獻辭 MESSAGE
第五十二屆香港藝術節隆重舉行，可喜可賀。
歷經五十餘年，香港藝術節已成為享譽國際的文化盛 事。今屆藝術節續放異彩，雲集約1,400名本地及海 外藝術家，帶來逾150場不同類型的表演，由音樂、 歌劇、戲曲，以至戲劇、舞蹈、跨媒體藝術和大型特 備節目等，必定是另一場令人難忘的藝術盛宴。
今屆藝術節以李察．史特勞斯的《拿索斯島的亞莉安 妮》揭開序幕，由巴伐利亞國立歌劇院獻上這齣莊諧 並重的精妙劇作，令人期待。個多月後，上海芭蕾舞
團將呈獻中國與法國聯合製作的《花樣年華》，作為 藝術節的閉幕表演。這齣精彩絕倫、中西協作的芭蕾 舞劇，正好反映香港獨特的中西創意文化根源，並彰 顯我們作為中外文化藝術交流中心的重要地位。今年 藝術節匯聚全球各地佳作，包括別具一格的「聚焦當 代阿拉伯」系列，更形豐富多采。
我對香港的文藝創意事業前景充滿信心。政府銳意竭 盡所能，鼓勵本地藝術家奮發向上，並確保他們獲 得所需和應得的表演機會。正如我在《施政報告》所 述，新成立的文創產業發展處每年會推動60個業界考 察團、海外展覽及其他文化展演活動；「電影發展基 金」和「創意智優計劃」共獲注資43億元，以支持本 港電影業；「重點演藝項目計劃」亦即將推出，協助 本地大型表演藝術創作，以及培育代表香港的國際文 化品牌。
政府會繼續與各界攜手合作，積極推動文化藝術及創 意業界的發展。
我感謝香港藝術節團隊一直堅持不懈，為藝術奉獻心 力；並感謝各贊助商和善長鼎力支持，令藝術節異彩 紛呈。
今年藝術節會為香港帶來絢麗多姿、賞心悅目的文化 藝術世界。希望大家盡情投入，享受每個璀璨時刻。
I am pleased to congratulate the Hong Kong Arts Festival on the organisation of its 52nd edition.
Over this past half century and more, the Hong Kong Arts Festival has grown into a celebrated international cultural event. This year promises to be another memorable Festival, featuring about 1,400 overseas and local artists in more than 150 performances across multiple genres, from music, opera and Chinese opera to theatre, dance, multi-arts and large-scale special events.
This year’s Festival opens with the Bayerische Staatsoper’s presentation of Richard Strauss’ Ariadne auf Naxos, a bravura mingling of high art and comedy. It closes, more than a month later, with the Sino-French coproduction of the Shanghai Ballet’s A Sigh of Love. This inspired East-West collaboration reflects Hong Kong’s singular East-West creative and cultural roots and our growing role as an East-meets-West centre for international cultural exchange. Indeed, this year’s Festival is rife with performances from all over the world, including a special Arab Arts Focus series.
I believe in Hong Kong’s creative promise, and my Government is determined to do all it can to encourage our local artists and ensure that they have the performance access they need and deserve. As I mentioned in my Policy Address, our newly established Cultural and Creative Industries Development Agency will promote 60 industry missions, overseas exhibitions and other cultural showcases annually; a total of $4.3 billion will be injected into the Film Development Fund and the CreateSmart Initiative to support our film industry; and the Signature Performing Arts Programme Scheme will be launched to assist largescale, local performing arts productions and nurture the development of Hong Kong cultural brands internationally. The Government will continue to work hand in hand with relevant sectors to proactively promote the development of arts, culture and creative industries.
I am grateful to the Hong Kong Arts Festival for its longstanding commitment to the arts, and to the Festival’s many sponsors and donors for their generous support.
A world of arts and cultural spectacle and entertainment awaits Hong Kong. I know you will enjoy every dazzling moment of this year’s Hong Kong Arts Festival.
John KC LEE Chief Executive
Hong Kong Special Administrative Region
香港特別行政區行政長官 李家超
獻辭 MESSAGE
歡迎閣下蒞臨第52屆香港藝術節。在我們慶祝今屆全 面回歸之際，我由衷地感謝您在疫情期間及過後依舊 堅定不移地支持我們。面對着瞬息萬變的環境，我們 致力促進藝術的未來發展，為推廣及傳承藝術發掘更 多機遇。因此，我特別珍惜今天與大家聚首一堂欣賞 表演藝術的機會，並希望向所有為藝術發展作出貢獻 的人士致以崇高的敬意。
我衷心感謝香港特別行政區政府透過康樂及文化事務 署提供年度恆常撥款，為香港藝術節的長遠發展奠下 基石。此外，我亦非常感激香港賽馬會慈善信託基金 以及一眾企業贊助機構、慈善基金會和個人捐助者的 慷慨貢獻，鼓勵我們繼續為城市增添文化藝術氣息。
我向所有參與藝術節的藝術家深表謝意。香港藝術節 很榮幸能夠呈獻精采紛呈的國際頂尖演出、培育本地 人才和委約新作品。我也格外感激藝術節團隊一直以 來的默默奉獻，令藝術節得以順利進行。
最後，我再次感謝您今天前來欣賞演出。香港藝術節 非常重視每一位觀眾的支持和參與。希望這個節目能 夠為您帶來無限喜悅、共鳴和靈感。
I warmly welcome you to the 52nd Hong Kong Arts Festival. Thank you for your staunch support, especially during and after the tumultuous period brought by the pandemic. With the Festival now back in full swing, we cherish this opportunity to come together once again and appreciate the arts with you. As we celebrate the Festival’s full-scale comeback and contemplate the development of the arts in this ever-changing environment, I would like to express my gratitude to everyone who has played a critical role in nurturing and sustaining the performing arts scene.
I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, which has graciously provided an annual subvention that serves as the bedrock of our ongoing efforts. The unwavering support from The Hong Kong Jockey Club Charities Trust, as well as other corporate sponsors, charitable foundations and individual donors, has encouraged us to further our work and continue enriching the community through the arts.
My sincere thanks go to all participating artists. It is truly an honour for us to present such a diverse range of exceptional performances, nurture local talent and commission new works. I would also like to thank the Festival staff, whose dedication has been indispensable in bringing this Festival to life.
Above all, I extend my heartfelt appreciation to you for joining us at today's performance. The Festival deeply values and relies on your support and engagement. May this programme bring you immense joy, resonance and inspiration.
Victor Cha Chairman Hong Kong Arts Festival
香港藝術節主席
查懋成
前言 FOREWORD
走過半世紀的香港藝術節，一直為國際與本地最優秀 的表演者搭建舞台，積極促進中外文化交流。經歷了 三年疫情的洗禮，藝術節終於在第52屆再度迎來「花 樣年華」，在全面復常的狀態下再度為本地觀眾與遊 客獻上今天和明日的經典，不單讓大家可以從眾多音 樂、舞蹈、戲劇、戲曲和多媒體作品中重新細賞遺世 瑰寶，更邀來多位重量級中外大師坐鎮，陣容鼎盛、 豐富多元，足以滿足不同觀眾群體的喜好。
今屆我們繼續支持本地藝術發展，為香港的藝術家提 供創作土壤，更連結國際及本地精英聯手開闢藝術新 境界。同時鼓勵藝術家善用創新科技融合創意，為觀 眾帶來耳目一新的體驗。
此外，香港藝術節亦繼續大力投放資源於藝術教育與 觀眾拓展，培育青少年對藝術的興趣與認識，因為我 們相信，文化藝術是一個城市生命力的最重要來源之 一。啟迪下一代，方能讓香港藝術發展生生不息，繼 續創造今明經典。
藝術節團隊與我們的藝術家同儕都會竭盡所能，為觀 眾帶來優質的藝術體驗。希望您會喜歡本屆香港藝術 節為您精心準備的這一場演出。
For more than half a century, the Hong Kong Arts Festival has provided a stage for the most outstanding local and international performers, and actively enhanced cultural exchanges between China and the rest of the world. After three years of the pandemic, we are delighted to come back in full force and present to local audiences and overseas visitors treasured classics of today and tomorrow. Our programme features an eclectic lineup of music, dance, theatre, Chinese opera and multimedia productions, with a range of Chinese and international legends set to command the stage. With such a rich and diverse programme, there is something to delight everyone.
This year, our ongoing support for the development of local artists provides opportunities for them to flex their creative muscles through collaborations with leading artists from all over the world. At the same time, we also empower artists to innovate through the power of technology and create refreshing experiences for our audiences.
What’s more, we have continued investing heavily in arts education and audience development, encouraging younger audiences to cultivate an interest in the arts. At the Festival, we believe that the arts are a vital source of life in Hong Kong’s urban landscape. By nurturing the next generation’s passion and appreciation for the arts, we can propel the city’s artistic development sustainably.
Together with all artists, the Festival team is committed to delivering exceptional artistic experiences to you. We hope that you will enjoy the programme that we have specially curated for you today.
香港藝術節資助來源：
The Hong Kong Arts Festival is made possible with the funding support of:
Flora Yu Executive Director Hong Kong Arts Festival
香港藝術節行政總監 余潔儀
香港藝術節 Hong Kong Arts Festival
扎根香港的國際藝壇盛事 聯繫中國與世界
An International Arts Festival in Hong Kong Connecting China and the World
香港藝術節 於1973年正式揭幕，是國際藝壇中重要的 文化盛事，於每年2、3月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。
香港藝術節 是一所非牟利機構，2023/24財政年度預 計收入（包括第52屆香港藝術節及2024年「無限亮」） 約港幣一億五千萬，當中香港特區政府的年度撥款佔 總收入約12%，另外約25%需來自票房收入，約48% 則須依賴來自各大企業、熱心人士和慈善基金會的贊 助和捐款。預計餘下的約15%則來自其他收入，包括 政府針對捐款和贊助收入而提供的配對資助。
香港藝術節 每年呈獻眾多國際演藝名家精采多元的演 出，例如*：
•歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院
•中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團
•古典音樂：塞西莉亞 芭托莉、列卡杜 沙爾、趙成 珍、古斯塔沃 杜達美、菲力普 格拉斯、劉曉 禹、馬友友、丹尼斯 馬祖耶夫、安娜 涅翠柯、 詹安德列亞 諾斯達、小澤征爾、湯瑪士．夸斯托 夫、甘拿迪 羅傑斯特汶斯基、譚盾、湯沐海、克 里斯蒂安 泰利曼、班貝格交響樂團、倫敦交響樂 團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂團、 柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也 納愛樂樂團
•爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼
•舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、 娜塔麗亞 奧斯波娃、美國芭蕾舞劇院、雲門舞集、 漢堡芭蕾舞團—約翰．紐邁亞、紐約市芭蕾舞團、 巴黎歌劇院芭蕾舞團、翩娜 包殊烏珀塔爾舞蹈劇場
•戲劇：彼得 布祿克、羅伯特．利柏殊、蜷川幸雄、 羅柏特 威爾遜、柏林劇團、中國國家話劇院、皇 家莎士比亞劇團
•大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊
•戶外節目：《聲光園》、《幻光動感池》、《聲光頌》
香港藝術節 積極與本地演藝人才合作，並致力為新進 藝術家提供展示才華的平台。藝術節至今委約及製 作逾250套本地全新創作，包括粵劇、戲劇、室內歌 劇、音樂和舞蹈作品，不少製作更已在香港及海外多 度重演。近年的藝術節新製作包括《飯戲攻心》踏台 版、《末戀 無愛合約》、《我們最快樂》、《鼠疫》、 《陪着你走》、《百花亭贈劍》、《香港家族》三部曲、
The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts, as well as a diverse range of “PLUS” and educational events, in February and March each year.
The HKAF is a non-profit organisation. The total estimated income for FY2023/24 (including the 52nd Hong Kong Arts Festival and 2024 “No Limits” programme) is approximately HK$150 million. Current Government annual funding accounts for around 12% of the Festival’s total income. Around 25% of the Festival’s income needs to come from the box office, and around 48% from sponsorship and donations by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching grant scheme, which matches income generated through private-sector sponsorship and donations.
The HKAF has presented top international artists and ensembles across multiple genres, such as*:
• Western opera: Bayerische Staatsoper, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre
• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe
• Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Bruce Liu, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, Bamberg Symphony, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra
• Jazz and world music: Bobby McFerrin, Youssou N’Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini
• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, Natalia Osipova, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch
• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro
• Outdoor events: Power Plant, Super Pool, Chorus
The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced more than 250 local productions across various genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include Table for Six on Stage, Loveless Romance, We Are Gay, The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Danz Up, Datong–The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.
