Sale 1035 | Antiquities & Ancient Art: A Study by Hindman Auctions

ANTIQUITIES & ANCIENT ART: A STUDY 26 MAY 2022

ANTIQUITIES & ANCIENT ART: A STUDY SALE 1035 26 May 2022 10am CT | Chicago Lots 1–208 P R E V I E W B Y A P P O I N T ME N T P RO P E R T Y P I C K U P H O U R S Monday - Friday | 9:00am – 4:00pm By appointment 312.280.1212 All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale. P RO P E R T Y F RO M T H E C O L L E C T I O N S O F : Property from a Private Florida Collection Collection from an Important Midwestern Scholar Property from the Collection of Dr. Hernan D. Ruf, Pompano Beach, Florida Property from a Midwest Private Collection Property from a California Private Collection Property from the Collection of JRM, Washington, D.C. Property from the Collection of Mr. Kashanian, New York Property from a New Jersey Private Collection Property from a New York Private Collection Property from a Private Pennsylvania Collector Property from the Collection of Georgette D’Angelo, Glencoe, Illinois Property from the Collection of Mr. Felix Brejente Property from a Private Collection, Beverly Shores, Indiana O’Gara and Wilson, Ltd., Antiquarian Booksellers, Chesterton, Indiana Property from the Collection of Jonathan Chernoff, Philadelphia, Pennsylvania P RO P E R T Y F RO M T H E T R U S T S A N D E S TAT E S O F : Property from a Private Estate, Urbana, Illinois All lots in this catalogue with a lower estimate value of $5,000 and above are searched against the Art Loss Register database.

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DEN 1057930 FL AB3688 GA AU-C003121 IL 444.000521 OH 2019000131 MO STL 107286 O P P O S I TE Lot 110

ANTIQUITIES & ANCIENT ART: A STUDY

ANTIQUITIES & ANCIENT ART: A STUDY CONTENTS Introduction Egyptian | Lots 1-49 Near Eastern | Lots 50-72 Jewelry | Lots 73-105 Greco Roman | Lots 106-208 Inquiries Conditions of Sale Upcoming Auctions

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ANTIQUITIES & ANCIENT ART

In Antiquities & Ancient Art: A Study, Hindman examines what it means to be an antiquarian in every sense of the word. Over 200 lots, the sale highlights the civilizations that formed the foundation of our modern world, offering objects for novice and experienced collectors alike. From an Egyptian female figure made of the civilization’s most cherished magical material, faience, to a Roman portrait head of Antisthenes, who laid the foundation of Cynic philosophy, to a Roman marble Capitoline type statue of Venus, the goddess of Love, the oldest god according to Plato’s Symposium, this sale explores just what it means to be a scholar and aficionado of the ancient world.

ANTIQUITIES & ANCIENT ART: A STUDY

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Ancient Egyptian | Lots 1-49

ANTIQUITIES & ANCIENT ART: A STUDY

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An Egyptian Light Blue Faience Cup and Lid LATE PERIOD TO PTOLEMAIC PERIOD, 664-30 B.C.

Height 2 1/4 inches (5.6 cm). Property from a Private Florida Collection Provenance: Charles Ede, Ltd., London, 27 May 1997 (Inv. no. 3128). The hieroglyphic inscription on the side of this model cup verifies the contents remaining inside it as ‘henek’ oil, one of seven sacred unguents. $3,000 - 5,000

An Egyptian Bronze Oxyrhynchus Fish LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Height 4 1/4 inches (10.9 cm). Property from a Private Florida Collection Provenance: Robin Symes, London, 21 January 1985. $6,000 - 8,000

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Faience Ushabti for Horoudja LATE PERIOD, 26TH DYNASTY, 664-525 B.C.

Height 5 inches (13 cm). Provenance: Private Estate, Connecticut, acquired in the mid-1980s. $800 - 1,200

An Egyptian Limestone Fragment LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Height 7 1/2 inches (19 cm). Provenance: Private Collection (Mr. M), Belgium. Private Collection (M.M.), Paris, prior to 2007. Published: J.D. Cahn, Cahn’s Quarterly 4/2013, 2013, p. 6. $6,000 - 8,000

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A Romano-Egyptian Faience Inkwell

An Egyptian Faience Cup

CIRCA 1ST CENTURY B.C.-2ND CENTURY A.D.

MIDDLE KINGDOM, 11TH-14TH DYNASTY, 2040-1640 B.C.

Diameter 2 1/2 inches (7 cm). Collection from an Important Midwestern Scholar

Height 2 inches (5.4 cm). Property from a Private Florida Collection

Provenance: Private Collection, France, 1970s; thence by descent. Rupert Wace Ancient Art, London, 2013 (Rupert Wace Ancient Art 13, no. 24, p. 27).

Provenance: Samuel-Jean Pozzi (1846-1918), France [by repute]. Acquired by the current owner in 1985. $5,000 - 7,000

For similar examples, see Kelsey Museum of Archaeology, University of Michigan, Ann Arbor, Inv. nos. 00.3665 & 00.4969. $3,000 - 5,000

An Egyptian Faience Scarab

An Egyptian Faience Frog

LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

NEW KINGDOM, 18TH DYNASTY, AMARNA PERIOD, REIGN OF AKHENATEN, 1353-1335 B.C.

Length 1 inch (3 cm). Provenance: Mr. & Mrs. Goddard Dubois, acquired in Egypt in 1900-1907; thence by descent. Exhibited: California, San Diego Museum of Man, 1968. For a similar example of a faience scarab with a naturalistic underside, see the Metropolitan Museum of Art (Inv. no. 89.2.398). $1,500 - 2,500

Length 3/8 inches (.95 cm). Property from a Private Florida Collection Provenance: Charles Ede, Ltd., London, 21 September 1984. The underside of the frog is inscribed with a walking ‘NU’ pot, the hieroglyphic symbol for “bring.” The color and material used for this amulet were fabricated in the royal workshops at Amarna during the reign of Akhenaten. For a similar amulet of the same composition, see the Cleveland Museum of Art (Inv. no. 1980.123). $1,000 - 1,500

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Serpentine Baboon

An Egyptian Faience Monkey

LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

LATE PERIOD TO PTOLEMAIC PERIOD, 664-30 B.C.

Height 2 3/4 inches (7 cm). Property from the Collection of Dr. Hernan D. Ruf, Pompano Beach, Florida

Height 2 inches (5.3 cm). Collection from an Important Midwestern Scholar

Provenance: Mathias Komor (1909-1984), New York [based on wood mount with old label and Inv. no. F275]. Robert Thompson, New York. Palmyra Heritage, New York, Robert Thompson Antiquities Collection Part II, 11 March 2018, Lot 224.

Provenance: Édouard Louis Joseph, Baron Empain (1852-1929), France, acquired in the early 1900s in Heliopolis; thence by descent to his grandson, Édouard-Jean Empain, 3rd Baron Empain (1937-2018). Acquired from the above by the present owner in 2012. $600 - 800

$8,000 - 10,000

An Egyptian Faience Standing Ape

An Egyptian Faience Sekhmet

PTOLEMAIC PERIOD, 304-30 B.C.

THIRD INTERMEDIATE PERIOD, 21ST-22ND DYNASTY, 1070-712 B.C.

Height 2 1/2 inches (6.35 cm). Property from a Private Florida Collection Provenance: Gawain McKinley, London, 20 June 1986. $2,500 - 3,500

Height 3 11/16 inches (9.1 cm). Collection from an Important Midwestern Scholar Provenance: Private Collection, France. Royal Athena Galleries, New York, January 2006 (Art of the Ancient World, Vol. XVII, no. 83, p. 87). $1,000 - 1,500

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ANTIQUITIES & ANCIENT ART: A STUDY

13 An Egyptian Faience Ushabti for Horiraa LATE PERIOD, 26TH DYNASTY, 664-525 B.C.

Height 7 inches (17.8 cm). Property from the Collection of Dr. Hernan D. Ruf, Pompano Beach, Florida Provenance: Deaccessioned from the Egyptian Museum of Berlin, Germany [by repute]. Ilse Scwaiger Collection (1905-2005), Berlin, Germany, prior to 1940. Lempertz, Brussels, Tribal Arts, 30 March 2006, Lot 2. Private Collection (U.H.), Germany. Published: J.F. Aubert, Statuettes égyptiennes, Paris, 1974, p. 220 G. Janes, Shabtis: A Private View, Paris, 2002, pp. 193-194.

his ushabti was made for Overseer of the Antechamber, Horiraa. An important court official during the 26th Dynasty, Reign of Pharaoh Necho II, he was tutor to the pharaoh’s successor Psamtik II. Also referred to as Neferibrenefer (Psamtik II is beautiful), his intact tomb was discovered in 1830 just south of the Step Pyramid at Saqqara. The tomb contained hundreds of ushabtis which have been characterized by their grey-green color and fine modelling. Although many of these ushabtis can be found in major American and European Museums today, few are as fine as the one seen here. $20,000 - 30,000

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An Egyptian Faience Djed Pillar

An Egyptian Faience Sekhmet

An Egyptian Faience Tawaret

LATE PERIOD, 664-343 B.C.

LATE PERIOD TO PTOLEMAIC PERIOD, 664-30 B.C.

Height 3 3/4 inches (9.4 cm). Property from a Midwest Private Collection

Height 4 1/2 inches (11.4 cm). Property from a Midwest Private Collection

Height 2 3/4 inches (7 cm). Property from a Midwest Private Collection

Provenance: Collection of Mr. Richard James, Collingswood, New Jersey, acquired in the late 1960s-early 1970s. Private Collection, New York, acquired prior to 2005.

Provenance: Private Collection, San Fernando Valley, California. Michael Malter, Encino, California, Ancient Art From Around the World, 15 February 2009, Lot 43.

Provenance: Private Collection, UK. Cameo Corner, London, UK. Bonhams, London, Antiquities, 26 October 2007, Lot 39.

$1,500 - 2,500

$1,200 - 1,800

An Egyptian Bronze and Alabaster Ibis LATE PERIOD TO PTOLEMAIC PERIOD, 664-30 B.C.

Length 4 inches (10.4 cm). Property from a Midwest Private Collection Provenance: Private Collection, UK, acquired prior to 2001. $2,500 - 3,500

ANTIQUITIES & ANCIENT ART: A STUDY

$1,000 - 2,000

An Egyptian Lapis Lazuli Ovoid Jar PREDYNASTIC PERIOD, 3500-3300 B.C.

Height 2 inches (5.3 cm). Property from a California Private Collection Provenance: Ramses Arts, New York, 30 August 2018. Tom Swope, Hudson, New York. Stair Gallery, Hudson, New York, East Meets West: Works of Art Across Cultures, 6 August 2020, Lot 39. $2,000 - 3,000

An Egyptian Tell el-Yahudiya-Ware Juglet MIDDLE BRONZE AGE, CIRCA 1500 B.C.

Height 5 5/16 inches (14 cm). Collection from an Important Midwestern Scholar Provenance: Roger Khawam (1922-2016), Paris, France. Acquired by the present owner from the above in 1999. $2,000 - 3,000

An Egyptian Painted Pottery Cylinder Jar PREDYNASTIC PERIOD, NAGADA II, 3200-3000 B.C.

Height 9 inches (23 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $2,500 - 4,500

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“Do not be taken by a woman with a body of tjehnet.” - Ptahhotep

ANTIQUITIES & ANCIENT ART: A STUDY

21 An Egyptian Faience Female Figure MIDDLE KINGDOM, 12TH DYNASTY, 1991-1783 B.C.

Height 5 1/8 inches (13.02 cm). Property from a Private Florida Collection Provenance: The Merrin Gallery, New York, 1990s. Acquired by the current owner from the above. Exhibited: Cincinnati, Ohio, Mistress of the House, Mistress of Heaven: Women in Ancient Egypt. Cincinnati Art Museum, 20 October 1996 - 5 January 1997. Brooklyn, New York, Mistress of the House, Mistress of Heaven: Women in Ancient Egypt. Brooklyn Museum of Art, 21 February 2007 - 18 May 2007. Published: A.K. Capel et al., Mistress of the House, Mistress of Heaven: Women in Ancient Egypt (Exhibition Catalogue), Vermont, 1996, p. 65, no. 13.

his fetish object belongs to a group of female figures now thought of as Khener-dancers, and is one of the best known examples in private hands. These dancers played an important role in rituals to Hathor, the goddess of music, dance, love, fertility, and resurrection. First discovered in tombs from the Middle Kingdom dating to the 12th Dynasty, these female figures were initially interpreted as “brides of the dead” or concubines. Like the wooden paddle dolls that precede them, over the last century these more naturalistic sculptures have been discovered near temples and domestic dwellings leading to an expanded interpretation of their significance. Molded and glazed in blue faience with black details, this figure’s sensual curves and bright color conveys sexuality and vitality which are inherent qualities of the goddess Hathor. Her upper body is narrow with arms straight and a close-cropped coiffure, while the lower half is swollen with truncated legs and an exaggerated pubictriangle. The object’s overall shape echoes that of a menat, a sacred symbol of Hathor. The crown of the head is drilled with delicate holes for the insertion of real hair, and the numerous dots and dashes across her thighs and stomach symbolize tattoos. These, too, personify attributes of Hathor. In ancient Egypt, hair was seen as a symbol of resurrection for its ability to regenerate after being cut, and lozenge patterned tattoos were exclusively used by women who wished to amplify their sexual appeal.

The figure is essentially in the nude wearing nothing more than jewelry. Yet even her jewelry and blue skin continue to emphasis fecundity. The hip chain around the waist represents cowrie shells—a vaginal symbol— and the menat necklace with counterpoise around the neck is worn to foster fruitfulness and good health. Called tjehnet by the ancient Egyptians, meaning that which is brilliant or scintillating, faience was often used to describe the attractiveness of a woman’s skin. Indeed, from the Instructions of Ptahhotep, the vizier emphasizes the power of seduction by warning “ do not be taken by a woman with a body of tjehnet.” (R. Bianchi, Gifts of the Nile, p. 25) This exquisite figure embodies the enchanting beauty and fruitfulness that could seduce all who lay their eyes upon her. For comparative examples, see E.F. Morris, Paddle Dolls and Performance. Journal of the American Research Center in Egypt, 47, 2011, pp. 71–103; F. Friedman et al, Gifts of the Nile: Ancient Egyptian Faience (Exhibition Catalogue), New York, 1998, p. 104, and W.C. Hayes, The Scepter of Egypt: A Background for the Study of the Egyptian Antiquities in the Metropolitan Museum of Art, New York, 1990, p. 221. $70,000 - 90,000

Figure in situ at Brooklyn 1997

An Egyptian Bronze Hathor Sistrum Terminal LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Height 3 inches (8 cm). Property from a Midwest Private Collection Provenance: Royal Athena Gallery, New York, 2000s. $1,800 - 2,200

An Egyptian Bronze Winged Isis LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Height 5 1/2 inches (14 cm). Property from a Midwest Private Collection Provenance: Private Collection, Germany. Nagel Auction, Stuttgart, Germany, 27 May 2008, Lot 3443. $8,000 - 12,000

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Bronze Nefertum

An Egyptian Bronze Osiris with Silver Inlaid Eyes

LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Height 7 1/2 inches (19.05 cm). Property from a Midwest Private Collection

Height 6 inches (15.5 cm). Property from a California Private Collection

Provenance: Collection of Mr. Richard James, Collingswood, New Jersey, acquired in the late 1960s-early 1970s. Private Collection, New York, prior to 2005.

Provenance: Jean-Philippe Mariaud de Serres, acquired prior to 1983. Christie’s, Paris, Collection of Jean-Philippe Mariaud de Serres, 16-17 February 2011, Lot 195.

$3,000 - 4,000

$3,000 - 5,000

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An Egyptian Bronze Ptah LATE PERIOD, CIRCA 664-343 B.C.

Height 7 inches (18 cm). Property from a Midwest Private Collection Provenance: Art Market, London, prior to 1982. [based on inventory label “Christie’s 125 6-5-82”]. $4,000 - 6,000

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Bronze Isis and Horus

An Egyptian Bronze Imhotep with Silver Inlaid Eyes

LATE PERIOD, 26TH DYNASTY, 646-525 B.C.

LATE PERIOD, 664-343 B.C.

Height 6 1/4 inches (16 cm).

Height 4 1/4 inches (11 cm). Property from a Midwest Private Collection

Provenance: Lark Mason Associates, New York, 2011. Private Collection, New York, acquired in 2013. $8,000 - 12,000

Provenance: Royal Athena Galleries, New York, 19 February 2003 (Inv. no. DVG20). $8,000 - 12,000

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ANTIQUITIES & ANCIENT ART: A STUDY

29 An Egyptian Bronze Cat LATE PERIOD TO PTOLEMAIC PERIOD, 664-30 B.C.

Height 7 1/2 inches (19 cm). Property from the Collection of Dr. Hernan D. Ruf, Pompano Beach, Florida Provenance: H. Ismail el Shaer, Cairo, Egypt. Joseph Rucinski (1907-2005), Washington, D.C. and Key Biscayne, acquired from the above, 1961; thence by descent. Matheson’s Gallery, Melbourne, Florida, Very Important Estates Auction, 28-29 July 2007. Amero Auctions, Sarasota, Florida, Fine Arts, Antiques, and Jewelry Auction, 29 July 2018, Lot 15. Christie’s, New York, Antiquities, 12 April 2021, Lot 14.

ast in bronze, this impressive and dignified looking cat is depicted in a conventional seated position. The detailing includes an incised wedjat pendant suspended from the nape, three-banded collar around the neck, and curled tail around the body and forepaws. In ancient Egypt, the cat personified Bastet, the goddess of fertility, pleasure, and good health. Those hoping to conceive or seeking protection against disease would make offerings to her. Mummified cats, as well as statues made of wood or bronze, like this present example, were dedicated to her and buried at her temples, functioning as votives for the deity. As can be seen from it’s original purchase receipt dated 4 February 1961, and the ‘Letter of Appreciation’, Dr. Rucinski spent many years in East Asia and the Middle East working to help reduce global poverty through the International Bank of Reconstruction and Development (IBRD). From archival photographs of his collection, the cat was once displayed atop a verde antico base (still with the object), but has since been replaced with a modern one made from a 3000 year old bog oak carved in the form of a menat, the scared Egyptian symbol of the goddess Hathor. For a comparable example of this bronze cat, see J. Malek, The Cat in Ancient Egypt, Philadelphia, 1993, p. 101, fig. 64; and, The Metropolitan Museum of Art (Inv. no. 56.16.1). $50,000 - 70,000

An Egyptian Painted Limestone Stele of Simut, Second Prophet of Amun NEW KINGDOM, 18TH DYNASTY, REIGN OF AMENHOTEP III, 1391-1353 B.C.

Height 8 inches (20 cm). Collection from an Important Midwestern Scholar Provenance: Collection PL, Nancy, France, prior to 1980. Acquired from Arteas Ltd., London, via Galerie Gilgamesh, Paris, 2009. Published: A Kozloff, Egypt’s Radiant Pharaoh, Cambridge, 2012, p. 243, fig. 49. Exhibited: Brussels Ancient Art Fair, Belgium, 2010. A seated figure labeled with the partially missing but securely restorable name of a son of the famous vizier Ramose, reading: “[Si-m]ut son of [Ra-]mose.” The vizier Ramose is well known today for his own beautiful tomb in the Theban Necropolis. $8,000 - 12,000

An Egyptian Limestone Round-Topped Stele PTOLEMAIC PERIOD, 304-30 B.C.

Height 6 inches (15 cm). Property from a Private Florida Collection Provenance: Noelle and Rob Mele, Connecticut, 1987. Atop this stele is a lunette with winged solar disk, kneeling adorant, and Apis bull. Hieroglyphs to the right of the adorant read: ‘The Living Apis’. The four horizontal registers of hieroglyphs below the lunette are fragmented and read:. ‘[A]pis, the Osiris, the King’s Acquaintance, Sole Companion, Controller of Those Who Are In the Temple’; ‘..[Pedi]-Osiris-Wennofer, son of Ptah-ir-dis(u)’; ‘.. who salys]: O Apis’;’...to (?)..do/make (?)...’ $15,000 - 20,000

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Limestone Relief of Ptolemy II PTOLEMAIC PERIOD, REIGN OF PTOLEMY II, 284-246 B.C.

Length 21 1/7 inches (54 cm). Provenance: Ancient World Arts, New York, 1980s. Sotheby’s, London, Antiquities, 19 May 1986, Lot 150. Private Collection, California, 1980s-2022. This fragment is carved in sunken relief and records the two principal names of the Greek pharaoh Ptolemy II Philadelphos, each appearing in a cartouche. Placed beside the cartouches is a sun disk flanked by two cobras and ankhas, which symbolize the Eye of Ra. In ancient Egyptian religion, Ra was the all powerful sun god and the Eye of Ra were four female deities that enacted his power. Using divine imagery such as this for decoration on temples and tombs helped to substantiate Greek rule in ancient Egypt. Under Ptolemy II the empire reached its farthest extent and completed construction on the Lighthouse at Alexandria, one of the seven wonders of the ancient world. $8,000 - 12,000

Two Egyptian Gold Scarabs

Five Egyptian Gold Amulets including Papyrus, Nefer, Bes and Horus

LATE PERIOD, 25TH DYNASTY, 712-657 B.C.

NEW KINGDOM, 18TH DYNASTY, 1550-1307 B.C.

Height of largest 1 5/16 inch (3.5 cm). Property from the Collection of JRM, Washington, D.C.

Height of largest 1/2 inch (1.27 cm). Property from the Collection of JRM, Washington, D.C.

Provenance: Private Collection (A.A.), United States. Art Market, New York.

$1,000 - 2,000

$500 - 700

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ANTIQUITIES & ANCIENT ART: A STUDY

“It was a sight surpassing all precedent, and one we never dreamed of seeing.” - Howard Carter 35 An Egyptian Gilt Cartonnage Mummy Mask PTOLEMAIC PERIOD, 304-30 B.C.

Height 18 1/2 inches (47 cm). Provenance: Henri Smeets, Weert, Netherlands, prior to 1975. Published: E. Godet, et al., A Private Collection: A Catalogue of The Henri Smeets Collection, Weert, 1975, no. 32.

rom as early as Napoleon’s Egyptian Campaign, ancient Egypt has enchanted the Western world. In 1922, the British Egyptologist Howard Carter discovered the intact tomb of the Pharaoh Tutankhamun. It was the best-preserved pharaonic tomb ever found in the Valley of the Kings. According to Howard, “It was a sight surpassing all precedent, and one we never dreamed of seeing.” News of the finding spread fast and sparked an immediate craze for all things ancient Egyptian. Egyptomania swept across Europe and the United States influencing the next century of art, architecture, and popular culture. Initially a collector of 20th Century sculpture and paintings, it is undoubtable that the amazing discovery of Tutankhamun’s tomb would have influenced the collecting habits of the young and still impressionable bookmaker, Henri E. Smeets (19051980). Indeed, Smeets would later spend a great deal of time and resources collecting important objects from ancient Egypt. In 1973, he lent a limestone head of an Amarna princess to the Brooklyn Museum, and in 1977, three years before his death, had a single owner sale of his entire antiquities collection in London, in which the sarcophagus mask seen here was included. Apart from quality and date, the conventionalized facial features of this exquisite sarcophagus mask share stylistic traits with the mask of Tutankhamun, chief among them the gold face, calcite eyes, and lapis lazuli-colored inlays. Well-preserved and elaborately decorated with two images of Osiris, a winged scarab, and hieroglyphic inscription, this iconic mummy mask is emblematic of our modern-day fascination with the land of the ancient pharaohs and Nile River. $50,000 - 60,000

An Egyptian Sandstone Relief LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Length 17 1/2 inches (44.5 cm). Property from a California Private Collection Provenance: Theodore and Aristea S. Halkedis, New York. Freeman’s Auction, Philadelphia, Pennsylvania, English & Continental Furniture & Decorative Arts, 17 May 2016, Lot 105. [where catalogued as modern] $5,000 - 8,000

An Egyptian Cartonnage Mummy Mask PTOLEMAIC PERIOD, 304-30 B.C.

Height 14 3/16 inches (36.1 cm). Property from a New Jersey Private Collection Provenance: J. Chapelle, P. Perrin, & D. Fromantin, Versailles, Catalogue de Vente aux Encheres, 16 June 1974, Lot 159. Artcurial, Paris, Archéologie & Arts d’Orient, 23 May 2017, Lot 27. $3,000 - 5,000

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Cartonnage Mummy Mask PTOLEMAIC PERIOD, 304-30 B.C.

Height 8 5/16 inches (21 cm). Property from a New York Private Collection Provenance: Art Market, New York, 1990s-2006. $4,000 - 6,000

An Egyptian Sandstone Relief of Horus NEW KINGDOM, 18TH DYNASTY, AMARNA PERIOD, REIGN OF AKHENATEN, 1353-1335 B.C.

Height 10 1/2 inches (27 cm).

Property from a California Private Collection Provenance: Anne Markley Spivak, Grosse Point, Michigan. DuMouchelles Fine Art Auctioneers, Detroit, Michigan, Fine Arts, Jewelry and Antique Furniture, 17 March 2018, Lot 31269. $4,000 - 6,000

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An Egyptian Hematite Headrest Amulet LATE PERIOD, 26TH-30TH DYNASTY, 664-343 B.C.

Length 5/8 inches (1.59 cm). Property from a Private Florida Collection Provenance: Charles Ede, Ltd., London, UK, 8 January 1985. To ensure peaceful slumber in the afterlife, a headrest in amuletic form would be placed in the tomb of the deceased; likely used as a surrogate or in parallel with the full-scale headrest. From roughly the 26th Dynasty onward, headrest amulets were predominately fabricated from hematite, such as this example, or other dark-stone alternatives. For a similar form, see Blanchard, Egyptian Gods and Mummy Amulets, figs. 307 & 308. For a hematite headrest, see C. Andrews, Amulets of Ancient Egypt, University of Texas Press 1998, fig. 95a. $1,000 - 1,500

An Egyptian Alabaster Osiris

A Romano-Egyptian Terracotta Plaque of Bes and Bessette

PTOLEMAIC PERIOD TO ROMAN PERIOD, CIRCA 1ST CENTURY B.C.-1ST CENTURY A.D.

Height 4 inches (10.2 cm). Property from a California Private Collection Provenance: Sotheby’s, New York, Antiquities and Islamic Art, 12 June 1993, Lot 283. Fairfield Auction, Monroe, Connecticut, Connecticut Estates Auction, 16 November 2014, Lot 242. $3,000 - 5,000

ANTIQUITIES & ANCIENT ART: A STUDY

ROMAN PERIOD, CIRCA 1ST CENTURY B.C.-2ND CENTURY A.D.

Height 5 inches (12.7 cm). Collection from an Important Midwestern Scholar Provenance: Roger Khawam (1922-2016), Paris, France. Acquired by the present owner from the above in 2003. $2,000 - 3,000

Two Egyptian Wood Arms MIDDLE KINGDOM, 12TH DYNASTY, 1991-1783 B.C.

Length of longest 10 5/16 inches (26.2 cm). Property from an Important Midwestern Scholar Provenance: Édouard Louis Joseph, Baron Empain (1852-1929), France. Christie’s, London, Antiquities, 14 April 2011, Lots 17 & 33. Royal Athena Galleries, New York, January 2012 (Art of the Ancient World, Vol. XXIII, no. 90, p. 85). Acquired by the present owner from the above in 2013. $4,000 - 6,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

An Egyptian Bronze Mirror NEW KINGDOM, 18TH-20TH DYNASTY, 1550-1070 B.C.

Height 8 inches (20 cm). Property from a New York Private Collection Provenance: Hótel Drouot, Paris, 4 December 1994, Lot 82. The mirror is in the form of a slightly flattened disc, with a handle of striped alabaster in the form of the hieroglyphic hem, a symbol for kingship. $2,000 - 3,000

An Egyptian Wood and Painted Cartonnage Mummy Mask LATE PTOLEMAIC PERIOD, CIRCA 1ST CENTURY B.C.

Height 13 3/4 inches (34.9 cm). Provenance: Alcibiades N. Oikonomides (d. 1988), Classical Professor at Loyola University, Chicago, acquired in the 1970s. Private Collection (M.B.), West Lake Village, California. Aphrodite Ancient Art, New York, 2018 (Ancient Portraits, Vol. VI, p. 5-6, no. 3). $5,000 - 7,000

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Limestone Relief NEW KINGDOM, 18TH DYNASTY, AMARNA PERIOD, REIGN OF AKHENATEN, 1353-1335 B.C.

Length 20 11/16 inches (52.7 cm). Provenance: Private Collection, prior to 1969. Private Collection (B.L.), 1987. Royal Athena Gallery, New York (Inv. no. BL8701c.). Private Swiss-American Collection, New York, 1990. Private Collection, New York, acquired 2013. Published: G. Roeder, Amarna-Reliefs aus Hermopolis, Hildesheim, 1969, p. 190, pl. 190, no. PC 117. $12,000 - 15,000 46

An Egyptian Wood Apis Bull LATE PERIOD, 25TH-26TH DYNASTY, 712-525 B.C.

Length 4 1/4 Inches (10.8 cm). Property from a California Private Collection Provenance: Michel Abemayor, New York. Sotheby Parke Bernet, New York, Antiquities, 11 December 1976, Lot 267. Associated Estate & Appraisal Co., Cranston, Rhode Island, 3 December 2005, Lot 2049D. Christie’s, New York, Antiquities, 4 June 2014, Lot 22. Stair Gallery, Hudson, New York, Objects & Curiosities from Around the World, 25 February 2017, Lot 10. $3,000 - 4,000

An Egyptian Red Jasper Trussed Ox NEW KINGDOM, 18TH-20TH DYNASTY, 1550-1070 B.C.

Length 15/16 inches (2.38 cm). Property from a Private Florida Collection Provenance: Charles Ede, Ltd., London, UK, 1984. $1,000 - 1,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

ANTIQUITIES & ANCIENT ART: A STUDY

“Guardian of the Scales” -Book of the Dead 49 An Egyptian Alabaster Head of a Jackal LATE PERIOD, 26TH-30TH DYNASTY, 664-525 B.C.

Height 6 inches (15.2 cm). Provenance: Private Collection, Europe. The Merrin Gallery, New York. Private Collection, New York, acquired 14 February 1989 (Inv. no. GR89).

n ancient Egypt, the jackal most commonly represented the god Anubis. Anubis was closely associated with the mummification process, and played an important role in protecting the deceased. In the Book of the Dead, Anubis is the “Guardian of the Scales” and responsible for judgement by weighing the human heart together with the Feather of Truth (Ma’at). If the heart is lighter than the feather, he will take the soul by boat across the Nile into the afterlife (Duat). Among the finest known of its type, this head of a jackal once served as the lid to a canopic jar. While the overall shape is straightforward and minimal, its elegance is made evident by the subtle detailing around the eyes, snout, and ears. The effect is extraordinarily realistic. The master stoneworker who carved it must have been extremely familiar with the animal they were representing. Conceivably from a royal workshop, the overall quality is befitting a pharaoh. For similar examples of jackal headed canopic jars, see Brooklyn Museum of Art (Inv. no. 37.894Ea-b), and Egyptian Museum, Berlin (Inv. no. ÄM 7191). $30,000 - 50,000

Near Eastern | Lots 50-72

ANTIQUITIES & ANCIENT ART: A STUDY

A Western Asiatic Chlorite Vessel CIRCA 3RD MILLENNIUM B.C.

Height 10 inches (25.4 cm). Property from a New Jersey Private Collection Provenance: John Krysko Collection, New York, 1980s. Art Market, New York, 1980s-2006. This vessel with an elegant tapering form is carved in shallow relief. It depicts a whimsical palm grove, and combines stylistic elements from both Bactrian and Mesopotamian civilizations. $4,000 - 6,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Luristan Bronze Sword CIRCA EARLY 1ST MILLENNIUM B.C.

Height 22 inches (55.4 cm). Property from a New Jersey Private Collection Provenance: Art Market, London. David Kennedy Collection, late 1980s. Private Collection (Green), York, England. Artemis Gallery, Louisville, Colorado, Ancient Asian Ethnographic Winter Variety, 10 January 2019, Lot 59A. $1,200 - 1,800

A Luristan Bronze Axehead CIRCA EARLY 1ST MILLENNIUM B.C.

Height 3 1/4 inches (8.3 cm). Provenance: Artemission, London, UK, August 2005. This axehead has a bulbous blade that springs from a snake’s mouth, while a bird is perched on the rear of the shaft-hole with wings extending down the shaft. $600 - 800

A Luristan Bronze Axehead CIRCA EARLY 1ST MILLENNIUM B.C.

Length 9 1/8 inches (23.2 cm). Provenance: Artemission, London, UK, August 2005. $800 - 1,200

A U TI TI Q I EUSI T&I E AS N & CIA ENC T IA 3N 8TIQ AN ER N T : AAR TS:T U A DSYT U D Y

A Canaanite Bronze Duck-Bill Axehead CIRCA 1900-1600 B.C.

Length 4 1/8 inches (10.5 cm). Provenance: Harlan J. Berk, Ltd., Chicago, Illinois, Private Sale, 12 November 2003. $400 - 600

A Luristan Bronze Axehead CIRCA EARLY 1ST MILLENNIUM B.C.

Length 9 5/8 inches (24.5 cm). Provenance: Mintz Collection, acquired in the 1970s. Sands of Time Ancient Art, Washington, D.C. $800 - 1,200

F O R FA O D RD I AT D I ODNI TA ILO N I MA AL GIEMSA G AE N SD AL N OD T D LO E T A DI LEST AVI ILSSI TV IHSIINT DHMI AN ND AMUACNTAI U OC N TS I.OC NO SM. C O3M 9

A Luristan Bronze Master of the Animals Finial CIRCA 9TH-7TH CENTURY B.C.

Height 7 1/2 inches (19.7 cm). Property from the Collection of Mr. Kashanian, New York Provenance: Acquired by the present owner prior to 1969. $1,000 - 1,500

Two Amlash Bronze Figures of a Male and Female CIRCA EARLY 1ST MILLENNIUM B.C.

Height of tallest 3 1/8 inches (8 cm). Property from the Collection of Mr. Kashanian, New York Provenance: Acquired by the present owner prior to 1969. $3,000 - 5,000

A Syro-Hittite Bronze Deity Figure CIRCA 12TH-8TH CENTURY B.C.

Height 3 inches (7.6 cm). Property from a Private Pennsylvania Collector Provenance: Jay C. Leff Collection (1925-2000), Uniontown, Pennsylvania, prior to 1965; thence by descent. Published: J. Haskin, Near Eastern and Far Eastern Art from the Collection of Jay C. Leff (Exhibition Catalogue), New York, 1965, no. 39. [where catalogued as ‘Standing Shaman, Caucasus’] Exhibited: New York, New York, Near Eastern and Far Eastern Art from the Collection of Jay C. Leff. The American Federation of Art, 5 August - 29 September, 1965. $1,000 - 2,000

ANTIQUITIES & ANCIENT ART: A STUDY

A Syro-Hittite Terracotta Figure CIRCA 3RD MILLENNIUM B.C.

Height 4 1/2 inches (11.5 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $1,200 - 1,800

An Anatolian Bronze Bull EARLY BRONZE AGE, CIRCA LATE 3RD MILLENNIUM B.C.

Length 5 1/2 inches (14 cm). Property from the Collection of Mr. Kashanian, New York Provenance: Acquired by the present owner prior to 1969. $3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

“I, Lipit-Ishtar, son of the god Enlil, established justice in the land of Sumer and Akkad.” -King of Isin

ANTIQUITIES & ANCIENT ART: A STUDY

61 An Akkadian Cuneiform Foundation Cone MESOPOTAMIA, KING OF ISIN, CIRCA 1934-1924 B.C.

Height 4 1/2 inches (11.43 cm). Provenance: Philip C. Duschnes, Rare Books and First Editions, New York. The Cornelius J. Hauck Collection, prior to 1976. Christie’s, New York, The History of the Book: The Cornelius J. Hauck (1893-1967) Collection, Sale 1769, 27-28 June 2006, Lot 4. Translation: , Lipit-Ishtar, the humble shepherd of Nippur, true farmer of Ur, unceasing (provider) for Eridu, lord suitable for Uruk, king of Isin, king of the land of Sumer and Akkad, favourite of the goddess Ishtar, fashioned a pair of pot stands, a gift (for) the arms of the gods Enlil and Ninlil, in Isin, the city of my kingship, at the palace gate, when I, Lipit-Ishtar, son of the god Enlil, had established justice in the land of Sumer and Akkad.

This foundation cone is a written record for a building commission by the King of Isin, Lipit Ishtar, and the section from the translation above about establishing “justice in the lands of Sumer and Akkad” may refer to his eponymous code of laws. Before the Babylonian King Hammurabi and his famed law of retribution: “An eye for an eye, a tooth for a tooth”, there was the Code of Lipit Ishtar. Translated from four clay fragments, the Sumerian text written on them forms the basis of his unified code of laws. These partial fragments were recovered during the Nippur excavations by the University of Pennsylvania and predate the Code of Hammurabi by nearly one hundred years. Although the fragments were rediscovered before the diorite stele from which Hammurabi’s code is written on, they had been overlooked until recently. Today, modern scholars are moved to the conclusion that Hammurabi should no longer be celebrated for establishing the world’s oldest known law code, but that this honor should go to his predecessor the King of Isin, Lipit Ishtar. $4,000 - 6,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Mesopotamian Hematite Cylinder Seal OLD BABYLONIAN PERIOD, CIRCA 19TH-16TH CENTURY B.C.

Height 1 1/16 inches (2.7 cm). Collection from an Important Midwestern Scholar Provenance: Art Market, New York, 1990s. The inscription on this seal does not give the usual name and patronymic of the owner, but names several gods: Ninsianna, Kabta, Shamash, and Aya, which can interpreted as an invocation for blessings. $800 - 1,200

A Sumerian Clay Cuneiform Tablet MIDDLE BABYLONIAN PERIOD, CIRCA 1595-1155 B.C.

Height 3 inches (7.6 cm). Property from a New Jersey Private Collection Provenance: Art Market, Germany, acquired 24 July 1998. This administrative tablet is made up of names and numbers and accounts for the amounts of grain received from or given to these named individuals. $2,000 - 3,000

ANTIQUITIES & ANCIENT ART: A STUDY

A Sumerian Clay Brick EARLY MIDDLE BABYLONIAN PERIOD, KASSITE DYNASTY, REIGN OF KING KURIGALZU II, CIRCA 1345-1324 B.C.

Length 10 1/4 inches (26 cm). Provenance: Harlan J. Berk, Ltd., Chicago, Illinois, 138th Buy or Bid Sale, 1 June 2004, Lot 479. This Kassite inscribed brick dates to the reign of King Kurigalzu II, 1345-1324 B.C. It includes eight lines of Sumerian text, reading: “For the god, Enlil, his king, Kurigalzu, the chief administrator of Enlil, built the E-u-gal (“House of the Great Lord”), his beloved temple, its ‘House of Delight’.” $4,000 - 6,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

65 A Neo-Assyrian Hematite Pazuzu CIRCA 8TH-7TH CENTURY B.C.

Height 2 1/4 inches (5.6 cm). Provenance: Art Market, Germany, 1990s. Fortuna Fine Arts, Ltd., New York.

his finely executed and well-preserved stone head represents the grimacing demon Pazuzu. Pazuzu was renowned for protecting humans from plague and evil forces. In Mesopotamian mythology, Pazuzu is the son of Hanba and brother to Humbaba, the demon protector of the Cedar Forest in The Epic of Gilgamesh. Personified as the West Wind—known to bring drought and famine—Pazuzu is often invoked to fight the evil powers of the goddess Lamashtu, which harmed mothers and children during childbirth. Like this present example, many Pazuzu heads are discovered with drilled holes or loops. It is thought they were worn by pregnant women to protect their babies from evil forces. $10,000 - 15,000

ANTIQUITIES & ANCIENT ART: A STUDY

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

An Achaemenid Gold Griffin Applique CIRCA 6TH-5TH CENTURY B.C.

Length 1 3/4 inch (4.5 cm). Property from a Private Pennsylvania Collector Provenance: Nasli Heeramaneck, New York (1902-1971). Jay C. Leff Collection (1925-2000), Uniontown, Pennsylvania; thence by descent. $400 - 600

An Achaemenid Silver Phiale

An Achaemenid Hollow Gold Head of Lion

CIRCA 6TH-4TH CENTURY B.C.

CIRCA 6TH-5TH CENTURY B.C.

Diameter 7 1/4 inches (18.3 cm).

Length 3/4 inch (1.91 cm). Property from the Collection of Mr. Kashanian, New York

Provenance: Art Market, New York. Antiquarium, Ltd., New York, 2020 (Treasures XIX, p. 21). Formed as a phiale mesomphalos (shallow bowl with central boss), this silver vessel is either Achaemenid or East Greek. Its indented use could have been for pouring libations, drinking, or given as a gift. The frequent occurrence of phialai in ancient inventories shows that it was a popular offering in sanctuaries. There are three distinct treasury marks on the interior rim of this vessel. Although their significance is still unknown, there are examples of inscriptions and monograms on similar bowls at the Metropolitan Museum of Art, New York (Inv. no. 47.100.84) and the Michael C. Carlos Museum, Emory University, Atlanta (Inv. no. 2014.036.001). $4,000 - 6,000

4 48 8

A AN N TT II Q QU U II TT II E ES S & & A AN NC C II E EN N TT A AR R TT :: A A S S TT U UD DY Y

Provenance: Acquired by the present owner prior to 1969. $1,000 - 2,000

A South Arabian Alabaster Ibex CIRCA 1ST CENTURY A.D.

Height 5 3/8 inches (14 cm). Provenance: Art Market, Europe. Art Market, New York, acquired 1990s. $2,500 - 3,500

A South Arabian Limestone Stele CIRCA 1ST-2ND CENTURY A.D.

Height 14 3/8 inches (36.3 cm). Property from a New Jersey Private Collection Provenance: Art Market, Europe, 1990s. Art Market, New York, 1990s-2006. $1,200 - 1,800

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Sasanian Silver-Gilt Lobed Bowl CIRCA 7TH CENTURY A.D.

Length 6 15/16 inches (17.2 cm). Property from the Collection of Mr. Kashanian, New York Provenance: Acquired by the present owner prior to 1969. Sotheby’s, New York, Antiquities, 11 June 2010, Lot 49. $15,000 - 20,000

ANTIQUITIES & ANCIENT ART: A STUDY

A Sasanian Silver-Gilt Lobed Bowl CIRCA 7TH CENTURY A.D.

Length 6 1/4 inches (15.9 cm). Property from the Collection of Mr. Kashanian, New York Provenance: Acquired by the present owner prior to 1969. Sotheby’s, New York, Antiquities, 11 June 2010, Lot 50. $5,000 - 10,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Ancient Jewelry | Lots 73-105

ANTIQUITIES & ANCIENT ART: A STUDY

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Sassanian Carnelian Bead Necklace CIRCA 3RD-7TH CENTURY A.D.

Length 16 1/2 inches (42 cm). Provenance: Salim Haddad, Beirut. Private Collection, acquired from the above in 1972; thence by descent. Christie’s, New York, Ancient Jewelry: Wearable Art, 29 November - 8 December 2016, Lot 46. $2,000 - 3,000

ANTIQUITIES & ANCIENT ART: A STUDY

A Western Asiatic Banded Agate Necklace CIRCA LATE 3RD-EARLY 2ND MILLENNIUM B.C.

Length 20 3/8 inches (31.7 cm). Provenance: Sarkis & Haddad, Beirut. Private Collection, acquired from the above in 1971; thence by descent. Christie’s, New York, Ancient Jewelry: Wearable Art, 29 November - 8 December 2016, Lot 66. $2,000 - 3,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Western Asiatic Stone and Shell Bead Necklace CIRCA 3RD MILLENNIUM B.C.

Length 11 1/4 inches (29 cm). Provenance: Private Collection, New York, acquired prior to 1980; thence by descent. $800 - 1,200

ANTIQUITIES & ANCIENT ART: A STUDY

An Egyptian Carnelian and Red Jasper Bead Necklace NEW KINGDOM, 18TH-20TH DYNASTY, 1550-1070 B.C.

Length 10 3/8 inches (26.4 cm). Provenance: Private Collection, New York, acquired prior to 1980; thence by descent. Composed of 29 lotus bud pendants graduated in size, interspersed with round carnelian and gold beads. $3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

An Egyptian Faience and Blue Glass Bead Necklace THIRD INTERMEDIATE PERIOD TO LATE PERIOD, 1070-343 B.C.

Length 8 1/8 inches (21 cm). Provenance: Private Collection, New York, acquired prior to 1980; thence by descent. $800 - 1,200

ANTIQUITIES & ANCIENT ART: A STUDY

An Achaemenid Hollow Gold Bead Necklace CIRCA 6TH-5TH CENTURY B.C.

Length 14 3/8 inches (36.5 cm). Property from the Collection of Mr. Kashanian, New York Provenance: Acquired by the present owner prior to 1969. $2,500 - 3,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

An Egyptian Faience Scarab Swivel Ring

An Egyptian Gilt-Bronze Snake Ring

NEW KINGDOM, 18TH DYNASTY, REIGN OF AMENHOTEP III, 1391-1353 B.C.

CIRCA 1ST CENTURY B.C-1ST CENTURY A.D.

Ring size 7 1/2; Length of scarab 1/2 inch (1.25 cm). Collection from an Important Midwestern Scholar

Ring size 9; Diameter 1 inch (3 cm). Property from a Private Florida Collection

Provenance: Jack Ogden, London, UK, 1980. Christie’s, New York, Ancient Jewelry, 7 December 2011, Lot 328.

Provenance: Blumka Gallery, New York, 1984; from the Leopold Blumka private collection, purchased by the present owner from Mr. Blumka’s wife after his passing.

The underside of the scarab has a hieroglyphic inscription within a cartouche, reading: “Neb-maat-Re,” which is the prenomen belonging to Amenhotep III. The inscription opposite the cartouche reads: “beloved of Amun.” $2,000 - 3,000

ANTIQUITIES & ANCIENT ART: A STUDY

$2,000 - 3,000

A Romano-Egyptian Gold Snake Bracelet

Two Romano-Egyptian Gold Snake Bracelets

CIRCA 1ST CENTURY B.C.-1ST CENTURY A.D.

CIRCA 1ST CENTURY B.C.

Length 2 1/8 inches (5.5 cm). Property from a Private Florida Collection

Diameter of largest 2 3/4 inches (7 cm). Property from a Private Florida Collection

Provenance: Jack Ogden, London, UK, 1984.

Provenance: Jack Ogden, London, UK, August 1984.

$3,000 - 5,000

Both solid cast, the scales and details of the snakes’ heads and tails were chased after casting. Each formed from a wire, circular in section, one a single coil, and the other a double coil. Illustrations of Romano-Egyptian anthropoid mummy cases show bracelets, such as these, worn in pairs above the elbow. For a similar snake bracelet, see the British Museum (Inv. no. 1917.0601.2780). $8,000 - 10,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

“Force is always beside the point when subtlety will serve.” - Darius the Great

ANTIQUITIES & ANCIENT ART: A STUDY

old has long been the currency of social and political status. Lion-headed protomes form the terminals of this substantial gold bracelet. The image of confronting lions—as well as other real and mythological animals—is a motif that has a long iconographical history in Western Asia. Many fascinating and unique objects of exquisite beauty come from this region of the world, and its rich and longstanding artistic heritage inspired much of the Mediterranean world from the Mycenaean period onward. Presumably cast from a local workshop, the openmouthed lions compare favorably to an analogous gold bracelet found in the Kurdistan Region and now on view at The Louvre Abu Dhabi (Inv. no. LAD2009.019).

Combining artistic elements from cultures as far west as Assyria and as far north as Urartu and Scythia, the ferocity of the snarling lion has been tempered and restrained by decorative convention. As in the words of the Achaemenid King Darius the Great, “Force is always beside the point when subtlety will serve.” The open assimilation to and influences from neighboring cultures of Western Asia would become a political keystone for the burgeoning Persian Empire. As can be seen in the stylistic differences between the numerous examples of animal-headed bracelets, artistic trends were not set by the most dominant culture, but by the most talented craftsmen.

79 A Western Asiatic Gold Bracelet with Lion-Headed Terminals CIRCA 8TH-6TH CENTURY B.C.

Diameter 4 3/4 inches (12.1 cm). Property from a Private Pennsylvania Collector Provenance: Nasli Heeramaneck (1902-1971), New York, prior to 1964. Jay C. Leff Collection (1925-2000), Uniontown, Pennsylvania; thence by descent. $10,000 - 15,000

A Roman Gold and Red Jasper Finger Ring Engraved with the Bust of a Man

A Roman Gold and Garnet Finger Ring with Cabochon

A Roman Gold Double Finger Ring

CIRCA 2ND CENTURY A.D.

CIRCA 3RD CENTURY A.D.

Ring size 6.5; Diameter of intaglio 13/16 inch (.8 cm). Property from a Private Estate, Urbana, Illinois

Ring size 3 1/3. Property from a Private Florida Collection

Provenance: Artemis Gallery, Louisville, Colorado, 21 July 2020. $800 - 1,200

Provenance: Jack Odgen, London, UK, January 1985. With a double beaded hoop and a rectangular bezel. The size of the ring suggests it was likely a child’s ring or worn between the first and second joints of the finger. $2,000 - 3,000

ANTIQUITIES & ANCIENT ART: A STUDY

CIRCA 1ST-2ND CENTURY A.D.

Ring size 3 3/4. Property from a Private Florida Collection Provenance: Jack Ogden, London, UK, September 1985. $2,500 - 3,500

A Roman Gold and Garnet Finger Ring

A Pair of Roman Gold and Garnet Earrings

CIRCA 1ST CENTURY A.D.

CIRCA 2ND-3RD CENTURY A.D.

Ring size 10x13mm. Property from a Private Florida Collection

Length 1 1/8 inches (3 cm). Property from a Private Florida Collection

A Hellenistic Gold Finger Ring with Banded Agate Intaglio of Nude Deity

Provenance: Jack Ogden, London, UK, 1984.

$1,000 - 1,500

$1,200 - 1,800

CIRCA 3RD-2ND CENTURY B.C.

Ring size 5 1/2; Diameter of Intaglio 7/8 inch (2.22 cm). Property from a New Jersey Private Collection Provenance: Art Market, Germany, acquired 19 June 1998. $2,000 - 3,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

ANTIQUITIES & ANCIENT ART: A STUDY

A Roman Red Jasper Ring Stone of a Nude Sculptor

A Roman Gold Finger Ring with Banded Carnelian Cabochon

A Roman Sardonyx Cameo of Medusa

CIRCA 1ST-2ND CENTURY A.D.

CIRCA 3RD-4TH CENTURY A.D.

Ring size 7 1/2; Length of stone 9/16 inch (1.4 cm). Collection from an Important Midwestern Scholar

Ring size 3 1/2. Property from a New Jersey Private Collection

Ring size 9 1/2; French import Hallmark; Diameter of cameo 9/16 inch (1.4 cm). Property from a New Jersey Private Collection

Provenance: Art Market, Germany, acquired 19 June 1998.

$2,000 - 3,000

Provenance: Ariadne Galleries, New York, 1980s. Christie’s, New York, Ancient Jewelry, 5 December 2012, Lot 417.

CIRCA 1ST-2ND CENTURY A.D.

$3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Roman Gold Finger Ring

A Roman Gold Finger Ring with Glass Cameo of Eros

A Phoenician Gold Finger Ring with Blue Glass Frog Seal

CIRCA 1ST-2ND CENTURY A.D.

CIRCA 1ST CENTURY B.C.

Ring size 5 1/4; Diameter of cameo 3/8 inch (1 cm). Property from a New Jersey Private Collection

Ring size 7 1/2. Property from a New Jersey Private Collection

CIRCA 1ST-2ND CENTURY A.D.

Ring size 7 3/4. Property from a New Jersey Private Collection Provenance: Art Market, Germany, acquired 19 June 1998. $800 - 1,200

Provenance: Art Market, Germany, acquired 19 June 1998. $800 - 1,200

ANTIQUITIES & ANCIENT ART: A STUDY

Provenance: Art Market, Germany, acquired 19 June 1998. $500 - 700

A Byzantine Gold Necklace with Molded Green Glass Cameo CIRCA 5TH-6TH CENTURY A.D.

22k gold; Length of cameo 1 inch (2.5 cm). Property from a New Jersey Private Collection Provenance: Art Market, Germany, 1980s. Fortuna Fine Arts, Ltd., New York. Private Collection, New York, acquired in 1996. Christie’s, New York, Ancient Jewelry: Wearable Art, 29 November- 8 December 2016, Lot 32. This cameo depicts the Virgin Orans with an inscription above her head in Greek letters translating to, “Mother of God.” $5,000 - 7,000

An Islamic Gold Finger Ring with Rock Crystal Cabochon

A Roman Gold Finger Ring with Jasper Intaglio of a Theater Mask

CIRCA 11TH CENTURY A.D.

CIRCA 1ST-2ND CENTURY A.D.

Ring size 3 3/4. Property from a New Jersey Private Collection

Ring size 3 1/4; Diameter of intaglio 7/16 inch (1.1 cm). Property from a New Jersey Private Collection

Provenance: Art Market, Germany, acquired 19 June 1998. $1,500 - 2,500

A Roman Gilt-Bronze Finger Ring with a Red Jasper Intaglio of Agrippina CIRCA 1ST-2ND CENTURY A.D.

Ring size 4 1/2; Diameter of intaglio 7/16 inch (1.1 cm).

Provenance: Art Market, Germany, acquired 19 June 1998.

Provenance: Art Market, Germany, acquired 24 July 1998. Fortuna Fine Arts, Ltd., New York.

$1,500 - 2,500

$1,200 - 1,800

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100

101

105

A Hellenistic Gold Earring with Eros Playing the Flute

A Greek Gold and Garnet Earring with Eros CIRCA 2ND-1ST CENTURY B.C.

A Roman Gold Finger Ring with an Intaglio of Nike Riding a Chariot

CIRCA 2ND-1ST CENTURY B.C.

Diameter 1 1/8 inches (3 cm). Provenance: Art Market, Germany, acquired 24 July 1998. Fortuna Fine Arts, Ltd., New York. $1,000 - 2,000

Diameter 1 inch (2.5 cm). Provenance: Art Market, Germany, acquired 24 July 1998. Fortuna Fine Arts, Ltd., New York. $1,200 - 1,300

CIRCA 1ST CENTURY A.D.

Ring size 11x13mm; Diameter of intaglio 7/16 inch (1.1 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $3,000 - 5,000

ANTIQUITIES & ANCIENT ART: A STUDY

102

A Roman Gold and Glass Bead Necklace CIRCA 2ND-3RD CENTURY A.D.

Length 19 13/16 inches (25 cm). Provenance: Private Collection, New York; thence by descent. $1,000 - 1,500

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103

A Roman Gold and Glass Bead Necklace CIRCA 2ND-3RD CENTURY A.D.

Length 9 3/4 inches (25 cm). Provenance: Private Collection, New York, before 1980; thence by descent. $800 - 1,200

ANTIQUITIES & ANCIENT ART: A STUDY

104

A Roman Gold and Garnet Bead Necklace CIRCA 1ST-2ND CENTURY A.D.

Length 11 1/8 inches (28.3 cm). Provenance: Private Collection, New York, acquired before 1980; thence by descent. $1,000 - 1,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Greco-Roman | Lots 106-208

ANTIQUITIES & ANCIENT ART: A STUDY

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

106

A Roman Marble Head of a Ram CIRCA 1ST-2ND CENTURY A.D.

Height 7 inches (17.8 cm). Provenance: Private Collection, Europe, acquired 1960s-1970s. Private Collection, New York, 2008. Aphrodite Ancient Art, New York, 2015 (Art of the Ancient, Vol. II, no. 9. p. 16-17). Art Loss Register no. S00109062 [accompanied with copy of a Lebanese export license] Known for using their horns as weapons to establish dominance, mating rights, and to protect the flock, rams were important symbols of strength and virility in Ancient Rome. Large curledhorns frame the face of this fierce looking ram. Carved in the round and nearly complete, the head breaks just before the neck. It is difficult to determine from the location of the break if this piece once belonged to a free standing sculpture or served as an architectural adornment. For an example of a complete sculpture, see a loan at the Art Institute of Chicago (Inv. no. 189.2014.); For an example of an architectural elements, see the British Museum (1805.0703.209). $8,000 - 12,000

ANTIQUITIES & ANCIENT ART: A STUDY

107

A Greek Bronze Box Mirror with Pan and Eros CIRCA 325-300 B.C.

Diameter 6 inches (15.5 cm). Provenance: Alexander Iolas (1907-1987), Switzerland, 1950s-1970s. Art Market, New York. Antiquarium, Ltd., New York, 2020 (Treasures XIX, p. 21). Art Loss Register no. S00202114 Published: I. Love, The Ophiuchus Collection, Florence, 1989, pp. 102–105. $20,000 - 30,000

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108

A Cycladic Marble Reclining Female Figure EARLY CYCLADIC II, SCHUSTER VARIETY, CIRCA 23002200 B.C.

Height 10 inches (25 cm). Property from the Collection of Georgette D’Angelo, Glencoe, Illinois Provenance: Christie’s, New York, Antiquities, 10 June 1994, Lot 106. Published: P. Getz-Gentle, et al., Personal Styles in Early Cycladic Sculpture, Madison, 2001, pl. 80 fig. b, pl. 81 figs. b1 & b2. $7,000 - 9,000

109

A Cycladic Marble Torso EARLY BRONZE AGE II, KEROS-SYROS CULTURE, CIRCA 2500-2100 B.C.

Height 6 inches (15.24 cm). Provenance: Arte Primitivo, New York, Classical Antiquities, Fine Pre-Columbian and Tribal Art, 2 March 2020, Lot 402. $3,000 - 5,000

ANTIQUITIES & ANCIENT ART: A STUDY

110

A Cycladic Marble Reclining Female Figure EARLY BRONZE AGE II, KEROS-SYROS CULTURE, CIRCA 2500-2100 B.C.

Height 7 3/8 inches (18.5 cm). Provenance: Henri Smeets, Weert, Netherlands, prior to 1975. Published: E. Godet, et al., A Private Collection: A Catalogue of The Henri Smeets Collection, Weert, 1975, no. 128.

efore the age of democracy and ancient Greek art, the Aegean region was home to mainly farmers and traders. During the Bronze Age, a group of small and mostly barren islands called the Cyclades came into extraordinary prominence. Most of these islands located in the central Aegean Sea are made of marble. Thus, it was a dominant feature in their daily life. Already having been worked since the 5th Millennium B.C., the craft of sculpting stone, especially marble, continued to develop with the creation and production of elegantly carved idols or reclining figures. Scholars, such as Pat Getz-Gentle, have examined how these figures might have been designed, and how the changes and similarities from one form to the next help identify and give name to these otherwise anonymous ancient sculptors. Although unattributed to a specific sculptor, the figure seen here with narrow face, elongated neck, rounded shoulders, folded arms, and slightly bent legs are all characteristics of the Kapsala-variety—an iconic and prevalent category of Cycladic figures. Its overall simplicity of form delights the modern eye and epitomizes the timeless beauty of Cycladic sculpture at its best. $30,000 - 50,000

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111

An Early European Bronze Torque BRONZE AGE, CIRCA 1500 B.C.

Diameter 6 9/16 inches (17 cm). Property from a New Jersey Private Collection Provenance: Art Market, New York, 1980s. Aphrodite Gallery, New York, Antiquities Selection, 27 September 2016, Lot 27. $1,000 - 2,000

112

A Vinča Terracotta Female Figure NEOLITHIC PERIOD, CIRCA 5700-4500 B.C.

Height 4 inches (10.4 cm). Property from a New Jersey Private Collection Provenance: Artemis Gallery, Louisville, Colorado, Exceptional Day 1: Antiquities Asian Fine Art 22, May 2019, Lot 63B. $2,000 - 4,000

ANTIQUITIES & ANCIENT ART: A STUDY

113

A Hallstatt Bronze Situla LATE BRONZE AGE, CIRCA 11TH-10TH CENTURY B.C.

Height 11 inches (27.9 cm). Property from a New Jersey Private Collection Provenance: Art Market, New York, prior to 1990. Artemis Gallery, Louisville, Colorado, Ancient Ethnographic-Holiday Edition, 5 December 2019, Lot 46. This bronze situla is of the Hajdú Böszörmény type, which is named after the city in Hungry where two of these bucket-shaped vessels were first found in 1862. It is made from three sheets of hammered bronze held together by rivets. For a similar vessel found in Jutland, Denmark, see a bronze vessel (National Museum of Denmark, Copenhagen, Inv. no. 20419). $15,000 - 20,000

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114

A Mycenaean Stirrup Jar CIRCA 14TH-12TH CENTURY B.C.

Height 12 inches (30.5 cm). Provenance: Private Collection, New Jersey, acquired 1990s. Artemis Gallery, Louisville, Colorado, Ancient & Ethnographic Spring Variety Sale, 27 April 2017, Lot 8. $2,000 - 3,000

115

116

A Mycenaean Terracotta Psi Idol

Two Mycenaean Terracotta Figures

LATE HELLADIC III, CIRCA 1300-1200 B.C.

CIRCA 1500 B.C.

Height 5 3/8 inches (13.6 cm).

Height of tallest 3 1/2 inches (8.5 cm).

Provenance: Basil W. R. Jenkins, California. Andrew Jones Auctions, Los Angeles, California, DTLA Collections & Estates, 26 May 2021, Lot 4.

Provenance: Private Collection, New York, acquired on the art market in 2006.

$1,500 - 2,500

ANTIQUITIES & ANCIENT ART: A STUDY

$1,000 - 2,000

117

A Corinthian Aryballos in the Form of a Recumbent Ram CIRCA 7TH CENTURY B.C.

Width 4 1/2 inches (11.4 cm). Property from a Midwest Private Collection Provenance: Private Collection, UK, acquired at auction in 1912; thence by descent. Chiswick Auctions, London, Antiquities and Tribal Art, 9 April 2019, Lot 83. $2,000 - 3,000

118

An East Greek Pottery Duck Askos CIRCA 600 B.C.

Width 5 1/2 inches (14 cm). Provenance: Private Collection, New York. Fortuna Fine Arts, Ltd., New York, 1980. Arte Primitivo, New York, Fine Pre-Columbian, Tribal, Classical, Egyptian & Asian Antiquities, 25 February 2014, Lot 271. $3,000 - 5,000

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119

A Greek Geometric Bronze Horse LACONIA, CIRCA 8TH CENTURY B.C.

Height 2 3/4 inches (7 cm). Provenance: Sotheby’s, New York, Antiquities and Islamic Art, 8-9 February 1985, Lot 82. Boisgirard & Assoc. Maison de Vente aux Encheres, Hotel Drouot, Paris, Arts d’Orient, 27 November 2009, Lot 38. For comparable examples of Laconian horses, see J. Zimmermann, Les chevaux de bronze dans l’art géométrique grec, Mayence,1989, pl. 28-35. $6,000 - 8,000

ANTIQUITIES & ANCIENT ART: A STUDY

120

An Attic Red-Figured Skyphos Fragment with a Dog ATTRIBUTED TO THE CIRCLE OF BRYGOS PAINTER, CIRCA 480 B.C.

Height 3 1/8 inches (8.1 cm). Collection from an Important Midwestern Scholar Provenance: Robert Sharrer, New York. Acquired by the present owner from the above in 1998. This fragment was attributed to the Circle of Brygos Painter by Oxford Scholar, Dr. Robert Guy (1949-2020). $1,000 - 2,000

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121

A Greek Marble Head of a Lion CIRCA 5TH-4TH CENTURY B.C.

Height 9 inches (22.9 cm). Provenance: The Merrin Gallery, New York. Private Collection, New York, acquired 9 August 1989 (Inv. no. GR239). From mythological stories such as the twelve labors of Hercules to important monuments such as the Temple of Apollo, lions were prevalent in ancient Greek culture, and often symbolized royalty and strength. Here we face a life-size marble head of a lion with intense deep-set eyes, strong muzzle, and muscular mandible. The overall size and conveyed power firmly secure its status as an apex predator. Yet, its facial features are stylized and has a humanlike expression. It is likely this fragment served as part of a statue that would have guarded over the funerary plot of an aristocratic family or marked the entryway to a mausoleum. $30,000 - 50,000

ANTIQUITIES & ANCIENT ART: A STUDY

122

A Hellenistic Gilt-Silver Calyx Cup LATE 4TH-EARLY 3RD CENTURY B.C.

Diameter 3 5/8 inches (9.4 cm). Provenance: Art Market, New York. Antiquarium, Ltd., New York, 2018 (Treasures XVII, p. 32-33). This luxurious item gives a good indication of the variety and quality of the craftsmanship that was required to provide for the needs of wealthy Greek citizens. Made from hammered silver, the exterior of this wine cup is decorated with fluted columns, a guilloche band around the shoulder, and an incised floral motif on the underside. The interior tondo features an applique of Dionysos made from repoussé in deep relief. For a similar cup in design and shape, see the Metropolitan Museum of Art (Inv. no. 1972.118.159). $5,000 - 7,000

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123

125

A Corinthian Pottery Aryballos

A Greek Black-Figured Trefoil Oinochoe

CIRCA 630 B.C.

CIRCA 5TH CENTURY B.C.

Height 3 3/4 inches (10 cm). Property from the Collection of Mr. Felix Brejente

Height 3 3/4 inches (10 cm). Property from a Private Collection, Beverly Shores, Indiana

Provenance: Sotheby’s, London, Antiquities and Islamic Art, 4 December 1984, Lot 18.

Provenance: Louis David Troglia (1923-1993), Oakbrook, Illinois, acquired as a gift 1985; thence by descent.

$400 - 600

$200 - 400

124

Three Xenon-Ware Miniature Black-Glazed Kantharoi APULIA, CIRCA 4TH CENTURY B.C.

Height 2 3/4 inches (7 cm). Provenance: Daryl Guber Kulok (1960-2019), New York, acquired in 2000s. $400 - 600

ANTIQUITIES & ANCIENT ART: A STUDY

126

A Corinthian Black-Figured Olpe with Animal Friezes CIRCA 570 B.C.

Height 12 inches (28 cm). Provenance: Daryl Guber Kulok (1960-2019), New York, acquired in 2000s. $3,000 - 5,000

128

127

An Attic Black-Glazed Amphoriskos

A Greek Black-Glazed Guttus

CIRCA LATE 5TH-EARLY 4TH CENTURY B.C.

CIRCA 4TH CENTURY B.C.

Height 5 1/4 inches (13.3 cm). Property from a Private Florida Collection

Width 3 3/4 inches (9.5 cm). Provenance: Christie’s, New York, Antiquities, 7 December 2000, Lot 489.

Provenance: Charles Ede, Ltd., London, 27 May 1997 (Inv. no. 3122). This elegant miniature amphora, stamped with decorative palmettes and spirals, is in the shape of an acorn. In ancient Greece, the acorn was closely associated with the god Zeus and the sacred site of Dodona. It was said that by the shaking of a branch from a particular oak tree at Dodona, one could summon Zeus himself. This vessel with its playful symbolism was likely used as an offering to Zeus.

$2,500 - 3,500

$7,000 - 9,000 F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

129

130

131

An Attic Red-Figured Lekythos

An Attic White-Ground Lekythos

An Attic Red-Figured Lekythos

CIRCA 420 B.C.

ATTRIBUTED TO THE REED PAINTER, CIRCA 440-420 B.C.

CIRCA 420-410 B.C.

Height 6 3/4 inches (17.15 cm).

Height 10 1/2 inches (27 cm).

Height 8 1/8 inches (20.64 cm).

Provenance: Private Collection, France, acquired 1960s-1970s. Malter Galleries, Encino, California, Ancient Coins and Antiquities, 26 October 2008, Lot 652.

Provenance: Mrs. May Sheppard Jordan (1861-1920), Boston, Massachusetts. Museum of Fine Arts, Boston, Massachusetts, (Inv. no. 21.275).

$2,500 - 3,500

Property from a Private Florida Collection Provenance: Fritz Burki and Son, Zurich, Switzerland, 1986. Depicting a young female stepping forward to fill a hydria.

Published: J.D. Beazley, Attic Red-Figure Vase-Painters, 2nd edition, Oxford, 1963, no. 1379.61.

$5,000 - 7,000

Beazley Archive Database no. 217722. $3,000 - 5,000

132

An Attic Red-Figured Glaux CIRCA LATE 5TH CENTURY B.C.

Diameter 4 inches (10.4 cm). Provenance: Munzen und Medaillen, Basel, Switzerland, prior to 1980s. Dr. Christoph Leon, Basel, Switzerland, acquired from the above in the 1980s. One side depicts a draped male figure leaning on a staff, the other shows a draped male figure walking with an outstretched arm, carrying a staff in the other. $3,000 - 5,000

ANTIQUITIES & ANCIENT ART: A STUDY

133

An Attic Black-Figured Eye-Cup CIRCA LATE 6TH CENTURY B.C.

Width 11 1/2 inches (29 cm). Provenance: Summa Galleries, Beverly Hills, California, mid 1980s. The Allen E. Paulson Living Trust, acquired from the above in 1985. Christie’s, New York, Antiquities, 3 June 2009, Lot 115. Royal Athena Galleries, New York 2010, (Art of the Ancient World, vol. XXI , no. 140). Royal Athena Galleries, New York 2013, (1000 Years of Ancient Greek Vases II, no. 58). Christie’s, New York, Antiquities, 6 June 2013, Lot 559. $10,000 - 15,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

ANTIQUITIES & ANCIENT ART: A STUDY

134 An Attic Black-Figured Trefoil Oinochoe ATTRIBUTED TO THE KEYSIDE CLASS, CIRCA 6TH-5TH CENTURY B.C.

Height 9 1/8 inches (23.1 cm). Provenance: Spink & Son, London, UK. William Randolph Hearst (1863-1951), San Simeon, acquired from the above, 1936. Parke-Bernet, New York, Works of Art, Furniture & Architectural Elements Collected by the Late William Randolph Hearst, 5-6 April 1963, Lot 28. Jan Mitchell (1913-2009), New York, acquired from the above. Jack Josephson, New York, acquired from the above. Sotheby’s, London, Antiquities, 9 December 1974, Lot 98. Hanita E. and Aaron Dechter (1915-2019), California. Christie’s, New York, Antiquities, 12 October 2020, Lot 36. Exhibited: California, University Art Galleries, California State University, San Bernardino and Northridge, The Dechter Collection of Greek Vases, 5 May 1989- 30 March 1990. Published: J.D. Beazley, Attic Black-figure Vase-painters, Oxford, 1956, p. 426, no. 18. J.D. Beazley, Paralipomena, Oxford, 1971, p. 183, no. 18. K. Hamma, ed., The Dechter Collection of Greek Vases, San Bernardino 1989, p. 41, no. 21. Beazley Archive Pottery Database no. 303262.

epicted here is a Dionysiac scene. There are two maenads dancing with animals. One is holding a thrysos and a spotted snake, while the other holds a panther. Between the two women is a deer. For a related scene, see H.C. Walter, Catalogue of Vases in the British Museum, vol. 2, no. 515b. $50,000 - 70,000

135

A Greek Terracotta of a Seated Female Deity CIRCA 5TH CENTURY B.C.

Height 4 1/4 inches (10.8 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $1,200 - 1,800

138

A Greek Terracotta Standing Draped Female CIRCA 4TH-3RD CENTURY B.C.

Height 5 1/2 inches (14 cm).

Property from the Collection of Mr. Felix Brejente Provenance: James D. Eckerling Antiques, Chicago, Illinois, 12 March 2018. $800 - 1,200

ANTIQUITIES & ANCIENT ART: A STUDY

136

A Greek Terracotta Standing Draped Female Deity CIRCA 4TH CENTURY B.C.

Height 6 1/2 inches (17 cm). Provenance: Eugene Schaefer (1874-1930), New Jersey. Kirchlehner Collection, Rome. Sotheby’s, New York, Antiquities, 13 June 1996, Lot 249. $8,000 - 12,000

139

A Greek Terracotta Female Head HELLENISTIC PERIOD, CIRCA LATE 4TH- EARLY 3RD CENTURY B.C.

Height 1 9/16 inches (4 cm). Property from a Private Florida Collection Provenance: Charles Ede, Ltd., London, UK, May 1997 (Inv. no. 3129). For a similar example, see M. Bell III, Morgantina Studies Volume I: Terracottas, Princeton, 1981, no. 374b. $1,500 - 2,000

137

140

A Greek Terracotta Aphrodite

A Greek Terracotta Female Head with Melon Coiffure

CIRCA 350 B.C.

TARENTINE, CIRCA 3RD CENTURY B.C.

Height 8 9/16 inches (22 cm).

Height 3 inches (7.6 cm). Collection from an Important Midwestern Scholar

Provenance: Arte Primitivo, New York, Fine Pre-Columbian & Tribal Art, Classical and Egyptian Antiquities, 15 May 2019, Lot 346. $2,000 - 3,000

Provenance: Private Collection, Belgium. Galerie Cahn, Basel, Switzerland, prior to 2010. $800 - 1,200

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141 A Greek Limestone Head of a Woman CIRCA 3RD CENTURY B.C.

Height 13 inches (33 cm). Provenance: Private Collection (A. P.), Brussels, acquired between 1967-1969. Art Loss Register no. S00052398.

his limestone portrait head of a young woman is Hellenistic in date, and Cypriot in style. She has an idealized face articulated with small mouth and slightly open lips, smooth cheeks, almond-shaped eyes, and broad forehead. Her wavy hair is parted at the center, swept back to the ears, surmounted by a diadem, and covered in a long veil. She wears disk earrings with grape pendants—symbols of fertility. Traces of the originally painted pupils are preserved in the left eye. The soft surface, heavy-lidded eyes, and Venus rings along the neck impart a sensuous look to this elegant beauty. For a stylistically similar votive head at the Metropolitan Museum of Art (Inv. no. 74.51.2812), see A. Hermary and J.R. Mertens, The Cesnola Collection of Cypriot Art: Stone Sculpture, The Metropolitan Museum of Art, 2014, p. 174-175, no. 212. $30,000 - 50,000

143

A Large Rhodian Faience Aryballos CIRCA 575-550 B.C.

Height 4 1/16 inches (10.9 cm). Provenance: B. Kröber Collection, Ascona, Switzerland, acquired 1970-1974. Private Collection (J.K.), Switzerland, acquired 2010. Art Loss Register no. S00116079 Published: J.D. Cahn, Cahn’s Quarterly 4/2016, 2016, p. 6. $10,000 - 15,000

ANTIQUITIES & ANCIENT ART: A STUDY

144

A Mesapian Painted Pottery Trozella CIRCA 4TH CENTURY B.C.

Height 8 1/16 inches (21 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $1,000 - 2,000

145

A Daunian Painted Pottery Figural Vessel in the Form of a Bird CIRCA 4TH CENTURY B.C.

Height 4 9/16 inches (11.5 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $1,000 - 2,000

146

147

An Apulian Gnathian-Ware Epichysis

A South Italian Painted Pottery Pyxis

CIRCA 4TH CENTURY B.C.

Height 6 7/8 inches (17.4 cm).

Height 5 1/16 inches (12.9 cm).

Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent.

Provenance: Bonham’s, London, Antiquities, 7 April 1998, Lot 61. $1,000 - 2,000

$1,000 - 2,000 F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

148

An Apulian Red-Figured Amphora CIRCA LATE 4TH CENTURY B.C.

Height 24 2/5 inches (61.9 cm). Provenance: Private Collection (K.F.), Germany, 1970s. Gorny and Mosch, Munich, Auction 210, 2012, Lot 358. Aphrodite Ancient Art, New York, 2015 (Art of the Ancient, Vol. II, no. 7. p. 12). (accompanied by a thermoluminescence analysis report) The body of this amphora is densely decorated with scrolls, palmettes, vines, and flowers. The obverse depicts a female’s head emerging from a patera. The reverse is a single female head in profile adorned with sakkos. It is possible the the painter was influenced by the Kantharos Group (320-310 B.C.). $8,000 - 12,000

149

An Apulian Red-Figured Fish Plate ATTRIBUTED TO THE EYEBROW PAINTER, CIRCA 350-300 B.C.

Diameter 8 inches (20.32 cm). Provenance: Eduard Burkhard, Basel, Switzerland, prior to 1976. Private Collection, Germany, acquired from the above 1976. $4,000 - 5,000

100 A N T I Q U I T I E S & A N C I E N T A R T : A S T U DY

142

A Rhodian Pottery Figural Vessel in the Form of a Siren CIRCA 6TH CENTURY B.C.

Height 5 inches (12.7 cm). Provenance: Sotheby’s, London, Antiquities, 10 December 1996, Lot 106. $4,000 - 6,000

150

A Canosan Trefoil Oinochoe in the Form of a Head of a Man APULIA, CIRCA 4TH CENTURY B.C.

Height 7 inches (18 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $5,000 - 7,000

151

A Canosan Polychrome Askos APULIA, CIRCA EARLY 3RD CENTURY B.C.

Length 10 1/2 inches (26.67 cm). Property from a Private Florida Collection Provenance: The Pomerance Collection, prior to 1966. Sotheby’s New York, Antiquities and Islamic Art, 24 November 1986, Lot 119. The Merrin Gallery, New York, 1998. Published: B. Bothmer, J. Keith, E.L.B. Terrace, The Pomerance Collection of Ancient Art, Brooklyn 1966, p. 100, no. 117. Exhibited: Brooklyn, New York, Brooklyn Museum of Art, The Pomerance Collection of Ancient Art, 14 June- 2 October 1966. Surmounted by the sea monster Scylla and nine dolphins in relief jumping above a band of waves, this polychrome askos makes subtle reference to Homer’s epic poem The Odyssey. In the poem, Odysseus and his crew sail past impregnable cliffs from which the sea monster is perched and fishes for her next meal. Moreover, Odysseus’s son, Telemachus, fell into the ocean when he was an infant and was saved by dolphins. In their honor, Odysseus then went on to wear the emblem of dolphins on his shield during the Trojan War. For an example with similar scene, see The Boston Museum of Fine Art, Boston, Massachusetts (Inv. no. 99.541); For an example of the trapezoidal form, see The British Museum, London (Inv. no. D203). $15,000 - 20,000

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153

152

A Large Italo-Corinthian Scaled-Amphora

An Italo-Corinthian Pottery Hedgehog Aryballos

CIRCA EARLY 6TH CENTURY B.C.

Height 34 1/2 inches (87.6 cm).

Length 3 1/2 inches (9 cm). Property from a Private Florida Collection

Provenance: Private Estate, Connecticut, acquired in the mid-1980s. $4,000 - 6,000

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Provenance: Fritz Burki and Son, Zurich, 1986. $1,500 - 2,000

154

155

A Large Etruscan Impasto Pithos

An Etruscan Impasto Pithos with a Stamped Animal Frieze

CIRCA 600-500 B.C.

Height 25 1/2 inches (65 cm). Provenance: Private Estate, Connecticut, acquired in the mid-1980s. $1,500 - 2,500

CIRCA 600-500 B.C.

Height 16 inches (40.6 cm). Provenance: Private Estate, Connecticut, acquired in the mid-1980s. $1,500 - 2,500

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156

A Sicilian Greek Brazier Fragment with a Stamped Frieze CIRCA 600-500 B.C.

Length 18 inches (45.7 cm). Provenance: Private Estate, Connecticut, acquired in the mid-1980s. $1,200 - 1,800

157

A Tarentine Limestone Fragment CIRCA 3RD CENTURY B.C.

Height 5 13/16 inches (15 cm). Provenance: Bonhams, London, Fine Antiquities, 12 December 1996, Lot 281. $1,200 - 1,800

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158

A Tarentine Limestone Fragment CIRCA 3RD CENTURY B.C.

Width 5 13/32 inches (14 cm). Provenance: Bonhams, London, Fine Antiquities, 12 December 1996, Lot 281. $1,200 - 1,800

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159 An Etruscan Bone Mirror Handle CIRCA 6TH CENTURY B.C.

Height 8 3/32 inches (20.6 cm). O’Gara and Wilson, Ltd., Antiquarian Booksellers, Chesterton, Indiana Provenance: Private Collection of an Archaeologist, Italy, prior to 1949. Father Angelico Rinaldo Zarlenga (1919-1985), Italy and United States; thence by decent to his brother. Fra Angelico Art Foundation, Riverside, Illinois; where acquired by the current owner, 14 August 2008.

his rare and finely carved bone handle depicts a mythical scene from the ninth labor of Hercules in which Hercules draws his sword to kill Hippolyta, the queen of the Amazons, and take her belt. Themes from Greek mythology were immensely popular and often the motif of choice for Etruscan toiletries. Originally a bronze mirror engraved with similar subject matter would have connected to this handle. Used primarily by women, these mirrors were designed to include relevant visual metaphors and allegories. As is the case with the handle seen here, the dark subject matter of death is made light with sexual overtones. Hercules is depicted in the nude with a warrior’s physique holding an erect sword close to his hip, while Hippolyta is shown in full panoply with shield held high and in a defensive position. Together, these two figures fill the entire tableau, their bodies overlapping multiple times around the handle. Hercules’ right arm can be seen tucked behind Hippolyta’s shield, and left leg pressing against her inner thigh. They are facing each other, heads in profile, both with expressive smiles. Thus, it comes as no surprise that the spirit of this decoration was intended for the boudoir. Although the subject matter on this handle depicts a purely Greek scene, it is heavily Etruscanized. The geometric stylization, difference in scale, distinct drill work, archaistic features, and slight variations to mythological iconography, places this object in Etruria, Italy during the 6th Century B.C. when Etruscan culture was flourishing most. For a bone handle with similar scene, see The British Museum of Art (Inv. no. 1884,0614.30). $6,000 - 8,000

160

An Etruscan Over-Lifesized Nenfro Portrait Head of a Man CIRCA LATE 2ND CENTURY B.C.

Height 12 1/2 inches (31.75 cm). Property from the Collection of Jonathan Chernoff, Philadelphia, Pennsylvania Provenance: Private Collection, Switzerland, acquired prior to 1992. Schuler Auktionen, Asian Art, Antiquities, Jewelry & Watches, 26 March 2020, Lot 1204. Private Collection, Illinois. Hindman Auctions, Chicago, Antiquities, Islamic & Indian Art, 23 November 2020, Lot 86. $4,000 - 6,000

161

A Roman Marble Head of a Woman CIRCA 2ND CENTURY A.D.

Height 5 inches (12.7 cm). Provenance: Art Market, Germany, 1990s. Fortuna Fine Arts, Ltd., New York, 2000 (Beloved by Time: Four Millennia of Ancient Art, no. 126). Boisgirard & Assoc. Maison de Vente aux Encheres, Hotel Drouot, Paris, Arts d’Orient, 19 October 2003, Lot 127. $5,000 - 7,000

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162

A Roman Marble Portrait Head of a Man CIRCA 1ST CENTURY B.C.-1ST CENTURY A.D.

Height 16 inches (41 cm). Provenance: Private Collection, Europe, since 1982. Private Collection, United States, 1990’s. Aphrodite Ancient Art, New York, 2015 (Art of the Ancient, Vol. II, no. 8. p. 14-15). Art Loss Register no. S00101620 Monumental is size, this veristic portrait head was commissioned for public display. Though the surface of the sculpture has been worn by the passage of time, essential facial features remain. Folds of skin around the mouth, eyes, and forehead express his mature age, while the slightly turned head conveys movement. $15,000 - 20,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 109

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“It is better to fight with a few good men against all the wicked, than with many wicked men against a few good men.” - Antisthenes 163 A Roman Marble Portrait Head of Antisthenes CIRCA LATE 1ST-EARLY 2ND CENTURY A.D.

Height 18 inches (45.7 cm). Provenance: Galleria Geri, Milan, prior to November 1968. Sotheby’s, New York, Antiquities and Islamic Art, 9 December 1981, Lot 239. Private Collection, California, 1981, acquired from the above. California Museum of Ancient Art, prior to 1988. Royal Athena Galleries, New York, 1988. Property from a distinguished private USA collector, 1988-2012 (Washington, D.C.). Christie’s, New York, Antiquities, 5 December 2012, Lot 168. Published: Galleria Geri, Notiziario Delle Gallerie D’Arte Geri (Exhibition Gazette), Milan, November-December 1968, no. 5.

his over-lifesized portrait head is a superb example of the Greek philosopher known as Antisthenes (circa 446370 B.C.). Originally a student of the rhetorician Gorgias, Antisthenes later came to adopt the ethical teaching of Socrates and was said to be the founder of Cynic philosophy. The Cynics would be a philosophical school throughout the classical period. Famous for their obscenity, asceticism, and commitment to virtue, they challenged cultural norms and social conventions. Antisthenes once said, “It is better to fight with a few good men against all the wicked, than with many wicked men against a few good men.” (Diogenes, Book VI, 12). To the Cynics, it wasn’t enough to debate the issues of high moral standards but to put them into practice through rigorous training. This philosophy and dedication to moral excellence would go on to inspire some of antiquity’s greatest leaders such as Alexander the Great and the Roman Emperor Marcus Aurelius. Portraits of Antisthenes are properly attributed from a bust found at Hadrian’s Villa, now in the Vatican Museum, which is inscribed with his name. All known portraits have the same facial features that epitomize this unkempt intellectual: full lengthy beard, thick mustache obscuring the upper lip, and disheveled curly hair. For another portrait identified as Antisthenes, see V. Poulsen, Les Portraits Grecs, Pl. XXXXIV, fig. 50. $100,000 - 150,000

164

A Roman Marble Arm CIRCA 1ST-2ND CENTURY A.D.

Length 17 inches (43.2 cm). Provenance: Art Market, Germany, 1990s. Art Market, New York. $4,000 - 6,000

166

167

A Roman Marble Right Leg of Statue

A Roman Bronze Hand Holding a Sword

CIRCA 1ST-2ND CENTURY A.D.

Height 10 1/8 inches (26 cm).

Height 10 1/2 inches (27 cm). Provenance: Art Market, Germany, 1990s. Art Market, New York. $2,000 - 3,000

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Provenance: Arthur Richter (1925-2018), California; thence by descent. $4,000 - 6,000

165

A Roman Marble Fragmentary Portrait Head of a Man CIRCA 1ST-2ND CENTURY A.D.

Height 9 inches (23 cm). Provenance: Arthur Richter (1925-2018), California; thence by descent. $2,000 - 3,000

168

A Roman Bronze Fragmentary Face CIRCA 2ND CENTURY A.D.

Height 5 inches (13 cm). Property from a New Jersey Private Collection Provenance: Art Market, Germany, acquired 19 June 1998. $3,000 - 5,000

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170

A Roman Marble Torso of Venus CIRCA 1ST-2ND CENTURY A.D.

Height 8 inches (20.32 cm). Property from a New Jersey Private Collection Provenance: Art Market, London, prior to 1990s. Private Collection, Belgium, 1990s-2013. Bonhams, London, Antiquities, 23 October 2013, Lot 136. $3,000 - 5,000

169

A Roman Bronze Venus with Silver Inlaid Eyes CAPITOLINE TYPE, CIRCA 1ST CENTURY A.D.

Height 5 13/32 inches (13.7 cm). Provenance: Private Collection, Zurich, Switzerland. Published: J.D. Cahn, Cahn’s Quarterly 3/2015, 2015, p. 13. One of the most iconic and highly recognizable images from antiquity is Venus, the goddess of love. The bronze figure seen here delicately depicts her beauty, sexuality, and fertility. For examples of the Capitoline Venus type, see LIMC VIII, 1997, nos. 113, 116-117, 130; For examples of the statue›s style, see R. Fleischer, Die römischen Bronzen aus Österreich, Mainz, 1967, 77f., no. 87-88, pl. 50. $18,000 - 22,000

1 1 41 1A4N A T INQTUI Q I TUI IETSI E&S A&N A CN I ECNI E T NATR TA :R TA: SAT U YDY SD TU

171

A Roman Bronze Apollo HADRIANIC PERIOD, CIRCA 120-140 A.D.

Height 4 1/4 inches (11 cm). Provenance: Art Market, Germany, acquired 24 July 1998. $6,000 - 8,000

172

A Roman Marble Draped Torso from a Relief CIRCA 2ND CENTURY A.D.

Height 9 inches (23 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $4,000 - 6,000

F O FR O ARD AD DI TDI IOT NI OA N L AI LM A IM G AE G S E ASN AD N LDO LT ODT E D T AE ITLASI L VSI SVIITS IHT I NH DI NMDAM NA N U AC U T ICOT NI OS N . CS O. CMO M 115 115

“Superior to all the statues of any artists that ever existed is Praxiteles’ nude Venus” -Pliny the Elder

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173 A Roman Marble Venus CIRCA 1ST-2ND CENTURY A.D.

Height 26 1/2 inches (67.31 cm). Provenance: Private Collection, France. Hôtel Drouot, Paris, Maître Albinet - André la Veel, 4-5 May 1965, Lot. 97. Pierre (1907-2002 ) and Denise Lévy Collection, Troyes, France. Christie’s, London, Antiquities, 14 April 2011, Lot 276.

uring the 4th Century B.C., the ancient Greek sculptor Praxiteles created a legendary statue of the goddess of love in modest pose known today as the Aphrodite of Knidos (or Cnidus). It was one of the first lifesized representations of the nude female form in Greek history. Prior to its creation, Greek sculpture had been dominated by nude figures of heroic men. Even in antiquity, the sculpture was considered a masterpiece. According to the Roman historian, Pliny the Elder, “There are some works of Praxiteles in the Ceramicus at Athens; but, superior to all the statues, not only of his, but of any other artist that ever existed, is the Cnidian Venus” (Pliny, Natural History 36, 20). To the Greeks, she was Aphrodite; to the Romans, she was Venus. To all, she is the goddess of Love, whose iconic image remains compelling to this day. Though the original Greek sculpture is no longer in existence, a myriad of nude Aphrodite were created during the Hellenistic and Roman period, which the wealthy Romans of the Imperial period acquired to decorate their villas and gardens. Among these versions, two principal types repeat her modest pose: the Capitoline Venus and the Medici Venus, which differ from each other in their formal details. This high-quality statue belongs to this series, and even combines traits of one (the hairstyle and the position of the feet of the Capitoline Venus) with the other (the elongated proportions and the presence of the dolphin on the Medici statue). This statue once belonged to French Industrialist and Modern Art collector, Pierre Lévy (1907-2002). Pierre Lévy was a member of the Conseil artistique de la Réunion des musées nationaux from 1969 until his death in 2002. In 1976, Lévy and his wife Denise, née Liève, donated some two thousand objects including more than three hundred paintings from modern artists such as Matisse, Picasso, Modigliani, Derain, Soutine, and many others that helped create a Museum of Modern Art housed in the former Archbishop’s Palace in Troyes, France. Prior to the museum’s opening in 1982, the collection was exhibited in 1978 at the Orangerie des Tuileries in Paris. The inclusion of this nude Venus in the Lévy collection is a testament to the statue’s importance and timelessness. $200,000 - 300,000

174

A Roman Bronze Fragmentary Statue 1ST CENTURY B.C.-1ST CENTURY A.D.

Height 12 1/2 inches (31.75 cm). Property from a New Jersey Private Collection Provenance: Art Market, London. Thomas Howard-Sneyd (b. 1940), London, early-1990s. Art Market, New York, 1990s-2006. $15,000 - 20,000

177

A Roman Bronze Weight in the Form of a Boy CIRCA 1ST CENTURY A.D.

Height 3 3/4 inches (10 cm). Provenance: Private Collection, Germany, acquired prior to 1994. $5,000 - 7,000

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175

A Roman Silver Fibula with a Hippocamp CIRCA 2ND-3RD CENTURY A.D.

Length 1 11/16 inches (4.3 cm). Provenance: Private Collection, Netherlands. Rupert Wace Ancient Art, London, 2010 (Rupert Wace Ancient Art 10, no. 53). Art Loss Register no. S00027430 $5,000 - 7,000

176

A Greco-Roman Bronze Winged Cista Foot CIRCA 2ND-1ST CENTURY B.C.

Height 2 3/5 inches (7 cm). Property from a New Jersey Private Collection Provenance: Art Market, Germany, acquired 19 June 1998. $1,500 - 2,500

178

A Roman Bronze Romping Dog CIRCA 1ST CENTURY B.C.-1ST CENTURY A.D.

Length 2 11/16 inches (7 cm). Collection from an Important Midwestern Scholar Provenance: Leo Mildenberg, Germany, prior to 1986. Gift to the current owner upon his death in 2001. Published: A.P. Kozloff, et al., More Animals in Ancient Art from the Leo Mildenberg Collection, Von Zabern, 1986, pp 30-32, no. II, 159. $3,000 - 5,000

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179

An Roman Bronze Oinochoe JULIO-CLAUDIAN PERIOD, CIRCA 1ST CENTURY A.D.

Height 9 inches (23 cm). Provenance: Art Market, New York. Artcurial, Paris, Archéologie, & Arts d›Orient, 23 May 2017, Lot 52. Antiquarium, Ltd., New York, 2018 (Treasures XVII, p. 32-33). $10,000 - 15,000

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180

A Roman Blue-Green Glass Cinerary Urn CIRCA 1ST-2ND CENTURY A.D.

Height 6 1/2 inches (16.8 cm). Property from the Collection of JRM, Washington, D.C. Provenance: Private Collection, UK, prior to 2021. Art Market, Cambridge, UK. Acquired from the above by the current owner in 2021. $8,000 - 12,000

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181

A Roman Amber Glass Date Flask CIRCA 1ST-2ND CENTURY A.D.

Height 3 inches (8 cm). Collection from an Important Midwestern Scholar Provenance: Ancient Art International, October 1999. Warren Koch, New York. Arte Primitivo, New York, Fine Classical, Egyptian & Asian Antiquities, 3 October 2006, Lot 303. Private Collection, Connecticut. Christie’s, New York, Antiquities, 4 June 2008, Lot 131. $1,000 - 1,500

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182

A Roman Green Glass Patella CIRCA 1ST CENTURY A.D.

Diameter 5 inches (12.7 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $2,000 - 4,000

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183

A Roman Green Glass Double Unguentarium CIRCA 4TH CENTURY A.D.

Height 6 inches (15.2 cm).

Collection from an Important Midwestern Scholar Provenance: Safani Gallery, New York. Acquired by the present owner from the above in 2002. $700 - 900

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184

An Eastern Mediterranean Brown and White Core-Formed Amphora CIRCA 5TH-6TH CENTURY B.C.

Height 4 inches (10.2 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $5,000 - 7,000

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185

186

A Roman Green Glass Jar

A Roman Green Glass Araballos

CIRCA 3RD-4TH CENTURY A.D.

CIRCA EARLY 3RD CENTURY A.D.

Height 3 1/4 inches (8.1 cm).

Height 2 1/2 inches (6.35 cm). Property from the Collection of JRM, Washington, D.C.

Provenance: Art Market, Chicago, Illinois, prior to 1996. Harlan J. Berk, Ltd., Chicago, Illinois, 204th Buy or Bid Sale, 18 July 2018, Lot 481.

Provenance: Art Market, Germany, 1970-2000. Fortuna Fine Arts, Ltd., New York, 21 May 2021.

$800 - 1,200

$400 - 600

187

188

A Roman Pale Blue Glass Bottle

A Roman Green Glass Beaker

CIRCA 4TH CENTURY A.D.

CIRCA 2ND CENTURY A.D.

Height 2 5/8 inches (7 cm).

Height 5 3/8 inches (13 cm).

Provenance: Art Market, Chicago, Illinois, prior to 1996. Harlan J. Berk, Ltd., Chicago, Illinois, 204th Buy or Bid Sale, 18 July 2018, Lot 483.

Provenance: Art Market, Chicago, Illinois, prior to 1996. Harlan J. Berk, Ltd., Chicago, Illinois, 210th Buy or Bid Sale, 1 April 2020, Lot 396.

$800 - 1,200

$600 - 800

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189

A Roman Aubergine Glass Unguentarium CIRCA 3RD-4TH CENTURY A.D.

Height 5 inches (12.7 cm). Provenance: Art Market, Europe, prior to 1980s. Private Collection, Michigan, 1980s-1990s; thence by descent. $1,500 - 2,500

190

A Roman Glass Stir Rod CIRCA 3RD-4TH CENTURY A.D.

Length 7 inches (17.7 cm). Collection from an Important Midwestern Scholar Provenance: Betty and Max Ratner Collection, Ohio, prior to 1978. Gifted to the current owner prior to 1981. Exhibited: Cleveland, Ohio, Cleveland Museum of Art, 26 April 1979 (Loan no. 16366). Published: A. Kozloff, The First 4000 Years: The Ratner Collection of Judaean Antiquities, Cleveland, 1978. p. 62. $600 - 800

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 127

191

A Collection of Roman Fresco Fragments CIRCA 1ST CENTURY B.C.

Height 18 1/2 inches (47 cm). Provenance: Private Estate, Connecticut, acquired in the mid-1980s. $3,000 - 5,000

193

A Roman Red-Ware Bowl with a Hunting Scene CIRCA 1ST-2ND CENTURY A.D.

Diameter 8 inches (20.32 cm). Property from the Collection of JRM, Washington, D.C. Provenance: Private Collection, US, acquired 1970-2000s. Art Quest, New York, Art from the Ancient World, 5 March 2020, Lot 30. $1,000 - 2,000

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192

A Roman Terracotta Transport Amphora CIRCA 1ST-2ND CENTURY A.D.

Height 16 1/2 inches (42 cm). Property from the Collection of JRM, Washington, D.C. Provenance: Robert C. Hamer, acquired prior to July 1966, (Inv. no. 506). Harlan J. Berk, Ltd., Chicago, Illinois, 211th Buy or Bid Sale, 6 May 2020, Lot 498. $800 - 1,200

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194

A Roman Marble Head of a Woman CIRCA 1ST-3RD CENTURY A.D.

195

A Roman Marble Head of a Woman CIRCA 1ST-3RD CENTURY A.D.

Height 3 3/16 inches (8.1 cm). Property from a New Jersey Private Collection

Height 2 3/16 inches (6 cm). Property from a New Jersey Private Collection

Provenance: Art Market, Germany, acquired 6 January 1998.

$2,000 - 3,000

$1,000 - 2,000

196

A Greco-Phoenician Limestone Sphinx CIRCA 4TH-3RD CENTURY B.C.

Height 6 5/8 inches (16.8 cm). Provenance: Sotheby’s, New York, Antiquities and Islamic Works of Art, 8 June 1994, Lot 406. $5,000 - 7,000

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197

A Roman Marble Venus CIRCA 1ST CENTURY B.C.-1ST CENTURY A.D.

Height 18 inches (45.7 cm). Property from a New Jersey Private Collection Provenance: Fortuna Fine Arts, Ltd., New York, prior to 1995. Private Collection, New Yok, 1995-2017. Christie’s, New York, Antiquities, 25 October 2017, Lot 43. This statuette depicts a sculpture type commonly known as the “Venus in Arms”. The goddess of love is shown brandishing a sword with Cupid by her side and playing with a helmet. For similar life-size examples of this type, see a Marble Venus at the Louvre Museum, Paris (Inv. no. Ma 370), and Aphrodite mit dem Schwert at the Antikensammlung, Berlin (Inv. no. SK 33). $15,000 - 25,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 131

198

A Roman Marble Herm of Hercules CIRCA 2ND CENTURY A.D.

Height 20 1/4 inches (51.4 cm). Property from a New Jersey Private Collection Provenance: Art Market, Germany, 1990s Art Market, New York, 1990s-2006. $12,000 - 18,000

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199

A Roman Marble Sarcophagus Fragment Depicting Endymion CIRCA 2ND-3RD CENTURY A.D.

Length 25 1/2 inches (65 cm). Property from a Midwest Private Collection Provenance: Christie’s, South Kensington, Antiquities, 5 October 2000, Lot 214. Royal Athena Galleries, New York, 2004. In Greek mythology, Endymion is a handsome shepherd-prince who is granted immortality through eternal slumber and visited nightly by the moon-goddess Selene. $15,000 - 20,000

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200

A Roman Marble Portrait Head SEVERAN PERIOD, 198-217 A.D.

Height 9 5/16 inches (23.6 cm). Property from a New Jersey Private Collection Provenance: Artemis Gallery, Louisville, Colorado, Exceptional Antiquities, Asian, Ethnographic, 21 February 2019, Lot 67. Resembling the Emperor Caracalla, this portrait head abandons the styles of his Imperial predecessors and their long hair and full beards for a style more aligned with the Roman legionaries which was characterized by closely cropped curls and a stubble beard. $15,000 - 20,000

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201

A Roman Marble Portrait Head of Marcus Aurelius from a Relief ANTONINE PERIOD, CIRCA 145-160 A.D.

Height 7 1/2 inches (19 cm). Provenance: Private Collection (M.U.), Paris, acquired in 1980s. Published: J.D. Cahn, Cahn’s Quarterly 4/2019, 2019, p. 15. This relief fragment represents the young Marcus Aurelius in the years preceding his accession to the imperial throne (161-180 AD). From a clean-shaven curly-head boy to a lengthy-bearded philosopherking, scholars have identified four main portrait types for Marcus Aurelius. The broad forehead, short beard, and wispy moustache place this portrait of Marcus as type two, or more poetically known as the “crown prince” type. $16,000 - 18,000

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202

A Roman Marble Portrait Head of a Man LATE SEVERAN PERIOD, 3RD CENTURY A.D.

Length 10 13/32 inches (26.42 cm). Provenance: Galleria Casa Serodine, Ascona, Switzerland, 1980-1990s. Fortuna Fine Arts, Ltd., New York, 2008 (The Muse’s Song: Selections of Ancient Art, no. 31.). Galerie Cahn AG, Basel, Switzerland, 2016-2019. Exhibited: The European Fine Art Fair, Maastricht, Netherlands, 2017. Frieze Masters, London, United Kingdom, 2017. La Biennale, Paris, France, 2018. $30,000 - 40,000

204

A Roman Marble Head of a Youth with Laurel Wreath CIRCA 1ST CENTURY A.D.

Height 4 1/2 inches (11.4 cm). Property from a New Jersey Private Collection Provenance: Doyle, New York, early 2000s [by repute]. Art Market, New York, early 2000s-2006. $5,000 - 7,000

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203

A Roman Marble Portrait Head of a Youth SEVERAN PERIOD, CIRCA 3RD CENTURY A.D.

Height 16 1/4 inches (41.2 cm). Provenance: Private Collection, Europe, likely 17th Century A.D. [based on restoration techniques]. Michele Tiziano (b. 1946), Famed Opera Singer, Berlin, Germany. Art Market, Germany. Sotheby’s London, Ancient Sculpture and Works of Art, 2 July 2019, Lot 250. Antiquarium, Ltd., New York, 2020 (Treasures XIX, p. 21). $7,000 - 9,000

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205

A Roman Marble Portrait Head of a Young Lady ANTONINE PERIOD, CIRCA 150-160 A.D.

Height 8 1/2 inches (21.5 cm). Provenance: Don Fernando Higuera Pacheco, Spain, 1992. Private Collection (A.D.), Brussels. In ancient Rome, fashion was often determined by the elite and ruling class. How a woman wore her hair said much about their status in society. The hairstyle seen here was most in vogue from the Antonine to Severan Period and closely associated with Faustina Minor (130-176 A.D.). Known as the helmfrisur, the hair is parted down the center with wavy locks that cascade over her ears. The back of the hair is bound in a chignon. Although the identity of this delicately carved and meticulously designed portrait head is unknown, there is a quality and alertness to the sculpture that makes her stand out amongst her peers. For similar examples, see the Metropolitan Museum of Art (Inv. no. 13.115.2) and NY Carlsberg Glyptotek. $25,000 - 35,000

206

A Roman Marble Statue of Cybele CIRCA 1ST-3RD CENTURY A.D.

Height 20 1/4 inches (51.4 cm) Property from a New Jersey Private Collection Provenance: Private Collection, Germany, 1980s. Artemis Gallery, Louisville, Colorado, Antiquities Asian Ethnographic Fine Art, 26 September 2019, Lot 76A. $15,000 - 20,000

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208

A Palmyran Limestone Relief of a Woman

A Palmyrene Limestone Relief

CIRCA 2ND CENTURY A.D.

CIRCA 3RD CENTURY A.D.

Height 19 7/8 inches (50.5 cm).

24 x 27 inches. 24 x 34 inches. Property from a Midwest Private Collection

Provenance: Sotheby’s New York, Antiquities and Islamic Art, 8 December 2000, Lot 162. This relief depicts a draped female holding votives in both hands, and adorned with a veil and ornate diadem. Typically, these sculptures were used as funerary monuments and represented the deceased. A inscription can been seen to the right of her head. Most likely this short text was used to identify the draped female who would have been buried with many others in a communal tomb. $20,000 - 30,000

Provenance: Royal Athena Galleries, New York, 2002. Unlike the more common funerary relief busts that are forward facing, this relief (now in two parts) is in profile and depicts two merchants, one with saddled horse and the other with loaded camel, engaging in trade. The caravan city of Palmyra was a popular destination for traders along the Silk Road. Goods from both the East and West were frequently exchanged which in turn brought prosperity and wealth to the region. It is probable the deceased for which this relief was commissioned was a wealthy merchant. $30,000 - 50,000

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Antiquities & Ancient Art

JACOB COLEY DIRECTOR, SPECIALIST

MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT DEPUTY CHAIRMAN

646.255.5859 JACOBCOLEY @HINDMANAUCTIONS.COM

312.447.3275 MOLLYLIMMER @HINDMANAUCTIONS.COM

ELIZABETH KEITHLEY CATALOGUER

312.848.8356 ELIZABETHKEITHLEY @HINDMANAUCTIONS.COM

Estates, Appraisals & Business Development

ALYSSA D. QUINLAN EXECUTIVE VICE PRESIDENT, CHIEF BUSINESS DEVELOPMENT OFFICER 312.447.3272 ALYSSAQUINLAN @HINDMANAUCTIONS.COM

MOLLY E. GRON, J.D. VICE PRESIDENT, NATIONAL DIRECTOR, TRUSTS & ESTATES SENIOR DIRECTOR, CHICAGO 312.334.4235 MOLLYGRON @HINDMANAUCTIONS.COM

TIM LUKE CAI, BAS, MPPA, ISA-AM DIRECTOR, APPRAISALS & VALUATIONS 561.833.8053 TIMLUKE @HINDMANAPPRAISALS.COM

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SAN DIEGO KATIE GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR 858.442.6104 SANDIEGO@HINDMANAUCTIONS.COM

CINCINNATI VAUGHN SMITH BUSINESS DEVELOPMENT MANAGER 513.666.4987 CINCINNATI@HINDMANAUCTIONS.COM

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SALE 1036

ANTIQUITIES & ANCIENT ART SESSION II May 27, 2022 | Online

Jacob Coley Director, Senior Specialist Antiquities & Ancient Art jacobcoley@hindmanauctions.com HINDMANAUCTIONS.COM An Egyptian Bronze Apis Bull Late Period to Ptolemaic Period, 664-30 B.C. Length 3 inches (8 cm). Estimate: $800 - 1,200

Inquiries LEADERSHIP JAY FREDERICK KREHBIEL CO-CHAIR CHIEF EXECUTIVE OFFICER LESLIE HINDMAN CO-CHAIR WES COWAN VICE-CHAIR MARON HINDMAN VICE-CHAIR ALYSSA D. QUINLAN EXECUTIVE VICE PRESIDENT CHIEF BUSINESS DEVELOPMENT OFFICER ALYSSAQUINLAN @HINDMANAUCTIONS.COM JIM SHARP EXECUTIVE VICE PRESIDENT CHIEF OPERATING OFFICER JIMSHARP @HINDMANAUCTIONS.COM MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT DEPUTY CHAIRMAN MOLLYLIMMER @HINDMANAUCTIONS.COM AUCTION OPERATIONS, CLIENT SERVICES MAGGIE PORTER MAGGIEPORTER @HINDMANAUCTIONS.COM AIMEE SCHNEIDER AIMEESCHNEIDER @HINDMANAUCTIONS.COM RITA SWANBERG RITASWANBERG @HINDMANAUCTIONS.COM DAWNIE KOMOTIOS DAWNIEKOMOTIOS @HINDMANAUCTIONS.COM NICOLE JOY NICOLEJOY @HINDMANAUCTION.COM FINANCE MARCO GUSELLA DIRECTOR MARCOGUSELLA @HINDMANAUCTIONS.COM ESTATES & BUSINESS DEVELOPMENT MIRANDA MAXFIELD BUSINESS DEVELOPMENT MANAGER MIRANDAMAXFIELD @HINDMANAUCTIONS.COM

MUSEUM SERVICES CAROLINE MUJICA-PARODI DIRECTOR, MUSEUM SERVICES CAROLINEMUJICA @HINDMANAUCTIONS.COM

LEAH VOGELPOHL SPECIALIST

MICHAEL SHAPIRO SENIOR ADVISOR MUSEUMS & PRIVATE COLLECTIONS

ANTIQUITIES & ANCIENT ART JACOB COLEY DIRECTOR, SPECIALIST JACOBCOLEY @HINDMANAUCTIONS.COM

BRIAR KOEHL OLEFERCHIK BUSINESS DEVELOPMENT, SENIOR ASSOCIATE MUSEUM SERVICES FINE ART JOSEPH STANFIELD VICE PRESIDENT, SENIOR SPECIALIST JOSEPHSTANFIELD @HINDMANAUCTIONS.COM ZACK WIRSUM DIRECTOR, SENIOR SPECIALIST, POST WAR & CONTEMPORARY ART ZACHARYWIRSUM @HINDMANAUCTIONS.COM MONICA BROWN DIRECTOR, SENIOR SPECIALIST, FINE PRINTS & MULTIPLES MONICABROWN @HINDMANAUCTIONS.COM

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FLORA ZHANG SPECIALIST FLORAZHANG @HINDMANAUCTIONS.COM MEGAN SADLER ASSOCIATE SPECIALIST MARIELLE EPSTEIN DEPARTMENT COORDINATOR

JEWELRY & WATCHES SALLY KLARR, G.G. DIRECTOR, SENIOR SPECIALIST SALLYKLARR @HINDMANAUCTIONS.COM KATIE HAMMOND GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR, SAN DIEGO, SENIOR SPECIALIST, JEWELRY AND TIMEPIECES KATIEGUILBAULT @HINDMANAUCTIONS.COM SEAN JOHNSON SENIOR SPECIALIST, WATCHES SEANJOHNSON @HINDMANAUCTIONS.COM RUTH THUSTON, G.G. SENIOR SPECIALIST RUTHTHUSTON @HINDMANAUCTIONS.COM MARISA ACKERMAN, G.G. SPECIALIST MARISAACKERMAN @HINDMANAUCTIONS.COM KARINA HAMMER, G.G. SPECIALIST KARINAHAMMER @HINDMANAUCTIONS.COM APRIL MATTEINI, G.G. SPECIALIST APRILMATTENI @HINDMANAUCTIONS.COM MADELINE SCHROEDER CATALOGUER HANA THOMSON CATALOGUER GINA O’CONNOR DEPARTMENT COORDINATOR COUTURE & LUXURY ACCESSORIES TIMOTHY LONG DIRECTOR, SENIOR SPECIALIST TIMOTHYLONG @HINDMANAUCTIONS.COM MICHAEL HALL ASSOCIATE SPECIALIST MICHAELHALL @HINDMANAUCTIONS.COM MARIELLE EPSTEIN DEPARTMENT COORDINATOR SPORTS MEMORABILIA JAMES SMITH SPECIALIST JAMESSMITH @HINDMANAUCTIONS.COM BENTON LUDGIN DEPARTMENT COORDINATOR MARKETING ASHLEY GALLOWAY VICE PRESIDENT PHOTOGRAPHY ZOË BARE* DIRECTOR OF PHOTOGRAPHY DAVID JACKSON PHOTOGRAPHY SUPERVISOR GABBY BOSHARA AVERY CAMPBELL* CARMEN COLOME CHAD FEIERSTONE LIM HWOANG TYLER LEIBY* DEOGRACIAS LERMA AMELIA MOORE LIBBY MOORE MIKE REINDERS BILL ROSS* MADDIE SCARPONE FIONA SCHADE RACHEL SMITH DALLAS TOLENTINO * LEAD PHOTOGRAPHY TEAM FOR SALE 1035 4/8/22

Guide for Prospective Sellers and Buyers GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.334.4232 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction. Viewing Auction Items It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes. Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are: $0 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $250 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,500 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Above > $200,000 .... At Auctioneer’s Discretion

In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Live Bid Online Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids. Telephone Bidding You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $300 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time. Updated 4/8/22

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Conditions of Sale These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A. BEFORE THE AUCTION 1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping purposes. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw. B. REGISTERING TO BID 1. GENERAL We reserve the right to reject any bid. By participating in the sale, you represent and warrant that: (a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and (c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation. 2. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s 146 A N T I Q U I T I E S & A N C I E N T A R T : A S T U DY

name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 3. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 4. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 5. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 6. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 7. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days. C. DURING THE AUCTION 1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.

2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Hindman prior to the sale. D. AFTER THE AUCTION 1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $400,000; twenty percent (20%) of any amount in excess of $400,001 up to and including $4,000,000; and twelve percent (12%) of any amount in excess of $4,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (iv) Credit card: Credit card payments may not exceed $10,000 and a

convenience fee of 3% will be added to each credit card payment. (v) ACH Bank Transfer (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and one-half percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount. (d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be

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responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife. E. WARRANTIES 1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

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3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money

laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes. F. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses. G. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958. H. GLOSSARY authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Update 1/1/22

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SALE 1003

ETHNOGRAPHIC & TRIBAL ART June 16, 2022 | Online

A Moche Stirrup Vessel CIRCA 450-750 A.D.

Height 7 inches (17.18 cm) Estimate $600 - 800

Upcoming Auction Schedule SALE 1029 IMPORTANT JEWELRY MAY 17 | CHICAGO | LIVE + ONLINE

SALE 1037 PALM BEACH COLLECTIONS MAY 31 | PALM BEACH | LIVE + ONLINE

SALE 1031 WESTERN & CONTEMPORARY NATIVE AMERICAN ART MAY 19 | DENVER | LIVE + ONLINE

SALE 1038 SUMMER FASHION & ACCESSORIES JUNE 2 | CHICAGO | ONLINE

SALE 1039 SPORTS MEMORABILIA JUNE 6-7 | CHICAGO | ONLINE SALE 1040 FINE ART & DESIGN SELECTIONS JUNE 10 | CHICAGO | ONLINE

SALE 1046 AMERICAN HISTORICAL EPHEMERA AND PHOTOGRAPHY

FEATURING THE CIVIL WAR AND AMERICAN MILITARIA COLLECTION OF BRUCE B. HERMANN

SALE 1042 NATIVE AMERICAN ART ONLINE JUNE 15 | CINCINNATI | ONLINE

SALE 1047 AMERICAN HISTORICAL EPHEMERA AND PHOTOGRAPHY JUNE 28 | CHICAGO | ONLINE

SALE 1003 ETHNOGRAPHIC & TRIBAL ART JUNE 16 | CHICAGO | ONLINE

SALE 1048 ESSENTIAL JEWELRY JUNE 29 | CHICAGO | ONLINE

SALE 1043 NATIVE AMERICAN JEWELRY JUNE 21 | CINCINNATI | ONLINE

SALE 1061 ARMS, ARMOR & MILITARIA ONLINE JULY 6 | CINCINNATI | TIMED

ANT IQUITIES & ANCIENT ART: A STUDY | 26 MAY 20 22

NO. 1035

Sale 1035 | Antiquities & Ancient Art: A Study

Articles inside

Greco Roman | Lots 106-208

Egyptian | Lots 1-49

Near Eastern | Lots 50-72

Jewelry | Lots 73-105

Conditions of Sale