☉ sæunn 071017 28 score

Halldór Smárason

for amplified violoncello

Commissioned by and dedicated to Sæunn Þorsteinsdóttir with support from RÚV and STEF Composer’s Fund

Score (

_SÆUNN_071017_28)

Stage Settings The piece requires a stage setting as illustrated below:

Technical requirements and accessories Laptop (running Logic Pro)

1 tealight candle

2 microphone stands

Audio interface

2 dynamic microphone

Stereo speakers

Tablet computer

1 condenser microphone

Appropriate cables

connects thus Laptop (running Logic Pro) thunderbolt connected to Audio interface Input 1 connected to

Input 2 connected to

Input 3 connected to

Output 1-2 connected to

Condenser mic

Dynamic mic

Dynamic mic

Stereo speakers

(to amplify violoncello)

(to amplify voice)

(to amplify candle)

Sheet music should preferably be read on a digital device (e.g. iPad) to minimize audible page turns.

Full Score Performance Full Score

Full Score

Notes

Full Score

1

Noteheads

The piece uses a series of unconventional noteheads, representing different gestures.

They should be realized as follows: e Full staff: ScoreLightlye touched Full Score 1 Full Score All conventional gestures and sounds.

On a 5-line notes,

6 2 to1produce ∑ú charmonics ∑ ∑ ∑∑ & œ ¿ g ‚ 6 2 1 ú c& Vœ ¿ Ãg ‚ ∑either V∑ Ãor half pressed notes in order to create noise with

re

∑

almost no audible pitch.

On a 1-line staff: Bow the bridge in order 0 1⁄4 1⁄2 3⁄4 to create white noise.

#œ˜œ nœ Bœ beœBbœ &∑ nœ µœ #œ∑˜œ nœ ∑Bœ bœeBbœ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & nœ µœBow the C-bout of the body in order to Swipe the strings with the bow from ¿ g ‚ 6 2make1 smooth ∑ ∑ ∑à in order œ ¿ g ‚ 6 2 1 ∑∑ to create∑ noise ∑ ∑ white à c∑ V to nut V noise. ú c& ú bridge 9

0

⁄4 1⁄2 3⁄4

0

1

⁄4 1⁄2

9

⁄4

1

3

18

0

⁄4 1⁄2 3⁄4

1

∑

without tones. Strings indicated respectively.

18

∑ Breathe ∑ ⁄ ⁄ (without ∑ ∑⁄ ∑⁄ ⁄ ∑ Nose ∑ exhale. ∑ ∑ Breathe ∑ audibly ∑ ∑ (without ∑ ∑ ∑ ∑ 9 & 0 ∑⁄Nose⁄ inhale. ⁄ 0 audibly ⁄& 0 using µœ #œ˜œ nœ Bœanbœinstrument).

Bbœ ∑&Consonants, ∑ an instrument). ∑ ∑Consonants, nœ µœ∑#œ˜vowels œ ∑nœ for Bœ bœ∑Bbœ using ∑ vowels∑ ∑ ⁄4 1⁄2 3⁄4

1

1

3

2

1

4

4

1

2

3

1

4

4

1

2

3

for filtration Full Score 1and ventilation are indicated respectively.

∑ 18Breathe ∑ audibly & ∑(without∑ ∑ & ∑Mouth inhale. usingScore Full Full ∑ Score ∑ an instrument). ∑&ventilation ∑ are ∑indicated ∑ vowels∑1∑ ∑Consonants, for filtration and

∑ ∑ ∑∑

∑ ∑ ∑∑

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑ ∑ ∑

Mouth exhale. Breathe audibly (without Full using Scorean instrument). Consonants, vowels for filtration and ventilation are indicated respectively.

Full Score 1 e Knock the body with knuckles. Knock on the most resonating area of the body.

Full ScoreFull Score e Bow the tailpiece in order to create a deep respectively.

38

∑

4

FullScore Score filtration and ventilation are indicated Full 28 respectively.

28

∑

1

4

38

1

1

∑

∑ ∑œ 28¿ ∑ g∑‚ 6∑ 2& ∑ 1 ∑∑ ∑ ∑∑ ∑ ∑∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑ ∑ 2 1 & soft and noisy tone. c V à ú∑ c V ∑ &à ∑ ∑ ∑∑ ú ∑∑ ∑∑ ∑∑ ∑∑ ∑ ∑ ∑ e & ∑∑

ull Score

on open strings in order to create Full Score Hammer ∑ ∑ ∑ ∑48 Full ∑ Score e Ã

ú c V48

& œ ∑¿ 38g ‚ ∑ 6 2 1∑ ú ∑c∑ V ∑ Ã∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑ ∑ ∑ ∑ µœ #bridge. œ∑˜œ nœ eB∑œ& bœBbœ ∑ ∑ ∑ Tap∑the ∑bodye ∑of the instrument ∑ ∑ ∑ ∑ œ bœBbœ& ∑ Play behind &∑nœ the ∑& ∑œ ¿∑ g∑ ‚ ∑ 6∑ 2 1∑∑&ú &c∑∑∑œV ¿ ∑gÃ∑∑ ‚ ∑6∑ ∑∑2 1 ∑úfingertips. ∑ à ∑∑∑ ∑areas∑of∑ with ∑∑ c V∑ ∑Differentiate ∑ ∑ ∑ ∑ ∑ tapping 9 0 ⁄ ⁄ ⁄ 0 ⁄ 58 ⁄ ⁄ respective to dynamics.

58 18nœ µœ #œ˜œ nœ Bœ bœBbœe ∑ ∑ ∑ noise.∑ ∑ ∑ ∑ & Bow the back of the ∑ body in order to make continuous crackling ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 48 9 &⁄ ⁄¿∑ ⁄ g 0‚&∑⁄ 6 ⁄ ∑2 ⁄ ∑19 ú∑0 c⁄∑ & ∑ ∑ ∑ ∑ ∑∑ ∑ ∑ ∑∑& 0 œ ⁄ ∑⁄ ∑à 0 ⁄∑ ⁄ ∑∑ ⁄ ∑ ∑∑ ∑ V ∑∑ œ ∑∑n∑œ µœ #∑œ˜ ∑& nœ µœ∑#∑œ˜œ n∑œ∑ Bœ bœBb ∑∑œ n∑œ B∑œ∑ bœBbœ ∑∑ ∑ ∑∑∑ ∑ ∑∑∑ ∑ ∑∑ ∑ ∑ ∑ ∑ ∑ & & 18 68 Abbreviations 68 9 28 ∑ ∑ ∑ ∑ to save∑ space: ∑ ∑ ∑ ∑ ∑ 0 A ⁄few ⁄abbreviations ⁄ 0 ⁄ are⁄ used ⁄ in the score in order & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 58 18 ∑ & œ∑ #œ˜œ∑&∑molto nœ B∑œ∑vibrato bœ∑18Bbœ∑ ∑ v. ∑∑∑&∑ natural ∑ ∑ ∑non ∑∑ ∑∑ ∑ vibrato ∑ ∑& nœ µ∑m.v. ∑∑∑ ∑ vibrato ∑∑ ∑ ∑n.v. ∑& ∑ ∑ c.l.b. ∑ ∑ col legno ∑∑ ∑tratto∑∑∑ ∑ arco ∑∑ ∑ ∑bowing ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑&battuto ∑ ∑∑∑ ∑col ∑legno ∑∑∑ ord. ∑ ∑ordinary &∑∑∑ c.l.t.

28 75 75 s.p. m.s.p. molto sul ponticello brg.

18 38 sul ponticello ∑ ∑ ∑ ∑ ∑ ∑∑ ∑bridge ∑ ∑∑∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑ & ∑ ∑ ∑ ∑ ∑ 68 28 28 ∑∑ ∑∑sul tasto ∑∑ &∑ molto ∑∑ ∑sul tasto ∑∑ ∑ ∑∑ord.∑ ∑ ordinary ∑∑ ∑ ∑∑ ∑ m.s.t. ∑ ∑bow∑ position ∑ ∑ ∑& & s.t. & ∑∑ ∑∑ ∑ ∑& &∑ ∑ ∑∑ ∑ ∑ ∑ ∑∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑∑ ∑ ∑∑ ∑ ∑ ∑ &∑ ∑ 38 ∑ ∑ ∑48 ∑ ∑ ∑ ∑ 28 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & 75 38 38 ∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑& ∑∑ ⁄4 1⁄2

1

Indicates length/note values of certain gestures or boxes.

percussive sound without tones.

9 0 1⁄4 1⁄2 3⁄4 0 1⁄4 1⁄2 3⁄4

⁄4

3

4

1

1

4

1

3

2

1

4

1

4

1

2

3

4

4

1

1

4

2

1

3

4

3

2

1

4

1

4

1

4

2

3

4

4

1

1

2

2

3

3

4

4

1

4

1

2

3

4

1

‰ à ™ T1 ‰ É à à 8 Ì œ ™ ˙™ w ˙ on all strings bœ hammer . with left hand Ó 15 e ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ 7 ppp à à à à à à à à à à Ã∑ à 8 œ ¿ g ‚ 6 2 1 ∑ ∑ ∑ ∑ 11.8 &Other b ˙c onVall stringsÃœ ™ b >œ ˙ ˙ œ b œ ™ explanations úhammer J J bw ˙ with left hand . ‰ ‰ ‰ 1 3™ É 1 1 ™p Ãppp 1™ É 1™ à ‰ 1 ™ à 78 9 ¢ 1 1 3 1 1 The piece includes quarter tones.

They are notated thus.

0 ⁄4 ⁄2 ⁄4 0 ⁄4 ⁄2 ⁄4 12.2 œ œ ™ & n˙œ µœ #œ˜bœw nœ Bœ bœ˙Bbœ b ˙ ∑ ∑ ∑ ∑ ∑ ∑ ∑ w J & T

É œ œ™ J

‰ œ bœ™ J E

à 1T‰

T

‰

note - no gap before next bar T hold exhale

Ì 109

pizz. arco 5 or end of 7 ° 7 ®1181 1 1 1 ®Ã ®1 1 1 1 1 ®Ã ®1 1 1 1 1 1 1 Accidentals 1 1 1I 1 4 ) ™ last until next barline 10.7 ) system.

32 o8 j w & ∑ œ∑ œ ™ th...∑w ∑˙ ∑ ∑ ∑ ∑ ∑ w∑ > f (non dim.) p ppp .

All. notes should non unless otherwise indicated. hold notebe - noplayed gap before nextvibrato bar 7 ‰ 28 ≈ ™ Ã ‰ ≈ ™ Ã ®1 ≈ Ã 5 )exhale 7 ™ 1 ) 8 4 32 31.5

∑

&

93 ∑

∑

∑

∑

∑

th...

∑

∑

f (non dim.) let pizzicato ring, unless pizz.

T Óotherwise hold note arco - no gap beforepizz. next bar

T Always >œ. > exhale# œ# œ œ µ>œ ≈ ≈ ∑ 5 ) ≈™ J J 7 ≈ 38à ≈ à ≈ à ≈J É Œ≈ Ã Ó Œ J Œ à à 4 8 T

w

∑

& w

7 48 ¢ 8 ‰ 1™ É

‰ Ó

°

∑

&

z.

58

111 opizz.

5

∑

∑

7 & 32 œœ ™™ >œ ∑˙™

arco

p ppp

T

pizz.

f

∑

∑

∑

∑

Ó m.s.p.

T ˙™ ~wææ∑ &

HS

∑

Œ

∑

bœ

arco

ppp

∑

p

> 6

"ff"

ff

knock on body

B

"ff"

Œ >œ.

J

∑

j ‚ O

bow bridge

"f"

c.l.b.

&

ff

‰

Ó

∑

15

21.2

22.3

7 32

∑

)

w

˙

f (non dim.)

T œis™ never Tremolo ∑ ~w tremolo. the 5 ææ ∑~w arco ord.

œ ææ∑

œ bœ œ J

4∑ ææJ

3 p pppc.l.t.

Tbeams9.2indicate measured;

4

pp

œ

‰

∑

Œ

22.9

7 32

∑

Ó of approximate density

∑

∑

Ó

28.9

6 32

15

While using mouth or nose, place the respective 17.7 19.7 vowels (shownææ in brackets above the note)∑in the oral cavity ææ j inr order ∑ ∑ ∑ ∑ 5 4 6 ‰ µ ‚ ‚ ‚ µ ‚ ‚ to filter & 8 the respective ‚ µ the 4 œ (shown##below µœ œ consonant œ note). œ ™™ œ‚ 32 œ Also respect the direction of ventilation (indicated by the pp f notehead). p

∑ Ó

3

)

22.3

n.v. audibly breathing (echo)

s

75

∑

indicated.

∑ notes ∑ should always ∑ be ∑played ∑ the beat. ∑ Grace before 12.2 th...

8

p

>>>>>>> ∑ 7 & 32 V V V V V V V

∑

3

∑

16.5

Always make unless otherwise indicated. f (non bow dim.) changes unnoticeable 15.4

exhale 8 19.2.2017 14:16:32 draw+play_Siggi_190217_1

7 ¢ 32

∑

arco >œbgap n>œ. pizz. ˙ before nextœbar hold note -bno exhale J ‰ Œ Ó J ∑ 5 Œ™ 1™ à ‰ 1™ É 4 ) 3 f ppp f

68 knock on body

>& > > > > > ∑> 7 32 V V V V V V V

∑

3 th... p ppp

15

∑

16

Dashed ∑arrows between∑bow changes 5 of™ bow position.

4 Œ

n.v. position (echo) trem. rit.

O B4 ˙ ææ pp

8‚

symbols indicate∑gradual ∑

‚œ

Œ

&

19.9

6 32

n.v.

Dashed diminuendo lintes indicate gradual changes from arco to (echo) col legnobow tratto (gradually use fewer hairs). tailpiece b‚ ‚ ‚ b‚™ ‚

5 8 c™

c

&

4 Π4

œ ææJ

œ ææ

œ

Ϫ J

œ 6 R 32

Dashes crescendo lines indicate gradual from col legno 3 pp changespp mf f tratto to arco (gradually use more hairs).

11

19.2.2017 14:46:12 draw+play_Siggi_190217_1

draw + play_SIGGI_180217_9

Solid arrows from a tremolo indicate gradual changes from a tremolo to a sustained note (trem. rit.).

15.3

19.7

Dashed arrows between vibrato symbols indicate gradual changes of the vibrato rate.

The symbol represents a clef, that indicates the length of the appropriate string from the root (the lowest staff line) to the bridge (the highest staff line).

Circles (full white to full blacks on 25% intervals) above notes indicate level of bow pressure (in order to create scratching sound).

Snap pizzicato symbol indicates snap pizzicato (BartĂłk pizz.).

Dashed arrows from a trill indicate gradual changes from a trill to a sustained note (trill rit.).

Dashed arrows to a trill indicate gradual changes from a sustained note to a trill (trill accel.).

Boxes should be repeated for as long as the graphics show.

Lighting The lighting in the hall should be as dark as possible.

The performer should use stand lights if necessary.

Duration: ca. 9’

Dedicated to Sæunn Þorsteinsdóttir

1. Ljós

Halldór Smárason q = 64

O™

)™

U Œ

bow the bridge noise without tones

3"

pp

pp

O™

~

brg.

œ

h...

pp

5

mp

U Œ

‚

pp

m.s.p.

#O˙

"mf"

&

ææ O

brg.

m.s.p.

?

pp

° œ & œ Œ œ

? Œ ¢

E™

OO™™

pp

IV

œ

ææ ˙™

æ b˙

pp halfpressed noise without tones s.p.

III

mf

pp

U Π3"

œ

pp I s.p.

U Π5"

#‚œ

pp

œ‚ ™™ #œ‚ #œ

mp

pp

œ

?

œ Œ

s.p.

I

mf

e

vertical swipe: noise without tones IV+III

C-bout

o

ú

pp

™ ú?

s.p. % bow pressure

bœ

pp

p

œ

pp

&

##˙O

fpp

Ÿ<b> œ

m.s.p.

~~ ~~~~~~~

%

Œ

inhale nose <oo>

p

mp

O

Œ

p

)

brg.

col legno tratto (c.l.t.)

3" s.p. brg.

œ œ™ œ œ™ œ™

œ

pp inhale mouth <ee>

2"

arco ord.

m.s.p.

?

U Œ

)

bow the C-bout

œ ™ ‚

brg.

pp

o

Halldór Smárason © 2017

August - October 2017 (Reykjavík) _SÆUNN_071017_28

bow the tailpiece (at the top)

U Œ

3"

?

s.t. pizz.

e™

c c

œ

>. » 3" U ? Œ V œ >.

knock the body with knuckles ord.

Œ

pp

f

» j œ. ‚™ >

stroke body muffle with fingernails strings ord.

6

ff

p

<ee>

fi ?Ã Ã Ã

j

U Œ

p

2™

"f"

U Œ

2"

?

c.l.b. ricochet (s.p.)

col legno battuto (c.l.b.) 3" s.p.

œ. œ. >

U Œ

≥

œ. . >

f

°

@™ (s...)

f

@

<eh>

O˙

E™

E™

°

t

t

™

p

@

O˙™™

E

U Œ

™

≥

œ. >

ff

E™

E™

pp poco a poco dim.

E™

ord. arco ord. rch.

p

@™

E

™

™

? ¢

™ ™

™ ™

E™

IV

f

™™

E

<oo>

ppp

E

™ ™

E

bO b˙

ppp

2 _SÆUNN_071017_28

‚œ ™™

E

pp poco a poco dim.

E™

. . .

m.s.p.

III

E

(s...)

E™

@

"f"

5"

. . . . . . .

"f"

s...

t

9

p poco a poco dim.

? O˙™™ ¢ p

t

ú

exhale and inhale with mouth <ee>

<oo>

t

ú

f ff pp

≈ t

noise with vague tones 3 III+II

2"

brg.

O

O˙

°

™

3

‰ Œ

o

(s...)

¢

brg.

O™

arco behind the bridge III

≥ G™

~

> <#> g # g

mp

g

pp

g™ #g

> g ™# g g

e

5

mf

try to play the respective pitches behind the bridge (regardless of register)

≤ G

#g p

(in front of s.p. the bridge) ord.

3

&

j ‚œ œ‚ œ‚

##œ‚

mf

j ‚œ

ææ œ‚ œ‚

m.s.p.

3

fp

>5 g g g

3

j g g

pp

p

‚™ ææ p

œ‚

J

o

>. ™ r‰ Œ

(blowing) <oo>

ord.

& ##˙O p

‚œ ‚ ™™ O œ ˙ n.v.

f mp sub.

h!

n.v. (fast and s.p. narrow) m.v.

3

‚ O œ‚ ™™ #œO œ‚ œJ ˙

p

bb ‚œ µµ‚œ

fp

f

p

œ‚

œ‚

œ‚ ##œ‚ ™™

ord.

f sub.

"ff"

r ‚œ

?

3 _SÆUNN_071017_28

2. Minning attacca q = 60

<oh>

pizz. m.s.p.

tap

pp

pp

pp

)™

? U bœ °

. 3. .

1

6"

stroke body with fingernails

6 R

h...

p

U Π3"

o

?

Œ

(exhale silently)

mp

‰

<ah>

<eh>

3 p

pizz. m.s.p.

mp

stroke brg. with fingers

? U ¢ œ p

12"

?

<ah>

O

pp arco (s.p.) ricochet

pizz. s.p.

˙™

b ‚œ. . . . . . .

O˙

p

pp

p

7:8

h...

mp

pp

? U ‚

bœ p

3" .

U J ‰ Œ

™

IV ord. pizz.

U

3"

<eh>

"mf"

pizz. ord.

5"

U Œ

<ah>

Œ

inhale <oo>

≈ j™

h...

p

6"

mf

°

>.

J

<ah> (hold breath)

I pizz. s.t.

"f"

& Œ

II pizz. s.t.

? b>œ ¢

mf

‰ œ

j œ > mp

> J

<ah>

h...

"f"

<oo>

U Œ

<oo> 3"

o

h...

p

?

3

<eh>

"f"

mf

‰

pizz. s.t.

µœ >

mf

4 _SÆUNN_071017_28

Œ

>.

>™

<ah> (hold breath)

h...

> j bœ œ

pizz. s.t.

mp

E

arco brg.

‰ ‚™ pp

?

°

r ‰™ Œ

≈ j™

<oo>

<oo>

pp

¢

3

‚

ææ O

p

?

ææ ˙

(arco) m.s.p.

æ #˙

pp

æ œ

mf

arco (ord.)

arco ord.

(c.l.t.)

œ

œ

pp

Ϫ

j bœ

p

Ó™

˙˙

ppp

arco n.v. s.p.

b œ œœ ™™ œœ œœ b œœ ™™

pp

p

pp

pp

? ¢ œ

œj

‰

pp

j b œfi

m...

h...

Ÿ<n> ˙˙ œ p

m.s.p.

p

pp

o

pp

pizz. s.t.

mp

Œ

s.p.

j œfi

3

j œfi

Ÿ<b>

b œ œœ

bœ

pp

&

<oo>

j œœ

m.s.p.

pp

˙

œ

?

e

mf

%

E n

attempt 4x to light a match (amplified)

light a match (amplified)

light a candle (amplified)

pp-mp

"f"

n

bow the back of the body in order to create continuous crackling sound

turn instrument

Y

pp

˙˙ ™™

Œ

o Œ

œ . ‰ 1

tap

E™

m...

pp

pizz. s.t.

3

bœ œ

Œ

<oo>

œœ ™™ œœ fij œ œ

m.s.p.

c.l.t. arco ord. ord.

3

pizz. s.t.

mf

pp

ord.

b ˙˙

˙

&

v.

f

j œœ ‰

m.s.p.

n.v.

sung <ee>

° &

˙

3

pp m...

pp

œ

pizz. ord.

sung <ah>

˙˙ ™™

3

œ

mf

ord. v.

b œ œœ

&

b>œ

3"

pp

n.v.

œ > mp

II pizz. s.t.

U Œ

mf

I pizz. s.t.

Œ

&

&

?

<ee>

‰ Y

pizz. ord.

III

˙

f

.

. 3. .

pp

‰

pp

5 _SÆUNN_071017_28

<eh>

‰

<oo>

5

<ee>

Ó

3

b b b b b b

p

. . . 3. . . . ™ ‰ 1 sim.

5

U Œ

pp

p

‰ Y

2"

pp

mp

Œ

Y

‰

pp

‰ Y™

U Œ

a...

pp sempre

Œ

Y™

p

mf

p

mf

‰

tap . . . . 3. . ≈ 1 Ó

p

mf

p

mf

Y

accel.

oo

oBb œo œo b œo o œ oœ œo œ≈

œœ œ

œ

pp

¿

mf

o o<Bb> œo œo <b> œ o œ 6‚≈œ

C-bout

oo

mf

œœ

?

"ff"

Ó

p

"f"

o o o œo œo œ o œo œo œ o o o œ œ 6‚≈œ ‚66œo œ œ

œ œ œ

‰ Ó

œ

&

arco ord.

˙

mf

q = 72 (e = 144)

sim.

o o

"f"

p

m.s.t.

Œ

"f"

3. . .j . 3. . . . knock 1 V ‰ ‰ VV

j

pp

? ¢

. . . 3. ‰Œ 1

p p p p p

mp

throat crackling <ah>

4"

° &

mp

<oo>

o

oo o oœ œo œo œo œ œ 66‚ ‚66œ

œ œ

œ

œ

p

<oo>

noise without tones IV+III

° &

oo o oœ œo œoBb œ œ b œ

? ¢

ord.

oo

o ≈ œ ‚ ú6

œ œ œ

o œo œo œ oo

o o œo œo sim. œ œ ≈ 6‚ ú

œ œ œ

œ œ 6

_SÆUNN_071017_28

o œo œo œo œo o o o Bb œo ≈ œ 66‚ 6‚ ú 6Bb œ œ œ o o œ œ

oo

s.p.

œ

œ

oo o œ œ ‚ú6 œ

œ

f

œ

<ah>

<oo>

<oo>

oo oo o o oo o o o o o o œ Bb œ œ Bb œ Bb œ o o o œoBb œ ° œ œ ‚6‚ 6Bb œo œo œo œ o œo œo œ œ œ ‚6‚ Bb œ ‚6‚ 6 œ 6‚ 6 ‚ 6 ‚ 6 ‚ 6 & úœ ú ú ú ú ú o

? ¢

œ

œ

ppp

°

<ee>

ooo &

œ ? œœ ¢

f

ú6Bb ‚ ú

f

f

œ

œ

p

œ

œ

f

œ

œ

ppp

œ

œ

pp

<ee>

o o Bb œ

œ

œ

oo o œ œ œ 6‚ú6 f

oo oo oo oo oo o oo o ‚6‚ œ œBb œ ‚6‚ œ œ œ 6‚ ú œ œ 6‚ ú œ œ 6‚ ú œ œ ‚6‚ œ œ o o o s.p.

œ

œ œ

œ

œ œ

pp

œ œ

œ

m.s.p. m.s.p. o o o oo o ° Bb œ ‚6‚ œ 6‚ 6 œ ‚ ‚ ‚ 6 ‚ ‚6‚ ‚6‚ ‚‚ & úœ ú ú ú ú œ ú 6‚ ú 6‚ ú ‚‚‚ œ o o o o o o o o o oo œœ œ œn œ ? œ œ œ nœ œ œ ¢ b œ œ œ œ œ œ µ œ <µ> œ #œ

p

<oh>

f f f f f f f f

6

brg.

C-bout

‚

mf

Œ

mp sub.

‚

mf

‚ .

≈

<oh>

f f f

6

<ee>

"mf"

6

p

pp

Œ

f

Œ ‚

pp

≈UŒ 2"

ppp

"f"

blow out the candle <oo> 4"

U ‰™ r Œ h!

‚

ppp

U ‚‰‚Œ o 4"

?

7 _SÆUNN_071017_28

3. Svart I n.v. s.p.

q = 64

≥ ≤ ≥ ≤ sim. #œ

&

ord. m.v. (fast and narrow)

m.s.p.

f

? #˙ ™

s.p. m.v. (slow and wide)

#˙

pp

f sub.

j œ.fi

mf

s.p.

& p

bœ b œ œ b œ n ‚ œ‚#œ‚ œ‚#œb œ œ<b>œ œ œ œ m.s.p.

p

œb œ

? œ

ord.

mf

œ >

& #œ

n‚ ‚ nn ‚œ##‚œ ##œ‚#nœ‚n œ œ #œ

m.s.p.

‚ #œ‚ œ

pp

mp

rit.

a tempo

(as if falling asleep)

(suddenly waking up) ord.

4"

#œ

#œ

pp

#œ

5

o fp

p

µœ

s...

ppp poco a poco cresc. brg.

O

O

mf

E™

™

(s...)

ppp

œœ

e

‚

p

™ œœ

e

E™

Ÿ<b> ™™ œœ ## œœ p

ppp

œœ

3

ppp

%

8 _SÆUNN_071017_28

ppp

@

th...

? ¢ ˙˙

œ #œ

<oo> exhale and inhale

pp

arco m.s.p.

<µ>œ

m.s.p.

%

™

<ah>

E™

œ œ œ™

n.v.

p

s.p.

°

œœœ

™

Ÿ<n> 3 ™™ œœ œ ˙ œ ˙ p

pp

O

Ó E

Ÿ<b> ™™ b œœ œ œ bœ œ m.s.p.

p pp

e

°

E

E™

™

@

@

<ee>

mf

? ¢

<Ÿ> e

"f" non dim.

Ÿ<n> Ÿ<n> œ j3 ™ œ ™ œ œœ œœ ™ œ œœ œœ ™™ p

p

mp p

&

e Ÿ<b> Ÿ<n> ™™##œœ œ #œ

mp

e e

s.p.

ord. rch.

III + II

Œ

mp p

≤o o o o 9o o o o o rch. o. o. o. o.Uo œœœBb œ œœœœ ™ œ. œ. œ. œœœ ...... o f p IV

(s...)

mf

≥ œœ.

. .. . ..

9 _SÆUNN_071017_28