MAR-APR 2024

LUXURY LIFESTYLE WITH PURPOSE

FASHION ISSUE

DISCOVER THE RICH HISTORY OF SAN FRANCISCO FASHION: A CENTURY OF STYLE

PLUS FASHION ACCENTS FOR SPRING, LOCAL ARTISTS TALK FASHION, AN ODE TO SAN FRANCISCO FOOTWEAR, AND FASHION-INSPIRED STAYS

California Lifestyle Collection

California Lifestyle Collection

Belvedere Waterfront Storybook Residence with Magnificent Views Belvedere, California

Belvedere Waterfront Storybook Residence with Magnificent Views

Belvedere, California

3 Beds | 3 Baths | ±30,000 sq. ft. Lot | ±3,919 sq. ft. Residence Offered at $7,880,000

3 Beds | 3 Baths | ±30,000 sq. ft. Lot | ±3,919 sq. ft. Residence Offered at $7,880,000

Designed by renowned architect Carr Jones, this unique storybook style 3-bedroom, 3-bath, ±3,919 sq. ft. home on a spacious ±30,000 sq. ft. lot on the San Francisco Bay, located at the prestigious last block of Belvedere Ave, offers magnificent views including the Bay Bridge, San Francisco skyline, Golden Gate Bridge, Sausalito and Mt. Tam. This iconic residence offers intricate craftsmanship and design including slate roof, incredible brick and stone work, a long winding driveway, wood beam ceilings, arched doorways, indoor and outdoor fireplaces, serene lush gardens and complete privacy. The home is within walking distance to downtown Tiburon’s boutiques, fine restaurants such as Malibu Farm, Le Petite Left Bank Bistro, Luna Blue and Michael Mina’s Bungalow Kitchen, Corinthian and San Francisco Yacht Clubs, and Ferry Services to San Francisco and Angel Island.

Designed by renowned architect Carr Jones, this unique storybook style 3-bedroom, 3-bath, ±3,919 sq. ft. home on a spacious ±30,000 sq. ft. lot on the San Francisco Bay, located at the prestigious last block of Belvedere Ave, offers magnificent views including the Bay Bridge, San Francisco skyline, Golden Gate Bridge, Sausalito and Mt. Tam. This iconic residence offers intricate craftsmanship and design including slate roof, incredible brick and stone work, a long winding driveway, wood beam ceilings, arched doorways, indoor and outdoor fireplaces, serene lush gardens and complete privacy. The home is within walking distance to downtown Tiburon’s boutiques, fine restaurants such as Malibu Farm, Le Petite Left Bank Bistro, Luna Blue and Michael Mina’s Bungalow Kitchen, Corinthian and San Francisco Yacht Clubs, and Ferry Services to San Francisco and Angel Island.

Details and photos on BelvedereWaterfront.com

Details and photos on BelvedereWaterfront.com

Olivia Hsu Decker | SanFranciscoFineHomes.com

Cell: 415.720.5915 | Olivia@SanFranciscoFineHomes.com | Lic.# 00712080

Olivia Hsu Decker | SanFranciscoFineHomes.com

Cell: 415.720.5915 | Olivia@SanFranciscoFineHomes.com | Lic.# 00712080

California Lifestyle Collection

3265 Soda Canyon Road

±41.76 Acre Vineyard Estate with ±30 Acres of High-Quality Vines

Napa, California

5 Beds | 4 Baths | ±41.76 Acres | ±5,487 sq. ft. Residence Inviting Offers Over $10,000,000

Entering the stately iron gate and tall Italian cypress tree-lined driveway, you will find this enchanting private vineyard estate prominently sited on ±41.76 acres in the Atlas Peak wine region with 30± acres of high-quality vineyard with the best soil. Complexed wines grow on Soda Canyon peak, known for the best rocky soil with undulating elevations. The vineyard includes ±18.45 acres of Cabernet Sauvignon, ±4.23 acres of Merlot, 2.88± acres of Malbec, 1.33± acres of Zinfandel, ±1.98 acres of Sauvignon Blanc, 0.87 acre of Tempranillo and ±1.42 acres ready for replant. This spacious ±5,487 square-foot residence with timeless wine country architecture features five bedrooms, four baths over three floors with large windows in each room facing the panoramic views of vineyard, hills, natural and beyond, and the bright sunlight shines through every room and brings the warmth and charm of wine country living. The open kitchen features the finest materials with a large granite countertop island with a dining bar. The formal dining area faces the magnificent view of the vineyards, a perfect place for hosting dinner events and gatherings. Enjoy a glass of wine

Designed by renowned architect Carr Jones, this unique storybook style 3-bedroom, 3-bath, ±3,919 sq. ft. home on a spacious ±30,000 sq. ft. lot on the San Francisco Bay, located at the prestigious last block of Belvedere Ave, offers magnificent views including the Bay Bridge, San Francisco skyline, Golden Gate Bridge, Sausalito and Mt. Tam. This iconic residence offers intricate craftsmanship and design including slate roof, incredible brick and stone work, a long winding driveway, wood beam ceilings, arched doorways, indoor and outdoor fireplaces, serene lush gardens and complete privacy. The home is within walking distance to downtown Tiburon’s boutiques, fine restaurants such as Malibu Farm, Le Petite Left Bank Bistro, Luna Blue and Michael Mina’s Bungalow Kitchen, Corinthian and San Francisco Yacht Clubs, and Ferry Services to San Francisco and Angel Island.

in the living room, with fireplace and attached large deck showcasing the panoramic vineyard view and the dramatic vistas of the sunrise and sunset over vineyards. The Master bedroom located at the end of the hall on the second floor features a marble bathroom, walk-in closets, fireplace, and large windows facing the dramatic view of vineyards and beyond, bringing privacy, peace, and tranquility. The two guest bedrooms located at the other end of the hall on the second floor each feature a bathroom. Two more bedrooms on the third-floor feature vaulted ceilings and panoramic views of the hills and vineyard. There is a wine cellar, 2-car garage and a laundry room. There is also a separate red barn which serves as an office building for vineyard manager and staff. The home is equipped with AT&T Fiber high speed internet and security cameras in front and back of the house, as well as the basement. The grapes produced at this vineyard are sold to prime wineries in Napa Valley.

Details and photos on BelvedereWaterfront.com

3265

This issue is an emotional one for me, as the cover story about Gordon Getty and the story of Susan Williams on her late husband, Robin Williams, were close to my heart. I met Robin a couple of times in Paris, the first time at the celebration of Lance Armstrong’s victory in the Tour de France. He told me jokes about Tiburon-Belvedere. It was one of the saddest moments when I heard of Robin’s suicide. I went to his Tiburon home and placed flowers at his front gate, along with dozens of other fans. Our editor-in-chief’s interview with Robin’s widow, Susan Schneider Williams, seeks to understand his life and death. Susan’s dedication to the beloved comedian and actor’s impact was immeasurable and gives Robin’s legacy new meaning. Susan spoke to Teresa about the details and complexity of the Lewy body dementia Robin suffered.

Spring is here, and it’s our annual fashion issue again! The timing is perfect as the de Young Museum holds its first major exhibition of notable costume collections in over 35 years, more than 100 pieces “reflect San Francisco’s longstanding tradition of selfexpression through fashion,” according to the Fine Arts Museums of San Francisco. Please read our cover story by Laurie Jo Miller Farr, “100 Years of Fashion in San Francisco,” and visit the exhibit which runs through August 11.

Our cover story subject, Gordon Getty, is truly an original Renaissance man. I’ve met Gordon dozens of times over the last 35 years, since we were both on the board of the now-defunct Marin Opera in early 1990s. Gordon is larger-than-life, not because of his billions, but because of his big personality and openhearted generosity. He inspired my pledge of $5 million to Festival Napa Valley for the Olivia Decker Power of Music Series. Gordon announced his $5 million matching grant when he hosted a dinner at his home to welcome me and others as new board members of Festival Napa Valley in November 2019. His grant was for five years and matched anyone who donated to festival during that period. My donation fulfilled his remaining grant within less than three years. Gordon was impressed and donated another $5 million matching grant in January 2023. At nearly age 90, Gordon’s long, rich life is iconic and fascinating. It’s truly interesting to read even a glimpse of his vast world.

We added fashion news articles on new trends, accessory angles on fashion accents, a fashionable journey from stylist and film producer/director Antonio Contreras, and the winter whites of diamond and pearl jewelry. Plus, there’s a profile on Bay Areaborn Yetunde Beutler who brings clean wellness to fashionable skin care products through her company, Essènci. We even feature a trendy travel article on hotels incorporating your favorite fashion designers, such as Dolce & Gabbana® , Missoni, Armani, Dior® , and Gucci®

We also profile Daydreamers founder, Bay Area entrepreneur Katina Bajaj, who is a clinical psychology researcher, author, speaker, and creator. You must read this article to understand why, although daydreaming seems to be not doing anything, it works the brain to make myriad connections through creativity and help us with burnout and stress.

If you are all dressed up and looking for fabulous events and trips to go, please check out our three pages of events taking place in March and April in San Francisco. Better yet, come visit Villa Tardieu in South of France near Monaco, which is for sale in our Haute Residence section.

OLIVIA HSU DECKER OWNER/PUBLISHER

OLIVIA HSU DECKER OWNER/PUBLISHER

CELL 415.720.5915

CELL 415.720.5915

HAUTE LIVING, SAN FRANCISCO AND NORTHERN CALIFORNIA WWW.HAUTELIVINGSF.COM

HAUTE LIVING SAN FRANCISCO AND NORTHERN CALIFORNIA WWW.HAUTELIVINGSF.COM

CO-OWNER OF GOLDEN GATE SOTHEBY’S

We also profile British fashion designer Marchesa’s co-founder, Georgina Chapman. I met at her at a 2019 fashion show for San Francisco Opera Guild’s annual fundraiser. I won the bid to go to New York Fashion Week, where I visited her at the Marchesa atelier. Georgina returned to Fashion Week this year. Her flowing, colorfully floral gowns are so feminine and romantic. I think the world would be much more peaceful if every woman dressed in Marchesa!

In this issue, we also profile Hawi Awash and Yema Khalif, co-owners of YEMA, a high-end urban streetwear fashion store in Tiburon, just a few doors from my Haute Living lounge on Main Street. The story of how they met and created YEMA is as powerful and as colorful as their clothing. Yema emigrated from a refugee camp in Kenya to the U.S.; Hawi was a refugee from Ethiopia. They started YEMA after they met at Dominican University in San Rafael, and they donate a portion of YEMA’s profits toward education for kids in Africa. They are the only other minority owners, like me, in Tiburon’s Main Street shops. I hope you shop at YEMA whenever you are in Tiburon and meet this creative and generous couple.

In this issue’s Haute Events, I cover the San Francisco Opera’s 100th anniversary concert and a dinner with the artists. This one-night-only centennial celebration featured a program spanning San Francisco Opera’s first century with the San Francisco Opera Orchestra and Chorus; conductors Eun Sun Kim, Sir Donald Runnicles, and Patrick Summers; and 15 vocal soloists who have been active on the opera stage for decades. The concert included projected archival imagery from 100 years of San Francisco Opera history. Founded in 1923, San Francisco Opera is only the third American opera company to reach the centennial milestone.

CO-OWNER OF GOLDEN GATE SOTHEBY’S INTERNATIONAL REALTY

INTERNATIONAL REALTY

24 OFFICES SERVING SAN FRANCISCO BAY AREA OLIVIA.HSUDECKER@SOTHEBYSREALTY.COM

24 OFFICES SERVING SAN FRANCISCO BAY AREA OLIVIA.HSUDECKER@SOTHEBYSREALTY.COM estate for sale in this issue’s Haute Residence at

One other Haute Event this issue is my beloved Festival Napa Valley. Please read Jennifer Boden’s interview with Festival President Rick Walker on this 17th season’s upcoming programs, July 14–23. Highlights this year include the Arts for All Gala fundraiser at Nickel and Nickel with a special dinner by chef Charlie Palmer, a concert headlined by 8-time GRAMMY® award winner Carrie Underwood on July 16, and the Olivia Decker Power of Music concert of Matteo Bocelli on July 15. Young Bocelli has an amazing voice like his father, Andrea. He will perform a mix of classic and contemporary songs. The Manetti Shrem Opera on July 21 will be Don Pasquale, starring Lucas Meachem, Alexey Lavrov, Serena Saenz, and Xabier Anduaga. Both concerts go on stage at Charles Krug Winery in St. Helena. While you attend Festival Napa Valley, please check out the vineyard estate for sale in this issue’s Haute Residence at www.3265SodaCanyon.com.

Another fascinating profile in this issue is the world-renowned writer Amy Tan, whom I have known for over 35 years. I sold her the home where she found inspiration for her latest book, The Backyard Bird Chronicles, a beautifully illustrated work on the fascinating world of birds in her backyard. Amy has not stopped surprising the world with her creativity since her first novel, The Joy Luck Club, became a bestseller and was turned into a successful movie. Her second novel, The Bonesetter’s Daughter, was adapted into a dramatic San Francisco Opera production. She, Dave Barry, and some other writers performed with her band, Rock Bottom Remainders, for charity, showing her amazing musical talent!

Our July-August issue is our official kick-off for summer. We feature a lot of food, wine, and travel stories, too. Enjoy reading it!

I hope you enjoy all the colorful and joyful articles in this issue. I am sure they will stop the winter rain from dampening your spirit!

PUBLISHER

Olivia Hsu Decker Olivia@HauteLivingSF.com

EDITOR-IN-CHIEF

Teresa Rodriguez

Teresa@HauteLivingSF.com

CREATIVE DIRECTOR

Michelle Restante

Michelle@HauteLivingSF.com

DIGITAL EDITOR

Laurie Jo Miller Farr

Laurie@HauteLivingSF.com

COPY EDITOR

Karen M. Smith henhousepublishing@gmail.com

CONTRIBUTING WRITERS

Noël Burgess, Laurie Jo Miller Farr, Adrienne Faurote, Becca Hensley, Steph Keay, Fran Endicott Miller, and Layne Randolph

ABOUT TOWN AMBASSADOR

Aubrey Brewster

HEALTH & WELLNESS AMBASSADOR

Lydia Graham

LUXURY AUTO AMBASSADOR

Tim Lappen TL@JMBM.com

WINE COUNTRY AMBASSADOR

Claudia Ross

Claudia@HauteLivingSF.com

INVESTMENT AMBASSADOR

Charles R. Johnson

Charles.R.Johnson@ftci.com

SUBSCRIPTION & DISTRIBUTION INQUIRIES

Olivia Hsu Decker Olivia@HauteLivingSF.com

ADVERTISING SALES

Cindy Pelland Cindy@HauteLivingSF.com

Jennifer Farrelly Jennifer@HauteLivingSF.com

DESIGN & MARKETING

Krisha Chhaganlal krisha@hautelivingSF.com

Max Weinberg maxwberg@gmail.com

ON THE COVER:

Fashioning San Francisco: A Century of Style, de Young Museum, San Francisco. On view through August 11, 2024. Cover photograph by Randy Dodson. Images provided courtesy of the Fine Arts Museums of San Francisco

6 PUBLISHER’S LETTER

10 EDITOR’S LETTER

11 CONTRIBUTORS

12 HAUTE CALENDAR

40 From eyes to toes, this year’s new springsummer fashion collections have you covered.

42 ”Winter white” in fashion doesn’t mean snow. This year it refers to dazzling jewelry in every shade of ice.

San Francisco applauds the season with a delighful array of arts, entertainment, parades, and festivals to mark the start of spring.

16 HAUTE SHOPPING

From fringe to glitter, these fashion accessories are ready to make your wardrobe sparkle this spring.

20 HAUTE WINE

The creative partnership of fashion powerhouse Dolce&Gabbana® and estate winery Donnafugata celebrates Sicily with special vintages.

24 HAUTE CUSINE

Just opened in summer 2023, Dalida fuses traditional Eastern Mediterranean flavors with local California.

28 COVER STORY

San Francisco has long been a fashion powerhouse. The de Young Museum explores the highlights of West Coast haute couture.

HAUTE FASHION

34 From fashion to martial arts to film and back, Antonio Contreras gleams as Banana Republic’s new Senior Wardrobe Consultant of the West.

36 We interview three Bay Area fashion designers: Christopher Collins, Jad Racha, and Tony Sananikone.

44 Relaxing at a resort doesn’t mean relaxing your style. Here are the top trends in what to wear on your next vacation.

48 Every neighborhood has a distinctive vibe. We matched several neighborhoods with some of the city’s native footwear.

48 Every neighborhood has a distinctive vibe. We matched several neighborhoods with some of the city’s native footwear.

52 Savor the not-so-androgynous melding of masculine and feminine, serious and whimsical in Louis Vuitton’s springsummer fashions for men.

62 From poverty to a thriving store in Tiburon, Hawi Awash and Yema Khalif model YEMA’s giraffe logo: African and big-hearted.

HAUTE PROFILES

64 CEO and founder of Essènci, Yetunde Beutler models and promotes clean living as an integral part of the luxury lifestyle.

66 A team of two women have launched a San Francisco shoe company prioritizing comfort and style: Birdies.

68 Local art and fashion stars—Kate Tova, Alan Do, and Bip Apollo—prove Karl Lagerfeld wrong: art and fashion really do mix, and they mix well.

44

HAUTE FASHION: RESORT WEAR

90 The president of Slovenia honors legendary singer and activist Joan Baez.

92 An elite celebration of culinary prowess, the Cayman Cookout returns to The Ritz-Carlton, Grand Cayman for its 15th anniversary.

96 The Festival Napa Valley and Olivia Decker Power of Music series sponsor an ode to California’s rich and varied musical history with violinists Simone Porter and Blake Pouliot.

98 The Olivia Decker Power of Music series and Festival Napa Valley host a musical journey with Cuban-born pianist and composer Harold López-Nussa.

100 HAUTE MOVES

72 Best-selling author Amy Tan speaks about her latest book, The Backyard Bird Chronicles

74 HAUTE HOTEL

We have the best hotel recommendations for the fasionista who loves nothing more than to be surrounded by a favorite designer’s style.

78 HAUTE TRAVEL

Media reports of San Francisco’s death spiral are greatly exaggerated. The city’s heart remains vital and strong.

HAUTE SCENE

84 The San Francisco Ballet kicked off this year’s repertory season with their much-anticipated Opening Night Gala.

86 HLSF launched this year’s first issue with fanfare at Polifom San Francisco.

HAUTE EVENTS

88 The San Francisco Symphony celebrates the Year of the Dragon with a banquet and concert.

The Maserati MC20 upholds its distinguished racing pedigree with style, speed, and luxury.

102 HAUTE WELLNESS

Meet somatic therapist Fred Mitouer, Ph.D., who helps clients restore the delicate balance between living in a reactive state versus a responsive state.

106 HAUTE RESIDENCE

Built for the former president of France, Villa Tardieu could be yours.

HAUTE AMBASSADOR

110 We all love fashion, but have you considered its impact on your health? Lydia explains the perils of fashion.

112 Often included among the best dressed personalities in San Francisco, Aubrey delivers some pointed fashion advice to look your best.

116 Haute couture and caviar epitomize the ultimate in quality and luxury. Haute Caviar Company adds “sustainability” to their gourmet offerings.

118 Revisit your financial goals by tailoring them to your needs and preferences.

HAUTE HOTEL PAGE 74

HAUTE WINE

TERESA RODRIGUEZ

TERESA RODRIGUEZ

EDITOR-IN-CHIEF

EDITOR-IN-CHIEF

HAUTE LIVING SAN FRANCISCO

HAUTE LIVING SAN FRANCISCO

TERESA@HAUTELIVINGSF.COM

WWW.HAUTELIVINGSF.COM

TERESA@HAUTELIVINGSF.COM

WWW.HAUTELIVINGSF.COM

@HAUTELIVINGSF

@HAUTELIVINGSF

Welcome to our fashion issue where we celebrate 100 years of San Francisco’s fashion evolution. As we look back at the city’s fashion history, we are proud to present local designers, Christopher Collins, Jad Racha, and Tony Sananikone. Collins is renowned for his innovative use of sustainable materials; Racha has revolutionized the industry with his bold, avant-garde designs; and Sananikone has made waves with his fusion of traditional and contemporary styles. These designers have made significant contributions to the fashion industry, shaping the city’s fashion and social scene (page 36).

Has summer already come to a close? In San Francisco, it feels like it never even began. While the rest of the nation sweltered through scorching temperatures and hazy sunsets, San Francisco remained enveloped in the refreshing embrace of its famous fog, Karl.

Has summer already come to a close? In San Francisco, it feels like it never even began. While the rest of the nation sweltered through scorching temperatures and hazy sunsets, San Francisco remained enveloped in the refreshing embrace of its famous fog, Karl.

In the words of Benjamin Franklin, guests, much like fish, tend to become unpleasant after three days. I couldn’t help but feel the same way about Karl. While I cherish the tranquil beauty he brought to the eucalyptus groves in the Presidio this summer, he overstayed his welcome, lingering ceaselessly for weeks.

We also feature artists who work with paint, flowers, and accessories, including Bip Apollo, Kate Tova, and Alan Do. Apollo is known for his vibrant, abstract paintings that often inspire fashion collections; Do creates stunning, award-winning floral arrangements that have been featured in runway shows; and Tova designs unique accessories that add a touch of whimsy to any outfit. These brilliant creators have incorporated their unique artistic flair into the world of fashion and design. Their creations showcase the crossroads of fashion and art, highlighting the importance of creativity and innovation in our lives (page 68).

In the words of Benjamin Franklin, guests, much like fish, tend to become unpleasant after three days. I couldn’t help but feel the same way about Karl. While I cherish the tranquil beauty he brought to the eucalyptus groves in the Presidio this summer, he overstayed his welcome, lingering ceaselessly for weeks.

As the San Francisco society’s gala season begins, we eagerly anticipate spectacular performances and a touch of sunshine. The San Francisco Opera is celebrating its second century and the start of the 2023 season with an exquisite lineup of star-studded performances, the dazzling Opera Ball, and an unforgettable after-party (page 62). Discover the enchanting highlights of the San Francisco Symphony Opening Night Gala as we delve into an exclusive interview with co-chairs Amy Christodoulou and Julie Liegel (page 54).

As the San Francisco society’s gala season begins, we eagerly anticipate spectacular performances and a touch of sunshine. The San Francisco Opera is celebrating its second century and the start of the 2023 season with an exquisite lineup of star-studded performances, the dazzling Opera Ball, and an unforgettable after-party (page 62). Discover the enchanting highlights of the San Francisco Symphony Opening Night Gala as we delve into an exclusive interview with co-chairs Amy Christodoulou and Julie Liegel (page 54).

Meet the team behind YEMA in Tiburon, an African lifestyle brand empowering communities through fashion and education. Co-founded by Yema Khalif, from the Kibera slums (the largest slum in Africa) and partner Hawi Awash, a refugee from Ethiopia, YEMA is dedicated to creating stylish, sustainable clothing while providing educational opportunities for the local community (page 62).

Indulge in the captivating tales of Olivia Decker’s marvelous adventures in Italy, Napa, and Pebble Beach within the vibrant pages of this issue. Join Steph Keay as she embarks on a delectable culinary expedition to Kiln, a remarkable addition to our city’s gastronomic landscape (page 28).

Indulge in the captivating tales of Olivia Decker’s marvelous adventures in Italy, Napa, and Pebble Beach within the vibrant pages of this issue. Join Steph Keay as she embarks on a delectable culinary expedition to Kiln, a remarkable addition to our city’s gastronomic landscape (page 28).

In this issue, we invite you to journey to some of the world’s most fashionable hotels, where luxury meets style and comfort blends splendidly with elegance. Get ready to be transported to some of the most glamorous destinations where fashion and travel intersect beautifully (page 74).

We sincerely appreciate the invaluable support of our advertisers and subscribers. If you are interested in advertising or subscribing, don’t hesitate to contact me at Teresa@HauteLivingSF.com. Take advantage of the opportunity to enjoy a 50 percent discount on your annual subscription using the code EDITOR through our convenient QR code below.

San Francisco’s fashion landscape is a testament to its cultural melting pot, blending styles from all over the globe with local artisan craftsmanship. Witness how innovation is woven into the very fabric of San Francisco’s fashion scene, making it a beacon for those who value style, sustainability, and social responsibility alike.

We sincerely appreciate the invaluable support of our advertisers and subscribers. If you are interested in advertising or subscribing, don’t hesitate to contact me at Teresa@HauteLivingSF.com. Take advantage of the opportunity to enjoy a 50 percent discount on your annual subscription using the code EDITOR through our convenient QR code below.

PHOTO: VINCENT GOTTI

Fashioning San Francisco: A Century of Style

EVENTS CALENDAR

MARCH

THROUGH MAY 6

Asian Art Museum | Japanese Tastes in Chinese Ceramics

Exquisite Chinese and Chinese-influenced ceramics from the Kyoto National Museum demonstrate the importance of Chinese art to Japanese tea culture. First project born from a collaborative partnership agreement between the two museums. 200 Larkin St. exhibitions.asianart.org

THROUGH AUG. 11

de Young | Fashioning San Francisco: A Century of Style

One hundred collection highlights, plus local loans of high fashion and haute couture, in the first major presentation of the costume collection in over 35 years. Showcasing designs from French couturiers, Japanese avant-garde designers, and other pillars of the fashion industry. Golden Gate Park, 50 Hagiwara Tea Garden Dr. famsf.org/exhibitions/ fashioning-san-francisco

4 and 25

Opera House Tour

In a once-a-year event, book to go behind the scenes. Dennis Hudson, former SF Ballet master electrician, escorts a tour of the War Memorial Opera House, a 1932 Beaux-Arts building designed by Author Brown. Tickets are limited. Meet promptly at 4 p.m. or 6:30 p.m. 455 Franklin St. sfballet.org/productions/opera-house-tour

7

Festival Napa Valley | Angels of the Arts Gala

The festival’s highest honor, now in its second year, celebrates outstanding contributions to the arts. For a lifetime of contributions to the world of classical music, the distinction goes to Gordon Getty, a legend in the arts world and a founding benefactor of the festival. The Green Room at War Memorial, 401 Van Ness Ave. festivalnapavalley.org

7–24

SFJAZZ | Women’s History Month Celebration

Female artists: pianist Lisa Hilton Quartet, saxophonist Caroline Davis, bassist and vocalist Katie Thiroux, blues singer Pamela Rose, pianist and songwriter Christina Galisatus, and vocalist and composer Jacqui Naylor. 201 Franklin St. sfjazz.org

When it’s spring in San Francisco, everybody gets an extra bounce in their step. Head to Golden Gate Park for two special exhibitions at the de Young and make time to admire the magnificent magnolias in bloom at San Francisco Botanical Garden. This season, everything from ballet to basketball to baseball is in full swing.

P.S. Spring is also for Springsteen.

BY LAURIE JO MILLER FARR

BOTTOM

PHOTO: CHERYL MANN

The Joffrey Ballet

8–9

Presidio Theater | New Century Chamber Orchestra

Playing with Structure: American cellist Sterling Elliott joins Daniel Hope and New Century for Joseph Haydn’s beloved first cello concerto, a virtuoso showpiece for the instrument. 99 Moraga Ave. presidiotheatre.org

12–23

San Francisco Ballet | A Midsummer Night’s Dream

Enter Shakespeare’s enchanted forest of whimsy, mistaken identity, and jest—where fairies rule and love (eventually) reigns supreme. A delight for all ages, the Shakespearean favorite is choreographed by George Balanchine, set to music by Mendelssohn, with costume and set designs by Christian Lacroix. War Memorial Opera House, 301 Van Ness Ave. sfballet.org

14–24

Oakland Restaurant Week

Eat. Drink. Stay. Repeat. From neighborhood gems and food trucks to Michelin-starred restaurants, explore the town’s global culinary offerings. Participating restaurants offer special lunch and dinner menus to showcase the diverse culture and cuisine. VisitOakland.com

14–17

Cal Performances | The Joffrey Ballet

Anna Karenina is a ravishing, full-length story ballet based on Tolstoy’s timeless novel. Featuring an original score by award-winning composer Ilya Demutsky, performed live by the Berkeley Symphony in a Bay Area premiere. Zellerbach Hall, calperformances.org.

16–July 21

de Young | Irving Penn

One of the 20th century’s greatest photographers was Vogue’s longest-standing contributor, revolutionizing fashion photography in the postwar era. Using neutral backgrounds, Penn emphasized models’ personalities through their gestures and expressions. Approximately 175 photographs spanning a nearly 70-year career. Golden Gate Park, 50 Hagiwara Tea Garden Dr. famsf.org/ exhibitions/irving-penn

20–24

27th Annual Sonoma International Film Festival

Dive into the best in film, food, wine, and fun. The nonprofit event, dedicated to promoting independent film, supporting filmmakers around the world, and inspiring film lovers, is spread around venues in Sonoma. sonomafilmfest.org

21

29th Annual American Red Cross Gala

In support of its humanitarian mission, “Building Bridges of Hope” is the theme for this year’s signature fundraiser in a new venue. Pier 27. The Embarcadero. redcross.org/redcrossgalasf

22–24

18th Annual California Artisan Cheese Festival Say cheese! Three full days of tasting, education, and celebration bringing together farmers, cheesemakers, chefs, brewers, winemakers, distillers, and cheese enthusiasts. Sonoma County Event Center at the Fairgrounds, Santa Rosa. Artisancheesefestival.com

28

San Francisco Gay Men’s Chorus | Drag Me to the Movies!

The 300-member group, under the baton of artistic director Jacob Stensberg, performs a one-night special premiere that brings together iconic film scores and pop culture anthems. Davies Symphony Hall, 201 Van Ness Ave. sfgmc.org

28 and 31

Chase Center | Bruce Springsteen and the E Street Band

With more than 140 million records sold, “The Boss” is one of the world’s best-selling artists. Also, with 20 Grammy Awards® , two Golden Globe® awards, an Academy Award, and a Special Tony Award® , Springsteen is in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. chasecenter.com

APRIL

2 San Francisco Symphony | Yo-Yo Ma and Kathryn Storr

Described as “bucket list brilliance in singular concerts by sublime artists,” longtime friends, cellist Yo-Yo Ma and pianist Kathryn Stott, join forces for a spectrum of music across the ages. Davies Symphony Hall, 201 Van Ness Ave. sfsymphony.org

2–7

Cal Performances | Alvin Ailey American Dance Theater

A 55-year relationship brings the renowned dance company back for its annual residence. The best seats in the house are reserved for guests on April 4, when the 2024 Cal Performances Gala is an evening of cocktails, dinner, and live music. calperformances.org

4

Fine Art Museums of San Francisco | Annual Gala

To benefit exhibition and community programming. Seated dinner, an honoree program, and Late Night, the after-party featuring access to galleries, playful pop-up activations, and performances throughout the de Young museum. annualgala@famsf.org

4–14

San Francisco Ballet | Dos Mujeres

A world premiere of Carmen by Cuban-born choreographer and Laurence Olivier Award winner Arielle Smith, plus the North American premiere of Broken Wings, a mini masterpiece exploring the life and art of the celebrated Mexican painter, Frida Kahlo. War Memorial Opera House, 301 Van Ness Ave. sfballet.org

Alvin Ailey American Dance Theater

Oakland Restaurant Week

BOTTOM PHOTO: DARIO CALMESE

5–7

Presidio Theatre | Disney’s The Little Mermaid

SFArtsED Players present a musical tale about Ariel, who makes a choice to leave her undersea family and explore what life and love are like for humans on dry land. Featuring songs from the beloved 1989 animated film. 99 Moraga Ave. presidiotheatre.org

7

San Francisco International Chocolate Salon

Because the Bay Area loves chocolate, it’s the (sweet) 16th annual curated selection of premium and awardwinning chocolatiers and confectioners. County Fair Building, 1199 9th Ave. sfchocolatesalon.com

7 San Francisco Symphony | Joshua Bell

The celebrated Grammy Award-winning violinist performs in a program with Academy of St Martin in the Fields in a program of favorites. Davies Symphony Hall, 201 Van Ness Ave. sfsymphony.org

4–7

Pebble Beach Food and Wine

One of the nation’s premier culinary experiences returns. The 4-day epicurean experience is California’s premier celebration of gastronomy, fine wines, and community spirit, bringing together over 150 acclaimed wine and spirits producers and more than 100 distinguished chefs. pebblebeachfoodandwine.com

8–9

Stanford Live | Winter Concert

Stanford Symphony Orchestra and Stanford Symphonic Chorus present a joint concert featuring special guests soprano Maya Kherani and baritone Kenneth Goodson. Bing Concert Hall, 327 Lasuen St., Stanford. live.stanford.edu

11–13

San Francisco Symphony | The Lord of the Rings

The Fellowship of the Rings: Film with live orchestra in an Oscar-winning score, a Hobbit and companions set out on a journey to destroy the powerful One Ring and save Middle-earth. Davies Symphony Hall, 201 Van Ness Ave. sfsymphony.org

12–14

International Ocean Film Festival

Make waves at the 21st annual event. Groundbreaking films, mingling with filmmakers and ocean experts. Cowell Theater, Fort Mason. intloceanfilmfest.org

13–14

Presidio Theatre | Flamenco Vivo

Carlota Santana

One of America’s leading flamenco companies presents a new work choreographed by José Maldonado and Karen Lugo, with an original score by Jose Luis de la Paz. 99 Moraga Ave. presidiotheatre.org

13–14 and 20–21

Northern California Cherry Blossom Festival

Since 1968, Japantown has been the place to be on two weekends in April. This is one of California’s most prominent celebrations of Asian traditions and the largest Cherry Blossom Festival on the West Coast. sfcherryblossom.org

16–21

BroadwaySF | Hairspray

Broadway’s Tony Award-winning musical comedy hit. In 1960s Baltimore, a 16-year-old sets out to dance her way onto TV’s most popular show. Can a girl with big dreams (and big hair) change the world? Recommended ages 8+. Orpheum Theatre, 1192 Market St. Broadwaysf.org

19–20

Presidio Theatre | Patricia Sings Piaf

Grammy Award-winning soprano Patricia Racette conjures the timeless power and viscerally authentic impact of French singer Édith Piaf, whose music gave voice to the mid-20th century. 99 Moraga Ave. presidiotheatre.org

24

SFMOMA | Art Bash

To support the museum’s education and community programs, this year’s party kicks off with cocktails, dinner, and an art auction. All seven floors of the museum provide surprising encounters, musical performances, and immersive art experiences until 1 a.m. sfmoma.org/event/ series/artbash

26–28

7th Annual Sonoma Valley Authors Festival

Catch up on your reading list before a remarkable roster of speakers appears in person. The festival brings people together to hear acclaimed authors from a variety of literary genres, including David Grann, Doris Kearns Goodwin, Amy Tan, and Colm Tóibín. Fairmont Sonoma Mission Inn. svauthorsfest.org

27–May 27

San Francisco Decorator Showcase

In Pacific Heights, 24 of the West Coast’s top interior designers remake 27 living spaces in the culturally and historically significant, 11,155-square-foot Dutch Colonial with commanding bay views. A fundraiser for the University High School Financial Aid Program. 2898 Broadway. decoratorshowcase.org

28

Opening Day on the Bay

“Rockin’ on the Bay” is the music theme for the annual parade of decorated boats, a tradition since 1917. Organized by the Pacific Inter-Club Yacht Association. All registered vessels are welcome. picya.org

30–May 5

San Francisco Ballet | Swan Lake Encore

In case you missed it, the quintessential classical ballet returns. Set against Tchaikovsky’s iconic score, Tomasson’s strikingly visually stunning modern production updates this story of love and betrayal featuring sleek and elevated designs by Tony Award–winning Jonathan Fensom. War Memorial Opera House, 301 Van Ness Ave. sfballet.org

Flamenco Vivo Carlota Santana

Pebble Beach Food and Wine

Pebble Beach Food and Wine

Hairspray

California Lifestyle Collection

California Lifestyle Collection

Belvedere Brand New Construction

4 Beds | 7 Baths | ±4,996 sq. ft. | ±0.38 acre lot |

Under Construction Price Upon Request

A rare opportunity to buy a new home under construction to customize your finishes on a dream location near tip of Belvedere Island at the end of Belvedere Ave. This appx. 5,000 sq ft masterpiece designed by acclaimed architect David Kotzebue features contemporary design and open floor plans, handcrafted European materials, expansive decks, views of Golden Gate Bridge, San Francisco, East Bay, Angel Island.

Extreme high quality modern interior design includes handmade bathroom vanities, crafted oak floors, hand-made stone decking from Spain and intricate kitchen mill work from Germany by leading interior designer Barbara Turpin Vickroy, who was honored with best design awards worldwide. Adjacent to open space next door, this home offers privacy to entertain. Enjoy the Infinity edge pool with custom pool house and various view decks. The extensive foundation cost was over $4,500,000. Completion estimated to be end of 2023 or early 2024. Buying now would enable choice of some final finishes. Address is also known as 1 Blanding Lane.

Designed by renowned architect Carr Jones, this unique storybook style 3-bedroom, 3-bath, ±3,919 sq. ft. home on a spacious ±30,000 sq. ft. lot on the San Francisco Bay, located at the prestigious last block of Belvedere Ave, offers magnificent views including the Bay Bridge, San Francisco skyline, Golden Gate Bridge, Sausalito and Mt. Tam. This iconic residence offers intricate craftsmanship and design including slate roof, incredible brick and stone work, a long winding driveway, wood beam ceilings, arched doorways, indoor and outdoor fireplaces, serene lush gardens and complete privacy. The home is within walking distance to downtown Tiburon’s boutiques, fine restaurants such as Malibu Farm, Le Petite Left Bank Bistro, Luna Blue and Michael Mina’s Bungalow Kitchen, Corinthian and San Francisco Yacht Clubs, and Ferry Services to San Francisco and Angel Island.

Details and photos on BelvedereWaterfront.com

Digital Concept

Digital Concept

ACCESSORY ANGLES

SPRING INTO THESE FASHION ACCENTS

BY BECCA HENSLEY

Various fashion pundits have likened accessories to vitamins or spices to be used judiciously. Consider Coco Chanel’s famous suggestion that we look in the mirror before leaving the house and remove one accessory. Others believe accessories to be like accent marks—an exclamation or end point to your fashion statement, the piece that sums up your style. Some folks are maximalists and love to use accessories as deep dives into self-expression, sensorial explosions of delight. Many consider accessories like a playground, a place to be lighthearted, whimsical—even experimental. Whatever your accessory game, we’ve gathered a few for your adornment delight.

Right: Jamie Turner takes an earthy riff on the cuff’s classic silhouette. The Canyon Cuff, a statement piece, vaunts a large, organic pattern replicating the designs seen in nature. $7,550 jamieturnerdesigns.com

Left: New to the magnificent BuDhaGirl® jewelry brand, these gorgeous aquamarine bracelets, created with a unique magnetic locking mechanism, exemplify Chief Visionary, Founder, and Creative Director Jessica Jesse’s ingenious trove of meaningful adornment. Meant to relay the message that everyday routines can be transformed into meaningful rituals and heedful chic, her collection reflects her Mexico City roots, her time spent as a Givenchy runway model, and her belief in meditation and ruminative routines. Inspired to create and share transformative jewelry by monks she met in Thailand, Jesse’s best known for her mainstay All Weather Bangles®. $325 budhagirl.com

Left: Top global fashion magazines have been raving about West Coast-based AMINA JOHAN, a design label that fuses earth-inspired organic elements with luxe statement jewelry designs. From the limited edition The MÉTÉORITES Collection, these one-of-a-kind light blue geode and crystal gold statement drop Earrings are crafted from natural geodes and gemstones. $225 aminajohan.com

a

of

throughout 2024. A variety of styles—including totes, backpacks, and weekenders—colors, and fabrics constitute these artsy, functional accessories. Consider the fringed, waterproof Johnny Go Lightly. Made with sustainable material, this stylish accoutrement that will take you from baby in tow to board room. $410 ilovelibertine.com, lesportsac.com

age bravado, Vera Wang’s Taraji in Tortoise glasses have lenses mounted via screws. This makes the sunglasses seem to float in front of the wearer’s face. Chic, formal—even intellectual— the eccentric design elements imply profound conversation and impatience for the noncompliant. $295 baxterandbonny.com

Right: Never in the box, always vibrant, gorgeously unconventional Libertine teams up with innovative LeSportsac to offer

new line

bags launching seasonally

Above: Travel the world with your utterly amazing XL Jane Slouch Bag in supple silver leather—it’s like a superpower. Made in California, this stylish bag has a hand-stained cognac leather strap, D rings to change out the strap and add a crossbody, a navy blue lining, magnetic button closure, and two interior pockets for daily essentials such as a phone or glasses. $750 parkerthatch.com

Left: Cat eye glasses with space

Left: Glitter and glam converge with Sarah O’s Nova Oval Ring, a 14-carat gold ring with an oval center stone set on prongs. A halo of .12-carat starburst diamonds surrounds the center stone. Madeto-order based on customization selected. $3,410 sarahojewelry.com

Right: Is it a scarf, a jacket, a shawl, or a necklace? You won’t be sure until you wrap the cosseting Wili Puff Satin Cupro Scarf around your neck and take to the red carpet or the streets—or the couch—with it adorning (and warming) your body, One size fits all in bold blue or flirty pink satin. The quilted puffer has a utility pocket and adjustable drawstring for the neck. $550 houseofwili.com

Above: Debonair local artist David Heston creates bold contemporary designs for men and women, each evoking his past as a sculptor obsessed with forms and shapes. With an architect’s approach, he crafts wearable art that is worn and collected by a host of celebrities, including Mariah Carey, Ken Griffey, Jr., and Diana Ross. This unisex, sterling silver, double groove, black pavé, black diamond bracelet exemplifies the enchantment of his work. $6,050 hestondesigns.com

Left: You’ll be “happy” for sure with something from Pharrell Williams’ first ever collection in collaboration with Louis Vuitton. This sublime Louis Vuitton’s Men’s spring-summer 2024 collection brings a new pool of goods that have re-imagined the classics with whimsy and joy. Behold the iconic Speedy bag as never seen before in monogrammed leather. $11,100 louisvuitton.com

California Lifestyle Collection

California Lifestyle Collection

Belvedere Waterfront Storybook Residence with Magnificent Views Belvedere, California

Panoramic Views of Napa Valley

Spring Mountain Vineyard Estate

7 Beds | 5.5 Baths | ±44.72 Acres | ±12,000 sq. ft. Residence

Offered at $31,500,000

3 Beds | 3 Baths | ±30,000 sq. ft. Lot | ±3,919 sq. ft. Residence Offered at $7,880,000

This gated, private, and picturesque Tuscan-style vineyard estate offers ±12,000 square feet of luxury living space on ±44.72 acres perched on its promontory with panoramic views of vineyards, lush gardens, Napa Valley, a lake-sized reservoir, and the ±800 acres of the iconic Spring Mountain Winery, which was where the famous 1980s wine dynasty TV series Falcon Crest was filmed. The custom-built primary residence and guest house boast highend finishes and soaring, high ceilings. Showcasing grand proportions and scale, this stately home features seven bedrooms, six and a half bathrooms, a wine cellar with a tasting room, a 3-car garage, and a grand motor court. An entertainer’s paradise, the estate offers a variety of entertaining areas on the spacious terrace, including a 70-foot swimming pool, outdoor kitchen with pizza oven, poolside dining bar, meandering gardens, koi ponds, and a helicopter landing spot. Award-winning vineyards and stone-terraced vegetable and flower gardens cover the sprawling grounds. The estate has its self-sustaining water source—a rarity in Napa Valley. The compound includes two legal parcels: 2900 Spring Mountain Road consists of the main house (±10,800 square feet), the poolside guest house (±600 square feet), a wine cellar with a tasting room, and gardens with a 120-square-foot greenhouse, a ±120-square-foot farming shed, and a chicken coop on a total of ±14.94 acres of land with ±1.81 acres vineyard planted, plus additional ±2.25 plantable acres. The adjacent parcel at 2910 Spring Mountain Road consists of ±29.78 acres of land with four acres of vineyards planted plus an additional approximately four plantable acres. The vineyard (±5.81 acres) has

Designed by renowned architect Carr Jones, this unique storybook style 3-bedroom, 3-bath, ±3,919 sq. ft. home on a spacious ±30,000 sq. ft. lot on the San Francisco Bay, located at the prestigious last block of Belvedere Ave, offers magnificent views including the Bay Bridge, San Francisco skyline, Golden Gate Bridge, Sausalito and Mt. Tam. This iconic residence offers intricate craftsmanship and design including slate roof, incredible brick and stone work, a long winding driveway, wood beam ceilings, arched doorways, indoor and outdoor fireplaces, serene lush gardens and complete privacy. The home is within walking distance to downtown Tiburon’s boutiques, fine restaurants such as Malibu Farm, Le Petite Left Bank Bistro, Luna Blue and Michael Mina’s Bungalow Kitchen, Corinthian and San Francisco Yacht Clubs, and Ferry Services to San Francisco and Angel Island.

Details and photos on BelvedereWaterfront.com

very high-quality, closely spaced vines that produce high yields more consistent with that produced on ±14 acres. The sale of 2910 Spring Mountain also includes Juslyn Vineyards Wine business: approximately $7 million in inventory at retail prices (three vintages in bottles and casks), another approximate $1.8 million for the 2024 crop, wholesale distribution network, compliance licensing current in several legal shipping states, wine-direct, an integrated back-end customer relationship management system, vineyard equipment, goodwill (marketplace reputation, wine reviews, etc.), an existing relationship with custom crush winery Bin to Bottle that processes the grapes and manages day-to-day winemaking under the direction of an excellent winemaker, bonded warehouse and fulfillment center contracts, and potential legal tasting room as a micro-winery. The inclusion of the award-winning Juslyn Vineyards also comes with its current inventory of wine, which consistently scores 90 to 98 points by Robert Parker. This coveted Napa Valley vineyard estate produces some of the premier wines the region has to offer. This is an unprecedented opportunity to own a vineyard estate with breathtaking views, synonymous with the quintessential lifestyle, and experience world-class wine country living. The Spring Mountain location is within a few minutes drive to vibrant downtown St. Helena with boutiques, galleries, restaurants, and dozens of wineries nearby.The property can be purchased as a package of 2900 and 2910 Spring Mountain Road for $31,500,000 or separately at $15,750,000 each.

Details and photos on SpringMountainEstateNapaValley.com

Olivia Hsu Decker | SanFranciscoFineHomes.com

Cell: 415.720.5915 | Olivia@SanFranciscoFineHomes.com

| Lic.# 00712080

SICILY’S NEW DREAM TEAM

Dolce&Gabbana and Donnafugata Winery

BY LAYNE RANDOLPH

LITERATURE LOVERS WILL RECOGNIZE DONNAFUGATA AS

the Sicilian country estate from Giuseppe Tomasi di Lampedusa’s novel, Il Gattopardo (The Leopard). Everything about the Donnafugata partnership with the Dolce&Gabbana® fashion house is based around the Mediterranean island of Sicily. The two powerhouses with Sicilian roots joined forces in 2019 to create an even more powerful collaboration—a wine collection designed with Dolce&Gabbana style and Donnafugata wine expertise.

THE SICILIAN CONNECTION

Sicilian-born Domenico Dolce and Milanese Stefano Gabbana, both avid lovers of Sicily, founded Dolce&Gabbana. “Sicily and its culture are at the heart of Dolce&Gabbana, which has drawn constant creative inspiration from it,” said Donnafugata’s coowner and CEO, Josè Rallo.

Rallo explained the genesis of her family’s wine business. “My father established Donnafugata along with my mother, who pioneered high quality viticulture in the region. Furthermore, she was the main inspiration behind the female name ‘Donnafugata’ [which means fleeing or fugitive woman] and the signature labels.”

The Donnafugata labels have always depicted strong, feminine imagery, and Rallo proudly shared that the Donnafugata company has filled 50 percent of its leadership positions with women.

Rallo and her brother, Antonio, were introduced to the fashion pair via Dolce&Gabbana’s Milan restaurant, DG Martini, where Donnafugata wine is offered. After meeting the brothersister pair at the restaurant, Dolce&Gabbana began considering a wine collaboration.

“Wine is an extraordinary element of Italian tradition—and they proposed to us that we start a collaboration according to this strategic vision. We were more than happy to accept the proposal because we deeply share common values: unconditional love for Sicily, creativity, and craftsmanship,” said Rallo.

DONNAFUGATA-DOLCE&GABBANA COLLECTION OF WINES

The first wine, Rosa, was released in 2020. It is a rosé wine made from top Sicilian grape varieties, Nerello Mascalese and Nocera. In 2021, they released two Etna Doc wines: the white Isolano made with Carricante and the red Cuordilava which, as its name suggests, references the heart of lava and is a nod to the island’s still active volcano, Mt. Etna. Naturally, Cuordilava is 100 percent Nerello Mascalese. Both show the elegance and minerality that have made Mt. Etna’s mountainous and volcanic terroir famous. In 2022, a fourth wine joined the collection, the Nero d’Avola and Cabernet Sauvignon blend Tancredi, a reference to a character from The Leopard

Each side brings its strengths to the partnership. Donnafugata manages production from the vineyard to the bottle, and Dolce&Gabbana runs the image and communication process. “We all play our part but work together to make every strategic choice. I must point out that this is a wonderful team effort. Their creative projects have always been very appealing to us, and we have always been fond of them.”

Pulling from their shared love of all things Sicilian, Dolce&Gabbana created label imagery that comes directly from Sicilian culture and nature. The iconic, multi-colored Sicilian donkey cart inspired the label colors, the Tancredi label drew Baroque inspiration from The Leopard, and the Cuordilava label highlights Mt. Etna lava’s fiery red color.

José Rallo, CEO of Donnafugata

A SUCCESSFUL COLLABORATION

The collaboration has expanded Donnafugata’s reach to new segments of premium wine consumers. Rallo said, “This happened especially in foreign markets that did not know Donnafugata yet or had only limited knowledge of us. Overall, our competitive position in the market was improved as a result of the growth in sales.”

For Dolce&Gabbana, Donnafugata’s Sicilian style and image meld well with the Dolce&Gabbana ethos, and Dolce&Gabbana uses the wines at its events and restaurants. “We are already planning special events at the two most important upcoming European wine fairs: Prowein and Vinitaly. We will showcase a stand customized by Dolce&Gabbana’s creativity.”

When the collaboration began in 2019, it was set for five years; however, wines will be released several years beyond that, evidencing the partnership’s strength. “We are happy that the horizon of our partnership is increasingly broader. Our commercial offer has been diversified and enriched by these wines,” Rallo shared.

The Donnafugata/Dolce&Gabbana wines are distributed in 70 countries, primarily in specialized wine shops and quality restaurants. Donnafugata is also available on Wine.com.

‘ Gallery Sausalito will be at the 2024 San Francisco Art Fair! April 25th - 28th, Fort Mason, San Francisco. Email us for a show preview.

We are also hosting a group show the month of June. This is an international show of small works from more than 20 fantastic artists.

Gallery Sausalito 30 Princess Street Sausalito California 94965

Main Dining Room at Dalida

Dalida Finds a Perfect Home in the Presidio

Laura and Sayat Ozyilmaz showcase fresh ingredients, memorable flavors, and the rich culture of the Eastern Mediterranean within a warm and convivial environment.

BY FRAN ENDICOTT MILLER

ONE OF SAN FRANCISCO’S MOST UNDER-THE-RADAR destinations, the Presidio encompasses 1,500 acres of some of the most beautiful real estate in the nation. This pastoral playground features miles of hiking and biking trails, playgrounds, a golf course, museums, two luxury hotels, and some of the city’s best vistas. And with the arrival of Dalida, it also features some of the best cuisine.

Dalida joins Colibri, Sessions at the Presidio, Presidio Social Club, and Il Parco within the bucolic grounds to create a culinary quinfecta, making the former U.S. Army post a treasured spot for recreation and dining. Located in what was formerly Traci des Jardins’ The Commissary, Dalida has assumed the large restaurant space in the southwest corner of the Presidio’s Main Parade Lawn. The building—formerly officer’s quarters—has been vacant for several years, just waiting for the right tenant. That tenant has arrived.

Dalida opened last summer and, within six months, captured the attention of the Michelin Guide, which recognized it as a “recommended” San Francisco restaurant. Owners Laura and Sayat Ozyilmaz are no strangers to Michelin status. The two met while at the Culinary Institute of America in New York City, and upon graduation, Istanbul-raised Sayat joined the team at 3-Michelinstarred Le Bernardin. Laura, who was born and raised in Mexico, started at Eleven Madison Park. The duo ultimately landed in San Francisco, where Laura joined the celebrated 2-Michelin-star Saison and Sayat joined the team at Mourad, while simultaneously operating the beloved Istanbul Modern SF pop-up with Laura. Prior to opening Dalida, they founded Eastern Mediterranean-focused Noosh, and Sayat also served as executive chef of CIA at Copia.

Dalida showcases fresh ingredients, memorable flavors, and the rich culture of the Eastern Mediterranean within a warm and convivial environment. In seeking a name, the Ozyilmazes chose “Dalida” for its layered meanings: it’s Sayat’s mother’s name and translates to “dahlia” in Polish Yiddish. The dahlia is San Francisco’s official flower. And in seeking a site, they were inspired by the area’s history and natural beauty.

“When we were looking for restaurant space, we knew that we wanted to be integrated into the local environment,” says Laura.

“From chatting with the owners of other nearby businesses to picking fresh flowers from the community garden, we feel a profound sense of belonging in this beautiful location.”

Within Dalida’s main dining room, traditional elements of the Georgian Revival-style architecture contrast artfully with the soft illumination from modern Scandinavian light fixtures. An organic color palette of cool greens, ecru, and mustards is enhanced by a striking, hand-painted floral mural by artist Emily Parkinson, a friend of the couple from Laura’s days at Eleven Madison Park. Other elements honor the building’s historical significance, such as the dining tables made from wood reclaimed from deconstructed Presidio buildings. You can even spot the original nail holes.

The open kitchen features a chef’s counter where guests are granted a front row seat to the culinary choreography, and to the Wood Stone oven in which the Bay Area’s best pita is baked to order. Part of the “breaking bread” course, this pillowy soft “chubby pita” is served with pickles, olives, and a selection of house-made spreads— hummus, smoked yogurt, and a sliced almond-topped muhammara

PHOTOS: COURTESY OF MAREN CARUSO

Iberico Pork Souvlaki at Dalida

Dalida owners, Sayat and Laura Ozyilmaz

that also goes perfectly with the Aleppo half chicken, an entrée that serves one to two. Actually, all of the varied dips and sauces complement nearly every dish. The ezme sauce and the charbroiled eggplant puree that accompany the 3-week, dry-aged New York strip steak (an entrée that serves one to four) are excellent for dipping shoestring fries. The shatta aioli with umami seasoning which comes with the fries complements the steak well.

Don’t miss the sea urchin tahdig, combining crispy rice, kampachi, smoked trout roe, preserved yuzu, and Santa Barbara uni—an ideal representation of the Ozyilmazes’ desire to combine traditional with California local. Other standouts include the Kayseri manti—tender, tiny, lamb-filled dumplings in a rich, red tomato sauce and topped with tangy yogurt—and the arayes burger, stuffed in that wonderful pita and coated with chives.

These dishes are meant to be shared, and a table full of mezes, pastas, entrees, and sides creates a panoply of color and flavor that is beautifully delicious and encourages conversation and community—a goal of the Ozyilmazes. Plate presentations rely on the intrinsic beauty of the ingredients; Laura gathers many garnishes from the Presidio’s vibrant community garden, which is also the source for some of the bar’s cocktail elements. Dalida’s cocktails are crafted with Middle Eastern ingredients (spices, yogurts, and preserved fruits), while also incorporating Presidioforaged aromatics, including eucalyptus, rose geranium, and yerba buena. “We want our offerings to capture the feeling of walking through a bazaar where, upon every corner, you discover unexpected aromas encouraging you to explore further, to take another sip,” says bar manager Evan Williams. Try his lemon kalimera with layers of citrus gin, lemon juice, and bergamot with rose geranium, mastic, and a lactic acid vanilla bean cordial. The mehtap, in reference to the reflection of the moon on the water, combines cognac, Cocchi Americano, apricot, and a hint of anise from raki.

Dalida’s wine program, overseen by wine director Ruth Frey, includes varietals from throughout the world, which have strong identities and represent their regions of origin. A special emphasis is placed on small production family wineries producing wines with mindful farming practices and lower interventional styles. The wine list features less familiar grapes from well-known and lauded producers, such as Trousseau from Arnot-Roberts and Pelaverga from the centuries-old producer, Fratelli Alessandria. She also features a Keush “Cuvée Couchanne” rosé from Khachik, Armenia, a nod to Sayat’s Armenian roots.

“I visited San Francisco on a ‘work and travel’ trip to the Presidio some 24 years ago,” says Sayat. “I stayed in dorm rooms across from the officers’ club as I was helping build stairs to Baker Beach. I always knew that I wanted to come back to San Francisco, but would never have guessed that I’d be building this incredible restaurant project across the street from where I had stayed decades before. We just love this city, and we are proud to be part of its colorful, diverse, magnificent tapestry.”

PHOTOS: COURTESY OF MAREN CARUSO (BOTTOM), ISABEL BAER (TOP)

Cocktails at Dalida

Private dining room at Dalida

100 YEARS

OF FASHION IN SAN FRANCISCO

BY LAURIE JO MILLER FARR

EVER SINCE WEALTHY ROMANS DRAPED THEMSELVES IN impractical togas adorned with a purple border as a status symbol, styles worn by some have been designed to wordlessly speak to others.

In 2024, showcasing fashion has never been so fashionable, whether connected to music, entertainment, or sports. A television audience of nearly 17 million—one-third more viewers than in 2023—tuned in to the 66th Annual Grammy Awards®, checking out cringe-worthy cutouts, tacky transparent gowns, garish green feathers, and wannabe Vegas showgirl get-ups on the red carpet. Some dazzled, others simply confused us. Either way, we’re fascinated by fashion … and the fashion story thread doesn’t only wind its way around Los Angeles, New York, London, Paris, and Milan.

FASCINATED BY FASHION

Indeed, our 21st century fascination with fashion has grown to blockbuster proportions. Bigger than the Treasures of Tutankhamen and more popular than the Mona Lisa on tour, the exhibition Heavenly Bodies: Fashion and the Catholic Imagination broke all-time attendance records at the Metropolitan Museum of Art, attracting more than 1.65 million visitors in 2018. At the Victoria and Albert Museum in London, where the show Gabrielle Chanel: Fashion Manifesto recently extended its run by popular demand, Christian Dior: Designer of Dreams staged in 2019 was the museum’s bestattended show ever.

Closer to home, in the first major exhibition staged from the museum’s notable costume collection in over 35 years, more than

100 pieces “reflect San Francisco’s long-standing tradition of selfexpression through fashion,” according to the Fine Art Museums of San Francisco. Shaped by generous gifts from patrons of the arts, many of this exhibition’s garments were actually worn to events on the city’s vibrant social and cultural calendar.

GLITTERING SEQUINS, DIAPHANOUS LAYERS OF SILK TULLE

At the de Young Museum through August 11, Fashioning San Francisco: A Century of Style displays designs from European haute couture stalwarts such as Yves Saint Laurent, Valentino, Pierre Balmain, and Karl Lagerfeld. Sister centerpieces of the exhibition are Christian Dior gowns donated by I. Magnin & Company in 1949, both named for Roman goddesses: Junon, a peacockinspired dress, and Venus, a mermaid-like vision.

Genius showmanship is on view from designers who pushed the envelope: John Galliano, Jean Paul Gaultier, Christian Lacroix, and Alexander McQueen. San Francisco has long been a place of experimentation, so the exhibition’s spotlight also shines on Japanese avant-garde creators such as Kenzō Takada, Issey Miyake, Hanae Mori, Yohji Yamamoto, and Rei Kawakubo.

The exhibition draws mainly from the significant costume collections of the Fine Arts Museums of San Francisco, including a robust wardrobe of notable ensembles generously donated by Bay Area women collectors and philanthropists. Organized in seven sections, themes define the exhibition: Re-Asserting Identity, The Little Black Dress, After the Ball, Global Aesthetic Influences, WellSuited, Avant-Garde, and Best Foot Forward.

Color treated dress

Color treated cape

Jean Paul Gaultier leather jacket with feathers

PUTTIN’ ON THE RITZ

Chronologically, the exhibition commences in the early 20th century. Built for 2024 sensibilities, Fashioning San Francisco brings the city into the galleries via a 60-minute soundtrack. And it brings the viewer into the collection via playful augmented reality mirrors that allow visitors to “wear” three items of apparel, thanks to interactive tech in partnership with Snap Inc. In addition to garments by Saint Laurent and Valentino, one can “try on” an evening ensemble exemplifying wearable art-as-fashion by San Francisco Chinatown native Kaisik Wong (1950-1990), a close friend and collaborator of Salvador Dalí.

A PHOENIX RISES

Let’s rewind to the dawn of California. Everything changed when the 1848 discovery of gold in the Sacramento Valley delivered a big boost for America’s money supply, rapidly infused 300,000 new residents, and fast-tracked statehood. Almost overnight, San Francisco gained prominence, transforming itself from shanty town to boom town. Within a decade, the silver rush followed. And by 1869, the first transcontinental railroad was completed. San Francisco developed into a leading banking and cultural metropolis, breaking into the top 10 ranks of the nation’s most populous cities.

A rising phoenix emblem featured on the first official seal of San Francisco in 1852. Spirited, fashion-related entrepreneurship and enterprise had taken root. The city’s first retail outlet was J. W. Davidson Dry Goods Store, selling fabric, thread, and

“THE FINE ARTS MUSEUMS’ COSTUME COLLECTION IS ONE OF THE STRONGEST IN THE COUNTRY, ADVANCED OVER DECADES BY GENEROUS GIFTS FROM BAY AREA RESIDENTS. LIKEWISE, THE MUSEUM IS RENOWNED FOR ITS VIBRANT AND WIDE-RANGING FASHION EXHIBITIONS. AS THE CITY’S MUSEUM, WE ARE NOW THRILLED TO PRESENT STUNNING SELECTIONS FROM OUR COSTUME COLLECTION IN AN EXHIBITION THAT EXAMINES THE CITY’S EVOLVING STYLE ETHOS. FASHIONING SAN FRANCISCO IS A RICH PRESENTATION THAT ASSERTS THE CASE THAT SAN FRANCISCO DOES, AND HAS ALWAYS HAD,

STYLE.”

— THOMAS P. CAMPBELL, DIRECTOR AND CEO, FINE ARTS MUSEUMS OF SAN FRANCISCO

clothing, which opened in 1854 and later changed its name to The White House. Eventually, that former home at Sutter and Grant became Banana Republic, a subsidiary of the San Francisco parent company, Gap, Inc.

Innovation took root in the fast-growing city. Tracey Panek, historian for Levi Strauss & Co. and director of archives at the company’s world headquarters in San Francisco explains, “Levi Strauss & Co. began manufacturing the modern blue jean or riveted denim pant in 1873 in San Francisco. Invented as a tough work pant, Levi’s® and blue jeans transformed fashion, and today are a global garment worn by people of all ages and backgrounds all over the world.” When Strauss donated $5 to a local orphanage (the equivalent of $110 today) just one year after arriving from Germany, his gesture began the company’s tradition of sharing its prosperity with the community. With 3,200 branddedicated stores and shop-in-shops worldwide, the blue jeans giant was valued at $8.6 billion when it went public in 2019.

The newly founded specialty goods store I. Magnin was among the first to import European couture and high-end fabrics starting in 1876—a successful venture until the 1906 earthquake struck and everything changed once again.

Tracey Panek, historian and director of archives for Levi Strauss & Co.

Irving Penn. Rochas mermaid dress, Paris, 1950

Installation view of Fashioning San Francisco: A Century of Style, de Young Museum

“I HOPE PEOPLE WHO VIEW THE EXHIBIT WILL BE SO EXCITED ABOUT SAN FRANCISCO AS A PLACE AND THE DIFFERENT STYLE NARRATIVES THAT WE HAVE HERE. I HOPE PEOPLE ARE SURPRISED AND SEE THAT SAN FRANCISCO HAS ALWAYS BEEN AN INTERNATIONAL PLAYER IN THE FIELD OF FASHION HISTORY.”

— LAURA L. CAMERLENGO, CURATOR IN CHARGE OF COSTUME AND TEXTILE ARTS AT FINE ARTS MUSEUMS OF SAN FRANCISCO

PHOTO: RANDY DODSON, COURTESY OF THE FINE ARTS MUSEUMS OF SAN FRANCISCO

THE NEW SAN FRANCISCO

Within several days after the flames sparked by the Great Earthquake and Fire had been extinguished, 35 prosperous merchants had pledged themselves to San Francisco’s rebuilding effort. In the aftermath of the disaster that had destroyed 80 percent of the city, thousands needed new home furnishings, clothing, and shoes.

The expansion of trade from the west was facilitated by the opening of the Panama Canal, further boosting prosperity. By 1915, the Panama–Pacific International Exposition accomplished a repositioning that turned the “New San Francisco’’ into a thriving West Coast fashion hub. At the same time, looking to eastern influences, the rebirth of Chinatown engaged positive perceptions of ethnicity and aesthetics, with purveyors like Gump’s supplying products of artistic distinction.

THE GOLDEN AGE OF DEPARTMENT STORES

Like a love letter to the influential and confident women who shaped a bygone era, two charming sections of the museum exhibition are dedicated to the little black dress and the power suit. Following World War II, downtown San Francisco was at its most stylish; magnificent stores dotted around Union Square were fashion and lifestyle magnets. Nearby on Market Street, The Emporium was a popular destination where the rotunda has been preserved inside San Francisco Shopping Centre, formerly Westfield.

When rebuilt in Union Square, the City of Paris featured a (still extant) dramatic rotunda and stained glass dome to resemble Galeries Lafayette and was topped by a replica of the Eiffel Tower.

Today, at the store sited on that enviable corner, Vice President General Manager Lin Huber says “Neiman Marcus has a deep-rooted history with the City of San Francisco that dates back to 1983. Since we first opened our doors, we have committed ourselves to being the beacon of style, excellence, and philanthropy in the area. Our company leads with love in everything that we do, including serving the communities in which we live and operate. We look forward to continuing to strengthen our relationships with our local customers and give back to our community.”

famsf.org/exhibitions/fashioning-san-francisco

view of Fashioning San Francisco: A Century of Style, de Young Museum

IRVING PENN

Complementing Fashioning San Francisco: A Century of Style is a contemporaneous exhibition at the de Young Museum through July 21, 2024. Titled Irving Penn, the show of 175 photographs celebrates the lifelong career of one of the 20th century’s groundbreaking photographers and one of VOGUE magazine’s most prolific: Irving Penn (1917-2009). Using minimalist neutral backgrounds, Penn revolutionized fashion photography by emphasizing models’ personalities through gestures and expressions. He covered collections by his favorite designers, such as John Galliano for Dior, Karl Lagerfeld for Chanel, and Christian Lacroix, and captured timeless black and white portraits of 20th century icons from Marlene Dietrich and Sophia Loren to Alfred Hitchcock and JFK.

In 1967, commissioned by Look magazine, Penn traveled to San Francisco to record the Summer of Love, photographing Hells Angels, hippie communities, local rock bands the Grateful Dead and Big Brother and the Holding Company, and members of the avant-garde San Francisco Dancers’ Workshop, memorializing the defining counterculture movement of the 1960s on film. famsf.org/exhibitions/irving-penn

Irving Penn. Audrey Hepburn, Paris, 1951

Installation

PHOTOS: THE METROPOLITAN MUSEUM OF ART, PROMISED GIFT OF THE IRVING PENN FOUNDATION. © CONDÉ NAST (LEFT), GARY SEXTON, COURTESY OF THE FINE ARTS MUSEUMS OF SAN FRANCISCO (RIGHT)

Fashionable Journey

Stylist and film producer/director Antonio Contreras weighs in.

BY BECCA HENSLEY

AN AWARD-WINNING FASHION FILM MAKER, PRODUCER, and director, famed and revered stylist (and capoeira martial arts master), Antonio Contreras started his storied career in fashion with Gap Inc. where he continues to contribute today. Allowing the city’s gritty, beautiful vibe and eclectic denizens to inform his work, the talented artist continues to work with Banana Republic and its relaunched new look, as well as tell the story of fashion through his evocative and moving films. We chatted with him to find out more.

HL: Tell us about your job. What exactly do you do and what is it like?

AC: I write, direct, and produce films. I tell stories through fashion, art, and moving pictures. Being able to amuse, inform, and provoke reactions among those who watch is an incredible feeling. Art is completely open to interpretation.

HL: When did you decide to become a stylist and work in fashion, and how did you arrive at this point in your career?

AC: In 2008 after a very successful career as a personal stylist, I retired to teach Brazilian martial arts: capoeira. I felt like the world of fashion

had shifted and shopping behaviors had changed. Also, Alexander McQueen’s death made me feel I had nothing to say anymore in fashion. I dove deeply into the world of martial arts, becoming the first openly gay male to be among the world’s eight best and the USA’s best capoeirista. Facing homophobia and discrimination was too much, though. Luckily I had just been approached to make a short documentary film called Antonio’s Closet, a reportage. They wanted me to show my fashion collectors’ items and the archival pieces I had in my closet.

HL: What happened then?

AC: The film won the Founder’s Award at the Miami International Fashion film festival in 2013. You see, fashion saved my life. After that, I started to make fashion films. I had plenty of connections and friends from my past life in fashion, who wanted to collaborate in this new genre—fashion films. But I also needed funds to be able to produce, so I returned to retail, now in a new capacity. Many years in the business gave me insight. Of course, I also had the fortune of having met a lot of fashion designers: Manolo Blahnik, Steffano Pilatti, Zac Posen, Oscar de La Renta, Ralph Rucci—to name a few.

HL: Tell us about Banana Republic and how it has changed since you’ve been with them.

AC: It is at this particular moment of my life, writing and directing fashion film, that I was approached by Banana Republic. Fun fact: dressing mannequins for them was my first job in the late 1990s. When my friends and clients heard I was back in Union Square, they started coming to see me. At this point—2022—Banana Republic was undergoing a much-needed facelift.

HL: Tell us more.

AC: The brand was becoming very appealing to a different crowd. We called it the “Banana-ssaince.” It was then that I threw a party at the new 2 Folsom Street store, an iconic location for Gap Inc. I invited a fantastic crowd of local glitterati and dressed everyone in what I call “BR chic.” This party was a wild financial and social success.

HL: We understand that Sandra Stangl, CEO and president, appointed you “Senior Wardrobe Consultant of the West” after that party.

AC: Yes. Sandra’s vision transformed the brand. She elevated the product with a more minimalistic, sophisticated look. My job’s mission is to excite both our clients and our army of client advisors about our products and to teach them how to pull the look together.

HL: What makes someone a good stylist? And what is your advice for someone who wants to work in the fashion industry?

AC: Know your history. Like in everything else, you have to know where you come from to know where you are going. Know your ABCs in fashion!

HL: How would you describe your own style?

AC: Fashion is an expression—it could be art. Some would say it is art, but that is a huge debate. My style depends on how I feel. I really have fun with fashion. I like to always be different from what I was the day before. Fashion allows us to change and show different perspectives.

HL: When setting up for a shoot, what goes through your mind?

AC: I always need to know what my genre is going to be. When making a movie, styling for a shoot, or just styling someone, I need to know what this is for. I need a story with a beginning, a middle, and an end—always with a cliffhanger.

HL: What is something you are working on right now that you love?

AC: I’ve been working with fashion icon Pat Cleveland—a real treasure. We began collaborating after I finished my film with Tanel Bedrossaintz, Jean Paul Gaultier’ muse. I wanted to tell Pat’s story from her perspective—and The Girl From 7th Avenue has been a big hit. Her daughter, Anna, has been incredibly helpful.

HL: Which people and places in the Bay Area have inspired you?

AC: Though I grew up in cosmopolitan Mexico City, homosexuality was not well tolerated. San Francisco provided me with a great sense of freedom and affirmation. The club scene was amazing. There I met artists like Jerome Caja, Leigh Bowery, and Veronica Klaus and legends like Wilkes Bashford—not to mention icons like Red Man (the guy who hung out in Mission, dressed all in red with a red painted face) and White Lady (the woman who dressed in white, often carrying a doll and flowers). Places that inspired me include Club DV8 with those amazing Keith Haring Murals, Club Uranus which pushed the limits of bad taste and great art, Colossus, Esta Noche, The Giraffe, Cocktails, and Tosca. Stores like Ralph Davis, Wilkes Bashford, Ultimo, and MAC all were fantastic. San Francisco in the 1990s was everything.

Fabulous Fashion

Stylish thoughts from three bay area designers

BY BECCA HENSLEY

JAD RACHA

Touting his mother and her style as an inspiration, Jad Racha says he was fascinated as a child watching his mother dress and prepare for glamorous parties. An American designer of Lebanese descent, he attended the Academy of Art University in San Francisco. With tenures at a variety of luxury fashion houses in New York, Los Angeles, and San Francisco, Racha enjoyed myriad collaborative global assignments which led him to embrace the nucleus of his expertise: bridal and evening wear. Exclusively at work in his private atelier in San Francisco, his couture creations have been described as timeless, sophisticated, and elegant.

HL: Tell us what inspires your designs? How would you describe then to someone who has never seen them?

JR: The 1950s undoubtedly influenced my work. While it may appear effortless, a closer look reveals the intricate details and unconventional seams that contribute to the complexity of my designs.

HL: What sort of person will be drawn to your clothing and why?

JR: My clients tend to be those who appreciate classic design, are captivated by the history and culture of fashion, and aren’t solely focused on current trends.

HL: What has been your proudest moment in the fashion industry?

JR: There are so many, but especially seeing my fashion illustrations in books, collaborating with Zac Posen, and meeting Michelle Obama. Yet, mentoring aspiring designers and guiding them toward their fashion dreams remains my proudest achievement.

HL: What sort of materials intrigue you and why?

JR: I enjoy working with taffeta, but my fascination extends to a variety of textiles and materials. Creativity shouldn’t be confined or limited. It’s about embracing all art forms that come together in the ever-evolving world of fashion.

HL: How would you describe the current fashion scene?

JR: Today’s fashion landscape features a diverse mix of styles that embrace sustainability, inclusivity, and a fusion of retro and futuristic influences. There’s a notable shift toward a more intimate and culturally rich pace led by designers like Daniel Roseberry, Gaurav Gupta, and Robert Wun.

HL: What do you think will be the next trend?

JR: In my opinion, Pat McGrath’s makeup for the Maison Margiela couture show is set to significantly influence other brands, inspiring them to replicate similar effects for everyday fashion consumers.

HL: Who are your fashion icons?

JR: Hubert de Givenchy, Jacques Fath, David Downton, and Ralph Rucci to name a few.

HL: Whom would you like to see wearing your clothes next?

JR: Women who want to feel empowered.

HL: What else would you like to tell us?

JR: I owe a great deal to dear friends and family who stood by me from the beginning. It is my life partner, Aaron, who has made everything possible. I am profoundly grateful for his sacrifices and unending support to achieve my dreams.

Jad Racha PHOTO: COURTESY OF JAD RACHA

CHRISTOPHER COLLINS

Brandishing a résumé that includes a “thrilling whirl” on Project Runway (Season 8) and time spent in New York, early work in Los Angeles with Tadashi Shoji, and at the helm of Bay Area-based Christopher Collins Collection, a contemporary lifestyle brand carried in boutiques across the United States, Christopher Collins returned to San Francisco to direct all dress divisions at Bay Areabased Byer California. As a bonus, he designs custom gowns for special events and galas for local and East Coast clients.

HL: Tell us what inspires your designs. How would you describe them to someone who has never seen them?

CC: I’m inspired by movement. I love to see fabric in motion while wearing a style. I love the sound fabric makes. Above all, I’m hypermotivated by the feeling of power and confidence I can create for someone who wears my pieces. This translates into beauty. I’d describe my work as creative. It has a beginning and ending that starts from the top and flows all the way to the ground, using both soft, drapey fabrics and structured textures.

HL: What sort of person will be drawn to your clothing and why?

CC: I think my clients are those who want to stand out and be unique. I focus on details like style lines, trim placement, proportion, and crispness, which take a look to the next level. This is the difference between wearing art and putting something on just to be dressed.

HL: What has been your proudest moment in the fashion industry?

CC: Every time I am out and see someone wearing one of my pieces, it makes me feel excited. I love knowing that they reached for a dress—one of my designs— while shopping and it made them feel good. It’s the biggest compliment I could receive.

HL: What sort of materials intrigue you and why?

CC: Currently, I’m obsessed with shiny things. I love metallic knits, sequins, bling on bling. To me, gone are the Coco Chanel days of “take one piece off before you leave the house.” I’d say add two accessories and go live your best life.

HL: How would you describe the current fashion scene?

CC: The current fashion scene is a mixed bag. Looks vary through age demographics so much that I think the scene is generationally broken down into themes. There’s a big focus on shape, curves, and that’s coupled with a menswear look that plays with new proportions.

HL: What do you think will be the next trend?

CC: I think women’s dressing is going to move to glamor. This last summer we had tons of pops of color with the Barbie trend and flashy dressing. My feeling is that it’s going to slide into a bit of sophistication and sleekness, and the boxy, loose look will trim up.

HL: Who is your fashion icon and why?

CC: My fashion icon was my grandmother. As a boy I always was so impressed by her appearance. I didn’t know the word for it then, but it’s chic. She used bold prints on prints, adorned with perfect statement jewelry pieces. And always with such grace. Fashion is more than visual—it’s a mood—and she made it seem effortless. That inspired me.

HL: Whom would you like to see wearing your clothes next?

CC: My daughter when she’s older.

Left: Christopher Collins, Right: Margaret Mitchell wearing a Christopher Collins design

TONY SANANIKONE

A lifestyle stylist keen on telling visual stories, design maven Tony Sananikone considers his twins, Lana and Luca, as his greatest inspiration. “Their youthful outlook constantly sparks my creativity and keeps me in tune with what’s fresh and exciting,” he says. Adept at delving into the “core of people or objects,” Sananikone uses a holistic view to create spellbinding narratives, whether via interiors or clothing. Born in a political refugee camp in Bangkok, he turned to sewing (learned from his mother) to transform his world from “the ordinary into the extraordinary,” an ethos he still employs passionately today.

HL: Tell us what inspires your designs. How would you describe them to someone who has never seen them?

TS: My designs are influenced by culture, my travels, architecture, and people. You’ll often find architectural elements in my clothes, blending both soft and hard structures seamlessly. I love combining femininity with a touch of masculinity, aiming for pieces that feel sensual yet timeless. When you see my designs, I aim for them to be unique enough to make you stand out, yet never veering into “worstdressed” territory.

HL: What sort of person will be drawn to your clothing and why?

TS: I make clothes inspired by the strength of a generation of women who empowered themselves to reach their maximum potential while remaining beautiful and feminine. These women were strong and sensual with cultural sophistication and entrepreneurial spirit.

HL: What has been your proudest moment in the fashion industry?

TS: One of my proudest moments was when I had the opportunity to style Sarah Jessica Parker for a retailer campaign. It was during the early stages of my design career while working for a prominent retail company. This afforded me the chance to interact with high society and celebrities. Working with SJP was truly amazing; being able to contribute to styling someone of her caliber, who is undeniably a style icon, was an unforgettable experience.

HL: What sort of materials intrigue you and why?

TS: I’m really drawn to three specific materials: fabric, which has such a wide range, from the luxurious feel of silk to the elegant structure of organza. It’s like a canvas for wearable art, offering endless creative opportunities. Then there’s marble, with its one-ofa-kind, untreatable organic patterns. It just never gets old, always bringing this timeless beauty to whatever it’s used in. And finally, there’s 3D printing, which just blows my mind with how versatile it is. You can create everything from intricate sculptures and digital paintings to cool furniture and fashion pieces. It’s just amazing.

HL: How would you describe the current fashion scene?

TS: Fashion, often seen as a bit unconventional in our laid-back city, could actually be our secret weapon for stepping up our game. San Francisco’s fashion scene holds so much promise. In this city bursting with eclectic charm and creative energy, personal style thrives among its residents. It might not always match everyone’s taste, but there’s an undeniable flair here. I often hear people say, “I have this amazing piece of clothing—it could be a killer pair of stilettos, a stylish dress, or a sharp suit—but nowhere to wear it.” But that’s just not true; every occasion is

Left: Tony Sananikone’s daughter and son, Lana and Luca, styled by Sananikone

Right: Tony Sananikone with model Moanalani Jeffrey wearing a design by Sananikone

a chance to shine. Picture every event as a fashion showcase. Embrace it. Strut your YSL stilettos, flaunt that Gucci suit, show off that McQueen dress like you own it. Believe me, when you see someone dressed to the nines, it sparks something inside you to step up your own style game. If we all make a commitment to dressing our best, we’ll collectively raise the bar and take the whole scene to new heights.

HL: What do you think will be the next trend?

TS: Millennial pink is here to stay, but not staying exactly the same; it’s shifting into a softer shade, while still keeping that ultra-feminine charm. You’ll find soft, flowy fabrics with delicate ruffles everywhere, bringing a gentle touch to the scene. And there’s a renewed focus on proportions; wide-leg pants are making a comeback, from superwide styles to classic flares, making a bold yet effortless statement.

HL: What do we need in our closet?

TS: Oversized blazers, cardigans, and cropped sweaters are all must-haves for a chic wardrobe. Plus, preppy style is making a comeback, bringing back stripes, varsity sweaters, and collegiate blazers. It’s all about getting those proportions right. And remember, timeless pieces are always in vogue, proving that classic elegance never goes out of style.

HL: Who is your fashion icon and why?

TS: My fashion icon would be Alexander McQueen. His legacy is all about his incredibly original designs that flawlessly blend artistry and technical skills. One of McQueen’s most poignant quotes perfectly captures his philosophy: “You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition.”

HL: Whom would you like to see wearing your clothes next?

TS: I would be so excited to style Zendaya. Not only is she breathtakingly beautiful and immensely talented, but her roots in the Bay Area add an extra layer of connection. Her fashion sense is unparalleled, effortlessly navigating between high glamor, avantgarde, and classic styles with a refreshing edge. Zendaya embodies each look she wears, effortlessly owning her attire, rather than being overshadowed by it.

PHOTOS: TONY SANANIKONE (LEFT), MOANLANI JEFFREY PHOTOGRAPHY (RIGHT)

FASHION NEWS

THE NEW YEAR IS OFF TO A STRONG FASHION START WITH NEW COLLABORATIONS, FABRIC INNOVATIONS, AND PRODUCT LAUNCHES.

BY ADRIENNE FAUROTE

1. BULGARI X THÉLIOS

For its Spring-Summer 2024 Eyewear collection, Bulgari tapped LVMH’s luxury eyewear brand Thélios for the ultimate collaboration. The collection draws inspiration from some of Bulgari’s most iconic jewelry collections, like the Serpenti and B.zero1, as well as timepieces like the Octo Roma and Octo Finissimo, to design dynamic, modern eyewear shapes.

2. JIMMY CHOO

To start 2024 off on the right foot, Jimmy Choo unveiled The Crystal Slipper, a modern reinterpretation of the fairytale shoe, inspired by 18th-century Rococo court shoes and adorned with 12,938 meticulously hand-applied Swarovski crystals, bringing a touch of fantasy and magic to every step.

3. LORO PIANA

In 2024, Loro Piana is staying true to its heritage with the launch of a new, incredibly innovative and luxurious fabric, Denim Silk. Made in collaboration with Japanese artisans, the Denim Silk is a fabric that combines 59 percent cotton denim and 41 percent silk, carefully woven on vintage looms in the Bingo Province of Japan and in Piedmont, Italy. Blending tradition and creativity, this exclusive and lightweight fabric has been used to create four women’s pieces for the Spring-Summer 2024 collection, representing a unique fusion of Italian innovation and Japanese craftsmanship.

4. LOUIS VUITTON

No one does red carpet fashion quite like Louis Vuitton. At the Academy Gala, Alicia Vikander wore a stunning Louis Vuitton long-sleeved gown crafted from dark greygreen silk crepe chiffon that featured intricate smocked details and took over 400 hours of work, and more than 164 feet of fabric. It was made complete with layered micro frills on the skirt and custom matching undergarments.

A 3-day weekend lecture series that brings people together to hear 20+ authors from a variety of literary genres.

Held at the Fairmont Sonoma Mission Inn & Spa, a beautiful sanctuary that welcomes guests with warmth and genuine hospitality.

A 3-day weekend lecture series that brings people together to hear 20+ authors from a variety of literary genres. Held at the Fairmont Sonoma Mission Inn & Spa, a beautiful sanctuary that welcomes guests with warmth and genuine hospitality.

Hampton Sides

WINTER WHITES

WITH THE WINTER MONTHS STILL IN FULL SWING,WE’RE REDEFINING THE TERM “ICED-OUT” WITH THESE HIGH JEWELRY MAISONS’ MOST EXTRAVAGANT WINTER WHITE PIECES.

BY ADRIENNE FAUROTE

by special

at 800-929-3467

&

and 800-843-3269

1. Van Cleef & Arpels “Eclat Mysterieux” necklace from the “Le Grand Tour” collection featuring buff-topped Traditional Mystery Set emeralds, mauve sapphires, white cultured pearls, and diamonds set in 18-karat white gold, price upon request;available at Van Cleef & Arpels,VanCleefArpels.com, and 877-826-25333 2. Gucci Allegoria High Jewelry diamond and opal white gold necklace, price upon request;available at Gucci Paris Vendôme 3. Harry Winston Sunflower Diamond earrings featuring round brilliant diamonds set in platinum, price upon request;available at 1-800-988-4110 and harrywinston.com 4. Cartier High Jewelry necklace in platinum, pearls, and diamonds, price upon request;available by appointment only at select Cartier boutiques nationwide, cartier.com, and 800-227-8437 5. Dior Fine Jewelry Delicat earrings, price upon request;available

order

6. Graff D Flawless White Diamond ring set in platinum, price upon request;available at Graff salons or graff.com 7. Chanel High Jewelry Lion Solaire de Chanel Toi & Moi ring in 18-karat white gold and diamonds, price upon request;available at select Chanel boutiques nationwide and 800-550-0005 8. Tiffany & Co. Blue Book Collection earrings in white gold with diamonds, price upon request; available at select Tiffany

Co. locations, tiffany.com,

9. Boucheron Histoire de Style, The Power of Couture High Jewelry Collection Aiguillette bracelet set with diamonds and rock crystal in white gold, price upon request; available at boucheron.com 10. Piaget High Jewelry ring, price upon request;available at piaget.com

RESORT WEAR

Warm weather watch

BY LAURIE JO MILLER FARR

WE TALKED TO THOSE IN THE KNOW ABOUT THIS SEASON’S trends in the most fashionable resort wear. We also checked in with Zimmermann, the fashion house, to explore the latest readyto-wear resort designs and swimwear featuring sophisticated femininity for 2024.

THE RITZ-CARLTON, GRAND CAYMAN

Relax in “effortless elegance” from a lovely Caribbean island with a long crescent of coral sand that’s home to The Ritz-Carlton, Grand Cayman.

Q: What are the current trends in resort wear for women? And for men?

A: The latest trends in women’s resort wear embrace effortless elegance with flowy maxi dresses, stylish swimsuit cover-ups, and wide-brimmed hats. These pieces, found in vibrant, soft pastels and tropical prints at The Ritz-Carlton, Grand Cayman reflect the Caribbean’s lively spirit. Meanwhile, men’s resort wear focuses on relaxed sophistication with tailored swim trunks and breathable linen shirts, echoing the natural beauty of the Caribbean landscape.

Q: Any exciting new looks you’ve seen around the property poolside for cocktails or at dinner?

A: Around The Ritz-Carlton, Grand Cayman, guests showcase exciting new looks embodying laid-back luxury. Poolside, chic one-piece swimsuits with vibrant sarongs and asymmetrical dresses are popular. For cocktails, tailored shorts paired with classic polo shirts are in vogue, complemented by the resurgence of linen button-down shirts. These trends masterfully fuse comfort and style, and guests can elevate their ensemble during their stay with exclusive Dolce&Gabbana® pieces available at La Boutique, the on-site shopping destination.

Q: How about color trends?

A: Color trends around The Ritz-Carlton, Grand Cayman capture the vibrant spirit of the Caribbean. For women, soft pastels and tropical prints, including coral pinks, ocean blues, and lush greens, dominate the resort wear palette. Men’s color trends lean towards neutral tones such as sandy beige, cool blues, and muted greens, mirroring the natural beauty of the island.

Q: What are the resort wear basics for those heading to the Caribbean, essential items one shouldn’t leave home without?

A: When preparing for The Ritz-Carlton, Grand Cayman and the vibrant Caribbean, essential resort wear guarantees a comfortable and stylish experience. For both women and men, pack versatile swimsuits, chic sun hats for sun-soaked days, comfortable sandals for beach strolls, and lightweight cover-ups for seamless transitions from beach to resort activities. And should you realize any essentials were left behind, rest assured. La Boutique awaits, offering exclusive Dolce&Gabbana pieces in line with the latest trends, ensuring you have everything necessary for an unparalleled Caribbean escape. ritzcarlton.com/en/hotels/gcmrz-the-ritz-carlton-grand-cayman

FOUR SEASONS RESORT MAUI AT WAILEA

Guests wear chic, sophisticated looks at Four Seasons Resort Maui at Wailea, where retail buyer Jillian McAndrews provides inspiration for women’s wear resort lifestyle at the Cabana, and for 22 Knots with its collection of men’s and children’s wear.

Q: What are the current trends in resort wear for men and women?

A: We’re noticing a lot of pops of color, especially red, but also moving into blues and greens—jewel tone hues that encourage guests to have fun with their looks, with a lot of mixing and matching and, of course, personalization with the addition of accessories, totes, lightweight sweaters, and so on.

Q: Any exciting new looks around the property poolside for cocktails or at dinner?

A: With the reimagined oceanfront flagship dining concept, Ferraro’s Bar & Restaurant, newly reopened in 2024, a lot of our resort guests are dressing up for an oceanside evening “on the town” with matching printed short and top sets that can be casual or transition easily to dinner time. Tropical prints with cut-outs for dinner and upscale linen pieces with bold jewelry are very popular this year.

Q: Did you say red?

A: Red, red, red! We’re also moving into lots of cobalt blue and bright Kelly green.

Q: What are the resort wear basics for those heading to Maui? What essentials do you suggest?

A: Packable hats that don’t get damaged in your suitcase (Janessa Leone), footwear that can go from the pool to lunch or dinner (Tkees), chic sunglasses (Celine, Dior, Fendi, Oliver Peoples). Visitors to the sunny shores of Wailea don’t need to pack their own sunscreen when visiting Four Seasons Resort Maui, as we provide complimentary Project Reef mineral-based sunscreen across our pools and at Wailea Beach; it’s reef-safe and environmentally friendly. fourseasons.com/maui

PHOTO: READ MCKENDREE

PHOTO: THE RITZ-CARLTON, GRAND CAYMAN

Croquet at The Ritz-Carlton, Grand Cayman

Four Seasons Resort Maui

Introducing the pinnacle of transitional luxury in the a uent Salt Lake City corridor, a never-lived-in 9,275 square foot mansion on a full acre of opulence. Featuring nine-bedroom suites, each with arresting views, walk-in closets, and a total of 10 baths. This estate is tailored for the elite… with a grand sliding glass wall that invites the outdoors in, revealing a panoramic backdrop of mountains and trees, and opens to a heated pool house aside the saltwater pool with a slide, spa, and sun deck. Embrace automation with a smart house system, including security, cameras, and USB wireless charging ports. Chefs will be drawn to the sensational gourmet kitchen, equipped with premier appliances such as a Wolf

range and a Sub-Zero fridge. Main level living is perfected with multiple laundry areas, expansive open rooms, and enchanting staircases. The property also boasts an 85-inch theater screen, two top-tier QLED TVs, a spacious nine-car garage, including a portion convertible into a motherin-law suite. Electric vehicle owners will appreciate the four charging stations. Outdoors, enjoy twin fire pits within a privately enclosed yard, complete with a backup generator. Just minutes from the bustling heart of downtown SLC, world-class ski resorts, and the airport, this mansion’s curb appeal is rivaled only by its supreme sense of privacy and grandeur. 774

An Ode to San Francisco Shoes from Birkenstocks to Blahniks

BY LAURIE JO MILLER FARR

AN ODE TO SAN FRANCISCO SHOES FROM BIRKENSTOCKS TO BLAHNIKS

Who, what, where … and wear? We’re fortunate that San Francisco is one of America’s (all too few) cities built for walking … and we love it that way. When hoofing it up, down, and across our eclectic patchwork of seven-by-seven miles, look down. The distinct personalities of each neighborhood come into focus through footwear.

We had some frivolous fun pairing the personalities of a few neighborhoods with footwear to reflect their vibes. The result is something like this: “If I were Pacific Heights, I’d be a Gucci loafer” or “If I were Noe Valley, I’d be mother-and-daughter matching Allbirds.”

NORTH BEACH SPORTS A PAIR OF VINTAGE ITALIAN HANDMADE BROGUES.

Affectionately known as Little Italy at the time, strong Italian influence peaked in North Beach in the 1920s. Due to the neighborhood’s proximity to the original shoreline, traditions from the home country were part of everyday life. In this district, over 60,000 residents claimed Italian ancestry and five Italian language newspapers were in circulation. Contemporary gentlemen sporting fashionable brogues benefited from the shoes’ decorative perforations which were designed for water to drain out of the shoes when the wearer crossed marshy land.

Today, stepping into Al’s Attire at the corner of Grant Street and Vallejo Street, you inhale the scent of real leather and fine worsted wool cloth. As proprietor Al Ribaya explains, “Everything is made with a needle, thread, and our own two hands.” A talented team of designers, shoemakers, tailors, sewers, and embroiderers have turned out items with a vintage sensibility since 1986.

THE MARINA DISTRICT SLIPS ON COMFY AND CHIC BIRDIES FLATS.

If you know, you know—birds of a feather flock together. Marinadwelling, fashionable-yet-sensible super-moms, jet-setters, and work-from-home warriors get it done in flats that look as chic as they are comfortable.

It’s no coincidence that when Birdies was hatched in 2015 by two busy mothers, they settled into a cozy Union Street boutique in the Marina. More than one million pairs later, fans still flock to find their favorite flats, perhaps in a buttery soft suede or in a Cinderella slipper adorned with a flirty pom-pom. Every style is eye-catching, just like the neighborhood. Note: Read more about Birdies in this issue.

IF I WERE NOE VALLEY, I’D BE WEARING MOTHER-AND-DAUGHTER MATCHING ALLBIRDS.

Philosophically rather far from Dolores Park, yet geographically only a stone’s throw away, we acknowledge the ambiance that prompts some to tag Noe Valley as “Nappy Valley.” On 24th Street, Saturday morning strolls begin at the farmers market in Noe Valley Town Square, where the toddler set likes to meet up, parents in tow. One requires appropriate footwear with grip for chasing three-yearolds around playground slides and stalls of organic produce before tackling local inclines like Sanchez at 22nd or Diamond and 29th.

When the whole family wears machine washable Allbirds, multitasking moms and dads can remind others of their support for ethically sustainable choices while maneuvering the double stroller and balancing the latte.

IN THE HAIGHT, BE A BIRKENSTOCK OR BE BAREFOOT.

Nothing says retro Haight Ashbury quite like a flower adorning your hair and wearing worn out, oiled leather Birkenstocks— importantly, the original ones. (After all, the brand’s newest sandal styles have hit $150 a pair, a price point that feels neither rebellious nor hippie-approved.)

Founded precisely 250 years ago by Johann Adam Birkenstock, a German cobbler, the brand was introduced to America in 1966, on the cusp of Haight Ashbury’s defining moment: the Summer of Love and the dawning of the Age of Aquarius. By the way, did you know the Bay Area lays claim as the home to Birkenstock’s U.S. corporate headquarters in Novato?

PAC HEIGHTS IS ELEVATED IN A SNAFFLE BIT GUCCI LOAFER.

Discretion and understatement are the watchwords. A lambskin Chanel ballet flat is tasteful, but both men and women can appreciate Gucci’s most recognizable silhouette, a classic, equestrian-inspired moccasin that debuted in 1953.

While Fillmore Street and Sacramento Street are the shopping stomping grounds for Pacific Heights denizens, so are Fifth Avenue and New Bond Street, where Milan-based Gucci operates their biggest store and the smart, newly opened London store, respectively.

HAYES VALLEY’S CIVIC CENTER SIDEKICK IS A STILETTO.

En pointe? On your way to a performance of the fabulous San Francisco Ballet, you balance impeccably in a perfect, pointy-toed, patent pump, towering in your 110-millimeter Manolo Blahniks as you slip into premium orchestra seats at the exquisite War Memorial Opera House.

Ditto for the San Francisco Opera and the San Francisco Symphony, our city’s beloved century-old cultural crown jewels. Poised at the front door of Hayes Valley, San Francisco’s Civic Center is the nation’s most impressive urban collection of elegant Beaux Arts-style structures outside Washington, D.C.

The exhibition, Fashioning San Francisco: A Century of Style at de Young through Aug. 11, 2024, looks at the social and urban development of the city through its collection of 20th and 21st century fashion and haute couture—shoes included.

Haute FASHION

PHOTOS: (CLOCKWISE FROM TOP LEFT) RAOUL ORTEGA, BIRDIES, NELSON NDONGALA

POETIC PORTRAITS

For the Louis Vuitton Spring-Summer 2024 Men’s collection, the first designed by Pharrell Williams, Haute Living unveils a series of portraits that capture some of fashion’s greatest contrasts: playfulness meets serious silhouettes while femininity meets masculine styles.

PHOTOGRAPHY MYLES LOFTIN

STYLING ANATOLLI SMITH

FASHION DIRECTOR ADRIENNE FAUROTE

PRODUCTION SHELBY COMROE

GROOMING NIGELLA MILLER

MODELS JESUS MARIA AND ANTONIO MACEK FROM

THE SOCIETY MANAGEMENT AND YOUSSOUF BAMBA AT DNA MODELS

PHOTO ASSISTANT ANDREW ESPINAL

ALL CLOTHING AND ACCESSORIES BY LOUIS VUITTON MEN’S

YEMA in Tiburon

An African lifestyle brand empowers communities through fashion and education.

BY NOËL BURGESS

MEET HAWI AWASH AND YEMA KHALIF, CO-OWNERS OF YEMA, a high-end urban streetwear fashion brand located in Tiburon, California. The story of how they met and created YEMA is as powerful and as colorful as their clothing brand. Awash invited us to her shop in Marin County, right over the Golden Gate Bridge from San Francisco. Between serving customers and tending to her two young children, we spent an hour discussing how she emigrated from a refugee camp in Kenya to the U.S., started YEMA after meeting her future partner at Dominican University in San Rafael, California, and also how a portion of YEMA’s profits goes toward promoting education for kids in Africa

HL: What were the first few years like when you immigrated to the U.S.?

HA: In Kenya, I was a child and a refugee from Ethiopia. I would see kids going to school and living their best life and speaking English and doing all of these great things. I could not participate at all because I didn’t have any kind of proper documentation that would allow me to go to school. Until I came to the states, I didn’t have any formal education. So, I wasn’t able to go to school. I didn’t do pre-K. I didn’t do kindergarten, first grade, second grade. My first introduction to school was in fourth grade at eight years old in Minnesota.

In terms of Minnesota itself, there was a huge weather change. Kenya is more tropical, just like Ethiopia. Very nice weather. Minnesota has four seasons that are extremely intense, which was very different. Also, I had to learn a third language. I originally spoke Amharic fluently. Then I went to Kenya and had to learn Swahili. Now in the U.S., I had to learn a whole new language. So, there was definitely that whole transition.

HL: Were you always in love with fashion?

HA: I loved dressing up and I loved looking really good. I think it’s a little African to do that—your clothes really define you. When I was 13, I came to Los Angeles to do a casting call for this agency, and I kind of discovered California. I got to go make a living there. So, when it was time to go to college, I said, “I’m going to California.” And when I was looking at business in college, fashion made sense.

HL: How did YEMA start?

HA: My husband and I started YEMA before we got married. YEMA was founded in 2016, then we got married in 2017 and I moved to Tiburon. It began as an athletic wear line, so we did sports bras and leggings then transitioned into a streetwear line in 2019. And that’s kind of when we went full-on. We made the brand what it is now and focused more on Ethiopian and Kenyan lineages and more

Hawi Awash and Yema Khalif, Co-owners of YEMA

streetwear. In February 2020, we opened the store in downtown Tiburon a month before the pandemic hit.

HL: How did you and your husband, Yema, end up in Tiburon?

HA: Yema was already in Tiburon. His story is so cool. Yema was born and raised in Kibera, which is the second largest slum in the world. The people there make less than a dollar a day. He comes from a family of seven kids, so he wasn’t able to go to school straight through like many of us. His parents would have to choose between him and his siblings as who would go to school. So, even though he performed really well, they didn’t have the financial ability to send all of them to school the same time. He would take a turn, then he would take a break for the next two years.

Once he finished high school, his mom didn’t have the financial ability to support his college education. So, he volunteered through different organizations that would provide certificate programs. For a while he did some acting and got cast for a job where he met an actress by the name of Connie Nielsen. She saw his creativity and just how brilliant his mind was and thought, “Oh my God, you need to go back to school, and you need to get a college education.” Connie decided to foster him and bring him to the states in order to do that. So that’s kind of how he ended up here, and that’s how he was able to get a scholarship to Dominican to do his undergrad, then his MBA.

HL: The logo for the YEMA brand is a giraffe. Why?

HA: A giraffe is a distinctively African animal. It also has the biggest heart of all land mammals. At the core of our brand, the way that we’ve built it, we’ve been given so much opportunity. We want to make sure that we pay it forward by giving to kids who are in similar situations as we were: kids growing up in Kibera, kids who are refugees, kids who are orphans, and others in that kind of situation. We put 20 percent of our proceeds toward that cause, and we provide education to kids in both Ethiopia and Kenya. In doing that, we’re building a brand that has a big heart. And the giraffe is a great representation of that big heart.

HL: What is fashion for you? How would you define that?

HA: Fashion for me is self-expression. And I also feel like it’s more than just clothes, right? In a way it’s a part of you. Social impact is a huge part of me. So, when I participate in creating a piece of a garment, I’m very conscious about the social impact that it’s creating. When I am wearing that garment, I’m very conscious about it. Who is making this? How is it made? What is the purpose? Does it mean something? Is it giving back? So, all of those different elements. I do feel like fashion is all of those things.

HL: Where do you draw inspiration for your pieces?

HA: We draw a lot of our inspiration from 16th century Ethiopia, a golden age, an era of elegance and equality. You know, equality in the sense of peace, harmony, respect, honor. All of those different things where men and women can both be royals, where men and women can both have significant roles in shaping a society. So, we draw a lot of inspiration from that era for that reason.

HL: Tiburon is maturing when it comes to diversification. What has it been like opening up a business in town?

HA: As a couple, Yema and I are here. We are very conscious of the community and where we chose to establish a store. We wanted established our store in Tiburon, in part so kids can look up to us and say it could be done. You could be a Black designer. You could be a Black entrepreneur. You can break boundaries. You can go into sectors where you are not typically seen, where you are not typically welcomed into, and you can rewrite history. We are very conscious of that, and we’ve tried to highlight that.

And we have definitely faced a lot of challenges in terms of not feeling welcomed. People, when we first opened, would come in and they would say, “This is so colorful. Why would you have a store here?” As if it doesn’t belong, right? There’s just a lot of opinions and dialogues we’ve had that have been uncomfortable and have definitely made us feel like we are not supposed to be here. That has definitely been a challenge, but I do I do feel like we are making an impact, and I think that is always important to be to be an example for folks to know that it could be done.

HL: Do you use sustainable materials or eco-friendly practices in your designs?

HA: Yeah, absolutely. We use a lot of bamboo fabric, so that’s definitely sustainable. And we do try to make sure that we’re practicing eco-friendly systems. Social impact is kind of at the center of what we do. So, we’re very conscious about how things are made, what is used, who’s making it, are they being paid correctly, and all of those things.

HL: Define for us your personal style. What’s your style? Has it changed after children?

HA: That’s a very good question. My personal style is elegant, yet comfortable. I’m very big on comfort, but I also really like looking good. I love looking put-together, you know? I didn’t mind things being tightly fitting previously; however, after children, I want to be more comfortable. You’ll definitely be seeing a lot looser fitting clothes in the coming year for sure.

HL: Describe your design aesthetic in three words.

HA: Chic, unique, and beauty.

HL: How do you stay updated on the latest fashion trends and industry news?

HA: Oh my God, we are huge followers of Vogue Italia, Off-White, Nike, and all of the Fashion Week stuff. We also really look at the past. A lot of people say our designs are reflective of the 1980s. I do feel we go back in time because of the relevance of that era. So we look at things from the past a lot, in addition to, of course, all of the magazines and news outlets.

HL: If you could only attend one of the major fashion festivals for the rest of your life, which one would that be?

HA: I’ve never attended the Paris or the Milan one. I have been to New York Fashion Week several times, but I’ve always wanted to attend the Paris one. I’ve always been curious about that one.

HL: Do Americans miss the beauty in African countries?

HA: From an American point of view, there’s a lot of poverty. Therefore, like, they want to depict and only capture that side— which misses out on everything else! You miss out on the creativity. You miss out on the joy. You miss out on everything that really does contribute and make the places what they truly are.

Also, we really have to be conscious of the narratives that we are taught about Africa. Right? When they show the development, when they show all of these positive things, it takes away from the one-sided narrative that is being told. Perhaps we should examine what we’re teaching our young children, our young American children. I opened a store in Tiburon and figured out a way to keep it going through the pandemic. It’s not easy, but we have to because we want people, young people, to know that it is possible to do. For me, it’s all about the perceptions that you are creating.

HL: Why was it important for you to give 20 percent of all your proceeds to fund scholarship and education?

HA: I explained early about my husband not being able to go to school straight through and how I couldn’t attend [school] until the fourth grade. So, we really wanted to make sure that people in that community or kids in that community know that you can a make it out because he’s an example. You can make it out. You can build something successful. You can travel the world. Your opportunities are limitless as long as you don’t put limits on yourself and as long as you’re open and ready. That’s the mindset we want for our kids and a reason why we focus a lot on education and scholarships. It is a way to break out of the cycles of poverty.

HL: What are the goals for 2024?

HA: Definitely doubling down online. We are looking to get to more people. I feel like our brand is so cool, but still needs to reach more people. We love that Klay Thompson and Carlos Santana support and rock our brand, but we’re looking for ways to amplify and build our brand in the relevant sectors of the world. We will start doing more pop-up kind of arrangements throughout the San Francisco Bay area and Los Angeles. I’m always thinking on how to bring the brand into different communities so that they can see who we are.

Global Glam with a Conscience

Bay Area-born Yetunde Beutler brings clean wellness to the world.

BY BECCA HENSLEY

CEO and founder of Essènci, a brand of organic, sustainable skincare, the Paris- and Milan-based entrepreneur, mother of two, and clean living advocate grew up in Berkeley. She credits her childhood in Northern California as a leading influence in her ongoing commitment to sustainability and where she jumpstarted her desire to live life as cleanly as possible. Essènci manifests her efforts to inform and support the public about cleaner living. Her products not only work, but they also help make the world a better and greener place. They are recommended by leading dermatologists such as Dr. Barbara Bopp in New Orleans and dermatologist to the stars, Dr.Rebecca Fitzgerald, MD in LA.

With a Bachelor of Arts from Williams College and master’s degrees in business from both the Presidio Graduate School and France’s L’INSEEC, this polylingual French American is “a strong believer in the power of nature as it pertains to health, longevity, and the environment.” Throughout her career, she’s lived in both France and the United States working in skincare. She

collaborated with Gavin Newsom during his tenure as mayor in San Francisco and created a fashion trade organization in the Bay Area focused on sustainability. Today, back in Paris and married to a sustainability and luxury lifestyle expert and influencer, Beutler seeks to enhance awareness, model clean living, and provide the tools by harnessing the plant-powered Essènci to boost wellness and thoughtful consumerism.

HL: How did a childhood lived in the Bay Area impact your journey?

YB: The Bay Area has a unique blend of culture and strong values around free thinking, innovation, and caring for others. I grew up in that context around those values.

HL: When did you first become aware of wanting to live a cleaner life?

YB: Growing up in Berkeley, I did a lot of sports competitively, especially swimming. I noticed, as a woman of color, that the chlorine dehydrated my skin and hair. The search for a product with long-lasting hydration continued throughout my life. At

MOTHER EARTH HAS AN ALLY—AND HER NAME IS YETUNDE BEUTLER.

La Scala Milano at Camera Nationale della Moda CNMI Sustainable Fashion Awards

the same time, I was very health conscious, partially thanks to my parents who advocated eating well with minimal amounts of sugar. For example, my parents only bought whole grain bread rather than the super popular Wonder Bread, and sugary cereals and sodas definitely weren’t allowed. By 13, I had stopped eating fried foods and sweets; by 16, red meats; and by 17, I eschewed all meats. I’ve followed a pescatarian/Mediterranean diet for the last 33 years. I love to cook gourmet French, Italian, and Californiastyle cuisine, and still have one of the first cookbooks that my father gave me at eight years old.

HL: Tell us about Essènci.

YB: With Essènci, I fused my rich life experiences and Northern California sustainable values. Essènci means “essence” in the ancient dialect in Provençal. And Essènci is a skincare brand that is about the essentials. We believe that a person does not need 20 products to have beautiful skin. They need just the essentials— pure and effective ingredients—to age beautifully.

HL: That’s amazing. Tell us more.

YB: Essènci was inspired by the same philosophy that drove me as a young child to eat healthily and avoid hormones, I wanted to create a pure and effective line using only nature’s most powerful ingredients, void of any additives. Also, I think it important to note why I chose to go beyond just using ”botanical/natural” ingredients to consciously select organic ingredients without any pesticide residue. Sadly, these residues can be absorbed into your blood and, therefore, into your different bodily systems. They can contaminate watersheds and critical ecosystems. They can contain endocrine disruptors and carcinogens.

HL: Rather than using plastic for your containers, you’ve chosen luxurious porcelain from storied Limogé, the embodiment of clean luxury.

YB: Clean luxury is about the quality and purity that create an effective product that’s a pleasure to use. Of course, when we speak about luxury, we speak about craftsmanship, so it was an obvious choice to produce our in-house-designed vessels in Limogé porcelain from the Maison Bernardaud. They are one of the most prestigious porcelain makers in the world—and they share my values of excellence,

craftsmanship, and beauty. The containers are limited edition, reusable, and handmade. Our skincare also comes in beautiful glass bottles and jars, which was a conscious choice. We could have chosen plastic rather than glass because it is definitely cheaper to produce, but for the environment and its ecosystem, it would have been the wrong choice.

HL: We’d love to hear about your favorite Essènci products, what they do, and how to use them.

YB: Because our line is about the essentials, we only have four products: L’Immortela Elixir and our three Renouvèla creams (La Crème, La Crème riche, and La Crème extra-riche). It’s hard for me to give you my favorite, as I love them all and use them all throughout the year. L’Immortela is amazing: it’s nomadic. That is, it’s easy to carry wherever you go and gives you that glow. It works well for all skin types, from oily to dry. It absorbs easily, is aromatherapeutic, smells divine, and is multifaceted. It’s a living life force on your skin. Its strength is the synergy of all the organic, pure ingredients working together. There isn’t just one active ingredient, but many. As a powerhouse antioxidant and antiinflammatory elixir, it can be used on the complete face and neck, including eye contour and lips.

The Renouvèla creams smell beautiful, natural, and spa-like. They may be used also on the complete face. I switch from the lightest to the most hydrating cream, depending on where I am, the time of year, and if I am traveling. Right now, with the cold climates of Paris and Milan, I am using the extra-riche. I also forgot to mention, because the products are anti-inflammatory, the elixir is a perfect soother after the sun or ski. And you can pop it in your pocket or bag.

HL: What’s next for you?

YB: My life now is focused on longevity and wellness via exercise, healthy eating, prime gut, and mental health—all of which result in beautiful, glowing skin. I hope to spread this philosophy and way of living to those who embrace Essènci, their well-being, and all-over beauty. I am in the process of creating Essènci-curated experiences, centered on wellness and culture.

Website: www.essenciskincare.com

Sold online and in exclusive medical clinics.

Beutler with her son Gabriel in St. Moritz

BIRDIES

San Francisco’s comfy glam shoe company

BY LAYNE RANDOLPH

IN ANNE LAMOTT’S NOVEL BIRD BY BIRD, THERE IS A SCENE where the protagonist starts researching for a school paper about birds the night before it’s due. Overwhelmed by the pile of books about birds in front of her, she is stuck until her father advises her to take it “bird by bird.” This echoes Bianca Gates’s philosophy.

“Just start,” Gates replied when asked for her advice to women. “Whatever’s on your mind, start. Whether it’s taking a risk and finding a new job, making a new friend, or moving to a new city, start.”

Gates co-founded Birdies, the San Francisco-based shoe company, with her friend Marissa Sharkey. The company’s original concept was comfortable, stylish shoes one can wear while hosting a fashionable dinner party: flats as comfy as slippers. They built the company as young women, holding fulltime jobs and without experience in the field.

WHO IS BIRDIE?

The name Birdies came about organically. Gates and Sharkey started with the concept of their ideal customer and began to build the company around her. “She loves to entertain friends and

family. She’s got a lot on her plate. She’s so cool. She’s so smart. She’s so hardworking. She’s playful. She’s just joyful, and you either want to be her or be friends with her. She’s very warm and inclusive, and if you go to her house for a party and bring 15 other friends with you, there’s always room at her table in her home, and she always has plenty of food. And you never want to leave her house.”

Gates and Sharkey used their perfect customer as a reference in every decision made, but they needed a name for her. As they described their concept, people were drawn to the name of their fictitious customer. “People kept asking us, ‘How’s Birdie?’ And we said, you know what, maybe that’s the name of our company.”

Since launching in 2016, Birdie has evolved and grown. The first slipper concept quickly uncovered a market desire—to wear stylish shoes as comfortable as slippers outside.

“We launched a sneaker a couple of years ago, which was the next level of evolution. We’re making Birdie’s life easier, more fun, and more fashionable, designing for her 365 days of the year, not just for the moments she’s at home or in need of flats. She’s our guidepost.”

MENTOR SHERYL SANDBERG

Gates worked in digital advertising sales at Facebook when she dove into Birdies, so she surreptitiously had access to Facebook’s former COO and author of Lean In: Women, Work, and the Will to Lead, Sheryl Sandberg. “When I started at Facebook in 2011, I mustered up the courage to introduce myself to Sheryl, and I said, ‘You are why I am commuting three hours a day to Facebook, because I wanted to learn and work at a company you are leading.’ And we just hit it off.”

Gates stayed at Facebook for two years while building Birdies, until outside investors were clamoring to invest. Gates felt she couldn’t accept external capital if she were not invested full-time, and she decided it might be time to resign.

“In 2017, when I finally decided that I might be leaving, I asked Sheryl if I could spend some time with her to think through this. And she just said, ‘This will be a huge success. And not that you need this, but if, for whatever reason, you decide you don’t want to do that anymore, you always have a home back here at Facebook.’ And with that, I set sail in the middle of 2017, and Sheryl has been a huge inspiration and supporter of mine ever since leaving.”

As the daughter of two Latin American immigrants, leaving her comfortable Facebook job wasn’t easy. “It was heartbreaking when I told them I would be leaving Facebook to sell slippers on the internet. They just thought I was crazy.”

JUST START

But leave she did, with Birdie’s inspiration and Sheryl’s mentorship. Gates and Sharkey each put in $50,000 to start the business, which did not allow them the capital to implement everything they wanted immediately. They could only afford to produce whole sizes and two styles. They believed that if people returned the product for any reason, they would at least have proven there was a market. “At Facebook, we were taught that done is better than perfect. So, the idea was we only have $100,000 and not an overly perfected product. Let’s get it 80 percent correct, get it into the market, get it into women’s hands, and see what they say. And if they say, I love the idea, but this is a crappy product, then hey, we have a business; we need to go back and perfect the product. And that’s what we did.”

There have been stops and starts—some initial misuse of the product opened the door to new products, and outdoor shoes were added. Later this year, they will expand product offerings and move beyond flats.

Gates has more advice for women who want to start a business. “I think we, as women, often overthink it, and we want to get to that place of perfection before we do it. And I’ve learned in this journey that some of the most successful people don’t have the answers before diving in. And that is the way to get to your success: to dive in without knowing 100 percent what you’re diving into and just put one foot in front of the other. Just start.” Bird by bird.

Artistic Angles

Three local artists talk fashion and their work

BY BECCA HENSLEY

KARL LAGERFIELD OFTEN PROCLAIMED THAT ART WAS art and fashion was fashion—and that never the twain should meet. But not everyone agrees. In fact, many of us feel that most creatives—whether painters, poets, sculptors, fashion designers, or composers—draw inspiration from a celestial, soulful, otherworldly source that shares a commonality across the arts. That said, we’ve had some stylish conversations with three local artists who prove just what happy bedfellows art and fashion can be.

KATE TOVA, ARTIST – KATETOVA.COM

HL: Bold colors play a role in your formidable work. You explore subjects such as impermanence, transformation, identity, and connection. What are you working on now?

KT: I’m always experimenting. Since I create full-time, it’s essential to make my work feel more like play. I’ve been having fun adding more dimension to the new work, so my studio currently resembles a science lab full of various experiments. The radial compositions I call “Glitches” burst with energy and life, so it would be wrong to confine them to a traditional canvas. I never limit my materials to what I can find at an art store. The canvas can be made out of books, clothes, or broken dishes. I’ll mix paint with different gels and microballoons and apply thick, juicy layers over any interesting surface I can get my hands on. I recently started introducing female figures into the Glitch compositions. They pulse with a sense of ecstasy and overwhelm—a mix of intense feelings similar to looking at Jackson Pollock’s Convergence and Bernini’s Ecstasy of Saint Teresa at the same time. Through the energetic use of color and shapes, I redefine modern femininity as powerful, bold, and rebellious.

HL: This is the fashion issue, and we have noticed that sometimes you overlap into the realm of clothing and accessories. Can you tell us about your recent handbag and dress creations?

KT: I live and breathe art. I enjoy pushing boundaries by exploring different surfaces to paint on. Some of the gowns I’ve created are 100 percent covered with thick paint, so when I attend a gala, wearing them becomes a form of performance art in itself. Despite being quite shy and introverted, when I wear my art, it gives me tremendous confidence—I feel like a superwoman.

I began painting on handbags as a way of carrying my art (and confidence!) with me when I’m dressed more casually. The recent collection is painted on purses I acquired in Florence. It’s a pleasure to apply lush brush strokes on the beautiful Italian leather.

HL: Can you describe the antecedents of your artistic journey?

KT: I grew up in the countryside in the middle of nowhere. There wasn’t much to do, which made me an excellent observer. Once I discovered painting, it became my obsession, my meditation, my way of connecting to nature and myself and making a positive impact on others. As a kid, I mostly painted nature, then transitioned to female figures, and now it’s a combination of both. I love exploring the constant transformation of nature and identity in my work. It’s overwhelming how fast our modern world is changing. Instead of desperately trying to keep things as they are, I find it liberating to accept the constant change and portray that change visually.

Committing to being an artist in a financially struggling family was the craziest idea ever, but I’ve worked nonstop since then, and it got me to where I am now. As an artist, it’s hard to call it work; it’s more of an obsession and passion without any beginning or end.

HL: How does the Bay Area contribute to your work?

KT: The Bay Area is an inspiration overload. When I moved here, I was overwhelmed by the combination of breathtaking nature and innovative technology. This vibrant environment inspired my “Glitches” style. The creation process involves months of collecting memories: photographs, studies, and sketches that I later combine in a bouquet and distort using various physical or digital techniques, eventually painting the composition.

I love the abundance of color in the architecture, blooming parks, and public art. Coming from 7-month-long winters, the fog feels more like a gentle face moisturizer. Honestly, I wish I could just walk my dog all day through the headlands and all the neighborhoods to soak in all the inspiration.

HL: What does fashion mean to you?

KT: To me, fashion is art. Art doesn’t follow trends; it is timeless. Whatever item I touch, I treat as artwork. Even if I cover a small bow tie in paint, it becomes a unique conversation piece, now or a few years from now. Fashion is a significant part of our self-expression as humans. Many people hide their true selves because they fear others’ opinions, and certain standards and expectations in our society reward blending in. We only have one life. If you see a wild fuchsia dress or shirt and adore it, don’t overthink what your friends and colleagues will think—just rock it!

ALAN DO, OWNER NOOVO BLOOM FLORAL STUDIO –NOOVOBLOOM.COM

HL: Tell us about your love of flowers and your artistic journey so far. We’d love to hear more about your Gay Pride winning installation.

AD: Growing up in Saigon in the 1980s, a time when the city was closed off and resembled a third world country, my parents provided entertainment by maintaining a garden at home. My father had a passion for orchids, and I would spend hours observing the plants as they grew. Witnessing the results of watering them and seeing them bloom, attracting butterflies, bees, and songbirds was a rewarding experience. Occasionally, I even spotted green snakes. Later on, my family entered the wedding business, and I started creating wedding bouquets using local flowers for clients and friends’ families. I attended the city’s oldest flower show, a place my grandfather used to frequent. During my time at the Academy of Art, I would pass by a hotel known for its captivating flower displays in the lobby. Intrigued, I inquired with the concierge about the creator of those displays and eventually started freelancing for the studio. This period coincided with the need for a job to cover rent and student life expenses.

I continued my journey by collaborating with various event companies in the city. I took the initiative to Google the best designers in town and made cold calls, asking for freelancing opportunities. This period marked the pinnacle of my career, as I immersed myself in learning and absorbing techniques, concepts, and the rich history and lifestyle of the iconic city of San Francisco.

HL: You said that, after a decade of working behind the scenes, you felt that it was time to “step out and develop your own style.” Tell us more.

AD: Fortunately, a friend connected me at the last minute for a flower show, providing the opportunity to showcase my creativity. With unlimited support from floral friends, the installation for Gay Pride was a resounding success. It was a highlight of my career. The concept aimed to embody the personality and spirit of the gay community by creating a unicorn theme, celebrating the uniqueness and beauty of everyone, much like the diversity found in flowers.

Creating a flower parade for the gay and LGBTQ+ community is a dream I hold close to my heart. Someday, I hope to turn this dream into a vibrant reality, celebrating love, diversity, and the beauty that blooms within each individual.

HL: Flowers are elegant, sculptural, evocative, and transitory— much like fashion, How do you think fashion and flowers go hand in hand?

AD: Flowers serve as a massive inspiration for all designers and humanity alike. The keen eyes of fashion designers have played

a pivotal role in shaping my artistic perspective. The endless journey of creativity has been greatly influenced by the likes of John Galliano and Jean Paul Gaultier. Their dramatic designs evoke a profound connection, making me feel immersed in the rich tapestry of Western lifestyle and history, which stands in contrast to my own background.

HL: What are you working on now?

AD: Currently, I’m focused on detoxing from past influences, aiming to cut off old inspirations and influences. It’s a gradual process, part of my effort to reboot myself for the new era of modern floral design in the USA. With the younger generation of designers bringing in fresh styles, the world of floral design is transforming rapidly, aided by the boost of AI. Over the last nine months, I’ve immersed myself in AI, helping me develop the 2YK Style—a blend of lavish Rococo or Baroque style with an oriental flair. I’m slowly integrating this style into my designs, and I’m pleased to share that some of my floral creations are selling well for Gump, Williams Sonoma, and Neiman Marcus. The positive feedback from buyers is encouraging as I navigate this exciting phase of my artistic journey.

HL: What aspects of the Bay Area influence your work?

AD: The Bay Area is truly wonderful, adorned with a distinct and diverse style, and its people are exceptionally talented. As a new immigrant resident, I’ve found it challenging to stand out among the multitude of unique styles and services offered by the many talented artists in the community. However, I believe that, like the formation of a diamond crystal, the beauty and uniqueness emerge under pressure. The process might be time-consuming, but it’s an essential part of the journey.

HL: You’re doing a lot of wedding designs. Tell us more.

AD: I’m currently immersed in crafting new floral designs tailored for weddings and the modern bride. In today’s context, hosting a wedding has become a luxurious life event, and I’m determined to contribute by providing unique and special moments through my floral designs. Introducing a fresh wedding floral design concept poses a challenge within the well-established wedding industry in the Bay Area, but I embrace this challenge with enthusiasm and creativity.

HL: What defines you?

AD: What truly defines me is my commitment to exploring and going with the flow of the design industry’s rhythm. Each day brings new styles and developments, and my passion lies in serving the community by offering the beauty of celebrating life through flowers and various forms of art.

HL: Thoughts for those who want to enter your field?

AD: I aim to pass on the inspiration, just as I received from previous designers who generously shared their knowledge and creativity with me. It’s a beautiful cycle of inspiration that I believe enhances the collective creativity within the design community.

BIP APOLLO, ARTIST – BIPAPOLLO.COM

HL: Sometimes your work overlaps with fashion, and we’ve admired your decorative clothing. Can you tell us about that?

BA: I’ve painted/made sculptures in 30 countries, and in every country, I love seeing the mix of styles. I try to collaborate as often as possible with the locals because it brings me a lot of joy and happy memories. This yellow suit was a collaboration from Italy, made with an underground art curator known as Ego Io Ego; my last canvas series was a collaboration with German designer Anthon Raimund.

HL: How does the Bay Area contribute to your work?

BA: I will never leave the Bay Area. I currently split my time equally between Monaco and San Francisco when I’m not touring in other countries, and I intend to keep a place in San Francisco the rest of my life.

HL: This is the fashion issue, so we’d love to ask you what fashion means to you. How does it play a role in your art?

BA: I’m a character. Everything I make or do is larger than life—and a bit surreal. I love to express myself through a mix of bespoke, luxury, and street clothing. I would love to bring some of the Met Gala vibe to San Francisco.

HL: What is your motivation right now?

BA: I’m sleepless, working on a 15-foot sculpture for the European Union and moving into monumental-sized sculptures and small bronze sculptures. Note, I have a bronze sculpture coming out soon for former Mayor Willie Brown. In general, I am really excited that my years of quietly studying sculpture are suddenly exploding and redefining the entire brand of Bip Apollo. Between that and the move to Monaco, it has been an amazing year.

HL: What else would you like to tell us?

BA: It’s always great to hear from Haute Living, and I’d like to thank my style inspirations here in San Francisco, such as Joel Goodrich, Antonio Contreras, Camelia Skikos, Saul Sugarman, Devlin Shand, and, of course, Kate and Alan.

AMY TAN

Muses about birds, the band, and the Sonoma Valley Authors Festival

BY TERESA RODRIGUEZ

ARTISTS, MUSICIANS, AND WRITERS OFTEN FIND INSPIRATION in unexpected places, and Amy Tan is no exception. While she’s best known for her poignant stories about Asian family and identity, her latest book, The Backyard Bird Chronicles, shows a new side to her talent. In this beautifully illustrated work, she turns her attention to the fascinating world of the birds in her own backyard. It’s an inspiring reminder that creativity may come from anywhere, and even the most unlikely subjects may yield beautiful and thoughtprovoking works of art.

We had the rare opportunity to chat with the acclaimed author about her love of birds and the Sonoma Valley Authors Festival. The Sonoma Valley Authors Festival is a weekend event that celebrates the work of accomplished authors like Amy Tan. Since its inception, she has been actively involved in this festival, sharing her writing and artistic talents with audiences. Her engaging talks and book signings have drawn crowds of literary enthusiasts who admire her work.

HL: Tell us about writing The Backyard Bird Chronicles.

AT: This was not a book I planned to do. It was really a personal journal during a time of crisis. There was a lot of racism that broke out prior to the election in 2016, and I had never experienced it as much toward Asians as I did during that time. It was very distressing. And I suddenly had this understanding of

what Blacks and Latinos had been feeling for years. I found it really dehumanizing, depressing, bleak, and I needed to go do something to get my mind off it. I started drawing [the birds], drawing their behavior, and what looks mostly like cartoon sketches. And I also started learning to draw and did more detailed portraits of birds. It was a personal journal. It was not until my editor said to me, after I had nine journals of these things, “Would you consider publishing some of it?”

HL: What’s your favorite aspect of the Sonoma Authors Festival?

AT: I am captivated by listening to other authors speak, just like the audience members who are there as readers and admirers. Hearing Doris Kearns Goodwin discuss history is fantastic, especially when she answers questions from the well-educated audience with intriguing insights. The intimate setting of the Sonoma Mission Inn adds to the experience, with its beauty and opportunities for unique experiences like stargazing. This event offers a perfect combination of beautiful surroundings, fascinating speakers, and engaging conversations during off hours.

HL: Why do you think festivals like this are so critical right now?

AT: Writers often explore important aspects of human experience rather than just specific issues. This broad approach allows readers to delve into history, current events, and the complexities of life,

sparking engaging conversations in book clubs or among friends. Through books, diverse ideas are shared and discussed, facilitating deep and thought-provoking dialogues across different audiences. [This is] one of the best ways to stimulate our minds to continue to learn and to have deepened, meaningful conversations that might actually affect what we do in the world. I love that.

HL: Last year, Dave Barry spoke at the Sonoma Valley Authors Festival and your band came up. Will the band perform anytime soon? Will you be singing again?

AT: Not right now. The band usually performs at a festival of some kind. We don’t charge any money for actual performance, but it’s a big band and the host has to rent all the equipment and such. If we happen to be all together, it might happen, but [we have] no plans for this year.

HL: Do you have a writing routine or ritual?

AT: When I first started writing, I had a routine. I would wake up early and write until my husband returned from work. Then, I would stop at 7:00 for dinner. In the past, I had tight deadlines and I would work really hard to finish my books.

HL: What do you consider your greatest achievement?

AT: My greatest achievement? My life has been full of unexpected

twists. From getting an agent and a publisher without planning to creating movies, operas, and children’s series by chance. Achievements often stem from intentions, but family has always been my priority. Loyalty and staying grounded are key for me. Embracing a beginner’s mind helps me stay open to learning and growing. After 35 years, my greatest achievement is staying normal.

HL: Do you hope The Backyard Bird Chronicles will contribute to this ongoing conversation about conservation?

AT: I’ve found that people who read the book say, “I’m starting to look at birds in my yard now and it’s so fascinating.” You start to pay attention. Then you love these birds because of how beautiful and precious, funny, and endearing they are. If you love animals, you’ll want to save them. You’ll want to protect them, yes. So, that’s what I hope. I hope that people fall in love with their own birds in their backyards.

Amy Tan introduces a charming change of pace with her latest work, The Backyard Bird Chronicles, highlighting her exceptional writing and artistic skills. Her participation in the Sonoma Valley Authors Festival underscores her dedication to spreading a passion for literature and the arts.

Meet Amy Tan at the Sonoma Valley Authors Festival April 26–28, 2024. svauthorsfest.org

Gucci Paradiso

Trendy Travel

These hotels incorporate your favorite fashion designers.

BY BECCA HENSLEY

VERSACE, ARMANI, MISSONI, BULGARI, OSCAR DE LA RENTA even Camper (that funky, comfy Spanish shoe brand)—flaunt their fashion talents and flourishes in the hotel market. Their visions, along with those of myriad other fashion mavens, manifest in rooms, bars, pool cabañas, restaurants—and as the sum total of entire hotel concepts. They are worn as staff uniforms and sold in shops dedicated to the look. Because ambiance matters, we fashionistas can’t help but be drawn to such destinations, packing our own collections to bandy about in stylish settings. For those of you who don’t do anything drab, we bring some stellar suggestions for vogue-ish hotel stays in 2024.

DOLCE&GABBANA®

Peers of the fashion realm have flocked for decades to the French Riviera, the veritable living room of the glib, glam, and gorgeous. Ensconced in the legendary Grand-Hôtel du Cap-Ferrat, A Four Seasons Hotel, they’ve strutted their stuff with Côte d’Azur élan, especially at the retreat’s sublime pool which hovers over the Mediterranean Sea. Club Dauphin, the hotel’s poolside restaurant and beach club, remodeled in 2022, features a Dolce&Gabbana blue Mediterranean-themed cabaña, awash in cobalt and white designs inspired by majolica tiles and the rich culture of the region.

STAN M. HERMAN

When the “father of fashion week” helps your resort group celebrate its 40th anniversary with new resort staff uniforms, you can expect a modicum of cozy couture sure to set a new standard in elegance. Sandal Resorts partnered with the unflappable fashion hero in 2022 for a chic redo of its workforce wear, restyling 15,000 employees in a range of resort positions from gardeners to front desk staff. Called the Anniversary Collection, the crisp, Caribbeanintoned uniforms were 94-year-old Hermans’ first foray into allinclusive resort uniform design, though he’s created looks for top corporations, including FedEx, JetBlue, and United Airlines.

MISSONI ®

On Maui’s most see-and-be-seen beach, the open-air Four Seasons Resort Maui beckons. Ever a hotbed of aloha chic, the Four Seasons’ first-ever resort property teems with tropical and classic Hawaiian design elements, aptly lending sense of place. But beneath the palm trees and amid the scent of plumeria, the sun-dappled, adults-only saltwater serenity pool proffers a slice of global flair. Two sleek cabañas by Missoni emanate Italian dolce vita with earthy Hawaiian undertones.

ARMANI ® AND GUCCI ®

Castle-like Badrutt’s Palace dominates the mountainscape of tony St. Moritz, the town credited with pioneering the concept of winter tourism in Switzerland. A second home to glitterati, kings, presidents, and Hollywood A-listers, the marvelous hotel exudes old school charm with attributes such as Rolls-Royce transfers to the slopes. The grand dame incorporates modern touches, too. Mosey into the Gucci Lounge, an exclusive members-only hotspot re-outfitted by Gucci each season. Renaissance Bar, a swanky hideaway for cocktails, is helmed by staff donning appropriately dapper Armani suits.

Dolce&Gabbana®

BARBOUR ®

Sporty Barbour, an outdoor-minded British lifestyle brand best known for its attractive (and warm) waxed jackets, has partnered with Cape Cod’s Wequassett Resort & Golf Club to conjure a mood appropriate to Cape Cod’s spectacular landscape. Emanating sensible functionality, Barbour created wardrobes for the hotel staff, curated select items in the resort’s gift shop, and instituted the Borrowing Closet, where guests can avail themselves of forgotten or needed gear on loan. In addition, a Barbour-inspired cocktail may be swilled in the bar, and guests may book a Barbour Field Guide Package.

CHRISTIAN DIOR

Synonymous with timeless style and artistic lines, Christian Dior pairs well with Le Majestic Hotel in Monte Carlo, a stately, fancy hideaway with sea views. Honoring Dior with “haute couture elegance,” Nathalie Ryan, an accredited decorator of the Parisian fashion house, has done her part to bring the iconic designer’s perspective to life. Step into the Dior Suite, a glamorous enclave replete with statement ornamentation such as a dining room with a Hungarian herringbone parquet floor, a rotunda that references the gild-y boutique on Avenue Montaigne, a Louis XVI style table, and gray and silver medallion chairs, among other jaw-droppers. A home cinema system seals the deal.

Barbour

Fashion lovers may immerse themselves in Rome’s cutting-edge style at Sofitel Rome Villa Borghese, a palazzo hotel set in the heart of Rome. Deeply connected to the fashion industry, the hotel can arrange for an array of style-savvy activities such as the Men’s Fashion Experience, in which a top Italian menswear consultant shares his secrets for that sexy Italian look. The adventure includes a traditional shave at the oldest barber shop in central Rome, visits to suit and shoemakers, and a riveting photo shoot. Sofitel Rome Villa Borghese revels in its commitment to delivering customized, one-of-a-kind experiences for its guests.

Knowledge of W Fort Lauderdale’s Luxury Essentials Cart takes the stress out of packing. Keeping a cart of fashionable accessories on hand, the hotel willingly shares its trove, an overstuffed cache of exquisite designer accessories from handbags to sunglasses to fragrances. Avail yourself of designer brand trappings by Versace, Gucci. Louis Vuitton, Tom Ford, and Christian Dior—and many more—each sure to keenly complete your outfit.

Haute HOTEL

Missoni

Sofitel Rome Villa Borghese

W Fort Lauderdale’s Luxury Essentials Cart

You’re

PHOTOS:

San Francisco … downtown

AS THE HEART OF SAN FRANCISCO, THE DOWNTOWN CORE EMBODIES A SPIRIT OF CREATIVITY AND RESILIENCE. SUPPORTING IT WILL BE ESSENTIAL TO THE CITY’S FUTURE.

BY STEPH KEAY

IT’S THE FIRST WEEK OF DECEMBER, AND SAN FRANCISCO’S new rooftop restaurant off Union Square is packed with groups in waiting. Down the street, a line for one of many holiday-themed cocktail bars wraps around the corner. Closer to the Embarcadero, restaurants lined with picture windows offer glimpses of holiday parties in full swing, revelers with flutes of champagne in hand. Despite the chill, a crowd has gathered at the foot of Market Street to admire artwork projected onto the façade of the Ferry Building, part of a city-wide initiative to activate public spaces.

It’s a stark contrast to the “doom loop” narrative perpetuated by the media in recent months, painting a grim picture of San Francisco’s future. Citing concerns such as rising commercial vacancies and crime, it suggests that the city is on a downward spiral. Though our city does have its problems—ones it shares with most major cities across America—San Francisco’s status as a cultural and financial center tends to attract sensationalized coverage. Criticizing the city for its issues and how these issues are addressed simultaneously, this misleading narrative also omits the abundance of reasons that make San Francisco one of the world’s greatest destinations. A closer look at the heart of the city reveals a more nuanced story—one of resilience, community, and optimism.

EAT, DRINK, AND BE MERRY

A hotbed of culinary innovation, downtown San Francisco is constantly evolving with an influx of new and exciting dining destinations. One of its latest players is Alora Coastal Mediterranean, an elegant restaurant breathing new life into a waterfront space which had been sitting empty for some time. Its owners are Vikram and Anu Bhambri, longtime Bay Area residents and the couple behind the acclaimed ROOH eateries.

“The downtown area holds a special place in our hearts. When looking for a place to open our restaurant, we were drawn to the historic charm of the waterfront and the views from our back patio,” said Vikram. “Alora is not just a restaurant, but a gateway to this distinctive atmosphere, offering a taste of the Mediterranean against the backdrop of the city’s rich tapestry.”

Holbrook House boasts a moody interior by designer Jeff Schlarb

The Conservatory at One Sansome offers a beautiful atrium for public enjoyment, as well as private events

Some of these tastes include a divine ’nduja sausage lasagna, fusing bold and hearty flavors, and a succulent steak shish kebab served with a roasted grape and bone marrow salsa and earthy maitake mushrooms atop a bed of creamy hummus. The Bhambris hope Alora will be one of many businesses that help draw customers downtown. “The success of local establishments [creates] a ripple effect that extends to neighboring businesses, residents, and the city as a whole,” said Vikram. “By patronizing downtown businesses, everyone can play an active role in preserving the dynamic spirit that defines San Francisco.”

Another restaurant relatively new to the scene is Holbrook House, which had social media abuzz ahead of its opening last fall. Located within The Conservatory at One Sansome, the all-day restaurant and bar turned heads for its playful use of light switches to summon carts serving champagne or martinis directly to its tables. Taking a cheekier approach to naysayers, it states its opinion directly on its website: “Congratulations, you’re in San Francisco. It’s not just a city—it’s a club. It’s not for everybody, and that’s fine.”

The elegant dining room of Alora Coastal Mediterranean

PHOTOS: NEETU LADDHA PHOTOGRAPHY (TOP), NATASHA GILLETT PHOTOGRAPHY (MIDDLE),

MATTHEW MILLMAN PHOTOGRAPHY (BOTTOM)

Indeed, its glamorous interior sends the message that this is an exclusive gathering place, one that calls “for locals and those who wish they were.” Barbershop-style chairs upholstered in emerald green leather frame a sleek Calacatta marble bar, while soft blue banquettes line a room outfitted with botanical print wallpaper. It’s the sort of place where you could comfortably kick off your day with Hachiya persimmon toast then return for a lively round of caviar bumps in the evening.

Just a few blocks away from Holbrook House is Estiatorio Ornos, chef Michael Mina’s Mediterranean restaurant, which took over his eponymous restaurant in 2021. Under the direction of executive chef Daniela Vergara, the kitchen showcases the freshest seafood, such as salt-crusted sea bream, and a twist on traditional Greek fare, including a tableside baklava sundae served with 23-carat gold honey.

As the chef, founder, and executive chairman of MINA Group, which manages over 30 chef-driven concepts across the country— three alone in downtown San Francisco—Mina is no stranger to opening restaurants. “We are striving to do our part as a restaurant by continuing to create jobs for our community and places for people to enjoy,” he said. “The more economic support downtown receives, the more momentum will be built on building back business and the overall downtown economy.” Some of MINA Group’s initiatives to bring activity back to downtown include Tuesdays at Estiatorio Ornos, where guests enjoy half off mezze (small plates) and gin and tonics at the bar, and Wine Down Fridays, offering half off bottles of wine at all three of his downtown restaurants.

Downtown San Francisco also boasts long-time eateries that weathered downturns and disruptions prior to the pandemic. Established in 1993, One Market Restaurant has become a standard for sophisticated dining in FiDi. Chef/partner Mark Dommen’s awardwinning, farm-to-table cuisine celebrates the bounty of Northern California, while sommelier and wine director Tonya Pitts manages the restaurant’s impressive 500-bottle wine list.

Across the Embarcadero, the neighboring Ferry Building is another longstanding beacon of downtown San Francisco’s resilience. After opening in 1898, it survived two major earthquakes before its transformation into the bustling culinary destination it is today, with further enhancements planned for 2025. Featuring artisanal food vendors, specialty shops, and farmers’ markets frequented by some of the city’s top chefs, the Ferry Building remains a symbol of the city’s rich history and promising future.

The tableside baklava sundae at Estiatorio Ornos

One Market Restaurant’s chef/ partner, Mark Dommen

Chef Michael Mina

GETTING DOWN TO BUSINESS

Meanwhile, downtown San Francisco’s businesses reflect the city’s diverse and innovative spirit, ranging from the iconic institutions that have shaped its cultural landscape to the emergence of establishments driving the message that San Francisco is still unabashedly the place to be. In addition to Holbrook House, The Conservatory at One Sansome’s $25 million makeover included a handsome reimagining of its stunning, light-filled atrium and North Lobby, totaling nearly 16,000 square feet of flexible event space.

“Back in September 2022 when [it] was under construction, I would rarely share the elevators with anyone or see regular foot traffic around the building in the FiDi,” said Lillian Phan, executive vice president of sales and marketing at The Conservatory at One Sansome. December 2023 was a much different story. “Since the launch of the Holbrook House, there has been a noticeable increase in activity within the atrium during public hours, along with a heightened awareness of our event spaces.”

This new chapter also reflects its commitment to the community as a space for the public. Special programming, such as a U.S. Navy Band performance during Fleet Week and a holiday pop-up featuring photo opportunities with Santa, attract both locals and tourists. “These activations aim to foster a sense of community,” says Phan.

Nearby, The Jay Hotel, which opened toward the end of 2023, is also keen on shared spaces that are inviting to all. “Our vision for The Jay has always been to be more than just a place to stay, but to also be a catalyst for positive transformation in downtown San Francisco,” said General Manager Michael Mussara. The Jay’s strategy is reflected in its partnership with Omakase Restaurant Group for The Third Floor, an upscale dining environment where locals and travelers alike will flock to a menu offering unexpected fare such as Japanese skewers, seafood towers, and superfood smoothies. “Through this collaboration, we aim to not only redefine the downtown dining scene, but also to foster a sense of unity and connection in this vibrant city that we call home.”

Another massive bet on downtown San Francisco’s revival comes from the acquisition of the Transamerica Pyramid Center by SHVO. Purchased by the luxury real estate developer in 2020, a multi-phase renovation, estimated at $400 million, has been planned for the iconic 48-story tower as well as two adjacent office buildings and an urban

The entrance to The Jay embodies a “warm Brutalist” design echoed throughout the hotel

The terrace of The Third Floor at The Jay offers a cozy respite in the middle of downtown

A rendering of the restaurant at Core, a new private club opening in the Transamerica Pyramid

PHOTOS: COURTESY OF THE JAY (TOP 2), COURTESY OF CORE (BOTTOM)

park at the center of the properties. One highly anticipated addition is a new branch of the ultra-exclusive private club, Core, expected to take up residence on the Transamerica Pyramid’s first three floors.

Like its locations in Manhattan and Milan, the club will offer members-only spaces including a restaurant, culinary lab, wine gallery, and speakeasy. Other luxe amenities include cutting-edge fitness facilities and a skincare institute offering head-to-toe tailored treatments. This major investment into the renowned landmark symbolizes a strong belief in San Francisco’s ability to rebound.

“With its world-class architecture, state-of-the-art amenities, and a reinvigorated park open to members of the public, the revitalization of this iconic site is encouraging firms and individuals to return to the office,” said a December 2023 report by HR&A Advisors. “The influx of activity [is] anticipated to create a ripple effect benefiting local retailers and businesses across the downtown neighborhood.”

SHVO’s plans to expand the urban park at the center of the complex will connect North Beach, Jackson Square, and

Chinatown—neighborhoods that house beloved institutions such as City Lights Bookstore. Founded by poet Lawrence Ferlinghetti and Peter D. Martin in 1953, the bookstore continues to stand as an emblem of literary arts and countercultural history after 70 years and is one of many businesses that will keep thriving with continued investment into downtown San Francisco.

THE GOLDEN CITY

While challenges remain, downtown San Francisco is far from succumbing to a “doom loop” and persists as a dynamic area with a rosy future. As we continue to navigate the uncertainties of a post-pandemic world, it is important to recognize and celebrate its local businesses, the contributions of which are essential to the city’s cultural vibrancy and economic vitality. So, savor a meal at a new waterfront restaurant or gather with loved ones at an old favorite. Swing by the Ferry Building and see what’s new, then stop in for happy hour and live piano at One Market Restaurant. Let’s keep the heart of San Francisco beating.

Lawrence Ferlinghetti outside City Lights Bookstore, which recently celebrated its 70th anniversary

PHOTO: STACEY LEWIS

Unveiling Pandora

A fusion of ballet and innovation at San Francisco Ballet’s enchanting opening night gala

BY TERESA RODRIGUEZ PHOTOS DREW ALTIZER

THE SAN FRANCISCO BALLET PROUDLY KICKED OFF THE YEAR’S REPERTORY season with their much-anticipated Opening Night Gala, titled “Pandora: Curiosity Unveiled.” The gala brought an extraordinary showcase of world class ballet and a touch of high glamor. The gala drew inspiration from the world premiere ballet Mere Mortals by acclaimed choreographer Aszure Barton.

The Ballet was privileged to have the distinguished Nancy Pelosi, Speaker Emerita of the U.S. House of Representatives, and Mr. Paul Pelosi as the honorary chairs for this year’s remarkable gathering.

The creative genius of event designer J. Riccardo Benavides transformed the venue into a captivating landscape of wonder and sophistication. Complementing the breathtaking visuals, McCalls Catering enchanted attendees with a culinary symphony of flavors, offering an array of exquisite appetizers and dishes that were as artistically presented as they were delightful to the palate.

The event was expertly produced with Michelle C. Harris overseeing as the Gala Chair, Maria Hemphill orchestrating the event as the Décor Chair, and Pam Preston as the Dinner Chair, ensuring a memorable dining experience.

Yurie Pascarella, Tamara Rojo, and Carl Pascarella

Michael Mauzé, Alison Mauzé, Nancy Pelosi, and Paul Pelosi

Farah Makras, Jorge Maumer, and Jennifer Walske

Willie Brown and Sonya Molodetskaya

Pam Preston, Riccardo Benavides, Michelle Harris, and Maria Hemphill

Carolyn Chang, Farah Makras, and Stefanie Roumeliotes

Dede Wilsey, Bernard Osher, and Barbro Osher

Timothy Wu and Karen Caldwell

Michael Suppes and Christine Suppes

Pernella Sommerville and Andrew Hinek

David Shimmon and Mary Beth Shimmon

Haute Living Launch Party at Poliform: A Night of Italian Elegance and Fine Wines

BY TERESA RODRIGUEZ PHOTOS DREW ALTIZER

THE HAUTE LIVING , SF LAUNCH PARTY AT POLIFORM SAN FRANCISCO took guests on a mesmerizing journey through Italian design and luxury. Guests had the opportunity to explore two floors of meticulously curated micro-environments, each offering a glimpse into the sophisticated world of Poliform collections. The showcase brilliantly displayed the elegance and craftsmanship that have become synonymous with the brand, leaving attendees in awe of the seamless blend of fashion and function.

A TOAST TO EXQUISITE TASTES

The night also paid homage to the fine art of winemaking, with exclusive selections from celebrated vineyards, such as Davis Bynum, Rodney Strong, and Symington Family Estates. For those opting for a non-alcoholic experience, sophisticated options like Jukes Rosé and Maison Bloom’s hemp-based, THC-elevated seltzers were on hand, providing an equally indulgent sipping experience.

DRESSED TO IMPRESS

The city of San Francisco came out in full force, donning their most fashionable attire and adding to the vibrant energy that carried the event. The synergy of stylish attendees and the arresting backdrop of Poliform creations gave the evening an aura of chic sophistication.

DELIGHTED GUESTS AND RAVE REVIEWS

Feedback from guests echoed sentiments of an unforgettable evening. The highspirited atmosphere coupled with delectable food offerings left a lasting impression. Attendees shared their enthusiasm, highlighting the fun-filled experience and the sumptuous culinary delights that punctuated the event.

The Poliform San Francisco event was a resounding success, celebrating the rich tapestry of Italian design, captivating the senses with its selection of fine wines and elevating non-alcoholic drinks, and bringing together a community of style enthusiasts for an energetic and unforgettable night.

Holly Baxter, Claudia Juestel, Jacqui Pio Roda, Stephanie Ng, Victoria Dai, and Nini Gueco

Norman Vickroy, Barbara Turpin-Vickroy, Vernon Applegate, and Sheriann Glab

Vasily Vein, Carolyn Tyler, and Teresa Rodriguez

Edward Winger, Heide Betz, Charles Baker III, Navid Armstrong, and Aubrey Brewster

Iraj Zolnasr, Stephanie Block, Fariba Zolnasr, and Adam Swig

Katie Calhoun and Katie Lalonde

Noel Burgess, Stephanie Block, and Lillian Phan

Gioi Tran and Nancy Lam

Joel Goodrich, Vincent Gotti, Robert Beadle, and Antonio Contreras

Eric Floyd and Jovani Ghorbani.

San Francisco Symphony Lunar New Year Concert and Banquet celebrates Year of THE Dragon

ON SATURDAY, FEBRUARY 17, AT DAVIES SYMPHONY Hall, the San Francisco Symphony celebrated the Year of the Dragon with the Lunar New Year: Year of the Dragon concert and banquet.This year’s celebration marked the 24th anniversary of the Symphony’s signature event, which is an elegant celebration of the lunar new year, drawing upon vibrant Asian traditions, past and present. The celebration began at 4 p.m. with pre-concert festivities in the Davies Symphony Hall lobbies and featuring an array of entertainment and activities, including fortune readings, dragon dance performances, ribbon dancers, a reptile show, calligraphy, and performances by Parangal Dance Company, Gamelan Sekar Jaya, and Flying Angels Chinese Dance Company. A special Ruby Reception for top donors also took place at 4 p.m. in the Wattis Room.

The lunar new year concert began with a festive dragon dance followed by welcome remarks by San Francisco Symphony CEO Matthew Spivey. Conductor Mei-Ann Chen then took the stage and led the San Francisco Symphony in a program of works by Asian composers, including Che Chang, Chen Ge Xin, Vivian Fung, Huang Ruo, Li Huan-Zhi, and Phoon Yew Tien. Violinist Paul Huang joined Chen and the Symphony to perform music from Tan Dun’s violin concerto Fire Ritual, followed by Fritz Kreisler’s Scherzo as an encore.

Nearly 300 guests attended the glamorous post-concert lunar new year banquet in Zellerbach Rehearsal Hall. Décor for the event included projection design featuring works from the of the Asian Art Museum’s collection, hanging red lanterns and lighting design by Got Light, and beautiful table décor and florals by McCalls Catering & Events. Following another performance by dragon dancers from Lion Dance ME, Spivey greeted the banquet guests and introduced Mayor London Breed who spoke to them and extended her congratulations to the committee for a

successful event. Spivey then introduced SF Symphony second violinist Chen Zhao and Bay Area pianist Elizabeth Dorman, who performed selections from Chen Gang’s Butterfly Lover’s Violin Concerto. Following the performance, event chair Ella Qing Hou and honorary chair Fred Levin spoke from the stage and thanked everyone for their support. The evening ended with a lucky draw, led by Qing Hou and Levin, and an enthusiastic mention of the Asian Art Museum which worked with the symphony to produce the fabulous visuals on the screen during the performance, pairing art pieces with the music, resulting in flying dragons and dripping flower blossoms complimenting the musical performances. A festive celebration of the Year of the Dragon indeed!

McCalls Catering & Events catered the banquet’s 5-course dinner. In-kind support for the lunar new year celebration was generously provided by The Caviar Co., Eden Rift Vineyards, and La Marca Prosecco. Proceeds from the event supported the symphony’s artistic, education, and community programs, which benefit over 50,000 students throughout the Bay Area. This concert was presented in partnership with the San Francisco Arts Commission.

Notable attendees included event chair Ella Qing Hou; honorary chair Fred Levin; conductor Mei-Ann Chen; violin soloist Paul Huang; Mayor London Breed; San Francisco Symphony CEO Matthew Spivey; San Francisco Symphony Board Chair Prisca Geeslin; The Caviar Co.’s founder, Petra Bergstein Higby; Modernist club founders Albert Chen and Steve Chen, who hosted the official after-party; Haute Living, San Francisco magazine’s publisher, Olivia Decker; ambassador Stephanie Block; symphony 2023 opening co-chair Navid Armstrong; and long time supporters Joel Goodrich and Mark Calvano.

The banquet at Wattis Room

Jack Calhoun, London Breed, Mei-Ann Chen, and Priscilla Geeslin

Matthew Spivey, Brett Waxdeck, and Tom Horn

Navid Armstrong, Ella Qing Hou, and Lilian Qian

Dagmar Dolby and Keith Geeslin

Fred Levin and Daniel Lurie

Olivia Decker at Wattis Room banquet

Paul Huang and condcutor Mei-Ann Chen

Slovak Republic President Caputová awarded legendary Singer-Activist Joan Baez

BY OLIVIA HSU DECKER

ON FEBRUARY 2, 2024, AT A PRIVATE RECEPTION AT THE Woodside home of Barbara Pivnicka, Honorary Consul of the Slovak Republic, and Richard Pivnicka, Honorary Consul General of the Czech Republic, President Zuzana Čaputová made a formal presentation of the Slovak State Award of the White Cross to singeractivist Joan Baez. The medal is an honor conferred by Slovakia upon foreign citizens for extraordinary service to the country. It includes the two-barred cross, also known as the Cross of Lorraine, which is the symbol of Slovakia. Ms. Baez was a supporter and long-term friend of dissident-turned Czechoslovakian President Vaclav Havel. President Suzanna Čaputová is the fifth president of Slovakia, and has held office since 2019—the first woman and the youngest person ever to serve in that role. Before entering politics, she earned international respect as an environmental lawyer and activist, and in 2016 was honored with the Goldman Environmental Prize.

Her official visit to San Francisco and Silicon Valley, with a delegation of 70—including two Vice Ministers, 30 Slovak business representatives, members of the president’s office responsible for women’s advancement, environmental initiatives, digital transparency, and security programs began with a welcome from the leadership of the Fairmont Hotel, which was the home base for the president and her delegation during their stay. The president had a meeting at City Hall with Mayor London Breed and raised the Slovak flag, which flew over City Hall until sunset, at which time the building was lit up with the red, white, and blue colors of the Slovak flag until midnight.

The president presided over a gathering of “Slovak Pro,” the Bay Area Slovak young professionals organization who are at the forefront of tech and AI engineering in the Bay Area—from cybersecurity expertise to astrophysics and space-related tech development. She addressed the more general business community at Stanford Research Institute (SRI) and had a speech and fireside chat with former U.S. Ambassador to Russia Michael McFaul at the Freeman Spogli Institute at Stanford. The delegation had a consultation with Google executives at the Mountain View campus and discussed digital and social media security issues at YouTube.

In her comments on awarding Joan Baez, President Čaputová noted: “It was the image of a peace activist which opened the possibility for Joan Baez to travel behind the Iron Curtain to thencommunist Czechoslovakia. Her concert in 1989 was part of the Bratislavá lýra music festival, and as such, it was broadcast live on

state television. During her live performance, Joan Baez pulled off several risky and daring acts at once. First, she got Václav Havel on her ‘crew’ and addressed him and all other signatories of the Charter 77 directly from the stage. She invited the banned singer and songwriter, Ivan Hoffman, to the microphone. He continued to sing his protest song even after his microphone was switched off. News about the concert spread everywhere and caught the rigid Communist system by surprise, struggling to respond. Joan Baez showed many Czechs and Slovaks that truth and freedom cannot be switched off. This gave us an encouragement and courage. She returned to our region in the following years—for example, in an unforgettable interpretation of the Slovak national anthem which she sang together with the Slovak singer, Juraj Benetin, she supported public protests in the aftermath of the murder of investigative journalist Ján Kuciak and his fiancé Martina Kušnirová in 2018. There is no doubt that as a lifelong Ambassador of Conscience and a Lifetime Achievement Grammy Award® winner, Joan‘s efforts also deserve an award for her merits in building and strengthening democracy.”

After receiving the medal, Baez surprised the guests with an a cappella rendition of “Wade in the Water”—her voice clear and rich at 83. The words of this rendition are partly her own; it’s a song she sang standing in solidarity with the two Black legislators in Tennessee who were expelled from the legislature for protesting gun violence. And, to bring the moment full circle, she ended the song by ringing her keys—as hundreds of thousands of people also did in a powerful symbolic moment of the Velvet Revolution, unlocking the doors to freedom after 40 years of oppression.

Attendees at the reception included legendary venture capitalists Pitch Johnson and Bill Draper; Dr. Rose Gottemoeller; former NATO Deputy Secretary General and Stanford Professor, Dr. Regis Kelly of UCSF; Hubert Palan, founder of tech unicorn company ProductBoard; Kara Newport, CEO of Filoli, the historic site of the recent President Joe Biden and Chinese President Xi Jin-Ping talks during APEC; Tesla co-founder Marc Tarpenning; astrobiologist Nathalie Cabrol and CEO Bill Diamond from SETI; Whitfield Diffie, winner of the $1 million Turing Prize for computing; and Stephanie Rosenbaum, TechEd CEO and UXPA Award winner; Evan Reade, International Affairs Advisor to California Lt. Governor Eleni Kounalakis; Chief of Protocol for San Francisco Maryam Muduroglu; and publisher of Haute Living, San Francisco magazine Olivia Decker.

President Zuzana Čaputová with Mayor London Breed at SF City Hall

PHOTOS: CURTSEY OF HONORARY CONSUL OF SLOVAK REPUBLIC

President Čaputová and Maryam Muduroglu, Chief of Protocol for San Francisco

Olivia Decker with Joan Baez

President Čaputová and Slovak Ambassador Radovan Javorčík at Fairmont Hotel conference

Barbara and Richard Pivnicka and Joan Baez with her award

Čaputová at 2019

inauguration as youngest Slovakia President

A Decade and a

Half

of Decadence

Celebrating the 15th anniversary of the Cayman Cookout

BY TERESA RODRIGUEZ

OVER 15 YEARS AGO ON A BALMY EVENING IN THE Caribbean, the esteemed 3-Michelin-starred chef, Eric Ripert, found inspiration on the steps of the The Ritz-Carlton, Grand Cayman. Amid the luxurious ambiance, Chef Ripert was struck by the contrast between the gentle, tropical weather he was enjoying and the biting chill of New York’s winters. Eric shares, “We were sitting on the staircase, and we were drinking champagne. It was late at night, and the resort was quiet because it was right after the holidays. I thought it was such a shame because it was freezing up north and we are in this dreamy environment. What could we do to entice people to come here and have a good time and have some fun? The staff brainstormed, and we came up with the idea of a food and wine festival.”

Moved to share this experience, Ripert reached out to his friends and luminaries in the world of haute cuisine, including Anthony Bourdain and chefs José Andrés and Andrew Zimmern. Together, within the polished embrace of The Ritz-Carlton, they conceived the now legendary Cayman Cookout, a celebration of the senses that promises an unrivaled symphony of flavors under the Caribbean sky.

This year, guests from around the world celebrated the 15th anniversary of culinary grandeur at the esteemed Cayman Cookout, skillfully orchestrated by The Ritz-Carlton, Grand Cayman, and spearheaded by the illustrious Ripert of Le Bernardin fame. A nexus for exceptional culinary prowess, the Cayman Cookout has become a revered conclave where master sommeliers, renowned distilleries, and the crème de la crème of the wine world convene.

This festival transcended ordinary gastronomic affairs and offered a sensory indulgence amid the pristine backdrop of Grand Cayman’s enchanting beaches. In honor of its crystal milestone, the

“AS THE GENERAL MANAGER OF THE RITZ-CARLTON, GRAND CAYMAN, IT IS A PRIVILEGE TO HOST THE LEGENDARY CAYMAN COOKOUT, A CELEBRATION THAT EMBODIES THE PINNACLE OF GOURMET EXCELLENCE AMID OUR OASIS OF LUXURY. EACH YEAR, WE AIM TO CRAFT AN UNPARALLELED SYMPHONY OF FLAVORS AND EXPERIENCES, INVITING DISCERNING TRAVELERS TO INDULGE IN THE MAGIC OF THIS CULINARY CONCLAVE.”

– MARC LANGEVIN, GENERAL MANAGER, THE RITZ-CARLTON, GRAND CAYMAN

Cookout introduced an electrifying repertoire of novel adventures crafted to elevate guests’ experience. Guests joined Ripert on a private jet tour, teed up with Zimmern, angled in the deep seas with chef Emeril Lagasse, and explored the underwater marvels with Andrés. Other cooking classes and events included world renowned chefs Kristen Kish, James Kent, Angie Mar, Enrique Olivera, Kwame Onwuachi, Orlando Soto, and Pano Karatassos.

Each facet of the Cayman Cookout was a tapestry of culinary intrigue, from awe-inspiring cooking displays to sumptuous feasts and vivacious tastings. Guests celebrated with chef-led luncheons, effervescent pool parties, and signature heritage events like the beloved Barefoot BBQ and Rum & Robusto.

This year, an exceptional performance by the iconic Goo Goo Dolls wove another layer of magic into the Cookout’s fabric, culminating in an energetic backyard concert. The pinnacle of the festivities was the Crystal Anniversary Gala Dinner. Hosted in the legendary Blue by Ripert, the gala was an unparalleled culinary odyssey where virtuosos of taste summoned their most innovative creations, delivering a symphony of flavors meticulously paired with world class wines.

About The Ritz-Carlton, Grand Cayman

Nestled between the cerulean waves of the North Sound and the pristine Seven Mile Beach, The Ritz-Carlton, Grand Cayman offers an oasis of luxury sprawled across 144 acres of immaculate tropical paradise. Recognized as a Forbes Five-Star Hotel, this exquisite destination invites discerning travelers to experience its 369 rooms and suites, each meticulously designed by the renowned Champalimaud Design for peak opulence.

2024 Cayman Cookout headlining talent

Chef Eric Ripert with stingray at Stingray City

Chef Andrés’ lionfish cull experience

Chef Eric Ripert

Chef José Andrés

Chef Kristen Kish Demo

Chef Kwame Onuachi

“INSPIRED BY THE ALLURE OF FOOD, WINE, AND CAMARADERIE, THE CAYMAN COOKOUT BLOSSOMED FROM A VISION SHARED AMONG ESTEEMED CHEFS AND FRIENDS, A HARMONIOUS BLEND OF CULINARY EXCELLENCE, CONVIVIALITY, AND THE SPIRIT OF ADVENTURE. TOGETHER, WE CRAFT A HARMONY OF FLAVORS THAT CAPTIVATE THE SENSES, INVITING GUESTS TO REVEL IN THE MAGIC OF GASTRONOMY AMID THE OPULENT SETTING OF THE RITZCARLTON, GRAND CAYMAN.”

— CHEF ERIC RIPERT

Andrew Zimmern

Rum and Robusto

2024 Cayman Cookout headlining talent

Chef Eric Ripert in Jamaica

This

• Walls of glass encompass this newly constructed

elevating the residence to the pinnacle of modern

• Carefully selected materials share a harmonious color palette both inside and

and outdoors; the exterior surfaces of the residence feature Portuguese limestone, and the interior includes a combination of Italian porcelain on the main level and white oak hardwood flooring throughout the upper level

• Collaboratively designed by architects Miles Berger and Holscher Architecture; completed in September of 2023 by Peterson Construction and Development

• The dramatic living room is an entertainer’s dream with floor to ceiling Weathershield sliding glass doors opening to an expansive entertainment terrace overlooking the stunning panoramas of the rolling hills of Ring Mountain and Mount Tamalpais; a custom-built bar and cocktail station make entertaining effortless

• The phenomenal chef’s kitchen was designed to elevate the art of entertaining; a sleek aesthetic defined by clean lines, white custom cabinetry, Vadara White Aurora Quartz countertops, two 8’ center islands, dynamic wood accents, and high end stainless steel appliances

• A large adjacent family room with floor to ceiling sliding glass doors opens to the ‘turf` lawn, outdoor shower, sparkling pool, and spa with stunning views of Mount Tamalpais and the rolling hills of Ring Mountain open space

• A breathtaking floating staircase featuring sleek glass paneling gracefully ascends to the upper level of the residence, featuring a spacious media/family room, four ensuite bedrooms, a luxurious primary suite, and multiple view terraces

• Three car attached garage with guest parking for multiple vehicles

Festival Napa Valley Olivia Decker Power of Music Presents Violin Virtuosos’ California Dreams

BY MAX WEINBERG PHOTOS DAVID ORTEGA

ON JANUARY 28, THE FESTIVAL NAPA VALLEY OLIVIA DECKER

Power of Music concert at San Francisco Conservatory Barbro Osher Recital Hall unfolded as a magical ode to California’s rich and varied musical history. Curated and performed by best friends and talented young violinists, Simone Porter and Blake Pouliot brought forth a delightful fusion of melodies inspired by the eclectic cultural influences of California. Opening with a bespoke rendition of the Eagles’ “Hotel California,” followed by the Danse russe from Petrouchka by Igor Stravinsky, Erich Wolfgang Korngold’s Much Ado About Nothing Suite, Opus 11, and the Sonata for Two Violins, Op. 15 by Miklos Rozsa. The duo set the stage for a night of highenergy sound that resonated with the soul.

Porter and Pouliot, alumni of the Colburn School in Los Angeles and friends for over a decade, showcased not only their technical brilliance but also a genuine camaraderie that permeated the performance. “We’ve never actually been able to fully collaborate before, so this was like 12 years in the making,” Pouliot explained during the performance. “After recently moving to New York,” he continued, “we thought this would be a great way to honor our past and so much of our heart that remains in California.”

In harmonious collaboration with the violin virtuosos was pianist Hsin-I Huang, their long-time friend and musical companion. Together, the trio effortlessly guided the audience through a musical journey that traversed genres and emotions.

Perched within the Barbro Osher Recital Hall, attendees were treated to more than just a musical spectacle. The venue, adorned with wall-to-wall, floor-to-ceiling windows, provided breathtaking views of San Francisco City Hall, Davis Symphony Hall, and the San Francisco War Memorial Opera House. The ambiance, coupled with melodic mastery, transformed the space into a haven of refined elegance. Adding to the evening’s sensory delight, catering by Napa’s Monday Bakery treated attendees to a symphony of flavors complementing the musical experience.

Blake Pouliot and Simone Porter perform

Simone Porter and Blake Pouliot perform

Alex Hagiopol and guest

Emma Frazier, Blake Pouliot, and Grayson Frazier

Concert at San Francisco Conservatory’s Barbro Osher Recital Hall

Sinosa Micik and Aaron Ohlmann

Haute EVENT

Simone Porter, Olivia Decker, and Blake Pouliot

Blake Pouliot and Hsin-I Huang perform

Olivia Decker and Hsin-I Huang

Festival Napa Valley Olivia Decker Power of Music Presented Lively Jazz Concert Featuring Cubanborn Pianist and Composer Harold LópezNussa

BY OLIVIA HSU DECKER PHOTOS DAVID ORTEGA

CUBAN-BORN PIANIST AND COMPOSER HAROLD LÓPEZ-NUSSA took concertgoers on a high energy musical journey teeming with joy and spirit when he performed music from his new album, Timba a la Americana, to a sold-out crowd at The St. Regis San Francisco on Friday, February 9. Grammy Award® winning harmonica master Grégoire Maret, Latin jazz bass great Luques Curtis, and drummer Ruy Adrian López-Nussa joined López-Nussa in a program that reflected the full range and richness of the Cuban musical tradition with its distinctive combination of classical, folkloric, and popular elements. The performance was part of Festival Napa Valley’s yearround Olivia Decker Power of Music series.

Prior to the concert, guests experienced an exquisite wine reception sponsored by Domaine Carneros, featuring 2021 Domaine Carneros Estate Pinot Noir, Domaine Carneros Ultra Brut, and light bites prepared by the culinary team at The St. Regis San Francisco’s signature restaurant, Astra.

Distinguished guests included Olivia Decker, Fariba and Iraj Zolnasr, Domaine Carneros CEO Remi Cohen and JJ Nabb, Mark Calvano, Amy Lui, Naoko Dalla Valle, Darian and Rick Swig, Hydra Mendoza and Eric McDonnell, Carmen Castro-Franceschi and Greg Franceschi, Mona Tavss, Kitty Payne, Diana Bersohn, singer-songwriter Miist, Beverly Sodhani, The St. Regis San Francisco Director of Operations Ryan Cunningham, and The St. Regis San Francisco Director of Sales and Marketing Lilian Wagner.

Harold López-Nussa and Grégoire Maret

Harold López-Nussa and Olivia Decker

Beverly Sodhani and Naoko Dalla Valle

Eric McDonnell and Hydra Mendoza

Harold López-Nussa, Grégoire Maret, Ruy Adrian, and Luques Curtis

Olivia Decker and singer-composer Miist

Lilian Wagner, Mark Calvano, and Olivia Decker

Greg Franceschi and Carmen Castro-Franceschi

Fariba and Iraj Zolnasr

Owners of Domaine Carneros, JJ Nabb and Remi Cohen

2023 Maserati MC20

The return of the Trident’s Edge

BY TIM LAPPEN

MASERATI WAS FOUNDED IN 1914 — LONG BEFORE MANY OF ITS eventual competitors, such as Jaguar, Ferrari, Porsche, and certainly Lamborghini — and its roots are with great racing machines and sports cars released through the 1960s. In fact, their “Tipo 61,” which became known as the “Maserati Birdcage” due to its beautiful tubular space frame, was one of the most desirable cars from that era (1959-1961), and the few remaining (less than 25 were constructed) are worth millions of dollars. I had the pleasure of seeing one, with the body off, and it’s truly a magnificent work of art.

However, apart from the very capable Gran Turismo (GT), which was manufactured from 2007 to 2019, most Masers offered in the United States in recent years have been two- and four-door sedans. And when SUVs arrived, there wasn’t a sports car in the lineup for many years. Maserati did create a cousin of the Enzo in 2004, called the MC12, but that model was only made for a few years, and a total of just 62 were built. Its main purpose was to qualify a racing variant of the car for the FIA GT Championship (the racing league required a certain number of road-going variants to be produced in order for the model to be able to participate).

From 1997 to 2005, Maserati and Ferrari had common ownership, and one of Maserati’s selling points was that its vehicles were powered by Ferrari engines. And while the Quattroporte luxury sedan was a big seller, especially starting with the 2014 Quattroporte VI, it seemed like the Maserati spirit of racing cars was lost in a world of sedans. But then, in 2020, the MC20 debuted. Maserati hailed the model as its “Super Sports Car” — and I, like many car aficionados, couldn’t have been more pleased. (The name came from “Maserati Corse” [Racing Maserati] and the “20” was for the year 2020.)

I first saw that beautiful sports car at Pebble Beach during Monterey Car Week that same year, at the Maserati House, and though it was on static display, the car looked to be in motion. With a gorgeous, light-blue body, the MC20 looked amazing. It would be another several months before I was lucky enough to borrow one for a multi-day loan, and it certainly was worth the wait! This two-seater coupe with a rear midengine is a race car for the street and was built to combine gorgeous Italian looks with an engine that was designed after those in Formula 1 cars.

“My” MC20 was liveried in an optional misty color called “Bianco Audace” — an off-white exterior with a black and gray interior. The base

car was $212,000, but someone with good (and expensive) taste ordered it with a boatload (or shall I say “barchetta load”) of add-ons, such as the custom matte paint ($14,000); carbon ceramic brakes ($10,000); a black roof ($4,000); carbon fiber here, there, and everywhere (more than $50,000); a racing interior ($2,500); racing seats ($7,000); and more — bringing the total (before tax and license) to over $315,000. I liked all the choices and didn’t find one that I would have excluded.

Driving the car was a real treat, too. Maserati created the engine this time (code-named “Nettuno”) rather than sourcing a Ferrari option. The MC20 sports a V6 twin turbo engine with 3,000 cubic inches, producing 621 horsepower and 538 pound-feet of torque, which is enough oomph to rocket this 3,306-pound car from zero to 60 mph in under three seconds, on the way to a top speed north of 200 mph. And did I mention the 8,000 RPM redline, which emits a wonderful scream at full throttle?

I liked driving the MC20 as it was a great blend of performance and comfort. Entry and exit were effortless (which is not always the case with butterfly dihedral doors like these), with no compromise to the ergonomics of driving to achieve great looks and performance. The handling was exact as well and had both the tightness of a sports car in the twisties and a supple, compliant ride on the straights. Although the engine sounded amazing at full honk, there was ample power to move with alacrity at less than full throttle so that the car could easily be driven at normal (that is, legal) speeds with much less sound and fury. The seats in mine were the monocoque racing seats, but I still found them both comfortable and supportive. The eight-speed transmission was sharp and smooth-shifting but also shifted swiftly upon hard acceleration. The MC20 only is available with a paddle shift; like many modern performance cars, it’s not available with a stick shift transmission. Rearward visibility is terrific, thanks to a video monitor fed by a camera at the rear — a nice touch as the camera’s wide angle is far more effective than a traditional rear-view mirror, especially when a car (as is the case with the MC20) has a constrained “natural” view. In the calmest of the three driving modes (GT), the MC20 seems somewhat sedate, but jump up to Sport or Corsa (the latter being my preferred modus operandi), and you get the Italian aria befitting a car of its stature. I love its song!

My time with the MC20 was too short, but I will be borrowing the MC20 Cielo (convertible version), and who knows, I might be among the first to experience the all-electric version of the MC20, which Maserati has promised soon, or even the MCXtreme, the full-race, track-only variant of the MC20, which I saw unveiled at The Quail in August (all 62 units have been sold). Whatever top or motor your MC20 has, you’re sure to have an enjoyable time.

Enter Your Dragon

Finding healing through the bodymind connection

BY TERESA RODRIGUEZ

So far, this Year of the Dragon has descended on most of us with fiery vengeance. It seems as if we are all going a little bit crazy. The outside world is filled with negativity and trauma, while our personal lives struggle with inner chaos creating illness, anxiety, and pain throughout our bodies. So many of us want off this roller coaster and find a place of peace and wellness.

What if there was a way to reconnect to that wise part of our being that could help us heal our chronic wounds, ease our suffering, and free our tight muscles? To do so, we must first embrace our inner dragon’s energy and harness its power to fuel our personal growth and transformation. Luckily, there is a dragon tamer and prolific healer the New York Times calls “The Hollywood A list’s favorite guru ... a master.” Meet author and somatic therapist Fred Mitouer, Ph.D. Gwyneth Paltrow’s website, Goop, raves about Mitouer: “When acupuncturists and other healers need bodywork, they go to Fred Mitouer. He does bodywork for all the Buddhist priests in the area (seriously), using a variety of modalities. He’s best known for a somatic therapy called transformational bodywork, where he combines deep therapy with an emotional release for lasting effects.”

Just 73 years young and filled with more energy than a college freshman, Mitouer lights up any room he walks into. His mischievous twinkle in his eyes and his friendly demeanor have guided thousands of people on self-discovery and wellness for over 50 years. Like many innovators in the wellness space, Mitouer is an adventurer, but his journeys are inward. Those who have answered the call for self-reflection and healing with Mitouer are some of the most respected names in media, business, and world leadership. Along with his somatic healing practices, Mitouer has presented his work in various international venues, including Paris, Hong Kong, the United States, and Russia. Mitouer’s clients come to him for more than just a 60-minute massage and talk therapy; they show up at his dragon’s gate needing profound relief, sage wisdom, and a place to reconnect with themselves.

Fred Mitouer and his wife, Cheryl, have known each other since they were four. Their tiny clay handprints from kindergarten hang proudly in their kitchen within a wooded sanctuary tucked away in the majestic Mendocino mountains. Through years of love and hard work, they crafted an extraordinary haven for healing. With mythical dragons as guardians, their sprawling property is filled with playful spots like the Dragons’ Breath Theatre, the reflective koi pond, and a mesmerizing mirror maze. Guests also enjoy lounging by the pool, soaking in the hot tub, or unwinding in the sauna. It is a magical place where kids of all ages are encouraged to find their happy, soulful nature beyond the daily stresses of modern life.

Mitouer’s hands found Ariana Huffington’s sprained ankle on a hiking trail at Post Ranch while the two were guests at a wedding. This led to his work with her and her family and friends at her home in Brentwood. In a post-session phone consultation shortly after she had launched the Huffington Post—she lamented to him about how she felt somatically stressed by all the deadlines she had to meet to keep the site running. Mitouer responded to her tensions by inviting her to breathe into her belly and reimagine her thoughts about

“THERE ARE MANY MODALITIES OF HEALING THAT CAN HELP PEOPLE FIND WELLNESS, BUT THE ONE PART THAT SEEMS TO BE MISSING IS THE SOMATIC COMPONENT...”

– FRED MITOUER, PH.D.

“deadlines.” He told her, “Envision these opportunities not as ‘dead lines,’ but as living circles, moving, flowing, and always changing.” It was an ah-ha moment for the media tycoon who later sold her empire to AOL for $315 million.

Mitouer helps his clients understand the delicate balance between living in a reactive state versus a responsive state. In the reactive state, our bodies and mind want to freeze, fight, or flee. This is where tension is created, anger swells, and we turn to substances to numb the uncomfortable feelings that threaten our safety. But Mitouer asks a deeper, more profound question: “How can I adapt to be in harmony with this unexpected, usually unwanted, changing path?”

He explains that everything may be seen as a problem or project. That includes our own wellness, vitality, and mental fortitude. The world is in chaos, and that chaos has infiltrated our bodies through the news, our relationships, and social media. Mitouer asks, “How can we decrease the tension in our bodies and make it less oppressive?” Along with asking the question, Mitouer answers, “You need to focus on the present, you need to focus on the breath, you need to focus on your body, and you need to get grounded.” He continues to explain that we each need to find a safe place, a middle ground, where we are not floating off in space or burdened by the heaviness of the world around us. But where can we find such a haven?

The first time I met with Mitouer was almost 10 years ago. I was suffering from debilitating pain from two car accidents that severely damaged my back. The first accident left me without a disc in my lower lumbar, while the second accident slammed my right leg up into my pelvis. For years, I received cortisone shots to ease the onslaught of suffering, but nothing helped. That was when my mentor suggested that I see Mitouer.

“There are many modalities of healing that can help people find wellness, but the one part that seems to be missing is the somatic component. We live in a 3-D world. We have right-left, we have back-front, and we have up-down. This is the space our bodies physically live in. For example, we can sometimes have too much tension, pulling one of our sides down or making us lean forward too much. We can have a limp in one leg, or our neck can be out of alignment. All this causes imbalance and dis-ease. Our goal is to find balance within the body, so all dimensions are in harmony.” Mitouer continues, “Sessions in somatic agency are explorations of self through conscious touch. They can be viewed as the art of ‘peacemaking’ between the inner human being and the physical body. Unlike massage and most bodywork styles, which have physical goals as their primary focus, this approach aims at awareness. The focus is upon the place in the physical body where unconscious beliefs, repressed memory, and charged unresolved emotional experience coexist.”

Before a session, Mitouer has frank discussions with his clients about what led them to his dragon’s gate. He asks thoughtful questions that start a dialog that includes the client’s emotional state and general well-being. For me, at the time, I was very frustrated and feeling stuck. Along with the physical damage caused by the car accidents, there was also a story I created regarding my injuries. Mitouer explained that my emotions were getting stuck in my body and that the only way to relieve the pain was to release the story of my being a victim. I didn’t realize so much of my suffering was wrapped in the false narrative that I was powerless.

So, how does Mitouer tap into this unseen energy and help people release years of chronic pain and shame? In his book, Wounds into Blessings, Mitouer shares that healing naturally begins when we focus on a wound. But what is a wound? Mitouer explains that a wound is an energetic constriction of life force energy. These constrictions may be temporary or long-term. For me, I was suffering from long-term wounds that I encased in a victim mentality. I had built up walls around my body, and these wounds held the belief that I didn’t deserve to live a pain-free life filled with joy and freedom.

While Mitouer worked on the parts of my body where I felt pain, I also tapped into the sadness, fear, and anger pent up in my muscles, bones, joints, and tendons. I let out sobs of frustration and sharp bolts of rage. Then I allowed wellness and peace to settle into my body. It wasn’t until Mitouer began to shape my flesh like a sculpture that I began to release the old belief that kept me in pain. It reminded me of when someone asked why Michelangelo chose that particular piece of marble to carve the Pietà. He said, “There is an angel in it, and I want to free it.” I felt like Mitouer was the sculptor working through my body, and I was a piece of marble ready to discover my inner angel, the calm spirit who could tame my furious dragons. It was a profoundly emotional session that left me feeling more at ease and with a newfound clarity about my role in the beautiful dance of life.

After my time with Mitouer, I began to watch and feel how simple instances could cause physical reactions in different parts of my body. For example, when I saw texts from certain people, my jaw tightened or I would feel nauseated. In the past, I would snap off snarky texts or get upset. But Mitouer reminded me that our bodies have minds and have inherited unconscious memory banks of reactive instincts. Our job is to transform those reactive behaviors and find confidence in our thoughtful responses.

In his best-selling book, Negotiating the Nonnegotiable: How to Resolve Your Most Emotionally Charged Conflicts, Daniel Shapiro, Ph.D., a world-renowned expert on negotiation and conflict resolution, writes about how our reactive behavior is the cause of

some of the most unfortunate situations in our personal life as well on the world stage. Ironically, our bodies and minds may enter conflict and set fire to our inner dragons. Our mind says one thing, while our bodies react differently. Shapiro shares, “Everyone wants to feel heard, understood, and appreciated. As you listen, you gain the power of information and affiliation. The other side trusts you, and you start understanding what motivates the other side to act. You are in a better place to influence.” This communication and balance are what Mitouer creates in a body-mind connection where he taps into your soul.

Mitouer shares, “There is an in-body and out-of-body experience that often happens as the deeper breathing and expansion of the neuro-musculature occurs. Sometimes, it feels like one travels into the third dimension and beyond, wherein consciousness opens to an awareness that we are carrying our ancestors’ epigenetic and karmic material.”

“Fred has become an integral part of my healing journey,” shares Tiffany Woolf, a Bay Area filmmaker, wife, and mother. “I have been struggling with a recent cancer diagnosis, which has been both shocking and terrifying. Fred has helped me to extract the overwhelming fear, pain, and grief from my mind and body to relax my nervous system and to let my medical treatment do its work. My treatment is responding beautifully. Miracles do exist if you are open to integrative healing work and completely trusting the process and, of course, if you are lucky enough to work with a compassionate and loving spiritual practitioner like Fred.”

“In Tiffany’s experience, there was a powerful and emotional release in her left arm that she could associate with her grandmother’s life experience in Poland during World War II,” Mitouer explains.

With a deep understanding of the mind-body connection, Mitouer breaks down emotional barriers and guides you toward

being fully present. His unique mix of courage and curiosity creates an unbreakable bond, providing a safe space for letting go of what no longer serves you. The transformative power of Mitouer’s personalized approach is heightened by his expertise to inspire and motivate. His work fosters collaboration and resilience within your body, allowing you to release fears, tensions, and emotions that no longer serve you.

As clients navigate this transformative process, they frequently discover untapped potential and a newfound clarity in their life’s direction. Mitouer’s techniques are tailored to unlock personal growth, teaching valuable tools for managing stress and anxiety. With Mitouer, the journey to self-discovery is not just about healing—it’s about thriving.

Filmmaker L. Scott Jones has brought the magic of Mitouer’s healing work to life with his latest project, Grounding Light. This captivating film takes you on a transformational journey as you witness Mitouer at work with his clients, students, and colleagues. Through somatic agency, the body-mind becomes one with a greater Divine Intelligence, allowing you to tap into the body’s wisdom, quiet the mind, liberate the body, and integrate the soul. It is an inspiring documentary highlighting the importance of wounds in our healing journey.

In his book, Mitouer writes, “Once we are inside the wound [that we intend to heal], we no longer perceive old anger, fears, betrayals, and grievances as negative afflictions, enemies, or burdens we’d rather deny or avoid. They can prompt our growth, as in the analogy of an oyster making its pearl from an irritating grain of sand.” What begins with anger can become forgiveness and leave us kinder and wiser beings. Our once cruel and deadly dragons may become our winged companions who illuminate the night sky, showing us that our path is clear and we are indeed safe and protected. www.somaticagency.net

Villa Tardieu

One of the most prestigious estates in South of France can be yours.

BY OLIVIA HSU DECKER

ANDRÉ TARDIEU WAS THE PRIME MINISTER AND PRESIDENT of France between 1929 and 1932 and a dominant figure in French political life with a strong intellectual reputation. He withdrew from political life in 1934 and settled permanently in his Menton villa until his death in 1945. Tardieu was a politically strongwilled figure known for his love of luxury and modernity. He was nicknamed “The Miraculous.”

In 1928, he had his villa built on the Annonciade Hill, the most temperate location in France. He entrusted the design to the famous art deco architect Pierre Patout, decorator of the Île-deFrance and the SS Normandie ocean liner. Long horizontal lines, accentuation of curves and bends, walkways, and a rooftop terrace conceived like a bridge: Pierre Patout designed an architecture characteristic of the “style paquebot.” This specific aesthetic, combined with the personality of its owner, naturally led the Villa Tardieu to be nicknamed the “Commander’s Head.” While the architecture of this white, sleek, modern villa stands out from the traditional Belle Époque villas of Menton, the interior decoration proves equally refined. As president of the Society of Decorative Artists, André Tardieu called upon the finest designers.

PHOTOS: SIDNEY GUILLEMIN

Built in 1930 as the private residence of President Tardieu, this spacious villa with 18,300 square feet of living space is considered one of the most prestigious estates on the Côte d’Azur. The 22 acres of rare land with amazing landscaping covers an entire hill situated only 12 minutes from Monte Carlo in the best microclimate of France and offers a 360-degree panoramic view of the Mediterranean Sea and mountains. The villa was built by the master of art deco architect, Pierre Patout, renowned for the worldfamous ocean liner, SS Normandie

The entire home and its furniture were designed by ÉmileJacques Ruhlmann, known as “Art Deco’s greatest artist.” In 2011, a desk designed by Ruhlmann from this villa, which belonged to President Tardieu, sold for $4 million at Christie’s auction. World class crystal craftsman Lalique crafted amazing ceiling lights and wall lamps completed by original crystal pieces throughout the house. Edgar Brandt designed the ironwork. The most prestigious designer of the art deco period, Ruhlmann designed the Grand Library, a gift from the French Senate. The office, a gift from Georges Benjamin Clemenceau (former French statesman), and the dining room were all designed and signed by Ruhlmann.

The villa also features a fantastic heated swimming pool (148 feet long), a beautiful guest villa (1,615 square feet), a 2,300-foot driveway, ample parking, and a private heliport. (The villa is 25 minutes from world-renowned beach resort Saint-Tropez and 45 minutes from ski resort Courchevel by helicopter.)

The magnificent villa entertained some of the world’s most influential artists, politicians, and royalty, including Sir Winston Churchill, René Coty (French President), famous French actress Mary Marquet, and many royal families of Europe. Other worldrenowned former owners included H.S.H. Prince Rainier of Monaco and Monaco real estate tycoon Mr. Jean-Baptiste Pastor. Price upon request.

Please

Olivia Decker

Founder and Co-Owner, Golden Gate Sotheby’s International Realty Cell +1. 415.720.5915

Olivia.HsuDecker@SothebysRealty.com

www.VillaTardieu.com

PHOTOS: SIDNEY GUILLEMIN

PHOTOS: SIDNEY GUILLEMIN

Lydia is a passionate advocate of healthy living. She has launched and positioned many health and wellness-related companies, products, technologies and organizations receiving more than 100 awards nationally and internationally. Her focus in the health sector is specifically on healthy living, aging and longevity. She is a partner and investor in several recognized national brands. She sits on the board of the Buck Institute for Research on Aging whose mission is to eliminate the threat of age-related disease for today’s and future generations. It is the only independent research organization globally dedicated to extending the healthy years of life. Like the scientists at the Buck, Graham envisions it will be possible for people to enjoy life at 95 as much as at 25. To support Buck’s mission, please visit www.buckinstitute.org.

Are Your Fashion Choices Making You Sick?

Toxic chemicals and materials in clothing can take a toll on your health.

BY LYDIA GRAHAM

A RECENT WALL STREET JOURNAL ARTICLE QUESTIONING

whether clothes were better 50 years ago inspired me to reflect on fashion, which I have always loved. Their investigation revealed clothes today (or rather the textiles they are made of) are thinner, stretchier (accomplished by blending with Spandex®), rarely lined, more tightly cut (meaning more sustained direct contact with our skin), and more frequently are made of synthetic materials like polyester. Yesterday’s consumers had fewer clothes, mostly made in the USA, and they paid more for them (not that those clothes were entirely healthy). No question, most modern clothes have become less expensive (fast fashion) and more comfortable, but at what price? While much has been written on the planetary and human rights impacts of the fashion industry, comparatively, there is less focus on the daily impact of fashion’s chemicals on our health.

In the 1960s, 95 percent of Americans’ clothes was manufactured domestically (with plenty of “sins” committed even then). Textile manufacturing significantly changed with two pieces of legislation: the Clean Water Act (1972) and the North American Free Trade Act (implemented in the 1990s). Textile companies and brands now had more incentives to move production offshore to countries with abundant supplies of cheap labor, few labor protections or enforcement, and little, if any, restrictions on the use and disposal of chemicals. When production moved overseas, fashion brands got carte blanche with little oversight.

SO, WHAT EXACTLY IS IN OUR CLOTHES?

Truth is, we really do not know. It is difficult for a consumer, even an informed one, as there is no ingredient list. Look at your clothing labels. Compared to food and cosmetic labels, you will not find much there. Clothing labels usually list the type of fabric (cotton, wool, silk, polyester, etc.), where it was made (often China, the leading exporter of textiles, India, Vietnam, among others), and performance functions such as wrinkle-free, stain-proof, or waterproof, etc. According to the Environmental Working Group (EWG), “The Federal Trade Commission asks U.S. clothing retailers to share only fiber content, country of origin, and the identity of the manufacturer on labels.”

Let’s start with clothing fibers. Today, almost 70 percent of our clothes are made of polyester and other synthetics derived from petroleum. They do not biodegrade (even recycled polyester) and constantly leach harmful chemicals and microfibers into our air and water. Eventually, these clothes wind up in landfills. One of the biggest culprits is microplastics (particles below five millimeters), also known as microfibers (a plastic-based thread thinner than a human hair). Microfibers are found in polyester, nylon, polyamide, and acrylic. When these textiles are manufactured, washed, worn or dried, they continually release or shed these tiny plastic fibers. A quote on a U.K. site, Friends of the Earth, posted, “One washing load of clothes could be shedding up to 17 million tiny plastic fibers.”

You’ve probably heard about the impact of microplastics in our oceans (the textile industry is the largest contributor), but think about this: they are also lurking in your home’s air and the clothes touching your skin. According to PlasticSoupFoundation.org, “Of all the floating dust in a household, 33% of it is microplastics from textiles.” The bad news: we are breathing and ingesting these particles daily, not to mention they are polluting outdoor air across the globe.

What makes our clothes stretchier today is Spandex, also known as elastane. It, too, is a petroleum-based fiber sourced from polyurethane. You will find it on most clothing labels today, ranging from undergarments to performance athletic wear to daytime and evening wear. If a garment is smooth, tight, and clingy, it probably has Spandex.

What else is missing in those labels? Likely a lot. It is the hidden toxic chemicals and dyes applied to fabrics (even natural fabrics) we should worry about. More than 8,000 synthetic chemicals are used in textile manufacturing. Some of the most harmful are polyfluorinated substances or PFAS (frequently used for stain-and-water-resistance). You have probably heard them also referred to as “forever chemicals.” EWG states that PFAS are “a large family of thousands of fluorinated chemicals, linked to a higher risk of cancer, reproductive harm, immune system damage and other serious health problems.” These chemicals are so insidious in our environment. They are found in everything from skincare products to bedding to furniture and clothing textiles. In fact, according to the CDC, “their presence in human blood is a near-universal phenomenon in the United States.”

Ninety percent of our clothes are dyed synthetically (even those made from natural fibers). Azo dyes are used in 60 to 70 percent of fabric colors, particularly vivid colors as well as black and brown. (Some of these dyes can break down into aromatic amines that can come off fabrics and are carcinogenic in high levels.) According to the ACCC (Australian Competition & Consumer Commission), “Aromatic amines can migrate from clothing and leather articles and be absorbed through the skin where there is direct and prolonged contact. The amount of aromatic amines released can increase with body heat, sweat and saliva.” Too, heavy metals such as lead and chromium are also often used in the dyeing process, especially to achieve vivid colors.

Volatile organic compounds such as formaldehyde can be used to make clothes wrinkle-resistant. And phylates, recognized as endocrine disrupters, are often used in the decorative printing process. Chlorine bleach can be used to prep natural fibers and polyester for dyeing. Then, there are flameretardants, since synthetic fabrics are not naturally fire-resistant like wool.

So, why not just wash your clothes? Washing before your first wear may address some chemicals used in shipping and storage, such as biocides and fungicides to control pests and mold in transit. But washing will not address chemicals like azo dyes. ACCC found, “Washing the item may not decrease the concentration of hazardous aromatic amines. Pre- and post-wash test results commissioned by the ACCC didn’t indicate a consistent decrease in the concentrations of hazardous aromatic amines after a single wash. In some cases, the results after a single wash were slightly higher than the prewash test results.” And synthetic microfibers never stop shedding.

CAN CLOTHES REALLY MAKE YOU SICK?

In late 2010, something strange began happening in major U.S. airlines, beginning at Alaska Airlines. After the issue of new uniforms manufactured by Twin Hill, some flight attendants began experiencing strange and debilitating symptoms. Then in 2016, flight attendants from American (again Twin Hill) and Delta (designed by Zac Posen, manufactured by Land’s End) and then Southwest in 2017 began having similar experiences. As Alden Wicker noted in her must-read 2023 book, To Dye For, “All these uniforms had a few things in common. They boasted water-and-stain repellency. They were anti-wrinkle, anti-fungal, and antiodor and came in bright, saturated colors of the airlines. It is as close as we are going to get to a control group.”

Further, flight attendants can spend 12 hours or more in their uniforms— even sleeping in them on long-haul international flights. And they wear them for the duration of their trip duty. That is a lot of chemical saturation.

Airline management and the uniform makers kept looking for the smoking gun—the one ingredient or two that would cause these reactions.

Although some toxic ingredients were isolated, what they failed to consider was the toxic soup all these coatings and finishes had created. Eventually, lawsuits ensued, and even they though never settled, the airlines eventually revamped their uniforms.

“It’s unlikely that there’s one specific smoking gun type of a chemical that’s causing these issues, but it’s likely to be a unique combination,” Irina Mordukhovich, research associate at Harvard’s T.H. Chan School of Public Health, told Vox for an article in July 2016. She co-authored a 2018 study establishing a connection between the health issues of Alaska Airlines’ flight attendants and their new uniforms.

Taking a lesson from the flight attendants, it’s best to minimize or avoid what is called “performance” fabrics. You can recognize them as water-andstain repellency, anti-wrinkle, anti-fungal, anti-odor, and anti-mircrobial, just to name a few. Be wary of the “anti-” claims. And the more claims there are, the worse it gets. These effects are usually achieved by applying toxic coatings or finishes to the fabric.

HOW TO BE AN INFORMED SHOPPER

Without labels, it is not easy. It requires a conscious effort and tenacious research. There are certifying organizations, but remember, brand participation in these programs is voluntary. Also, just because certain products are certified does not mean all products by that brand meet the same criteria. Additionally, if you think by avoiding fast, cheap fashion you are off the hook, think again—you’re not. Some higher-end brands have been found to be just as guilty. Surprisingly, some lower-end brands have made some effort, too. Do your research.

With these disclaimers, here are some organizations or certifications Wicker cited that may help in evaluating products or to look for on product labels or brand websites:

• Oeko-Tex, a German non-profit that certifies brands, suppliers, and their products

• bluesign®, a Swiss company, providing chemical management training to brands and manufacturers (I noticed this recently on a bag I purchased at REI.)

• Global Organic Textile Standard (GOTS)

• Cradle to Cradle focuses on recycling and biodegradabiity

• Scivera, a service providing a full toxicology report to brands on ingredients in a chemical or fashion product.

• California Prop 65 Warning Label on any product containing formaldehyde, lead, cadmium, some phthalates, and BPA.

However, these certifications are not foolproof. For example, “the EPA has identified more than 12,000 PFAS and Oeko-Tex only tests for four dozen,” Wicker noted. Joe Rinkevich the founder of Scivera, told Wicker, “Formulators are smart. They know the list just as well as Oeko-Tex does. And they will find a molecule that performs the exact same way as a restricted substance. It has the same carcinogenic properties or whatever the problem is.”

CONCLUSION

Rethink your relationship to fashion. Research to find healthy brands— both for you and the planet. Seek out those that use nontoxic materials and embrace sustainable manufacturing methods and safe labor practices. Invest in timeless pieces that reflect your style and values. And advocate for more transparency in fashion.

Knowing what I know now, my fashion choices are forever changed. If you dig deeper, yours will be, too.

Aubrey Brewster, a bon vivant and man-about-town, is a. product of his environment. His affinity for cooking, fashion, and entertaining was inherited from summer vacations shared in Charleston, West Virginia with his southern belle model-turned-hostess grandmother. It should come with no surprise that Brewster followed in his grandmother’s footsteps, with an inherent talent for hosting legendary parties. He is often listed among San Francisco’s best dressed. Aubrey is a San Francisco native, traveler, and food and lifestyle blogger (aubreyabouttown.com). He resides in San Francisco with his husband, Edward. Aubrey can be found enjoying afternoons lunching with friends at Neiman Marcus and some of San Francisco’s favorite haunts when not hosting or attending events.

Aubrey About Town

Let’s Talk Fashion!

BY AUBREY BREWSTER

IT IS SAID THAT PEOPLE FORM THEIR OPINIONS OF YOU WITHIN THE first three seconds of meeting you. This ingrained, primal mechanism helps us determine whether someone is a dangerous threat or even a suitable mate. Our outward appearance speaks volumes to others and conveys everything that one thinks they need to know about whom they meet. Whether it’s meeting a new acquaintance, a first date, a job interview, or a new client, the way you look (and carry yourself) both consciously and unconsciously informs their opinions. Therefore, making a small effort to select an outfit that highlights your character or fits the occasion is an important and, in some instances, a crucial step in getting ready for the day ahead.

As the word “trend” suggests, fashion trends may be all the rage, but at a moment’s notice, they are gone with the wind. Some players who are late to the game may be left completely outdated. So, when it comes to following a trend, the best advice I can offer is to follow that trend with a bit of common sense, discretion, and elegance. I mean, hot pink may be the hottest thing right now, and one may think that they are on top of the trend with their latest frock, but wearing that cheerful shade to a job interview or funeral may lead to a very awkward and inappropriate moment. But, alas, I am here to assist, and I’m more than delighted to share a my favorite fashion advice for 2024. Some of my favorite looks along with some tips on timeless fashion pieces will carry you through the seasons to come—and many of the latest Fashion Week trends are available at Neiman Marcus!

Classic black and white. From Manhattan to Brooklyn and among couture enthusiasts around the globe, the buzz at this year’s New York Fashion Week (NYFW) 2024 was fierce. Celebrities were adorned in chic couture supporting their favorite designers. Janet Jackson and Queen

Aubrey Brewster

Sonya Molodetskaya in a floral print silk summer dress by Marchesa, Aubrey Brewster in silk shirt with necktie scarf bow detail by Valentino

Aubrey Brewster in floral print silk bowling shirt & “skate” sneaker in cream & brown by Valentino (with Sonya Molodetskaya)

PHOTOS: (TOP LEFT AND BOTTOM) AUBREY BREWSTER

Latifah set the trend in black and white at the Thom Browne show. At some of the top luxury brands’ exclusive, star-studded parties, including Saint Laurent and Gucci, was Academy Award winner Jessica Chastain. (I met her at the premiere of Al Pacino’s Wilde Solomé back in 2011. She was a total delight and a fellow Aries who shares a birthday with yours truly!) Chastain joined other glamorous stars in wearing black and white. The combination is timeless and easy to put together on the go.

Country-western glamor. As Fashion Week inspired my spring and summertime wardrobe, I cannot help to adhere to some celebrity-inspired trends of the season that will definately make it into the closet.

The absolute standout in star power was the Queen Bey herself with a couture look that quickly went viral across social media. Country-western glamor! Beyoncé had Brooklyn, New York on everyone’s lips as she made a surprise appearance with her mother, Tina Knowles, and sister, Solange, at the Luar Fall ’24 collection at a Bushwick warehouse in Brooklyn to show support for Solange’s son, Julez Smith Jr., who was making his NYFW runway debut walking in Luar’s fashion show. Everyone in attendance, including Luar’s creative director/designer, Raul Lopez, was taken by complete surprise by Beyoncé’s arrival.

Queen Bey did not disappoint when she arrived in an eye-catching, jewel-adorned Gaurav Gupta couture blazer with matching bejeweled boots, carrying the futuristic, metallic, opalescent Ana bag by Luar, and capped off with a white cowboy hat and aviators—an obvious tip of the hat to her new country-inspired lead singles “Texas Hold ’Em” and “16 Carriages” from the second installment of her Renaissance trilogy, Renaissance Act II (2024, Parkwood Entertainment and Columbia Records). Beyoncé’s oversized, jeweled, white Gaurav Gupta blazer will, for sure, influence styles this summer, making rhinestone-encrusted fashions this summer’s top trend. And with designers like Alexander McQueen offering jeweled collections, others will follow suit. Be sure to check out my Instagram for mine!

Big bows and grand rosettes is another chic spring and summer trend from the runway that will translate to both everyday and special occasions—and not for just the ladies. Though light and fresh linen has been the traditional go-to as the summer fabric of choice, watch for florals and bows in luxurious silk as the season’s trend for men’s tops as well as ladies’ separates. From simple and monochromatic to vivid colors and bright prints, flowy and breathable silk is an escape from the mundane. Silk just hits differently: not only does it look luxe, but it feels incredible.

I collected the Valentino silk shirt with necktie scarf detail that can be worn down or tied in a bow (reminiscent of Gucci’s iconic “pussy bow” blouse) in nearly all the colors available, including the fashion house’s iconic “PP Pink,” a bright fuchsia that was exclusively developed in collaboration with Pantone (the leaders in color development)—and Pantone’s first-ever collab with a fashion brand. More colors are on the way in the next collection. I was hooked on the feel of silk last autumn when Valentino first offered their bold, floral “bowling shirts” in the luscious textile. I bought every pattern!

Metallic silver “Rock Stud” detail handbag with detachable chain by Valentino

Beyonce leaves the Luar fashion show at 154 Scott in Brooklyn during New York Fashion Week on February 13, 2024, in New York City

(L-R) Janet Jackson, Thom Browne, and Queen Latifah attend the Thom Browne fashion show during New York Fashion Week on February 14, 2024, in New York City

PHOTOS: (TOP TO BOTTOM) AUBREY BREWSTER, JAMES DEVANEY/GC IMAGES, JAMIE MCCARTHY/GETTY IMAGES

Metallics and bling. The biggest theme prediction for fashion trends for 2024 is simple: go big, go outrageous, or go home! High glamor and bling are at the center of this year’s looks. At NYFW, the glitz of metallics reigned in nearly most of the designers’ spring/summer collections. From Balmain, Vivian Westwood, Michael Kors, Nina Ricci, Schiaparelli, Carolina Herrera, Naeem Khan, Christian Siriano, Isabel Marant, LaQuan Smith, Comme des Garsons, Tom Ford (of course!), and so many more, that I could easily dedicate an entire article on just metallics from New York Fashion Week!

Frankly, after these trying and dull few years, we are all in the need of dressing up again. From Beyoncé’s aforementioned over-the-top, bedazzled Gaurav Gupta frock at New York Fashion Week to cool-toned sequins, shimmery liquid metals in silver and gold and oversized, dimensional florals took center stage with designers like Ralph Lauren and Prabal Gurung. Even bulky kicks are at the forefront of this year’s footwear. My favorite sneakers this summer are Valentino’s bold “One-Stud XL” sneaker in Nappa leather and toile “iconographe” Totaloop sneaker (I have them in denim) and the “skate” sneaker, a substantial shoe that slims the silhouette of the leg and exudes high fashion with V’s new, oversized “iconographe” logo adorning the front. I have them in every color!

Let’s talk timeless. Bringing back elegance to spring, summer, and resort wear while staying true to the simplicity that many of us have become accustomed to over the last three years during and post-COVID doesn’t equal giving up your comfort and can be easily obtained Replacing those eyesores will do you good in the long run and leave a lasting positive impression this season. Flipflops, chanclas, thongs— whatever you want to call them—were never meant to be outerwear and are for the beach, locker room, gym shower, and pool … period. Any many of us have grown tired of those of you who think they are okay to wear on the street and at restaurants. Seriously, no one wants to see those crunchy feet. But if you must let your feet free, invest in a nice pair of designer sandals and a pedicure.

Save the yoga pants and sweatpants for your home, yoga studio, or the gym. They are called sweatpants for a reason. They are designed with moisture-wicking in mind to keep bacteria from forming in your perspiration, thus regulating your body temperature, avoiding chafing, and helping to keep you dry and comfortable during your workout Prolonged wear of yoga pants is also known to contribute to yeast infections. Not to mention, wearing them makes you look sloppy. To quote the late Karl Lagerfeld, “Sweatpants are a sign of defeat. You lost control of your life, so you bought some sweatpants.” Refine your appearance and replace them with a pair of smart chinos with a stretch fabric such as a LYCRA®-cotton blend, for mobility and comfort with a taste of class.

“SWEATPANTS ARE A SIGN OF DEFEAT. YOU LOST CONTROL OF YOUR LIFE, SO YOU BOUGHT SOME SWEATPANTS.”

— KARL LAGERFELD

This page (clockwise from top left): Ivory Gaberdine Dress with Grande Rosettes Detail by Valentino, Available at Neiman Marcus, Available at Neiman Marcus, Silver Metallic AirPod Case by Valentino, Gold & Silver Metallic Open-Toe Heels by Aquazzura

Opposite page: Metallic Gold Alligator Print Blazer (and Metallic Antique Gold Blouses) by Tom Ford

PHOTOS: AUBREY BREWSTER

Rooted in California and having earned her degree at UCSB, Claudia Ross is living her best life in Knights Valley after leaving behind a career in public relations as the founder of Cross Marketing and former director of Harper’s BAZAAR and Marie Claire. She has worked with the world’s most iconic luxury brands. The owner and vintner of Ross Ranch, a working farm and vineyard producing a farm-totable experience, Ross now enjoys sharing thoughtful insights into the world of wine country life, both socially and agriculturally.

Rooted in California and having earned her degree at UCSB, Claudia Ross is living her best life in Knights Valley after leaving behind a career in public relations as the founder of Cross Marketing and former director of Harper’s BAZAAR and Marie Claire. She has worked with the world’s most iconic luxury brands. The owner and vintner of Ross Ranch, a working farm and vineyard producing a farm-totable experience, Ross now enjoys sharing thoughtful insights into the world of wine country life, both socially and agriculturally.

my opinion, I have had the experience of tasting I can bring an extraordinary product with a tremendous Kelly. At Protégé where the wine selections are Kelly is always there to impress his guests with don’t love expensive wines, we love transparent

Couture & Caviar: A Tale of Opulence and Sustainability

BY CLAUDIA CASTILLO ROSS

A TALE OF TWO VALLEYs

BY CLAUDIA CASTILLO ROSS

At Montage in Healdsburg, Director of Beverage his wines by telling a story of quality and diversity be found first locally. Seeking to appease his and local clientele, Coker works with his team James Beard Award winner, winemakers, and robust and different wine lists. “By bringing opinions and flavor profiles, we ensure that ‘house palate’ and maintain respect for different approaches.” For their extensive rare wine collection, most treasured wines off the list, specifically the power of relationships. Just putting the ultra-elite has potential to be transactional and a recipe more value in using these treasures to begin our guests that can last for many years to come.”

AS A WINEGROWER AND WINEMAKER MYSELF IN KNIGHTS

HAUTE COUTURE AND CAVIAR MAY SEEM LIKE UNLIKELY companions, but they share striking similarities going beyond their association with luxury. Just as haute couture represents the pinnacle of craftsmanship and artistry in the fashion world, caviar embodies the epitome of culinary refinement. Both are synonymous with elegance, exclusivity, and an unwavering commitment to quality.

Few delicacies evoke the same level of opulence and fascination as caviar. From the shimmering pearls to the delicate burst of flavor, caviar has long been hailed as the epitome of culinary refinement and luxury. Among the esteemed purveyors of this exquisite delight, Haute Caviar Company stands out as a champion of ethical sourcing, sustainability, and uncompromising quality. Just as haute couture represents the pinnacle of craftsmanship and artistry in the fashion world, Haute Caviar Company embodies a similar dedication to excellence and a commitment to preserving the essence of this treasured delicacy.

Valley, Sonoma County, I am always looking to support local wineries when dining out. Whether in Silicon Valley or Napa Valley, I do my best to select unique, exceptional wines to support my wine community. When I travel abroad, it’s all about the local fare. When in Italy, I look for the best Barolo; in Spain, a Rioja Gran Reserva; and when in France—where do I start?—a Blanc de Blanc Champagne or a hidden gem of a Bordeaux. So, when dining locally, I drink locally.

Author and true collector of couture, haute couture, and demi couture, Christine Suppes answers what epicurean delight came close to the feeling of wearing such pieces, “Why, caviar, of course!” So, why, I asked Suppes, who has a long history of procuring the

finer things in life, are we now seeing caviar on so many menus and not just for special occasions? “When enjoying caviar, you know it’s meant to be a special occasion,” says Suppes. Like couture, you are wearing the absolute best, and with caviar, it sets the tone for luxury. Most recently on a lunch date with her son, Michael Suppes, at the The Village Pub, they dined on caviar and champagne. It’s not just a collectors’ thing, it’s a mindset of wanting to indulge in the very best, no matter one’s age.

To deliver the very best, Lisa Simon, a visionary entrepreneur with a passion for the finer things in life, founded the Haute Caviar Company which has become synonymous with excellence in the industry. Simon’s journey began as a young restaurateur in New York, managing two of the largest champagne and caviar bars in the United States while completing her college degree. It was during this time that her fascination with caviar was ignited, laying the foundation for her future endeavors.

As of late, I have frequented a few Michelin-star and sought-after restaurants in both Silicon Valley and Napa Valley where, when asking for the wine list and selecting a wine, I struggled in my selection due to wine lists offering an abundance of internationally acclaimed wines that outweigh my local varietal options. The more I tried buying local,

When talking to local chefs and wine buyers wines have become more abundant on their overall consensus was that many feel that European overdeliver, and when asked about wine lists not want a Napa Cabernet with steak, due to do not have enough acidity with too much which doesn’t pair as well with food,” says and spirits buyer for Diablo Foods. With that down to personal preference.

With decades of experience in luxury brands and caviar, Simon has cultivated a deep understanding of the intricacies involved in sourcing the finest caviar. Haute Caviar Company follows a meticulous process akin to that of a couturier selecting the finest of

At Solage in Calistoga, sommelier Louise that guests travel from all over the globe to experience Cabernet Sauvignon, and the extensive selection reflects that expectation. However, with over the wine industry, Olivares both embraces this turns the stereotype on its head. Currently, the by the glass is a 2013 vintage coming from two Knoll district of Napa. Olivares says, “The majority consumed very young, within three to five years

fabrics and couture workmanship. Similar to each couture design, every season’s harvest and roe suppliers undergo rigorous evaluation, guided by an expert palate and stringent ethical criteria.

Transparency is at the heart of Haute Caviar Company’s mission. In an industry often shrouded in secrecy, the company prides itself on providing customers with a clear understanding of the provenance and production methods of their caviar. By prioritizing sustainability and responsible practices, Haute Caviar Company ensures every delectable spoonful is not only a treat for the senses, but also a testament to their commitment to the environment.

The meticulous craftsmanship and attention to detail in the production process are evident in every tin of caviar that leaves Haute Caviar Company. From the delicate handling of the roe to the precise salting and maturing techniques, every step is executed with utmost care. The result is a selection of caviar that embodies the epitome of luxury, enticing even the most discerning gourmets.

Beyond the exceptional quality of their caviar, Haute Caviar Company’s success may be attributed to their remarkable roster of clientele. From Michelin-starred chefs to couture collectors like Christine Suppes to connoisseurs of fine dining, their offerings have captured the hearts and palates of those who appreciate the finer things in life. The reputation of Haute Caviar Company as a purveyor of unrivaled excellence has solidified its position as a coveted brand within the luxury lifestyle market.

When asked about luxury and couture, Suppes remembers the pieces that brought her most joy, in particular, Christian Lacroix and James Galanos (whom she remembers her mother collecting), but then she stops and says, “Actually, it was enjoying caviar with my son. Now that’s luxury couture!”

HAUTE CAVIAR COMPANY OPTIONS

SIBERIAN BAERII: Acipenser baerii sturgeon originated in the cold waters of the Caspian Sea and today thrives worldwide. Sourced from an artisanal farm in Europe, this extraordinary, fine-grained roe has black pearls of incredible intensity, with an olive oil-like note, a velvety mouthfeel, and a clean finish.

BELGIAN OSETRA: A connoisseur’s caviar, its deep, rich flavors have almost hazelnut note to it. Like other caviar types, it varies in color, depending on the fish’s habitat and feed. True osetra caviar, with its creamy texture and nutty flavor, is one of the finest sturgeon roes in the world. This roe comes from a farm in Belgium, prized by Haute Caviar Company for its quality and sustainability.

HAUTE ENTRÉE: Delicious as it is unique, richness and creaminess define this caviar produced from a hybrid sturgeon of Siberian baerri and Acipenser gueldenstaedtii or osetra. This caviar is also farmed in Belgium. hautecaviarcompany.com

Charles R. Johnson, Wealth Director, is responsible for developing investment and trust relationships with families and organizations. He works closely with the Trust and Tax planning group to help clients determine optimal asset allocation and transfer strategies. Before joining Fiduciary Trust, he worked for Rockefeller Capital Management, an independent financial services firm offering global family office, asset management, and strategic advisory services to ultra-high net worth families, institutions, and corporations. He received his Bachelor of Science degree in business administration from the University of Southern California. He works closely with the Addiction Education Society nonprofit.

REFresh Your Financial Goals by Tailoring Them to Your Style

BY CHARLES R. JOHNSON, WEALTH DIRECTOR, FIDUCIARY TRUST INTERNATIONAL

IF YOU HAVEN’T REVISITED YOUR FINANCIAL GOALS RECENTLY, it might be time to take another look. This year, put a financial spin on your goals and tailor them to your personal needs and preferences. Take stock of your situation and consider the following ideas to help you set a fresh perspective on different areas of your financial life. Incorporating these new numbers and deadlines into your financial plan could pay substantial dividends to you and your loved ones in the long run.

1. Tidy up. Cleaning up your accounts, files, and records is always a good idea. It may not sound exciting, but it can be liberating to clean up old, loose ends. Sometimes it’s getting rid of files or accounts you no longer need. Other times it can mean locating important documents. Or it’s deciding what to keep and what to discard. Wherever you start, don’t overlook these steps:

• Delete unused online accounts. We all know it’s important to protect data and personal information online. Having too many online accounts, especially those not regularly used, increases the risk that your data may be compromised. Take steps to protect your data by deleting online accounts you no longer need.

• Purge old tax returns. The IRS recommends retaining annual tax returns and records. But if you have old returns collecting dust in your garage, you may be asking how long you need to retain

tax returns and records. A general rule is to keep tax returns for at least three years, although state records often need to be retained longer.

• Get your records together after a natural disaster. Fires, floods, tornadoes: natural disasters can strike any time. Knowing how to reconstruct records after a disaster as you recover is essential for tax and insurance purposes.

2. Tackle the big stuff. We all have tasks we’ve been avoiding because they seem overwhelming. Maybe you feel like you need stronger budgeting skills. Maybe you need help discovering how to support your charities of choice. It could be learning how to talk about wealth with your children. Maybe your estate plan isn’t complete, or you lack a retirement plan. While these issues can appear complex, dealing with them one step at a time often makes them more manageable. Whatever your issue is, taking the opportunity to address them now can provide peace of mind.

3. Learn something new. Step out of your routine and learn about something that may help you in the future. Even better, tie your learning to your finances and your long-term planning. If you want to continue to make good financial decisions, make sure you’re up to date on annual changes to tax and retirement savings numbers. Following are several things to keep in mind:

Familiarize yourself with new tax numbers:

• If you plan to itemize, the standard deduction is higher in 2024. The IRS has increased the standard deduction for 2024 to $29,200 for married couples filing jointly, up from $27,700 in 2023. Single filers may claim $14,600, an increase from $13,850. This is threshold you need to cross for it to make sense to itemize deductions on your federal tax return.

• Increase gifting under higher estate and gift tax exemption amounts. With estate tax exemptions set to be cut in half in 2026, now’s the time to review your gifting plans. In 2024, the federal estate, gift, and generation-skipping transfer (GST) tax exemptions increase from $12.92 million to $13.61 million per person, or to $27.22 million per married couple. That’s an additional $690,000 per person (or $1.38 million per couple). Also, the annual gift tax exclusion increased to $18,000 per person, or $36,000 per married couple in 2024. You can give this amount to as many people as you want without using any of your estate tax exemption or gift tax exemption and without needing to file a gift tax return.

Get prepared for retirement by maxing out savings. Accelerate your retirement savings by maximizing contributions to tax-free or tax-deferred IRA and company-sponsored retirement accounts. In 2024, you can contribute more, up to $7,000 annually to a traditional or Roth IRA, or $8,000 if you are 50 or older. For 401(k) plans, the maximum is $23,000 annually, or $30,500 if 50 or older.

Make sure your financial foundation is sturdy. Finally, revisit your financial plan. If you don’t have one, start by reviewing your personal

balance sheet and understanding all your assets and liabilities. That way, you’ll be on the right path to achieving your financial goals.

Restyling your financial goals can be done anytime, in small steps or in one review. Do you need to update your estate plan or revisit your retirement savings? There’s no time like the present, especially if your circumstances or your long-term goals have changed.

This material should not be construed in any way as investment, tax, estate, accounting, legal or regulatory advice. Any description of tax consequences set forth above is not intended as a substitute for careful tax planning.

Charles R. Johnson, Wealth Director, Fiduciary Trust International is responsible for developing investment and trust relationships with families and organizations. He works closely with the Trust and Tax planning group to help clients determine optimal asset allocation and transfer strategies.

Charles R. Johnson Wealth Director | 628 286 8403

charles.r.johnson@ftci.com

One Franklin Parkway, Bldg 920, 1st Floor San Mateo, CA 94403 fiduciarytrust.com

445

California Lifestyle Collection

Belvedere Road

Belvedere Waterfront Storybook Residence with Magnificent Views

Belvedere, California

Magnificent Belvedere Waterfront Home with

Designed by renowned architect Carr Jones, this unique storybook style 3-bedroom, 3-bath, ±3,919 sq. ft. home on a spacious ±30,000 sq. ft. lot on the San Francisco Bay, located at the prestigious last block of Belvedere Ave, offers magnificent views including the Bay Bridge, San Francisco skyline, Golden Gate Bridge, Sausalito and Mt. Tam. This iconic residence offers intricate craftsmanship and design including slate roof, incredible brick and stone work, a long winding driveway, wood beam ceilings, arched doorways, indoor and outdoor fireplaces, serene lush gardens and complete privacy. The home is within walking distance to downtown Tiburon’s boutiques, fine restaurants such as Malibu Farm, Le Petite Left Bank Bistro, Luna Blue and Michael Mina’s Bungalow Kitchen, Corinthian and San Francisco Yacht Clubs, and Ferry Services to San Francisco and Angel Island.

Featured in Architectural Digest, this world class residence showcases panoramic views of the San Francisco Bay, the Golden Gate Bridge, the Bay Bridge, the San Francisco city skyline and Sausalito. A magnificent masterpiece in a dramatic setting, this property has a most prestigious location and is comprised of a ±8,131 square-foot home on a ±0.67 acre lot. It features 4 bedrooms, 5 full and 2 half-baths. This work of architectural art was designed by the world-renowned architect Charles Gwathmey and boasts spectacular outlooks from every corner of the expansive floor plan. The primarily vertical organization of this house takes advantage of its sloped site on the Southern coast of Belvedere Island. The street level contains a 3-car garage, an elevator descends to a courtyard where you will find a detached 1 bedroom, 1 bath guest house and a wine cellar. The main house is situated between two large retaining walls which follow the site’s natural contours and splay outwards toward the Bay. An interior circular staircase winds around an elevator and forms a cylindrical focal point. A barrel-vaulted ceiling articulates the living and dining room with magnificent views on the entry level with a large deck overlooking the Bay. Three spacious bedrooms each with deluxe bathroom

including a large study off the luxurious primary bedroom, a two-story entertainment room with floor-to-ceiling tall windows, and the lowest floor features a media room, a beautiful wet bar, a full bath with steam shower and a sauna, opens onto a spacious outdoor terrace through a wall-to-wall sliding doors where you will find an infinity edged pool and an outdoor entertainment kitchen on the San Francisco Bay. The interior floors are limestone and wide plank Bubinga wood, and cabinets are lightly stained maple. The exterior is clad in gray stained cedar and curved, standing seam, zinc roof. All exterior windows, doors, and decks are teak; all terraces are paved in beige or grayflamed limestone. The home is a state-of-the-art “Smart House” and within walking distance of the San Francisco Yacht Club, Corinthian Yacht Club, and downtown Tiburon where you will find Ferry services to San Francisco and Angel Island and dozens of fine restaurants, including Michael Mina’s Bungalow Kitchen, Malibu Farm, Sam’s Café, Servino’s, Caprice and Bistro Le Petitte Left Bank.

Details and photos on BelvedereWaterfront.com

See more at 445BelvedereAve.com