衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
重新劇團
《追憶消逝的人生》 Theatre Re
The Nature of Forgetting 21-24 2月 Feb
香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 演出長約 1 小時 15 分鐘，不設中場休息 Approximately 1 hour and 15 minutes with no interval 不適合 12 歲以下觀眾欣賞 Not suitable for ages below 12
封面照片 Cover Photograph: © Danilo Moroni
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
《追憶消逝的人生》
The Nature of Forgetting 概念及導演
Conceived and Directed by Guillaume Pigé
紀欽．皮格
作曲 Composer 亞歷斯．賈德
Alex Judd
燈光設計
Lighting Designer Katherine Graham
凱瑟琳．葛蘭姆 服裝及道具設計
Costume and Prop Designer Malik Ibheis
馬利克．伊比斯 佈景及道具製作
Set and Props Maker Tim Highman Andres Velasquez
添．赫爾曼 安德烈斯．華拉斯格斯
戲劇顧問 Dramaturg
A．C．史密夫
A.C. Smith
顧問科學家
Scientific Collaborator Kate Jeffery
凱特．傑夫瑞 外務策劃
External Curator Andrew Visnevski
安德烈．費斯納夫斯基
攝影 Photographer 丹尼洛．莫朗尼
Danilo Moroni François Verbeek
弗朗索瓦．韋碧克 平面設計
Graphic Designer Rebecca Pitt
瑞貝卡．比特 常務管理
General Management Glynis Henderson Productions Limited
格妮絲．漢得遜製作公司
構作演員 馬修．奧斯汀、馬利克．伊比斯、傑思．瓊斯、亞歷斯．賈德、弗雷．麥拉倫、奇朗．皮爾遜、 紀欽．皮格、伊格羅．貝拉方提、安德烈斯．華拉斯格斯、露易絲．韋確斯
Devising cast Matthew Austin, Malik Ibheis, Chris Jones, Alex Judd, Fred McLaren, Keiran Pearson, Guillaume Pigé, Eygló Belafonte, Andres Velasquez, Louise Wilcox
12
角色及演員 Cast 伊莎貝拉 / 蘇菲 Isabella/Sophie 露易絲．韋確斯
Louise Wilcox
愛瑪 / 丹尼斯太太 Emma/Mrs Denis 伊格羅．貝拉方提
Eygló Belafonte
邁克 Mike 馬修．奧斯汀
Matthew Austin
湯姆 Tom 紀欽．皮格
Guillaume Pigé
樂手 / 老師 Multi-instrumentalist/Teacher 亨利．韋伯斯特
Henry Webster
敲擊樂手 / 男學生 Percussionist/Schoolboy 傑思．瓊斯 / 奇朗．皮爾遜
Chris Jones or Keiran Pearson
國際旅程由英國文化協會支持 International travel supported by the British Council
13
關於《追憶消逝的人生》
About The Nature of Forgetting 「我們知道某些事物是永恆的。它並非
劃，製作團隊更邀請倫敦大學學院神經
房子，並非姓名，並非大地，亦非星
科學科教授凱特．傑夫瑞合作。創作靈
宿……每個人在骨子裏都知道有某些事
感來自英國阿茲海默氏症協會等組織的
物是永恆的，而這事物與人類有關……
訪談和工作坊。雖然以表演藝術的方式
深深處有某種永恆的與人類相關的東
傳播科學知識並不常見，但是作品仍為
西，那就是記憶消逝後遺留下來的東
與記憶相關的議題提供了新角度，並建
西。」
立科學與真實人類經驗之間的聯繫。
—索頓．韋爾德，節錄自《小城風光》
導演紀欽．皮格表示：「《追憶消逝的
重新劇團的《追憶消逝的人生》探問失 去記憶之後的人生，是一部具感染力、 引起轟動、充滿歡樂的作品。《追憶消 逝的人生》在 2 0 1 7年倫敦國際默劇節的 演出均告滿座，也是英國文化協會同年 於愛丁堡藝穗節參展製作之一。 湯姆患有早期認知障礙症。在他五十五 歲生日、女兒為他整裝準備出席派對那 天，失去的混亂記憶一湧而上，展開一 個關於友情、愛與愧疚的故事。除了
人生》不是關於認知障礙症的。作品是 關於生命的脆弱，以及記憶消逝之後我 們共有的某樣永恆的『事物』。我們與 凱特．傑夫瑞教授合作和訪問認知障礙 症患者及其照顧者，呈現了一個心神衰 弱者破碎但不言敗的人生歷程。」 《追憶消逝的人生》的構作過程長達 十六個月，獲英格蘭藝術協會的藝術資 助。作品由倫敦國際默劇節、圓頂劇場 及南山公園藝術中心聯合委約。
有演員、默劇表演者和樂手參與這項計
© Danilo Moroni
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“We all know that something is eternal. And it ain’t houses and it ain’t names, and it ain’t earth, and it ain’t even the stars... Everybody knows in their bones that something is eternal, and that something has to do with human beings...There is something, way down deep that’s eternal about every human being...And that’s what’s left when memory is gone.”
Neuroscience Professor Kate Jeffery and was inspired by interviews and workshops with organisations such as the Alzheimer's Society. While the medium of performance may be an unusual resource for the transmission of science, it shines a light on issues around memory that offers a new perspective, and creates links between the science and the real human experience.
— Thornton Wilder, from Our Town
Director Guillaume Pigé comments, “The Nature of Forgetting is not about dementia. It is about the fragility of life and that eternal ‘something’ we all share that is left when memory is gone. Our collaboration with Professor Jeffery and our interviews with people living with dementia and their carers have resulted in a life-affirming journey into a weakening mind, where broken does not have to mean defeated.”
Following a sell-out run at the 2017 London International Mime Festival, Theatre Re’s The Nature of Forgetting is a powerful, explosive and joyous piece about what is left when memory and recollection are gone. It was part of the British Council Edinburgh Showcase 2017. Tom is living with early onset dementia and has just turned 55. As his daughter helps him dress for his birthday party, tangled threads of disappearing memories spark him into life, unravelling as a tale of friendship, love and guilt. This ambitious project with actors, mimes and musicians has been created in collaboration with UCL
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The development process for The Nature of Forgetting lasted 16 months and was funded by Arts Council England. The piece is co-commissioned by the London International Mime Festival, The Point Eastleigh and South Hill Park Arts Centre.
Š Danilo Moroni
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與導演紀欽．皮格對談
Interview with Director Guillaume Pigé 你認為表演可以提供空間給大眾討論意見嗎？
作品的創作過程是怎樣的？
我認為表演是一個觸發大眾討論的絕佳媒介，
我們劇團以集體創作為主。我們會花時間、定
它協助我們建立同理心，讓我們設身處地思
期開放排練室，與大家分享交流，並試演劇
考，並以他人角度來看待這個世界。
目。
我們不會自以為《追憶消逝的人生》呈現了早
在整個創作過程中，我們跟很多人討論及交
期認知障礙症患者的真實生活，但作品希望可
流。大部分情節都是在排練中構想出來的，但
以為觀眾帶來啟發，並鼓勵大眾討論相關問
早在我們為劇目進行資料搜集時，很多意念已
題，例如為甚麼認知障礙症患者需要特別照
在萌芽，包括訪談記憶及公共衛生領域的專
顧、他們需要甚麼照顧，以及怎樣推動大眾與
家，以及與認知障礙症患者及其照顧者的交
認知障礙症患者共融相處。
流。
整個過程中，演出者的角色就像是要呈現人類
在排練的時候，我們首先會即興演出，將意念
在面對不同處境時的真實內心，並與觀眾分享
化成形體動作。有幾件物件很快成為了作品的
他們自己就這個課題的得着。演出就像是人生
核心，如課室的木桌子。最初，大部分情節
的排練。
都比較散亂，與我們的主題完全沒有關聯。後
你是怎樣開始對表演藝術產生興趣？
來，我們慢慢地把每個情節拼湊起來，並透過 恆常的調整和戲劇構作環節，才令劇目慢慢成
我最初是演員出身，後來成為了導演，慢慢愛
型。其實，創作戲劇就像創作雕塑一樣。它是
上了默劇。於我而言，默劇透過不同媒體，如
一個需要不斷微調的過程，即使現在也是。
身體、事物及聲音，來描繪某些事情，如思
節錄自格里夫．威爾2017年訪問
想、意念及情緒。默劇的精彩之處，就是演員
藝術家授權轉載
需要在舞台上以比喻來溝通。我認為默劇是世 界上最美麗和澎拜的表演方式，因為它可以引 發觀眾的想像。 我們在《追憶消逝的人生》裏提出的核心問 題：如果我們失去了記憶，那生命還剩下甚 麼？我們找不到答案，所以就創作了一齣戲 劇！換句話說，我們為這個課題提供了一個幻 想空間，希望可從比喻中獲得啟發，而最終的 得着遠比任何答案來得實在。
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Does performance provide a good space for the public discussion of ideas?
flavour of the answer, and that flavour turned out to be more real and tangible than any answers.
I think performance is a good trigger for fascinating discussions because it helps us to develop our empathy. It helps us to put ourselves in someone else's shoes and see the world through his or her eyes.
What was the development process like for the show?
With The Nature of Forgetting, we don't pretend that we portray on stage what it is like to be living with early onset dementia, but we give a glimpse of what it can be like. We provide a change of perspective, and that change can be enlightening and lead to the public discussion of ideas, such as why provide extensive care for people living with dementia, what sort of care is needed and also how to train people to be more dementia-friendly. It is as if the role of the artist is to unveil inner truths about the human condition and share the result of his or her exploration with an audience. Performance seems to be a rehearsal for life. How did you become interested in the performing arts? I first trained as an actor and then as a director, and then I fell in love with mime. To me, mime is about making a portrait of something—a thought, an idea, an emotion—with something else—a body, an object, a voice. It is about creating metaphors on stage to communicate, and I find it to be the most beautiful and powerful thing in the world because it triggers the audience's imagination. With The Nature of Forgetting, our main question was: what is left when memory is gone? We did not find the answer. So we made a show about it! In other words, we created a metaphor to give a
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As a company, we work very collaboratively; we take time and we constantly open the doors of our rehearsal room to share and test our work. We engaged with a lot of people throughout the development process. A lot of the work happened in rehearsal, but many discoveries were also made while researching the project, interviewing experts in the fields of memory and public health, and engaging with people living with dementia and their carers. When in the rehearsal room, we started by moving and improvising. A few objects became very rapidly central to the piece, like the wooden school desks. Most of our initial little scenes did not make much sense and were completely unrelated. It was only little by little, through constant and regular adjustments and dramaturgy sessions, that very slowly a piece appeared. It seems very similar to sculpting in that sense. It was a process of constant refinement. And it still is. Excerpt from 2017 interview by Gareth Vile. Reproduced with permission from the artist.
Š Danilo Moroni
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與凱特．傑夫瑞博士對談
Interview with Dr. Kate Jeffery 凱特．傑夫瑞是倫敦大學學院行為神經科學博士，在是次對談中分享了她與重新劇團 的合作過程。 從科學家的角度而言，甚麼是遺忘的本質？
台設計成一段經歷發生的地點，然後關於該段
這是個好問題，亦不容易回答。當記憶無法再 被撮取，便屬於遺忘。但到底記憶是否仍然完 好和存在，只是難以憶起或帶有瑕疵，還是已
記憶的不同元素便在台上逐步結集，慢慢展露 細節。以這概念為基礎，鋪陳劇中主角漸漸衰 退的記憶，並以相關角色建構每一幕。
永久喪失，學術界仍然在研究中。但看來記憶
另外，劇中主角不時在平和及焦慮的狀態來回
是一頭擁有多個腦袋的怪獸─關於早餐吃過甚
擺盪，轉變突然，呈現情緒失調的癥狀，亦真
麼的記憶，跟我們認字、駕車的記憶，每一種
實反映了認知障礙症患者的情況。
都不一樣。這也意味遺忘並非只有單一形式， 忘記的方法有很多種。
我們亦嘗試探索記憶排列的時間性。研究顯示 海馬體儲存記憶的次序，跟經歷發生的次序大
與劇團的合作是如何發生的？關於這個故事最
致相同。我們以掛衣架作比喻，掛起一件件象
吸引你的是甚麼？
徵過去記憶的衣物，暗示經歷的時間排序，同
導演紀欽．皮格主動接觸我，從科學角度了解 何謂記憶。他接着邀請我與製作團隊分享科學 知識，然後計劃就從那兒展開了。以「戲劇」 這種短暫的藝術形式表達艱澀的科學知識，是 非常吸引的挑戰。剛開始時，我對劇場毫無概 念，甚至不能想像如何用之探討認知障礙症。 我現在知道了！皮格及他團隊的高超技巧，製
時幫助觀眾分辨主角生命中不同場景的記憶。 製作過程中最大的困難是甚麼？ 精準科學及劇場美學之間往往會出現磨擦，這 是最大的考驗。我們最後找到了平衡，成功闡 釋精神科學的基礎現象，同時創造出一個扣人 心弦的精彩故事。
作出既感性又具啟發性的作品，使我衷心佩
隨着劇情開展，湯姆記起與家人、朋友及愛人
服。
的回憶。但畫面往往破碎、交集，有時又戛然
在創作過程中，就着描畫認知障礙症行為，你 為團隊提供了甚麼意見？ 我向他們解釋海馬體的構造—海馬體是大腦內 主管情節記憶（儲存過去經歷的資訊和情感） 的部分，亦是阿茲海默症類認知障礙症患者最 先受損的區域。它的其中一個主要功能是在腦 裏編繪一幅地圖，為記憶（過去）、知覺（現 在）及計劃（未來）定下框架。我嘗試以舞台 作為比喻，幫助團隊理解海馬體的運作：將舞
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而止。這種呈現方法如何幫助我們理解記憶的 本質？ 這反映了記憶的一些特質，不論是正常或異常 的記憶。湯姆不能隨心所欲地喚醒記憶，片段 亦常常破碎，記憶有時就是這樣。喚回記憶不 像播放錄像般簡單（雖然感覺相像），更像在 腦海中快速築構起一個舞台，再根據自己的認 知，在上面植入相關的背景、角色，讓他們出 演一幕。無法回想時，大腦有時會虛構一些情
節，或增潤本來不存在、但它認為應該存在的
《追憶消逝的人生》的觀眾都帶淚離場，因為
細節。我們愈了解記憶，愈體會到它編造、稍
它與我們深切關注的事物息息相關：自我價
縱即逝的特質，看來更貼切地說—就像戲劇。
值、生存和愛。在現今社會，大部分人都直接
這樣想來有點可怕。
或間接地受認知障礙症影響，故我們必須檢視
近年愈來愈多劇場作品以認知障礙症為劇本脈 絡，劇場（特別是默劇）是一個適合的媒界嗎？ 劇場是探討這個議題的出色媒介，但基於這議
它的意義，而藝術就是關鍵途徑。默劇是當中 一個坦率而充滿活力的形式，配合直搗人心的 音樂，帶來動人體驗，令這帶有悲劇色彩的故 事，也奇妙地振奮人心。
題很敏感，必須要細心處理。幾乎每位欣賞過
由廖健邦訪問凱特．傑夫瑞
© Danilo Moroni
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Dr Kate Jeffery is a Behavioural Neuroscience Professor at the University College London. She shared with us her collaborative experience with Theatre Re on The Nature of Forgetting. What, from the perspective of a scientist, is the nature of forgetting? This is a good question with no easy answer. Forgetting occurs when a memory can’t be retrieved, but the question of whether the memory is still intact but inaccessible, present but degraded, or gone forever, is still being actively researched. Also, it turns out the memory is a many-headed beast—memory of what you had for breakfast is a different kind of memory than knowing the words to a song, or how to drive a car, or recognising someone whose name eludes you. That means forgetting is not just one thing either. There are many ways to forget. How did the collaboration happen, and what about the story attracted you? The collaboration came about when Guillaume approached me to talk about what memory is, from a scientific perspective. He then invited me to talk to the group about our scientific understanding, and things developed from there. I was attracted by the challenge of trying to convey something so complex with such an ephemeral art form. I had no idea what “physical theatre” was when we started out, and then when it was explained to me I couldn’t even begin to imagine how it could be used to convey dementia. I know now! I am beyond amazed at the skill of Guillaume and his team in creating such an emotional and thought-provoking experience. What insights did you offer to the production team during the creative process, especially on portraying dementia behaviours in theatrical ways?
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O n e o f t h e i n s i g h t s wa s t h e i d e a o f t h e hippocampus—this is a part of the brain critical for episodic memory (memory of life events) and it is the part that degenerates first in Alzheimer’s dementia. One of the roles of the hippocampus is to create a mental map of space, which forms the framework for a memory (if in the past), perception (if in the present) or plan (if in the future). In trying to explain the hippocampus, I drew upon the analogy of a stage on which the elements of a memory are assembled—starting with where the event occurred and then adding the details. From this idea came the notion that the central character in the play would play out his—now decaying—memories on a stage, and that each scene would be constructed on the fly by the characters. The emotional dysregulation (for example the wild swings from placid to distraught) is another facet of dementia that is incredibly well portrayed. We also drew upon the idea of temporal ordering of the memories, because there is increasing evidence that the hippocampus stores the approximate order in which life events occurred. To try and convey this we used the analogy of the rack of clothes holding items of clothing extending back in time, to convey this and also to help the audience locate the scenes in the life of the character. During the production process, what was the greatest challenge for you and the team ? The greatest challenge for me was the tension that inevitably arises between scientific accuracy and theatrical aesthetic. I think that in the end we struck a good balance, managing to convey the general phenomenology while also creating a dramatic and emotional story.
As the show unfolds, we come to see Tom’s interaction with his family, friends and lover, but their scenes are always fragmented, intertwined and abruptly over. How does this reflect the nature of memory? I think this characterizes normal memory to some extent, as well as abnormal memory. In Tom’s case, the memories did not always come when he called them, and were often not well-formed— but that is somewhat true for normal memory too. One thing we have learned over the years is that memory recall is nothing like playing a videotape, although it feels that way. It is much more like quickly building a stage set and populating it with the scenery and characters you know should be there, and having them play out a scene. Often the brain makes up the story if it can’t remember the details—or it creates details that it thinks should have been there even if they weren’t. The more we learn about memory, the more made-up and ephemeral—indeed, theatrical—it seems. It’s a little scary.
© Danilo Moroni
We are seeing more theatrical productions looking at dementia nowadays; do you think theatre—specifically mime—is an appropriate medium for such a discussion? I think theatre is an excellent medium with which to explore this issue. Of course, it needs to be handled sensitively, as it is such an emotional topic. Just about everyone leaves The Nature of Forgetting having shed a tear or two—it touches on the deepest issues of who we are and how we live and love. Also, in this day and age almost everybody has been affected by dementia in one way or another. We do need to examine what it means for us, and art is such an important way of doing this. Mime is incredibly dynamic and direct, and the music connects it directly to the emotions. It’s a very powerful experience and strangely uplifting, despite the tragedy of the story. Kate Jeffery was interviewed by James Liu
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紀欽．皮格
Guillaume Pigé 概念及導演 / 湯姆 Concept and Direction/Tom 紀欽．皮格是一名演員、導演、默 劇家和魔術師。他於 2 0 0 9年創辦重 新劇團。 皮格受訓於法國里昂維納班音樂學 院，從倫敦形體默劇國際學校畢 業，師從柯琳．舒吾及史蒂文．華 生。他亦是湯馬士．利哈特和丹尼 爾．史汀的學生。皮格持有倫敦國 王學院及皇家戲劇藝術學院文本及 表演研究碩士學位。 皮格除了執導及參演重新劇團至今 所有舞台製作，同時亦為安德魯． 維斯納夫斯基、素．鄧達戴爾和比 爾．基斯喬爾擔任形體設計及指 導。皮格是皇家戲劇藝術學院的聯 席講師，以及第四猴演員培訓公司 的形體設計總監，定期受邀到英國 及世界各地主持工作坊。他最近獲 英國國家劇院委約，撰寫全新忠於 原文的莫里哀《偽君子》譯本。 他是伊斯特利圓頂劇場的駐場藝術
Guillaume Pigé is an actor, director, mime and magician. He formed Theatre Re in 2009. Pigé trained at the Conservatory of Villeurbanne in France and graduated from the International School of Corporeal Mime in London under the direction of Corinne Soum and Steven Wasson. He also studied with Thomas Leabhart and Daniel Stein. Pigé holds an MA in Text and Performance Studies from King’s College London and the Royal Academy of Dramatic Art (RADA). Apart from directing and performing in all Theatre Re’s productions to date, Pigé worked as a Movement Director with Andrew Visnevski, Sue Dunderdale and Bill Gaskill. He is an Associate Teacher at RADA, and Head of Movement at Fourth Monkey Actor Training Company. He is regularly invited to give workshops in the UK and internationally. Pigé was recently c o m m i s s i o n e d by Th e N a t i o n a l Theatre (UK) to produce a new literal translation of Tartuffe by Molière. Pigé is an @HOME Artist at The Point, Eastleigh.
家。
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亞歷斯．賈德 作曲
Alex Judd Composer 亞歷斯．賈德先於倫敦市政廳音樂及戲劇學院修讀小提琴、鋼琴及作曲，及後到倫敦 大學金匠學院音樂系深造作曲。他為多部舞蹈及戲劇作品作曲，是重新劇團的聯席藝 術家，曾為該團最近五部作品作曲及演出。他為《小士兵》所作的音樂獲提名外西區 戲劇獎的最佳音效設計獎。其他作品包括圓屋合唱團及第四猴演員培訓公司的委約， 以及在倫敦沙德勒之井劇院和歐洲文化會議的表演。 賈德是經驗豐富的現場表演樂手，曾與浮華劇團、歌手巴斯提昂．奇和亮光亮光，及 為密德薩斯大學表演系舞蹈分部伴奏。他亦是「未來黃金」爵士樂三重奏的創團成員。 Alex Judd studied violin, piano and composition at the Guildhall School of Music and Drama in London before going on to read music at Goldsmiths College, University of London specialising in composition. Composing extensively for dance and drama projects, Judd is an Associate Artist with Theatre Re and has performed and composed the music for the company’s last five productions. His score for The Little Soldiers received an Off West End Best Sound Design award nomination. Other recent composition credits include commissions by the Roundhouse Choir and Fourth Monkey Theatre Company, and performances at Sadler’s Wells Theatre and the European Cultural Congress. Judd is an experienced session musician who performs with a wide variety of artists including Austentatious, Bastien Keb and Bright Light Bright Light. He also works as an accompanist for the Middlesex University Dance Division. Judd is the founding member of jazz trio Future Gold.
馬利克．伊比斯 服裝及道具設計
Malik Ibheis Costume and Prop Designer 馬利克．伊比斯來自德國杜塞道夫，曾花五年時間學習默劇與形體劇場，當過小丑、 演員、雜技演員及怪物表演者。他對服裝及化妝設計感興趣，不時為現場表演、電影 及電視創造稀奇古怪的角色。他的參演作品有菲利普．K．迪克《電子夢》、《無聲 的證言》、《X 檔案：懸案》，以及戴倫．布朗《鬼魂列車》。 伊比斯與重新劇團於 2012 年第一次合作，參演劇作《小士兵》，並設計劇中獲提名 外西區戲劇獎的服裝。2013 年成為聯席藝術家，為劇團三部作品（《誕生》為第四 部作品）提供概念、製作服飾及道具。 Originally from Düsseldorf, Germany, Malik Ibheis trained in mime and physical theatre for five years and went on to work as a clown, actor, aerialist and creature performer. His interest in costume and makeup design led him to invent outlandish personalities for both live performance as well as film and TV productions, with credits including Philip K. Dick's Electric Dreams, Silent Witness, X-Files: Cold Cases for Audible and Derren Brown's Ghost Train. Malik started collaborating with Theatre Re in 2012, during the creation of The Little Soldiers, which saw him perform onstage as well as design the Offie Award-nominated costumes for the show. Becoming an Associate Artist in 2013, he has worked on three of Theatre Re's shows (BIRTH being his fourth), providing conceptual ideas and creating costumes and props.
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凱瑟琳．葛蘭姆 燈光設計
Katherine Graham Lighting Designer 凱瑟琳．葛蘭姆是一名設計師及劇場創作人，特別對燈光、空間和不同材質如何配合 演員演出感興趣。她在英國及愛爾蘭以燈光設計師身份參與多個製作，亦不時擔任舞 台及服裝設計，擅長新式及集體創作的表演模式。葛蘭姆是重新劇團的聯席藝術家， 參與製作《追憶消逝的人生》、《盲人之歌》、《小士兵》及《賭徒》。其他近期設 計作品包括：《瘋人院再：出口》（開放區域劇團）、《太空．星球．星晨》（瑪蓮． 史賓莎 / 雅典娜．史旺）、《不之刀》（紐約林肯中心劇院）。她獲英國里茲大學頒 授燈光設計博士學位，曾於《戲劇與表演設計期刊》及《當代戲劇評論》發表與劇場 燈光有關的文章。她亦是英國約克大學戲劇、電影及電視系的戲劇講師。 Katherine Graham is a designer and theatre maker with a particular interest in the ways that light, space and materials can perform alongside actors. Specialising in new and devised performance practice, she has worked extensively as a lighting designer in the UK and Ireland, and intermittently as a stage and costume designer. She is an Associate Artist with Theatre Re, with whom she has designed for The Nature of Forgetting, Blind Man’s Song, The Little Soldiers and The Gambler. Other recent design credits include: MADHOUSE Re: Exit (Access All Areas); Space. Planets. Stars. (Melanie Spencer/Athena Swan); and No’s Knife (Lincoln Centre, NY). She has a PhD in Lighting from The University of Leeds and has published work about the agency of light in performance in the Theatre and Performance Design Journal and Contemporary Theatre Review. She is also a lecturer in theatre at the Department of Theatre, Film and Television in the University of York.
A．C．史密夫 戲劇顧問
A.C. Smith Dramaturg A．C．史密夫是一名編劇及唱作人。她曾以編劇身份獲皇家莎士比亞劇團及蘇豪劇場 獎項，亦獲提名維里蒂．巴基戲劇獎及阿德里安．柏根獎。她的作品曾於蘇豪劇場、 皇家戲劇藝術學院、南沃克劇院、劇院 5 0 3、頂峰戲劇節、愛丁堡普萊桑西劇院、空 間及崔斯坦．貝茲劇場演出。她以作家及戲劇顧問的身份與不同的形體劇場及舞團合 作，包括重新劇團（《盲人之歌》、《追憶消逝的人生》及《女人與畫布》）、模仿 舞蹈劇場及荷希．奎西斯。她亦曾擔任巴盧與史密夫的作詞人，作品包括在地牢藝術 節演出的《鎖與匙》，以及《聖誕城事》。史密夫畢業於哈佛大學藝術學士課程，以 及皇家戲劇藝術學院 / 倫敦國王學院藝術碩士課程。她是倫敦劇作家工作坊的聯合創 辦人。 A.C. Smith is a scriptwriter and songwriter. As a playwright, she has won awards from the Royal Shakespeare Company and Soho Theatre, and has been shortlisted for the Verity Bargate Award and Adrian Pagan Award. Her work has been performed at venues including Soho Theatre, RADA, Southwark Playhouse, Theatre503, HighTide Festival, Pleasance Theatre, The Space and the Tristan Bates Theatre. She has collaborated as writer/dramaturg with physical theatre and dance companies including Theatre Re (Blind Man's Song, The Nature of Forgetting, The Woman and the Canvas), Ciemulator Dance Theatre, and Jorge Crecis. As the lyricist for Barlow & Smith, her works include Lock & Key at VAULT Festival and Christmas in the City. Smith holds a BA from Harvard and an MA from RADA/King's College London and is co-founder of the London Playwrights' Workshop.
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傑思．瓊斯 敲擊樂手 / 男學生
Chris Jones Percussionist/Schoolboy 傑思．瓊斯自小聽披頭四、艾爾頓．莊和創世紀樂團長大，五歲擁有第一套鼓，十歲 開始認真鑽研鼓樂。他年少時跟隨龐克樂隊巡演，後來於卡迪夫皇家威爾斯音樂戲劇 學院修讀爵士樂。他從卡迪夫遷到倫敦，以樂手身份建立自己的事業，曾於英國廣播 公司第一台和電台第一、二、四台、ITV 及 C4 演出，為探索頻道錄製配樂，與艾麗． 戈登、傑米．卡倫、英國魔法數字樂團及美國二人組合皮爾希絲姊妹合作，為蘭．哈 維爾的專輯作現場錄製，以及參與 Jessie J、JLS、奧利．莫爾斯的英國及歐洲巡演。瓊 斯有多年劇場經驗，《追憶消逝的人生》是他第一次參與形體劇場的默劇表演。 Raised on a diet of The Beatles, Elton John and Genesis, Chris Jones (CJ) acquired his first drum set at age 5 and began playing seriously at age 10. CJ toured with a pop-punk band during his early teens before studying jazz at the Royal Welsh College of Music and Drama in Cardiff. From there, CJ moved to London. Since then, he has established himself as a session musician and performed on BBC1, ITV, Radio1, Radio2, Radio4 and C4; recorded a soundtrack for the Discovery Channel; played on the latest Dexy album and the forthcoming Ren Harvieu album; worked live with a variety of artists including Ellie Goulding, Jamie Cullum, The Magic Numbers and The Pierces; and toured the UK and Europe supporting Jessie J, JLS, Olly Murs and more. After many years of theatre work, this is CJ’s first experience of physical theatre and has provided an exciting and enjoyable challenge.
伊格羅．貝拉方提 愛瑪 / 丹尼斯太太
Eygló Belafonte Emma/Mrs Denis 伊格羅．貝拉方提是冰島人，從小跳舞、唱歌及演奏長笛。她在冰島舞蹈學校修讀當 代舞，畢業於倫敦形體默劇國際學校。貝拉方提曾於冰島國家劇場表演，並為得獎編 舞海倫娜．瓊斯多蒂爾的《春之祭》擔任舞者。她與國際巡演公司狂天使劇團合作， 參與他們於美國的巡演，亦與重新劇團緊密合作。她近期擔任第四猴演員培訓公司的 助理監製，負責指導畢業生；並參演《追憶消逝的人生》，到世界各地巡演。她亦參 與重新劇團的新製作《誕生》，該劇 2 0 1 9 年於倫敦國際默劇節首演。貝拉方提同時 任教形體默劇國際學校、冰島藝術學院、冰島電影學校及第四猴演員培訓公司。她是 短暫劇團的聯合創辦人，聯合執導並演出《暈車浪》及最新製作《台下》。 Eygló Belafonte (Iceland) grew up dancing, singing and playing the flute. She studied contemporary dance at The Iceland Dance Academy and graduated from The International School of Corporeal Mime in London. Belafonte performed at the National Theatre of Iceland and danced for the award-winning choreographer, Helena Jonsdottir, in The Rite of Spring. She worked with the international touring company, Theatre de l'Ange Fou, and toured with them in the US. Belafonte also works extensively with Theatre Re, recently as Associate Director for Fourth Monkey Theatre Company’s graduating students and performing in The Nature of Forgetting. She is also working on Theatre Re’s new project, BIRTH, opening at The International Mime Festival in London, 2019. As well as performing and directing, Belafonte has taught at The International School of Corporeal Mime, the Iceland Academy of the Arts, The Icelandic Film School and Fourth Monkey. Belafonte is the co-founder of Ephemeral Ensemble, where she codirected and performed in Carsick, and their latest performance, OFFSTAGE.
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亨利．韋伯斯特 樂手 / 老師
Henry Webster Multi-instrumentalist/Teacher 亨利．韋伯斯特是扎根於倫敦的小提琴家兼作曲家，為英國和歐洲的樂隊演奏。他以 樂手身份為英國著名民歌歌手布萊爾．鄧樂普、傑奇．奧提斯、約翰．柏加及幸運 樂團錄製專輯。他曾任職英國頂尖的錄音室，包括真實世界、眠者之聲、Gighouse、 Record Live 及李察．艾文工作室。他畢業於倫敦聖三一學院，常與當代舞者合作，如 為納塔莉．蕭舞團和漫游者創作及演奏樂曲，並於 TED 聯乘曼徹斯特大學的活動上演 出。此外，韋伯斯特是柏林極簡主義樂隊 A RVO 成員，樂隊於 2 0 1 7 年發行首張專輯 《The Close》。韋伯斯特近期開始其電子音樂獨奏項目《眼鏡猴》，作品構思多年， 以小提琴作為二十一世紀獨奏樂器為題，具浩室音樂和電子音樂風格。 Henry Webster is a London-based violinist and composer working in bands in the UK and Europe. As a regular session musician, he has performed and recorded on albums with top UK folk and acoustic acts, including Blair Dunlop, Jackie Oates, John Parker and The Luck. He has worked at some of the UK’s top recording studios, including Real World, Sleeper Sounds, Gighouse, Record Live, Richard Evan's Studio and more. As a graduate of Trinity Laban, London, Webster has collaborated extensively with contemporary dancers, composing and performing sound scores for Natalie Su Company and Scatterlings, and performing at TedX Manchester University. Henry Webster is a member of Berlin-based minimalist band ARVO, which released its debut album The Close in 2017. Webster has recently launched his new solo electronic project, Tarsier. Many years in the making, Tarsier is a unique house- and electronica-influenced project based around the violin as a 21st century solo instrument.
露易絲．韋確斯 伊莎貝拉 / 蘇菲
Louise Wilcox Isabella/Sophie 露易絲．韋確斯是一名表演者及戲劇創作人，同時是布偶家、聲樂導師與動作指導。 她 2014 年從皇家戲劇藝術學院的戲劇實驗室碩士課程畢業，自 2015 年起，與重新劇 團合作。韋確斯是淘氣鬼劇團的聯席藝術家，近期與該團合作多個作品，其中《赤紅 浪潮》介乎於戲劇、工作坊與裝置藝術之間。她與貝斯．金特劇團共同創作及參演的 《斷裂》，於 2016 年在都柏林藝穗節演出，作品後來受 RTÉ 委託改編及錄製成廣播劇。 其他作品包括：與驚奇劇團在不同節目中演出日本傳統藝能「文樂」，如《鮑里斯與 塞爾蓋的雜耍大冒險》。韋確斯為喬恩．史坦加圖的《狂喜與狂喜》擔任助理導演。 此作是皇家戲劇藝術學院 2015 年戲劇實驗室碩士課程的畢業作品。 Louise Wilcox is a performer and theatre-maker who has also worked as a puppeteer, vocal coach and movement director. She graduated from RADA’s MA Theatre Lab course in 2014 and has worked with Theatre Re on an ongoing basis since 2015. Wilcox is an Associate Artist with Dirty Rascals and is currently developing several projects with them, including Crimson Wave—Craft The Resistance, a piece which dances somewhere between theatre, workshop and installation. She has also worked extensively with international collective Bez Kinte, devising and performing in BREAKS, which was performed at the Dublin Fringe 2016, before being commissioned and recorded as a radio play by RTÉ. Other work includes performing tabletop Bunraku puppetry with Flabbergast Theatre on various shows, including Boris and Sergey’s Vaudevillian Adventure. Wilcox also worked as Assistant Director to Jon Stancato on The Ecstasy and the Ecstasy, the final project of the graduating students of RADA’s MA Theatre Lab 2015.
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馬修．奧斯汀 邁克
Matthew Austin Mike 馬修．奧斯汀是一名演員及表演者，他的作品着重肢體及集體性。奧斯汀在利物浦修 畢戲劇學位，後來於皇家戲劇藝術學院修讀戲劇實驗室碩士課程，接受安德魯．維斯 奈夫斯基指導，後來二人於形體劇場《馬克白》合作。在學期間，他了解到人的身體 和精神在舞台能成就不同的可能。他是形體劇團塑膠工廠的聯合創辦人，與倫敦備胎 劇團合作推動社區劇場。奧斯汀曾與世界各地的導演和劇場從業者合作。近期作品包 括：皇家芭蕾舞學校的一場開放式表演，主要探索肢體表演和莎士比亞文本。他亦參 與重新劇團《追憶消逝的人生》的演出及創作過程。奧斯汀的靈感來自當代及傳統劇 場，特別喜愛能表述生命悲喜兩面的喜劇作品。 Matthew Austin is an actor and performer whose work is intensely physical and ensemblefocused. Austin originally graduated with a Drama degree from Liverpool, then went on to graduate from the Royal Academy of Dramatic Arts MA Theatre Lab under Andrew Visnevski, later working with him on a highly physical performance of Macbeth. His training has given him an appreciation for what the human body is fully capable of achieving on stage, both physically and emotionally. A co-founder of physical theatre company Plastic Factory, he has worked in community theatre with the London-based company, Spare Tyre. Austin has performed with numerous directors and practitioners in theatrical styles and traditions from around the world. Recent work includes an open performance at the Royal Ballet School exploring physical performance and Shakespearean text. With Theatre Re, he has performed worldwide in The Nature of Forgetting, which he was involved in co-devising. Austin draws inspiration from contemporary and traditional forms of theatre, particularly comedy, with its power to highlight both the joyous and tragic truths of life.
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重新劇團
Theatre Re 重新劇團創立於 2 0 0 9年，是一個扎根倫敦的國 際劇團，其戲劇作品發人深省、感動人心。 劇團扣人心弦的形體風格結合默劇、戲劇和現 場音樂，藉此探索脆弱的人類處境。他們的作 品時被形容為魔幻、富詩意、親切，也有人稱 之為令人不安、無法釋懷。 劇團的名稱來自英文詞語前綴「 re」，意味重新 發現、重新想像，為既有的事物注入新生命。 在構作過程裏，劇團與科學、公共衞生等不同 領域的專家和社區團體緊密合作，是重新劇團 的作品成型時不可或缺的一環。 劇團的製作在英國廣泛巡演，亦曾到法國、愛 爾蘭、瑞士、德國和美國演出。 重新劇團是伊斯特利圓頂劇場及南山公園藝術 中心的聯席劇團。
Established in 2009, Theatre Re is a London-based international ensemble creating thought-provoking and moving work. Its shows examine fragile human conditions in a compelling, physical style embracing mime, theatre and live music. They are often described as magical, poetic and tender as well as disturbing and haunting. The name of the company comes from the prefix ‘re’. It is the ‘re’ of re-discovering and re-imagining, breathing new life into what already exists. Intimate collaborations with experts in different fields such as science and public health and various community groups throughout the devising process play a crucial part in the development of Theatre Re’s works. Our productions have toured widely in the UK, France, Ireland, Switzerland, Germany and the USA. Theatre Re is an Associate Company at The Point Eastleigh and South Hill Park Arts Centre.
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鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited
•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery
•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
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•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
CCGT
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
CHCH
16/2
8pm
瑪琳．艾爾梭與聖保羅交響樂團
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
8pm
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
16/3
8pm
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
CCCH
18/3
8pm
克雷莫納弦樂四重奏
Quartetto di Cremona
CHCH
21-22/3
8pm
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD 22/2 23/2 23/2 23/2
8pm 7:30pm 4pm 9:30pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
《白蛇傳》 作曲：周龍 | 編劇：林曉英
香港中樂團 《九千年的邂逅》
時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
Oper Leipzig Wagner’s Tannhäuser
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
DANCE
舞蹈
Matsuev and Friends Play Jazz
CCCH
9/3
8pm
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
CCCH
14/3
8pm
希薇雅．佩瑞茲．克露絲 《夜妝》
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
Euripides Laskaridis / Osmosis TITANS
APAD
26-27/2
8:15pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
DANCE
舞蹈
香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
THEATrE
戲劇
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
正點劇團 《哈姆尼特─莎士比亞之子》
Dead Centre Hamnet
CCST
4-5/3
8:15pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
23/3 24/3
8:15pm 5pm
3pm
資料截至 Information as of: Jan 2019
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
萊比錫歌劇院《歌劇探秘同樂日》 Oper Leipzig - Opera Adventure Day ���童樂� 兒童合唱團五天工作坊
����樂���� 展覽
Children‘s Choir
Leipzig Music Trail
Workshop (5 Day) : Sing,
Exhibition
Move and Have Fun 25/2 - 1/3 一至五 Mon - Fri 4:30 - 6:00pm (2/3 演出 performance) 香港文化中心 HK Cultural Centre
⯝顥 F R E E
香港文化中心大堂 Foyer, HK Cultural Centre
PLUS兒童合唱團 大堂音樂會
� ������工作坊
Festival PLUS Children's
Workshop
Choir Foyer Performance
⯝顥 F R E E
28/2 - 3/2 四至日 Thu - Sun 12:00nn - 8:00pm
"We PLAY" Theatre
2/3 六 Sat 3:30 - 4:15pm
2/3 六 Sat I. 12:00nn - 1:00pm II. 3:00 - 4:00pm
香港文化中心大堂 Foyer, HK Cultural Centre
香港文化中心 HK Cultural Centre
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 25/1/2019
26/1/2019
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目行政主任 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Administration Officer Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff