HASSAN ELGHAYESH PROFESSIONAL WORK 2017/18
HASSAN ELGHAYESH PROFESSIONAL WORK 2017/18
This document is a compilation of my professional work subsequent to my Master studies at the University of Liechtenstein. In March 2017, I joined a young architectural office in Cairo ‘KarmBuild’. The office operates under the bigger umbrella of ‘KarmSolar’, a solar technology and integration company based in Cairo, Egypt. The office focuses on energy efficient and environmentally sustainable building designs. Our projects are ideally suited for off-grid communities. Our flexible design approach allows us to deliver functional buildings as workers villages but also high-end Eco-communities and resorts. One major service our office offers is integrating solar energy technology into architectural designs. My role as project architect was to manage a design team of 2 architects and an intern. The team, once assigned a project, would be responsible for all aspects of design, construction documentation & site work. Generating drawings, models and images to communicate ideas with the client as relevant to the key phases of the job. My time in KarmBuild has been one of reflection on the trade of architecture. My involvement in all aspects of design gave me the ability to pinpoint our relevance as
architects in the development of the built environment. I find interest in operating in challenging situations where clients wants fall far from my own design philosophy. My approach is to always have a solid knowledge of building techniques & construction and to use them as a basis for an innovative aesthetical and spatial experiences. The philosophy and conceptual approach in the work is always solid and logical. Another area of my expertise, is in the production of images. I immerse myself fully in the visual culture of the context, as well as, the clients own visual preferences. The digital images produced then operate as meaningful and desirable objects in their own right (Art Objects), besides their primary function as vessels of information and concepts. I am able to do so due to a strong knowledge of digital and manual image making tools and an open experimental mind that always strives to produce. In the following projects, I will showcase my process and end products, giving you a glimpse of what concepts govern my understanding of the building process and to what is relevant today to the practice of Architecture. Hassan Elghayesh, 12.03.2018
LIST OF CONTENTS SOLAR INTEGRATION, CAIRO. p.132
CANAL SUGAR, MINYA. p.66
KARM CAMPUS, MINYA. p.144
START-UP HUB, SAHL HASHISH. p.90
XGYM, ELGOUNA. p.56
WADI SABBARA, MARSA ALAM. p.01
WADI SABBARA MARSA ALAM, EGYPT
Wadi Sabbara is a touristic development on the eastern coast of Egypt. It overlooks the Red Sea and is located 20 km north of the town of Marsa Alam. We were assigned with the Master Planning of the plot as well as the design of one of the boutique hotels on site. The client had very specific needs when it came to the Master Plan, He did not want it to be set in stone. Flexibility was a major factor, he wanted to make his options open to changes. I tried to address such wants as they are perfectly aligned with the way I see Master Planning. Master Planning should not be a hindrance to innovation and flexibility. How to create a Master Plan that incites options rather than suppress them? The site is beautiful in every way. An untouched plot of land by the sea, with a small valley running through the middle of the site. The valley was shaped by rain water coming down the nearby mountains. Right now these flash floods stopped and we are left with a valley and an amazing seaside location. The site already has two small hotels and living quarters for the workers. The client is interested in making small size boutique hotels instead of a larger complex hotel, he also wants to specify some plots for his friends and family, each will build his own beach house. Being a collector of artifacts of the local Bedouin population, he also wants to include a small gallery/exhibition space to showcase his collection.
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CENTRALITY
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low density residen�al medium density residen�al retail food+beverage MARINE LANDMARK healthcare center
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ecolodge CRESCENDO boat building fishing
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seilPUBLIC PLAZA library
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high density residen�al PLATFORMS high density staff_senior
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retail food+beverages_road service transporta�on hub ART INSTALLATION high density staff_labor
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workspace karmsolar campus community center LOCAL CULTURE museum+gallery LANDMARK theatre+mul�purpose
ART INSTALLATION
upcycling center handcra�s INFRASTRUCTAL permaculture_herding LANDMARK
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pv solar service sewage treatment PEBBLE GARDEN sports facili�es permaculture services
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PEBBLE GARDEN BALANITES FIELD
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In line with offering flexibility, we stayed away from suggesting a definitive Master Plan. We instead went on to identify certain locations on the plot that we wanted to emphasize. There was not much man made interventions on the site. The simple act of making a stone vertical or laying a few pebbles on top of each other gave us some affinity to certain areas on the plot. We also identified where the rock formations that form the valley are, They were interestingly shaped and again we saw potential in those edges. These areas of interest for us we would create structures in, from these structures the development will start and grow. We call these interventions Scenarios. A word not much used in Architecture yet it was essential for us to frame what exactly We were doing; Scenarios that act as triggers for growth, Our Scenarios are open ended.
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Before hiring us, The client started off with building around the boundaries in order to claim territorial presence. The southern border was developed into a diving center and hotel ‘OASIS’. The process of building was very vernacular and did not include any architects just stonemasons and the client instructing them on where to build. The Northen border was developed into living quarters for the workers in ‘OASIS’. The buildings with bigger footprints are a hotel ‘SEIL’ designed by Architect Jenane Azmi and built by our Construction team. Two extensions to the east and west were later designed by us. Yet, before I joined the office. In the Northwest corner, The building ‘PORTAL’ acts as the gateway to the development from the Highway.
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The areas of intervention that I was actively involved in were as follows, A_ Balanites Field. B_Scenario 01 (Entrance to the Beach) C_Crescendo D_Scenario 04 (Residential Phase_01) E_Scenario 11 (Seil Hotel Gallery)
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The valley area is to be planted with a tree native to the area (Balanites Aegyptica). The tree was a favorite of the client. To us, we found it interesting that the tree produces a date like fruit. The fruit can be used for extracting oil as well as being edible. It could also be fermented to create spirits.
PEDESTRIAN CROSSING – TYPE 01:
A less defined crossing point solution with the The field will be overlaid with walkways. As well asstep blocks are placed along carefully constructed slope with the stone gathering points, These points will bestepused wallsgathering gradually declining to the lowest level. at times of harvest to store fruit. Strongthe recommendation for some sort of gradual speed bump that will enforce slowing the vehicle traffic gradually. For the hardscape, Mica stone is to be used to define It is to be of a natural use of materials whether stone or material use, but would as a defining plots of plantation as another well as circulation forwork vehicles pedestrian pathway, therefore should be of a relatively flat surface with minimal bump incline. and pedestrians. Vehicular traffic will be minimum and seasonal during the time of harvest.
PLAN VIEW
BALANITES FIELD & CIRCULATION LAYOUT – CONCEPT OUTLINE PEDESTRIAN CROSSING – TYPE 02:
A strongly defined crossing point solution with the step blocks clearly defined by the stone wall that has a 90 degree turn to wrap the steps. The mica stone wall will also gradually step upwards to the top end of the steps to have a distinctive visual point of reference for pedestrians. Strong recommendation for some sort of gradual speed bump that will enforce slowing the vehicle traffic gradually. It is to be of a natural use of materials whether stone or another material use, but would work as a defining pedestrian pathway, therefore should be of a relatively flat surface with minimal bump incline.
PLAN VIEW
SECTION/ELEVATION VIEW
PEDESTRIAN CROSSING SKETCH DETAILS – TYPE 01
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PEDESTRIAN CROSSING SKETCH DETAILS – TYPE 02
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Balanites Field, The valley area is to be planted with a tree native to the area (Balanites Aegyptica). The tree was a favorite of the client. To us, we found it interesting that the tree produces a date like fruit. The fruit can be used for extracting oil as well as being edible. It could also be fermented to create spirits. The field will be overlaid with walkways. As well as gathering points, These gathering points will be used at times of harvest to store the fruit.
Scenario 01; Beach Entrance It is your first day in Egypt. You wake up early. You grab your things and go to the beach. The light is making it’s first breaks against the darkness, but you are guided by the sound of the waves. You reach till the edge and realize the beach lies a good two meters below where you stand. A couple of years ago you could have jumped but not now. You walk up and down the edge of the cliff to look for a way down. Your feet feel the sand beneath it, but then you step into a different texture; one that is easy to walk on. You look beneath you and find wide stairs that lead to the beach. Within the frame of created by the walls and cantilever of the stair, the first beach goer is standing by the sea, a fellow early bird.
Crescendo, The entrance to ‘SEIL’ was a bit of a problem. Again a large difference in levels makes it hard to access the valley and beach area. We drew up plans to suggest a number of terraces that lead your way down from the high cliff area to the valley. We wanted to create an experience of lingering down slowly with a chance to use the terraces for experiencing your come down slowly. This experience could not be achieved with direct stairs that lead down. Hence, the need for the terraces. Terraces are changing in sizes and orientations adding a sense of playfulness to the experience.
RESIDENTIAL PHASE 01 As part of offering an interesting mix in the development. We wanted to add a new form of stakeholder into the development. Apart from the Tourist/Hotel management polarity, there was no stakeholder in the development who will be interested in maintaining its quality. The introduction of residential units would ensure that we will have key stakeholders in the development who will act to ensure the quality of services and infrastructure and help maintain it. The units suggested are one bedroom vacation houses on one of the edges of the valley overlooking hotel ‘SEIL’. This edge is one of the more interesting edges in the development. They have a commanding view to the sea and are in close proximity to the beach. They are on a very desirable plot on the land. The choice to start building on this plot was needed in order to create a dialogue between it and the hotel. The client asked for units that are cheap and fast to construct. We identified building with Coral Stone from the area to be the cheapest as it was free of charge and also the fastest as the masons on site were very familiar with the stone. The design is simple yet bold, a very simple box like unit that can come together in many different ways to create clusters. The orientation of each unit is dictated by three factors, Views, Protection from direct sunlight and Contours.
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FLEXIBILITY The flexibility of plan was another important factor for the client. Though not very big in size. We had to demonstrate how many different furniture arrangements the home can support. A series of options were developed for each floor, combining them together would have resulted in 144 different options.
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The simple unit offers a lot of flexibility, We looked through different options for the glazed facade. The glazed facade will be the main connection to the outside. The problem was the ceiling was high and the client did not want to invest in costly glazed surfaces. We were able to land a cheaper sub-contractor who gave us limits to the sizes we could work. We started from there to experiment within his given paramters. In order, to reach a facaded that serves both function and aesthetics. A
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CLUSTERING THE UNITS Early trial for master planning the edge. At this point, I was not yet onsite and was dealing only with a contours map by the client.
Sun path diagram to determine possible orientation of units,to protect the glassed surfaces from direct sunlight.
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SHADOW ANALYSIS
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View from Beach to Units
View from Seil Pool to Units
View from Units towards Beach
Seil Gallery As the project for Seil Hotel was nearing completion we were invited to do the interior designs for one of the basement halls. The owner was a collector of artifacts from the region of Marsa Alam. He wanted to showcase his collection to the visitors of the hotel. The collection comprises of geological rocks, items being used by the local population, as well as, antique books with mention of the red sea and its indigenous population.
UNITS title and introduction to local tribes.
sculpture/artifact on pedestal base
drawer for small items.
headphones for audio experiences.
white-painted plywood unit 225*45 cm
UNIT_01 FRONT
glass display cabinet for prized items.
sculpture/artifact on pedestal base A clear inventory needs to be done of the objects to decide on what is to be showcased. Since, this was not possible at the moment we chose to focus on a flexible unit that can be used for showcasing a variety of items. UNIT_01 has many options for different objects, small, large from clothing to jewelery to weapons. All can be showcased within the same unit. The unit can be replicated as much as needed. the unit can be configured to be a 2 sided display (as shown) or a 1 sideddisplay when placed against a well. Its
modular arrangements allows for diferrent layouts depending on curated items.
drawer for small items.
white-painted plywood unit 225*45 cm
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steel rod 5*5 cm with bolt
surface for showcasing posters or tapestry.
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text printed on laser-cut black sticker
acrylic glass on wood base_ size 200*100 cm.
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UNIT_02 and UNIT_03 are meant to act as both dividers of space and exhibition surfaces. UNIT_03 is made out of transparent Acrylic giving the chance to have a large monolithic object without obstructing view of the
space.
SPATIAL ARRANGEMENT For the design of the exhibition space we chose to focus on the flexibility of the units used for showcasing the artifacts. The bare space contrasts against the details of the exhibits. The space acts as a neutral container for the artifacts, the artifacts become the focus. The Geological collection of rocks will be showcased on display units outside. In the area between the cliff and the building that is now closed off. We created continuous one way circulation loop that takes the visitor through the different rooms. Walls were opened up when necessary to create a smooth
DIFFERENT POSSIBILITIES FOR UNIT ARRANGEMENT
artwork and wall mounted artifacts geological collection zone
artwork and wall mounted artifacts
unit_02 display locations
unit_03 introduction to exhibition
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FINAL ARRANGEMENT
Visualization
Seil Library Interior Shots, Design by KarmBuild Principal Architect, Karim Kafrawi Renders by, Hassan Elghayesh
Shot 01_ Clark Gable
Shot 02_Sigmund Freud
Shot 03_RenĂŠ Magritte
X_GYM is a concept for a mobile work out space. The idea is to make exercise easy and accessible for everyone, anytime and anywhere. We find the cargo architecture is surely fitting for the concept we are trying to achieve. First and foremost, the appropriation of containers into useful spaces works towards upcycling waste, it is more economical and more fun to work with and a huge gain is the fact that these containers were made to be mobile and thus check all the criteria for ease of mobility, assembly and disassembly. Our concept revolves around two main issues, first being how to customize the containers to fit their purpose while retaining the feel of fun in working out. The second is a fascination with the concept of a mobile gym and a goal of making it autonomous and sufficient when it comes to its energy consumption. We chose to work first on the containers, focusing on what they aspire to be, we focused on how the container can open up to the outside, we came up with 6 different ways we can do so. Playfulness is retained, different ways of opening the container are associated to different workouts. We then focused on how the four containers comes together, we identify 3 different scenarios that are most relevant and we base our recommendations on them. Our 3 scenarios are a compact design, obstacle circuit and independent arrangement. Our second concept stems from the fascination the idea of generating energy from the workouts done by the users of the gym. We want to incorporate stationary bicycles and pressure pads to generate some of the electricity that will be used. Solar panels installed on the fixed roofs will make sure that all the energy needs are accounted for.
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many different ways. (d) There is still room for the client to experiment with his favorite setting. (e) the containers will fit on a trailer cand can be hauled anywhere. (f) The mobile Gym can travel anywhere in Egypt according to where it is needed the most.
In the project of Canal Sugar, we were asked to design a number of Units for a Agriculture and Manufacturing facility in Menya. The product was sugar, and the company intended to cultivate beetroot on a very large scale. The plot of land was in the desert, around 25*50 km. A large expanse of land leased from the government for a period of 50 years. We were approached by the client to design the housing units for the development. The houses would range in size, Some are to house the workers, Others for the engineers and others still for senior management. Apart from this housing, Satellite Villages would be spread out to cover the large piece of land. These satellite villages would always have the same requirements, Sleeping Quarters for 41 workers as well as a common space area that will include a small mosque, a Dinning Hall and a Kitchen. We produced two designs for this project. There was a miscommunication with the client regarding a certain style that the client wanted to have. The New Mexico Style was an inspiration for our early designs as One of the clients suggested. In our first meeting, We discovered that this was a personal preference of one of the board members and we were asked to redesign in two days, as the CEO was non-egyptian. This is when we went on to produce the next set of designs.
Canal Sugar Minya, EGYPT
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Sahl Hasheesh Start Up Hub
Interior Shots, Design by KarmBuild Principal Architect, Karim Kafrawi Renders by, Hassan Elghayesh
We started of with deciding our parameters when it comes to density and size of footprint. We experimented with a number of distribution approaches using the suggested land in Sahl Hasheesh. The experiment tests how open space will relate to built space and what options offer the best outdoor space. Although all options cover the same area of 4900 m2, some options give a feeling of openness more than others. This was taken into consideration while moving to the next step on deciding which way to go with the Master Plan.
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The next step was deciding on which way to go with the footprint of the building. We overlaid a unit of 25*25 m. This unit will be elaborated on in the following pages. The arrangement here is purely spatial and for the first step disregards site contours. We were told that the site might not be this one and thus we opted for just using it for experimentation. We actually think adding the layer of contours into our consideration will offer a much more interesting design. As th different heights will give liveliness to each unit.
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For our first trial, we designed a courtyard unit in which the program is mixed in each unit. Each unit is sustainable and self sufficient. By doing so we achieve a set of goals that are essential for the development. First, we save on the embodied energy of the building by making sure it is used all day long. Secondly, We ensure a compact development that is clustered rather than one that is stretched over a larger area. A cluster of functions will ensure maximum interaction. While most project aim for density we aim at density of interaction. Lastly, we can now phase the construction process better, rather than starting off at different locations we can build each self sufficient unit and ensure it can sustain itself till later phases are added. Housing 76,500
Our first unit proved to be too large to work with on the site of Sahl Hashish. Still, we choose not to discard as it might prove helpful on other plots. The flexibility of the unit is its strongest point. It’s ability to adopt to different sites is its strongest point.
Housing 76,500
Housing 76,500
Housing 76,500
Hub 23,600
Hub 23,600
On the following pages we laid out the program in relation to time. The graphs are speculative but aim to show how the spaces are activated day round with the different functions. The graphs show our speculations for two situations, on weekdays and on weekends.
Lounge 2,200
Meeting/Event Hall 1,000
Lounge
Library 800 Lounge
Meeting/Event Hall
coworking 1,600
Hub 30,000
Meeting/Event Hall
MPU 500 Labs 300
Hub 30,000
Library
Library
coworking
coworking
MPU Labs
MPU Labs
Cinemas
Commercial 4,500
Cinemas
Service apartments
Commercial 6,000
Cinemas 1,500
Commercial 6,000
Commercial 4,500
146,250
Service apartments
Indoor Halls Indoor Halls
MP courtyard Event Hall Workshops
MP courtyard Event Hall Workshops Hospitality 3,800 Library
Hospitality 3,800
Library Workshops
Workshops
Theatre-openable Theatre-openable
Hospitality 6,000
Hospitality 6,000
Service apartments 2,200
Outdoors 7,750
Club House 9,400
Galleries
Galleries
Outdoors 7,750
Club House 9,400
Indoor Halls 650
Community Center 650
Community Center 1,700
Community Center 650
MP courtyard 200 Event Hall 200 Workshops 650
nursery 3,500
Community Center 1,700 Nursery 3,500
Mosque and church 1,000
Mosque and Church 1,000
Medical Center 1,300
Medical Center 1,300
nursery 3,500 Mosque and church 1,000 Medical Center 1,300
Library 1,000
Leisure
Mosque and Church 1,000
Medical Center 1,300
School 4,450
School 4,450
School 6,100
Nursery 3,500
School 6,100
Workshops 650
Supporting Convention Center 3,100
Convention Center 3,100
Dwelling
Convention Center 4,750
Dissolved Uses
Main Entity
Theatre-openable 650 Galleries 1,000
Program Entities
Dissolvable/Communal Spaces
Work
Convention Center 4,750
Uses Combined Dissolvable/Communal Spaces
Combined Dissolvable/Communal Spaces
15,100
We firmly believe this project should function primary on a programmatic level. Within the software with which this project functions the success lies and not within the hardware (architecture). The hardware is only as important as it allows for change and flexibility with the software within it. We went for analyzing the program in order to find interesting connections. We divided the program into 4 main categories Work, Living, Leisure and Services. We then proceeded to categorize each of the functions within these categories and instantly relations started to be clear.
3500 SQM
weekdays
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DWELLING SUPPORTING ﺧﺪﻣﺔ ﺗﺮﻓﻴﻪ
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weekends
َ
DWELLING SUPPORTING ﺧﺪﻣﺔ ﺗﺮﻓﻴﻪ ﺗﺮﻓﻴﻪ ﺗﺮﻓﻴﻪ
WORKING
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The programmatic concept of mixed use was then applied to the spatial arrangement. It was taken into consideration which functions overlook the spine. Also, the 2nd floor was shifted from the two lower floors in order to create a difference in heights. The 2nd floor also includes bridges that create an imaginary boundaries for the coutryards while leaving the ground floor true to the concept of the spine.
A closer study was made of the arrangements of the 25*25 m unit. The way they come together, how each unit will be flexible enough was evident from the start, the unit can house different functions will mainting structural integrity and most importantle a total coherence with the bigger whole. These sketches offered the basis on which the whole of the development will grow. On the zoomed in scale we started to decide on interior courtyard locations, circulation paths and individual spaces for offices as well as residential units. The unit proved flexible and resourceful on how it deals with different functions.
In this master Plan, smaller units of offices, residential and multi-purpose halls were arranged within the preassigned units. A new structural grid of 5*5 m is now the scale on which we operate. Operating within a set scale gives flexibility in the sense of future growth. All the spaces left open are also following the 5*5 grid and thus they can be overtaken by the building at any time and still we would be operating within the grid. A number of courtyards now exist, There is a hierarchy in these courtyards those by the main spine are the most public. The inner courtyards are of a semi-private nature and will be used by th inhabitants of the bloc. A much smaller scale of the courtyards exits within the residential units and will be used for small playgrounds, open air gyms and hydroponic farming. Each of the bigger courtyards will house an activity relating to leisure. We aim to blur the line of work and leisure as discussed before.
Ground Floor with Program
Isometric, Volumetric study of 3 floors together showing courtyards, plazas and overhanging structures.
Work-Break
Desk/Relaxed
M-U
Informal
Collective Collective
SocializCafeteria ing
Games Room
SPA
Lively
Collective
Informal
Break
Relaxed
M-U
Open Plan
Lively
Casual Meet-Up
GYM
Lively
Informal
Work
Desk
M-U
Individual SlowDown
Relaxed
MPU Library Classroom
Meeting Rooms PhoneBooths
Designated
Individual
Formal
Break
Designated
Recording Studio
Quiet
Desk
Quiet
Admin. Offices
Formal
Work
Break-Work Formal
MakerSpace
Regular Individual Offices Cubicles
Designated
Isolated Cowork.
Quiet
Individual
Desk/Relaxed
Flexible Component
Solar Integration was is a big part of our operation as a firm. Though, I have not been directly involved in any projects. I was given the task of creating a flexible architectural component that works with Solar Panels. Not many Architects are keen on including Solar in their projects. The grid, color and shape of the panel seem limiting to a great extent. Functional criteria is prioritized against the aesthetical criteria. The main aim was to standardize Solar Panels as an architectural component that can be used on both new and existing buildings.
1.62 The first of the flexible components was the 1.6 Panel. Th solar panel exported by our company was a 1.6 *1 m panel. As we tried playing around with the ratio we discovered that there was not much we could do. We started experimenting with adding an extra part to reach a square ratio that would be more interesting to work with. The design itself is merely a frame. One side will have the solar panels and the other which is 0.6*1.6 can be a different material. This can be decided later on site or per project. We can use Aluminum, Wood or any other material that would fir the context of the project. The design offers great flexibility and functionality while maintaining a strong aesthetic quality.
Isometric, 1.6
169.0
Solar Panel
2.5 4.0
94.5
4.0
94.5
169.0
64.0
4.0
64.0
4.0
2.5
Frame
Wood Cladding
Decorated Wooden Panel
LED Light
Frosted Glass
Secion A-A, 1.6 169.0 4.0
161.0
4.0
169.0 4.0
4.0
161.0
4.0
A 4.0
94.5
94.5 165.0 2.5 165.0 2.5 60.0
60.0 4.0
4.0
A Plan, 1.6
Flexibility of Arrangement
Facade
Roof
Envelope
Different Mounting Possibilities
DIY The DO IT YOURSELF panel is easy to install and maintatin, An Ikea style assembly manual and adjustable columns and beams will allow the user to even change inclination according to sun orientation. The Panel can be easily installed on roofs. Roofs in cairo are one of the most under utilized elements of the building. The component will also double as a shading element that will protect the facade from unwanted direct sunlight.
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Do It Yourself Kit
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adjustable beam
5 heavy hex
fastner nut
9 tension cable
8 movable arm
structural column
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6 set screw
parapet
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column clamp
socket screws
eye bolt plate
2
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Assembly Catalogue
Canopy 165.0
165.0 165.0
165.0
165.0 165.0
A 105.0
105.0 105.0
220.0 220.0
8.0
8.0
105.0
105.0
8.0 30.0
105.0
8.0 30.0
8.0
8.0 40.0 40.0
5.0
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390.0
390.0
5.0
390.0 400.0
400.0
5.0
5.0
400.0
A
Plan, Canopy
390.0
A
220.0
220.0
390.0
390.0
220.0
0
30.0
30.0
0
30.0
30.0
10.0
30.0 150.0
30.0
150.0 30.0
150.0
30.0
30.0
30.0 30.0
110.0
110.0 110.0
110.0
20.0
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25.0
25.0 25.0
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30.0
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97.5 5.0
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5.0
5.0
Section A-A, Canopy
A
Elevation, Canopy
Woven Sky by Azza Fahmy Azza Fahmy is a well-renowned Jewelery designer who collaborated with our office on her line of integrated solar panels. While Mrs. Fahmy came up with the sketches, I was assigned the task of producing the Isometrics and Technical drawings for the designs. The result was Woven Sky. An intricate metal mesh that carries on it Glass on Glass solar Panels. The design integrates into the building becoming a feature in its own right and not merely panels you want to hide on the roof.
47.2
50.0 47.2
49.3 47.2
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49.3 47.2
163.4
163.4
163.4
49.3
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50.0
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Plan, Woven Sky
47.2
47.2
163.4
163.4
163.4
50.0
10.0
163.4
163.4
163.4
25.0 5.0
50.0
Section , Woven Sky
10.0
25.0 5.0
593.0
K A R M C A M P U S X_GYM is a concept for a mobile work out space. The idea is to make exercise easy and accessible for everyone, anytime and anywhere. We find the cargo architecture is surely fitting for the concept we are trying to achieve. First and foremost, the appropriation of containers into useful spaces works towards upcycling waste, it is more economical and more fun to work with and a huge gain is the fact that these containers were made to be mobile and thus check all the criteria for ease of mobility, assembly and disassembly. Our concept revolves around two main issues, first being how to customize the containers to fit their purpose while retaining the feel of fun in working out. The second is a fascination with the concept of a mobile gym and a goal of making it autonomous and sufficient when it comes to its energy consumption. We chose to work first on the containers, focusing on what they aspire to be, we focused on how the container can open up to the outside, we came up with 6 different ways we can do so. Playfulness is retained, different ways of opening the container are associated to different workouts. We then focused on how the four containers comes together, we identify 3 different scenarios that are most relevant and we base our recommendations on them. Our 3 scenarios are a compact design, obstacle circuit and independent arrangement. Our second concept stems from the fascination the idea of generating energy from the workouts done by the users of the gym. We want to incorporate stationary bicycles and pressure pads to generate some of the electricity that will be used. Solar panels installed on the fixed roofs will make sure that all the energy needs are accounted for.
DESOLATION
A desolate, hostile location is chosen for the next big solar power achievement. The rows of solar modules run for hundreds of meters. In such an extreme climate, and anxiety-inducing environment, the solar panels ask for a human being to keep them company. That human would have to inhabit a place where he feels exposed, a place where emptiness reigns; in the company of only solar panel rows that run infinitely, and his thoughts. In that situation, man swings between extreme modes of psyche; on the one hand, a serene feeling and a higher ability of introspection would emerge, and on the other, an urge to escape and find shelter.
POLARITY
A solar panel will always follow the sun; it will point at the sun, sit comfortably under the sun, and look the sun directly in the eye. The sun and the solar panel are always in a direct relationship. It is with architecture, on the other hand, that the sun’s relationship is always in tension; for architecture, the sun is always an antagonist that must be escaped.
HARMONY
It is not just a desert location. With the introduction of a large scale solar farm, The context is morphed into something unprecedented. What is man made becomes the context. What we build should tie everything together, the infrastructure, the desert. The two collages examine these relations between desert,infrastructure, architecture and man. How can it all be in sync? An infinite building extends into the horizon, A building that sees and imitates. A building that aspires to be as the desert. While man figures his purpose in such a place, he is sure of one thing “though infinite and strong without the observer (him) it will account to nothing�
DOMINANCE
It is not just a desert location. With the introduction of a large scale solar farm, The context is morphed into something unprecedented. What is man made becomes the context. What we build should tie everything together, the infrastructure, the desert. The two collages examine these relations between desert,infrastructure, architecture and man. How can it all be in sync? Not horizontal and infinite, man positions himself on top. Confusion is swapped for certainty: “I am on the throne”. Not merely an observer, but an actor, he has come to good terms with how he changes the world. What he needs is a “tower”to behold , in admiration, his beautiful creation.
ABSTINENCE
The desert offered the first refuge for those escaping. Egypt’s monastic tradition goes back to the early Christian period. The parallels drawn between campus and monastery have been evident to us since we begun. Minya and it’s famed monasteries, The all men crew in the desert, The dietary regulations of Dakahaleia with no meat and a focus on fish; and lastly, the number of employees, 12 technicians + 1 Engineer mirroring the 12 disciples of Jesus.
Lng Lng Lng
Stg Cold Room
L+D+K
Stg Stg
Cold Room Cold Room
L+D+K L+D+K
Stg Courtyard Courtyard Courtyard
Stg Stg Outdoor Sitting Area Outdoor Outdoor Sitting Area Sitting Area
BR 01
BR 01
BR 01 BR 01
BR 01 BR 01
Container Container Container
0
site plan
N
0
20 10
100 50
200
ground floor plan
first floor plan
brick laying options
NW isometric
eastern facade
western facade
southern facade
section A-A
section B-B
section C-C