衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
馬里安諾．潘恩索迪及瑪利亞劇團
《三個女人搞革命》 Mariano Pensotti/Grupo Marea
Burning bright in the forest of the night 23-24 3月 MAR
香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 演出長約 1 小時 45 分鐘，不設中場休息 Approximately 1 hour and 45 minutes with no interval 西班牙語演出，附中、英文字幕 Performed in Spanish with Chinese and English surtitles 此節目有裸露及性愛場面 This production contains nudity and sexual scenes 此節目中的錄像被評列為第 III 級：只核准對年滿 18 歲的人上映 The video in this production is classified as Category III: Approved for exhibition only to persons who have attained the age of 18 years
封面照片 Cover Photograph: © Sergio Calvo
製作照片 Production Photographs: © Grupo Marea
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
《三個女人搞革命》
Burning bright in the forest of the night 文本及導演 馬里安諾．潘恩索迪
Text & Direction Mariano Pensotti
舞台及服裝設計 瑪琳娜．泰蘭特
Set & Costume Design Mariana Tirantte
音樂 Music 迪里哥．維恩納 Diego Vainer 燈光 Lighting 亞歷山卓．萊諾斯 Alejandro Le Roux 製作 Production 佛羅倫西亞．華莎及瑪利亞劇團 Florencia Wasser/Grupo Marea 舞台助理 瑪蓮娜．胡安納提 塔提安娜．瑪拉迪魯
Stage Assistants Malena Juanatey Tatiana Mladineo
佈景助理 貢薩羅．哥多華．艾斯特維斯 塔提安娜．瑪拉迪魯 露西安娜．柏拉達
Set Assistants Gonzalo Córdoba Estévez Tatiana Mladineo Luciana Peralta
導演助理 璜．許特曼
Director's Assistant Juan Schnitman
英文字幕 English Surtitles Panthea（艾倫．加拉格爾） Panthea (Ellen Gallagher) 中文字幕 蘇靈茵
Chinese Surtitles Emmy So Ling-yan
演出 蘇珊娜．龐潘 羅拉．洛柏茲．莫雅努 恩尼斯．艾芳 艾斯塔班．比格里艾迪 派翠西奧．阿蘭布魯
Cast Susana Pampín Laura López Moyano Inés Efrón Esteban Bigliardi Patricio Aramburu
Originally commissioned by HAU Hebbel am Ufer. Co-produced by Complejo Teatral de Buenos Aires, HAU Hebbel am Ufer, Kunstenfestivaldesarts (Brussels) and Maria Matos Teatro Municipal/House on Fire with support from the the Cultural Programme of the European Union and collaboration by El Cultural San Martín. Created in the frame of "Utopian Realities", a co-production of HAU Hebbel am Ufer and Haus der Kulturen der Welt as part of "100 Years of Now", curated by HAU Hebbel am Ufer. Funded by the German Federal Government Commissioner for Culture and the Media.
10
影片製作
Video Production
導演 Director 馬里安諾．潘恩索迪 Mariano Pensotti 導演助理 璜．許特曼
Director’s Assistant Juan Schnitman
第一導演助理 里昂萊．布雷弗曼
1st Director’s Assistant Lionel Braverman
執行監製 保羅．唐尼采第
Executive Producer Paolo Donizetti
製作助理 阿祖爾．艾辛堡
Production Assistant Azul Aizenberg
攝影指導 索萊達．羅德格斯
Director of Photography Soledad Rodriguez
攝影助理 梅賽德斯．拉博德
Camera Assistant Mercedes Laborde
燈光 Gaffer 珊德拉．瑪莉亞．葛絲 Sandra María Grossi 藝術指導及服裝設計 瑪琳娜．泰倫特
Art Direction & Costume Designer Mariana Tirantte
藝術及服裝助理 貢薩羅．哥多華．艾斯特維斯 塔提安娜．瑪拉迪魯、露西安娜．柏拉達
Art & Costume Assistants Gonzalo Córdoba Estévez, Tatiana Mladineo, Luciana Peralta
化妝及視覺效果 瑪琳娜．加雅
Makeup & FX Mariana Jara
聲效指導 納烏．柏連克
Sound Director Nahuel Palenque
聲效助理 蘇菲亞．史德拉菲斯、路西奧．方塔納
Sound Assistants Sofia Straface, Lucio Fontana
電影剪輯 安德烈．埃斯特拉達
Film Editor Andrés Estrada
色彩校正 索萊達．羅德格斯
Colour Correction Soledad Rodriguez
音樂 Music 迪里哥．維恩納 Diego Vainer 動畫 Animation 安迪亞．托迪 Andrea Torti
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導演的話
Director’s Note 一
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在 1 9 1 7 年俄國革命百年之際，《三個女人搞革
This year marks the hundredth anniversary of the Russian Revolution of 1917. Burning bright in the forest of the night addresses this anniversary and some of its potential repercussions, both artistic and political, in today’s world. It is hard to ignore the similarity of many of the problems faced by the majority of the world’s population a hundred years ago to those we face today. It may be a simplistic view, but the conflicts arising from inequality, redistribution of wealth, workers’ rights and the fight against new forms of exploitation seem just as relevant today as they were in 1917.
命》不僅是對該運動的紀念，也讓我們聽到了 其在當今世界的隱隱迴響，不論是藝術還是政 治方面。一百年前，世上大多數人面臨的眾多 問題，竟與我們今日所面對的如出一轍，相似 得令人難以忽視。也許這樣說有過於簡化之嫌， 但不平等、財富再分配、工人權益，以及反對 新形式剝削的鬥爭，這些問題與其帶來的衝突， 即使在今天看來，也與 1917 年時一樣切實和重 要。 《三個女人搞革命》以三位當代女性的故事為 中心。她們的生活經歷截然不同，卻都以某種 形式受俄國革命的深遠影響。三個故事分別採 用三種表演模式：木偶人有一天去觀看了一場 戲劇，而劇中的人物又去看了一場電影。整部 作品如同一個巨大的俄羅斯娃娃，一個故事嵌 套着另一個，且每個故事彼此影響。藝術像革 命一樣，可以創造出很多我們之前無法看到、 卻可能存在的世界。俄國革命後，先鋒派藝術 蓬勃興起，追求重述無法以其他方式講述的事 物。我們又是否能夠帶着謙卑的態度做到同樣 的事情？大型虛構作品的創作，是否烏托邦式 行為？
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Burning bright... is a work composed of stories centred on the lives of three contemporary women, whose experiences are intersected by the Russian Revolution in very different ways. The narration uses three different formats for each section. It is a work with puppets, who one day set off to see a play, whose characters are going to see a film. The story is like a big Russian doll made up of fictions within fictions, each of which changes the others. Art, like revolution, creates possible worlds which were not visible before. Are we able to invoke— with a suitable dose of humility—the explosive artistic avant-garde which followed the Russian Revolution and which aspired to recount things that could not be recounted any other way? Is the creation of mega-fictions a utopian action?
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© Loderndes Leuchten
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二
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《三個女人搞革命》受蘇聯革命家及馬克思女
Burning bright... takes as its inspiration the Soviet revolutionary and feminist Alexandra Kollontai, and some of her concerns about the body, liberty, sexuality and how capitalist societies model women’s identities to suit their own convenience. Kollontai is a relatively obscure figure of the Russian Revolution, like many women involved in revolutions around the world. After the triumphant events of 1917, a series of radical transformations took place at all levels of society, and her influence was felt in areas such as divorce, women’s suffrage, legal abortion, same-sex unions and more. But above all, the idea of the body as a revolutionary field of action took root.
性主義者亞歷山德拉．高倫泰啟發，且取材自 很多其關注的主題，如身體、自由、性，以及 資本主義社會如何為自身利益而塑造女性身份。 高倫泰在俄國革命中的形象相對模糊，正如眾 多在世界各地參與革命的女性一樣。1917 年， 當一連串革命行動取得勝利後，社會上下各界 都迎來了一系列翻天覆地的變革。此時，高倫 泰的影響在很多領域顯現出來，如離婚、婦女 選舉權、合法墮胎、同性結合等。但最重要的 是，她把身體作為革命戰場的想法在人們心中 紮下了根。 本劇作提出了很多問題，其中一個關鍵問題是 資本主義如何控制身體，更確切地說，對女性 身體的控制如何反映一個階級對另一階級這種 更複雜的控制。劇中演員的身體通過三個不同 的比例展現，而每個比例中都存在着明確的權 力關係。身體不再只是戰場；它成為了私人主 題樂園，需要付出代價才能進入。 三 插一段我的個人經歷：八九歲時，我和家人過 着一種秘密生活，我們會用假名，常從布宜諾 斯艾利斯一處搬到另一處，就像不入流的諜戰 片中演的那樣。這是因為我父母是激進左翼人 士，而當時的阿根廷仍處於軍事獨裁統治。那 段期間，我在成人們的談話中第一次了解到一 段歷史：1 9 1 7 年革命後，許多俄國人移民到了 阿根廷北部，其中部分人打算在森林中建起烏 托邦。我記得有人提過，當中有一個地方只開 放予女性。自此，一個畫面就銘刻在我的腦中： 二十世紀初期，一群信奉社會主義的亞馬遜女 戰士，在瘋狂的拉丁美洲叢林中，開創一個不 一樣的社會。
Amongst other things, Burning bright... asks questions about how capitalism controls bodies, and particularly how the control of women’s bodies is representative of the more complex control of one class over another. The bodies of the actors are shown at different scales, with distinct power relationships created in each format. The body is no longer just a battlefield; it becomes a personal theme park, for which you have to pay to enter. 3 A personal diversion: I am about 8 or 9 years old, living with my family in secrecy, using false names, and moving from place to place in Buenos Aires, like a bad spy movie, because my parents are left-wing political militants and there is still a military dictatorship in Argentina. At that time, while listening to the conversations of adults, I discovered a history for the first time: after the 1917 revolution, many Russians immigrated to northern Argentina, where some of them intended to found utopian colonies in the forest. Someone mentioned that one of these colonies was for women only. The image of these socialist Amazonians creating an alternative society in the middle of the crazy Latin American forest at the beginning of the 20th century has always remained engraved on my mind.
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幾年前，我有了一個小女兒，做了父親。而我 對資本主義如何塑造女性身份的認知，也變成 了日常存在、無比具象的擔憂。女性主義作為 這個時代的一個徵象，近年再次成為拉丁美洲 最明確、最活躍且最具革命性的運動之一。 四 構作《三個女人搞革命》花了大約兩年時間， 過程中，我們與過去和現在的革命者交談，也 與在看似不可能的地方組織新社會運動的女性 主義者交談。我們造訪了阿根廷北部的森林， 尋找一百年前俄國移民留下的痕跡，也參與了 支持與反對革命的各種紀念活動。我們看到極 右翼是如何在世界各地的選舉中獲勝，也發現 愛森斯坦在轉向電影前是位戲劇導演，而在他 最後一部劇場作品中也放映了影片。 通過觀看並思考藝術作品中他人的生活，《三 個女人搞革命》的角色有了改變並開始思索： 自己想做歷史的觀眾，還是歷史的主人？在一 個充滿可怕不公義的世界裏，他們在社會中和 自己的生活中，尋覓徹底改變的可能性，像一 隻臥虎猛然迸發出火焰，為最黑暗的地方帶來 光明與希望。1 9 1 7 年已過去百年，列寧那未曾 過時的問題仍在迴響：「該做甚麼？」 馬里安諾．潘恩索迪 2017 年 4 月，布宜諾斯艾利斯
A few years ago, I became father to a little girl, and my perception of how a woman’s identity is carved out by capitalism today became a daily and far from abstract concern. As a symptom of the age, in recent years feminism has once more become one of the clearest, most active and revolutionary of movements in Latin America. 4 In the process of constructing Burning bright..., which took around two years, we talked to revolutionaries, both past and present, and to femi nists organising new social movements in unlikely places. We travelled to the forests of northern Argentina in search of the traces of the Russian immigrants of a hundred years ago, and we also attended anniversary events, for and against the revolution. We saw how the far-right was winning elections all over the world, and we found that Eisenstein had been a theatre director before turning to cinema, and his last theatrical work had included showing a film. The characters of Burning bright... are transformed by watching the lives of other people in works of art, thinking about them, and starting to wonder whether they themselves want to be spectators or protagonists in History. In a world filled with terrible injustices, the possibility for them to find radical change, in society and in their own lives, like a crouc hing tiger which bursts into flames, continues to illuminate and give hope in the darkest of places. A hundred years on from 1917, Lenin’s still relevant question still resonates: “What is to be done?” Mariano Pensotti Buenos Aires, April 2017
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潘恩索迪：革命革到底
Mariano Pensotti: Tell Me a Revolution 19 1 7 年俄國革命是人類文明史上一闋波瀾壯闊 的史詩。它使俄國農民從幾百年的封建桎梏中 解放出來，廣佈激進的社會、政治和經濟意識 形態，催生出超級強國，更激發人們創作無數 電影和小說，描畫革命的浪漫與悲情。作為「十 月革命」的發動者，布爾什維克的世界大同理 想終在權力引出的人性醜陋中亡歿，克里姆林 宮亦對革命百週年置若罔聞。但前人的初心， 仍對不少後來者有無窮啟迪，阿根廷劇場導演 馬里安諾．潘恩索迪的最新力作，正迴盪一世 紀前俄國革命的精神和餘音。 《三個女人搞革命》探討的，是共產主義最大 膽前衞的思想家之一、馬克思女性主義巨擘阿 歷山德拉．高倫泰（1872 – 1952 年）對當今社 會的影響。更甚的是，潘恩索迪本人成長於阿 根廷骯髒戰爭、軍事獨裁政權在南美洲相繼崛 起的年代，革命在他的血液流淌，也貫注在他 的劇場裏：他述說故事不落一格、恣意縱橫，
The 1917 Bolshevik Revolution ranks amongst the epic tales of human civilization. It lifted Russia’s peasants out of centuries of agrarian feudalism, spawned a radical social, political and economic ideology, and launched a superpower, not to mention a slew of films and novels celebrating its most romantic and tragic threads. The Bolsheviks’ ideals died an inglorious death (even the Kremlin ignored the centenary), yet they can still prove seductive, as evidenced in the latest work of Argentine theatre director Mariano Pensotti. Burning bright in the forest of the night considers the contemporary relevance of one of Communism’s most rebellious thinkers, the Marxist feminist Alexandra Kollontai (1872–1952). Yet Pensotti, who grew up during Argentina’s Dirty War and the rise of military dictatorships across South America, has revolution in his blood, too, and it informs the theatre he creates: his unclassifiable, interdisciplinary, exorbitant storytelling is begging to overthrow theatrical form itself.
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© Carlos Furman
潘恩索迪及瑪利亞劇團過往作品，包括（左至右）：《電影製作人》（2013）旁述四名電影製作人的生活；《過 去是一頭怪誕的動物》（2010）是在旋轉舞台上演出的作品；《迪亞蒙提》（魯爾國際藝術節，2018）的故事地 點設於虛構的公司小鎮，立體模型般的場景讓觀眾能夠隨意在故事中漫遊。
風格濃郁稠重，像是一場革命，極欲顛覆劇場 的傳統形式。 《三個女人搞革命》是潘恩索迪劇場實踐的完 美示範之作，集其廿年來執導二十齣劇作的精 髓和功力，展現其不為任何劇種所束縛的特殊 魅力。劇場將三個故事糅合為一，以三個敘事 框架展現不同角度，探視女性主義在二十一世 紀搖搖欲傾的處境。《三》劇三個故事互為表 裏，而每個故事中，女性的身體以及她們所面 對的社會和政治現實均被逐步放大檢視，先是 以木偶戲呈現，再變成眼前活生生的劇場，最 後以電影近鏡凝視收結。 與俄國革命並起的，還有文壇上的俄國形式主 義。此一文藝思潮顛覆傳統文學評論，將文本 涵義置於著者本意之上。潘恩索迪彷彿從俄國 形式主義擷取靈感，讓作品形式為作品本身賦 予意義，發揮不遜於作者動機的影響力。劇中 三位女子與述說類近她們自身經歷的藝術作品 不期而遇，從而找到活着的意義；而機會和意
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Burning bright… is an object lesson in Pensotti’s theatre practice, forged over two decades and 20 plays that resist containment in any one genre. The piece tells three stories in one, using a trio of narrative planes to create different perspectives on the precarious state of feminism in the 21st century. In each of the triptych’s chapters, women’s bodies and the social and political realities they are trying to confront are seen through a progressively magnifying lens, from the make-believe of marionettes, to the corporal reality of live theatre and film’s close-up gaze. As if he were also taking a page from the Russian Formalists, who upended literary criticism at the time of the Bolshevik Revolution by prioritizing text over authorial intent, Pensotti allows his stories to be defined as much by the forms they take as by any predetermined narrative. The women of Burning bright... derive purpose from casual encounters with works of art narrating stories similar to their own, just as chance and accident are given free rein in Pensotti’s other work. Two of his pieces, Interiors and The Tide, are
© Almudena Crespo
© Annette Hauschild
Past works by Mariano Pensotti/Grupo Marea, including (left to right): Cineastas (2013), a work juxtaposing the lives of four filmmakers with the help of a narrator; The past is a grotesque animal (2010), set on a revolving stage; and Diamante (Ruhrtriennale 2018), based on a fictitious company town set in dioramas, which allows viewers to roam freely through the story.
外，也在潘恩索迪其餘作品擔演重要角色。他 的兩部劇作《室內》和《潮汐》，分別為在住 宅大廈和城市街道展開的實地劇場，觀眾可隨 意體驗發生在他們周圍的日常情境和故事。在 他的其餘作品中，觀眾還有份參與文本的創作 和即席表演，例如在《有時我想，我應該看見 你》，作家們在火車站一邊觀察遊人，一邊創 作，而遊人得知自己成為作家筆下的角色，便 會反過來左右後者的敘述。除此之外，潘恩索 迪不少作品都透過引入一眾小故事和角色，去 重塑過去及其看似牢不可破的神話。 潘恩索迪的藝術視野極其寬廣，不同人的所思 所想，都是他創作的靈感泉源。回望廿載執導 生涯，他曾與近四十位作家合作，包括諾貝爾 文學獎得主艾芙烈．葉尼耶克。他取材廣泛， 或情或事，如被丟棄的相片、父親參與的革命 活動、詹姆斯．喬伊斯的《死者》和尚盧．高 達的電影《中國姑娘》；尚盧．高達與他的精 神深相契合，反映導演視劇場和革命為建構人
immersive works set in an apartment building and on a city street, respectively, allowing audiences to experience at their choosing the everyday stories taking place in multiple locations around them. In others, text is written and performed live with audience participation, as in Sometimes I think I see you, which was created in train stations by writers observing travellers, who in turn could influence the texts being written about them. Still other works relentlessly attempt to recast the past and its mythologies through a multitude of stories and characters. Pensotti’s expansive vision finds inspiration in many voices (he has collaborated with close to 40 writers, including Nobel laureate Elfriede Jelinek) and sources as diverse as a caché of discarded photos, his father’s own revolutionary activities, James Joyce’s The Dead, and Jean-Luc Godard’s La Chinoise, a film which encapsulates Pensotti’s deep engagement with both cinema and revolution as structures of being in the world. His prolific theatre is to be understood not only within the context of
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類存在經驗的事物。潘恩索迪是多產的劇場導 演，但其作品不應只放在充斥故事、影像和表 演者的數碼世代語境裏解讀；因為它代表的， 是導演對虛擬與現實之間曖昧界線的有力詰問， 反映在現實中，虛擬媒體如電視、電影與廣告 的語言無時無刻在塑造我們的身份。 潘恩索迪張揚的敘事風格，為其領軍的瑪利亞 劇團的演員帶來巨大挑戰，而他們在演藝上的 無縫配合，加上其天縱之才，讓這位四十五歲 的阿根廷導演在國際享盡榮譽。回首以往，他 的初衷全寄予在他其中一齣巡迴演出次數最多 的作品—《過去是一頭怪誕的動物》。這齣在 分成四格的旋轉夾板舞台上演出的戲碼，是巴 爾札克式聚焦小人物的寫實劇作，向在九十年 代末、千禧年代初成長於阿根廷金融危機的一 代致敬。如果身份是由敘事建構，該劇在舞台 上凝鑄的便是阿根廷二十至三十來歲一代人的 集體經驗，他們父母在社會和政治上的頑抗掙 扎，在在提醒這也是他們自身的未竟之業。
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the Digital Age’s profusion of stories, images and performers, but as an extended interrogation of the porosity of fiction and reality, where the codes of TV, film and advertising are powerful purveyors of identity. Such extravagant storytelling, as well as the demanding collaborative work it requires with the actors of Grupo Marea, have earned the 45-year old director an enviable international stature. Where he came from to get there is hinted at in one of his most toured works; The past is a grotesque animal is a Balzacian homage to his generation of Argentines who came of age at the brink of the economic crisis of the late 1990s and early 2000s, performed in four intercommunicating sets of a rotating plywood stage. If identity is a narrative construct, it is forged here in the collective experience of 20- and 30-somethings for whom the social and political struggles of their parents are a haunting reminder of what they have yet to accomplish themselves.
在《三個女人搞革命》中，潘恩索迪為這個時 代推舉一位極富煽動力的思想家：高倫泰對資 本主義系統壓迫女性的論述，與近年席捲全球 的 # M e To o 運動揭露職場性騷擾事件的做法一 脈相承，但高倫泰作為馬克思主義者，我們想 像到她應會對運動忽略少數群體女性加以批判。 另外，此劇的英文名出自威廉．布萊克的詩句， 描寫美麗與力量這兩種相反、又互相成就的特 質。這反映了潘恩索迪深深欽佩女性集美麗與 力量於一身，去推翻成規，介入和打破既有秩 序。 不要誤會，潘恩索迪並不像其他來自前蘇聯的 藝術家一樣，呼籲人們繼續作政治抵抗；只是， 如果革命之為革命必須徹底，他的劇場就有如 為陳舊的形式下了一道毫無保留的戰書，並力 勸我們在劇場以至人生中，都勇於擔演角色。
In Burning bright in the forest of the night, Pensotti proposes an agitator for our times: Kollontai’s views on women’s oppression by capitalist systems have found expression in the #MeToo movement’s exposing of workplace sexual harassment, while her Marxist positions legitimise criticism of the movement’s under-representation of minority women. The title’s reference to William Blake’s awestruck portrait of power’s contrasting forces, beauty and strength, suggests that Pensotti is himself an ardent admirer of women’s marshalling of both to overturn convention and disrupt order. Make no mistake, Pensotti does not call for political resistance as artists from the former USSR still must and do, but if revolution demands immoderation, his theatre throws down a barely restrained challenge to orthodoxies of form and urges us all to play a role, in theatre as in life. Molly Grogan
莫莉．葛羅根
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馬里安諾．潘恩索迪
Mariano Pensotti 文本及導演 Text & Direction © Carlos Furman
馬里安諾．潘恩索迪是阿根廷作家和戲劇導演。 他曾在布宜諾斯艾利斯、西班牙和意大利學習 電影、視覺藝術和戲劇。 他專注於兩方面的工作：第一是以個人文學創 作作為舞台表演的藍本，並與演員合作發展劇 作；另為特定的場地訂製表演，在公共場所發 表虛構作品，以此來凸顯現實與虛幻世界之間 的對比。 潘恩索迪既是劇作家又是導演，在過去十二年 創作了十五部劇場作品。他最近為 2018 年魯爾 國際藝術節創作《迪亞蒙提》。其他近期作品 包括：《三個女人搞革命》（2017）、《當我 回到家時，我將成為另一個人》（2015）、《電 影製作人》（2013）和《過去是一頭怪誕的動物》 （2010 及 2011）。他的作品在全球三十多個城
Mariano Pensotti is an Argentine author and theatre director. He studied cinema, visual arts and theatre in Buenos Aires, Spain and Italy. His work divides into two directions. The first is stage performances based on his own literary texts and developed through direct work with actors. In parallel, he produces site-specific performances, with the intent to create a contrast between fiction and reality by performing fiction works in public spaces. In theatre, as an author and director he created more than 15 performances in the past 12 years. Recently, he worked on Diamante for Ruhrtriennale 2018. Among his other latest creations are Burning bright in the forest of the night (2017), When I get back home I'll be another one (2015), Cineastas (2013) and The past is a grotesque animal
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市演出，上演場合及劇院包括：布魯塞爾國際 藝術節、馬德里秋季藝術節、漢諾威「戲劇形 式」國際戲劇節、柏林 HAU 劇院、英國諾福克 和諾威奇藝術節、里約熱內盧速度音樂節、阿 姆斯特丹弗拉斯卡提劇院、紐約雷達外藝術節、 紐約 C O I L 藝術節、哥倫布韋克斯納藝術中心、 明尼阿波利斯沃克藝術中心、溫哥華國際藝穗 節等等。 《有時我想，我應該看見你》（2010 及 2011） 作為平行城市藝術節的一部分，在柏林 HAU 劇 院首映，之後在科隆、蘇黎世、布魯塞爾、華沙、 薩拉曼卡、赫羅納、巴黎、哥本哈根、赫爾辛基、 布宜諾斯艾利斯和首爾演出。《從未存活的生 命：百科全書》（2 010）在奧地利格拉茲國家 劇院首映，並參加了奧地利施泰爾馬克秋季藝 術節。《潮汐》（2005 及 2011）在布宜諾斯艾 利斯國際藝術節首映，後來獲邀到布魯塞爾國 際藝術節、柏林 H AU 劇院、里加新劇場節、都 柏林藝術節、諾曼第秋季藝術節、魁北克加萊 弗國際戲劇節等演出。 潘恩索迪是著名的實驗型導演，他和劇團在世 界各地大規模地巡演。他與設計師瑪琳娜．泰 蘭特、音樂家迪里哥．維恩納、燈光設計師亞 歷山卓．萊諾斯以及藝術監製佛羅倫西亞．華 莎一起組成了瑪利亞劇團。
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(2010/11). All were presented in more than 30 cities worldwide, including Kunstenfestivaldesarts (Brussels), Festival de Otoño (Madrid), Festival Theaterformen (Hannover), Hebbel am Ufer (Berlin), Norfolk & Norwich Festival (England), Tempo Festival (Rio de Janeiro), Frascati Theater (Amsterdam), Under The Radar and COIL (New York), Wexner Center for the Arts (Columbus), Walker Arts Center (Minneapolis) and PuSh Festival (Vancouver), among many others. Sometimes I think I see you (2010/2011) premiered in Berlin at Hebbel am Ufer as part of Ciudades Paralelas Festival and was further presented in Cologne, Zürich, Brussels, Warsaw, Salamanca, Girona, Paris, Copenhagen, Helsinki, Buenos Aires and Seoul. Encyclopaedia of Unlived Lives (2010) premiered at Schauspielhaus Graz (Austria) and was presented during the Steirischer Herbst Festival. The Tide (2005/2011) premiered at the Buenos Aires International Festival and later was invited to the Kunstenfestivaldesarts (Brussels), Hebbel am Ufer Theater (Berlin), Homo Novus Festival (Riga), Dublin Festival (Ireland), Festival Automne en Normandie (Rouen), Carrefour International de Théâtre (Québec) and many other festivals worldwide. A noted experimental director, Pensotti tours with his company extensively throughout the year. He formed Grupo Marea together with set designer Mariana Tirantte, musician Diego Vainer, light designer Alejandro Le Roux and artistic producer Florencia Wasser.
( 左至右 )：派翠西奧．阿蘭布魯、蘇珊娜．龐潘 (Left to right): Patricio Aramburu and Susana Pampín.
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蘇珊娜．龐潘 演出
Susana Pampín Performer 蘇珊娜．龐潘出生於布宜諾斯艾利斯。她在國立戲劇藝術學院跟從維維安娜．泰利亞斯和安古斯托．法南特斯學 習戲劇表演。 她近期的戲劇表演包括：《Tarascones》 （卡羅．索素尼）、 《女演員》（芭芭拉．蒙尼娜尼）、 《芳娜》及《所 有時間》（羅曼娜．保娜）。她的電影作品包括：《兩次射擊》（2014）、《魔法手套》（2003）、《希薇雅． 皮亞圖》（馬丁．赫特曼，1999）、《格爾達，不悔的愛》（洛倫娜．慕諾斯，2016）。2015 年，她憑在《痴 情意外》中的表演獲得阿根廷馬德普拉塔國際電影節最佳女演員獎。 2006 年起，龐潘開始在布宜諾斯艾利斯國立藝術大學教授戲劇。 Susana Pampín was born in Buenos Aires. She studied drama in the Escuela Nacional de Arte Dramático under Viviana Tellas and Augusto Fernandes. She has participated in many theatre plays, recently including: Tarascones (Ciro Zorzoli), Actriz (Bárbara Molinari), Fauna and El tiempo todo entero (Romina Paula). Her recent films include: Dos disparos (2014), Los guantes mágicos (2003), Silvia Prieto (Martín Rejtman, 1999), Gilda, no me arrepiento de este amor (Lorena Muñoz, 2016), and La luz incidente (Ariel Rotter, 2015) for which she won the SAGAI Award for Best Actress at the Mar de Plata International Film Festival (2015). Pampín has taught drama at the National University of the Arts (Buenos Aires) since 2006.
派翠西奧．阿蘭布魯 演出
Patricio Aramburu Performer 派翠西奧．阿蘭布魯 1978 年出生於布宜諾斯艾利斯。他曾與亞歷山度．卡泰倫、里卡度．巴蒂斯、哈維爾．達 爾特和亞歷山度．馬奇一起學習戲劇，亦參與阿根廷電影和電視節目工作。 他憑《測試和錯誤》的演出獲提名為 GETEA 戲劇獎的最佳男演員；亦憑《老男人》的演出獲提名阿根廷的世界戲 劇獎最佳男演員；2010 年憑《空洞》獲頒最佳戲劇顧問。 他演出的作品包括：《羔羊》（丹尼爾．維洛尼斯）、《親愛的易卜生：我是諾拉》（西維奧．朗）、《懇求者》 （莉蓮娜．波特）、《僕人之翼》（莫西奧．卡頓）。 Patricio Aramburu was born in Buenos Aires in 1978. He studied drama with Alejandro Catalán, Ricardo Bartis, Javier Daulte and Alejandro Macci. Aramburu also works in many films and TV shows in Argentina. He was nominated as Best Actor at the Premios Teatro XXI for his performance in Prueba y error (Juan Pablo Gómez) and was nominated Best Actor in the Premios Teatro del Mundo 2013 for his role in Viejo, solo y puto (Sergio Boris) and in 2010 as Best Dramaturg for Un hueco. He has also worked on Los Corderos (Daniel Veronese), Querido Ibsen: Soy Nora (Silvio Lang), Entreactros (Liliana Porter) and Ala de criados (Mauricio Kartun).
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( 左至右 )：艾斯塔班．比格里艾迪、羅拉．洛柏茲．莫雅努、恩尼斯．艾芳 (Left to right): Esteban Bigliardi, Laura López Moyano, Inés Efrón.
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羅拉．洛柏茲．莫雅努 演出
Laura López Moyano Performer 羅拉．洛柏茲．莫雅努出生於 1976 年，在大都會戲劇藝術學院跟從龐佩約．奧迪韋爾和拉斐爾．史普格伯德學 習戲劇。她曾出演阿根廷多位著名導演的戲劇作品，合作過的導演包括丹尼爾．維洛尼斯、路西安諾．蘇阿爾迪、 塞格奧．柏里斯、莫西奧．卡頓、羅拉．艾利亞斯、奧迪韋爾、拉斐爾．史普格伯德和瑪琳娜．查特。她亦參與 電影和電視節目演出。 Laura López Moyano was born in 1976. She studied drama at the Escuela Metropolitana de Arte Dramático (EMAD) under Pompeyo Audivert and Rafael Spregelburd. She has performed in many theatre plays directed by leading Argentinian directors Daniel Veronese, Luciano Suardi, Sergio Boris, Mauricio Kartun, Lola Arias, Rafael Spregelburd and Mariana Chaud. She also performs in films and TV shows.
恩尼斯．艾芳 演出
Inés Efrón Performer 恩尼斯．艾芳 1984 年出生於布宜諾斯艾利斯，在諾拉．莫辛高戲劇學校學習戲劇。她曾在羅拉．艾利亞斯的指 導下演出《你沉睡着》（2004）、《手槍夢》（2007）和《暫缺貨》（2005），並與羅曼娜．保拉於 2011 年《幻 想國度》中合作。她出演的電影包括：《XXY》（2007）、《漁孩》（露西亞．普恩佐，2009）、《美麗的寂寞》 （馬丁．卡倫沙和維多利亞．加拉迪，2008）、《湛藍天空下》（艾歷斯．道斯．山圖斯，2006）、《在人海中 遇見你》（古斯塔保．塔倫圖，2011）、《失憶薇若妮卡》（露柯希亞．馬泰，2008）、《搖滾年代》（加比奧． 尼斯，2012）和 《排球》（馬丁．彼羅揚斯基，2015）。 Inés Efrón was born in Buenos Aires in 1984 and studied drama at the Escuela de Teatro Nora Moseinco. In theatre, she has worked under the direction of Lola Arias in Poses para dormir (2004), Sueño con revolver (2007) and Temporariamente agotado (2005). She also worked with Romina Paula in Fiktionland (2011). In film, she has performed in XXY (2007) and El niño Pez (Lucia Puenzo, 2009), Amorosa soledad (Martin Carranza and Victoria Galardi, 2008), Glue (Alexis Dos Santos, 2006), Medianeras (Gustavo Taretto, 2011), La mujer sin cabeza (Lucrecia Martel, 2008), Días de Vinilo (Gabriel Nesci, 2012) and Voley (Martin Piroyansky, 2015).
艾斯塔班．比格里艾迪 演出
Esteban Bigliardi Performer 艾斯塔班．比格里艾迪出生於 1973 年，曾做過律師和救生員，三十三歲開始演藝生涯。他與亞歷山度．卡泰倫、 吉爾莫．安祖拿利和哈維．杜爾特一起接受戲劇訓練。2005 年，他共同創辦了艾爾．西倫西奧劇團，在布宜諾 斯艾利斯、歐洲和南美演出三齣戲劇，亦曾在 2009 年的《僕人之翼》中出演。他曾參演的電影作品有《神秘世界》 （2011）、《綁架和死亡》（2010）、《村莊》（2012）、《鯨之歌》（2017）、《神秘高峰會》（2017）、《巧 黑》（2014）、《幾乎所有事情都有效》（2015）、《逆境棋蹟》（2017）、《飛黃騰達》（2016）等。 Esteban Bigliardi was born in 1973 and started his acting career at the age of 33. A former lawyer and lifeguard, he began his training with Alejandro Catalan, Guillermo Angelleli and Javier Daulte. In 2005, he co-founded the company El Silencio, with which he performed in three plays in Buenos Aires, Europe and South America. He has also appeared in Ala de Criados (2009). In film, he has worked on Un mundo misterioso (2011), Secuestro y Muerte (2010), Villegas (2012), Cetáceos (2017), La Cordillera (2017), Jauja (2014), Como Funcionan Casi Todas las Cosas (2015), El Jugador (2017) and El Aprendiz (2016), among others.
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瑪琳娜．泰蘭特 舞台與服裝設計師
Mariana Tirantte Set and Costume Designer 瑪琳娜．泰蘭特 1976 年出生於布宜諾斯艾利斯。她與瑪利亞劇團合作，為劇團在阿 根廷和世界各地的戲劇、場地特定表演和裝置等作品設計佈景和服裝。她與阿根廷導 演和公司合作，包括克雷普舞團、羅拉．艾利亞斯、帕布羅．梅謝斯、艾格斯蒂娜． 洛佩茲、利桑德羅．羅德里格斯、馬提斯．費德曼、艾瑞兒．法拉斯、戴安娜．薛恩 布倫、卡諾斯．卡塞拉、安娜．法蘭高、羅曼．普道斯基、歌迪奧．杜卡查和胡里奧． 查維茲。泰蘭特是第四屆和第五屆布宜諾斯艾利斯國際藝術節、2015 年和 2017 年比 恩萊表演藝術節，以及「改變空間」計劃的技術總監。她憑為潘恩索迪的《過去是一 頭怪誕的動物》設計舞台獲頒特尼達．格瓦拉獎，憑潘恩索迪的《電影製作人》及羅 拉．艾利亞斯的《憂鬱與展現》獲 2 0 1 3 年世界劇場獎，亦憑阿各斯天娜．洛柏茲的 《湖》獲提名 2012 年桑切斯獎。 Mariana Tirantte was born in Buenos Aires in 1976. In her work with Grupo Marea, she has designed sets and costumes for diverse productions in theatre, site-specific performances and installations in Argentina and many countries around the world. She has also collaborated with Argentinian directors and companies, including Grupo Krapp, Lola Arias, Pablo Messiez, Agostina López, Lisandro Rodriguez, Matías Feldman, Ariel Farace, Diana Szeinblum, Carlos Casella, Ana Frenkel, Román Podolsky, Claudio Tolcachir and Julio Chávez. She was technical director of the fourth and fifth Buenos Aires International Festival, Bienal de Performance 2015 and 2017 and Espacios Revelados in Santiago, Chile. She won the Trinidad Guevara Award in 2011 for her set design for The past is a grotesque animal (Mariano Pensotti), Premios Teatro del Mundo 2013 for Cineastas (Pensotti) and Melancolia y Manifestaciones (Lola Arias), and was nominated for the Florencio Sanchez Award 2012 for La laguna (Agostina López).
迪里哥．維恩納 音樂
Diego Vainer Music 迪里哥．維恩納是一位作曲家和音樂製作人。自 1 9 9 3 年以來，他專注於電音媒體的 創作，並以「動態幻想」的名義發行了五張專輯。他與丹尼爾．麥拉羅共同製作專輯 《鋼琴》，並與古斯塔保．桑托納拉創作《阿根廷電子探戈學會》和《堤岸》，亦曾 與樂隊 El Otro Yo、La Portuaria 和演員羅莎維奧．巴拉法利等合作。過去十五年，他為 劇場、舞蹈、電影、影音作品創作音樂，曾合作藝術家包括：藝團 El Descueve、潘恩 索迪、卡諾斯．卡塞拉、胡里奧．查維茲、費迪高．里昂、馬丁．赫特曼、安德烈． 德托拉、哈維爾．達爾特、珊提雅哥．羅薩和阿古斯汀．阿雷索等等。 Diego Vainer is a composer and musical producer. Since 1993, he has focused on his work in electronic media, and released five albums under the moniker Fantasias animadas. He has collaborated with Daniel Melero for the album Piano, Gustavo Santaolalla for the projects Bajofondo Tango Club and Terraplén, and with El Otro Yo, La Portuaria and Rosario Bléfari. For the last 15 years, he has also composed and designed music for theatre and dance pieces, films and audio-visual work, and installations with artists such as El Descueve, Mariano Pensotti, Carlos Casella, Julio Chávez, Federico León, Martín Rejtman, Andrés Di Tella, Javier Daulte, Santiago Loza and Agustín Alezzo, among others.
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亞歷山卓．萊諾斯 燈光
Alejandro Le Roux Lighting 亞歷山卓．萊諾斯 1964 年出生於布宜諾斯艾利斯。自 1992 年起，他擔任技術員、控 制員和燈光助理。1997 年以來，他為阿根廷及國外多個歌劇、戲劇和舞蹈表演設計 燈光。2000 年至 2003 年期間，他在法國亞維儂高等舞台技術學院進修。他在《蒙特 威爾第：戰爭模式》的設計獲得了布宜諾斯艾利斯政府和 UBA 世界劇院頒發的特尼達． 格瓦拉獎。他在《呢喃》（2002）和《劇痛》（2008）的設計獲多個獎項；亦曾獲提 名 ACE 獎。自 2005 年起，他在布宜諾斯艾利斯國立藝術大學、市立戲劇藝術學院擔 任本科燈光設計導師，並擔任阿根廷國家戲劇學院和阿根廷聯邦投資委員會的技術顧 問。 Alejandro Le Roux was born in Buenos Aires in 1964. Since 1992, he has worked as a technician, operator and lighting assistant. Since 1997, he has worked exclusively on his own designs for opera, theatre and dance at Argentinean and foreign theatres. Between 2000 and 2003, he attended the Institut Supérieur des Techniques du Spectacle (Avignon, France). His design on Monteverdi Metodo Belico (El Periférico de Objetos, 1999) was awarded with the Trinidad Guevara Award by the government of Buenos Aires and the UBA Theatre of the World. He won similar accolades for his work on Los Murmullos (2002) and Dolor Exquisito (2008). Several of his designs were nominated for the ACE Awards. Since 2005, he has worked as an instructor in undergraduate lighting design at the National University of the Arts (Buenos Aires), at the Municipal School of Dramatic Arts, and as technical advisor for the Instituto Nacional de Teatro and the Consejo Federal de Inversiones.
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鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited
•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Jonathan Leung •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian
•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •C H Mak •麥禮和醫生 Dr Mak Lai Wo •無名氏 (2) Anonymous (2) •Vernon & Karen Moore •Burger Collection •Mrs A M Peyer •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Dr Poon Yee Ling Eligina •恒生銀行 Hang Seng Bank •Mr & Mrs Kenneth Quinn 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •法國巴黎銀行 BNP Paribas •Martin Rogers & Janet Cheng •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •黃乃正教授及陳頴儀醫生 •田家炳基金會 Tin Ka Ping Foundation •Mr Wong Yick Kam •芝蘭基金會 Zhilan Foundation 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999
青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999
•林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Maya & Dirk 4ever •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
CCGT
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
CHCH
16/2
8pm
瑪琳．艾爾梭與聖保羅交響樂團
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
8pm
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
16/3
8pm
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
CCCH
18/3
8pm
克雷莫納弦樂四重奏
Quartetto di Cremona
CHCH
21-22/3
8pm
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD 22/2 23/2 23/2 23/2
8pm 7:30pm 4pm 9:30pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
《白蛇傳》 作曲：周龍 | 編劇：林曉英
香港中樂團 《九千年的邂逅》
時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
Oper Leipzig Wagner’s Tannhäuser
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
DANCE
舞蹈
Matsuev and Friends Play Jazz
CCCH
9/3
8pm
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
CCCH
14/3
8pm
希薇雅．佩瑞茲．克露絲 《夜妝》
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
Euripides Laskaridis / Osmosis TITANS
APAD
26-27/2
8:15pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
DANCE
舞蹈
香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
THEATrE
戲劇
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
正點劇團 《哈姆尼特─莎士比亞之子》
Dead Centre Hamnet
CCST
4-5/3
8:15pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
23/3 24/3
8:15pm 5pm
3pm
資料截至 Information as of: Jan 2019
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
香港藝術節@牛棚 - 藝術共生創造社 HKAF@Cattle Depot Creative Hub
報名及登記 Booking and registration: www.hkartsfestivalplus.org
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 25/1/2019
26/1/2019
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff