衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
時光之音 《西班牙文藝復興合唱代表作》
Quondam Spanish Renaissance Choral Masterpieces 指揮︰魯伯特．戴瑪維爾 Conductor: Rupert Damerell 香港大會堂音樂廳 Concert Hall, Hong Kong City Hall
9 3月 MAR
安達魯西亞的大師作品：十六世紀西維爾音樂精選 Andalusian Masterpieces: Music from 16th Century Seville 演出長約 1 小時 30 分鐘，包括一節中場休息 Approximately 1 hour and 30 minutes including one interval 節目資料 p17 for programme details
10 3 月 MAR
托馬斯．路易斯．維多利亞《追思亡者經課》1605 Tomás Luis de Victoria’s Officium Defunctorum 1605 演出長約 1 小時，不設中場休息 Approximately 1 hour with no interval 節目資料 p29 for programme details
封面照片 Cover Photograph: © AVFotos
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
時光之音
Quondam Quondam 在拉丁文的意思是指「另一時光」， 呼應了這個西班牙樂團以文藝復興音樂為重心 的精神。時光之音由魯珀特．戴瑪維爾指揮， 部份成員來自歐洲，是演唱古樂的專業歌手。 時光之音參與及帶領西班牙國家遺產協會和贊 諾比亞音樂學院舉辦的 #18Victoria20 計劃，以 三年為期演奏西班牙文藝復興作曲家托馬斯． 路易斯．維多利亞的《追思亡者經課》全集。 樂團目前已經完成《追思亡者經課》 1583，並 於 2 01 9 年香港藝術節演出《追思亡者經課》
1605。 2 0 1 9 年樂季，時光之音有幸邀請指揮家，亦是 塔利斯學者合唱團創辦人彼德．菲臘斯為樂團 首席客席指揮。 樂團是贊諾比亞音樂計劃的其中一部份。贊諾 比亞音樂學院為西班牙首屈一指的古樂聲樂表 演及教育機構，舉辦的課程和講座名聞遐邇。 校友包括無以復加合唱團、阿拉米爾合唱團、 古風合唱團、英國 Voces 8 合唱團，以及世界著 名大師及指揮家彼德．菲臘斯、史提芬．克勞 伯尼（劍橋大學國王學院）、大衛．史基納 ( 悉 尼．薩塞克斯學院合唱團及阿拉米爾合唱團 ) 和 約翰．魯特等。 時光之音部分年青歌手來自贊諾比亞音樂學院， 他們受戴瑪維爾的訓練及指揮，以英國主要的 古樂風格演唱。他們跟隨大師學習音樂，並曾 於劍橋夏季音樂節、羅馬巴羅克節、祟高之聲 音樂節（由十六合唱團創辦人哈利．基斯杜化 主辦）等國際音樂節演出。
12
Quondam is a Latin word meaning “in another time” and defines the spirit of this Spain-based professional group specialising in Renaissance music. It is made up of some of Europe’s finest professional Early Music singers under the direction of Rupert Damerell. The group is the leading participant in the project #18Victoria20, organised by Spain’s Patrimonio Nacional and Zenobia Música, which offers the complete cycle of masses by the Spanish renaissance composer Tomás Luis de Victoria over a period of three years. As a participant in the project, Quondam has already performed the 1583 Requiem during the first cycle and will perform the 1605 Requiem at this Festival. In 2019, Quondam is privileged to have Peter Phillips, conductor and founder of The Tallis Scholars, as its primary guest director. The group is part of the Zenobia Música project, the leading Spanish private institution for Early Music vocal performance and education. Previous faculty includes groups such as Ensemble Plus Ultra, Alamire, Stile Antico, Voces8 and world-class maestros and composers such as Peter Phillips, Stephen Cleobury (King's College, Cambridge), David Skinner (Sidney Sussex College Choir and Alamire), and John Rutter, among others. Some of the singers of Quondam were recruited from the Zenobia Scholars, a group of young singers conducted and trained by Rupert Damerell to sing in the style of the major British Early Music ensembles. In addition to attending courses and studying with the above mentioned maestros, the Scholars have sung in international festivals that include the Cambridge Summer Music Festival, Roma Festival Barocco and Sounds Sublime Festival, directed by Harry Christophers (The Sixteen).
© AVFotos
13
魯珀特．戴瑪維爾
Rupert Damerell
指揮 Conductor 魯珀特．戴瑪維爾曾是溫莎堡聖佐治堂唱詩班成員。他 四歲習鋼琴，六歲習小提琴，十歲在聖佐治堂學習管風 琴，及後獲音樂獎學金前往伊頓公學就讀。他曾於紐約 茱莉亞學院學習小提琴，也曾是英國國家青年交響樂團 成員。戴瑪維爾其後於劍橋大學國王學院修習音樂，並 在世界知名合唱團擔任假聲男高音，期間灌錄了多張專 輯，由史提芬．克勞伯尼指揮。 戴瑪維爾喜歡參與各式各樣的音樂活動，自幼便學習 各種樂器，並跟隨眾多大師上課：其小提琴技藝師從 簡．哈維及克萊倫斯．梅亞斯克福 ( 英國皇家音樂學 院 )、桃樂絲．狄蕾 ( 茱莉亞學院 )，以及沃爾夫岡． 馬殊納 ( 德國弗賴堡 )；鋼琴師從大衛．歐文．諾里斯 及簡．哈維 ( 英國皇家音樂學院 )；管風琴師從湯瑪斯． 托特、約翰．哈波、納吉．哈金及史提芬．克勞伯尼。 至於聲樂，則受男高音阿什利．史德福 ( 英國皇家音 樂學院 )、女高音艾瑪．柯克比、女高音艾芙琳．陶伯 和男高音米高．燦斯的指導。另外，安東尼．霍普金 斯、彼德．菲臘斯及保羅．古特文是他的指揮老師。 自 2 0 0 2 年 起， 戴 瑪 維 爾 扎 根 於 西 班 牙 馬 德 里 發 展， 與多個古樂團於歐洲各地演出，包括修加斯合唱團、 歌劇之火合唱團、Los Músicos de su Alteza、Proyecto
Guerrero 及 Capilla Príncipe de Viana。他近期則與阿拉米 爾合唱團及無以復加合唱團合作。 戴瑪維爾領導多個西班牙合唱團及樂團，包括贊諾比亞 古樂團、贊諾比亞學人、時光之音及器樂組合帕米拉樂 團。他亦積極推動聲樂教育，與西班牙多位音樂總監及 樂團如大衛．史基納與阿拉米爾合唱團、史提芬．克勞 伯尼、約翰．魯特、無以復加合唱團、古風合唱團及英 國 Voc es 8 合唱團合作，為合唱團指揮及歌手開辦合唱 課程和計劃，也與彼德．菲臘斯策劃每年夏季在西班牙 阿維拉開辦的塔利斯學者合唱團夏季課程。他自 2010 年起出任西班牙拉斯納維斯德爾馬克斯國際音樂節的藝 術總監。
14
Rupert Damerell began his musical career as a chorister at St George's Chapel, Windsor Castle, where he commenced his organ studies aged ten, having already started studying the piano at age four and violin at age six. From there, he went on to Eton College with a music scholarship. He also studied violin at the Juilliard School in New York and became a member of the UK’s National Youth Orchestra. He later read music at King's College, Cambridge, where he was a countertenor choral scholar in its word-famous choir, under the direction of Stephen Cleobury. During his time there, he appeared on various recordings. Since childhood, Damerell has enjoyed maintaining a wide variety of musical activities through studying various instruments. He has studied violin under the instruction of Jean Harvey and Clarence Myerscough (Royal Academy of Music), Dorothy Delay (The Juilliard School), and Wolfgang Marschner (Freiburg, Germany); piano under David Owen Norris and Jean Harvey (Royal Academy of Music); and organ under Thomas Trotter, John Harper, Naji Hakim and Stephen Cleobury. For vocals, he has studied under the instruction of Ashley Stafford (Royal College of Music), Emma Kirkby, Evelyn Tubb, and Michael Chance. His studies in direction have been with Anthony Hopkins, Peter Phillips and Paul Goodwin, among others. Damerell has been based in Madrid, Spain since 2002, singing with various early music groups throughout Europe, such as Huelgas Ensemble, Opera Fuoco, Los Músicos de su Alteza, Proyecto Guerrero or Capilla Príncipe de Viana. Recently, he has also collaborated with Alamire and Ensemble Plus Ultra. Damerell directs various choirs and ensembles in Spain, including Zenobia Consort, Zenobia Scholars, Quondam, and the instrumental group Palmyra Ensemble. He is very active in the field of education, giving seminars to choral conductors and singers, as well as co-directing choral courses and projects in Spain with directors and groups such as David Skinner and Alamire, Stephen Cleobury, John Rutter, Ensemble Plus Ultra, Stile Antico and Voces8. He also co-directs the Tallis Scholars Summer Course with Peter Phillips every summer in Ávila, Spain and has been artistic director of the International Music Festival of Las Navas del Marqués since 2010. ©Antonio Villar
15
9.3.2019
安達魯西亞的大師作品： 十六世紀西維爾音樂精選
Andalusian Masterpieces: Music from 16th Century Seville 克里斯托保．德莫雷里士
Cristóbal de Morales (1500–1553)
六聲部《聖母喜樂經》
Regina cæli a6
《主啊！請寬恕我》
Parce mihi, Domine
《至聖無玷童貞》
Sancta et immaculata virginitas
Francisco Guerrero (1528–1599)
弗朗西斯．格雷羅 〈垂憐頌〉，取自《至聖無玷童貞》彌撒曲
Kyrie from Missa sancta et immaculata
《起來，我的愛卿》
Surge propera — 中場休息 Interval —
《瑪利亞．瑪達肋納》
Maria Magdalena
阿洛素．羅布
Alonso Lobo (1555–1617)
〈羔羊頌〉，取自《瑪利亞．瑪達肋納》彌撒曲
Agnus Dei from Missa Maria Magdalena
《耶肋米亞哀歌》
Lamentatione
《我是原野的花》
Ego flos campi
弗朗西斯．格雷羅
Francisco Guerrero
《我是原野的花》
Ego flos campi
是晚演出曲目及次序或有更改
Pieces and their order of performance are subject to change
17
安達魯西亞的大師作品
Andalusian Masterpieces 十六世紀西班牙的音樂生活與歐洲其他國家大 相逕庭。在意大利，佛羅倫斯的麥迪其家族沒 落後，音樂界就是兩個文藝重鎮梵蒂岡與威尼 斯之爭；在英格蘭，所有音樂家都雲集皇家教堂； 日耳曼地區則集中在慕尼黑或德累斯頓的宮廷。 但在西班牙，皇帝查理五世卻在法蘭德斯出生 和成長，十六歲登基（1516 年）時連西班牙語 都不懂說。他抵達西班牙時，把府中上下和樂 師從家鄉帶過來，而且終其一生也只愛起用法 蘭德斯人；連兒子腓力二世也一樣。查理五世 身兼神聖羅馬帝國皇帝，因此經常周遊列國， 期間皇家教堂的樂師也隨他同行。由於西班牙 本土音樂家無望受聘於皇室，因此音樂活動就 集中在大教堂，尤其在西維爾和托萊多等地。 今天的音樂會以三位作曲家為主，分別是克里 斯托保．德莫雷里士（1500–1553）、弗朗西斯． 格雷羅（1528–1599），以及阿洛素．羅布（1555
–1617），他們的音樂生涯始於西維爾大教堂， 少年時代也曾在那裏當過詩班員。 莫雷里士年紀小小已在西維爾大教堂當詩班員， 接受法蘭西斯科．德佩尼亞洛薩指導。當時， 以若斯坎德普雷和皮耶爾．德拉呂為首的法蘭 西 - 法蘭德斯傳統大行其道，德佩尼亞洛薩本身 也深受影響。莫雷里士早年分別在阿維拉和普 拉森西亞工作過一段短時間，後來獲聘請到羅 馬教廷唱詩班工作，同僚包括雅克．阿卡代爾 特和尼古拉．貢貝爾等音樂家（貢貝爾後來成 為查理五世皇家教堂樂長）。莫雷里士在教廷 唱詩班工作至 1 5 4 5 年，回到西班牙後就當上托 萊多樂長，教導當時仍是青少年的弗朗西斯． 格雷羅。他後來再到馬切納和馬拉加出任教堂 樂長，但由於其個性不容易相處，因此經常變 換工作。
18
The musical life of 16th century Spain was very different from other European countries. In Italy, after the decline of the Medici in Florence, the Vatican and Venice were the two rival centres of excellence. In England, all the musicians gravitated towards the Chapel Royal, and in Germany to the courts in Munich or Dresden. In Spain, the Emperor Charles V, who was born and raised in Flanders, did not even speak Spanish when he assumed the throne in 1516 at the age of 16. When he arrived, he brought with him his court and musicians from Flanders, and this state of affairs would continue for the rest of his life and be taken over by his son, Philip II. As Holy Roman Emperor, he spent much time travelling all over Europe, and the Capilla Real musicians would travel with him. Without the possibility of royal employment, the Spanish cathedrals were the centres of musical activity, with the greatest foundations being in Seville and Toledo. Today’s programme highlights three composers, all of whom started their musical life as choirboys in Seville Cathedral: Cristóbal de Morales (1500– 1553), Francisco Guerrero (1528–1599) and Alonso Lobo (1555–1617). Morales received instruction in Seville Cathedral as a boy from Francisco de Peñalosa, who was steeped in the Franco-Flemish tradition led by Josquin des Prez and Pierre de la Rue, popular throughout Europe. After short appointments in Ávila and Plasencia, Morales was employed in Rome in the Papal choir until about 1545, together with such musicians as Jacques Arcadelt or Nicolas Gombert (the future maestro de capilla of Charles V’s Royal Chapel). On returning to Spain, Morales was maestro de capilla in Toledo, where he would teach the adolescent Francisco Guerrero, and then in Marchena and Málaga. His somewhat difficult personality resulted in frequent changes of employment.
莫雷里士的寫作手法既反映他的成長經歷，也 反映出法蘭西 - 法蘭德斯風格，以密集的對位法 及低音聲部見稱。今晚的節目以《聖母喜樂經》 掀開序幕。《聖母喜樂經》是復活節期為聖母而 唱的讚美詩，女高音與女低音以卡農唱出同名 的葛利果聖歌。第二首是《主啊！請寬恕我》， 選自他的四聲部安魂曲，歌詞選自《約伯傳》， 是直接懇求上帝寬恕的禱文。1993 年，希利雅 合唱團，與爵士樂薩克管演奏家尚．加巴瑞克 合作演出過這首作品，因而令樂曲變得世界知 名。第三首作品根據聖母禱文《至聖無玷童貞》 譜寫，是首四聲部作品，音響效果非常豐富。 不僅如此，這首樂曲也是格雷羅彌撒曲的基礎： 格雷羅本身是莫雷里士的學生，其彌撒曲裏的 「常規部分」 （也就是彌撒曲中的必備樂章， 歌詞也完全沒有改動），正好根據莫雷里士這 首《至聖無玷童貞》寫成。
Morales’ writing reflects his upbringing and the Franco-Flemish style, with often dense counterpoint and writing for lower voices. We begin the programme with the Regina cæli, the hymn to the Virgin for the Easter period, where soprano and alto lines sing the Gregorian chant in a canon. This is followed by the Parce mihi from his fourvoice Requiem, a direct prayer for forgiveness with text from the Book of Job, made world-famous by the collaboration in 1993 between the Hilliard Ensemble and jazz saxophonist Jan Garbarek. The third work is a sonorous setting of the Marian prayer Sancta et immaculata virginitas in four voices. This work is the basis for a setting of the Ordinary (those movements that always occur, without textual variation) of the Mass by Morales’ student, Francisco Guerrero. Guerrero also started out as a choirboy in Seville Cathedral, moving to Toledo to study when his voice changed and taking on his first cathedral
格雷羅初時也在西維爾大教堂當詩班員，變聲 後到托萊多求學，年僅十七歲就在哈恩大教堂 任職，三年後返回西維爾。難得僱主容許他自 由往返西班牙、意大利和聖城耶路撒冷，所以 他之後也不時在西維爾逗留。說來幸運，他晚 年雖然經常不在西維爾大教堂，但由於找到一 個很能幹的助手替他打點，因此即使格雷羅人 在他方，西維爾大教堂內也不會出亂子—這個 能幹的助手就是阿洛素．羅布。 格雷羅的仿作彌撒曲《至聖無玷童貞》，以莫 雷里士《至聖無玷童貞》為基礎，再加上另一 個 女 高 音 聲 部， 令 原 作 的 音 響 世 界 更 明 亮。
1 5 6 6 年，格雷羅的《至聖無玷童貞》出版；雖 然這時已與莫雷里士原作相距多年，但格雷羅 始終保留莫雷里士密集的複調風格。這種密集 的複調風格在特利騰大公會議舉行之前非常流 行；可是以反宗教改革為重點的特利騰大公會
在安吉洛．羅西為克里斯托保．德莫雷士雕刻其肖像後，詹 姆斯．考爾德沃爾也於十八世紀完成他的雕刻作品 James Caldwell. Cristóbal de Morales, after engraving by Angelo Rossi. 18th century.
19
議，卻對聖樂提出種種改動，其中之一就是要 求將複調簡化，令歌詞更清楚。基督教會新風 格在經文歌《起來，我的愛卿》清晰可聞，歌 詞則選自《舊約聖經》中以讚美愛情為主題的 篇章—《雅歌》。十六世紀時，天主教會將《雅 歌》視為形容教會與基督之間關係的隱喻。格 雷羅則更進一步，譜寫「來吧，基督的新娘」時， 將女高音獨唱的長音樂句不斷重複。在經文歌 的第一部份，這一句每次重複時會降低音高； 但在第二部份，卻在每次重複時都提高音高。 六聲部的《瑪利亞．瑪達肋納》是格雷羅為復 活日而寫的經文歌，內容關於聖母瑪利亞來到 耶穌的墓穴，發覺內裏空空如也，然後天使向 她顯現。樂曲充滿歡欣的氣氛，屬於作曲家最 興高采烈的一批經文歌。這個時期的經文歌一 般分為前後兩段，《瑪利亞．瑪達肋納》也不 例外；另一方面，樂曲也與莫雷里士《聖母喜 樂經》一樣，每句歌詞裏都會加插「哈利路亞」。 阿洛素．羅布跟莫雷里士和格雷羅不同，他從 來沒有在羅馬生活過。可是，全靠日漸成熟的 印刷技術，樂譜在歐洲的流通範圍比十六世紀 初廣泛得多，甚至遠達美洲。因此羅布大概在 西維爾大教堂當詩班員的時候，已留意到帕萊 斯特里納的音樂。可以說，羅布的個人風格糅 合了意大利平順的對位技巧，以及同期作曲家 托馬斯．路易斯．維多利亞那種原始巴羅克風 格的力量。 《瑪利亞．瑪達肋納》彌撒曲採用了格雷羅同 名經文歌的主題素材。根據特利騰大公會議過 後的西班牙傳統，〈羔羊頌〉的器樂伴奏不變， 但演唱歌詞則有所不同，第二次改為唱「求你 賜給我們平安」。儀式進行時，可能會加插第 二首格雷羅聖歌〈羔羊頌〉，或者管風琴插曲。 《耶肋米亞哀歌》是聖週（復活節前一週）熄 燈禮拜日課所用經文。羅布根據這些經文，為 聖週六（復活前夕）的日課譜寫樂曲。聖週六 是大家期待基督復活的日子，因此也不像聖週 四或聖週五（受難日）的日課那麼令人沮喪。
20
post in Jaén at the age of just 17, moving back to Seville three years later. He stayed there on and off for the rest of his life, having been given unusual liberty to travel around Spain, Italy and the Holy Land. Fortunately, in his later years he had an able assistant to cover his frequent absences at Seville Cathedral in the form of Alonso Lobo. Guerrero’s parody mass, Sancta et immaculata, adds a second soprano line to brighten up Morales’ sound world, and even though this work was published in 1566—many years after its model— it retains Morales’ close, dense polyphonic style that was popular prior to the Council of Trent and its Counter-Reformation changes, which sought to simplify polyphony so that the texts could be clearer. This new style can be heard clearly in the motet Surge propera with its text from the Old Testament paean to love, “The Song of Songs”. In the 16th century, the Catholic Church ascribed this text to act as a metaphor for the relationship between Christ and the Church. Guerrero goes one stage further by having a repeated phrase sung by a soprano in long notes to the text, “Come, bride of Christ”, descending each repetition in the first part of the motet, and ascending again in the second part. One of Guerrero’s most joyous motets is Maria Magdalena for Easter Day in six voices, which tells of how Mary goes to the tomb of Jesus, finds it empty and sees the angel. Again, as is typical in this period, there are two parts to the motet, and, as with Morales’ Regina cæli, each phrase of text is interrupted by cascades of “Alleluia”. Alonso Lobo, unlike Morales and Guerrero, did not spend any time in Rome. However, thanks to the maturation of printing, music was far more widely disseminated around Europe than at the beginning of the 16th century, also finding its way to the New World. Because of this, he was aware of the music of Palestrina, probably already from his time as a boy in Seville Cathedral, and his personal style could be said to combine the Italian’s smooth contrapuntal technique with the proto-Baroque intensity of his contemporary, Tomás Luis de Victoria.
作曲家按照西維爾大教堂的傳統，將整篇歌詞 譜寫成一首長篇作品，而不是分成幾首樂曲（例 如維多利亞、卡洛．傑蘇阿爾多或奧蘭多．德． 拉絮斯等人之作品）。傳統上，《耶肋米亞哀 歌》每節歌詞都會以一個希伯來文字母作標記， 而且字母按字母表的順序排列，因此作曲家可 以好好鋪排下個段落，並以「純」音樂來營造 對比。 《我是原野的水仙》歌詞同樣選自《雅歌》， 格調與牧歌相似。今晚最後一首作品是首雙重 合唱曲，歌詞同樣是《我是原野的水仙》，但 音樂出自羅布的老師格雷羅手筆。《雅歌》的 這段歌詞，讓作曲家可以效法意大利牧歌作者， 多用文字着色技巧與效果。帕萊斯特里納曾以 《雅歌》為歌詞譜寫了二十九首經文歌；而他 也說自己在這些作品中改變了平常的風格；對 作曲家兼神父來說（今天節目裏的三位作曲家， 本身都是神父），這是難得可以不拘小節的機 會。 樂曲介紹 魯伯特．戴瑪維爾
The Mass Maria Magdalena uses thematic material from Guerrero’s motet. In the Spanish tradition post-Trent, the Agnus Dei music is only given once, and would have been sung twice, the second time with “Dona nobis pacem”. Liturgically, it would have been possible to have a second, Gregorian chant Agnus Dei, or even an organ interlude. The Lamentations from the Book of Jeremiah are texts used for the Office of Tenebrae during Holy Week. Lobo set the texts for the Saturday office— which are not quite as depressing as those for the Thursday or Friday offices—as we are now looking forward to the Resurrection. The complete text is set as one long work, rather than several separate pieces (such as those of Victoria, Carlo Gesualdo or Orlande de Lassus), following the traditions at Seville Cathedral. Traditionally with the Lamentations, each verse of the text is punctuated by a Hebrew letter, and this enables Lobo to set the scene for the following passage and to provide contrasts with "pure" music. Ego flos campi (I am the flower of the field) is another text from the “Song of Songs” that is almost madrigalian in character. We then bring the programme to an end with a setting of the same text by Lobo’s master, Guerrero, for double choir. The “Song of Songs” texts gave composers an excuse to compose with more word painting and affects like the Italian madrigalists. Even Palestrina, who wrote a set of 29 motets on these texts, claimed that he changed from his normal style in these works; a rare chance for these composerpriests (all three of our composers in today’s programme were also priests) to let their hair down just a little. Programme Notes by Rupert Damerell
弗朗西斯．格雷羅肖像，由畫家弗朗西斯．帕切科繪畫於約 1599 年。Francisco Guerrero by Francisco Pacheco, circa 1599.
21
歌詞 Sung texts 《聖母喜樂經》
Regina cæli a6
Queen of Heaven
Regina cæli lætare, Alleluia, Quia quem meruisti portare, Alleluia, Resurrexit sicut dixit, Alleluia. Ora pro nobis Deum. Alleluia.
Queen of Heaven, rejoice, alleluia, For He whom you were Worthy to bear, alleluia, He has risen, as He said, alleluia. Pray for us to God, alleluia.
Parce mihi, Domine
Let me alone, Lord
Parce mihi, Domine, nihil enim sunt dies mei. Quid est homo, quia magnificas eum? Aut quid apponis erga eum cor tuum? Visitas eum diluculo et subito probas illum.
Let me alone, Lord for my days are vanity. What is man, that thou shouldest magnify him? That thou shouldest set thine heart upon him? That thou shouldest visit him every morning, and try him every moment?
任憑我去罷！ 因為我的日月 僅是一口氣 人算甚麼 你竟如此顯揚他 將他置諸心頭 天天早晨看護他 時刻不斷考察他﹖
Usquequo non parcis mihi, nec dimittis me, ut glutiam salivam meam?
How long wilt thou not depart from me, nor let me alone till I swallow down my spittle?
你到何時纔不注視我 而讓我輕鬆 咽一下唾沫？
Peccavi, quid faciam tibi, o custos hominum?
I have sinned; what shall I do unto thee, O thou preserver of men?
監察人者啊！ 我犯罪與你何干？
Quare posuisti me contrarium tibi, et factus sum mihimet issi gravis?
Why hast thou set me as a mark against thee, so that I am a burden to myself?
為何叫我當你的箭靶 使我成為你的重擔？
Cur non tolles peccatum meum, et quare non auferes iniquitatem meam? Ecce, nunc in pulvere dormiam, et si mane me quaesieris, non subsistam.
Why dost thou not pardon my transgression, and take away my iniquity? For now shall I sleep in the dust; and thou shalt seek me in the morning, but I shall not be.
為何你不肯容忍 我的過錯 寬赦我的罪惡？ 不久我將臥在塵土中 任你尋找我 我已不在了
Sancta et immaculata virginitas
O holy and immaculate virginity 《至聖無玷童貞》
Sancta et immaculata virginitas, quibus te laudibus efferam nescio:
O holy and immaculate virginity, I know not by what praises I may extol thee:
22
天上的母后，喜樂吧！阿肋路亞！ 因妳所生的兒子，阿肋路亞！ 依祂的預言復活，阿肋路亞！ 請為我們轉求天主，阿肋路亞！
《主啊！請寬恕我》
聖潔無瑕的貞女！ 我不知道用什麼話 來讚頌妳
For thou hast born in thy womb, whom the heavens could not contain. Blessed art thou among women, and blessed is the fruit of thy womb. Thou abidest a virgin for ever.
Quia quem cæli capere non poterant, tuo gremio contulisti. Benedicta tu in mulieribus et benedictus fructus ventris tui. in aeternum permanes Virgo.
Kyrie from Missa sancta et immaculata
Kyrie de Missa sancta et immaculata
Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon us.
Kyrie eleison. Christe eleison. Kyrie eleison
Arise, my love
Surge propera
起來，我的愛卿、我的鴿子！ 快來，我的佳麗！ 看，嚴冬已過 時雨止息，且已過去 田野的花卉已露 唱歌的時期已近
Arise, my love, my dove, my fair one, and come away; for now the winter is past, the rain is over and gone. The flowers appear on the earth; the time of pruning has come.
Surge, propera amica mea, columba mea, formosa mea, et veni. Jam enim hiems transiit, imber abiit et recessit. Flores apparuerunt in terra, tempus putationis advenit.
在我們的地方 已聽到斑鳩聲 無花果已結出初果 葡萄樹已 開花放香 起來，我的愛卿！ 快來，我的佳麗！
The voice of the turtle-dove is heard in our land. The fig tree puts forth its figs, and the vines blossom and give forth fragrance. Arise, my love, my fair one, and come away.
Vox turturis audita est in terra nostra; Ficus protulit grossos suos; vineae florentes dederunt odorem suum. Surge, amica mea, speciosa mea, et veni.
我那在岩石縫中 在懸崖隱處的 鴿子！ 請讓我看到你的面貌 聽見你的聲音 因為你的聲音柔和可愛 你的面貌美麗動人
O my dove, who is in the clefts of the rock, in the secret places of the stairs, let me see your countenance, let me hear your voice: for sweet is your voice, and your countenance is comely.
Columba mea, in foraminibus petrae, in caverna maceriae, ostende mihi faciem tuam, sonet vox tua in auribus meis: vox enim tua dulcis, et facies tua decora.
來吧，基督的新娘！
Come, Bride of Christ!
Veni, sponsa Christi!
Mary Magdalene
Maria Magdalena
Mary Magdalene and the other Mary brought spices so that they might anoint Jesus’s body.
Maria Magdalena et altera Maria emerunt aromata ut venientes ungerent Iesum.
因為你懷孕的那一位 即使高天也不能容納他 妳在婦女中受讚頌 妳的親子同受讚頌 妳永遠保持了妳的童貞
〈垂憐頌〉，取自 《至聖無玷童貞》彌撒曲 上主，求祢垂憐 基督，求祢垂憐 上主，求祢垂憐
《起來，我的愛卿》
《瑪利亞．瑪達肋納》 瑪利亞瑪達肋納和另一位 瑪利亞買了香料 要去膏抹耶穌
23
Et valde mane una Sabbatorum veniunt ad monumentum orto iam sole, alleluia.
And very early on the Sabbath, they came to the tomb, just after sunrise, alleluia.
一週的第一天，大清早 她們來到墳墓那裏；那時 太陽剛升起，阿肋路亞！
Et introeuntes in monumentum viderunt iuvenem sedentem in dextris coopertum stola candida et obstupuerunt.
Entering the tomb, they saw a young man sitting on the right side dressed in a white robe, and they were amazed.
她們進了墳墓 看見一個少年人 坐在右邊，穿著白衣 就非常驚恐
Qui dicit illis: 'Iesum quem queritis Nazarenum cruxifixum: surrexit, non est hic. Ecce locus ubi posuerunt eum.' Alleluia.
He said to them: ‘You are looking for Jesus of Nazareth, who was crucified: He has risen, he is not here. Look, there is the place they laid him.’ Alleluia.
那少年人向她們說 「你們尋找那被釘在 十字架上的納匝肋人耶穌 他已經復活了，不在這裏了 請看安放過他的地方！」 阿肋路亞！
Agnus Dei de Missa Maria Magdalene
Agnus Dei from Missa Maria Magdalene
Agnus Dei, qui tollis peccata mundi miserere nobis.
Lamb of God, Who takest away the sins of the world, have mercy upon us.
除免世罪的 天主羔羊 求你垂憐我們
Agnus Dei, qui tollis peccata mundi miserere nobis.
Lamb of God, Who takest away the sins of the world, have mercy upon us.
除免世罪的 天主羔羊 求你垂憐我們
Agnus Dei, qui tollis peccata mundi dona nobis pacem.
Lamb of God, Who takest away the sins of the world, grant us thy peace.
除免世罪的 天主羔羊 求你垂憐我們
Lamentatione
Lamentations
De lamentatione Ieremiae prophetae
From the Lamentations of Jeremiah
取自《耶肋米亞哀歌》
Heth*: Misericordiae Domini quia non sumus con sumpti: Quia non defecerunt miserationes eius. Heth: Novi diluculo multa est fides tua. Heth: Pars mea Dominus dixit anima mea: propterea expectabo eum.
Heth*: It is of the Lord's mercies that we are not consumed, because his compassions fail not. Heth: They are new every morning: great is thy faithfulness. Heth: The Lord is my portion, saith my soul; therefore will I hope in him.
上主的慈愛，永無止境 他的仁慈，無窮無盡 你的仁慈，朝朝常新 你的忠信，浩大無垠 ! 我心中知道 上主是我的福分 因此，我必信賴他
Teth: Bonum est Dominus sperantibus in eum animae quaerenti illum. Teth: Bonum est praestolari, cum silentio salutare Dei. Teth: Bonum est viro cum portaverit iugum ab adolescentia sua.
Teth: The Lord is good unto them that wait, to the soul that seeketh him. Teth: It is good that a man should quietly await the salvation of the Lord. Teth: It is good for a man that he bear the yoke in his youth.
上主對信賴他 和尋求他的人 是慈善的 最好是靜待 上主的救援 最好是自幼背負 上主的重軛
24
〈羔羊頌〉，取自《瑪利亞． 瑪達肋納》彌撒曲
《耶肋米亞哀歌》
默然獨坐 因為是上主 加於他的軛 他該把自己的口貼近塵埃 這樣或者還有希望 向打他的人，送上面頰 飽受凌辱
Iod: He sitteth alone and keepeth silence, because he hath borne it upon him. Iod: He putteth his mouth in the dust so there may be hope. Iod: He giveth his cheek to him that smiteth him filled with reproach.
Iod: Sedebit solitarius et tacebit: Quia levavit se supra se. Iod: Ponet in pulvere os suum si forte sit spes. Iod: Dabit percutienti se maxillam saturabitur opprobriis.
耶路撒冷！耶路撒冷！ 歸向上主吧！
Jerusalem, Jerusalem, return to the Lord thy God.
Ierusalem, Ierusalem, convertere ad Dominum
* 歌詞摘錄至《耶肋米亞哀歌》( 第 3 章 22-30 節 )，在《聖經武加大譯 本》中以希伯來文字母 ( חheth)、( טteth) 和 ( יiod) 作為章節記號；但在 羅布的作品中，這些字母則用作沉思及安息的時刻。 * This selection of text from Lamentations (3:22-30) in the Vulgate Bible uses the Hebrew characters ( חheth), ( טteth), and ( יiod) as section markers; in Lobo’s work, they serve as moments of contemplation and repose.
《我是原野的花》
I am the flower of the field
Ego flos campi
我是原野的花 谷中的百合
I am the flower of the field, and the lily of the valleys.
Ego flos campi et lilium convallium.
我的愛卿在少女中 有如荊棘中的一朵百合花 我的愛人在少年中 有如森林中的一棵蘋果樹
As the lily among thorns, so is my love among the daughters. As the apple tree among the woods, so is my beloved among the sons.
Sicut lilium inter spinas, sic amica mea inter filias. Sicut malus inter ligna silvarum, sic dilectus meus inter filios.
我愛坐在他的蔭下 他的果實令 我滿口香甜
I sat down under his shadow with great delight: and his fruit was sweet to my taste.
Sub umbra illius quem desideraveram sedi, et fructus ejus dulcis gutturi meo.
他引我進入酒室 他插在我身上 的旗幟是愛情
He brought me into the banqueting house, and his banner over me was love.
Introduxit me Rex in cellam vinariam ordinavit in me charitatem.
請你們用葡萄乾來滋養我 用蘋果來安撫我 因為我因愛成疾
Stay me with flagons, comfort me with apples: because I am sick of love.
Fulcite me floribus, stipate me malis quia amore langueo.
我的妹妹，我的新娘 ! 是關閉的花園 是一座關鎖的花園 是一個封鎖的泉源
A garden enclosed is my sister, my spouse; a spring shut up, a fountain sealed.
Hortus conclusus soror mea sponsa, hortus conclusus fons signatus.
妳是湧出的水泉 是從黎巴嫩 流下的活水泉
A fountain of gardens, a well of living waters, and streams from Lebanon.
Fons hortorum puteus aquarum viventium quae fluunt impetu de Libano.
25
10.3.2019
維多利亞《追思亡者經課》1605
Victoria’s Officium Defunctorum 1605 阿洛素．羅布 《傷心欲絕》
托馬斯．路易斯．維多利亞 《追思亡者經課》(1605)
Alonso Lobo (1555–1617) Versa est in luctum
Tomás Luis de Victoria (1548–1611) Officium Defunctorum (1605) Lectio: "Taedet animam meam"
讀經
Missa pro defunctis (Requiem Mass)
〈安魂彌撒〉 進堂詠
Introitus
垂憐頌
Kyrie
升階詠
Graduale
奉獻詠
Offertorium
歡呼頌
Sanctus
羔羊頌
Agnus Dei
領主詠
Communio
經文歌
Motet: "Versa est in luctum"
答唱詠
Responsorium: "Libera me, Domine"
是晚演出曲目及次序或有更改
Pieces and their order of performance are subject to change
29
維多利亞的安魂曲
Victoria’s Requiem 托馬斯．路易斯．維多利亞（1548 – 1611）生 於西班牙阿維拉，父親在城中擔任公證人。維 多利亞八歲加入阿維拉大教堂唱詩班；兩年後， 另一位未來作曲家薩巴斯蒂安．德．維萬柯也 加入同一唱詩班。 維多利亞肯定是個出類拔萃的學生，因為他變 聲之後，獲腓力二世頒發獎學金負笈羅馬，在 新成立的日耳曼神學院求學。日耳曼神學院由 國王出資成立，目的是與歐洲北部的新教競爭。 無論學習音樂，還是全年的宗教慶典，日耳曼 神學院的學生都會跟羅馬學派或羅馬神學院的 學生一起參與；維多利亞大概就在這時得到羅 馬神學院樂長帕萊斯特里納指導。數年後，維 多利亞成了帕萊斯特里納在神學院的繼任人， 然後也陸續接任帕萊斯特里納的其他職位。
1 5 7 2 年，維多利亞以二十四歲之齡出版第一本 作品集，收錄了三十多首經文歌；往後幾年間， 其他作品集也陸續出版，包括為日課、彌撒、 聖週而寫的音樂。可是到了 1585 年，他雖然渴 望回到西班牙，但西維爾和沙拉哥薩大教堂分 別希望延攬他擔任樂長時，他都推卻了。他的 目標是加入王室—也許是首都馬德里附近新建 成的埃斯科里亞爾修道院。後來國王腓力二世 的妹妹、神聖羅馬帝國女皇瑪利亞喪夫，她決 定搬到馬德里皇家赤足女修道院避靜。此時， 維多利亞的機會來了：腓力二世讓維多利亞擔 任瑪利亞女皇的私人牧師，並在一所設備非常 好的教堂當非正式樂長，這讓他有空餘時間作 曲和試驗新作法，而且與當時任何一所大教堂 相比，這個職位連同各種有俸聖職的待遇也好 得多。維多利亞本身對出版及售賣自己的作品 很感興趣，但這是花費高，風險也高的事情； 因此當他達至財政穩定之後，就開始籌備出版 及售賣自己的作品。1592 至 1594 年間，維多
30
Tomás Luis de Victoria (1548–1611) was born in Avila, Spain, the son of the city’s notary. Aged about eight, he became one of the choirboys in Ávila’s cathedral, where he would be joined two years later by the future composer Sebastian de Vivanco. He must have been an exceptional student since, when his voice broke, he was granted a scholarship by Philip II to study at the newly formed German Seminary in Rome, which the King funded in his battle against the Protestantism of northern Europe. The students of the German seminary joined those of the Roman school for the study of music and the celebration of religious feasts throughout the year, and Victoria at this time would have received instruction from the maestro de capilla: the great Palestrina. A few years later, Victoria would take over that job from Palestrina, and subsequently other positions held by the master. Aged just 24, in 1572 he published his first collection of music—more than thirty motets—and over the following years various other books of music for the divine office, Masses and music for Holy Week. By 1585, however, he yearned to return to Spain, but refused maestro de capilla posts offered by the Seville and Saragossa Cathedrals, hoping for a royal favour—maybe at the newly built Monastery of El Escorial, close to the new capital city of Madrid. However, his chance came when the Empress Maria, King Philip’s sister, was widowed and decided to withdraw to the sumptuous Royal Convent of the Descalzas (Barefoot Clarissa nuns) in Madrid. Philip enabled Victoria to become the Empress’s personal chaplain and unofficial maestro of an exceptionally well-endowed chapel, where he had time to compose and experiment with his music. The position was also considerably better paid, through various benefices, than what any
利亞得到為期兩年的休假，可以回到羅馬監督 自己的新作出版，又在當地出席了帕萊斯特里 納的喪禮。 維多利亞返回馬德里之後，就着手寫作一系列 雙重合唱和三重合唱彌撒曲，享受那個任他指 揮的超卓詩班。其實這些樂曲都是維多利亞根 據自己的舊作改寫而成，原作是他二十多年前 在羅馬寫的瑪利亞交替聖歌，其後於 1600 年在 馬德里出版。 瑪利亞女皇 1 6 0 3 年逝世，公開葬禮在三週後舉 辦，維多利亞為此寫作了《追思亡者經課》。《追 思亡者經課》包含安魂彌撒曲（簡稱「安魂曲」） 裏所有常規部分（也就是彌撒曲中的必備樂章， 歌詞也完全不會改動），並加入讀經、一首天 主教禮儀以外的經文歌《傷心欲絕》，以及最 後的回應經文。讀經文本選自《約伯傳》，在彌
神聖羅馬帝國女皇瑪利亞 (1557 年 )。 Maria of Austria, Holy Roman Empress. Circa 1557.
cathedral could offer at that time. This financial stability enabled Victoria to pursue his interest in publishing and selling his own music, an expensive and risky undertaking. He was granted two years’ sabbatical from 1592–1594 to return to Rome to supervise a new edition of his music, and where he was also present for Palestrina’s funeral. On returning to Madrid, Victoria worked on a series of Masses for double and triple choir, enjoying the excellent choir he had at his disposal. Based on Marian antiphons he had composed in Rome nearly 20 years earlier, these were published in Madrid in 1600. The Empress died in 1603, and for her public funeral rites three weeks after her death, Victoria provided the Officium Defunctorum. This contains all the music for the Ordinary of the Requiem Mass itself, together with a Lectio with text from the Book of Job, which belongs to the Matins liturgy performed in the vigil before the mass, an extra-liturgical motet Versa est in luctum also with a text from Job, which would have been sung as the dignitaries saluted the catafalque (the Empress’s body had already been buried in a simple ceremony in the Convent three days after her death), and the final Responsory for the Absolution. Victoria, in common with other composers of his time, did not set the sequence to Dies irae— which would become so popular in the Requiems of Mozart or Verdi—but, in this case, that would have been sung during the mass to Gregorian chant. The Requiem chant is present throughout the work, carried mostly by one of the two soprano lines in long notes (in the Offertorium, the altos take the melody) as the other voices weave around it in slow-moving harmonies, employing the traditional cantus firmus techniques from the early Renaissance, but infusing them with almost baroque expression and affects—truly a meeting between the horizontal and the vertical.
31
撒前守夜祈禱時進行，屬於夜禱儀式的一部分； 經文歌《傷心欲絕》歌詞同樣選自《約伯傳》， 由一眾顯要人物向女皇靈柩台敬禮的時候唱出 （逝世後三天，女皇的遺體已經以簡單儀式安 葬在女修道院裏）；回應經文則用作赦罪。維 多利亞也像當時其他作曲家一樣，沒有將《震 怒之日》繼序詠譜成樂曲，但在這個情況下， 《震怒之日》歌詞在彌撒中會配以葛利果聖歌 演唱，而後世作曲家如莫札特或威爾第都非常 喜歡將《震怒之日》譜成樂曲，成為安魂曲的 一部分。「固定旋律」在整首《追思亡者經課》 中不時出現，多數由其中一個女高音聲部以長 音符唱出（女高音聲部共有兩個），但《獻禮 經》則以女低音唱出旋律，其他聲部則在聖詠 曲附近穿來插去，和聲轉變十分緩慢，既採用 了來自文藝復興初期的傳統技巧「固定旋律」， 也同時將巴羅克的表達方式和情感糅合其中， 名副其實是「縱」與「橫」相遇之處。 許多西班牙作曲家都喜歡根據《傷心欲絕》歌詞 寫作經文歌。今晚的節目也以《傷心欲絕》掀 開序幕；不過音樂卻出自維多利亞一位同期作 曲家手筆，維多利亞甚至認為他是當時最偉大 的西班牙作曲家，這人就是阿洛素．羅布（1555 – 1617）。羅布的《傷心欲絕》寫於 1598 年， 是為瑪利亞女皇的兄弟腓力二世的葬禮而寫。 樂曲介紹 魯伯特．戴瑪維爾
32
The Versa motet was popular among Spanish composers, and we open the programme with another setting by one of Victoria’s contemporaries— Alonso Lobo (1555–1617), whom Victoria considered the greatest Spanish composer of their time—which was written for the funeral of Maria’s brother, King Philip II, in 1598. Programme Notes by Rupert Damerell
( Fri 五 )
門票 尚餘少量 ic k e ts T d e it L im
歌詞 Sung texts Versa est in luctum
Tuned to Mourning
Versa est in luctum cithara mea, et organum meum in vocem flentium. Parce mihi, Domine, nihil enim sunt dies mei.
My harp is tuned to mourning; my organ to the voice of the weeping. Spare me, O Lord, for my days are nothing.
《傷心欲絕》 我的琴瑟奏出哀調 我的簫笛發出哭聲 任憑我去罷！ 因為我的日月僅是一口氣
《追思亡者經課》
Officium Defunctorum Lectio
Reading
讀經
Taedet animam meam vitae meae, dimittam adversum me eloquium meum, loquar in amaritudine animae meae.
My soul is weary of my life; I will let go my speech against myself, and express the bitterness in my soul.
我的靈魂實在厭惡我的生活
Dicam Deo: Noli me condemnare: indica mihi, cur me ita judices.
I shall say to God: Do not condemn me, but show me why Thou judgest me in this manner.
我要對天主說
Numquid bonum tibi videtur, si calumnieris me, et opprimas me, opus manuum tuarum, et consilium impiorum adjuves? Numquid oculi carnei tibi sunt: aut, sicut videt homo, et tu videbis?
Shall it seem a good thing to Thee to cheapen me and oppress me, the work of Thine own hands, to support the schemes of the wicked? Are Thine eyes of flesh? Dost Thou even see only as men do?
你對親手所造的
Numquid sicut dies hominis dies tui, et anni tui sicut humana sunt tempora, ut quaeras iniquitatem meam, et peccatum meum scruteris? Et scias, quia nihil impium fecerim, cum sit nemo, qui de manu tua possit eruere.
Is Thy life like the life of men, do Thy years pass like the days of men, that Thou shouldst enquire after my iniquity, and investigate my sins? Surely Thou knowest I have done no wrong and there is no man that can deliver me from Thy hand.
你的日月豈像人的日月？
Introitus
Introductory Rites
進堂詠
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem: exaudi orationem meam, ad te omnis caro veniet.
Grant them eternal rest, O Lord, let light perpetual shine upon them. A hymn, O God, becometh Thee in Sion, and a vow shall be paid to Thee in Jerusalem: give ear to my supplication, unto Thee shall all flesh come.
上主！求祢賜給
34
我要任意苦訴我的怨情 傾吐我心中的酸苦
不要定我的罪！ 請告訴我： 你為何與我作對？
加以虐待和厭棄 卻顯揚惡人的計劃 為你豈有好處？ 你豈有肉眼 或者也像人一樣觀看嗎？
你的年歲豈像人的年歲？ 你竟考查我的邪惡 追究我的罪過 其實你知道我並沒有罪過 也知道無人能拯救我 脫離你的掌握
他們永遠的安息 並以永恆的光輝照耀他們 上主，你在熙雍當受讚美 在耶路撒冷當得尊崇 俯聽我的祈禱 凡有血氣的，都要來接近祢
垂憐頌
Kyrie
Kyrie
上主，求祢垂憐 上主，求祢垂憐
Lord have mercy upon us. Christ have mercy upon us. Lord have mercy upon us.
Kyrie eleison. Christe eleison. Kyrie eleison.
升階詠
Gradual
Graduale
上主！求祢賜給
Grant them eternal rest, O Lord, let light perpetual shine upon them. The just man shall remain in memory everlasting: of ill report he shall not be afraid.
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. In memoria aeterna, erit iustus: ab auditione mala non timebit.
奉獻詠
Offertory
Offertorium
主耶穌基督，榮光的君主
Lord, Jesus Christ, King of glory, deliver the souls of all who died in the faith from the pains of hell and from the deep pit.
Domine, Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni, et de profundo lacu.
Deliver them from the lion’s mouth, lest the jaws of hell swallow them, lest they fall into everlasting darkness; but let Saint Michael, leader of hosts, bring them forth into Thy holy light; as Thou didst promise of old to Abraham and to his seed.
Libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum: sed signifer sanctus Michael repraesentet eas in lucem sanctam: Quam olim Abrahae promisisti et semini eius.
We offer sacrifice and prayers of praise unto Thee, O Lord: receive them on behalf of those souls whom we remember this day: grant them, O Lord, to pass over from death to life, as Thou promised before to Abraham and to his seed.
Hostias etpreces tibi, Domine, laudis offerimus: tu suscipe pro animabus iUis, quarum hodie memoriam facimus: fac eas, Domine, de morte transire ad vitam. Quam olim Abrahae promisisti et semini eius.
基督，求祢垂憐
他們永遠的安息 並以永恆的光輝照耀他們 義人必要受到永遠的紀念 噩耗的信使 不會使他驚慌失措
求祢救拔已亡諸 信者的靈魂 脫免地獄的刑罰 與深淵的極處 求祢拯救他們脫離猛獅的口 求祢不容深坑吞滅他們 並不容他們陷於幽暗的處所 但望祢的總領天神聖彌額爾 引導他們入於至聖的光明中 正如祢昔對亞巴郎和 他的子孫所預許的 上主，我們向你奉獻 讚頌，犧牲和祈禱 為了我們今天追念的亡靈 求你肯予悅納 上主！求你超渡他們 由死亡進入生命 正如祢昔對亞巴郎和 他的子孫所預許的
35
Sanctus
Sanctus
歡呼頌
Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth. Pleni sunt coeli et terra gloria tua, Hosanna in excelsis.
Holy, holy, holy Lord God of Hosts. Heaven and earth are full of Thy glory, Hosanna in the highest.
聖、聖、聖
Benedictus qui venit in nomine Domini. Hosanna in excelsis.
Blessed is He Who cometh in the Name of the Lord. Hosanna in the highest.
奉主名而來的，當受讚美
Agnus Dei
Agnus Dei
羔羊頌
Agnus Dei, qui tollis peccata mundi: dona eis requiem, Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata mundi, dona eis requiem sempiternam.
Lamb of God, Who takest away the sins of the world, grant them rest. Lamb of God, Who takest away the sins of the world, grant them rest. Lamb of God, Who takest away the sins of the world, grant them eternal rest.
除免世罪的天主羔羊
Communio
Communion
領主詠
Lux aeterna luceat eis, Domine, cum sanctis tuis, in aeternum: quia pius es.
Let light perpetual shine upon them, O Lord, in the company of Thy saints for evermore; Thou art merciful.
求祢以永恆的光輝照耀他們
Requiem æternam dona eis, Domine: et lux perpetua luceat eis.
Grant them eternal rest, O Lord, and let light perpetual shine upon them.
上主！求祢賜給他們永遠的安息
Requiescant in pace. Amen.
Let them rest in peace. Amen.
願他們安息，亞孟
Motet
Motet
經文歌
Versa est in luctum cithara mea et organum meum in vocem flentium. Parce mihi, Domine, nihil enim sunt dies mei.
My harp is turned to mourning; my organ into the voice of the weeping. Spare me, O Lord, for my days are nothing.
我的琴瑟奏出哀調
36
上主、萬有的主 祢的光榮充滿天地 歡呼之聲，響徹雲霄
歡呼之聲 響徹雲霄
求祢賜給他們安息 除免世罪的天主羔羊 求祢賜給他們安息 除免世罪的天主羔羊 求祢賜給他們永遠的安息
使他們與諸聖永遠同住一起 因為祢慈悲為懷
並以永恆的光輝照耀他們
我的簫笛發出哭聲 任憑我去罷！ 因為我的日月僅是一口氣
答唱詠
Responsory
Responsorium
天主，在那天地震動
Deliver me, O Lord, from everlasting death, on that fearful day when the heavens and the earth shall be moved and Thou shalt come to judge the world by fire.
Libera me, Domine, de morte aeterna, in die illa tremenda: quando cæli movendi sunt et terra: dum veneris iudicare saeculum per ignem.
I am seized with trembling, I am afraid for day judgement and for the wrath to come, That day, the day of wrath, calamity and woe a great day and bitter indeed, when Thou shalt come to judge the world by fire.
Tremens factus sum ego, et timeo, dum discussio venerit, atque ventura ira, quando cæli movendi sunt et terra: Dies illa, dies irae, calamitatis et miseriae, dies magna et amara valde, dum veneris iudicare saeculum per ignem.
Rest eternal grant them, O Lord, let perpetual light shine on them.
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis.
Deliver me, O Lord, from eternal death, on that fearful day when the heavens and the earth shall be moved, and Thou shalt come to judge the world by fire.
Libera me, Domine, de morte aeterna, in die illa tremenda: quando cæli movendi sunt et terra: dum veneris iudicare saeculum per ignem.
Lord have mercy upon us. Christ have mercy upon us. Lord have mercy upon us.
Kyrie eleison. Christe eleison. Kyrie eleison.
驚惶的一天 祢帶着火焰來審判世界 從永遠的死亡中拯救我 我在恐懼中顫抖 害怕那審判的時辰和 天主的憤怒 那時候天地也為之震動 神怒之日 悲慘苦難的日子 偉大而苦澀的日子 祢帶着火焰來審判世界
天主啊，賜給他們平安罷 讓永恆的光照耀他們 天主，在那天地震動 驚惶的一天 祢帶着火焰 來審判世界 從永遠的死亡中拯救我 上主，求祢垂憐 基督，求祢垂憐 上主，求祢垂憐
特別鳴謝香港藝術節及合唱團 Die Konzertisten 指揮楊欣諾為以上中英文歌詞提供意見。 Special thanks to Felix Yeung, chorus master of the Hong Kong Arts Festival Chorus and Die Konzertisten, for consulting on Chinese and English lyrics.
37
時光之音
Quondam Artistic Director and Conductor: Rupert Damerell
SOPRANOS
TENORS
Armelle Morvan Cristina Teijeiro Jone Martínez Manon Chauvin
Andrés Miravete Emiliano Cano Simon Wall Victor Sordo
ALTOS
BASSES
Beverley Green Elena S. Elordi
Javier Cuevas Jesús García Aréjula
時光之音合唱團隸屬西班牙古樂機構贊諾比亞樂集
Quondam is a part of the Spanish early music institution Zenobia Música.
38
藝術節加料節目
時光之音合唱指揮工作坊
9.3（六 Sat）2:30–5:00pm
Choral Conducting Workshop with Rupert Damerell Methodist International Church, Hong Kong
循道衛理聯合教會國際禮拜堂 合唱團的指揮魯伯特．戴瑪維爾將以維多利亞《追思亡 者經課》為教材，向本地合唱指揮傳授彩排技巧
Music Director Rupert Damerell will lead a conducting workshop on Victoria’s Officium Defunctorum. Observers are welcome.
英語主講
In English
時光之音合唱工作坊
11.3（日 Sun）4:00–6:30pm
Choral Singing Workshop with Quondam Methodist International Church, Hong Kong
循道衛理聯合教會國際禮拜堂 參加者將與時光之音成員並肩合唱，學習西班牙俗樂的 純正演繹
In this workshop, participants will sing side-by-side with Quondam and study interpretations of Spanish secular music.
英語主講
In English
更多加料節目詳情 More Festival PLUS
© AVFotos
39
© AVFotos
40
41
鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited
•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian
•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan
青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
音樂大師班
M u s i c M a s t e rcla s s 李飈打擊樂團敲擊樂大師班 Li Biao Percussion Group Masterclasses 13/3 三 Wed 5:30 - 7:30pm (中西敲擊樂器 Chinese & Western Percussion Instrument) 香港演藝學院演奏廳 Recital Hall, HKAPA 14/3 四 Thu 7:30 - 9:30pm (敲擊樂隊 Percussion Ensemble) 香港文化中心 CR2 排演室 Rehearsal Room CR2, HK Cultural Centre
���������樂大師班 Thomas Quasthoff Vocal Masterclass 13/3 三 Wed 7:00 - 9:00pm 香港文化中心 CR1 排演室 Rehearsal Room CR1, HK Cultural Centre
洪儷僖管風琴大師班 Riyehee Hong Organ Masterclasses 16/3 六 Sat 11:00am - 1:00pm (宗教禮儀音樂 Liturgical music) 香港聖公會聖保羅堂 HKSKH St. Paul's Church
h #FSOE #SVOEFSU
17/3 日 Sun 4:00 - 5:30pm (西班牙及法國 17 世紀及早期浪漫主義作品 Spanish and French 17th century to early romantic organ repertoire) 香港演藝學院音樂廳 Concert Hall, HKAPA
時光之音合唱與合唱指揮工作坊 Conducting and Singing Workshop with Quondam 9/3 六 Sat 2:30 - 5:00pm (合唱指揮 Choral Conducting) 11/3 一 Mon 4:00 - 6:30pm (合唱 Choral Singing) 循道衛理聯合教會國際禮拜堂 Methodist International Church
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 25/1/2019
26/1/2019
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
CCGT
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
CHCH
16/2
8pm
瑪琳．艾爾梭與聖保羅交響樂團
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
8pm
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
16/3
8pm
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
CCCH
18/3
8pm
克雷莫納弦樂四重奏
Quartetto di Cremona
CHCH
21-22/3
8pm
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD 22/2 23/2 23/2 23/2
8pm 7:30pm 4pm 9:30pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
《白蛇傳》 作曲：周龍 | 編劇：林曉英
香港中樂團 《九千年的邂逅》
時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
Oper Leipzig Wagner’s Tannhäuser
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
DANCE
舞蹈
Matsuev and Friends Play Jazz
CCCH
9/3
8pm
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
CCCH
14/3
8pm
希薇雅．佩瑞茲．克露絲 《夜妝》
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
Euripides Laskaridis / Osmosis TITANS
APAD
26-27/2
8:15pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
DANCE
舞蹈
香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
THEATrE
戲劇
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
正點劇團 《哈姆尼特─莎士比亞之子》
Dead Centre Hamnet
CCST
4-5/3
8:15pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
23/3 24/3
8:15pm 5pm
3pm
資料截至 Information as of: Jan 2019
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
《好！擊！動！》同樂日 P is for Percussion! Family Day 互動敲擊展覽
��動啦� 大堂音樂會
Interactive Percussion Exhibition
Feel the Pulse NOW!!! Foyer Performance
14/3 - 15/3 四至五 Thu to Fri 12:00nn - 8:00pm 展覽 Exhibition
⯝顥 F R E E
16/3 六 Sat 2:00 - 6:00pm 互動環節 Interactive Session
16/3 六 Sat 4:30 - 5:30pm
香港文化中心大堂 Foyer, HK Cultural Centre
香港文化中心大堂 Foyer, HK Cultural Centre
⯝顥 F R E E
拇指琴工作坊
� ��樂�工作坊
Thumbiano Workshop
Musical Bottle Workshop
16/3 六 Sat 11:00am - 1:00pm
16/3 六 Sat 2:00 - 3:00pm 4:00 - 5:00pm
香港文化中心平台工作室 Podium Workshop, HK Cultural Centre
香港文化中心平台工作室 Podium Workshop, HK Cultural Centre
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org