Quartetto di Cremona - 47th Hong Kong Arts Festival by Hong Kong Arts Festival

衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝術節陣容鼎盛，共有超過1700名來自香港和世界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。今年藝術節的節目多姿多彩，當代及古典音樂、舞蹈、戲劇等不同形式的藝術表演共冶一爐。每個節目從幕後製作到台前演出，均盡顯精湛的藝術造詣和超凡的想像力。我很高興知道最近完成活化的中區警署建築群，即現在的大館古蹟及藝術館，會在兩個周末呈獻約5 0場舞蹈表演，供公眾免費入場觀賞。大家更有機會一起參與在大館的檢閱廣場、監獄操場，甚至是監獄囚室進行的表演節目。牛棚藝術村亦會打造為藝術共生創造社，首度成為藝術節發展作品的平台，場內設有不同創意領域的工作坊，觀眾並可以欣賞一些創作中的作品，感受藝術家的多元創意。除了精彩表演，藝術節亦一如以往，悉心籌備各項教育和外展活動，致力培育本地藝術人才。「香港藝術節青少年之友」計劃讓本地學生有機會觀賞世界級的表演和參與各式各樣的藝術活動。此外，藝術節亦透過後台參觀和大師班等「加料節目」，讓觀眾與國際頂尖藝術家互動接觸，了解節目的幕後製作過程。衷心感謝香港藝術節團隊一直致力推動本港的藝術發展，成績斐然。我亦感謝贊助商和捐款者的大力支持，令每年的藝術節圓滿成功，大獲好評。謹祝二零一九年香港藝術節所有觀眾、參加者和表演者可以盡情享受這次藝術之旅，留下愉快難忘的回憶。

林鄭月娥香港特別行政區行政長官

I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場演出。感謝您與我們一起歌頌表演藝術在舞台上的不同季節和階段。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款。這項資助對香港藝術節每年得以成功舉辦，至關重要。多謝香港賽馬會慈善信託基金持續的支持，為我們致力豐富城中文化生活，打下根基。另外要感謝眾多企業贊助商、慈善基金會以至個人捐助者。他們的慷慨捐助，讓我們能夠呈獻世界各地的優秀藝術家、發展新作、培育年青觀眾，並在國際舞台上引薦本地人才。最重要的是感謝您前來欣賞今天的表演。香港藝術節的成功，正是有賴觀眾的熱情和參與。謹祝您享受藝術節今天這場演出，渡過難忘的時光。

查懋成香港藝術節主席

I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演出。今屆藝術節以「一步一舞台」為主題。舞台，不僅是我們呈獻新穎及經典表演的地方，更是藝術轉化向前的關鍵。頂尖藝術家及明日之星於舞台相遇，各展姿彩；透過忠實致敬及大膽改編，經典劇目得以重現觀眾眼前；嶄新作品以原創設計、技術及敍事方法，挑戰傳統舞台的極限。無論於哪個舞台表演，我們會繼續想像藝術世界的無限可能，亦期望今屆表演能為閣下帶來啟發和歡愉。另外，誠邀您參加「加料節目」的各項活動，深入了解重點表演，令藝術節體驗更全面。謹代表藝術節團隊，感謝您參與香港藝術節，支持我們的使命，為香港締造一個世界級藝術節。

It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.

何嘉坤香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節的年度預算約港幣一億三千六百萬，當中香港特區政府的基本撥款佔總收入的近 13%，接近 6% 來自政府新增加的五年限期額外撥款，另外約 28% 需來自票房收入，逾 33% 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 20% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞．諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2019 年藝術節預計收入來源（約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 27 年來，已為逾 750,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

其他收入（包括按捐款和贊助收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)

政府的基本撥款 Government Baseline Funding

Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

克雷莫納弦樂四重奏

Quartetto di Cremona 21 3月 MAR

22 3 月 MAR

演出長約 1 小時 30 分鐘，包括一節中場休息 Approximately 1 hour and 30 minutes including one interval

演出長約 1 小時 35 分鐘，包括一節中場休息 Approximately 1 hour and 35 minutes including one interval

香港大會堂音樂廳 Concert Hall, Hong Kong City Hall

克雷莫納弦樂四重奏成員乘坐第 47 屆香港藝術節指定航空公司芬蘭航空來回香港 Members of Quartetto di Cremona flew to and from Hong Kong on Finnair, Official Airline of the 47th Hong Kong Arts Festival 封面及節目照片 Cover and production photographs: © Nikolaj Lund

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

克雷莫納弦樂四重奏

Quartetto di Cremona

中提琴 Viola 西蒙．格拉馬利亞

大提琴 Cello 喬望尼．斯卡利安

小提琴 Violin 基斯坦奴．古艾高

小提琴 Violin 保羅．安德烈奧利

Simone Gramaglia

Giovanni Scaglione

Cristiano Gualco

Paolo Andreoli © Nikolaj Lund

藝術節加料節目

克雷莫納弦樂四重奏示範講座

Quartetto di Cremona Lecture Demonstration 香港科技大學

20.3（三 Wed）1:00–2:00pm ( 節目已舉行 Past Event） Hong Kong University of Science and Technology

四重奏成員將細說他們使用的古董提琴的歷史，並演奏胡爾夫、貝多芬及巴托克的作品選段

The Quartet will share the history behind their antique instruments and perform experts from works by Wolf, Beethoven and Bartók.

英語主講

In English

免費入場，需預先登記

Free admission. Registration required.

藝人談 Meet-the-Artists

21.3（四 Thu）9:35–9:55pm

英語主講

In English

更多加料節目詳情 More Festival PLUS

克雷莫納弦樂四重奏

Quartetto di Cremona 自從 2000 年成立以來，克雷莫納弦樂四重奏便在國際舞台上建立了其中一個最扣人心弦的室樂樂團的美譽。他們經常受邀至歐洲、南美洲、美國及亞洲備受注目的音樂節及音樂會演出，其非凡的音樂闡釋能力廣受樂評及觀眾好評。另外，他們亦是世界各地廣播電台及電視節目的表演常客，展示他們多元化的曲目，範圍包括早期的海頓作品到現代音樂。

2017 年，他們的貝多芬弦樂四重奏全集中的最後一張唱片由德國唱片公司 Audite 發行。這系列的其他唱片同樣受到國際媒體的高度評價，一致認同克雷莫納弦樂四重奏足以繼承偉大的意大利弦樂四重奏的地位。這張專輯獲得的榮譽還包括古典音樂雜誌《撥弦》的超音獎、2017 年回聲音樂古典獎，以及 2018 年國際古典音樂大獎。

2019 年春天，他們最新發行了一張向舒伯特致敬的專輯，包括與大提琴手埃克特．朗格（亞蒂密斯弦樂四重奏）合作的 C 大調弦樂五重奏，作品

163，以及 D 小調弦樂四重奏，D531，別名「死亡與少女」。在 2017 / 18 樂季，克雷莫納弦樂四重奏完成了在阿姆斯特丹音樂廳的首次演出，成功得到觀眾起立歡呼；及後在 2018 年 1 月回到艾河音樂廳出席著名的弦樂四重奏雙年展。這樂季的焦點節目還包括︰漢堡萊斯音樂廳及在愛丁堡的首演，並到美國、加拿大、中國、丹麥、德國、英國、歐洲其他國家、日本和哥倫比亞巡迴演出。

2018 / 19 樂季值得注意的演出包括︰柏林音樂廳、漢堡易北愛樂廳、斯德哥爾摩、日內瓦、曼徹斯特、阿姆斯特丹、華倫西亞、紐約、香港、羅馬及米蘭，他們還在不同藝術節首度亮相，例如哥倫比亞卡塔赫納古典音樂節、法國科瑪國際藝術節、瑞典桑德維肯音樂節及「舒伯特圈子」音樂節。

Since its formation in 2000, the Quartetto di Cremona has established a reputation as one of the most exciting chamber ensembles on the international stage. Regularly invited to perform at the most important festivals and concert seasons across Europe, South America, the United States and Asia, the Quartet has garnered wide acclaim from critics and audiences alike for its high level of interpretive artistry. They are a regular feature on radio and television broadcasts around the world performing their extensive repertoire, which ranges from early Haydn to contemporary music. 2017 marked the release of the final volume in their complete recording of the Beethoven quartets, on the German label Audite. Each volume attracted high levels of acclaim in the international press, with the Quartetto di Cremona unanimously considered to be the true heir of the great Quartetto Italiano. Amongst their accolades for the series was the Supersonic Award by Pizzicato Magazine, the Echo Klassik 2017 and the International Classical Music Awards (ICMA) 2018. In spring 2019, they will release a new album dedicated to Schubert, including the String Quintet in C major, Op 163 with cellist Eckart Runge (Artemis Quartet) and Der Tod und das Mädchen String Quartet in D minor, D531. During the 2017/18 season, Quar tetto di Cremona made its debut at the Concertgebouw in Amsterdam with a standing ovation success, and returned to the Muziekgebouw in January 2018 for the prestigious String Quartet Biennale. The season also included tours in the United States, Canada, China, Denmark, Germany, the United Kingdom, Europe, Japan and Colombia, as well as debuts in Hamburg (Laeiszhalle) and Edinburgh. Noteworthy engagements of the 2018/19 season include performances in Berlin (Konzerthaus), Hamburg (Elbphilharmonie), Stockholm, Geneva, Manchester, Amsterdam, Valencia, New York,

他們曾與多個國際知名的藝術家合作，包括勞倫斯．杜頓、艾迪克森．魯伊斯、安德列．盧凱西尼、安東尼奧．梅奈塞斯、大衛．奧洛夫斯基、及阿倫．皮爾桑艾默森弦樂四重奏。他們經常受邀到歐洲及美國教授大師班，自 2011 年起亦在克雷莫納的沃爾特斯托弗音樂學院中著名的專業及高級弦樂四重奏碩士課程任教。克雷莫納弦樂四重奏是奧地利弦線品牌

Th o ma st i k - I n fe ld 的代言人；更獲彼得．埃克斯文化基金的慷概資助，拉奏四款 1680 年至 1767 年間製作的頂級樂器。但於今晚的表演中，他們會以珍貴的「帕格尼尼四重奏」史特拉底

Hong Kong, Rome and Milan, as well as debuts at the Cartagena Festival International de Música (Colombia), Colmar International Festival (France), Sandviken Kammarmusikfestival (Sweden) and at the Schubertiade. They have collaborated with numerous artists of international renown, including Lawrence Dutton, Edicson Ruiz, Andrea Lucchesini, David Orlovsky, Aaron Pilsan and the Emerson String Quartet. Frequently invited to present masterclasses across Europe and the United States, the Quartetto has directed the prestigious Master’s programme for professional and advanced string quartets at the Accademia Walter Stauffer in Cremona since 2011.

瓦里琴拉奏，由日本音樂財團借出：基斯坦奴．古艾高拉奏「帕格尼尼」史特拉底瓦里小提琴（1 7 2 7 年製造）、保羅．安德烈奧利拉奏「帕格尼尼」史特拉底瓦里小提琴（1680 年）、西蒙．格拉馬利亞拉奏「帕格尼尼」史特拉底瓦里中提琴（1 7 3 1 年）及喬望尼．斯卡利安拉奏「帕格尼尼」史特拉底瓦里大提琴（1736 年）。

2015 年 11 月，他們成為克雷莫納市的榮譽公民。

Quartetto di Cremona are endorsers of TomastikInfeld Strings and are kindly supported by the Kulturfond Peter Eckes with four fabulous intruments manufactured between 1680 and 1767. For tonight's performance, however, they will be playing on the priceless "Paganini Quartet" Strads, including the Stradivarius 1727 Vioin "Paganini" (played by Christiano Gualco), the Stradivarius 1680 Violin "Paganini" (played by Paolo Andreoli), the Stradivarius 1731 Viola "Paganini" (played by Simone Gramaglia) and the Stradivarius 1736 Cello "Paganini" (played by Giovanni Scaglione), graciously loaned by the Nippon Music Foundation. In November 2015, they were awarded honorary citizenship of the city of Cremona.

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21.3.2019 胡爾夫《意大利小夜曲》

Hugo Wolf

(1860–1903)

Italian Serenade

威爾第

Giuseppe Verdi (1813–1901)

E 小調弦樂四重奏

String Quartet in E minor Allegro Andantino Prestissimo Scherzo fuga – Allegro assai mosso

快板小行板極急板諧謔賦格曲—甚急速地

普契尼

Giacomo Puccini (1858–1924)

《菊花》

Crisantemi (Chrysanthemums)

布拉姆斯

Johannes Brahms (1833–1897)

G 大調第二弦樂五重奏，作品 111

String Quintet No 2 in G major, Op 111 Allegro non troppo, ma con brio Adagio Un poco allegretto Vivace ma non troppo presto

活潑的不太快的快板慢板優美的稍快板不太快的活板中提琴︰迪文齊．荷夫曼

Viola: Dimitri Hoffman

是晚演出曲目及次序或有更改

Pieces and their order of performance are subject to change

胡爾夫《意大利小夜曲》

Hugo Wolf Italian Serenade 胡爾夫（1860 - 1903）以撰寫藝術歌曲見稱，著有很多傑作，但其實他在室樂方面，亦曾大顯身手。在艾興多爾夫著的短篇小說《一個無用人的生涯》的啟發之下，胡爾夫在 1887 年 5 月 2 日至 4 日的短短三天內，寫了一首給弦樂四重奏演出的小夜曲，亦即《意大利小夜曲》的原版。顯然，胡爾夫在小說主人公和自己的人生之間找到一些連繫。故事講述一位年輕音樂家離開家鄉及暴躁的父親，到外地探險，在意大利一座城堡裏發生的奇遇，而「由小型樂團演奏的小夜曲成為推進劇情的重要工具」。有學者認為，小夜曲裏的自嘲和諷刺元素，建立了一種全新的喜劇風格。以宣敘調似的段落連繫重複的主題，這種音樂敘述在意大利喜歌劇界似乎根深蒂固。這樣一來，樂手就成為愛情喜劇的角色。音樂開始時，先響起撥奏和拉奏空弦的聲音，帶點滑稽，好像在為樂器調音一樣。在開始的八小節裏，作曲家以這些漫不經心的彈撥和一些充滿喜劇效果的「錯音」，營造作品整體的歡樂氣氛。一段舞曲旋律逐漸在彈撥聲中浮現出來，當中夾雜了豐富的半音和大量顫音。隨之而響起的是熱情的插段，以小調寫成，構成對比，遊走多個遠系調之後才回到起初的主題。接着的插段被大提琴激昂的樂句打斷，在狂亂的高潮過後，音樂逐漸回到開始時的愉快氣氛。胡爾夫原本計劃多寫兩個樂章，可是在完成這個樂章的一週後，他的父親去世，使他在餘下一年的日子裏停止創作。

Although Hugo Wolf (1860–1903) is primarily known as a masterful and prolific composer of art songs, he also ventured into the world of chamber music. Inspired by Joseph Eichendorff’s novella Aus dem Leben eines Taugenichts (From the life of a slacker), Wolf fashioned the original string quartet version of his serenade with astonishing speed between 2–4 May 1887. Undoubtedly, Wolf saw a connection between the protagonist in the novella and his own life. It tells the story of a young musician who leaves his home and a grumpy father for adventures abroad. Several exploits take place at an Italian castle where “a serenade played by a small orchestra becomes a central plot mechanism”. Scholars have suggested that Wolf’s tongue-in-cheek musical caricature of the serenade created an entirely new comic genre. Linking repeated themes with recitative-like passages creates a musical narrative that seems securely anchored in the world of Italian comic opera. As such, the players become characters in an amorous comedy. It all starts with the humorous sounds of plucked and bowed open strings, suggesting the rudimentary process of tuning the instruments. Within these first eight measures of preliminary strumming—including a number of “wrong notes” for maximum comic effect—Wolf establishes the overall jovial character of this serenade. Eventually inflected by intense chromaticism and extravagant trills, a dance melody gently emerges over the continued strumming. This is contrasted by a passionate episode in the minor mode, which meanders through a variety of distant keys before leading to the restatement of the opening material. A further episode is rudely interrupted by a declamatory cello line, and after reaching a frantic climax the music gradually returns to the cheerful mood of the opening. Originally, Wolf had considered adding two additional movements, but the death of his father only a week after composing this single movement halted his music production for the remainder of 1887.

威爾第 E 小調弦樂四重奏

Giuseppe Verdi String Quartet in E minor 無可否認，《阿依達》是威爾第（1813 - 1901）最盛大的歌劇典範之一。作品的成功，女高音斯托爾茲實在居功不少。歌劇在 1871 年於開羅首演後，每次到意大利演出時，都會由斯托爾茲演出阿依達一角。1873 年 3 月，歌劇原定在那不勒斯聖卡洛歌劇院上演，卻因斯托爾茲突然生病而延期，威爾第便利用空閒時間破格地寫下一部弦樂四重奏。他告訴一位朋友：「我利用在那不勒斯的空閒時間寫了一部四重奏…… 我不知道這部作品算是佳作還是劣作，我只知道這是部四重奏。」作曲家在 1878 年稍為改變了他的看法：「我不想看重這部作品。無論那時或現在，我都認為 ─可能我錯了 ─那部在意大利寫成的弦樂四重奏像一株生長在錯誤氣候的植物一樣。」正如胡爾夫的《意大利小夜曲》一樣，這部弦樂四重奏同樣是由擅長創作其他音樂類型的作曲家所寫，是一部稀奇的室樂作品。對威爾第來說，樂曲可謂融合了弦樂四重奏應有的紀律和精簡，同時在作曲家創作的核心，則可感覺到聲樂的脈動。樂曲開首的快板以一道急切的歌劇旋律展開，然後逐漸變得溫柔，對比鮮明；小行板像歌劇裏的抒情短曲，主題非常優雅而嚴謹，卻突然被歌劇式的激動情緒打斷；極急板奏出刺骨的重音和突變的力度對比，像部充滿邪惡力量的諧謔曲；中段唱出感情豐富的男高音詠嘆調，由簡單的撥弦伴奏，把凶猛的諧謔曲壓制過來，產生截然不同的氣氛。終章生動的甚快板是一部宏偉的賦格曲，呈現出熟練的對位法，堪稱傑作。樂章後來逐漸失去動力，在一段戲劇性、非對位的尾聲中結束。威爾第這部唯一的室樂作品少有演出，但在四重奏的歷史上卻佔據着一個獨特的位置。

Aida is undoubtedly one of Giuseppe Verdi’s (1813–1901) grandest operatic triumphs. A substantial part of that success belongs to the soprano Teresa Stolz, who had sung the part in every Italian performance following its premiere in Cairo in 1871. In March of 1873, the opera was scheduled for performance at the Teatro di San Carlo in Naples. However, when the production was delayed due to a sudden illness of Stolz, Verdi used his free time to uncharacteristically compose a string quartet. He informed a friend, “I’ve written a quartet in my leisure moments in Naples…I don’t know whether the quartet is beautiful or ugly, but I do know that it’s a quartet.” Verdi, at least partially, modified his opinion in 1878. “I did not want to attach any importance to that work of mine, because I thought and still think (though I may be wrong) that the string quartet in Italy is a plant growing in the wrong climate.” Just as Wolf’s Italian Serenade, Verdi’s string quartet belongs to that curious category of chamber compositions by composers famous for other genres. For Verdi, the quartet might be regarded as a fusion of the discipline and economy demanded of the string quartet with the vocal impulse at the center of his creative imagination. The opening Allegro presents an urgently sculpted operatic melody that gradually gives way to a tender musical contrast. Essentially an operatic cavatina, the Andantino exposes a fastidiously elegant main theme that is rudely interrupted by operatic outbursts, while the Prestissimo, with its biting accents and sudden dynamic contrasts, becomes a Scherzo of demonic energy. This ferocious Scherzo is contrasted and subdued by a central Trio singing an expressive tenor aria over a simple pizzicato accompaniment. The concluding Allegro assai mosso unfolds as a grand fugal finale. A tour de force of contrapuntal dexterity, the movement gradually loses steam and terminates in a dramatic and non-contrapuntal coda. Verdi’s lone chamber work is infrequently performed, but it nevertheless occupies a unique position in the history of the quartet genre.

普契尼《菊花》

Giacomo Puccini Crisantemi (Chrysanthemums) 在不同地方和社群眼中，花卉盛載着各種文化意義，能引起豐富的聯想，例如菊花在澳洲是母親節的花；在日本被喻作皇帝和皇室；在中國，不同品種和顏色的菊花各有含意；而在一些歐洲國家如法國、西班牙和意大利，菊花則象徵哀悼、英勇和死亡。普契尼（1 8 5 8 - 1 9 24）曾寫了一部簡短的輓歌以紀念一位突然去世的朋友，更為作品加上動人標題─「菊花」。我們不知道作曲家與這位朋友的友情有多深厚，只知道這位名叫阿梅迪奧的意大利公爵曾於 1870 年代短暫統治過西班牙。普契尼說，他用了一晚時間就完成這部寫給弦樂四重奏的單一樂章輓歌。音樂建基於兩段以小調寫成的旋律，兩者皆悶悶不樂：第一段洶湧不息，有大量半音；第二段由第一小提琴悲傷地奏出，悸動的中提琴伴奏。這些旋律後來在普契尼於 1893 年的歌劇《曼儂．萊斯科》中再次鮮明地出現：曼儂和愛人格利奧在路易斯安那州的沙漠邁向死亡的時候，樂團所奏的背景音樂就是四重奏開始的主旋律；而第三幕裏兩位不幸的情人在獄中的二重唱，正是四重奏中那像獨唱的第二段主旋律。

In human consciousness, flowers have acquired various cultural meanings and associations depending on location and social conventions. The chrysanthemum, for example, is the Mother’s Day flower in Australia, while it stands as a symbol of the Emperor and the Imperial Family in Japan. Numerous symbolisms—depending on variety and color—are attached in China, and in some European countries, foremost France, Spain and Italy, the chrysanthemum symbolizes mourning, heroism and death. And when Giacomo Puccini (1858–1924) composed a short musical elegy in response to the sudden death of a friend, he powerfully appended the title Cristantemi. The friend in question—although we still don’t know the full extent of their friendship—was Amedeo di Savoia, an Italian Nobleman who had briefly ruled as the King of Spain in the 1870s. Puccini claimed to have written his singlemovement elegy for string quartet in a single night. Musically, it is based on two brooding melodies in the minor mode; the first restless and intensely chromatic, and the second mournfully emerging in the first violin over a pulsating accompaniment in the viola. Significantly, these themes ultimately found their way into Puccini’s opera Manon Lescaut of 1893. The opening theme of the quartet serves as the orchestral backdrop to Manon and her lover des Grieux wandering to their deaths in the desert of Louisiana. The soloistic second theme resurfaces in the prison duet between the ill-fated lovers in Act III.

1910 年，普契尼（左）與指揮家阿圖羅．托斯卡尼尼 Puccini (left) with conductor Arturo Toscanini in 1910.

布拉姆斯 G 大調第二弦樂五重奏，作品 111

Johannes Brahms String Quintet No 2 in G major, Op 111 布拉姆斯（1833 - 1897）一直認為，一個人身體虛弱與性格怯懦有關。1 890 年末，他於十八個月內第二次患上流行性感冒，必然教他大受震驚。二十世紀的流行病學家有時把這種病毒稱為 H2N2，當時人們則打趣地說這是「會傳染的抽鼻子」。這種流感源自中亞，很快就傳遍俄羅斯和歐洲，傳染性和死亡率在某些地方都很高。布拉姆斯患上流感一事，帶來最嚴重的後果是他決定不再作曲，更懷疑自己會給後世留下甚麼音樂，及歷史會對他或應該對他有甚麼評價。於是，他決定把一直攜帶的草稿簿內的創作完成，其第二部弦樂五重奏（作品 111）就是在這樣的情況下誕生。布拉姆斯把完成了的作品修訂好，寄給出版商

N．西姆洛克時，附上了這樣一句話：「這張便條代表着你要向我的音樂道別了，因為現在是說再見的最好時間。」然而作曲家消極的的語調卻絲毫沒有反映在音樂上，相反，樂觀的情緒滲透在這部弦樂五重奏中。在不太快的快板中，振盪的和弦構成強勁的背景，隨之而響起的是大提琴高漲的第一主旋律，這個極抒情的音樂話語，與之後兩部中提琴的主旋律構成對比。作曲家在兩首主旋律裏都充分利用了對位法，然後開首的元素再次大規模地響起，讓第一樂章強而有力地完結。慢板像一部變奏曲，旋律由布拉姆斯最喜歡的中提琴率先奏出，大小調之間的變化教人意外，整個樂章散發着一種透明感，教人陷入沉思之中。第三樂章稍快板集合了憂鬱和寧靜，旋律與和聲上都為接下來精神奕奕的迴旋曲終曲作好準備。活板生氣勃勃，樸實簡單、創意無限，其特色和魅力都像匈牙利查爾達斯舞曲。

Throughout his life, Johannes Brahms (1833– 1897) equated corporeal infirmity with frailty of character. It must have come as a great shock to him that towards the end of 1890, he fell victim for the second time within the span of 18 months to a case of influenza. The virus sometimes labeled H2N2 by twentieth-century epidemiologists was jokingly referred to as “infectious sniffles”; it originated in central Asia and spread rapidly throughout Russia and Europe. The most serious byproduct of Brahms’s influenza episode was the composer’s insistence that he was going to permanently cease all compositional activity. The viral infections also served as the catalyst for Brahms to seriously question what kind of musical legacy he was leaving behind, and how history would, or should, remember him. He selectively completed composition projects that he had been carrying in his portfolio sketchbooks, and this cleansing of his compositional palate also saw the completion of his String Quintet No 2, Op 111. When Brahms sent the completed score to his publisher N. Simrock, he appended the following instruction: “With this note, you can take leave of my music because it is high time to stop.” The pessimistic tone of Brahms’ instruction is decidedly not mirrored in the music, as sweeping optimism permeates the entire work. The soaring first theme of the opening Allegro non troppo is played by the cello, and emerges from a powerful background of oscillating chords. It develops a musical discourse of densely scored lyricism that prepares for a thematic contrast presented by paired violas. Brahms explores the contrapuntal possibilities of both themes before a spacious recap brings the movement to a forceful close. Cast as a set of variations, the principal theme of the Adagio is introduced by Brahms’ favourite string instrument, the viola. Unexpectedly shifting between major and minor keys, this movement is bathed in contemplative transparency. Blending melancholy with tranquility, the third movement, Un poco Allegretto, paves the melodic and harmonic paths for a spirited rondo finale. Full of rustic simplicity and bubbling with creative energy, this spirited Vivace is deliciously and characteristically favoured by the Hungarian czardas.

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22.3.2019 巴伯《弦樂慢板》

Samuel Barber (1910–1981) Adagio for Strings

巴托克

Béla Bartók (1881–1945)

第二弦樂四重奏，作品 17

String Quartet No 2, Op 17

中板激烈的快板之迴旋隨想曲緩板

Moderato Allegro molto capriccioso Lento

貝多芬

Ludwig van Beethoven (1770–1827)

F 大調第十六弦樂四重奏，作品 135

String Quartet No 16 in F major, Op 135

小快板活板極緩慢、抒情而安靜的緩板沉重的、不太快的快板是晚演出曲目及次序或有更改

Allegretto Vivace Lento assai, cantante e tranquillo Grave, ma non troppo tratto – Allegro Pieces and their order of performance are subject to change

巴伯《弦樂慢板》

Samuel Barber Adagio for Strings 巴伯（1910 - 1981）的《弦樂慢板》舉世聞名，樂曲源自其第一部弦樂四重奏（作品 11）的慢樂章，後來作曲家改編成給弦樂團演奏的作品。第一弦樂四重奏寫於 1936 年，第二樂章中的濃厚靈性深深感動演奏者和觀眾。指揮托斯卡尼尼立刻提出要把音樂改編為樂團版本，而 1938 年美國國家廣播公司交響樂團就把樂團版首演。為了進一步發掘和強調音樂的靈性，巴伯甚至於 1 96 7 年把作品改編成混聲合唱團演出的歌曲，並以聖餐儀式中的《羔羊頌》為歌詞。自此之後，各種版本的《弦樂慢板》在音樂會上都廣受歡迎，還經常出現在公眾悼念儀式中。和弦的推進幾乎不動聲色，像心事重重一樣，令人聯想到宗教合唱作品的嚴肅與莊重，營造了一個動人、調和的背景。接着，這調和的背景引發出一個逐漸舒緩的旋律，後來慢慢上升，強度亦隨之增強，並重複響起。為增加音樂和情感深度，巴伯巧妙地將旋律對倒。其後，作曲家把旋律加以擴張、修飾，張力亦同時增加。旋律繼續攀升，直至到達一個象徵苦難的高潮，然後筋疲力盡的倒下來，歸於寂靜。最後，音樂緩和起來，而且變得輕柔，開首的旋律再次響起，把音樂從開始時逐漸積聚的緊張情緒慢慢驅散，進入內省的沉思，繼而回到起初的氣氛，並於莊嚴的沉默中消失。

Samuel Barber’s (1910–1981) world-famous Adagio for Strings, frequently heard in the composer’s arrangement for string orchestra, actually originated as the slow movement of his first String Quartet, Op 11. Composed in 1936, the work is instantly recognised by performers and audiences for the pervasive sense of spirituality that imbued this movement. The conductor Arturo Toscanini immediately requested an orchestrated version, which was first performed by the NBC Symphony Orchestra in 1938. To further explore and accentuate its sense of spirituality, Barber even transcribed the Adagio for mixed chorus in 1967, adding the liturgical text of the Agnus Dei (Lamb of God). Ever since and regardless of version, the Adagio for Strings has not only become one of the most popular concert pieces, it also is frequently used to mark occasions of public mourning. A haunting chord progression, moving at an almost static pace and evoking the solemn dignity of religious choral music, provides the expressive and harmonic background. This harmonic background, in turn, gives rise to a slowly unwinding melody. Gradually ascending and increasing in intensity, this melody is once repeated. To further increase the musical and emotional intensity, Barber skillfully provides an inverted version of the melody. Immediately following, the melody undergoes a process of expansion and embellishment, while at the same time continuing to build tension. The melody soars ever higher before reaching a tortured climax, and exhaustedly collapsing into silence. Finally, the music strikes a more conciliatory tone, and a soft and tender passage returns us to the opening melody. Slowly releasing the musical tension that had been building ever since the opening, the music transforms into an introspective meditation before fading into the dignified void of silence from which it had sprung.

巴托克第二弦樂四重奏，作品 17

Béla Bartók String Quartet No 2, Op 17 巴托克（1 8 8 1 - 1 9 4 5）的六部弦樂四重奏是二十世紀的室樂瑰寶。作品出現於作曲家音樂風格發展里程的重要時刻，並與他的人生際遇息息相關。經過三年創作停頓的困苦時刻，加上第一次世界大戰帶來的悲痛，巴托克在

1915 至 1917 年間寫成了第二弦樂四重奏。創作此曲的原因之一，是作曲家強烈希望建立一種音樂語言，讓他創作思維裏的藝術和民族音樂元素可以取得自然平衡。巴托克進行過大量民族誌研究，曾寫道：「正宗的平民音樂在形式上變化多端，堪稱完美。這些音樂的表現力很強，同時又擺脫了感傷或多餘的修飾，是簡單、甚至原始的……對想尋找新方向的作曲家來說，這是最好的老師。」第二弦樂四重奏是作曲家個人成就中最具靈性的作品，把民族元素和新世紀藝術音樂風格完美結合。作品共有三個樂章，被巴托克的同事高大宜形容為一個有機的整體：「連接的樂章所散發的並非各不相干的氣氛，相反，樂曲浮現出一個單一、連貫及精神上不停演變的進程。」事實上，在第一樂章中板裏，第一小提琴一開始那令人難忘的旋律已經把整部作品裏所有重要動機材料表露出來。隨着其他樂器加入演奏主體，當中的組合不斷擴大、發展。第二樂章激烈的快板是一部動力很強的迴旋曲，背景為極有推進力的節奏，副歌則帶有民族音樂的特色。這部像平民舞曲般的音樂，主旋律只在一個狹窄的音域之內，以幾個音高為中心。緩板憂心忡忡、充滿深情，同樣都是由有限的旋律素材構成；音樂自由地抒發，和聲帶來緊張效果，間中會停下來深呼吸，然後分裂成寧靜的

The six completed string quartets by Béla Bartók (1881–1945) are considered crowning achievements of 20th century chamber music. They emerged at important junctures in the development of Bartók’s musical style, and directly correspond to significant occasions in his personal life. Following a threeyear period of compositional sterility and personal hardship, in addition to the anguish caused by WWI, Bartók composed his second string quartet between 1915 and 1917. In part, it arose from his overriding desire to fashion a musical language in which the art and folk music aspects of his creativity were allowed to find a natural equilibrium. Deeply involved in ethnographic research, Bartók wrote, “The right type of peasant music is most varied and perfect in its forms. Its expressive power is amazing, and at the same time, it is void of all sentimentality and superfluous ornaments. It is simple, sometimes primitive…and a composer in search of new ways cannot be led by a better master.” Ranking among Bartók’s most spiritual personal achievements, the second string quartet attains synthesis of folk influences and turn-of-the-century art music styles. Bartok’s colleague Zoltan Kodaly commented on the organic unity of the work: “What emerges from the successive movements is not a series of different moods, but the continual evolution of a single, coherent, spiritual process.” In fact, the haunting melody introduced by the first violin in the opening Moderato already presents all the important motivic materials of the work. As the other instruments are carefully drawn into the discussion of this subject, they continually expand the permutations offered by the principle theme. Occupying a central position in this work, the furious Allegro is a driving rondo grounded in the propulsive rhythms and returning refrains of folk music. In the manner of a peasant dance, the primary melodic material is contained within a limited range and organized around a few central pitches. The pensive and soulful Lento is once again generated from a small vocabulary of melodic gestures. Unfolding freely and straining harmonically, the music occasionally pauses to take a deep breath before it splinters into quiet fragments.

片段。

貝多芬 F 大調第十六弦樂四重奏，作品 135

Ludwig van Beethoven String Quartet No 16 in F major, Op 135 1794 年，舒潘齊格成為貝多芬（1770 - 1827）

出安慰人心的搖籃曲。在終曲裏，貝多芬添上

的小提琴老師。他年輕時頗為俊美，但成年後，

了一個標題 ─「困難的決定」。音樂由一段

這位傑出的中提琴家、小提琴家兼指揮卻病態

緩慢的引子展開，速度指示旁寫着「必須這樣

地肥胖起來。貝多芬從來不怕暴露他人的缺點，

嗎？」，大提琴和中提琴繼而開始發問；隨後

他寫了一部短的合唱作品獻給老師，題為《詩

正式的快板寫着「必須這樣！」，以回答慢板

歌─獻給肥胖的他》。儘管舒潘齊格體型發福

的問題，德語的三個音節成為了主題的節奏基

了，但他卻是拉茲莫夫斯基宮庭私人弦樂四重

調，據說靈感來自作曲家與友人一次關於財務

奏的隊長，這肯定是當時首個同類型的專業合

交易的爭論。

奏團。他們不單為貝多芬多部四重奏舉行首演，還定期排演，為貝多芬提供調整作品的機會。

樂曲介紹裴德龍

作曲家的最後三部四重奏受加利津王子委約而寫，技術上非常具挑戰性，因此，舒潘齊格四重奏的音樂造詣非常重要。作品 135 是貝多芬最後一部主要作品，於 1826 年 10 月前後、於百忙中以兩個月時間完成。作品再次由舒潘齊格四重奏首演─當時是 1828 年 3 月，距離作曲家去世已經一年了。相比貝多芬其他晚期的四重奏，作品 135 規模較小、氣氛亦較輕鬆，但同時洋溢着無窮的創意和活力。開首的小快板由飛舞的片段組成，一直沒有發展成正式的音樂主題。雖然表面看來作品保留了正式的古典傳統，但貝多芬卻以不規則、短促的樂句建構整個樂章，營造一種玩味的感覺。接着的諧謔曲十分激烈，以複雜的交錯節奏、散佈的突強音和結結巴巴的切分音為特色；中段的節奏更難以預測，加上突然出現的半音轉調，為樂曲添上喜劇色彩。相反，慢樂章極緩板卻以一道非常簡單的主旋律發展出一系列的變奏，聖歌似的旋律氣氛嚴肅深沉。在寧靜的氣氛經歷突然的速度變化後，音樂又回到起初的調和情緒，溫柔地擺動的伴奏襯托

貝多芬畫像，由畫家卡爾．葉格繪畫。國會圖書館收藏 Beethoven, depicted by Karl Jäger. Courtesy Library of Congress.

In 1794, Ignaz Schuppanzigh became Ludwig van Beethoven’s (1770–1827) violin teacher. Although a particularly handsome youth, the outstanding violist, violinist and conductor became morbidly obese in adult life. Never shy to exploit the weaknesses of others, Beethoven dedicated a short choral piece entitled Lob auf den Dicken (Hymn to the Fat One) to his teacher. None withstanding his corpulent frame, Schuppanzigh was the leader of Count Razumovsky’s private string quartet, undoubtedly the first professional ensemble of its kind. They not only premiered a number of Beethoven quartets, their regular rehearsals provided Beethoven the opportunity to fine-tune his compositions. Given the technical challenges of the last three quartets— composed on commission by Prince Nikolai Galitzin— the musical expertise of the Schuppanzigh Quartet became invaluable. Beethoven wrote his Op 135— the last major work he completed—in a burst of activity within a two-month period around October 1826. Once again, the Schuppanzigh Quartet premiered the work in March of 1828, albeit, one year after Beethoven’s death.

rhythmic unpredictability is further intensified in the trio, with sudden chromatic modulations lending this movement an almost comical appeal. By contrast, the slow movement inscribed Lento assai unfolds as a set of slow variations on a theme of elemental simplicity. Deeply contemplative, the serenity of the hymn-like melody undergoing abrupt changes in tempo, mood and key is eventually restored in a reassuring lullaby played over a gently rocking accompaniment. The finale is prefaced by a slow introduction that contains the composer’s inscription “The difficult decision”; next to the tempo indication are the words, “Must it be?” This question is taken up by the cello and the viola and answered in the Allegro proper. Here Beethoven writes, “It must be!” These three syllables form the rhythmic basis of the main theme, and appear to have been inspired by an argument between Beethoven and a friend regarding a financial transaction. Programme Notes by Georg Predota

Smaller in scope and lighter in character than the other late quartets, Op 135 is nevertheless a profoundly creative and energetic work. The opening Allegretto presents fluttering musical fragments that never coalesce into proper musical themes. While outwardly maintaining formal classical conventions, Beethoven relies on short and irregular phrases to imbue this movement with a sense of playfulness. Complex cross-rhythms, forcefully scattered accents and stumbling syncopations characterize the explosive scherzo. This sense of

基斯坦奴．古艾高

Cristiano Gualco 小提琴 Violin

在熱那亞尼可羅．帕格尼尼音樂學院畢業後，古艾高入讀倫敦市政廳音樂戲劇學院及克雷莫納瓦爾特斯托弗音樂學院，師從薩爾瓦托雷．阿卡多，研修小提琴及室樂。他在多個國內及國際獨奏比賽勝出後，對四重奏曲目的熱情促使他與好友及中提琴家西蒙．格拉馬利亞成立克雷莫納弦樂四重奏。古艾高與他的四重奏夥伴都是克雷莫納瓦爾特斯托弗音樂學院的教授（任教弦樂四重奏高級大師班）。他現時拉奏的兩個小提琴，分別是優美的 1 7 6 7 年瓜達尼尼的小提琴（德國彼得．埃克斯文化基金），以及 1640 年尼古拉．阿瑪蒂的小提琴。今晚的表演中，他

After graduating from the Conservatorio di Musica Niccolò Paganini in Genoa, Cristiano Gualco studied violin and chamber music at the Guildhall School of Music and Drama in London and at the Stauffer Academy in Cremona with Salvatore Accardo. After winning several national and international solo competitions, his love for the quartet repertoire brought him to create the Quartetto di Cremona with his best friend and violist Simone Gramaglia. With his Quartet colleagues, Gualco is Professor at the Stauffer Academy in Cremona (String Quartet Advanced Masterclass). He plays on a beautiful 1767 G.B. Guadagnini violin (Kulturfond P. Eckes, Germany) as well as on a 1640 Nicola Amati. For tonight's performance, he will be performing on the Stradivarius 1727 Violin "Paganini".

將拉奏「帕格尼尼」史特拉底瓦里小提琴（1727）。

保羅．安德烈奧利

Paolo Andreoli 小提琴 Violin

保羅．安德烈奧利於 2 0 02 年成為克雷莫納弦樂四重奏的成員，他來自音樂世家，家人一直鼓勵他學習小提琴。他師從兩位傑出的獨奏家及室樂闡釋者，包括約瑟．列文（大衛．歐伊斯特拉夫學校）及卓麗婭．西赫穆薩耶娃（莫斯科音樂學院），並於熱那亞尼可羅．帕格尼尼音樂學院榮譽畢業。安德烈奧利喜愛演奏古典曲目及較冷門的現代曲目。他與其四重奏夥伴都是克雷莫納瓦爾特斯托弗音樂學院的教授（任教弦樂四重奏高級大師班）。他現時拉奏的是 1758 年泰斯托雷的小提琴（德國彼得．埃克斯文化基金）。今晚的表演中，他將拉奏「帕格尼尼」

A member of the Quartetto di Cremona since 2002, Paolo Andreoli comes from a family of musicians who encouraged him to study the violin. He attended lessons under Joseph Levin (David Oistrakh School) and Zoria Shikhmurzayeva (Moscow Conservatory) and graduated with honours from the Conservatorio di Musica Niccolò Paganini in Genoa. Both a fine soloist and chamber music interpreter, Andreoli enjoys performing classic repertoire and lesser-known, contemporary pieces. With his Quartetto colleagues, Andreoli is Professor at the Stauffer Academy in Cremona (String Quartet Advanced Masterclass). He plays a 1758 P.A. Testore violin (Kulturfond P. Eckes, Germany). For tonight's performance, he will be performing on the Stradivarius 1680 Violin "Paganini".

史特拉底瓦里小提琴（1680）。

西蒙．格拉馬利亞

Simone Gramaglia 中提琴 Viola

格拉馬利亞是同代人之中最出眾的意大利中提琴家之一，主力發展他在 2000 年跟友人基斯坦奴．古艾高所成立的樂隊。除了跟克雷莫納弦樂四重奏演出外，他亦積極演奏室樂曲目，並與安東尼奧．梅奈塞斯、勞倫斯．杜頓、巴維．哈斯四重奏、陳偉茵及路易吉．阿塔戴莫等音樂家及團體合作。格拉馬利亞是位非常有熱誠的中提琴和室樂老師，經常在歐洲、美國和南美洲舉辦大師班。他與其四重奏夥伴都是克雷莫納瓦爾特斯托弗音樂學院的教授（任教弦樂四重奏高級大師班）。他現時拉奏的是 1680 年焦阿基諾．托拉齊的中提琴（德國彼得．埃克斯文化基金）。今晚的表演中，他將拉奏「帕格尼尼」

Simone Gramaglia is among the best Italian viola players of his generation, mainly devoted to the ensemble he formed in 2000 with his friend Cristiano Gualco. In addition to performing with Quartetto di Cremona, he eagerly performs chamber music repertoire, collaborating with Antônio Meneses, Lawrence Dutton, Pavel Haas Quaret, Weiyin Chen and Luigi Attademo, among others. Gramaglia is a passionate viola and chamber music teacher, regularly holding master classes in Europe, the US and South America. With his Quartetto colleagues, Gramaglia is Professor at the Stauffer Academy in Cremona (String Quartet Advanced Masterclass). He plays a viola Gioachino Torazzi, ca. 1680 (Kulturfond P. Eckes, Germany). For tonight's performance, he will be performing on the Stradivarius 1731 Viola "Paganini".

史特拉底瓦里中提琴（1731）。

喬望尼．斯卡利安

Giovanni Scaglione 大提琴 Cello

斯卡利安跟隨米高．弗拉克斯曼、安東尼奧．梅奈塞斯、伊凡．蒙尼艾提（巴塞爾高等音樂學院）及洛可．費利比尼（克雷莫納瓦爾特斯托弗音樂學院）研習大提琴。他在 2 0 0 2 年加入克雷莫納弦樂四重奏，並跟隨他們在世界各地出色的音樂廳演出。斯卡利安亦是一個備受讚賞的獨奏家，經常演奏大提琴獨奏及室樂曲目。他與其四重奏夥伴都是克雷莫納瓦爾特斯托弗音樂學院的教授（任教弦樂四重奏高級大師班）。他現時拉奏的是稀有的 1 7 1 2 年當姆．尼古拉．阿瑪蒂的大提琴（德國彼得．埃克斯文化基金）。

Giovanni Scaglione studied cello under Michael Flaksman, Antônio Meneses, Ivan Monighetti (Hochschule für Musik Basel) and Rocco Filippini (Stauffer Academy, Cremona). He joined the Quartetto di Cremona in 2002, with which he has performed around the world in the most outstanding concert halls. Scaglione is also an appreciated soloist, often performing cello solo and chamber repertoire. With his Quartetto colleagues, he is Professor at the Stauffer Academy in Cremona (String Quartet Advanced Masterclass). He plays a rare Dom Nicola Amati 1712 cello (Kulturfond P. Eckes, Germany). For tonight's performance, he will be performing on the Stradivarius 1736 Cello "Paganini".

今晚的表演中，他將拉奏「帕格尼尼」史特拉底瓦里大提琴（1736）。

迪文齊．荷夫曼

Dimitri Hoffmann 客席中提琴 Guest Violist

迪文齊．荷夫曼是瑞士卡里多斯應用科學大學的中提琴副教授，畢業於日內瓦和漢堡音樂學院。他在多個主要的歐洲樂團擔任中提琴家，由此展開其職業生涯。他曾是以下樂團的成員之一，包括法比奧．雷西的瑞士羅曼德管弦樂團；克里斯托弗．艾森巴赫的漢堡北德廣播交響樂團；弗拉基米爾．阿殊堅納西和長野健的柏林德意志交響樂團；梵志登的土魯斯市政大廈樂團；以及洛林．馬捷爾和蘇賓．梅達的華倫西亞索菲亞王后藝術歌劇院。他也是歐洲音樂教育機構 Alma Musica 的創辦人，在過去超過十五年幫助了世界各地超過一百名富有天賦的年輕音樂家，令他們得以在德國、瑞士和意大利的著名學校繼續求學。自 2013 年，荷夫曼便成為藝術家代理，期間代表了不少著名的音樂家如納塔利婭．顧德曼、艾莉索．薇莎拉茲、歐爾嘉．貝芮蒂雅可、里卡多．卡塞奧及密克拉．迪亞杜拉。荷夫曼拉奏尼可羅 ‧ 加里亞諾的中提琴 ex -

Viola Associate Professor at Kalaidos University in Switzerland, Dimitri Hoffmann graduated from the Colleges of Music in Geneva and Hamburg. His professional career began in leading European orchestras such as the Orchestre de la Suisse Romande under Maestro Fabio Luisi; NDR Elbphilharmonie Orchestra under Maestro Christoph Eschenbach; Deutsches Symphonie-Orchester Berlin under Maestros Vladimir Ashkenazy and Kent Nagano; Orchestre du Capitol de Toulouse under Maestros Jaap van Zweden and Tugan Sokhiev and, finally, Palau de les Arts – Opera of Valencia under Maestros Lorin Maazel and Zubin Mehta. Hoffmann is the founder of Alma Musica, an agency for music education in Europe. For over 15 years, he has helped more than 100 young gifted musicians from all over the world to continue their studies in prestigious institutions of Germany, Switzerland and Italy. Since 2013, as an artists' agent, he has been representing well-known artists such as Natalia Gutman, Elisso Virsaladze, Olga Peretyatko, Ricardo Casero and Mykola Diadiura worldwide. Hoffmann plays a Nicolo Gagliano viola ex-Vieux, made in Naples in 1760 and loaned by Alexander Snitkovski Atelier Lyon.

Vieux（1760 年於拿不勒斯製造），由里昂的亞歷山大．聖科夫斯基工作室借出。

鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited

•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer

•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Jonathan Leung •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian

•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •C H Mak •麥禮和醫生 Dr Mak Lai Wo •無名氏 (2) Anonymous (2) •Vernon & Karen Moore •Burger Collection •Mrs A M Peyer •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Dr Poon Yee Ling Eligina •恒生銀行 Hang Seng Bank •Mr & Mrs Kenneth Quinn 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •法國巴黎銀行 BNP Paribas •Martin Rogers & Janet Cheng •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •黃乃正教授及陳頴儀醫生 •田家炳基金會 Tin Ka Ping Foundation •Mr Wong Yick Kam •芝蘭基金會 Zhilan Foundation 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999

青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999

•林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen

•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Maya & Dirk 4ever •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮

黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund

新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho

•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong

支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church

•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong

•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs

節目時間表 Programme Calendar 歌劇戲音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》作曲：周龍 | 編劇：林曉英

香港中樂團《九千年的邂逅》

時光之音《西班牙文藝復興合唱代表作》李飈打擊樂團《巴羅克．探戈》《好！擊！動！》親子音樂會李飈打擊樂團

爵士樂世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

2-3/3 9-10/3

雲門舞集 45 週年林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall

CHT APAL APADT HKAC-ST

香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、愛丁堡皇家蘭心劇院與北安普敦皇家及德蓋特劇院聯合製作《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作羅伯特．利柏殊創作及演出《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village

藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!

漢堡芭蕾舞團的世界

The World of Hamburg Ballet

漢堡芭蕾舞團 — 舞蹈電影系列 Hamburg Ballet at the Cinema ��Nĳinsky 2/3 六 Sat ��J.S. Bach: Christmas Oratorio 24/3 日 Sun ��Tatiana 30/3 六 Sat 購票詳情 Ticketing details: uacinemas.com.hk

�� Artist Salon: John Neumeier 21/3 四 Thu 7:30 - 8:30pm 香港逸蘭精品酒店 Lanson Place Hotel, HK

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

h ,JSBO 8FTU

16/3 六 Sat 10:00 -11:30am (中級 Intermediate) 24/3 日 Sun 10:00 -11:30am (高級 Advanced) 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre

漢堡芭蕾舞團�� Hamburg Ballet The Nutcracker Introductory Class for Kids 17/3 日 Sun 11:30am - 12:45pm | 2:15 - 3:30pm 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre h ,JSBO 8FTU

報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org

藝術節加料節目節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

香港藝術節傑出文化領袖講座系列講者︰葉芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema

贊助人

林鄭月娥女士

PATrON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳祖澤博士陳達文先生梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

職員行政總監行政總監助理節目節目總監副節目總監節目經理節目經理（行政）助理節目經理節目統籌節目主任（行政）物流及接待經理 •技術製作經理助理製作經理 •出版英文編輯中文編輯助理編輯 •外展高級外展經理助理外展經理外展統籌外展助理藝術行政見習員市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任藝術行政見習員市場經理（票務）客戶服務主任發展發展總監發展經理副發展經理助理發展經理發展統籌發展助理會計會計主管助理會計經理會計主任人力資源及行政人力資源及行政經理人力資源及行政主任接待員 / 初級秘書助理無限亮高級項目經理助理節目及製作經理助理外展經理助理技術經理市場統籌高級會計主任項目主任香港藝術節 @ 大館製作人技術統籌

STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤何丹蓉梁掌瑋蘇國雲葉健鈴余瑞婷 * 蘇雪凌黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍林淦鈞 * 胡鎮華 *

梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮胡銘堯周怡楊璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲黃煒城 * 余潔儀張慧芝 * 譚樂瑤蘇寶蓮 * 莫穎哲 * 袁愷晴 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

鄺敬婷杜詩麗 * 蘇永恆 * 馮紹昌簡凱彤 * 李美娟黃國愛楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周怡 *

陳穎業 *

Tisa Ho Connie Ho

Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators

技術統籌 * Technical Coordinators*

歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu

藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff