Havenist Issue #2 Spring/Summer 2022/23

Bold Style

A CHIC FLOREAT APARTMENT ULTIMATE COOK’S KITCHEN A SLEEK PERTH PAD FOR TWO

The Modern Mix

NEW SEASON IDEAS FOR SPACES BIG AND SMALL

Design Obsessed

OUTDOOR LIVING

BOLD TABLEWARE

JUNGLE-INSPIRED DÉCOR

Authentic Moroccan Berbers, new and vintage. Hand-knotted in the Middle and High Atlas Mountains, Morocco.

The Montauk Lighting Co. brings Australia distinctive, quality feature lighting, created by acclaimed international designers including Kelly Wearstler, Ralph Lauren Home and AERIN through Visual Comfort, Tom Dixon, Haberdashery, Tigermoth Lighting and Authentage. Let us help you make a statement in light.

montauklightingco.com

THE MONTAUK LIGHTING CO.

Make a statement in light.

Creating extraordinary objects for everyday use,

Tom Dixon’s molten, evocative Melt Pendant (left) and ribbed silhouette of the Press Sphere Pendant (above) offer exquisite lighting solutions.

SPRING AT LOAM

The best of local Australian and iconic European designs.

HAVENS

66 Art House

The home of artist Waldemar Kolbusz mixes curios and modern art with creative flair.

84 Light Work

Indoor gardens, outside living and light are pivotal to this cool pad for two.

104 Restored Faith

A confident use of colour and ethereal touches come together in this converted 1900s church in Subiaco.

122 Modern Beauty

Beautifully detailed interiors and the ultimate outdoor space make for stylish living in Floreat.

140 Into the Groove

Experimental architecture, robust materials and floor-to-ceiling windows combine for a family home with a difference.

154 A Grand Affair

Classic style meets contemporary in this lush Claremont garden.

DESIGN

32 Hot Tropics

Vibrant tones and exotic prints capture the spirit of the jungle.

36 Sun Catchers

Essentials for creating the ultimate outdoor space for summer.

184 Here Comes the Fun

The latest must-haves for your summer table.

CONTENTS

WANDER

194 Postcards from WA

Luxurious escapes to make – no passport required.

202 Nature to Nurture

Yallingup is home to BODHI’s latest spa offering.

EAT

176 Recipe for Style

In the kitchen with food stylist Kate Flower plus three exclusive summer recipes.

212 The Suburban Table

Dandelion’s bespoke cocktails and Asian fusion menu are not to be missed.

PEOPLE

28 Living Landscapes

Perth artist Kate Elsey uses her own paint sculpting technique to form her art.

34 My Favourite Things

AGWA director Colin Walker shares what’s on his radar now.

40 Design Made for Everyone

Jardan’s Nick Garnham on capturing WA’s spirit through design.

172 Indoor Jungle

An astonishing 550 plants fill Bar Botanik’s Fesi Djojo’s home.

190 At Home with Jarrad Seng

A love of the arts inspired the Perth photographer’s soulful revamp of an old Fremantle warehouse.

208 Lust for Life

Media maven Nicolette Casella on her lifechanging career switch.

214 My Happy Place

Actress Chloe Hurst’s favourite escape involves popcorn and local wine.

AND THE REST

24 Subscribe

Take advantage of our great subscriber-only offers.

26 The Havenist Life

Coffee, fashion, wine and WA start-ups.

211 Directory

190 176 194

ON THE COVER

Embroided Embrace by Perth artist Kate Elsey, represented by Linton & Kay Galleries. Read the full story on page 28

THE ARKETIPO STUDIO

Celebrating 40 years as the quintessential touchstone for Italian lifestyle and design. ultimo.com.au

SPRING/SUMMER 2022/2023

FOUNDER + EDITOR

Jody D'Arcy jody@havenist.com.au

CREATIVE DIRECTOR

Kelli Savietto artwork@havenist.com.au

FEATURES DIRECTOR & STYLIST

Elizabeth Clarke elizabeth@elizabethclarke.com.au

EDITORIAL COORDINATOR

Amanda Turner hello@havenist.com.au

SUB-EDITOR

Phil Stafford

CONTRIBUTORS

Dion Robeson, Amy Collins-Walker

Havenist acknowledges the Traditional Owners of country throughout Australia and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past, present and emerging.

Havenist is a bi-annual print and online magazine. Views of those printed in this magazine do not reflect the views of the editorial team or publisher. Copyright is reserved meaning no part of this publication may be reproduced without the permission of the publisher, including scanning of pages and posting on your website or social media. The publisher accepts no responsibilIty for any errors or omissions within.

For all enquiries: hello@havenist.com.au

PROUDLY PRINTED IN WESTERN AUSTRALIA BY SCOTTS

Innovative flooring to fit our West Australian lifestyle

Along with the rest of Australia, we are feeling the impact of skilled trade and building material shortages. While current events are creating significant challenges for us all, Western Australia is full steam ahead, creating extraordinary homes and supporting local creatives and the building industry.

This spirit makes WA a standout and is at the heart of Havenist. Our first issue was warmly received by readers and the industry, and this support has allowed us to produce this second issue right in time for summer, a season of positivity, warmth and sunshine.

Thanks to your feedback, this edition sees the same high-quality content and some exciting new additions. Right now, we are all about confident design and decoration – big, bright and innovative looks that are original and stand out. It's a theme that runs through every page in the issue, from artist Kate Elsey's invigorating cover artwork and food stylist Kate Flower's robust summer flavours to a fabulous Floreat apartment that speaks to our coastal lifestyle.

We are so lucky to live in this safe haven that is Western Australia. Havenist continues to showcase the best talent and projects reflecting everything that is unique and wonderful about our beautiful state.

I hope this issue encourages you to style and personalise your home and make it your own.

Jody D’Arcy, Editor

MISSED THESE STORIES?

Havenist THE TEAM

Jody D’Arcy

FOUNDER + EDITOR

Favourite summer hangout? Always Rottnest Island. You will find me moored in Rocky Bay, which is pristine and secluded, and on beautiful calm mornings, it’s straight over the dune to Strickland Bay for swimming and dolphin watching. Heaven. @jody_darcy

Kelli Savietto

CREATIVE DIRECTOR

In another life, what would you be? I'd be a children's book illustrator. I had a library of children's books years before I had kids. I love the freedom, innocence and creativity in illustrating children's books, and my biggest inspiration is Shaun Tan, a Perth-born artist, writer and filmmaker. His talent and imagination are mind-blowing. @kelli.savietto

Elizabeth Clarke

FEATURES

DIRECTOR + STYLIST

What do you do when you're not working? I live just off South Terrace near the beach in South Fremantle. When I'm not at my desk, I'm in the ocean, eating oysters at Madalenas Bar, bao buns at Running with Thieves or indulging in margaritas and summerful fish tacos at La Cabana. I can't think of a more fabulous way to spend my time off. @elizabethclarke_

Amanda Turner

EDITORIAL COORDINATOR

Favourite at-home indulgence? Time spent in my home office. It's my mini haven within my home - a little escape. I have decorated it just the way I like –light, bright and full of greenery. I do more than just work here. I journal, meditate and sip my favourite tea. A peaceful space where I am my most productive self. @little_moon_photo

—

Design Well Lived.

DESALTO DÉSIRÉE

DITRE ITALIA FRIGERIO LA CIVIDINA

SABA ITALIA

HARBOUR OUTDOOR

TALENTI OUTDOOR BROKIS

Gala Sofa by Saba Italia

DIFFERENT

VISIT OUR SHOWROOM

245 Stirling Hwy, Claremont WA (08) 9389 6669

info@henriliving.com.au

henriliving.com.au

Gala Sofa by Saba Italia

INTRODUCING

FUTURE CLASSICS

From indoor living to outdoor dining, every space of your home holds immense possibilities. Future Classics are designed with a Scandinavian aesthetic and feel right at home, no matter where you live. Beautifully functional and thoughtfully crafted from sustainable materials, each piece embraces contemporary, traditional and organic design that will reconnect you to your favourite spaces, inside and out.

Discover Future Classics at oopenspace.com

Become a

HAVENIST VIP

AND RECEIVE A LIMITED EDITION PRINT BY KATE ELSEY

For just $49.95 a year, receive:

• Biannual magazines delivered free to your door

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PLUS be in the first 50 to subscribe and receive a limited edition fine art print, Embroidered Embrace by Kate Elsey, represented by Linton & Kay Galleries.

SUBSCRIBE NOW AT HAVENIST.COM.AU/MAGAZINE

This offer includes one complimentary 8x10 inch limited edition fine art print of Embroidered Embrace signed by Kate Elsey for the first 50 new subscribers only (frame not included). Art print will be posted with your magazine. After the first payment of $49.95 for two issues, your subscription will automatically renew and be billed at $49.95 every two issues (yearly) thereafter until cancelled.

The Havenist Life

WHAT’S ON OUR RADAR RIGHT NOW.

CURATED BY ELIZABETH CLARKE

THROW SOME SHADE

Non-sticky, ultra-lightweight and offering high SPF 50 protection, WA brand Avocado Zinc ticks all our UV barrier boxes. It glides on with ease and provides a healthy dose of cover, with or without makeup. Best of all, it’s 100% natural, vegan, and nasties-free. avocadozinc.com.au

MODERN TWIST ON CULT CLASSIC

Danish design label Hay has reimagined Herman Miller’s archive of Eames designs for a contemporary take on these classic pieces. The exclusive range, available at Perth’s Living Edge, includes eight iconic Eames designs in new colours and updated materials. So, how to choose? livingedge.com.au

FRUITY DROP

Behold 2021 Arida Cabernet Rosé by WA’s Talisman Wines. Aromas of pomegranate, raspberry and subtle spice overlaid with nectarine and pear drop fruit flavours make it our official summer drink. talismanwines.com.au

DRINK COFFEE. DO GOOD.

SMELLS LIKE TEEN SPIRIT

Wildhood, a Perth start-up developing clean, sustainable personal care for tweens and teens has released its first deodorant range. They’ll love the brand’s first offering of deliciously scented natural deodorants – Bounce, Imagine, Surf and Wander. Inspired by our sun-drenched landscapes, coastlines, summer holidays and good vibes, Wildhood is as good for teens as it is for the planet. mywildhood.com.au

Surfaid is a non-profit humanitarian organisation that works to improve the lives of families in isolated corners of the globe connected to us through surfing. It turns out they know good coffee, too. This unique blend of Brazilian and Ethiopian beans made in collaboration with Mandurah’s Frothin Coffee fills our cup. frothincoffee.com.au

6

STYLISH ADDRESS

Following a meticulous renovation by Studio McQualter, a former Claremont bank is now Australian brand Scanlan Theodore’s 22nd store. The original 1961 building features customised highend materials, luxe decoration and sustainability that strike the perfect balance between timeless and contemporary, an aesthetic in line with the fashion brand’s design philosophy. scanlantheodore.com

LivingLandscapes

Perth artist Kate Elsey looks to nature to help shape her art. Using colour and a scraping technique to sculpt oil paint into form, she expresses emotionally charged intricate landscapes with personal meaning.

Describe your home. I share my time between Melbourne, Perth and North Fremantle, but my partner Mo and I live in Sunbury, near the Macedon Ranges (Victoria). I feel safe and comfortable in our solid-as-a-rock 1970s outer suburban masterpiece. My studio has ceiling-to-floor glass sliding doors that look on to a natural spring. I open them up in summer to the garden, where a gorgeous grass tree reminds me of my Western Australian roots. Perth is my spirit home.

Who, or what, inspires you? Landscapes, natural environs, and inner visions. Music and melancholy excite me, especially the wandering sounds of keyboards, cello, violin and guitar. I often catch a still of a movie, like the dramatic scenes of a Jane Campion or David Lynch film, and the shapes and colours can become something. The late and great Tom Sanders created a fabulous ceramic mural for the opening of the Perth Concert Hall in 1971. As a child, I was captivated by it. My partner is his nephew, by chance. I believe it is the most significant public art commission in Perth today.

What is your creative practice? From travels to nature, I sketch the elements I see and feel. In the studio it’s me, the linen, music, paint and the moment that make my image. It begins with paper, a black pen or a stick, and then a spot in the bush to sit and observe. Simple drawings are made quickly and, back in the studio, they are a rhythm of memory that crisscrosses and circles up and down and around like a thread embroidering space. Painting is spontaneous, and can take many months or merely days. I use my own scraping technique using different sizes of metal paint scrapers to sculpt oil paint into form and a blend of poetic, philosophical thought into the landscape I'm re-imagining.

What is the story behind your work gracing Havenist's cover? Embroidered Embrace is a 2022 work featured in Magic Carpet, an exhibition at Linton and Kay Galleries. It meshes morning light and woven beauty against Yellow Water billabong in Kakadu, which I visited earlier this year. It is a most bewildering place that becomes hot, humid and alive towards the wet season. This work represents the floating lilies that gently move like a magic carpet as it is propelled by the ecosystem below.

What are you working on right now? Three of my works are being installed in the Ritz-Carlton Suite of the new Ritz-Carlton Hotel in Melbourne, and I'm turning my attention to a significant five-metre sculpture commissioned by an existing collector.

If you could live anywhere, where would it be? I'd live exactly where I am. We are in a sanctuary

surrounded by a growing infrastructure. We are protecting some little habitat while we can; it's in our DNA now. The garden, the pond filled with native fish, and the birds that have nested for generations in our thick wooden eaves are my inspiration and my family. I will always want to travel and experience beautiful places, but home is where my heart is.

Do you still have your 'mystery patron'? Yes, my mystery patron is one of my major and current collectors. We have only spoken once – during the last 10 minutes of New Year’s Eve in 2012. The new year was not meant to happen according to the ancient Mayan calendar, and my mystery man called to tell me he would pay me before the world's end! It was a very engaging, funny conversation. He said I was unique and to keep challenging myself artistically. This comment has been my staple and has kept me going.

What do you think of the younger generation of artists working today? I love seeing a talented young artist taking it seriously, putting it first and believing it is possible to have a great art career. I want to use all the money in the world to support talented young artists with materials and a studio, so they can get on with it in a meaningful way. Art patrons Helene Schairer and James Paris started PS Studios in Fremantle over 30 years ago and awarded me a scholarship that enabled me free studio space. The power of intergenerational initiative is vital for our community of next-gen artists.

If you could dine with any artists, alive or past, who would they be? My late, dear friend and fashion designer Anna Thomas – we have unfinished conversations! Brave artists like Michelangelo Merisi da Caravaggio, Camille Claudel, Louise Bourgeois, Bach, and Daniel Day-Lewis. I would also invite gallery owners, like Gary Kay and Linton Partington, who believe in and support artists' work. They are lit up by art, see its benefits and, most importantly, nurture the artist journey.

Your greatest creative achievement? In 2019, Channel 7 and Linton and Kay Galleries asked me to donate a significant artwork to the Lexus Ball Telethon. The painting was auctioned for $100,000, with all proceeds going to the Telethon Kids Institute. My belief in the power of art is at the core of my most outstanding creative achievement.

What's next for you? Apart from getting my big sculpture off the ground, I am taking it easy and planning a trip to Spain or Italy. I look forward to continuing relationships with people who connect with my art. It is my life's work, and it's what gets me out of bed every day. n

Follow @kateelseyart

Represented by @lintonandkay

COME TOGETHER WITH

EXTREMIS

The boundaries between indoors and outdoors, work and leisure, and productivity and relaxation are blurring more than ever. Seamless functionality and flexibility are integral to bringing people together.

STORY ELIZABETH CLARKE

IN PARTNERSHIP WITH LIVING EDGE

Introducing Extremis, by Flemish designer Dirk Wynants, the world's most innnovative outdoor furniture collection that has combined beauty, form, function and flexibility for almost 30 years.

Extremis is available exclusively from Living Edge in Australia, with a range spanning picnic tables and sun lounges to chairs and space dividers. Belgian-designed and made, each piece is meticulously crafted with sustainability and durability in mind and is a tool for togetherness that is easily integrated into any environment.

This summer, be it co-working, relaxed al fresco dining, or simply sitting and watching the world go by, let Extremis bring friends, family or colleagues together in new ways.

Bistroo Picnic Table (opposite page) Inspired by chic Paris bistros and balconies, this clever little table design allows you to sit side by side and comfortably in small spaces. With three legs, two chairs and one tabletop, the double O-shaped backrests are made for comfort and its cleverly positioned legs ensure the table is stable on any outdoor terrace.

Sol + Luna (top) The ultimate day bed? We think so. The Extremis Sol + Luna is a multifunctional outdoor set that transitions from day to night with ease as a sofa to a sunbed and vice-versa. The optional LED sunshade protects you from the sun during the day and lights up like the moon at night. It includes a backrest that doubles as a shelf and easily seats three friends with optional cushions.

Hopper Picnic Table (left) A fresh and more functional take on the classic picnic table, the Hopper is crafted in sleek aluminium and features a clean contemporary design inspired by the hop fields of Belgium's Westhoek region. Unlike most picnic tables that can be difficult to manoeuvre around, the Hopper features a bent leg that makes getting up, down and over its bench seats a cinch. n

Try the Extremis range for yourself in-store at Living Edge, 7 Queen St, Perth. livingedge.com.au

HOT TROPICS

LUXE PIECES, VIVID HUES AND PALM TREE PRINTS BRING A TROPICAL ZEST TO ANY SPACE.

1 Greta Arm Chair, $1,170, Villa Kula, Subiaco. 2 Palm tree fork, $19.95, Empire Home, Claremont. 3 Fleur shirt dress, $399, Morrison. 4 Isabel Marant sunglasses, $420, Adam Heath, Claremont. 5 Tapioca wallpaper, POA, Scandinavian Wallpaper, Mount Hawthorn. 6 Asana floor lamp, $3,082, Alti Lighting, Claremont. 7 Wave vase, $280, Jardan, Peppermint Grove. 8 Paint in Jungle Juice, dulux.com.au. 9 Zara Hadid Design Duo Salt & Pepper Grinder, $249, editeur, Peppermint Grove.

CURATED BY ELIZABETH CLARKE

My favourite things

COLIN WALKER, DIRECTOR OF THE ART GALLERY OF WESTERN AUSTRALIA, SHARES A FEW OF HIS MUST-HAVE ITEMS.

1) Dillinger sunglasses, $495, AGWA Design Store These make me look cooler than I am, so I love them.

2) 1979 AGWA x Otherside Helles Lager, $12, AGWA Café & Rooftop Bar Few things are better than lager, and the one we produce with Otherside Brewery Co is beautifully designed and brewed. 3) Kenzo Tiger Crest Track Jacket, $699, End Clothing

As the season changes, I lighten my look. A track top feels great, and this simple Kenzo style is my go-to. 4) Zodiac Brooch by Broochella, $240, AGWA Design Store I wore this incredible creation for AGWA’s gala and fell in love with it. I’m no Harry Styles, though. 5) Hypto Krypto surfboard, from $1,099, Haydenshapes I surf every day and this board is a classic in surfing circles. 6) Y-3 trainers, $480, Ssense Football and fashion loom large in my life, and my match-going Adidas trainers of my youth are nowadays my Y-3s. 7) Jenny Klopper tile, $50, AGWA Design Store This Perth designer does simple with style. These tiles lift all my drinks.

8) Seletti Monkey Lamp, from $550, AGWA Design Store It makes me smile whenever I see it, as all the best things should.

artgallery.wa.gov.au

PHOTO BY BO WONG

SUN CATCHERS

CREATE THE ULTIMATE OUTDOOR SPACE THAT INVITES YOU TO MAKE THE MOST OF THOSE LAZY DAYS.

CURATED BY ELIZABETH CLARKE

1 Muuto Linear Steel Café Table, from $1,349, and armchairs, $705 each, Living Edge, Perth. 2 Simon James Design November Outdoor Chair, $6,145, District, Subiaco. 3 Arisa cabana, $5,990, Angove Street Collective, North Perth. 4 Potocco Butler Trolley by Bernhardt & Vella, from $4,925, Cosh Living, Osborne Park. 5 grazia&co Ellis table and curved bench, POA, Loam, Claremont. 6 Byron Bean Bag, $599, Eco Outdoor, Claremont. 7 Otis Outdoor Coffee Table, from $3,308, Jardan. 8 Eva Solo Fireglobe Fire Pit, $799, Arrival Hall, Northbridge. 9 La Piscine Outdoor Side Table, $1,355, Coco Republic. 10 Ziggy Pouf by Saba Italia, POA, Henri Living. 11 In Vitro Unplugged portable light by Flos, $2,706, Living Edge. 12 The Trend lounge, POA, Villa Kula. 13 Lloyd the Llama and Doug the Dog pots, $699 each, Villa Kula.

design your world.

The Art Gallery of Western Australia

designstore.artgallery.wa.gov.au

A CHIC PERTH BASE FOR MELBOURNE’S JARDAN IS DRAWING DESIGN LOVERS WITH ITS QUINTESSENTIAL WEST AUSTRALIAN INTERIORS AND SUSTAINABLE FURNISHINGS. HAVENIST SITS DOWN WITH ITS CO-FOUNDER AND DIRECTOR, NICK GARNHAM.

IMAGERY JODY D’ARCY WORDS ELIZABETH CLARKE

DESIGN MADE for everyone

Nick, what inspired you to open your fourth store here in WA? We wanted to spread our brand across Australia, and Western Australia has a beautiful outdoor climate, incredible architecture and talented creatives. We looked for a few years for the right site and found this old limestone building on Stirling Highway in Peppermint Grove. It housed a dry-cleaning store and eyebrow shop – it was ramshackle! We brought in architect Iva Foschia to bring the building back to life. Our stores aren't like your usual furniture showrooms; each is inspired by local Australian environments, from how the spaces interplay to how we display our furniture, lighting, homewares and textiles. Iva's inspiration was Western Australia's desert tones and wildflowers. The floors are a mix of terrazzo and local stone, and the layout is designed to meander through; it's like walking through the wildflowers. The space is similar to our Melbourne store but more casual and less formal. I hope it captures WA's spirit.

How did Jardan begin? It started in 1987 when I worked for a small firm called Jardan Design that went into liquidation. My father, brother Michael and I bought the business. We didn't know much then, but have learned along the way and grown the brand to where it is today. In 2014 we opened our first store in Melbourne and have since opened in Sydney, Brisbane, and now Perth.

How does Jardan tell an Australian story? We double down on quality and design that tells a uniquely Australian story. We love the coast and the outdoors, and our designs reflect that. While many brands have gone offshore for lower-cost manufacturing, Jardan remains committed to Australian manufacturing. We design and make in-house, and do our own marketing and retailing. When people work together in one place, the product is more refined. Every single process is under our control, so each piece speaks a unique language that anyone can understand anywhere in the world.

What role does sustainability play in your processes? It informs every step, from design and materials to manufacturing. We design furniture that lasts a lifestyle – beautifully crafted products designed to last so they don’t end up as landfill. It's the most sustainable thing you can do. Every piece is very considered and thoughtful in the way it is designed. »

« Our products are made by combining hand-crafted techniques and cutting-edge machinery. All electrical and gas machinery, services and appliances are watched carefully to avoid unnecessary waste. We love that we can control our processes, material quality, and the ethical way we treat our workers and provide career growth.

How do you address material sustainability? We want to work with the best materials in the world, so our timber is sourced from Australian and overseas mills, so it is regulated and meets the requirements for forest regeneration, biodiversity and protection of native fauna. We changed our glues from solventto water-based, our foam is CFC-free and 100 percent recyclable, and our finishes are also waterbased. Every material is analysed, and we measure the VOCs [volatile organic compounds] so nothing emanates from our products. For the past 15 years, we have focused on reducing our footprint and we have made a big impact by making small changes. In 2014, we became certified by the NCOS [National Carbon Offset Standard] as a carbon-neutral company. It has become an intrinsic way of working for us.

How important are collaborations? Collabs are essential for us. We love working with like-minded creatives who inspire us. I work with Renee Garnham, our creative director, on every detail of design, colour and aesthetic in our furniture, lighting and homewares. We love championing small makers who are Australian-made and have a unique aesthetic, whether they are artists, photographers or ceramicists.

What's next for Jardan? We operate two sites in Melbourne – timber and upholstery – and have secured a new 17,000 square-metre site in eastern Victoria that we are renovating. We employ over 220 staff nationally, and this will be our headquarters with manufacturing and design under one roof. It will be one of the biggest operations in Australia in terms of manufacturing. We are also expanding our network of showrooms in Byron Bay by the end of the year. We are constantly designing new ranges and have exciting things coming up, like new office furniture, more outdoor pieces, and homewares including contemporary textiles, glass, art and ceramics. n

Jardan is located at 488 Stirling Hwy, Peppermint Grove. jardan.com.au

Sharp Lines

ARCHITECT MILIEU CREATIVE

BUILDER ADRIAN ZORZI

IMAGERY JODY D’ARCY

WORDS ELIZABETH CLARKE

Natural materials like Cedar West timber set the tone for the home’s pared-back, near-monochrome scheme that allows the gardens to shine. The natural stone paving is from Eco Outdoor.

Clean, lean and discreet, Andrews Place II nestles into a quiet Cottesloe street. Sited sensitively on just 726m² and designed around wellbeing, it is the very definition of 'haven'. Through considered materiality and savvy spatial planning, each space effortlessly connects its young family with nature.

"The client grew up in Wagin on a sheep farm, so was mindful of framing external views and connecting the home to the landscape," says its architect, Davina Bester from Milieu Creative, who worked closely on the project with builder Adrian Zorzi.

Demolishing the existing house, Davina sited the new home to draw in the northern sun and cross breezes while protecting it from the elements. Expansive open areas speak to the home's internal spaces, and views of Cottesloe's iconic pines can be enjoyed from the first floor. Building the house deep into the site allowed it to embrace a grassy outdoor area and swimming pool while protecting it from the strong southwesterly winds.

"When it came to the pool, we explored two design options," Davina says. "One was to locate the pool centrally and the other was to put it at the front of the home. We chose the latter to activate the street frontage and open up the entertaining areas to the street."

To ground the home's melange of sleek lines and floating structures, Davina employed natural and tactile elements like rammed earth, natural stones and

timbers. The materials are raw and plainspoken, though flawlessly finished as to be poetic. "The constrained palette of rammed earth, distressed limestone, cedar and quartzite is layered throughout the spaces to ensure each area and detail is considered and provides a holistic experience to the space," she explains. "The home has a timeless aesthetic with natural materials that will age and patina gracefully with time."

A wall of rammed earth rises at the entrance to the first floor, forming the home's central spine. Its natural beauty provides a backdrop for sunlight and shadowplay throughout the day. Sourced from local West Australian soil, its warm tones lay the palette's foundation and settle the building into its environment. The home's walls imbue warmth, texture and thermal performance. Other energy conservation benefits like architectural orientation capture the sun for high-performance solar panelling, and large louvre panels deliver cross-ventilation internally and in the outdoor entertaining areas.

The result is a family home that Davina describes as "robust, open and welcoming", and a testament to true teamwork.

"The client trusted our process and a collaborative approach ensured all was executed as detailed, and any site conditions affecting the design were resolved together," she says. "It is very well received by its very happy family.” n

Small but mighty and brimming with contemporary confidence, this Cottesloe home is tailored to perfection.

The home is an extension of its gardens, thanks to its careful siting that allows it to embrace its outdoor living spaces. The day bed is from Eco Outdoor, timber from Mortlock Timber, and window frames are from Cedar West. The landscaping design is by Robert Finnie

Design for Milieu Creative, executed by Q Gardens Landscaping.

LEFT. An outdoor shower is the family’s first stop post-beach visit. The Monsoon shower is from Sea of White.

RIGHT. An integrated fireplace from Subiaco Restoration allows the outdoor space to be used all year round. The Tribu Mood coffee table, sofa and cushions are from Cosh Living and vases from Arrival Hall.

OPPOSITE. Raw, natural materials allow the home’s architectural experience to be tactile and artistic. The natural stone Chambon paving is from Eco Outdoor, and Muuto Stacked Box side table, vases and throw rug from Arrival Hall.

ABOVE + RIGHT. The kitchen’s airy, spacious mood is

by gleaming natural Bernini

Black walnut slats from Austim cast shadows in the stairwell.

emphasised

Stone benchtops and polytec Notaio Walnut veneer The gleaming gun metal Zip HydroTap keeps the look slick and smart. The wall sconce is from Jardan and vase from Arrival Hall.

Open shelves are carefully styled with treasures. A large artwork provides a gentle, soothing palette for the space’s selection of furnishings, including the Bigfoot table from Living Edge, Foster + Partners chairs from District, Atlas pendant light and Sunny sofa from Jardan, and décor from Arrival Hall.

THIS PAGE. Black accents like light pendants by Jardan, Pittella hardware, and vases from Arrival Hall add texture and interest in the home’s open living spaces. The custom V groove joinery is by Giltedge Kitchens & Cabinets.

OPPOSITE. Large glass slliding doors draw in light and connect the indoor entertaining space with the outdoors. The armchairs are from Cult Design, cushions from Arrival Hall, Cove CV130 coffee table from Jardan, and the Odessa Caraway rug is by Armadillo.

OPPOSITE. Louvres and generous windows frame the garden while earthy linens create a cosy, grown-up mood. The Desiree Vanity bed is from Henri Living, throw rug and cushions from Arrival Hall.

LEFT. A soothing scheme of natural stone allows accent pieces, like a Sea of White bath and Kado Lussi heated towel rail, to shine. Natural stone Chambon tiles from Eco Outdoor are on the floor, the benchtops are in Versailles Quartzite by Bernini Stone, and the custom cabinetry is by Giltedge Kitchens & Cabinets.

RIGHT. A large oval tub is the focal point of the bathroom. A single bronze tap by Brodware from Sea of White provides a stylised punctuation point. On the walls are M2 Hida tiles from Academy Tiles & Surfaces. The artwork and vase are from Arrival Hall.

In the study, quality craftsmanship by Giltedge Kitchens & Cabinets meets sharp modern design. The Foster + Partners chair is from District, the vase from Arrival Hall, and the floor is in natural stone from Eco Outdoor.

HAVENS | SHARP LINES

An Arrival Hall ottoman offsets the crisp white space fitted with custom joinery by Giltedge Kitchens & Cabinets. The artwork is from Arrival Hall.

Dinosaur Designs Long Dew Salad Servers, $125, Loam. 5 Sahar Fine Persian hand-knotted wool rug, POA, Temple Fine Rugs. 6 Kett Johanna Ottomans by Justin Hutchinson, from $1,160, Cosh Living. 7 Paint in Clay Pipe, dulux.com.au. 8 E15 Jean Stool in Oak, $1,695, Living Edge. 9 Burleigh Daybed, $2,949, Eco

10 Vanity Bed Collection by Desiree, POA, Henri Living. 11 AERIN Samos Sconce in Gild and Alabaster, $814, The Montauk Lighting

Art House

ARTIST WALDEMAR KOLBUSZ

PHOTOSHOOT STYLIST LISA QUINN-SCHOFIELD

IMAGERY JODY D’ARCY

WORDS ELIZABETH CLARKE

Babyface by Waldemar Kolbusz ups the ante in the living room. It provides a vibrant backdrop for Fragment 7 by sculptor Thomas Heidt.

Known for his colourful and high-energy abstract painting, it's no surprise the Mount Lawley home Waldemar Kolbusz shares with his partner, artist Mal Harry, radiates exuberant joie de vivre.

Restormel, built in 1908, sits amid residential and commercial buildings just a hop, skip and a jump from bustling William Street and Waldemar's new studio and gallery, Kolbusz Space, in Claisebrook.

"When I first saw the house, it had lots of ad hoc sections that had been added over the years that needed methodical work to fix it up and renovate it properly," he says. "The original part of the house was well preserved and grand, and the whole place had a great lived-in feel. Nothing was perfect, though, and I liked that."

With the goal to only replace what was broken and preserve what others had added, Waldemar designed an additional living area that adjoins but is separated from a new art studio. The existing bathrooms were redone, and the kitchen was given new life by family cabinetmaker A&J Filipek, who also did most of the joinery in the house. "All the materials used are traditional - nothing too fancy!" he says. Outside, the gardens and outdoor living spaces were overhauled so as to connect better with the house. "I don't like planning too much or to have a set idea on an outcome," he says. "I like to let things evolve, which is much easier with a renovation than a new build, of course."

Giving new life to a home that has had many requires creative miscellany, and a palimpsest of personal treasures and furnishings mesh effortlessly with more contemporary finds. "We are both artists and enjoy travel and collecting stuff, so the house reflects this," Waldemar says. "I'm not precious about the interior. Things, furniture and art, get moved around all the time."

The home is warmly furnished with low-key yet comfy pieces. A green velvet-covered Camaleonda modular sofa by B&B Italia anchors the living space,

and a simple glass dining table is surrounded by 1970s chairs designed by Willy Rizzo, an Italian photographer and furniture designer. In the sitting room, an old Code Red sofa upholstered in black and white geometrics nestles next to a fireplace along with an old coffee table and ’70s Maralunga armchairs.

Touches of style and whimsy are to be found throughout, ranging from iconic light fittings by Michael Anastassiades and décor from Mobilia to Cambodian ceramics, vintage Murano glass lamps, and a buffet snagged on 1st Dibs. "I try not to have an idea of what I think will work, but just try new combinations," Waldemar muses. "It makes it less stressful when you have lower expectations, but also makes for more interesting spaces where people feel more comfortable."

Each space's eclectic mix is leavened with a vast collection of artworks by Waldemar and his friends and peers, including Sally Gabori, Rhys Lee, Abdul-Rahman Abdulla and Rachel Coad. "Art is my career, and I have a gallery, so I make sure I am open to as many genres as possible," he says. "We painted the walls to show off the art, and I am always happy to try new things and repaint again."

Colour indeed dominates throughout, introduced fearlessly yet with restraint. The living room's beguiling palette of lime and teal takes its cue from the vibrant paintings that hang on the walls, and in the bedroom, deep blue walls meet wide sage green cornices that are tempered by worn timber floors, doors and architraves.

On the house's exterior, raw concrete walls serve as a canvas for scattered potted succulents, a hedge, a fiery Illawarra flame tree, and sculptures by Ayad Alqaragholli.

A warm mix of art and furnishings with wideranging periods and provenance make for a home that is as exciting as its owner's artworks. "It is a privilege to live in this house and add to what all the previous owners have contributed to it," Waldemar says. "It's a house that is dependable and feels like an old friend who challenges and also calms." n

Artist Waldemar Kolbusz’s colourful bolthole celebrates dramatic hues, vintage furnishings and wall-to-wall inspiration.

Waldemar’s living room is a deftly calibrated mix of eclectic pieces, classic features, vibrant art and contemporary panache. A Mario Bellini Camaleonda sofa dominates the space. Above it, Resort by Waldemar provides the room’s palette, and a Michael Anastassiades pendant from Flos provides light. The cabinet is by Andrew Brown and holds a sculpture by Peter Zappa. Other artwork: back left Circumambulation 55 by Tobias Richardson and in the back right corner are two works by Waldemar - Brooch and Around.

OPPOSITE. Colour, form and light envelop the bathroom. A lime green bath and Long Afternoon by Waldemar inform its palette.

THIS PAGE. A lively and eclectic vignette adds vibrance and artwork provides interest. I can hear the screws is by Debra Dawes and below it, Untitled is by Ryan Nazzari.

OPPOSITE. An artwork, Lofty by Waldemar, informs the bedroom’s rich and vibrant colour palette. A pair of 1970s oversized Murano glass lamps sit on a chest of drawers.

THIS PAGE. Choice examples of Waldemar’s work are dotted throughout, including the bedroom, along with canvases by the likes of Malaluba Gumana and old family furnishings. Artwork: Chesterfield (seen through door), Needle (behind chair), and Neon (top left) are all by Waldemar. Gan Gan (top right) is by Malaluba Gumana.

The kitchen opens to the dining space amid an ever-changing gallery of art and sculpture, including a vase by David Hayes and Surface by Waldemar.

RIGHT. A mad medley of colour, art and décor provides a fanciful backdrop for dining. The buffet and Murano glass lamp are from 1stDibs antiques and the B Schmitt vase is from Rio de Janeiro. The large artwork on the left is Untitled 9 by Rhys Lee. Echo by Elizabeth Ford is at the top right and below it is Tunnel by Jasper Knight.

OPPOSITE. Form and function. A built-in bookshelf and artwork, Dosh by Rachel Coad, dominate the library. A punchy orange lamp acts as a punctuation point in an otherwise moody palette.

LEFT. Blush velvet vintage chairs by Willy Rizzo add subtle glamour and texture to the dining room. Other treasures include a ceramic bowl from Cambodia, a glass vase from Mobilia, Baby Owl Is Caught Up In Tangles But Whispers A Soft Song by Christine Aerfeldt, and a Michael Anastassiades pendant light from Flos. Other artwork includes Landing by Waldemar, a small portrait by Andy Quilty, and at the top right, Magnet by Waldemar.

THIS PAGE. Above the fireplace, an abstract wall sculpture by Dion Horstmans pulls focus. Driven by nature, line, balance and light, each of his sculptures can take up to 100 hours of cutting, welding, filing and powder coating.

OPPOSITE. In the sitting room, a melange of old and new furnishings enjoy sunlight and an outdoor view through vast glass sliders. A Maralunga armchair is paired with a Mobilia side table The outdoor table is from Trilogy and the chairs are by Bombala at Innerspace.

Outside, collectibles like Mobilia vases and minimal plantings combine to make a bold statement.

1 Nectre N900 Wood Heater, POA, Subiaco Restoration. 2 Canyon Cushion in Beachwood, $159, Empire Home. 3 Ruhlmann Factory Pendant by Chapman & Myer, $1,529, The Montauk Lighting Co. 4 Paint in Mystification, dulux.com.au. 5 Shibuya vase by Christophe Pillet, $320, Kartell Perth. 6 Bombala Out Lounge by Didier, from $1,030, Innerspace. 7 Wet Pot Systems Planter, $99, Arrival Hall. 8 Cards 2022 oil on linen artwork, POA, Waldemar Kolbusz. 9 Hamish Swivel Chair, $1,980, Angove Street Collective. 10 Phoenix Butler side table, $1,769, Jardan. 11 Gardenias Vase No.1 by Jaime Hayon, $625, Living Edge. 12 Seletti Cosmic Diner Starman Porcelain Vase, $200, AGWA Design Store.

Light Work

INTERIOR DESIGN + ARCHITECT SUZANNE HUNT

BUILDER VALENTO RESIDENCES

STYLIST ANNA FLANDERS

IMAGERY DION ROBESON

WORDS

ELIZABETH CLARKE

A wrap-around bookcase by Worldwide Timbers provides separation between the kitchen and living spaces. The sofa and side table are from Ligne Roset, the armchair from Living Edge and the rug is by Temple Fine Rugs. Mounted antique Indian Horse and brass pot are from Kartique in Fremantle. The vessels are from Sarah Keirle and Tarad, and the shelving is from Worldwide Timbers.

It's hard to resist the majestic beauty of a minimalist home steeped in its environment, and The Pad in West Perth is no exception.

Once the site of a 1980s strata unit, its new iteration as a two-bedroom single-storey home is as stunning as it is liveable. Designed by Suzanne Hunt from SHA for a mature couple, The Pad exemplifies the benefits of biophilic design for ageing in place.

It’s set on a narrow, compact plot, and other similarly scaled abodes hem in the home. Looking north, it breathes in a stunning vista of river inlets, native parkland, birdlife, the Swan River and the city skyline.

Outside, timber battens, brickwork and polished plaster create a unique textural palette, and inside, the home's meandering layout is meticulously planned to make the most of its small footprint. "Every inch of space is utilised, and we did away with walls to open things up," says Suzanne. Instead, lush internal courtyards provide division and leafy sightlines to other rooms and spaces. Soft polished plaster and detailed timber batten work imbue calm and quiet, and vertical lights from above project shafts that make you feel as if you are walking through a forest and peering up through the treetops.

“When I open the beautiful front door and walk in, I feel as if I am walking through a garden and the house seems to wrap around me," says the owner. "It opens to light and beautiful spaces which are comfortable all year round and very liveable."

High-level glazing offers sky views, and glass walls and doors – some sliding into cavities – blur the lines between indoors and out. "The architecture and

interiors are designed to recede into nature over time holistically," Suzanne says.

Over-scaled windows and sliding glazed doors frame views of the naturalistic landscape beyond. Remote and retractable screening erodes the distinction between inside and out. When the external bifold glazed doors open completely, the internal living space merges with the louvred-roof al fresco area for extralarge family gatherings.

Drawing on the owners' love of Japanese design, the interiors sponsor a connection with nature through the homely warmth of wooden surfaces and finishes. Savvy design can be spotted at every turn, including sleek wraparound cabinetry that divides the kitchen and living space. On one side it houses a pantry, and on the other a television, air conditioner, storage and fireplace.

Neutral colours and natural materials tie the house to its setting. The rusticity of its material palette and layering of elements is balanced by smooth, pristine surfaces of Montserrat granite, amber oak veneer and ceramic tiling. The pared-down interior is the perfect foil for indoor and outdoor foliage and strong, low, linear furniture with a horizontal emphasis. Personal objects and treasures complement rather than compete with the architecture and magnificent natural setting.

"It's a home with a very small footprint that offers huge flexibility," says Suzanne. "Every bit of space is utilised, and there are always viewpoints, so you are connected to another person or nature. It is the ultimate home to live life well in." n

Architect Suzanne Hunt creates a personal space centred around indoor gardens, outside living and an innovative use of light.

PLANNER ALLERDING AND ASSOCIATES | LAND SURVEYOR (PRE-DESIGN) VISION SURVERYS | QUANTITY SURVERYOR HW ASSOCIATES

A dark natural palette is brought to life with muted tones, greenery and natural light. Aluminium framed doors and windows from Westec bring the outdoors in. A Ligne

a

On

is displayed including an antique

by

Roset sofa with a Hale Mercantile Co. throw rug from editeur take up one side and

Cosh Living coffee table grounds the space.

the shelves, various décor

brass pot and horses from Kartique and vessels

Sarah Keirle and Tarad Studio.

OPPOSITE. Vertical ceiling lights, designed by SHA from Sii Lighting, provide shafts of light, reminiscent of walking through a forest. Ultimo table and chairs consume the space. The Studio Vierkant pot is from Cosh Living, tiling from European Ceramics, and timber ceiling and wall battens from Austim.

TOP. Amber oak veneer cabinetry from International Cabinets provides storage and space to display décor. A vast kitchen bench topped with Bernini stone and BassamFellows stools from Living Edge form the perfect place to dine.

BOTTOM. A small powder room doubles as a second bathroom. Tiles from European Ceramic line the walls and floors, and the horse sculpture from Kartique provides simple flair.

Internal courtyards fitted with frameless glass bifold doors from Solarlux provide natural light and cooling breezes, while greenery connects the owners to nature.

THIS PAGE. Vertical timber battens by Austim are a dramatic backdrop for a Ligne Roset chair and ottoman from Studio Vierkant. The rug is from Temple Fine Rugs, the ceramic pebble is from Cosh Living and various treasures displayed include objects by Sarah Keirle.

OPPOSITE. Glass doors open right up to an external living room comprising a Ligne Roset sofa, Living Edge bench, and outdoor lounges, sofa and coffee table from Cosh Living. The lighting design is by SHA using Sii Lighting, and blinds are from Baywest Blinds & Shutters.

Louvres cast graphic shadows throughout the home’s living spaces. The sofa, armchair and coffee table are from Ligne Roset, the ottoman is from Studio Vierkant, and the rug is from Temple Fine Rugs.

TOP. Robust yet elegant, the bathrooms include sensor lights and plenty of cabinetry by International Cabinets fitted with International Door Hardware. The tiling is from European Ceramics, the sculptures are by Pamela Tang, and a Cosh Living lantern is seen by the window.

BOTTOM. The master bedroom peers through an internal garden into the living room. A Living Edge armchair overlooks the bedroom and courtyard landscaped by Almond Gardens.

OPPOSITE. Timber panelling by Worldwide Timbers features in the master bedroom. The bed is styled in natural stonewash linen sheets and pillowcases by Pure Linen. The side table and lamp are from Ligne Roset, Vitra clock from Living Edge, and plant is from Little Leaf Co.

Generous glass doors and windows frame the city skyline by night and open the house up for large family gatherings. Occasional chairs, sofa, coffee table and lantern are all from Cosh Living.

Every square metre of the small site is utilised for a home that is compact, functional and stylish. Frameless glass bifold doors are by Solarlux.

1 Surveillance Pendant, POA, Mariia Gabriel representing Lost Profile Studio. 2 Paint in Orangeade, dulux.com.au. 3 Devil's Ivy, from $16, Bar Botanik. 4 Vulcan timber battens, POA, Austim. 5 Vitra Tripod Desk Clock, $850, Living Edge. 6 Burnt Umber Limited Edition print, from $130, Lisa Quinn-Schofield. 7 New York Bar Stool in vegan leather, $1,100, Satara. 8 Sahar Tessuto Persian wool and silk hand-knotted rug, POA, Temple Fine Rugs. 9 Cattelan Italia Giano Keramik dining table by Manzoni e Tapinassi, from $10,650, Ultimo. 10 Mineral Marble Bookends, $90, Empire Home. 11 Cliffstone in grey Tenerife by Lea Ceramiche, POA, European Ceramics. 12 Togo Large Sette, $10,525, Ligne Roset. 13 Dedon Seashell Lounge Chair with cushion by Jean-Marie Massaud, from $2,325, Cosh Living.

Restored Faith

INTERIORS LISA QUINN-SCHOFIELD

IMAGERY JODY D'ARCY

WORDS ELIZABETH CLARKE

The curvy GlobeWest dining table and Empire Home chairs provide a striking canvas for a collection of Dinosaur Design vessels from Jardan.

Lisa Quinn-Schofield’s church project in Subiaco is a fabulous modern family haven housed in a heritage 1900s brick church. The original Aloysius' Convent School-Church holds considerable significance for the City of Subiaco. Built in 1908 as a standalone school church, it later became a separate school and local mass and community centre.

The designer was approached to breathe new life into the original bones with clever interventions that showcase the juxtaposition of the new and the old. "It had complete wow factor, from its soaring decorative ceilings and quaint spiral staircase to its elegantly arched doors," she says. "I couldn't wait to get started."

Designed as a simple hall in Federation style, the original rectangular floor plan is simple in design and constructed of rendered brick. Its steeply pitched roof houses soaring ceilings, and the façade and entrance porch are decorated with classical detailing and moulded flower motifs. Using a considered selection of materials and a simple colour palette, Lisa enriched the home with a contemporary feel and sense of its original meaning – a haven of peace and tranquility.

Lisa found the building in good shape structurally, and the interior was beautifully intact thanks to a careful renovation by its previous owners. Her scope of work was focused inward and largely on the ground floor – a sunlit open-plan space embracing living and dining rooms, and a kitchen with access to the bedrooms and bathroom. A television room is located on an elevated platform, and a spiral staircase leads to a home office on the mezzanine level.

Tweaks and adjustments were made, such as restoring the original floorboards, bricking up a door

area, and relocating a trapdoor to the underground cellar. The walls were basted in white, allowing the existing architecture to shine. Drawing inspiration from the owners' art collection provided Lisa with a strong starting point for her selections. "Art is often an afterthought," she says. "It's not often at the forefront of decision-making."

Stunning, soaring ceilings allowed Lisa to experiment with size and scale but presented some challenges. "Installing lighting was difficult because the ceilings were high, so it needed to be large yet accessible in height," she says. "The ceilings made the open-plan space appear larger than it is, and with no usable walls, the furniture needed to float symmetrically in the middle of the room."

The result is cosy and stylish interiors that celebrate the charm of the original structure. "I like to create interest in my projects with a mix of materials, colours and shapes," she says. "I wanted to mirror the curves of the arches with items 'artful' in design."

Sourcing pieces from local designers has created spaces that are cohesive yet eclectic. "I'm a big fan of local [furniture], especially Jardan, that is Australianmade, sustainable, customisable and cool," she says.

The main bedroom is the ultimate 'adult retreat' with a custom-designed bed base, contemporary wall lights, and delicate works of art on the walls. A wardrobe is concealed behind the bed, and a small lounge area continues a sense of luxury.

"I am thrilled with this project," says Lisa. "The clients were well researched in design, which was inspiring. I can't wait for the project's second stage, which is the extension, kitchen and bathroom. Watch this space!" n

Under the watchful eye of Lisa Quinn-Schofield, a 1900s church in Subiaco is sensitively updated for life today.

Applying a considered mix of materials, texture, colour and shapes, Lisa’s selections subtly mirror the curves and details in the church’s architecture. Artworks by Anya Brock and a pair of Muuto strand pendants from Arrival Hall provide symmetry to the space. The sofa, occasional chairs, coffee table, rug, cushions and table lamp are all from Jardan, the ottoman is from Granite Lane, and marble side tables from GlobeWest. In the rear alcove is a corner sofa by Kartique, floor lamp from District, and Attalos pendant light from MARZ Designs. The portrait of a woman is by Stanislas Piechaczek, the black portrait is by Daniela Dlugocz, and the green portrait by Emily

Ten Raa.

LEFT. A patterned Leo Blush rug from Jardan provides an interesting first layer for all types of art and furnishings.

RIGHT. A glass sculpture, the SkLO Wrap Knot from Jardan, is displayed on a side table from Rosa Brown Agencies.

OPPOSITE. An Ethnicraft buffet from Kartique displays a Jardan lamp, large ceramic sculpture from Emma Lindegaard Studio, and a smaller sculpture by Natalie Rosin. The mirror is from District.

THIS PAGE. The owner’s eclectic and colourful art collection served as inspiration for Lisa’s choice of colours and furnishings, including an Ethnicraft corner sofa and coffee table from Kartique, paintings by Emily Ten Raa (left) and Indra Geidans (right), a vase by Emma Lindegaard Studio and sculpture from Kura Studio. OPPOSITE. Objects of various height and scale, including a GlobeWest dining table and chairs from Empire Home, take advantage of the capacious height of the original church.

More than a just a place to sleep, the bedroom is a retreat comprising soft greys, earthy tones and pops of peach.

OPPOSITE. The original timber floors were restored, lending a feeling of calm that is further enhanced by a curved Innerspace sofa, greenery from Bar Botanik, artwork by Belinda Wiltshire, and a GlobeWest rug

THIS PAGE. The coupling of a black Ethnicraft drawers and whimsical print by Carla Fletcher form an eye-catching vignette. The sculptures are by Natalie Rosin and Loam and the potted greenery is from Bar Botanik.

LEFT. A wall sconce from MARZ Designs makes a strong statement.

RIGHT. A GlobeWest coffee table in the master suite serves as a foundation for objets d’art, including a Mette Ditmer spiky black bowl OPPOSITE. Lights by MARZ Designs flank an Arthur G bed and side tables. Lisa chose bedlinens from Perth brand Bedtonic. A Jardan cushion contrasts perfectly with a patterned version from Hawtrey.

Lisa utilises the entire volume of the master bedroom, creating a small lounge area with French doors that open up to outside. The sofa is from Innerspace, the rug is from GlobeWest, floor and ceiling lights from West Elm.

1 Tin Horse Highway, Kulin, Western Australia, Limited Edition photographic art print, from 1,075, Christian Fletcher. 2 Paint in Camisole Quarter, dulux.com.au. 3 Press Sphere Pendant by Tom Dixon, $1,150, The Montauk Lighting Co. 4 Portobello Sofa by Tolv, from $2,557.50, Innerspace.

5 Mindo 100 Round Coffee Table, $1,075, Öopenspace. 6 Jarrah Heritage Recycled 200mm wide, POA, Woodpecker Flooring. 7 Tutu Visage Vase

Two Faces, $79, AGWA Design Store. 8 Leo Blush Rug, $7,000, Jardan. 9 Birch Bentwood Chair, $279, Empire Home. 10 Dinosaur Designs Earth Bowl, $280, Loam. 11 Exclusive cushion in orange, $195, editeur. 12 Ethnicraft Graphic Black Sideboard, $3,380, Kartique.

Modern Beauty

DEVELOPER EDGE VISIONARY LIVING ARCHITECT HILLAM ARCHITECTS

INTERIOR DESIGNER MARIIA GABRIEL IMAGERY JODY D'ARCY

WORDS ELIZABETH CLARKE

Along with a consistent colour palette and B&B Italia furnishings, floor-to-ceiling drapes by Patricia Urquiola for Kvadrat blur the open-plan living spaces with the outdoors. The parquetry floors are by Woodpecker Flooring.

A glamorous Floreat apartment where the views take centre stage

Some homes are born of a collaboration between designer and client – which was the case for this ground-floor apartment in Eden Floreat by interior designer Mariia Gabriel and owners Brett Heil and Patrick O'Rourke. Beautifully detailed internal and exterior spaces combine for a home that epitomises Western Australia’s enviable lifestyle.

"We were living in the eastern states and looking for an interior designer and hit it off right away with Mariia," says Brett. "Patrick and I came from creative industries and had compiled a huge brief that we presented to her. We were thrilled to discover she was on our wavelength."

The development by Edge Visionary Living and David Hillam from Hillam Architects is in the 1962 British Empire and Commonwealth Games precinct. To take advantage of views over Perry Lakes, it was imperative the couple have a well-considered outdoor living space. "It's important to talk about exterior spaces, otherwise they look like an afterthought," says Mariia, who found inspiration for the project in the works of American photographer Slim Aarons.

David Hillam's gift for dissolving the boundaries between indoors and outdoors is in evidence on the 84 sqm terrace, which has the feel of a wall-less room that opens up to the view. Curvy compact chairs by Kristalia form a lounging space and contrast with the stark lines of the Extremis Hopper table, a riff on the classic picnic table. It's teamed with a vast Poggesi umbrella that weighs 250kg and was flown in from Italy especially for the project. "It's the best in the world and at all the luxury resorts down the Italian coast," says Mariia. "Its inbuilt wind tunnel means it never blows out, which is great for Perth, the fourth-windiest city in the world. I deliberately mismatched the table with the umbrella. Intentional mismatching can be hard to do!"

Knowing less is more and when more is more is the great skill of an interior designer, especially when it comes to small internal spaces. "Despite its 4.5m ceilings, floorspace in the open-plan living area was limited," Mariia says. "Too many objects play with your eyes, so it was important not to pile it up with furniture."

Characterised by a strong emphasis on layers of horizontal line, luxurious materials, exquisite detailing and Italian furnishings, the space is illuminated through glass doors dressed in floor-to-ceiling drapes by Spanish designer Patricia Urquiola for Kvadrat. In the kitchen, Gaggenau appliances – including a fulllength wine cooler – are carefully integrated behind seamless joinery, and a simple Caesarstone island bench takes in park views.

In the dining room, considerable attention to detail is evident, including the B&B Italia dining table with its mustard-coloured framework. "We adored this piece and were dismayed it had been discontinued," says Mariia. "I asked B&B if they would bring it back, and they did! The green chairs add a lovely pop of colour, and I love how it all looks together."

Both hues recur in the living space in the form of B&B Italia's Husk chair and artwork by Jo Darbyshire, commissioned especially by the couple. Much of the furniture is by B&B Italia, including the vast TuftyTime sofa that dominates the space. "I kept its colour very plain so it didn't compete or become a feature," says Mariia. "There's also a matching Tufty-Bed in the master bedroom. Usually, I would never repeat one brand throughout one house, but this was the exception. We love B&B!"

Lighting by Italian designer David Groppi is also peppered throughout, including in the master bedroom, where his Neuro light acts like art. Mariia says his elegantly reductive and understated pieces played an essential part in the project. "There's at least one light by David in every room," she says. "Each selection was beautifully considered in all aspects, and how it would perform at different times of the day."

The home remains a work in progress, and its carefully considered spaces and seamless indooroutdoor living make it a sensational place to dwell. "Its clever design means our living space transitions from golden to bright light throughout the days," says Brett. "It really is the most stunning and relaxing place to live." n

both inside and out.

The open-plan living area is furnished with plush seats and sofas by B&B Italia, including the iconic mustard alpaca velvet

Husk chair.

OPPOSITE. In the kitchen, a horizontal pendant from Rakumba resembles a light beam. Its dual light control allows it to be adjusted up and down, or both, for a soft diffused light wherever the couple require it.

THIS PAGE. A wine cupboard by Gaggenau is installed at one end of the kitchen.

LEFT. The B&B Italia dining table was discontinued but specially recommissioned for this project.

RIGHT. Designed by Patricia Urquiola for B&B Italia, the TuftyTime Sofa is an informal modular system with exquisite grid-like composition of square tufts.

OPPOSITE. A painting by local artist Jo Darbyshire reflects the couple’s view across Perry Lakes.

OPPOSITE. In the master bedroom, David Groppi’s Neuro light, which is inspired by old electrical wiring, makes a strong statement.

THIS PAGE. The bathroom includes a wall-to-wall engineered stone vanity with inbuilt cabinets at each end and large sliding drawers beneath.

THIS PAGE. B&B Italia’s Pushpam table and Papilio chairs take in the view from the porch off the guestroom.

OPPOSITE. An artwork by Torres Strait painter Brian Robinson makes a statement in the guest bedroom. The bedspread is from AMARA.

OPPOSITE. “Talking about outdoor is just as important as indoor,” says Mariia, who teamed soft outdoor furnishings by Brioni with the Hopper table by Extremis from Living Edge. The umbrella by Poggesi was flown in especially from Italy.

LEFT. Fanuli’s Brioni range of outdoor seats is inspired by the archipelago of the same name in the Adriatic Sea.

RIGHT. The Hopper by Extremis is a more functional take on the classic picnic table. Its bent leg feature eradicates the awkward straddle of climbing over the benches.

Eden boasts an incredible 1800 sqm of premium resort-style amenities, including a state-of-the-art gymnasium, yoga studio, steam room and sauna as well as a stunning sun deck with heated 25m pool, shady cabanas and views over the lake.

1 Casamance 100% Linen Sheer, POA, Indeko Studio. 2 Precision Large Linear Chandelier by Kelly Wearstler, $4,059, The Montauk Lighting Co. 3 Paint in Yellow Varnish, dulux.com.au. 4 Fisher & Paykel Integrated Column Wine Cabinet, $18,099, Hart & Co. Appliances. 5 Rometti Tanit clay vase, $570, editeur. 6 Philodendron Xanadu plant, from $19, Bar Botanik. 7 Signature Oak, Walnut, Hexagon Parquetry, POA, Woodpecker Flooring.

8 Rainbow Rug by Linie Design, from $570, Innerspace. 9 Myplace Lounge Chair by LaCavidina, POA, Henri Living. 10 JOURNEY 5 unique state mono print by Kylee Larsen, $1,600, Linton & Kay Galleries. 11 Rolf Benz 953 Ottoman in Sage by Johannes Steinbauer, $990, Ultimo. 12 Spin Candelabra by Tom Dixon, $1,600, Loam.

Into the Groove

ARCHITECT MOUNTFORD MCCAREY ARCHITECTS

BUILDER MOSMAN BAY LUXURY HOMES

INTERIOR DESIGN MALVINA STONE

IMAGERY JODY D'ARCY

WORDS ELIZABETH CLARKE

The main living room offers a direct sense of connection with the gardens through the vast sliding glass doors. Above the Cosh Living dining table and Muuto chairs from Living Edge is a brass chandelier from Lucretia Melbourne.

Light plays a pivotal role in architect Ben Mountford’s design process. "Natural sunlight is important to address in terms of shade, shelter and heating as well as from a creative perspective,” he says. “It's the low-angle sun we love. The Western Australian sun is an important material for us."

For Dalkeith House, sunlight and site informed his composition of simplistic interiors. Wide open to lush green gardens, each space is also private and futureoriented for its growing family.

"In Dalkeith there is a history of experimental architecture, and this too is a very different house," Ben tells Havenist. "It's very open to the outside, and from the front creates a memorable picture for the passer-by."

Herringbone brick, fine timber screening and glazing combine with a delicate concrete frame, creating a sense of depth and privacy while embracing the sunlight. In place of a front path or fence, a green break separating the home from the street references Australia's iconic suburban driveway-lawn configuration, and a built-in bench acts like a park bench. Lush landscaping frames the house, while a landscaped rim provides privacy and a striking entrance.

Inside, the floor plan is just as uncomplicated: a master suite, bedrooms, a bathroom and rumpus room are upstairs, with a combination living/kitchen and dining space and guest quarters downstairs.

The impression of quality is immediate, with simplistic design and elements displaying a high degree of craftsmanship and natural materials. With every square metre thoughtfully planned to enhance the impression of space, the level of detail is impressive.

Most outstanding is the face brickwork that flows throughout the house, connecting it with the outside. Blue Bowral bricks arranged in a herringbone pattern feature on the façade and throughout the lower level of the house.

"Too much brick inside can feel too 1970s, so we

used it as a lovely detail with just the right amount of application to provide a dynamic finish," Ben says.

Mock-ups were constructed to ensure suitability for use in the more complex forms found in the house's interior, such as in and around the fireplace. The resulting geometry reflects the craftsmanship and fills the spaces with warmth and scale. Its sheen and pattern speak to elements like the bespoke steel fireplace and timber panelling, investing the home with an earthy ambience.

The kitchen, living and dining spaces overlap, making the home feel extra spacious. Thoughtfully designed built-in storage and an open mezzanine level provide service space while concealing the inevitable mess of everyday family life. Features like the fireplace, flue and casing are cleverly scaled in for a seamless appearance, paying strength to the space. "Movement though the home is well choreographed around crafted details of bricks, volume and double height," Ben explains. "The home is basically a box with angles and landscaping that create circulation and guide people through.”

The real star of the home lies at the back of the building. Vast engineered glass sliding doors that open entirely from the open-plan living space to the garden are concealed within the structure. When the doors are opened up, the family can move fluidly between the house and garden. Imported from Germany, it took three days for installers from Melbourne to fit them and ensure they worked seamlessly. "They are cumbersome, so it was crucial they worked perfectly so even a young child can operate them," Ben says.

When closed, they give the appearance of a huge wall constructed entirely of glass and provide the ground floor with a rich, green outlook. "Opening up to the north-facing garden means there is plenty of warmth and sunlight," he says. "It's a home that sits comfortably within the landscape and is a sophisticated yet casual living environment for all to enjoy." n

This Dalkeith home mixes experimental architecture, robust materials and clever craftsmanship to create a sense of warm minimalism.

The home’s natural colour palette allows its lush green outlook and plantings by Studio 634 Landscapes to take centre stage. Carefully placed furniture subtly zones the open floorplan.

OPPOSITE. Bowral Blue bricks from Austral Bricks are laid geometrically, forming a stunning and graphic backdrop for dining. The Tula Vase is from Loam.

TOP. Sheer drapes by Unique Fabrics filter sunlight into the living space. A large glass window frames a baby grand piano on one side and a tree on the other.

BOTTOM. A custom-made couch is artfully styled with cushions by James Dunlop covered in velvet from Zepel Fabrics.

OPPOSITE. The kitchen benefits from floor-to ceiling windows overlooking the garden and is largely defined by the feature brick wall. The polished plaster-to-concrete walls are by the

THIS PAGE. In the foyer, a built-in ledge acts as a drop zone and gallery space for children’s artworks.

Polished Plaster Company and white concrete Essastone lines the benchtops

Polished concrete flooring by Holcim is carried through the house. It gently meshes with other finishes, including Western Red Cedar shiplap boards that line the kitchen island bench and staircase.

HAVENS | INTO THE GROOVE

A built-in seat acts like a park bench, enticing neighbours in for afternoon chats. Lush sculptural plantings by Studio 634 Landscapes soften hard edges.

1 Wildflowers photographic art print, from $45, Little Peg Photography. 2 Tula Vase by Papaya, $169, Granite Lane. 3 101 Copenhagen Drop Chandelier, POA, Loam. 4 Paint in Sea Breeze, dulux.com.au. 5 Jude Bedside Table, $859, Angove Street Collective. 6 Atelier Vierkant UF planters, from $4,775, Cosh Living. 7 Bowral Blue bricks, POA, Austral Bricks. 8 Rolf Benz 641 Dining Chair, POA, Ultimo. 9 Mindo Cushion, $199, Öopenspace. 10 Vitra Sunburst Wall Clock, $810, Living Edge.

A Grand Affair

LANDSCAPE DESIGN ROBERT FINNIE DESIGN INSTALLATION EMPIRE LANDSCAPES IMAGERY JODY D'ARCY

WORDS ELIZABETH CLARKE

Ivy’s dark green tones alongside a mass planting of Lomandra provide contrasting colour and leaf shapes.

It is not always easy to find respite in an urban environment, but left in the hands of landscape designer Robert Finnie you need never leave home to find nirvana.

Robert is a thoughtful and sophisticated garden creator, and his schemes are subtly informed by his passion for Mediterranean-style gardens like those found on private Californian properties.

Formerly a senior design manager at Sydney’s renowned Secret Gardens, Robert has garnered a slew of national accolades and worked with the city's most prestigious architects on residential landscapes. "My time at Secret Gardens and the experience I gained has been invaluable," he says. "I learnt that form must follow function and the art of creating a well-balanced space."

Creating gardens from small spaces in Sydney's Paddington to rolling country estates in Margaret River’s Eagle Bay and Yallingup, Robert focuses on the site, considering its conditions and aspect, and the home's architecture. "Finding a connection and cohesiveness between the two is crucial to good design," he says.

For this family home in Claremont, he imbued a coastal feel that is modern in style yet reflects the home's classic design. Clearing the original garden entirely, Robert gave it a rethink resulting in an exciting reinvention. The flooring was his starting point, with the addition of natural limestone tiles providing a soft, subtle palette that complements the home's original stone cladding.

A modern vernacular of lush hedging, succulents and ornamentals lends texture to wide-open ground, while swathes of perennials and shrubs soften the geometry. The home's classic frontage cedes to an expanse of soft leaf Palmetto buffalo lawn. Lush and robust in form, it copes well with busy pets and regular foot traffic.

A central pathway leads from the home deep down into the garden. A circular fountain creates an elegant

arch of water, and a curved granite art piece acquired from Sculpture by the Sea provides shape and form.

An Indian hawthorn hedge that runs along the boundary wall is layered with rosemary and deep green agave desmettiana and underplanted with vibrant Flat Mat Trachelospermum. Using plants of varying heights allows a sense of scale within the space. "It's also vital to consider a palette of plants and succulents that work well with our Mediterranean climate," he says. "Succulents thrive here and are incredibly versatile."

The home's north-facing front entrance is embraced by a robust garden designed to withstand harsh elements and the full flush of the summer sun. A mix of cotton lavender and Miss Muffet imbue a sense of drama and complement the home's more modern black framed additions.

Along the side of the house, a rich viburnum hedge is underplanted with native Lomandra grass. On the other, wisteria winds up and around the existing arbour, erupting in fragrant white flowers every spring. A backdrop of dark ivy adds drama to the scheme.

Robert's planting style is loose yet considered in a minimal palette of greens and silver tones repeated throughout the garden. "I like to plant using large drifts of species, peppering in various forms, foliage shapes and colour for contrast," he says. "I'm not keen on too many different species in one perspective. It's a common mistake home gardeners make that can look fussy."

Around the back of the property, the existing pool and al fresco area are offered shade from large ornamental pear trees, while a mix of succulents, buxus spheres and underplantings add softness. The upgraded outdoor kitchen includes a barbecue, sink, refrigerator and pizza oven, and the existing tiled splashback mirrors the pool's clear aqua water. Sculptural outdoor furniture designed by Patricia Urquiola provides a spot to relax, while an original copper shower is beautifully patinaed and camouflaged by a mass of Boston ivy. n

An elegant Claremont home is almost eclipsed by a garden that spans the realms of classic and contemporary.

A central path tiled in Moroccan limestone tiles from Eco Outdoor runs from the property’s original front entrance. A simple water feature is a central focal point with jets positioned to create a dramatic entrance that speaks to the spirit of the home.

ABOVE. Various cultivars of crassula (jade) species feature along the east side of the building. They hold their form throughout the seasons, creating a lush contemporary vibe, a theme repeated in other zones throughout the garden.

RIGHT. The backdrop to the central water feature is a mixture of succulents and ornamentals, including agave desmettiana, rosemary, and Flat Mat Trachelospermum. In time, the rear hedge will form a lush green wall.

THIS PAGE. The home’s original cobbled driveway contrasts with the Moroccan limestone flooring. The selection of green foliage tones and plant forms soften the material palette.

OPPOSITE. A treasured sculptural granite piece, Trajectory of Winds by artist Keizo Ushio, was acquired from Sculpture by the Sea and is nestled within the layered garden. Blue glaucus and succulent tones stand out within this plant composition.

LEFT. A sculptural fan aloe adds drama to these existing serralunga stone pots from WG Outdoor Life.

RIGHT. Kalanchoe copper spoons planted in a low handcrafted clay bowl from Atelier Vierkant provide texture and a modern touch.

OPPOSITE. The home’s private entrance faces north, bearing the full glare of the summer sun. Hardy species like santolina chamaecyparissus, pittosporum Miss Muffet and crassula ‘blue bird’ create a layered yet robust composition that merges effortlessly with the home’s modern black-framed extension.

OPPOSITE. An original copper shower stands almost submerged in a wall of Boston ivy

LEFT. An antler-shaped hose reel by Garden Glory injects an element of whimsy to the space.

RIGHT. Blue the dog keeps his cool nestling into an existing viburnum hedge and foreground of Lomandra

THIS PAGE. Black steel frames provide graphic detail while an agave potatorum adds curves, symmetry and texture. OPPOSITE. The upgraded outdoor kitchen was designed and detailed by Mata Design to include a barbecue, sink, refrigerator, pizza oven and inky black cabinetry. The tiled splashback mirrors the pool’s aqua colour. The BBQ and pizza oven are from Mata Design.

Pyrus calleryana chanticleer trees line the boundary. The underplanting includes classic buxus spheres with modern succulents and low ground cover. It is a scheme that ties in with the front garden, creating restraint and uniformity throughout the property.

1 Stainless Steel Gas Pizza Oven SERIES 1, from $7,260, Ferguson Alfresco Lifestyle. 2 Cirque Emerald tile by Vulcano Clay, POA, Myaree Ceramics. 3 Serralunga Newpot Planter, from $395, WG Outdoor Life. 4 Dedon MU Sofa by Toan Nguyen, from $9,225, Cosh Living. 5 Kalanchoe Orgyalis Copper Spoons plant, from $12.95, Dawson's Garden World. 6 Garonne Limestone, sandblasted and brushed finish, POA, Eco Outdoor. 7 Mindo Side Table, $599, Öopenspace. 8 Never Too Much Kit, garden hose combination, $619, Garden Glory. 9 G&T Chair in White, $99, Empire Home. 10 Agave potatorum plant, from $25, Bar Botanik. 11 Paint in Pewter Frame, dulux.com.au.

IndoorJUNGLE

WITH AN ASTONISHING 550 PLANTS LIVING INSIDE HER ARDROSS HOME, BAR BOTANIK OWNER FESI DJOJO SHARES HER GREEN PASSION AND TOP PLANT CARE TIPS.

IMAGERY JODY D'ARCY INTERVIEW AMY COLLINS-WALKER

“Getting closer to nature makes me feel good. If I’m feeling down, I normally just stop and enjoy the greenery as plants make me so happy,” says house plant enthusiast Fesi Djojo, who was raised in Indonesia and took numerous trips to the Sumatran rainforest as a child. “Dad used to work in the forest, so we went there a lot as little kids,” adds Fesi, who credits her upbringing with igniting her love of plants.

Designed by architect Gerry Kho and built by Arklen in 2012, Fesi’s light-filled Ardross home was inspired by the Japanese principle of wabi-sabi, which celebrates nature’s imperfections.

“I didn’t build the house around the plants, but I wanted lots of natural light coming in. We also wanted to see the garden from all angles,” says Fesi, who shares the home with her husband and two young children. And with a lush, plant-filled courtyard in the middle of the house, plus hundreds more plants inside, there are green glimpses afforded from every room of the home.

“Primarily, I decorate my house with plants, and I don’t have many other decor items,” Fesi says. It’s a pastime that comes with considerable commitment, though – watering and caring for the indoor jungle takes around four hours to complete every two weeks. And when Fesi isn’t watering, fertilising, cleaning and pruning inside, she rehabilitates struggling plants in her backyard greenhouse. “I love taking care of my plants though, so it doesn’t feel like work,” she says.

An obvious botanic obsessive, Fesi also holds an impressive collection of rare plants sourced over many years through private collectors. “Rare plants are expensive because many of them cannot be tissue-cultured in a lab like most mass-produced plants,” she says, displaying the sort of enthusiasm that led her to leave her accounting career behind to launch her West Perth plant emporium, Bar Botanik, with her brother-in-law in 2017. “I love sharing my knowledge and getting people inspired at the shop. The more nature in people’s lives, the better!” »

HOW TO ADD GREENERY inside your home

If you’re an indoor plant novice, start with a plant like a Zanzibar Gem as they are impossible to kill. “You can go away on holiday and not water it for two or three weeks and it will be fine as it has tubers under the soil that store water,” says Fesi.

Overwatering leads to plant stress as most plants prefer their soil to be on the drier side. A moisture meter is a worthy investment if you’re unsure. Fesi recommends Garden Master moisture meter, $17.50.

The number one thing an indoor plant needs is light, however the best plant options for low-light conditions include the Zanzibar Gem, Devil’s Ivy, Mother-in-Law’s Tongue or the also aptly titled Cast Iron plant.

Make fertiliser your friend. “I use liquid fertiliser every time I water,” says Fesi. “I just mix it into the water, and it makes such a difference to the health of the plants.”

Fesi recommends Foliage Focus liquid fertiliser 1L, $19.

“Many people struggle to choose the right plant for the right spot and then wonder why they don’t grow,” says Fesi, who offers at-home plant consultations for those needing a helping hand.

RECIPE for STYLE

For cook Kate Flower, good kitchens function but dream kitchens perform.

Food stylist Kate Flower's home is as vibrant as her cooking – scallop and stone fruit salad, lobster in coconut broth, and boozy brioche summer pudding. First, you taste her dishes and then notice where she is making them."I adore my kitchen for its natural light, looks and functionality," Kate says of her favourite space in her East Fremantle abode. When Havenist visits her at home, the children are splashing in the pool, her husband Jamie is barbequing sausages, and she and her team are putting the finishing touches to the third instalment of her cookbook series, A Local Table.

"This edition is a summer entertaining recipe book focusing on beautiful Western Australia produce, makers and artisans," she says. "I love relaxed cooking, good quality ingredients like tomatoes that taste amazing before they are seasoned, and salads on huge platters rather than deep bowls where their ingredients disappear at the bottom. It's how we love to eat."

Kate’s family home is just as sunny and relaxed. From the street, it is geometric in shape with spotted gum slats, painted brick and circular brick formations inspired by the original Italianate houses in the area. Inside, burnished concrete floors mesh gently with crisp white painted brick walls and fluted timber features.

The home for five, completed 18 months ago, was a collaboration between the couple and their architect John Chisholm and Skytree Homes.

"The original house was rundown and unliveable, so we needed to start again," says Jamie. "We knew what we wanted and consulted with an architect friend before working on the plans with John. Our design journey was five years from buying to shovel ready,"

The lower level includes a master bedroom and ensuite, a jewel of a powder room, and an open plan space embracing kitchen, scullery and living and dining spaces. Beyond, a large Jacaranda tree hovers over the swimming pool. A pergola shelters the alfresco dining area, and an adjoining studio doubles as guest accommodation. Upstairs is wholly dedicated to the children.

As in most homes, daily life revolves around the kitchen, but in this home, even more so. Also known as Sewell Street Kitchen, it is a popular purpose-built working kitchen for filming and photo shoots. Filled with sunlight, wide open walkways and state-of-theart appliances, it is the set of any would-be TV chef's dreams.

Seamless bay green cabinetry houses a refrigerator, two ovens and a generous sink. A vast kitchen island bench serves as the main preparation and cooking area. Jamie, a cabinet maker by trade, says he searched down south for its timber top for two years. "I eventually found this white Marri slab in a Denmark paddock that »

PHOTO BY NICK THAKE

« had been struck by lightning, milled and stored in a shed," he says. "It was exactly what I'd been looking for."

Installed into one end of the island bench is a Neff induction cooktop from Hart & Co. "We didn't want a bulky overhead rangehood that would obstruct filming or our garden view," he explains. "This one has a ventilation unit integrated into the bench. It ticked all our boxes."

Behind the kitchen, a scullery leads to the garage, making transporting food and equipment from the car to the house effortless.

Kate designed the layout herself, with the workbench, sink and oven forming the traditional working kitchen triangle. "It's great when I am cooking for the family and shooting for my cookbooks," she says. "There can be three people cooking at once, and it's easy."

Eventually, Kate will be able to cook outside too. Jamie plans to install a commercial-grade spit roast into the freestanding chimney in the alfresco area. "I grew up on a cattle and sheep station and remembered seeing old burnt-out cottages with just their chimneys remaining," he says. "Those memories inspire ours."

Evoking a relaxed coastal vibe from its whitewashed walls and patinaed timber features, the family's home sits comfortably on the street alongside century-old worker's cottages and Italianate homes. "Our house might be brand new, but it has an authentic and livedin feel," he says. "People often mistake it for a reno, and I'm very pleased they think that." n

kateflowerfood.com.au

PARTY SMARTY

Arrange casually on a large platter or serve dinner party style on individual plates. Clever.

Seared Scallop & Stone Fruit Salad

20 Shark Bay scallops

2 tbsp olive oil

½ garlic clove, minced

½ tsp salt

½ cup finely sliced dried cacciatore or chorizo

BASIL OIL

1 cup basil leaves

½ garlic clove

½ cup olive oil

Sea salt

NECTARINE VINAIGRETTE

1 nectarine, flesh and skin

1 tsp red wine vinegar

¼ cup olive oil

TO SERVE

1 cup baby rocket

2 peach or nectarine, finely sliced

1 purple shallot, thinly sliced

1/ Roll scallops through olive oil, minced garlic and salt and set aside in the fridge until ready to cook.

2/ For the basil oil, combine ingredients in a blender and pulse until the basil is roughly chopped and worked through the oil. The finish should be rough, not smooth.

3/ To make the nectarine vinaigrette, place nectarine flesh, a little water and the vinegar in a blender and blend to smooth. 4/ Stir through the oil, season and set aside. 5/ In a warm pan with a little oil, cook the sliced sausage until it is just cooked (about 1 minute). Using a slotted spoon, remove the sausage to a plate, leaving the oil in the pan.

6/ Re-heat the same pan to a high heat then sear scallops on each side for around 30 seconds until caramelised on the surface but still opaque through the centre (about 1 minute each side). Remove to a plate. 7/ To assemble, toss the rocket and stone fruit slices on your platter. Dot the plate with five teaspoons of nectarine vinaigrette. Top each dot with a scallop then scatter the salad with a little cacciatore and finish with a drizzle of basil oil. 8/ Season to taste and serve with fresh bread.

SERVES 4

Perfect Pork Belly with Apple, Mint &

Finger Lime Salad

1.5kg pork belly, skin on BRINE

¾ cup brown sugar, firmly packed

¾ cup sea salt

4 garlic cloves, crushed

1 tsp whole black peppercorns

2 cloves

1 bay leaf

1 thyme sprig

2 tbsp olive oil

2 tbsp sea salt

ROYAL GALA AND FINGER LIME SALAD

1 cup mint leaves picked

2 Royal Gala apples, thinly sliced

1 tub finger lime caviar (The Boatshed Cottesloe)

DRESSING

1 tbsp soy, salt reduced

1 tbsp Mirin or rice wine vinegar

1 tbsp honey, warmed

1 tsp. sesame oil

Sea salt and black cracked pepper

1/ Start this recipe a day ahead. For the brine, place all ingredients and 6 cups of water in a saucepan over high heat.

2/ Cook, stirring for 4 minutes or until sugar and salt have dissolved. Transfer to a bowl and chill until cooled to room temperature. 3/ Pour brine into a shallow baking dish (4cm) and carefully place the pork in the brine, to cover meat but not skin. You may need to prop one side up with folded baking paper if the pork belly is not an even thickness. 4/ Chill overnight, leaving the skin exposed to dry out. 5/ The next day, pre-heat the oven to 220°C. Remove pork from brine, discarding brine and rub skin with oil and season with salt. 6/ Place pork, skin-side up, on a greased wire rack set in a roasting pan and roast for 30 minutes or until the skin starts to bubble and crisp slightly. 7/ Reduce the oven to 150°C and roast for a further 1 hour, then increase oven to 200°C and cook for a further 20 minutes, or until meat is cooked through and the crackling is crisp and golden. 8/ The pork should reach 62°C on a meat thermometer. 9/ Rest the pork, loosely covered with foil, for 30 minutes. 10/ When ready, slice the pork into thin strips across the grain and lay on a platter. 11/ To make the salad, toss mint and apple with finger lime caviar and dressing ingredients. Scatter across your sliced pork to serve. 12/ If you are not brining the pork, leave the whole pork belly uncovered in the fridge overnight to dry out the skin and flesh before cooking so you can achieve a crisp crackle.

SERVES 6-8

THIS EXTRACT IS FROM A LOCAL TABLE BY KATE FLOWER. AVAILABLE FROM KATEFLOWERFOOD.COM.AU

Boozy Brioche Summer Pudding

BERRY FILLING

600g frozen mixed berries

150g sugar

1 orange, juice of ½ teaspoon vanilla powder (optional)

1/3 cup Grand Marnier (or other orange liqueur)

10 brioche slider buns

Fresh thyme

250g strawberries, hulled and sliced into 3 pieces

200g fresh berries

CHANTILLY CREAM

2 cups whipping cream, chilled

2 tbsp granulated sugar

1 tsp pure vanilla extract

TO GARNISH

Store bought meringue

Freeze dried raspberry powder

1/3 cup pistachios, finely chopped Raspberries

1/ To make the berry filling, place ingredients (except Grand Marnier) in a heavy-based saucepan and cook over a low heat for 3 to 5 minutes, or until the sugar has dissolved and juices begin releasing from the fruit. 2/ Stir through the Grand Marnier and set aside to cool.

3/ Once cool, strain the juice from the berries, reserving both. 4/ To prepare brioche, slice a very thin layer of crust off both the top and bottom of each brioche bun, then slice them in half. 5/ Assemble in a 2 litre trifle bowl. Lay out half of the brioche in a tight fit across the base of the trifle bowl. 6/ Top with 2/3 of the berry filling and half of the fresh berries. Pour over some of the reserved juice to soak the brioche. 7/ Dot sprigs of thyme amongst the berries and repeat another layer each of brioche, berry filling and fresh berries then pour over any remaining juices to evenly soak the brioche layers below. 8/ In a large mixing bowl, beat the whipping cream, sugar and vanilla extract together on high speed until soft peaks form. 9/ Top the pudding with Chantilly cream and garnish with store bought meringue, dust with freeze dried raspberry and finish with crushed pistachio and raspberries if you wish.

SERVES 8

MAKE-AHEAD MAGIC

A strategically smart summer entertaining dish, prepare a day ahead and top with whipped cream and fruit just before serving.

Everything here comes from here.

Thanks to our pristine environment and shorter distance from producer to plate, WA produce is the superior choice. Look for the Buy West Eat Best logo.

@buywesteatbest #buywesteatbest

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Watermelon

Salad with Whipped Labneh & Spiced Honey Pistachios

SERVES 4

1.8kg watermelon, seedless, roughly 1/4 30ml white balsamic vinegar

1 tsp sumac

4 tbsp olive oil

200g fetta, Persian

200g labneh

100ml honey, local

1 tbsp garlic, sliced, 1 clove

1-2 tsp chilli flakes, optional

2 tbsp lemon juice

2 tbsp pistachios, roughly chopped

1 tsp zaatar

1 tbsp mint, fresh, leaves only

1 tsp sea salt

1/ Remove the watermelon rind and cut the watermelon into uniform rectangles, an inch in width. Mix the white balsamic, olive oil, and sumac in a shallow container, then place the watermelon into the marinade, ensuring each piece is gently coated. Cover and place in the fridge for 20-25 minutes.

2/ To make the whipped labneh, let the fetta and labneh get to room temperature, then place into a food processor and blitz until combined and fluffy.

3/ In a pan over medium heat, warm half a tablespoon of olive oil, and add the sliced garlic and chilli flakes warm through, careful not to burn. Once the garlic turns a nutty brown, remove from heat and add the lemon juice, chopped pistachios, salt and honey, and constantly stir until the pistachios are covered, and you have a sauce consistency.

4/ On a plate, generously spread the whipped labneh, and arrange the watermelon into a lazy stack in the centre. Drizzle the warm honey around the labneh's edges and over the watermelon. Sprinkle with zaatar, mint leaves and extra pistachios. Serve immediately.

Tips: Serve alongside any BBQ meats, or with spiced lamb, a tabouli salad and freshly baked flatbread.

Allergens: Dairy, fructose, seeds.

Applecross

Boulevard

Summer is Served

Here in WA, the days are sunny and the nights are hot, and The Good Grocer is brimming with summer’s most prized local produce. Whether you like to grill steaks on the BBQ, make crayfish sandwiches for the beach or whip up your own ices and sorbets, one thing is for sure: It’s not officially summer until we are eating and drinking well.

The Good Grocer is 100% family owned and makes cooking for your family and friends fast, fresh and easy. Our produce is grown, reared, caught, and made in WA. Shop our delicious range of chef-prepared breakfasts, lunches and dinners as well as everything you need for simple, sublime summer cooking. We’re open 24 hours a day, 7 days a week.

Myaree

AT HOME WITH

Jarrad Seng

WHEN PHOTOGRAPHER JARRAD SENG ISN’T TOURING WITH PASSENGER OR ED SHEERAN, SHOOTING THE MILKY WAY, HIKING THE NAMIBIAN DESERT OR EXPLORING THE WORLD’S LARGEST CAVES, HE IS AT HOME IN HIS FREMANTLE LOFT.

Where is home? My three-level loft in central Fremantle. The original building was an old factory constructed in the 1920s that was one of the first warehouse conversions in the city designed by the renowned architect Brian Klopper. It's cosy, quirky and free-flowing, and I like to think of it as my little treehouse in the heart of Fremantle.

What drew you to it? I'm a sucker for a warehouse conversion, and I was immediately drawn to the floorto-ceiling windows and open-plan design. Of course, I surmised all this from the online listing only. I may or may not have submitted the offer on the apartment sight unseen whilst blind drunk at Ed Sheeran's birthday party in Brazil. It's a long story!

What changes did you make when you moved in? I've always wanted a big, beautiful bookcase to call my own, so I enlisted local cabinetmaker Classy Joints to create custom jarrah shelves with black powder-coated steel uprights. It fits in perfectly with the feel of the space. I've also added some hidden storage areas underneath staircases and platforms to make the very most of this compact space.

What other changes do you have in mind? I'd love to experiment with more custom shelving options on the other levels. I collect many things – artworks, trinkets, records, instruments, plants, and carvings – and I need space for all of them.

Did you use a stylist? West Elm laid the foundations with some furnishings in the living room. Otherwise, the random and eclectic nature of the home can be blamed on the gentle chaos in my head. My goal has always been to curate a space that inspires creativity.

How is your thirst for adventure reflected in your home? I've collected trinkets from around the world and scattered them across every space. There are wood carvings from South America, boab nuts from the Kimberley, film cameras from Eastern Europe, and even soapstone animals from Africa. It may seem random on the surface, but everything here reminds me of all those wild adventures from the road.

Any quirks to be found? A few slowly reveal themselves as you look a little closer. The dining table benches are suspended from the ceiling by chains – a bold and somewhat impractical design choice by the previous owner, but I still get a kick out of it.

Who are the artists displayed? Some of my favourite local artists, like Amok Island, Pippa McManus, Emma Freestone, Mekel and Hayley Welsh. The geometric wood mosaic on the first floor was created for the space by local artist Studio Sarai and features timber from an old Fremantle jetty as the centrepiece, which is very cool. I also couldn't resist showcasing glimpses of my beloved Western Australia on the walls, so you'll also find my photographs from Rottnest Island and the South West. »

« If you could live anywhere other than Perth, where would that be? A little fantasy of mine is to live in the remote Iceland wilderness, and home would be an isolated cabin among the frozen waterfalls with the northern lights overhead.

Where do you find inspiration? Many places – from listening to soul music whilst walking around a foreign city, from the afternoon light flowing through the window and brushing the walls, to seeing my talented friends achieve their wildest dreams. It inspires me to create and bring my ideas into the world.

What music is on high rotation? My 'welcome home' playlist has been [South African-born indie artist] Gregory Alan Isakov for years. He's an incredible songwriter with whom I've been lucky enough to tour on the road. His music calms the soul.

What does your collection of indoor plants bring to your home? Holding as much greenery inside these walls brings peace. I'm happiest in the remote wilderness, and this brings me a little closer.

What is on your bookshelf? I love reading – it's probably the only time my hyperactive brain slows down enough to catch a breath! I enjoy fantasy, old fairy tales, photography, art tomes and the odd memoir.

Which of the cameras on display are your most treasured? I've worked as a photographer for over a decade and churned through a good amount of machinery. There's no better way to honour my old camera bodies than display them around the home. They're not just cameras; they represent years of adventures worldwide and have been through blizzards and sandstorms, on the tops of alpine mountains at sunrise, on stage in front of tens of thousands of screaming music fans, and even beneath wild ocean waves. They have many stories they have to tell. n

jarradseng.com

Murals handpainted by Desmond Sweeney 0414 298 232 | 8footwalls.com | @8footwalls

POSTCARDS FROM WA

SURE, OVERSEAS TRAVEL IS BACK ON THE CARDS, BUT HOLIDAYS AT HOME HAVE NEVER BEEN SO HIP. ELIZABETH CLARKE CHECKS INTO THREE OF WA'S MOST CHARMING COUNTRY DESTINATIONS.

Treetops Getaway Stillwood Retreat, Denmark

IMAGERY RACHEL CLAIRE

Immerse yourself in the natural beauty of Denmark in an old shed beautifully reimagined by Kimberley Tan and Jeffrey Swinyard, of design practice Studio Atelier. The perfect barefoot luxury experience for two, Stillwood Retreat sits on a stretch of nature overlooking lush, rolling hills and the Karri Forest, and has everything you need for a soothing weekend away.

The perfect combination of comfort and chic, each interior space is a melange of natural textures, earthy materials and a moody palette. The living room features soaring timber-lined ceilings and a dreamy mural of the Karri Forest. A wood fire puffs away, and an oversized linen couch beckons you to pour a wine and relax.

The compact and fully equipped kitchen with breakfast bar looks out to nature. The bathing sanctuary includes a rain shower and a two-person bathtub stocked with Aesop products. A short distance from the house is an outdoor antique clawfoot bath, where you can marvel at the great outdoors from beneath the bubbles.

The treetop bedroom lies at the top of the stairs. Pared back and simplistic, it is luxuriously comfy with squillion-thread sheets where you'll sleep the sleep of kings.

Ideal for seekers of solitude, serene is how you will leave Stillwood Retreat, the perfect antidote to a busy life. Until next time ...

Forest Escape

Karri Loam, Margaret River

IMAGERY GLENN RUSSELL

It’s not just the peace at Karri Loam that is restorative. The home’s minimal design and raw materials, like rammed earth and timber, clear the mind and throw you straight into nature.

Designed and built by owners Miranda Geiger and Ash Stucken, the two-level bolthole perches on the edge of the Karri Forest just far enough from the hullaballoo of Margaret River town. The bedrooms share a bathroom and outdoor bathtub custom-built by Ash on the ground level. The kitchen, living space, powder room and outdoor terrace are upstairs, taking in lush views of the surrounding forest.

Taking its name from the soil it’s built on, Karri Loam is chic, chic, chic. Each space is pared down and simply handled with cool touches such as Cultiver European bedlinens, Cisco & the Sun ceramics, and local Vasse Virgin soaps. Armadillo rugs add warmth to the sparse spaces, and benchtops are finished in micro cement. In the living space, a sweeping MCM House sofa and floor-to-ceiling drapes are elevated by a large, vibrant artwork by West Australian artist Jay Staples.

There’s something utterly restful about living in such spare natural spaces, and there is no more beautiful Margaret River haven than Karri Loam.

Book Storytellers Rest in Bridgetown on Airbnb abnb.me/5M4WQ9qBRtb

Country Retreat Storytellers Rest, Bridgetown

IMAGERY RAQUEL ARANDA

Pretty, ornate and as sumptuous as a cream cake, Storytellers Rest is nestled in the heart of Bridgetown, one of the sweetest villages down south. Owners Glen and Janine Pearce have breathed fresh new life into the 102-yearold home. “We gently pulled her apart, from her crooked walls and wonky floors to her bad colour palette,” says Janine. “We’ve added back what she needed, like a new fireplace, a beautiful bath, and a chef’s kitchen. She is once again the beautiful dame.”

Evoking a cross between Enid Blyton and Kate Moss, Storytellers Rest is bliss for a blast of old-world elegance, with a twist. Her interiors are characterised by contrasts: in one bedroom, rich antiques chime with bold teal walls, and in the other, soft, oversized roses combine with layers of blush linen. It’s classic rather than gimmicky, and every space feels lived in with a sense of occasion.

The sense of whimsy and romance tumbles over into the garden filled with birdsong, rustling trees, a fruit orchard, and fire pit. Stroll into town, take in a winery, indulge in a long lunch at The Cidery, or explore the river. For outdoorsy types, there is hiking, canoeing, and mountain bike riding. Perfect for a family getaway or friends looking for a refuge from hectic city life, everything here seems to encourage you to slow down, sit down, and calm down. If you yearn for an old-style country getaway, this is the ticket.

inde ko s tudi o

D E SI G N - F OR M - F U N C TI O N

Here at Indeko Studio, we are renowned for achieving the highest level of design and performance with products that are sustainably sourced and deliver energy efficiency.

Offering one of Perth’s largest ranges of premium European fabrics and world leading brands, our showroom showcases the best in luxury sheers and curtains, soft shades, shutters, external awnings and blinds, and is the perfect place to start your journey

Our team work closely with clients, architects, designers and builders to deliver a cohesive design capturing your personality and realising them in a style that is as individual as you.

9244 8977

Nature to NURTURE

When it comes to rest, relaxation and beauty, nothing compares to enjoying an indulgent spa treatment in a natural locale. Now tranquility seekers need not travel far with BODHI's newest spa in picturesque Yallingup. A mantra of balance permeates every inch of its $2 million fit-out that sits serenely on the shores of Lake Gunyulgup, which, fittingly, means “place of rest”.

The latest offering by founders Danny and Tania Taylor combines their expertise with high-performing, all-natural Australian products and the latest trailblazing technology to tackle any skin concern. Celebrating 15 years of holistic wellness, BODHI Yallingup is their sixth wellbeing destination, and is considered by those in the know to be beauty nirvana.

"BODHI day spas nourish the body, feed the soul and respect our planet," says Tania. "As Australia's finest natural spa destination, BODHI is dedicated to refined and relaxed beauty and wellness."

The couple's swish new spa immersed in nature is designed by award-winning Pattern Studio, whose artisans have created timeless, elegant interiors filled with contemporary European furnishings, Australian artworks, and handmade ceramic light fittings. There are six luxury treatment rooms (five are couples' suites), an infrared sauna, hydrotherapy baths, and a water-fronting yoga and meditation studio. A secluded relaxation lounge and spa terrace take in fabulous lake views for an even more profound feeling of peace and serenity.

"We wanted to craft spaces that feel elegant yet understated, contemporary yet timeless, harmonious yet never bland," says Pattern Studio's Lily Goodwin. "We intended to create a sense of utter serenity, cultivating a feeling of calm and balance. The design is intentionally understated to not compete with or detract from vistas to the surrounding landscape." »

THIS NEW HOLISTIC SPA EXPERIENCE IS AS CLOSE TO NATURE AS YOU CAN GET.

IMAGERY ANGE WALL WORDS ELIZABETH CLARKE

« When it came to the most considered offering by BODHI to date, Tania says the spa's location informed every aspect of its design. "Nature has been integral to the layout with floor-to-ceiling windows, a waterfronting yoga studio, and skylights that bring natural light into a curved central corridor," she says. "The neutral, warm palette is inspired by the pristine coastal Margaret River region, providing a beautiful sense of place, and the wildlife is abundant!"

The real magic of BODHI, however, lies in its treatments. Skin feels strokably soft thanks to its range of hand-crafted products by Sodashi, Mukti Organics, Emma Lewisham skincare, and hi-tech treatments including Infrared Sauna, LED Light Therapy, Hydrotherapy Baths and Chakra Balancing.

Post-winter skin is suddenly dewy, glowing and youthful thanks to a lymphatic drainage massage and an Emma Lewisham Brightening Facial. For an earthier experience, take the four-and-a-half-hour Awakening spa journey that includes six nurturing therapies inspired by Indigenous healing techniques.

So far, so luxury spa. In true BODHI style, this new venture elevates beauty and wellness to an entirely different level – naturally. n

BODHI Yallingup, 84 Koorabin Dr, Yallingup (08) 6373 7770 | bodhispa.com

NATURAL WONDER

THERE'S NO GEM QUITE LIKE THE AUSTRALIAN SOUTH SEA PEARL. NATURAL YET LUXURIOUS, REFINED YET STATEMENT-MAKING, IT IS A TRUE MODERN CLASSIC AND AN INVESTMENT TO BE WORN FOREVER.

Kailis Jewellery’s pearls have a luminous legacy that spans four generations of merchant seafarers. The Kailis family hailed from the small Greek island of Castellorizo and immigrated to Western Australia in the mid-1900s. Son Michael met and married medical graduate Dr Patricia Hurse in the 1970s, and with a shared love of the ocean, the pair planned to pioneer the local seafood industry.

On a trip to the northwest of the state, they arrived in Broome, home to the world's most lustrous pearls. Captivated, the couple established their first Australian South Sea pearl farm there and, using Dr Kailis' medical expertise, overcame ecological challenges that had destroyed other pearl farms. In 1978, they opened their first pearl jewellery store. Today, Kailis remains family-operated and is known globally as a modern brand with precious West Australian roots.

RARE FIND .

Kailis' pearls – descended from the rare Australian Pinctada maxima, the world's largest pearl-producing oyster – are untouched and naturally beautiful. Australia's nutrientrich waters are the only place on Earth where they can be used for pearl cultivation, and the wild pearl fisheries of Western Australia and the Northern Territory are the first in the world to have been certified by the Marine Stewardship Council.

"The Australian South Sea pearl is extremely rare and makes up just 0.1 percent of global pearl production," says Kailis general manager Tanya Tindall. "We don't enhance the pearl's colour, lustre or features, so we only select the most naturally perfect pearls."

Australian South Sea pearls have the thickest nacre (pearl layer), lustre, colour and size than any other, and each is unique.

SHAPE SHIFTER

Every pearl that bears the Kailis name is hand-selected based on the five natural virtues of lustre, shape, size, colour and surface quality. "Every pearl is graded in line with its virtues," says Tanya. "Our pearls are available in brands 1, 2 and 3. Brand 1 pearls are the rarest and are naturally of higher value. The Australian South Sea pearls are our hero."

NATURAL MASTERPIECE .

Kailis Jewellery blends tradition with modernity and is designed to be worn, not put away for special occasions. Reimagining an Australian South Sea pearl is an exceptionally delicate process. Two to three suites and major collections are released every couple of years, their inspiration found in fashion, history or the pearl itself.

"No two pearls are the same, and this is our main consideration in the design process," says Tanya. "Lustre, complexion, shape, colour and size are all considered during the design process to ensure the pearl sits beautifully in its setting."

After the jeweller makes initial sketches, the final design is created as a 3D digital model to ensure it is workable. Next it is cast in wax, then silver, to ensure it is wearable before being made in gold as a Kailis Jewellery collection item.

DELICATE OR DARING?

Look to the natural world for stylish inspiration in choosing a bold statement piece or opting for the understated elegance of more refined designs. Mix and match your pearls with other gems, or hark back to jewellery sets of the past, pairing a pendant with earrings and bracelets with rings for a refreshing return to polished elegance.

"Wear your pearls often," says Tanya. "Pearls are cold until worn and warmed up against your skin. Wearing them feels natural and beautiful and helps them keep their lustre." n

kailisjewellery.com.au

Lust for

IMAGERY SUNDAE STUDIO WORDS AMY COLLINS-WALKER

Life

Kicking off her career more than 20 years ago, armed with a double major in journalism and international relations from Curtin University, Nicolette Casella immersed herself in the Australian media landscape working as a journalist everywhere from The Sunday Times in Perth to The Daily Telegraph in Sydney. After meeting her husband on assignment in New York, and adding the first of three children to their family, she made the move back west and became the editor of STM. And then the COVID tsunami hit.

Like many people, the pandemic proved the catalyst for a career pivot. “It was during COVID that I felt like I wanted a change. I was at that mid-career point and felt like I wanted to try something new,” says Nicolette, who gave herself three months to find a new direction. But rather than head down the predictable PR or corporate communications route, she subsequently carved out a unique career path for herself as WA’s first Philanthropy Manager at UNICEF Australia and as a board director at FORM.

“I’ve always loved art and grew up with my mum working as a guide at the Art Gallery of WA and studying visual arts management and art history. My dad is an architect, and my sister Liz Casella is also highly creative and has her own textile print studios in Los Angeles and New York,” Nicolette says of the sort of creative background that holds her in good stead in her new role.

An independent, non-profit arts organisation, FORM is invested in developing a creative economy for artists and the wider WA community, and Nicolette is loving the work. “WA has such a vibrant arts scene and it’s a pleasure to foster and elevate that talent,” she says. “We are longstanding champions of our immensely talented WA artists, including our First Nations artists, and provide a platform for them to shine.”

Still reeling from the success of FORM’s recent Tracks We Share exhibition of contemporary Pilbara art, shown at the Art Gallery of WA, Nicolette is excited about the next event on the calendar. Opening on

AFTER MORE THAN TWO DECADES WORKING IN MEDIA, PERTH LOCAL NICOLETTE CASELLA HAS MADE A SATISFYING SWITCH TO CREATIVE AND PHILANTHROPIC ENDEAVOURS.

November 12, Thomas Dambo’s Giants of Mandurah will see the celebrated Danish recycle artist’s sculptures showcased in the state’s largest regional centre.

“I have a hunch Thomas’s works are going to be hugely popular with the public,” she says. “The largerthan-life sculptures are appealing because they are full of wonder and they put the natural world at the forefront, which I think we are all craving now.”

Arts passion aside, it's this same fervour Nicolette brings to her role at UNICEF where she meets with private individuals, corporates, wealth advisors and the public sector to raise awareness about the lifesaving work the organisation does as the world’s leading children’s charity and development agency. “I see it as a really privileged role to have. There are people out there who really want to give, and there’s always the need. While I had a terrific career in media, it’s been so refreshing and exciting to try something new. I really love, and feel very passionate about, what I’m doing.” n unicef.org.au

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THE Suburban TABLE

RESTAURATEUR JOHN PARKER HEADS TO THE ’BURBS WITH ASIAN-INSPIRED DISHES AND BESPOKE COCKTAILS WORTH LEAVING THE CITY FOR.

INTERIORS IMAGERY DION ROBESON FOOD IMAGERY RACHEL CLAIRE WORDS ELIZABETH CLARKE

Slow and steady is the mantra at this sleek multilevel bar and restaurant in the West Deck precinct of Karrinyup. Dandelion is the latest venture by publican John Parker, the man behind famed eateries The Standard, The Royal and Fleur. Dandelion is his first suburban foray, and in its first year has seen devoted patrons crossing town in droves.

"The last couple of years have changed our habits, and we have been staying in our own neighbourhoods," he says. "I was impressed with the scale and offering at Karrinyup and saw it as a great opportunity to open a restaurant in the suburbs."

Described by John as a "bar with really great food", Dandelion embraces two distinct dining and drinking areas that span the airy double-storey space and encompass a bar, restaurant, woodfired kitchen and distillery. The experience of eating at Dandelion feels fresh, new and of the moment.

Its interior spaces, designed in collaboration with MJA Studio, combine a light and airy ambience downstairs with a lower-lit, moodier feel upstairs. The palette flows from soft, fresh pinks to deep, rich reds and is filled with hand-picked metallic details, luxe marble and vibrant textures. "We put a lot of consideration into the details, and I think diners really appreciate that," John says. "It took a week searching for the right marble alone!"

The real star, though, is the food by Executive Chef Chase Weber – aromatic cuisine with a twist, inspired by classic Indonesian, Philippines and Thai cooking. "I enjoy Southeast Asian-influenced food made with local and seasonal produce with big, robust flavours and a hint of spice," says John. "The venue is bright and open, and I wanted to mirror that feeling with the food."

Prepared in a custom-built oven, grill and rotisserie, dishes are designed to share and include some of John's favourites, like red duck curry with lychees, scallop pad Thai, Skull Island king prawns with smoked pork floss, and 12-hour slow-roasted beef short rib.

"Sharing food with friends has become popular in recent years," he says. "A separate entrée and main don't tend to encourage conversation like a bunch of share plates."

The drinks reflect the same ethos, with dynamic cocktails concocted using house-distilled spirits such as Dandelion gin and vodka infused with lychees. "Our spirits tie back to our dishes, and we have Dandelion versions of Aperol and Campari in the works," John says. "We love to play with flavours that suit different tastes and palates. It's about finding the excitement in the unexpected." n

Dandelion

Luna Palace Windsor Cinema

98 Stirling Hwy, Nedlands

lunapalace.com.au

MY HAPPY PLACE

PERTH ACTRESS CHLOE HURST HAS APPEARED IN BIG HOLLYWOOD FILMS INCLUDING THE NICE GUYS WITH RYAN GOSLING AND RUSSELL CROWE AND I FEEL PRETTY WITH AMY SCHUMER. THIS YEAR, SHE PLAYED THE LEAD ROLE IN THE INDIE FILM EDWARD AND ISABELLA SHOT IN REGIONAL WA. WHEN SHE’S NOT STARRING IN FILMS, SHE’S WATCHING THEM AT HER FAVOURITE NEDLANDS CINEMA.

"A cinematic treasure isn't just found on-screen. With a choc bomb in one hand, a glass of local wine in the other and a mature audience almost guaranteed, the Windsor Cinema in Nedlands ticks all my sentimental boxes. Pictures, big and small, are there for an education. The staff are friendly and print my ticket stub even though I know which seat to go to. The art-deco design is its own screen-worthy set, the creases in the skin of the building parallel its seasoned patrons, and I imagine the walls and seats to be structural film critiques. When the lights dim, everything else fades into the past, and your anonymity is assured. Gratefully, Windsor-goers know better than to take their devices out during a movie, so you are safe to immerse yourself completely. A new generation of nostalgic film fanatics, with their opinions most welcome in the foyer, keeps this wonderful cinema's origins alive." n

IMAGERY MARCUS HART INTERVIEW ELIZABETH CLARKE

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