香港藝術節HongKongArtsFestival
扎根香港的國際藝壇盛事 聯繫中國與世界
An International Arts Festival in Hong Kong Connecting China and the World
香港藝術節 於1973年正式揭幕,是國際藝壇中重要的 文化盛事,於每年2、3月期間呈獻眾多優秀本地及國 際藝術家的演出,以及舉辦多元化的「加料」和教育 活動,致力豐富香港的文化生活。
香港藝術節 是一所非牟利機構,2023/24財政年度預 計收入(包括第52屆香港藝術節及2024年「無限亮」) 約港幣一億五千萬,當中香港特區政府的年度撥款佔 總收入約12%,另外約25%需來自票房收入,約48% 則須依賴來自各大企業、熱心人士和慈善基金會的贊 助和捐款。預計餘下的約15%則來自其他收入,包括 政府針對捐款和贊助收入而提供的配對資助。
香港藝術節 每年呈獻眾多國際演藝名家精采多元的演 出,例如*:
•歌劇:巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院
•中國戲曲:中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團
•古典音樂:塞西莉亞 芭托莉、列卡杜 沙爾、趙成 珍、古斯塔沃 杜達美、菲力普 格拉斯、劉曉 禹、馬友友、丹尼斯 馬祖耶夫、安娜 涅翠柯、 詹安德列亞 諾斯達、小澤征爾、湯瑪士.夸斯托 夫、甘拿迪 羅傑斯特汶斯基、譚盾、湯沐海、克 里斯蒂安 泰利曼、班貝格交響樂團、倫敦交響樂 團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂團、 柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也 納愛樂樂團
•爵士樂及世界音樂:波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼
•舞蹈:米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、 娜塔麗亞 奧斯波娃、美國芭蕾舞劇院、雲門舞集、 漢堡芭蕾舞團—約翰.紐邁亞、紐約市芭蕾舞團、 巴黎歌劇院芭蕾舞團、翩娜 包殊烏珀塔爾舞蹈劇場
•戲劇:彼得 布祿克、羅伯特.利柏殊、蜷川幸雄、 羅柏特 威爾遜、柏林劇團、中國國家話劇院、皇 家莎士比亞劇團
•大型特備節目:《藝裳奇幻世界》、星躍馬術奇藝坊
•戶外節目:《聲光園》、《幻光動感池》、《聲光頌》
香港藝術節 積極與本地演藝人才合作,並致力為新進 藝術家提供展示才華的平台。藝術節至今委約及製 作逾250套本地全新創作,包括粵劇、戲劇、室內歌 劇、音樂和舞蹈作品,不少製作更已在香港及海外多 度重演。近年的藝術節新製作包括《飯戲攻心》踏台 版、《末戀 無愛合約》、《我們最快樂》、《鼠疫》、 《陪着你走》、《百花亭贈劍》、《香港家族》三部曲、
The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts, as well as a diverse range of “PLUS” and educational events, in February and March each year.
The HKAF is a non-profit organisation. The total estimated income for FY2023/24 (including the 52nd Hong Kong Arts Festival and 2024 “No Limits” programme) is approximately HK$150 million. Current Government annual funding accounts for around 12% of the Festival’s total income. Around 25% of the Festival’s income needs to come from the box office, and around 48% from sponsorship and donations by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching grant scheme, which matches income generated through private-sector sponsorship and donations.
The HKAF has presented top international artists and ensembles across multiple genres, such as*:
• Western opera: Bayerische Staatsoper, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre
• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe
• Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Bruce Liu, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, Bamberg Symphony, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra
• Jazz and world music: Bobby McFerrin, Youssou N’Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini
• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, Natalia Osipova, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch
• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro
• Outdoor events: Power Plant, Super Pool, Chorus
The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced more than 250 local productions across various genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include Table for Six on Stage, Loveless Romance, We Are Gay, The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Danz Up, Datong–The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.
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《世紀. 香港》、《炫舞場》、《大同》、《金蘭姊妹》、 《聖荷西謀殺案》等。
香港藝術節 多年來與知名海外藝術家及團體聯合製作 不少優秀作品,當中包括由香港藝術節、香港歌德學 院及翩娜.包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的 「橫貫計劃」之《暴風雨》及《李察三世》、由香港 藝術節及上海國際藝術節聯合委約的《青蛇》、香港 藝術節與三藩市歌劇院聯合製作的《紅樓夢》、香港 藝術節與芬蘭國家歌劇院及芭蕾舞團聯合製作的《拉 娜》等。
香港藝術節 大力投資下一代的藝術教育。「青少年之 友」成立31年來,已為逾820,000位本地中學生及大專 生提供藝術體驗活動。藝術節近年亦開展多項針對大、 中、小學生的藝術教育活動,包括由國際及本地藝術家 主持的示範講座及工作坊、學生展演、演前講座、公開 彩排以及欣賞藝術節演出。同時,通過「學生票捐助計 劃」,藝術節每年提供約10,000張半價學生票。
香港藝術節每年主辦一系列多元化並深入社區的「加料 節目」,例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等, 鼓勵觀眾與藝術家互動接觸。
香港藝術節亦銳意將共融藝術理念拓展到社區每一角 落。由藝術節與香港賽馬會慈善信託基金聯合呈獻 的「無限亮」計劃於2019年正式開展,透過一系列的 演出及多元的教育及社區外展節目,「無限亮」致力 創造共融空間,讓不同能力人士均可以一同欣賞、參 與、擁抱藝術。
為創造更穩健的財政環境以及確保藝術節的長期可持 續性, 香港藝術節基金會 於2022年成立,旨在讓藝術 節在未來進行年度預算以外的大型特別項目。
(2023年12月更新 Updated December 2023)
*有關香港藝術節的過往節目,可參考以下網頁
The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer), co-produced by the HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch; Richard III and The Tempest, produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with the HKAF as a co-commissioning institution; Green Snake, co-commissioned with the Shanghai International Arts Festival; Dream of the Red Chamber, co-produced with the San Francisco Opera; and Laila, a co-production of the HKAF and the Finnish National Opera and Ballet.
The HKAF invests heavily in arts education for young people. During the past 31 years, our “Young Friends” scheme has reached more than 820,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 halfprice student tickets each year.
The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions and guided cultural tours.
The HKAF actively promotes inclusion via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.
To provide greater financial security and long-term sustainability for the Festival, the Hong Kong Arts Festival Foundation was officially launched in 2022. Donations to the Foundation will be used towards enabling the Festival to present in the future large-scale projects which its annual budget cannot cater for.
Details of past HKAF programmes can be found at https://www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2023.html
誠邀贊助或捐助香港藝術節;詳情請與藝術節發展部聯絡。
To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.
電郵 Email: dev@hkaf.org
直綫 Direct Lines: (852) 2828 4911/12
網頁 Website: www.hk.artsfestival.org/en/support-us
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Ontroerend Goed 《一個人的微笑》及《一個人的遊戲》(香港版本)
The Smile Off Your Face and A Game of You (Hong Kong Version)
1-23.03.2024,星期一除外 (Except Mondays)
香港文化中心 GR3 排演室及平台工作室
Rehearsal Room GR3 and Podium Workshop, Hong Kong Cultural Centre
粵語或英語演出
Performed in Cantonese or English 建議18歲或以上觀眾觀賞
Recommended for people aged 18 and above
封面照片 Cover photograph
The Smile Off Your Face © Ans Brys A Game of You © Ans Brys
※請勿擅自攝影、錄音或錄影
Unauthorised photography or recording of any kind is strictly prohibited
所有作品內容均由創作團隊獨立製作,並不代表贊助機構之立場或意見。
The content of all works is independently produced by the creative team, and does not reflect the views or opinions of the Sponsor.
本節目內容及本刊物所載之藝術家/客席撰文者言論屬於個人觀點,並不代表香港藝術 節之立場或意見。
The content of this programme and the opinions featured in this publication solely belong to the artists/guest writers and do not represent the views or opinions of the Hong Kong Arts Festival.
香港藝術節有權不讓任何遲到者入場。如香港藝術節允許遲到者入場,遲到者的入場 時間及方式將由香港藝術節決定。在任何情況下,除指定「遲到者進場時間」外,遲 到的觀眾有可能不獲安排入場。觀眾務請準時入座。如因遲到而無法入場,恕不退票 或換票。如有爭議,香港藝術節保留最終決定權。
The Hong Kong Arts Festival (“HKAF”) reserves the right to refuse admission of any latecomers to the event. In the event the HKAF allows the admission of latecomers, we also reserve the right to determine the time at which and the manner in which latecomers are to be admitted. In any case, latecomers shall only be admitted at designated latecomer point(s). Audience members are strongly advised to arrive punctually. No refunds or changes will be offered if the ticket holder is refused admission due to late arrival. In the event of any dispute, the HKAF reserves all rights to make the final decision.
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© Ans Brys © Ans Brys
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創造你的專屬劇場 Create Your Own Production
比利時先鋒劇團Ontroerend Goed帶來 兩齣戲劇,演出時觀眾只有一個人──而 這兩部作品的核心意義完全由這位觀眾一 手創造。
Two shows from Belgian experimental theatre group
Ontroerend Goed play to an audience of one—who̓s involved in creating their very meaning.
自2000年初創團以來,比利時Ontroerend Goed開創出自己的創作路向;他們經常將觀 眾置於不安的處境,以挑戰觀眾的底線。
「(這一種創作)是我的推動力」,劇團 藝術總監亞歷山大.戴夫連特說。「我有多 重理由來挑戰這些界線:如果你能挑戰表演 形式的界線,那就代表你也能夠挑戰社會的 界線。當電影和電視已經成為主流娛樂,我 認為劇場應該反思自身的角色,重新定義自 己。」
Belgian theatre company Ontroerend Goed has gone out of its way to challenge audiences and take them to uncomfortable places since it was established in the early 2000s.
“This is what I̓m motivated by,” says the company̓s Artistic Director, Alexander Devriendt. “There are several reasons why I push these boundaries: as metaphor—if you can push the boundaries of the medium, you can do so of society. Also, since movies and TV have taken over, I think theatre should question its own role, redefine what it is.”
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Ans Brys
©
跟以往的作品一樣,他們在香港藝術節 上呈現的兩個製作,旨在展示人如何從思想中 構建大部分的現實,而結果可能會令人不安。
劇目《一個人的微笑》和《一個人的遊戲》將 順序演出,各長三十分鐘。兩劇歷年來多次重 演,是劇團其中兩部最受歡迎的作品。
Ontroerend Goed透過讓觀眾積極參與演 出,或許更準確地說,是讓每一位觀眾參與表 演,徹底顛覆傳統劇場的互動方式。由於這兩 齣劇在演出時只有一位觀眾,可說是極致地摒 棄傳統。
「我不喜歡那些像工作坊的互動劇場。」
戴夫連特說。「觀眾永不應該為藝術內容負上 責任。我只希望你們在表演期間享受當下。一 對一的表演應該是快樂、是共享、並與眾不同 的。」
在《一個人的遊戲》,觀眾會穿越多個擺 放了大型鏡子的狹小房間,並體驗一系列奇 怪、甚至時而尷尬的情境。他們會被問及自己 的人生,又會被要求對下一位觀眾重複同樣的 行動。這套劇目既測試人在陌生環境和面對連 串提問時的反應,同時也關注一個令人不安的
Like all of its works, the two productions Ontroerend Goed is bringing to the Hong Kong Arts Festival seek to show how we construct most of our reality from ideas in our heads— and the results can be disquieting. The Smile Off Your Face and A Game of You, which are performed in that order and clock in at a lean 30 minutes each, are among the company̓s greatest hits, performed repeatedly over the years.
Ontroerend Goed completely upends the usual theatrical dynamics by making the audience active participants in creating the show. Or, rather, an active participant—because, in the ultimate example of the company throwing all conventions out of the window, the shows both feature an audience of precisely one person.
“I don̓t like interactive theatre necessarily, one that feels like a workshop,” says Devriendt. “The visitor should never be responsible for the artistic content, but I want you to keep living while we̓re doing the show. A one-on-one show is something joyful, communal, different.”
In A Game of You, the audience member progresses through a series of small rooms containing large mirrors, having a series of strange and at times awkward encounters in which they̓re asked about their life, and then challenged to do the same thing to the subsequent visitor. A test of people̓s reactions to unfamiliar situations and lines of enquiry, it̓s also an unsettling lesson in how you appear to other people that seeks to provide audience members with a new sort of selfknowledge.
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© Ans Brys
議題,就是在他人眼中你的形象如何,藉此刷 新觀眾的自我認識。
「我認為這是在邀請觀眾內省:重新審 視你看待世界的方式,以及世界看待你的方 式。」戴夫連特說。「這個演出關乎於這個世 界上存在着多個不同的你。」
《一個人的微笑》是劇團的成名作品,首 次演出已經超過十五年。觀眾會被綁在輪椅 上,蒙住雙眼,然後感受各種形式的感官刺 激。這種獨特的體驗常常被形容為出人意料地 觸動人心。
這部作品多年來已演出超過八千場,並且 不斷演變。戴夫連特形容該演出就像一次「心 靈按摩」。他表示,劇團一再重演這部作品, 是因為「它仍然具有相關性,仍然觸動人心」。
「參與這演出相當愉快。我還記得第一次 讓觀眾坐在輪椅上、蒙住他們雙眼的情形,這 是其他表演形式無可比擬的,而這部劇目至今 仍然令人興奮。這是我喜歡劇場這種表演形式 的原因之一,它能夠容納各種實驗,讓你嘗試 不同的藝術形式。」
他補充,舉辦這種節目也是一種責任,而 表演者須時刻留意觀眾的界線。「我從不會勉 強觀眾做不情願的事。」
當然,劇團的作品在世界各地演出時, 界線也會隨之改變,而觀眾的反應確實有所不 同,但差別並沒有預期般大。「我在世界各地 演出時學到的是:我對我們的相似之處感到困 惑,而不是我們的不同。」
「對我而言,藝術應該要挑戰我們的世界 觀。我希望挑戰自己的世界觀,進而挑戰觀眾 的世界觀。我希望我的藝術能夠促進討論,成 為世界的一部分。」
撰文:Richard Lord 原文刊登於2024香港藝術節年之《閱藝》雜誌
“I think it̓s an invitation to introspection: to question the way you look at the world and the way the world looks at you,” says Devriendt. “It̓s about how different versions of the self are existing in this world.”
The Smile Off Your Face is the show that made the company̓s name, first performed more than 15 years ago. The audience member is tied up and blindfolded while seated in a wheelchair, then exposed to a range of different forms of sensory stimulation, in an experience that is frequently described as unexpectedly emotional.
The show, which Devriendt characterises as “a massage for the mind”, has been performed more than 8,000 times over the years, and it keeps evolving. The company keeps coming back to it, he says, because “it̓s still relevant and it still touches people”.
“It̓s such a joyous thing to do. I remember the first time we put people in a wheelchair, blindfolded—it̓s something no other medium can do. It̓s never stopped being exciting. What I love about theatre as a medium is it allows for a lot of experimentation; you can have any other artform within it.”
Staging this kind of show, he adds, is also a responsibility and the performers always need to be aware of the boundaries of their audience. “I will never ask a visitor to do something they don̓t want to do.”
Those boundaries, of course, are sure to differ geographically, and the company̓s work gets different reactions in different parts of the world—but perhaps not as different as you̓d expect. “What I̓ve learned from playing all over the world is that I̓m baffled by how similar we are, not how different,” says Devriendt.
“Art, for me, should challenge your worldview: I want to challenge my own worldview and then that of the audience member. What I want my art to do is add to the discussion and be part of the world.”
Text: Richard Lord Originally published in the 2024 HKAF's FestMag
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© Eva Vermandel
Ontroerend Goed
劇場表演團體Ontroerend Goed(一語雙 關的名稱, 大意指「情感莊園」)來自比利時根 特,他們的作品強調即時性,邀請觀眾進行觀察 甚至參與演出。他們過往的作品包括:用一晚講 述宇宙史;將觀眾變成選民,用手中一票淘汰演 員;帶陌生人穿越鏡子和虛擬化身的迷宮,讓他 們重新認識自己。劇團不可預測的作品內容和形 式,成為他們表演的標誌。
2007年,他們以《一個人的微笑》首次於海 外演出,節目採用一對一的形式,讓觀眾在輪椅 上蒙着眼參與演出。另外,備受歡迎的《我們會 告訴你尊姓大名現在立即閉嘴聽我說話》則於舞 台上慶祝青少年原始又粗狂的力量。此後,劇團 在歐洲贏得多個獎項,並曾到紐約、悉尼及倫敦 巡演,均獲好評。他們也為當地創作了其他語言 版本,包括俄語、法語、普通話、粵語和哈薩克 語等。
Ontroerend Goed的每部作品都是一場從 現實中建構的體驗。他們深信在表演期間生活 如常,而他們只是構建可能的現實,以此質疑我 們作為個體如何在當今世界中定位自己。在藝術 總監亞歷山大.戴夫連特帶領下,他們深信每個 想法都有其獨特的藝術表達方式。同時,他們也 十分重視每個崗位的劇團成員,並認可他們的付 出:不論是演員、燈光設計師、佈景設計師還是 為劇作提供概念的人。
Ontroerend Goed是亞歷山大.戴夫連特、 夏洛蒂.德布勞內、卡羅萊恩.德布萊塞、安傑 羅.積森斯、安瑞莉.連諾、里安諾爾.斯佩、 薩米爾.菲恩、茱莉亞.傑西爾、雷米.哥斯 恩、溫.斯美、傑斯克.范登布斯切、漢斯.皮 斯特、露娜.本尼、澤斯丁.布登斯及貝絲.蒂 里昂。
Theatre performance-group Ontroerend Goed (a pun that roughly translates as “Feel Estate”) produces self-devised work grounded in the here and now, inviting its audiences to participate as well as observe. Covering a history of the universe in one evening, turning spectators into voters who eliminate actors, guiding strangers through a labyrinth of mirrors and avatars to meet themselves, the company has made it its trademark to be unpredictable in content and form.
It first emerged on the international scene in 2007 with The Smile Off Your Face, a one-on-one show in which the audience is tied to a wheelchair and then blindfolded. Its hit show Once and for All We̓re Gonna Tell You Who We Are So Shut Up and Listen was an uncompromising celebration of raw teenage energy on stage. Since then, the Belgian company has won numerous prizes across Europe and has hit New York, Sydney, London to critical acclaim. Ontroerend Goed tours worldwide and creates remakes of its productions in other languages: there are versions in Russian, French, Putonghua, Cantonese and Kazakh, among others.
Ontroerend Goed delivers intense experiences built in the reality of theatre. Convinced that life goes on during a performance, the group fabricates possible realities that question how we as individuals position ourselves in the world today. Led by Artistic Director Alexander Devriendt, the collective is convinced that every idea deserves its own brand of artistic expression. And the company cherishes a sense of ownership for every single contributor to its work, from actors to light designers, scenographers to conceptual thinkers.
Ontroerend Goed is Alexander Devriendt, Charlotte De Bruyne, Karolien De Bleser, Angelo Tijssens, Aurélie Lannoy, Leonore Spee, Samir Veen, Julia Ghysels, Remi Cosijn, Wim Smet, Jitske Vandenbussche, Hannes Pieters, Luna Boone, Justine Boutens, and Beth Thyrion.
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導演 亞歷山大.戴夫連特
亞歷山大.戴夫連特生於1977年,是Ontroerend Goed的藝術總監及創團成員之一。他過去的作品 包括個人戲劇三部曲《一個人的微笑》、《局內 人》和《一個人的遊戲》,還有青春劇場《我們 會告訴你尊姓大名現在立即閉嘴聽我說話》。他 的近作包括《金錢世界》、《葬禮》以及《我們不 就是正邁向新時代》。他的作品屢獲殊榮,曾在 全球各地演出。最近則在上海、美國及愛丁堡演 出。
Director Alexander Devriendt
Alexander Devriendt (born 1977) is the Artistic Director and one of the founders of Belgian theatre performance group Ontroerend Goed. His past work includes the creation of the personal theatre trilogy (The Smile Off Your Face, Internal and A Game of You), the celebrated teenage play (Once and For All We̓re Gonna Tell You Who We Are So Shut Up and Listen). His most recent productions are £¥€$, Funeral and Are we not drawn onward to new erA. His plays have won several awards and are performed all over the world, recently performing in Shanghai, the USA and Edinburgh.
指導 卡羅萊恩.德布萊塞
卡羅萊恩.德布萊塞生於1980年。2004年,她 以演員的身份從布魯塞爾皇家戲劇學院畢業,隨 後獲得戲劇科學的學位。她曾在不同的劇團工 作,包括比利時南極表演藝術中心和盧森堡藝 團,並自2006年起成為Ontroerend Goed的核 心成員。她同時是女子戲劇表演組織芭芭莉劇團 的創辦人,至今已創作、演出及執導超過十五 年。
Coach Karolien De Bleser
Karolien De Bleser (born 1980) graduated as an actor at the RITS (Brussels) in 2004 and went on to get another degree in Theatre Sciences. She worked for different companies, including Zuidpool and Luxemburg, and is part of the artistic core of Ontroerend Goed, where she has been working and co-creating since 2006. Karolien is one of the founding members of compagnie barbarie, where she̓s been creating, playing and directing new work for more than 15 years now.
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© Sarah Eechaut
© Thomas Dhanens
指導 薩米爾.菲恩
薩米爾.菲恩從小就開始演戲,並參與了超過 四十部電影和電視劇的製作。他於2016年畢業 於馬斯垂克表演藝術學院,此後一直在荷蘭和比 利時的各個劇院和藝術節中演出及參與創作。他 曾參與多部Ontroerend Goed的作品,包括《一 個人的遊戲》、《金錢世界》和《T.M.》,並於 2023年初成為團隊核心成員。菲恩曾兩度訪港, 第一次是在2019年為香港藝術節重新執導《金錢 世界》。
Coach Samir Veen
Samir Veen started acting at a young age and has participated in more than 40 film and television productions. He graduated from the Academy of Performing Arts in Maastricht in 2016, and has since been acting and writing for a broad range of theatres and festivals throughout the Netherlands and Belgium. He worked on several Ontroerend Goed productions, such as A Game of You, £¥€$ and T.M., before he joined the artistic core in early 2023. Veen visited Hong Kong twice before to direct a remake of £¥€$ for the Hong Kong Arts Festival in 2019.
指導 伊莉莎.斯圖克
伊莉莎.斯圖克是一位比利時女演員,從小就開 始在螢幕上演出。2014年,她在《佛蘭德斯的 田野上》首次演出。她亦曾出演多部電影,包括 《文森特》(2016年)、《森林的氣味》(2021年) 以及由威廉.達佛主演的《內部》(2023年)。此 外,斯圖克參演了Ontroerend Goed的《一個人 的遊戲》,並會在香港版本擔任指導。
Coach Eliza Stuyck
Eliza Stuyck is a Belgian actress who has been acting on screen since an early age. Her first role was in In Flanders Fields in 2014, which kickstarted her career with subsequent roles in movies such as Vincent (2016), The Scent of a Forest (2021) and more recently Inside (2023), alongside Willem Dafoe. Offscreen, Stuyck has performed in A Game of You by Ontroerend Goed, and she will coach the Hong Kong remake of this production.
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© Hetty de Kruijf
© Lise Dufait
製作人 翁世卉
翁世卉是國際戲劇製作人,抱風嶼Tempest Projects創辦人,十五年來專注於國際戲劇合作 項目。她曾在英國多所國家藝術院團工作,擔任 皇家莎士比亞劇團的製作人、蘇格蘭國家劇院聯 合製作人、創意蘇格蘭基金會中國項目顧問等。
2022年,抱風嶼和比利時劇團Ontroerend Goed 合作, 在上海首演一對一劇場《一個人的遊戲》 和《一個人的微笑》的普通話版本,並成功駐演 六個月。
Producer Shihui Weng
Shihui Weng is a creative producer and cultural broker for the performing arts based in London and Shanghai. She founded Tempest Projects in 2021 focusing on commissioning new work with an international perspective. Weng and Ontroerend Goed premiered the Putonghua versions of A Game of You and The Smile Off Your Face in mainland China in 2022. Between 2011 to 2021, Weng has worked in a wide range of national arts institutions as a producer including the Royal Shakespeare Company, National Theatre of Scotland and Creative Scotland.
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《一個人的微笑》
演出 Cal
Cal習舞超過十年,擅長於踢踏 舞和西方民族舞。他曾到訪英 國、美國、德國、瑞典、俄羅斯 等地深造踢踏舞,並考獲英國皇 家舞蹈教師學會的專科証書。
他同時是位於大埔藝術中心 的STEP OUT Studios的創辦人和 總監,致力推廣表演藝術。他
最近與本地音樂家Nate Wong和 Jerold Chu合作,參與表演《當 我們的節奏迴響》和《Take The First Step》的巡迴演出。
The Smile Off Your Face Performer
Cal
Cal has been dancing for more than 10 years, with extensive experience in tap and folk dance. To further his education in tap dancing, he has visited the UK, the USA, Germany, Sweden, Russia and more. He holds an Associate Diploma from The Imperial Society of Teachers of Dancing.
Cal is the Founder and Director of STEP OUT Studios, located in the Tai Po Arts Centre, which aims to promote performing arts in the community. He recently finished touring with the production Where Our Rhythm Echoes and the local tour “Take The First Step”, with local musicians Nate Wong and Jerold Chu.
《一個人的微笑》
演出 張利雄
跨媒界創作人及表演者,擁有演 員、劇場構作、舞者、編舞、影 像和平面設計師等多重身份。他 曾於法國、匈牙利、韓國、北 京、澳門、台灣,參與各個藝術 節、演出及藝術家駐留計劃。
近年創作包括:《張利 雄》、《現場》、《瑪吉阿米》。
近期參演作品包括:《Good Fortune》、《第二時間》、《緬甸 歲月》、《人為景觀》、《出竅》。
The Smile Off Your Face Performer
Holmes Cheung
Holmes Cheung is a cross-media artist and performer. As an actor, dramaturge, dancer, choreographer, video and graphic designer, curator and more, Cheung has participated in various arts festivals, performances and artist residencies in France, Hungary, South Korea, Beijing, Macau and Taiwan. His recent experimental creations include Cheung Lee-hung, Relatively LIVE, Live and Makye Ame (Hong Kong and Taiwan version). He has also performed in Good Fortune, Beyond This Time, Burmese Days, and Lightening among other performance projects.
《一個人的微笑》 演出 梁景堯
梁景堯為香港自由身表演者, 涉獵音樂劇、戲劇、電視、電 影及歌唱領域。他憑《Ellie, My Love》獲第14屆香港小劇場獎最 佳整體演出及提名最佳男主角。 他致力為大眾帶來切身、鼓舞的 體驗。無論在表演或身心發展, 都與香港人一起成長。
The Smile Off Your Face Performer
Terrence Leung
Terrence Leung is a drama graduate from the University of Southern California. He works as a freelance actor while exploring new opportunities to make art and give back to the community. Recently the 14th Hong Kong Theatre Libre nominated him as Best Actor in a Leading Role. His skills lie in performing, bodybuilding and cooking, which he sees as the three main elements needed to provide an audience with an enjoyable experience.
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《一個人的微笑》
演出 李嘉雯
畢業於香港演藝學院舞蹈學院當 代舞系。以自由身專業舞者及創 作表演者身份,參與多個本地與 海外的跨領域合作和實驗作品。
她憑馮程程作品《2021誰殺了 大象》,獲第13屆香港小劇場優 秀女演員獎。
她曾與多位本地藝術家合 作,如伍美宜、李偉能、陳偉洛、 程偉彬、邱加希、曾詠暉、黃大 徽、許嘉俊等。曾合作的海外舞 蹈家有阿德里安.學德、艾曼紐. 馮.迪爾、阿倫.馬夏爾等。
The Smile Off Your Face Performer Carman Li
Carman Li graduated from The Hong Kong Academy for Performing Arts, majoring in in Contemporary Dance. She has since expanded her career as a professional dancer and performer, through crossdisciplinary, collaborative and experimental projects, both locally and internationally. She won the Outstanding Actress Award at the 13th Hong Kong Theatre Libre 2021 for her performance in 2021 Who Killed the Elephant. Li has collaborated with local artists including Emily Ng, Joseph Lee, Chan Wai-lok, Rex Cheng, K.T. Yau, Dick Wong, Kenneth Hui and more. etc. And she has collaborated with foreign choreographers such as Adrienn Hód, Emmanuelle Vo Dinh, Henrique Furtado and Aloun Marchal.
《一個人的微笑》 演出 沈卓瑤
沈卓瑤於2023年從香港演藝學 院戲劇學院畢業,主修表演,目 前是一位自由身演員。她自小就 對舞台充滿熱情,曾代表香港兒 童合唱團參與世界各地的國際音 樂節,進行交流表演。
她曾在西九文化區與天台 製作的《天真與世故之歌》擔任 演員、編曲及合唱指導。在學期 間,她參與了劇目《點解去咗莫 斯科?》的演出並擔任作曲家, 還在《戲論.十牛》中擔任演員 和編舞。
The Smile Off Your Face Performer Sherrain Sum
Now a freelance actress, Sherrain Shum graduated from the School of Drama at The Hong Kong Academy for Performing Arts (HKAPA) in 2023, majoring in Acting. Dedicated to performing from a young age, Shum has served as a representative of the Hong Kong Children̓s Choir and participated in worldwide choral festivals.
Her theatre credits include actress, music arrangements and choral practice leader for West Kowloon x Rooftop Productions̓ Songs of Innocence And Experience. At the HKAPA, she participated in Moscow… Why? as an actress and a composer and The Ten Oxen of Ours as an actress and choreographer.
《一個人的微笑》 演出 楊紫卿
楊紫卿畢業於香港演藝學院戲劇 學院,主修表演,並在就讀期間 獲得多項獎學金。在此之前,她 畢業於香港浸會大學傳理學院, 主修國際新聞。
她近年的演出包括:同流概 念音樂劇1.0《移家女孩》、大館 表演藝術季SPOTLIGHT節目 《一路.順風》、以及劇場方程式 的《屋根裏》等。在校期間,她 還參與了《點解去咗莫斯科?》 及《無病呻吟》等戲劇的演出。
The Smile Off Your Face Performer Richelia Yeung
Richelia Yeung graduated from the School of Drama at The Hong Kong Academy for Performing Arts (HKAPA), majoring in Acting. She was a recipient of various scholarships during her studies at the HKAPA. She previously graduated from Hong Kong Baptist University̓s School of Communication, majoring in International Journalism.
Yeung̓s professional theatre credits include the concept musical Draft My Life, Last Ride, Fresh Eyes presented at Tai Kwun's SPOTLIGHT: A Season of Performing Arts, and The Attic by Theatre Formula. Other theatre credits during her acting studies include Moscow...Why? and Le Malade Imaginaire.
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《一個人的微笑》 演出 袁凱宜
袁凱宜畢業於香港浸會大學電影 學院,主修表演,在學期間獲得 卓越表現獎學金。現為自由身表 演者,主力發展戲劇及音樂領 域,同時也參與廣告及電視劇的 美術設計。
她熱衷表演,大專時期曾 參與多部作品,其中包括浸會 大學傑出畢業作品《當頭髮飄 起時》、電影《望月》。同時, 她學習爵士鼓近十年,考獲英 國RSL爵士鼓證書最高等級。
The Smile Off Your Face Performer
Emily Yuen
Emily Yuen graduated from Hong Kong Baptist University's Creative Film Production programme, majoring in Acting. She works as a freelance performer in theatre and music, while also working in art design for advertisements and television series.
Passionate about acting, Yuen has participated in notable projects such as Baptist University's graduate work When The Hair Floats and in the film Once In A Blue Moon. Yuen has also played jazz drums for almost a decade, achieving the highest level in the UK’s RSL Professional Diploma in drums.
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《一個人的遊戲》 演出 陳素妍
陳素妍是一位專業自由身演員、 表演藝術導師,同時也是香 港STEP OUT Studios的副總 監。她曾在英國的Bird College 接受音樂劇和舞蹈培訓,並在香 港、英國、加拿大和澳洲等地參 與了多個劇場和商業製作的演 出。
她曾與多個團體合作,包 括Ontroerend Goed(比利時)、 OzAsia Festival(澳洲)、香港 藝術節、大館和劇戲大師大 衛.格拉斯等。她亦曾參與多 個音樂影片、廣告和短篇電影 的演出。
A Game of You
Performer
Zoe Chan
Zoe Chan is a professional freelance performer, performing arts tutor and the Deputy Director of STEP OUT Studios, based in Hong Kong. She received musical theatre and dance training from Bird College in the UK, and has performed in various theatre and commercial productions locally and in countries such as the UK, Canada and Australia.
Chan has worked with companies/artists such as Ontroerend Goed (Belgium), the OzAsia Festival (Australia), the Hong Kong Arts Festival, Tai Kwun and David Glass (UK). She has also featured in various music videos, commercials and short films.
《一個人的遊戲》 演出 關若斐
關若斐畢業於澳門大學,主修英 語。她是澳門石頭公社的核心成 員,現為自由身藝術工作者。她 積極參與多種表演藝術形式及教 育工作,曾與澳門多個表演藝術 團體合作。近年來,她還參與了 電視節目的拍攝和配音工作。
她近年的演出包括《金錢世 界》(香港及澳門藝術節)、《末 日備忘》、《消失的身影》及《石 頭外傳—獻給Frank的相對靜止 版》。她擔任導演的作品包括 《小孩俠》、《冬仔Go高歷險記》、 《Tin Can》及《2021太空再漫遊》。
A Game of You Performer Inês Kuan
Inês Kuan graduated from the University of Macau, majoring in English Studies. She is a core member of Comuna de Pedra in Macau. Kuan is currently a freelance artist working in different performance art forms and educational work. She has worked with various performance groups in Macau and has recently performed in various, television programmes and dubbing works.
Kuan̓s recent performances include £¥€$ (Lies) presented at the Hong Kong Arts Festival and Macau Arts Festival; A Doomsday Memorandum; The Vanished Figures; and The Pedra Sidequel: To Frank. Her directorial works include The Kidult Man, The Peakture, Tin Can and In Space, Another Time.
《一個人的遊戲》 演出 黎青平
黎青平受訓於法國巴黎賈克.樂 寇國際戲劇學校及英國倫敦大學 皇家中央演講及戲劇學院,並分 別獲頒表演證書(形體劇場)及 應用戲劇碩士學位。
她曾與歐洲及本地多個團體 與藝術節合作,從事導演、表演 及戲劇教育工作超過十年。2012 年,她獲西班牙卡斯蒂利亞-萊 昂高等藝術學院邀請主持形體工 作坊,成為該校首位華人導師。 她在2018年成立「點.創作」, 致力於推動創意教育。
A Game of You Performer Priscilla Lai
Priscilla Lai graduated from the École Internationale de Théâtre Jacques Lecoq in France and the Royal Central School of Speech and Drama in the UK, where she gained her performance certificate (Physical Theatre) and Master of Arts in Applied Theatre.
Lai has performed in various theatre organisations and festivals in Europe and Hong Kong, and has worked as a director, performer and theatre educator for over 10 years. In 2012, Priscilla was invited to teach movement workshops for Escuela Superior de Arte Dramático de Castilla y León in Spain and became the first teacher of Chinese descent invited by the school. In 2018, she founded DOTs Creation to promote creative education.
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《一個人的遊戲》
演出 莫倩婷
莫倩婷畢業於比利時布魯塞爾拉 薩德國際表演學校。2007年畢 業於澳門大學,主修英語。她現 為石頭公社主席、導演和演員。
2021年,她創辦了「Todos Fest!」 共融藝術節,並擔任藝術總監。
她自2006年開始從事導演 工作,曾編導三十多個作品,並 多次在台灣和澳門,以及泰國、 法國、英國、葡萄牙、巴西等演 出。她的導演作品《The Mute Quire》於2014年在愛爾蘭戈威 爾藝穗節上獲最佳國際演出大 獎。
A Game of You
Performer
《一個人的遊戲》 演出 顏俊豪
顏俊豪出生於澳洲墨爾本。畢業 於墨爾本大學,主修文學。其後 在香港演藝學院進修,獲得英國 商業與技術教育委員會的表演藝 術5級國家高級文憑(音樂劇)。
他是一位多才多藝的表演者 及導演,在香港曾參與多個文藝 演出活動,以及國際巡迴演出, 其中包括音樂劇、戲劇、電視、 電影廣告及私人製作活動。
除了個人的演藝活動,他也 是演藝導師,專攻歌唱、演戲和 舞蹈,致力為下一代表演者作出 貢獻。
《一個人的遊戲》 演出 胡偉寶
畢業於香港演藝學院,主修表 演。曾獲不同的獎學金及獎項。 近年演出包括:香港藝術 節的《金錢世界》、狂花生文化 娛樂的《百分百感覺2024》、香 港話劇團的《愛情觀自在》、同 流的《無罩愛 恋 》、中英劇團的 《大龍鳳》(重演)、英皇娛樂的 《奪命証人》等。
她也曾為多個作品翻譯, 如大館的《Labyss》、香港藝術 節的《一個人的遊戲》、《「迅」 息聚變》、同流的《無罩愛 恋 》 及窮人誌的《正義弒者》等。
Jenny Mok
Jenny Mok graduated from the École LASSAAD International School of Theatre in Belgium. In 2007, she also graduated from the University of Macau, majoring in English. She is currently the President, Director and Actress of Comuna de Pedra. In 2021, she founded the inclusive arts festival Todos Fest! as its Artistic Director.
A Game of You Performer Marc Ngan
A Game of You Performer Vida Wu
Marc Ngan is a Hong Kongbased performer, educator and creator, specialising in musical theatre. With more than 10 years of industry experience, he is highly sought-after as a performer, director, scriptwriter, emcee and corporate coach.
Vida Wu is an actor, director and playwright. Born and raised in Hong Kong, Wu graduated from The Hong Kong Academy for Performing Arts (majoring in Acting) and received various scholarships and awards at school.
Since 2006, Mok has directed over 30 performance works and led tours in places like Taiwan and Macau, as well as Thailand, France, the UK, Portugal and Brazil. In 2014, Mok won the award for Best International Performance at the Galway Fringe Festival for her directorial work The Mute Quire
Ngan has worked on projects for the Hong Kong Arts Development Council, the Hong Kong Arts Festival, Hong Kong Opera and Hong Kong International Airport, to name a few.
He has written two full-length musicals, The Miracle of Music and Butterfly Lovers. In 2023, he co-founded Dragonesque, a theatre company dedicated to developing musical theatre in Hong Kong.
Wu has worked with many theatre companies including the Hong Kong Repertory Theatre, the Chung Ying Theatre Company, Actors̓ Family, The Only Stage, the Hong Kong Arts Festival, We Draman Group, and Project Roundabout. With a versatile skill set, Wu delivers captivating performances across a wide range of genres from drama and comedy to physical theatre and musicals.
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鳴謝ACKNOWLEDGEMENTS
香港藝術節衷心感謝下列機構及人士的慷慨支持﹕
The Hong Kong Arts Festival would like to thank the following for their generous support:
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鉑金會員Platinum Member 黃金會員Gold Members 純銀會員Silver Member
嘉里控股有限公司 怡和集團
太古地產
Kerry Holdings Limited The Jardine Matheson Group Swire Properties 上海商業銀行有限公司
Shanghai Commercial Bank Limited
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澳洲總領事館香港
Australian Consulate-General Hong Kong
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Consulate of the Kingdom of the Netherlands in Hong Kong and Macau 荷蘭表演藝術基金
Performing Arts Fund NL
藝術人才見習配對計劃2023/24由香港藝術發展局資助
2023/24 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council
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首席創始贊助人 Lead Founding Patrons
陳俊豪先生 Mr Thomas Chan
黃廷方慈善基金 Ng Teng Fong Charitable Foundation
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主要創始贊助人 Major Founding Patrons
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曹其鋒先生 Mr Silas Chou
霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok 馮氏基金有限公司 E.M. Fung Foundation Limited
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其他贊助人 Other Patron 高盛回饋慈善基金 (James Houghton 先生推薦)
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一桌兩椅慈善基金 One Table Two Chairs Charitable Foundation
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地址 ADDRESS 香港灣仔港灣道二號十二字樓1205室 Room 1205, 12/F,2 Harbour Road, Wan Chai, Hong Kong
電話 TEL (852)2824 3555
傳真 FAX (852)2824 3798、(852)2824 3722
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節目查詢熱線 (852)2824 2430
Programme Enquiry Hotline
贊助人 李家超先生, PATRON
贊助人 李家超先生, PATRON
The Hon. John KC Lee, GBM SBS PDSM PMSM GBM SBS PDSM PMSM
The Hon. John KC Lee, GBM SBS PDSM PMSM GBM SBS PDSM PMSM
永遠名譽會長 邵逸夫爵士(1907-2014)
執行委員會
主席 查懋成先生 副主席 盧景文教授 義務司庫 范高廉先生 委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊光先生
節目委員會
主席 盧景文教授 委員 白諾信教授 羅志力先生 毛俊輝教授 約瑟 施力先生 + 譚榮邦先生 姚珏女士
財務委員會
主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會
主席 鄭阮培恩女士 副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生 顧問 夏佳理先生 鮑 磊先生 陳祖澤博士 陳達文博士 霍璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士(孖士打) 核數師 羅兵咸永道會計師事務所
+ 榮譽節目顧問 Honorary Programme Advisor
HONORARY LIFE PRESIDENT The Hon. Sir Run Run Shaw, GBM CBE(1907-2014)
EXECUTIVE COMMITTEE
Chairman
Vice-Chairman
Honorary Treasurer
Members
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Chairman
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AUDITOR
Mr Victor Cha
Prof. Lo King-man, SBS MBE JP
Mr Colin Farrell
Mrs Betty Yuen Cheng
Ms Margaret Cheng
Mr Michael Fung
Ms Joanna Hotung
Mr Sebastian Shiu-wai Man
Dr Dennis T L Sun, BBS JP
Ms Miriam Yao
Mr Sunny Yeung
Prof. Lo King-man, SBS MBE JP
Prof. Giorgio Biancorosso
Mr Peter C L Lo
Prof. Fredric Mao, BBS
Mr Joseph Seelig, OBE +
Mr Wing-pong Tam, SBS JP
Ms Jue Yao, SBS JP
Mr Colin Farrell
Ms Margaret Cheng
Mr Nelson Leong
Mrs Betty Yuen Cheng
Ms Jane Yong
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Mrs Helen Lin Sun
Ms Yi Wen
Mr Andrew Yao
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Mr Martin Barrow, GBS CBE
Dr John CC Chan, GBS JP
Dr Darwin Chen, SBS ISO
Mr Angus H Forsyth
The Hon. Charles YK Lee, GBM GBS OBE JP
Mrs Mona Leong, SBS BBS MBE JP
Dr The Hon. Sir David KP Li, GBM GBS OBE JP
Ms Gabriela Kennedy, Mayer Brown
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副製作經理 陳梓衡*
出版
編輯經理 陳詠恩*
英文編輯 Adam Wright*
副編輯 陳劭儀*、楊紫媛*
外展
外展經理 林嘉敏*
助理外展經理 余穎彤*
外展統籌 羅凱盈*、連凱嵐*
外展主任 陳沅渟*、張凱柔*、馬曉瑩*
藝術行政見習員 吳勵宜*
市場推廣
市場總監 鄭尚榮 副市場總監 盧伯全
市場經理 陳靄婷*、張予心*
副市場經理 黃頴儀* 副市場項目經理 譚懿諾*
助理項目經理 李穎軒* 助理市場經理 許樂欣*、曾諾怡* 市場主任 梁喬正* 市場助理 陳慧琳#
票務
高級市場經理(票務) 梁彩雲 助理市場經理(票務) 陳偲穎*
發展
發展總監 黃美儀 特別發展協理 蘇啟泰* 高級發展經理 譚樂瑤 發展經理 陳世敏*、吳綺菁* 發展主任 呂詠琪*、譚尹晴* 藝術行政見習員 周翹*
行政事務
財務總監 鄺敬婷 會計
會計經理 杜詩麗* 會計主任 顏悅恩*
人力資源及行政
人力資源及行政經理 楊美君* 接待員/初級秘書 李美娟 助理 黃國愛 資訊科技
資訊科技經理 陳啟明* 無限亮 項目總監 錢佑* 節目及外展經理 鍾美琼*、何敏凝* 節目及外展統籌 雷晴*、潘詠汶*
市場經理 黃嘉欣* 副市場經理 陳婉怡* 助理製作經理 張詠宜*
高級會計主任 鍾巧明* 香港藝術節@大館 項目經理 鄺為立*
STAFF
Executive Director Flora Yu
Assistant to Executive Director Connie Ho
PROGRAMME
Programme Directors Grace Lang, So Kwok-wan
Senior Programme Managers Ian Leung, Shirley So, Janet Yau*
Programme Managers Cathy Cheng*, Crystal Chiu*, Sophie Liao*, Katie Ma*, Janet Ng*
Programme Coordinator Lilian Lam*
Arts Administrator Trainee Ryan Yung*
Programme Assistant Dorothy Chung*
Production Assistant Alice Chan#
LOGISTICS
Logistics Manager Elvis King*
TECHNICAL
Production Manager Shirley Leung*
Deputy Production Manager Jacob Chan*
PUBLICATIONS
Editorial Manager Eugene Chan*
English Editor Adam Wright*
Associate Editors Shao yi Chan*, Trista Yeung*
OUTREACH
Outreach Manager Carman Lam*
Assistant Outreach Manager Enid Yu*
Outreach Coordinators Vicgina Law*, Jade Lin*
Outreach Officers Olivia Chan*, Hazel Cheung*, Queena Ma*
Arts Administrator Trainee Nicky Ng*
MARKETING
Marketing Director Katy Cheng
Associate Marketing Director Eugene Lo
Marketing Managers Tobie Chan*, Stephanie Cheung*
Deputy Marketing Manager Joey Wong*
Deputy Project Manager Hades Tam*
Assistant Project Manager Hill Li*
Assistant Marketing Managers Sally Hui*, Margaret Tsang*
Marketing Officer Isaac Leung*
Marketing Assistant Kelly Chan#
TICKETING
Senior Marketing Manager (Ticketing) Eppie Leung
Assistant Marketing Manager (Ticketing) Stephanie Chan*
DEVELOPMENT
Development Director Angela Wong
Special Development Associate Alex So*
Senior Development Manager Lorna Tam
Development Managers Cindy Chan*, Joey Ng*
Development Officers Kate Lui*, Linda Tam*
Arts Administrator Trainee Nicole Chow*
CORPORATE SERVICES
Finance Director Teresa Kwong
ACCOUNTS
Account Manager Connie To*
Accounting Officer Stephany Ngan*
HR & ADMINISTRATION
HR and Admin Manager Janet Yeung*
Receptionist/Junior Secretary Virginia Li
General Assistant Bonia Wong
INFORMATION TECHNOLOGY
Information Technology Manager Derek Chan*
NO LIMITS
Project Director Eddy Zee*
Programme and Outreach Managers Becky Chung*, Christy Ho*
Programme and Outreach Coordinators Jade Lui*, Jasmine Poon*
Marketing Manager Carly Wong*
Deputy Marketing Manager Tiffany Chan*
Assistant Production Manager Jess Cheung*
Senior Accounting Officer Catherine Chung*
HKARTSFESTIVAL@TAIKWUN
Project Manager Kwong Wai Lap*
藝術家統籌經理 朱芷慧* 藝術家統籌 張素真*、張凱婷*、向怡君*、何敬堯*、黎善涵*、劉欣彤*、梁頌怡*、吳麗文*、彭慧雯*、胡肇婷*、翁蒨懃* 製作主任 黃詠詩* 技術統籌 李浩賢*、曾以德*、范文恩*、林仁健*、莊曉庭*、許肇麟* Head of Artist Coordinators Eleanor Chu*
Artist Coordinators Susan Chang Hayden*, Becca Cheung*, Cassandra Heung*, Kelvin Ho*, Christa Lai*, Venice Lau*, Kitty Leung*, Stephenie Ng*, Jan Pang*, Blanche Wu*, Bonnie Yung*
Production Officer Bonnie Wong*
Technical Coordinators Lawrence Lee*, Joyi Tsang*, Yan Fan*, Hoi Lam*, Sai Chong*, Boolu Hui* *合約職員 *Contract Staff 按英文姓氏首字母排列 In alphabetical order # 藝術人才見習配對計劃2023/24由香港藝術發展局資助
# 2023/24 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council 2024年2月更新 Updated February 2024
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職員
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C
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我們位於世界最具潛力的城市之一
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