《世紀． 香港》、《炫舞場》、《大同》、《金蘭姊妹》、 《聖荷西謀殺案》等。
香港藝術節 多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的 「橫貫計劃」之《暴風雨》及《李察三世》、由香港 藝術節及上海國際藝術節聯合委約的《青蛇》、香港 藝術節與三藩市歌劇院聯合製作的《紅樓夢》、香港 藝術節與芬蘭國家歌劇院及芭蕾舞團聯合製作的《拉 娜》等。
香港藝術節 大力投資下一代的藝術教育。「青少年之 友」成立31年來，已為逾820,000位本地中學生及大專 生提供藝術體驗活動。藝術節近年亦開展多項針對大、 中、小學生的藝術教育活動，包括由國際及本地藝術家 主持的示範講座及工作坊、學生展演、演前講座、公開 彩排以及欣賞藝術節演出。同時，通過「學生票捐助計 劃」，藝術節每年提供約10,000張半價學生票。
香港藝術節每年主辦一系列多元化並深入社區的「加料 節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
香港藝術節亦銳意將共融藝術理念拓展到社區每一角 落。由藝術節與香港賽馬會慈善信託基金聯合呈獻 的「無限亮」計劃於2019年正式開展，透過一系列的 演出及多元的教育及社區外展節目，「無限亮」致力 創造共融空間，讓不同能力人士均可以一同欣賞、參 與、擁抱藝術。
為創造更穩健的財政環境以及確保藝術節的長期可持 續性， 香港藝術節基金會 於2022年成立，旨在讓藝術 節在未來進行年度預算以外的大型特別項目。
（2023年12月更新 Updated December 2023）
*有關香港藝術節的過往節目，可參考以下網頁
The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer), co-produced by the HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch; Richard III and The Tempest, produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with the HKAF as a co-commissioning institution; Green Snake, co-commissioned with the Shanghai International Arts Festival; Dream of the Red Chamber, co-produced with the San Francisco Opera; and Laila, a co-production of the HKAF and the Finnish National Opera and Ballet.
The HKAF invests heavily in arts education for young people. During the past 31 years, our “Young Friends” scheme has reached more than 820,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 halfprice student tickets each year.
The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions and guided cultural tours.
The HKAF actively promotes inclusion via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.
To provide greater financial security and long-term sustainability for the Festival, the Hong Kong Arts Festival Foundation was officially launched in 2022. Donations to the Foundation will be used towards enabling the Festival to present in the future large-scale projects which its annual budget cannot cater for.
Details of past HKAF programmes can be found at https://www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2023.html
誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。
To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.
電郵 Email: dev@hkaf.org
直綫 Direct Lines: (852) 2828 4911/12
網頁 Website: www.hk.artsfestival.org/en/support-us
上海評彈團 Shanghai Pingtan Troupe
《紅杏枝頭春意鬧》南蓮園池專場
TheSpringFrolics at Nan Lian Garden
17.03.2024 / 2:00pm
南蓮園池香海軒
Xiang Hai Xuan, Nan Lian Garden 演出長約1小時55分鐘，包括一節中場休息
Approximately one hour and 55 minutes including one interval
評彈傳統經典專場
A Night of Pingtan Classics
18.03.2024 / 7:30pm
香港大會堂劇院
Theatre, Hong Kong City Hall 演出長約2小時30分鐘，包括一節中場休息
Approximately two hours and 30 minutes including one interval
《碧海青天夜夜心》南蓮園池專場
The Nocturnal Lament at Nan Lian Garden
17.03.2024 / 5:30pm
南蓮園池香海軒
Xiang Hai Xuan, Nan Lian Garden 演出長約2小時，包括一節中場休息
Approximately two hours including one interval
《紅樓夢中人》彈詞流派演唱會
Excerpts from Dream of the Red Chamber: A Concert of Tanci Stylistic Schools
19.03.2024 / 7:30pm
香港大會堂劇院
Theatre, Hong Kong City Hall 演出長約2小時45分鐘，包括一節中場休息
Approximately two hours and 45 minutes including one interval
以上四場演出均附中文字幕及英文故事大綱 With Chinese surtitles and English synopses for all four performances
※演出期間敬請關掉手提電話及其他電子產品，以免發出聲響或產生光線， 影響表演者及其他觀眾
Please switch off mobile phones and all electronic devices so they will not emit sound or light during the performance, disturbing the performers and other audience members
※請勿擅自攝影、錄音或錄影
Unauthorised photography or recording of any kind is strictly prohibited ※演出期間請保持安靜
Please keep noise to a minimum during the performance ※本場刊採用環保紙張印刷
This programme is printed on environmentally friendly paper ※如不欲保留本場刊，請於完場後放回演出場地入口
If you don’t wish to keep this booklet, please return it to the admission point
所有作品內容均由創作團隊獨立製作，並不代表贊助機構之立場或意見。 The content of all works is independently produced by the creative team, and does not reflect the views or opinions of the Sponsor.
本節目內容及本刊物所載之藝術家/客席撰文者言論屬於個人觀點，並不代表香港藝術 節之立場或意見。
The content of this programme and the opinions featured in this publication solely belong to the artists/guest writers and do not represent the views or opinions of the Hong Kong Arts Festival.
香港藝術節有權不讓任何遲到者入場。如香港藝術節允許遲到者入場，遲到者的入場 時間及方式將由香港藝術節決定。在任何情況下，除指定「遲到者進場時間」外，遲 到的觀眾有可能不獲安排入場。觀眾務請準時入座。如因遲到而無法入場，恕不退票 或換票。如有爭議，香港藝術節保留最終決定權。
The Hong Kong Arts Festival (“HKAF”) reserves the right to refuse admission of any latecomers to the event. In the event the HKAF allows the admission of latecomers, we also reserve the right to determine the time at which and the manner in which latecomers are to be admitted. In any case, latecomers shall only be admitted at designated latecomer point(s). Audience members are strongly advised to arrive punctually. No refunds or changes will be offered if the ticket holder is refused admission due to late arrival. In the event of any dispute, the HKAF reserves all rights to make the final decision.
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關於評彈 About Pingtan
評彈是源於蘇州的說唱藝術，最早見載於明 朝，稱為「說書」。「書」即故事之意。評
彈形式簡單，傳統上一至三人即可組成演出 團體，在江南各地演出，並以吳語區人民為 主要聽眾（俗稱「聽客」）。所謂「評彈」是 「評話」與「彈詞」兩種曲藝類別的總稱。二
者都用蘇州話演出，不同之處在於前者的表 演純粹 為 口述故事（稱「大書」），而後者在 講故事時伴有音樂與唱段（稱「小書」）。鑒 於一直以來「大書」和「小書」的場地以及 觀眾對象並無區別，兩邊的藝人也常常一起 演出，因此到了1940年代，二者便被正式統 稱為「評彈」。
評彈演出的劇目以歷史故事為主，過去 大多以長篇形式演出：說書人每天演出一小 部分，連綴成為一個完整的故事，與今天的 電視連續劇類同。1949年以前，一些長篇 演出甚至可延續幾個月至一年以上，如今則 通常限定為十五天。演出場所最初為露天場 地，後來進入茶樓酒肆。評彈成功在二十世 紀進入上海市場後，亦漸漸出現了評彈專業 劇場。這些場地統稱為「書場」。
Pingtan is a folk art involving storytelling and ballad singing that originated in Suzhou. It was first recorded during the Ming dynasty as shuoshu, which literally means “storytelling”. The format of pingtan is simple. Traditionally, a group of one to three people formed a troupe and performed throughout the Jiangnan region. Audiences (known as “listening guests”) were speakers of the Wu language. The term pingtan is a collective term for two art forms: pinghua (storytelling) and tanci (ballad singing), with both performed in the Suzhou dialect. The difference between the two is that pinghua involves only oral storytelling (also known as dashu), while tanci combines music and singing to tell the story (also known as xiaoshu). Since both forms used the same venues and played to the same audiences, and the artists often performed together, pinghua and tanci started to become collectively known as pingtan in the 1940s.
The pingtan repertoire is mainly made up of historical stories. In the past, most of the performances were long, with the storytellers performing a small portion each day, from the beginning to the end, similar to a television series nowadays. Before 1949, some full-length performances would last for months and even more than a year. These days, the duration of a full-length performance is often limited to 15 days due to the faster pace of life. Pingtan performances were first staged in open-air venues, and later moved to teahouses and restaurants. After the art form successfully entered the Shanghai market in the 20th century, professional pingtan theatres gradually appeared. These venues are collectively known as shuchang.
黄海華（左)、吳靜慧
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Huang Haihua (left), Wu Jinghui
評彈演出的魅力在於曲折離奇的故事情 節、優美的音樂唱腔以及靈活多樣的表演。
評彈吸收崑曲、京劇乃至電影等藝術形式的 音樂及表演方式，漸漸從純粹的講故事變成 多元化的表演藝術（如姿態、身段、動作）。
這是評彈與中國其他講故事的曲藝形式最大 的不同——如粵語講古沒有音樂；有音樂伴 奏的福建與台灣的唸歌仔及溫州的鼓詞則缺 乏表演要素。
評彈演出由五大要素組成：「說」、 「噱」、「彈」、「唱」、「演」。
「說」Shuo
「說」 又稱「說表」或者「說 白」，即陳述，亦是評彈表演最 基本、最常用的技巧。評彈演員 通過「說」這一手段，時而從局 外人的角度描述故事背景或發表 評論，時而進入故事扮演當中 角色。這種在業內稱為「跳進跳 出」（即說書人反覆進出故事內 外）。
The charm of pingtan performance lies in the twists and turns of the storylines, the beauty of the music and singing, and the flexibility of the performers. By adopting musical and performative features from kun opera, Peking opera and even movies, pingtan gradually transformed from pure storytelling into an art form with a variety of performance styles (such as unique gestures, stances and movements). This made pingtan stand out from other types of Chinese storytelling art forms. For example, Cantonese storytelling does not have music, while Fujian and Taiwan’s liam kua and Wenzhou’s guci, which are accompanied by music, lack performative elements. Pingtan performances involve five main elements: shuo (talking), xue (joking), tan (instrument playing), chang (singing) and yan (acting).
Shuo, also known as shuobiao or shuobai (which literally means “narrating”), is essentially the most basic and commonly used technique in pingtan. Through the shuo technique, a performer may describe the background of a story or comment from an outsider’s point of view, while at other times, they may enter the story and play various roles, jumping in and out of a narrative throughout the performance.
「噱」Xue
「噱」即開玩笑或講笑話，為 「噱頭」之簡稱。作為評彈第二 重要的因素，「噱」被稱為「書 中之寶」，因其大大豐富了表演 的趣味性。有些噱頭與劇情直接 相關，被稱為「肉裏噱」；另外 一些則與劇情無關，被稱為「外 插花」。後者包括一切知識掌 故、政治評論或八卦新聞等等。
有人認為評彈「說」與「噱」的 技巧十分接近當下的「棟篤笑」 （內地稱「脫口秀」），也有一定 道理。
Xue is a shortened form of the word xuetou, which refers to telling jokes during a performance. As the second most important element of pingtan, xue is considered the “treasure of the books” because it greatly enriches the performance. Some jokes are directly related to the plot and are called roulixue (“jokes in the flesh”), while others are unrelated to the plot and are called waichahua (“inserting flowers outside”). The latter can include all types of information and knowledge, political commentary, gossip and more.
Some believe the techniques of shuo and xue in pingtan are similar to those of contemporary stand-up comedy (known as a “talk show” in mainland China), and there is some truth to this.
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「彈」Tan
「彈」即樂器的彈奏，主要指彈 詞演員配合及襯托唱腔的器樂 伴奏。如一人演出（稱為「單 檔」），只須彈奏三弦；如二人演 出（稱為「雙檔」），則「上手」 彈奏三弦，「下手」彈奏琵琶。
彈奏的旋律，是唱腔中的過門 （即前奏、間奏、尾奏等），以及 雙檔演唱時相互襯托唱腔的旋 律。
Tan refers to the playing of an instrument. For one-person performances (dandang), simply playing the sanxian is sufficient. For two-person performances (shuangdang), one performer plays the sanxian while the other one plays the pipa. The instrumental piece either serves as a prelude, interlude or coda of a sung passage, or as a foil for the singing part during a two-person performance.
「唱」Chang
「唱」，顧名思義，是彈詞演員 的演唱。長篇故事中的唱以表現 人物內心活動為主。另外，在長 篇故事開場之前，藝人常會演唱 一段與故事內容無關的唱段，稱 為「開篇」。二十世紀中期是評 彈極盛時期，評彈界出現了一些 影響深遠的唱腔流派，它們都 以開創者的姓或名命名，如「蔣 調」（蔣月泉）、「張調」（張鑒 庭）、「沈、薛調」（沈儉安與薛 筱卿）及「琴調」（朱雪琴）等。
其中「蔣調」瀟灑、「張調」激 昂、「沈、薛調」節奏明快，既 繼承了評彈傳統，也吸收了戲曲 （主要是京劇與崑曲）以至當時 流行音樂的特點。
Chang refers to the singing of tanci performers. The singing in full-length stories mainly expresses the characters’ inner landscapes. In addition, it is customary for an artist to sing a tune unrelated to the content of the story before the opening of a full-length story. This is known as a kaipian (opening piece). The heyday of pingtan in the mid-20th century saw the emergence of several pingtan singing schools with a far-reaching influence. All of them are named after their founders, such as the Jiang Style (Jiang Yuequan), the Zhang Style (Zhang Jianting), the Shen-Xue Style (Shen Jian’an and Xue Xiaoqing), and the Qin Style (Zhu Xueqin), and so on. Among them, the great panache of the Jiang Style, the passion of the Zhang Style and the rapid rhythms of the Shen-Xue Style have inherited the tradition of pingtan. But these styles also absorbed elements of xiqu (mainly Peking opera and kun opera) and even pop music of the time.
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「演」即演員的模擬性動作與姿 態。評彈中有一「起角色」技 巧，即模仿書中人物的語言與動 作。因此「演」也可以說是「起 角色」的一部分。早期的評彈並 不要求演員有較大幅度的表演， 但隨着評彈進入上海，演員一來 受到戲劇與電影影響，二來為了 配合上海聽眾需求，在書場演出 中漸漸增加了表演的成分。
Yan (acting) refers to the simulated movements and gestures of a performer. Pingtan uses a technique known as qijuese (role playing), which means to imitate the language and actions of the story’s characters. Therefore, yan can also be regarded as a part of qijuese. In the early days of pingtan, performers were not required to perform to any great extent. But with the arrival of pingtan in Shanghai in the early 20th century, performers were influenced by theatre productions and movies, and gradually increased the amount of acting in their shuchang performances to meet the needs of contemporary audiences.
評彈雖然歷史悠久，但絕非只是「遺 產」，而是有着非凡的再生能力。過去二十多 年，有彈詞演員將《還珠格格》、《瑯琊榜》 等影視作品改編成長篇故事或開篇節目；另 有彈詞演員用評彈方式演唱周杰倫《青花瓷》 這樣的流行歌曲。評彈的生命力之旺盛，可 見一斑。
撰文：何其亮教授
With such a long history, it is important to note that pingtan is not merely a part of China’s heritage, but it also has a remarkable capacity for self-renewal to resonate with audiences today. During the past two decades, some pingtan artists have adapted popular television series and films such as My Fair Princess and Nirvana in Fire into full-length stories or opening pieces. Others have sung pop songs, such as Blue and White Porcelain by Jay Chou, in the style of pingtan, all of which show the everlasting vitality of pingtan
Text: Professor He Qiliang
「演」Yan 15
《紅杏枝頭春意鬧》南蓮園池專場
The Spring Frolics at Nan Lian Garden
主持人 高博文 Hosted by Gao Bowen
彈詞選曲《三笑．祝枝山看燈》 （曲牌．亂雞啼）
演出 林昱辰、季毅洋
選自長篇彈詞《三笑》，正月十五，天上皓
月高懸，地下彩燈低掛，祝枝山元宵看燈， 描摹當時燈會場景，生動而富有情趣。
彈詞選回《十五貫．戲女》 （嚴雪亭派）
演出 徐一峰
取材自《醒世恒言．十五貫戲言成巧禍》， 父親尤葫蘆戲稱要將養女蘇戌娟賣給一個 紹興酒坊老闆作妾，誰料戲言沒成，反招來 禍患。
彈詞選回《楊八姐．比武》 （張振華 ／莊鳳珠派）
演出 陸嘉瑋、朱琳
取材自《楊家將》，大宋楊令公的一把金刀 遺失遼邦，為挽回大宋國體，楊門女將紛紛 請纓盜刀，於是決定用比武方式來選出盜刀 之人。彈詞融入比武場面，妙趣橫生。
17.03.2024
Tanci Aria: Zhu Zhishan Admires the Lanterns from The Three Smiles (Tune of The Crowing Rooster )
Performers Lin Yuchen, Ji Yiyang
Selected from the folk tale The Three Smiles. On the 15th day of the first lunar month, as the bright full moon hangs high above, Zhu Zhishan finds pleasure in the panoramic view of bright, colourful lanterns.
Tanci Excerpt: A Joke from Fifteen Strings of Cash (School of Yan Xueting)
Performer Xu Yifeng
Adapted from Stories to Awaken the World: The Jest that Leads to Disaster. You Hulu jokes that he is going to sell his adopted daughter Su Xujuan to Shaoxing as a businessman’s concubine. Instead of a good laugh, the jest brings him an unexpected disaster.
Tanci Excerpt: A Martial Arts Contest from The Eighth Sister of the Yang Family (School of Zhang Zhenhua/Zhuang Fengzhu)
Performers Lu Jiawei, Zhu Lin
Selected from The Yang’s Saga. Yang Ye of the Song dynasty has lost his golden sword to the Khitan State. In order to preserve the honour of their country, all daughters of the Yang family volunteer to retrieve the sword. They compete against each other to select the ideal candidate among them for this mission. The fusion of tanci and martial arts scenes brings forward a vivid, captivating story. 中場休息*
INTERVAL*
中場休息期間將提供精美茶點
*
* Light refreshments will be provided during the interval
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評話選回《三國．贈馬》 （評話顧宏伯派）
演出 吳新伯
取材自《三國演義》，曹操為籠絡關羽，欲 以寶馬贈之，誰知關羽統統看不上，而曹營 卻只剩一匹瘋馬。
《繁花．至真園》
演出 高博文、陶鶯芸、黃海華、吳靜慧
《繁花．至真園》改編自金宇澄的同名小說。
上世紀九十年代的上海，改革開放、新舊交 替，充滿了活力和激情。阿寶、李李、汪小 姐等眾多弄潮兒在那個年代拼搏奮鬥，愛恨 情長。至真園是李李開在上海黃河路上的一 家飯店，正是那個年代的縮影。
Pinghua Excerpt: Guan Yu Receives the Chi Tu Horse from Romance of the Three Kingdoms (Pinghua School of Gu Hongbo)
Performer Wu Xinbo
Selected from Romance of the Three Kingdoms. Cao Cao wishes to beguile Guan Yu to join his camp by gifting him a fine horse. Yet, all the horses from Cao Cao’s stable fail to impress Guan Yu, and the only one left unintroduced is a mad horse.
Zhizhen Garden from Blossoms Shanghai
Performers Gao Bowen, Tao Yingyun, Huang Haihua, Wu Jinghui
Adapted from Jin Yucheng’s novel of the same name. After the economic reforms, the city of Shanghai has blossomed into a melting pot where Abao, Li Li, Miss Wang and many young people experience various ups and downs. Zhizhen Garden, a restaurant run by Li Li, represents the spirit of the times.
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《碧海青天夜夜心》南蓮園池專場
The Nocturnal Lament at Nan Lian Garden
主持人 吳新伯 Hosted by Wu Xinbo
彈詞開篇《杜十娘》 （蔣月泉調）
演出 侯驍晟
改編自《驚世通言．杜十娘怒沉百寶箱》， 是蔣月泉所創蔣調的代表作，膾炙人口，久 唱不衰。作品表達了京城名妓杜十娘欲追求 美好愛情卻遭情郎無情拋棄的怨忿。
彈詞選回《楊乃武．密室相會》 （嚴雪亭派）
演出 徐一峰、姚依依
取材自清末奇案《楊乃武與小白菜》，楊乃 武被誣陷害死小白菜之夫而被判處死刑。刑
部得知楊乃武有冤，遂安排兩人密室相會， 誘使小白菜吐露實情。
彈詞選回《西遊記．遇妖》 （蔣月泉／朱慧珍派）
演出 黃海華、 吳嘯芸 選自中篇評彈《白虎嶺》，唐僧遇上白骨 精，白骨精化身絕色美人，初時偶爾溫婉嫵 媚，後來露出原形。
17.03.2024
Tanci Opening Piece: Du Shiniang the Courtesan (Style of Jiang Yuequan)
Performer Hou Xiaosheng
Selected from Stories to Caution the World: Du Shiniang Sinks the Jewel Box in Anger. The performance in Jiang Yuequan’s style intriguingly recounts the resentful story of Du Shiniang, a famous courtesan in the capital, who yearns for true love. But she ends up getting heartlessly abandoned by her lover.
Tanci Excerpt: Meeting in a Secret Chamber from Yang Naiwu (School of Yan Xueting)
Performers Xu Yifeng, Yao Yiyi
Adapted from a strange case in the late Qing dynasty, Yang Naiwu and Xiao Baicai. Yang is framed for murdering Xiao Baicai’s husband and has been sentenced to death. Knowing that Yang is innocent, the Ministry of Justice arranges for both parties to meet in a secret room, luring Xiao Baicai to confess the truth.
Tanci Excerpt: The Monkey King Meets the Skeleton Spirit from Journey to the West (School of Jiang Yuequan/Zhu Huizhen)
Performers Huang Haihua, Wu Xiaoyun
Selected from White Tiger Hill. Tang Sanzang encounters the Skeleton Spirit, who has transformed into a beautiful lady. She appears to be gentle and lovely at first, but later reveals her demonic nature.
中場休息*
INTERVAL*
中場休息期間將提供精美茶點
Light refreshments will
provided during the interval
*
*
be
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彈詞選回《長生殿．絮閣爭寵》 （楊振雄派）
演出 姜嘯博、 陶鶯芸 取材自清初洪昇創作的同名傳奇，楊貴妃不 滿唐明皇私召梅妃，決意闖入翠華絮閣。
彈詞選回《啼笑因緣．初約先農壇》 （姚蔭梅派）
演出 高博文、鄭鳴秋 取材自張恨水同名小說，在天橋賣藝的沈鳳 喜經母親授意在跟富家子弟樊家樹見面時， 向樊借錢添置演出新衣，另一方面順道旁敲 側擊，打探他的家室底細。
Tanci Excerpt: Vying for Attention from The Palace of Eternal Youth (School of Yang Zhenxiong)
Performers Jiang Xiaobo, Tao Yingyun
Selected from Hong Sheng’s play of the same title. Yang Guifei is upset with the Emperor, who spent the night with Concubine Mei, and decides to cause a scene in the attic at Cuihua Tower.
Tanci Excerpt: First Date from Fate in Tears and Laughter (School of Yao Yinmei)
Performers Gao Bowen, Zheng Mingqiu
Selected from Zhang Henshui’s novel of the same title. Shen Fengxi, a storyteller who has an upcoming performance, follows her mother’s instruction to meet with Fan Jiashu, a wealthy young master. While she has to borrow money from him to purchase new costumes for her show, she also has to find out if Fan is still single.
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評彈傳統經典專場
A Night of Pingtan Classics
主持人 吳新伯、周慧 Hosted by Wu Xinbo, Zhou Hui
彈詞開篇《柳夢梅拾畫》 （薛筱卿調）
演出 姚依依、鄭鳴秋
改編自明代傳奇《牡丹亭》，柳夢梅遊園， 在假山石下拾得杜麗娘生前埋於此處的自畫 像，不勝愛慕，聲聲啼喚將麗娘喚醒，與之 締結宿緣。
彈詞選回《梁祝．十八相送》
（周雲瑞／朱慧珍唱腔）
演出 陸嘉瑋、朱琳
取材自民間愛情傳說《梁祝》，祝英台與梁 山伯同窗三載，情深意篤，決意相送英台 十八里下山。然山伯不知英台是女兒身，英 台遂多次借物抒懷，暗示愛意。
彈詞選回《白蛇．遊湖》
（蔣月泉派）
演出 黃海華、吳靜慧
取材自民間愛情傳說《白蛇傳》，十世修來 同船渡，初春的一場淅瀝細雨造就了許仙與 白素貞的邂逅，二人西湖初遇，愛意萌生。
Tanci Opening Piece: Liu Mengmei Finds a Portrait (Style of Xue Xiaoqing)
Performers Yao Yiyi, Zheng Mingqiu
Selected from the Ming dynasty legend The Peony Pavilion Liu Mengmei picks up a self-portrait of the deceased beauty, Du Liniang. He finds himself deeply mesmerised by her breathtaking appearance and revives her through his love songs and cries.
Tanci Excerpt: Liang Shanbo Accompanies
Zhu Yingtai on a Homeward Journey from The Butterfly Lovers (Style of Zhou Yunrui/Zhu Huizhen)
Performers Lu Jiawei, Zhu Lin
Selected from the romantic folk tale The Butterfly Lovers. Liang Shanbo and Zhu Yingtai develop a special bond after spending three years together as classmates. Without knowing Zhu Yingtai is a girl, Liang Shanbo accompanies her on an 18-mile journey back home. Along the way, she repeatedly confesses her love for Liang Shanbo in subtle ways.
