Jessica Hartwig M.Arch, Year 1+ 2 2013
01_Design Studio 3 (w/Jelisa Blumberg) David Leven, Derek Porter
02_Design Studio 2 (w/Felipe Colin Jr.) David Leven, Andy Bernheimer
03_Representation & Spatial Reasoning Brian Young, Nicole Robertson
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TIE CH RY S BROO
ME
LES Light Lab
Screens_Layers_Light Lower East Side, Manhattan
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Grounding the public H[KLELWLRQ VSDFH DQG OLĂ€WQJ the private student lab space
Orienting the lab space to the north-Â south grid to enhance views and facilitate measurements
Adding layers of screens based on program
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PRIVATE_TESTING LAB MIXED_COLLABORATE PUBLIC_DISPLAY
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1
SECTION : 1/4” = 1’ 3
SOUTH FACING
2 10 - 150’
09 - 130’
08 - 115’
07 - 100’
06 - 85’
05 - 70’
04 - 55’
03 - 35’
2.5 - 25’
02 - 15’
01 - 0’ CHRYSTIE STREET
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1
2
3
SECTION : 1/4” = 1’ NORTH FACING
CHRYSTIE STREET
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Alfred E. Smith Housing Addition Stratification_Shelter_Connection Two Bridges, Manhattan
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housing
roof park
lobby market cafe seating/hot food (offset in)
planters
Market Plans (3 floors compressed) . ?8 ' 7 (= 84 >8. ?G>@ 7 ?8# c e! % =d
up up
up
up
up
up
up
up
Unit Plans (Studio, 1 & 2 BD)
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louvers
glass
mullions
panel
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Representation of Sound Curve_Projection_Capture
DIGITAL ANSWERING SYSTEM 1738
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DIGITAL ANSWERING SYSTEM
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Representation of Movement Distortion_Connection_Flexibility
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Mapping the disruption of a spider web during its creation by the movement of the spider itself through analyzing a movie clip and distorting it using AfterAffects to highlight the distrortion. The web was modeled in Rhino and color coded to show the movement over time. The strands with the most distrotion were lofted and rendered.
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TEXTILES AND/AS/IN ARCHITECTURE
Textiles as a technology, a system and a material and how they can be translated into architecture. I want to look at the vocabulary of textile creation and how it is misused and re-Âappropriated by architects. Stitching, weaving and knitting are very different processes and create very different fabrics. Looking at pioneers such as Anni Albers and Mette Ramsgard Thompson and case studies such as the Netscape Research Pavilion by ICD and IKTE, the Carbon Tower by Peter Testa and the Listener CNC Knitting machine by CITA to better understand the possibilities and history of using textiles as a system, not just an aesthetic. The want is to create a textile that can do more than standard construction, a system that informs the concept of the building because it is the building, not just the skin. It’s about innovative materials combined in new ways derived from ancient techniques. The biggest issue here is adapting techniques commonplace n textile creation to behave at the scale of a building or city. I think this is where the integration of technology has the potential for real transformation. ;ee = = e e 7 ;ee = = e e@?CGGEe