Dead Centre - 47th Hong Kong Arts Festival by Hong Kong Arts Festival

Dead Centre 正點劇團

哈姆尼特莎士比亞之子

衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝術節陣容鼎盛，共有超過1700名來自香港和世界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。今年藝術節的節目多姿多彩，當代及古典音樂、舞蹈、戲劇等不同形式的藝術表演共冶一爐。每個節目從幕後製作到台前演出，均盡顯精湛的藝術造詣和超凡的想像力。我很高興知道最近完成活化的中區警署建築群，即現在的大館古蹟及藝術館，會在兩個周末呈獻約5 0場舞蹈表演，供公眾免費入場觀賞。大家更有機會一起參與在大館的檢閱廣場、監獄操場，甚至是監獄囚室進行的表演節目。牛棚藝術村亦會打造為藝術共生創造社，首度成為藝術節發展作品的平台，場內設有不同創意領域的工作坊，觀眾並可以欣賞一些創作中的作品，感受藝術家的多元創意。除了精彩表演，藝術節亦一如以往，悉心籌備各項教育和外展活動，致力培育本地藝術人才。「香港藝術節青少年之友」計劃讓本地學生有機會觀賞世界級的表演和參與各式各樣的藝術活動。此外，藝術節亦透過後台參觀和大師班等「加料節目」，讓觀眾與國際頂尖藝術家互動接觸，了解節目的幕後製作過程。衷心感謝香港藝術節團隊一直致力推動本港的藝術發展，成績斐然。我亦感謝贊助商和捐款者的大力支持，令每年的藝術節圓滿成功，大獲好評。謹祝二零一九年香港藝術節所有觀眾、參加者和表演者可以盡情享受這次藝術之旅，留下愉快難忘的回憶。

林鄭月娥香港特別行政區行政長官

I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場演出。感謝您與我們一起歌頌表演藝術在舞台上的不同季節和階段。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款。這項資助對香港藝術節每年得以成功舉辦，至關重要。多謝香港賽馬會慈善信託基金持續的支持，為我們致力豐富城中文化生活，打下根基。另外要感謝眾多企業贊助商、慈善基金會以至個人捐助者。他們的慷慨捐助，讓我們能夠呈獻世界各地的優秀藝術家、發展新作、培育年青觀眾，並在國際舞台上引薦本地人才。最重要的是感謝您前來欣賞今天的表演。香港藝術節的成功，正是有賴觀眾的熱情和參與。謹祝您享受藝術節今天這場演出，渡過難忘的時光。

查懋成香港藝術節主席

I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演出。今屆藝術節以「一步一舞台」為主題。舞台，不僅是我們呈獻新穎及經典表演的地方，更是藝術轉化向前的關鍵。頂尖藝術家及明日之星於舞台相遇，各展姿彩；透過忠實致敬及大膽改編，經典劇目得以重現觀眾眼前；嶄新作品以原創設計、技術及敍事方法，挑戰傳統舞台的極限。無論於哪個舞台表演，我們會繼續想像藝術世界的無限可能，亦期望今屆表演能為閣下帶來啟發和歡愉。另外，誠邀您參加「加料節目」的各項活動，深入了解重點表演，令藝術節體驗更全面。謹代表藝術節團隊，感謝您參與香港藝術節，支持我們的使命，為香港締造一個世界級藝術節。

It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.

何嘉坤香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節的年度預算約港幣一億三千六百萬，當中香港特區政府的基本撥款佔總收入的近 13%，接近 6% 來自政府新增加的五年限期額外撥款，另外約 28% 需來自票房收入，逾 33% 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 20% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞．諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2019 年藝術節預計收入來源（約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 27 年來，已為逾 750,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

其他收入（包括按捐款和贊助收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)

政府的基本撥款 Government Baseline Funding

Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

正點劇團

《哈姆尼特─莎士比亞之子》 Dead Centre

Hamnet 4-5 3月 MAR

香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 演出長約 1 小時，不設中場休息 Approximately 1 hour with no interval 英語演出，附中文字幕 Performed in English with Chinese surtitles 遲到或中途離場的觀眾不得進場 Latecomers or audience members who leave the auditorium will not be admitted 此節目有非性愛裸露場面及粗俗語言 This production contains non-sexual nudity and strong language 不適宜 12 歲以下觀眾欣賞 Not suitable for ages below 12

封面照片 Cover Photograph: © Ste Murray

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

《哈姆尼特─莎士比亞之子》

Hamnet 文本 Text 莎士比亞 William Shakespeare 布殊．摩加西 Bush Moukarzel 班．奇特 Ben Kidd 導演 Direction 布殊．摩加西 Bush Moukarzel 班．奇特 Ben Kidd 佈景設計安德魯．克蘭西

Set Design Andrew Clancy

服裝及舞台效果格雷格．奧哈拉

Costumes and Effects Grace O'Hara

燈光設計斯蒂芬．多德

Lighting Design Stephen Dodd

音響設計凱文．格里森

Sound Design Kevin Gleeson

錄像 Video 荷西．米格爾．希門尼斯 José Miguel Jiménez 動作指導麗芙．奧多諾霍

Movement Direction Liv O'Donoghue

舞台監督芭芭拉．休斯

Stage Manager Barbara Hughes

助理舞台監督尤珍尼亞．珍諾齊

Assistant Stage Manager Eugenia Genunchi

製作經理尼克．利

Production Manager Nic Ree

戲劇顧問 Dramaturgy 米高．韋斯 Michael West 監製 Producer 艾斯琳．奧蒙德 Aisling Ormonde 演出 Performer 艾蘭．墨菲 Aran Murphy 中文字幕昌明蘇國雲（字幕修訂）

Chinese Surtitles Cheong Ming So Kwok-wan (Editor)

藝術節加料節目

演後藝人談 Meet-the-Artists

5.3（二 Tue）9:20–9:40pm

英語主講

In English

更多加料節目詳情 More Festival PLUS 正點劇團《契訶夫處女作》將於 3 月 8-10 日在香港文化中心劇場演出 Dead Centre's Chekhov's First Play will be staged at the Hong Kong Cultural Centre from 8–10 March.

導演的話

Directors’ Note

“Little is known about Hamnet”

「我們對哈姆尼特所知甚少。」

— Wikipedia

─ 維基百科哈姆尼特．莎士比亞的生命是短暫的，他離世時才十一歲。世人對他的認識不多，卻十分瞭解他那位名留千古的父親（可能有些人覺得太久了）。哈姆尼特是一個誤寫，與那部偉大的著作僅一字之差。據我們所知，哈姆尼特的父親並沒有在自己兒子短短十一載的生命中幫他取得甚麼偉績。他當時正忙於為世界、為我們貢獻精力。在劇本中，莎士比亞沉迷於描寫父母教導子女如何生活。但其中的父母往往感到疑惑、憤怒、害怕，甚或犯錯。可能我們不應該將莎士比亞的劇作視為生活指南。可能人生更大的謎團是如何死去。莎士比亞的詩歌充滿悲傷。毫無疑問，他的作品出自內心的憐憫和悲慟。因為無論哈姆尼特多麼具有象徵意義，他同時—或者曾經也是— 一個小男孩。他出生，然後離世。他人常說懂得接受才能走出悲痛，我們必須接受現實。克勞蒂斯殘忍地安慰侄子：「你要知道這是一件平常事，有生即有死。」但是，即便它是平常的，甚至是自然的，卻並不意味它能被接受。莎士比亞的舞台上經常有鬼魂出沒。鬼魂困擾着活人，活人也纏着鬼魂。舞台呈現這個空間，死人埋怨活人，活人就像死人般靜止，這樣的一個往往不被接受的世界。布殊．摩加西和班．奇特

Hamnet Shakespeare lived and died. He was eleven years old. Not much else is known about him. Rather more is known about his father, who lived and lived, and continues to live (perhaps longer than some of us would like). Hamnet is a typo— one letter away from greatness. And from what we know, his father wasn’t able to offer him much help towards achieving greatness during his eleven years. He was too busy offering it to the rest of the world: to us. In his plays, Shakespeare has an obsession with parents telling their children how to live. But the parents are often confused, angry, scared and wrong. Perhaps we shouldn’t look to the plays of Shakespeare for a guide to how to live. Perhaps the greater conundrum is how to die. Shakespeare’s poetry is heavy with grief. There is surely no doubt that he wrote from a place of compassion and personal devastation. Because again, however much Hamnet might stand as a symbol, he also stands—or stood—as a little boy. He lived, and then he died. We are so often told to deal with grief through acceptance; we must accept reality. Claudius sadistically councils his nephew: “Thou know’st ‘tis common, all that lives must die.” But, whilst it might be common, it may even be natural, that does not mean it should ever be acceptable. It is notable how often ghosts walk Shakespeare’s stages. The dead haunt the living, and the living haunt the dead. Theatre stages that space, the dead holding the living to account, the living suspended like ghosts, in a world that is not always acceptable. Bush Moukarzel and Ben Kidd

哈姆尼特和不自然主義

Hamnet and the Theatre of Unnaturalism

我正坐在兩位口才出眾的年輕人對面，他們來自都柏林，有着熟悉面孔：班．奇特和布殊．摩加西。這對二人組去年將《契訶夫處女作》帶到了柏林 Find17 藝術節，今年將首演新作《哈姆尼特─莎士比亞之子》。不，我並沒有把劇名寫錯。在接下來的談話中，我愈來愈清楚地認識到，一字之差有多麼重要。這部作品探尋莎士比亞之子─哈姆尼特的故事。他在 1596 年病逝，年僅十一歲，彼時其父正忙於工作。三年之後，相信是在悲痛中，莎翁寫下了劇作《哈姆雷特》。約瑟夫．皮爾森：是甚麼讓你們二人決定編寫、導演一齣關於莎士比亞（夭折的）十一歲兒子的戲劇？布殊．摩加西：他的名字。「哈姆尼特」和大家所熟悉的名字只有一字之差。我們知道若寫

I am sitting across from two very articulate young men from Dublin who are familiar faces: Ben Kidd and Bush Moukarzel. The duo brought Chekhov’s First Play to Find17 last year, and now they are premiering their work Hamnet. No, I did not just misspell the name of the piece. Over our conversation, it becomes clear just how important a single letter can be. The piece explores the story of Shakespeare’s son, Hamnet, who died at the age of 11 in the year 1596 while his father was absent with work. Three years later, presumably in his grief, the Bard wrote the play Hamlet. Joseph Pearson: What made you two write and direct a play about the (dead) 11-year-old son of Shakespeare? Bush Moukarzel: The name. We were just one letter away from something recognisable. We knew it would seem like a typo in a lot of brochures, and thought it lovely that the audience would be drawn

Â© Ernesto Galan

在宣傳單張上，會像個筆誤，而且覺得這會很有趣：觀眾會被吸引，心想：為甚麼「雷」字變成了「尼」字？這齣戲劇會以誤讀開始，是個不錯的開首方式。當然，我們對哈姆尼特幾乎一無所知，除了他曾來到世上，然後十一年後死了。正是因為沒有任何素材，我們得以憑想像來創造素材，這是非常有意思的事。能否談談哈姆尼特短暫的一生和劇作《哈姆雷特》之間的聯繫？在你們的想像中，二者的關係是怎樣的？班．奇特：文學評論家哈羅德．布魯姆寫過一篇關於《哈姆雷特》的論文，名為《無限的詩》。這片語也出現於《哈姆雷特》劇中，意思是《哈姆雷特》的宇宙是一首無限的詩。布殊：沒有哪個製作能完全展現出這部劇的廣度；也沒有哪種演繹方法能完全表現出其中人物的深度。這就是為甚麼布魯姆將其視為表現

into why there is an “n” as opposed to an “l”. The play starts with the misreading. It’s a good way to start. Of course, there is almost nothing known about Hamnet Shakespeare, only that he was born and eleven years later died. It was attractive to have to conjure up material, out of the virtue that there was none. Could you tell us about the connection between Hamnet’s short life and Hamlet the play? How do you imagine the connection? Ben Kidd: Harold Bloom, the critic, wrote an essay on Hamlet called “Poem Unlimited”. The phrase appears in the play itself, in Hamlet. The idea is that the universe of Hamlet is a poem unlimited. Bush: No performance can capture the expanse of the play; no interpretation of the character can catch up with its magnitude. That's why Bloom conceives it as the limits of representation and consciousness. The subtitle of our piece is Poem Limited. It’s all too knowable, unfortunately.

和意識的極限。我們這個劇作的副標題為「有限的詩」。很遺憾，它太可知了。班：儘管這並不能阻止我們想要嘗試的念頭。關於哈姆尼特的一生，幾乎沒有任何記載，你們是怎麼做調查研究的？布殊：我們有兩種方法。我們研究了莎士比亞的各本傳記，以及那年代兒童的普遍經歷─如何生活，如何死亡，而那個世界又是如何預示了這個世界。不過，我們還有另一種更折衷的研究方式，就是我閱讀了莎士比亞的所有劇作，凡是遇到有父母對孩子說話的場景，就摘錄出來。我把這些場景做成了一個文檔。我們想像，哈姆尼特對自己在外工作的父親一無所知這個問題，可以用一本間接的「自助書」來改善，那就是讓莎劇中的所有父母告訴他該如何生活。問題在於，他並不懂他們在說甚麼；對他來說，他們是無法破解的加密代碼。他無法把「尼」

Ben: Although that doesn’t preclude the idea that you shouldn’t try. There is almost nothing known about Hamnet’s life. How, then, did you do your research? Bush: We had two methods for research. We looked to Shakespeare biographies and to the experiences of children at the time—how they lived and how they died, and how that world was presaging this one. But we also had an eclectic method, which was that I read all the Shakespeare plays and extracted any moments when a parent spoke to a child. With them, I made a document. We imagined that Hamnet’s problem of not knowing his father, who was away, could be helped by an indirect self-help book, of all the fathers and mothers of Shakespeare’s plays telling him how to live. The problem is that he doesn’t understand them; they are cryptic codes he cannot crack. He can’t change an “n” to an “l”.

變成「雷」。

Â© Ernesto Galan

班：但是圍繞這個想法來組織劇本太複雜了。這麼做的話，劇中會有大量莎士比亞的台詞，對觀眾的耳朵來說有點殘忍。所以我們後來採用的方式更為概念化，更俏皮一些。布殊：不過原本的計劃解釋了哈姆尼特行走世間的方法，解釋了他如何把「尼」變成「雷」，把觀眾都看作莎士比亞的孩子。他們與哈姆尼特一起，對莎士比亞全集進行文化解碼。哈姆尼特的問題變成了觀眾的問題。可否透露一下這次的舞台風格？去年的《契訶夫處女作》怪誕又超現實，有些貝克特的感覺。《哈姆尼特─莎士比亞之子》會是怎樣的呢？布殊：我有一點想要提出。哈姆尼特，一個死去的男孩，我們想用他的形象來追求的事之一是「不自然主義」。在悲慟中，死亡這件如此不證自明的事，卻讓人無法接受。這種體驗是不自然的。所以實際上，哈姆尼特面對必然的情況─他生存過而又死去─想要成為一種「有限的詩」所呼出的吶喊，因為世界不該是現在這樣的。他不想由它擺佈。從語調和情緒而言，我覺得創造一種稱為「不自然主義」的戲劇，會是讓人非常愉快的一件事。約瑟．皮爾遜

Ben: But organising a script around this idea was too complicated. It meant including a large amount of Shakespeare’s text, and it was brutal on the ear for the audience. So what we did became a little more conceptual, a little arch. Bush: But the original plan informs the backbone of how Hamnet navigates the universe, how Hamnet would turn that “n” into an “l”, and he casts the audience as children of Shakespeare. They join Hamnet in the cultural decoding of a canon. Hamnet’s problem becomes the audience’s. And might you tease us a little with your style? The staging of Chekhov’s First Play last year was strange and surreal, also somewhat Beckettian. What can we expect from Hamnet? Bush: One thing I am keen to mention is that one of the things we wanted to pursue with this image of Hamnet, as a dead boy, was “unnaturalism”. Something so self-evident as death is experienced in grief as unacceptable. Its experience is unnatural. So, in fact, Hamnet’s scenario, which is so inevitable—that he lived and died—wants to become sort of a cry of this Poem Limited, as the world shouldn’t be as it is. He doesn’t want to let it. Tonally and emotionally, I thought it would be quite joyous to imagine a type of theatre called “unnaturalism”.

節錄自 2015 年柏林列寧廣場劇院訪問，授權轉載

Joseph Pearson An extended version of this article was published on www.schaubuehne.de on 18 March 2015.

正點劇團

Dead Centre 正點劇團由布殊．摩加西和班．奇特 2012 年於都柏林成立，首演節目《紀念品》是為 2012 年都柏林藝穗節而作，其後巡演倫敦、紐約、布里斯本和首爾。劇作《唇齒之間》於 2013 年都柏林藝穗節首演，至今巡演柏林、紐約、愛丁堡穿越劇院及倫敦新域劇團等地。作品曾獲頒愛爾蘭時報戲劇獎最佳製作、愛丁堡藝穗節一等獎及兩座奧比獎。2 0 15 年末，《契訶夫處女作》在都柏林戲劇節首演，曾巡演俄羅斯、法國、德國、倫敦和阿姆斯特丹等地。《哈姆尼特─莎士比亞之子》2017 年於柏林列寧廣場劇院首演，並巡演倫敦、荷蘭、波士頓和柏林。劇團新作《莎士比亞最後劇作》 2018 年於柏林列寧廣場劇院首演。

Dead Centre was founded by Bush Moukarzel and Ben Kidd in Dublin in 2012. Their first project, Souvenir, was created for the Dublin Fringe Festival in 2012 and later toured to London, New York, Brisbane and Seoul. LIPPY premiered at the Dublin Fringe Festival in 2013 and has since travelled to Berlin, New York, the Traverse in Edinburgh and the Young Vic in London. It has won multiple awards, including the Irish Times Theatre Award for Best Production, two OBIE Awards, and a Fringe First. Chekhov's First Play premiered in late 2015 at the Dublin Theatre Festival, and has played in Russia, France, Germany, London and Amsterdam. Hamnet (Dublin Theatre Festival 2017) premiered at the Schaubühne, Berlin in 2017, and has since toured to London, Holland, Boston and Berlin. Dead Centre's most recent production, Shakespeare's Last Play, premiered at the Schaubühne in 2018.

布殊．摩加西

Bush Moukarzel 編劇及導演 Text and Direction

布殊．摩加西是愛爾蘭正點劇團的聯合藝術總監及聯合創辦人，曾創作、執導及演出劇團多部作品，包括《紀念品》和《唇齒之間》（分別參與 2 0 1 2 及 2 0 1 3 年都柏林藝穗節）、《奇夸克！》（都柏林新劇場，2013）、《契訶夫處女作》（都柏林戲劇節，2015）、正點劇團與艾比劇團製作的《哈姆尼特 ─ 莎士比亞之子》（柏林列寧廣場劇院，2017）及《莎士比亞最後劇作》（柏林列寧廣場劇院，2018）。

As co-artistic director and co-founder of the Irish theatre group Dead Centre, Bush Moukarzel’s productions include Souvenir (Dublin Fringe Festival, 2012), LIPPY (Dublin Fringe Festival, 2013), (S)quark! (New Theatre, Dublin, 2013), Chekhov’s First Play (Dublin Theatre Festival, 2015), Hamnet, a co-production with Abbey Theatre (Schaubühne, 2017), and Shakespeare's Last Play (Schaubühne, 2018).

班．奇特

Ben Kidd 編劇及導演 Text and Direction

班．奇特是愛爾蘭正點劇團的聯合藝術總監及聯合創辦人，與布殊．摩加西共同創作及導演劇團多部作品，包括《唇齒之間》（都柏林藝穗節，2 01 3）、《契訶夫處女作》（都柏林戲劇節，2015）、正點劇團與艾比劇團製作的《哈姆尼特─莎士比亞之子》（柏林列寧廣場劇院，

2 0 1 7）及《莎士比亞最後劇作》（柏林列寧廣場劇院，2 0 1 8）。其他導演作品包括：安雅．瑞斯新編法蘭．韋德坎德的《春光乍現》（英國黑德朗劇團，2 0 1 4）和妮娜．斯高的《深夜時分》（倫敦蓋特劇團）。

Ben Kidd is co-artistic director and co-founder of the Irish theatre group Dead Centre. He has served as co-author and co-director of various Dead Centre productions such as LIPPY (Dublin Fringe Festival, 2013), Chekhov’s First Play (Dublin Theatre Festival, 2015), Hamnet, a co-production with Abbey Theatre (Schaubühne, 2018), and Shakespeare's Last Play (Schaubühne, 2018). Other productions as a director include Spring Awakening by Frank Wedekind in a new adaptation by Anya Reiss (Headlong Theatre, UK, 2014) and In the Night Time by Nina Segal (Gate Theatre, London, 2016).

艾蘭．墨菲

Aran Murphy 演出 Performer

《哈姆尼特─莎士比亞之子》是艾蘭．墨菲首次專業戲劇表演。他喜歡演戲及踢足球，是利物浦的支持者。

Hamnet is Aran Murphy’s first professional play. He loves acting and football; he supports Liverpool.

香港藝術節@牛棚 - 藝術共生創造社 HKAF@Cattle Depot Creative Hub

報名及登記 Booking and registration: www.hkartsfestivalplus.org

格雷格．奧哈拉服裝及舞台效果

Grace O'Hara Costumes and Effects 格雷格．奧哈拉為戲劇和電影設計特效、服裝及佈景。她為正點劇場設計的作品包括：為《唇齒之間》和《哈姆尼特─莎士比亞之子》設計特效、服裝及舞台；及為《紀念品》設計服裝。奧哈拉最近為菲利普．康諾頓的《外星事件》設計特效和舞台。她曾任盼盼劇團的副設計師，作品包括：《遊走四方形》、《海鷗與其他鳥類》、《每個人在家中都是李爾王》、《海選哈姆雷特》、《墮落的一切》及《玩偶之家》。 Grace O’Hara is a freelance special-effects, costume and set designer for theatre and film. For Dead Centre, she has designed special effects, costume and onstage design for LIPPY and Hamnet and costume design for Souvenir. O’Hara has also recently designed special effects and onstage design for Philip Connaughton’s Extra-terrestrial Events. She was previously associate designer to Pan Pan Theatre and worked on many projects with Pan Pan including: Quad, Americanitis, Everyone is King Lear in his own home, The Rehearsal Playing the Dane, All that Fall and A Doll House.

斯蒂芬．多德燈光設計

Stephen Dodd Lighting Design 斯蒂芬．多德是都柏林燈光設計師，受訓於都柏林大學三一學院貝克特中心。近期的燈光設計作品包括：愛爾蘭國家歌劇院 / 聯合墜落的《奧菲歐與尤麗迪采》（愛爾蘭高威國際藝術節，2018）、利茲．羅奇舞團《錯體》（都柏林舞蹈節，2018）；《舞場》、異語人劇團《馬戲團動物的逃逸》及聯合墜落 / 艾瑪．馬丁的《女孩之歌》（分別於 2015、2016 及 2017 年都柏林戲劇節演出）。他為正點劇團的燈光設計作品有：《哈姆尼特─莎士比亞之子》（孔雀劇院，2017）；《契訶夫處女作》（都柏林戲劇節，2015）和《唇齒之間》（新域劇院，2015）。 Stephen Dodd is a lighting designer based in Dublin and trained at The Samuel Beckett Centre, Trinity College. His recent lighting designs include: Orfeo ed Euridice, for Irish National Opera/United Fall (Galway International Arts Festival 2018); Wrongheaded, for Liz Roche Company (Dublin Dance Festival 2018); Girl Song, for United Fall/Emma Martin (Dublin Theatre Festival 2017); Dancehall (Dublin Theatre Festival 2015); and The Circus Animal’s Desertion, for Brokentalkers (Dublin Theater Festival 2016). For Dead Centre, he has worked on: Hamnet (The Peacock Theatre 2017); Chekhov’s First Play (Dublin Theatre Festival 2015); and LIPPY (The Young Vic 2015).

凱文．格里森音響設計

Kevin Gleeson Sound Design 凱文．格里森 1991 年生於愛爾蘭南蒂珀雷里，在風車巷錄音室及都柏林大學三一學院修讀音樂。他是一名作曲家和音效設計師，曾於柏林列寧廣場劇院、都柏林步伐舞蹈劇院及都柏林碰撞樂團工作。他為正點劇團設計的作品《契訶夫處女作》獲頒 2015 年愛爾蘭戲劇獎最佳音效設計。他亦是 2013 年愛爾蘭凱里郡議會的駐場作曲家。 Born 1991 in Tipperary, Ireland, Kevin Gleeson studied music technology at both Windmill Lane Recording Studios and Trinity College Dublin. He has worked as a composer and sound designer for Schaubhüne (Berlin), CoisCéim Dance Theatre (Dublin) and Crash Ensemble (Dublin). His work on Chekhov’s First Play by Dead Centre was awarded with Best Sound Design at the 2015 Irish Theatre Awards. He was the composer-in-residence for the Kerry County Council in 2013.

安德魯．克蘭西佈景設計

Andrew Clancy Set Design 安德魯．克蘭西是一名雕塑師及佈景設計師。 Andrew Clancy is a sculptor and set designer.

荷西．米格爾．希門尼斯錄像

José Miguel Jiménez Video 荷西．米格爾．希門尼斯是都柏林演員、導演及電影製作人。他畢業於智利大學及都柏林大學三一學院戲劇系。希門尼斯是藝術中心計劃的駐團藝術家，亦創辦《DRAFF》雜誌。希門尼斯在 2008 年創辦「公司」劇團，並執導作品《費格斯．基柏德烈是誰？》（藝穗節精神大獎，2009）及《我曾如你這般活着》（獲 2 0 1 0 都柏林藝穗節最佳製作）。希門尼斯的錄像設計作品眾多，亦曾與戲劇、舞蹈及視覺藝術家合作，包括瑪麗亞．尼爾遜．華勒的《空白》、視覺藝術家西布漢．麥當奴的《元素》和《3D 侘寂靈魂》（迪倫．泰格及燈塔戲院製作）。他與編舞安妮．斯泰普頓合作的《囚徒》於愛爾蘭電影協會上映，並獲選為 20 1 6 年首雙週藝術節參節電影。他最新的記錄片《舞動足球》獲 2017 年斯德哥爾摩節奏記錄片節最佳新記錄片提名，亦在光移舞蹈影像節中取得主要獎項。他憑為正點劇團《哈姆尼特─莎士比亞之子》的錄像設計，與安德魯．克蘭西共同獲提名 2018 年愛爾蘭時報戲劇獎。 José Miguel Jiménez is an actor, director and filmmaker based in Dublin. He is a theatre graduate from Universidad de Chile and Trinity College Dublin. Jiménez serves as associate artist to Project Arts Centre and is also one-third of the artist-led initiative DRAFF Magazine. Jiménez established The Company in 2008, with whom he directed Who is Fergus Kilpatrick? (Spirit of the Fringe Award 2009) and As you are now so once were we (Best Production Fringe 2010). Jiménez has developed extensive work as a video designer, collaborating with theatre, dance and visual artists. These include Blanca (Maria Nilsson Waller), Elemental (Siobhan McDonald), 3D Wabi-Sabi Soul (Dylan Tighe, Lighthouse Cinema) and Medicated Milk (Aine Stapleton). His latest documentary film, See the Man, was nominated for Best New Doc at Tempo Dokumentär Festival 2017 in Stockholm, and received the main award at LightMoves Festival of Screendance. He was nominated, alongside Andrew Clancy, for an Irish Times Theatre Award in 2018 for his video design in Dead Centre’s Hamnet.

麗芙．奧多諾霍動作指導

Liv O'Donoghue Movement Direction 麗芙．奧多諾霍是都柏林編舞及表演者，2007 年於英國南方當代舞學校畢業，並獲頒傑出成就獎。畢業後，她與不同的藝術家和機構合作，包括正點劇團、利茲．羅奇舞團、費爾加斯．奧康卓爾、聯合墜落、愛爾蘭當代舞蹈劇團及垃圾樂團，並巡演挪威、法國、美國、奧地利、意大利、英國、瑞典及德國。奧多諾霍是國際舞蹈及戲劇雜誌《DRAFF》的創辦人。 Liv O'Donoghue is a choreographer and performer based in Dublin. She trained at the Northern School of Contemporary Dance in the UK, graduating with an Outstanding Achievement award in 2007. Since then, she has worked with companies including Dead Centre, Liz Roche Company, Fearghus Ó Conchúir, United Fall, Irish Modern Dance Theatre, and Junk Ensemble, touring widely throughout Europe, Australia and the USA. Her own work has been presented widely in Norway, France, the USA, Austria, Italy, the UK, Sweden and Germany. O'Donoghue is a co-founder of DRAFF, an international platform both in print and online, focusing on process in dance and theatre.

鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited

•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer

•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery

•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan

•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮

新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho

•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong

支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church

•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong

•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATrON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳祖澤博士陳達文先生梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

職員行政總監行政總監助理節目節目總監副節目總監節目經理節目經理（行政）助理節目經理節目統籌節目主任（行政）物流及接待經理 •技術製作經理助理製作經理 •出版英文編輯中文編輯助理編輯 •外展高級外展經理助理外展經理外展統籌外展助理藝術行政見習員市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任藝術行政見習員市場經理（票務）客戶服務主任發展發展總監發展經理副發展經理助理發展經理發展統籌發展助理會計會計主管助理會計經理會計主任人力資源及行政人力資源及行政經理人力資源及行政主任接待員 / 初級秘書助理無限亮高級項目經理助理節目及製作經理助理外展經理助理技術經理市場統籌高級會計主任項目主任香港藝術節 @ 大館製作人技術統籌

STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤何丹蓉梁掌瑋蘇國雲葉健鈴余瑞婷 * 蘇雪凌黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍林淦鈞 * 胡鎮華 *

梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮胡銘堯周怡楊璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲黃煒城 * 余潔儀張慧芝 * 譚樂瑤蘇寶蓮 * 莫穎哲 * 袁愷晴 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

鄺敬婷杜詩麗 * 蘇永恆 * 馮紹昌簡凱彤 * 李美娟黃國愛楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周怡 *

陳穎業 *

Tisa Ho Connie Ho

Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators

技術統籌 * Technical Coordinators*

歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu

藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff

節目時間表 Programme Calendar 歌劇戲音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》作曲：周龍 | 編劇：林曉英

香港中樂團《九千年的邂逅》

時光之音《西班牙文藝復興合唱代表作》李飈打擊樂團《巴羅克．探戈》《好！擊！動！》親子音樂會李飈打擊樂團

爵士樂世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

2-3/3 9-10/3

雲門舞集 45 週年林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall

CHT APAL APADT HKAC-ST

香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、愛丁堡皇家蘭心劇院與北安普敦皇家及德蓋特劇院聯合製作《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作羅伯特．利柏殊創作及演出《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village

藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!

漢堡芭蕾舞團的世界

The World of Hamburg Ballet

漢堡芭蕾舞團 — 舞蹈電影系列 Hamburg Ballet at the Cinema ��Nĳinsky 2/3 六 Sat ��J.S. Bach: Christmas Oratorio 24/3 日 Sun ��Tatiana 30/3 六 Sat 購票詳情 Ticketing details: uacinemas.com.hk

�� Artist Salon: John Neumeier 21/3 四 Thu 7:30 - 8:30pm 香港逸蘭精品酒店 Lanson Place Hotel, HK

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

h ,JSBO 8FTU

16/3 六 Sat 10:00 -11:30am (中級 Intermediate) 24/3 日 Sun 10:00 -11:30am (高級 Advanced) 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre

漢堡芭蕾舞團�� Hamburg Ballet The Nutcracker Introductory Class for Kids 17/3 日 Sun 11:30am - 12:45pm | 2:15 - 3:30pm 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre h ,JSBO 8FTU

報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org

藝術節加料節目節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

香港藝術節傑出文化領袖講座系列講者︰葉芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema

林鄭月娥香港特別行政區行政長官

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

查懋成香港藝術節主席

Victor Cha Chairman, Hong Kong Arts Festival

何嘉坤香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

2019 年藝術節預計收入來源（約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

政府的基本撥款 Government Baseline Funding

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

正點劇團

《契訶夫處女作》 Dead Centre

Chekhov’s First Play 8-10 3 月 MAR

香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 演出長約 1 小時 15 分鐘，不設中場休息 Approximately 1 hour and 15 minutes with no interval 英語演出，附中文字幕 Performed in English with Chinese surtitles 遲到或中途離場的觀眾不得進場 Latecomers or audience members who leave the auditorium will not be admitted 觀眾將獲派發耳機欣賞演出 Audience will be provided with audio headsets 此節目有裸露及吸煙場面、粗俗語言、巨大及突發聲響 This production contains nudity, smoking scenes, strong language and loud and sudden noises 不適宜 12 歲以下觀眾欣賞 Not suitable for ages below 12

封面照片 Cover Photograph: © Jose Miguel Jimenez

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

《契訶夫處女作》

Chekhov's First Play 編劇契訶夫布殊．摩加西班．奇特

Text Anton Chekhov Bush Moukarzel Ben Kidd

導演 Direction 布殊．摩加西 Bush Moukarzel 班．奇特 Ben Kidd 佈景設計安德魯．克蘭西

Set Design Andrew Clancy

音響設計占美．伊迪凱文．格里森

Sound Design Jimmy Eadie Kevin Gleeson

燈光設計斯蒂芬．多德

Lighting Design Stephen Dodd

舞台效果及舞台設計格雷格．奧哈拉

Special Effects and Onstage Design Grace O'Hara

服裝設計西利洛．奧哈洛倫

Costume Design Saileóg O'Halloran

動作指導麗芙．奧多諾霍

Movement Direction Liv O'Donoghue

舞台監督芭芭拉．休斯

Stage Manager Barbara Hughes

助理舞台監督諾拉．凱莉．萊斯特

Assistant Stage Manager Nora Kelly Lester

舞台技術尤珍尼亞．珍諾齊

Stage Technician Eugenia Genunchi

義肢製作及化妝漢娜．奧雷利

Prosthetics and Makeup Hanna O’Reilly

製作經理尼克．利

Production Manager Nic Ree

監製 Producer 艾斯琳．奧蒙德 Aisling Ormonde

演出丹尼爾．雷爾頓亞歷山德拉．康隆安德魯．班尼特妲拉．艾根 - 蘭利克拉娜．辛普森狄倫．泰伊

Cast Daniel Reardon Alexandra Conlon Andrew Bennett Tara Egan-Langley Clara Simpson Dylan Tighe

中文字幕蘇靈茵蘇國雲（字幕修訂）

Chinese Surtitles Emmy So Ling-yan So Kwok-wan (Editor)

藝術節加料節目

演後藝人談 Meet-the-Artists

9.3（六 Sat）9:35-9:55pm

英語主講

In English

更多加料節目詳情 More Festival PLUS

關於契訶夫的處女作

About Chekhov’s First Play

安東．契訶夫，1889 年由契訶夫斯基拍攝 Anton Chekhov in 1889. Photographed by V. Chekhovskii.

「我的處女作中有兩場戲稱得上天才之作。但整體來說，即使創作時年少無知，它其實是一個無可辯駁的詐騙。」 — 契訶夫安東．帕夫洛維奇．契訶夫 1860 年生於俄羅斯南部的塔甘羅格，十九歲寫下一部戲劇之後，就轉向短篇小說創作，被譽為世上最偉大的短篇小說巨匠。多年後，他重新開始創作戲劇，主要作品包括《伊凡諾夫》、《凡尼亞舅舅》、《海鷗》、《三姐妹》及《櫻桃園》。契訶夫也是一名專業的執業醫生。不過，他自己患上肺結核後，卻數年來都未能正確地診斷自己，最後因而逝世。他的弟弟曾說：「每個見到他的人都暗暗覺得他離終結不遠了，但似乎〔他〕離終點愈近，就愈意識不到這一點。」1904 年，契訶夫病逝，遺言據說是「我好久沒喝香檳了。」

“There are two scenes in my first play which are the work of genius, if you like. But on the whole it’s an unforgivable, if innocent, fraud.” — Anton Chekhov

Anton Pavlovich Chekhov was born in 1860 in Taganrog, southern Russia. After writing a play at the age of 19, he turned to the short story, and is widely acknowledged as the greatest exponent of the form ever to have lived. Returning to plays later in life, his major works include Ivanov, Uncle Vanya, The Seagull, Three Sisters and The Cherry Orchard. He also trained and practiced as a doctor. He suffered from tuberculosis, but failed to diagnose himself correctly for several years leading up to his death. His brother said of this, “Everyone who saw him secretly thought the end was not far off, but the nearer [he] was to the end, the less he seemed to realise it.” He died in 1904, and his final words are reputed to have been, “It’s a long time since I drank champagne.”

這部通常被視為契訶夫處女作的戲劇，在他去世後才被發現。劇本上沒有名字，學者一般認為它就是契訶夫曾在信中提及的作品《Безотцовщина》，即「無父狀態」。這是一部龐大、繁雜又富有年輕氣息的試驗品，其主人公普托諾夫是位鄉村教師，也是一名充滿魅力的花花公子。多年來，大多數劇團在搬演此劇時，都以《普托諾夫》為劇名。這齣無名劇在契訶夫有生之年從未搬上舞台。

1 9 2 8 年，它在德國首次與觀眾見面，當時所用標題是《無用之人普托諾夫》。此後，它獲眾多劇作家和導演多次改編。儘管存在不少可圈可點的地方，但如契訶夫學者勞倫斯．塞內利克所言，該劇總體來說「是一幅人物群像素描，並不是他一部成功的作品。」直至今天，我們仍然不知道，契訶夫所指的是哪兩場戲。

The play usually regarded as Chekhov’s first was discovered after he died. Without a title, scholars usually consider it identical to a work he referred to in his letters, which he titled Безотцовщина, most accurately translated as “Fatherlessness”. A sprawling, youthful experiment, most renderings of the play through the years have named it after the central character, a philandering charismatic schoolteacher called Platonov. Never produced during Chekhov’s lifetime, it first appeared in Germany in 1928, under the title Der Unnützige Mensch Platonoff (That Worthless Fellow Platonov). It has been revisited by writers and directors throughout history. Although things of worth have often been found, the general conclusion is usually that the play remains, in the words of noted Chekhov scholar Laurence Senelick, “a conversation piece, rather than a viable addition to the repertory”. To this day, it is unclear which two scenes Chekhov was talking about.

契訶夫生平

Chekhov Timeline 1860

生於俄羅斯塔甘羅格

1878

創作首部戲劇，無劇名，被普遍稱之為《普托諾夫》

1879

遷居莫斯科，就讀醫學院

1887

第一次獲委約創作戲劇，即後來的《伊凡諾夫》

1888

發行短篇故事《草原》，獲頒普希金獎

Born in Taganrog, Russia Writes his first play, commonly known as Platonov Moves to Moscow, begins medical school Begins writing first commissioned play, which will become Ivanov Short story “The Steppe” published, wins Pushkin Prize

1896

《海鷗》首演

1899

《凡尼亞舅舅》首演

1901

《三姐妹》首演；與奧嘉．克尼珮結婚

The Seagull premieres Uncle Vanya premieres Three Sisters premieres; marries Olga Knipper

1903

完成最後一部劇作《櫻桃園》

1904

逝世，終年四十四歲

Finishes Cherry Orchard, Chekhov’s last play Dies at the age of 44

1908 年德國巴登韋勒的契訶夫記念活動 Memorial ceremony for Chekhov in Badenweiler, 1908.

給非完人的未竟之作

Unfinished Plays for Unfinished People

導演布殊．摩加西和班．奇特即將率領愛爾蘭正點劇團來訪，為大家獻上《契訶夫處女作》。該製作從一個神秘的源泉獲得能量，而從劇團名字「Dead Centre」（編按：意即「死點」或「正中心」），我們能窺見這個源泉的影子，那就是：

Directors Bush Moukarzel and Ben Kidd will soon be in town with their Irish theatre team, Dead Centre, and the production Chekhov’s First Play. The play draws its energies from a mysterious source hinted in the name of the company: the absence of meaning at the centre of theatrical study.

在戲劇研究核心裏意義的缺失。正點劇團很大程度上繼承了貝克特式理念，例如等待、未知和失敗，同時也如這位愛爾蘭劇作家般，在素材及思想交流上受歐洲大陸的影響。然而劇團的手法並不止於此，精神分析學和認知學派的觀點，都讓他們的創作變得更有

Dead Centre is very much the inheritor of Beckettian tropes—such as waiting, not knowing, and failure— as well as the Irish playwright’s permeability to the Continent for material and intellectual exchange. These starting points, however, are complicated by perspectives from psychoanalysis and cognitive approaches.

層次。我想像正點劇團凝視着黑暗，在昏暗中將目光投向未完成的、粗糙的文化事物，比如契訶夫

1 8 7 8 年的第一部劇作。這是一部長達五小時的大雜燴，因其主人公之名亦被稱為《普托諾夫》，在當時因太難搬演而被劇院拒諸門外，隨後在一眾熱愛契訶夫的編劇及導演手中屢獲重生。正點劇團的版本將原作長度縮減至五分之一，且透過觀眾佩戴的耳機加入了嘲諷的衍生評述。我與導演布殊．摩加西討論了這部戲劇，包括正點劇團對它的獨特視角，以及他從事劇場的

I imagine Dead Centre staring into the darkness, casting its gaze to rough and unfinished cultural objects in the dim. Chekhov’s first play (1878), also known as Platonov for its protagonist, is a rambling 5-hour mess, rejected at the time as not performable, and subsequently subject to various acts of resuscitation by zealous Chekhovian dramaturges and directors. Dead Centre’s version compresses the play to a fifth of the original length, and adds a wry meta-commentary on headphones worn by the audience. I spoke to Bush Moukarzel about the play, Dead Centre’s peculiar perspective on it, and why he does theatre.

原因。

你談過之前一部作品《唇齒之間》（2013）中

夠布萊希特」，且過於寬容；後者則無人能上

所強調的平凡性，讓我不禁想到《契訶夫處女

演。說起《自由》，因為無法獲授權演出，這

作》。為甚麼你會選擇做一齣以「無法表演」

對我們倒是一份禮物，讓我們得以處理「審查」

聞名的劇目呢？我感覺也許這恰恰是你選擇它

這個話題，並且思考如何（在不演這齣戲的前

的原因，這麼說有錯嗎？

提下）來演這齣戲。我們與這三部劇都有很親

強調平凡性：是的，這對契訶夫適用。如果你甚麼都做得不夠好，最後那也能算是個東西。這齣戲充滿等待的人物。我們誇大了《普托諾夫》中等待的特質，在這個世界裏，人們似乎總在期待着甚麼。

密的關係：因為它們都是糟糕、被摒棄的作品。這對我們有種奇妙的吸引力，它們用力過度、戲劇上不正確，又過於早熟。完美的作品不需要我，我沒有打算導演《櫻桃園》。這些作品是為非完人而寫的未竟之作。因為它們的不完整，觀眾感覺與它們更貼近了。我們不會去糾

《契訶夫處女作》屬於一個更大的計劃，當中

正它們；不會做戲劇上的整理；不會去改正紋

我們聚焦二十世紀戲劇大師的處女作。除了契

理結構，即使它分裂破碎。這種不完整反而成

訶夫，另兩部作品是布萊希特的《巴爾》和貝

了形而上的，且令人感到歡樂。

克特的《自由》：前者被作家摒棄，認為其「不

You’ve spoken of heightened banality in regards to your previous work, LIPPY (2013), which brings me to reflect on Chekhov’s First Play. Why did you choose to perform a piece that is known as “un-performable”? I have the feeling that is precisely why you chose it. Am I wrong? Heightened banality: yes, that works for Chekhov. If you do nothing well enough, in the end that is something. The piece is full of figures waiting. We really exaggerate that quality of waiting in Platonov, a world that always seems to expect something. Chekhov’s First Play is part of a wider project of looking at first plays of 20th century masters: the other two are Brecht’s Baal, which he rejected as non-Brechtian and indulgent; and Beckett’s

Eleutheria, which one cannot stage. In the case of Eleutheria, there are no rights available, which is a gift to us, because it provides us with the question of censorship and how to do it (without doing it). We feel a great kinship with all three: because they are bad works, rejected works. We have a strange affinity with bad works. They are excessive, dramatically incorrect, precocious. Perfect works don’t need me; I’m not about to direct The Cherry Orchard. These are unfinished plays for unfinished people. The audience feels closer to them, because of their incompleteness. We are not going to correct them, there is no dramaturgical tidying; we do not correct their texture, which is schizoid and fractured. The incompleteness is instead metaphysical and joyous.

但是，在《契訶夫處女作》中，你們用旁述的方式，讓戴耳機的觀眾聆聽導演評述，這難道不是某種程度的「整理」嗎？旁述是一個切入點。有個問題很重要：一場演出該如何開始？我們為甚麼會在這裏？我們需要探討自己和這場人為活動的關係。我們該如何與彼此交談？這已經成為一種歷史必然趨勢。出於某些原因，我們需要探討為何我們會在劇院共聚一堂，而關鍵的問題在於：為甚麼我們會來到這樣一個時刻？就像一種藥物，人們已經對它的遞送系統產生了免疫。這時就需要找一種新的方式迎接它們。導演評述提供了一種讓人愉快的可能性。它可以從一種大家熟悉的方式開始，然後瓦解，變得迂迴曲折，用一種原始的、生理的方法吸引我們；旁述的聲音可以是歡欣、好奇的，同樣也可以是形而上的：聲音控制活動，起到某種作用。但隨後，闡述暫停，聲音消退，不再有人掌控，我們陷入焦慮。契訶夫描繪了一個社會秩序的崩塌，並詰問將要來到的是甚麼。普托諾夫是一個「多餘人」，而我們並不清楚契訶夫對這個墮落、殘酷的形象是怎麼想的。我最近常想到毛利茲奧．拉札雷圖的《債務人的形成》（2 0 1 2）。這本書的背景是歐洲主權債務危機，講述資本主義晚期中最大的主體都是負債的主體，以及每個主體是如何背負上個人債務的。但其影響並不只停留在文字層面，也在於心理層面，因為它決定人的行為；霸權性社會控制是存在的。未來是由諸如罪惡感等力量控制，這是一種猶太 - 基督教式的轉變，需要付出代價。我相信從多餘人、到資本主義晚期中的債務人，其中存在一條貫穿始終的線。

But is there not some level of tidying by using a voice over, the directorial meta-commentary listened to by the audience on headphones that you use to introduce Chekhov’s First Play? The voice-over is a way in. There is the question: how do you start a show? Why are we here? We need to negotiate our relationship to the artificiality of the event. How do we talk to each other? This has become a historical necessity. The big question is: why, for some reason, have we reached a juncture where we need to negotiate why we’ve gathered together in the theatre? It’s like with a drug where we have grown immune to its delivery systems. We need to find novel interfaces of welcoming. The director’s commentary becomes a joyous opportunity. It can start as a method that is recognisable, but then break down in twists and turns. It can appeal to us at a primary, gut level; the voice can be joyous and curious. It is also metaphysical: it does a job, the voice controls the event. But then the project stalls, the voice withdraws, and nobody is in charge. We are left to our anxieties. Chekhov charted one social order breaking down and asked what’s coming. Platonov proposes a “superfluous” man, and it is not clear what Chekhov makes of this vicious, sadistic portrait. I have been thinking of Maurizio Lazzarato’s The Making of the Indebted Man (2012), who speaks in the context of the sovereign debt crisis, and how the greatest subject of late capitalism is the indebted subject, and how every subject takes on literal individual debt. But the effect is not just literal but also psychological, because it determines behaviour; there is hegemonic social control. The future is controlled by forces such as guilt, a Judeo-Christian shift where there is a price to pay. I believe there is a through-line from the superfluous man to the indebted man in late capitalism.

約瑟．皮爾遜

After we finish our conversation, I am left considering the configuration between audience, theatre company, and material that Bush Moukarzel proposes. When the centre is dead, intangible, perhaps the creative move is to turn our attention to the edges—to what is happening off-stage. We might shift our gaze from the unfinished plays and their indebted subjects to the painfully unfinished predicament in which we, the audience, live. But I’m sure Dead Centre would resist a simple Marxist turn in the analysis, an effort to sew up their efforts, the invitation to pursue moral or political perfection beyond the edges of the stage. This is rather too neat for me as well, and I find myself, nervously, half in love with Dead Centre’s negative capability, with the tugging gravity of imperfection. Dead Centre invites us to take part as unfinished people in an unfinished process. As Moukarzel says, “I’m not sure what theatre is for, but perhaps the shows are answering that question.”

節錄自 2015 年柏林列寧廣場劇院訪問，授權轉載。

Joseph Pearson

對話結束後，我還在思索觀眾、劇團以及布殊．摩加西提供的素材之間的結構與關係。面對中心已死，變得難以捉摸，也許我們能做的創造性舉動，就是將注意力轉向邊界，轉向舞台下所發生的事。我們也許可以把目光從未完成的劇目和其中的「債務人」身上移開，投向作為觀眾的我們所身處的未完成之困境。話雖如此，我相信正點劇團不會接受這種簡單的馬克思主義分析，不會接受用一刀切的方式來總結他們的努力，也不屑於在舞台以外追求道德或政治完美。對我來說，這同樣過於簡單了。我不安地發現，自己已經有些愛上了正點劇團的消極能力，愛上了那種不完美帶來的牽引力。正點劇團邀請我們以非完人的身份參與一個未完成的過程。正如摩加西所說，「我不確定劇場的目的是什麼，但也許演出能回答這個問題。」

An extended version of this article was published on www.schaubuehne.de on 18 March 2015.

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正點劇團

布殊．摩加西編劇、導演

Bush Moukarzel Text and Direction 布殊．摩加西是愛爾蘭正點劇團的聯合藝術總監及聯合創辦人，曾創作、執導及演出劇團多部作品，包括《紀念品》和《唇齒之間》（分別參與 2012 及 2013 年都柏林藝穗節）、《奇夸克！》（都柏林新劇場，2013）、《契訶夫處女作》（都柏林戲劇節， 2015）、正點劇團與艾比劇團製作的《哈姆尼特─莎士比亞之子》（柏林列寧廣場劇院，2017）及《莎士比亞最後劇作》（柏林列寧廣場劇院，2018）。 As co-artistic director and co-founder of the Irish theatre group Dead Centre, Bush Moukarzel’s productions include Souvenir (Dublin Fringe Festival, 2012), LIPPY (Dublin Fringe Festival, 2013), (S)quark! (New Theatre, Dublin, 2013), Chekhov’s First Play (Dublin Theatre Festival, 2015), Hamnet, a co-production with Abbey Theatre (Schaubühne, 2017), and Shakespeare's Last Play (Schaubühne, 2018).

班．奇特編劇及導演

Ben Kidd Text and Direction 班．奇特是愛爾蘭正點劇團的聯合藝術總監及聯合創辦人，與布殊．摩加西共同創作及導演劇團多部作品，包括《唇齒之間》（都柏林藝穗節，2 0 1 3）、《契訶夫處女作》（都柏林戲劇節，2015）、正點劇團與艾比劇團製作的《哈姆尼特─莎士比亞之子》（柏林列寧廣場劇院，2017）及《莎士比亞最後劇作》（柏林列寧廣場劇院， 2018）。其他導演作品包括：安雅．瑞斯新編法蘭．韋德坎德的《春光乍現》（英國黑德朗劇團，2014）和妮娜．斯高的《深夜時分》（倫敦蓋特劇團）。 Ben Kidd is co-artistic director and co-founder of the Irish theatre group Dead Centre. He has served as co-author and co-director of various Dead Centre productions such as LIPPY (Dublin Fringe Festival, 2013), Chekhov’s First Play (Dublin Theatre Festival, 2015), Hamnet, a coproduction with Abbey Theatre (Schaubühne, 2018), and Shakespeare's Last Play (Schaubühne, 2018). Other productions as a director include Spring Awakening by Frank Wedekind in a new adaptation by Anya Reiss (Headlong Theatre, UK, 2014) and In the Night Time by Nina Segal (Gate Theatre, London, 2016).

丹尼爾．雷爾頓演出

Daniel Reardon Performer 丹尼爾．雷爾頓接近五十年來為愛爾蘭戲劇、電影、電視及電台節目擔任演員、劇作家、監製和導演。他與獲獎劇團於愛爾蘭及國際巡演，包括盼盼劇團、正點劇團和異語人劇團《這海灘》，並憑此劇獲提名愛爾蘭時報戲劇獎最佳男配角。電影及電視劇作品包括：《我的左腳》、《夜間列車》、《永恆的愛》、《銀匙》、《內裏之人》、《餘震》、《診所》、《小城大事》及《都鐸王朝》。他編寫的舞台劇本包括：《詩人史賓沙》（都柏林、科克、愛丁堡）、《O.K. 的事》（艾比劇團 / 孔雀劇團）、《與竹同樂》（獲頒伯利咖啡廳劇院戲劇獎）、《淌血詩人》（獲提名愛爾蘭時報戲劇獎最佳新作）。他亦有定期在愛爾蘭、英美及澳洲的雜誌和期刊發表詩作，曾發行詩集《獅屋內》，由畫廊出版社出版；第二本詩集《美的盛會》於 2018 年 5 月由薩莫維爾出版社出版。 Daniel Reardon has worked in Irish theatre, film, television and radio as an actor, playwright, producer and director for nearly 50 years. He tours nationally and internationally with the award-winning theatre companies Pan Pan, Dead Centre and Brokentalkers (This Beach), for which he was nominated Best Supporting Actor at the Irish Times Theatre Awards. Film and television credits include My Left Foot, Night Train, Love Eternal, The Silver Tassie, The Man Within, Fallout, The Clinic, Fair City and The Tudors. As playwright, his stage plays include Spenser’s Laye (Dublin, Cork, Edinburgh), The O.K. Thing To Do (Abbey/Peacock), Fun With Bamboo (winner Bewley’s Café Theatre Award), and Bleeding Poets (nominated Best New Play at the Irish Times Theatre Awards). His poetry appears regularly in magazines and journals in Ireland, the UK, the USA and Australia. His book of poems In The Lion House was published by Gallery Press; his second volume, Fond Pageant, was published by Somerville Press in May 2018.

亞歷山德拉．康隆演出

Alexandra Conlon Performer 亞歷山德拉．康隆近期的戲劇作品包括：正點劇團《契訶夫處女作》、瑪琳娜．卡爾的新編《安娜．卡列妮娜》（韋恩．佐敦執導、艾比劇團）、佐迪．格雷《窺探》（伯利咖啡廳劇院）。其他作品包括：《分離》、《公司街上》、《這些房間》（ANU 製作公司與都柏林步伐舞蹈劇院合作）；《復活節宣言》（愛爾蘭國家博物館）；《藩籬之外》及《烈日血戰》（ANU 製作公司）。電影作品包括：加利．博特《金魚》及康納．麥馬汗《扔棄》。康隆 2015 年畢業於都柏林萊爾學院。 Alexandra Conlon’s recent theatre work includes: Chekhov’s First Play by Dead Centre; Anna Karenina, a new adaptation by Marina Carr (dir. Wayne Jordan, The Abbey Theatre); and PEEP by Jodi Gray (Bewley's Cafe Theatre). Other works include: Sunder, On Corporation Street and These Rooms (ANU Productions in collaboration with CoisCéim Dance Theatre); Last Words: Proclaiming a Republic (National Museum of Ireland); and Beyond Barricades and Into the Sun (ANU Productions). Her film work includes Goldfish by Gary Boyd and Dumped by Conor McMahon. Conlon graduated from The Lir Academy in 2015.

安德魯．班尼特演出

Andrew Bennett Performer 安德魯．班尼特的戲劇作品包括：《艾爾莎的怪奇谷大冒險》、《快樂之所》、《無事重要》、《卡斯康多》及《海鷗與其他鳥類》，均是盼盼劇團作品。他在艾比劇團的演出有：《仲夏夜之夢》、《過渡》、《愛情傻瓜》、《鄉間一月》、《國土安全》、《不可兒戲》、《西部世界的花花公子》、《羅莉塔》、《費加羅的婚禮》等等。其他合作劇團包括：都柏林穀物交易所劇團、都爾德劇團、魔法力量劇團、熱情機器劇團、巴黎國家民眾劇院、波恩巿立劇院及基岩劇團製作。電影及電視劇作品包括：《安琪拉的灰燼》、《通往自由的路》、《好 / 壞極了》、《繁榮》、《車庫》、《差勁的我》、《五旬節》、《男孩穆恩》、《戰地神探》、《達摩與艾佛》、《高貴》、《單身派對》、《愛爾蘭憤青》、《世紀審判》及《黑色 47》。 Andrew Bennett’s theatre work includes Eliza's Adventures In The Uncanny Valley, The Good House of Happiness, The Importance of Nothing, Cascando and The Seagull & Other Birds, among others, all with Pan Pan Theatre. With the Abbey Theatre, he performed in A Midsummer Night's Dream, The Passing, Fool for Love, A Month in the Country, Homeland, The Importance of Being Earnest, The Playboy of the Western World, Lolita and The Marriage of Figaro, among others. His other theatre credits include productions with the Corn Exchange Dublin, Druid Theatre, Rough Magic, Passion Machine, Le Théâtre National Populaire, Stadttheater Bonn and Bedrock. His film and television credits include Angela’s Ashes, Paths to Freedom, Pure Mule, Prosperity, Garage, Your Bad Self, Pentecost, Chris O’Dowd’s Moone Boy, Foyle’s War, Damo and Ivor, Noble, The Stag, Eipic, The Trial of the Century and Black 47.

妲拉．艾根-蘭利演出

Tara Egan-Langley Performer 妲拉．艾根 - 蘭利生於倫敦，卻在愛爾蘭鄉郊長大。她近期的劇作有：由大衛．格林迪尼執導、蓋特劇院製作的《千金小姐》，及由阿蘭．史丹福執導的《最完美的婚姻》，當中飾演主角康斯坦斯。電視劇及電影作品包括：蘇菲．海迪《動物》（2019）及 BBC 製作、由雅各伯．維爾布魯根執導的《墮落》。她亦在傑夫．韋恩的舞台作品《世界大戰》中飾貝芙一角（作品在倫敦溫布利體育館錄影）。艾根 - 蘭利受訓於皇家愛爾蘭音樂學院及加里提戲劇學院，自畢業後已創作及錄製兩張專輯。 Tara Egan-Langley was born in London but grew up in the countryside in Ireland. Her recent theatre credits include The Gate Theatre’s productions of The Heiress directed by David Grindley and The Constant Wife directed by Alan Stanford, in which she played the lead role of Constance. Her television and film credits include Animals directed by Sophie Hyde (2019) and The Fall (BBC) directed by Jakob Verbruggen. She played the role of Beth in Jeff Wayne’s stage show The War of The Worlds (which was also filmed at London’s Wembley Arena). EganLangley trained at the RIAM and the Gaiety School of Acting, and since graduating, she has written and recorded two albums.

狄倫．泰伊演出

Dylan Tighe Performer 狄倫．泰伊是都柏林演員、劇作家、導演、歌手及作曲家。他與盼盼劇團合作的表演包括：《馬 - 克白 7》、《伊底帕斯愛你》、《白痴》、《第一：戲劇治療》和《無事重要》。其他戲劇作品：艾比劇團《李爾王》、《櫻桃園》和《艾里奧》；B*Spoke《酒徒》；及斯洛文尼亞消減劇場《威爾第萬歲》。泰伊創作及導演的作品有：《苦到極致》（都柏林戲劇節、 2009 年愛爾蘭時報戲劇獎最佳製作）、《記錄》（都柏林戲劇節、科克仲夏藝術節）、《布利傑．迪尼甘預告》（愛爾蘭布蘭察斯鎮遊居者關注組、愛爾蘭遊居者運動）、《暗夜旅程》和《美狄亞 / 美狄亞》（2009 年都柏林蓋特劇院 / 黑德朗劇團新方向獎）。愛爾蘭電視電台廣播劇《記錄》改編自泰伊的同名舞台作品，更獲提名 2013 年歐洲國際藝術大獎。此外，他的《動脈音樂》（愛爾蘭電視電台）亦獲提名 2015 年新劇場獎。泰伊目前在發展新作《帕索里尼的〈薩羅〉重新配音版》，獲 2018 年都柏林大學三一學院創意挑戰獎。他曾發行兩張專輯，最近期是 2016 年《侘寂靈魂》。 Dylan Tighe is an actor, writer-director and singer-songwriter from Dublin. Previous performances include: Mac-Beth 7, Oedipus Loves You, The Idiots, One: Healing with Theatre and The Importance of Nothing (Pan Pan); King Lear, The Cherry Orchard and Ariel (The Abbey Theatre); The Drunkard (B*Spoke); and Viva Verdi (Via Negativa, Slovenia). As writer-director, Tighe’s projects include: No Worst There is None (DTF, Best Production, Irish Times Theatre Awards 2009), RECORD (DTF and Cork Midsummer Festival), The Trailer of Bridget Dinnigan (BTDG and Irish Traveller Movement), Journey to the End of the Night and Medea/Medea (Gate/Headlong New Directions Award 2009). Record (RTÉ Radio Drama), a radio-play based on his stage show of the same name, was nominated for the Prix Europa 2013. Pulse Music/Ceol Cuisle (RTÉ Radio Drama) was nominated for the Prix Nova 2015. Tighe is currently developing a new theatre project Pasolini’s Salò Redubbed, as recipient of the 2018 Trinity College Dublin Creative Challenge Award. He has released two albums, most recently Wabi-Sabi Soul in 2016.

克拉娜．辛普森演出

Clara Simpson Performer 克拉娜．辛普森受訓於都柏林戲劇學校，獲獎學金就讀於巴黎。她在法國與總監克里斯蒂安．夏爾提合作了十年。在愛爾蘭，她於艾比劇團、計劃劇院及穀物交易所劇團工作。她憑《蘿莉塔》獲頒愛爾蘭時報戲劇獎，兩套作品均由安妮．賴恩執導。她近期與正點劇團到世界各地巡演，作品包括：利芙．奧唐格的《過後》及西文．拿波恩執導的《昂朵馬格》。她的作品《不是我》在 2 0 1 6 年巴黎國際貝克特戲劇節首映，也是 2018 年愛爾蘭恩尼斯基林國際貝克特戲劇節的焦點節目，2019 年會繼續到各地巡演。辛普森在 2014 年成立個人劇團─巷弄劇團。 Clara Simpson trained at Dublin Theatre School and as a scholarship student in Paris, where she worked for ten years with director Christian Schiaretti in theatres across France. In Ireland, she has worked at the Abbey and Project Theatres, and with the Corn Exchange. She was awarded an Irish Times Theatre Award for her role in Annie Ryan's Lolita. Her more recent work includes After (Liv O'Donaghue) and Andromaque (Sven Narbonne). Her Pas moi/Not I premiered at the Commencez International Beckett Festival in 2016, featured at the Happy Days Festival, Enniskillen in 2018, and will continue to tour in 2019. Simpson formed her own company, The Lane, in 2014.

安德魯．克蘭西佈景設計

Andrew Clancy Set Design 安德魯．克蘭西是一名雕塑師及佈景設計師。 Andrew Clancy is a sculptor and set designer.

占美．伊迪音響設計

Jimmy Eadie Sound Design 占美．伊迪是聲音工程師、監製及教育家。他的聲音裝置作品曾在多個國際場合及愛爾蘭畫廊展出，包括愛爾蘭國家音樂廳、愛爾蘭當代藝術博物館、愛丁堡藝術節、布魯克林音樂學院、紐約林肯中心及倫敦巴比肯中心。他是都柏林碰撞樂團的始創成員，從 1997 年到 2015 年擔任樂團的聲音工程師及技術監督，並在 2015 成為首位創意合夥人。伊迪獲頒 2011 及 2016 年愛爾蘭時報戲劇獎最佳音效。他受訓於國際音響公司，包括美國邁亞音響、法國 L'Acoustic 及英國 Rational Acoustics。伊迪曾與不同背景及界別的藝術家、作曲家和表演者合作，並獲得多項音樂獎提名及評論讚譽。曾合作單位包括：盼盼劇團、艾比劇團、正點劇團、愛爾蘭電視電台、愛爾蘭國家音樂廳等等。他亦曾以工程師、監製及音響設計師身份參與多部愛爾蘭作品的國際巡演。 Jimmy Eadie is an audio engineer, producer and educator. His sound installation work has been presented internationally and in many Irish galleries, including National Concert Hall Dublin, IMMA Ireland, Edinburgh Festival, Brooklyn Academy of Music, Lincoln Centre and Barbican Centre. He is a founding member of the Crash Ensemble and worked with them as audio engineer and technical manager from 1997 to 2015; in 2015, he was made the ensemble's first creative partner. He won the Irish Times Theatre Award for Best Sound in 2011 and 2016. He has trained extensively with international audio companies, including Meyer (USA), L'Acoustic Audio (France) and Rational Acoustics (UK). Eadie has collaborated with artists, composers and performers from varied backgrounds and genres, earning many music award nominations and much critical acclaim. He has worked with, Pan Pan Theatre, The Abbey Theatre, Dead Centre Theatre, RTÉ and the National Concert Hall, among others. He has toured worldwide with Irish acts as engineer/producer and sound designer.

凱文．格里森音響設計

斯蒂芬．多德燈光設計

格雷格．奧哈拉舞台效果及舞台設計

Grace O'Hara Special Effects and Onstage Design 格雷格．奧哈拉為戲劇和電影設計特效、服裝及佈景。她為正點劇場設計的作品包括：為《唇齒之間》和《哈姆尼特─莎士比亞之子》設計特效、服裝及舞台；及為《紀念品》設計服裝。奧哈拉最近為菲利普．康諾頓的《外星事件》設計特效和舞台。她曾任盼盼劇團的副設計師，作品包括：《遊走四方形》、《海鷗與其他鳥類》、《每個人在家中都是李爾王》、《海選哈姆雷特》、《墮落的一切》及《玩偶之家》。 Grace O’Hara is a freelance special-effects, costume and set designer for theatre and film. For Dead Centre, she has designed special effects, costume and onstage design for LIPPY and Hamnet and costume design for Souvenir. O’Hara has also recently designed special effects and onstage design for Philip Connaughton’s Extra-terrestrial Events. She was previously associate designer to Pan Pan Theatre and worked on many projects with Pan Pan including: Quad, Americanitis, Everyone is King Lear in his own home, The Rehearsal Playing the Dane, All that Fall and A Doll House.

西利洛．奧哈洛倫服裝設計

Saileóg O'Halloran Costume Design 西利洛．奧哈洛倫的戲劇作品包括：穀物交易所劇團《亂點鴛鴦譜》及《海鷗》、歡樂離棄的 2018 年萬聖節巡遊、維登劇團《銅臉傑克音樂劇》、費雪坡劇團《GPO 1818》、莫莫劇團《它的一半》、都柏林藝穗節《他媽的暴風雨》、袋中戲 / 都柏林老虎藝穗節《急遽惡化》、孔雀劇團《小鎮已死》和《特別用語》、都柏林舞蹈節《合集》、正點劇團《契訶夫處女作》、由 ANU 製作、獲愛爾蘭時報評審特別獎的《十三》，及室內製造歌劇《甦醒》。奧哈洛倫的電影及電視劇作品包括：安娜伯斯電影公司《伯妮》、古柏．艾尼製作公司《西爾維雅》、9 2 5 製作公司《遊行》、寶藏娛樂《陷阱》及《脫離現實》、喬納森．蕭《鵝卵石》、數碼製作的愛爾蘭移民博物館項目、波利．羅根電影的《迷失柏林》、愛爾蘭電視電台《革命的孩子》、一方製作《T B》、可可電視《歷史見證人》及都柏林社區電視台《疑問》。 Saileóg O'Halloran’s theatre credits include The Misfits (Corn Exchange), Macnas 2018, Copperface Jacks: The Musical (Verdant), GPO1818 (Fishamble), The Half of It (MOMMO), The Shitstorm (Dublin Fringe), The Seagull (Corn Exchange), To Hell In A Handbag (Show In A Bag/Tiger Dublin Fringe), Town is Dead (Peacock Theatre), Embodied (Dublin Dance Festival), Shibboleth (Peacock Theatre), Chekhov’s First Play (Dead Centre), Thirteen (Irish Times Judges Special Award, ANU Productions) and Wake (Chamber Made Opera). O’Halloran’s film and television credits include Bainne (Anabasis Films), Cynthia (Copper Alley Productions) Procession (925 Productions), The Trap (Treasure Entertainment), Away With The Fairies (Treasure Entertainment), Pebbles (Jonathan Shaw), Epic Ireland (Digital Post), Lost in the Living (Ballyrogan Films), Children of the Revolution (RTÉ), TB (Square One Productions), Witness to History (Coco Television) and The Inquiry (DCTV).

麗芙．奧多諾霍動作指導

鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

贊助人

林鄭月娥女士

PATrON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

香港藝術節基金會主席霍璽先生管理人陳祖澤博士陳達文先生梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤何丹蓉梁掌瑋蘇國雲葉健鈴余瑞婷 * 蘇雪凌黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍林淦鈞 * 胡鎮華 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

陳穎業 *

Tisa Ho Connie Ho

技術統籌 * Technical Coordinators*

藝術家統籌 * Artist Coordinators*

節目時間表 Programme Calendar 歌劇戲音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》作曲：周龍 | 編劇：林曉英

香港中樂團《九千年的邂逅》

時光之音《西班牙文藝復興合唱代表作》李飈打擊樂團《巴羅克．探戈》《好！擊！動！》親子音樂會李飈打擊樂團

爵士樂世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

2-3/3 9-10/3

雲門舞集 45 週年林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

CHT APAL APADT HKAC-ST

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、愛丁堡皇家蘭心劇院與北安普敦皇家及德蓋特劇院聯合製作《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作羅伯特．利柏殊創作及演出《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village

香港藝術節@牛棚 - 藝術共生創造社 HKAF@Cattle Depot Creative Hub

報名及登記 Booking and registration: www.hkartsfestivalplus.org

藝術節加料節目節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema