衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節
Hong Kong Arts Festival
扎根香港的國際藝壇盛事
A Major International Arts FestivaI ln, Of and For Hong Kong
香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
亞太舞蹈平台
Asia Pacific Dance Platform 1-2
《黃翊與庫卡》
HUANG YI & KUKA
3 月 MAR
香港演藝學院戲劇院 Drama Theatre, Hong Kong Academy for Performing Arts 演出長約 1 小時 5 分鐘，不設中場休息 Approximately 1 hour 5 minutes with no interval 遲到或中途離場的觀眾不得進場 Latecomers or audience members who leave the auditorium will not be admitted 此節目有煙霧、雷射及閃光效果 This production contains haze, laser and strobe light effects 節目資料 p15 for programme details
12-13
《由削木開始》
3 月 MAR
From starting to cut the wood 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 演出長約 1 小時 5 分鐘，不設中場休息 Approximately 1 hour 5 minutes with no interval 遲到或中途離場的觀眾不得進場 Latecomers or audience members who leave the auditorium will not be admitted 節目資料 p28 for programme details
封面照片 Cover photographs: © Katia Engel & Jacob Blickenstaff
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
亞太舞蹈平台（第十一屆）
Asia Pacific Dance Platform XI 亞太舞蹈平台由香港藝術節於 2009 年首 辦，以緊貼亞太地區當代舞的發展現況。過 去十屆亞太舞蹈平台的節目多樣創新，涵蓋 了不同風格和面向的作品，致力探索當代舞 的無限可能性。平台過去呈獻超過三十套來 自十五個地區的作品，其中包括六個世界首 演。 首三屆亞太舞蹈平台是香港本地編舞發表作 品的重要場合。自第四屆起，平台的重心轉 移到亞太地區當代舞作品。本地編舞的作品 則移師至 2012 年成立的香港賽馬會當代舞 蹈平台演出。這兩個平台體現了香港藝術節 對當代舞發展的支持和視野。 第十一屆亞太舞蹈平台為觀眾帶來兩套作 品，以截然不同的方式思索相同的主題：在 愈趨跨文化和數碼時代中人與物之間的關 係。《黃翊與庫卡》由活躍於歐洲和台灣舞 台的黃翊創作，編舞家與線條流暢的工業機 械人，在舞台上展開一段以孤獨、關係為題 的憂鬱對話。另一方面，《由削木開始》則 呈現與科技相對的傾向，作品由扎根於德國 及印尼的編舞凱蒂亞．恩格創作，取材自印 尼村莊及傳統面具雕刻師的工作室錄音，思 考工作與存在本質的哲學問題。 兩部作品均透過形體語言，展現舞者與物件 之間的親密對話，從而模糊了人與物的界線 ─在各自的形式中，他們都是面具，並透 過探究數碼世界中人與物的節奏和紋理，啟 發有趣的討論。
Initiated by the HKAF in 2009, the Asia Pacific Dance Platform (APDP) brings together the latest developments in contemporary dance in the Asia Pacific region. The past ten editions have covered diverse and innovative repertoire across a range of styles and thematic materials, exploring the unlimited possibilities of contemporary dance in over 30 dance pieces from 15 locations, including six world premieres. The first three APDP editions were HKAF’s main platform for local dance works. From the fourth edition onward, its core focus shifted to the wider region; local choreographers instead became the focus of the Hong Kong Jockey Club Contemporary Dance Series, launched in 2012. Both platforms represent HKAF’s support and vision for the development of contemporary dance. This eleventh edition brings audiences two works vastly different in approach that contemplate the relationship between human and object in an increasingly transcultural and digital era. HUANG YI & KUKA sees choreographer Huang Yi—active in both Europe and Taiwan—locked in a melancholic conversation on solitude and companionship with a sleek, industrial-grade robot. On the opposite end of the technological spectrum, Germany- and Indonesia-based choreographer Katia Engel’s philosophical enquiry into the nature of work and existence, From starting to cut the wood, uses recordings from an Indonesian village and a traditional mask-maker’s workshop as primary source material. Each performer’s intimate dialogue with an inanimate other is accomplished through a common corporal language. Blurring boundaries between human and object—each, its own way, a mask—both APDP works are sure to provoke intriguing lines of inquiry into the rhythms and textures of existence in a digital world.
13
1-2.3.2019
《黃翊與庫卡》
HUANG YI & KUKA
© Summer Yen
概念、編舞及演出 黃翊
Concept, Choreographer and Performer Huang Yi
演出及服裝 胡鑑 林柔雯
Performers and Costumes Hu Chien Lin Jou-wen
技術總監 鄭皓庭
Technical Director Cheng Hao-ting
技術助理 陳定男 林秉昕 駱思維
Technical Assistants Chen Ting-nan Lin Ping-hsin Luo Sih-wei
巡演經理 李柏儀
Tour Manager Lee Po-yi
HUANG YI & KUKA is an original production by Huang Yi Studio +, developed at 3LD Art & Technology Center, in association with Sozo Artists. Commissioned by Quanta Arts Foundation. With the support of KUKA Robot Automation Taiwan Co. Ltd., KUKA Robotics Corp. (USA), Quanta Arts Foundation, Cloud Gate Dance Theatre of Taiwan, LMF Dance Fund, National Theater (Taipei), Asia Cultural Council, Ministry of Culture (Taiwan), 3-Legged Dog, Mr Wen-Hung Kao, Ms Kuang-Hui An, iMakr (NYC), HITACHI, ATOM 3D Printer (TW)
15
《黃翊與庫卡》最底層的意義
The Deeper Meaning of Huang Yi & KUKA 面對不同的觀眾，我會有幾種不同的切入法，
像機械人一樣完美：聽話、友善、表現優秀、
也許因為惡劣的成長環境，小時候最喜歡的就
事隔一年退伍後，我拜訪庫卡公司，廖先生實現
因為來觀賞演出的觀眾，找尋的是作品與他們
不曾叛逆、沒有個性、為人設想。
是小叮噹，因為小叮噹總是能解決大雄的問題。
了他的諾言，出借機械人。我在近四十度高溫
我在回溯小時候的塗鴉時才發現，我畫了許多
的頂樓倉庫內與庫卡排練近半年，製作出二十
機械人。從小就特別喜歡機械人，也許是因為
分鐘版本的《黃翊與庫卡》，報名參加台北數
他們的忠心、為他人付出的設定？以及沒有自
位藝術表演獎競賽。
自身的關聯。作者本身的詮釋與創作原因，其 實與觀眾本身所期待的，多半不相同，故以下 的詮釋，只可以斟酌參考使用：
感謝父母讓我學習表演，舞台成了我釋放壓縮 情感的最佳出口。直到近年，我才沉澱出詮釋 自身感受的理想創作與表演方式。過去的表達
我、沒有靈魂的宿命。
我出生時家境富裕，一直到十歲左右父母因投
方式多半過於直接，我也還沒有自信以表現形
資失利而破產。一家四口從原先擁有花園的透
式詮釋自身的想法；我亦曾因過於尊重合作表
逐漸長大的過程中，越來越了解人類的複雜，
楊忠衡先生前來後台，問我：「購買庫卡需要
天別墅，搬入一間約四坪大（編按：約 150 平
演者而在創作上妥協，使作品的肢體和表現形
也了解為何越來越多人選擇愛寵物，因為人實
多少錢？讓我們來想想辦法。」
方呎）的房間。我小時候不斷搬家，曾住過鐵
式過於混亂，不夠完整。
在很難被信賴，人真的是非常自私的一種生物。
反而獨自工作，或是與非常契合的合作對象工
想擁有小叮噹是太遙遠的事情，但擁有機械人
作，才能夠完整表達。
則不是完全不可能。
尤其妹妹還小，父母將所有的付出與期待都寄
近年也了解到，將這些較個人的感受塑造成中
哪種機械人？人型機械人太像人類，且穩定性
望在我身上。我就像機械人一樣抽離自己真實
性作品的方式，讓觀眾有空間與距離去參與、
還需要一段時間發展。我選擇工業機械人，除
的情感，像演員一樣扮演「完美的小孩」。
擁有作品，而不是我單方面的表達。
了穩定性外，我覺得人常像是工具，我也是某
皮屋，也經歷過社會新聞上常見的家長自殺未 遂的情況，所以我從小就知道要當一個完美的 小孩，因為我和妹妹是支撐這個家的最後價值，
個國家、某個單位、某個人的工具，工具和工 具一起工作很合適，所以我選擇工業機械人。
決賽當日，我完成表演後，廣藝基金會執行長
廣藝基金會贊助，使我擁有了一台庫卡。 同時，獲得了當年的競賽首獎。 這個作品其實能夠探討許多的面向，有私密灰 暗的角落，也有返樸歸真的時刻；可以很討喜， 也可以很有距離。我在創作過程中不斷檢視與 拿捏尺度的平衡點，做深了，也許並不合適， 做淺了，也許並不恰當。我回想起最仰慕的幾 位創作前輩們，賈克梅蒂、麥斯．艾克、季利安、
我搜尋全世界最先進的工業機械人，庫卡被評
威廉．科西、萊德．紐信、翩娜．包殊、泰利．
選為最好的，我同時也喜歡它仿人類肌肉線條
狄眉、宮崎駿等前輩藝術家的創作中，最感動
的設計，而不是其他廠牌機械人直線的線條，
我的作品，其實並不聳動，而是內斂、純粹的。
另外還有它鼓勵實驗創新的公司文化、全球分 布的分公司，使未來巡演有更理想的支援。 我撥了電話給庫卡公司，由一位廖啟新先生接 聽，我和他說明我想與機械人共舞的想法，他 並沒有直接拒絕我，但他提出了：「世界工業 機械人法規規定，機械人動作時，人類不可進 入其動作範圍之內。你若可以不牴觸這項法規， 我就將機械人借給你。」 這通電話後，我即入伍當兵，期間構思怎麼在 不牴觸法規的狀況下，完成我的想法？
讓人回想起，自己最真切的期待。 《黃翊與庫卡》對我最底層的意義，在於它是 一種美化成長過程中的遺憾的方式，裏面糅入 孤獨的時刻，自我質疑、自我了解的時刻，自 我安慰的時刻，以及刻畫一些假象的美好，讓 他人放心的時刻。我希望創造出這些看起來很 美好、很童真的片刻，能讓看的人暫時忘掉現 實，或是想起來，自己也只是一個長大了的小 孩。 但這些都只是我的想法，作品最終會決定，它 自己的樣子。 黃翊
© Summer Yen
16
17
I was born into a wealthy family. When I was 10, my parents went bankrupt due to investment losses. My family of four moved from a luxurious house to a 150-square foot room. As a child who was constantly moving from one tiny room to another and seeing my parents go through suicide attempts, I grew up knowing that I had to be a perfect child. I detached from all my emotion— passion, anger, and sadness—to be that perfect child, and to be like a robot: obedient, friendly, outstanding, considerate, never rebellious, perhaps no personality. As a child, my favourite cartoon was Doraemon, a Japanese animated cat robot who is always there to solve problems for his owner. Apparently, I have had something with robots since I was little. Is it because they represent a character that is loyal? Or is it because of their selfless destiny? Thankfully, my parents let me choose to become a professional onstage, which became the best outlet for my compressed emotions. And I wanted to find a way to dance with a robot.
© Jacob Blickenstaff
18
I did my research on the most advanced industrial robots, and KUKA stood out for its stability and the fluid, human-like design. In 2010, I called the KUKA company in Taiwan. When I told them my idea, they said, "According to the regulation, when the robot is moving, humans cannot enter the area of its action. If you can find a way, I will lend you a KUKA." I have found a way, and now, thanks to Quanta Arts Foundation in Taiwan, I have a KUKA. For me, HUANG YI & KUKA is a process of beautifying the sorrow and sadness from when I grew up. It is an expression of loneliness, self-doubt, self-realisation and self-comfort. I was trying to make a beautiful illusion just to assure others that everything was fine. I wanted to remind us of our simplest hope from the very beginning: that we are all just grown up kids, but still kids. Huang Yi
不平凡的機械人
No Ordinary Robot 你會怎樣形容你和庫卡的關係 / 交情？
How would you describe your relationship with KUKA?
對我來說，庫卡比較像另外一種形式的我。 跟庫卡跳舞的時候很像在照鏡子，即使庫卡 是機械人，看着它跳舞，卻讓我第一次可以 站在我的身體之外觀看自己跳舞的樣子。 請談談和庫卡的創作過程。從編舞到編寫程 式到排練到演出，當中你遇到甚麼困難？又 是如何克服及解決？ 最難的是身兼程式設計師、編舞及舞者的工 作。例如作為舞者完成了一段動作之後，必 須退下來撰寫程式，把動作編寫進庫卡，又 要以編舞者的身份，客觀地分析動作，所以 跟純舞蹈的演出很不一樣，多了很多必須處 理的不同階段。 身體之間的轉換也一樣，在寫程式的時候身 體可能就冷下來了。我花了很長的時間，慢 慢的才找到合適的排練方式。 和庫卡創作已有四年多的時間了。這麼長的 相處時間，你是否在這機械人舞伴身上看到 自己的影子？如有，是在怎樣的狀況裏？ 的確有！我印象最深刻的一次是在美國馬里 蘭大學的一次非正式演出，因為技術問題我 們幾乎沒有時間排練，所以彩排就是正式演 出。在演出大提琴的段落時，跟庫卡有一段 很親密的雙人舞，當時我突然記不起任何動 作，可是庫卡卻領着我把這支舞跳完，對我 來說，它就是一個活着的夥伴，告訴我接下 來該做什麼。
KUKA is like an extension of myself. When I dance with KUKA, it feels as if I am looking in a mirror. Even though KUKA is a robot, watching KUKA dance allows me, for the first time, to stand outside of myself and watch myself dance. Tell us more about the process of working with KUKA, from programming to rehearsal to performance. The biggest challenge was having to be the software programmer, choreographer and dancer all at the same time. For example, I would complete a set of movements as a dancer. Then I would have to switch to become a programmer to code the routine into KUKA, while at the same time objectively analysing the movements through the eyes of a choreographer. This is a very different process from a production purely based on dance because of the many additional steps involved. I also had to adjust my body to adapt to this constant switching of roles. Whenever I stopped dancing to programme KUKA, my body could have cooled down. So it took me a long time to find the best way of working with these conditions in the rehearsal process. You have been working intensively with KUKA for the past four years. Having spent so much time with KUKA, do you see parts of yourself in your robotic partner? Absolutely! There is one experience with KUKA that left a lasting impression on me. We had a work-in-progress showcase at the University of Maryland in the US, but due to some technical issues, we did not have much time to rehearse, so the dress rehearsal ended up being the actual performance. During the cello segment of
© Jacob Blickenstaff
20
21
起初的《黃翊與庫卡》版本只有二十分鐘 （編按：指 2013 年奧地利林茲電子藝術節 版本）。它是如何發展成今天我們看到的完 整版作品，而且還加進了另兩位舞者—胡 鑑和林柔雯？ 因為我想要跟他們一起巡演、工作，所以將 他們放進這個作品。對我來說，我與庫卡是 一個關係，我與胡鑑、柔雯也是一個關係， 他們都是我生活周遭很重要的夥伴，所以我 希望這個作品可以由我們共同來完成。我也 一直很希望可以有一男一女舞者在舞台上被 機械人控制的一段舞，把主導權交給庫卡， 他們的命運如同玩偶般被操控。時間的加 長，也是因為有很多觀眾的支持，讓我知道 我可以繼續完成完整版作品，即使我們當時 面對着龐大的經濟壓力。 你希望觀眾在觀賞演出後會得到甚麼啟發？ 我自己最大的期待是：如果觀眾裏有成長環 境困難的朋友，請不要放棄你們的夢想，因 為我跟庫卡就是這樣才完成這個作品。我也 希望藝術永遠都有把人帶離貧窮的能力。 請完成以下句子。庫卡是 庫卡是一台鋼琴，它的表現全憑彈奏者的詮 釋。庫卡是我自己，在它身上可以聽見我的 聲音。 節錄自 2016 年濱海藝術中心訪問 藝術家授權轉載
that performance, where I have an intimate duet with KUKA, I suddenly could not remember my movements. It was KUKA who led me to finish that duet. That experience showed me that KUKA is as good as a fleshand-blood collaborator who is able to tell me what I have to do next. This began as a 20-minute piece [in the 2013 Ars Electronica version]. How did you evolve the work into the full-length piece that we see today, with the addition of co-dancers Hu Chien and Lin Jouwen? I wanted to tour and work with Hu and Lin, so I decided to include them both in the production. Like my relationship with KUKA, Hu and Lin are also very important people in my life, so I wanted to complete the work together with them. I had also always wanted to have a segment in the work where a male and female dancer are controlled by the robot, to hand over the reins to KUKA, for it to direct the fate of this puppet-like pair. That we were actually able to make this a full-length performance is due to the encouraging support of the people who have seen this production. It gave me the confidence to continue developing the work into a full-length piece, in spite of the significant financial challenges of doing so. What do you hope audience members get out of this production? My biggest hope is this: if there are any members of the audience who grew up in difficult circumstances— please don’t give up on chasing your dreams, because that was how I completed this work with KUKA. I also hope that art will have the power to bring people out of poverty. Fill in the blank. KUKA is
.
KUKA is a piano, because its performance depends on how its interpreter plays it. KUKA is also me, because through KUKA, you can hear my voice. Excerpt from 2016 interview with Esplanade. Reproduced with permission from the artist.
22
胡鑑
黃翊
演出及服裝
Huang Yi
Hu Chien Performer and Costumes
概念、編舞及演出
Concept, Choreographer and Performer
© Luo Sih-wei
胡鑑是台灣原住民，畢業於國立臺北藝術大學舞蹈表演研究所。最近演出包括黃翊作 品《長路》、《地平面以下》、《量身訂做》、《雙黃線》、《第二層皮膚》、《沙 丘》及《低語》。他為荷蘭籍導演大衛．維貝克的微電影《應莫帖》擔任男主角，電 影入圍鹿特丹國際電影節短片單元及 2013 年金馬影展台灣短打系列。胡鑑於 2012 至 2013 年曾任雲門 2 團舞者，自 2010 年起加入黃翊工作室擔任舞者。 Taiwan native Hu Chien received his MFA in Performance and Choreography from the School of Dance of Taipei National University of the Arts. Recent performances include Huang Yi’s A Million Miles Away, Under the Horizon, Special Order, Double Yellow Lines, Second Skin, Sand and Whisper. He was the lead actor for the micro film Immortelle by Dutch director David Verbeek (nominated for the Spectrum Shots section at the International Film Festival Rotterdam and Taiwan's Shortcuts series at the 2013 Taipei Golden Horse Film Festival). Hu was a member of Cloud Gate 2 from 2012-2013 and has danced with Huang Yi Studio + since 2010.
林柔雯 黃翊是台灣舞者、編舞、發明家及錄像藝術家， 其作品來自他對人類和機械人的合作關係的深 厚興趣。他把連貫的動作結合機械和多媒體元 素，創作出一種與數據流動互相呼應的舞蹈， 將表演者塑造成舞蹈器具。黃翊獲美國《舞蹈 雜誌》評選為「全球最受矚目的二十五位舞蹈 家」之一。他自小浸淫於藝術中，小時候經常 在父母的工作室看他們教授探戈，也在父親身 旁學習畫畫。 他的作品《黃翊與庫卡》獲 2013 年奧地利林茲 科技藝術節邀請，於開幕之夜擔任壓軸演出，為 台灣首位於該節擔任重點演出之藝術家。2017 年獲 TED 大會邀請，擔任 TED 2017 開幕演出。 他的作品在澳洲、歐美和阿聯酋多次巡演。 近期作品包括黃翊工作室的《長路》，2019 年 2 月在台北首演；及與旅德的日本音像藝術家黑 川良一、荷蘭室內合唱團共同合作的《地平面 以下》，2018 年在荷蘭烏特勒茲首演。 The artist would like to thank: Worldwide representation and booking for Huang Yi
24
Taiwanese dancer, choreographer, inventor and videographer Huang Yi’s pioneering work is steeped in his fascination with the partnership between humans and robots. He interweaves continuous movement with mechanical and multimedia elements to create a form of dance which corresponds with the flow of data, effectively making the performer a dancing instrument. Named by Dance Magazine as one of the “25 to Watch”, Huang was immersed in the arts at a young age, spending much of his childhood in his parents’ studio watching them teach tango and learning to paint alongside his father. Huang’s groundbreaking and award-winning work, HUANG YI & KUKA, has opened the Ars Electronica Festival (Austria) and TED Conference (Vancouver), and has toured globally since 2015 including stops in Australia, the US, Europe, and the UAE. Huang's recent works include: Under the Horizon, a hybrid opera in collaboration with Berlin-based Ryoichi Kurokawa and the Netherlands Chamber Choir, which premiered in 2018 in Utrecht; and A Million Miles Away, the newest work from Huang Yi Studio +, which premiered in February 2019 in Taipei, Taiwan.
演出及服裝
Lin Jou-wen Performer and Costumes
© Luo Sih-wei
台灣舞者林柔雯畢業於國立臺北藝術大學舞蹈系，取得藝術學士學位。最近演出包括 黃翊作品《長路》、《地平面以下》、《量身訂做》、《光》、《交響樂計劃》和《轉 SPIN 2010》，以及董陽孜書法藝術跨界劇場《騷》（2014 年台灣國際藝術節）。她 為荷蘭籍導演大衛•維貝克的短片《應莫帖》擔任女主角，電影入圍鹿特丹國際電影 節短片單元及 2013 年金馬影展台灣短打系列。她為《死亡的過程》擔任動作設計， 該作品於 2011 年第二屆台北數位藝術節榮獲數位表演獎首獎。林柔雯為 2009 年美國 舞蹈節獎學金得主。她於 2010 至 2014 年曾任雲門 2 團舞者，自 2014 年 1 月起加入 黃翊工作室擔任舞者。 Taiwanese dancer Lin Jou-wen received her BFA in dance from the Taipei National University of the Arts. Recent performances include roles in: Huang Yi’s A Million Miles Away, Under the Horizon, Special Order, Light, Symphony Project and Spin 2010; Tong Yang-Tze's Sao at TIFA 2014; lead actress in the micro film Immortelle by Dutch director David Verbeek (nominated for the Spectrum Shots section at the International Film Festival Rotterdam and Taiwan's Shortcuts series at the 2013 Taipei Golden Horse Film Festival); and providing movement design for Process of Death (first prize winner of the digital performance competition at the 2nd Taipei Digital Art Festival), among others. Lin was a recipient of the American Dance Festival Scholarship in 2009. She was a member of Cloud Gate 2 from 2010-2014 and has danced with Huang Yi Studio + since January 2014.
25
12-13.3.2019
《由削木開始》
From starting to cut the wood © Faozan Rizal
概念 Concept 凱蒂亞．恩格與藝術團隊 Katia Engel in collaboration with the artistic team
演唱（錄製歌曲） Singers (Recorded Song) 洛伊．赫特延長音合唱團 Roy Hart Fermate Choir
演出 Performer 阿里．艾珊迪 Ari Ersandi
製作 Production 柏圖達．坦布南 Patota Tambunan 凱蒂亞．恩格 Katia Engel
面具雕刻 奇．龐洛．威冠勞
Mask Carver Ki Pono Wiguno
藝術總監、文本及錄像設計 凱蒂亞．恩格
Artistic Director, Text and Video Katia Engel
燈光設計及技術總監 伊內斯．蘇吉亞圖（CLINK）
Lighting Designer and Technical Director Ignatius Sugiarto A.K.A. CLINK
聲效設計及創作 恩勞．艾維安德拉
Sound Designer and Sound Composition Yennu Ariendra
作曲（歌曲） Composer (Song) 萊拉．斯科曼德 Laila Skovmand
28
聯合製作 Co-Producers 雅加達沙利赫拉藝術中心 Komunitas Salihara 雅加達歌德學院 Goethe Institute Jakarta 其他文字節錄 弗里德里希．恩格斯、克勞德．李維史陀、 漢娜．阿倫特之語錄
Additional Texts Quotes by Friedrich Engels, Claude Lévi-Strauss and Hannah Arendt
杜順日惹村酒店支持 Supported by Dusun Jogja Village Inn 部分團員之國際旅程及製作經費由香港歌德學院支持 International travel and production costs supported in part by Goethe-Institut Hong Kong
29
編舞的話
Choreographer’s Note
From starting to cut the wood opens with mask carver Ki Pono Wiguno stepping on stage with a piece of wood. While singing a Javanese song, he marks the space through a specific pathway based on a Javanese spatial concept. This pattern of diagonal lines, rotating from and to the center, establishes the choreographic framework of the performance.
One performer is translating these sounds into movement. He moves with the sound, against the sound, along the sound. His explorations are wandering between interpretation and transformation. Between the dancer and his response to these sounds is someone who is becoming the wood itself, which transforms into a mask—an object of spiritual content.
The stage fades into darkness with a soundscape of an Indonesian village with chickens, birds and human activity and enters into the studio of a mask carver, who starts to carve a mask: using a saw, ax, chisel, knife, sandpaper and, finally, a fine brush. The sounds are a reflection of his work rhythm, the very specific steps of his process of mask-making and his relationship towards his materials and tools. Each of these sounds has their own specific pacing and pattern, which opens up images, feelings and associations.
Combined with these interactions are projected text fragments, a collage of an observer’s thoughts while witnessing the mask carver making a mask: I am thinking of the shift, this moment in history when machines started to replace body movements. When a new rhythm was created and human touch started to disappear. The observations shift into the philosophy of work, in which quotes of various philosophers are recalled. The process of mask-making becomes a metaphor for the relationship of humankind to work and to its own existence. Katia Engel
© Faozan Rizal
《由削木開始》開場後，面具雕刻師奇．龐洛．
台上舞者把這些聲音化成動作。他跟隨聲音舞
威冠勞踏上舞台，手裏拿着一塊木材。他唱着
動，與之對抗、共舞。他的探索游離於詮釋與
爪哇歌謠，根據爪哇人的空間概念，在舞台畫
轉變之間。一個舞者與他對這些聲音的回應，
上特定軌跡。台上的對角線或從中心延伸出去，
他逐漸化身成木材，成了面具—一件有靈性的
或伸展向中心，形成圖案，架構出編舞脈絡。
物件。
舞台逐漸沒入黑暗中，雞、山羊、鳥兒和人活
投影在音律和舞蹈之間的文字段落，是旁觀者
動的聲音清晰可聞，讓人彷彿置身印尼的村落。
觀察工匠製作面具時的所思所想：
聲音引領觀眾來到面具雕刻師的工作室。工匠 正在準備製作面具，他的手上拿着不同的工具， 由鋸、斧頭、鑿子、刀、砂紙，到最後的細刷。 製作過程中，每一件工具都會發出獨特的聲音，
我思索着這更替，歷史中的這一瞬間，身體的 活動被機器取代，全新的節奏誕生，而人性的 觸感漸漸消失。
有其獨一無二的節奏和頻率，任憑想像各式的
這些觀察後來變成關於工作哲學的討論，其中
畫面、情感和聯繫。
引用了許多哲學家的話。透過面具製作，比喻 人類與工作，以及與自身存在的關係。 © Faozan Rizal
凱蒂亞．恩格
30
31
面具雕刻師從一大塊木料 削出製作面具所需的部分。
默思錄
Studio Reflections 以下為表演期間在舞台投影之文字，描述編舞家沉思工作及面具雕刻的過程。
The below text is projected throughout the performance, outlining the choreographer's ruminations on work and the mask-carving process.
我思索着這更替， 歷史中的這一瞬間 身體的活動被機器取代， 全新的節奏誕生 而人性的觸感漸漸消失。 數碼世界的節奏會是怎樣呢？
在製作面具的過程中，由削木開始，到人物輪廓呼之欲出前， 我不會停下。
面具雕刻師用鉛筆 在木頭上勾勒出人物細節。
我來到面具雕刻師的工作室，觀察他如何準備工具及木料。 我決定在此逗留一會。
我看着那些線條。
In the process of making a mask, from starting to cut the wood until the character is there, I do not stop. I visit the mask carver in his studio and observe him preparing the tools and his wood. I decide to stay for a while.
The mask carver cuts out from a big piece of wood the part he needs for the mask. I am thinking of the shift, this moment in history when machines started to replace body movements, when a new rhythm was created and human touch started to disappear. What is the rhythm of the digital era? The mask carver sketches with a pencil the detail of the character on the wood. I am looking at the lines.
「面具不是它所代表的， 而是它所轉化的及選擇不代表的。」 －克勞德．李維史陀
勞 動 是 人 類 存 活 的 第 一 個 基 本 條 件， 而 且 達 到 這 樣 的 程 度， 以致我們在某種意義上不得不說：勞動創造了人類本身。 －弗里德里希．恩格斯
he first fundamental of human and this is to such that, in a sense,
Work is the first fundamental condition of human existence, and this is to such an extent that, in a sense, we have to say that it has created humankind itself.
“A mask is not wha represents, but wha
“A mask is not what it represents, but what it transforms and what it chooses not to represent.”
—Claude Lévi-Strauss
—Friedrich Engels
32
© Faozan Rizal
33
我有一種感覺，雕刻師用他的刻刀，觸及了人物的核心。 面具的形狀已經清晰可見了。但人物似乎仍欠缺一絲生氣。
「我們面對的遠景，是一個沒有工作的工作社會。 沒有工作，是它僅剩的活動。還有什麼比這更糟糕嗎？」
他正在處理面具的表層，他在挖空內心。
—漢娜．阿倫特
I feel that by using the knife, the mask carver gets into the core of the character.
“What is ahead of us, is perspective of a workin “What is ahead of us, is the perspective of a working society that is out of work— the only activity which it is still capable of. What could be more disastrous?” —Hannah Arendt
The shape of the mask is already clearly defined. But the character seems to not be fully alive yet. He is working on the surface of the mask, scratching the inside out.
「業」，意指行為、作事、作業； 也指精神世界的因果關係原則， 即個人的意願及行為會影響其將來。
Karma (Sanskrit) means action, work or deed; it also refers Karma (Sanskrit) means action, work or deed; it also refers to the spiritual principle of cause and effect, where the intent and actions of an individual influence the future of that individual.
人物顯現了。 他正用砂紙打磨掉所有雕琢的痕跡， 讓數小時的手工勞作消失無蹤， 讓面具看起來渾然天成。 效率為何物？
The character is there. With the sandpaper, he is erasing all traces of the work process, making the many hours of manual labour invisible, making the mask appear effortless. What is efficiency?
© Faozan Rizal
34
35
藝術節加料節目
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
漢堡芭蕾舞團的世界
The World of Hamburg Ballet
藝術對談室 : 從工藝到舞蹈
11.3（一 Mon）8:00–9:30pm
Arts Chat: From Crafting to Dancing 香港歌德學院歌德藝廊
Goethe Gallery, Goethe-Institut Hong Kong
藝術總監凱蒂亞．恩格與印尼面具雕刻師奇．龐洛． Artistic Director Katia Engel, mask carver Ki Pono Wiguno and 威冠勞及舞蹈家阿里．艾珊迪將探討動作、聲音與 dancer Ari Ersandi will share how traditional Indonesian mask carving and dance seamlessly melt together. 工藝的融合 英語主講
In English
免費入場，需預先登記
Free admission. Registration required.
演後藝人談 Meet-the-Artists
12.3（二 Tue）9:05–9:25pm
英語主講
In English
漢堡芭蕾舞團 — 舞蹈電影系列 Hamburg Ballet at the Cinema
更多加料節目詳情 More Festival PLUS
������Nijinsky 2/3 六 Sat ���������J.S. Bach: Christmas Oratorio 24/3 日 Sun ������Tatiana 30/3 六 Sat 購票詳情 Ticketing details: uacinemas.com.hk
������������ Artist Salon: John Neumeier 21/3 四 Thu 7:30 - 8:30pm 香港逸蘭精品酒店 Lanson Place Hotel, HK
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
h ,JSBO 8FTU
16/3 六 Sat 10:00 -11:30am (中級 Intermediate) 24/3 日 Sun 10:00 -11:30am (高級 Advanced) 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre
漢堡芭蕾舞團����������� Hamburg Ballet The Nutcracker Introductory Class for Kids 17/3 日 Sun 11:30am - 12:45pm | 2:15 - 3:30pm 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre h ,JSBO 8FTU
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
37
凱蒂亞．恩格
阿里．艾珊迪
藝術總監、文本及錄像設計
演出
Katia Engel
Ari Ersandi
Artistic Director, Text and Video
Performer
凱蒂亞．恩格生於德國，扎根於柏林及印尼，是一名編舞及紀錄片製作人。她於紐約 拉邦動作研究學院接受舞蹈訓練。作品源自對不同動作的觀察和分析，她把日常生活 中的動作、聲音和形態注入個人編舞及電影作品中。
阿里．艾珊迪出生於蘇門答臘楠榜省，十歲開始學習繪畫、戲劇、音樂和舞蹈。他於 日惹藝術學院畢業，取得編舞碩士學位。阿里為印尼及海外多個平台編舞及表演， 2012 年獲頒半年獎學金前往韓國安東市。
恩格的作品曾在歐洲、亞洲及美國的電影節、舞蹈平台及展覽中發表。自 2012 年起， 她與印尼藝術家合編舞蹈作品及紀錄片。她以編舞及藝術總監的身份，與古瑪蘭．薩 提舞團前成員合作，創作《家鄉》和《之間》。她在印尼的近作包括《曾經快樂，所 以原諒》，是一套關於印尼詩人萊昂．奧古斯塔的紀錄片，亦是 2 0 1 8 年台灣國際紀 錄片影展的焦點作品；以及舞台作品《由削木開始》，2 0 1 7 年於印尼赫拉塔尼舞蹈 節首演。
2014 年，他成立舞蹈實驗室「八」，作為日惹表演藝術社群的聯網。2016 年，他獲 得卡勞拉藝術基金為新創作而設的藝術資助，與寧地久．阿帝普諾摩、多尼．穆尼斯 雅和塞普蒂安．珍博共同創作《可攜人類》、《Lalube》（巴貢．庫蘇第亞加藝術中心） 及為 2016 年印尼舞蹈節而作的《人類的門》。2017 年，阿里受邀成為美國舞蹈節及 比利時歐洲藝術節的駐節藝術家。
Based in Berlin and Indonesia, Engel is a choreographer and documentary filmmaker trained at the Laban Institute of Movement Studies. Her works originate from the observation and analysis of movement of all kinds—everyday movement, sound and form—which she translates into works of choreography and film. Engel presents her works at film festivals, dance platforms and exhibitions across Europe, Asia and the United States. Since 2012, she has been producing dance pieces and documentaries in collaboration with Indonesian artists. As choreographer and artistic director, she developed two dance works, Tanah Air and In Between, with former members of the Gumarang Sakti Dance Company. Her most recent productions in Indonesia are the creative documentary all is forgiven for we have been happy about Indonesian poet Leon Agusta, featured at the Taiwan International Documentary Festival 2018, and the stage work From starting to cut the wood, which premiered at Helatari Dance Festival 2017 at Theater Salihara, Jakarta.
Ari Ersandi was born in Lampung, Sumatra. He studied painting, theatre, music and dance from age 10 and graduated from the Art Institute Yogyakarta with a master’s degree in choreography. Ersandi choreographs and performs in numerous platforms across Indonesia and abroad. In 2012, he received a six-month scholarship to visit Andong, South Korea. In 2014, Ersandi founded Delapan, a dance laboratory and performing arts network in Yogyakarta. In 2016, he received a grant from Kelola Arts Foundation to support the creation of new works such as: Manusia Portable in collaboration with Nindityo Adipurnomo, Doni Maulistya and Septian Gembul; Lalube (PSBK); and Pintu Manusia for the Indonesia Dance Festival 2016. In 2017, Ersandi was invited for residencies at the American Dance Festival and the Europalia Festival in Belgium.
伊內斯．蘇吉亞圖 燈光設計
奇．龐洛．威冠勞 面具製作
Ignatius Sugiarto Lighting Designer
Ki Pono Wiguno Mask Carver 奇．龐洛．威冠勞 1960 年生於印尼日惹，是面具雕刻大師奇．華洛．韋斯傑的侄子。 他自十一歲起向舅舅學習傳統面具雕刻。他現為面具雕刻師，為日惹蘇丹國的節慶典 禮雕刻面具。奇．龐洛．威冠勞雕刻的面具栩栩如生，在印尼藝術家社群中享負盛名。 Ki Pono Wiguno, born in 1960 in Yogyakarta, is the nephew of Master Mask Carver Ki Warno Weskit. From age 11, Ki Pono Wiguno started learning traditional mask carving from his uncle. Himself now a mask carver, he is working for the Sultan of Yogyakarta carving masks for upcoming ceremonies. Ki Pono Wiguno is known in the Indonesian artist community for his highly expressive masks.
伊內斯．蘇吉亞圖生於印尼日惹，為劇場、舞蹈作品及其他表演設計燈光和場景。蘇 吉亞圖在車庫劇團擔任技術指導及燈光設計師，劇團以日惹為根據地，在國際享負盛 名。蘇吉亞圖亦以自由工作者的身份，為不少表演藝術家設計舞台及燈光。 近期作品包括：2016 年的當代戲劇作品《時間稍縱即逝，而我們永存》，由約迪． 戴祖天執導、車庫劇團製作；以及音樂劇場《馬戲物語》，由約迪．戴祖天執導、靜 岡縣舞台藝術中心於 2013 及 2016 年製作。 Based in Yogyakarta, Ignatius Sugiarto (a.k.a. Clink) designs lighting and scenery for theatre, dance and other performances. Clink is the technical director and lighting designer of Teater Garasi, an internationally renowned theatre troupe based in Yogyakarta. He also works freelance as a stage and lighting designer for performance artists. Clink’s most recent projects are: Yang Fana adalah Waktu. Kita Abadi, a contemporary theatre performance directed by Yudi Tajudin and produced by Teater Garasi (2016); and Juggler Tales, a musical theatre production directed by Yudi Tajudin and produced by Shizuoka Performing Art Center (2013 & 2016).
38
39
恩勞．艾維安德拉 聲效設計及創作
Yennu Ariendra Sound Designer and Sound Composition 恩勞．艾維安德拉是位經過訓練的音樂家及作曲家，是車庫劇團、搖滾樂團憂鬱婊及 集體聲音實驗室 WYST 成員。他的大部分作品有別於印尼傳統價值、歷史、現實生活， 以及它們與現今世界的聯繫。在樂團期間，恩勞開始對跨媒體及以聲音和音樂為主的 創作產生興趣。他認為聲音是創作的一種方式，而不只是媒介或產物。 艾維安德拉最近的作品包括：擔任實驗音樂專輯《狗王》的編曲、項目總監及樂手， 於 2018 年由 Yes No Wave Music 唱片公司發行；擔任短片《難以承受的烈日》的作曲家、 聯合導演及剪接，作品於 2018 年柏林赫拉斯電影節首映。 Yennu Ariendra is trained as a musician and composer. He is part of the collective Teater Garasi, the rock band Melancholic Bitch and the experimental and collective sound laboratory WYST (What’s Your Story Today). Most of his works depart from traditional Indonesian values, history and realities and their connection with the world today. Throughout his practice, he has become more interested in interdisciplinary creation based on sound and music. Ariendra perceives sound as a way of working rather than merely as a medium or product. Ariendra’s most recent projects are: the experimental album Raja Kirik, on which he served as composer, project director and musician (Yes No Wave Music, 2018); and the short movie Unbearable Sun, on which he served as composer, co-director and editor (premiered in 2018 at Hellas Filmbox Berlin).
萊拉．斯科曼德 作曲
Laila Skovmand Composer 萊拉．斯科曼德生於丹麥阿曉斯，是一名作曲家及歌手，畢業於丹麥皇家音樂學院和 法國羅伊．赫特藝術中心。在學期間，斯科曼德發展出獨特的演唱風格，將傳統聲樂 與羅伊．赫特的表現式和實驗式聲樂風格融合。 斯科曼德是音樂表演公司「音樂之間」的藝術總監，創作以人類進化為靈感的一套四 部曲。系列的首部作品《馭水之音》，是一場水底音樂表演。《馭水之音》籌備歷時 十年，2016 年始於荷蘭鹿特丹歌劇節進行世界首演，目前應邀在世界各地演出。斯 科曼德同時為國際知名劇團及舞團作曲。 Laila Skovmand, from Aarhus, Denmark, is a composer and singer. She graduated from Royal Academy of Music in Aarhus and the Centre Artistique International Roy Hart in France. Through her studies, Skovmand has developed a unique way of combining a more traditional way of singing with the expressive and experimental Roy Hart voice work. As artistic director of the music performance company Between Music, she is now writing a quadrilogy inspired by human evolution. The first part of the quadrilogy is AquaSonic, a concert performance under water. After ten years of work, AquaSonic had its world premiere at the Opera Festival Rotterdam in 2016. It is now a viral phenomenon, and the concert is requested all over the world. Skovmand also composes for internationally known theatre and dance companies.
40
鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited
•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery
•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff
節目時間表 Programme Calendar
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
瑪琳．艾爾梭與聖保羅交響樂團
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
CHCH
16/2
8pm
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
克雷莫納弦樂四重奏
Quartetto di Cremona
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD
李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
-《雙篇雙人舞》 -「兩地書」-《沒有大象》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
DANCE
舞蹈
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
8pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
16/3
8pm
4-5/3
8:15pm
18/3
8pm
Dead Centre Hamnet
CCST
CCCH
正點劇團 《哈姆尼特─莎士比亞之子》
CHCH
21-22/3
8pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
22/2 23/2 23/2 23/2
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
Matsuev and Friends Play Jazz
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
希薇雅．佩瑞茲．克露絲 《夜妝》
8pm 7:30pm 4pm 9:30pm
戲劇
時光之音 《西班牙文藝復興合唱代表作》
香港賽馬會當代舞蹈平台 -《舞鬥》
亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
THEATrE
香港中樂團 《九千年的邂逅》
舞蹈
《白蛇傳》 作曲：周龍 | 編劇：林曉英
CCGT
Oper Leipzig Wagner’s Tannhäuser
DANCE
歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
3pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
CCCH
9/3
8pm
CCCH
14/3
8pm
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
APAD
26-27/2
8:15pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
Euripides Laskaridis / Osmosis TITANS
23/3 24/3
8:15pm 5pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
資料截至 Information as of: Jan 2019
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
音樂大師班
M u s i c M a s t e rcla s s 李飈打擊樂團敲擊樂大師班 Li Biao Percussion Group Masterclasses
14/3 四 Thu 7:30 - 9:30pm (敲擊樂隊 Percussion Ensemble) 香港文化中心 CR2 排演室 Rehearsal Room CR2, HK Cultural Centre
���������樂大師班 Thomas Quasthoff Vocal Masterclass 13/3 三 Wed 7:00 - 9:00pm 香港文化中心 CR1 排演室 Rehearsal Room CR1, HK Cultural Centre
16/3 六 Sat 11:00am - 1:00pm (宗教禮儀音樂 Liturgical music) 香港聖公會聖保羅堂 HKSKH St. Paul's Church
26/1/2019
h #FSOE #SVOEFSU
17/3 日 Sun 4:00 - 5:30pm (西班牙及法國 17 世紀及早期浪漫主義作品 Spanish and French 17th century to early romantic organ repertoire) 香港演藝學院音樂廳 Concert Hall, HKAPA
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
13/3 三 Wed 5:30 - 7:30pm (中西敲擊樂器 Chinese & Western Percussion Instrument) 香港演藝學院演奏廳 Recital Hall, HKAPA
洪儷僖管風琴大師班 Riyehee Hong Organ Masterclasses
25/1/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019 9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa
時光之音合唱與合唱指揮工作坊 Conducting and Singing Workshop with Quondam 9/3 六 Sat 2:30 - 5:00pm (合唱指揮 Choral Conducting) 11/3 一 Mon 4:00 - 6:30pm (合唱 Choral Singing) 循道衛理聯合教會國際禮拜堂 Methodist International Church
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema