Halldór Smárason
Snowing inside for amplified viola d’amore and electronics
Written for Marco Fusi Dedicated to my unborn son
score (SnowingInside_MARCO_040718_3)
? ¢
I
V
ϡ &
6
œ
b 1 #1
1 1 b1 1 #œ tap VII
bœ
IV
nœ
j b œfi
U ∑
#œ J
Technical requirements
œ samples via 1Max/MSP #1 œR 1 n 1 R (patch by the 1 provided #1composer) tap VII VI V
Audio interface
? arco ord. III
IV III II
pizz. I
pizz. VI V
‰
1 DPA microphone 1 œ
n1 b 1
tap VI V
R ≈
Mixer
n œ.
œ
b œpizz. J
#1
‰
pp
A few abbreviations are usedpizz. in the score in order to save space: pizz.Full Score tap Full Score tap pizz. VI V IV III II I II VI vibrato V IV III m.v. molto vibrato #1 n 1 œ n.v. VII non
+ #œ ‰™ 1 1 #1 œ R IV III
V
œI.
Abbreviations
heartbeat
p
tap VI
pizz. IV III II
b œII.
œ.
5"
III II
pizz. VI Laptop V IV playing III II
6
1
1
#1 battutoR n1coln1legno
c.l.b.
c.l.t.
b 1 nœ col legno #1 trattoR ‰ ™
1 œR ™ # 1 ordinary n1 bowing ‰
pizz. tap VII VI VII VI V
arco ord.
pizz. 1 IV III II
7 ordinary bow position
6 sul ponticello ord. molto
arco swipe the strings vertically with bow 6 6 6 6 /1 controllers Stereo speakers #œ1j 3 foot switches noise without tones b œ 1 1 b1 1 1 1 # 1 ? œ # œ # œ ™ œ œ b 1 b 1 1 VII + VI œ 1 œ 1 e arco #1 1 œ # œ arco ™ œ on I œ Optional: Transducer placed swipe the strings verticallyhalf withpressed bow #œ arco ¢ II g ‚ Jpizz. III half pressed IV™ j ™ ™ Appropriate cables œ ¿ 6 2 1 ∑ ∑ ∑ ∑ ∑ ≈ ≈ noise without tones œ œ œ & ‚ ú c V à II œ IV instrument ú VII + VI ú ú ú ú&Other ú œ # œœV # œ III ™ b ‚ ™explanations pizz. # ‚ ‚ # ‚ ‚ ‚ J II + I œ mpœ pp ‰ ™ #œ Œ ≈ Œ pizz. >r J‚ pizz. ‚ pp# œ ™ ™ ™ ™ tap tap pizz. ≈ ≈ II + I tap pizz. & ú ú ú ú ú ú VI V IV III tap pizz. tap > IV V III II pizz. œœ tap pizz. tap II heartbeat I #thus. 5V p Kr 9 0 1pp V IV III 3 1 III II IV 48 III 1 3 1 3> # 1 p# œ # 1 IV IIIpp II V IV quarter The piece includes tones. They are notated pp mp ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ j > 4 2 4 4 2 4 œfi #œ 1 b#œœ Œ nœ µœ #œ˜œ nbœ1 Bœ b1œBb 1 #∑œR e = 24 R œ 1 b1fij #œR n1 1 #œJ œ ∑ ∑ ∑#œ ∑ R Œ∑ ≈ b 1 b 1 n 1 ≈ Œ∑ R 1 1 # 1 R 1 & heartbeat arco & n 1 m.v. n.v. Ô b 1 Tuning 1 > ut repeats) #1 s.p. ord. > p 9x V II œ p œ 3 e = 84 ˙˙™™ œœ œœm.v. #œ arco All notes should be played non vibrato unless otherwise indicated. ™™ ord. Fingered strings n.v. Sympathetic strings s.p. 18 R V II ® œœ ˙˙™™ œœ 3 # œœ I 6 b œfij nœ 55tapping C#5 I C#5 I pizz. ∑ o pizz. ∑ V IV ∑III IIarcoI ∑# ‚ ∑ ∑ ∑ ∑ swipe the∑strings vertically with bow arco ∑ II j ‚ & j 3 snow bow the bridge ‚ noise without tones o gliss. from VII-I V f III o œ R II IV III # œœ # œœ o œo #œo n œ# œ#™œ œ œ ‚ VII + VI Kr≈ œ œ ® VIfj nVœ 3 B4IV 69 ® II II B4 ‚ 4" j 1 ‰ # œ ™ œ œ ™™ b œfi 1 pizz. ™ # œ 1 n1 ≈ ‚ ‚ ‚ ‚ b œ ‰ J & U‚∑ ™ ™ o ≈ ≈ 3 f & 28 ú ú ú ú 7 3 II + I f III III G#4 G#4 > . Always let pizzicato ring, unless otherwise indicated. >j Kr pp p mf f p p mp mp pp j p pp mp pp ∑ ∑ VII ∑ pizz. ∑IV III ∑ II I+II ∑ ∑ VI ∑ V œœ IV F4 overpressure b œF4 # œœ ™™ œ ™™ #n œœ œœ # œœ ∑ + VI ∑ & IV pizz. tap j VII o 6 heartbeat ° RÔ ‰ 3 II Œ 3 VII J J œ #œœ VI ™ I ≈ ® Œ ≈ Œ œ ‰ b 1 j & # œ ‚ ™ ‚ Bb3 Bb3 V V tap J . j # ‚ ? ‚ pizz. ¢ ™™ 1from VII-I > œ ‰ œ ™ ‚ (n.v.) œœ b ‚ I (sympathetic ® ‚œ38™ >‚œ œ‚œ ™™ œ‚œ ≈ 8" V III 3 7 gliss. strings resonate) arco arco IV n.v. mf p 3 ™ ford. ™3 3 3 3 3 b.b. U VI V IV III II # œ pp ‚ 3p VI ‚D3 s.p.7 j s.p. 1 ord. 3D3 VI 1 ≈ ∑ tap 1 R V ‚ II∑ ‚ ‚ ∑‚ pizz. Œ ™ ∑ ∑ ∑ ∑ ∑ the beat. ∑ ∑ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚17‚ ‚ ‚ ‚ ‚ ‰ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 3& ™ 1 œœ Grace notes should always ˙˙™™ be∑played before # œVII œ III II #Iœf # œœ ™ # œœ 76 3 & ## œœ (n.v.) 3 3 3VII G2 3 3 b.b. VI + heartbeat V IV mf +œtapping b œ C3 p 1 1 R ? pp pp œ 1 ‚VII‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚‰ ‚ ‚ ‚ ‚ ‚ ‰ & & Œ™ ‚ ‚ ‚ ‚ ‚ ‚ ®‚ ‚ j‚nœ ‚ ‚ ‚ R ‚ 1 œ œ b1 VI 5 fi 48 b œ 1 j #‚ pp f Io pp VI ? pp p Ÿ <b>~~~~~~~~~ V III II Io f o arco flautando mf b ‚ o #œ ‚ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ I VII VI V IV III II œ III #s.p. 3 #œo pizz. 5 IV + & I pizz. œ pizz. arco tapping 1 # œ ™ ™ Œ œ ‰ ‰ ‰ Tremolo is never measured; beams indicate approximate density of V + IV m.s.p. œr œ 80 ? æarco R hit#œ the lower bout 5 ‰ Performance b œ b.b.Full 62 with fingernails pizz. æs.p. œ Score Full Score 1 1 Full Score Full Score notes the tremolo. 3 .r f sub. o pizz. IV + IIIœ I™ p p pizz. arco nœ #œp b œ 58 œ ≈ ≈ r V + IV m.s.p. œ R æ hit the lower bout ™ ® ‰ ‚ b.b. ‚ ‚ arco æ™ 5 tap & b œœ & ‰ & RÔ V with. fingernails Ÿ<b>b œ~~~~~ œ Œ tap 5 m.s.p. 3 œ 6 VI ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑pizz. ∑ o o Full Score Full Score 1 1 arco flautando Rpizz. Score≈ j Full Score & VI n œ # œ r b œ VII tap 7 Ô # œ p pp œ 5 3 œ ≈ half pressed m.s.p. > 4" œ R I + II j b.b. ™ (n.v.) r ™ ®œ VII‰ 1 the bridge R I ‚ o 1 Noteheads ‚ VI ‚ V‚ 3 IV & III‰ 3 œII Œ r3™ ? ‰ 3 bœ & ppb œUœ n œ 5 ? & tones V bow Ô 3 3 without 3 3 b.b. pp VI V IV III II # œ noise œ œ œ J > The npiece œ∑R uses # œ a series#œ#ofœœunconventional ™ # œ œ # œ ™ 1 j 1 noteheads, representing different gestures. 3 # œœ Œ ™ 3 3 Dashed 3 3 indicate gradual changes 3 ‚ ™ œ œ # œ # œ ™ œ œ arrows between vibrato symbols of > R Œ ≈ Ô ° œ ‚œ ‚ ‚ ‚ ‚‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ R ‚ ‚ U∑ ‚≈ ‚p ‚ ‚ ‚ 68‚#œ ‚pp‚≈ ‚ J ‚ ‚# œ ™ ‚ ‚"f" ‚ ‚ rate. ‚f ‰ 1 1‚ ú ‚ ‚R ‚ Œ ™ ‚ ‚ ≈‚ ‚ ‚ ‚ ‚ ‚ ¢ ≈ R realized R follows: be as 19 should 5 ® ™p ≈ ú ™ ‚ ú ‚ ú ™ ‚& ú‚ ú‚™ the vibrato o °&They ≈ Œ ≈ Œ ≈ ≈ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ing + heartbeat pp pp o 6 3 ¢ e e p pitches with pp mp pp ∑ 8 pp Œ ∑ ∑ ∑ ∑p ∑ ∑ All conventional gestures and sounds. Tap the respective fingertips. 3 5 7 o & pp p p pp # ‚ ∑ ∑ 5 & œ Œ ¿ g Œ‚ 6 2& 1?œ ú#¿‚ cg ‚V‚ pizz.œ 6b ‚Ã2arco 1 ∑ú c V∑ à ∑ ∑ ∑ ∑ ∑ ™ ∑ 1 3 œ ™ Dashed arrows between bow position symbols indicate gradual ? 8 œ œ œ œ ˙ œ IV + III m.s.p. s.p. # œœ #œ # œ™ #œ œ ˙™ œ e e strings with the#bow 76 2 pizz. arco Lightly touched notes, changes of bow position. Full Score 1 the On apizz. 5-line staff: Swipe from 0% R 75 ® nœ & ord. btap pizz. flautando pizz. pizz. III arco #Vœ to∑nutÃin order g ‚VI either 6 VIIœœ2toV produce 1 IV& œc III¿V IIg or‚ÃIhalf6pressed ∑2 1œ arcoú n∑œ bridge ∑∑ topizz.create∑∑noise ∑ ∑ o ∑ pizz. o b IIœ n œ # œI r & œ ¿9 SnowingInside_MARCO_290618_16 c V#+œIV m.s.p. b.b. o9 harmonics pizz. 3 arcob.b. ú hit the lower b IV + III m.s.p. œ 1 > n œ ∑ ∑ ∑ ∑ ∑ ∑ 5 R b œ œ 1 1 3 1 1 3 1 1 3 1 1 3 b.b. arco V + IV m.s.p. with fingernail ™ ™ ™ œ ≈ notes in order to create noise with almost without tones. Strings indicated & ‰ 3 b œ n œ œ ‰ Œ Œ 3 r Œ 0 ⁄ ⁄ ⁄ 0 ⁄ ⁄ 0 ⁄ ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ pizz. 86 3 3 b.b. ™ ™ ™ .r ‰ 4 b2 œœ 4 ‚ 4 2 ‚ 4 &4 2® 4 RÔ 4 2 n4œ # œ ‚ ‚ ‚ ‚ ‚ m.s.p. 5 II ‚ & 8 <n> b œ n œ # œ Dashed arrows from a trill indicate gradual changes from a trill to a 3 œ IV ∑III ≈ Ÿ ∑ no#audible pitch. respectively. V ≈ ≈ b.b.∑ œ n œ µ œ œ ˜ œ n œ B œ b œ n Bb œ œ µ œ # œ ˜ ∑ œ n œ B ∑ œ b œ Bb œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ œ R b.b. o ‰ ™ ™ ‚ ‚o ‚ r ® ‰ ‚ ‚ ‚ Œ & nœœ to p‚ & ‚‰ ™ pp & b œœpp & ‰ & V ‚ ‚1 & ‚1 3≈‰p On ap1 1-line ‰ Œ&b œ®œ ‚™>R mp‚‰™ ≈ staff: the bridge in order sustained note (trill rit.). 3 pp‚Bow pp 9 n œ # œ œ ™ ™ ® ‚ ‚ ‚ ‚ ‚ 1 3 1 ‚1 3 1 R1 3 œ R & 8 0 ⁄4 ⁄2 ⁄4 create 0 ⁄4white ⁄2 noise. ⁄4 0 ⁄4 ⁄2 &⁄4 0 ⁄4 Ô ⁄2 ⁄4 # œ Ô 1 3 p 1 RÔ °¢ ≈ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚pizz. R "mf" ‚ ‚ ‚ pp ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‰ Œ™ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 1 1 7 nœ ∑ 5 n œ µ œ # œ ˜ œ n œ B œ b œ Bb œ µ œ # œ ˜ œ ∑ n œ B œ b ∑ œ Bb œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ o o mp pp VII + VI mf p pp pp 3 3 3 eHit thepbody & &pp 5 p pp p pp arco with r e = 96 18 18fingernails. Bold crescendo lines located above the staff lines indicate bow b œ 1 half pressed ‚ ‚ ‚ ‚ ‚ ‚ ‚ œ 3 1 ú c? V œ bÃ1 ord.∑ ∑ ∑ ‰ ∑ œ‚ œ‚∑ œ‚ œ‚ œ‚ œ‚ œ‚ œ‚‚ œ‚‚ œ3‚‚ heartbeat pressure increase in order to create scratching sound. Thicness ‰ ∑ ∑ r æ & ∑ ? ∑‚ ™18 &∑ ™ ∑ ∑ b ‚ ™∑ ®∑ œR∑ ∑eœ= 96 ∑œ ∑œ ∑œ ∑œ ∑œ ∑ œ ∑ œ?® ∑bb>œœRœr œ œ ∑ indicates level Œ b œœ of bow pressure. œæ™ .r mp non cresc. n œ # œ b œ œ ≈ ≈ ≈ œ R tap with same finger ‚ ‚ ‰ 3 ® ÔR ‰ ‚™ ‚ ‚ ® ‰ ‚ ‚ ‚ ‰ Œ™ RÔ b œœ V 3 3 . . at approx. pitches . pp. arco RÔ p> arco tap pizz. arco . ∑. ∑ & ∑arco∑ V ∑IV ∑ III b∑IIœ ∑ ∑tap∑ 6tap ∑ ∑ ∑II∑ . pizz. ∑. o ∑ . VII 3∑VI > Vm.s.p. ∑pizz. III o . ∑ . . . . . IV + III m.s.p. &III1⁄2 II3⁄∑4 1I28 1 taptap.with I IV v.b. III28 o same fingerIV pizz. . r r b 1 1 . VI V IV III II o pizz. # ‚ . # 1 n 1 # 1 V IV III ® #1 ∑at approx. ∑ . ∑. . #œ ∑ œ tap ∑‚ ∑ ∑ 3 VI V pitches 1œBbœ 1 arco nœ #œ 8 b.b. œ ™∑ ∑tap ∑1n1 n∑1 ∑1 ∑R ∑Œb œœ∑. ∑. ú∑™ b œœ∑ú ®1 œúœpizz. ™ ∑ IIIú . ú∑.™ Œ. ® . &b œ.œ . b.b. ≈ II 1I 1 .∑ . 1 . b 1∑ 1 ∑ ∑1 V ∑IV ∑ III∑bIIœ R‰b.b. III n œ VII VI V> IV æ œ . # 1 6 & 1 & . b 1 R R Œ VI V IV r 5 æ r ™ ™ III II . ™ ™ ™ arco
s.p.
pizz.
pizz.
69
# œœ
4"
U∑
&
≈
p
#Ϫ #Ϫ
pizz. j # œœ J
arco
œ #œ
arco
œ œ
œ œ
pp
m.s.p.
sul ponticello
swipe the strings vertically with bow noise without tones VII + VI
ú™
≈
mp
ú™
ú
pp
ú™
ú
ú
&
heartbeat
arco ord.
&
# œœ ™™
pp
4"76
o
mf
®
j b œfi
œ arco n.v.
pizz.
arco ord. V II
s.p.
# œœ69
## œœ
# œœ R
nœ
&
f
pizz.
˙˙™™
arco
œœ
f
p
pp
&
pp
heartbeat
b.b. 3
arco ord.
3
3
o
‚
3
‰
‚
o
mf
>r b œœ 80≈ & ® R > 3
‚™
b.b.
‰
mf
b.b.
pp
‚
‚™
‚
®
p
3
b œœ RÔ
&
o
œ
3
3
arco m.s.p. I
>r b œœ # ‚ R ææ ® > 3 3 pizz.
mf
œ
5
nœ
‰
pp
b.b.
#œ
®
‰
‚
5
‚
3
p
1
3
≈
‚
3 8œ
snow
accel.
3
86
° 3 Œ™ ¢& 8
VI
V
+ +
p
?
œ
bœ
+ II 1 1 œ 1 1 #1 J tap IV
tap III
3
‚™
mpb.b.
‚
pp
®
&
nœœ RÔ
œ
nœ
mf
p
7
‰
pp
p
tap V
"mf"
3 pizz.
.r V
Ϊ
1
p
heartbeat
arco 3 m.s.p. I
n1 #1 b 1 b œ
&tap
arco III II
5
VI
R
?
#1
V
#pp 1
‚™
b.b.
æ œæ™
pp
‚™
‚
3 8IV
tap (n.v.) VI V
&
‚
‚
‚
?
pp
p
≈
&
III II
pizz. I
5
5
b.b.
.
.
6
.
.
"mf"
VII VI
p
1
1 #1
pizz. III IV
® #1 1 œ V
3
. . . . . . &
ppp
"f"
pizz. arco IV + III m.s.p.
SnowingInside_MARCO_290618_16
b.b.
3
3
3
pp
3 85
pizz.
. IV III II n1 n1 1 p
&
p
b œœ RÔ
3
pp
IV
3
arco pizz. s.p. IV + III I hit the lower bout with fingernails
mp
pizz. arco V + IV m.s.p.
m.v.
n.v. s.p.
f
Œ
b.b.
3
pizz.
&
#œ
e = 96
. . . . &V IV III II 1I 1 . . . 1 3 1 #1 n1 5
3
pp
3
pizz.
tap with same finger at approx. pitches
3
b.b.
‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
pizz. r b œœ R
3
pizz. arco IV + III m.s.p.
p
Ϊ
5
98
e = 72
pizz.
pp
Œ
b œpizz. œ
I IV III II # œ 1 1 R 1 1
tap (n.v.) VI V
&
j b œfi ? f
pp
heartbeat
3
pp
pizz. arco V + IV m.s.p.
≈
‚
p
pizz. r b œœ pp R ‚ &≈
3
arco ord. V II
‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‰
mp
pizz.
b.b. 3
‚™
3
‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
pp
3
s.p.
3
≈ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ pp
86
o
mp
80
° ¢
swipe the strings vertically with bow noise without tones VII + VI
m.v.
s.p.
œœ
arco pizz. s.p. IV + III I hit the lower bout with fingernails
p
&
pp
Lighting The lighting in the hall should be as dark as possible. The performer should use a stand light if necessary.
Duration: ca. 7â&#x20AC;&#x2122;
Snowing inside ° &
e = 96 tap VI
? 1 1 > ¢ V
1
&
IV
1
fp
8
1II 1I R 1 #1
V
1
& n1
15
II
VI
I
1
1
IV
VII VI
?
1
?
tap V
III
p sempre
#1 1 n1 #1 III
IV
1
6
IV
1II 1I
#1 1
V
III
Written for Marco Fusi Dedicated to my unborn son
III
#œ 1 1 #1
V
IV
1
III
R
#1
#1
II
III
1
7
bœ
II
≈
V
1
1II n1 #1 R IV
VII VI
7
#1
#1
U ∑
° &
tap VII
20
1
III
+ œ
II
1
tap III
pizz. I
nœ
arco s.p. n.v. II
I II #1 # 1
U‚ œ
‚œ J
3
f
o
Ϊ
p
1 ° ¢&
≈
b1
VI
1
1
#1
#1 b 1 # œ III
1
V
IV
II
III II I 1 n1 #1 R b1 1 V
I
Œ
3
Œ
3
5
tap III
R
III II 1 1 #1R 1
‰™
III
VI
‰™
5
#1
1
III
IV
#1 b 1 n 1 1R
arco I
II
V
tap V
‰™
pizz. II
œ R
1
1
1
1
5
IV
III
#1
pizz. I
II
#œ R
‰™
6
bœ 1
#1
V
II I b 1 n1 1 1R 1
VI
7
n1
IV
III
pizz. II
œ
VII
o
bœ
?
o œ
VI
o IV b œ #1
tap
V
#1
1
III
II
‰™
+I #œ R
tap VI
fi œ nIV 1 œ nœ R
b1
‰™
1
6
œ
n1
V
pizz. ord. III II I
heartbeat
œ
b 1 1 #œR
tap VI III
1
+
1
IV
‰™
III
tap
+
tap IV
b1
n1III #1II 1I # 1R 1 1 #1 V
6
p
V
? ¢ #1
IV
V
?
VI
II 1I 1 1 #1 R
V
1
‰™
III
4"
≈
J
VI
≈
I n1 1 1 b 1 n1 R
pizz. I
mf
1II 1R b1 1 IV
pizz. tap pizz. tap VI VII V IV III
œ b1
nœ R
1
1 1 #1
6
6
"ff"
arco I
II
V
Halldór Smárason
II
I pizz.
≈
‰™
tap VII
p
3
?
VI
1 #1
#1
V
5
1
pizz. III II
1 n1 #œR
IV j fi
≈
tap VII
VI
b1 1 b1
# 1 1 #1 V
b 1 #œR IV
pizz. III
‰™
pizz. I + II
r n œ # œ + #1 R ≈ #œ I
tap II
7
#1 # 1 1 tap V
IV
III
1 # œII R
pizz.
‰™
tap VII
?
1
1 n 1 #œ # œ R 1 1 # 1 n1 VI
V
IV
III
pizz. I II fij
‰™
7
Halldór Smárason © 2018 March - June 2018 (Reykjavík - Civitella Ranieri - Hveragerði)
SnowingInside_MARCO_040718_3
2 ° &
tap VII
VI
b 1 n1 #œR n1 V
7
tap VII VI
pizz. III
nœfij
IV
V
b 1 #1
1 1 b1 1
? ¢
1II 1I # œ # 1 R n1 b 1
pizz.
IV
(tap) pizz. tap VII VI V IV III
III
#œ n1 R j #1fi
3
1
7
1
‰
1
VI 6 V
VII
&
IV
IV III VII VI V 6
œ R
1
48
&
p
4
#1 #œ 1 R
V
IV
pizz. III
#1
3
IV III
1
IV
b1
pizz. III II
1 #œR 1 # 1 n1 1
œ ≈ R II
IV
III
pizz. II
‰™
#1
b1
II 1 #œJ
n1
pizz.
III
c.l.b. VI V
5
(c.l.b.) sim. V VI III
#œ R
VI
…
6
#œ R
IV
Œ
…
IV 7
V
VI
III
œfij
II
#œ R
‰™
…
muffle with left hand
heartbeat
+
œ
V 6
#œ ‰ ™ R
1
?
tap V
1
b1
IV
n 1II œI # 1 R n1 1 #1
tap VI V
pizz. IV III II
…
tap IV
#œ 1 b1fij R
œ
‰ VI
…
tap V
≈
VI 6 V
VI V
…
…
tap VI
œ R
. II I
col legno battuto (c.l.b.): approx. pitches to be aimed for with the position of the bow
heartbeat
tap VI V
3 III . II
‰
pizz. II + I
>K III r # œ b œ n1 RÔ Œ >
pizz.
IV III
IV 3
n1 b 1 p
VI
1 1 1 1
pizz. III II
> 1 #œR œfij
tap V
1
≈
b 1 nœR ‰ ™ #1
7
b1
œ œ 1 IV 1 #>œR
pizz. III
1 œR ™ # 1 ‰ n1
pizz. tap VII VI VII VI V
pizz. IV III
V
6
6
tap V
tap VII
pizz. IV III II
pizz. II + I
>r # 1 # œœ R #œ > tap II
pizz. I
Œ
Œ
5
œ
tapping
3
pizz. II + I
>j # œœ ™™ ° J ¢& >
3
≈
mf
3
® Kr œœ RÔ p
≈
c.l.b. (no left hand pressure)
b ‚‚™™ #n ‚‚ 7
‰
Œ
®
‚‚
pp 7
œ
snow
c.l.b. (full left hand pressure)
Œ
≈
>. j # œœ J >.
VII
Ϊ
f
pizz.
tap
VI
pizz.
p
?
V
IV
III
#œ
œ
II
œ
#œœj J
I+II
‰
7
b1
œ
bœ
œ
62
° ¢&
pizz.
nœ
I + II
#n œœ R
pp
r # œœ ™™ ® R ≈™ ≈ 7
7
Œ
≈
# œœ œœ p 3
r # ‚‚™™ ≈ R ≈ 5
3
Œ
5 p
≈
bow the bridge noise without tones 3
‚ o
‚ ‚ ‚
2 SnowingInside_MARCO_040718_3
o
c.l.b.
3
‚ ‚ ‚
3
‚ ‚ ‚
‚ ‚
‚
pp
3
‚ ‚ ‚
3
‚ ‚ ‚
‚ ‚ ‚
3
‚ ‚ ≈
pizz.
69
# œœ
4"
U∑
&
#Ϫ #Ϫ
j # œœ J
pizz.
arco
œ #œ
≈
p
arco
œ œ
œ œ
pp
swipe the strings vertically with bow noise without tones VII + VI
™ vpp
≈
mp
… v
™
… v
™ …
&
6 heartbeat arco ord.
&
# œœ ™™ s.p.
# œœ
## œœ
arco ord. V II
pp
o
mf
®
j b œfi
# œœ R
nœ
œ
˙˙™™
m.v.
n.v. s.p.
œœ
œœ o
f
f
80
° ¢
b.b. 3
3
o
3
3
≈ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
3
3
‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‰
‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
pp
mp
&
pp
p
1
?
>r b œœ ≈ R &® > 3 3
86
‚
3
‰
‚ o
‚™
b.b.
‰
mf
7 r b œœ R
pizz.
‚™
b.b.
pp
‚
‚™
‚
8 3 snow 8œ
&
≈
p
e = 72
° 3 Œ™ ¢& 8
VI
V
+ +
p
?
œ
bœ
pizz. arco V + IV m.s.p.
pizz.
‚
≈
‚
o
p
®
3
&
5
nœ
b.b.
#œ
®
‰
‚
‚
3
+ II 1 1 œ 1 1 #1 J tap III
7
3
≈
&
pp
r b œœ R
‰
3
‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
5
‚
arco s.p. pizz. ricochet IV + III I hit the lower bout with fingernails
.r V
Ϊ
&
p
b œœ RÔ
...РϪ
pp
3 8
‰
pp
b œpizz. œ p
pizz. arco IV + III m.s.p.
‚™
b.b.
‚
pp
®
&
nœœ RÔ
œ
nœ
#œ
‚™
b.b.
Œ
‚™
‚
mp
pp
‚
‚
‚
pp
≈
&
3 8
e = 96
accel.
tap IV
Ϊ
3
b.b.
pp
arco
mf
IV
Œ
>r m.s.p. I b œœ # ‚ R ææ ® > 3 3 pizz.
pizz. I
pizz.
5
pp
heartbeat
œ
b œœ RÔ
œ
1III 1II # œR 1 1
tap (n.v.) VI V
3
. . . . . . . IV III II I 1 1 # 1 1 1 tap with same finger at approx. pitches
V
n1
5
p
tap V
1
p
"mf"
(1st finger muffles 2nd finger taps)
n1 #1 b 1 b œ
arco III II
IV
5
tap VI
R ?
#1
V
#1
. IV III n1 n1 1 sim. II
p
.
. 6
.
. "mf"
VII VI
p
1
1 #1
pizz. III IV
® #1 1 œ V
p
. . . . . . "f"
3 SnowingInside_MARCO_040718_3
104
° &
gliss. from VII-I
° & ? ¢ ° & 111
&
+ j œfi
Ϫ
mf
V
pp
.
‚œ
VI
.
bb œ‚
.
VI
p
‰™
1
1
V
IV
#1
m.s.p. I
‚ J
II
‰
pp
‚
‚
pp
‚
U ∑
‚
‚
‚
‚™
b.b.
3
‚
mp
‚
&
arco m.s.p. VI V
‰™
pp
?
œ
œ
œ
#œ
IV
pp
≈
nœ
III
‚ b‚
‚III ‚R
‚
tap VI
≈
p
#1
6
œ R
arco s.p.
Œ
Ÿ<b>~~~~~ VI
#‚
V
6
‚
b‚
arco half pressed ord.
‚™
j œfi
#œ
1 b1
IV
1
V
™
b‚ ™
arco o o # œ œ 1
œ R
‚
IV
III
‚
‰™
‰
‰™
1
tap V
p
1IV
Ϊ
o
p
5
pizz. arco V + IV m.s.p. II
5
b œœ RÔ
1
III
Ϊ
arco m.s.p. IV V
‚™
p
®
‚
III
flautando m.s.p. II
#‚
&
p
1II R
3
Ÿ<n> œ
r n œ # œ œ
III
pizz. pp VII + VI
pp
3
? b œœ RÔ p
v.b. VII + VI
Πv
™
"mf"
… v
™ …
ov
6
#n œœ ™™ R n.v.
œœj ™™ J
m.v.
œœ
pp
pp
6
4 SnowingInside_MARCO_040718_3
œ
‰
"mf"
‚
#œ
U ∑
f
≈
pp II
3
p
? arco half pressed ord. IV VI V
8"
(sympathetic strings resonate)
tapping
arco half pressed VII
6
?
&
9
.
3
‚
3
?
b.b.
o
I
VI
4"
.
‚j
III
IV
O<n>~~~ Ÿ arco
1 #1 III
b œ‚
.
#‚
3
IV
3
3 tap VII
j b‚
VII
3
œ
p
ricochet
? b1 ¢ 118
mf
arco ord. VI VII
? ‰ ¢
≈
j ‚
3
‚
‚
V
II
3
10 heartbeat + tapping œ œ pizz. n.v.
>j œ #œ J > f
Œ
™
®
pp
‰ arco col legno tratto ord. III IV
‚
pp
n‚
‚ 5
‚II
n‚
‚ R I
≈
>pizz. b œœj J > mf
&
arco ord. half pressed s.p. V VII VI
‰™
&
?
12
≈
‚
‚
‚ #‚
p
œo R
II
III
IV
pp
b‚
11 ‰
œ
arco flautando VII
V
6
œ
œ
pizz. III
b œ nœR #œ
VI
pp
œ
7
Œ
heartbeat
IV
p
arco half pressed VI V
≈
œ
IV
‚ n‚ #‚
pp
‚ #‚
pizz. II
+ #œ œ R III
p
n œII # œ nœ nœ #œ
arco flautando VI V
‰™
p
IV
œ
6
III
ŸO<n>~~~ I
‚m.s.p. R
pp
vertical bowing VII + VI
6
ov
™
‚™
b.b.
pp
poco rit.
œ
snow
tap II 1 +VI +V n 1IV +œ 1 1 # 1 J bœ œ tap III
B
° ¢ 145
°
‚™
7
p
‚
p
tap with same finger at approx. pitches II
. . . . . . . VI V IV III +œ # 1 # 1 1 1 #1 1 ‚™
p
6
"mf"
p
n1 #1 b 1 b œ
1
R
5
mp
r ‚
o
#1 #1
tap VI V
. . . . . II IV III 1 n1 n1 6
mp
‰
"f"
Uj ‚p ™
arco ord.
b.b.
&
œ‚ ™™
≈
œ‚
p
? Uj ™ ¢ >œ
œ‚ ™™
™™
p
™™
™™
œ‚ pp
#1 1 1 1 1
"mf"
b 1 ® #1 nœ +
III
IV
. . . . . .
?
‰™
‰
o
Ϊ
arco VII
13 Œ
<#> œo ™
Ϊ
p
?
‚
‚
IV
#‚
III ord.
##œ‚
s.p.
#œ‚
‰™
Œ
3
#œ
‰™
r b>1
tap
f
Ÿ>O<n>~~~~~~~~ #‚ J
>j # œœ J >
#Ϫ #Ϫ
arco
mf
mf
Œ
Ϊ
Ÿ<b>~~~~~~~~~~~~~~~~~~~~ 1 tap
‰™
‰
p
#œ
nœ
œo
#œo
III
n œo
II
?
&
# œo I
p
7
≈
œ
bœ pp
œ œ
p
mf
Œ
Œ r b>œ
mf
flautando s.p. V VI arco m.s.p. VII
o bœ
V
IV
heartbeat
pizz. ord.
arco half pressed VI V
VI
mf
?
f
?
V
VI 6
tap VII
e = 90
pizz. (l.v.)
&
arco III II
tap V IV
bœ
nœ
IV œo
VII
≈
f sub.
œ
≈
µœ
5 SnowingInside_MARCO_040718_3
‰™
165
&
flautando VII
VI
#œ
b œII.
œ.
