韓經arte愛樂樂團 Hankyung arte Philharmonic
Philharmonic Concert
交響樂音樂會
親子音樂會 Family Concert
獻辭 MESSAGE
第五十二屆香港藝術節隆重舉行，可喜可賀。
歷經五十餘年，香港藝術節已成為享譽國際的文化盛 事。今屆藝術節續放異彩，雲集約1,400名本地及海 外藝術家，帶來逾150場不同類型的表演，由音樂、 歌劇、戲曲，以至戲劇、舞蹈、跨媒體藝術和大型特 備節目等，必定是另一場令人難忘的藝術盛宴。
今屆藝術節以李察．史特勞斯的《拿索斯島的亞莉安 妮》揭開序幕，由巴伐利亞國立歌劇院獻上這齣莊諧 並重的精妙劇作，令人期待。個多月後，上海芭蕾舞
團將呈獻中國與法國聯合製作的《花樣年華》，作為 藝術節的閉幕表演。這齣精彩絕倫、中西協作的芭蕾 舞劇，正好反映香港獨特的中西創意文化根源，並彰 顯我們作為中外文化藝術交流中心的重要地位。今年 藝術節匯聚全球各地佳作，包括別具一格的「聚焦當 代阿拉伯」系列，更形豐富多采。
我對香港的文藝創意事業前景充滿信心。政府銳意竭 盡所能，鼓勵本地藝術家奮發向上，並確保他們獲 得所需和應得的表演機會。正如我在《施政報告》所 述，新成立的文創產業發展處每年會推動60個業界考 察團、海外展覽及其他文化展演活動；「電影發展基 金」和「創意智優計劃」共獲注資43億元，以支持本 港電影業；「重點演藝項目計劃」亦即將推出，協助 本地大型表演藝術創作，以及培育代表香港的國際文 化品牌。
政府會繼續與各界攜手合作，積極推動文化藝術及創 意業界的發展。
我感謝香港藝術節團隊一直堅持不懈，為藝術奉獻心 力；並感謝各贊助商和善長鼎力支持，令藝術節異彩 紛呈。
今年藝術節會為香港帶來絢麗多姿、賞心悅目的文化 藝術世界。希望大家盡情投入，享受每個璀璨時刻。
I am pleased to congratulate the Hong Kong Arts Festival on the organisation of its 52nd edition.
Over this past half century and more, the Hong Kong Arts Festival has grown into a celebrated international cultural event. This year promises to be another memorable Festival, featuring about 1,400 overseas and local artists in more than 150 performances across multiple genres, from music, opera and Chinese opera to theatre, dance, multi-arts and large-scale special events.
This year’s Festival opens with the Bayerische Staatsoper’s presentation of Richard Strauss’ Ariadne auf Naxos, a bravura mingling of high art and comedy. It closes, more than a month later, with the Sino-French coproduction of the Shanghai Ballet’s A Sigh of Love. This inspired East-West collaboration reflects Hong Kong’s singular East-West creative and cultural roots and our growing role as an East-meets-West centre for international cultural exchange. Indeed, this year’s Festival is rife with performances from all over the world, including a special Arab Arts Focus series.
I believe in Hong Kong’s creative promise, and my Government is determined to do all it can to encourage our local artists and ensure that they have the performance access they need and deserve. As I mentioned in my Policy Address, our newly established Cultural and Creative Industries Development Agency will promote 60 industry missions, overseas exhibitions and other cultural showcases annually; a total of $4.3 billion will be injected into the Film Development Fund and the CreateSmart Initiative to support our film industry; and the Signature Performing Arts Programme Scheme will be launched to assist largescale, local performing arts productions and nurture the development of Hong Kong cultural brands internationally. The Government will continue to work hand in hand with relevant sectors to proactively promote the development of arts, culture and creative industries.
I am grateful to the Hong Kong Arts Festival for its longstanding commitment to the arts, and to the Festival’s many sponsors and donors for their generous support.
A world of arts and cultural spectacle and entertainment awaits Hong Kong. I know you will enjoy every dazzling moment of this year’s Hong Kong Arts Festival.
John KC LEE Chief Executive Hong Kong Special Administrative Region
香港特別行政區行政長官 李家超
獻辭 MESSAGE
歡迎閣下蒞臨第52屆香港藝術節。在我們慶祝今屆全 面回歸之際，我由衷地感謝您在疫情期間及過後依舊 堅定不移地支持我們。面對着瞬息萬變的環境，我們 致力促進藝術的未來發展，為推廣及傳承藝術發掘更 多機遇。因此，我特別珍惜今天與大家聚首一堂欣賞 表演藝術的機會，並希望向所有為藝術發展作出貢獻 的人士致以崇高的敬意。
我衷心感謝香港特別行政區政府透過康樂及文化事務 署提供年度恆常撥款，為香港藝術節的長遠發展奠下 基石。此外，我亦非常感激香港賽馬會慈善信託基金 以及一眾企業贊助機構、慈善基金會和個人捐助者的 慷慨貢獻，鼓勵我們繼續為城市增添文化藝術氣息。
我向所有參與藝術節的藝術家深表謝意。香港藝術節 很榮幸能夠呈獻精采紛呈的國際頂尖演出、培育本地 人才和委約新作品。我也格外感激藝術節團隊一直以 來的默默奉獻，令藝術節得以順利進行。
最後，我再次感謝您今天前來欣賞演出。香港藝術節 非常重視每一位觀眾的支持和參與。希望這個節目能 夠為您帶來無限喜悅、共鳴和靈感。
I warmly welcome you to the 52nd Hong Kong Arts Festival. Thank you for your staunch support, especially during and after the tumultuous period brought by the pandemic. With the Festival now back in full swing, we cherish this opportunity to come together once again and appreciate the arts with you. As we celebrate the Festival’s full-scale comeback and contemplate the development of the arts in this ever-changing environment, I would like to express my gratitude to everyone who has played a critical role in nurturing and sustaining the performing arts scene.
I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, which has graciously provided an annual subvention that serves as the bedrock of our ongoing efforts. The unwavering support from The Hong Kong Jockey Club Charities Trust, as well as other corporate sponsors, charitable foundations and individual donors, has encouraged us to further our work and continue enriching the community through the arts.
My sincere thanks go to all participating artists. It is truly an honour for us to present such a diverse range of exceptional performances, nurture local talent and commission new works. I would also like to thank the Festival staff, whose dedication has been indispensable in bringing this Festival to life.
Above all, I extend my heartfelt appreciation to you for joining us at today's performance. The Festival deeply values and relies on your support and engagement. May this programme bring you immense joy, resonance and inspiration.
Victor Cha Chairman Hong Kong Arts Festival
香港藝術節主席
查懋成
前言 FOREWORD
走過半世紀的香港藝術節，一直為國際與本地最優秀 的表演者搭建舞台，積極促進中外文化交流。經歷了 三年疫情的洗禮，藝術節終於在第52屆再度迎來「花 樣年華」，在全面復常的狀態下再度為本地觀眾與遊 客獻上今天和明日的經典，不單讓大家可以從眾多音 樂、舞蹈、戲劇、戲曲和多媒體作品中重新細賞遺世 瑰寶，更邀來多位重量級中外大師坐鎮，陣容鼎盛、 豐富多元，足以滿足不同觀眾群體的喜好。
今屆我們繼續支持本地藝術發展，為香港的藝術家提 供創作土壤，更連結國際及本地精英聯手開闢藝術新 境界。同時鼓勵藝術家善用創新科技融合創意，為觀 眾帶來耳目一新的體驗。
此外，香港藝術節亦繼續大力投放資源於藝術教育與 觀眾拓展，培育青少年對藝術的興趣與認識，因為我 們相信，文化藝術是一個城市生命力的最重要來源之 一。啟迪下一代，方能讓香港藝術發展生生不息，繼 續創造今明經典。
藝術節團隊與我們的藝術家同儕都會竭盡所能，為觀 眾帶來優質的藝術體驗。希望您會喜歡本屆香港藝術 節為您精心準備的這一場演出。
For more than half a century, the Hong Kong Arts Festival has provided a stage for the most outstanding local and international performers, and actively enhanced cultural exchanges between China and the rest of the world. After three years of the pandemic, we are delighted to come back in full force and present to local audiences and overseas visitors treasured classics of today and tomorrow. Our programme features an eclectic lineup of music, dance, theatre, Chinese opera and multimedia productions, with a range of Chinese and international legends set to command the stage. With such a rich and diverse programme, there is something to delight everyone.
This year, our ongoing support for the development of local artists provides opportunities for them to flex their creative muscles through collaborations with leading artists from all over the world. At the same time, we also empower artists to innovate through the power of technology and create refreshing experiences for our audiences.
What’s more, we have continued investing heavily in arts education and audience development, encouraging younger audiences to cultivate an interest in the arts. At the Festival, we believe that the arts are a vital source of life in Hong Kong’s urban landscape. By nurturing the next generation’s passion and appreciation for the arts, we can propel the city’s artistic development sustainably.
Together with all artists, the Festival team is committed to delivering exceptional artistic experiences to you. We hope that you will enjoy the programme that we have specially curated for you today.
香港藝術節資助來源：
The Hong Kong Arts Festival is made possible with the funding support of:
Flora Yu Executive Director Hong Kong Arts Festival
香港藝術節行政總監 余潔儀
香港藝術節 Hong Kong Arts Festival
扎根香港的國際藝壇盛事 聯繫中國與世界
An International Arts Festival in Hong Kong Connecting China and the World
香港藝術節 於1973年正式揭幕，是國際藝壇中重要的 文化盛事，於每年2、3月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。
香港藝術節 是一所非牟利機構，2023/24財政年度預 計收入（包括第52屆香港藝術節及2024年「無限亮」） 約港幣一億五千萬，當中香港特區政府的年度撥款佔 總收入約12%，另外約25%需來自票房收入，約48% 則須依賴來自各大企業、熱心人士和慈善基金會的贊 助和捐款。預計餘下的約15%則來自其他收入，包括 政府針對捐款和贊助收入而提供的配對資助。
香港藝術節 每年呈獻眾多國際演藝名家精采多元的演 出，例如*：
•歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院
•中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團
•古典音樂：塞西莉亞 芭托莉、列卡杜 沙爾、趙成 珍、古斯塔沃 杜達美、菲力普 格拉斯、劉曉 禹、馬友友、丹尼斯 馬祖耶夫、安娜 涅翠柯、 詹安德列亞 諾斯達、小澤征爾、湯瑪士．夸斯托 夫、甘拿迪 羅傑斯特汶斯基、譚盾、湯沐海、克 里斯蒂安 泰利曼、班貝格交響樂團、倫敦交響樂 團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂團、 柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也 納愛樂樂團
•爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼
•舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、 娜塔麗亞 奧斯波娃、美國芭蕾舞劇院、雲門舞集、 漢堡芭蕾舞團—約翰．紐邁亞、紐約市芭蕾舞團、 巴黎歌劇院芭蕾舞團、翩娜 包殊烏珀塔爾舞蹈劇場
•戲劇：彼得 布祿克、羅伯特．利柏殊、蜷川幸雄、 羅柏特 威爾遜、柏林劇團、中國國家話劇院、皇 家莎士比亞劇團
•大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊
•戶外節目：《聲光園》、《幻光動感池》、《聲光頌》
香港藝術節 積極與本地演藝人才合作，並致力為新進 藝術家提供展示才華的平台。藝術節至今委約及製 作逾250套本地全新創作，包括粵劇、戲劇、室內歌 劇、音樂和舞蹈作品，不少製作更已在香港及海外多 度重演。近年的藝術節新製作包括《飯戲攻心》踏台 版、《末戀 無愛合約》、《我們最快樂》、《鼠疫》、 《陪着你走》、《百花亭贈劍》、《香港家族》三部曲、
The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts, as well as a diverse range of “PLUS” and educational events, in February and March each year.
The HKAF is a non-profit organisation. The total estimated income for FY2023/24 (including the 52nd Hong Kong Arts Festival and 2024 “No Limits” programme) is approximately HK$150 million. Current Government annual funding accounts for around 12% of the Festival’s total income. Around 25% of the Festival’s income needs to come from the box office, and around 48% from sponsorship and donations by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching grant scheme, which matches income generated through private-sector sponsorship and donations.
The HKAF has presented top international artists and ensembles across multiple genres, such as*:
• Western opera: Bayerische Staatsoper, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre
• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe
• Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Bruce Liu, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, Bamberg Symphony, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra
• Jazz and world music: Bobby McFerrin, Youssou N’Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini
• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, Natalia Osipova, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch
• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro
• Outdoor events: Power Plant, Super Pool, Chorus
The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced more than 250 local productions across various genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include Table for Six on Stage, Loveless Romance, We Are Gay, The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Danz Up, Datong–The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.
《世紀． 香港》、《炫舞場》、《大同》、《金蘭姊妹》、 《聖荷西謀殺案》等。
香港藝術節 多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的 「橫貫計劃」之《暴風雨》及《李察三世》、由香港 藝術節及上海國際藝術節聯合委約的《青蛇》、香港 藝術節與三藩市歌劇院聯合製作的《紅樓夢》、香港 藝術節與芬蘭國家歌劇院及芭蕾舞團聯合製作的《拉 娜》等。
香港藝術節 大力投資下一代的藝術教育。「青少年之 友」成立31年來，已為逾820,000位本地中學生及大專 生提供藝術體驗活動。藝術節近年亦開展多項針對大、 中、小學生的藝術教育活動，包括由國際及本地藝術家 主持的示範講座及工作坊、學生展演、演前講座、公開 彩排以及欣賞藝術節演出。同時，通過「學生票捐助計 劃」，藝術節每年提供約10,000張半價學生票。
香港藝術節每年主辦一系列多元化並深入社區的「加料 節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
香港藝術節亦銳意將共融藝術理念拓展到社區每一角 落。由藝術節與香港賽馬會慈善信託基金聯合呈獻 的「無限亮」計劃於2019年正式開展，透過一系列的 演出及多元的教育及社區外展節目，「無限亮」致力 創造共融空間，讓不同能力人士均可以一同欣賞、參 與、擁抱藝術。
為創造更穩健的財政環境以及確保藝術節的長期可持 續性， 香港藝術節基金會 於2022年成立，旨在讓藝術 節在未來進行年度預算以外的大型特別項目。
（2023年12月更新 Updated December 2023）
*有關香港藝術節的過往節目，可參考以下網頁
The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer), co-produced by the HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch; Richard III and The Tempest, produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with the HKAF as a co-commissioning institution; Green Snake, co-commissioned with the Shanghai International Arts Festival; Dream of the Red Chamber, co-produced with the San Francisco Opera; and Laila, a co-production of the HKAF and the Finnish National Opera and Ballet.
The HKAF invests heavily in arts education for young people. During the past 31 years, our “Young Friends” scheme has reached more than 820,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 halfprice student tickets each year.
The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions and guided cultural tours.
The HKAF actively promotes inclusion via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.
To provide greater financial security and long-term sustainability for the Festival, the Hong Kong Arts Festival Foundation was officially launched in 2022. Donations to the Foundation will be used towards enabling the Festival to present in the future large-scale projects which its annual budget cannot cater for.
Details of past HKAF programmes can be found at https://www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2023.html
誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。
To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.
電郵 Email: dev@hkaf.org
直綫 Direct Lines: (852) 2828 4911/12
網頁 Website: www.hk.artsfestival.org/en/support-us
韓經arte愛樂樂團
Hankyung arte Philharmonic
親子音樂會
Family Concert
10.03.2024 / 3:30pm
香港文化中心音樂廳
Concert Hall, Hong Kong Cultural Centre 演出長約1小時，不設中場休息
Approximately one hour with no interval
粵語旁述，不設字幕
Narration in Cantonese with no surtitles 適合3歲或以上的兒童及家長觀看
For children aged 3 and above and their families
封面照片
※演出期間敬請關掉手提電話及其他電子產品，以免發出聲響或產生光 線，影響表演者及其他觀眾
Please switch off mobile phones and all electronic devices so they will not emit sound or light during the performance, disturbing the performers and other audience members ※請勿擅自攝影、錄音或錄影
Unauthorised photography or recording of any kind is strictly prohibited ※演出期間請保持安靜
Please keep noise to a minimum during the performance ※本場刊採用環保紙張印刷
This programme is printed on environmentally friendly paper ※如不欲保留本場刊，請於完場後放回演出場地入口
If you don’t wish to keep this booklet, please return it to the admission point
交響樂音樂會
Philharmonic Concert
12.03.2024 / 7:45pm
香港文化中心音樂廳 Concert Hall, Hong Kong Cultural Centrel 演出長約2小時10分鐘，包括一節中場休息
Approximately two hours and 10 minutes including one interval
藝術節加料節目
大師班 Masterclass
孫旻秀鋼琴大師班
Minsoo Sohn Piano Masterclass
13.03.2024 (7:30PM-9:00PM)
香港文化中心音樂廳排演室CR2 Concert Hall Rehearsal Room CR2, Hong Kong Cultural Centre
更多加料節目詳情 More Festival Plus
所有作品內容均由主辦單位/創作團隊獨立製作，並不代表贊助機構之立場或意見。 The content of all works is independently produced by the organiser/creative team, and does not reflect the views or opinions of the Sponsor
香港藝術節有權不讓任何遲到者入場。如香港藝術節允許遲到者入場，遲到者的入場 時間及方式將由香港藝術節決定。在任何情況下，除指定「遲到者進場時間」外，遲 到的觀眾有可能不獲安排入場。觀眾務請準時入座。如因遲到而無法入場，恕不退票 或換票。如有爭議，香港藝術節保留最終決定權。
The Hong Kong Arts Festival (“HKAF”) reserves the right to refuse admission of any latecomers to the event. In the event the HKAF allows the admission of latecomers, we also reserve the right to determine the time at which and the manner in which latecomers are to be admitted. In any case, latecomers shall only be admitted at designated latecomer point(s). Audience members are strongly advised to arrive punctually. No refunds or changes will be offered if the ticket holder is refused admission due to late arrival. In the event of any dispute, the HKAF reserves all rights to make the final decision.
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Hankyung arte Philharmonic © Jiseok Jo
Cover photograph
Hankyung arte Philharmonic © Jiseok Jo Wilson Ng © Ho Chang MOC
韓經 arte 愛樂樂團 Hankyung arte Philharmonic
2015年9月，韓經arte愛樂樂團由《韓國經濟日 報》創立，以「成為文化與經濟之間的橋樑」為 口號，迅速成為南韓的頂尖樂團之一。他們以充 滿精力和青春活力的演出而聞名，現時每年舉辦 逾三十場音樂會。
該樂團的音樂會定期在韓國兩個古典音樂電 視頻道之一的韓經arte電視頻道上播出，讓觀衆 在音樂廳外都能重温樂團的精采演出。
自創立以來，兩位音樂總監金蘭世（ 금난새 ） 及洪錫元一直帶領樂團。樂團亦定期與南韓的頂 尖指揮家與獨奏家合作，例如成沶妍、林憲正和 孫旻秀。吳懷世現為樂團的首席客席指揮。
韓經arte愛樂樂團致力培養下一代音樂家。
在韓國教育部及現代汽車鄭夢九協會的支持下， 樂團為全國中學生提供教材，以激發、培養和為 年輕藝術家與音樂愛好者開展音樂路。
除了每年主打的古典音樂演出、教育活動及 社區節目外，樂團亦定期獲邀參加音樂活動或節 慶表演，如首爾藝術中心日場音樂會系列和樂天 音樂廳古典革新音樂節，並與韓國國家歌劇院和 韓國國家合唱團等合作。
The Hankyung arte Philharmonic quickly established itself as one of the leading orchestras in South Korea after its foundation by the Korea Economic Daily in September 2015 under the slogan “A Bridge Between Culture and Economy”. Renowned for its energetic and youthful performances, the orchestra currently presents more than 30 concerts annually.
The orchestra’s concerts are regularly broadcasted on the Hankyung arte TV channel—one of two classical music TV channels in South Korea— allowing audiences to relive the wonders of the orchestra’s live performances beyond the concert hall.
Since its founding, the Hankyung arte Philharmonic has been led by the music directors Nanse Gum and Seok-won Hong. The orchestra has also regularly performed with some of South Korea’s leading conductors and soloists such as Shi-Yeon Sung, Heon-Jeong Lim and Minsoo Sohn. Wilson Ng is currently the Principal Guest Conductor of the Hankyung arte Philharmonic.
The Hankyung arte Philharmonic is committed to inspiring the next generation of musicians. With the support of South Korea’s Ministry of Education and the Hyundai Motor Chung Mong-Koo Foundation, it has supplied middle and high schools nationwide with educational materials to inspire, nurture and create musical pathways for young artists and music lovers.
Apart from its annual schedule of core classical performances, education activities and community programmes, the Hankyung arte Philharmonic is regularly invited to perform at music events and festivals such as the Seoul Arts Center Matinee Concert Series and the Lotte Concert Hall’s Classic Revolution festival, and collaborations with, among others, the Korean National Opera and the National Chorus of Korea.
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© HKarte
指揮 吳懷世
吳懷世被《尚流》雜誌譽為「世界上最享負盛名 的青年指揮家之一」，他自2012年起多次與香港 藝術節合作。在2021年，他與首爾愛樂樂團參演 了第49屆藝術節的節目，其後在2023年的藝術 節指揮香港管弦樂團兩場音樂會。
吳懷世最近獲任命為韓經arte愛樂樂團的首 席客席指揮，他將帶領樂團在首爾演出多場音樂會 及在韓國其他主要城市巡演，而他們所有的演出均 由韓經arte電視頻道直播。吳懷世在2023/2024年 樂季的其他重點演出包括他與瑞士洛桑室內樂團、 札幌交響樂團、北京國家大劇院管弦樂團的首次 演出，並再次與統營音樂節樂團及圖魯茲首都樂團 合作。最近，由他指揮的圖魯茲首都樂團與曼陀 鈴演奏家馬提諾合作錄音，由法國 Naïve 唱片公司 發行。
吳懷世於香港出生，自青少年時期起在歐洲 接受音樂教育。他在馬勒、蘇提爵士和斯維特蘭 諾夫國際指揮大賽等重大比賽中贏得多個獎項。
2018年，二十八歲的吳懷世獲任為韓國首爾愛 樂樂團首位外籍首席副指揮，是該樂團史上最年 輕的指揮家。他亦經常獲邀指揮韓國其他主要樂 團，包括韓國KBS交響樂團、韓國國家交響樂團 等。
吳懷世在2015年創立了馬勒樂團，他策劃 的「無邊界音樂家」讓觀眾坐在演奏家之間，享 受沉浸式體驗。他最近更創辦了「aboutMusic 基金會」，旨在為香港基層提供免費的國際級音 樂教育。他亦擔任香港中文大學（深圳）音樂學 院藝術顧問委員會委員。
雖然深諳西方傳統經典，吳懷世仍醉心當代 亞洲作曲家，包括葉小綱、陳銀淑、武滿徹和林 樂培等的作品。他曾指揮2019年北京現代音樂節 開幕音樂會，並於2023年重返指揮其閉幕演出。
Conductor Wilson Ng
Described by Tatler Asia as “one of the world’s most acclaimed young conductors”, Wilson Ng has had a longstanding relationship with the Hong Kong Arts Festival since 2012. In 2021, he led the Seoul Philharmonic Orchestra for a performance at the 49th HKAF. In 2023, he returned to the HKAF and conducted the Hong Kong Philharmonic Orchestra again for another two performances.
Recently appointed Principal Guest Conductor of the Hankyung arte Philharmonic, Ng will lead the orchestra for several concerts in Seoul and around South Korea. All performances will be broadcast live on Hankyung arte TV. Other highlights of the 2023/24 season include debuts with Orchestre de Chambre de Lausanne, the Sapporo Symphony Orchestra, and the China NCPA Orchestra in Beijing. Ng will also return to the Tongyeong Festival Orchestra and the Orchestra National du Capitole de Toulouse, where he and mandolinist Julien Martineau collaborated on a recently released recording under the French label Naïve.
Born in Hong Kong and educated in Europe, Ng won several awards at the Mahler, Sir Georg Solti and Evgeny Svetlanov conducting competitions. In 2018, Ng was named Associate Conductor of the Seoul Philharmonic Orchestra. He was only 28 years old at the time and became the youngest conductor ever appointed by the orchestra. He also frequently serves as a guest conductor for other major Korean ensembles, including the KBS Symphony and the Korean National Symphony orchestras.
In 2015, Ng founded the Gustav Mahler Orchestra in Hong Kong and launched “Musicians without Borders”—an innovative project for audiences to enjoy immersive musical experiences. He also co-founded the aboutMusic Foundation to provide underprivileged students in Hong Kong with free international-level music education. Additionally, Ng is a member of the Artistic Advisory Board of the School of Music at The Chinese University of Hong Kong, Shenzhen.
Although he is deeply familiar with the traditional Western canon, Ng is a passionate champion of Asian composers, including Ye Xiaogang, Unsuk Chin, Tōru Takemitsu and Doming Lam. In 2019, he conducted the opening concert of the Beijing Modern Music Festival, and in 2023, returned to lead its closing performance.
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© Ho Chang MOC
親子音樂會
普羅科菲耶夫 《彼得與狼》
林樂培 《昆蟲世界》
勤蜂嗡嗡
蜻蜓點水 春蠶吐絲 穿花蝴蝶 昆蟲世界
指揮 吳懷世 旁白 麗英
粵語旁白撰稿 馮邵哲 服裝設計 梁子蔚
Sergei Prokofiev (1891-1953)
Peter and the Wolf
Doming Lam (1926-2023)
The Insect World
Buzzing Bees Making Honey
Dragonflies Along a Stream
Silkworms Spinning Silk
Butterflies Among the Flowers
The Insect World
Conductor Wilson Ng
Narrator Lai Ying
Cantonese Script Writer Falcon Zit Fung
Costume Designer Jade Leung Tsz-wai
鳴謝澳門青年交響樂團協會提供音樂會所使用的林樂培《昆蟲世界》樂譜。
Thanks
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Family Concert 10.03.2024
to the Macao Youth Symphony Orchestra Association for providing the score and parts of Doming Lam's The Insect World.
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普羅科菲耶夫 《彼得與狼》
Sergei Prokofiev (1891-1953)
Peter and the Wolf
普羅科菲耶夫具有極其生動的想像力，以至 於是他最抽象的作品，似乎都在娓娓訴說故 事，其交響曲、奏鳴曲和協奏曲便是最佳例 子。他音樂敍事的精湛造詣，也在其芭蕾舞 劇如《羅密歐與茱麗葉》的成功中可見一斑。
說到作曲家另一部為兒童而作的作品， 則是1935年的《兒童音樂》，箇中十二首鋼 琴曲盡顯童心，跟舒曼等前人之作遙相呼 應。1936年，普羅科菲耶夫返俄未幾，便 欣然接受莫斯科中央兒童劇院的委約，創作 《彼得與狼》。原作記述一名年輕的蘇聯少 年先鋒明辨是非，敢與成年人對着幹，唯作 曲家對此不甚喜歡，遂將故事改成敍述一個 名叫彼得的小男孩，如何憑一己智謀捕獲野 狼。這樣既保留原作的元素，彼得英勇的表 現又與當時蘇聯社會對青年的期望形象不謀 而合。
《彼得與狼》本來的目的乃是向年輕聽眾 介紹樂團中的樂器，所以普羅科菲耶夫除了 以音樂塑造每個角色，更以特定樂器象徵個 別角色：長笛演奏小鳥、雙簧管飾演鴨子、 單簧管代表花貓、來勢洶洶的圓號是大灰 狼、巴松管象徵爺爺、木管樂器與小號演繹 獵人，而弦樂組則屬彼得本人。雖然此作首 演未捷，卻迅速廣受歡迎，成為作曲家最成 功的作品之一。
Sergei Prokofiev had an extremely vivid imagination so that even his most abstract compositions such as the symphonies, sonatas and concertos all seem to be telling a story. The success of his ballets, such as Romeo and Juliet, attest to the wonderful way he could create a narrative in music.
The only other work of his which is specifically for children is his Music for Children, a set of 12 piano pieces from 1935. These demonstrate that, like Schumann and others before him, Prokofiev had not forgotten his childhood. He was delighted, shortly after his return to Russia in 1936, to receive a commission to write a piece for the Central Children’s Theatre in Moscow. The original text, about a young Soviet Pioneer who puts matters right by standing up to an adult, was not to the composer’s liking, so he wrote his own story, about a young boy, Peter, who, by guile and resourcefulness, captures a wolf. Elements of the original story remain, with the bravery of the young Peter resonating with the then Soviet ideas of how youth should behave.
The original intention of Peter and the Wolf was to introduce the instruments of the orchestra to the young audience, and Prokofiev depicts the various characters, not only musically but by using specific instruments for each— the bird by the flute, the duck by the oboe, the cat by the clarinet, the wolf by menacing horns, the grandfather by the bassoon, the hunters by woodwind instruments and trumpets, and Peter himself by the strings. After a first performance which made little impression, the work soon became popular and has become one of Prokofiev’s most successful compositions.
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林樂培 《昆蟲世界》
Doming Lam (1926-2023)
The Insect World
作曲家林樂培獲譽為「香港新音樂之父」，其 作品結合了傳統中國旋律與前衛曲風。
林樂培的音樂創作嫻熟，創作整體與 表現手法富含中樂底蘊，同時糅合當時在西 方樂壇前衛的技藝，令作品具有獨特韻味及 力量。例如為兒童創作的鋼琴作品《舅舅組 曲》，便流露其敏銳樂思，箇中技法靈巧生 動，媲美舒曼和普羅科菲耶夫的同類作品。
另一首近乎傳統風格的樂曲《春江花月 夜》秀麗如畫，巧以鋼琴韻律模仿中國器樂 聲響。《謝灶君》構思源自中國傳統習俗，卻 採用西洋樂團為主要配器，仿摹中樂聲響， 並加入中國笛子。他曾創作許多為中樂團而 作的樂曲，如抒情的《秋決》，令人印象難 忘。
林樂培不時糅合中西樂器創作，論乎作 曲家妙想奇思之致，便要數其為1979年國際 兒童年創作的《昆蟲世界》。此曲共有五個部 分，分別描述蜜蜂、蠶蟲、蜻蜓、蝴蝶和其 他昆蟲，箇中描繪活靈活現，喚起聽者無窮 想像，象徵大自然一片盎然。閤眼聆聽，你 將感受每種昆蟲的曼妙姿采。
林樂培於1926年在澳門出生，他來港 後協助創立中英管弦樂團（香港管弦樂團前 身）。他曾於荷里活工作，後來返回香港在電 台及電視台工作。他亦曾任教於香港大學音 樂系，並於2020年獲香港演藝學院頒發榮譽 博士學位。
撰文：紀大衛
Doming Lam was a composer known as the “The Father of New Music in Hong Kong” whose works combined traditional Chinese melodies with the avant-garde.
Lam’s mature music is always fundamentally Chinese in outlook and expression, but gains its unique flavour and power from the ways in which he incorporated what were then avant-garde Western techniques into the mix. The strength of his musical imagination and the technique he used to express this can even be heard in such works as his Uncle Suite for piano, a set of pieces for children which can stand alongside those of Schumann and Prokofiev, for example.
Another almost traditional type of piano piece is his Moonlight over Spring River, which is highly pictorial and evocative of the sounds and effects of Chinese instruments on the piano. Thanksgiving to Joe Kwan, the Kitchen God for Western orchestra again is thoroughly Chinese in conception, but uses a highly enriched palette through its evocation of traditional Chinese instruments and his use of dizi. Many of his works were for Chinese orchestra, such as the highly impressive and expressive Autumn Execution.
He often used Western and Chinese instruments in combination. His highly developed imagination can be heard in The Insect World, written in 1979 for the International Year of the Child, and his portrayal of each of the insects is intended to awaken the listener’s imagination. Comprised of five sections dedicated to bees, silkworms, dragonflies, butterflies and other insects, The Insect World paints a picture of little creatures living in harmony. If you close your eyes when you hear the music, you will enjoy all the colours and grace of each insect.
Lam was born in Macau in 1926. He helped found the Sino-British Orchestra—the forerunner of the Hong Kong Philharmonic. He spent some time working in Hollywood but then returned to Hong Kong to work for the radio and TV station. Lam taught at the Music Department of the University of Hong Kong, and in 2020 The Hong Kong Academy for Performing Arts awarded him an honorary doctorate.
Text: David Gwilt
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©建燁
三重音樂享受
Three-fold musical experience
韓經arte愛樂樂團成立年僅八年卻不容小 覷，這隊由《韓國經濟日報》創立的管弦 樂團，除充滿活力的現場演出外，更有自 家電視頻道全天候播放古典樂音樂會，在 韓國打響名堂。我們邀請了與樂團多次合 作的知名指揮吳懷世受訪，發掘此樂團的 魅力所在。
The eight-year-old Hankyung arte Philharmonic may have a somewhat concise portfolio, but its audience throughout South Korea is anything but concise. After being founded by the Korea Economic Daily, the orchestra quickly became a household name throughout its home country, not only due to its energetic live performances but also because it operates a television channel that broadcasts classical concerts around the clock. Ahead of Hankyung’s appearances at the 52nd Hong Kong Arts Festival, we caught up with renowned Hong Kong-born conductor Wilson Ng to discuss the power and influence of the orchestra, which he has collaborated with on multiple occasions.
吳懷世認為，韓經arte愛樂樂團目標明 確，就是讓更多人接觸古典音樂。他們不只為 古典樂迷服務，更有志擴展古典音樂的觀眾 層。作為一隊2015年成立的私營管弦樂團， 他們於八年間人氣日盛，凡舉辦音樂會，均幾 近滿座。在音樂廳外，樂團還成立了收費電視 頻道arte TV，全天候播放自家和世界各地音
Ng notes that Hankyung, which has always been dedicated to promoting classical music, has not only catered to existing listeners, but also always aspired to widen the audience base. As a privately owned orchestra inaugurated in 2015, Hankyung became so popular that all of its concerts during the past eight years have been fully booked. And those unable to see the orchestra in person have benefited from its paid television channel arte TV, which presents concerts by Hankyung
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©Jiyeon Sim
©Jiyeon Sim 樂會。吳懷世說錄播音樂會在外國成本高昂， 該樂團擁有天時地利，非常難得。
韓經arte愛樂樂團還會舉辦音樂會給特定 觀眾，例如在新冠疫情時，曾舉辦為醫護人員 而設的音樂會。吳懷世也曾在專門為消防員、 警察及其家人的音樂會指揮。這些演出中，樂 團會演奏一些耳熟能詳並氣氛喜慶的曲目，讓 觀眾容易投入。
他們將於第52屆香港藝術節上演三齣節 目：米蘭史卡拉歌劇院芭蕾舞團《海盜》演 奏、韓經的親子音樂會和交響音樂會。對於 這三類音樂會，樂團都駕輕就熟。因為他們 一直為多個芭蕾舞團演出奏樂；以沙畫呈現 的《彼得與狼》家庭音樂會；更不用說他們 備受追捧的交響音樂會了。
親子及交響兩場音樂會均由吳懷世指 揮，前者將演奏《彼得與狼》與香港作曲家 林樂培的《昆蟲世界》。吳懷世指《昆蟲世 界》因編制較大，較少上演，觀眾難得有機 會欣賞。而交響音樂會則會演奏中國作曲家 葉小綱的《消失的銀杏》，吳懷世特別珍惜指 揮中國作曲家作品的機會，因能代表自己的 身份。他認為葉小綱的作品帶中國韻味，其 和聲卻又是世界性的，值得欣賞。
在交響音樂會中，樂團將與鋼琴家孫旻 秀合作。吳懷世表示：「他對音樂非常細膩認 真，琴音充滿哲學意境……他的音樂十分吸 引我。」選曲拉赫曼尼諾夫的D小調第三鋼琴 協奏曲，作品30，因為孫旻秀的高徒任奫燦 正是憑此曲在2022年美國范．克萊本國際鋼 琴比賽奪得金獎。
2024年韓經arte愛樂樂團首度來港演 出，屆時香港觀眾能親身欣賞他們嚴謹認真 的演奏，一睹韓國新生冒起樂團之風采。
撰文：李芷晴 原文刊登於香港藝術節2024年之《閱藝》雜誌
and other orchestras from around the world. Ng notes that Hankyung is in a unique position to also have the TV channel, given the high production costs of pre-recorded concert programmes around the world.
Hankyung also regularly organises concerts that are tailored for specific types of audiences, such as concerts to thank medical staff during the COVID-19 pandemic. Ng has conducted the orchestra at concerts for the fire service, the police, and their families. Usually at these concerts, the orchestra performs celebratory and renowned works that are specially chosen for the occasions.
Hankyung is giving three performances at the 52nd HKAF, including playing alongside Teatro alla Scala Ballet Company at Le Corsaire, a Family Concert and a Philharmonic Concert, which are all regular programmes of the ensemble. The orchestra has regularly appeared with various ballet troupes, and many of its South Korean followers will recall when Hankyung presented Peter and the Wolf with sand painting at a Family Concert, not to mention its sought-after Philharmonic Concert.
Ng will be conducting Hankyung at the Family Concert and Philharmonic Concert. The Family Concert will feature the famous Peter and the Wolf and a symphonic work called The Insect World, created by the late Hong Kong composer Doming Lam. The conductor points out that The Insect World, in particular, will be an exceptional piece for the local audience to experience live due to its extensive instrumentation. Meanwhile, the audience at the Philharmonic Concert will be treated to a performance of The Faint Ginkgo by Ye Xiaogang, a Chinese composer. Ng says he treasures opportunities to perform Chinese composers’ works and believes the piece by Ye perfectly captures the beauty of Chinese culture, adding that the harmonies in Ye’s works resonate with global audiences.
Joining Hankyung at the Philharmonic Concert is pianist Minsoo Sohn, “whose renditions have been exquisite and earnest, characterised by a philosophical execution of notes that is always intriguing,” says Ng. The pianist will play Rachmaninov’s Piano Concerto No 3 in D minor, Op 30, the piece that won his protégé Yunchan Lim the Gold Medal at the 2022 Van Cliburn International Piano Competition.
At Hankyung’s 2024 HKAF appearances, local audiences can expect brilliant performances from an emerging orchestra playing with great.
Text: Rebecca Lee
Originally published in the HKAF’s 2024 FestMag
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旁白 麗英
麗英活躍於歌、影、視、網絡四個平台， 以 嬌小外型、直率丶搞笑的性格為觀眾所喜愛， 其「全死角美少女」的形象深入民心。
2020年，麗英正式出道成為唱作型女歌 手，音樂類型以日本流行音樂風格為主。同 年，她獲提名「Chill Club推介榜年度推介 20/21」年度新人及獲頒「新城勁爆頒獎禮 2021」勁爆新人獎。麗英熱愛日本文化，喜 愛翻唱日文歌曲， 其多首音樂作品均有日文 版本。
2023年，麗英獲得「Chill Club推介榜 年度推介22/23」女歌手最後五強， 更於同 年2月獲Sportify EQUAL選中登上紐約時代 廣場大屏幕。唱而優則演的她， 最近參演了 電影《阿媽有咗第二個》、《全個世界都有電 話》及《填詞L》。
Narrator Lai Ying
Hong Kong singer-actress Lai Ying is active in music, films, TV shows and online channels. She is famed for her petite figure, and sincere and funny personality. Her self-assigned nickname, “a girl who doesn’t look good from any angle”, has captured the attention of audiences.
Lai Ying made her debut as a singer-songwriter in 2020, performing Japanese pop music. In the same year, she was nominated as the Discovery of the Year at Chill Club Chart Award Presentation 20/21, and was awarded the same prize at the Metro Radio Hits Music Awards 2021. Lai Ying has a passion for Japanese culture and loves performing covers of Japanese songs, and has released Japanese versions of some of her songs.
Lai Ying was included among the top five female singers at Chill Club Chart Award Presentation 22/23. She was also selected by Spotify EQUAL to make an appearance on the big screen at Times Square in New York in February the same year. A singer before she becomes an actress, she has appeared in films such as Mama’s Affair, Everyphone Everywhere and The Lyricist Wannabe.
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© Pomato
親子音樂會 Family Concert
指揮 吳懐世
Conductor Wilson Ng
旁白 麗英
Narrator Lai Ying
第一小提琴 First Violins
Baek Soo-ryun Concertmaster
Jang Eun-jung Principal
Choi Sang-ah
Choi Ah-yun
Hong Yoo-bin
Lee Ji-soo
Jeon Clara Hong-ju
Cho Hea-su
Kim Jun-ga
Jung Chung-man
Kang Seung-hee
Lee Su-bin
Nam Ji-won
第二小提琴 Second Violins
Park Ji-hyun Principal
Jeon Ui-yeop
Bae Ha-eun
Byun Ji-woo
Han Jong-beom
Park Se-youn
Kim Dong-hee
Kim Ye-eun
Kim Ji-yun
Kim Shi-yeon
Sa Yun-bin
中提琴 Violas
Lee Geun-hee Principa l
Na Ji-su
Kim Seon-ju
Jeong You-mi
Hong Eun-joo
Kim Ge-hyoun
Choi Hye-mi
Kim Ho-yoon
Lee Sun-kyung
大提琴 Cellos
Kim Soo-jung Principal
Kim Ha-eun
Kim Jung-hyun
Cho Su-rin
Park Yeo-won
Yoon Kyung-on
Bae Yun-ju
Jo Ha-yeong
低音大提琴 Double Basses
Choi Seung-kyu Assistant Principal
Kim Mi-kyung Assistant Principal
Jang Yu-ri
Yang Yoon-hoi
Lee Sang-tak
Lim Sang-sik
長笛 Flutes
Ahn Young-ji Principal
Choi You-na
Kim Chai-yeon
雙簧管 Oboes
An Jung-yeon Principal
Kim Ye-eun
Lee Soo-min
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單簧管 Clarinets
Moon Bit-chan Principal
Yun Ji-soo
Ko Tae-won
巴松管 Bassoons
Baik Seung-hoon Principal
Sim Chung-hyeon
Lee Ye-ji
圓號 Horns
Jacques Deleplancque Principal
Jeoung Hyun-su
Kim Seo-hyun
Hwang Jae-bin
小號 Trumpets
Kim Seung-eon Principal
Kim Jeong-soo
Jeong Ho-jun
長號 Trombones
Chung Jong-soo Principal
Jeong Yeong-soo
Jeon Tai-il
低音號 Tuba
Kang Hyun-soo
定音鼓 Timpani
Hwang Young-gwang Principal
敲擊樂器 Percussion
Song Seung-ho Principal
Lee Seong-ha
Lee Jung-soo
Yoo Yo-han
行政團隊 Administrative Team
Kim Jung-ho CEO
Park Sung-wan Executive Director
Francisco DG Cho General Manager
Lee Jae-hyun Manager
Chang Min-su Manager
Jung Jae-hun Manager
Kwon Jeong-min Interpreter
Kim Seung-eon Orchestra Personnel Manager
Choi Seung-kyu Deputy Orchestra Personnel Manager
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葉小綱
《消失的銀杏》
柴可夫斯基
B 小調第六交響曲，作品 74，「悲愴」
慢板－不太快的快板 優雅的快板 非常活潑的快板 憂傷的慢板
拉赫曼尼諾夫
D 小調第三鋼琴協奏曲，作品 30
從容的快板 間奏曲：慢板 終曲：二二拍子
指揮 吳懷世
鋼琴獨奏 孫旻秀
Ye Xiaogang (b. 1955)
The Faint Ginkgo
Pyotr Ilyich Tchaikovsky (1840-1893)
Symphony No 6 in B minor, Op 74, “Pathétique”
Adagio——Allegro non troppo
Allegro con grazia
Allegro molto vivace
Adagio lamentoso
中場休息 INTERVAL
Sergei Rachmaninov (1873-1943)
Piano Concerto No 3 in D minor, Op 30
Allegro ma non tanto
Intermezzo: Adagio Finale: Alla breve
Conductor Wilson Ng Piano Soloist Minsoo Sohn
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Philharmonic Concert 12.03.2024
交響樂音樂會
葉小綱
《消失的銀杏》
Ye Xiaogang (b. 1955)
The Faint Ginkgo
葉小綱作品豐沛多樣，涉獵交響曲、協奏 曲、聲樂作品及室內樂等多個類型，其作品
《星空》曾獲2008年北京夏季奧運會開幕禮 選奏。葉小綱生於上海，在北京中央音樂學 院學習，後來負笈紐約伊士曼音樂學院，師 從阿歷山大．郭爾。目前則在其母校中央音 樂學院教授作曲。
上海音樂周及國家藝術基金委約他創作 《消失的銀杏》，他這樣談起此作：「銀杏在 地球上生存了數十億年，是種古老的植物， 美麗而神秘，使我印象深刻。」他思索在氣候 變化加劇下，銀杏能否存活下去，所以希望 以此曲喚起大眾關注。《消失的銀杏》由墨爾 本交響樂團於2021年首演。
Ye Xiaogang’s compositions cover many genres, including symphonies, concertos, vocal works and chamber music. His work Starry Sky was performed at the opening of the 2008 Summer Olympics in Beijing. Born in Shanghai, Ye studied at the Central Conservatory of Music in Beijing and then at the Eastman School of Music in New York, where one of his teachers was Alexander Goehr. He now teaches composition at the Central Conservatory in Beijing.
The composer says of his composition The Faint Ginkgo, which was commissioned by Shanghai Music Week and the China National Arts Fund: “Ginkgo is an ancient plant that has survived billions of years on our planet. I’ve often been impressed by its beauty and mystery.” He wonders whether it will survive the effects of climate change and hopes his piece will help raise people’s concerns about this. The piece had its world premiere performed by the Melbourne Symphony Orchestra in 2021.
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©Émile Reutlinger
柴可夫斯基 B小調第六交響曲，作品74，「悲愴」
Pyotr Ilyich Tchaikovsky (1840-1893)
Symphony No 6 in B minor, Op 74, “Pathétique”
柴可夫斯基最著名的作品包括他最後創作的 三首交響曲、他為鋼琴和小提琴創作的協奏 曲、他的歌劇作品《尤金．奧尼金》及《黑 桃皇后》、芭蕾舞劇《胡桃夾子》、《天鵝湖》 及《睡美人》，還有他為鋼琴創作的作品《季 節》。其中第六交響曲的創作歷程頗為曲折： 調性非但由原本降E大調突然改為B小調，樂 章編排也另闢蹊徑，先讓三個快速的樂章接 續鋪墊，迎來哀戚難休的慢板終章。作曲家 曾跟弟弟談及此作本為標題音樂，最終卻決 定隱瞞意圖，讓動人的音樂為自己說話。
巴松管在低處徘徊，為此曲吹響陰沉開 局。第一樂章的快板戰戰兢兢，卻出現作曲 家筆下其中一段最能安慰心靈的主題旋律。
第二和第三樂章舞蹈翩然優雅，每個小節卻 以異於平常的五拍貫穿，接續的進行曲明媚 輕快，詎料終章又再度愁緒作序，緩然復陷 深谷。縱然另一段和煦旋律充作強大撫慰， 樂曲旋即折返至小調，使作品走向悲愴，陰 沉的巴松管再度響起，直至寂寥與沉痛收結 全曲。
Tchaikovsky’s most famous works include his final three symphonies, his concertos for piano and for violin, his operas, such as Eugene Onegin and The Queen of Spades, his ballets—The Nutcracker, Swan Lake and The Sleeping Beauty—and works for piano such as The Seasons. His final symphony began life as a work in E-flat Major, a key he suddenly abandoned and instead composed the work in B minor, with its unusual scheme of three fast movements and ending with a tragic adagio. Much has been made of the fact that he told his brother that there was a programme to the work, but in the end Tchaikovsky decided not to divulge what this was and to let the music speak for itself, which it most eloquently does.
It begins in the depths, in the bassoons, and at the end of the last movement sinks back into the depths again. In between, the allegro of the first movement is nervously excited, but contains one of the composer’s most consoling melodies, while the middle two movements are an elegant dance (in an unusual five beats per bar) and a brisk march. The final movement begins tragically, but brings another powerful consoling melody. However, this returns in the minor, adding to the sense of tragedy, before the work comes to its quiet and sombre conclusion.
30
拉赫曼尼諾夫
D小調第三鋼琴協奏曲，作品30
Sergei Rachmaninov (1873-1943)
Piano Concerto No 3 in D minor, Op 30
拉赫曼尼諾夫自小跟隨母親學習音樂，隨後 入讀聖彼得堡音樂學院，最終前往莫斯科音 樂學院深造，師從塔涅耶夫和阿連斯基。他 深受柴可夫斯基及林姆斯基-高沙可夫的影 響，旋即發展出獨一無二的音樂語彙。1917 年俄國革命後，許多流亡海外的俄人曾評 論，拉赫曼尼諾夫的音樂真正反映了俄國靈 魂。
拉赫曼尼諾夫或許是二十世紀最傑出的 鋼琴家及作曲家。1890年代末，他對作曲失 去信心，一蹶不振，直至與研究催眠術的尼 古拉．達爾醫生數度交談，終於迎來蓬勃的 創作顛峰期。1900年代，他先後交出大提琴 奏鳴曲、第二及第三鋼琴協奏曲和第二交響 曲。拉赫曼尼諾夫更以飛快速度寫成第三鋼 琴協奏曲，且於1909年從歐洲赴美作首度巡 演前，僅憑一台靜音鋼琴鍵盤在航程期間完 成作品的最後潤飾與練習。由於印刷樂譜需 時，樂師最終只能以手抄分部樂譜完成作品 首演。作品再度登場時，由馬勒執棒指揮， 非但演繹一絲不苟，指揮聯同樂手日夜排 練，連彩排超出正常時間亦毫無怨言，使拉 赫曼尼諾夫深受感動。
第一樂章以看似簡單的主題開局，隨後 迎上情緒高峰。間奏曲基本上是一組變奏， 涵蓋舞蹈、沉思與激昂的情緒。終曲則以侏 儒的歡樂漫舞作序，及至歷經迥異多舛的波 瀾後，恢宏的旋律才宣告樂曲步向光彩絢麗 的尾聲。在音樂性和鋼琴技藝上，此曲無疑 都屬作曲家最具挑戰性的作品之一，正好為 造詣超群和理解音樂的鋼琴家度身訂造。
撰文：紀大衛
Rachmaninov gained his musical education from his mother, and then at the St Petersburg Conservatory and finally the Moscow Conservatory, studying with Taneyev and Arensky. Influenced by Tchaikovsky and Rimsky-Korsakov, he soon developed his own distinctive mode of expression. Many Russian exiles abroad after the 1917 revolution remarked that Rachmaninov’s music truly reflected the Russian soul.
Probably the most outstanding pianist-composer of the 20th century, Rachmaninov suffered a loss of confidence in his ability to compose towards the end of the 1890s, but, after conversations with a Dr Nikoleg Dahl, who was known to be interested in hypnotism, he entered a prolific number of years in the 1900s, during which he produced his cello sonata, the second and third piano concerto, and the second symphony. The third piano concerto was written at great speed for performance during his first tour of America in 1909, and he put the finishing touches to it and practised it during the sea voyage from Europe, on a silent piano keyboard. The first performance took place using hand-copied parts, as there had been no time to print it. When the work was performed a second time, Gustav Mahler conducted and the composer was highly impressed with Mahler’s meticulous attention to detail, and to his taking the rehearsal well beyond the normal finishing time—with no complaints from members of the orchestra.
The first movement begins with a deceptively simple theme and rises to heights of passion, while the intermezzo is basically a set of variations including dance and contemplation as well as high emotion. The finale starts out like some gnome’s dance of delight, but passes through many different emotions before the final grand melody sets the seal on a wonderful musical journey. This is one of Rachmaninov’s most musically and pianistically challenging works, but is a wonderful vehicle for those with the right technical prowess and musical understanding.
Text: David Gwilt
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© Kubey-Rembrandt Studios
Parsons Music Ad
鋼琴獨奏 孫旻秀
孫旻秀是一位美籍韓裔鋼琴家，獲《紐約時 報》譽為「一位名副其實的藝術家，具備深 思熟慮的構思和充滿詩意的詮釋」，更獲《波 士頓環球報》譽為「天生的鋼琴家」。他以對
音樂的知識和精湛的琴技而聞名，這些特質 令他在美國、加拿大和韓國贏盡讚賞。尤其 是他對巴赫和貝多芬作品的演繹，使他躋身 作品專家的行列，而他在管弦樂演奏方面的 獨創靈感，也令他廣獲推崇。孫旻秀的巡迴 足跡遍佈南北美洲、歐洲、以色列和韓國。
孫旻秀演繹巴赫《戈爾德堡變奏曲》尤 其聞名，《紐約時報》更稱讚他在赫尼茲唱 片公司灌錄的這首作品時「演繹得鏗鏘動 人、淋漓盡致」，並將其列入2011年最佳古 典唱片之列。他的錄音也獲得了《紐約人》 雜誌、《留聲機》雜誌、《卡加利先驅報》和 《多倫多星報》等媒體的好評。
孫旻秀的成功，很大程度上歸功於他在 波士頓新英格蘭音樂學院的老師——羅素． 雪曼和卞和暻。在密西根州立大學任教後， 孫旻秀回到韓國，成為了韓國國立藝術大學 的演奏家和導師。他還擔任赫尼茲國際鋼琴 大賽、世界之巔國際青少年鋼琴大賽和布索 尼國際鋼琴比賽等著名國際鋼琴比賽的評審。
作為一名老師、演奏家和音樂思想家， 孫旻秀聲譽日隆。2023年秋季，孫旻秀開始 在新英格蘭音樂學院鋼琴系任教。
Piano Soloist Minsoo Sohn
Described by The New York Times as “a genuine artist, with a thoughtfully conceived and poetic interpretation” and The Boston Globe as “born to play the piano”, Minsoo Sohn is a Korean-American pianist known for his musical intelligence and masterful virtuosity—qualities that have earned him acclaim throughout the United States, Canada and South Korea. His readings of the works of Bach and Beethoven in particular have placed him among the elite in this repertoire, and the inspired ingenuity of his orchestral performances have earned him many accolades. Sohn has toured extensively throughout North and South America, Europe, Israel and South Korea.
Sohn is particularly noted for his interpretation of Bach’s Goldberg Variations, with The New York Times praising his Honens-label recording of the work as a “beautifully articulated, radiant interpretation”, including it among its top classical recordings of 2011. His recordings have also received critical acclaim from The New Yorker magazine, Gramophone, the Calgary Herald and the Toronto Star, among others.
Sohn owes much of his success to his mentors, Russell Sherman and Wha Kyung Byun, with whom he studied with at the New England Conservatory of Music in Boston. After teaching at Michigan State University, Sohn returned to South Korea where he became a sought-after performer and instructor at the Korean National University of Arts. He has also served on the jury at prominent international piano competitions including Honens, Top of the World and the Busoni Competition.
Sohn continues to expand his reputation as a teacher, performer and musical thinker. In autumn 2023, Sohn joined the piano faculty at the New England Conservatory of Music.
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© Shin-joong Kim + MOC
交響音樂會
Philharmonic Concert
指揮 吳懷世
Conductor Wilson Ng
鋼琴獨奏 孫旻秀
Piano Soloist Minsoo Sohn
第一小提琴 First Violins
Baek Soo-ryun Concertmaster
Jang Eun-jung Principal
Jeon Ha-young
Choi Sang-ah
Choi Ah-yun
Hong Yoo-bin
Lee Ji-soo
Jeon Clara Hong-ju
Cho Hea-su
Kim Jun-ga
Jung Chung-man
Kang Seung-hee
Lee Su-bin
Nam Ji-won
第二小提琴 Second Violins
Park Ji-hyun Principal
Park Ju-yeon
Jeon Ui-yeop
Bae Ha-eun
Byun Ji-woo
Han Jong-beom
Park Se-youn
Kim Dong-hee
Kim Ye-eun
Kim Ji-yun
Kim Shi-yeon
Sa Yun-bin
中提琴 Violas
Lee Geun-hee Principal
Kim Seon-ju
Na Ji-su
Jeong You-mi
Hong Eun-joo
Kim Ge-hyoun
Choi Hye-mi
Kim Ho-yoon
Lee Sun-kyung
大提琴 Cellos
Kim Soo-jung Principal
Cho Su-rin
Kim Ha-eun
Kim Jung-hyun
Park Yeo-won
Yoon Kyung-on
Bae Yun-ju
Jo Ha-yeong
低音大提琴 Double Basses
Kim Mi-kyung Assistant Principal
Choi Seung-kyu Assistant Principal
Jang Yu-ri
Yang Yoon-hoi
Lee Sang-tak
Lim Sang-sik
長笛 Flutes
Ahn Young-ji Principal
Choi You-na
Kim Chai-yeon
雙簧管 Oboes
An Jung-yeon Principal
Kim Ye-eun
單簧管 Clarinets
Moon Bit-chan Principal
Yun Ji-soo
Ko Tae-won
34
巴松管 Bassoons
Baik Seung-hoon Principal
Sim Chung-hyeon
圓號 Horns
Jacques Deleplancque Principal
Jeoung Hyun-su
Kim Seo-hyun
Hwang Jae-bin
小號 Trumpets
Kim Seung-eon Principa l
Kim Jeong-soo
Jeong Ho-jun
長號 Trombones
Chung Jong-soo Principal
Jeong Yeong-soo
Jeon Tai-il
低音號 Tuba
Kang Hyun-soo
定音鼓 Timpani
Hwang Young-gwang Principal
敲擊樂器 Percussion
Song Seung-ho Principal
Lee Seong-ha
Lee Jung-soo
Yoo Yo-han
豎琴 Harp
Youn Hea-soon Principal
鋼琴 Piano
Jeon Hye-yoon
鋼片琴 Celesta
Ahn Ji-yeon
行政團隊 Administrative Team
Kim Jung-ho CEO
Park Sung-wan Executive Director
Francisco DG Cho General Manager
Lee Jae-hyun Manager
Chang Min-su Manager
Jung Jae-hun Manager
Kwon Jeong-min Interpreter
Kim Seung-eon Orchestra Personnel Manager
Choi Seung-kyu Deputy Orchestra Personnel Manager
35
鳴謝 ACKNOWLEDGEMENTS
香港藝術節衷心感謝下列機構及人士的慷慨支持﹕
The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員Patron's Club Members
鉑金會員Platinum Member
嘉里控股有限公司
黃金會員Gold Members
怡和集團
純銀會員Silver Member
太古地產
Kerry Holdings Limited The Jardine Matheson Group Swire Properties
上海商業銀行有限公司
Shanghai Commercial Bank Limited
其他支持機構Other Supporters
澳洲總領事館香港
Australian Consulate-General Hong Kong
荷蘭駐港總領事館
Consulate of the Kingdom of the Netherlands in Hong Kong and Macau 荷蘭表演藝術基金
Performing Arts Fund NL
藝術人才見習配對計劃2023/24由香港藝術發展局資助
2023/24 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council
實物支持機構In-kind Supporters
信興集團 Shun Hing Group
通利琴行 Tom Lee Music
藝術節捐助計劃 Festival Donation Scheme
鉑金捐款者PLATINUM DONORS
HK$140,000或以上OR ABOVE
無名氏 Anonymous
Man Sebastian Shiu Wai
翡翠捐款者JADE DONORS
HK$30,000 - HK$69,999
陳瑤華小姐 Ms EVA CHAN
Leung Wai Yee Candice
Dr Stephen Suen
黃金捐款者GOLD DONORS
HK$12,000 - HK$29,999
無名氏 Anonymous
Ms Wendy Nam
Dr Sabrina TSAO
曹延洲医生夫婦 Dr & Mrs Tsao Yen-Chow
Mr & Mrs YS Wong
Vernon Zhang
純銀捐款者SILVER DONORS
HK$6,000 - HK$11,999
無名氏 Anonymous
Richard & Ruth Herbst
Ho Man Fung Edith
練紹良先生夫人 Mr & Mrs David S L Lin
Michael Mak
Mrs Schmitt Ling Jane
Mr Wong Yick Kam
姚昱小姐 Ms ISABEL YIU 姚曼儀女士 Ms Enoch Yiu
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999 無名氏（4）Anonymous（4） 億京慈善基金有限公司 Billion Charity Fund Limited
José Manuel Sevilla and Julie Bisaillon
Veryan Bradshaw
Mrs Anson CHAN
Dr Chan Wan Tung
Mary Chen
CHIANG Lily Flavia
BETHAN AND TIM CLARK
李芸輝博士 Dr LEE Wan Fai Walter
Winnie Leong
Wendy leung wing shan
MA Shu Ting, Gary
Ms Teresa Pong
Christine TONG
Willow Yang
Ms Cecilia Yeung
朱玉迎小姐 Ms Zhu Yuying
學生票捐助計劃 Student Ticket Scheme
鉑金捐款者PLATINUM DONORS
HK$140,000或以上OR ABOVE
無名氏（3）Anonymous（3）
馬振玉慈善基金會有限公司 CYMA Charity Fund Limited
陳廷驊基金會 The D. H. Chen Foundation
鑽石捐款者DIAMOND DONORS
HK$70,000 - HK$139,999
Mrs Purviz R. Shroff, MH and Late Mr Rusy M. Shroff, BBS, MBE
田家炳基金會 Tin Ka Ping Foundation
芝蘭基金會 Zhilan Foundation
翡翠捐款者JADE DONORS
HK$30,000 - HK$69,999
Dr Stephen Suen
Vernon Zhang
天智合規顧問有限公司
CompliancePlus Consulting Limited
黃金捐款者GOLD DONORS
HK$12,000 - HK$29,999
See Yuen CHUNG
C H Mak
Mr & Mrs Kenneth & Susana Quinn
純銀捐款者SILVER DONORS
HK$6,000 - HK$11,999
無名氏 (2) Anonymous (2)
Mr and Mrs Herbert Au-Yeung
徐伯鳴先生黃碧如女士 Mr Norman Chui Pak Ming and Ms Cleresa Wong Pie Yue
Mrs Margaret Hamilton
新作捐助計劃 New Works Scheme
鉑金捐款者PLATINUM DONOR
HK$140,000或以上OR ABOVE 無名氏 Anonymous
黃金捐款者GOLD DONORS
HK$12,000 - HK$29,999
劉仰澤先生 Mr Lau Yeung Chak
凌霄志醫生 Dr Tony Ling
Vernon Zhang
Richard & Ruth Herbst
麥禮和醫生 Dr Mak Lai Wo
Karen and Vernon Moore
曹延洲医生夫婦 Dr & Mrs Tsao Yen-Chow
Ms Wu Tseng Helen
陳穎儀與黃乃正
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999
無名氏（4）Anonymous（4）
區燊耀先生 Mr Au Son Yiu
Biz Office Limited
Carthy Limited
Ms Cynthia Cheng & Mr Aaron Chan
MDB&StarCHAN
D. Chang
CHEUNG KIT FUNG
趙頴雅小姐 Ms WINNIE CHIU WING NGAR
Community Partner Foundation Limited
馮兆林先生，太平紳仕 Mr Fung Shiu Lam, J.P.
Mr Anthony Hardy
S Hon
Savita Leung
Ms Teresa Pong
Mr and Mrs Rato
Ms Janice RITCHIE
蘇健文先生 Mr So Kin Man
Dr Tam Oi Wo Joyce
Christopher K. L. Wong
Desmond Yu
陳皓宜博士
殷和順先生劉善萍女仕
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999
無名氏（2）Anonymous（2）
Tabitha Chiu
Jason Chung
Dr Alfred Lau
Lian Crystal Rhinestone
Ms Teresa Pong
網上藝術教育捐助計劃 Digital Arts Education Scheme
鉑金捐款者PLATINUM DONOR
HK$140,000或以上OR ABOVE
Dr and Prof. Anna and Helmut Sohmen
鑽石捐款者DIAMOND DONOR
HK$70,000 - HK$139,999 無名氏 Anonymous
青銅捐款者BRONZE DONORS
HK$3,000 - HK$5,999 無名氏 Anonymous
HK CT ABRSM Alumni Association
Ms Teresa Pong
香港藝術節基金會贊助人
Hong Kong Arts Festival Foundation Patrons
首席創始贊助人 Lead Founding Patrons
陳俊豪先生 Mr Thomas Chan
黃廷方慈善基金 Ng Teng Fong Charitable Foundation
電訊盈科 PCCW
九龍倉集團 The Wharf Group
主要創始贊助人 Major Founding Patrons
萬通保險國際有限公司 YF Life Insurance International Ltd
眾安銀行 ZA BANK
創始贊助人 Founding Patrons
陳煒文博士, JP Dr Raymond Chan, JP
丹斯里拿督邱達昌 Tan Sri Dato' David Chiu
曹其鋒先生 Mr Silas Chou
霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok 馮氏基金有限公司 E.M. Fung Foundation Limited
何超瓊女士, SBS, JP Ms Pansy Ho, SBS, JP 科勁國際（控股）有限公司 King's Flair International (Holdings) Limited
梁婉玲博士 Dr Elina Leung
孫漢明博士 Dr Stephen Suen
包陪麗女士, BBS及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari
其他贊助人 Other Patron 高盛回饋慈善基金 (James Houghton 先生推薦)
Goldman Sachs Gives Annual Giving Fund (Recommended by Mr James Houghton)
支持及協助 Support and Co-operation
Acorn Design
教育局藝術教育組 Arts Education Section, Education Bureau
網上售票平台 Art-mate
香港展能藝術會 Arts with the Disabled Association Hong Kong
香港愉景灣酒店 Auberge Discovery Bay Hong Kong
樺利廣告有限公司 Avanny Advertising Co Ltd
華大盛品酒店 Best Western Plus Hotel Hong Kong
宏基國際賓館 Bishop Lei International House
BRICK LANE
英國文化協會 British Council
英國駐香港總領事館 British Consulate General Hong Kong
CAMPSITE
牛棚藝術村 Cattle Depot Artist Village
城市當代舞蹈團 City Contemporary Dance Company
比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau
法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau
以色列駐香港總領事館 Consulate General of Israel in Hong Kong & Macau
西班牙駐香港總領事館 Consulate General of Spain in Hong Kong
瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong
埃及駐港澳總領事館 Consulate General of the Arab Republic of Egypt in Hong Kong and Macau
伊朗駐香港總領事館 Consulate General of the Islamic Republic of Iran in Hong Kong
荷蘭駐港總領事館 Consulate General of the Kingdom of Netherlands in Hong Kong and Macau
大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong
義大利駐香港總領事館 Consulate General of Italy in Hong Kong
愉景灣服務管理有限公司 Discovery Bay Services Management Limited
李敬恒博士 Dr Roger Lee
香港逸東酒店 Eaton HK
德國駐香港總領事館 German Consulate General Hong Kong
六國酒店 Gloucester Luk Kwok Hong Kong
香港歌德學院 Goethe-Institut Hong Kong
香港君悅酒店 Grand Hyatt Hong Kong
青苗琴行 Greenery Music
香港恒生大學 Hang Seng University of Hong Kong
學生事務處 Student Affairs Office
教與學發展中心（服務學習部）Service-Learning Section, Centre for Teaching and Learning 香港兆基創意書院 HKICC Lee Shau Kee School Of Creativity 香港兆基創意書院文化藝術中心 HKSC Arts and Culture Centre 香港藝術行政人員協會 Hong Kong Arts Administrators Association
香港藝術中心 Hong Kong Arts Centre
香港浸會大學 Hong Kong Baptist University
電影學院 Academy of Film
音樂學院 Academy of Music
拉闊文化 Cultural Literacy Programme
英國語言文學系 Department of English Language and Literature
宗教及哲學系 Department of Religion and Philosophy
香港聖經公會 Hong Kong Bible Society
香港中樂團 Hong Kong Chinese Orchestra
香港大會堂 Hong Kong City Hall
香港文化中心 Hong Kong Cultural Centre
香港電影資料館 Hong Kong Film Archive 香港都會大學 Hong Kong Metropolitan University
何陳婉珍粵劇研藝中心 Ina Ho Cantonese Opera Research Centre
香港藝術館 Hong Kong Museum of Art 香港管弦樂團 Hong Kong Philharmonic Orchestra
香港話劇團 Hong Kong Repertory Theatre
香港小交響樂團 Hong Kong Sinfonietta 香港旅遊發展局 Hong Kong Tourism Board
摩納哥駐香港名譽領事館 Honorary Consulate of Monaco in Hong Kong 宜必思香港中上環 ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia) 入境事務處 Immigration Department 王仁曼芭蕾舞學校 Jean M. Wong School of Ballet 賽馬會創意藝術中心 Jockey Club Creative Arts Centre Kind of Brew
高山劇場 Ko Shan Theatre
Kubrick 葵青劇院 Kwai Tsing Theatre
駐香港韓國文化院 Korean Cultural Center in Hong Kong 拉脫維亞駐香港名譽領事館 Latvian Honorary Consulate in Hong Kong 康樂及文化事務署 Leisure and Cultural Services Department 牧羊少年與他的浮萍 Lemna of the alchemist 中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People’s Government in the HKSAR
嶺南大學 Lingnan University
黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生事務處 Office of Student Affairs
鄺森活圖書館 Fong Sum Wood Library
藝術科技與商業理學碩士課程 MSc in Arts Technology and Business 樂茶軒 LockCha Tea House
木的地.R Madera Residences Maxibit HK/China
循道衛理聯合教會國際禮拜堂 Methodist International Church Hong Kong
Mini Central 中環迷你酒店
Moetown Serviced Apartments
MOViE MOViE Pacific Place
Mr Alpha Li
陳朗丰先生 Mr Lazarus Chan
南蓮園池 Nan Lian Garden
荃灣西如心酒店 Nina Hotel Tsuen Wan West
北區大會堂 North District Town Hall
一桌兩椅慈善基金 One Table Two Chairs Charitable Foundation
柏斯琴行 Parsons Music Limited
卓滙達有限公司 Patsville Company Ltd
Performing Arts Fund NL
犇華企業服務有限公司 Primasia Coporate Services Limited
鄭新文教授 Prof Tseng Sun-man
RED ZHU
富豪酒店國際 Regal Hotels International
富豪東方酒店 Regal Oriental Hotel
皇家太平洋酒店 Royal Pacific Hotel
泰國駐香港總領事館 Royal Thai Consulate General Hong Kong
沙田大會堂 Sha Tin Town Hall
上環文娛中心 Sheung Wan Civic Centre
Southgate Design
事必達推廣有限公司 Speedy Promotion Limited
聖公會聖約翰座堂 St John's Cathedral
中山紀念公園 Sun Yat Sen Memorial Park
大館—古蹟及藝術館 Tai Kwun—Centre for Heritage and Arts
香港中文大學 The Chinese University of Hong Kong
音樂系 Department of Music
聯合書院 United College
文學院 Faculty of Arts
藝術行政主任辦公室 The Office of the Arts Administrator
文化及宗教研究系 Department of Cultural and Religious Studies
邵逸夫堂 Sir Run Run Shaw Hall
香港城市大學 The City University of Hong Kong
中文及歷史學系 Department of Chinese and History
城大創意媒體學院 School of Creative Media
文化薈 Cultural Exchange Oasis
香港教育大學 The Education University of Hong Kong
文化與創意藝術學系 Department of Cultural and Creative Arts
圖書館 Library
芬名酒店 The Fleming 香港演藝學院 The Hong Kong Academy for Performing Arts
戲曲學院 School of Chinese Opera
戲劇學院 School of Drama
音樂學院 School of Music
舞蹈學院 School of Dance
電影電視學院 School of Film and Television
學生事務處 Student Affairs Office
表演場地管理部 Venue Performance Unit
場地技術部 Venue Technical Unit
香港理工大學 The Hong Kong Polytechnic University
文化及設施推廣處 Cultural Promotion and Events Office
香港復康會 The Hong Kong Society of Rehabilitation
香港科技大學 The Hong Kong University of Science and Technology
藝術中心 Center for the Arts
理學院學務輔導辦公室 Office of Academic Advising and Support, School of Science
香港朗廷酒店 The Langham, Hong Kong
香港大學 The University of Hong Kong
音樂系 Department of Music
香港大學美術博物館 University Museum and Art Gallery
學生發展及資源中心 Centre of Development and Resources for Students
Cultural Management Office
志新學院 Chi Sun College
港青 - 香港基督教青年會 The Salisbury – YMCA of Hong Kong
通利琴行 Tom Lee Music Company Ltd
荃灣大會堂 Tsuen Wan Town Hall
屯門大會堂 Tuen Mun Town Hall
東蒲 Tung Po
城市售票網 URBTIX
西九文化區管理局 West Kowloon Cultural District Authority
Wewow House
粵海華美灣際酒店 Wharney Hotel
艾希妮控股有限公司 X Social Group Holdings Limited
油麻地戲院 Yau Ma Tei Theatre
英華書院 Ying Wa College
青年廣場 Youth Square
元朗劇院 Yuen Long Theatre
地址 ADDRESS 香港灣仔港灣道二號十二字樓1205室 Room 1205, 12/F,2 Harbour Road, Wan Chai, Hong Kong
電話 TEL （852）2824 3555
傳真 FAX （852）2824 3798、（852）2824 3722
電子郵箱 Email afgen@hkaf.org
節目查詢熱線 （852）2824 2430
贊助人 李家超先生, PATRON
The Hon. John KC Lee, GBM SBS PDSM PMSM GBM SBS PDSM PMSM
永遠名譽會長 邵逸夫爵士（1907-2014）
執行委員會
主席 查懋成先生 副主席 盧景文教授 義務司庫 范高廉先生
委員 鄭阮培恩女士
鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊光先生
節目委員會
主席 盧景文教授 委員 白諾信教授
羅志力先生 毛俊輝教授
約瑟 施力先生 + 譚榮邦先生 姚珏女士
財務委員會
主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生
發展委員會
主席 鄭阮培恩女士 副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生 顧問 夏佳理先生 鮑 磊先生 陳祖澤博士 陳達文博士 霍璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打） 核數師 羅兵咸永道會計師事務所
HONORARY LIFE PRESIDENT The Hon. Sir Run Run Shaw, GBM CBE（1907-2014）
EXECUTIVE COMMITTEE
Chairman
Honorary Treasurer
Members
Programme Enquiry Hotline + 榮譽節目顧問 Honorary Programme Advisor
Mr Victor Cha
Vice-Chairman Prof. Lo King-man, SBS MBE JP
Mr Colin Farrell
Mrs Betty Yuen Cheng
Ms Margaret Cheng
Mr Michael Fung
Ms Joanna Hotung
Mr Sebastian Shiu-wai Man
Dr Dennis T L Sun, BBS JP
Ms Miriam Yao
Mr Sunny Yeung
PROGRAMME COMMITTEE
Chairman
Members
FINANCE COMMITTEE
Chairman
Members
DEVELOPMENT COMMITTEE
Chairperson
Vice-Chairperson
Members
ADVISORS
HONORARY SOLICITOR
AUDITOR
Prof. Lo King-man, SBS MBE JP
Prof. Giorgio Biancorosso
Mr Peter C L Lo
Prof. Fredric Mao, BBS
Mr Joseph Seelig, OBE +
Mr Wing-pong Tam, SBS JP
Ms Jue Yao, SBS JP
Mr Colin Farrell
Ms Margaret Cheng
Mr Nelson Leong
Mrs Betty Yuen Cheng
Ms Jane Yong
Mr Michael Fung
Ms Samanta Sum-yee Pong
Mrs Helen Lin Sun
Ms Yi Wen
Mr Andrew Yao
The Hon. Ronald Arculli, GBM CVO GBS OBE JP
Mr Martin Barrow, GBS CBE
Dr John CC Chan, GBS JP
Dr Darwin Chen, SBS ISO
Mr Angus H Forsyth
The Hon. Charles YK Lee, GBM GBS OBE JP
Mrs Mona Leong, SBS BBS MBE JP
Dr The Hon. Sir David KP Li, GBM GBS OBE JP
Ms Gabriela Kennedy, Mayer Brown
PricewaterhouseCoopers
行政總監 余潔儀
行政總監助理 何丹蓉
節目
節目總監 梁掌瑋、蘇國雲
高級節目經理 梁偉然、蘇雪凌、游慧姿*
節目經理 鄭佩群*、趙蔚霖*、廖國穎*、 馬筠婷*、伍美衡*
節目統籌 林穎茵*
藝術行政見習員 容諾行*
節目助理 鍾曉晴*
製作助理 陳娟瑜#
物流
物流及接待經理 金學忠*
技術
製作經理 梁雅芝* 副製作經理 陳梓衡*
出版
編輯經理 陳詠恩*
英文編輯 Adam Wright*
副編輯 陳劭儀*、楊紫媛*
外展
外展經理 林嘉敏*
助理外展經理 余穎彤*
外展統籌 羅凱盈*、連凱嵐*
外展主任 陳沅渟*、張凱柔*、馬曉瑩*
藝術行政見習員 吳勵宜*
市場推廣
市場總監 鄭尚榮 副市場總監 盧伯全
市場經理 陳靄婷*、張予心*
副市場經理 黃頴儀* 副市場項目經理 譚懿諾*
助理項目經理 李穎軒*
助理市場經理 許樂欣*、曾諾怡* 市場主任 梁喬正* 市場助理 陳慧琳#
票務 高級市場經理（票務） 梁彩雲 助理市場經理（票務） 陳偲穎*
發展
發展總監 黃美儀 特別發展協理 蘇啟泰* 高級發展經理 譚樂瑤 發展經理 陳世敏*、吳綺菁* 發展主任 呂詠琪*、譚尹晴* 藝術行政見習員 周翹*
行政事務
財務總監 鄺敬婷 會計
會計經理 杜詩麗* 會計主任 顏悅恩* 人力資源及行政
人力資源及行政經理 楊美君* 接待員/初級秘書 李美娟 助理 黃國愛 資訊科技
資訊科技經理 陳啟明*
無限亮
項目總監 錢佑* 節目及外展經理 鍾美琼*、何敏凝* 節目及外展統籌 雷晴*、潘詠汶* 市場經理 黃嘉欣* 副市場經理 陳婉怡* 助理製作經理 張詠宜*
高級會計主任 鍾巧明*
香港藝術節@大館
項目經理 鄺為立*
藝術家統籌經理 朱芷慧*
STAFF
Executive Director Flora Yu
Assistant to Executive Director Connie Ho
PROGRAMME
Programme Directors Grace Lang, So Kwok-wan
Senior Programme Managers Ian Leung, Shirley So, Janet Yau*
Programme Managers Cathy Cheng*, Crystal Chiu*, Sophie Liao*, Katie Ma*, Janet Ng*
Programme Coordinator Lilian Lam*
Arts Administrator Trainee Ryan Yung*
Programme Assistant Dorothy Chung*
Production Assistant Alice Chan#
LOGISTICS
Logistics Manager Elvis King*
TECHNICAL
Production Manager Shirley Leung*
Deputy Production Manager Jacob Chan*
PUBLICATIONS
Editorial Manager Eugene Chan*
English Editor Adam Wright*
Associate Editors Shao yi Chan*, Trista Yeung*
OUTREACH
Outreach Manager Carman Lam*
Assistant Outreach Manager Enid Yu*
Outreach Coordinators Vicgina Law*, Jade Lin*
Outreach Officers Olivia Chan*, Hazel Cheung*, Queena Ma*
Arts Administrator Trainee Nicky Ng*
MARKETING
Marketing Director Katy Cheng
Associate Marketing Director Eugene Lo
Marketing Managers Tobie Chan*, Stephanie Cheung*
Deputy Marketing Manager Joey Wong*
Deputy Project Manager Hades Tam*
Assistant Project Manager Hill Li*
Assistant Marketing Managers Sally Hui*, Margaret Tsang*
Marketing Officer Isaac Leung*
Marketing Assistant Kelly Chan#
TICKETING
Senior Marketing Manager (Ticketing) Eppie Leung
Assistant Marketing Manager (Ticketing) Stephanie Chan*
DEVELOPMENT
Development Director Angela Wong
Special Development Associate Alex So*
Senior Development Manager Lorna Tam
Development Managers Cindy Chan*, Joey Ng*
Development Officers Kate Lui*, Linda Tam*
Arts Administrator Trainee Nicole Chow*
CORPORATE SERVICES
Finance Director Teresa Kwong
ACCOUNTS
Account Manager Connie To*
Accounting Officer Stephany Ngan*
HR & ADMINISTRATION
HR and Admin Manager Janet Yeung*
Receptionist/Junior Secretary Virginia Li
General Assistant Bonia Wong
INFORMATION TECHNOLOGY
Information Technology Manager Derek Chan*
NO LIMITS
Project Director Eddy Zee*
Programme and Outreach Managers Becky Chung*, Christy Ho*
Programme and Outreach Coordinators Jade Lui*, Jasmine Poon*
Marketing Manager Carly Wong*
Deputy Marketing Manager Tiffany Chan*
Assistant Production Manager Jess Cheung*
Senior Accounting Officer Catherine Chung*
HKARTSFESTIVAL@TAIKWUN
Project Manager Kwong Wai Lap*
藝術家統籌 張素真*、張凱婷*、向怡君*、何敬堯*、黎善涵*、劉欣彤*、梁頌怡*、吳麗文*、彭慧雯*、胡肇婷*、翁蒨懃* 製作主任 黃詠詩*
技術統籌 李浩賢*、曾以德*、范文恩*、林仁健*、莊曉庭*、許肇麟*
Head of Artist Coordinators Eleanor Chu*
Artist Coordinators Susan Chang Hayden*, Becca Cheung*, Cassandra Heung*, Kelvin Ho*, Christa Lai*, Venice Lau*, Kitty Leung*, Stephenie Ng*, Jan Pang*, Blanche Wu*, Bonnie Yung*
Production Officer Bonnie Wong*
Technical Coordinators Lawrence Lee*, Joyi Tsang*, Yan Fan*, Hoi Lam*, Sai Chong*, Boolu Hui* *合約職員 *Contract Staff 按英文姓氏首字母排列 In alphabetical order # 藝術人才見習配對計劃2023/24由香港藝術發展局資助
# 2023/24 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council 2024年2月更新 Updated February 2024
職員
is
amongst the world's
Our home base most promising.
我們位於世界最具潛力的城市之一
( 99 ) 北市經證字第 01583 號 蔡吉政 Each Office Is Independently Owned And Operated
1899.Childe Hassam - New England Headlands