Tanci Excerpt: Touring the West Lake from The Legend of the White Snake (School of Jiang Yuequan)
Performers Huang Haihua, Wu Jinghui
Selected from the romantic folk tale The Legend of the White Snake. It takes 10 lifetimes to finally find your true love. A spring shower brings Xu Xian and Bai Suzhen to their first encounter at the West Lake, where they fall in love with each other.
18.03.2024
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彈詞選回《王魁負桂英．情探》 （周雲瑞唱腔／徐麗仙調）
演出 高博文、陸錦花
選自明代傳奇《焚香記》，王魁曾與敫桂英 許下盟約，答應永不相負，豈料王魁功成名 就便狠心拋棄糟糠之妻。敫桂英悲痛欲絕， 懸樑自盡，惟死不甘心，遂重返陽間，化作 冤魂再度探夫。
彈詞開篇《長生殿．聞鈴》 （楊振雄調）
演出 姜嘯博
Tanci Excerpt: Trials of Love from Wang Kui
Betrays Guiying (Style of Zhou Yunrui/Xu Lixian)
Performers Gao Bowen, Lu Jinhua
Selected from the Ming dynasty legend Burning Incense. Wang Kui once promised his wife Jiao Guiying that he will never betray her. Yet he abandons her after becoming a successful high-ranking official. Jiao Guiying hangs herself in great sorrow and returns to the mortal realm as a ghost to visit her husband one last time.
中場休息 INTERVAL
取材自清初洪昇創作的同名傳奇，冷雨淒風 之夜，鈴聲尤為聒耳。唐明皇聞鈴憶往事， 想起楊貴妃為己殞命，頓覺肝腸寸斷。
彈詞選曲《秦香蓮．壽堂唱曲》 （朱慧珍唱腔）
演出 周慧
取材自傳統戲曲《鍘美案》，高中狀元的陳 世美為富貴榮華不惜拋妻棄子。其妻秦香蓮 以一曲琵琶傾訴冤屈。
Tanci Opening Piece: Hearing the Bell from The Palace of Eternal Youth (Style of Yang Zhenxiong)
Performer Jiang Xiaobo
Selected from Hong Sheng’s play of the same title. The sound of ringing bells travels loudly through a cold and rainy night. Upon hearing the bells, Tang Minghuang recalls how Yang Guifei died for him and experiences heart-breaking sorrow.
Tanci Aria: Singing Her Sorrow at a Birthday Celebration from Qin Xianglian (Style of Zhu Huizhen)
Performer Zhou Hui
Selected from the traditional Chinese opera The Case of Guillotine Beauty. Chen Shimei, the top scorer in the imperial examination, abandons his wife, Qin Xianglian, and his son, in pursuit of wealth and glory. Qin Xianglian expresses her grievances through a song on the pipa
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彈詞選曲《林冲．誤責貞娘》 （張鑒庭調）
演出 陸嘉瑋
取材自《水滸傳》，林冲之妻張貞娘假意應 允下嫁高衙內，以圖刺奸報仇。其父張教 頭不知究竟，怒加指責，並欲與其斷絕父 女之情。
彈詞選回《三笑．唐寅追舟》 （徐雲志派）
演出 高博文、陶鶯芸
選自長篇彈詞《三笑》，秋香回眸一笑使唐 伯虎一見傾心。唐伯虎立刻叫來船夫以小艇 追舟，只求再會秋香一面。
Tanci Aria: Zhenniang Reprimanded by Her Father from Lin Chong (Style of Zhang Jianting)
Performer Lu Jiawei
Adapted from The Water Margin. Zhang Zhenniang, the wife of Lin Chong, pretends to agree to a marriage to mask her assassination plans. Without knowing her intentions, her father Coach Zhang scolds her harshly and even wants to disown her.
Tanci Excerpt: Tang Yin Follows the Boat from The Three Smiles (School of Xu Yunzhi)
Performers Gao Bowen, Tao Yingyun
Selected from the folk tale The Three Smiles. With a smile, Qiuxiang makes Tang Bohu fall in love with her at first sight. He immediately hires a boat to chase after her, hoping to see her again.
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Excerpts from Dream of the Red Chamber: A Concert of Tanci Stylistic Schools
主持人 高博文、吳新伯、周慧、朱琳
《賈巧姐》（趙開生唱腔）
演出 林昱辰
賈家家道中落，王熙鳳之女賈巧姐孤身一 人，豈料叔舅竟打算把她賣給藩王作妾。
幸得劉姥姥仗義相救，使她免遭此難，遠 離是非之地。
《鴛鴦抗婚》（王月香調）
演出 王萍
賈赦欲娶賈母丫鬟鴛鴦作妾，惟鴛鴦無意嫁 給驕奢淫逸的賈赦，於是苦苦哀求賈母，要 留在她身邊。
《賈探春》（陳希安唱腔）
演出 季毅洋
賈家家業蕭條，探春雖欲力挽狂瀾，可惜為 時已晚，始終無法扭轉賈家頹勢。
《李紈》（蔣月泉調）
演出 黃海華、姜嘯博
李紈嫁入榮國府，本應從此錦衣玉食，惟丈 夫賈珠早夭，留下李紈青年守寡，即使處於 膏梁錦繡之中，卻與槁木死灰無異。
《晴雯補裘》（曲牌 ／俞秀山調）
演出 陶鶯芸
晴雯感染風寒，偏偏寶玉所穿的雀金裘被 火燒至破洞。心靈手巧的晴雯決定抱病挑燈 補裘。
Hosted by Gao Bowen, Wu Xinbo, Zhou Hui, Zhu Lin
Jia Qiaojie (Style of Zhao Kaisheng)
Performer Lin Yuchen
The Jia family is in decline. Wang Xifeng’s daughter, Jia Qiaojie, has been left alone. Her uncles plan to sell her to a foreign prince as his concubine. Fortunately, Grandma Liu saves her from this humiliation.
Yuanyang Refuses to
be a Concubine
(Style of Wang Yuexiang)
Performer Wang Ping
Jia He wishes to take Yuanyang, the maid of Grandmother Jia, as his concubine. But Yuanyang is reluctant to marry such an arrogant and dissipated man. She begs her mistress to turn down his proposal so that she can remain by her side.
Jia Tanchun (Style of Chen Xi’an)
Performer Ji Yiyang
As the Jia family’s business declines, the talented and resourceful Tanchun tries to turn the tables and save her family from the miserable situation. Sadly, all is too late.
Li Wan (Style of Jiang Yuequan)
Performer Huang Haihua, Jiang Xiaobo
Li Wan marries into the Rong Mansion with a sumptuous life lying ahead. Yet her husband, Jia Zhu, dies young, making her a young widow. Despite being surrounded by delicacies and finery, she remains joyless and demure.
Qingwen Repairs Baoyu’s Fur Coat (Tune/Style of Yu Xiushan)
Performer Tao Yingyun
Qingwen is ill. But there is a burnt hole in Baoyu’s peacock fur coat. With a pair of skilful hands and a night lamp, she decides to stay up late to sew and mend his coat.
《紅樓夢中人》彈詞流派演唱會 19.03.2024
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《薛寶釵》（蔣月泉調）
演出 侯驍晟
薛寶釵才色兼備，卻無法贏得寶玉的心，縱 然二人結為夫婦，卻始終無法心意相通。
《寶玉夜探》（蔣俞調對唱）
演出 陸嘉瑋、吳嘯芸
寶玉不畏寒風之苦前往瀟湘館，只為探望卧 病在床的黛玉。二人相愛卻不能共諧連理， 頓覺惆悵萬千，雙雙潸然淚下。
Xue Baochai (Style of Jiang Yuequan)
Performer Hou Xiaocheng
Despite Xue Baochai’s refined elegance and extensive knowledge, she still fails to win Baoyu’s heart. Even after their marriage, the couple struggles to bond with each other.
Baoyu Visits the Sick Daiyu
(Style of Jiang and Yu in duet)
Performers Lu Jiawei, Wu Xiaoyun
Baoyu braves the chilling wind towards Xiaoxiang Pavilion to visit Daiyu, who had fallen ill. As their love is thwarted by their family, the two of them let out tears of melancholy.
中場休息 INTERVAL
《王��鳳》（朱雪琴調）
演出 朱琳
王��鳳為人幹練果斷卻心狠手辣。她表面上 與尤二姐以姊妹相稱，實際機關算盡，害她 吞金自盡。
《妙玉》（嚴雪亭調）
演出 徐一峰
妙玉是大觀園內帶髮修行的尼姑，雖皈依佛 門卻難斷塵緣，始終沒法成功修行。可憐她
一生清淨，卻橫遭歹徒污辱。
Wang Xifeng (Style of Zhu Xueqin)
Performer Zhu Lin
Wang Xifeng is capable, decisive, but cruel. On the surface, she pretends to treat You Erjie like a sister. But she has a malicious plan in mind, forcing You Erjie to commit suicide by swallowing gold.
Miaoyu (Style of Yan Xueting)
Performer Xu Yifeng
Miaoyu is a nun at the Grand View Garden who has not shaved her head. Having converted to Buddhism, she struggles to let go of her mortal attachments. Despite her aspiration to a reclusive life, a group of hateful crooks defile her.
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《賈元春》（俞秀山調）
演出 周慧
賈元春為賈家嫡長女，花信之年被加封為 妃，令賈家滿門顯赫，如今忽得暴病，惟 昐賈家能遠離權力之爭。
《共讀西廂》（蔣俞調對唱）
演出 黃海華、吳靜慧
春曉之日寶玉與黛玉在池塘邊共讀《西廂 記》，二人借書中對白傾訴心意，愛慕之情 油然而生。
《紫鵑夜嘆》（楊振雄調）
演出 姜嘯博
紫鵑為黛玉丫鬟，與黛玉情同姊妹。眼見黛 玉為情病逝，不禁心生嘆息，一時怪寶玉寡 義薄情，一時嘆黛玉癡情難斷。
（徐麗仙調）
演出 陸錦花
黛玉得知寶玉與寶釵訂婚一事，頓覺萬念俱 灰，一病不起。她終生以詩為伴，彌留之際 卻把詩稿通通焚毀，彷彿要了斷自己在塵世 的牽絆。
《紅樓夢中人》（蔣月泉調）
演出 高博文
大觀園曾經盛極一時，住滿公子佳人。可惜 春色無限，風光有期，眾人最終只能如大觀 園一樣，落得荒蕪頹敗的下場。
Jia Yuanchun (Style of Yu Xiushan)
Performer Zhou Hui
Jia Yuanchun, the eldest daughter of the Jia house, has brought great honour to her family when she becomes the Emperor’s consort. Now inflicted with a serious illness, she wishes for her family to stay away from power struggles.
Reading Romance of the West Chamber (Style of Jiang and Yu in duet)
Performers Huang Haihua, Wu Jinghui
On a fine spring morning, Baoyu and Daiyu read Romance of the West Chamber together by the pond. They confess their feelings for each other through the dialogue in the story.
Zijuan Laments Daiyu’s Death (Style of Yang Zhenxiong)
Performer Jiang Xiaobo
Zijuan is Daiyu’s maid, but they are close like sisters. She grieves after witnessing Daiyu die of illness for the sake of love. Zijuan blames Baoyu for his heartlessness and laments Daiyu’s infatuation with him.
Daiyu Burns Her Manuscripts (Style of Xu Lixian)
Performer Lu Jinhua
Daiyu finds out about Baoyu’s engagement with Baochai. She falls into immense despair and becomes gravely ill. She spent her entire life writing poems, but she burns all of them before her last breath, as if releasing herself from all mortal attachments.
Souls of the Red Chambe r (Style of Jiang Yuequan)
Performer Gao Bowen
The Grand View Garden was once lavishly luxurious, filled with charming ladies and gentlemen. Yet, springtime is finite and all good things must come to an end. Everyone ends up like the Grand View Garden, desolate and decadent.
《黛玉焚稿》
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評彈情話
突破方言界限
A Romance of Pingtan: Breaking the Boundaries Between Dialects
台上一桌兩椅，兩位評彈說書人各彈奏小 三絃和琵琶，說唱中國古典文學故事，時 而一人分飾多角，時而擔當旁述，以現代 人角度點評情節，遊走眾角色的內心世 界，難怪上海評彈團團長高博文形容這門 藝術是「善於被打扮的小姑娘」。
On the stage sits a table with two chairs. Two performers skilled in the art of storytelling and musical performance are seated at the table, playing a xiao sanxian and a pipa respectively. They start reciting and singing classical Chinese literary tales. At times, one performer takes on multiple roles, while at other times they provide supplementary narration. From a contemporary perspective, they offer commentary on the plot and navigate the inner worlds of its various characters. With such an elegant, complex approach, it’s no wonder that Gao Bowen, the director of the Shanghai Pingtan Troupe, describes this art form as a “malleable young lady”.
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評彈是源自明朝蘇州的說唱藝術，以蘇 州方言「吳語」演出，吳語被形容為「吳儂 軟語」，聽起來輕婉柔美，情感豐沛。習藝近 四十年的高博文解釋，在傳統演出中，一位 說書人可以連唱多天，每天唱兩小時，把一 個長篇故事說完。不過上海評彈團為香港藝 術節帶來的《紅樓夢中人》彈詞流派演唱會 屬大型綜合表演，陣容鼎盛得多，當中包含 〈黛玉焚稿〉、〈王熙鳳〉等十來首曲，各由
不同演員獨自或兩人演出，呈現多種評彈流 派和腔調，藉以展示最切合角色的性格。為
了讓香港觀眾容易投入和易於理解，評彈團 還選取了一些較廣為人知的經典愛情劇目， 如《白蛇傳》、《長生殿》、《啼笑因緣》等。
其實所謂「善於被打扮」，不只是評彈 的表演方式，也指其音樂特質，連爵士樂、 搖滾、流行音樂都可融入其中。說書人一開 聲，無需戲服、實物道具或佈景，就能帶觀 眾入戲，讓人猶如置身江南園林、古鎮。這 種氛圍更令評彈打破言語限制，吸引各地不 懂吳語而又嚮往老江南的年輕觀眾。
「語言是種障礙，但不是不可逾越的障 礙。」高博文指出，雖然普通話普及化，不 利保留方言及推廣傳統地方戲曲藝術，但劇 團以往在內地演出，都會因應觀眾理解能 力，配上字幕並調節演出內容，例如在上海 演出，會較多表述；到東北或廣東地區演出 時，觀眾不懂蘇州話，他們則加強演唱。
Pingtan, which originated in Suzhou during the Ming dynasty, is a storytelling and singing art form performed in the Suzhou dialect, known as the Wu dialect. The dialect is often described as the “soft speech of the Wu people”, as it sounds gentle, melodious and emotionally rich. Gao, who has studied and practised pingtan for nearly 40 years, explains that in traditional performances, a storyteller could sing for two hours each day continually to complete a lengthy story. However, at the 52nd Hong Kong Arts Festival, the Shanghai Pingtan Troupe will take a more condensed approach for Dream of the Red Chamber: A Concert. This large-scale, comprehensive performance features an extensive lineup, including more than ten pieces such as Daiyu Burns Her Manuscripts and Wang Xifeng, performed individually or by pairs of different actors and actresses. It’s a showcase of the various styles and intonations of pingtan, aiming to accurately depict the characters’ personalities. To engage and facilitate understanding for the Hong Kong audience, the troupe has chosen to perform excerpts from well-known classic romantic plays such as The Legend of the White Snake, The Palace of Eternal Youth and Fate in Tears and Laughter in separate programmes.
The concept of being “malleable” does not just refer to the performance style of pingtan—it also encompasses its musical qualities, with the potential for integration of genres such as jazz, rock and pop music. As the storyteller begins to speak, audience members will understand why there’s no need for theatrical costumes, well-crafted props or elaborate sets. The mere sound of the performers’ voices is enough to immerse the audience, transporting them back to the ambience of a Jiangnan-style garden or an ancient town. This atmosphere further allows pingtan to transcend linguistic barriers, attracting a wide range of people from diverse regions who may not understand the Wu dialect but are drawn to the charm of old Jiangnan.
“Language is a barrier, but not an insurmountable one,” Gao points out. Despite the widespread use of Putonghua, which poses challenges to the preservation of regional dialects and the promotion of traditional local theatrical arts, the troupe has historically tailored its performances within mainland China for local audiences by, for example, using
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高博文（左)、 陸錦花 Gao Bowen (left), Lu Jinhua
「以前說酒香不怕巷子深，現在沒這回 事，我們必須主動走出去。」近年，他把紅 遍內地的小說《繁花》改編為評彈節目《高 博文說繁花》；還與手機遊戲公司合作，創作 一幕實景演出，玩家模擬進入古色古香的江 南茶館，欣賞說書人演唱具流行曲風格的全 新評彈作品《逢君入夢》，此曲一出，瀏覽量 迅速過百萬，更吸引了其他手遊公司聯絡合 作。在上海評彈團手上，傳統並非包袱，反 而是滋養新意的土壤。
撰文：陳詠恩
原文刊登於2024年香港藝術節之《閱藝》雜誌
subtitles and adjusting the contents of the performances. For instance, when performing in Shanghai, more narration is used because the dialect is more widely spoken. And when performing in regions such as Northeast China or Guangdong, where the audience may not be at all familiar with the Suzhou dialect, it emphasises the musical aspects of the performances.
“In the past, they said the aroma of wine would reach even the depths of the alley. Nowadays, it’s not the same. We must take the initiative to get out of the alley,” he says. In recent years, he has adapted the popular mainland Chinese novel Blossoms into a pingtan programme titled Gao Bowen Performs Blossoms. He also collaborated with a mobile gaming company to create a scene for live performances in which players can simulate entering an antique Jiangnan teahouse and enjoy a new pingtan work titled Meeting You in a Dream, which features a pop music soundtrack. On its release, this piece quickly received more than a million views, and even attracted interest from other mobile gaming companies wanting to collaborate. All further evidence that under the guidance of the Shanghai Pingtan Troupe, tradition is no longer a burden, but rather a springboard for innovation.
Text: Eugene Chan
Originally published in the 2024 HKAF’s FestMag
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姜嘯博（左)、陶鶯芸 Jiang Xiaobo (left), Tao Yingyun
上海評彈藝術傳習所（上海評彈團）
Shanghai Pingtan Troupe
上海評彈藝術傳習所（上海評彈團）成立於1951 年11月20日，是首個致力於中國評彈藝術的國 家級院團，也是中國評彈界目前最具實力的演 出團體之一。院團的宗旨是「出人、出書、走 正路」，傳承評彈藝術，弘揚民族文化。
上海評彈團曾經擁有大批著名的評彈藝術 大家及流派創始人，如：蔣月泉（蔣調）、張鑒 庭（張調）、嚴雪亭（嚴調）、楊振雄（楊調）、薛 筱卿（薛調）、姚蔭梅（姚調）、周雲瑞（周雲瑞 調）、朱雪琴（琴調）、徐麗仙（麗調）以及劉天 韻、楊仁麟、張鴻聲、唐耿良、吳子安、朱慧 珍等，流派紛呈、名家薈萃。
傳承中的主要作品有長篇彈詞《玉蜻蜓》、 《珍珠塔》、《白蛇傳》、《神彈子》、《啼笑因緣》、 《三笑》、《描金鳳》、《十美圖》、《楊乃武》和《武 松》等；長篇評話《三國》、《英烈》、《隋唐》和 《水滸》等。
上海評彈團更首創了中篇評彈這一表演樣 式，原創及整舊創新的中篇評彈有《一定要把淮 河修好》、《海上英雄》、《蘆葦青青》、《人強馬 壯》、《青春之歌》、《真情假意》、《大生堂》、 《趙氏孤兒》、《孫龐鬥智》、《弦索春秋》、《四大 美人》、《林徽因》和《高博文說繁花》等。
劇團歷年來獲獎無數，曾獲得文華新節目 獎（曲藝類）；中國曲藝牡丹獎表演獎、節目 獎；中國蘇州評彈藝術節優秀（書）節目獎、表 演獎、中國蘇州評彈藝術節節目獎（中篇評彈）
Established on 20 November 1951, the Shanghai Pingtan Troupe is the first national pingtan troupe of its kind. It is also one of the greatest troupes in the pingtan industry today. Following its motto “Nurture talent, create new works and follow the right path”, the troupe aspires to pass on the art of pingtan to future generations and promote China's cultural heritage to the world.
Since its inception, the troupe has gathered famous pingtan masters and founders of various stylistic schools. These include Jiang Yuequan (Jiang Style), Zhang Jianting (Zhang Style), Yan Xueting (Yan Style), Yang Zhenxiong (Yang Style), Xue Xiaoqing (Xue Style), Yao Yinmei (Yao Style), Zhou Yunrui (Zhou Yunrui Style), Zhu Xueqin (Qin Style), Xu Lixian (Li Style), as well as Liu Tianyun, Yang Renlin, Zhang Hongsheng, Tang Gengliang, Wu Zian, Zhu Huizhen and more.
The troupe has developed many major productions from classics, including the full-length tanci work The Jade Dragonfly, The Pearl Pagoda, The Legend of the White Snake, The Eagle-eyed Gunslinger, Fate in Tears and Laughter, The Three Smiles, The Gilt Phoenix, The Perfect Match, Yang Naiwu, Wu Song and more. Fulllength pinghua works include The Three Kingdoms, Heroes of Ming Dynasty, Sui-Tang Empires and The Water Margin
The mid-length pingtan is a unique performance style pioneered by the troupe. Original and recreated pieces include We Certainly Must Fix The Huai River, Naval Hero, How Green the Reeds Are, The Strong Army, The Song of Youth, True Sentiments and False Emotions, At the Herbal Shop, The Orphan of Zhao, Sun and Pang’s Battle of Wits, Chords of the Spring and Autumn, The Four Beauties, Lin Huiyin, Gao Bowen Performs Blossoms and more.
Over the years, the troupe has received several awards, including the Wenhua New Programme Prize (Quyi); the Performance Award and the Production Award at the China Quyi Peony Awards; the Outstanding Production Award (Repertoire) and the Performance Award at the Chinese Suzhou Pingtan Art Festival, the Gold Production Award (Mid-length pingtan) at the Chinese Suzhou Pingtan Art Festival, the Shanghai Labour Day Award and more. The troupe is also a recipient of the prestigious title from the ninth National Advanced Collective in Serving Farmers and Grassroots Cultural Construction.
Each year, the troupe holds more than 4,000 performances in China. To further promote traditional Chinese culture and arts worldwide, the troupe has also performed in over 20 countries in Europe, America, Asia and Africa. By sharing the unique artistry and charm of pingtan with the world, the troupe has been hailed locally and overseas as “the most beautiful voice from China”.
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上海評彈團團長、演出 高博文 國家一級演員。上海評彈團團長，中國曲藝家協 會理事、上海市曲藝家協會副主席、上海大學及 上海中醫藥大學兼職教授。上海市非物質文化遺 產代表性傳承人。
師從饒一塵、陳希安、趙開生等彈詞名家。
代表作品有長篇彈詞《珍珠塔》、《文徵明》、
《描金鳳》、《明末遺恨》； 中篇評彈《林徽因》、
《高博文說繁花》、《四大美人》等。曾獲第十二 屆中國曲藝牡丹獎節目獎、第八屆中國曲藝牡丹 獎表演獎、第五及七屆中國曲藝節精品節目獎、 第一至第五屆中國蘇州評彈藝術節優秀表演獎、 「上海市優秀文藝家」等稱號。
Performer Gao Bowen
Gao Bowen is a National First-Class Performer. He is the Director of the Shanghai Pingtan Troupe, Director of the Chinese Ballad Singers Association, Vice-Chairman of the Shanghai Ballad Singers Association, and an Adjunct Professor at the Shanghai University and the Shanghai University of Traditional Chinese Medicine. He is also a Representative Successor of the Intangible Cultural Heritage of Shanghai.
He has studied under famous tanci masters such as Rao Yichen, Chen Xi’an and Zhao Kaisheng. His representative works include the full-length tanci productions The Pearl Pagoda, Wen Zhengming, The Gilt Phoenix and Eternal Regret of Dynasty Ming, the mid-length pingtan operas Lin Huiyin, Gao Bowen Performs Blossoms, The Four Beauties, and so on. He received the Production Award at the 12th China Quyi Peony Awards, the Performance Award at the eighth China Quyi Peony Awards, the Production Award at the fifth and seventh China Quyi Festivals, the Outstanding Performance Award at the first to fifth Chinese Suzhou Pingtan Art Festival. Additionally, he received the title of Shanghai’s Outstanding Artist, among others.
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演出 吳新伯
上海市文聯副主席、上海市曲藝家協會主席、中
國曲藝家協會評書評話專業委員會副主任，國家 一級演員。師從著名蘇州評話藝術家顧宏伯、 吳君玉、沈守梅。代表作品有：長篇評話《水 滸》；中篇評話《野狼穀傳奇》；短篇評話《夜走 狼山》、《雨夜之變》等。
曾榮獲第三屆中國曲藝牡丹獎文學獎、第八 屆中國曲藝牡丹獎表演獎、第十屆中國曲藝牡丹 獎節目獎。
Performer Wu Xinbo
Wu Xinbo is the Vice-Chairman of the Shanghai Federation of Literary and Art Circles, Chairman of the Shanghai Ballad Singers Association, Deputy Director of the Chinese Ballad Singers Association Pingshu and Pinghua Specialised Committee. He is also a National First-Class Performer. He studied under famous pinghua artists Gu Hungbo, Wu Junyu and Shen Shoumei. His representative works include the full-length pinghua operas The Water Margin; the mid-length pinghua works The Legend of the Wolf Valley; and the short pinghua operas Night Walk on Langshan Mountain and Changes in the Rainy Night.
He received the Literature Award at the third China Quyi Peony Awards, the Performance Award at the eighth China Quyi Peony Awards, and the Production Award at the 10th China Quyi Peony Awards.
演出 黃海華
國家一級演員。師從彈詞名家張君謀。擅說長篇 彈詞《玉蜻蜓》、《白蛇》、《玉觀音》等。曾獲第 十二屆中國曲藝牡丹獎節目獎、南山杯全國曲藝 新人新作展演二等獎、中國評彈藝術節長篇書目 傳承獎、首屆江浙滬評彈青年大獎賽「金榜十佳」 榜首。
Performer Huang Haihua
Huang Haihua is a National First-Class Performer who studied under tanci master Zhang Junmou. He specialises in full-length tanci works including The Jade Dragonfly, The Legend of the White Snake, The Jade Goddess of Mercy and more. He received the Production Award at the 12th China Quyi Peony Awards, Second Prize at the Nanshan Cup National Quyi New Talent Showcase, the Full-length Repertoire Inheritance Award at the Chinese Pingtan Art Festival, and the First Prize among the Top Ten Artists at the first Jiangsu, Zhejiang, Shanghai Youth Pingtan Grand Prize Competition.
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演出 姜嘯博
國家一級演員。上海評彈團副團長。師從彈詞 名家張君謀、楊驄。代表作品有長篇彈詞《玉蜻 蜓》、《白蛇》、《明珠案》、《無冕皇后》等，曾 獲第十二屆中國曲藝牡丹獎節目獎、中國蘇州評 彈藝術節表演獎銀獎、國際說唱幽默藝術節紅獅 獎等。
Performer Jiang Xiaobo
Jiang Xiaobo is a National First-Class Performer and the Deputy Director of the Shanghai Pingtan Troupe. He studied under tanci masters Zhang Junmou and Yang Cong. His representative works include fulllength tanci productions The Jade Dragonfly, The Legend of the White Snake, The Case of the Pearl, The Uncrowned Queen, and so on. He received the Production Award at the 12th China Quyi Peony Awards, the Silver Performance Award at the Chinese Suzhou Pingtan Art Festival and the Red Lion Award at the International Festival of Storytelling, Storysinging and Humour Art, among others.
演出 周慧
國家一級演員，師從彈詞名家沈世華。擅說長篇 彈詞《十美圖》、《孽緣奇恩》等。曾獲第十二屆 中國曲藝牡丹獎節目獎、中國蘇州評彈藝術節優 秀節目獎、優秀表演獎、首屆江浙滬評彈青年大 獎賽「金榜十佳」稱號等。
Performer Zhou Hui
Zhou Hui is a National First-Class Performer who studied under tanci master Shen Shihua. She specialises in full-length tanci works such as The Perfect Match and Destined Love. She received the Production Award at the 12th China Quyi Peony Awards, the Outstanding Production Award and the Outstanding Performance Award at the Chinese Suzhou Pingtan Art Festival. She was also one of the Top Ten Artists at the first Jiangsu, Zhejiang, Shanghai Youth Pingtan Grand Prize Competition.
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演出 陸錦花
國家一級演員。上海市政協委員。師從彈詞名家 吳偉東、毛瑾瑾、司馬偉。代表作品有長篇彈 詞《文徵明》、《珍珠塔》；短篇彈詞《王魁負桂 英》、《杜十娘》等。曾獲第十二屆中國曲藝牡丹 獎節目獎、第十屆中國曲藝牡丹獎新人獎；中國 曲藝新人新作一等獎；中國蘇州評彈藝術節優秀 表演獎、優秀節目獎、傳承獎；首屆江浙滬評彈 青年大獎賽「金榜十佳」稱號等。
Performer Lu Jinhua
Lu Jinhua is a National First-Class Performer and a member of the Shanghai Political Consultative Conference Committee. She studied under tanci masters Wu Weidong, Mao Jinjin and Sima Wei. Her representative repertoire includes the full-length tanci works Wen Zhengming and The Pearl Pagoda, the short tanci works Wang Kui Betrays Guiying, Du Shiniang the Courtesan, and so on. She received the Production Award at the 12h China Quyi Peony Awards, the Newcomer Award at the 10th China Quyi Peony Awards, First Prize at the Quyi New Talent Showcase, the Outstanding Performance Award, the Outstanding Production Award and Inheritance Award at the Chinese Suzhou Pingtan Art Festival. She was also one of the Top Ten Artists at the first Jiangsu, Zhejiang, Shanghai Youth Pingtan Grand Prize Competition.
演出 陸嘉瑋
國家一級演員。師從彈詞名家張振華、莊鳳珠。 代表作品長篇彈詞《神彈子》、《孟麗君》等。曾 獲第十二屆中國曲藝牡丹獎節目獎、中國蘇州評 彈藝術節表演獎金獎、上海市舞台藝術展演新人 獎、巴黎中國曲藝節盧浮金獎等。
Performer Lu Jiawei
Lu Jiawei is a National First-Class Performer who studied under tanci masters Zhang Zhenhua and Zhuang Fengzhu. His representative repertoire includes the full-length tanci works The Eagle-eyed Gunslinger, Meng Lijun and so on. He received the Production Award at the 12th China Quyi Peony Awards, the Performance Gold Award at the Chinese Suzhou Pingtan Art Festival, the Newcomer Award at the Shanghai Stage Art Showcase, and the Gold Prize at the Quyi Festival in Paris, among others.
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演出 王承
國家一級演員。師從彈詞名家司馬偉、周劍萍， 新生代「張派」傳人。代表作品有長篇彈詞《十美 圖》、《皇太極》、《多爾袞》、《林子文》；中篇評 彈《林徽因》、《徐悲鴻》等。曾獲中國蘇州評彈 藝術節優秀表演獎、中篇書目獎等。
Performer Wang Cheng
Wang Cheng is a National First-Class Performer. He studied under tanci masters Sima Wei and Zhou Jianping. He is also heir to the new generation of the School of Zhang. His representative repertoire includes The Perfect Match, Huang Taiji, Dorgon and Lin Ziwen; the mid-length pingtan works Lin Huiyin, Xu Beihong, and so on. He received the Outstanding Performance Award and the Mid-length Repertoire Award at the Chinese Suzhou Pingtan Art Festival, among others.
演出 陶鶯芸
國家一級演員。師從彈詞名家陳毓麟。代表作品 長篇彈詞《武松》、《三笑》、《多爾袞》、《雙珠 鳳》等。曾獲第十二屆中國曲藝牡丹獎節目獎、 第八屆中國曲藝牡丹獎新人獎。
Performer Tao Yingyun
Tao Yingyun is a National First-Class Performer who studied under tanci master Chen Yulin. Her representative repertoire includes the full-length tanci works Wu Song, The Three Smiles, Dorgon, Double Pearl Phoenix Hairpin, and so on. She received the Production Award at the 12th China Quyi Peony Awards and the Newcomer Award at the eighth China Quyi Peony Awards, among others.
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演出 朱琳
國家二級演員。師從彈詞名家張 振華、莊鳳珠。代表作品長篇彈 詞《神彈子》、《孟麗君》等。
曾獲第十二屆中國曲藝牡丹獎節 目獎；中國蘇州評彈藝術節表演 銅獎、表演銀獎；首屆江浙滬評 彈青年大獎賽「金榜十佳」稱號 等。
Performer Zhu Lin
演出 吳靜慧
國家二級演員。師從彈詞名家王 柏蔭、江文蘭。代表作品有長 篇彈詞《白蛇傳》、《玉蜻蜓》、 《玉觀音》。曾獲南山杯全國曲 藝新人新作二等獎；中國蘇州評 彈藝術節表演銅獎、長篇書目傳 承獎；上海舞台藝術精品展演 （大劇碼）優秀演出獎等。
Performer Wu Jinghui
演出 王萍
國家二級演員。師從著名彈詞演 員余瑞君、莊振華、秦建國，代 表作品有長篇彈詞《描金鳳》、 《孟麗君》、《皇太極》、《林子 文》。曾獲第九屆中國曲藝牡丹 獎節目獎。
Performer Wang Ping
Zhu Lin is a National Class-Two Performer who studied under tanci masters Zhang Zhenhua and Zhuang Fengzhu. Her representative repertoire includes The Eagle-eyed Gunslinger, Meng Lijun, and so on. She received the Production Award at the 12th China Quyi Peony Awards, and the Silver and Bronze Performance Awards at the Chinese Suzhou Pingtan Art Festival. She is also one of the Top Ten Artists at the first Jiangsu, Zhejiang, Shanghai Youth Pingtan Grand Prize Competition.
Wu Jinghui is a National ClassTwo Performer who studied under tanci masters Wang Boyin and Jiang Wenlan. Her representative works include the full-length tanci works The Legend of the White Snake, The Jade Dragonfly, The Jade Goddess of Mercy, and so on. She received the Second Prize at the Nanshan Cup National Quyi New Talent Showcase, the Bronze Performance Award and Full-length Repertoire Inheritance Award at the Chinese Suzhou Pingtan Art Festival, and the Outstanding Performance Award at the Shanghai Stage Art Excellence Showcase (full-length productions).
Wang Ping is a National ClassTwo Performer who studied under tanci masters Yu Ruijun, Zhuang Zhenhua and Qin Jianguo. Her representative repertoire includes the full-length tanci works The Gilt Phoenix, Meng Lijun, Huang Taiji and Lin Ziwen. She also received the Production Award at the ninth China Quyi Peony Awards.
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演出 吳嘯芸
國家二級演員。師從彈詞名家沈 世華，代表作品有長篇彈詞《玉 蜻蜓》、中篇評彈《四大美人》、 《林徽因》、《徐悲鴻》等。曾獲 中國曲藝牡丹獎新人入圍獎、中 國蘇州評彈藝術節節目獎。
Performer Wu Xiaoyun
Wu Xiaoyun is a National ClassTwo Performer and has studied under tanci master Shen Shihua. Her representative repertoire includes the full-length tanci works The Jade Dragonfly; the mid-length tanci The Four Beauties, Lin Huiyin, Xu Beihong, and so on. She was nominated for the Newcomer Award at the China Quyi Peony Awards, and received the Production Award at the Chinese Suzhou Pingtan Art Festival.
演出 徐一峰
國家二級演員。師從彈詞名家 王仲君、石一鳳。擅說長篇彈 詞《楊乃武與小白菜》、《十五 貫》。曾獲第十二屆中國曲藝牡 丹獎節目獎、中國蘇州評彈藝術 節節目獎、上海大劇碼評比優秀 表演獎等。
Performer Xu Yifeng
Xu Yifeng is a National ClassTwo Performer who studied under tanci masters Wang Zhongjun and Shi Yifeng. He specialises in the full-length tanci works Yang Naiwu and Xiao Baicai and Fifteen Strings of Cash. He received the Production Award at the 12th China Quyi Peony Awards, the Production Award at the Chinese Suzhou Pingtan Art Festival, and the Outstanding Performance Award at the Shanghai Full-length Production Contest, among others.
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演出 侯驍晟
上海評彈團優秀青年演員，師從 彈詞名家秦建國、蔣文。學習長 篇彈詞《白蛇》。曾獲第十二屆 中國曲藝牡丹獎節目獎。
Performer Hou Xiaocheng
Hou Xiaocheng is an outstanding young performer from the Shanghai Pingtan Troupe. He studied under tanci masters Qin Jianguo and Jiang Wen. He also learned the full-length tanci work
The Legend of the White Snake. He received the Production Award at the 12th China Quyi Peony Awards.
演出 姚依依
上海評彈團優秀青年演員，師從 彈詞名家邢晏芝。學習長篇彈詞 《楊乃武》。
Performer Yao Yiyi
Yao Yiyi is an outstanding young performer from the Shanghai Pingtan Troupe. She studied under tanci master Xing Yanzhi and learned the full-length tanci work Yang Naiwu
演出 季毅洋
上海評彈團優秀青年演員，師從 彈詞名家高博文。學習長篇彈詞 《描金鳳》。
Performer Ji Yiyang
Ji Yiyang is an outstanding young performer from the Shanghai Pingtan Troupe. He studied under tanci master Gao Bowen and learned the full-length tanci work The Gilt Phoenix.
演出 林昱辰
上海評彈團優秀青年演員，師從 著名彈詞演員黃海華。學習長篇 彈詞《白蛇》。
Performer Lin Yuchen
Lin Yuchen is an outstanding young performer from the Shanghai Pingtan Troupe. He studied under tanci master Huang Haihua and learned the full-length tanci work The Legend of the White Snake.
演出 鄭鳴秋
上海評彈團優秀青年演員，師從 彈詞名家高博文。學習長篇彈詞 《描金鳳》。
Performer Zheng Mingqiu
Zheng Mingqiu is an outstanding young performer from the Shanghai Pingtan Troupe. She studied under tanci master Gao Bowen and learned the full-length tanci work The Gilt Phoenix.
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鳴謝 ACKNOWLEDGEMENTS
香港藝術節衷心感謝下列機構及人士的慷慨支持﹕
The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員Patron's Club Members
鉑金會員Platinum Member
嘉里控股有限公司
黃金會員Gold Members
怡和集團
純銀會員Silver Member
太古地產
Kerry Holdings Limited The Jardine Matheson Group Swire Properties 上海商業銀行有限公司
Shanghai Commercial Bank Limited
其他支持機構Other Supporters
澳洲總領事館香港
Australian Consulate-General Hong Kong
荷蘭駐港總領事館
Consulate General of the Kingdom of the Netherlands in Hong Kong and Macau 荷蘭表演藝術基金
Performing Arts Fund NL
藝術人才見習配對計劃2023/24由香港藝術發展局資助
2023/24 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council
實物支持機構In-kind Supporters
信興集團 Shun Hing Group
通利琴行 Tom Lee Music
藝術節捐助計劃 Festival Donation Scheme
鉑金捐款者PLATINUM DONORS
HK$140,000或以上OR ABOVE
無名氏 Anonymous
Man Sebastian Shiu Wai
翡翠捐款者JADE DONORS
HK$30,000 - HK$69,999
陳瑤華小姐 Ms EVA CHAN
Leung Wai Yee Candice
Dr Stephen Suen
黃金捐款者GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
何子建夫婦 Mr & Mrs Ho Che Kin
Ms Wendy Nam
Dr Sabrina TSAO
曹延洲医生夫婦 Dr & Mrs Tsao Yen-Chow
Mr & Mrs YS Wong
Vernon Zhang
純銀捐款者SILVER DONORS
HK$6,000 - HK$11,999
無名氏 Anonymous
Richard & Ruth Herbst
Ho Man Fung Edith
練紹良先生夫人 Mr & Mrs David S L Lin
Michael Mak
Mrs Schmitt Ling Jane
Mr Wong Yick Kam
姚昱小姐 Ms ISABEL YIU
姚曼儀女士 Ms Enoch Yiu
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999 無名氏（4）Anonymous（4）
億京慈善基金有限公司 Billion Charity Fund Limited
José Manuel Sevilla and Julie Bisaillon
Veryan Bradshaw
Mrs Anson CHAN
Dr Chan Wan Tung
Mary Chen
CHIANG Lily Flavia
BETHAN AND TIM CLARK
李芸輝博士 Dr LEE Wan Fai Walter
Winnie Leong
Wendy leung wing shan
MA Shu Ting, Gary
Ms Teresa Pong
Christine TONG
Willow Yang
Ms Cecilia Yeung
朱玉迎小姐 Ms Zhu Yuying
學生票捐助計劃 Student Ticket Scheme
鉑金捐款者PLATINUM DONORS
HK$140,000或以上OR ABOVE
無名氏（3）Anonymous（3） 馬振玉慈善基金會有限公司
CYMA Charity Fund Limited
陳廷驊基金會 The D. H. Chen Foundation
鑽石捐款者DIAMOND DONORS
HK$70,000 - HK$139,999
Mrs Purviz R. Shroff, MH and Late Mr Rusy M. Shroff, BBS, MBE
田家炳基金會 Tin Ka Ping Foundation
芝蘭基金會 Zhilan Foundation
翡翠捐款者JADE DONORS
HK$30,000 - HK$69,999
Dr Stephen Suen
Vernon Zhang
天智合規顧問有限公司
CompliancePlus Consulting Limited
黃金捐款者GOLD DONORS
HK$12,000 - HK$29,999
See Yuen CHUNG
C H Mak
Mr & Mrs Kenneth & Susana Quinn
Allan Yu
純銀捐款者SILVER DONORS
HK$6,000 - HK$11,999
無名氏 (2) Anonymous (2)
Mr and Mrs Herbert Au-Yeung
徐伯鳴先生黃碧如女士 Mr Norman Chui Pak Ming and Ms Cleresa Wong Pie Yue
Mrs Margaret Hamilton
新作捐助計劃 New Works Scheme
鉑金捐款者PLATINUM DONOR
HK$140,000或以上OR ABOVE 無名氏 Anonymous
黃金捐款者GOLD DONORS
HK$12,000 - HK$29,999
劉仰澤先生 Mr Lau Yeung Chak
凌霄志醫生 Dr Tony Ling
Vernon Zhang
Richard & Ruth Herbst
麥禮和醫生 Dr Mak Lai Wo
Karen and Vernon Moore
曹延洲医生夫婦 Dr & Mrs Tsao Yen-Chow
Ms Wu Tseng Helen
陳穎儀與黃乃正
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999
無名氏（4）Anonymous（4）
區燊耀先生 Mr Au Son Yiu
Biz Office Limited
Carthy Limited
Ms Cynthia Cheng & Mr Aaron Chan
MDB&StarCHAN
D. Chang
CHEUNG KIT FUNG
趙頴雅小姐 Ms WINNIE CHIU WING NGAR
Community Partner Foundation Limited
馮兆林先生，太平紳仕 Mr Fung Shiu Lam, J.P.
Mr Anthony Hardy
S Hon
Savita Leung
Ms Teresa Pong
Mr and Mrs Rato
Ms Janice RITCHIE
蘇健文先生 Mr So Kin Man
Dr Tam Oi Wo Joyce
Christopher K. L. Wong
Desmond Yu 陳皓宜博士 殷和順先生劉善萍女仕
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999
無名氏（2）Anonymous（2）
Tabitha Chiu
Jason Chung
Dr Alfred Lau
Lian Crystal Rhinestone
Ms Teresa Pong
網上藝術教育捐助計劃 Digital Arts Education Scheme
鉑金捐款者PLATINUM DONOR
HK$140,000或以上OR ABOVE
Dr and Prof. Anna and Helmut Sohmen
鑽石捐款者DIAMOND DONOR
HK$70,000 - HK$139,999
無名氏 Anonymous
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999
無名氏 Anonymous
HK CT ABRSM Alumni Association
Ms Teresa Pong
香港藝術節基金會贊助人
Hong Kong Arts Festival Foundation Patrons
首席創始贊助人 Lead Founding Patrons
陳俊豪先生 Mr Thomas Chan
黃廷方慈善基金 Ng Teng Fong Charitable Foundation
電訊盈科 PCCW
九龍倉集團 The Wharf Group
主要創始贊助人 Major Founding Patrons
萬通保險國際有限公司 YF Life Insurance International Ltd
眾安銀行 ZA BANK
創始贊助人 Founding Patrons
陳煒文博士, JP Dr Raymond Chan, JP
丹斯里拿督邱達昌 Tan Sri Dato' David Chiu
曹其鋒先生 Mr Silas Chou
霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok 馮氏基金有限公司 E.M. Fung Foundation Limited
何超瓊女士, SBS, JP Ms Pansy Ho, SBS, JP 科勁國際（控股）有限公司 King's Flair International (Holdings) Limited
梁婉玲博士 Dr Elina Leung
孫漢明博士 Dr Stephen Suen
包陪麗女士, BBS及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari
其他贊助人 Other Patron 高盛回饋慈善基金 (James Houghton 先生推薦)
Goldman Sachs Gives Annual Giving Fund (Recommended by Mr James Houghton)
支持及協助 Support and Co-operation
Acorn Design
教育局藝術教育組 Arts Education Section, Education Bureau
網上售票平台 Art-mate
香港展能藝術會 Arts with the Disabled Association Hong Kong
香港愉景灣酒店 Auberge Discovery Bay Hong Kong
樺利廣告有限公司 Avanny Advertising Co Ltd
華大盛品酒店 Best Western Plus Hotel Hong Kong
宏基國際賓館 Bishop Lei International House
BRICK LANE
英國文化協會 British Council
英國駐香港總領事館 British Consulate General Hong Kong
CAMPSITE
牛棚藝術村 Cattle Depot Artist Village
城市當代舞蹈團 City Contemporary Dance Company
比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau
法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau
以色列駐香港總領事館 Consulate General of Israel in Hong Kong & Macau
西班牙駐香港總領事館 Consulate General of Spain in Hong Kong
瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong
埃及駐港澳總領事館 Consulate General of the Arab Republic of Egypt in Hong Kong and Macau
伊朗駐香港總領事館 Consulate General of the Islamic Republic of Iran in Hong Kong
荷蘭駐港總領事館 Consulate General of the Kingdom of Netherlands in Hong Kong and Macau
大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong
義大利駐香港總領事館 Consulate General of Italy in Hong Kong
愉景灣服務管理有限公司 Discovery Bay Services Management Limited
李敬恒博士 Dr Roger Lee
香港逸東酒店 Eaton HK
德國駐香港總領事館 German Consulate General Hong Kong
六國酒店 Gloucester Luk Kwok Hong Kong
香港歌德學院 Goethe-Institut Hong Kong
香港君悅酒店 Grand Hyatt Hong Kong
青苗琴行 Greenery Music
香港恒生大學 Hang Seng University of Hong Kong
學生事務處 Student Affairs Office
教與學發展中心（服務學習部）Service-Learning Section, Centre for Teaching and Learning 香港兆基創意書院 HKICC Lee Shau Kee School Of Creativity 香港兆基創意書院文化藝術中心 HKSC Arts and Culture Centre 香港藝術行政人員協會 Hong Kong Arts Administrators Association
香港藝術中心 Hong Kong Arts Centre
香港浸會大學 Hong Kong Baptist University
電影學院 Academy of Film
音樂學院 Academy of Music
拉闊文化 Cultural Literacy Programme
英國語言文學系 Department of English Language and Literature
宗教及哲學系 Department of Religion and Philosophy
香港聖經公會 Hong Kong Bible Society
香港中樂團 Hong Kong Chinese Orchestra
香港大會堂 Hong Kong City Hall
香港文化中心 Hong Kong Cultural Centre
香港電影資料館 Hong Kong Film Archive 香港都會大學 Hong Kong Metropolitan University
何陳婉珍粵劇研藝中心 Ina Ho Cantonese Opera Research Centre
香港藝術館 Hong Kong Museum of Art 香港管弦樂團 Hong Kong Philharmonic Orchestra
香港話劇團 Hong Kong Repertory Theatre
香港小交響樂團 Hong Kong Sinfonietta 香港旅遊發展局 Hong Kong Tourism Board
摩納哥駐香港名譽領事館 Honorary Consulate of Monaco in Hong Kong 宜必思香港中上環 ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia) 入境事務處 Immigration Department 王仁曼芭蕾舞學校 Jean M. Wong School of Ballet 賽馬會創意藝術中心 Jockey Club Creative Arts Centre Kind of Brew
高山劇場 Ko Shan Theatre
Kubrick 葵青劇院 Kwai Tsing Theatre
駐香港韓國文化院 Korean Cultural Center in Hong Kong 拉脫維亞駐香港名譽領事館 Latvian Honorary Consulate in Hong Kong 康樂及文化事務署 Leisure and Cultural Services Department 牧羊少年與他的浮萍 Lemna of the alchemist 中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People’s Government in the HKSAR
嶺南大學 Lingnan University
黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生事務處 Office of Student Affairs
鄺森活圖書館 Fong Sum Wood Library
藝術科技與商業理學碩士課程 MSc in Arts Technology and Business 樂茶軒 LockCha Tea House
木的地.R Madera Residences Maxibit HK/China
循道衛理聯合教會國際禮拜堂 Methodist International Church Hong Kong
Mini Central 中環迷你酒店
Moetown Serviced Apartments
MOViE MOViE Pacific Place
Mr Alpha Li
陳朗丰先生 Mr Lazarus Chan
南蓮園池 Nan Lian Garden
荃灣西如心酒店 Nina Hotel Tsuen Wan West
北區大會堂 North District Town Hall
一桌兩椅慈善基金 One Table Two Chairs Charitable Foundation
柏斯琴行 Parsons Music Limited
卓滙達有限公司 Patsville Company Ltd
Performing Arts Fund NL
犇華企業服務有限公司 Primasia Coporate Services Limited
鄭新文教授 Prof Tseng Sun-man
RED ZHU
富豪酒店國際 Regal Hotels International
富豪東方酒店 Regal Oriental Hotel
皇家太平洋酒店 Royal Pacific Hotel
泰國駐香港總領事館 Royal Thai Consulate General Hong Kong
沙田大會堂 Sha Tin Town Hall
上環文娛中心 Sheung Wan Civic Centre
Southgate Design
事必達推廣有限公司 Speedy Promotion Limited
聖公會聖約翰座堂 St John's Cathedral
中山紀念公園 Sun Yat Sen Memorial Park
大館—古蹟及藝術館 Tai Kwun—Centre for Heritage and Arts
香港中文大學 The Chinese University of Hong Kong
音樂系 Department of Music
聯合書院 United College
文學院 Faculty of Arts
藝術行政主任辦公室 The Office of the Arts Administrator
文化及宗教研究系 Department of Cultural and Religious Studies
邵逸夫堂 Sir Run Run Shaw Hall
香港城市大學 The City University of Hong Kong
中文及歷史學系 Department of Chinese and History
城大創意媒體學院 School of Creative Media
文化薈 Cultural Exchange Oasis
香港教育大學 The Education University of Hong Kong
文化與創意藝術學系 Department of Cultural and Creative Arts
圖書館 Library
芬名酒店 The Fleming 香港演藝學院 The Hong Kong Academy for Performing Arts
戲曲學院 School of Chinese Opera
戲劇學院 School of Drama
音樂學院 School of Music
舞蹈學院 School of Dance
電影電視學院 School of Film and Television
學生事務處 Student Affairs Office
表演場地管理部 Venue Performance Unit
場地技術部 Venue Technical Unit
香港理工大學 The Hong Kong Polytechnic University
文化及設施推廣處 Cultural Promotion and Events Office
香港復康會 The Hong Kong Society of Rehabilitation
香港科技大學 The Hong Kong University of Science and Technology
藝術中心 Center for the Arts
理學院學務輔導辦公室 Office of Academic Advising and Support, School of Science
香港朗廷酒店 The Langham, Hong Kong
香港大學 The University of Hong Kong
音樂系 Department of Music
香港大學美術博物館 University Museum and Art Gallery
學生發展及資源中心 Centre of Development and Resources for Students
Cultural Management Office
志新學院 Chi Sun College
港青 - 香港基督教青年會 The Salisbury – YMCA of Hong Kong
通利琴行 Tom Lee Music Company Ltd
荃灣大會堂 Tsuen Wan Town Hall
屯門大會堂 Tuen Mun Town Hall
東蒲 Tung Po
城市售票網 URBTIX
西九文化區管理局 West Kowloon Cultural District Authority
Wewow House
粵海華美灣際酒店 Wharney Hotel
艾希妮控股有限公司 X Social Group Holdings Limited
油麻地戲院 Yau Ma Tei Theatre
英華書院 Ying Wa College
青年廣場 Youth Square
元朗劇院 Yuen Long Theatre
地址 ADDRESS 香港灣仔港灣道二號十二字樓1205室 Room 1205, 12/F,2 Harbour Road, Wan Chai, Hong Kong
電話 TEL （852）2824 3555
傳真 FAX （852）2824 3798、（852）2824 3722
電子郵箱 Email afgen@hkaf.org
節目查詢熱線 （852）2824 2430
贊助人 李家超先生, PATRON
The Hon. John KC Lee, GBM SBS PDSM PMSM GBM SBS PDSM PMSM
永遠名譽會長 邵逸夫爵士（1907-2014）
執行委員會
主席 查懋成先生 副主席 盧景文教授 義務司庫 范高廉先生
委員 鄭阮培恩女士
鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊光先生
節目委員會
主席 盧景文教授 委員 白諾信教授
羅志力先生 毛俊輝教授
約瑟 施力先生 + 譚榮邦先生 姚珏女士
財務委員會
主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生
發展委員會
主席 鄭阮培恩女士 副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生 顧問 夏佳理先生 鮑 磊先生 陳祖澤博士 陳達文博士 霍璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打） 核數師 羅兵咸永道會計師事務所
HONORARY LIFE PRESIDENT The Hon. Sir Run Run Shaw, GBM CBE（1907-2014）
EXECUTIVE COMMITTEE
Chairman
Honorary Treasurer
Members
Programme Enquiry Hotline + 榮譽節目顧問 Honorary Programme Advisor
Mr Victor Cha
Vice-Chairman Prof. Lo King-man, SBS MBE JP
Mr Colin Farrell
Mrs Betty Yuen Cheng
Ms Margaret Cheng
Mr Michael Fung
Ms Joanna Hotung
Mr Sebastian Shiu-wai Man
Dr Dennis T L Sun, BBS JP
Ms Miriam Yao
Mr Sunny Yeung
PROGRAMME COMMITTEE
Chairman
Members
FINANCE COMMITTEE
Chairman
Members
DEVELOPMENT COMMITTEE
Chairperson
Vice-Chairperson
Members
ADVISORS
HONORARY SOLICITOR
AUDITOR
Prof. Lo King-man, SBS MBE JP
Prof. Giorgio Biancorosso
Mr Peter C L Lo
Prof. Fredric Mao, BBS
Mr Joseph Seelig, OBE +
Mr Wing-pong Tam, SBS JP
Ms Jue Yao, SBS JP
Mr Colin Farrell
Ms Margaret Cheng
Mr Nelson Leong
Mrs Betty Yuen Cheng
Ms Jane Yong
Mr Michael Fung
Ms Samanta Sum-yee Pong
Mrs Helen Lin Sun
Ms Yi Wen
Mr Andrew Yao
The Hon. Ronald Arculli, GBM CVO GBS OBE JP
Mr Martin Barrow, GBS CBE
Dr John CC Chan, GBS JP
Dr Darwin Chen, SBS ISO
Mr Angus H Forsyth
The Hon. Charles YK Lee, GBM GBS OBE JP
Mrs Mona Leong, SBS BBS MBE JP
Dr The Hon. Sir David KP Li, GBM GBS OBE JP
Ms Gabriela Kennedy, Mayer Brown
PricewaterhouseCoopers
行政總監 余潔儀
行政總監助理 何丹蓉
節目
節目總監 梁掌瑋、蘇國雲
高級節目經理 梁偉然、蘇雪凌、游慧姿*
節目經理 鄭佩群*、趙蔚霖*、廖國穎*、 馬筠婷*、伍美衡*
節目統籌 林穎茵*
藝術行政見習員 容諾行*
節目助理 鍾曉晴*
製作助理 陳娟瑜#
物流
物流及接待經理 金學忠*
技術
製作經理 梁雅芝* 副製作經理 陳梓衡*
出版
編輯經理 陳詠恩*
英文編輯 Adam Wright*
副編輯 陳劭儀*、楊紫媛*
外展
外展經理 林嘉敏*
助理外展經理 余穎彤*
外展統籌 羅凱盈*、連凱嵐*
外展主任 陳沅渟*、張凱柔*、馬曉瑩*
藝術行政見習員 吳勵宜*
市場推廣
市場總監 鄭尚榮 副市場總監 盧伯全
市場經理 陳靄婷*、張予心*
副市場經理 黃頴儀* 副市場項目經理 譚懿諾*
助理項目經理 李穎軒*
助理市場經理 許樂欣*、曾諾怡* 市場主任 梁喬正* 市場助理 陳慧琳#
票務 高級市場經理（票務） 梁彩雲 助理市場經理（票務） 陳偲穎*
發展
發展總監 黃美儀 特別發展協理 蘇啟泰* 高級發展經理 譚樂瑤 發展經理 陳世敏*、吳綺菁* 發展主任 譚尹晴* 藝術行政見習員 周翹*
行政事務
財務總監 鄺敬婷 會計
會計經理 杜詩麗* 會計主任 顏悅恩* 人力資源及行政
人力資源及行政經理 楊美君* 接待員/初級秘書 李美娟 助理 黃國愛 資訊科技
資訊科技經理 陳啟明*
無限亮
項目總監 錢佑* 節目及外展經理 鍾美琼*、何敏凝* 節目及外展統籌 雷晴*、潘詠汶* 市場經理 黃嘉欣* 副市場經理 陳婉怡* 助理製作經理 張詠宜* 高級會計主任 鍾巧明* 香港藝術節@大館
項目經理 鄺為立*
藝術家統籌經理 朱芷慧*
STAFF
Executive Director Flora Yu
Assistant to Executive Director Connie Ho
PROGRAMME
Programme Directors Grace Lang, So Kwok-wan
Senior Programme Managers Ian Leung, Shirley So, Janet Yau*
Programme Managers Cathy Cheng*, Crystal Chiu*, Sophie Liao*, Katie Ma*, Janet Ng*
Programme Coordinator Lilian Lam*
Arts Administrator Trainee Ryan Yung*
Programme Assistant Dorothy Chung*
Production Assistant Alice Chan#
LOGISTICS
Logistics Manager Elvis King*
TECHNICAL
Production Manager Shirley Leung*
Deputy Production Manager Jacob Chan*
PUBLICATIONS
Editorial Manager Eugene Chan*
English Editor Adam Wright*
Associate Editors Shao yi Chan*, Trista Yeung*
OUTREACH
Outreach Manager Carman Lam*
Assistant Outreach Manager Enid Yu*
Outreach Coordinators Vicgina Law*, Jade Lin*
Outreach Officers Olivia Chan*, Hazel Cheung*, Queena Ma*
Arts Administrator Trainee Nicky Ng*
MARKETING
Marketing Director Katy Cheng
Associate Marketing Director Eugene Lo
Marketing Managers Tobie Chan*, Stephanie Cheung*
Deputy Marketing Manager Joey Wong*
Deputy Project Manager Hades Tam*
Assistant Project Manager Hill Li*
Assistant Marketing Managers Sally Hui*, Margaret Tsang*
Marketing Officer Isaac Leung*
Marketing Assistant Kelly Chan#
TICKETING
Senior Marketing Manager (Ticketing) Eppie Leung
Assistant Marketing Manager (Ticketing) Stephanie Chan*
DEVELOPMENT
Development Director Angela Wong
Special Development Associate Alex So*
Senior Development Manager Lorna Tam
Development Managers Cindy Chan*, Joey Ng*
Development Officer Linda Tam*
Arts Administrator Trainee Nicole Chow*
CORPORATE SERVICES
Finance Director Teresa Kwong
ACCOUNTS
Account Manager Connie To*
Accounting Officer Stephany Ngan*
HR & ADMINISTRATION
HR and Admin Manager Janet Yeung*
Receptionist/Junior Secretary Virginia Li
General Assistant Bonia Wong
INFORMATION TECHNOLOGY
Information Technology Manager Derek Chan*
NO LIMITS
Project Director Eddy Zee*
Programme and Outreach Managers Becky Chung*, Christy Ho*
Programme and Outreach Coordinators Jade Lui*, Jasmine Poon*
Marketing Manager Carly Wong*
Deputy Marketing Manager Tiffany Chan*
Assistant Production Manager Jess Cheung*
Senior Accounting Officer Catherine Chung*
HKARTSFESTIVAL@TAIKWUN
Project Manager Kwong Wai Lap*
藝術家統籌 張素真*、張凱婷*、向怡君*、何敬堯*、黎善涵*、劉欣彤*、梁頌怡*、吳麗文*、彭慧雯*、胡肇婷*、翁蒨懃* 製作主任 黃詠詩*
技術統籌 李浩賢*、曾以德*、范文恩*、林仁健*、莊曉庭*、許肇麟*
Head of Artist Coordinators Eleanor Chu*
Artist Coordinators Susan Chang Hayden*, Becca Cheung*, Cassandra Heung*, Kelvin Ho*, Christa Lai*, Venice Lau*, Kitty Leung*, Stephenie Ng*, Jan Pang*, Blanche Wu*, Bonnie Yung*
Production Officer Bonnie Wong*
Technical Coordinators Lawrence Lee*, Joyi Tsang*, Yan Fan*, Hoi Lam*, Sai Chong*, Boolu Hui* *合約職員 *Contract Staff 按英文姓氏首字母排列 In alphabetical order # 藝術人才見習配對計劃2023/24由香港藝術發展局資助
# 2023/24 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council 2024年2月更新 Updated February 2024
職員
is
amongst the world's
Our home base most promising.
我們位於世界最具潛力的城市之一
( 99 ) 北市經證字第 01583 號 蔡吉政 Each Office Is Independently Owned And Operated
1899.Childe Hassam - New England Headlands
