HALLDÓR SMÁRASON
Pólypsar Tilraun til svefns for solo violin
Written for Geirþrúður Ása Guðjónsdóttir
SCORE
Performance Notes The violin part appears on six staves, where the first staff
Short ties emphasize the
Notes with diamond noteheads
is conventional, next four staves
importance of letting vibrate.
indicate positions where the fingers
represents each string, and the
should lightly touch the strings
last staff represents the
Events that require special
body of the instrument.
instructions are marked an
(to create harmonics).
asterisk followed by a number
Notes with segment-noteheads
In addition to the multiple violin
and are explained at the
indicate hits/muffles with the
staves, the performer is required
bottom of the page.
left hand on the appropriate strings
to breathe audibly with nose or
to produce a percussive sound.
mouth when specifically written,
The violin symbol represents a clef,
which is explained with
that indicates the length of the
Notes with giant X-noteheads
the sixth staff.
appropriate string from the bridge
indicate hits with the screw of
(the lowest staff line) to the root
the bow. Further explanations
The nose symbol indicates
(the highest staff line). Therefore,
can be found in footnotes.
passages that require in- and
everything written below the staff line
exhaling through the nose.
is played behind the bridge, and
Small boxed noteheads indicate
everything written above the staff line
events tapped with the left hand
is played above the root.
at the approximate pitch.
Fingernail symbols indicate
X-noteheads that appear in the
events played with fingernails.
body staff indicate scratches.
Boxed L’s (left) and R’s (right)
Conventional noteheads that
suggest which hand to use.
appear in the body staff
The mouth symbol indicates passages that require in- and exhaling through the mouth. Always let vibrate unless otherwise indicated. Vertical dashed line with arrows indicate coordination.
indicate knocks.! Accidentals only apply to the notes that they precede.
Duration: ca. 5’00’’
Pólypsar Tilraun til svefns for solo violin q ≈ 58 - 62
Ϫ
*2) inhale through the nose
Inhale Exhale
œ J
"mp"
Vln. (all strings)
Eb
*1)
A *1)
D
¢
G
˙
"mf" sub.
*1)
=
sim.
≈ ‰ o
"p"
++++
*4) I
≈
&
° *1)
œ ™™
r5:4 œ Œ
*2) exhale through the nose
≈‰ 3:2 o
p 5 sim.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺ o
mf sub.
ĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
p
ĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
œ ™™
≈ ‰ o
"p"
Ϫ
œ ™™
3:2 r œ‰ ‰ o
"f" sub.
≈ ‰ o (c.l.)
"p"
r 7:8 œ ®‰ o
˙
"f" sub. s.p. punta d'arco
≥K œ œ. .....
˙
œ J
"pp"
3:2
≈ o
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
"f" sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
*3)
r 7:8 œ ®‰ o
˙
Halldór Smárason
ĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ p
ĺĺĺĺĺ o
ĺĺĺĺĺĺ o
ĺĺĺĺ o f sub. *5) c.l. w/h (ord.) ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
(ord.)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
p
ĺĺĺĺĺĺ o
p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺ o f sub. ord. ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ord. ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
*5) c.l. w/h
ord.
c.l. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ*6) ĺĺĺĺĺĺĺ o p *6) c.l. c.l. w/h ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ o p c.l. w/h
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
pp
pp
ĺĺĺĺĺĺĺ o ĺĺĺĺĺĺĺ o
Body
"f" sub.
& ‰
°
¢
+ + +
*4) IV III
Ϫ
r 7:8 œ ®‰ o
˙
"pp"
II
3
pp
*7)
ĺĺĺĺĺ o
d ¿¿¿¿ ¿ ¿
˙
° arco ≥ b >œ 3:2
¢
Ϫ :
p
bœ J
‰
mf sub. arco
≥ b >œ
o; mf sub. 3:2
œ J œ J
Ϫ J
< Œ>
glis s.
glis s.
œ o œo
≈ ‰ o
7:8
"pp"
iss. *8) pizz. gl
&
O™
pp
:
≥K œœ
O J o;
*8) pizz.
&
Ϫ :
s. glis
p
≥ b >˙
o;
o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ o mp
˙
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
œ o
gliss .
*9)
mp
œ
3:2
‰ Œ
o ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp "mp" sim.
pp
3:2
ĺĺĺĺĺĺ o mp ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺ ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺ o ĺĺĺĺĺĺ o ĺĺĺĺĺĺ o
˙™ "p"
œ‰ ‰ R 3:2 o
"mf" sub.
j Ϫ
5:4
6 66 6
≥ K œœ ..
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
p
˙
5:4
œ
≈ ‰
o
"mp"
‰
.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
ĺĺĺĺĺĺ o
p
‰ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
œ ˙™ R
3:2
o
"p"
ĺĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
p
ĺĺĺĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
p
Œ
Halldór Smárason © 2013
œ
II p
mp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ o mp
*1) The violin graphic represents a clef, that indicates the length of the appropriate string from the bridge (the lowest staff line) to the root (the highest staff line). Therefore, everything written below the staff line is played behind the bridge, and everything written above the staff line is played above the root. *2) The swipes should always be synchronized with the breathing. *3) Swipe the bow vertically across the strings as the graphics show to produce noise. Avoid producing audible tones. *4) Left hand pizzicato on open strings (pitches will change due to vertical bowing). *5) Col legno with a few hairs added from the bow.
"p"
‰
œo
f sub.
œ œ dœ œ
œ ≈ ‰ R o
sim.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
pp gliss .
˙
*3)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
f sub. arco
bœ J
"mp"
≈ ‰ o
*10) I
pp
&
j Ϫ
˙
L
. .. ...
pp
≥arco b >˙
≈ Œ
*3)
< Œ>
Ϫ
‰
(c.l.) s.p. punta d'arco
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
"mp"
s. glis
Œ
R
p
pizz.
"mf" sub.
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. ĺ ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
pp
o
r 7:8 œ ®‰
‰
ĺĺĺĺĺ o
pp
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. L
ĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺ ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
˙
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
p
=
7:8
≈ ‰ o oo b œœo œ
œœ œ œF
L *11)
œ
œŒ
pp *6) Col legno. *7) Scratch the upper bout as the graphics show. *8) Keep glissing although tones cannot be heard. *9) Knock on the upper bout as the graphics show. *10) Tap with left hand at the approximate pitch. *11) Tap with fingertips behind the fingerboard.
o
7:8 ≈ ≈ ® œr ˙ ™
œ
o
"mp" sub.
&
"p"
pizz.
¢
œ
&
Πo
L
°
6 6
II pp
*6) exhale through the mouth
6 6
˙
"mf" sub.
3:2
œ
‰ ‰ o
+ ‰ œ œ+ sim. bœ ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
> V J
*1) L *2)
>œ
Œ
… ‰
Œ
… ‰
Œ
ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. sim.
*5)
˙™
(a tempo)
sim.
≈ œJ 3:2
˙™
‰ o
"p"
≥¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o pp *9) ≥ ¿ ĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺo p *9)
œ Œ R o
arco s.p.
r œ ˙™
"mf" sub.
j œ
b œo
&
Œ
fij œ p
pizz. *8)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺ œ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺ œ o p
o
Œ
≈‰ 3:2 o
d
˙
IV p
Œ
‰
Œ
‰
5:4
≈ ‰ o
o
"mf"
œ ˙™ R
. ĺĺĺĺ . ĺĺĺĺ . ĺĺĺĺ . . ĺĺĺĺ . . .ĺĺĺ. . ĺĺĺĺ. ĺĺĺĺ. ĺĺĺĺ .ĺĺĺĺĺĺĺĺ. ĺĺĺĺĺĺĺĺ . ĺĺĺĺ o mf sub. bœ
‰ o
‰
œ
"mf" sub.
. ĺĺĺĺ . ĺĺĺĺ . ĺĺĺĺ . . ĺĺĺĺ . . .ĺĺĺ. œ .ĺĺĺĺĺĺĺĺ. ĺĺĺĺĺĺĺĺ . ĺĺĺĺ. ĺĺĺĺ. ĺĺĺĺ . ĺĺĺĺ o mf sub. .ĺĺĺĺĺĺĺĺ .ĺĺĺĺĺĺĺĺ . ĺĺĺĺĺĺĺĺ . ĺĺĺĺ . .ĺĺĺĺ .ĺĺĺĺ .ĺĺ.ĺ ĺĺĺĺ ĺĺĺĺ ĺĺĺĺĺĺĺĺ .ĺĺĺĺĺĺĺĺ . ĺĺĺĺ . ĺĺĺĺ ĺĺĺĺ.ĺĺĺĺ ĺĺĺĺ ĺĺĺĺĺĺĺĺ . ĺĺĺĺ œ .ĺĺĺĺ o mf sub.
*1) Hit/muffle the indicated strings with the left hand to produce a percussive sound. *2) Mute strings. *3) Swipe the bow vertically across the strings as the graphics show to produce noise. Avoid producing audible tones. *4) Tap with left hand at the approximate pitch. *5) Scratch the upper bout as the graphics show. *6) Tap with fingertips behind the fingerboard.
œ
p
œ
p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ppp
œ
‰
o
o
3:2
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺ
o
pizz.
Œ
bœ J
gliss.
&
‰
˙ o; p: ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺ œ o
≥ b >œ
5:4
œ o
j œ
5:4
‰
≈ ‰
p
œ "p"
7:8
œ ‰ R o
VV VV
p
mf sub.
p
œ o
d ¿
*5)
¿
¿
L poco rit.
Ϫ
"f"
‰ o
"ppp"
Œ
3:2
Œ
Œ
≈ ˙ o "p" sub.
7:8
+ + +5:4 II+ +
*3)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
. . . . .. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ Œ œ.
gliss.
Œ
III
L
p
mf sub.
r œ œ
"mf" sub.
*11)
ff sub.
. . . . .. ĺĺĺĺ Œ œ.ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
‰
3:2
œ R < Ó>
f sub.
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺ o
gliss.
< Ó>
f sub.
+++ + b œœj œ œ
œ ĺĺĺĺĺĺĺĺĺĺĺĺ
p
*8)
ppp
≥ b >œ œ J &
(l.h. pizz on all strings)
sim.
œ J
*7) inhale through the mouth
"ppp"
F œ œ œ œ œœœ
"pp"
o
7:8
"p"
3:2
ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺ œ
˙™
‰
œ œ R
L *10)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œĺĺĺĺĺĺĺĺĺĺĺĺ o p p
*6) L
œ
ĺĺĺĺĺ o
p
ĺĺĺĺĺĺĺ o
j œ
ĺĺĺĺĺ o
p
‰
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
¿ ¿¿ ¿ ¿¿¿ ¿¿¿¿¿ ¿ o p "f"
"f" sub.
ĺĺĺĺĺ o
p
ĺĺĺĺĺĺĺ o
pp
7:8
j Ϫ o
≈ ˙
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
pp
"p"
b OI II O III O O
f sub.
‰ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺ o
pp
5:4
r œ œ œ ‰ ≈ R o 5:4 "p"
"f" sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
˙
*9)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
"p"
¢
> V
*1) L *2)
… ‰
œ J
6
6
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ p ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p
≥¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o p *9) ≥ ¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
°
> V
*1) L *2)
œ
L
*4) I
=
»j œ > » >œ »
r ˙ œ‰ o "pp" 3:2
"f" sub.
*4) L
ĺĺĺĺĺĺ O & ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp sub. … ĺĺĺ ĺĺĺ ĺĺĺ ĺĺĺ & O ≈ ‰ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. mp sub. ĺĺĺĺĺĺ & ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o œ mp sub.
¢
7:8
*3)
°
=
œ ‰ R o
∏∏∏∏∏∏
2
p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
p
pp
o o o
*8)
ĺĺĺĺĺĺĺĺĺĺĺĺĺ œĺĺĺĺ o mf sub. ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o mf sub.
b œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ sim. c.l.
ppp
ĺĺĺ o
ĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o ppp
bœ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ p sub.
c.l.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺ
c.l.
œ
ppp
ĺĺĺ
o
Œ
*12)
ĺĺĺĺĺĺĺĺĺĺĺĺ L
pp
*7) The swipes should always be synchronized with the breathing. *8) Swipe the bow diagonally across the strings as the graphics show to produce noise. Let open strings vibrate very softly. *9) Bow the strings behind the bridge as the wavy lines indicate. *10) Tremolo by swiping the left hand in short and rapid movements back and forth along the appropriate strings. *11) Hit/muffle the indicated strings with the left hand to produce a percussive sound. *12) Scratch the appropriate string with a fingernail on left hand.
3 (exhale through the nose)
œ o &
°
*1) I arco
bO
ĺĺĺ
III arco *2) s.p.
‚™
III
O O J
IV
3:2
‰ œ w >+
5:4
p
5:4
˙™
*3) s.t.
˙
˙ ‰
œ
bœ œ +
IV mf
o
‰ bœ ˙ œ ˙ R +
7:8
3:2
Ϫ
s.t.
ord.
s.p.
f
ppp
w
o
Œ ˙ +
˙
˙
OO
s.p.
œœj *4)˙˙
o
"f" sub.
Πo
mf
¢
& =
*5) ca. 17" *6) III s.p.
≥ ~< œK b œ . . . . ~< punta d'arco
IV pp
f sub.
3:2
s.t.
mp
III arco
& ‰ nœO
œO
5:4
pp
poco rit.
II
O™
Œ
IV pp
(a tempo) pizz.
III
œ œ œ™ 3:2
bb œœ >œ
mp
(pizz)
5:4
r œ bœ
œ
œ
+ Ϫ
3:2
˙ w
œ
pp arco s.p.
port
.
(mp)
O J
IV
+
+ bœ œ
+II Ϫ
j œœ œ w 3:2
& ˙ ˙™ pp
3:2
OJ IV
bœ
j 3:2 œ œ w
j œ
˙
+ j bœ
pp
+ 5:4 +I j œ œ ™ O bœ ™ bœ III œ
≥
pp
mf sub.
j œ œ
œ
œJ
. . .j œ œ œ œJ w 3:2
5:4
+ r j œœ œJ mp
+ œœ œ
+ œ
+I bœ b œœ
7:8
ÆOJ III
+3:2 + + œ œ b œ n œOII œœ œ jeté
(pp)
(HÆ
¿ ¿ ¿ J
¿ ¿ ¿ ¿ ¿™
5 3 - TTU AÐ AN - DA SVO NA MI KIÐ!!!)
œ
3
-œ ™
c
*7) L
*10) p
Oœ ™™
‰
5:4
+ r œ w w ˙
IV
mf sub.
.
.
. . .. .
3:2
Y™ (AAAAA
O
III
>≥ ˙
˙O p
ppp
Y -
-
-
AAAAAHHHHH!!!!!)
"fff"
*9) at the frog
. . . . . b œfi œ œ œ œ
---
- - -
5
3
- -œ. œ. œ. œ. œ. œ ™ 5 ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ *10) p ∏∏∏∏∏∏∏∏ jeté
Œ
"ff"
b1- ™
∏∏fff ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏ 3 1- ™ *9) at the frog jeté - -& œ. œ. œ. œ. œ. œ ™ 5 ∏∏fff *10) p ∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ 3 1- ™ jeté *9) at the frog - &. . . . . œ œ œ œ œ œ™ --5 ∏∏fff *10) p ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏
&
&
*1) Damp the string at the root. *2) Sul ponticello. *3) Sul tasto. *4) Gradual changes from normal finger touch to light (harmonic) touch. *5) Repeat the box as the graphics show for ca. 17 seconds.
+ j bœ
(arco) s.p.
¿™
+ œ œJ
j Oœ J
pizz. III
(pp)
*8) move lips accordingly
mp II
n˙
pizz. IV
5:4
p pizz. III
OO
Oœ
III pizz.
=
ì Ó~ w
III
O™ IV O œ
p
> >
arco
pizz. IV
∏∏∏∏∏
=
*9) at the frog
1- ™
fff
b! ™ ææ
ord.
Œ
Œ Œ
Œ
! ææ
bœ
! ææ
œ
s.p.
(fff)
mp
ord.
s.p.
(fff)
mp
ord.
s.p.
(fff)
mp
!™ ææ !™ ææ !™ ææ
! ææ ! ææ
ord.
s.p.
(fff)
mp
o
o
œo
œo
> Ã
mf sub.
*6) Play given tones bowing in circular motion as the graphics show until the tip of the bow has reached the fingerboard. Repeat accordingly. Feel free to interfere with the harmonics by moving the fingers from the written position (notated with wavy lines). *7) Hit the lower bout with the screw of the bow. *8) Silent shouting. *9) Gliss with open strings. Articulate the rhythm at the approximate pitches. *10) Transformation from normal bow pressure to high bow pressure (scratch tone).
4
Ϫ
(inhale through the nose)(exhale through the nose) sim.
œ
"p"
&
°
œ J
o
‰
5:4
≈ œ
o
"f" sub.
7:8
œ‰
œ
o
"pp"
‰ ‰ o
"f" sub.
Ϫ J "p"
*1)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺ
sim.
f sub.
=
L
œ œ
p
ĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ o pp o ĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ o pp ĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ o pp
ĺ ĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺ ĺĺĺĺĺĺĺĺĺĺĺ o f sub.
j œ
‰
7:8
o
j œ
o
‰
Ϫ
sim.
≈ ‰ o
7:8
"p"
pp
ĺĺ
ĺĺĺĺĺĺĺĺĺĺĺ
p
ĺĺĺĺĺĺĺĺĺĺĺ
ĺĺ
p
ĺĺ
"mp"
7:8
œ ‰ R o
3:2 r œ‰ ‰ o
œ "mp"
Ϫ J
œ "mp"
5:4
‰
o
Ϫ
r 5:4 œ ‰ œ œ™ o "mp"
"mp"
5:4
≈ œ ™™ o "mp"
‰
‰
o
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
c.l. w/h
o
c.l.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺ o
ord.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
o
mp
o
mp
ĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
mp
ĺĺĺĺ
mp
o
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
œ œ™ R
(inhale through the mouth) 3:2
‰
"mp"
o
Œ
r œ
5:4
"mp"
b OOI O
bœ œb œ n œ
˙
j Ϫ
o
"mp"
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
b œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺ o
p
ĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
ĺĺĺĺĺ o
˙
‰ nœ s.p. b œ n œ b œnœ œ œ
"p"
Ϫ J
Œ
‰
o
II
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ o mp
o
ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
ĺĺĺĺĺ o
¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
o
˙™
Πs.p.
5:4
œ bœ œ
pp
pizz. (s.p.)
"mf" sub.
r œ
pizz. s.t.
*3)
c.l.
"mf" sub.
III p
bœ ĺĺĺĺ sim.
*3)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺĺĺĺĺ o mp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ œ o mp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ œ o
mp
o
U w
:
hold breath as long as possible
o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o p
*1) Swipe the bow vertically across the strings as the graphics show to produce noise. Avoid producing audible tones. *2) Tap with left hand at the approximate pitch. *3) Swipe the bow diagonally across the strings as the graphics show to produce noise. Let open strings vibrate very softly. *4) Bow the strings behind the bridge as the wavy lines indicate. *5) Let the bow reach and knock the scroll.
Ϫ
ppp
p
sim.
pizz.
&
s. glis
bœ J
o;
œ
"f" sub.
mp
ĺĺĺĺĺ
o
5:4
≈ ‰ o
‰
3:2
œ R
"p"
pizz.
j œ
o
*1)
*5)
> ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ 6 o mf sub. *1) f sub. > ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ 6 ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. p f sub. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
œ
p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ œ o "mp"
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
‰
*3)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
"mp"
ord.
˙
o
*3)
*4) ¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺ œ o
"p"
Œ
ĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
p
œ w RÔ
3:2
œ ˙™ R
"mp"
ord.
*4) ¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺ ĺĺ ĺĺ ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺo
bœ J
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. ĺĺ ĺĺĺĺ ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o mf sub.
‰
o
œ ĺĺĺĺĺĺĺĺĺ
*4)
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
r œ ‰ o 7:8
‰
˙
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o "mf" sub.
p
˙™
œ
sim. c.l.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
sim.
‰
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mp
3:2
"mf" sub.
pp
¢
¢
≈ œ
(s.p.)
*1)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ œ o p
°
o
"f" sub.
œb œ œœb œ œœ œ
ĺĺĺĺĺĺĺĺĺĺĺ
p
&
&
‰
mp
˙
=
5:4
arco s.p.
*2)
¢
°
3:2
(exhale through the mouth)