Thehumberstar hull 060417 23 full score in c

Halldรณr Smรกrason Adelle Stripe

The Humber Star for flute, clarinet, piano, violin, violoncello, spoken voice, radio and video

Written for Sinfonia UK Collective A Curated Place commission supported by Arts Council England

Full Score in C (TheHumberStar_HULL_060417_23)

Stage Settings The piece requires a stage setting as illustrated below: S C R E E N

Laptop Audio interface FM transmitter

He ad ph on es

He

n oli s Vi adphone

Pia no

Radio

Cl

on cel lo

Headphone amplifier

c mi e na on Dy roph c mi

ice Vo

Ba ss Flu He ad ph te on es

Vi ol

He ad ph on es

ad He

t ne ari phones

P R O J E C T O R

Accessories Laptop (playing a video file and a Logic Pro file) thunderbolt 1 connected to

thunderbolt 2 connected to 

Audio interface

Projector 

L output connected to

R output connected to

Input 1 connected to

FM Transmitter

Headphone amp

Dynamic microphone

connected to

connected to

Analog radio

5 Earphones Technical requirements:

1 Laptop 1 Projector and screen 1 Audio interface 1 FM Transmitter 1 Headphone amp

1 Dynamic microphone 1 Analog radio 5 Earphones 5 Flashlights 5 Music stand lights

1 Rubber mallet 1 Metal mallet Appropriate cables (including headphone extensions)

Performance Notes Full Score

1

Noteheads

The piece uses a series of unconventional noteheads, representing different gestures.

They should be realized as follows: Full Score Full Score All instruments

ú c V

e Indicates length/note values of certain

Indicates of flashlights. The text above 4Œ f Óuse 4 Œ Óthe direction f ∑ of light.∑ & 4 the note indicates &4 ∑

ALLIR

Ã

gestures ∑or boxes.

∑

1

ALLIR flashlight flashlight

∑

Percussion ∑ Percussion ∑

WW WW airy tone airy tone Woodwind ALLIR 5 instruments throat roar 5 throatflashlight roar spit <t>spit

<t> slapair key slap air click key click key + slap O O e 4 gestures and sounds. f 4 f All conventional ⁄ Œ ∑Throar Ó roar∑ / noise. ∑∑ ∑ ∑ Œ ∑ ∑ Œ Ó ∑ ∑ Percussion & 4 & sion & œ ¿ g ‚ 6 2 1 ∑ 4 & œ ‹ O O ¿ ¿ bœ ∑ ∑ ∑ ∑ ú ∑c V Ã∑ à œÃ ∑ ‹ O & > O > ¿> WW swipe airySTR tone WW swipe airy tone STR bow body 5 screw on bridge air 9 throat roar spit <t> slap key click key + slap 5 throat roar bridge 9 clickscrew spit <t> air slap key key O +onslap half pressed 9 ALLIR O0 Air flashlight half pressed with a vague tone.

Breath/saliva/mouth modulating effect: ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ ∑ g 2 & ∑ ∑ 4 Perc. & ú g Œ ∑ & Ã∑& nœœ µ∑œ #‹œPercussion f ∑ ¿∑ÃŒ& ¿∑œ>Ó ∑ ú‹ ∑ Cover ∑¿>∑ ∑make ∑ ∑ ∑ ∑ ˜œ ∑O nœ BœOb∑& œBb4œ>Perc. ∑OO the O∑embouchure ∑ >O ∑¿completely,

ALLIR

3

flashlight

4

1

4 & 4STRf

flashlight

Œ

1

4

Ó

swipe screw on bridge

2

3

1

4

4

1

2

3

4

∑

∑

O &∑ Perc. g ú& 4 Perc.

2 Air ∑ sounds with consonants. f Œ Ó Ó&O ∑gPercussion ∑ ú ∑ & ∑4 O& ∑∑ œPerc.∑∑‹∑& OÃ∑ ∑∑ & œ ‹ O O ¿ ÿ

9

airy tone18 roar spit

<t>

∑

a continuous spit using the respective or to modulate

swipe STR PNO bow body similar consonants in order screw PNOon bridge WW 9 case high pitch music shelf bow body 13 piano airy tone music shelf half pressed high pitch 13 the tones.

ALLIR flashlight 5 pressed half throat roar spit <t> air slap key click key + slap air

slap

key click key + slap

>

>

-OBlowŒair Œ ∑∑the ∑tube ∑ ∑∑ through V ∑ ¿62∑∑∑Air. ∑V> producing ∑ ∑ O∑ without ¿ ∑ ¿> tones.

PNO V&R PNO WW music shelf pianoVcase pitch 13 & Rhigh swipe airy tone swipe recording white noise 17 STR music shelf piano case high5pitch 13 bow bow body recording 17 body white noise screw on<t> bridge air w>on bridge throat roar slap key click key + slap air28 slap key click key9+ slapspit half pressed half pressed Perc.

Slap tongue.

Key click.

Perc.

ALLIR flashlight Perc.

O 6 6 2 O& ∑ ∑∑ ¿ VPerc.∑ ∑¿∑œŒ∑& ‹g∑∑ ∑O∑ú&∑∑∑∑ O2& œ∑>& &ú O∑∑& ∑ > > O à V&R

∑∑ ∑ ∑

∑

Œ Ó ∑ ∑ œ ∑ ∑ ÿ∑V∑∑∑Ó¿Ã> ∑ ∑ ∑ ∑∑ ∑ ∑ ∑ ∑ ∑∑ ∑ 4f Œ Ó ∑ Percussion & swipe V&R recording white noise 4 17 flashlight STR ALLIR PNO bow body y17 screw on bridge recording white 9 noise Full Score 1 music shelf Full Score piano case high pitch 13 half pressed WW 4 half pressed Œ Simultaneous ∑ ∑ ∑ 38V œ Ó ∑ ∑ f Œ Ó ∑ ∑ ∑ airy tone slap Perc. tongue& ∑∑Percussion ∑and &4∑ Ã Ó ∑ ∑ ∑ g 2 ∑ ∑ ∑ 5 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ¿ throat roar spit <t> air slap key click key + slap à & ú >O& œ¿∑Perc. > 6 Œ ∑ ∑ ∑ ∑ O∑ ∑ V ∑ ∑ ∑O ∑∑ ∑ ∑ ∑ Perc.Ó∑ & ssion & &44 f ∑keyŒclick.

WW airy tone &<t>ALLIR PNO 5 throat roar ‹ keyO click keyO+ slap > ¿ ¿> spit slap à airœflashlight V & R LIR flashlight Ó ∑ ∑ ∑ O music shelf piano case high pitch elf à 13 5 ∑ 4swipe ∑ 17 recording ∑white noise f bow Œ∑ body Ó String STR instruments 4 48 OŒ ∑∑ ∑ Percussion & 4 & f Ó ∑ ∑ screw on bridge œ ‹ O O ¿ ¿ &Œ&4 ∑Perc. & 6 Œ ∑ ∑ ∑ 9 ∑All ∑ ∑ ∑ ∑ ∑ > > ∑ conventional ∑ ∑ ∑ ∑ e à œV∑> à ӿ> ∑ ∑ bridge ∑ of the and Hit O‚ ∑ & O 2gestures ¿ sounds. ∑swipe ∑ the ∑ withhalfthepressed ∑ screw ∑ bow. ∑∑ ∑ Ã& œœ ∑¿‹ Perc.

WW g 6 1 ∑ ∑ ∑ ∑ STR ú g airyú tone 2 O ∑ c Perc.

V bow5&à body airy & tone screw on bridge 9 V&R throat roar spit <t> air slap key click key + slap O half pressed at9roar∑ <t>recording slap white noise key∑click key + slap ∑theairstrings O spit 17Swipe with the from bridge Lightly touched notes, either to produce g∑bowwithout 2& ∑half ∑ ¿ ¿ ∑ PNO∑ 58 Perc.to create & ú ∑ g 2 ∑ œ ‹ O O to nut in order noise harmonics or pressed notes>in∑order O music shelf > piano case high pitch œ Ó ∑ ∑ & œ 9∑Perc.‹ ú ∑ ∑ ∑ ∑ 13 ∑ ∑ à O O ¿ ¿ >⁄ ∑⁄ respectively. > Full∑ Score to∑ create noise 0 & ⁄ ⁄ Strings ⁄ ∑à 0 indicated ⁄ à Full Score tones. ∑ ∑ ∑∑ withŒ almost ∑∑ no audible ∑∑ ∑ ∑∑ 1 swipe & PNO STR n œ µ œ # œ ˜ œ n œ B œ b œ Bb œ ∑ ∑ ∑ 6 swipe & Perc. music bridge bow &shelfscrew onpitch.

V body

se high pitch music shelf

slap

key click key + slap

ALLIR

flashlight

ding white noise

WW

airy tone throat roar spit

STR

swipe screw on bridge

1

∑ g & ú668

<t>

air

slap

key click key + slap

bow body half pressed

4

1

2

3

4

1

∑

4

1

2

3

4

13 piano ∑ case high pitch

Œg ú 2∑∑ V& ∑ O ∑ & ∑ ∑ ∑ ∑ œ∑ ∑ à Ó∑∑ & & ∑ -& œV ¿ Œg ‚ 6 2&∑1 œú cà V Ó & ∑à 6 ∑ - ∑V∑ 28 ∑ ∑ ∑∑ ∑ ∑V & R ∑ ∑ ∑ & ∑ ∑ 17 recording white noise 9 & cording white noise 0 ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ ∑Perc. ∑ &∑ œ ∑à ∑Ó∑ & nœÓ µœ #œ˜œ nœ Bœ b∑œBbœ PNO

&∑ 6

∑∑

in order to make smooth - white Œ ∑ ∑ ∑ Perc.

V noise. ∑ ∑ ∑ Perc. 17V & Rrecording ∑ white noise 18 V&R Piano PNO V&R 17 recording white noise Perc. piano case high pitch music shelf recording white 13 17 noise shelf case high pitch musicAll conventional gestures and sounds. e Hit the piano case with a rubber mallet. ∑ ∑ ∑ & œ Ã Ó Perc.

Perc.

75

2

bowpitch bodymusic shelf piano case high 13on rew bridge half pressed Bow the body

1

4

1

2

3

4

1

4

1

2

3

4

9

half pressed

O

∑ ∑ Œ ∑ ∑∑ ∑

∑∑

∑∑ ∑ ∑ ∑∑ ∑ ∑ ∑ ∑∑

∑ ∑ ∑

∑

∑

∑

∑

∑ & bow4bodyhalfúpressed3 O Oœ ™ ord. subtone Perc. & g ú 2OŒ sulŒ≈jtasto (s.t.)

2˙ g ∑ Ó Ó Ó œ ™ p ppp j 4 œ˙ # œ ˙™œ ‰œ Œ ∑ ú ∑ g4 œ œúPNO œ œPerc. ∑& œ œ™ ‰ O œ # œ 2 pp O ppp PNO ppp p ppp 3 air œ pp high pitch music shelf 13 J high pitch music shelf molto sul tasto (m.s.t.) 13 PNO ‰ Œ ∑ Ó sound)∑ O O2 (scratching ∑ œ 44 shelf ∑ shelf ano 4 case high 13 piano case high pitch music ord.

3 pitch music 3 ¿ Œ ∑ ∑ ∑ ∑ inside the p2 p ppp fpp 4 ¿ ŒO Perc. the the Œ shelf Ó fallboard Ó Perc. & à j ‰Vmusic ™ with HitVaŒ high-pitched metal part œ 4 ˙ -& Ã4 ˙Knock ” “ 6 Œ ∑ ∑ ∑ œ œPerc. & 6 œ a metal mallet.∑ # œ2™ - piano V 4 œof #the œ piano. ˙œ™ # œ V ∑ withŒppp Ó 4 ‰ ∑V &Ó R 4 pp J j ‰ Œ œ ppÓ ppp V&R œ™ œ œ R Voice & Radio recording recording 17 17 white noise white noise ˙ œ 3 recording white noise “‘ p mpwithp V&R fpp air sound ‘ a consonant O “ white noise White air ” <t>words. ∑ p œfij Perc. ∑∑17 recording œ ˙noise. œ 7 ∑ ∑ “à œ œ Ãw& ∑œÓ ppSpoken œ. #O Ó Œ ∑ Ó mp ŒPerc. Ó & Óœ Œ Ã∑ ‰∑ÓJ 8 ˙Perc.

E % % O œ Ó ∑ 2ppp 4 Œ% J Óp>™. ∑ & à o ppp pp ppp ppp 4 4 molto sul tasto (m.s.t.) slap tongue air 3 j 7 f f Œ Ó (scratchingfij sound) Ó f sul tasto (s.t.) Ó Œ Ó Œ ‰ 3 ord. œ œ 2œ∑˙ w 4 j ‰ 8 ∑>. ‰ Œ œ ™ ˙ Ó Ó O Œ 4 4 ˙ œ œ œ œ % ppp % pp ppp pp o ppp ppp pp pp ppp

∑

Perc. screw on bridge pp

Abbreviationspunta d'arco molto sul tasto (m.s.t.)

usic shelf oard

# œ are pizz.used A few% abbreviations in the score in order to save space: ord.

2 4 Ó Ó Œ j ‰æ Œ œ ™ Ó œ4™ ˙& ‰ Ó ∑4 ˙ œ æ ∑ œ Ó œ œ ∑ Woodwind∑instruments pp ppp v. m.v.pp natural vibrato Oœ bb Oœ O˙molto ™™ p vibrato p ppp Ó ∑ ‰ Œ Ó Ó ∑ Œ arco ord.

J airjsound String instruments with j punta d'arco fi c.l.b. œ O œ. œconsonant arco ord. air œ w ≥ 33 fpp a<t> ˙v. œ ˙ ææ vibrato œfijppp ™ m.v. molto natural vibrato pp f O # ˙ Œ˙ Ó Ó Œ ‰ J ‰ œ . . Œ #O& O Œ Ó ˙ O ° œ œ ˙™col >. pœ ppp c.l.b. battutopppc.l.t. col legno tratto pp o ppp p ppp pp J p legno slap tongue air hone j 1063 fpp % Œ Ó Ó Œ % %Ó %Ó œfi % œ w s.p. Bass Flutesul > ponticello m.s.p. molto sul ponticello ˙ O . (n.v.) t thatppp first violent kiss... pp ppp pp o b w w usic shelf 4 7 oard∑ % % % 8 % % s.t.4 sul tasto m.s.t. molto sul tasto (scratching sound)

f

7 8

∑ œO

ppp

n.v.

Ó

n.v.

non vibrato

7 8 7 non vibrato 8

œ

arcoppp ord. ordinary bowing

Œ ‰ œj 778 8

ord.

ppp

7 8 7 8

ordinary bow position

violent kiss...) swipe the strings Óot thathitfirst ∑ with the bow ∑ ∑ ∑ the bridge with ∑ & from bridge to nut œ œtheœ œscrew œ. œ.ofœ.theœ. bowm.s.t. noise without tones 4 bw 7 (s.p.) sul pont. >. w 4 vib. (m.v.) IV+III molto % n.v. 8 7 Ó 3 g ‰Other ∑œ f˙ explanations ‰ Œ Ó & œjfij Ó ∑ Œ ∑Ó pp j ú 8 J continuous gliss. w œfi w œ. œ ˙ pppinide the piano pp ppp œœ œœ f ppmallet ppp f with a rubber arco ord.

7 Woodwind instruments legno battuto m.s.t.4 O (arco) pizz. ∑ ∑ œcol œ 8 ° (c.l.b.) molto4vib. (m.v.) n.v. œfij All notes should be played non vibrato unless œ™ ˙˙ 7 otherwise indicated. œ ™ ≈ Œ Ó Ó Ó ∑ 4 œ ˙ œ 8 phone Œ œ J % % % % >%. 4 7 f pp pp pp o 8 ppppp % % t that first violent kiss... . . .

4 4 œ 7 Dashed arrows to or from daimond symbols above notes indicate ∑œ œ œ œ 4 #O™ 4 8 œ ™ O O Œ % 4 % % % % gradual changes of tone quality (tones to airy7 tones to air and vice œ J 8 pp p versa). ot that first violent kiss...) swipe the strings with the bow flutter ° hit the bridge Oæ from bridge to nut >œ. Oof thewithbow the screw Tremolo indicates flutter. noise without tones spoken ashlight: off m.s.t. æ 4 pont. (s.p.) > IV+III 2 ∑ Œ 4J œ. 4 ˙molto ∑ 85 sul vib. (m.v.)Œ% % % n.v. 7 4 4 ‰ Ó 7 g ‰4 œ œ4 ˙Œœ ∑ ú & œfij w 8 8 pp Weeping women lean on the gates...

J w p air flutter pp 2 5 ppp ∑ ∑ 44 f 4 arcoppp 4 String instruments ∑∑Œ 4 ∑ ∑ 8 78 ord. æ 4 4 col legno battuto m.s.t. (arco) pizz. æ ™ œ œ(c.l.b.) # O molto vib. (m.v.) n.v. œfij All notes should be played non vibrato unless s.p.

7 otherwise indicated. ord. pp ≈ œ ™ ˙ Œ Ó Ó Ó™ ∑ ™ ææ O œ ˙ œ 8 4 7 œ J nw 2 ˙ ∑ œJ 5œ ™ 8 ∑ e 44 >. 4 % 4 ∑ 4 8 pp f pp pp o 4 pppf pp p 4 s.p. ord. ord. pizz. arco m.s.t. 2 4 5 Always let pizzicato ring, unless otherwise indicated. ∑ Œ ∑ œ Oœ ™ O.4 # ˙O. ≈™ 4 ?˙ 44 œ œ ™ ˙ ™ œ 4 œ ™ b OœJ O˙ 8 78 Œ ææœJ œ œ‘ 4 “

pp

3

œ

pp

pp

f f

4œ % 4 4 #œ œ 4 4 % pp 4 arco ord. ord.

p

2 O O 4ΠJ 2 4

half pressed

3

s.p.

E E

5 8 5 8

∑ ∑

∑

∑ ∑

3

V.

mf p

5 E™ 4% %

%

E

%

4 4

%

%

%

%

%

7 8

%

%œ

7 Œ 4 œ 43 Vln.œ °& 45 ∑% O ∑ 44% œ ∑ Œ 8 7 #˙ ™ 4 % w œ~ ˙ 8 changes unnoticeable unless otherwise indicated. ˙™ 4w Œpœ Oœ bbOOœJ O˙ ™™ O™Always make bow o ppp pp œ 4 e the strings arco 4 withJ theœ bow 7 œ™ 4 ™ œ ∑ to nut Ó Ó Œ bridge (n.v.)

3 4 8 4 ° œ™ewithout œ tones b O∑ 5pp 4fpp ? sul pont. spoken Halldór Smárason Œ ∑ Ó ‰ œ™ IIStripe. Vc. . . flashlight: off (s.p.) w O™ p ppp pp O 4 4 œ œ œ ¢(throat œ 4 roar) n.v. ˙™ w œ œ ˙™ % % 3f 4 7 Œ 7 3 always bepppplayed before the pp œ60 4 Œœ j ™ 4 Ó O q =b O ∑ Grace notes should beat. fiœ o ∑ Œ Œ lamenting J 4 b Ã&4™ #œÃ 8 8 4 O O™ w 4 on J bwœ ™Weeping œ women b˙ 4 3 j flashlight: lean on the gates...

4 7 fpp radio Ó ∑ 4 oœpp0.0" pp Ó ppp Œ p 8 ppp <n>~~~~ pp 4 7 ™ (throat roar) ™ 3 E™>. 8'21.0" 4 Ÿ œ œ œ O b O∑O O 8 3 4 œœ p ppp (arco) f pizz. b œ ˙ Voice œ4 Ó b œ 4 121∑Ó pp ŒO Tremolo 120 œ œfij<b> œ ‰ Œ 7measured; O O™ density of beams indicate approximate j ∑2 s.p.is never œ4 4Œ Ó Ó Ó ™ ord.4 recording œ™ ‰Œœ 4ÓJ ° œ ™ 43 F1: œ æ 4 7 4 ™ ˙ œ 7 4 8 J œ™ œ O b ˙ œ Œ ∑ Ó Ó Œ ∑B.3 Fl.Œ4##Oœ& 44 Ãæ∑ ∑ ∑ tremolo.

4œn™ wœ4 8 œ™ b O 4 œ4 bœ˙™ 4 78 4 8 ˙the b b œ œ 4 4 = œpp o Radiop Jpp p ppp pp J pp pp pp o p ppp pp unaJohn corda 4 Staghound, f p Sims... ∑∑∑ 4 4p 3 pp ∑ Ó∑ Sportsman, ˙™4Ó Shoaymyo, 4 ∑ ∑78 The radio ∑44 two43jfrequencies determined before Œ O the O™ performance, s.p. ord. ˙ radio: tune into F1 4 uses 4 jj3 3 (begin the piece) pizz. arco b O O 4 2 4 7 4 ™ ™ ™ ™ Œ ∑ Ó Ó Œ 3 Cl.Œ °b¢œO&#œœ4™ œ ™ 4 7 ? œ œ ˙ œ œ ˙ œ œ œ to the audio interface via FM one (called F1) linked transmitter 4and 4 b˙™ 4 4 8 ≈ 4 4 8 ∑ J œ ææ 4 ™ ™ 3 œwhich j¢p& is radio noise. Theœviolinœplayer p ™ Violin b O controls Œ ∑ pthe other Œ (called Œ F2) n.v.™pp pp fo f pp e ‰ b œ mp %J 4 1'57.0" 4 ˙ 4 p ppp pp #˙ ˙ ˙™ >. 14 4# œ ™ œ (m.v.) œœ œ™ œ O the radio. œ œ ™ 3 #œœ Œœ ∑ œ % “‘ œ œ4 ˙ e™ 2E 2˙ ™“‘ 4∑ 44 10 4 %b° 7 3 ∑™ 44 7 ∑ ∑ ∑ Ó Œ Œ 5 4 & 4 4 4 4 8 4 gradual 44 Ó Ó Œ Œ Ó Œ œ w symbols ˙ m.s.t. f p mf p pp 4 &8 ord. œ 8 œDashed 4 4between bow position Œ 4 œ arrows indicate B. Fl. 4 . . ˙ œ O e Oœ Oœe™ 4 fp pp > Œ pp p% 25 ppp changes % %ppofo bow position. p™ œ Pno. pp 3 p mf ppp . una corda 43 pe eII44ppp œ 4 n.v.

4 2 4 7 4 ? . . . # ˙ ™ O™ on™ Œ ‰ Œ ∑ Ó Ó Œ ˙ ™ 3 4(flashlight: # œ œ œ œ œ ˙ (m.v.) % % e™ E J ˙™ 7O Œ 2 4˙™ Œ4 44 Œ j ˙ ™ 4 4 8 44 3 Tbow s.p. <b> radio) pp s.p.

5 4 Ó Ó Œ w ˙ . ~~~~~~~~~~~~~~~~~ increase press. # œ ™ O 42.0"Cl. Ÿ œ œ 4 fi¢&8 in#>œorder to create™ 8 4 4 bœ œ™ 4 4 4 # œ ™ 4 œ œ 2 b ˙ ™ J œ Ó œscratching Œœ half1/2 Œ Œ ‰ œ œ J pizz. sound Dashes crescendo/diminuendo lines indicate gradual changes from œ œ œ bowœthe body in order to ‘ œ 4 col legno tratto pressed make smooth noise JO f Œ pp “pp 15 pp 4 mp pppp pp o whiteto Oœp ™™ œŒOœ œ‰f ord.bœ œ4 #fp arco c.l.t. pœ” ord. ppp ppp(gradually pp tratto mf ppp œ Opp(c.l.t.) col legno arcopand vice versa use more/less “ 4 7 4 b œ 4 4 3 half-whispered, half-spoken >œ. 4 Ó J >œ.œ ∑ 4 pp @ ” Œ #œ ™œ3 pp œ˙ ™ E™ 3∑ w œ ™ œ4 %“˙w™ ∑ 8 œhairs). ™ 2 ˙2™ ™ &E∑ 4 44 %4 # ˙ ∑ % 7 e™ 43 E 4 ∑ 4 44 ∑ # œ œ 15.8 5 4 J J œ & 4 # 4˙ 44 # œ. Œ ÓV. œ 84 Œ ‰ œ4 Œ Ó 8 ~~~~~~~~~~~~~~~~~ 4 4 4 J ‰ oppp Ó pppmpcalled Doctor, Œ three Œ Œ p ppp You said it was the last tree...

Pno.Ajschooner p crew dead... ... All crew drowned.

F2: radio noise Bold crescendo located above the staff lines, indicate half pressed ∑ 4 Ó arco 2 Œp halfŒ4pressedŒ4lines 3 bow 4 ?5 ≈4 Ó∑ Óord. pp mp Œ∑ ∑ mp Ó mf p 3 Œ ∑ sound.

Oœ ∑™™ ∑ œO 4œ™bpizz. b œ 7 %j E %4 order to create% scratching e™ 4 E ∑ 4 4 4 4 8 4 3 4 2 4 7 œ Ó Ó ≈ pressure increase in 4 œ Rad.4 J ™ 4™ 8 4 ∑ b œ ™ œ4 O™Ã b∑O 8 œO ™ b O œ4 b∑O 4 4 œ. œb œ œ ∑œ ∑ 1/2 pizz. bow the body in order to radio: F2 oppppppmp p col legno tratto pp p ppp pp pp ford. make smooth white noise (c.l.t.) m.s.t. 17.6 arco ord. c.l.t. <b> O 1'13.0" ° 1553 e™ e % 4 2 4 7 b œ » 4 ° Snap indicates snap pizzicato (Bartók pizz.). œ Ó Œ pizzicato ∑ symbol @ & 44 b œ Vln.œ ™Video . & 4 4 8 84œ<b>>œ%starts 4 %4 TheHumberStar_HULL_060417_23 ™ ™ E % % E™ 3 % w œ3 4 % œ ˙ 4 % ~~~~ b ˙ b œm.s.t. œ % 24 non vib. sempre (n.v.) <n> 4 p ppp #œ 4 5 4 & °J Œ 54 V.‰Œ ‰ J œ ˙4o . ˙.∑Ÿ ord. ˙ ˙™ 3 4 Œ pp mf n.v. ˙ # ˙™ œ 4 Œ Ó Ó Œ m.v.

4 n.v.5 bpunta O˙& ™™ #8œ4 ˙™ O ™ O O O 192 J œ œ 4 4 4 b ˙ œ ™ # ˙ ™ ™ œ arcoœord. œœ natœ vib.4œ(v.) m.s.t. ˙Œ ff arco œ 8 b d'arco n.v. pizz. ˙ ppp p œ Dashed half pressed ™ pp 44from œ.indicate gradual <b>ppp O˙ ™™o pp # ˙ p ppp ° arrows a tremolo a4 4 œ 3 4 2 7 pp ?

2 3 bfrom j changes R ™ 3 bw p fp pp ‰ Œ ∑ b œ Ó Ó ≈ j ™¢ Œ&4œbord.

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5.4.2017 lights, the23:59:57 videoTheHumberStar_HULL_050417_22 projected on a screen and flashlights.

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Duration: 13’45

November - December 2016 / March - April 2017 (Reykjavík)

Halldór Smárason © 2017 5.4.2017 23:59:56 TheHumberStar_HULL_050417_22

November - December 2016 / March - April 2017 (Reykjavík)

5.4.2017 23:55:38 TheHumberStar_HULL_050417_22

TheHumberStar_HULL_050417_10 TheHumberStar_HULL_050417_10

The Humber Star

[Respective bar numbers shown in brackets] [1] Staghound, Shoaymyo, Sportsman, John Sims, Excel, Mizpah, Gertrude and Ethel, Romantic, City of Birmingham, Londesborough, Valkyrie…

Homeward bound, north easterly by east, thrown on her beam ends, struck by heavy sea… three boats in Lewis, twenty men from Back, nine married, thirty children, lost in the boil…

A steamer, Brook, ashore on Spittal Beach Besper, a sloop, stranded at Spurn St. Margaret at Ballina Helene Mar at Adrogena A schooner called Doctor, three crew dead Cort Adelear, adrift in outer Buckie Danby and Olive ashore on Maplin Sand The barque Noel, from Belfast to Barbados A brigantine, Crescent, holding pit wood for the fells Ida, set for Peel, broke her mooring in the harbour Trawler Bruce aground, shattered keel at Salton Bay. All crew drowned.

[3] The night before you left I scrubbed your back in the copper bath. Your skin was candlelit and I lathered glycerine soap over your shoulders, still smarting from the week before. Your left side was tender from hauling the gear, bruises brindled your skin. The steam plumed and water thickened with your sediment. I fed you the last of our tinned beef and stout. We didn’t speak of the next day; I knew you’d leave in the night. Without a goodbye, without a sound, your oilskins shone in the dawn’s first light.

[13] October, it was that month. I clearly recall the russet leaves and you walking towards me in the westerly wind of Hessle Road. Your cap to one side, whistling a song with your teeth closed just to catch my attention. Your cerulean eyes, I almost fell into them but quickly looked at my feet, head down, pulled the shawl over my head. But you saw me.

My cheeks burning with embarrassment, hair in rat’s tails from scrubbing the parlour floor, pinny smeared with linseed oil. When you smiled I could barely breathe. Father said never marry a sailor, don’t be his bride. It will only bring trouble. And perhaps he was right.

[36] I never forgot that first violent kiss, my lip bled as you grappled me. You tore my petticoat, held me against the tenfoot wall. Said I howled like a wintertime vixen, but that didn’t stop you. I was Aspinall then, just a girl. Helpless for your attention. You put your grandmother’s ring on my finger, promised a dress from your settlings. I’ll pay for the do, you said. Horse and cart, invite the family, you’ll be called Mudd. Three winters passed and I waited for you, paid for the lace gown myself.

[48] Your first week at sea anxiety woke me. Second week it started to drag. I boxed and brushed out the smokehouse, almost forgot about you. Braided nets on the front step. Bottomed the house again. Then I looked forward to your return. Wore my Sunday bests that day. Took the pram down to fish dock, followed the stench in the air. When you walked through the door our boys ran at you, furiously, with love. You always threw them over your shoulder, picked me up, pulled down my hair. The joy never lasted long. After three days of drinking you were almost done.

[62] Look at my hands, salt-burned from herring. Callous and dry. Red raw from worry. Hands that scaled a thousand cod, made a skyline’s stretch of nets. Gutted fish in the sleety mess. Grinlaw taught me to weave, her mouth tough as a boot. Hook and thread, count it in. Earn for yourself, she said. Keep the money when he’s at sea. Don’t whistle and stitch, it’ll only bring a storm in. Sold my nets to a trawler. The weave so tight it pulled a man from the deep. They identified him from his gansey. Sailors said it was midnight, their lantern picked up the knit. Released his body back to sea, fed him to the Gods which took him…

[95] On my chest a Humber Star. Ten balls of wool, woad-dye, worsted spun. Fresh from combs at Bowling Mill. I cannot read or write, but patterns live inside my head, windproof, water-tight, snug to the neck. It was hidden beneath the stairs. Your Christmas gift, wrapped in brown paper. Knitted each night you were gone. A year’s worth of stitches, each one for you, my nets and gansey wherever you land.

[106] Weeping women lean on the gates, by candles, flowers, a crucifix stand. I watched them huddled, coats frosted white. Snow settled on their brows. The papers printed your name last week – M. Mudd, Londesborough, all hands lost. Thirteen boats, but yours will return. I still have some kind of hope. Now I sit in this carriage, wrapped in a tartan shrug, listening to the rage of a savage wind that rattles its way into every hole. Spurn Head’s only a few miles now. You came to me in my sleep. Told me to walk past Kilnsea, find your boat on a cobblestone beach.

[121] You said it was the last tree in Holderness. Planted by the Weslyan Chapel, a hawthorn. Its gnarled branches blown asunder. Limbs and knuckles and crooked feet. We came here last summer, remember? Sheltered beneath its

twisted reach, and you said you’d never leave, cupped a lime-hawk moth between your hands, chipped and beaten from the last fishing trip. Petals of golden-horned poppies were softer than butterfly wings, the sun caught my shoulders, you covered me up and we walked to the groynes jutting out in the sea.

[133] The light has barely risen this week. Gravel sloops rest on Trinity Sand, London’s highways paved by this sea.

Here there is only weather and water, driftwood, marram grass, furze-heath. I walk in the estuary’s debris, on sea coal, whelks, pale urchin shells, crunch the rotting claws of gull-savaged crabs. White fret hangs on this naked shore, almost suffocating me.

[143] Light, light, light. I count Smeaton’s lamp as it shines in the gloaming. The bulb which will guide you home. Spume and spray cover my coat, and timber litters the path. Coughed up from the Ouse and Calder, this sand its final resting place. Like the charnel house at mudflats, where I checked for your name on a list of the dead; unclaimed, still sheeted from the last desperate wreck.

[171] How I wait for the spring-sun. To see your face again. I’ve searched here for you, almost two whole nights. My fingernails chewed to the bone. A seagull calls from a trawler, nets laden with phosphorous fish, it dips and weaves in the chimney’s smoke. Heads to the beach, straight towards me. It circles above, drops in the current, over the waves and floats in the wind. I paddle in water, it calls out to me, as if the bird is trying to speak. Here, by the tide, I stretch on the sand. It lands at my feet, puts feathers in my hands. The surges roll and break. The bird my only comfort. Perhaps this is you after all. The soul of a sailor in every gull. It makes a sorrowful sound, I whisper a bethel hymn to you. Breathe in the air that tastes of salt. Love, love, love will see us through.

Adelle Stripe, 2017

e Humber Star Adelle Stripe

Halldór Smárason

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"And perhaps he was right."

Rad.

2 4

Vln.

° 2 &4

∑

∑

3 4

∑

∑

4 4

3 4

∑

F2: radio noise

4 %Ã 4

%

3 4

E™

4 4

%

3 4

IV punta d'arco

radio: tune into F2

∑

4 4 #˙ ™

Œ

œ æ æ

3 o œ ™ arco ord. j 3 o™ ææ #œ œ œ œ 4 ˙

4Ó 4

Œ

‰ œ 43 J ppp

pp

Vc.

?2 ˙ ¢ 4

4 4 ˙™

p

#œ

ppp

Ϫ

3 4

Œ œ ˙

pp

p

4 4

∑

3 4

˙™

ppp

3 eHumberStar_HULL_060417_23

breath/saliva/mouth modulating effect: cover the embouchure completely, make a continuous spit using the respective or similar consonants in order to modulate the tones 2'57.0"

air with a vague tone

spit LAKSJDLKASJD

31

B. Fl.

° 3 ˙™ &4

2œ 4

throat roar œ J ‰ 44 +™

ppp

pp

Œ

mp

O Ϫ

3 j3 b ‹ ‹ ‹ ‹ ‹ ‹ b‹ ‹ ‹ œ ‹

p

pp"mf"

3 3

‹ ‹j ‹ b ‹ ‹

air with a vague tone

Cl.

3 ˙™ ¢& 4

2˙ 4

4 4˙

Oœ ™

subtone

Ó

Ó

Ó

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Šj Ϫ

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ppp ppp

pp

3 &4

∑

2 4

∑

4 4

?3 4

∑

2 4

∑

4 4

p

ppp

∑

∑

∑

Ó

∑

Pno.

{

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3 4

Rad.

2 4

E

4 4

j ‰ Œ œ

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%

% molto sul tasto (m.s.t.) (scratching sound) ord.

3

Vln.

° 3 ˙™ &4

2˙ 4

4 4˙

%

Ϫ

‰ Œ œ

sul tasto (s.t.)

Ó

Ó

j œ

Œ

œ œ

pp

‰

ppp

pp ppp molto sul tasto (m.s.t.) (scratching sound) ord.

Vc.

?3 ¢ 4 ˙™

2 4˙

4 4˙

j ‰ Œ œ

Ó

Ϫ

Ó

Œ œO

œ œ

ppp ppp

pp

pp ppp

= 3'14.0"

B. Fl.

36 ° Ó &

œ

air sound with a consonant <t>

w

Œ

air

Ó

#O. > p

ppp ord.

Cl.

O Ó

Œ

˙

ppp

7 8

o ppp

pp

ppp

ppp

air

j œ

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O

slap tongue

¢& Œ ˙

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œj

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Ó

Ó

Œ

Ó

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w

ppp

>.

˙

O o

pp

ppp

pp

ppp

knock the music shelf with the fallboard of the piano

> Œ Ó V

∑

∑

∑

∑

∑

7 8

∑

Œ Ó

7 8

&

f

Pno.

? Œ Ó

∑

{ œ. f °

j‰ Œ Ó œ

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pp

ppp

f

°

spoken with microphone

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%

%

%

%

%

7 8

%

%

%

%

7 8

V. I never forgot that first violent kiss...

F1: recording

%œ

%

Rad. (I never forgot that first violent kiss...) hit the bridge with the screw of the bow m.s.t. radio: F1 molto vib. (m.v.)

Vln.

° &

>. g ‰

∑ f

? ¢

∑

%

œ ˙ J

ú

ppp

pp

arco ord. col legno battuto m.s.t. (c.l.b.) molto vib. (m.v.)

Vc.

swipe the strings with the bow from bridge to nut noise without tones sul pont. (s.p.)

IV+III n.v.

& œj w

∑

7 8

(arco) pizz.

œj

n.v.

œ

˙

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f

pp

pp

pp

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Ó

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4 eHumberStar_HULL_060417_23

7 8

ppp

œ™ ˙ œ. ≈ J > ppp

∑ w

3'38.0"

42

B. Fl.

° 7 œ™ ˙ O™ &8 œ™

O œ

2 O˙ 4 Œ ˙ œ 3 ˙™ 4 4 4

4 #œ œ Ó 4

Œ

p ppp

4 4

ppp ppp

mf

p

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4 4 #œ

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O O Œ‰ ™ r 24 44 ‰#œJ ˙ œ 43 ˙™ #œ œ ˙

4 4

p p ppp

7 &8 ∑

∑

4 4 4 4 #œ

ppp ppp

∑

2 ∑ 4 4 4

Ó

2 ∑ 4 4 4

mf

∑

3 4

∑

4 4

ŒÓ

3 4

∑

4 4

Pno.

?7 ∑ 8

Œ

{

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œ

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pp

mp p

f

7 8

e™ E e™

E

4 4

%

2 4

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4 4

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3 4

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V.

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7 8

e™ E e™

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4 4

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2 4

E

4 4

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3 4

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4 4

3 ord. ˙˙ 4

s.p. œœ‰ ™ 4 R 4

Vln.

III o 4œ 4 ˙™ œœœœœœœœœœœœœœœœœœœœ

° 7 ™ #ord. ˙ &8 Œ

ord.

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s.p.

ppp

ord.

p

ppp

2 4 4˙ 4

∑

p ppp

ppp

mp

sul pont.

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arco ord. s.p. ord. ? 7 Œ™ ˙ j ¢ 8 œ œO œ œO œ œO œ œO œ œO œ œO œ œO œ œO œ

ppp ppp

p

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2 ∑ 4 4 4

3 ‰ s.p.

4 œJ ˙

∑

4 4

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ppp

p ppp

ppp

mf

= 3'58.0"

B. Fl.

48 ° 4 &4

gradual changes of tone quality

™ 3 O˙ ™ 4

bœ j œ œ

∑

Ó

2 4

4Ó 4

∑

˙

p 3 ppp

ppp

ppp

4 4

∑

4 4

∑

p

gradual changes of tone quality

Cl.

4 ¢& 4

∑

2 O˙ 4

#œ œ ˙ ™ J

4O 4

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3 4 O™

ppp

p

p 3 ppp

4 &4

∑

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∑

∑

2 4

∑

4 4

2 4

∑

4 4

∑

3 4

∑

4 4

∑

Ó

3 4

∑

4 4

∑

Pno. 3

{

j œ œ œ “‘ p ppp

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spoken without microphone

V.

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2 4

E

4 4

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3 4

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4 4

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%

2 4

E

4 4

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3 4

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4 4

%

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‰ #œJ 44

Your first week at sea...

F2: radio noise

Rad.

4 %Ã 4

(s.p.) (s.p.) radio: F2

Vln.

° 4 &4

∑

o 2˙ 4

œ3 j œ ˙™

4 4

∑

∑

ppp pp ppp half pressed in order to create noise with almost no audible pitch

(s.p.)

#œ Vc.

?4 ¢ 4

∑

j œ œ

Ó

2 4

4Ó 4

∑

p 3 ppp

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4 4

∑

p

5 eHumberStar_HULL_060417_23

4'19.0"

flutter

O 4 œ 4

54 key click

B. Fl.

° œ™ &

j Ó ¿

p

Cl.

2 4

4 4

∑

3 4

∑

∑

mf

p

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2 4

∑

5 8

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2 4

∑

5 8

2 4

∑

5 8

2 4

∑

5 8

pp

2 4˙

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4 4

3 4

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4 air flutter 4 ææ #O™

∑

ppp pp

2 4

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∑

4 4

∑

3 4

∑

4 4

4 4

∑

3 4

∑

4 4

∑

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2 4

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3 4

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4 4

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5 8

4 4

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3 4

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4 4

%

2 4

E

5 8

arco ord. ord.

col legno battuto (c.l.b.)

s.p.

senza sord.

3

Vln.

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2 4

j Ó œ.

4 4

∑

3 4

∑

4 4

∑

j œ

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2 4

∑

5 8

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2 4

∑

5 8

p pp ord.

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s.p.

? #œ ™ ¢

2 pizz. (s.p.) Œ 4œ

j œ Ó

arco (s.p.)

4 senza sord.∑ 4

3 4

4 4

∑

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ppp

p pp

62 = Flute (n.v.)

4'38.0"

w

w

˙

œœ

w

60

B. Fl.

° 5 &8

7 8

∑

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4 4

∑

3

pp pp

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#œ œ 7 throat roar 5 ‰ 8 ¢& 8 ™ + ppp pÃ

w

p

pp

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w

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3

pp

5 &8

7 8

∑

◊ÿ œœ.

4 J ‰ Œ 4

∑

Ó

∑

∑

fpp

∑

ff hit a high-pitched metal part inside the piano with a metal mallet

Pno.

upward gliss. inside the piano with a rubber mallet

?

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∑

∑

˙

∏∏∏∏

{

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e

e™

e

7 8 7 8

mf p

°

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4 %œ 4 Look at my hands...

4 ∑ 4

Vln.

%

%

∑

%

∑

∑

radio: F1 make bow changes unnoticeable ord.

s.p.

° 5 Œ™ &8

œ 7œ 8 ‰ Ó

4 ~w 4

ppp increase bow press.

~w

~w

~w

w

w

w

pp

in order to create scratching sound make bow changes unnoticeable ord.

Vc.

? 5 œ™ ¢ 8

œ 7 œ™ 8 œ™

fp

˙ ˙

pp (non cresc.)

&

4 ‰ œJ ˙™ 4 pp

6 eHumberStar_HULL_060417_23

œ œ

ff

(spoken without microphone)

V.

∏∏∏∏

sim.

? 5 œj Œ Œ 7 8 .

8 œ™ f pp ° “‘

5'00.0"

alt. fingering

w

Ϫ

w

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66

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4 4

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ppp

alt fing.

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w

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∑

7 8

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∑

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∑

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sim. downward gliss.

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∑

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ppp

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7 8

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4 4

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% seagull effect: gliss. down whole string in same position IV

O œ

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° ~w &

7 Oœ ™™ 8

~w

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4 O˙ ™™ 4

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ppp

p seagull effect: gliss. down whole string in same position I

w Vc.

7 Ϫ 8

w

¢&

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&

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ppp

mp

= œ

5'19.5"

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75 71

Ϫ Fl.

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p

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V. F1: recording

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7 eHumberStar_HULL_060417_23

˙

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5'39.5"

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p

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pp fpp

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ord.

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fpp

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8 eHumberStar_HULL_060417_23

5 Ϫ 8 fp

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n.v.

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=

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91

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p

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4 radio 4 f

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On my chest a Humber Star...

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pp

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9 eHumberStar_HULL_060417_23

6'58.5"

w

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arco ord. punta d'arco arco ord.

c.l.b.

B ~ ¢

pizz.

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ææ Oœ #˙ ™ p

ppp

106 = Bass Flute 7'17.0"

œ 102

Fl.

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pp

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pp

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3

f continuous gliss. inide the piano with a rubber mallet

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˙ Œ

7 8

w

4 4

∑

7 8

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3

pp

f

pp

mf p

hit a high-pitched metal part inside the piano with a metal mallet

Pno.

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ff

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° ° spoken flashlight: off

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Weeping women lean on the gates...

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pp

p

pp

pp

f

p s.p.

ord. pizz. arco

3

Vc.

<#>˙ ¢&

˙ ææ mp

#œ #˙

œ Œ ˙™

pp p

pp

j 3 4 Œ œO #œ

pp

p

10 eHumberStar_HULL_060417_23

œ™ ææ J pp

?

≈

4 œ œ ™ ˙™ 4 f f

œ ™ b Oœ O˙ J p

7 8

7'40.0"

bœ

˙

108

B. Fl.

° 7<b> œJ &8

3 4 b˙™

∑

4 bœ 4

∑

Ϫ

Ó

2 4

∑

œ o pp

pp p

bœ Cl.

ppp

˙

7 ¢& 8 <b>œJ

j œ ‰

3 4 b˙

∑

4 bœ 4

∑

œ™ Œ œ ˙

Ó

2 4

œ

o pp

pp p

7 &8

3 4

∑

∑

∑

∑

4 4

∑

∑

4 4 bœ

ppp

∑

2 4

∑

2 4

ej

Pno.

?7 8

Œ

Ϊ

{

j 3 œ. 4 > b ˙™ f

Ó œ™ œ “p‘

p mp

e™

E

3 4

° 7 Oœ ™™ &8

O˙

3 4

7 8

V.

Vln.

∑

E™

E™

Œ

E™

4 4

∑

%

%

4 bord.

4 œ œ™

∑

˙ o bpp

2 4

Ó

2 4

∑

bœ p

ppp

ord. col legno tratto (c.l.t.)

Vc.

? 7 <b>Oœ ™™ ¢ 8

O˙

j œ™ ≈ Œ

3 4 bœ

∑

4 bœ 4

∑

œ™ Œ

Šj Ϫ Ϫ

bœ o

‰ Ó

2 4

pp p

ppp

ppp

=

8'00.5"

b >œ. œ œ ™

˙™

w

w

114

B. Fl.

bœ

° 2 &4

∑

4Ó 4

Œ

5 Ϫ 8

œ J ‰ 44

3 4

pp

mf slap tongue + key click

Cl.

2 ¢& 4

∑

4Ó 4

Œ bœ

5 8 Ϫ

j 4 œ ‰ 4 >¿

pp

2 &4

∑

4 4

∑

4Ó 4

œ ˙™ f

∑

5 8

∑

Œ bœ

5 8 Ϫ

4 j œ ‰ 4 œ œ

pp

∑ %

{

œ J 3 4

Ϫ

˙

f

4 4

Pno.

?2 4

w

∑ %

3 4

∑ %

3 4

mp p

° V.

2 4

Vln.

° 2 &4

E

4 4

%

5 8

e™

e

%

4 4

%

%

w

˙

3 4

pizz.

œ arco

∑

4Ó 4

Œ œ

5 8 Ϫ

4 j œ ‰ 4

bœ œ ˙™

œ b Oœ ™™ J

3 4

3

pp

f

f

p s.p.

ord. arco ord

Vc.

?2 ¢ 4

∑

4Ó 4

Œ bœ pp

5 8 Ϫ

œ ‰ 44 j w J œ f

w

Ϫ

b Oœ O˙ J

3 4

p

11 eHumberStar_HULL_060417_23

8'21.0"

<b> œ b œ ˙

121 4 b˙ 4 o pp

120

B. Fl.

° 3 &4 pp

O œ

2 4

Œ

4 œJ œ ™ 4

∑

Ó

Ó

O O™ œ 78 œ ™ bO

Œ

p ppp

4 4

pp

˙™ O Cl.

3 ¢& 4

4 4 b˙™

2 4

Œ

4 œj 4

∑

Ó

Ó

O™

7 8

Œ

Ϫ

4 4 Ϫ bO

œ

o pp

3 &4

4 4

∑ e

Pno.

p ppp

∑

>œ. Œ ‰ J 44

?3 4

{

2 4

∑

4 4

2 4

∑

4 j 4 bœ œ™

∑

∑

7 8

∑

4 4

7 8

˙

4 4

una corda

Œ b ˙™ “p‘

f

pp

Ó

Ó

Œ

Ϫ

œ

mp p

pp

half-whispered, half-spoken

E™

3 4

V.

4 %œ 4

2 4

E

4 4

%

%

7 8

e™

E

4 4

E

4 4

%

%

7 8

e™

E

4 4

You said it was the last tree...

F2: radio noise

3 4

Rad.

4 %Ã 4

∑

2 4

Vln.

° 3<b><b>Oœ &4

bow the body in order to make smooth white noise

arco ord.

4 4

Ó

1/2 col legno tratto (c.l.t.)

pizz. ord.

radio: F2 m.s.t.

2 4

b˙

œ

4 bœ 4 œ ˙™

pp

mf

p ppp

Œ

∑

c.l.t.

7 8 Ϫ

w

4 @ &4

o m.s.t.

Vc.

4 ˙ 4

? 3 <b>O˙ ™™ ¢ 4

œ R ‰™ Œ

2 4

arco half pressed

4 bpizz.

4 œJ b œ ™

∑

Ó

7 ≈ j O™ b O 8 O ™ b O

Ó

o pp

p

p ppp

pp

= 8'41.5"

bw

˙

B. Fl.

bœ œ™ J 5 8

œ œ J

126

° 4 &4

œ

4 4 b˙

Ÿ<n>~~~~ Œ œ

bœ ˙™

o f

pp

pp

Ϫ

bœ Cl.

bœ ™

4 ¢& 4 b >

˙™

˙

p

œ œ

œ œ

5 8

4 4

Œ

Ó bœ

f

f

˙™ o bpp

pp

p

ppp

knock the music shelf with the fallboard

> 4 &4 V

Œ Ó

∑ &

5 8

∑

4 4

5 8 Ϊ

‰

j 44 b œ. b ˙™

∑

∑

f tre corde

Pno.

%

ej

E

?4 œ 4 œ

Ϊ

{

f

Œ

Ó œ

œ “‘

mp

mf

p

p

° %

%

5 8

e™

e

4 4

%

%

V.

4 4 4 4

%

%

5 8

e™

e

4 4

%

%

Rad.

~w

™ 5 Oœ ™ 8

Oœ

4 ord.

4 ˙™

arco ord. (n.v.) ord.

Vln.

s.p.

œ ™ b Oœ J

° 4 b˙ &4 f

pp

œ Œ

pp

arco ord. ord.

Ó bœ p

ppp

s.p. ord.

c.l.b.

Vc.

? 4 #œ ¢ 4 œ

œ ˙™

Ϫ

Oœ Oœ Oœ ™™ J J

5 Oœ ™™ 8

Oœ

4 4 b˙

bœ ‰ Œ J

bœ bœ

3

o f f

pp

pp

12 eHumberStar_HULL_060417_23

p

ppp

Ó

4 4

9'00.0"

133 4 w 4

131

B. Fl.

° & w

5 8 Ϫ

Œ

Ϫ

œ ˙™

œ

f

œ

5 8

4 ˙™ 4 o pp 4 4 ˙™ o pp

pp

3

Cl.

¢& Ó

‰

5 8 b œr‰ ™ ‰ Œ .

O O ppp

pp

5 8

∑ &

4 4 bw f

pp

◊ÿ œœ.

4 J ‰ Œ Ó 4

∑

5 bœ œ 8œ J

j œ œ™

˙

5 8

∑

Œ

Œ

4 4

∑

∑

ff

ej

Pno.

%

5 8

? ∑

{ % V.

% Rad.

4 œ 4 œ p ° 4 4

∑

5 8

e™

5 8

e™

E

e

e

‰ Œ

∑

5 8

∑

4 %œ 4

5 8 Ϊ

%

5 8

‰ j 44 b œ. b“˙‘™ f p

4 4

∑ e™

Œ

e

∑ %

4 4

The light has barely risen this week... radio: F1 arco ord. s.p.

Vln.

° &

r 5 bc.l.b.

8 œ. ‰ ™ ‰ Œ

∑

™ œ b Oœ ™ J

4 ‰ b œJ ˙™ 4

f

half pressed in order to create noise with almost no audible pitch ord.

m.s.p.

f

O˙

™ 5 Oœ ™ 8

Oœ

5 O™ 8 œ™

Oœ

4 4 bO ™ o pp

pp

Œ

arco s.p.

Vc.

? ¢

5 c.l.b. r 8 b œ. ‰ ™ ‰ Œ

∑

&

4 pizz. œ ?œj ˙™ 4

Oœ O˙

œ

4 4 b˙ o pp

3

f

f

f

pp

r ‰™ œ œ

= 9'21.0"

(key click)

137

œ B. Fl.

° & p

œ O J Ó

∑

7 O™ 8

3 ppp

4 bœ ™ 4 b¿

Ó

pp

f

˙™

˙

bœ ˙™

~ w

f

pp

3

Cl.

bœ ¢&

œ J O Ó

∑

7 8 O™

4 4

Ó

Ϫ

O bœ J 3 4

3 4

b> p

ppp

pp

∑

∑

&

7 8

f

> 4 6j 4

∑

f hit the piano case with a rubber mallet

‰ Œ Ó

∑ &

3 4

f tre corde

Pno.

%

una corda

3

? œ œ

{

mp

j œœ b œ Ó bœ

∑

7 b œj Œ 8 b œ. ppp

%

4 4 œœ

Ó

3 4

p

° %

%

7 8

Rad.

Vln.

E

4 % 4 c.l.b. b ϳ 4 &4

swipe strings III+IV

1/2 c.l.t.

° bœ &

e™

œ œ Ó J

∑

7 ™ 8 ú

Ó

%

3 4

s.p.

#arco œ ord. ˙™

#œ

Oœ

O˙

3 4 3

3

p

ppp

pp

f

swipe the strings with the bow from bridge to nut noise without tones IV+III

pp

ord.

molto sul pont. (m.s.p.)

1/2 c.l.t.

Vc.

? ¢ œ p

j3 œ œ Ó ppp

∑

7 ™ 8 ú

» ?4 4 bœ

Ó

pp

f

arco ord.

œ ˙™

bw ~

3 4

pp

13 eHumberStar_HULL_060417_23

9'40.5"

™ <b> O˙ ™

143 4 4 o b œ. 4 œ 4

142

B. Fl.

Cl.

° 3 &4

3 ¢& 4 <b>O

∑

∑

∑

∑

∑

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

∑

∑

pp

3 &4

∑ E

Pno.

?3 4

‰ b œj .

{

f

spoken

3 4

V.

4 %œ 4

∑

%

%

%

Light, light, light...

3 4

Rad.

Vln.

E™

4 4

° 3 <#>O˙ ™™ &4

∑

~ 4w 4

pp

ppp s.p.

? 3 <b>O ™ ¢ 4<b> ˙ ™

∑

∑

Œ o Oœ bnOœ ‰

∑

∑

∑

∑

O˙ ™™

#O˙ ™™ Vc.

∑

4 4

∑ &

o ppp

=

9'59.5"

147

B. Fl.

° &

2 bœ 4

∑

Œ

4 Œ b œJ ˙™ 4

2 4 bœ

∑ ¢&

Œ

4Œ 4 b ˙™

pp

∑

∑

5 8

Ó

∑

∑

5 8

∑

∑

∑

5 8

Ó

∑

∑

5 8

˙

pp

∑

2 4

∑

Œ

2 4

Œ

&

Ó

3 pp

pp

Cl.

˙

4 4

∑

Pno.

? Ó

{ bœ

4 4œ .

Œ

Ó

Ó

œ

mp

mf

° %

E

2 4

V.

4 4

%

flashlight: on bass flute flashlight: off

Vln.

° &

∑

2f 4

Œ

%

%

5 8

flashlight: on moving slowly around the room

3

4 Œ fj f ™ 4

flashlight: on clarinet flashlight: off

%

flashlight: off

f

&

5 8

?

5 8

Ó ∑

∑

∑

∑

flashlight: on moving slowly around the room flashlight: off

∑ Vc.

¢&

2f 4

Œ

4Π4

f ™ f

14 eHumberStar_HULL_060417_23

Ó

10'21.5"

B. Fl.

153 ° 5 bœ ™ &8

b œ ™ ˙™

œ œ 44 œ Œ

œ

pp

p

O™ œ œ™ J

˙

O ˙

<t>

O bO

ppp f

Cl.

5 ¢& 8 b œ ™

4 4 œ

Œ bœ b œ

œ

pp

p

5 &8

4 4

∑

O O Œ ‰ j bœ ˙

ppp

3

∑

3

˙™

œb œ œ œ œ bœ

f

mp

~

ppp

∑

f

∑

∑ %

Pno.

œ ?5 8

4 4

{

bϪ

œ

Œ

∑

Œ

bœ œ

mp

p

b œ.

b ˙™

f

p

œ p

°

°

F1: recording

5 e™ 8 Ã

Rad.

Vln.

e

° 5 s.p. & 8 bœ ™

4 4

%

%

%

%

#ord. ˙

(s.p.)

4 œ 4œ Œ

œ ∑

œ œ ord. œ œ œ b œ œ nœ œœ œ œ

Œ

œ

˙™

ppp

pp

3 3

pp

p

s.p.

Vc.

arco ord.

?5 ¢ 8b œ ™

4 4 œ

f

1/2 c.l.t.

3

3

mp

arco ord.

bœ

Œ

bw œ

bœ

œ ˙™

bw f

pp

p

pp

=

10'40.0"

bœ™ œ 158

B. Fl.

<b> œ ™

œ J

° &

˙ (throat roar)

5 8

4 bà ™ à 4 Ó

3

¢&

3

3

bœ ™ œ p

(throat roar) œ 5 4Ó 8 œ™ œ œ™ à 4

3

œ œ œ œ˙ bœbœ œ œ œ œ œ

ppp

Ó bœ bœ™ œ

pp

pp

5 8

∑ &

∑

p

4 4

∑

O b˙ pp ŸO<n>~~~~ O O Œ ‰ j bœ œ b˙ ∑

o pp

pp

Cl.

bœ

ppp

Œ

Π43

Π43

pp

∑

∑

3 4

∑

e™

Pno.

5 4 Œ j 8 Œ ™ ‰ b œ.

4 œ œ™ œ > bœ™ œ œ “‘ f p mf p

? ‰

Ó

{ %

5 8

Rad.

e™

e

e™

e

4 4

%

∑

Π43

Œ ˙ “pp‘

%

%

w

˙™

3 4

increase bow press. in order to create scratching sound s.p.

Vln.

œ n Oœ 5 Oœ ™™ Oœ 8

° #œ œ œ & œ b œ nœ œ

4 #œ ™ œ 4 Ó

Π43

œ œ™ œ

3

3

pp

o pp

pp

p

ppp

ord.

Vc.

? ¢ <b>œ ™

j œ b ˙O pp

5 8 œO ™™ œO

4Ó 4 œ™ œ o pp

half pressed

bœ ∑ bœ™ œ p

ppp

Π43

ΠbO pp

15 eHumberStar_HULL_060417_23

11'01.0"

<t><k><t><k>

œ

164

B. Fl.

° 3 ˙™ &4

4 œ Ob OO˙™ 4 O

f

pp f 3

O b œ œ O OŒ J J

œ™ b œ ˙™

pp

p

p pp

3

3

Cl.

f

˙™

œ œœ œ œ#œ œ œ#œ# œ œ œ œ ˙™ œœ

3

3 > œ ™ œ œœœ œœ 4 œ œ œœ 4œ œ œ ¢& 4

O Œ

3

3

3

œ O op

3

3

f

p

pp

f

p

pp

hit the piano case with a rubber mallet knock the music shelf with the fallboard

3 & 4 6V Ó

“” œ #œ œœb œ #œ#œn œ nœ œ ™Ó

4 ∑

‰

bœ ™ œ ˙™ pp

∑

∑

&4

ff

ppp

Pno.

E™

e

œ ?3 4

4 4

{

Œ

Ó

∑

Œ

Ó œ™ œ œ

˙™ p

mf p

œ p ° E™

3 4

Rad.

4 4

arco ord. c.l.b. ord. ord.

Vln.

%

%

%

~w

ord.

%

s.p.

° 3 œ œ˙ &4 œ

4œ 4

O˙

œ

s.p. m.s.t.

Œ

s.p.

Ϫ

œ ˙

œ ˙™

3

f f

pp

f

pizz. arco

Vc.

˙™

4œ 4

p pp arco ord. s.p.

bs.p. ~w

ord.

?3 œ˙ ¢ 4œ f

o pp

p

Œ

œ™ œ œ Ó

o ˙™

f

pp

f

pp (non cresc.) p pp

pp

= 11'20.0"

171 bϪ

169

B. Fl.

° Ó &

ΠbO

æ 5 æ 8 O™

¢& Ó

w Œ

b˙™

niente

5 8

Œ

w

4 4

pp

Cl.

œ

Œ Œ bœ ™

œ

4 4w

Œ w b ˙™

O

O™ niente

pp

∑

5 8

∑

∑

4 4

∑

∑

∑

5 8

∑

∑

4 4

∑

∑

&

∑

Pno.

?

{

Œ b ˙™ “‘

° niente whispered with microphone

e™ œ

5 8

∑

V.

e

∑

4 4

%

%

%

%

%

How I wait for the spring-sun...

F1: recording

%

5 8

Rad.

e™

e

e™ œ

e

4 4

%

(How I wait for the spring-sun...) molto sul pont. m.s.p.

Vln.

° &

5 8 j ΠO

w

bœ ™

œ

Πord.

4w 4

w

4w 4

w

Œ ˙™

niente bow the body in order to make smooth white noise

ord.

bœ ™ Œ Ó Vc.

2

¢ p

5 8 2™

Œ

œ

? niente

16 eHumberStar_HULL_060417_23

b˙™

Œ

11'41.0"

175

œ B. Fl.

° &

Ó

Ó

bœ Ó

Cl.

Œ

bœ Ó

Œ

¢& b œ bœ

5 8 Ϫ

Œ

4 4

∑

5 8

Œ

4 4

∑

∑

4 4

∑

4 4

∑

7 Ϫ 8

˙

5 8

bw

7 Ϫ 8

˙

5 8

∑

7 8

∑

5 8

∑

7 8

∑

5 8

Ϫ

bœ ∑

5 8

Œ

5 8

&

bw

∑

Pno.

? Ó

{

Ó

Œ

bœ œ “‘

Ϫ

œ “‘

° %

%

5 e™ 8

e

4 4

%

%

7 e™ 8

E

5 8

%

%

5 e™ 8

e

4 4

%

%

7 e™ 8

E

5 8

5 8 Ϫ

Œ

4 4

∑

bw

7 Ϫ 8

˙

5 8

5 8

4 4

w ∑

7 Ϫ 8

˙

Œ

5 8

V.

Rad.

con sord.

Vln.

° & bœ

Ó

Ó

Œ

œ

œ con sord.

Vc.

? bœ ¢

Ó

Ó

Œ

œ

Ϫ

œ

=

12'03.0"

181

B. Fl.

° 5 bœ ™ &8

œ

O™ 4 4 b˙

‰

∑

∑

∑

œ œ™

œ œ ˙ J 3

ppp p

ppp

O™ 3

Cl.

5 ™ ¢& 8 b œ

œ

4 4

Œ j œ O

˙

∑

∑

∑ O

j O b O Oj ‰ Œ

p 3

ppp

5 &8

∑

4 4

?5 8

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

{

Œ

œ ˙™

j3 œ j ‰ Œ bœ œ

pp mf

5 e™ 8

e

4 4

%

%

%

%

%

V.

5 e™ 8

e

4 4

%

%

%

%

%

Rad.

œ

Vln.

° 5 bœ ™ &8

4 s.p.

4 ˙

p

m.s.p.

œ Œ

∑

∑

∑

O p

œ bœ œ ‰ Œ J J 3 ppp

ppp arco m.s.p.

3 s.p.

Vc.

? 5 œ™ ¢ 8

œ

4 4 Ϫ

pizz.

œ j Ó œ

∑

∑

∑

œ J œ œj ‰ Œ

ppp p

ppp

17 eHumberStar_HULL_060417_23

192 nat vib. (v.) bw

12'25.5"

O˙ ™™

187

B. Fl.

° & w

n.v.

∑

∑

Œ b˙™

7 8

œ pp

O

pp

ppp

O

O nat vib. (v.) n.v.

Cl.

Ó ¢&

ææ O™

Œ bœ

∑

∑

7 œ 8

Œ ˙™

œ

˙™

pp pp

∑

∑

∑

∑

b˙™

∑

∑

∑

∑

7 8

∑

7 8

& Pno. pizz. inside piano

? Ó

Œ

Œ

{ bœ

Ó œ. mf °

œ

p

flashlight on: audience

%

%

%

%

%

7 8 f

V.

%

%

%

%

%

∑

7 8

˙™

œ b œ ™ ˙™

7 8 o

pp

ppp

Rad.

Vln.

° Ó &

arco ord. m.s.p.

≥

c.l.b. s.p.

e

Œ bœ . . .

ej

half pressed

j˙ . bœ œ

O

pp

s.p. nat vib. (v.)

∑

∑

Œ

ppp seagull effect IV s.p.

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m.s.p.

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Œ

(s.p.) nat vib. (v.) s.p.

j ‰ œ

œ

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∑

™ Œ ˙

w

7 8

ppp pp

ppp

ppp

= 12'49.5"

193

B. Fl.

O ˙

° 7<b>œ ™ &8

O™ 4 œ™ 4

O J

O ∑

∑

∑

o flashlight on: audience

ppp

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O

4 4O

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o ppp flashlight on: audience

7 &8

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∑

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∑

4 4

∑

f

f

f

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{ V.

7 f ™ 8

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7 e™Ã 8

f

4f 4 E

4 4

∑

∑

∑

f

f

f

%

%

%

f

f

f

F2: radio noise

%

mf flashlight on: radio: F2

Vln.

° 7 8

∑

4 audience 4f

Ó o

4 4

m.s.p.

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flashlight on: audience

∑

∑

18 eHumberStar_HULL_060417_23

∑

f

13'09.0"

flashlight on: audience

198

B. Fl.

Cl.

° &

∑

∑

∑

∑

∑

f

4 4

f

f

f

f

f

5 8f ™ f

4 4

f

f

f

f

f

5 8f ™ f

4 4

f

f

f

f

f

5 8f ™ f

4 4

%

%

%

%

¢

Pno. {

V.

e™

%

e

5 8

Rad.

°

4 4

f

f

f

f

f

5 8f ™ f

4 4

f

f

f

f

f

5 8f ™ f

4 4

Vln.

Vc.

5 8f ™

¢

=

13'31.5"

flashlight off (coordinated with others)

204

B. Fl.

f

f

2 fj 4

f

2 fj 4

f

f

2 fj 4

%

%

° 4f 4

2 fj 4

f

‰

Πflashlight off (coordinated with others)

Cl.

4 ¢ 4f f

‰

Πflashlight off (coordinated with others)

Pno. {

4f 4 f

‰

Πflashlight off (coordinated with others)

V.

4f 4 %

Rad.

4 4

Œ ‰ Œ ‰

ej

2 4

flashlight off (coordinated with others)

Vln.

° 4f 4

f

f

2 fj 4

f

2 fj 4

‰

Πflashlight off (coordinated with others)

Vc.

4 ¢ 4f f

‰

Œ

19 eHumberStar_HULL_060417_23