk toward L6

medium yarn mallet

˙˙

j Œ œ

Chimes

˙™

‰

Ó™

j Ó™ œ mp ° G ˙™

B <#>˙ ˙ B

j ¿

bœ bœ œ

sticks on rim

j n¿fi p

& œœ ™™ <Ÿ> <Ÿ>

‰

◊ÿ

Ó™

b ˙™

Vibraphone

¢&

Bass Drum

<ah> 3

3 3 ‰ ≈ ‚j ‚ ‚ ≈ ‰ > > p f Ó V > mf > Œ V mf > Œ V

˙ ppp

Vla.

Ó™

‰

fpp

‰

Vc. 2

Ó™

‰

<s>

*1)

"ff"

3 <ah>

> j ≈ ‚ ‚ ‚≈‰ J

‰

3-4 div.

◊ÿ œœœœ n œœb œb œœb œœœÓ ‰

Vln. II 3-4 div.

1-2 div.

<#> œ

V. 1

‰

¿J >.

‚™ n‚ ‚

3 <s>

>. j ¿

#‚

<ah>

‰

B. Tbn.

Pno.

‚

3 <ah>

<s>

1 2

"p"

*1)

Tpt.

° &

ord.

‚ ‚™

‰

<sch>

‚

<s>

3 Hn. 4

ord.

. . .. .. .. ¿b ¿b ¿ ¿b ¿ >.j ‰ ¿b ¿b ¿ ¿b ¿ ¿b ¿¿¿ ¿≈ ‰ with the reed . . .. .. "ff" mp » ∑ ≈ œJ ‰ Ó Œ >.

Ó™

& œj

r #‚ ‚

° & ‚ 37

Fl.

A. Fl.

Ob. Eng. Hn.

‚ 5

"ff"

Cl.

r n‚ ‚

& Ó™

j ‚

‚ ‚

#‚

j ‚

‚ ‚™ ∑ 5

"ff"

j ‚

‚™

™™ Ó ™ ™™

™™ j ‚Ó ™™ p

™™

Bsn. Cbsn.

Hn. 1

? Œ

? ¢ °

‚ "ff"

b‚ ™

Ó™

Hn. 4

Tbn.

1 2

Tba.

Hp.

& Ó

‰

& Ó

Perc. 1

‰

j ‚J ‚

j ‚ ‚

fpp

? Œ

{

2 valves closed pp

"f"

™™ Ó ™

whisper trough megaphone dir.: L3-4 L6 œ

Ó™

mín

≈ r ‰ ‚ Œ

‚

"f"

‚™

pos. 4

‚

°&

‚

™™ Ó ™

‚b‚ ‚ ‚ ™

™™ ™™ œ

"f"

™™ ™™ ‚ ™ ™™ Ó

"f"

‚ ™

œ. J

™™

œ J

‰

ppp

brush drag from bell to edge

Perc. 2

‰

™™ ™™ Ó ™

Triangle

Perc. 3 Timp.

1-2

Vln. I 3-4

5-6

1-2

Vln. II 3-4

1-2

™™ œ

¢& °? ¢

beater

™™

H (s.p.) Ÿ ˙≥ ™ ™™

° &

1-2 Vc. 3

™™ O ™ ˙™

s.p. IV

™™ Ó ™

1 Db.

™™ Œ

™™ Ó ™

I ™™ ™™ Œ

œ c.l.t. s.p.

b˙

ppp

bb ˙O ™™

™™ ˙ ™

j j ‰ œ œ œ

arco ord.

Ÿ s.p. ≥ ˙™

j ‰ œ

fpp

O™ Œ

(s.p.) sul III

œ ord.

Œ ord.

pp arco ord.

™™

™™ ™™

™™ ™™ ˙O ™™

œO

™™ Ó

™™ Œ

arco ord.

s.p. IV

™™ Ó

™™ ™™ Œ

fpp

™™ Ó ™

‰

s.p. Ÿ b ˙≥ ™

™™ Ó

? Ó™ ¢

˙O

? ˙ ™

œJ

‰

pizz. (s.p.)

j œ ‰

j ‰ œ

mp c.l.b. (s.p.)

≥ Œ œ. . . . . . . . > pp ≥ Œ œ. . . . . . . . > pp c.l.b. (s.p.)

c.l.b. (s.p.)

≥ Œ œ. . . . . . . . >

™™ ™™ Ó

Ÿ<n> s.p. # ˙≥ ™™ ™™

s é r

hah!

‰

hah!

"ff"

"f"

5:4

‚‚ J

≈ r b‚ ‚

"ff"

∑

straight mute 2 valves closed

‚

"mf"

"ff"

™™

‰

™™ c.l.b. (s.p.) .

r œ ≈ ™™ >.

œfij

‰

r œ ≈ ™™ >.

c.l.b. (s.p.)

‰

r ≈ ™™ œ. >

c.l.b. (s.p.) .

j œfi

b œO

OŒ œ

œO

‰

arco ord.

r ≈ ™™ œ. >

c.l.b. (s.p.)

B‰ œfi.j œr ≈ .

™™

> >. ‰ œr ≈ ™™ Ó™ R. c.l.b. (s.p.) >p ™™ Œ Ó

principal solo arco ord. II

bb OO

c.l.b. (s.p.)

Œ œ≤ ™

fpp arco

fpp

c.l.b. (s.p.)

∑

œ Ÿ œ≥

∑

œO

(s.p.)

walk toward L7

™™

Ó Œ

™™ ™™

™™ ™™ O ™™ Ó

fpp

*1) 1st time: shout, 2nd time: speak, 3rd time: whisper.

soft mallet

‰

*1)

o g

hah!

*1)

™™ ™™ ˙™

™™ ™™ Ó

‰

*1)

™™

Ÿ<n> # ˙≥ s.p. ™™ ™™

∑

™™

™™ ™™ Ó

fpp

Vla. 3-4 div.

˙™

™™

Tam-tam

™™ œ ™

j n‚ ‚

™™

™™ ™™ Ó ™ ™™ ™™ Ó ™

speak without megaphone

™™ ™™ Ó ™

Ó 5:4

™

o g

"f"

?™

1.2.

≈Ó

™™

™™ mín

b‚ ‚ J

™™ ™™ ˙ ™™

5:4

™™

‚ Ó

∑

R≈‰

™™

3 valves closed

≈‚

™™

j ¿ ‰ >. "mf" ‰ Ó

mf 1

j ‚ ‰

™™

≈ r ™™ ‚

‰

J <sch>

<sch>

j ‰ ¿. >

‚Œ

"ff"

™™

‚ ≈ ™™ ™™

2 valves closed

Glockenspiel hard wooden mallets

™™ ™™ ‚

™™

™™ œ

6 ≈Œ j ‚™ ‚™ ≈J

open

≈b ‚R ‚ ™

? ™™

"ff"

j ‰ œ

™™ ™™ ‰

™™

.j œ ‰ œ .J

open

"f"

™™ ‚ ‚™ ˙ pp "ff" “” œ b œ b œ# œ œ œ œ œ œ œ œ œ Œ ™™ œ #œ 14 o pp ™™ ∑ 1.2.3.4.5.6.7.

"ff"

>œ. >. > j nœ b œ. œ ‰ >. 3

Œ ™ ™ ≈n ‚ ™ ‚ ™ ™ Ó ‚™ # ‚

p pos. 1 "f"

"f"

∑

3 valves closed

≈ ‚r ‚ ™ p

™™ ‚Ó ™

"mf"

˙ ‰

™™

Œ o

‚ b‚ ≈Œ

™™ ™™ œ

stopped

≈ ™™ ‰ r #‚ ‚ Ó™

j™

‚

all valves closed

ppp

‰ b ‚j

™™

‚™

V. 1

‚

sss... <sch>

fpp

Tpt. 3

‚™

all valves closed

™™ ™™

"f"

open

™ Ó™ o ™

3 valves closed

‚

≈Ó

™™ ™™ Ó ‚ ‚b ‚ ™ ‚ Œ b ‚ ™ ‚

2 valves closed

>. >. > j œ nœ b œ. œ ‰ >.

™™ ™™ Ó

™ ‚ o ™

sss...

‰ ‰

˙™

‚ ‰ Ó

™™ Ó ™

n‚ ™

b‚

™™ j ‚™

sss...

"mf"

™™ Œ

™ b‚

‚

Ó™

Hn. 3

1 2

Ó™

Hn. 2

Tpt.

—˙

r ‚ b‚

‚ #‚

I 3 times 5 ™™ ™™ ‚ Œ ™ ‚ b‚

B. Cl.

8 times

c.l.t. (s.p.)

ppp

™™

<n> Ÿ œ≥ ™™

Ó™

™™

˙™

principal solo ord. II

OO OO J

arco ord. arco ord.

c.l.t. s.p.

O O J

° & 41

Fl.

5:4

j ‚ Ó

‚

without the headjoint <h> 14:10

<t> >. ‰ b ‚ ‚ ‚b ‚ ‚b ‚ ‚b ‚ ‚ ‚b ‚ ‰ b œJ Ó n‚b ‚ ‚

"ff"

without the headjoint <h>

A. Fl.

Ob. Eng. Hn.

‚

pp 5:4 j Ó ‚

b‚ ‚ ‚ b‚ ‚ b‚ ‚ b‚ ‚ ‚ b ‚ n‚ b ‚ ‚ b œ.j Ó > "ff" mp >. 16:12 » j without the reed b œ # ‚ n n ‚ Œ ‰ ‚ b ‚ ‚b ‚ ‚b ‚ ‚ ‰ ‰ Ó ‚b ‚ ‚b ‚n ‚n ‚b ‚ b œJ without the reed .>»

<t>

∑

16:12

"ff"

B. Cl.

Bsn.

Cl.

Hn. 2

? ¢ °?

‚

‚ ≈Œ

‰ ≈ ‚R ‚ Œ

‰ Ó

5:4

‚ ‚j ‰ Œ J p

Œ ‰ Œ

‚™

™

open

Hn. 4

"f"

j ¿. >

j ¿ >.

"mf"

‰

j œ

‰

Ó™

‚

» ‰ j Œ b œ. > mp

»j Ó b œ. > p

b˙

»>. bb œœ >. »

1 Tbn. 2

? ¢

B. Tbn.

Tba.

Pno.

V. 1

{

∑

‰ Œ

˙™

Perc. 2

Perc. 3

1-3

1-2

1-2 Vc. 3

Db. 2

œ J

Ó ‰

»>. bœ Ó >.»

» >». b>œ. Ó œ >. "mf" » j b œ» ‰ b œJ Ó >.

Ó Ó

» j Ó b œ. > "mp" ‰ »j Ó b œ. > "mf"

gliss. at approx. pitches

‰

Œ walk toward L8 whisper without megaphone in coordination with steps

í exhale

í inhale

í... exhale

˙™ ˙™

whisper in coordination with steps

í exhale

˙™

í (exhale)

°&

Cymbals

brush upside down on bell

Ó Ó

í inhale

í... exhale

í (inhale)

í... (exhale)

¢& ° &

Œ Œ

˙™

stand up

medium yarn mallet bend

œ J

arco ord.

j ‰ œ

‰

j œ

? ?

bb OO Ó J

? ? ¢

o ˙

‰

bœ #˙

pizz.

Œ (c.l.t.) (s.p.)

j œ ‰ bœ

pp (c.l.t.) (s.p.)

ppp

‰

tutti c.s. ord.

j ‰ œ Œ

O ˙™ ˙™

Oœ

˙o

Œ œ œ

c.l.b.

œ >.

Ó Œ

‰

c.l.b.

j œ >.

art. harm. gliss. do not coordinate arco s.p.

œ III

bb œO

pizz. (s.p.)

bœ p

œ J

‰

œO arco

‰ Ó™

œj

‰

nat. harm. gliss. do not coordinate s.p. œ III

#(s.p.) ˙

Ó œ J

pp arco (s.p.) I

œ ˙o pp

œo

œO

≥ œ . . . . .#œ >

Ó™ œj

bb œO B

bb œO

Œ ‰ ˙

Œ Œ

IV ord.

‰ &

(s.p.)

œj

art. harm. gliss. do not coordinate s.p. œ

c.l.b.

bb œO

Ó™

‰

hard rubber mallet

bœ

œj

bb œO

Œ bœ J

arco IV

bb Oœ

III

o ˙

O Ó J

bœ

bb ˙O pp tutti ˙

j ‰ œ

IV arco ord.

œ II

œ™

bœ

b˙

Ó™

(arco) (ord.)

art. harm. gliss. do not coordinate arco œ s.p.

Ó™

Xylophone

j ‰ œ

O B O

˙™

Œ Vibraphone

j ‰ b œ. “‘ °

∑

Vla. 3-4

‰

Vln. II 4-5

Vln. I 4-6

‰ Œ J

"mp"

whisper in coordination with steps

Perc. 1

gliss. at approx. pitches 3

ppp

2 3

V. 4

b˙

"mf"

Tpt. 3

j œ

"pp"

ppp

‰

bœ

3 valves closed

5:4

>» ‰ b œJ.

b˙

1 Tpt. 2

»>. ‰ b œJ

"mf"

5:4

"ff

Cbsn.

˙o

bœ

Œ ‰

Ó ‰

b >œ c.l.t. (s.p.) J b˙ (p)

œ J

#s.p. ˙

#˙

° & 45

Fl. A. Fl.

<d> with the headjoint

j bœ ‰ b œJ

with the headjoint

Cl. B. Cl.

‚ Œ

Bsn. Cbsn.

? ∑ ¢

‰

1 2

Ó™

∑

"f"

Œ 3

‚ J

open 3

‚J Œ

‰

b ¿J >.

‰

∑

"pp"

mp 3

j ≈ œ œ Œ‰ Œ

Œ ˙™

˙ pp

æææ æ æ æ b œæææ æ æ æ

ææ ææ>» .j œœ ‰ .J »>

>. j b¿ ‰ b ¿J >.

≈ j ‚

‚ 1

∑

all valves closed

‚Ó

O ‰ ‚

"f"

‚

all valves open

Hn. 3

Hn. 4

Tpt. 3

Tbn.

1 2

B. Tbn.

? Ó™

V. 1

bœ J

ææ ‚

bœ

˙™

b˙ Ó ppp

‰

∑

ìv

i ð exhale

˙™

v i ð inhale

˙™

exhale

v i ð inhale

Vln. I

1-2

Vln. II 3-4

1-2

˙™

° &

"ff"

Wood Block

hard wooden mallets

œ ‰ œ œ ‰ œ œ J J J J 3

Vc. 3

Ó™

æj œæ ‰

#˙ ™

bœ

pp IV ord.

‰

& Ó™

c.l.b. (s.p.)

˙o

& Œ B Ó™

≥ #œ. .

j bœ

˙ ≥ (s.p.) b >œ . . . . . ˙

3:2

1 Db. 2

Œ o

∑

Temple Blocks

Triangle

ì ì

œ J

principal solo IV

r j ‰ bb œO œO œ

ææ O

flutter

˙™ p

whisper in coordination with steps

v i ð exhale

v i ð inhale

walk up to the balcony whisper in coordination with steps

v i ð exhale

v i ð inhale

whisper in coordination with steps

v i ð exhale

v i ð inhale

˙ exhale

œO

˙™

beater

œO

3 j œO œO œO

œO œO

tutti c.l.b.

‰

j ‰ œ. > p tutti

r3‰ ‰ c.l.b. ‰ j œO b œ. >

bb œœ p

˙˙ ™™

Tam-tam

IV arco (ord.)

O™

IV arco

bb ˙O ™™

œO

˙O

Œ Œ

O bb ˙O

œœ

˙o ™

III

bb œO

III

˙O

bb ˙O

III

b œO

b ˙O

Ó ?‰

œ B J

˙ ™

? Ó™ ¢

‰

arco ord.

j bœ

bb Oœ ppp

pizz. (s.p.)

‰ b œj p

j œ ‰

˙ Œ

pizz. (s.p.)

bœ p

Ó™

œ Ó

Ó™

bœ

hard wooden mallet

‚

v i ð inhale

"ff" pp

‰

j ‚

j Glockenspiel œ bœ Œ

Chimes hammer

solo K concertmaster IV 3 ord. ≈O O O œ œ œ n œO

. . . .# œ

‰ b œj

(arco) (s.p.)

& Œ

Œ o

rip off gaffer tape

Tambourine

° Œ &

c.l.b.

1-2

flutter

inhale

˙™

Bass Drum swipe the skin with one hand

Vla. 3-4

‚

˙™

v i ð exhale

˙™

‰

"ff"

˙™

¢/

bœ

whisper without megaphone in coordination with steps

˙™

Perc. 3

‚

"ff"

j Ó œ pp walk toward L9 p

ææ ‚

flutter

all valves open

3:2

V. 3

Perc. 2

"ff"

V. 2

Perc. 1

j ‚

‚

Ó ˙™

‰

#‚

œj

‚

‰ œ bœ Ó

˙™

V. 4

"ff"

flutter

‰

3:2

? Ó

‰ bœ œ

j ‚

all valves open

? ¢

‰

"ff"

ppp

Tba.

‚ ‰

‚

˙™

bœ

open

≈‚ ‚ J J

closed 3

Œ ‚ ææJ

"f"

all valves open

n‚

2 valves closed

open

2 valves closed

open

all valves closed

‚ ‚Ó J

"f"

mf sub.

Ó™

all valves closed

open

2 valves closed

œ æ

‰ ‚

flutter

Ó b‚ ‚ ‚ b ‚ ‰ ‰ R 3

j Ó j ‚ ‚ ‚ b‚ ‰ ‚ ‰ b‚ ‚ J 3

Hn.

‰

j ‚ ‚‚ Œ ‚ R "pff"

J n‚

"f"

‰ b‚

J ‚

∑œ œ ‰ ææ ææ J

flutter

ææ œ

flutter

"f"

‚j b ‚

j ‚ 3

? Ó™ —b ˙ ™

<d>

Œ ‚

b ˙O ™™ IV

c.l.b. ord.

Œ principal solo arco ord. II

j nœ. ‰ > p

bO O ‰ b œR œJ 3

Oœ J

c.l.b. ord.

‰

j b œ. ‰ > p 12

Œ tutti (arco) (ord.) II

o ˙™

c.l.t. s.p.

b˙™

ppp

j b œ. ‰ > c.l.b.

œo

Œ ˙

˙o

˙™

˙o

bowed ≈ œj™

Fl. A. Fl.

Ob. Eng. Hn.

Cl.

B. Cl.

Bsn. Cbsn.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt.

1 2

Tpt. 3

1 Tbn. 2

B. Tbn.

flutter (sounding pitch)

° &

Ó™

Piccolo

Ó™

? ? ¢

Hp.

Pno.

V. 1 2. V. 3. 4.

Perc. 1

Perc. 2

Perc. 3

Timp.

1-3 Vln. I 4-6

Vln. II

Vla. 3-4

1-2 Vc. 3

1 Db. 2

»>. œ » >.

‚

‚ Ó

"f"

Ó™

∑

>. ‰ »j nœ

b‚ œ

j ‚

{

œ .J p

¢&

Ó™

∑

Ó™

ææ œ œ œ œ œœœœœœ swipe with brush 3

? ?

‰

j œ

‰

arco

j j œ œ

‰

Ó Œ

pizz.

» œ

*1)

>. j ‚ ‰ J. > <d>

<d>

‰

s em o uw

Œ ‰

Ó j ‚ ‰

‰

‰ œ 3

Ó™

s em o uw

Oœ

s.p. IV

œO

o œ

arco s.p. III

o œ

Œ œ

s em o uw s em o uw

Ó™

r œœ ≈ ‰

‰

*1)

œ J

j Œ œ

˙™

‰

j ‚

∑

s em o uw

‚

Ó™

j ‚

*1)

‚ œ

s em o uw

j Ó

∑ *1)

s em o uw

˙™

whisper through megaphone dir.: the conductor

≈

ìŒ

œj™

s em

+. j ‰ œ Ó pp *1) beater æj ˙ ‰ œæ pp

Ó ˙™

O˙ ™™ ˙O ™™

Triangle

Ó™

L O˙™™

O˙

˙O ™™

˙O

s em o uw

pp *1)

stick

s em o uw

pp s em o u w

˙™

O˙™™ ææ ˙™

O˙ ææ ˙

*1)

O˙ ææ ææ ˙O

s em o u w

o ˙™

o ˙

o ˙™

o ˙ ææ

sss...

ææ ˙O ™™

ææ ˙O

˙™

o ææ ˙

o ˙™ ææ Ó

o ææ ˙™ Ó™

c.l.t. s.p.

˙™ ˙™

ppp

˙™ ˙™

*1) Whisper within the given time frame. Differentiate every time. Do not coordinate.

˙ ææ

˙™

˙™ ææ

˙ ‚

j j ‚ ‚

"ff"

‚

all valves closed

pos. 7

sss... s.p. IV

oj œ

∑

+. j œ ‰

s.p. IV

"ff"

*1)

Ó™

Snare Drum

open

‚

Ó™

‰

>‚. J

<d>

‚

j œ

? œ ¢

Ó Œ

j œ œ

œo

Ó 3

j ‚

‚

*1)

stick

Œ ‰

‚

sss...

*1)

L9 take a seat in the front row

all valves closed

"mf"

∑

j j ‚ ‚ ˙ ææ

Ó™

j œ

˙™ ææ pp

bowed

j b‚

œ > p

Ó™

œ œ

j ‚

drag from bell to edge

Vibraphone

? O œ

œJ

œ œ

Ó™

inhale

‰

"pp"

ppp

v i ð exhale

‰

∑

B œO

j œ œ ‰

closed

>œ mp °

& O œ

.j œJ ‰ . p

pizz.

°? ¢ ° &

‰ Ó™

Suspended Cymbal

˙ ææ

j ‰ œ. p

"ff"

˙™ ææ p

‰

j ‰ œ. p

flutter

˙™ ææ

∑

˙™

° &

open

˙™

œ >. »

‚

‰

Œ bœ

Ó™

>. Flute j œ ‰ J. >

<d>

? Ó™ ¢ ˙ ™

{

˙ ææ

flutter

˙™

ææ œ œ

ppp

ææ b ˙™ b ˙™

<d>

ææ ˙ ˙

pp sempre

"pp"

ææ b ˙™ b ˙™

walk slowly off the stage

s e m o uw

without the reed

& 1-2

flutter

all valves closed

Tba.

ææ bœ bœ

L Œ

49 Conductor

whisper within the given timeframe dir.: the timpanist

sss...

o ˙ ææ ˙ o ææ ˙ ˙

sss...

open

‚

"ff"

° & Ó

Fl.

Ob.

Eng. Hn.

˙™ ˙™

"ff"

& œ

o bœ œ J p

+ j bœ

o ì ‰ & bœ

+ #œ

Hp. { Pno. {

Perc. 1

˙™

Timp.

1-3 Vln. I 4-6

1-3 Vln. II 4-5

1-2 Vla. 3-4

1-2 Vc. 3

1 Db. 2

°? ¢

+ j œ

r 5 ‚ ≈ ‰ ≈

™ ouw ì sem pp ™ ouw ì sem pp

sem ouw

™

˙™

‚™

j3 ‚ ‚ 5

‚ ‚™

œ™

‚ ‚™

‚

all valves closed

‚

˙™

ì‰

‚

‚™

open

"f"

˙™

Bass Drum

‰

Œ o

˙™

Ó o

˙™

Œ œ

Ó ˙

sem

ouw

s e m ouw

1 valve closed

‚

˙™ B (sss...)

o æ ? ˙™æ

o ææ ˙

Ó™

˙™ ? (sss...)

˙™

˙™ ? (sss...)

"mf"

s e m ouw

ouw

˙™

™

sem ouw

™

sem ouw

™

sem ouw

‚

™ ouw ì sem pp ™ ì sem ouw ™ ouw ì sem pp ™ ouw ì sem pp ™

sem ouw

™ ouw ì sem pp ™

sem ouw

M Ó™

™

sem ouw ì pp

™ sem ouw ì pp ™ sem ouw ì pp

™

sem ouw

j ‚

™

sem ouw

‰

s e m o uw

sem ouw

™ ™

™

‚™ J

*1)

sem ouw

‰

™

sem ouw

‚™ J

≈‰

sem ouw

™

sem ouw

‚ #‚ ‰

sem ouw

s em o u w

s e m o uw

™

™ ™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

ì‰

™

follow rhythm from trumpet

sem ouw

™ sem ouw ì pp ™ sem ouw ì pp

™

sem ouw

™

sem ouw

j b‚ O

b‚

"f"

s em o u w

‰ ˙

‚ J

‚

"f"

se m o u w

s e m ouw

™

s em o uw

™

sem ouw

™

sem ouw

s em o u w

™

> ìV

"mf"

s em o u w

> ìV

˙™

"mf"

‰ ‰

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

s em o uw

> ìV

˙™

™ ™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

> ìV

˙™

sem ouw

"mf"

™

sem ouw

™

sem ouw

s em ouw

s em o uw

™

sem ouw

™

sem ouw

™

sem ouw

™

"mf"

s em ouw

ì ì ì

s em ouw

s em o uw

™

sem ouw

™

sem ouw

j ‰ œ ™

™

sem ouw

™

sem ouw

™

sem ouw

Ó ™

™

sem ouw

™ ™

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

™ ™

j œ ‰

sem ouw

™

sem ouw

pizz. s.p.

™

sem ouw

™

sem ouw

™

sem ouw

˙™

sem ouw

‚ ‚ J J

sem ouw

‚

˙™

sem ouw

straight mute 2 valves closed

‚ J

™

sem ouw

ì bO

sem ouw

™

sem ouw

s e m ouw

sem ouw

™

sem ouw

"mf"

se m

"f"

™ ì sem ouw

™

j ‚ O

‚

sem ouw

‚ 5 ‚™

‚ ‚ J p

"mf"

˙™

‚™

follow rhythm from trumpet

Ó™

s em o u w

™

o B ˙™ æ æ

‚ J

concertmaster stands up and cues the orchestra for the remainder of the piece

pos. 1

"f"

(sss...)

™

sem ouw

‚

˙™

O˙ ææ ˙

s em o u w

brushes snares off put dishcloth on skin

˙™

ææ œ

™

˙™

Snare Drum

˙™

ææ ˙

˙™

ææj œ

™

sem ouw

‚

sem ouw

*1)

heavy felt mallet

‚ ‚™

pos. 7

˙™ closed

ì ≈ ‚j™

bœ Œ J

pp 2

™ ouw ì sem pp

‚ ‚™

≈‚ R

™

ì bO™

closed

"f"

ì‰

j ì ≈ ‚™

open

"f"

s em o u w

™

point bell up steady rhythm for others to follow

bœ ™

s em o u w

o uw

™

ì sem ouw

˙™

œ ? ¢ (sss...)

sem ouw

˙™

s e m

™

sem ouw

˙™

™ ì semouw

j ‰ ≈ pp ‚

™

sem ouw

™ ouw ì sem pp

˙™

s em o uw

˙™

r ‚‚

s em o u w

° O˙™™ & æ æ ˙™ (sss...) & &

™

‚

b‚

with the reed

Perc. 2

™

"f"

˙™

s em o u w

˙ closed

s em o u w

˙™

Perc. 3

‚

/ Ó™

ì‚

˙™

‚

Tba.

‚ o

j Œ

B. Tbn.

≈ ‰ ≈‰

˙™

s em o u w

Tbn. 1

‚

s em o u w

j3 ‚ ‚

Hn. 3

Tpt. 3

™ ouw ì sem pp

pp 1

™ ouw ì sem pp

Tpt. 2

‚ s em o u w

¢? Œ

ouw

˙™

Tpt. 1

s em

˙™

s em o u w

(sss...)

Hn. 4

j ‚ ‚

‚ ‚

& Œ

ouw

pp s em o u w

sss...

s em

Hn. 2

Tbn. 2

sss...

– ? ˙™

Bsn.

sss...

? ˙™ sss...

B. Cl.

Hn. 1

Cl.

Cbsn.

sss...

& Ó

A. Fl.

™

sem ouw

™

sem ouw

™ ™

Ó ™

III nat. harm. gliss. do not coordinate

sem ouw

™

Ó ˙

I nat. harm. gliss. do not coordinate

sem ouw

™

sem ouw

I nat. harm. gliss. do not coordinate

Fl.

A. Fl.

Engl. Hn.

Cl.

Bsn.

Hn. 2

V. 1

2. V. 3. 4.

Perc. 1

Perc. 2

Timp.

57 N ° j3 & ‚ b‚

™

sem ouw

& ‚ &

‚

‚

b‚

‚

"mf"

‚

j ‚ O

b‚

j j ‚ ‚ ‚

"mf"

‚ ‚

3 j j j ‚ ‚ b‚ b‚ bO

œ ‚

O™

#‚ b‚ ‚

‚

‚ O™

"mf"

‚

"mf"

°? ¢ °& & & & & &

‚ ‚

b‚ ‚ ‚ ‚ J

‚ ‚ ‚

j ‚™

‚3 ‚ p

"mf"

O™

‚

‚ ‰ Ó J œj

speak without megaphone

L10

‰

a u g un

stand at the balcony's edge

Bass Drum

ææ ˙

.j œ ‰

heavy felt mallet

brushes

pp non dim. snares off

æj æ ‰ œæ œæ

put dishcloth on skin

Snare Drum

Ó™ ™

™

concertmaster cues words at approx. times

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

æj ‰ œæ

sem ouw

™ ™

™

™ ™

™

concertmaster solo

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

Ó o

sem ouw

™

sem ouw

ææ œ

™

sem ouw

™

sem ouw

ææ œ

soft mallet

™

sem ouw

™

sem ouw

™

sem ouw

*1) play 3 times

sem ouw

™

œj™ ˙ ≈¿ ¿ ¿ ¿

œj™

ì≈ Œ

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

*1) play 2 times

™

¿ ¿¿

sem ouw

œj

"mp"

™

sem ouw

™

sem ouw

˙™

‰ ≈¿ ¿ ¿

sem ouw

™

Œ ™

™

sem ouw

™

‰ ¿¿ ¿ ¿

play 3 times

™

"mp"

sem ouw

œj™

˙™

™

ì≈Œ

principal solo

sem ouw

œj

*1)

sem ouw

™

sem ouw

™

sem ouw

™

sem ouw

˙™

"mf"

r œ ˙

ì‰ Ó

™

Vc. 2

*1) play 2 times

™

˙™ pp

™

Ó™

*1) play 6 times

˙™

¿ ¿¿ ¿

"mp"

‰

*1)

œj

"mp"

*1) Bow on the lower bout of the body. Play approximate rhythm. Do not coordinate.

≈

‚ ‚ J

sem ouw

¢?

‚ ‚

"mf"

‚ ‚ ‚

j ‚ b‚

‚

stand up and walk toward L10

O ‚

"ff"

j b‚ ‚

‚ ‚ ‚ ‚

‚

"mf" 3

O™

‚

"ff"

"f"

j ‚ ‚

O O™

j3 ‚ b‚

‚

¢/

Db.

j ‚ ‚

O™

j b‚ ‚

°/

‚

Vla.

Ó 3

° ¢

Vln. II

‚

j ‚ ‚

? ‚ ¢ J

Vln. I

ìÓ

ín