衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital 23 2 月 Feb
香港大會堂音樂廳 Concert Hall, Hong Kong City Hall 演出長約 1 小時 45 分鐘，包括一節中場休息 Approximately 1 hour and 45 minutes including one interval
封面照片 Cover Photograph: © Carolyn Cruz
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
23.2.2019 李察．史特勞斯 格蘭傑編曲
Richard Strauss (1864–1949) arr. Percy Grainger (1882–1961)
最後的愛情二重唱， 選自《玫瑰騎士》
Ramble on the Last Love Duet from Der Rosenkavalier
舒伯特
Franz Schubert (1797–1828)
C 小調第十九鋼琴奏鳴曲，D958
Piano Sonata No 19 in C minor, D958 Allegro Adagio Menuetto & Trio Allegro
快板 慢板 小步舞曲—快板 快板
Marc-André Hamelin (1961–)
馬克 - 安德烈．哈梅林
Toccata on L’homme armé
《武裝人》觸技曲
— 中場休息 Interval —
拉赫曼尼諾夫 降 B 小調第二鋼琴奏鳴曲，作品 36 （1931 年版）
Sergei Rachmaninov (1873–1943) Piano Sonata No 2 in B-flat minor, Op 36 (1931 version) Allegro agitato Non allegro – Lento L'istesso tempo – Allegro molto
激動的快板 不是快板—緩板 同樣速度—極快板
拉威爾 《圓舞曲》 是晚演出曲目及次序或有更改
Maurice Ravel (1875–1937) La Valse Pieces and their order of performance are subject to change
13
李察．史特勞斯 / 格蘭傑改編 最後的愛情二重唱，選自《玫瑰騎士》
Richard Strauss arr. Percy Grainger Ramble on the Last Love Duet from Der Rosenkavalier 格蘭傑生於澳洲，十三歲之前都在墨爾本生活， 由母親在家中教育他，另外跟隨普魯士鋼琴家 路易斯．帕布斯特學習鋼琴、多種語言、藝術、 戲劇以及演講技巧。1 8 94 年，格蘭傑首次以鋼 琴家身份演出，之後籌得足夠經費負笈法蘭克 福，在當地結識了作曲家斯柳．史葛、亨利． 包霍．葛迪拿以及羅傑．克爾特，並與三人結 成好友。
1 9 0 1 年，格蘭傑移居倫敦，除了從事鋼琴演奏 和私人教學，更是倫敦用留聲機蒐集英格蘭民歌 的第一人。他改編的英格蘭民歌大受歡迎，影 響深遠，連作曲家班傑明．布烈頓也受他影響。 格蘭傑的作品以各式各樣的短曲為主，只有少 數例外，當時最受歡迎的作品是《海濱的莫莉》 （1 9 0 7）、《牧羊人呼喚》（1911）以及《岸 邊的韓德爾》（1 9 1 1）。第一次世界大戰爆發 時他跑到美國去，在軍中擔任樂隊成員及導師， 演奏雙簧管和高音薩克斯管。他最受歡迎的作 品《鄉間花園》（1918）正是在美國創作的。 格蘭傑也構思了好些有趣的概念，稱為「自由 音樂」，意思是沒有小節線或其他限制的音樂； 他也相信演奏者最終會被淘汰。為此，他製造 了一些能演奏這類音樂的機器，然後對特雷門 琴產生興趣，認為特雷門琴也許能實踐他的意 念。選自《玫瑰騎士》的最後的愛情二重唱正 是他「最愛旋律的自由改編曲」之一。格蘭傑 從《玫瑰騎士》選取多個主題，然後漫遊其中， 寫得像即興演出似的，非常適用於鋼琴演奏。 史特勞斯原作既豐富又浪漫，格蘭傑的改編則 以華麗非常的手法體現出來。
Born in Australia, Percy Grainger spent the first 13 years of his life in Melbourne, where his mother schooled him at home. He also was tutored in the piano, languages, art, drama and elocution by Prussian-born pianist Louis Pabst. After his debut as a pianist in 1894, money was raised for him to study in Frankfurt, where he would meet and make friends with composers Cyril Scott, Henry Balfour Gardiner and Roger Quilter. In 1901, Grainger established himself as a concert pianist and private teacher in London, where he was the first to use a phonograph in collecting English folk songs. His arrangements of such music were highly successful and influenced many, including Benjamin Britten. His compositions, with a few exceptions, are short pieces of various kinds, the most popular at the time being Molly on the Shore (1907), Shepherd’s Hey (1911), and Handel in the Strand (1911). He left for the United States on the outbreak of the First World War, where he served in the army as a band musician and instructor, playing the oboe and the soprano saxophone. It was in America where he produced his most popular piece, Country Gardens (1918). He developed interesting ideas about what he called “free music”, which would exist without bar lines and other constraints; he also believed that eventually even the performer should be done away with. To this end, he built machines which would be able to play such music and turned to the theremin as perhaps being able to fulfil his ideas. Ramble on the Last Love Duet in Der Rosenkavalier is one of his “free settings of favourite melodies”, and it does ramble around on themes from Der Rosenkavalier in a highly pianistic manner, in the way of an improvisation. It’s a splendid realisation of the feeling of Strauss’ lushly romantic music.
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舒伯特 C 小調第十九鋼琴奏鳴曲，D958
Franz Schubert Piano Sonata No 19 in C minor, D958 舒伯特臨終那年，儘管身體抱恙又經常頭痛， 但仍創作了大量傑作，按完稿順序計有：F 小調 鋼琴二重奏幻想曲、《三首鋼琴小品》，包含 洋溢激情的快板和優美的迴旋曲的 A 大調鋼琴 二重奏、降 E 大調彌撒曲、詩篇第九十二篇之 譜曲，還有合稱為《天鵝之歌》的動人聯篇歌 曲、無與倫比的 C 大調弦樂五重奏，以及他的 遺作《岩石上的牧羊人》（為女高音、單簧管 和鋼琴而寫）。這時，同期作曲家貝多芬才剛 逝世不久；舒伯特與貝多芬一樣，臨終前一首 接一首地譜寫了最後三首鋼琴奏鳴曲；每首的 格調都截然不同。這三首奏鳴曲分別以 C 小調、 A 大調和降 B 大調寫成，並都在 1828 年 9 月完 成。C 小調奏鳴曲既激烈又像在上下求索似的； A 大調奏鳴曲整體上很抒情；降 B 大調奏鳴曲則 嚴肅深沉。
C 小調奏鳴曲的開端馬上令人想起貝多芬為同一 音調而寫的三十二首變奏曲的主題。強勁有力 的開端過後，是幾個躁動的小節，再引入以關 係大調寫成的第二主題—這個主題氣息綿長， 彷彿原本是弦樂四重奏似的。但這個主題重複 時，卻以躁動的三連音伴奏；再度重複時則是 個變奏，主題改為小調，以十六分音符勾劃出 輪廓；音樂漸漸推進，直至熱情爆發的一刻， 然後發人深省的小尾聲以降 E 大調作結，卻又突 然轉回 C 小調準備重複，或走進降 A 大調準備 發展部的來臨。到了發展部，經過一些刺激的 樂段過後，起伏有致的新主題出現，穿越多個 調性之後安頓在 G 大調—預告了激烈的第一主 題即將重現。再現部也大同小異，但第二主題 以 C 大調寫成。尾聲以發展部裏的主題為基礎， 最後寧靜地在小調作結。
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During his last year, despite illness and frequent headaches, Franz Schubert produced an extraordinary number of masterpieces, including, in order: the Fantasy in F minor for piano duet, the Drei Klavierstücke, the turbulent Allegro and the beautiful Rondo in A major for piano duet, the Mass in E flat and a setting of Psalm 92, as well as the wonderful set of songs titled Schwannengesang, the incomparable String Quintet in C, and his final work, Der Hirt auf dem Felsen for soprano, clarinet and piano. Like his late contemporary Beethoven, Schubert also wrote three final sonatas, one after the other, each with a distinctly different character. These last three piano sonatas—in C minor, A major, and B-flat major—came in September. The C minor is stormy and questing, the A major generally lyrical and the B-flat major, contemplative. This C minor sonata begins with a passage which immediately recalls the original theme of Beethoven’s 32 Variations in the same key. It’s a powerful start, giving way to a restless few bars leading to the relative major for the second subject—a long-breathed melody, as if taken from a string quartet. The repetition of this theme, however, is accompanied by restless triplets, and the second repeat is a variation, in which the theme in the minor is outlined by semiquavers. This rises to a passionate outburst, after which a ruminative coda closes in E-flat major, but abruptly shifts back to C minor for the repeat, or into A-flat for the beginning of the development. In this, after some drama, a new, sinuous theme appears, moving through various keys until it reaches G major—a signal for the stormy return of the first subject. The recapitulation follows the same course, but with the second subject in C major. The theme from the development informs the coda, and the
第二樂章以 A- B- A- B- A 曲式寫成。降 A 大調主題 過後，B 段以小調主題開始，隨後又變得焦躁， 充滿激動的三連音和尖銳的重音。及後 A 主題 重現，三連音仍未停止，成了這一段的伴奏； 但這時終止式樂段卻越走越遠，竟然走到 A 大 調！ B 段第二次出現時比第一次更戲劇化，第 一主題重現時，則由低音大提琴撥弦奏出十六 分音符來伴奏。音樂再度轉到 A 大調，卻欲言 又止；降 A 大調重新站穩陣腳之後，樂章最終 響亮地完結。 除了偶然響起的重音，以及音量極強的第二部 分以外，小步舞曲整體以柔和為主；中段則氣 氛哀婉。終樂章以 6 / 8 拍子寫成，彷彿塔朗泰拉 舞曲似的，但大部分時間都瀰漫着強烈的焦慮 感。第一主題的和聲不斷改變，焦慮感早已躍 然紙上。第二主題始於升 C 小調，風格卻像進 行曲似的，旋律步伐寬廣，緩步跑似的伴奏， 時而在旋律上方；時而在旋律下方。B 大調的第 三主題出現，經過豐富多姿的發展後，卻突然 回到 G 大調。第一、第二主題也重現；第一主 題再度響起又漸漸消散，為樂章盡頭作鋪排─ 但最後卻以兩個極強的和弦作結。
movement ends quietly, in the minor. The second movement is in the form A–B–A–B– A. After a theme in A-flat major, the B sections begin with a theme in the minor followed by restlessness again, with agitated triplets and pungent accents. The triplets from this continue into the accompaniment of the A theme, and this time the cadential passages reach out to far-flung keys, ending in A major! The next B section is more dramatic than the first one, and when the first subject returns, it is accompanied by a semiquaver pizzicato bass. After reaching A major again, the music breaks off before A flat major is firmly reestablished, forte. The Menuetto is mainly subdued, except for an outbreak of accents and a fortissimo in the second part, while the Trio is plaintive in effect. A sense of unease pervades a great deal of the final movement, in 6/8—almost like a tarantella. This shows itself in the main theme itself, and in its constantly shifting harmonies. The second subject, beginning in C-sharp minor, is somewhat like a march with a wide-stepping theme over (and under) a jogging accompaniment. A third subject follows, in B major, and this is developed extensively before a dramatic move towards G major. The first and second subjects return and then the first subject comes back to end the movement, dying away, only to be followed by the final two fortissimo chords.
1828 年畫家約瑟夫．特爾卻的舒伯特畫像 Franz Schubert, depicted by Josef Eduard Teltscher in 1828.
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馬克 - 安德烈．哈梅林 《武裝人》觸技曲
Marc-Andre Hamelin Toccata on L’homme armé 鋼琴家兼作曲家哈梅林生於蒙特利爾，早年 已在父親引介下認識查理斯 - 瓦連悌．阿爾 康、利奧波德．戈多夫斯基和凱克豪斯魯． 沙帕吉．索拉布吉等作曲家，顯然哈梅林父 親的音樂品味非常特別，而且對音樂的認識 也非比尋常。這些早期的啟發令哈梅林留下 深刻印象，後來更先後在蒙特利爾丹第音樂 學校和費城天普大學進修。 哈梅林的演奏技藝高超，令人讚嘆，彈奏時 能做出各種奇特的效果，駕馭高難度作品更 顯然不費吹灰之力。他在 2017 年范．克萊 本國際鋼琴大賽擔任評判（金獎得主正是鮮 于睿權），並接受委約撰寫一首當代作品， 充當指定曲目讓所有參賽者彈奏─就是這 首觸技曲。 《武裝人》這個曲調最早見於十五世紀中期 的歐洲，而且大量彌撒常見經文都採用《武 裝人》作固定旋律。固定旋律的意思是以一 個現有的旋律作為新曲的基礎，一般用於彌 撒曲或者其他為教會而寫的作品。1450 年 至十七世紀末，以《武裝人》為標題的彌撒 曲多達四十多首。歌曲原本的用意已無可稽 考，可能是戰鬥的號令也不定，但旋律本身 結構清晰，走勢直截了當，用來當作固定旋 律也非常合適。原曲旋律的節奏和音高偶然 會有所改動，不過哈梅林看來還相當貼近原 作，只 管 圍 繞 着 旋 律， 加 上 了 既 能 娛 樂 聽 眾、難度極高但又精密巧妙鋼琴聲部。
The pianist and composer Marc-Andre Hamelin was born in Montreal, and was quite early in his life introduced to composers such as Charles-Valentin Alkan, Leopold Godowski and K.S. Sorabji by his father, who clearly had an interesting taste in and unusual knowledge of music. This early inspiration made a great impression, and Hamelin went on to study at the École de musique Vincent-d’Indy in Montreal and subsequently at Temple University in Philadelphia. Hamelin is a virtuoso performer whose astounding technique allows him to make extraordinary effects in his playing and to master challenging works with apparent ease. As a judge at the 2017 Van Cliburn competition (at which Yekwon Sunwoo was the gold medallist), Hamelin was commissioned to produce the compulsory contemporary work to be played by each contestant, and this Toccata was the result. The tune L’homme armé first appeared in Europe around the middle of the 15th century, and it has been used as a cantus firmus in an astonishing number of settings of the Ordinary of the Mass. A cantus firmus is an existing melody that is used as the basis for a new composition, typically for a Mass or other composition for the church. There are more than 40 Masses titled Missa L’homme armé from 1450 to the end of the 17th century. The original purpose of the song is not known—perhaps it was a call to arms—but the melody is well-adapted for use as a cantus firmus with its clear form and direct melodic moves. The original melody may sometimes be altered in rhythm and also pitch, but it seems that Hamelin sticks to the original in his work, surrounding the tune with greatly entertaining and also demanding pianistic filigree.
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拉赫曼尼諾夫 降 B 小調第二鋼琴奏鳴曲，作品 36
Sergei Rachmaninov Sonata No 2 in B-flat minor, Op 36 19 1 2 至 1 9 1 3 年樂季，拉赫曼尼諾夫的日程排 得滿滿的，結果要取消最後一場演出，再啟程 前往瑞士和羅馬。在羅馬，他開始為愛倫坡的 詩作《鐘》譜曲。可是他其中兩個女兒感染了 傷寒，不得不匆匆搬到柏林去，好讓女兒休養。 女兒病情好轉以後，一家人就返回伊凡諾夫卡， 也就是拉赫曼尼諾夫妻子和小舅的莊園所在地， 不過實際上莊園是由拉赫曼尼諾夫打理。1913 年 1 月，他一邊開始譜寫第二鋼琴奏鳴曲，一 邊完成《鐘》的配器。第二鋼琴奏鳴曲同年 9 月完成，合唱交響曲《鐘》也在同年 12 月首演， 並由作曲家親自指揮。1 931 年，拉赫曼尼諾夫 修訂了第二鋼琴奏鳴曲，將一百二十個小節以 及一些技巧困難的地方刪去。 1931 年版本精煉 綿密，是他大型作品中的佼佼者，同時由於樂 曲情感非常強烈、鋼琴技巧又非常高超，更彷 如華麗的即興演奏一般。 令人驚艷的音符傾瀉而下，為樂曲掀開序幕； 往後的動機和旋律都相當倚重下行型態：時而 是半音、時而是下行三度。這些樂思遍佈整首 作品，交織得非常綿密，更用作過渡段，以引 入第二樂章，以及連結第二、第三樂章。第一 樂章輝煌燦爛的開端過後，是平靜而發人深省 的和弦式第二主題，是一片激情中的平靜時刻。 經過寬廣的再現部，第一樂章若有所思地結束。 拉赫曼尼諾夫擅長將激情傾注音樂之中，這裏 的慢速樂章就是絕佳例子。下行三度在此非常 突出，全樂章更有兩個高潮。終樂章甚快板開 始時像首進行曲，活力充沛又節奏強勁；樂章 的第二主題嚴肅深沉，再推進至優秀的高潮。 再現部以大調寫成，作曲家在此營造出一個橫
During the 1912–1913 concert season, Sergei Rachmaninov had such a hectic schedule that he cancelled his final appearance and left for Switzerland and then Rome, where he began work on his setting of Edgar Allan Poe’s poem, The Bells. Two of his daughters contracted typhoid, however, necessitating a hurried move to Berlin, where they recovered enough for the family to return to Ivanovka, the country estate owned by his wife and brother-in-law, but effectively run by Rachmaninov. There in January 1913, he began work on the second piano sonata as well as completing the orchestration of The Bells; the piano sonata was completed in September, and the choral symphony was first performed in December of that year, with the composer conducting. In 1931, Rachmaninov revised the work, cutting some 120 bars and removing some of the technical challenges. This version is one of the most concise and closely argued of his larger works, while giving the impression of some grand improvisation in its emotional power and pianistic prowess. A stunning cascade begins the work, and subsequent motifs and melodies often rely on some kind of downward movement: sometimes chromatic, and often in falling thirds. These ideas permeate the whole work, which is even more tightly woven as a result of a bridge passage, which introduces the second movement and connects the second to the last. The first movement’s brilliant opening is followed by a chordal and quietly reflective second subject, providing calm amid the passion. After the broad recapitulation, the movement ends thoughtfully. The slow movement, in which the falling thirds are a prominent feature, is a magnificent example of Rachmaninov’s art in its outpouring of impassioned emotion, containing two great climaxes. The final Allegro molto begins like some sort of a march, energetic and rhythmic, and again there is a contemplative second theme, rising to a fine climax. After a recapitulation in the major key, Rachmaninov provides a grand, sweeping finish, with a last magnificent cascade at the very end.
掃千軍似的宏大尾聲，最後在排山倒海似的音 符下結束全曲。
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拉威爾 《圓舞曲》
Maurice Ravel La Valse 拉威爾口中的編舞詩《圓舞曲》寫於 1919 至
1 9 2 0 年，原是俄羅斯芭蕾舞團總監戴亞基列夫 委約的作品。拉威爾對舞蹈帶來的潛力情有獨 鍾，認為這種潛力對樂曲結構非常重要，同時 也對譜寫嶄新節奏舉足輕重。他生前創作的舞 曲極多，甚至早在 1 906 年已仔細考慮過寫作圓 舞曲，連樂曲標題也想好了，準備喚作《維也 納》。1 9 1 1 年，他創作了鋼琴獨奏曲《高貴而 傷感的圓舞曲》，但那仍然不是他心目中的大 型圓舞曲。於是戴亞基列夫的委約，等於激勵 他將多年來念念不忘的意念付諸實行。原本的 委約是要管弦樂曲，但戴亞基列夫聽過《圓舞 曲》的雙鋼琴版本之後，就形容樂曲是首傑作， 不過卻不像芭蕾舞劇音樂，而是「芭蕾舞的肖 像」，因而拒絕搬演，結果令兩人之間產生無 法彌補的嫌隙。儘管如此，後來還是有舞團成 功根據《圓舞曲》製作芭蕾舞劇，拉威爾日後 也將作品改編成鋼琴獨奏曲。 作曲家在原譜序言裏這樣形容《圓舞曲》：「從 旋轉的雲朵間看去，只能隱隱約約看到正在跳 華爾茲的舞者。雲朵漸漸消散：舉目看去，可 以見到偌大的客廳，裏頭盡是翩翩起舞的人群。 景象越來越清晰了。光線突然從吊燈射出來。」 樂團可以做到千變萬化的色彩，拉威爾實踐念 頭時，效果也營造得無與倫比；似乎鋼琴家單 人匹馬實在難以模仿。然而，拉威爾本人技巧 高超，得心應手，雖然難度極高，但要是他認 為這種改編方式不可行的話，也大概不會寫。 無疑，《圓舞曲》是拉威爾最出色的作品之一。 樂曲介紹 紀大衛
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Written in 1919–1920 on commission from Sergei Diaghilev, the director of the Ballets Russes, La Valse is what Maurice Ravel called a poème chorégraphique. Ravel had always been fascinated by the possibilities of dance, which he found to be significant from a structural point of view and an important source of rhythmic invention. During his lifetime he composed numerous dances, having contemplated composing a waltz as early as 1906, with the title Vienne. In 1911, he produced his Valses nobles et sentimentales for solo piano, but this was clearly not the grand waltz piece he had in mind. Diaghilev’s commission gave him just the spur required to unloose the work he had contemplated for so long. The original commission was for orchestra, but when Diaghilev heard the work in a two-piano reduction, he described it as a masterpiece, but as a “portrait of a ballet” rather than music for a ballet. Diaghilev thus declined to stage it, causing an unbridgeable rift between the two men. The work, however, was subsequently successfully produced as a ballet, and Ravel later arranged the work for piano solo. The composer’s preface to the original score describes the work as follows: “Through whirling clouds, waltzing couples may be faintly distinguished. The clouds gradually scatter: one sees an immense hall peopled with a whirling crowd. The scene is gradually illuminated. The light of the chandeliers bursts forth.” With the full range of colour available from the orchestra, Ravel creates a magnificent effect in carrying out this scheme, and it would seem that a single pianist would be hard put to emulate this. Ravel was a consummate master of his technique, however, and would not have made such an arrangement had he not thought it to be eminently viable, although extremely challenging. La Valse is surely one of Ravel’s finest creations. Programme Notes by David Gwilt
©Carolyn Cruz
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鮮于睿權
Yekwon Sunwoo
© Jeremy Enlow
三十歲的鮮于睿權是第十五屆范．克萊本國際 鋼琴大賽金獎得主，獲《國際鋼琴》雜誌讚譽 他的鋼琴造詣「穩定而卓越」；《芝加哥論壇 報》亦稱他為「一個鋼琴技藝全面而優秀的鋼 琴家，能夠從容演奏大小樂章」。 他是首位贏得范．克萊本國際鋼琴大賽金獎的 韓國人。在2 0 1 8/1 9樂季中亮相於多場協奏曲音 樂會，包括維萊里．格杰夫指揮的慕尼黑愛樂 樂團、賽巴斯汀．韋格爾指揮的法蘭克福歌劇 院與博物館管弦樂團、丹尼爾．卡勒加里指揮 的米蘭午後樂集管弦樂團等，曾與韓國 K B S交響 樂團於歐洲巡迴演出，而在日本的巡演更遍及 多個城市，也曾與紐約愛樂樂團四重奏合奏室 樂。此外，他曾在侯斯頓表演藝術協會、華盛 頓表演藝術協會、德克薩斯州表演藝術協會、 西雅圖明尼表演藝術中心及葡萄牙波圖音樂廳 舉辦鋼琴獨奏會。 在過去的樂季，鮮于睿權曾在多個樂團的音樂 會擔任獨奏鋼琴家，包括瑪琳．艾爾梭指揮的 巴爾的摩交響樂團、伊扎克．帕爾曼指揮的茱 莉亞管弦樂團、詹姆斯．費戴克指揮的侯斯頓 交響樂團、李奧納德．史拉特金和尼可拉斯．
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Gold medallist of the Fifteenth Van Cliburn International Piano Competition, 30-year old pianist Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence”(International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat”(Chicago Tribune). The first Korean to win Cliburn gold, Sunwoo's 2018/19 season features concerto performances with the Munich Philharmonic (Valery Gergiev), Frankfurter Opern- und Museumsorchester (Sebastian Weigle) and Orchestra i Pomeriggi Musicali (Daniele Callegari); a European tour with the KBS Symphony; an extensive tour of Japan; and chamber music performances with the New York Philharmonic String Quartet. Solo recitals bring him to Houston’s Society of the Performing Arts, Washington Performing Arts, Texas Performing Arts, Seattle’s Meany Hall, Portugal’s Casa da Musica, and the Hong Kong Arts Festival. In previous seasons, Sunwoo has performed as soloist with the Baltimore Symphony Orchestra (Marin Alsop), the Juilliard Orchestra (Itzhak Perlman), Houston Symphony Orchestra (James
麥克基根指揮的沃斯堡交響樂團，以及比利時 國家樂團、仙台交響樂團、皇家蘇格蘭交響樂 團及古巴國家管弦樂團等。他亦於不同地方舉 辦自己的獨奏會，例如紐約卡內基音樂廳、倫 敦威格摩爾音樂廳、漢堡易北音樂廳、東京浜 離宮朝日演奏廳、法國廣播電台、巴黎科爾托 音樂廳、首爾錦湖藝術館等，演奏足跡遍佈南 韓、德國、瑞士、布拉格、摩洛哥及美國。他 曾參加不少著名音樂節，如阿斯本音樂節、德 泰頓音樂節、桑密特音樂營、多倫多夏日音樂 節、美國鮑登國際音樂節及杜什尼基國際音樂 節。在 2 0 1 7 / 1 8 樂季，美國古典音樂唱片公司 迪卡金牌為鮮于睿權推出《范．克萊本金獎
2 0 1 7》，專輯收錄了他的得獎曲目，分別為拉 威爾《圓舞曲》和拉赫曼尼諾夫的第二鋼琴奏 鳴曲。 鮮于睿權同時熱衷演奏室樂，曾與不同音樂單 位及音樂家合作，例如耶路撒冷弦樂四重奏及 布蘭塔諾弦樂四重奏；小提琴家班哲明．比爾 曼及艾達．卡瓦芬恩；大提琴家艾德加．莫 羅、蓋瑞．霍夫曼及彼得．威利；鋼琴家安-瑪 莉．麥德茉。他亦曾與錦湖韓亞文化基金會於 中美洲多個國家巡迴演出，也於紐約林肯中心 室樂協會演奏。 除了范．克萊本國際鋼琴大賽金獎外，他在其 他音樂比賽中也摘下冠軍名銜，例如 2 0 1 5年德 國法蘭克福國際鋼琴大獎賽、 2 0 1 4年韋爾比亞 音樂節旺多姆獎、 2 0 1 3年仙台國際音樂比賽， 以及2012年威廉卡佩爾國際鋼琴大賽。 鮮于睿權出生於南韓安養市，八歲開始學習鋼 琴， 2 0 0 4 年首 次 在 首 爾 舉 辦 獨 奏 會 及 以 獨 奏 家的身份在與管弦樂團合作的音樂會上演奏。 此後，他於柯蒂斯音樂學院取得學士學位，師 從西摩．利普金；於茱莉亞音樂學院取得碩士 學位，師從羅伯特．麥當勞；於曼內斯音樂學 院取得藝術家文憑，師從理察．顧德。現時， 他在漢諾威音樂和戲劇學院師隨伯恩德．格茨
Feddeck), Fort Worth Symphony Orchestra (Leonard Slatkin and Nicholas McGegan), National Orchestra of Belgium, Sendai Philharmonic Orchestra, Royal Scottish National Orchestra, and National Symphony Orchestra of Cuba. He has appeared in recital at Carnegie Hall, Wigmore Hall, the Elbphilharmonie, Hamarikyu Asahi Hall, Radio France, Salle Cortot, Kumho Art Hall, and throughout South Korea, Germany, Switzerland, Prague, Morocco and the United States. He has also performed at prominent music festivals including the Aspen, Grand Teton, Summit, Toronto Summer, Bowdoin International and Duszniki International Music Festivals. Last season, Decca Gold released Cliburn Gold 2017, which includes his award-winning performances of Ravel’s La Valse and Rachmaninoff’s Piano Sonata No 2. An avid chamber musician, Sunwoo’s partners have included the Jerusalem and Brentano String Quartets, violinists Benjamin Beilman and Ida Kavafian, cellists Edgar Moreau, Gary Hoffman, and Peter Wiley, and pianist Anne-Marie McDermott. He has toured Central America with the Kumho Asiana Cultural Foundation and performed for the Chamber Music Society of Lincoln Center. In addition to the Cliburn gold medal, Sunwoo won first prizes at the 2015 International German Piano Award in Frankfurt, the 2014 Vendome Prize at the Verbier Festival, the 2013 Sendai International Music Competition, and the 2012 William Kapell International Piano Competition. Born in Anyang, South Korea, Sunwoo began learning piano at age eight. He gave both his recital and orchestral debuts in Seoul in 2004 before earning his bachelor’s degree at the Curtis Institute of Music, master’s degree at The Juilliard School, and artist diploma at the Mannes School of Music studying with Seymour Lipkin, Robert McDonald, and Richard Goode, respectively. He currently studies with Bernd Goetzke at Hochschule für Musik, Theater und Medien Hannover. Sunwoo credits each teacher for their guidance in his artistic development and approach.
克。在多位老師的悉心教導下，成就了鮮于睿 權今天在音樂上的發展，他為此心存感激。
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年輕鋼琴家的浪漫老靈魂
A young pianist with an old, romantic soul 南韓大概是世界上少數古典音樂家能成為家傳 戶曉名字的國家。當提起鮮于睿權時，便會 聽到當地人如此回應：「啊﹗那個年輕鋼琴 家。」即便是不熟悉古典音樂的人也不例外。 這位三十歲的鋼琴新秀不但在舞台上發光發 亮，他的身影也出現於電視上，曾參與一個以 韓國名人海外生活為主題的人氣電視節目。 鮮于睿權可不是一夜成名的。在他勇奪 2 0 1 7年 范．克萊本國際鋼琴大賽金牌前，也曾參加多 個不同規模的比賽。而范．克萊本大賽是他第 八次奪冠，也是他最後一次參與的比賽。他早 前曾解釋參加比賽是出於金錢需要，並宣佈以 後不會再參加任何鋼琴比賽。范．克萊本金獎 獎金多達五萬美元，還未計算獲勝後帶來的其 他好處。
2 0 1 8 年 1 月初，身於首爾藝術中心地庫的咖啡 店，鮮于睿權與我相對而坐。問到真人是否跟 中央東洋廣播公司電視節目中所呈現的同樣滑 稽，鋼琴家表示：「我有這滑稽的一面，但也 可以很挑剔。」 當然，藝術家挑剔、細膩、敏感是應該的，畢 竟平庸又如何能創造出不凡的藝術呢？但鮮于 睿權並不大牌。「我知道場館職員花了多少努 力去營造最理想的演出環境，縱然我對自己的 演出非常敏感，但對於演出以外的周遭環境， 卻不用太費心。」他表示。 鮮于睿權八歲開始學習鋼琴，跟着姐姐到社區 的鋼琴學院或私立鋼琴學校學習，被那兒的老 師發現他的天份，從而鼓勵他追求音樂夢想。 他就讀芮苑藝術中學，其後離開南韓升讀美國 費城的柯蒂斯音樂學院，師從西摩．利普金長
Korea is probably one of the few countries in the world where classical musicians can become household names. Here, the name Sunwoo Yekwon elicits the response, “Ah, that young pianist,” even from those unfamiliar with classical music. The [30-year-old] pianist is a star not only onstage but on television as well, starring in a popular series featuring the lives of several Korean celebrities who stay abroad. Sunwoo, however, is no overnight sensation. Before clinching the gold medal at [2017’s] Van Cliburn International Piano Competition, he had competed in numerous competitions. The Van Cliburn was his eighth win and his last; Sunwoo, who previously explained that he entered competitions out of financial necessity, declared that he would not participate in any more piano competitions. The Van Cliburn prize carries a cash award of $50,000, among other benefits. Sitting across Sunwoo at a coffee shop in the basement of the Seoul Arts Center in early January 2018, I asked if he is as goofy as the JTBC show makes him out to be. “There is that aspect to me, but I could also be particular,” says the pianist. Surely, artists should be allowed to be particular, sensitive; after all, we shouldn’t expect them to create extraordinary art while being ordinary. But Sunwoo is no diva. “I know the efforts of the staff that go into creating an optimal condition. So, while I am sensitive about my own performance, I am more relaxed about the situation surrounding the performance,” Sunwoo says. Sunwoo began learning the piano at eight years old, tagging along with his sisters to a neighborhood piano hagwon, or private piano school, where a teacher spotted his talent and encouraged him to pursue music.
達六年，還從他身上學習思考作曲家背後的創
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作動機。後來，他分別在茱莉亞音樂學院和曼內斯音 樂學院修畢碩士學位和藝術家文憑，現時則在德國漢 諾威進修。 鮮于睿權年少時膽小害羞，語言不通讓他感到不安， 但他同時欣然接受在海外求學的機會，就像他享受現 在到世界各地不同音樂廳表演的浪遊生活一樣。
2 0 1 7年對他來說特別忙碌，自 6月贏得范．克萊本鋼 琴大獎，音樂會和演奏會的邀約便接續而來，對於已 答應的表演，他堅持赴約，而因為大家也嚷着要聽這 位轟動古典樂壇的年輕鋼琴新星，他還接下了額外的 邀約，頓時讓他喘不過氣來。 他為2018年樂季籌備的新曲目將會包括舒伯特作品。 他說道︰「我喜歡舒伯特的音樂。它們聽起來看似簡 約、單調，但對於音樂人來說，『歌曲之王』的音 樂，感覺就如流水般自然。」。 雖然舒伯特去世時只有三十一歲，結束了他悲慘的人 生，但鮮于睿權認為他還是能感受到作曲家的快樂。 「他的音樂流露出痛苦和快樂，裏面有一種久經不散 的情感。即便是聽起來樂觀的曲調，也會讓你感到淡 淡的哀愁。」他說道。 「我猜我一開始就喜歡舒伯特。在鋼琴學院時聽到他 其中一首樂曲，多年後才發現是他的即興曲。第一次 聽到的時候，沒勇氣問是甚麼樂曲。」 鮮于睿權尤其偏愛古典晚期至浪漫時期的作曲家。而 在歐洲，特別是在德國生活，好處就是能體驗他們以 往的生活。此外，歐洲國家的環境適合漫步，這也是 他喜愛歐洲的原因之一。「我喜歡獨處，這是為自己 充電的好機會。」他說。據知貝多芬也喜歡在午後獨 自漫步於維也納的森林中。 西方國家擁有悠久的古典音樂傳統，對於來自其他國 家的表演者來說，會不利嗎？「人們難免有這種偏 見。」可是他指出，現在這種觀念已慢慢改變。 「很多年輕人也會到海外旅遊，對於外國文化已有所 體驗。我認為現在的文化差異已經沒那麼大了。人類
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He attended the Yewon School, an arts middle school, and left Korea to attend the Curtis Institute in Philadelphia to study with Seymour Lipkin, with whom he would continue to study for six years and from whom he learned to think about composers’ intentions. Since then, he has earned his master’s at The Julliard School and an artist diploma at the Mannes School of Music. Currently, he studies in Hannover, Germany. Timid and shy as a youngster, Sunwoo was anxious about the language problem but otherwise embraced the opportunity to study in a different country, just as he enjoys his nomadic life today, performing in concert halls around the world. 2017 was a particularly hectic year for Sunwoo, who found himself inundated with new concerts and recitals following his Van Cliburn win in June. He kept his existing commitments while taking on additional engagements as people clamored for a chance to hear the new, young sensation. For the 2018 season, Sunwoo is preparing a new program that will include Schubert. “I like Schubert’s music. They may sound simple and monotonous, but for a musician, music of the ‘king of lieder’ feels as if they flow naturally, like water,” he says. Although the composer, who died young at age 31, had a tragic life, he also felt happiness, Sunwoo points out. “His music shows pain and happiness. There is a lingering emotion. Even a melody that sounds optimistic leaves you [with] a serene sadness,” he says. “I guess I liked Schubert from the beginning. I heard a piece at the piano hagwon that I really liked, but it was only years later that I discovered that it was a Schubert Impromptu. I didn’t have the courage to ask what it was when I first heard it.” The advantage of living in Europe, in Germany in particular, is that he can experience the kind of life that composers led—he favors late Classical-Romantic composers. He also appreciates that Europe is conducive to taking long, quiet walks. “I enjoy solitude,” says Sunwoo. “It is essential for recharging.” Beethoven was also known to have taken long, solitary afternoon walks through the forests of Vienna. Are there any disadvantages for performers who come from countries that do not share the Western classical tradition? “One cannot avoid such prejudices,” he says, adding that those views are changing now.
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© Jeremy Enlow
的情感是跨國界的，而音樂正是表達和分享情 感的渠道，所以當中並不存在文化障礙。」他 說道。 鮮于睿權雖然年紀尚輕，卻是一個非常自律的 音樂家。對於自己經常彈奏的曲目，還是非常 渴望以自己的方式演繹。 「那些時刻，我會重新審視曲譜，嘗試沉浸於 樂曲之內。在作曲家的思維框架內，我們應該 是自由的。」他說道。「我可以完全拋棄原作 的詮釋，可是演奏家的角色正是在作曲家的意 圖中演繹。」他補充，「鑽研曲譜後，我的表 演也會更流暢。」 這位古典音樂家也會聽流行樂。「李文世、朴 孝信、張惠珍，李素拉等」一眾南韓流行歌 手，他如數家珍，一點也不猶豫。「奇怪的 是，我大多都不聽歌詞，只聽旋律。」 問到他會為心儀對象彈奏甚麼時，他沒有馬上 回答，反而把身體靠後，挨着椅子，眼看着 天花板細想，「我猜她想聽甚麼我就彈甚麼 吧。」他笑說。追問之下，他再補充，「要是 讓我選的話⋯⋯我會選自己經常彈奏的一曲： 柴可夫斯基《季節》中的〈十月〉。」 訪問尾聲，鮮于睿權向樂迷及自己作出承諾： 「我總會有疲倦或情緒被抽空的時候。以音樂 而言，我會盡量不墮入慣性之中，不會丟失我 對音樂的喜愛和熱情，我會繼續保持今天擁有 的這份感覺。這是我的小小夢想和願望。」他 表示。 原文刊載於2018年1月19日www.koreaherald.com， 由Kim Hoo-ran撰寫。已獲《韓國先驅報》允許翻印。
“A lot of young people travel overseas and have experience with foreign cultures. I think there isn’t a great [cultural] gap these days,” he says. “Human emotions cross borders, and music is about expressing and sharing emotions. There is no cultural barrier in that.” Despite his relatively young age, Sunwoo is a disciplined musician. He feels an urge at times to interpret in his own way pieces he frequently performs. “At such times, I review the score and try not to go outside of it. One should be free within the frame of the composer’s thoughts,” he says. “I could perform with total abandon, but it is the role of the performer to play within the [intentions] of the composer,” he adds. “A performance flows better when I pore over the score.” The classical musician also listens to popular music. “Lee Moon-sae, Park Hyo-shin, Chang Hye-jin, Lee So-ra,” he says without hesitation, naming iconic Korean pop balladeers. “Strangely, I don’t hear the lyrics most times, just the melodies.” What would he play for a special someone? With this question, he takes his time, leaning back against the chair and looking upward at the ceiling as he thinks. “I think I will do whatever she wants,” he says with a laugh. Pressed for more, he adds, “If I could choose…it is a piece I play frequently: ‘October’ from Tchaikovsky’s The Seasons.” Sunwoo concludes the interview with a promise to his fans that is as much a promise to himself: “There will be times when I will be tired, emotionally drained. Musically, I will try not to fall into habit and not lose my love and passion for music,” he says. “I will try to continue to have this feeling I have today. That is my small dream and wish.” Kim Hoo-ran An extended version of this article was originally published on www.koreaherald.com on 19 January 2018.
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范．克萊本國際鋼琴大賽
A Celebrated Stage 鮮于睿權在展開其卓越的鋼琴事業生涯
Before taking his extraordinary career beyond the competition stage, Yekwon Sunwoo cemented his rise to international acclaim by taking the gold at the prestigious 15th Van Cliburn International Piano Competition in Fort Worth, Texas. The Competition was originally inspired by Harvey Lavan “Van” Cliburn Jr, winner of the first International Tchaikovsky Piano Competition in Moscow at the height of the Cold War in 1958, and his legacy of demonstrating how classical music, in the hands of a master, can reach beyond borders. Today, the quadrennial Competition supports and launches the careers of young artists aged 18–30 through its competitions, education programmes, concert series, and comprehensive career management for its winners. Through its live concert and competition webcasts and its efforts to arrange for competitors to stay with host families throughout the duration of the competition, the Van Cliburn perpetuate its mission of reaching beyond borders, bridging cultures to share the joys of classical music.
之前，先於美國德州沃斯堡舉行的第 十五屆范．克萊本國際鋼琴大賽奪得冠 軍，奠定了他在國際的名聲。 1 9 5 8年冷 戰高峰期，小哈維．拉范．「范」．克 萊本於莫斯科柴可夫斯基鋼琴大賽一舉 奪冠。於 1 9 6 2年受他啟發而創辦的范． 克萊本國際鋼琴大賽，旨在延續他的音 樂傳奇，並向大眾展示古典音樂如何在 大師手上跨越界限傳揚開去。如今，四 年一度的范．克萊本國際鋼琴大賽藉着 其多項比賽、教育活動、系列音樂會以 及全面的經理人配套，致力支持十八至 三十歲的年青藝術家開展藝術事業。大 賽主辦方更透過在網上現場直播音樂會 及比賽，同時安排參賽者在比賽期間與 寄宿家庭同住，打破了地域界限，與來 自不同文化背景的樂迷，分享古典音樂 的感染力。
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© Ralph Lauer
鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited
•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery
•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
CCGT
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
CHCH
16/2
8pm
瑪琳．艾爾梭與聖保羅交響樂團
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
8pm
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
16/3
8pm
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
CCCH
18/3
8pm
克雷莫納弦樂四重奏
Quartetto di Cremona
CHCH
21-22/3
8pm
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD 22/2 23/2 23/2 23/2
8pm 7:30pm 4pm 9:30pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
《白蛇傳》 作曲：周龍 | 編劇：林曉英
香港中樂團 《九千年的邂逅》
時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
Oper Leipzig Wagner’s Tannhäuser
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
DANCE
舞蹈
Matsuev and Friends Play Jazz
CCCH
9/3
8pm
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
CCCH
14/3
8pm
希薇雅．佩瑞茲．克露絲 《夜妝》
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
Euripides Laskaridis / Osmosis TITANS
APAD
26-27/2
8:15pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
DANCE
舞蹈
香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
THEATrE
戲劇
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
正點劇團 《哈姆尼特─莎士比亞之子》
Dead Centre Hamnet
CCST
4-5/3
8:15pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
23/3 24/3
8:15pm 5pm
3pm
資料截至 Information as of: Jan 2019
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
萊比錫歌劇院《歌劇探秘同樂日》 Oper Leipzig - Opera Adventure Day ���童樂� 兒童合唱團五天工作坊
����樂���� 展覽
Children‘s Choir
Leipzig Music Trail
Workshop (5 Day) : Sing,
Exhibition
Move and Have Fun 25/2 - 1/3 一至五 Mon - Fri 4:30 - 6:00pm (2/3 演出 performance) 香港文化中心 HK Cultural Centre
⯝顥 F R E E
香港文化中心大堂 Foyer, HK Cultural Centre
PLUS兒童合唱團 大堂音樂會
� ������工作坊
Festival PLUS Children's
Workshop
Choir Foyer Performance
⯝顥 F R E E
28/2 - 3/2 四至日 Thu - Sun 12:00nn - 8:00pm
"We PLAY" Theatre
2/3 六 Sat 3:30 - 4:15pm
2/3 六 Sat I. 12:00nn - 1:00pm II. 3:00 - 4:00pm
香港文化中心大堂 Foyer, HK Cultural Centre
香港文化中心 HK Cultural Centre
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 25/1/2019
26/1/2019
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目行政主任 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Administration Officer Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff