The Christmas Auction 4141 - 9th December 2020 by Halls Fine Art

HALLS FINE ART WISH YOU A VERY

MERRY CHRISTMAS 4

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THE CHRISTMAS AUCTION Wednesday 9th December 2020 Auction starts at 10am

Viewing (by appointment only): Sunday 6th December 2pm - 4pm Monday 7th December 9.30am - 4.30pm Tuesday 8th December 9.30am - 4.30pm Auction no.4140 Front cover illustration* Lots 24, 70, 243, 296 & 337 *(baubles not included)

Back cover illustration Lots 52, 65, 79, 85, 93 & 113 How to bid: In person at Halls* By Telephone* By Commission Bid* Online

ORDER OF SALE 1-43 44-121 122-192 193-256 257-315 316-348 349-415 416-472

Silver & Bijouterie Jewellery Watches & Coins Paintings & Prints European Ceramics, Glass & Militaria Asian Art Collectables & Works of Art Furniture

*Please contact us to bid in person at Halls as spaces are limited - this is subject to change pending government guidelines Telephone & Commission bids must be placed by 4.30pm the day prior to the sale

Halls Holdings House Bowmen Way, Battlefield, Shrewsbury, SY4 3DR

Halls Holdings Limited Company Registration No. 06597073 VAT Registration No. 549 7365 94

T: 01743 450 700 E: adminfineart@hallsgb.com W: www.hallsgb.com/fine-art

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MEET THE TEAM

Gerry Berwyn-Jones

Maryanne Lineker-Mobberley

Caroline Dennard

Head of Fine Art

Silver & Jewellery

Ceramics & Militaria

Alexander Clement

Abigail Molenaar

Derek Ainsworth

Asian Art & Senior General Valuer

Modern & Contemporary Art

Coins & Medals

Chris Moore

Gemma Price

Chloe Barlow

Books & Maps

Administration & Design

Administration

Peter Booth

Neil Haywood

Carl Humes

Fine Art Accounts Manager

Porter

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gerry@hallsgb.com

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alexander@hallsgb.com

adminfineart@hallsgb.com

peter@hallsgb.com

BA (Hons) FGA DGA ASFAV

maryanne@hallsgb.com

MA BA (Hons)

abigailm@hallsgb.com

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adminfineart@hallsgb.com

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carolined@hallsgb.com

adminfineart@hallsgb.com

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adminfineart@hallsgb.com

Gerry Berwyn-Jones BA (Hons) MRICS ASFAV

Head of Fine Art

gerry@hallsgb.com

SPECIALIST INSIGHT It is not usual for the focus of any commentary to be on antique furniture given that the market has become increasingly selective in this field, but there is an interesting variety in this sale, consigned by private vendors from across the midlands and Wales. Those worthy of note include lot 454, a painted Italian cassone dating from the 17th century and its decorative appeal is self-evident. Painted furniture has never fallen out of fashion and this cassone is appropriately painted with a classical scene, depicting the Roman myth of the priestess Tuccia. Elsewhere there is an Iberian elbow chair (lot 438) and a Dutch marquetry table (lot 455) that is typically inlaid with a floral panel that is in the tradition of van Mekeren, but where the treatment is mannerist, a style popular at the end of the Renaissance. Lot 434 is a good example of an 18th century Italian marquetry commode in French, Rococo form and then there are various French, Rococo style works, including a petite commode (lot 423). In sharp contrast lot 363, a German ‘Armada chest’ adds to the eclecticism of the sale. Neoclassicism is also well represented with a pair of Adam style painted elbow chairs (lot 428), indicating the breadth of styles represented in this sale. In contrast to the above, much of which is polychrome decorated, or veneered with marquetry, there is also a complementary collection of English

furniture. The phrase ‘brown furniture’ is frequently used and almost always in a disparaging way but it is very misleading, as there are many exceptions and many different types of brown. The market has rejected average, dingy, lacklustre pieces, especially in poor condition, but well figured and proportioned pieces that are of good quality and make a statement are a different matter altogether. Lot 424 is one such example and ticks all of these boxes, in addition to having some showy additional features. Note the trouble that the cabinet maker has taken to match the veneers left and right on each drawer and the fact that each drawer has a central, vertical feather-banding that divides each panel. Another good exception is lot 427 that not only combines good proportions and size with a great colour, despite being brown, but again has this wonderfully well figured and colourful veneer. The maker has gone to the trouble of matching the same quality veneer on the stiles and rails; very unusual and a mark of real quality. This has been complemented by a great design, which was undoubtedly

inspired by Thomas Chippendale’s ‘The Gentleman’s and Cabinet-Maker’s Director’, published in 1754, owing to the gilded brass Rococo style handles and the blind fretwork canted corners. This piece will not only engender interest with collectors, but anyone that is looking for the wow factor. In short, both pieces would have been commissioned to grace grand homes in the 18th century. Clearly, they are not just serviceable storage units, but are show-stoppers designed and made to impress and nothing has changed, for they will continue to make a statement wherever they find a home. The disparate array of furniture offered for sale shows that irrespective of style or form there should be something for everyone’s taste in this Christmas sale.

SILVER & BIJOUTERIE

A GEORGE III PEDESTAL BOWL BY PAUL STORR

London 1804, of circular form with gadrooned rim and later embossed decoration and with engraved presentation 'Presented to Col E.D.W Sibthorp M.P... Aug 9th 18**', 20cm high, 29cm diameter, weight approx 68.2oz £1,200 - £1,800

A GOLDSMITHS SIVLER MOUNTED RECTANGULAR FRAME

London 2006, 18cm x 13cm, with easel back support, within original box £50 - £80

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AN EARLY 20TH CENTURY SILVER AND TORTOISESHELL MOUNTED DRESSING TABLE BOX

C&*, London 1919, of circular form, the cover with pique work decoration, raised on four out swept feet, 11cm diameter £80 - £120

A VICTORIAN SILVER PRESENTATION SNUFF BOX

George Unite, Birmingham 1882, of rectangular form with floral cast rim, the centre of the cover engraved 'Presented to C E Holmes Evans The Best Swordsman in Cap J M Dugdale's Troop M.Y.Cy 1882', 7cm wide, weight approx 3.4oz £80 - £120

A PAIR OF VICTORIAN SILVER MOUNTED CANDLESTICKS

Martin, Hall & Co, London 1888, each of reeded form and raised on stepped square base, 15cm high (2) (loaded) £150 - £200

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6 A SILVER MOUNTED HANUKKIAH

makers mark rubbed, Birmingham 1926, the central reeded column issuing nine branches, raised on square stepped base, 26.5cm high (loaded) (at fault) £150 - £250

7 A GEORGE III SILVER SALVER

John Crouch I & Thomas Hannam, London 1785, of circular form with engraved crest to the centre and with beaded rim, all raised on four bracket feet, 40.5cm diameter, weight approx 60.4oz £800 - £1,200

A SET OF ELKINGTON & CO SILVER FLATWARE

Birmingham 1923-1927, comprising; six table forks, six dessert forks, six dessert spoons, four tablespoons and two sauce ladles, together with a set of six George IV silver teaspoons and a set of twelve stainless steel ivorine handled knives, all presented with associated case, total weight of silver approx 48.9oz £400 - £600

A SET OF SILVER AND GILT CARTIER SALT AND PEPPER SHAKERS

each of tapered faceted form with pierced cover, comprising four silver examples and four silver and gilt examples, all stamped to base 'Cartier Sterling', within fitted Cartier box, total weight approx 1.6oz £200 - £300

A HARLEQUIN COLLECTION OF SILVER FLATWARE

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various dates and makers, comprising; seven table forks, one dessert fork, seven tablespoons, four dessert spoons, nine teaspoons and fourteen coffee spoons, total weight approx 42oz £400 - £600

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

A SILVER WINE EWER AND SIX SILVER GOBLETS

Courtman Silver Ltd, Birmingham 1975 & 1976, the baluster form ewer raised on pedestal foot, 26cm high, the six goblets each with knopped stem, 15cm high, total weight of silver approx 77.5oz (7) £600 - £800

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AN EARLY 20TH CENTURY SILVER AND TORTOISESHELL MOUNTED DRESSING TABLE BOX

Elkington & Co, Birmingham 1911, of shaped rectangular form, the cover with pique work decoration, raised on four out swept feet, 10cm wide £80 - £120

AN EDWARDIAN SILVER AND TORTOISESHELL MOUNTED LARGE JEWELLERY BOX

William Comyns & Sons, London 1909, of oval form, the cover with silver pique work decoration opening to reveal lined interior, raised on four outswept feet, 9cm high, 20cm wide £300 - £500

14 A GEORGE III SILVER SUGAR BASKET

R S, London 1797, of circular half reeded form with swing handle and raised on reeded collet foot, 13.5cm high, weight approx 5.2oz £80 - £100

A CHINESE SILVER SWING HANDLED BASKET

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Wang Hing, the centre engraved with a four clawed dragon within four decorative floral pierced panels, with stylised bamboo border, blossom swing handle and raised on four ball feet, 29cm wide, 18cm high (including handle), the base stamped 'WH' and with character mark, weight approx 17.9oz £300 - £500

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A PAIR OF GEORGE V SILVER MOUNTED POSY VASES

James Dixon & Sons Ltd, Sheffield 1910, each of tapering form with trefoil lobed rim, raised on spreading circular base, 17cm high (loaded) (2) £50 - £70

17 A SILVER TRAY

Roberts & Belk, Sheffield 1965, of elongated rectangular form with lobed corners and raised on four bracket feet, 40.5cm x 25.5cm, weight approx 46.9oz £400 - £600

18 A LATE VICTORIAN SILVER CARD CASE

Colen Hewer Cheshire, Birmingham 1898, of rectangular form with engraved foliate decoration and monogram, 10cm high, weight approx 1.9oz £30 - £50

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AN EARLY 20TH CENTURY CROCODILE VANITY CASE

the hinged lid with gilt tooled monogram, the fitted interior with an assortment of tortoiseshell boxes, trays, brushes and mirrors, all set within small removable case, 59cm x 34.5cm x 16cm, within outer case £450 - £550

A SET OF FIVE GRADUATED SILVER PLATED MEAT COVERS

largest measures approx 47cm, each with plaque ‘registered dish cover 136560’ £100 - £200

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A FOUR PIECE SILVER TEA AND COFFEE SERVICE

Mappin & Webb, Sheffield 1966 & 1967, each piece of plain polished form with gadrooned rim, comprising; a coffeet pot with ebonised handle and finial, 22cm high, a teapot with ebonised handle and finial, 15.5cm high, a two handled sugar bowl, 10cm high and a cream jug, 9cm high, each raised on four compressed bun feet, total weight approx 66.3oz (4) £800 - £1,200

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22 A SILVER MOUNTED CUT GLASS DECANTER

Preece & Williscombe, London 1963, 24cm high £50 - £70

A NOVELTY SILVER MODEL OF A DACHSHUND

Sarah Jones, hallmarked London 1983, 3cm high, weight approx 1.7oz £100 - £200

A VICTORIAN SILVER PRESENTATION TROWEL

Walter & John Barnard, London 1892, with ivory handle, engraved to blade 'Queen Mary's Hospital for the East End Presented to Charles Lyle Esq...Feb 27th 1922', 24.5cm long, together with a further silver presentation trowel, Atkin Brothers, Sheffield 1905, with ivory handle, engraved to the blade 'Queen Mary's Hospital for the East End Presented to Mrs C E Leo Lyle...Dec 8th 1922' (2) £150 - £200

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25 25 AN EDWARDIAN SILVER BELT

Sydney & Co, Birmingham 1904, the pierced clasp designed as a central mask within scroll border, 69cm long, weight approx 3.3oz £80 - £120

A GEORGE III SILVER CHRISTENING MUG

Barnard Brothers, London 1792, of pedestal form with cast vine, grape and leaf decoration, 9cm high, weight approx 4.4oz £100 - £150

27 A GEORGE III SILVER WAITER

Daniel Smith & Robert Sharp, London 1780, of circular form with chased decoration and engraved initials, raised on three bracket feet, 18cm diameter, weight approx 7.6oz £100 - £200

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27 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

28 A SILVER PRESENTATION SALVER

BRS, Sheffield 1958, of circular form with pie crust rim, the centre with engraved presentation 'Presented to S.T. Aston Esq...for his services as secretary', raised on three acanthus leaf capped feet, 30cm diameter, weight approx 28.1oz £200 - £300

29 AN EARLY VICTORIAN SILVER TEAPOT

William Moulson, London 1848, of circular form with chased scroll and floral decoration and with bud finial, raised on circular foot, 13.5cm high, weight approx 17.7oz £150 - £250

AN IMPRESSIVE WILLIAM IV SILVER INKSTAND

Joseph Angell I & John Angell I, London 1831, the shaped rectangular stand with shell cast border and embossed floral decoration, housing central lidded compartment with taperstick removable cover, flanked to each side by two glass wells with silver covers engraved with 'H' monogram beneath Earls coronet, all raised on four pierced bracket feet, 36cm x 24cm, total weighable silver approx 48o £1,500 - £2.000

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31 A PEDESTAL SILVER BOWL

makers mark rubbed, Birmingham 1928, of circular form with pieced border and internal clear glass liner, 14cm high, 23cm diameter, weight approx 19.9oz £250 - £350

A WHITE METAL MOUNTED CUT GLASS INKWELL

the cover with floral decoration, 11cm high £30 - £40

A VICTORIAN CASED CANTEEN OF SILVER FLATWARE

George Adams for Chawner & Co, London 1870, comprising; twelve tablespoons, twelve table forks, twelve dessert forks, eleven dessert spoons, eleven teaspoons, a soup ladle, a sauce ladle, two basting spoons, three salt spoons and a pair of sugar tongs, each with engraved initials to the terminals, presented within fitted oak canteen with two brass swing handles, together with two silver napkin rings, a further silver salt spoon and a collection of ivory handled plated knvies and forks, total weighable silver approx 153.1oz £1,500 - £2,000

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John Round & Son Ltd, Sheffield 1898, of oval form with chased scroll and floral decoration with cast shell and scroll border and two loop handles, raised on four scroll bracket feet, 66cm wide (including handles), weight approx 149oz £2,500 - £3,500

Joseph & Albert Savory, London 1846, each piece of tapering circular form with engraved decoration, the teapot with presentation inscription, 14cm high, a two handled sugar bowl, 12cm high and a cream jug, 12.5cm high, total weight approx 43oz (3) £300 - £400

AN IMPRESSIVE VICTORIAN TWO HANDLED SILVER TRAY

A VICTORIAN THREE PIECE SILVER TEA SERVICE

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36 AN INDIAN WHITE MEAL MUG

with chased figural decoration, 9.5cm high, weight 8.1oz £30-40 £30 - £40

A HARRODS SILVER SAUCE BOAT

London 1925, of typical form with cusped rim, acanthus leaf capped scroll handle and raised on three shell moulded pad feet, 10.5cm high, weight approx 8.1oz £100 - £200

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38 TWO MINIATURE MODELS OF PUTTO

mounted to smoky quartz and rock crystal bases, 3cm high and 2cm high (2) Provenance: Property of a Titled Estate £80 - £120

A COLLECTION OF FOUNTAIN PENS, PENS AND PENCILS

to include; a leather cased Waterman pen/pencil set, six Sheaffers with 14k gold nibs, twelve Parker fountain pens, two pencils and two biros £200 - £300

A COLLECTION OF YELLOW METAL AND GILT METAL RETRACTABLE PENCILS

one set with turquoise cabochons (5)

Provenance: Property of a Titled Estate £200 - £300

A MONT BLANC 'MEISTERSTRUCK' FOUNTAIN PEN AND BIRO CASED SET

together with international service certificate £100 - £150

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42 42

of navette form with pique work decoration to the cover, interior mirror and with yellow metal mounts, 7.5cm wide

of rectangular engine turned form with applied monogram and slide mechanism, the interior with date inscription, hallmarked London 1921, 9.5cm high, weight approx. 108.6g

A LATE 18TH CENTURY TORTOISESHELL AND PIQUE WORK TOOTHPICK CASE

Provenance: Property of a Titled Estate £80 - £120

A 9CT GOLD ASPREY & CO CIGARETTE CASE

Provenance: Property of a Titled Estate £1,000 - £1,500

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JEWELLERY

the brilliant cut diamond weighing approx 1.50cts, within claw mount, ring size M, weight approx 2.8g £800 - £1,200

designed as a central crossover arch formed from four cultured pearls, set within yellow gold tapering mounts, the shank stamped 'k14', ring size P 1/2, weight approx 5.7g £200 - £300

AN 18CT GOLD SINGLE STONE DIAMOND RING

A 9CT GOLD FLAT CURB LINK NECKLACE

with lobster claw fastening, 42cm long, together with a 9ct gold Zodiac pendant on chain, total weight approx 17g (2) £150 - £200

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A MIKIMOTO CULTURED PEARL DRESS RING

A GEORGE V SOVEREIGN PENDANT

within 9ct gold pendant mount, dated 1917, total weight approx 9.2g £250 - £300

47 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

48 AN 18CT GOLD OPAL BROOCH

the textured 18ct yellow gold abstract mount set with single oval cabochon opal, import mark for London 1969, 54mm x 27mm, weight approx 10.5g £400 - £600

A PAIR OF GEORG JENSON SILVER CUFFLINKS

design No. 833, hallmarked London 2009, weight approx 16.8g £100 - £200

50 A YELLOW METAL CHAIN

with shepherds crook clasp, 59cm long, weight approx 16.8g £350 - £450

51 A ROSE METAL CURB LINK ALBERT

not stamped, weight approx 17.8g, together with a silver cheroot case, a gold plated pencil, a cased cheroot, part of a gilt chain and a gilt metal strike

Provenance: Property of a Titled Estate £180 - £220

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A DIAMOND CLUSTER RING

designed as a central brilliant cut diamond claw set within an inner border of eight brilliant cut diamonds and an outer border of fourteen marquise cut diamonds, the adjustable white metal shank not stamped, ring size M 1/2, weight approx 7.3g £1,200 - £1,800

A PINK TOPAZ AND CHRYSOBERYL CANNETILLE BROOCH

AN ELSA PERETTI TIFFANY & CO 'DIAMONDS BY THE YARD' BRACELET

the platinum bracelet set with five brilliant cut diamonds, with bolt ring clasp, end links stamped 'Tiffany & Co PT 950' and 'Peretti', 19cm long, weight approx 1.9g £400 - £600

55 A DIAMOND SET PENDANT

circa 1830, designed as eleven mixed cut topaz and chrysoberyls claw set in closed back mounts within wirework surround, together with a pair of matching drop ear pendants (possibly converted/altered), total weight approx. 24.5g

mounted in yellow metal, stamped '750', together with a synthetic ruby set pendant, both suspended from 9ct gold chain, total weight approx 4.9g £100 - £200

Provenance: Property of a Titled Estate £600 - £800

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54 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

56 AN UNMOUNTED YELLOW DIAMOND

the cushion cut stone with accompanying copy of GIA report stating; carat weight: 0.58ct, colour: natural fancy intense yellow and clarity: SI1 £700 - £900

AN 18CT YELLOW GOLD SEVEN STONE DIAMOND RING

the graduated brilliant cut diamonds claw set in yellow gold, the shank stamped '1.00', ring size N, weight approx 3.7g £800 - £1,200

AN 18CT GOLD SINGLE STONE DIAMOND RING

the brilliant cut diamond claw set to tapering yellow gold shoulders, the shank hallmarked Birmingham 1990, ring size X, weight 4.4g £400 - £600

A 9CT GOLD GRADUATED ROPE TWIST NECKLACE

with bolt ring clasp, 40cm long, weight approx 11.7g £80 - £120

60 A SINGLE STONE DIAMOND RING

the brilliant cut diamond claw set in white metal, the shank stamped '750', ring size N 1/2, weight approx 4.3g £800 - £1,200

A VICTORIA YOUNG HEAD SOVEREIGN PENDANT

within 9ct gold pendant mount, dated 1872, total weight approx 9g £250 - £300

62 A VICTORIAN 9CT GOLD TURQUOISE RING

the five cabochon turquoise mounted to yellow metal band, hallmarked Chester 1894, ring size N, weight approx 1.9g £100 - £150

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A 9CT GOLD CURB LNK BRACELET WITH ATTACHED CHARMS

to include; a 9ct gold hedgehog, a mounted Victoria half sovereign dated 1897 and a '21' key, total weight approx 34.9g £350 - £450

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63 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

with lobster claw fastening, 18cm long, weight approx 7.1g £70 - £100

with lobster claw fastening, stamped '375', 51cm long, weight approx 16.4g £150 - £200

the oval mixed cut sapphire claw set within a border of twelve brilliant cut diamonds, hallmarked London 1975, ring size S, weight approx 4.1g £300 - £500

designed as an oval black enamel plaque set with a rose cut diamond 'forget me not', the underside engraved 'Jacob Da Costa died 18 feb 1820 aged 47', with pierced scroll shoulders, the shank hallmarked London 1831, ring size R, weight approx 4.3g (at fault) £100 - £200

A 9CT GOLD THREE BAR BRICK LINK BRACELET

AN 18CT GOLD SAPPHIRE AND DIAMOND OVAL CLUSTER RING

A YELLOW METAL BOX CURB LINK NECKLACE

AN 18CT GOLD WILLIAM IV MOURNING RING

A 9CT ROSE GOLD ELONGATED LINK ALBERT WITH ATTACHED SWIVEL

T-bar and bolt ring, 33cm long, weight approx 49.2g £400 - £600

AN 18CT GOLD DIAMOND SET NECKLACE

designed as seven diamond quatrefoil clusters set to yellow gold curb link bracelet, 46cm long, weight approx 8.9g £300 - £500

A RUBY AN DIAMOND DRESS RING

designed as a central pear cut ruby claw set within an abstract surround of twelve brilliant cut diamonds, the white metal adjustable shank not stamped, ring size M, weight approx 6.3g £400 - £600

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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71 A 9CT GOLD INGOT PENDANT

73 A 9CT GOLD CHAIN

hallmarked Sheffield 1977, suspended from yellow metal chain, not stamped, total weight approx 18.8g £150 - £200

with swivel, 53cm long, weight approx 25.5g £200 - £300

A SINGLE STONE AMETHYST DRESS RING

the round mixed cut amethyst within four claw setting, the shank stamped '9ct', ring size L 1/2, weight approx 8.2g £100 - £200

A THREE STONE SAPPHIRE AND DIAMOND RING

designed as a central oval mixed cut sapphire within four claw setting, mounted between two tapering baguette cut diamonds, sapphire weighs approx 3.9cts, the white metal shank stamped '950 PT', ring size M, weight approx 4.9g £800 - £1,200

A PAIR OF PRINCESS CUT DIAMOND STUD EARRINGS

each weighs approx 1.20cts, within four claw mount and with post fitting, the push backs stamped '18k 750', total weight approx 2.5g £6,000 - £8,000

76 A THREE STONE DIAMOND RING

the three brilliant cut diamonds claw set in white metal to yellow metal shank, stamped '750 plat', ring size M, weight approx 7.6g £1,500 - £2,000

A VICTORIAN STYLE 18CT GOLD FIVE STONE DIAMOND RING

the five graduated brilliant cut diamonds claw set in white gold and interspersed with eight smaller diamonds, the yellow gold shank hallmarked 1976, ring size N, weight approx 4.2g £200 - £300

78 A YELLOW METAL ALBERT

with attached swivel and T-bar, the swivel stamped ‘15c’, 40cm long, weight approx. 34.5g

Provenance: Property of a Titled Estate £400 - £500

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

79 79

the rectangular cut diamond weighing approx 1.34ct within four claw mount, ring size M, weight approx 3.6g £2,500 - £3,500

designed as a central row of square faceted sapphires flanked to each side by a row of three diamonds, all set in white metal to yellow metal shank stamped '18ct plat', ring size M, together with a three stone sapphire and diamond ring, the shank stamped '18ct', ring size G, weight approx 4.7g (2) £100 - £200

AN 18CT WHITE GOLD SINGLE STONE DIAMOND RING

A MIKIMOTO CULTURED PEARL BRACELET

designed as eight rounded rectangular openwork panels each set with two cultured pearls, the box link push button clasp stamped 'k14', with attached safety chain, within original box, total weight approx 20.6g £250 - £350

AN ART DECO SAPPHIRE AND DIAMOND CLUSTER RING

A SAPPHIRE AND DIAMOND OVAL CLUSTER RING

designed as a central oval mixed cut sapphire claw set within a border of twelve brilliant cut diamonds, with stylised fleur de lys split shoulders, the white metal adjustable shank not stamped, ring size N, weight approx 5.3g £400 - £600

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A CITRINE DRESS RING

A DIAMOND CLUSTER PENDANT ON CHAIN

designed as a single oval mixed cut citrine claw set to decorative shoulders, the yellow metal shank stamped '9ct', ring size R, weight approx 5.6g £70 - £100

designed as a central brilliant cut diamond claw set in white metal within a border of twelve eight cut diamonds, the white metal lug not stamped, suspended from white metal box link chain the bolt ring clasp stamped '925', weight approx 6.9g (2) £250 - £350

AN 18CT GOLD DIAMOND CLUSTER RING

designed as a row of three graduated brilliant cut diamonds claw set within and interspersed with further brilliant cut diamonds, ring size S, weight approx 4.7g £300 - £500

AN AMETHYST AND SPLIT SEED PEARL STICK PIN

designed as a clover, together with a single coral set stick pin, a seed pearl set thistle stick pin and a sword and scabbard stick pin (4) Provenance: Property of a Titled Estate £100 - £150

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84 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

the yellow metal lug stamped '750', suspended from silver gilt chain £100 - £200

the oval mixed cut citrine claw set within textured yellow gold tendril mount, hallmarked London 1966, ring size O, weight approx 8.2g £100 - £200

A THAITIAN CULTURED PEARL AND DIAMOND PENDANT

AN 18CT WHITE GOLD TANZANITE AND DIAMOND CLUSTER RING

designed as a central oval mixed cut tanzanite weighing approx 4.00cts claw set within a border of brilliant cut diamonds, ring size N, weight approx 4.1g £800 - £1,200

A SINGLE STONE CITRINE DRESS RING

FOUR DIAMOND SET STUDS

the old cut diamonds within white metal radiating circular mounts, not stamped, (converted from cufflinks), together with two yellow metal studs, one set with an untested pearl, total weight approx 12.1g Provenance: Property of a Titled Estate £100 - £200

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AN EDWARDIAN 18CT GOLD SEVEN STONE SAPPHIRE AND DIAMOND RING

designed as three graduated round mixed cut sapphires interspersed with four rose cut diamonds, the shank hallmarked Birmingham 1904, ring size L 1/2, weight approx 2.7g £80 - £120

92 A 9CT GOLD AMETHYST RING

the five graduated oval and round mixed cut amethysts claw set to scrolling gallery, ring size S, weight approx 5.3g £70 - £100

A PLATINUM SINGLE STONE DIAMOND RING

the brilliant cut diamond weighing approx 2.00cts within six claw mount, ring size O, weight approx 4.1g £8,000 - £10,000

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AN EARLY 20TH CENTURY AMETHYST AND SEED PEARL PENDANT

designed as a central oval mixed cut amethyst milligrain set within an openwork split seed pearl set mount (missing two split pearls) all suspending pear shaped amethyst drop, the reverse stamped '9ct', the yellow metal chain with barrel clasp and '15' plaque, total weight approx 7.6g £200 - £300

95 A VICTORIA SOVEREIGN

the 1899 Old head sovereign with attached scroll mount, weight approx 8.6g £200 - £250

A 9CT ROSE GOLD ELONGATED LINK ALBERT

with attached hardstone set swivel fob, T-bar, bolt ring and swivel, 36cm long, weight approx 35.3g £300 - £500

97 97

A DIAMOND, AMETHYST AND PERIDOT PENDANT

designed as a heart shaped amethyst and peridot each collet set within a brilliant cut diamond surround, suspended from diamond set ribbon, with yellow metal chain, the bolt ring stamped '375', pendant measures approx 18mm wide, total weight approx 4g £150 - £200

98 A PAIR OF DIAMOND STUD EARRINGS

the brilliant cut diamonds claw set in white metal with stud backs, the butterfly fittings stamped '750', total weight approx 1.8g £600 - £800

100 99

100

each designed as a central brilliant cut diamond claw set within a border of ten further brilliant cut diamonds, the white metal push backs stamped '18k 750', total weight approx 3.2g £250 - £350

designed as four brilliant cut diamonds box set in white gold and interspersed with five baguette cut diamonds, all set to yellow gold shank, ring size T, weight approx 4.8g £150 - £200

A PAIR OF DIAMOND STUD CLUSTER EARRINGS

AN 18CT GOLD DIAMOND HALF HOOP ETERNITY RING

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

101

AN ART DECO STYLE 18CT WHITE GOLD AQUAMARINE AND DIAMOND CLUSTER RING

designed as a central trap cut aquamarine collet set in white gold within a border of brilliant cut diamonds and diamond set shoulders, ring size U, weight approx 9.4g £600 - £800

102

103 A CARVED JADE BANGLE

with three yellow metal mounts, not stamped, 7.5cm diameter Provenance: Property of a Titled Estate £100 - £200

102

A BLUE ENAMEL YELLOW METAL ARTICULATED FISH KEYRING

the lug stamped '750', with screw lock, total weigh approx 11.6g £150 - £200

103 41

104

105

104 A YELLOW METAL TERRIOR BAR BROOCH

the naturalistically modelled Terrier mounted to yellow metal bar stamped '15ct', 50mm wide, with attached safety chain, weight approx 5.7g £150 - £200

105 A GARNET AN SPLIT SEED PEARL RING

designed as a central navette cut garnet set within a border of split seed pearls, the yellow metal shank not stamped, ring size K, weight approx 2.2g £150 - £200

106

A FOPE VIRGINIA 18CT WHITE GOLD NECKLACE AND BRACELET SUITE

the white gold woven link chains suspending alternating yellow gold and diamond set rondels, each with 'Fope' tag stamped '750', with retailers certificate of authenticity, Fope catalogue and original boxes, necklace measures approx 41cm long, bracelet measures approx 19cm long, total weight approx 65g (2) £2,500 - £3,500

106

107 A 9CT GOL BUCKLE BRACELET

the mesh brick link bracelet with buckle clasp, hallmarked London 1975, 21cm long, weight approx 37.9g £300 - £500

107

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

108 A LATE 19TH CENTURY STICK PIN

designed as a coiled serpent with stone set head and eyes and pear set drop, within box, not stamped, weight approx. 2.7g Provenance: Property of a Titled Estate £100 - £150

108

109 A YELLOW METAL BRACELET

the crescent form hollow links with engraved decoration, with box link clasp, not stamped, weight approx 18.7g £200 - £300

110

A 9CT TRI-COLOURED GOLD GRADUATED FRINGE NECKLACE

with button and box link clasp, together with two pairs of 9ct tri-coloured gold earrings, total weight approx 63.8g £800 - £1,200

109

110 43

113

111

112

111

113

A CARVED OPAL STICK PIN

modelled as a dogs head, within claw mount, the yellow metal pin not stamped, within box Provenance: Property of a Titled Estate £100 - £150

A 9CT GOLD DIAMOND FLORAL CLUSTER PENDANT

suspended from 9ct gold chain, total weight approx 2.1g £60 - £80

112

114

each bead with floral enamel decoration, 60cm long £80 - £120

designed as a central oval mixed cut sapphire flanked to each side by a round mixed cut sapphire and interspersed with four old cut diamonds, ring size M, weight approx 3g £200 - £300

A GILT METAL CLOISONNE BEAD NECKLACE

AN 18CT GOLD SAPPHIRE AND DIAMOND RING

114 44

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

116

115

AN EMERALD AND DIAMOND BUTTERFLY STICK PIN

117

the navette cut emerald 'body' claw set to diamond set 'wings', the reverse stamped '750 18k', weight approx 3g Provenance: Property of a Titled Estate £100 - £150

116 A SINGLE STONE DIAMOND RING

the old cut diamond claw set in white metal to old cut diamond set shoulders, the yellow metal shank stamped '18ct plat', ring size M, weight approx 2.2g £300 - £500

118

117

118

designed as a row of four round mixed cut rubies and three brilliant cut diamonds channel set in yellow gold mount, ring size N, weight approx 3.2g £200 - £300

with chased heart and foliate decoration, hallmarked 1921, ring size K, weight approx 4g £80 - £120

AN 18CT GOLD SEVEN STONE RUBY AND DIAMOND HALF ETERNITY RING

AN 18CT GOLD DECORATIVE WEDDING BAND

120

119

121 119 A CHALCEDONY PENDANT

designed as an oval chalcedony plaque mounted with yellow metal portrait of a lady with diamonds set in her hair, all within scallop and bead border, not stamped, pendant measures approx 51mm x 39mm (excluding lug), suspended from yellow metal chain stamped '9ct' £500 - £700

120 A 14CT GOLD JADE RING

121

designed as a carved oval jade plaque claw set in yellow gold to decorative stylised dragon shoulders, ring size I, weight approx 4g £100 - £200

A YELLOW METAL ENTWINED OVAL LINK BRACELET

with box link clasp, not stamped, 18cm long, weight approx 27.3g £300 - £400

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

WATCHES & COINS

122

A YELLOW METAL FULL HUNTER POCKET WATCH

the white enamel dial with Arabic numerals and subsidiary seconds dial, the engine turned case with engraved monogram, the inner case stamped '0.585', presented within associated Cartier box, weight approx 83.7g (at fault) Provenance: Property of a Titled Estate £300 - £500

122

123

A ZENITH AUTOMATIC CHRONOGRAPH GOLD PLATED WRISTWATCH

A Zenith automatic chronograph gold plated wristwatch, the circular white dial with batons, three subsidiary dials and date aperture, the gold plated case with transparent reverse revealing automatic movement, calibre 400 with 31 jewels, reference number 20 0023 435, with brown leather strap, accompanied by Zenith case and paperwork £800 - £1,200

124

A LADY'S ROLEX OYSTER PERPETUAL DATE STAINLESS STEEL WRISTWATCH

the dial with batons and date aperture £500 - £700

125

A UNIVERAL GENEVE DIAMOND SET WRISTWATCH

the circular dial with batons within diamond set bezel, the reverse stamped 14k, the 9ct white gold bracelet strap with adjustable clasp, total weight approx 19.8g £300 - £500

124

126

A 9CT GOLD LADIES ROTARY BRACELET WRISTWATCH

the white dial with gold batons and with attached 9ct gold bracelet, total weight approx 11.6g £100 - £150

125

126 49

127

128

127

129

the white enamel dial with black Roman numerals and subsidiary seconds dial, the cover with blue enamel numerals, hallmarked London 1933, within original box and with original warranty, weight approx 83g £300 - £500

the silvered dial with gold batons, sweep seconds hand and date aperture, engraved '1601-550985' to side of case, with attached leather strap, with repair receipt from 'Griffins Jewellers Ltd' and within Rolex case and box £3,500 - £5,500

128

130

A 9CT GOLD J W BENSON HALF HUNTER POCKET WATCH

A 9CT GOLD OPEN FACE POCKET WATCH

the white enamel dial with black Roman numerals and subsidiary seconds dial, with 9ct gold graduated curb link Albert, with attached T-bar, swivel and mounted 1968 sovereign, total weight approx 128.5g £1,000 - £1,500

129 50

A GENTLEMAN'S 14CT GOLD ROLEX OYSTER PERPETUAL DATEJUST WRISTWATCH

AN 18CT GOLD OPEN FACE POCKET WATCH

the white enamel dial with black Roman numerals, the case hallmarked Chester 1869, weight approx 57.5g £200 - £300

130 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

131 A 9CT GOLD AVIA BRACELET WATCH

the square dial with gold batons, the textured bi-coloured yellow and rose gold bracelet with clip clasp, within original box, weight approx 36 £300 - £500

132

A GENTLEMAN'S 9CT GOLD WALTHAM TRAVELER FULL HUNTER POCKET WATCH

the white enamel dial with black Roman numerals and subsidiary seconds hand, the gilt keyless movement signed 'American Waltham Traveler USA', No. 21852713, hallmarked Birmingham 1920, together with a 9ct gold oval link albert, with attached swivel, T-bar and George V sovereign, dated 1913, within 9ct gold mount, weight of watch approx 95g, weight of albert apprpx 57g £1,000 - £1,500

131

132 51

134

142

149

136

150 133

VICTORIA 1887 JUBILEE SPECIMEN SET

within fitted case, eleven coins; £5 to threepence £2,500 - £3,500

large laureate bust or bull head dated 1816, ref Spink 3788 £100 - £200

sm Sp £6

135

146 A GEORGE III HALF CROWN

small laureate bust, dated 1817, ref Spink 3789 £100 - £200

la 38 £6

136

A GEORGE III HALF CROWN

141

sm Sp £1

134

A GEORGE III HALF CROWN

139

large laureate bust or bull head, dated 1817, ref Spink 3788 £100 - £150

la 38 £1

A GEORGE III HALF CROWN

141 A GEORGE IV HALF CROWN

bare head, dated 1825, ref Spink 3809, together with a further George IV half crown, bare head, dated 1826, ref Spink 3809 (2) £150 - £200

142

148

A COLLECTION OF FIFTEEN VICTORIA HALF CROWNS

comprising; three young head examples, dated 1885, 1886 and 1887, six jubilee head examples, dated 1887-1892 and six old head examples, dated 1893 x 2, 1894-1897 (15) £400 - £600

A WILLIAM IV HALF CROWN

bare head, 'W.W.' in script, dated 1834, ref Spink 3834, mintage 993168 £200 - £400

143

149 TWO EDWARD VII HALF CROWNS

dated 1903, mintage 274840 and 1905, mintage 166008 (2) £200 - £300

A WILLIAM IV HALF CROWN

bare head, 'W.W.' in script, dated 1835, ref Spink 3834, mintage 281952 £100 - £150

150 FIVE GEORGE V HALF CROWNS

144 A WILLIAM IV HALF CROWN

bare head, 'W.W.' in script, dated 1836, ref Spink 3834, mintage 1,588,752 £150 - £200

145

dated 1914-1918 (5) £80 - £120

151

A COLLECTION OF SIXTEEN GEORGE V HALF CROWNS

mall laureate bust, dated 1818, ref pink 3789 100 - £150

bare head, 'W.W.' in script, dated 1837, ref Spink 3834, mintage 150,526 £100 - £200

A WILLIAM IV HALF CROWN

dated 1912-1919, together with second issue, dated 1920, 1921, 1922 x2, 1923-26 (16) £200 - £300

146

152

dated 1887, together with a double florin and a florin, both dated 1887 (4) £100 - £150

dated 1926-1936, 1927 proof, together with four George VI half crowns, dated 1937 x2, 1938 and 1939 (16) £150 - £200

A GEORGE III HALF CROWN

mall laureate bust, dated 1819, ref pink 3789 60 - £80

A GEORGE IV HALF CROWN

aureate bust, dated 1820, ref Spink 807 60 - £80

TWO VICTORIA JUBILEE HEAD CROWNS

147

A COLLECTION OF FIFTEEN VICTORIA YOUNG HALF HEAD CROWNS

dated 1842, 1844, 1849, 1874-1882, 1883 x 2 and 1884 (15) £400 - £600

A COLLECTION OF TWELVE GEORGE V HALF CROWNS

153

A COLLECTION OF SIXTEEN GEORGE V AND GEORGE VI HALF CROWNS

dated 1935-1950 (16) £80 - £120

A GEORGE IV HALF CROWN

aureate bust, dated 1821, ref Spink 807 100 - £200

155

158 154

157

comprising; seven George VI silver half crowns, dated 1940-1946, nine George VI cupro-nickel examples dated 1947 x2, 1948, 1949, 1950 x2, 1951 x 3, and thirty-two Elizabeth II crowns, dated 1953-1967 (48) £60 - £80

dated 1940 x7, 1942 x52, 1943 x17, 1944 x3, 1945 x19 and 1946 x2 £300 - £400

155

158

A COLLECTION OF GEORGE VI AND ELIZABETH II HALF CROWNS

A GEORGE V WREATH CROWN

A COLLECTION OF 100 GEORGE VI SILVER HALF CROWNS

A GEORGE VI MAUNDY SET

dated 1932, ref Spink 4036, mintage 2395 £150 - £200

dated 1937, the four coins within capsules and fitted box, with certificate of authenticity £100 - £150

156

A COLLECTION OF NINETY-NINE GEORGE VI SILVER HALF CROWNS

dated 1940 x9, 1941, 1942 x44, 1943 x18, 1944 x23, 1945 x16 and 1946 x8, together with a 1948 half crown £300 - £400

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

159

160

159

161

comprising; sovereign, half sovereign and quarter sovereign, within plastic case and outer case, limited edition of 450, with certificate of authenticity £400 - £500

sovereign dated 2000, limited edition No. 108/500, with certificate of authenticity £250 - £350

160

162

first day cover, sovereign dated 1913, limited edition No. 37/250, with certificate of authenticity £250 - £350

St George & the Dragon, limited edition No. 274/950, with certificate of authenticity £250 - £350

UNITED KINGDOM 2010 EXECUTIVE GOLD SOVEREIGN SET

UNITED KINGDOM GEORGE V PRESENTATION GOLD COIN

161

UNITED KINGDOM BENNAHM SOVEREIGN COLLECTION

UNITED KINGDOM THE 2005 SOVEREIGN DESIGNERS GOLD COIN COVER

162 55

163

UNITED KINGDOM 2010 GOLD QUARTER SOVEREIGN PRESENTATION COVER

limited edition No. 66/450, with certificate of authenticity, together with United Kingdom 2009 gold quarter sovereign presentation cover, limited edition No. 561/950, with certificate of authenticity (2) £120 - £180

163 164

UNITED KINGDOM THE QUEEN'S 85TH BIRTHDAY 2011 GOLD SOVEREIGN PRESENTATION COVER

limited edition No. 16/450, with certificate of authenticity £250 - £350

164

165

UNITED KINGDOM GEORGE V GOLD COIN FIRST DAY COVER

sovereign dated 1927, limited edition No. 95/250, with certificate of authenticity £250 - £350

165 166

UNITED KINGDOM GOLD SOVEREIGN PRESENTATION COVER

sovereign dated 2009, limited edition No. 186/250, with certificate of authenticity £250 - £350

166 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

167 168 167

168

UNITED KINGDOM PRINCE WILLIAM AND CATHERINE MIDDLETON ROYAL ENGAGEMENT 2010 SOVEREIGN PRESENTATIN COVER

UNITED KINGDOM THE QUEEN'S CORONATION JUBILEE 2003 SOVEREIGN PRESENTATION COVER

limited edition No. 125/1500, with certificate of authenticity £250 - £350

limited edition No. 45/450, with certificate of authenticity £250 - £350

169

UNITED KINGDOM ANNUAL GOLD SOVEREIGN 2003 PRESENTATION COVER

limited edition No. 21/2003, with certificate of authenticity £250 - £350

170

UNITED KINGDOM DIAMOND JUBILEE MONARCHS PRESENTATION COVER

Victoria old head sovereign dated 1897 and Elizabeth II sovereign dated 2012, limited edition No. 26/60, with certificate of authenticity £500 - £700

169

170 57

171

173

172

174

171

173

GIBRALTAR QUARTER CROWN

dated 2017, the Queen's 65th year, 1952-2017, within capsule and fitted case £250 - £300

172

AN ELIZABETH II FIVE OUNCE SILVER MEDAL

dated 1887, together with a large collection of British silver and cupro-nickel coinage (a lot) £200 - £300

174 A GEORGE VI 1937 SPECIMEN COIN SET

Bicentenary of the United Kingdom, dated 2001, 65mm diameter, weight 5oz, limited edition of 500, within capsule and fitted case, with certificate of authenticity £100 - £150

A VICTORIA JUBILEE HEAD HALF SOVEREIGN

comprising fifteen coins, crown to farthing, including maundy set, within original fitted case £150 - £250

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

175

A COLLECTION OF BRITISH SILVER, CUPRO-NICKEL AND BRONZE COINAGE

to include; crowns dated 1821, 1892, 1893, 1897, 1900 and 1935, double florins, half crowns, florins etc, together with Edward VIII three shillings book of stamps complete (a lot) £180 - £250

176

A BENHAM DIANA PRINCESS OF WALES 1981 SOVEREIGN COVER

176

limited edition 182/2000 £250 - £350

177

A BENHAM 50TH ANNIVERSARY QUEEN ELIZABETH II CORONATION 2003 SOVEREIGN COVER

limited edition 249/750 £250 - £350

178

A PRINCE OF WALES AND LADY DIANA SPENCER 23CT YELLOW GOLD AND 12CT WHITE GOLD OVERLAY ROYAL WEDDING STAMP

177

limited edition No 314, within case £80 - £120

178 59

180

179

181

A DIANA PRINCESS OF WALES HAND PAINTED £5 GOLD COIN

commemorative cover issued by Westminster, limited edition 9/100 £1,000 - £1,500

182

GEORGE VI CORONATION COMMEMORATIVE PROOF COINS

180

AN ALBUM CONTAINING SEVENTEEN 'MONARCHS OF THE 20TH CENTURY' COVERS

comprising; a crown, half crown, florin, English shilling, Scottish shilling, sixpence and threepence (7) £80 - £120

with three sovereigns, dated 1981 and 1982 x2, together with a Cook Islands $5, a Guernsey $25 gold proof coin and eleven cupro-nickel coins £1,000 - £1,500

A SMALL COLLECTION OF BRITISH AND COMMONWEALTH COMMEMORATIVE SILVER AND CUPRO-NICKEL COINAGE

181 AN ELIZABETH II PROOF SOVEREIGN

dated 1981, within Royal Mint fitted case, together with assorted British coinage, to include; crown dated 1892 and modern commemorative examples (a lot) £300 - £400

183

comprising; a 1953 Elizabeth II specimen set within original fitted case, cased commemorative crowns dated 1972, 1977 and 1980, a 1973 50p, six cased New Zealand dollars 3 sets, two Tokelau dollars, a Jersey 1966 four coin set and an Eire 1966 shilling £150 - £200

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

187

THREE VICTORIA SOVEREIGNS

184

191

comprising; two Jubilee head examples, dated 1887 and 1889 and one Old head example, dated 1899 (3) £750 - £800

188

TWO EDWARD VII SOVEREIGNS

dated 1902 and 1909, together with a George V sovereign, dated 1912 (3) £750 - £800

186

192 184

A WILLIAM & MARY HALF CROWN

dated 1689, second reverse, ref Spink 3435, together with a Victoria half crown, dated 1883, ref Spink 3889 (2) £80 - £120

185 187

A COLLECTION OF 22 ASSORTED COINS, MEDALLIONS AND TRADE TOKENS

to include; an 1875 penny, a Victorian Coronation 1838 official medallion, two railway medals/tickets and eleven tokens from 1787 to late 19th century (22) £100 - £150

189

A COLLECTION OF SIX HALF SOVEREIGNS

comprising; a Victoria Old head dated 1896, three Edward VII examples, dated 1906, 1909 and 1910 and two George V examples dated 1912 and 1914 (6) £750 - £800

190

A COLLECTION OF IRISH FREE STATE SILVER, CUPRO-NICKEL AND BRONZE COINAGE

from 1928 to 1971, together with farthings to half crowns and six assorted medallions (a lot) £150 - £200

191 186

A GEORGE V SOVEREIGN DATED 1913

188

together with a large collection of British silver, cupro-nickel and bronze coinage (a lot) £350 - £450

A VICTORIA SOVEREIGN

dated 1886, Melbourne mint, together with a Victoria Jubilee head sovereign, dated 1893 and a George V sovereign dated 1915 (3) £750 - £1,000

192

FOUR EDWARD VII SOVEREIGNS

dated 1906, 1909 x 2 and 1910 (4) £1,000 - £1,500

189

SOLD £990,000

Bank Farm, Tedsmore, West Felton, Oswestry, Shropshire, SY11 4HD Period Detached Country House Immaculate Character Interiors Detached Barn With Planning* Garages, Stores, Stables Standing in 8.5 acres Delightful Rural Location

For more details, please contact our Oswestry Office: T: 01691 670 320 A: Queens Courtyard, Oswald Road, Oswestry, SY11 1RB E: oswestry@hallsgb.com

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

PAINTINGS & PRINTS

193 193

ENGLISH SCHOOL (19TH CENTURY), IN ROCOCCO STYLE, A FÊTE GALLANTE SCENE

oil on canvas, gilt frame. Measurements 81 x 110 cm, frame 94 x 125 cm £2,000 - £3,000

194

CIRCLE OF JAN BLOM (NETHERLANDISH SCHOOL 17TH CENTURY), PROBABLY EARLY 18TH CENTURY, TRAVELLERS IN A LANDSCAPE

oil on canvas, framed. Measurements 102 x 102 cm, frame 115 x 115 cm £800 - £1,200

194 64

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

196

195

BRITISH SCHOOL (19TH CENTURY), SHEEP ON A COUNTRY TRACK

oil on canvas, indistinctly signed 'M. Gordon?' and dated lower right, framed. Measurements 51 x 76.5 cm, frame 66 x 91 cm

Label verso for Thomas... Fine Art Dealers of Bradford £500 - £700

196

MANNER OF THOMAS SIDNEY COOPER RA (BRITISH 1803-1902), CATTLE AND SHEEP IN PASTURE oil on canvas, framed. Measurements 49 x 67.5 cm, frame 57 x 75 cm £800 - £1,200

197

198 197

198

signed G.W. Mote bottom right, oil on canvas, framed. Measurements 51 x 77 cm, frame 63 x 89 cm £400 - £600

signed lower right, oil on canvas, framed. Measurements 26 x 46cm, frame 52 x 73 cm £200 - £300

GEORGE WILLIAM MOTE (BRITISH 1832-1909) SUSSEX LANDSCAPE

ALFRED MONTAGUE (BRITISH, 1832-1883), CONTINENTAL INLAND PORT SCENE

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

199

ALBERT E BAILEY (BRITISH 19TH CENTURY), WANING YEAR

dated 1893, signed bottom right, oil on canvas, framed. Measurements 77 x 62 cm, frame 94 x 79 cm Label verso for Frank Percy Willow £400 - £600

200

201 200

EDMUND MORISON WIMPERIS (BRITISH 1835-1900) ACROSS THE COMMON

oil on canvas, initialled GMW and dated '99 bottom left, titled on plaque with frame. Measurements 61 x 92cm, frame 96 x 126cm Provenance: label verso for Thomas ...llan... of Haymarket, London, label for Phillips and Maconnal Fine Art Dealers of London, sold at Christies 3/6/1994 lot 192, sold at Halls Fine Art 16/4/2014, private local collection £1,000 - £2,000

201

CLIFFORD (BRITISH SCHOOL 19TH CENTURY) THREE MARINE OIL PAINTINGS

oil on board, signed 'Clifford Xmas 1891' verso, framed. Measurements 15.5 x 23 cm, frame 25.5 x 33 cm (3) £150 - £250

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

203 202

BRITISH SCHOOL (19TH CENTURY) HMS CORMORANT, SLOOP IN COASTAL WATERS

oil on canvas, framed. Measurements 42 x 64.5 cm, frame 56 x 76.5 cm

Inscribed verso: HMS Cormorant, single screw composite sloop and guns 900. Launched at Chatham Dockyard, September 12th 1811. Length between perpendiculars 170, depth in hold 1827'94 tons, breadth extreme 36, buithen in tons 1827 1/94'. R.P. Saunders Esq. Chief Constructor, C. Fellows CB Admiral Superintendant. Named by Miss Saunders £200 - £300

203

J. L. BOIZET (CONTINENTAL SCHOOL) VASES DE FLEURS

still life, oil on canvas, signed and bears date 1789 bottom left, framed. Measurements 68 x 57 cm, frame 82.5 x 71.5 cm Label verso: Tableaux et Dessin Anciens, J.L. Boizet, Vases de Fleurs, June 17 1921, Galerie Georges Petit. Previous auction stencil inventory numbers on stretcher £300 - £500

205 204

205

§ DENBY SWEETING (BRITISH 1936-

BRITISH SCHOOL (LATE 18TH-EARLY 19TH CENTURY) STILL LIFE WITH A DRINKING GOOSE

2020) STILL LIFE OF SUNFLOWERS AND LADYBIRDS

oil on panel, signed bottom left, framed. Measurements 112 x 84 cm, frame 148 x 120 cm. Label verso: The Reading Room Studio, Knighton Provenance: Consigned from the artist's estate

oil on canvas, framed. Measurements 64 x 95 cm, frame 77 x 107 cm £300 - £500

206

§ DENBY SWEETING (BRITISH 1936-2020) STILL LIFE OF ORIENTALE POPPIES

oil on panel, signed bottom left, framed. Measurements 99 x 86.5 cm, frame 127 x 114 cm Label verso: inscribed by the artist, Orientale poppies, flamenco, raspberry queen with morning glory bale, a pair of pied flycatchers and great tit butterflies, small tortoise shell red and red admiral. signed Denby Sweeting. Provenance: consigned from the artist's estate £700 - £1,000

206 70

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207 207

MANNER OF VAN DER HELST (NETHERLANDISH SCHOOL), HALF LENGTH PORTRAIT OF A GENTLEMAN WEARING BLACK ROBES oil on panel, framed. Measurements 72 x 60 cm, frame 88 x 75 cm Label verso: inscribed 'van der Helst, an old man's head' Provenance: sold in the Edwinsford House sale from Llansawell, lot number 494. Purchased by the vendor from Agnews in the 1970s £2,000 - £4,000

209 208

MANNER OF GEORGE VERNON STOKES (BRITISH 1873-1954) THREE PORTRAITS

A portrait of young woman in a red shirt, pastel on paper, measurements 36.3 x 27 cm (SH). Together with a pastel portrait of a girl wearing a blue dress and headband with a dog and a pastel drawing of a sheepdog by the same hand (3) Provenance: The drawings were purchased as a folio of works by GVS by the vendor from Lots Road in March 1997 £150 - £250

209

AFTER ABRAHAM SOLOMAN, PORTRAIT OF THE DUKE OF WELLINGTON

oil on board, framed. Measurements 18 x 23 cm, frame 33.5 x 28.5 cm (excluding capital). Provenance: Gifted to vendor's family by the Earl of Shrewsbury £200 - £300

210

211

210

211

oil on canvas, framed. Measurements 59 x 46 cm, frame 75 x 62.5 cm

oil on canvas, inscribed 'M Busby, mother of counsellor Piggott's lady' centre left, framed. Measurements 76 x 64 cm, frame 93 x 80 cm £1,000 - £2,000

MANNER OF GHEERAERTS II (NETHERLANDISH-BRITISH SCHOOL D.1636) PORTRAIT OF A GENTLEMAN

Provenance: sold in the Edwinsford House sale near LLansawell lot 496, purchased by the vendor from Agnews in the 1970s £2,000 - £4,000

FOLLOWER OF SIR PETER LELY (1618-1680) PORTRAIT OF A LADY

212

ATTRIBUTED TO SAMUEL RAVEN (BRITISH, 1775-1847), SHOOTING WOODCOCK WITH A SPANIEL GIVING CHASE oil on panel, framed. Measurements 11 x 12.5 cm, frame 15.5 x 17.5 cm. Sold with copy of purchase receipt. (3) Label verso: Actaeon Gallery, London Provenance: Bought at the Actaeon Gallery on 24th November 1993. Attributed to a titled estate £150 - £200

212 72

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

213

§ DENBY SWEETING (BRITISH 1936-2020), OXFORD SANDY AND BLACK PIG IN FARMYARD

oil on panel, signed centre bottom, heavy gilt frame. measurements 61 x 92 cm, frame 88 x 119 cm. Label verso for the artist's studio Provenance: Consigned from the artist's estate £500 - £700

213 214

AFTER PETER PAUL RUBENS (18TH CENTURY), RETURN OF THE HOLY FAMILY FROM EGYPT

inscribed verso 'by Anthony Van Dyck', oil on copper, measurements 41.6 x 33.5 cm.

Notes: Painting after an engraving by Lucas Vosterman after the original by Peter Paul Rubens which is in the collection of Wadsworth Atheneum, Connecticut accession number 1938.254 £800 - £1,200

214

215

ATTRIBUTED TO SAMUEL RAVEN (BRITISH 1775-1847), A SETTER AND A POINTER AT WORK; A PAIR OF POINTERS IN A LANDSCAPE

Tryon Gallery label verso, oil on panel, 11 x 13cm, sold with copy of purchase receipt (3) Label verso: Tryon Gallery, London Provenance: Bought from the Tryon Gallery on 16th January 1977 when attributed to Philip Reinagle. Attributed to a titled estate £300 - £400

215 73

217

Please note all successful bids are subject to a Buyerâ&#x20AC;&#x2122;s Premium of 20% plus VAT

216

CIRCLE OF PHILLIP REINAGLE (BRITISH 1749-1833), TWO SCENES OF PHEASANT SHOOTING Tryon Gallery labels verso, oil on panel, 26.5cm x 26.5cm, a pair, sold with with receipt (2)

Provenance: Purchased at the Tryon Gallery on 15th November 1971. Property of a Titled Estate £400 - £500

217

◉ ATTRIBUTED TO CHARLES VICTOIRE MOENCH (FRENCH 1787-1867) VERTUMNUS & POMONA oil on panel, framed. Measurements 83 x 67 cm, frame 102 x 85 cm. Label verso: for Arnold Wiggins and sons picture framers and a wax seal verso bottom Provenance: previously sold at Christies Old Master Pictures in London, July 2000, lot 179 The tale of Vertumnus and Pomona is taken from Ovid's Metamorphoses. Vertumnus is a god of the seasons, gardens and fruit trees who was enamoured with Pomona, a beautiful wood nymph who dedicated herself to cultivating her orchard and rejecting all potential suitors. He disguised himself as an old woman in order to gain entry to Pomona's orchard and sought to convince her to choose the youthful and handsome deity Vertumnus. He then transforms and reveals himself in his true form to woo her. Please note there is an additional 20% chargeable on the hammer price for this lot £15,000 - £20,000

218

GERMAN SCHOOL (19TH CENTURY) YOUNG GIRL GATHERING KINDLING

oil on canvas, framed. Measurements 46.5 x 36 cm, frame 55 x 45 cm Label verso: Gladwell and Co, Victoria St £200 - £300

218 75

220 219 AFTER PETER PAUL RUBENS, HET PELSKEN

oil on panel, monogram EEG lower right, heavy gilt frame. Measurements 41 x 31 cm, frame 60 x 49 cm £700 - £1,000

220

221

ARTHUR LANGLEY VERNON (BRITISH, FL1871-1922) YOUNG LADY COLLECTING EGGS

oil on canvas, signed bottom right behind frame. Measurements 36 x 25.5 cm, frame 47 x 36.5 cm £600 - £800

FRANK BRAMLEY RA (BRITISH 1857-1915), BOY RESTING ON A COUNTRY TRACK WITH HIS DOG

222

Previous auction inventory number verso £700 - £1,000

red chalk on paper, stamp bottom right corner, mounted and framed. Measurements 20 x 15.5 cm, frame 36 x 31 cm £200 - £300

oil on Barnard and Son canvas, signed and dated 1866 bottom right behind frame. Measurements 31 x 36 cm, frame 50 x 55 cm

ITALIAN SCHOOL (16TH CENTURY) DRAWING OF JUSTICE IN A NICHE

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

NOTE:

Wilfred Owen was a British poet and soldier from Oswestry, Shropshire. He is famous for his haunting war poetry which focused upon the horrors of the trenches and conditions during World War One which were in stark contrast to the contemporary public perception of the war effort. Owen was killed in action during the crossing of the Sambre-Oise Canal, just one week before the signing of the Armistace

223

225

223

LUCIEN LOPES-SILVA (FRENCH 19TH CENTURY) CHARCOAL SKETCHES OF LADIES AT LEISURE

signed or initialled on each drawing, dated 1883, some double sided, 25 sheets in total, various sizes. Measurements majority 27 x 20.5 cm, largest 29 x 22cm £80 - £120

226 224

WILFRED OWEN (BRITISH 1898-1918), INK SKETCH OF THREE DUCKLINGS

dated '03, framed. Measurements 26.5 x 22.5 cm (SH), frame 44 x 36 cm £250 - £350

225

WILFRED OWEN (BRITISH 1898-1918), INK SKETCH OF A BIRD

signed and dated '03 bottom right, mounted and framed. Measurements 27 x 22 cm (i), frame 41 x 33.5cm £250 - £350

MANNER OF GEORGE VERNON STOKES (1873-1954) LIFEBOAT AT THE COAST

pastel on paper, measurements 27 x 36 cm (SH) together with a pastel of rocks on the shoreline by the same hand (2) Provenance: Purchased by the vendor as a folio of works by GVS at Lots Road Auctions in March 1997 £120 - £180

227

WILFRED OWEN (BRITISH 1893-1918), PEN AND INK DRAWING, 'YE OLDE SHOPPE'

dated '03 bottom left. Measurements 23 x 17.5 cm (i), 27 x 22.5 cm (SH), frame 40 x 32 cm £250 - £350

228

231

pastel on paper, measurements 27 x 36 cm (SH), together with a pastel drawing of trees and bushes lining a lane by the same hand (2)

with a leaving party looking on, signed and dated indistinctly lower left 'T.B.Hardy 1871?', Reading Fine Art Gallery label verso, watercolour and gouache, 12cm x 16.5cm, frame 28.5cm x 33cm

MANNER OF GEORGE VERNON STOKES (1873-1954) THATCHED COTTAGE

Provenance: Purchased by the vendor as a folio of works by GVS at Lots Road Auctions in March 1997 £120 - £180

229

IN THE MANNER OF JOHN FIELD (BRITISH LATE 18TH/EARLY 19TH CENTURY), A SET OF FOUR SILHOUETTE MINIATURE PORTRAITS OF GENTLEMEN

watercolour, under convex and gilded verre eglomise glass covers, set in an octagonal papier mache frame, inscribed verso with sitters 'John Perrott', 'Thomas Perrott', 'Mary Bousquet?' and 'Revd Bousquet?', each 8 x 6cm, frame overall 38 x 33cm £150 - £200

230

J.W. WATSHAW (BRITISH 19TH CENTURY) LITTLE MORETON HALL

THOMAS BUSH HARDY (BRITISH, 1842-1897), A BOAT LEAVING SHORE

Label verso: Reading Fine Art Gallery £80 - £120

232

WILFRED OWEN (BRITISH 1893-1918) WATERCOLOUR OF OSWESTRY

signed and dated Friday 16th October bottom left, titled Oswestry top left, measurements 25 x 20.5 cm (SH) £250 - £350

233

EDWARD HENRY EUGENE FLETCHER (BRITISH 1857-1945), VIEW OF THE RIVER THAMES

watercolour, signed E Fletcher bottom right, framed. Measurements 18 x 36.5 cm, frame 28 x 45.5 cm £120 - £180

watercolour, signed bottom left, mounted and framed. Measurements 30.5 x 44 cm, frame 49.5 x 63 Label verso: The Victorian Gallery, Shrewsbury £80 - £120

230 78

232 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

234

EDWARD ROBERT HUGHES RWS (BRITISH 1851-1914) THE JOURNEY'S END

watercolour, signed bottom left, date 1911, framed. Measurements 77 x 54 cm, frame 98 x 77 cm. Sold together with catalogue from O'Neil Fine Art Ltd Vitality Watercolours from 1800 6th-29th October 2011 Notes: Exhibited Crystal Palace, London Festival of Empire Exhibition 1911 celebrating the coronation of King George V. Label and original sale note from O'Neil Fine Art verso Provenance: Alan B. Gateley and by descent, O'Neill Fine Art Ltd sold in the Vitality: Watercolours from 1800 exhibition 2011 cat.no.17, private collector ÂŁ7,000 - ÂŁ10,000

234 79

235

239

235

§ GEORGE VERNON STOKES (BRITISH 18731954) HOUNDS IN THE SNOW

watercolour and pastel, initialled bottom right, dated 27-3-24 bottom left. Measurements 25.5 x 26 cm £300 - £500

236

JOHN LEECH (BRITISH 1817-1864) THE NOBLE SCIENCE

Hunting Watercolour, signed bottom left, mounted and framed. Measurements 69 x 89.5 cm, frame 46 x 64 cm

237

EARLY 20TH CENTURY (BRITISH SCHOOL) HUNTING SCENE

watercolour, monogrammed 'EB' bottom right, measurements 15 x 20.3 cm

Notes: The vendor attributes the painter to Ethel Bibby (later Campbell) of Hardwicke Hall in Hadnall, who was an amateur painter and member of the North Shropshire Hunt of which her husband Frank Bibby was the Master £70 - £100

238

Inscription below 'Tom King and his friend who have been thrown out, congratulate themselves on falling in with the squire's second horseman who is sure to bring them by a line of ... to the hounds again, and so he does only the last of the gates is locked and over which he "hops like a bird"

§ OWEN WILLIAMS (BRITISH

Label verso: The Victorian Gallery, Shrewsbury £100 - £200

Label verso for H.C. Dickins art dealers £100 - £200

CONTEMPORARY) WOODCOCK IN THE SNOW

watercolour, signed and dated '87 bottom right, mounted and framed, measurements 36 x 54 cm, frame 64 x 83 cm

239

§ GEORGE VERNON STOKES (BRITISH 1873-

1954), HUNTSMAN AND HOUNDS CROSSING A STREAM

watercolour, monogrammed G.V.S. bottom right dated 8-10-24, measurements 25.5 x 35.7 cm £200 - £300

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

240

241

by John Speed, with armorials, inset map of Shrewsbury and text, glazed both sides, revealing text verso, engraving, later coloured, 'Performed by John Speed and are to be fould (sic) by George Humbell cum privilegio', 38.2cm x 50.5cm (I), frame 55 x 70 cm £70 - £100

dated August 1870-January 1871, titled and signed in the plate, a folio with 32 sheets in total, sheet sizes 40 x 55 cm, various sized plates 14 x 18 cm, 22 x 34 cm and 18 x 25 cm. (32)

17TH CENTURY OR LATER MAP OF SHROPSHIRE

AUGUSTE LANÇON (FRENCH 1836-1885), ETCHINGS FROM FRANCO-PRUSSIAN WAR

Auguste Lançon was a French artist known for his etchings of military scenes and animals. During the Franco-Prussian war 1870-1871 he was a sargeant of a batallion and was captured, spending six months as a prisoner of war. He created a series of 70 etchings based on his experience of the conflict and exposing the horrors of armed conflict £300 - £500

242

A 17TH CENTURY, OR LATER, JOHN SPEED MAP OF MONTGOMERYSHIRE

with cartouche and inset map, engraving, later coloured, 38 x 51cm (I) £60 - £80

243

SILVIA DURAN (SPANISH CONTEMPORARY) TIGER CUB 'MIKO'

oil on canvas, signed bottom right, framed. Measurements 41 x 51 cm, frame 56 x 66 cm £100 - £200

241

243 81

244

246

TERESA DAVIS (BRITISH CONTEMPORARY), PARTRIDGES IN THE SNOW

§ DENBY SWEETING (BRITISH 1936-2020), LLYN CWMORTHIN LANDSCAPE

oil on panel, heavy gilt frame. Measurements 87 x 102 cm, frame 114 x 126 cm

oil on board, signed and dated 2006 bottom right,39 x 41 cm, frame 46 x 49 cm £100 - £200

Label verso:The Reading Room Studio, Kerry Provenance: Consigned from the artist's estate £600 - £800

247

245

oil on canvas, signed bottom left, framed. Measurements 84 x 110 cm, frame 95 x 125 cm £600 - £800

MAURICE TAQUOY (FRENCH 1878-1952) CROWS FLYING OVER A PLOUGHED FIELD

§ DENBY SWEETING (BRITISH 1936 - 2020), DUCKS AND POPPIES oil on panel, signed bottom left, framed. Measurements 61 x 91 cm, frame 85 x 115 cm

Label verso: The Reading Room Studio, Kerry Provenance: Consigned from the artist's estate £500 - £700

248

§ LUIS ROYO (SPANISH CONTEMPORARY) LA CINTA AMARILLA

oil on board, signed bottom right, mounted and framed. Measurements 67 x 47 cm (i), frame 102 x 82cm. Label verso for the Halcyon Gallery. Provenance: private collection of an artist £2,000 - £3,000

245

246 82

248 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

249

§ CHARLES FREDERICK TUNNICLIFFE

(BRITISH 1901-1979) WHITE FALLOW BUCK

watercolour and gouache, framed. Measurements 12.5 x 17 cm, frame 26 x 29.5 cm. Sold together with copy of purchase receipt from Tryon Gallery 20/03/86.

250

BRITISH SCHOOL (20TH CENTURY) FISHING BOATS AT THE DOCK

indistinctly signed bottom right, oil on canvas, framed. Measurements 60.5 x 50.5 cm, frame 71 x 62cm £150 - £250

Label Verso: Bunny Bird Fine Art in association with the Tryon and Moorland Gallery Exhibition 5th-25th March 1986, catalogue number 263. Provenance: Purchased from the Tryon Gallery 1986. Property of a Titled Estate £100 - £200

249 83

251

252

oil and acrylic on canvas, signed and dated '68 bottom right, measurements 70 x 100 cm £500 - £700

oil on canvas, signed and dated '68 bottom right. Measurements 70 x 100 cm £500 - £700

MANOUCHEHR NIAZI (IRANIAN SCHOOL B.1936) BLOSSOM ON A COUNTRY TRACK

MANOUCHEHR NIAZI (IRANIAN SCHOOL B.1936) TREES IN BLOSSOM

251

252 84

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

253

§ SIR JOHN KYFFIN WILLIAMS KBE RA (WELSH SCHOOL 1918-2006), NUDE SKETCH

Ink on paper, initialled KW bottom right, mounted and framed. Measurements 35.5 x 13 cm (i), frame 54 x 47 cm £400 - £600

254

256

1961, signed bottom right, fine art trade guild stamp bottom left, mounted and framed. Measurements 41.3 x 57 cm, frame 64 x 79 cm £300 - £400

oil on panel, dated 1901 bottom right, framed. Measurements 34 x 24 cm, framed 50 x 39 cm

§ L.S. LOWRY (BRITISH 1887-1976) LEVEL CROSSING BURTON-ON-TRENT

255

§ SIR KYFFIN WILLIAMS KBE RA (WELSH

SCHOOL 1918-2006) COTTAGES IN A LANE

Artist's proof, numbered VIII/XV, initialled KW bottom right, mounted and framed. Measurements 51.5 x 37.5 cm, frame 88 x 74 cm

OTTO PILNY (SWISS 1866-1936), NORTH AFRICAN STREET SCENE

Otto Pilny was a Swiss painter who specialised in the Oriental genre. He spent much of his career in Egypt and was appointed the Court Painter to the Ottoman authorities there. He is most famous for his North African landscapes and depictions of Bedouins, becoming one of the first European painters to also paint Muslims at prayer £700 - £1,000

Provenance: Private collection of an artist £600 - £800

254 86

255 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

CERAMICS, GLASS & MILITARIA

257

A WEDGWOOD CARRERA PARIAN GROUP OF CHARITY DESIGNED BY A. CARRIER DE BELLEUSE

circa 1859, titled to the base and with artist's facsimile signature, impressed 'WEDGWOOD', 36.5cm high £200 - £300

258

A BATES BROWN-WESTHEAD MOOR & CO PARIAN FIGURE OF A DYING GLADIATOR

circa 1860, the front of the base impressed `Crystal Palace Art Union', 21cm high

Modelled after the antique, the original is held in the Capitoline Museum, Rome £200 - £300

258 88

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259

A WILLIAM MOORCROFT VASE

circa 1930s of ovoid form, tubelined with pomegranates and leaves against a dark blue ground, impressed marks, facsimile signature, 13cm high £80 - £120

260

A GROUP OF MOORCROFT POTTERY

259

early/mid-20th century comprising an ‘Anemone’ jug and matching small circular bowl, a ‘Pansy’ vase (cracked), miniature ‘Orchid’ vase and further small Moorcroft bowl on raised pedestal foot, tallest 11.5cm high (5) £100 - £200

260

261

A LARGE WILLIAM MOORCROFT GLOBULAR VASE CIRCA 1930S

261

decorated in the 'Iris' pattern against a dark blue ground, impressed marks and facsimile signature, 21cm high £200 - £300

262

263

262

263

circa 1950s of low footed form, tubelined with the 'Leaf and Berry' pattern against a blue and green gradient ground, impressed marks and 'H.M. Potter to the Queen', 36.5cm diameter £200 - £300

circa 1903-4 tubelined with red flowers against a green and blue ground, green painted signature, 24cm diameter £250 - £350

A LARGE WILLIAM MOORCROFT CIRCULAR DISH

A WILLIAM MOORCROFT MACINTYRE TWIN-HANDLED BOWL

264

A GROUP OF FOUR SIMILAR BLOOR DERBY LANDSCAPE VASES

circa 1830 of twin-handled form, the cobalt and gilded bodies painted with titled vignettes of 'Napoli Romania', 'Abbotsford Scotland', 'View in Italy', 'View in North Wales' above a square pedestal base, factory marks and titles in red, 23cm, 29.5cm and 30cm high (4) (minor damage, repair) £250 - £350

264 90

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

265

266

265

266

circa 1780-1800 each seated on a goat with their various accoutrements, on scroll and shell moulded bases, blue crossed swords marks, 13.5cm high (a.f, repairs) £80 - £120

circa 1785 of low-footed form, deep bowl with turned rim, painted in blue with the 'Lily' pattern within blue and gilt borders, unmarked, 4cm high (small rim chip, ascending hairline) £100 - £150

A PAIR OF DERBY MODELS OF THE 'WELSH TAILOR AND HIS WIFE'

A RARE CAUGHLEY EGG CUP

267

A RARE CAUGHLEY 'BELL TOY' INKWELL AND LINER

circa 1775-85. of waisted cylindrical form, the rim pierced with four circular quill holes, fitted with a detachable well, transfer-printed in underglaze blue, the reverse with a subsidiary print of three vases and a pagoda, the rim and top section with scattered flower sprigs, printed C mark, 9.7cm diameter (top section cracked, inner rim chip, the inkwell chipped) £400 - £600

267 91

270 268

271

circa 1785 on raised pedestal foot, painted in underglaze blue with the 'Blown Seedhead' pattern, 9cm diameter (rim chip) £80 - £120

limited edition 192/250, designed by Sue McGarrigle, sculpted by Jack Glynn 38cm high, boxed with certificate £500 - £800

269

272

lacking liner circa 1777-88 of waisted cylindrical form, the rim pierced with four circular quill holes, fitted with a detachable well, transfer-printed in underglaze blue with the 'Bell Toy' pattern, the reverse with a subsidiary print of three vases and a pagoda, the rim and top section with scattered flower sprigs, unglazed base with painted C mark, 5.5cm high (chipped, cracked) £150 - £200

dated 1896 of shouldered ovoid form with collar neck, incised with classical masks and scrolling foliage in cream and blue on an ochre brown ground, incised 'Martin Brothers London & Southall', 15.5cm high £300 - £400

A LARGE CAUGHLEY TEA BOWL

A LARGE COALPORT FIGURAL GROUP 'THE FLOWER SELLER'

A MARTIN BROTHERS STONEWARE VASE

A RARE CAUGHLEY INKWELL

270

A PAIR OF ROYAL WORCESTER SIDE PLATES

mid-20th century painted with fruit by K. Bettison and English, with giltedged gadrooned rims, printed factory marks in black, 15cm diameter £150 - £250

272 92

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

273 273

274

circa 1820 of urn form, painted with panels of flowers within gilded borders, pattern number 1053 in puce, 14cm and 16cm high (3) £100 - £150

circa 1760 modelled as a female flower seller and male fruit vendor, with foliate sconce and floral encrusted stem, on a scroll moulded acanthus base, pad marks to base, 25.5cm high (2) £120 - £180

A GARNITURE OF THREE ENGLISH BLUEGROUND PORCELAIN VASES

A PAIR OF DERBY PORCELAIN FIGURAL CANDLESTICKS

274 93

275

A PAIR OF SAMUEL MOORE & CO BUTTERFLY-HANDLED TEACUPS AND SAUCERS

circa 1872 in yellow and white colourways, the saucers modelled as fan-shaped biscuit trays, with gilded detail, impressed 'MOORE' and diamond registration marks, saucers 23cm wide (white saucer repaired) £100 - £150

275 276

277

circa 1930s painted with blackberries and autumnal leaves by Kitty Blake, artist signed, printed factory marks, shape G923, 19cm high £120 - £180

dated 1938 of cylindrical form, raised on pierced foot, painted with blackberries and autumnal leaves by Kitty Blake, artist signed, printed factory mark, shape 6/161, 15.2cm high £120 - £180

A ROYAL WORCESTER TRUMPET VASE

276 94

A ROYAL WORCESTER VASE

277 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

278

A DERBY TEACUP AND SAUCER

early 20th century painted with floral gardens alongside named views of Haddon, Dryburg Abbey and Brig.O.Doon, gilded rims, signed J. Horton, impressed 'DERBY 7-08', saucer 13.5cm diameter (2) £80 - £120

279

280 279

A ROYAL WORCESTER VASE

dated 1935 of cylindrical form, raised on pierced foot, painted with a fully spray summer flowers by Ernest Barker, artist signed, printed factory mark, shape 6/161, 15.5cm high £100 - £150

280

A COALPORT 'WINDSOR CASTLE' JEWELLED CABINET PLATE

early 20th century, artist signed E.O Ball, titled to verso, pattern X.8200, printed factory mark in green and gold foot rim, 23cm diameter £100 - £150

281 281

283

early 20th century painted with snipe and pheasants within wooded landscapes, titled to verso, artist signed J. Hancock, printed factory marks, gold foot rims, 24cm diameter (2) £100 - £150

late 19th century designed after the antique with Hercules Strangling the Nemean Lion, contained within a gilt-mounted oak frame, impressed 'WEDGWOOD', plaque 13.5cm wide x 18.5cm high, frame 40cm x 44cm £150 - £200

A PAIR OF ROYAL DOULTON CABINET PLATES

A WEDGWOOD BLACK BASALT OVAL PLAQUE

282

A COPELAND PLATE FROM THE PRINCE OF WALES SERVICE

circa 1863 painted with four landscape vignettes commemorating the foreign places seen during Prince Albert Edward's and Princess Alexandra's honeymoon, titled to the reverse 'Castle of Chillon', 'Magadino', 'Lake of Como', and 'Naples', printed mark to the reverse, diameter 23cm £200 - £300

282 96

283 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

284

A SHELLEY ART DECO TEA SERVICE IN THE 'SUNSET AND FLOWERS' PATTERN

of Queen Anne shape, the service comprising teapot and cover, stand, hot water jug, cream jug, sugar bowl, six teacups, six saucers, six sideplates and a sandwich plate, printed factory marks in green, painted pattern number 16911 in iron red (25 pcs including cover) £600 - £800

285

A ROYAL WORCESTER VASE AND COVER

circa 1950-53 of twin-handled form on raised pedestal foot, painted with a still life of fruit by Harry Ayrton, artist signed, printed factory mark in black, shape 2713, 25cm high £200 - £300

285 97

286

287

286

A ROYAL WORCESTER CABINET PLATE

dated 1925 painted with a still life of fruit by T Lockyer, artist signed, printed factory mark, 26cm diameter £200 - £300

287

A ROYAL WORCESTER VASE PAINTED BY JAMES STINTON

dated 1904 painted with the two pheasants in a wooded landscape, artist signed, shape 1867, printed factory mark in puce, 15cm high £120 - £180

288

A PAIR OF LARGE ROYAL WORCESTER VASES

dated 1929 painted with still lifes of autumnal leaves, flowers and berries by Kitty Blake, artist signed, shape G/323, printed factory marks, 23cm high (2) £300 - £400

288

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

289

A PAIR OF ROYAL CROWN DERBY TWINHANDLED VASE AND COVERS

circa 1970s, pattern 1128, of pedestal form with gilt scroll handles, printed factory mark in red, 42cm high (one a.f) £150 - £200

290

A ROYAL CROWN DERBY IMARI COMPORT DISH

dated 1976 pattern 1128, of fluted, circular form, printed factory mark in red, 9cm high, 28.5cm diameter £150 - £200

291

A PAIR OF LARGE ROYAL CROWN DERBY IMARI OCTAGONAL BOWLS

dated 1977, 28cm diameter, together with a Royal Crown Derby small imari dish (3) £80 - £120

289

290 99

292 292

A PAIR OF ROYAL CROWN DERBY IMARI CANDLESTICKS

294

NO LOT

dated 1976 pattern 1128, printed factory marks in red, 26.5cm high (one a.f) £120 - £180

293

A ROYAL CROWN DERBY IMARI BASKET

dated 1977 of rounded, rectangular form with two handles, printed factory mark in red, 11.7cm high, 29cm wide £200 - £400

295

A ROYAL CROWN DERBY IMARI COMPORT DISH

dated 1976 of square form with dolphin moulding, pattern 1128, printed factory mark in red, 13.5cm high £150 - £200

293 100

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

296

A ROYAL WORCESTER SCALLOPED CABINET PLATE

post-war the claret ground with heavy carpet gilding, painted with a central circular panel of fruit, artist signed J. Reed, printed factory marks in gold, 23.5cm diameter £100 - £150

297

A PAIR OF ROYAL WORCESTER SERPENTINE DISHES

mid-20th century of oval form, painted with still life fruit by M. Johnson, printed factory marks in black, 26cm wide (2) £120 - £180

296

298

A ROYAL WORCESTER VASE PAINTED WITH HIGHLAND CATTLE BY HARRY STINTON

dated 1937 of cylindrical form with pierced upper rim, raised on four gilt feet, artist signed, shape G42, printed factory mark in puce, 22cm high £350 - £450

297

299

A ROYAL WORCESTER CYLINDRICAL VASE

circa 1942 painted with a still life of autumnal leaves and berries by Kitty Blake, artist signed, shape G323, printed factory mark in puce, 19cm high £100 - £150

298

299 101

300 300

A PAIR OF ROYAL CROWN DERBY TWINHANDLED OVAL TUREENS AND COVER

printed marks, pattern number 1128, 19.25cm wide £150 - £250

301

A JOSEPH-THÉODORE DECK FAIENCE MOON FLASK

dated 1879 of twin-handled form, painted with pink flowers and leaves against a mottled blue ground by A. Regnier, artist signed, incised 'HD', 23cm high (chipped, repaired) Notes: Anthony Ludovic Régnier seems to be a prolific artist of the Théodore Deck factory, who specialized in flower painting. £100 - £150

301 102

302

A PAIR OF BESWICK SADDLEBACK PIGS

mid-20th century Sow 'Merrywood Silver Wings 56th', model number 1511 and Boar 'Fair Acre Viscount 3rd' model number 1512, printed factory marks and painted titles, 7cm high (2) £100 - £150

303

A ROYAL WORCESTER MODEL OF A ROYAL CANADIAN MOUNTED POLICEMAN

on oval wooden base, from the Equestrian series modelled by Doris Lindner, length 26cm, complete with certificate and numbered 283/500 £150 - £200

303

304

A RARE, MONUMENTALLY LARGE AND IMPRESSIVE MAW & CO CHARGER

circa 1880 centrally painted with a lion's mask below a flaming urn, surrounded by seeded orange fruit and a wave exterior border, impressed 'MAW & CO / BROSELEY', 92cm diameter (stapled repair) Notes: It is likely that this charger was produced for one of the many exhibitions in which Maw & Co participated in during the late 19th century. For comparison, the Ironbridge Gorge Museum owns one other large charger, which was created for the Exposition Universelle of 1889 as a showcase of the various glazes and paints. Another charger, at a slightly smaller 71cm diameter, was exhibited in the earlier 1851 Great Exhibition and remains in private hands today. By family repute, this charger, and another (whereabouts currently unknown) were rescued by workers from the Maw & Co factory upon its closure. Given the scarcity of works of this size by Maw & Co, it is, therefore, possible that the charger in this lot was one of those rescued. The further detail on this lot was provided by the kind generosity of the Ironbridge Gorge Museum Collection Trust. £200 - £300

305

A PAIR OF MINTON TILE JARDINIERES

dated 1881 designed by John Moyr Smith (1834-1912), of square form, of square form, each of the four tiles depicting scenes from Shakespeare and signed with initials JMS, impressed factory marks to base. 18cm high (restored) £80 - £120

306

A PARIAN FIGURE OF GODFREY DE BOUILLON

possibly by J Duke & Nephew, circa 1860, titled within scroll cartouche to the circular base (missing flag from outstretched hand), 45.5cm high Notes: Godfrey of Bouillon was a Frankish knight and one of the leaders of the First Crusade from 1096 until its conclusion in 1099 £60 - £80

304 103

307

A RARE TIPPERS POISON BOTTLE

circa 1904 of skittle-form, mid-cobalt glass, one-half plain for labelling the other embossed 'POISON', above moulded warning fluting with the area below embossed 'THRETIPENE/ (TIPPERS 3 TIPS)/ DISINFECTANT', 'RD NO 442142' to base 27cm high Notes: Recently discovered in an old barn, this bottle is the largest, rarest and most desirable example of it's type and research shows that this is just one of three examples recorded in this size. The veterinary supply company B.C. Tippers & Son were registered at 43 Homer Street, Balsal Heath, Birmingham. £150 - £250

308

A COLLECTION OF WATERFORD CRYSTAL TABLEWARE

307

including nine '12 Days of Christmas' champagne flutes with gold rims, 27cm high; together with a suite in the 'Alana' pattern, including martini, claret, sherry, liqueur and port, 'Waterford' marks (42) £200 - £300

308 104

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309

310

including a wine glass, vases, jug, preserve jar, and cover, candlestick, ashtray and a large fruit bowl, factory marked (16) £70-100 £70 - £100

the cylindrical body engraved 'VIVAT in Gräfenthal / VIVAT in Cöthen" flanked by two winged angels, a crown, farming implements and grapes, interior of the pewter cover inscribed '1753', 25cm high £500 - £600

A COLLECTION OF WATERFORD CRYSTAL TABLEWARE

AN 18TH-CENTURY GERMAN GLASS AND PEWTER-MOUNTED TANKARD

310 105

311 314

313 311

A WEBLEY & SCOTT MARK II SERVICE AIR RIFLE

.22 calibre break barrel with bolt-locking action and hinged sight, plain walnut stock with chequered grip (action in non-working order) £150 - £250

312

with 22cm double-edged blade inscribed 'Alles fur Deutschland', otherwise unmarked, with plated crossguard and hardwood group with inset eagle above swastika, housed in original scabbard £100 - £150

313

comprising; 1914-15 Star, War medal and Victory medal, awarded to '207454 SJT A.W.C. Barty', Royal Marines, later Royal Engineers, together with certificate 'transfer to reserve' £60 - £80

106

AN ABYSSINIAN WAR MEDAL

1867-68 campaign, awarded to '614 Gunner J. Brabazon 5 Battery 25 BDE- R.A.', together with silver chain £300 - £400

315

GERMAN THIRD REICH SA DAGGER

A WORLD WAR I TRIO

314

A 12TH-13TH CENTURY MEDIEVAL ENGLISH SWORD

in excavated condition, with large flattened wheel pommel, straight crossguard, double-edged blade with wide central fuller, remaining blade length 50cm, overall length 68cm (tip broken, hilt detached) Notes: This sword was recovered 35 years ago from Caynton Caves near Shifnal. Although local mythology ties this cavern system to the Knights Templar, some historians believe the caves to be 19th century in date. Nevertheless, this sword is a historically interesting find and certainly warrants further research. £600 - £800

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

ASIAN ART

316 316

317

18th century Of plain circular form and each painted with five fish swimming amid marine foliage, four blue peony sprays to the rim. 23cm dia. (2) £100 - £150

18th century Both of plain circular shape, the first painted with quail amid flowering peonies and chrysanthemums, the second with peonies and foliage amid rockwork. 22.5cm dia. (2) £100 - £150

A PAIR OF CHINESE FAMILLE ROSE PLATES

317

TWO CHINESE FAMILLE ROSE PLATES

318 318

A CHINESE BLUE AND WHITE BOWL

Kangxi Of rounded form with twin dragon handles, painted with scenes of small dwellings in a rocky landscape, 15cm dia. (lacking cover, chips to handles, rim chip) £150 - £180

319 320

THREE CHINESE BLUE AND WHITE OVAL PLATTERS

18th century Of canted form, each decorated with villas and flowering plants beside rivers, within complex rim borders. Two at 33cm wide, one at 37.5cm wide. (3) £250 - £350

319

321

Republic period Of rounded form and painted in the 18th century manner with scholars and attendant in a garden, red painted mark reading Sheng Yu, 7.5cm high (lacking cover) £100 - £150

Qing Dynasty, 19th century Of ovoid form with domed covers, painted with 'hundred boys' scenes of boys at leisure in rocky gardens, with carved hardwood stands. 20cm high (2)

A CHINESE FAMILLE ROSE BOWL

A PAIR OF CHINESE FAMILLE VERTE STYLE JARS AND COVERS

Notes: To the underside of each is a gummed paper label with handwritten note reading 'Property of [indistinct], Oriental Club, 18 Hanover Square and 50 Dudley Court, Upper Berkeley Street W1' £100 - £150

321 109

322

325

Ming Dynasty, 16th/17th century Of circular shape and painted in iron red and green with panels of stylised flowers and foliage. 34cm dia. (repaired) £200 - £300

Qing Dynasty, late 19th century The ivory sticks mounted with white feathers, painted in blue and silver with ladies in a flowering garden. 25cm £80 - £120

A CHINESE SWATOW DISH

323

A CHINESE POWDER BLUE AND FAMILLE ROSE GINGER JAR AND COVER

Qing Dynasty, 18th/19th century Of ovoid form and decorated with shaped panels finely painted with peacocks, lion dogs, birds and fish against a yellow ground, reserved on powder blue. 21cm high. £150 - £250

A CHINESE PAINTED FEATHER FAN

326

A CHINESE OR SOUTH EAST ASIAN SILVER BELT BUCKLE

early 20th century Embossed with standing and seated figures in traditional robes against on openwork scroll background. 14.5cm wide, 3.4oz £120 - £180

324

327

Hu Qianlong seal mark and possibly period, the heavily potted vessel with a moulded peach-shaped panel on each side, the neck with two square tubular handles, all covered with a grey glaze suffused with 'iron wire' crackle, the footrim dressed brown in imitation of the Song Dynasty wares. 31cm high. £800 - £1,200

Qing Dynasty, 19th century The top carved with a figure of Shoulao standing on cloud forms, with further knotty carvings of attendant boys and mythical beasts, painted dark red and with remnants of gilt detail. 120cm £200 - £300

A CHINESE GE-TYPE GLAZED 'ARROW' VASE

A CHINESE CARVED ROOTSTOCK STAFF

323 110

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324 111

328

329

Qing Dynasty With iron fittings and rings, 45cm long, together with a pair of wood stirrups of similar period. (3) £150 - £250

Qing Dynasty, 19th century Of green and russet hue, modelled standing and holding a basket containing a fish, set on a reddishbrown rocky base. 27.5cm high (head repaired) £100 - £200

A HIMALAYAN LACQUERED HARDWOOD SADDLE

A CHINESE SOAPSTONE FIGURE GUANYIN

329 112

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

330

A CHINESE GREEN AND RUSSET SOAPSTONE FIGURE OF A RECLINING BUDDHA AND TIGER

19th/20th century Modelled in traditional robes, he holds a string of beads and a bowl, he rests on a crouching tiger, with hardwood stand. 8cm long £100 - £150

331

A CHINESE GREEN AND RUSSET JADE ARCHAISTIC VASE AND COVER

Qing Dynasty Of compressed baluster form, the body carved with taotie masks. 18cm high £150 - £200

331 113

332

335

Qing Dynasty Modelled standing with its front paws on a ball, above an oval stand on a rectangular base. 9.5cm high £100 - £150

19th century The first near white and probably depicting Guanyin in flowing robes and holding a bottle, with hardwood stand, 8cm high, the second pale green and depicting Shoulao, modelled standing and holding a peach, 9cm high, together with a green and russet soapstone carving of a reclining Buddha, 8cm long, with hardwood stand. (3) £100 - £150

A CHINESE BLACK JADE CARVED LION DOG

333

A CHINESE PALE GREEN JADE PENDANT

Qing Dynasty, 19th century Of circular form, carved and pierced with two bats and a butterfly arranged around a canted reserve containing a lotus bloom, with associated hardwood stand. 6cm dia. £50 - £80

TWO CHINESE JADE FIGURES

336

A CHINESE PALE GREEN JADE BELT HOOK

Qing Dynasty, 19th century With a curving shaft terminating in a dragon head hook, the underside with a raised ovoid button. 13.5cm long £80 - £120

334

A CHINESE PALE GREEN AND RUSSET JADE CARVING OF AN AUBERGINE

18th/19th century The plump fruit issuing trailing foliage and with a beetle climbing at its base, with associated hardwood stand. 6cm £100 - £150

334 114

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337

◉ A GOOD TIBETAN GILT COPPER ALLOY FIGURE OF SHAKYAMUNI BUDDHA

15th century Finely modelled seated in dhyanasana on a shaped base, the hands at the chest in dharma chakra mudra, wearing a sanghati draped over the shoulder and over the legs in folds, the face with serene expression, the long ears cut with vertical holes, the hair arranged in tight curls surmounted by a domed ushnisha. 17.5cm high Provenance: Jean-Claude Moreau Gobard, Paris, 1963 Sotheby's New York, 17 September 2013, lot 62 £6,000 - £8,000

337 115

338

341

Ink and watercolour on paper hanging scroll, with two seals of the artist. 102cm x 48cm £200 - £300

19th century The lobed circular top having a beaded edge, above a foliate carved frame raised on cabriole supports carved with masks and terminating in claw feet 42cm wide, 47cm high £100 - £200

339

342

ink on paper scroll, with two seals of the artist. 21cm x 16cm £80 - £120

Meiji period, of lobed rounded form and typically decorated with panels of flowers and foliage, 19, 22 and 24cm dia., an Imari dish, possibly late Edo period, 21cm (rim restored), and a further Imari dish, 30.5cm dia. (5) £120 - £150

SUN QIFENG (B.1920) BIRDS IN FLIGHT AMID THORNY BRANCHES

ZIKAI FENG (1898-1975) LADY WITH WASHING IN A GARDEN

A CHINESE CARVED ROSEWOOD AND MARBLE VASE STAND

THREE JAPANASE IMARI BOWLS

340

A SET OF FOUR GRADUATED CHINESE ROSEWOOD TABLES

probably Republic Of lobed circular shape, the friezes carved with openwork fruiting vines. Largest 44cm wide, 66cm high (4) £300 - £500

343

A JAPANESE SATSUMA TEA SERVICE BY GYOKUZAN

Meiji period Moulded with dragon handles and decorated with scenes of noble figures in gardens and interiors to shaped panels, comprising teapot and cover, sucrier and cover, milk jug and cover, six cups and six saucers. (15) £300 - £500

343 116

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344

346

Meiji period Of ovoid shape with everted rims and twin dog-head handles, finely painted in colours with warriors on horseback sparring with naginata, in landscapes with flowering trees against an iron red and gilt ground. 35cm high (2) £400 - £600

probably Turkish Ottoman, 18th century 14cm wide, 18cm high (2) £150 - £250

A PAIR OF JAPANESE KUTANI VASES

A PAIR OF IRON AND COPPER STIRRUPS

345

A QAJAR UNDERGLAZE-PAINTED POTTERY KASHKUL

19th century Of ovoid form with lobed rim, painted in colours with a huntsman on horseback chasing deer, with a typical chain handle. 20cm wide. £100 - £150

344 117

347

A KHORASAN PARCEL GILT BRONZE INCENSE BURNER IN THE FORM OF A BIRD

Persia, 19th century Modelled standing with head turned to the left, the plumage incised with feather detail and picked out with gilt detail, set on a rectangular base. 23cm high. £80 - £120

348

ALEXANDER, WILLIAM COSTUME OF CHINA, WILLIAM MILLER PUB

London 1805, comprising 45 of 48 prints with accompanying text, royal 4to, marbled bindings, no cover or spine. £600 - £800

347

348 118

COLLECTABLES & WORKS OF ART

349

352

A TRIBAL ASHANTI STOOL

Ghana, Africa The curved seat above curved and pierced supports, 41cm high, 53cm wide, 30cm deep. £80 - £120

350

AFTER PIERRE JULES CAVELIER, PENELOPE, LAST QUARTER

19th century Modelled as a maiden in flowing robes sleeping in a chair, set on an oval base, stamped 416 J.Cavelier and 'Reduction Mechanique'. 24.5cm high £150 - £250

A 19TH CENTURY TRIBAL THROWING CLUB

Fiji Isles, i ula kitu, The handle carved with a fine geometric pattern, wood. 41cm long £600 - £1,000

353

AFTER CLAUDE MICHEL CLODION, A PAIR OF FRENCH BRONZE FIGURES OF A SATYR AND A BACCHANTE

351

AFTER PIERRE JULES CAVELIER, PENELOPE, LAST QUARTER

19th century Modelled as a maiden in flowing robes sleeping in a chair, set on an oval base, stamped 732 J.Cavelier and 'Reduction Mechanique'. 37cm high £300 - £400

351 120

Fourth quarter 19th century, the satyr modelled standing and wearing an animal skin, he drinks from a wine sack, the bacchante with scant robes, she holds a bunch of grapes while stepping over a discarded wine jar, both set on dark pink marble bases. 44cm and 41cm (2) £400 - £600

353 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

354

356

19th century Of amphora shape with scroll handles surmounted by putti, the bodies cast with continuous scenes of revelling putti beneath fruiting vines, 56.5cm high. (2) £300 - £500

circa 1900 Of amphora shape with twin high bracket handles, moulded in relief with classical maidens in flowing robes amid trailing vines, above a spiral-fluted foot set on a pink veined marble socle. 45cm high £600 - £800

A PAIR OF RENNAISSANCE REVIVAL BRONZE WINE EWERS

A FRENCH BRONZE VASE

355

A PAIR OF FRENCH BRONZE TAZZA

late 19th century Of kylix shape with twin branch handles, the outsides moulded in high relief with flowers and trailing foliage, conforming decoration to the feet. 10cm high, 22cm wide across handles (2) £150 - £250

354

356 121

357

358

late 19th century The leaf-moulded scroll branches on a tapering fluted column surmounted by a heron and turtle, the base with three griffin supports with leaf cartouches between. 74cm high (2) £800 - £1,200

late 19th century Modelled in mid stride on an ovoid grassy base, signed 'MENE'. 22cm long, 17.5cm high £200 - £300

A PAIR OF FRENCH BRONZE SIX-BRANCH CANDELABRA

AFTER PIERE-JULES MENE, A BRONZE FIGURE OF A HUNTING DOG

357 122

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359

A PAIR OF LARGE SPANISH PAINTED WOOD CANDLE HOLDERS

With fluted baluster stems above tri-form bases raised on compressed bun feet, painted red and gilt with armorial shields. 107cm high (2) £150 - £200

360

A NORTHERN EUROPEAN CARVED OAK FIGURE OF ST.MICHAEL

18th/19th century, modelled standing in armour and carrying a scale, atop the slain demon, dark brown patina with traces of polychrome decoration, 57cm high. £200 - £300

361

A CONTINENTAL PAINTED WOOD TORCHERE CONVERTED TO LAMP STANDARD

With circular top above a moulded baluster stem, set on a triform base raised on three claw feet, stained russet and parcel gilt. 108cm high £180 - £200

359 123

362 362

A PAIR OF WROUGHT IRON FIRE DOGS

363

17th century Of scroll form with brass finials, together with a reproduction wrought iron fire basket made en suite. 45cm high, 87cm wide assembled £250 - £350

A LARGE 18TH CENTURY IRON 'ARMADA' CHEST

probably German The sprung lock mechanism opening by single key from lid, the cartouche lock plate with scroll decoration, with wrought iron swing handles to sides. 89cm wide, 52cm high, 53cm deep £800 - £1,200

363 124

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364

367

circa 1870 Of sarcophagus form on turned feet, inlaid with brass scroll lines and key escutcheon, the hinged top opening to fitted tea boxes flanking a mixing bowl, the cut glass bowl contemporary but possibly associated. 33cm wide £200 - £250

19th century Modelled standing in medieval robes, holding the infant in the crook of her left arm, set on a turned ebony base. 21cm high £200 - £300

365

368

A MID-VICTORIAN BRASS INLAID ROSEWOOD TEA CADDY

A 19TH CENTURY CROSSBANDED BOX

probably Tunbridge, with a tumbling block pattern, parquetry lid and inlaid with boxwood stringing, 31cm wide x 24.5cm x 12cm high £80 - £120

366

A 19TH CENTURY PAPIER MACHE TRAY

The lobed ovoid rim with conforming cavetto, finely gilt with panels of foliage and vermiculi, painted in colours with flower sprays, the reverse stamped R & J Slack, 336 The Strand, London. 43.5cm wide £200 - £300

A FRENCH CARVED IVORY FIGURE OF THE MADONNA AND CHILD

THREE CONTINENTAL CARVED IVORY FIGURES OF THE MADONNA

19th century Probably French, the first in traditional robes and with hands clasped in prayer, set on a turned ebony base, 20cm high, the second modelled standing in medieval robes, the infant at her feet reaching up to an inscribed tablet, set on a turned ebonised base, 15cm high, the third modelled seated in medieval robes, the infant sitting on her knee, set on a turned ebonised base, 17.5cm high (at fault). (3) £100 - £150

366 125

369

371

19th century The sticks painted with a neoclassical scene depicting the farewell of Andromeche and Hector, the reverse with a bucolic riverscape. 20cm £150 - £200

two with 'punched' indistinct lettering 'Love buy T... Ring' ?, 12cm and treen bobbins and a loom shuttle, stamped 'Jowett Bros Shipley', 42cm long (qty) £50 - £80

370

372

A CONTINENTAL HAND PAINTED IVORY FAN

OF PRISONER OF WAR INTEREST - A 19TH CENTURY CARVED BONE PEG IN THE FORM OF A WOMAN

9.5cm with other unrelated curios, including 3 seals including a 19th century turned bone mallet form seal, 7.5cm and two 19th century treen examples with intaglio coats of arms, with a plain bone peg and a burnisher? (6) £40 - £60

OF SEWING RELATED INTEREST - A COLLECTION OF 20, 19TH CENTURY, TURNED, BONE BOBBINS

MIKE 'CHAI' SCOTT (BRITISH, B.1943), THREE CARVED WOOD BOWL FORMS.

25cm, 15cm and 14cm dia. (3) £150 - £250

372 126

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373

MIKE 'CHAI' SCOTT (BRITISH, B.1943) A LARGE CARVED BURR ELM BOWL FORM VESSEL

of compressed ovoid form, the rim and interior dark stained. 33cm dia., 19cm high £500 - £700

377

A GRADUATED SET OF FOUR VICTORIAN COPPER HAYSTACK MEASURES

all s/d, all marked with size from ‘2 gallon to ½ gallon, smallest with maker’s plaque for ‘F…ow and Jackson, London’, largest 30cm high £100 - £200

374

378

approximately 38cm diameter and 21 plates, approximately 24cm diameter, touch-marks very worn, some plates marked ‘London’ and with a cinquefoil-type mark, all s/d (28) £100 - £200

possibly a fish kettle, both elements engraved indistinctly ‘Carridin’, 51cm long £80 - £120

375

379

A COLLECTION OF SEVEN 19TH CENTURY PEWTER CHARGERS

A VICTORIAN GRADUATED SET OF SIX PEWTER MEASURES

of baluster form, from quart to half gill, each stamped ‘W.R.Loftus’, largest 16cm high £80 - £120

A LATE 19TH/EARLY 20TH CENTURY COPPER COVERED, TWIN-HANDLED SAUCEPAN

A GRADUATED HARLEQUIN, OR COMPOSITE, SET OF FIVE, LATE 19TH/EARLY 20TH CENTURY COPPER SAUCEPANS the largest 23.5cm diameter and engraved ‘AH’, with 5 associated lids and another small saucepan indistinctly engraved ‘Carridin’ (10) £80 - £120

376

A VERY LARGE ARTS AND CRAFTS COPPER WINE COOLER

late 19th century Of waisted shape with twin ring handles, the lift-off top with split opening, embossed with stylised flowers. 52cm high, 68cm wide £500 - £800

380

A LARGE FIBREGLASS ROCKING HORSE BY HADDON OF WALLINGFORD

third quarter 20th century In dappled grey colouring and fitted with a leather saddle and bridle and mounted on a pitch pine base, bearing the maker's plaque. 126cm high £200 - £300

381

A LARGE PAINTED WOOD ROCKING HORSE

373

third quarter 20th century In dappled grey colouring and fitted with a leather saddle and bridle and mounted on a pitch pine base. 121cm high £200 - £300

127

382

384

AN EARLY 20TH CENTURY TINPLATE CLOCKWORK MODEL OF A 3-FUNNEL STEAM SHIP

A GOOD 18TH CENTURY FRENCH HARP BY SAUNTER, PARIS

The carved scroll top on a foliate carved moulded column support and base housing seven pedals, the soundboard decorated with delicate flower sprays, internally signed Francois Folck(?). 63" (160cm) high £2,000 - £3,000

41cm long £100 - £150

383

AN EARLY 20TH CENTURY BRASS STEAM MODEL LOCOMOTIVE

20cm long and another similar, 20cm long (2) £80 - £120

384 128

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385 385

386

Probably German 19th/20th century, with twopiece back, the varnish of a golden brown colour, in immediate playing condition, together with a Franz Bergner bow, the ebony frog with mother-of-pearl inlay, 75cm long, a Kun shoulder rest and a recent premium fitted hard case with integral hygrometer. £1,200 - £1,500

mid 1920s With pearlised fretboard, body and back, the headstock with printed label and brass maker's plaque, stamped number G6118, 23.5" (59.5cm), with original crocodile finish case (distressed) and a recent padded gig bag £100 - £150

A GOOD VIOLIN LABELLED JOSEPH GUARNERIUS CREMONA ANNO 1742

A JOHN GREY BANJOLELE, THE FAERIE QUEEN

386 129

387

A RECENT PONO CONCERT UKULELE

Mahogany top, back and sides, rosewood fretboard and tie-bar bridge, 24" (38cm from nut to bridge), with associated fitted travel case. £70 - £100

388

THE MACALLAN TEN YEAR OLD SINGLE MALT WHISKY

one bottle Matured in sherry oak casks, 70cl, 40% vol. £120 - £150

389

DOW 1966 (1 HIGH SHOULDER);

Dow 1980 (1 high shoulder); Dow 1986 (1 low shoulder). (3) £90 - £150

390 388

1994 CHATEAU GRUAUD-LAROSE Grand Cru Classe St Julien, 75cl, one bottle £60 - £80

389 130

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391

397

1980, bottle, (Ullage 1cm below foil) £100 - £200

1980, bottle (Ullage 1.1cm below foil) £100 - £200

392

398

1980, bottle (Ullage 0.8cm below foil) £100 - £200

1980, bottle (Ullage 0.9cm below foil) £100 - £200

393

399

1980, bottle (Ullage 0.8cm below foil) £100 - £200

394

400

1980, bottle (Ullage 1.5cm below foil) £100 - £200

1980, bottle (Ullage 0.9cm below foil) £100 - £200

395

401

1980, bottle (Ullage 1.2cm below foil) £100 - £200

1980, bottle (Ullage 0.8cm below foil) £100 - £200

396

402

1980, bottle (Ullage 1.0cm below foil) £100 - £200

1980, bottle (Ullage 0.5cm below foil) £100 - £200

DOM PERIGNON

391-401 131

403

405

1975, bottle (Ullage 1.5cm below foil) £200 - £300

1977 (2 high shoulder). (2) £100 - £150

404

406

(3 high shoulder, 1 low shoulder) (4) £120 - £150

1963 (1 high shoulder). £100 - £150

DOM PERIGNON

FONSECA 1985

405 132

GRAHAM'S

406 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

407

410

(1 high shoulder), Warre's 1983 (1 low neck), Warre's 1985 (1 high shoulder), Delaforce 1982 (1 high shoulder). (4) £120 - £150

2011 Domaine Des Forge Savennieres (1); 1995 Albert Roux/Chateau Le Pugh Monbazillac (1); 2000 Genetin Pouilly-Fume (1); 2003 La Roque Bandol (1); 2009 Rochambeau Coteaux de L'Aubance (1) (label damaged); 2004 Montesquiou Jurancon (1); 1994 Pascal Jobiet white (1) (label unreadable). (8) £40 - £60

WARRE'S 1977

408

2006 LES RUETTES SANCERRE ROSE (1)

1988 CHATEAU RAHOUL GRAVES (6)

1997 Chateau Haut-Gavier Graves (1); 1990 Chateau de Castelneau (1); 1983 Chateau Jolys Jurancon (1); 1999 Chateau Malagar Bordeaux (1). (10) £50 - £70

409

1999 LAROCHE GRANDE CUVEE CHARDONNAY (2)

circa 1998 Domaine Des Treilloux Chardonnay (1); 1994 Chamonix Chardonnay (1) (label damaged); 2002 Michel Laroche Bourgogne Chardonnay (1) (label damaged); 1998 Bourgogne Saint-Veran (1); 2013 Brocard Chablis (1) (label damaged); 1999 Chateau Le Bondieu Montravel (1); 2006 Pouilly Fume (1); 1999 Domaine de Payrat Voignier (1); 2004 Gerard Bertrand Tautavel Grenache-Syrah (1). (11) £50 - £70

411

1999 COLLI ORIENTALI DEL FRIULI CHARDONNAY (1)

1997 Cadis Reciotto di Soave 50cl (2); 1998 Gewurtztraminer Alsace (1); circa 1998 Alt-Siegener Oerchelhaeuser (1); circa 2010 Amontillado 50cl (1) (label unreadable); 2013 Maury 50cl (1); 1998 Valpollicella 37.5cl (1) (label damaged); 2013 Paparotier Muscat De Beaumes-de-Venise 37.5cl (1); M&S Riversaltes Ambre 'Christmas Pudding Wine' 50cl (1); 2013 Tesco Finest Dessert Semillon 37.5cl (1). (11) £40 - £60

412

1998 COLLAVINI SAUVIGNON BLANC (2);

2005 M&S Bianco Benevantano (2); circa 2000 Cantine Leonado Da Vinci San Zio Chianti (1) (label missing); 2000 Rocchero/Roux Monferrato (1); Comini Picolit (1) (undated); Antinori Vino Santo (1) (undated). (8) £30 - £50

409 133

413

414

1986 Vin D'Alsace Schlumberger Gewurtztraminer (1); 1990 Vin D'Alsace Schlumberger Gewurtztraminer (1); 1992 Vin D'Alsace Schlumberger Gewurtztraminer (1); 1993 Vin D'Alsace Schlumberger Riesling (1); 1991 Vin D'Alsace Schlumberger Pinot Blanc 37.5cl (3); 1990 Kind Humbrecht Gewurtztraminer (1); 2004 Jean Pabiot Pouilly-Fume 37.5cl (2); 2005 Jean Pabiot Pouilly-Fume 37.5cl (1); 1997 Chateau Belingard Monbazillac 50cl (1); 2002 Leonce Cuisset Saussignac 50cl (1); 2009 Waitrose Sauternes 37.5cl (1). (17) £60 - £80

1998 Lincoln Chardonnay (1); 2010 Tim Adams Semillon (1) (label damaged); 1993 Bannockburn Chardonnay (1); 1983 Geoff Merrill Semillon (1); 2009 Hermits Hill/M&S Botrytis Semillon 37.5cl (1); 2013 Paul Culver Riesling (1); 1996 Bright Brothers Trincadeira Preta (1); La Gitana Manzanilla (1) (undated). (9) £30 - £50

1998 CLOS DE LA CHAPELLE MUSCADET (3)

2005 MOUNT PLEASANT LOVEDALE SEMILLON (1)

415

A GROUP OF VARIOUS MINIATURES

Including Serres, Marie Brizard 'Tea Breeze', Chianti Mazzoni, Muscatel Dalmau, Jacquin's Forbidden Fruit, Underberg, Regnier Cherry Brandy and others. (24)

413 134

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FURNITURE

416

A C1700 AND LATER OAK CABINET

on an associated stand with three frieze drawers above a shaped apron, on turned legs united by a wavy stretcher, 98 x 58 x 137cm high Purchased at Bonhams Chester on 190112 (lot 64), estimated at £1,000-1,500. £400 - £600

417

A GEORGE III YEW TRIPOD TABLE

with a three-piece circular tilt-top and downswept legs terminating in club feet, 74cm diameter x 70cm high £600 - £800

416

418

A PAIR OF REGENCY BRONZE, GILT BRONZE AND MARBLE CANDLE STICKS

in the form of classical figures with palm tree crestings, 25cm high £200 - £300

419

A GEORGE II WALNUT VENEERED DRESSING CHEST

the rectangular top 1/4 veneered and inlaid with feather banding above a brushing slide over a drawer with an 'apron' drawer below over a kneehole with a cupboard behind, flanked by three short drawers on each side, on bracket feet, 75cm x 47cm x 77cm high £600 - £900

136

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420

A REGENCY, BRONZE, GILT BRONZE AND MARBLE CASOLETTE

of ovoid form, the lid with a pineapple finial, on three rams' monopodia, 24cm high £200 - £300

421

A PAIR OF 19TH CENTURY ROCOCO STYLE, GILT BRONZE FIVE BRANCH CANDELABRUM

pierced and moulded with 'C' scrolls and foliate scrolls, 48cm high £500 - £800

422

A GEORGE II STYLE MAHOGANY TRIPOD TABLE

19th Century, the circular top with an undulating gallery, above a moulded tapering support raised on moulded scroll supports terminating in claw feet, 66cm diameter, 70cm high. £100 - £150

423

A 19TH CENTURY, LOUIS XV STYLE, WALNUT MARQUETRY AND BRASS MOUNTED PETITE COMMODE

the rectangular top with an inset skiver and 3/4 pierced brass gallery, above 4 shallow drawers, on cabriole legs terminating in moulded brass sabots, 44cm wide x 33cm deep x 73cm high £100 - £200

424

AN EARLY 18TH CENTURY WALNUT VENEERED CHEST

of two short and three long graduated drawers, feather-banded and with a quarter veneered parterre pattern top, the sides veneered in walnut and crossbanded, well figured matched veneers and of good colour, on a later Restoration style stand, with short barley-twist supports, united by wavy stretchers, overall 103cm wide x 62.5cm deep x 105cm high £600 - £1,000

424 137

425

A PAIR OF 19TH CENTURY, NEOCLASSICAL STYLE, DEMI-LUNE, SATINWOOD CONSOLE TABLES

painted in the Neoclassical style with classical urns, festoons and bows, with undulating friezes and tapering square legs with spade feet, restorations and alterations, 122cm wide x 51cm deep x 79.5cm high £800 - £1,200

426

A GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED SERVING TABLE

427

A GOOD MID-18TH CENTURY FIGURED MAHOGANY VENEERED CHEST ON CHEST

with blind fretwork canted corners, rococo style gilded handles and ogee feet, 119cm wide x 55cm deep x 134cm high £2,000 - £3,000

428

A PAIR OF GEORGE III STYLE PAINTED SATIN BIRCH ELBOW CHAIRS

the rectangular top inlaid with a satinwood fan above a breakfront frieze carved with a central, carved patera, on tapering square legs with foliate carved collars, 131 x 45cm deep x 94cm high £600 - £1,000

circa 1900, decorated in the Adam style with floral garlands, cherubs and foliate scrolls, with caned seats and turned legs, (2) £300 - £500

427 138

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429

A GEORGE III, FRENCH HEPPLEWHITE STYLE MAHOGANY VENEERED, SERPENTINE 4-DRAWER COMMODE

the moulded top above cockbeaded drawers, above a shaped apron, and flanked by moulded corners, raised on shaped feet, 96cm x 56cm x 86cm high £400 - £600

430

A PAIR OF LOUIS XV STYLE CARVED GILTWOOD UPHOLSTERED OPEN ARMCHAIRS

late 19th century The oval padded backs with floral cresting above padded scroll arms on serpentine padded seats raised on turned fluted supports. 63cm wide, 102cm high, 54cm deep (2) £200 - £300

431

A PAIR OF 19TH CENTURY ITALIAN, GILDED WALL MIRRORS

of cartouche form, each base with a moulded mask, 66cm high £150 - £250

432

A LATE VICTORIAN MAHOGANY SIDE TABLE

circa 1870 The plain top above a single frieze drawer, raised on cabriole supports terminating in ball and claw feet. 106cm wide, 71cm high, 54cm deep £200 - £250

429 139

433

434

433

A GOOD GEORGE II, SOLID MAHOGANY, MULE CHEST ON STAND

with re-entrant corners on the moulded rectangular top above brass carrying handles and backplates, the stand with a shaped apron and dwarf cabriole legs terminating in club feet, 127cm wide x 58cm deep x 105cm high £600 - £1,000

434

AN 18TH CENTURY, ITALIAN, FIGURED WALNUT VENEERED, SERPENTINE THREE DRAWER COMMODE

inlaid with shaped panels, boxwood stringing and crossbanded on the top, sides and drawers, on dwarf cabriole legs, 149cm wide x 63cm deep x 94cm high £1,500 - £2,500

435

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE

the upper section with a broken swan-neck pediment and dentilled cornice, above two glazed doors enclosing three adjustable shelves, the projecting base with a secretaire drawer, enclosing a fitted interior, above two cupboard doors, enclosing slides, flanked by four short drawers on each side, raised on a plinth base, 159cm wide x 62cm deep x 260cm high £800 - £1,200

140

435

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436

A 17TH CENTURY 'BIBLE' BOX

three sides carved with stopped nulls, 69cm x 46cm x 19cm high, on a later stand (2) £200 - £300

439

A LATE 19TH CENTURY, RENAISSANCE STYLE, PITCH PINE AND OAK FIRESCREEN

carved and pierced with vases of flowers swags and scrolling foliage, 90cm wide x 106cm high £100 - £200

437

440

crossbanded and inlaid with boxwood stringing, 28cm wide £50-80 £50 - £80

of Northern counties form, with 4 fielded panels above two working drawers, 124cm wide £150 - £250

438

441

with a painted hide and studded back and seat, surmounted by foliate carved terminals, the base with carved ‘paw’ feet £200 - £300

second half 19th century The narrow plates with arched tops within beaded frames, surmounted by acanthus crestings, above parcel ebonised lobed brackets with rococo scrolling foliate supports. 95cm x 33cm (2) £600 - £800

A GEORGE III YEW VENEERED BOX

A 19TH CENTURY, 17TH CENTURY STYLE, IBERIAN ELBOW CHAIR

AN 18TH CENTURY OAK MULE CHEST

A PAIR OF VICTORIAN GILTWOOD MIRRORS

441 141

442

444

A SET OF 9 VICTORIAN MAHOGANY BALLOON-BACK DINING CHAIRS

NO LOT

(9) £200 - £300

443

AN IMPOSING LATE 19TH CENTURY, 18TH CENTURY STYLE, EBONISED AND GILT METAL MOUNTED, THREE-TRAIN BRACKET CLOCK

with 'flame' finials, applied masks and caryatids, the sides with pierced and relief-moulded sound frets, the 8" foliate engraved, gilded, arched dial, with strike/ silent dial in the arch and an 8-day, triple fusee, threetrain musical movement, striking on 5 gongs, with a matching bracket, clock 65cm high. With bracket approximately 95cm high. With bracket, pendulum, winder and key (5) £800 - £1,200

445

A 17TH CENTURY COFFER

later carved, the twin-plank top later hinged in the middle, 123cm wide x 53.5cm deep x 68.5cm £100 - £200

446

A VICTORIAN CARVED OAK TURNER'S CHAIR

£150 - £200

443 142

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

447

449

circa 1900 The moulded top with six shell scrolls to the edge and well-matched quarter veneer, above a fluted stem raised on three scroll supports terminating in claw feet, bearing maker's plaque for Paine Furniture Co., Boston Ma. 75cm wide, 74cm high £200 - £300

dated 1726 The plank top above a four-panelled trunk, the top rail inscribed 'MO 1726', above two drawers with brass bale handles. 136cm wide, 77cm high, 56cm deep £200 - £300

448

450

A GOOD PAINE & CO CHIPPENDALE STYLE TILT-TOP TRIPOD OCCASIONAL TABLE,

A GOOD ART DECO WALNUT DINING SUITE

'The Celerity', in the manner of Epstein, circa 1935 Comprising an extending dining table of canted form, raised on angled and cross-banded supports with scroll feet, eight 'cloud' chairs having cream leather upholstery and a pedestal sideboard, with an associated and well matched demi-lune two-tier cocktail cabinet. Table 106cm wide, 74cm high, 213cm long extended (154cm closed) Sideboard 152cm wide, 105cm high, 56cm deep Cocktail cabinet 122cm wide, 164cm high, 45cm deep £2,000 - £3,000

AN 18TH CENTURY JOINED OAK MULE CHEST

A SET OF SIX (5+1) 19TH CENTURY OAK DINING CHAIRS

With cross-banded top rails and Regency style bow splats, the plain seats with drop-on cushions above square section supports. (6) £120 - £180

447 143

451

A GILTWOOD WALL MIRROR

19th century The rectangular plate in a cavetto frame, surrounded by scrolling foliage and rocaille, a shell and scroll cresting to the top. 122cm x 89cm £150 - £250

452

A GEORGE III STYLE MAHOGANY BREAKFRONT GLAZED DISPLAY CABINET

19th century With open fretwork swan-neck cresting above a cavetto and dentil cornice and blind fretwork, the central twin astragal glazed doors flanked by single shorter doors, opening to adjustable shelves, raised on moulded cabriole supports. 255cm high, 254cm wide, 46cm deep £400 - £600

453

A CAST IRON FIRE CURB, LATE 19TH CENTURY

Of cavetto form with pierced mouldings and ogee corner feet. 124cm wide, 28cm deep (internally 112cm wide) £100 - £150

452 144

451

454

A 17TH CENTURY, ITALIAN, BAROQUE STYLE CASSONE

The lid painted with a central cartouche enclosing a tree, flanked on each side by grotesque-like decoration, including masks, dolphins and foliate scrolls, the conforming sides with wrought iron carrying handles, the inverse breakfront painted with a panel depicting the vestal virgin Tuccia bringing a sieve of water to the temple, flanked on each side by a lion’s mask holding a fruiting pendant on carved mask feet. 128cm wide x 53cm deep x 65.5cm high Notes: Tuccia was a priestess who was responsible for the eternal fire at the temple of Vesta in Rome. She was falsely accused of breaking her vow of chastity and to disprove this calumny she called on the gods to help her perform the miracle of carrying a sieve full of water to the temple. There is what appears to be the remnants of an old catalogue entry on the back of this cassone. £1,500 - £2.500

455

456

The rectangular marquetry top in the style of Jan van Mekeren, after Monnoyer, with a large basket of flowers on a bracket, flanked on each side by bold foliate scrolls with a floral garland linking each side, a bird in each corner, above a conforming frieze drawer with thick 2.5mm marquetry veneer, on tapering cylindrical legs, united by two wavy stretchers, veneered with similarly thick foliate marquetry, with a foliate carved boss in the middle, raised on toupee feet. 114.5cm wide x 72cm deep x 72cm high £800 - £1,200

The plain rectangular top above a moulded gesso frieze, decorated with a trail of scrolling foliage, a patera on each corner, raised on moulded pylon-form legs. 122cm wide x 54cm deep x 79cm high £100 - £200

A 19TH CENTURY, LATE 17TH CENTURY STYLE, DUTCH WALNUT AND EBONISED SIDE TABLE

A LATE 18TH CENTURY ITALIAN, PROVINCIAL, PAINTED PINE, RECTANGULAR SIDE/CONSOLE TABLE

455 146

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

457 457

A FOUR-FOLD PAINTED SCREEN

possibly Continental, 19th century The panels lined with textured canvas and painted in colours with a continuous scene of fantastical flowers and rocaille scrollwork hosting cockerels and other birds, against a 'gilt' gold coloured ground, edged in leather. each panel 183cm x 63cm (one panel split) £200 - £300

460

A LATE 17TH/EARLY 18TH CENTURY QUADRUPLE PANELLED COFFER

The two plank top above four plain panels and two side panels on each side, on extended stiles. 139cm wide x 64cm deep x 66cm high £100 - £150

458

A ROCOCO STYLE PIER GILT-WOOD WALL MIRROR

19th century Having pierced and carved with ‘C’ scrolls and rocaille work, each side carved with foliate festoon, approximately 163cm high x 80cmA Rococo style pier gilt-wood wall mirror, pierced and carved with ‘C’ scrolls and rocaille work, each side carved with foliate festoon. approximately 163cm high x 80cm £1,000 - £1,500

459

AN 18TH CENTURY OAK MULE CHEST

The rectangular, ovolo lip-moulded twin-plank top, above three fielded panels, over two, ovolo lipmoulded short drawers, raised on extended stiles. 132cm wide x 52cm deep x 80cm high £150 - £180

458 147

461

463

inlaid with satinwood banding and oval panels, lions' mask handles and paw feet, 34cm wide x 18cm deep x 17.5cm high £80 - £120

of diminutive proportions The plank top above two panel-fronted drawers, raised on baluster shaped front supports. 122cm wide, 66cm high, 42cm deep £150 - £250

462

464

With four long tapered spindles either side of a decorative pierced upper and lower splat, further underarm spindles together with baluster support, the broad elm saddle seat above the front legs with triplerings over bottle-shaped turning, joined by a crinoline stretcher. 56cm wide, 63cm deep, 110cm high. £100 - £200

the cyma recta cornice above two large arched fielded panelled doors and sides, enclosing hanging space, the projecting base with two long, fielded dummy drawers above two working drawers, on extended stiles, 165 x 52 x 205cm high £300 - £400

A REGENCY ROSEWOOD, SARCOPHAGUS FORM TEA CADDY

A VICTORIAN YEW AND ELM WINDSOR CHAIR

A 17TH CENTURY AND LATER OAK DRESSER BASE

AN EARLY 18TH CENTURY OAK LIVERY CUPBOARD

465

A LATE 17TH CENTURY OAK COFFER

the twin plank top above a chain carved frieze with three panels below, on moulded extended stiles, 112 x 51 x 69.5cm high £100 - £200

466

A LARGE 19TH CENTURY OAK BREAKFRONT DRESSER

North Wales, with a three-tier rack above six short drawers, fitted centrally with two short and three long drawers, flanked by a pair of drawers over cupboards with hinged panelled doors, raised on bracket feet, 220cm high, 185cm wide, 52cm deep. £1,200 - £1,800

462 148

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

467

468

Derbyshire/South Yorkshire The top rail with three arches having cusped edges, raised on slender turned spindles, the lower rail with carved moulding, the panel seat raised on block-andbaluster supports united by low level stretchers. 49cm wide, 100cm high, 43cm deep (2)

with gilt metal mounts, the superstructure with a small central mirror, above a drawer and flanked on each side by a small glazed door, enclosing a plushlined interior, over a fall, enclosing a fitted interior with a well, on cabriole legs, with pierced foliate mounts on the knees and terminating in sabots, with key, 88cm wide x 54cm deep x 140cm high £300 - £400

A NEAR PAIR OF CHARLES II OAK SIDE CHAIRS OR BACK STOOLS

Provenance: The Edward Phillips Collection, Halls Welsh Bridge rooms, 6-7 November 2012, lot 502

A 19TH CENTURY, LOUIS XV STYLE, FLORAL MARQUETRY BUREAU DE DAME TYPE DESK

Notes:A very similar back stool was sold by Bonhams as part of The Beedham Collection, Chester, 24 May 2012, lot 46. To the underside of one seat can be seen the inscribed outline for intended carving, the timber then repurposed in this chair. £200 - £400

467 149

469

471

19th/20th century Of reeded and fluted campana form, the rims with egg-and-dart moulding, painted white. 53cm high, 53cm wide (2) £200 - £400

circa 1900 Modelled as a girl in contemporary dress embracing a puppy. 73cm high £200 - £300

470

472

19th/20th century Of fluted campana form, the rims with egg-and-dart moulding, painted white. 77cm high, 65cm wide (2) £400 - £600

The central field depicting a boar hunt, with two mounted huntsmen observing on the right and two following the pack on the left, with a manor house in the background and a lion and two does in the foreground, the border decorated with figures wearing ruffs and garlands of foliage and fruit. Approximately 303cm wide x 205cm high £600 - £800

A PAIR OF CAST IRON GARDEN URNS,

A PAIR OF LARGE CAST IRON GARDEN URNS

A CAST LEAD GARDEN STATUE

A LARGE 17TH CENTURY FLEMISH TAPESTRY

472 150

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

2021

FINE ART AUCTION CALENDAR JAN 13th - Antiques & Interiors

JULY 7th - Antiques & Interiors

FEB

AUG 4th - Antiques & Interiors

3rd - Antiques, Interiors & Books

MAR 3rd - Antiques & Interiors

SEPT 1st - Antiques & Interiors

APR 14th - Antiques & Interiors

OCT 6th - Antiques, Interiors & Books

17th - The Spring Auction 23rd-9th May - Timed Auction Modern and Contemporary Art

15th - The Autumn Auction 22nd-7th Nov - Timed Auction Modern and Contemporary Art

MAY 5th - Antiques & Interiors

NOV 3rd - Antiques & Interiors

JUNE 2nd - Antiques, Interiors & Books

DEC 8th - The Christmas Auction

16th - The Summer Auction

All auctions start at 10am We offer free valuations every Monday, 10am - 1pm, by appointment only. For details on the closing dates and viewing dates for all of our auctions, go to www.hallsgb.com/fine-art

151

INDEX OF ARTISTS B

Albert E Bailey (British 19th Century) was a British painter predominantly known for his idyllic landscapes and scenes draped in evening light. He exhibited at the Royal Academy from 1890 onwards. Frank Bramley (British 1857-1915). Was a British genre and portrait painter and a member of the Newlyn School together with Stanhope Forbes and Henry Tuke. His style combined realism with en plein air painting of the landscape. He was elected to the Royal Academy in 1911 and was a founder member of the New English Art Club.

Thomas Sidney Cooper (British 1803-1902). Cooper was a British 19th century painter best known for his animal paintings, predominantly of sheep and cattle. He was heavily influenced by 17th Century Netherlandish paintings and was a close friend of Belgian painter Verboeckhoven and British artist Sir Thomas Lawrence.

Teresa Davis (British Contemporary), Davis is a contemporary wildlife and sporting artist based in Somerset. She is also a photographer, capturing her own subjects for painting, working in a predominantly realist style. Silvia Duran (Spanish Contemporary): Duran is a Spanish Contemporary artist from Barcelona. She studied at the Bellas Artes de Barcelona and found inspiration in the film Born Free, following which she has almost exclusively focused upon painting Big Cats, travelling around the world to observe and study them. She has produced paintings on behalf of the WWF, Born Free Foundation and Kora Trust.

Edward Henry Eugene Fletcher (British 1851-1945) Fletcher was the son of a Bengal river pilot, the family moved back to London when he was young and he studied at the Chelsea Art School. He sometimes also painted under the name John Hayes and was best known for his marine paintings. Fletcher moved to Blackheath following his marriage, running an auction house before a serious illness aged 40 spurred him to dedicate himself to being a professional painter.

Edward Robert Hughes RWS (British 1851-1914) was a London based historical genre painter. He studied with artist Holmen Hunt and his uncle Arthur Hughes, exhibiting at the Royal Academy 1870-1898. His work was predominantly Romantic style genre subjects often inspired by contemporary novels

Auguste LanĂ§on (French 1836-1885) was a French artist known for his etchings of military scenes and animals. During the Franco-Prussian war 1870-1871 he was a sargeant of a batallion and was captured, spending six months as a prisoner of war. He created a series of 70 etchings based on his experience of the conflict and exposing the horrors of armed conflict. John Leech (British 1817-1864) was a Victorian illustrator and cariacaturist. He worked mostly in pen and ink, sometimes creating pieces in watercolour. His first published contribution was in Punch in 1847. His witty depictions focused upon general scenes of Victorian life. Lawrence Stephen Lowry (British Northern School 1887-1976). Lowry was a Northern artist heavily associated with his hometown of Salford and most famous for his industrial and factory scenes, although he did also paint landscapes and portraits, particularly in later years. His palette was restricted to just five colours: white, black, vermilion red, Prussian blue and yellow ochre.

Alfred Montague (British fl. 1832-1883) Montague was a British 19th century painter best known for his town and coastal landscapes, often being compared with Henry Schafer. He travelled extensively throughout England, France and The Netherlands to paint. Between 1836-1870 he exhibited 156 works at the Royal Academy. George William Mote (British 1832-1909): was a British landscape painter who began his career as gardener and caretaker to Sir Thomas Phillips in Worcestershire, whose house and grounds feature in some of Moteâ&#x20AC;&#x2122;s early work. He enjoyed a technique of painting scenes through an open window. Mote exhibited at the Royal Academy between 1857-1873 and was best known for his scenes around Surrey, Sussex and Wales.

Manouchehr Niazi (Iranian School b.1936) Niazi is an Iranian post-war contemporary artist best known for his vibrant, colourful and romantic landscapes. He is especially interested in movement as the essential element in his work, seeking to combine it with rhythm and colour

Wilfred Owen (British 1898-1918) was a British poet and soldier from Oswestry, Shropshire. He is famous for his haunting war poetry which focused upon the horrors of the trenches and conditions during World War One which were in stark contrast to the contemporary public perception of the war effort. Owen was killed in action during the crossing of the Sambre-Oise Canal, just one week before the signing of the Armistace.

152

Otto Pilny (Swiss 1866-1936), Pilny was a Swiss painter who specialised in Orientalist genre paintings based on his travels through the Middle East and North Africa, often focusing upon desert landscapes and depictions of dancing women and Bedouin figures.

Philip Reinagle (British 1749-1833) Reinagle was a British painter best known for his depictions of animals, landscapes and botanical scenes. He began his career as a portrait painter, later developing his preference and focusing upon animal and sporting works. He was a member of the Royal Academy and exhibited there between 1773-1827.

George Vernon Stokes (British 1873-1954). Vernon Stokes was a landscape and animal painter from Carlisle, working in oil, watercolour and pastel. Denby Sweeting (British 1936-2020) was a British realist painter who is best known for his depictions of British domestic animals and floral studies, painting from his studio in North Wales. Sweeting was born in Bristol but spent much of his early life in London, being apprenticed as a cabinet maker. He made a career for himself in painting and picture restoration and was a member of the International Institute for Conservation of Historic Works of Art. In 1975 he relocated to North Wales and set up his own studio there. Sweeting was a founder member of the Federation of British Artists and regularly exhibited at the RBSA during the 1980s.

Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. Following the completion of his studies at the Royal College of Art he relocated to Anglesea in 1947 where he remained for the rest of his life. He used a variety of mediums in his work including watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.

Arthur Langley Vernon (British fl. 1871-1922) was a British painter known for his genre scenes, often with figures wearing period costumes in romantic scenes and interiors. He exhibited at the Royal academy between 1873-1897.

Sir John Kyffin Williams (1918-2006) was a Welsh artist and one of the most celebrated artists of the 20th Century. He was encouraged to take up painting by his doctor in light of his epilepsy diagnosis. Williams is best known for his signature contrasting sombre palette, depicting Welsh landscapes and especially cottages, characteristically using a palette kniffe and thick impasto paint. He did also undertake a number of portraits, being awarded the 1963 Winston Churchill fellowship to record the life of the Welsh in Patagonia, an experience who recorded in his book A Wider Sky. A highly celebrated artist in his own time, he was awarded numerous accolades including an OBE 1982, Knighthood 1999, an honorary Masters Degree from the University of Wales, President of the Royal Cambrian Academy, elected to the Royal Academy and Royal Society of British Artists. Owen Williams (British Contemporary). Williams is a contemporary wildlife and sporting artist, working predominantly in oils. He is a member of the Redspot artist group. Edmund Morison Wimperis (British 1835-1900). Wimperis was an artist born in Chester, best known for his landscapes. He was influenced by artists such as Thomas Collier and David Cox, being fond of depicting large, spacious skies with use of shadowing allowing him to explore his favoured scenes with bleak and windswept moorlands.

153

EXPLANATION OF CATALOGUING TERMS FOR PAINTINGS, MINIATURES, SCULPTURES AND PRINTS Any statement as to authorship, attribution, origin, date and age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. Halls Fine Art reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1. John Constable In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. 2. Attributed to John Constable In our opinion probably a work by the artist, but less certainty as to authorship is expressed than in the preceding category. 3. Studio of John Constable In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed under the artist’s direction. 4. Circle of John Constable In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. 5. Style of… follower of John Constable In our opinion a work by a painter working in the artist’s style, contemporary, but not necessarily his pupil. 6. Manner of John Constable In our opinion a work in the style of the artist and of a later date. 7. After John Constable In our opinion a copy of a known work of the artist. 8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10. Dimensions are given height before width.

ARTISTS RESALE RIGHTS In accordance with Artists Resale Rights Regulations 2006, all lots marked † which sell for €1000 or more are subject to a resale royalty charge (“Royalty”). This Royalty is payable by the Bidder. The Royalty will be charged at a rate of 4% of the total hammer price (exclusive of Bidder’s premium) for lots selling for amounts up to €50000. For lots selling in excess of €50,001, the Royalty shall be calculated at a reduced rate (details available on request). The Royalty is not subject to VAT and is payable in sterling calculated on the day of sale at the prevailing rate of exchange. Payment shall be passed directly to the Design and Artists Copyright Society (DACS), 33 Great Sutton Street, London EC1V 0DX. For further information please contact the Auctioneers or DACS on 0845 4103410 or visit their website at www.dacs.org.uk.

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CONDITIONS OF SALE 1. Definitions. In these Conditions Halls Holdings Limited act only as auctioneers and agents for the seller and the representative of Halls Holdings Limited conducting the auction is called the “Auctioneer”. 2. General. Whilst Halls Holdings Limited make every effort to ensure the accuracy of their catalogues and the description of any lot:(a) Each lot as set out in the catalogue or as divided or combined with any other lot or lots sold by the seller with all faults, imperfections and errors of description. (b)Halls Holdings Limited do not accept responsibility for the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot unless they have been instructed in writing by the seller to so certify, and in such case the auctioneers do so as agents of the seller and are not themselves responsible for such claims. (c)All statements whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Halls Holdings Limited unless they have been instructed in writing by the seller to so certify. (d)Any claim under any Statute must be received in writing by the Auctioneers within ten days of the day of the sale. 3. The Auction. (a) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or without previous notice. He may bid on behalf of the seller for all goods which are being offered subject to reserve or at the auctioneer’s discretion. (b)The highest bidder shall be the buyer except in the case of a dispute. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid. If during the auction the Auctioneer considers that a dispute has arisen, he has absolute discretion to settle it or to re-offer the lot. (c)Each lot is put up for sale subject to any reserve price placed by the seller. (d)All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot. 4. Rescission. Notwithstanding any other terms of these Conditions, if within fourteen days after the sale Halls Holdings Limited have received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to Halls Holdings Limited in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer, satisfies Halls Holdings Limited that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. The seller and the buyer agree to be bound by Halls Holdings Limited’s decision 5. Default. Halls Holdings Limited disclaim responsibility for default by either the buyer or the seller because they act as agents for the seller only and therefore do not pay out to the seller until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. 6. In the event of a sale by private treaty both the seller and the buyer agree to be bound by the general and any Special Conditions of Sale. 7. Third Party Liability. Every person on Halls Holdings Limited’s premises at any time shall be deemed to be there at his own risk. He shall have no claim against Halls Holdings Limited in respect of any accident which may occur or injury, damage or loss howsoever caused, save in so far as the injury, damage or loss shall be caused by the direct negligence of Halls Holdings Limited’s employees

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CONDITIONS OF SALE APPLICABLE TO BUYERS 8. Inspection. Opportunity is given for inspection and each buyer by making a bid for a lot acknowledges that he has satisfied himself fully before bidding by inspection or otherwise to all the Sale Conditions, the physical condition of and description of the lot including but not restricted to whether the lot is damaged or has been repaired or restored. 9. Property and Risk. The legal title in a lot shall not pass to the buyer until the lot(s) has been paid for in full and the Auctioneers shall be entitled to a lien on any lot sold until the purchase price (as defined in 10 below) is paid in full but each lot is at the sole risk of the buyer from the fall of the hammer. Each buyer shall forthwith give his full names and permanent address and if called upon to do so by the Auctioneer shall forthwith pay Halls Holdings Limited such proportion of the purchase price as the Auctioneer may require. If the buyer fails to do so, the lot may at the auctioneer’s sole direction be put up again and re-sold. 10.Every bidder shall be deemed to act as principal unless there is in force a written acknowledgement by Halls Holdings Limited that he acts as agent on behalf of a named principal. 11.Removal of goods. (a)No purchase shall be claimed or removed until the sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense by the end of the second working day after the sale, failing which the Auctioneer shall not be responsible if the same are lost, stolen, damaged or destroyed, and all lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge. If they are not paid for and removed within seven days of the sale the Auctioneer may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneer in respect of any loss shall be restricted to a maximum of the price paid by the buyer of the lot. (b) In the event of any failure of the buyer to comply with any of the above conditions the damages recoverable by the seller or the Auctioneers from the defaulter shall include any loss arising on any re-sale of the lots, together with the charges and expenses in respect of both sales, and together with interest at 2% above Handelsbanken Base Rate upon the price of any lot which has not been paid for within forty-eight hours of the sale, and any money deposited in part payment shall be held by the Auctioneers on account of any liability of the defaulter to them or to the seller. We accept cash up to €10,000, debit cards, bank transfers and personal cheques. We apologise we do not accept credit cards. Cheques drawn by third parties, whether in the auctioneer’s favour or requiring endorsement, cannot be accepted. 12. Purchase Price. The buyer shall pay the hammer price together with a premium at the stated rates on the hammer price of 20%. under the Auctioneers’ Margin Scheme operated by HM Customs & Excise, the premium does attract VAT as an addition to the stated premium rate. 13. Commission to Bid. Halls Holdings Limited will execute bids on behalf of intending buyers unable to attend the sale at no charge. Halls Holdings Limited undertake to purchase lots as cheaply as allowed by other bids and reserves. Bids must be submitted in writing and whilst every care is taken in carrying out instructions Halls Holdings Limited cannot be held responsible for errors or omissions made in carrying out such bids. 14. Lots on which Value Added Tax is payable on or included in the hammer price are indicated in the catalogue or description sheet with a sign. VAT is payable on or included in the hammer price of such lots at the rates prevailing on the day of the auction.

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CONDITIONS OF SALE APPLICABLE TO SELLERS 15. The seller authorises Halls Holdings Limited to deduct commission at the published rate and to retain the buyer’s premium of 20% plus VAT. The seller agrees to pay all special advertising charges and illustration charges (see 24) insomuch that they are reasonable. Scale of Commission - Halls Business tariff card available at all Halls offices and salerooms on request. 16. Value Added Tax. A seller who sends for sale by auction any chattel(s) which is an asset of his business must disclose to the Auctioneer whether or not he is a registered person for Value Added Tax purposes and, if so, his registered number and whether or not he intends to operate the Dealer Margin Scheme covering works of art, etc. This information must be supplied to the Auctioneer on or prior to delivery of the goods. 17. Instructions. All goods delivered to the Auctioneers’ premises will be deemed to be delivered for Sale by Auction and will be catalogued and sold accordingly unless special instructions are recorded on the receipt. 18. Reserves. Halls Holdings Limited will be pleased to advise on suitable protective reserves but if no reserves have been received prior to the day of the Sale, the lot will be sold without reserve or at the discretion of the Auctioneer. Reserves must be confirmed in writing or notified on the receipt at the time of delivery. 19. Indemnity. Vendors shall indemnify Halls Holding Ltd against any claims in connection with goods sold by Halls on the vendor’s behalf. 20. Collections. The Auctioneers do not themselves undertake the collection of goods but acting expressly as Agents, they will if required, instruct or recommend a carrier on the vendor’s behalf for which there will be a charge. 21. Withdrawals. Where a seller cancels instructions for sale, or where a lot is withdrawn for any reason other than misattribution or authenticity, Halls Holdings Limited reserves the right to charge a fee equal to 10% plus VAT of the reserve price of the lot, or where no reserve has been fixed, Halls’ lower estimate of the item(s) withdrawn, together with any expenses incurred in relation to the item(s) withdrawn. 22. Insurance. Halls Fine Art are not regulated by the FSA for the provision of insurance to its clients. However, Halls Holdings Limited, for its own protection insures property consigned to it at bottom pre sale estimate, unless the item has been sold, in which instance property is insured at the hammer price for loss, occasioned as a result of theft, fire or negligence whilst in their custody or control. 23. Warranty of Title. The seller warrants to Halls Holdings Limited and to the buyer that he is the true owner of the property or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims. 24. Photography. Vendors give Halls Holdings Limited the right to photograph and illustrate and promote any lot placed with them for sale and to use such photographs and illustrations at any time at their discretion, whether or not in connection with the auction. 25. Electrical and Mechanical goods. The seller and consignor of

electrical or mechanical goods warrants and undertakes to Halls Holdings Limited that on the date received by Halls that the same are safe if reasonably used for the purpose for which they were designed and free from any defect not obvious on external inspection which could prove dangerous to human life or health, and will indemnify Halls its servants and agents against any loss or damage suffered by any breach of the above warranty. 26. Agency. The Auctioneers act throughout as Agents only and are not responsible for any default by the buyer. Halls Holdings Limited disclaim liability for paying the vendor until they have received settlement from the purchaser. 27. Warehousing. The Auctioneers exempt themselves from any liability to goods delivered to their salerooms without sufficient sale instructions,and reserve the right to make a warehousing charge in this respect. A similar warehousing charge will be applicable for goods left on their premises after they have requested the vendor to remove them. 28. Unsold goods. unsold goods must be collected if they are not to be re-offered within 14 days following receipt of any after sale advice slip. Halls Holdings Limited reserve the right to sell by auction on behalf of the vendor without reserve any items after this period. 29. Important Notice. Any monies held on your behalf will be held in a Clients Bank Account at the Handelsbanken, Shrewsbury and will be protected by the FSA. Furthermore for your protection, Halls adhere to the Clients Monies rules of the RICS. Any incidental interest earned on such monies will be retained by Halls as part of their terms of engagements, and by instructing Halls to act on your behalf, you are agreeing to and endorsing that course of action. RICS operates a Clients’ Money Protection Scheme (CMPS). This scheme, of last resort, covers direct loss of clients’ money as a result of misappropriation (or equivalent) by a RICS Regulated Firm, up to a £50000 limit. The CMPS nor Halls will provide protection for the failure of a bank. But protection for bank failure is provided by The Financial Services Compensation Scheme up to a £50000 limit. A copy of Halls complaints procedure is on display at all Halls offices, and a copy will be made available to you on request. 30. Online Bidding. Halls Holdings Limited offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom. com and providing your card details and unless alternative arrangements are agreed with Halls Holdings Limited you: 1. Authorise Halls Holdings Limited, if they so wish, to charge the card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. Confirm that you are authorised to provide these card details to Halls Holdings Limited through www.thesaleroom.com. We do not accept credit cards. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price

Halls Holdings Limited Company Registration No. 06597073 VAT Registration No. 549 7365 94

MONEY LAUNDERING Lots in this sale may be purchased with notes, coins or travellers cheques in sterling provided that the total payable by you does not exceed the equivalent in sterling of €10000. If the amount payable by you exceeds the equivalent of €10000, the balance must be paid otherwise than in notes, coins or travellers cheques. These conditions are in accordance with The Money Laundering Regulations 2003.

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

CARRIAGE & PACKING Whilst Halls Fine Art are not packers or shippers we are happy to liaise with your chosen carrier for removal of lots after sale, given that buyers take full responsibility that the works are insured and that the carrier is responsible for both packing and insuring these works. Please note, no lots shall be released to carrier until payment has been received. If you have not arranged shipping with a chosen carrier, Halls Fine Art can also provide a list of shippers in our area. For further information, please email peter@hallsgb.com or call 01743 450700

IMPORTANT NOTICE TO JEWELLERY BUYERS Prospective buyers please note that lots marked with ◉ may be subject to VAT on the hammer price. Prospective buyers should note that although every effort is made to note repairs, restoration and damage in the catalogue descriptions, a lack of any such note should not be taken to imply that the lot is in perfect condition. Prospective watch buyers should note that the working order of watches is not guaranteed. All weights stated in the catalogue are approximate only, these figures are for reference only and prospective buyers should satisfy themselves as to the accuracy. Prospective buyers please note that we do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. Prospective buyers are reminded that coloured gemstones have historically been treated to enhance their appearance. A variety of methods have been, and are currently used to improve both transparency and colour of various gemstones. All yellow and white metals have not been tested. The International Jewellery Trade generally accept these methods. It is not possible for Halls to obtain gemmological reports on all stones offered for sale and therefore all Halls Holding’s estimates assume that gemstones have been enhanced.

IMPORTANT NOTICE TO BOOK BUYERS Prospective buyers should be aware that general wear to include; creasing, light foxing, small tears, bumped corners, worn boards or weak spine/joints, will not be specified in the catalogue descriptions. Any substantial losses/wear to include detached boards, detached spines or extensive graffiti will be described as ‘at fault’. Prospective buyers must satisfy themselves with a condition report prior to bidding, Halls Holdings can take no responsibility for condition of purchased lots if condition reports were not requested.

IMPORTANT NOTICE Although every effort is made to note damage and restoration, the absence of such information does not imply that the lot is free from defects. Detailed condition reports and email images can be obtained on request until 4.00pm the day prior to the sale.

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BEFORE THE AUCTION What is buyer’s premium? All UK auctioneers charge a premium in addition to the hammer price. Halls’ Buyer’s Premium is 20% plus VAT for the first £500,000 and 12% above £500,000 per lot Can I ask questions about lots before the auction? You can ask for further details and extra images about any lots in our sales and this is especially important if you cannot attend to view the lot in person. We don’t detail condition in our catalogue descriptions and so recommend asking for a condition report and additional images. Our reports provide a general guide to the condition of a lot but are not a forensic examination and so a physical inspection by you or an appointed agent is ideal. To request a condition report go to the lot of interest on our website and click on the 'Request a condition report' button or email adminfineart@hallsgb.com. Condition reports are always given in writing. Buying ivory Items made of or containing elements of elephant ivory are subject to trading bans in the USA and China among other jurisdictions, and are subject to CITES regulations in the UK. If you are bidding outside the UK, please ensure you are aware of your country’s regulations BEFORE bidding. We cannot rescind a sale if you are unable to ship ivory to your country

ATFER THE AUCTION When should I pay for my purchase? We usually like to receive payment and collection arrangements within seven days of the auction What payment methods can I use? You can pay with a debit card over the phone (up to £1,000), direct bank transfer or a personal cheque. We regret that we do not accept payment by credit card. Cheques should be made payable to Halls Holdings Ltd Do I need to collect immediately? We prefer buyers to arrange collection within ten days of the auction. Please contact us to book a collection appointment. Please note that a storage and handling charge of £5.00 + VAT per lot, per day, will be levied if after a period of seven days from the sale date, items remain uncollected. Halls Holdings Ltd. reserve the right to re-sell any items that have been paid for where appropriate after a period of fourteen days. The original buyer will be charged storage, full commission and insurance and the net proceeds remitted to them. Do you ship bought lots? Halls do not provide a shipping or postage service but we can assist in finding a suitable carrier for your bought lots. Please email peter@hallsgb.com for further details

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

THE SPRING AUCTION 17th March 2021 Entries close 25th January

SOLD - Â£1,650 (+bp)

A pair of Regency giltwood dolphins, on later painted plinths, 59cm high

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Please note all successful bids are subject to a Buyerâ&#x20AC;&#x2122;s Premium of 20% plus VAT