U ∑
#œ J
n œ.
œI.
b œpizz. J
p
‰
pp
6
œ
œ
j b œfi
nœ
IV
#œ
pp
?
bœ
V
arco ord. III
5"
III II
14 tapping œ ‰™
&
tap
j b1
≈
f
arco half pressed V IV
Œ
‚
(continuous rit. throughout repeats) 15 9x snow + heartbeat ™™ œ ™™ œ
° ™ & ™
tap VI
p
? ™™ 1 ¢ 16 Œ ° &
IV
™™
I
™™
IV
pp
1
1 ‰
1 1 n1
VI V
b1
III
œ
IV
III
œ
œ
II
#œ
œ
#œ
III
œ
II
? ¢
b>œ
f sub.
‚ J
II
#‚
Œ
pp
flautando VII
VI
V
IV
19
#œ
œ
#œ
œ
‚™ ‚ ‚
Kr ‚
bow the bridge
p
VII
j #‚ b‚
VI
p
mp
pp
‚œ œ‚‚œ ™™™™ œ‚‚œ ≈
® ‚œ ™ ™
3
mp
+ VI
VII
?
IV III II I # ‚ o œo #œo n œo # œo ‰ & bœ V
II
œ
œ Ÿ<b>~~~~~~~~~ I œ ‰ o p
‰™
VI
V
#œ
p
?
#œo
III
II Io œo # ‚
‰™
R
>1 J
5
œ
tap VI
arco m.s.p. VII
j bœ >
‰
f
"f"
+ heartbeat
œ tap VII
arco pizz. flautando V IV III
o bœ
p
?
3 II
6
Πpizz. ord. VI
#œ
III
œ
p
?
III
+ heartbeat
b1
bœ
nœ
1œ
II
œ
I
o
p
7
‰
3
3
r ‚œ‚ œ R
3
œ‚‚œ œ‚‚œ œ‚‚œ 3
6 SnowingInside_MARCO_040718_3
b‚™
p
f
3
œœ
‰
p m.s.p. VII
Ϫ
‰
Œ
‰™
œ
mf
overpressure
tap VI
+ tapping
p
17
f sub.
1j >
‚
‚
j ‚I ‚ IV ‚ j ≈ ‚ ‚ 3
gliss. from VII-I V 3
6
Io #œ
6
‰™
II
œ
flautando ord. IV V
œ
II
half pressed III IV
e = 84
+ tapping
? œ ¢ 18 ‰ ° &
III
6
flautando VI V
p
n1 n1 R
#1 # 1 1 1
V
II
5
p
e = 24
molto rit.
œ
#‚
‚
‚
III
œ
I
œ‚‚œ œ‚‚œ œ‚‚œ
3
œ‚‚œ œ‚‚œ œ‚‚œ 3
‰™
Œ
s.p. 0% III
II I #œ b œ n œ # œR
pp
œ mp non cresc.
‰
3
Ϊ
20 e = 72 + heartbeat
° & ? ¢
œ
arco flautando VI V
œ
p
III
flautando VII VI
V
p
‚
&
‚
®
21
‚
II
#‚
œ
IV
j ™
r bœ p
6
j œ
‰
f
b‚
‚
œ
VI
p
fp
II
III
7
‚
‚
IV
V
nœ
IV
œ
III
œ
#œ
II
˙o ™
o #œ R
n œI
#œ
p
bœ
7
œ
+ tapping
o <#> œ ° J ¢&
≈
ff
‚II
œ ææ
#œ æ æ
®
IV
III
p
flautando s.p. VI V
&
œ
‚
mp
mp non cresc.
IV
œ
œ J
mf
f
II
III
#‚
VI
≈
V
‚
mf
IV
b‚
™
r œ
‰
n‚
#œ
?
nœ
‚
nœ
mf
215
° & ? ¢
tap VI
"f"
1
1
V
3
1
≈
1 #1
IV
III
1
‰™
II
3
VII
"mf"
?
1
VI
1
V
1 #1
ææ bœ
5
s.p.
?
III
1II
1
b1
IV
III
1
≈
1
IV
Œ
"mf"
1 #1 III
3
II
1I # 1
≈
≈
VI 3
mp
® 1
?
ææ Œ
V
1
b1
n1
IV
III
ææ 1
ff
1
II
‰
œ.
I
Ϊ
≈
222
° ¢&
‰™
≈
V
1
mp
1
#1
IV
III
Œ
‰
VI
mp
1
?
1
V
1
IV
c.l.b. VI
‰™
V
…
° Œ™ ¢&
Ϊ
22
‰™
1
p
b1
IV
1
III
‰
c.l.b. II
…p
≈
‰™
Œ
‚
‚
pp
229
tap V
arco ord. flautando m.s.p. IV V
œ
hit the lower bout with fingernails
.j V
. fij V
p
Œ
#II‚ R
‚
III
3
o &
Œ
Œ
tap V
1
p
1
IV
1
III
#1II R
3
7 SnowingInside_MARCO_040718_3