Faith, Family, Fealty—Three Cantonese Operas - 50th Hong Kong Arts Festival by Hong Kong Arts Festival

行政長官的話

MESSAGE FROM THE CHIEF EXECUTIVE

I congratulate the Hong Kong Arts Festival (HKAF) on celebrating its Golden Anniversary this year.

適逢香港藝術節踏入金禧 50 周年，謹此衷心祝賀。

香港藝術節是本地和國際藝壇一年一度的盛事，致力為香港文化生活增添姿彩。鑑於 2022 年年初的第五波疫情，香港藝術節部分現場演出因場地關閉而須取消。儘管如此，藝術節迅速作出應變，一方面將部分演出移師線上舉行，另一方面如期舉辦多個線上節目，更開放其中多項節目供市民免費觀賞。此外，今年的藝術節還安排把六個現場演出節目改於 2022 年下半年舉行，作為第 50 屆藝術節的「延續」，巧妙地承接大會主題「繫」，亦充分反映香港藝術界的人士能隨時隨地發揮無限創意，將文化糅合於市民的生活之中。香港藝術節將安排在 2022 年 7 月至 11 月期間上演連串多姿多彩的現場節目，包括︰向一代粵劇名伶致敬的「新馬師曾名劇展」以及動人心魄的大型舞作《無極》。為慶祝香港大會堂 60 周年及香港藝術節 50 周年，香港小交響樂團將與城市當代舞蹈團攜手呈獻精湛的聯合音樂會《影幻形光》。

每屆的香港藝術節均吸引逾 1700 名本地及海內外藝術家參與，傳統藝術表演和新穎的當代作品共冶一爐，為提升香港在國際藝壇的地位和彰顯中國的豐富文化特色，擔當重要角色，同時亦配合國家《十四五規劃綱要》支持香港發展成為中外文化藝術交流中心的目標，可謂意義非凡。香港藝術節在疫情下面對重重的困難，仍然積極推動學校藝術教育及外展活動，並透過幕後花絮影片、藝術家對談、演前及演後講座等「加料節目」，拉近觀眾與藝術家的距離，實在令人感到鼓舞。在此衷心感謝香港藝術節團隊在過去半世紀努力不懈，

Striving to enhance the cultural vibrancy of Hong Kong, the HKAF is an annual highlight for arts enthusiasts from home and abroad. Due to the closure of cultural and arts venues during the fifth wave of the pandemic earlier this year, certain in-venue programmes had to be cancelled. This notwithstanding, the HKAF was quick in moving some programmes online while presenting some others (including those open for the public free of charge) as originally planned. Six of these programmes were rescheduled in the latter half of 2022 as a “line-up” to continue the HKAF under the theme “Connected”. It demonstrates the flexibility and creativity of the Hong Kong arts sector in infusing culture in the daily lives of people. This year’s HKAF features a wide array of in-venue programmes, including A Tribute to Cantonese Opera Legend Sun Ma Sze Tsang and the stunning dance performance Colossus, which will be presented from July to November. In addition, the Hong Kong Sinfonietta and artists from City Contemporary Dance Company will jointly present an evening event featuring a spectacular music and dance performance entitled Reflections of Refractions, to mark the 為廣大市民悉心籌辦多元豐富的文藝節目及活動。我亦感謝贊助商和捐款人鼎力支持香港藝術節及本港的文化藝術發展。我祝願香港藝術節圓滿成功，在往後五十年呈獻更多精采的藝術節目。希望大家繼續支持香港藝術節！

香港特別行政區行政長官

李家超

HKAF’s Golden Jubilee and the 60th Anniversary of City Hall. Every year, more than 1700 local and international artists take part in the HKAF. With its wide array of traditional performances and innovative contemporary works, the HKAF plays a crucial role in raising Hong Kong’s international reputation in the arts world while highlighting the rich local culture. At the same time, it underpins the strategy to support Hong Kong’s development into an East-meetsWest centre for international cultural exchange under the National 14th FiveYear Plan. I am encouraged to see that despite the tremendous difficulties during the pandemic, the HKAF remains committed to promoting arts education in schools and other outreach activities. In particular, the PLUS programmes of the Festival bring together artists and members of the public through a range of activities such as behind-the-scenes videos, masterclasses, artist dialogues and preand post-performance talks. I would like to express my sincere gratitude for the hard work and dedication of the HKAF team who always strives to ensure the Festival’s ongoing success over the past 50 years. My gratitude also goes to all sponsors and donors for their generous support to the HKAF and the local arts and cultural development. I wish the 50th HKAF a resounding success, bringing to us many more fabulous programmes in the next 50 years. I also look forward to your continued support to the HKAF.

John Lee Chief Executive Hong Kong Special Administrative Region

主席的話

MESSAGE FROM THE CHAIRMAN

今年是香港藝術節五十周年，感謝你與我們一同見證這重要里程碑。疫情持續帶來挑戰，促使我們迅速應變，而藝術節仍努力不懈為觀眾帶來海外與本地的出色表演。

國際交通早前尚未完全復甦，表演場地亦因第五波疫情而暫時關閉，香港藝術節遂作出相應調整，以線上形式呈獻一系列世界級精采表演，並安排部分現場節目延期至下半年上演。今年的主題「繫」，更是突出香港藝術節如何透過戲劇、舞蹈、歌劇和音樂等節目，跟世界保持聯繫，同時也跟觀眾保持聯繫。我們深信優秀的藝術，不論以何種形式，都能療癒人心。衷心希望我們能為你在這重要的一年，帶來許多難忘時光。我由衷感謝香港特別行政區政府透過康樂及文化事務署提供年度撥款，以及香港賽馬會慈善信託基金持續並堅定地支持我們，也感謝眾多企業贊助商、慈善基金會以至個人捐助者，對我們作出的慷慨支持。我亦要感謝一眾富有才華的藝術家，在種種挑戰下仍然傾力演出，在疫情期間繼續為香港觀眾帶來啟發和歡樂。期望今天的表演乃至今屆藝術節的其他節目，都能讓你樂在其中。藝術節的下一個五十年，再將會為你帶來更多精采時刻。

The Hong Kong Arts Festival marks a significant milestone this year. Thank you for joining us in celebrating its 50th edition. Though the pandemic continues to present challenges and has prompted us to be extranimble in our response this year, the Festival’s determination to bring you some of the best in performing arts from across the world remains unabated. The prevailing conditions made travel difficult and the HKAF once again adapted. Though the fifth wave of the pandemic forced venues to close, the Festival still managed to present an excellent world-class lineup online and will present some of the programmes it couldn’t show, on a deferred schedule later this year. The Hong Kong Arts Festival remains “Connected”—to the world and to its audiences—bringing a range of programmes, including theatre, dance, opera and music. We are convinced that great art, in whatever form, is a tonic and we

香港藝術節主席

查懋成

hope to provide many memorable moments in this landmark year. I would like to take this opportunity to thank all those who make the Festival possible. These include the HKSAR Government’s Leisure and Cultural Services Department, which provides an annual subvention; the Hong Kong Jockey Club Charities Trust, a long-time supporter of the HKAF; and corporate sponsors, charitable foundations and individual donors, for their generous support. Sincere thanks also to all the participating artists, who have brought such joy to Hong Kong audiences, during these times, the difficulties of the pandemic notwithstanding. I hope you will enjoy today’s performance and many others at this year’s Festival as we enter our next 50 years.

Victor Cha Chairman Hong Kong Arts Festival

行政總監的話

MESSAGE FROM THE EXECUTIVE DIRECTOR

歡迎閣下觀賞這場第 50 屆藝術節的演出，我連同藝術節團隊向您致以衷心感謝。

我們不得不克服各種挑戰，特別是第五波疫情，才得以為您帶來這齣節目。我們團隊的動力來自「保持連繫」這份信念：包括我們之間的連繫，以及我們與一眾藝術家的連繫。再者，我們也繼續深信藝術作品能夠帶來想像力，並啟發我們對人生有更深入了解。

希望這齣節目以至今屆的其他藝術節節目都能讓你樂在其中。今屆令我特別鼓舞的是一系列與藝術科技相關的節目，期待你與我們一同探索當中的可能性。此外，也敬請留意我們的「加料節目」活動，豐富大家對節目的體驗，亦令觀眾與藝術家的連繫更緊密。由於疫情關係，今屆部分現場演出須改期至下半年舉行，成為藝術節 50 周年的延續篇，與迎來 30 周年的「青少年之友」同賀重要里程碑。此外，今年亦是香港特別行政區成立 25 周年，藝術節的部分重點節目被選入 25 周年慶祝活動，為此我們深感榮幸。

在過去五十年，藝術節一直是香港歷史的一部份，見證了不少改變，並全力促進藝術發展及文化交流。往後我們將繼續擔當這角色，衷心期望你與我們一直攜手步向更長遠的未來。我們將竭盡所能，繼續努力。

香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:

Together with the entire Festival team, I would like to warmly welcome you to this performance at the 50th Hong Kong Arts Festival. We have had to surmount significant challenges, not least the recent fifth wave of the pandemic to bring you this programme. But we are motivated by the idea of staying connected: to each other, to the artists who enrich our lives, and to the great works that open up the imagination to exhilarating possibilities while reminding us of our shared humanity. I hope that you will enjoy this and many other programmes in this Festival. I am particularly excited about the possibilities that Arts x Tech offer, and hope that you will share this journey of exploration with us. Look out also for ancillary PLUS programmes and events, which are curated to connect us with major events in the city and to enrich the Festival experience.

香港藝術節行政總監

何嘉坤

Circumstances have forced us to adapt this year, and some invenue performances have had to be rescheduled, giving us an extended period in the year which marks our 50th Anniversary, 30 years of Young Friends, and of course the 25th Anniversary of the establishment of the Hong Kong SAR. We are honoured that a number of signature Festival programmes have been selected for inclusion in the 25th Anniversary events. In this and in many other ways, the Festival has been a part of the Hong Kong story over the past 50 years. We will continue in this role in the years to come, and we sincerely hope that you will continue to stay connected with us long into the future. We will endeavour to work hard to be deserving of your company.

Tisa Ho Executive Director Hong Kong Arts Festival

香港藝術節 HONG KONG ARTS FESTIVAL 扎根香港的國際藝壇盛事聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2021/22 財政年度預算（包括第 50 屆香港藝術節及 2022 年「無限亮」）約港幣一億二千四百萬，當中香港特區政府的年度撥款佔總收入約 21%，另外約 16% 需來自票房收入，約 45% 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *：

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. The total budget for FY2021/22 (including the 50th Hong Kong Arts Festival and 2022 “No Limits”) is approximately HK$124 million. Current Government annual funding accounts for around 21% of the Festival's total income. Around 16% of the Festival’s income needs to come from the box office, and around 45% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 18% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations.

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科

HKAF has presented top international artists and ensembles across multiple genres, such as*:

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

大劇院、聖彼得堡馬林斯基劇院

軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 ‧ 芭托莉、列卡杜 ‧ 沙爾、趙

成珍、古斯塔沃 ‧ 杜達美、菲力普 ‧ 格拉斯、馬友友、丹尼斯 ‧ 馬祖耶夫、安娜 ‧ 涅翠柯、詹安德列亞 ‧ 諾斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 ‧ 羅傑斯特汶斯基、譚盾、湯沐海、克里斯蒂安 ‧ 泰利曼、倫敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• 爵士樂及世界音樂：波比 ‧ 麥非年、尤蘇 ‧ 恩多爾、

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

• 舞蹈：米高 ‧ 巴里殊尼哥夫、蕭菲 ‧ 紀蓮、艾甘 ‧

• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

艾斯佩蘭薩 ‧ 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜 ‧ 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 ‧ 布祿克、羅伯特．利柏殊、蜷川幸雄、

羅柏特 ‧ 威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 • 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術家提供展示才華的平台。藝術節至今委約及

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company • Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus

HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera,

製作逾 250 套本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《九江》、《陪着你走》、《百花亭贈劍》、《香港家族》三部曲、《世紀 ‧ 香港》、《炫舞場》、《大同》、《金蘭姊妹》、《聖荷西謀殺案》等。

music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include Gangsters of Hong Kong, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

HKAF frequently partners with renowned international artists and institutions to produce exceptional works, 香港藝術節多年來與知名海外藝術家及團體聯合 such as Der Fensterputzer (The Window Washer) coproduced by HKAF, Goethe-Institut Hong Kong and 製作不少優秀作品，當中包括由香港藝術節、香 Tanztheater Wuppertal Pina Bausch, Richard III and 港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合 The Tempest produced by The Old Vic, BAM and 製作的《抹窗人》、由倫敦老域劇院、布魯克林 Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co音樂學院與尼爾街製作公司製作、香港藝術節為 commissioned with Shanghai International Arts 聯合委約機構之一的「橫貫計劃」之《暴風雨》 Festival, and Dream of the Red Chamber co-produced 及《李察三世》、由香港藝術節及上海國際藝術 with San Francisco Opera. 節聯合委約的《青蛇》、三藩市歌劇院與香港藝 HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” 術節聯合製作的《紅樓夢》等。 scheme has reached around 800,000 local secondary 香港藝術節大力投資下一代的藝術教育。「青少 and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school 年之友」成立 30 年來，已為約 800,000 位本地中 students have been launched in recent years, featuring 學生及大專生提供藝術體驗活動。藝術節近年亦 activities such as student showcases, pre-performance 開展多項針對大、中、小學生的藝術教育活動， talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and 包括由國際及本地藝術家主持的示範講座及工作 lecture demonstrations led by international and local 坊、學生展演、演前講座、公開彩排、以及欣賞 artists. Donations to the “Student Ticket Scheme” also 藝術節演出。同時，通過「學生票捐助計劃」， make available approximately 10,000 half-price student tickets each year. 藝術節每年提供約 10,000 張半價學生票。 HKAF organises a diverse range of “Festival PLUS” 香港藝術節每年主辦一系列多元化並深入社區 activities in community locations each year to enhance 的「加料節目」，例如電影放映、示範講座、 engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, 大師班、工作坊、座談會、後台參觀、展覽、 workshops, symposia, backstage visits, exhibitions, 藝人談、文化導賞團等，鼓勵觀眾與藝術家互 meet-the-artist sessions, and guided cultural tours. 動接觸。 HKAF actively promotes inclusiveness and understanding via the arts to every corner of the 香港藝術節亦銳意將共融藝術理念拓展到社區每 community. The “No Limits” project, co-presented 一角落。由藝術節與香港賽馬會慈善信託基金聯 with The Hong Kong Jockey Club Charities Trust, was 合呈獻的「無限亮」計劃於 2019 年正式開展，透 launched in 2019. Through a series of performances and diverse arts experiences for students and the 過一系列的演出及多元的教育及社區外展節目，「無限 community, “No Limits” strives to create an inclusive 亮」致力創造共融空間，讓不同能力人士均可以一同欣 space for people with different abilities to share the joy of the arts together. 賞、參與、擁抱藝術。

(2021 年 12 月更新 Updated December 2021)

* 有關香港藝術節的過往節目，可參考以下網頁

Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html 誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

電郵 Email: dev@hkaf.org

To find out more about sponsorship opportunities and donation 直綫 Direct Lines: (852) 2828 4910/11/12 details for the Hong Kong Arts Festival, please contact the HKAF 香港藝術節協會2021/22年度預計收入來源（約港幣一億二千四百萬） www.hk.artsfestival.org/en/support-us 網頁 Website: Development Department. Estimated Income Sources for Hong Kong Arts Festival Society in FY2021/22 (Approximately HK$124 Million) 香港藝術節協會 2021/22 年度預計收入來源

（約港幣一億二千四百萬）

Estimated Income Sources for Hong Kong Arts Festival Society in FY2021/22 (Approximately HK$124 Million)

約 around

贊助和捐款

票房收入

政府的年度撥款

45%

Sponsorship & Donations

16% Box Office

21%

Current Government annual funding

約 around

18% 其他收入

（包括按捐款和贊助收入可望獲得的政府配對資助）

Other Revenues (including possible Government Matching Grant for Sponsorship and Donation income)

(2021年10月更新 Updated October 2021)

短篇粵劇 —— 民間三孝義故事

FAITH, FAMILY, FEALTY – THREE CANTONESE OPERAS

《王祥臥冰求鯉》

A Dutiful Son Fishing in Ice for His Mother

《雲英繼父守城》

The Warrior Daughter Yunying Takes Her Father’s Place

《緹縈陳情救父》

A Daughter’s Appeal to Save Her Father

13-15.07.2022 青年廣場 Y 劇場 Y Studio, Youth Square

粵語演出，附中、英文字幕

Performed in Cantonese with Chinese and English surtitles 13.07.2022 4:30pm

《王祥臥冰求鯉》A Dutiful Son

《雲英繼父守城》The Warrior Daughter

13.07.2022 8pm

《緹縈陳情救父》A Daughter’s Appeal 《雲英繼父守城》The Warrior Daughter

14.07.2022 4:30pm

《緹縈陳情救父》A Daughter’s Appeal 《雲英繼父守城》The Warrior Daughter

14.07.2022 8pm*

《王祥臥冰求鯉》A Dutiful Son

《雲英繼父守城》The Warrior Daughter

15.07.2022 4:30pm

生旦淨丑、一桌兩椅簡介

Introduction to specialised roles in Chinese opera and “One Table, Two Chairs”

《王祥臥冰求鯉》

《雲英繼父守城》

《緹縈陳情救父》

A Dutiful Son Fishing in Ice for His Mother

The Warrior Daughter Yunying Takes Her Father’s Place

A Daughter’s Appeal to Save Her Father 專題文章 Feature Article

創作團隊簡介 Creative Team Profiles 演員簡介 Cast Profiles

23 27 35

《王祥臥冰求鯉》A Dutiful Son 《雲英繼父守城》The Warrior Daughter

15.07.2022 8pm

《緹縈陳情救父》A Daughter’s Appeal

《雲英繼父守城》The Warrior Daughter

每場演出長約 1 小時 30 分鐘，不設中場休息 Each performance lasts approx. 1 hour 30 minutes with no interval

藝術節加料節目

* 藝術家分享 Artist Sharing 14.07.2022 | 9:30 - 10pm |

青年廣場 Y 劇場主講：胡國賢

Y Studio,Youth Square Speaker: Woo Kwok-yin

此免費「加料節目」開放給公眾參與。座位有限，先到先得，敬請留意。

The PLUS programme will be open to the public for free. Seats are limited on a first-come, first-served basis. 敬請關掉所有響鬧及發光裝置 Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷 This programme is printed on environmentally friendly paper

請勿擅自攝影、錄音或錄影 Unauthorised photography or recording of any kind is strictly prohibited

如不欲保留本場刊，請於完場後放入場地的回收箱 If you don't wish to keep this booklet, please return it to the admission point

所有作品內容均由主辦單位 / 創作團隊獨立製作，並不代表贊助機構之立場或意見。 All the content of works are independently produced by the organiser/creative team, and do not reflect the views or opinions of the Sponsor.

短篇粵劇 —— 民間三孝義故事

Faith, Family, Fealty – Three Cantonese Operas

藝術顧問 Artistic Advisor

阮兆輝 Yuen Siu-fai

編劇及監製 Playwright and Producer

周嘉儀 Chow Ka-yee

劇本整理 Script Editing

劍麟 Kim Lun

舞台監督 Stage Manager

王小鳳 Wong Siu-fung

擊樂領導 Percussion Leader

高永熙 Ko Wing-hei

音樂領導 Music Leader

孫迪飛 Suen Tik-fei

英文字幕翻譯 English Surtitles Translator

劉勤銳 Elbe Lau

生旦淨丑、一桌兩椅簡介

Introduction to specialised roles in Chinese opera and “One Table, Two Chairs”

生旦淨丑行當化的角色

Sheng, Dan, Jing and Chou: Hangdang 「行當」是中國戲曲的特有體制，戲曲演員皆按「行當」去演繹各類角色人物。粵劇與當代的其他劇種一樣，基本按「生、旦、淨（花臉）、丑」分行。

Hangdang is a unique system of classifying Chinese opera roles. Opera actors perform their roles according to hangdang. The basic roles in Cantonese opera, as in other genres of contemporary Chinese opera, are classified as sheng, dan, jing and chou.

生 Sheng

「生」是男性角色的統稱。「小生」與「小武」演青少年男子，一般不掛鬚，有文武的區分；「武生」在粵劇「六柱制」中，專演「老生」（鬚生），即中年或老年男性，以黑、蒼及白三色來區分人物的年齡。

The male roles are known collectively as sheng. Xiaosheng and xiaowu are two types of young male roles, where the characters do not typically wear beards. These roles are divided into civil and martial ones. The term wusheng is specifically used by Cantonese opera to refer to laosheng (bearded male roles), which are the middleaged or elderly male roles. Black, grey and white beards are used to indicate the age of the characters.

旦 Dan

「旦」是女性角色的統稱。「花旦」、「閨門旦」演一般青年女性，後者多為未婚的大家閨秀；「武旦」演武藝超群的女性；「老旦」專演年老女性，一般以蒼及白髮來區分人物的年齡。

Dan is a general term for the female roles. Under that collective term we have huadan and guimendan which are roles of regular young women, the latter being mostly unmarried; wudan are roles requiring outstanding martial arts; and laodan are roles exclusively for old women, whose grey or white hair generally indicate their age.

生旦淨丑、一桌兩椅簡介

Introduction to specialised roles in Chinese opera and “One Table, Two Chairs”

淨 Jing

「淨」，俗稱花臉或花面，主要扮演性格、品性或相貌有特異之處的男性人物，忠、奸、文、武都有，分別用不同的色彩和圖案勾畫臉譜。

The jing role, commonly known as hualian or huamian (flowered face), involves male characters with unique attributes, moral values or appearance, and can be loyal, treacherous, civil or martial. Different-coloured pigments are used to paint characteristic patterns on their faces.

丑 Chou

「丑」，俗稱小花臉，多在鼻樑上抹一小塊白粉，扮演的人物種類繁多，有心地善良、語言幽默、行動滑稽的，也有奸詐刁惡、慳吝卑鄙的，有時需要反串女角。

The chou role is commonly known as the “little flowered face”, because the bridge of the character’s nose is usually painted with a small patch of white. This role covers a wide variety of characters, some kind-hearted, humorous and funny, while others are treacherous, stingy and despicable. Sometimes the role involves the need to play female characters.

生旦淨丑、一桌兩椅簡介

Introduction to specialised roles in Chinese opera and “One Table, Two Chairs”

一桌兩椅虛擬化的舞台自由塑造的時空

One Table, Two Chairs: An Imagined Stage Set with Freely-shaped Time and Space 「一桌兩椅」是在戲曲舞台上最常見，也是最傳統的裝置和造型用具。由於古代的戲曲表演場地不固定，所以道具及舞台設計都傾向簡單。

“One table, two chairs” are the most common and most traditional items used to set the scene on the opera stage. Since ancient opera performances had no fixed venues, props and set design tended to be simple.

生旦淨丑、一桌兩椅簡介

Introduction to specialised roles in Chinese opera and “One Table, Two Chairs”

桌椅的用途非常廣泛，但只在人物表演需要的時候才出現，不需要時可以立即撤下。在不同的場合，桌和椅有不同的作用，最基本的實際功能是作為普通的桌椅，但若添加桌椅的數量，或套上不同顏色和圖案的「枱圍椅搭」及道具，即可變成具象徵性的布景裝置，如：橋樑、山丘、城樓、旗杆、床舖，甚至金殿、軍營、公堂等場景。一無所有、無中生有、應有盡有；「一桌兩椅」的無窮妙用，能以舞台有限的空間，表現時空的無限！

Tables and chairs are very versatile. They appear only when required by characters in the performance and are immediately removed once they have served their purpose. In different situations, tables and chairs can have different functions. The most basic practical function is for them to serve as regular tables and chairs. However, increased numbers of tables and chairs, or enclosures made from tables and chairs, decorated with props of different colours and patterns can be used on stage to represent set furnishings such as

bridges, hills, towers, flagpoles, beds, and even used to create scenes such as palaces, military camps and law courts. As necessity is the mother of invention, everything can come from nothing. “One table, two chairs” provides limitless opportunities to use the onstage area to express the infinity of time and space!

《王祥臥冰求鯉》 A Dutiful Son Fishing in Ice for His Mother 演員及角色

御玲瓏吳倩衡劍麟

鄺紫煌朱兆壹梁芷萁

Casts and Characters

飾鯉魚仙飾王祥

飾朱氏（王祥繼母）飾風神飾土地飾仙女

Yue Ling-loong as Carp Ng Sin-hang as Wang Xiang Kim Lun as Madam Zhu (Wang Xiang’s stepmother) Kwong Tsz-wong as Wind God Chu Siu-yat as Earth God Jackie Leung as Fairy

分場

Scenes

第一場〈苛索嚐鮮〉

Scene 1

Demanding Fresh Fish for Dinner

Scene 2

A Kind Fish Moved by Filial Love

第二場〈孝感善魚〉

《王祥臥冰求鯉》

本事

SYNOPSIS

A Dutiful Son Fishing in Ice for His Mother

晉朝時候，有一個既善良又孝順的人，名叫王祥；王祥很小時，母親便去世了，父親續弦，繼母朱氏胸襟狹窄，對王祥非常刻薄無情。不過，王祥並沒有怨恨繼母，依然對

她必恭必敬，奉行孝道。隆冬季節，大地籠罩在雪裏，河水都結了冰。這天，蠻橫刻薄的繼母，忽然想吃新鮮的

魚，喚來王祥，吩咐他去抓幾條活魚來。孝順的王祥因為不想讓母親失望，於是頂着刺骨的北風，跑到河邊去，望着白茫茫的河面，王祥想了想，便把上衣脫下來，躺在冰

面上，希望以自己的體溫把冰面融化。就在他冷得牙關抖顫，昏死過去，忽然冰面破了……原來是王祥的孝道把上天的仙子們都感動了，為他破冰取出活魚。

During the Jin dynasty lives a kind and filial child called Wang Xiang. His mother dies when he is an infant, and his father remarries. His stepmother Madam Zhu is a mean and petty person, who treats him harshly and unfeelingly. However, Wang Xiang does not resent his stepmother, and treats her with respect and filial piety. One winter’s day, with snow covering the earth and the rivers frozen, the unreasonable and mean stepmother suddenly wants to eat fresh fish. She summons Wang Xiang and orders him to catch some fish. The filial Wang Xiang does not want to disappoint her so, running against the biting north wind, he makes his way to the river and looks out on its frozen white expanse. Wang Xiang thinks for a moment and then takes off his robe and lies on the ice, hoping his body heat will melt a hole through the surface. Just as his teeth start chattering from the cold, and he is about to pass out, the surface of the ice suddenly breaks. Moved by Wang Xiang’s filial piety, the heavenly immortals have broken through the ice and helped him catch the fish.

《雲英繼父守城》 The Warrior Daughter Yunying Takes Her Father’s Place 演員及角色

御玲瓏劍麟

吳國華梁芷萁吳立熙吳倩衡朱兆壹

Casts and Characters

飾沈雲英

飾沈至緒（雲英之父）飾張獻忠

飾小梅（雲英之婢）

飾石子爵（雲英之表兄）飾石子祿（雲英之表弟）飾欽差

分場

序幕

第一場第二場

Yue Ling-loong as Shen Yunying Kim Lun as Shen Zhixu (Yunying’s father) Ng Kwok-wa as Zhang Xianzhong Jackie Leung as Xiaomei (Yunying’s maidservant) Ng Lap-hei as Shi Zijue (Yunying’s elder cousin) Ng Sin-hang as Shi Zilu (Yunying’s younger cousin) Chu Siu-yat as Imperial Commissioner Scenes

〈血戰〉

〈花園驚耗〉〈繼父守城〉

Prelude

Bloodshed

Scene 1

Shocked by Bad News in the Garden

Scene 2

Defending the City in Father’s Place

《雲英繼父守城》

本事

SYNOPSIS

The Warrior Daughter Yunying Takes Her Father’s Place

明朝人沈雲英因父親沈至緒是道州的守備，故此雲英自小

便隨父學習武術，才智勇氣皆過人。明朝末年，四方流寇相繼起事，沈至緒率兵出城與張獻忠大戰，不幸戰中犧牲了，遺體更落在敵人手上，雲英驚悉，便堅決要求出戰，一則要尋回父親的遺體，二則要繼承父志，守衛道州

城。於是雲英換過武裝，偕同表兄弟們打開城門殺入敵軍陣營，擊退敵軍，尋回父親的遺體。朝廷得知，派欽差宣旨，任命她為游擊將軍，請她繼承其父的職責，繼續守衛道州城。

Shen Yunying lives during the Ming dynasty. Her father Shen Zhixu is the garrison commander of Daozhou and has taught her martial arts from an early age. She is renowned for her intelligence and courage . Towards the end of the Ming dynasty, the country is beset by continuous revolts. In one battle, Shen Zhixu leads his troops out of the city to fight Zhang Xianzhong. He is killed in battle, and his body falls into enemy hands. Yunying is shocked at the news, and insists on joining the fight; firstly, to recover her father’s body, and secondly, to fulfil her father’s mission of protecting the city of Daozhou. Yunying dons military attire, and with her cousins, opens the city gate and charges into the enemy camp. The enemy is pushed back, and she is able to recover her father’s body. The imperial court hears of her exploits, and issues an edict appointing her Militia Commander, asking her to take over her father’s responsibilities and continue to guard Daozhou.

《緹縈陳情救父》 A Daughter’s Appeal to Save Her Father 演員及角色

御玲瓏吳立熙梁芷萁莫心兒朱兆壹鄺紫煌

Casts and Characters

飾淳于緹縈飾漢文帝

飾雲湘（姐妹）飾雲娥（姐妹）

飾周勃（右丞相）飾陳平（左丞相）

分場

第一場第二場

Yue Ling-loong as Chunyu Tiying Ng Lap-hei as Emperor Wen of Han Jackie Leung as Yunxiang (sister) Mock Sum-yee as Yune (sister) Chu Siu-yat as Zhoubo (Grand Chancellor of the Right) Kwong Tsz-wong as Chenping (Grand Chancellor of the Left) Scenes

〈上京救父〉〈金殿陳情〉

Scene 1

Journey to the Imperial Court

Scene 2

Pleading the Case Before the Emperor

《緹縈陳情救父》

本事

SYNOPSIS

A Daughter's Appeal to Save Her Father

淳于緹縈，漢文帝時人，父親淳于意，本是朝廷命官，後棄官從醫，不幸被誣告醫死人，被判發配往京師行肉刑。

所謂肉刑者有三種：一是臉上刺字，再以墨染黑，稱為黥面或墨刑；一是砍斷犯人的腳，稱為刖刑；一是割去犯人

的鼻子，稱為劓刑。緹縈得姐妹們相伴，趕到京師，請人代擬奏章，上殿向文帝上奏，為父伸冤，並在奏章中指

出，肉刑乃是不人道的刑罰，並不能令犯人改過自新。

漢文帝本身也是個孝順之人，看了奏章後，很欣賞緹縈的孝心，也認同她對肉刑的看法，於是下旨重審淳于意的案件，並答應與群臣商議廢除肉刑。

Chunyu Tiying lives during the reign of Emperor Wen of the Han dynasty. Her father Chunyu Yi was once an official of the imperial court, but gave up the position to become a doctor. Unfortunately, he is falsely accused of causing the death of a patient and is ordered to the capital to be punished. There are three types of corporal punishment in those times: one where characters are tattooed on the prisoner’s face, which is then stained black with ink; another in which the prisoner’s feet are cut off; and another still where the prisoner’s nose is cut off. Together with her sisters, Tiying rushes to the capital, where she has an appeal prepared on behalf of her father. She then goes to the palace to present the appeal to Emperor Wen. In her appeal, she points out that these forms of corporal punishment are inhumane and do not give the prisoner the opportunity to rehabilitate. Emperor Wen is also a filial person. He reads Tiying’s appeal and admires her filial piety. He also agrees with her views on corporal punishment. As a result, he orders that Chunyu Yi’s case be reopened, and agrees to discuss the abolition of corporal punishment with his ministers.

專題文章

Feature Article

孝經故事——透視傳統戲曲價值

THE CLASSIC OF FILIAL PIETY—STORIES UNFOLDING VALUES OF TRADITIONAL CHINESE OPERA

自古以來，「忠、孝、節、義」是備受推崇的中國傳統

美德，但時至今日，這些觀

念彷彿比以前薄弱，人與人

之間的關係亦愈見疏離。

2022 年香港藝術節將為觀眾

帶來一個以孝經故事為藍本

的粵劇系列，作為編劇及監製的周嘉儀（ Annie ）將如

何從中展現粵劇特色？故事中的傳統觀念與現代社會

的連結又是甚麼？在「後疫情時代」，孝經故事或

許會給現代人帶來不一樣的啟發。

Although highly regarded in ancient times, the traditional Chinese virtues— loyalty, filial piety, chastity and righteousness—have faded away, weakening ties between people. The 2022 Hong Kong Arts Festival will present a Cantonese opera series with stories stemming from the classic tales of the Classic of Filial Piety as a blueprint. How will writer and producer Annie Chow present the characteristics of Cantonese opera through this work? What relevance do the traditional concepts in the stories have to contemporary society? In this pandemic era, the stories about filial piety might have a surprising resonance for people.

《廿四孝》故事改編粵劇

專題文章

Feature Article

New Cantonese Opera Adaptation Centred on the Classic of Filial Piety

Annie 名副其實是個戲迷，除了一般粵劇節目，她也留意不少兒童粵劇的演出，但發現主流劇目如《帝女花》等都不適合兒童擔演。就在她一次為兒童粵劇培訓工作坊編寫劇本時，忽然想到可以將孝經故事作為題材。「孝經故事可以引起大人、小朋友的共鳴。」不過，傳統《廿四孝》的故事過於單調，所以她轉而考慮現時由《新編三十六孝》改編而成的《王祥臥冰求鯉》、《雲英繼父守城》及《緹縈陳情救父》。「這些故事本身比較有『戲味』，鋪排劇情時相對容易，再加入各式的排場和行當，增加戲劇張力。」這一系列的創作由兒童粵劇起始，當時已得粵劇名伶阮兆輝（輝哥）的幫助，就劇本給予意見，並指導演員排練和演出。來到 2022 年，故事的編排和演出形式將有所不同，「這次我們因應演出場地的空間大小，參考了『小劇場』形式，採用『一桌兩椅』的舞台設計，同時減少群眾演員，讓大家聚焦於故事和主要演員身上。」為了令劇情更加完整緊湊，這次演出的演員之一歐劍麟將劇本加以整理，他和 Annie 更會因應演員的專長量身度戲，並以傳統粵劇的規格模式為基本，確保演員有充份的發揮空間。

As an enthusiast of Cantonese opera, Chow looked to the general repertoire of classic, but also to many children’s performances. She found the mainstream operas, such as Princess Changping, unsuitable for children to perform. Bearing this in mind, Chow came up with the idea of using tales from the Classic of Filial Piety as subjects when she wrote scripts for a children’s Cantonese opera workshop. “Stories based on the Classic of Filial Piety can strike a chord with both adults and children,” she says. However, Chow found the traditional stories in the Twenty-Four Filial Exemplars too monotonous, so she turned to the stories A Dutiful Son Fishing in Ice for His Mother, The Warrior Daughter Yunying Takes Her Father’s Place and A Daughter’s Appeal to Save Her Father adapted from the Thirty-Six Exemplars of Filial Piety. “These stories are by themselves relatively dramatic, and so are more conducive to arranging storylines,” Chow says, “and by adding various scenes and roles, you can ratchet up the dramatic tension.” Initially, this series of works was initiated as a children’s Cantonese opera and developed with the help of the renowned Cantonese opera actor Yuen Siufai (aka. Fai Gor), who advised on the writing and directed the performers in rehearsals and performances. In this 2022 production, the plot and the staging are different from the past productions in 2012. “Considering the size of the

performance space, this time we have referenced the format of studio theatre and adopted the ‘one table, two chairs’ barestage design while reducing the number of walk-ons,” Chow says. “This way, we can make everyone focus on the stories and main performers.” One of the performers, Kim Lun has further revised the script to make the plot more rounded. He and Chow have also tailored the scenes to the performers’ specialities and have stuck with the traditional Cantonese operatic format, to ensure the actors have ample room for expression.

延續戲曲傳統

專題文章

Feature Article

Inheriting traditional Chinese opera 過往的傳統戲曲已有一套固定的演出程式，對新秀演員來說，發揮空間確實有限。這次 Annie 再次邀請輝哥擔任藝術顧問，他每次的參與對 Annie 而言都是一大鼓舞。「輝哥由我們製作兒童粵劇之時已經非常支持，他覺得三齣劇目既可展現粵劇各方面的特色如不同行當、文場武戲，演員也可以發揮所長，不論是之前的兒童演員，還是這次的新秀演員，都能夠展示所學並從中有所領會。」為此，Annie 沒有規限演員的唱腔和演戲模式，反而要求他們自行詮釋劇本，自由演繹故事。「排練時輝哥會加以指導和提點，如此一來，演員既可從前輩〔輝哥〕身上學習，也可發展出個人風格。」這個排練方式一方面可以保留粵劇傳統，另一方面也可以達致薪火相傳的效果。

此外，Annie 期望藉由這次演出，讓觀眾反思《孝經》裏的傳統觀念在當代的意義，以及重新審視現今人與人之間的關係。「戲曲有『高台教化』的作用，透過戲台上的表演，有助宣揚故事中的觀念和教誨。加上現時的社會氣氛比較負面，人際關係又薄弱，所以我們想通過這次節目，在啟發大家之餘，亦能帶來正能量。」將孝經故事重新改編，不僅讓觀眾溫故知新，還能加深大眾對粵劇的認識。「忠孝節義、唱唸做打、生旦淨丑」，Annie 以十二字簡潔有力地總結出這次演出的藝術意義。三套短篇行當齊全，文戲武場俱備，為觀眾和演員帶來全面的粵劇體驗。

In the famous old operas, routine ways of acting left little room for new performers to flourish. So Chow once again invited Yuen to be artistic consultant, and he was greatly encouraging as he was with each of the previous collaborations. “Fai Gor has been very supportive of us since our production of children’s Cantonese operas,” she says. “He sees the three plays as unfolding Cantonese opera by presenting its various characteristics such as role types as well as civil and martial scenes; and the plays also allow the child performers of our previous shows or the young talents of this new programme to harness what they have learned.” To this end, rather than instructing the performers in their singing and acting styles, Chow asks them to freely interpret the scripts and act out stories. “This way, the performers can develop their own styles, while learning from the guidance given by their predecessor [Fai Gor] during rehearsals.” This method preserves traditional Cantonese opera, but at the same time passes on the tradition to the next generation. Chow also hopes this performance can inspire audiences to reflect on what the traditional virtues in the Classic of Filial Piety mean to contemporary society and to re-examine present-day social relationships. “Chinese opera is educational— the on-stage performances help promote concepts and teachings in stories,” she says. “And also, given the rather

negative social atmosphere and weak interpersonal relationships that prevail today, we hope to bring out positive energy while inspiring people through this programme.” Adapting the stories arising from the Classic of Filial Piety can inspire in the audience new insights into the classics, as well as enhancing their understanding of Cantonese opera. Chow sums up the artistic significance of the performance concisely: “Loyalty, filial piety, chastity and righteousness; singing, acting, reciting and martial arts; and sheng (actors), dan (actresses), jing (male roles with painted face) and chou (male clown roles)”. With wellrounded characters and civil and martial scenes, the three plays will give both audiences and performers a comprehensive Cantonese opera experience.

原文刊登於香港藝術節 2022 年之《閱藝》 Originally published in the HKAF’s FestMag 2022

創作團隊簡介

阮兆輝 Yuen Siu- fai

藝術顧問 Artistic Advisor

七歲起參演電影，後拜名伶麥炳榮為師學戲，從事演藝工作六十年。他擅演文武生及小生，演丑生、鬚生甚至花臉戲亦非常出色，素有「神童」、「萬能泰斗」之美譽。1991 年獲「香港藝術家」年獎、2003 年及 2016 年獲香港藝術發展局先後頒發「藝術成就獎」及｢傑出藝術貢獻獎。演藝造詣高超之餘，他亦一直致力推動粵劇發展，進行大量教育及傳承的工作，2012 年更獲香港教育學院頒發榮譽院士。曾於 1992 年及 2014 年獲頒授｢BH 榮譽獎章｣及｢銅紫荊星章｣，以表揚他對社會的貢獻。曾親自撰寫《阮兆輝棄學學戲：弟子不為為子弟》、《生生不息薪火傳：粵劇生行基礎知識》及《此生無悔此生》。阮氏現為香港中文大學音樂系教授、香港康樂及文化事務署博物館專家顧問（粵劇）、一桌兩椅慈善基金藝術總監、香港教育大學榮譽院士，以及「粵曲考級試（演唱）」首席考官。

Creative Team Profiles

Yuen Siu-fai made his start as an actor in films at the age of seven, and he studied Cantonese opera with renowned artist Mak Bingwing. He has now been acting for 60 years. He specialises in wenwusheng (civil and military male) and xiaosheng (young male) roles, and also chousheng (clown), xusheng (senior male) and even hualian (painted face) roles. He was awarded Artist of the Year by the Hong Kong Arts Development Awards in 1991. He received the Award for Arts Achievement in 2003 and the Award for Outstanding Contribution in Arts in 2016 from the Hong Kong Arts Development Council. He was conferred with an Honorary Fellowship from the Hong Kong Institute of Education in 2012 for his contribution to Cantonese opera development and education in Hong Kong. He was awarded the Badge of Honour in 1992 and the Bronze Bauhinia Star in 2014 in recognition of his contribution to society. He is the author of two memoirs recounting his career in Cantonese opera, and a book about the fundamentals of performing the sheng role. He is currently Professor of Music at the Chinese University of Hong Kong, a museum advisor to the Hong Kong Leisure and Cultural Services Department (Cantonese Opera), artistic director of the One Table Two Chairs Charitable Foundation, Honorary Fellow of the Education University of Hong Kong, and chief examiner of the Cantonese Operatic Singing Examination (Singing).

創作團隊簡介

周嘉儀 Chow Ka- yee

編劇及監製

Playwright and Producer

中國戲曲愛好者、資深活動培訓策劃行政人員。近年以自由工作人身分，投放大量時間參與有關戲曲的藝術評論、藝術行政、劇本整理、舞台監督等工作。2010 年修畢由香港八和會館主辦、香港大學教育學院中文教育研究中心協辦之《粵劇編劇班》，其後為少年兒童粵劇培訓編撰以「孝經」為題之《王祥臥冰求鯉》、《緹縈陳情救父》、《趙咨迎盜》、《雲英繼父守城》及神話劇《八仙過海》。現為香港藝術發展局戲曲界別審批員、香港粵劇發展基金演出資助計劃評核小組成員、香港電台第五台特約研究員、春暉粵藝工作坊秘書。 2020 年成立「戲裏乾坤」，擔任主席，全方位推動前輩名伶以「傳、幫、帶」的方式宏揚中國戲曲表演藝術。

Creative Team Profiles

Chow Ka-yee is an avid lover of Chinese opera and an experienced administrator in project management and training in the field. In recent years, she has worked extensively in Chinese opera-related arts criticism, arts administration, script revision and stage management as a freelancer. In 2010, she completed the Cantonese Opera Script Writing course organised by the Chinese Artists Association of Hong Kong and supported by the Centre for Advancement of Chinese Language Education and Research at the University of Hong Kong. As the playwright for a Cantonese opera training programme for children and young people, Chow wrote several plays under the theme “Classics of Filial Piety”, namely A Dutiful Son Fishing in Ice for His Mother, A Daughter’s Appeal to Save Her Father, Zhao Zi Greets the Bulgars, and The Warrior Daughter Yunying Takes Her Father’s Place, as well as The Eight Immortals’ Adventures in the Eastern Sea, an adaptation of the Chinese mythical tale. She is currently an examiner (Xiqu) for the Hong Kong Arts Development Council, a member of the Assessment Panel for Subvented Performance Projects of the Cantonese Opera Development Fund, a freelance researcher for RTHK Radio 5, and secretary of the Spring Glory Cantonese Opera Workshop. In 2020, she founded the Cantonese opera society Arte of Xiqu. As chairwoman of the society, she supports veteran artists in passing on their knowledge, skills and experience to young performers, to promote the art of Chinese opera. 29

創作團隊簡介

現職粵劇舞台監督（提場）及燈光設計，香港八和會館會員。超過二十五年活動統籌和「使用者體驗」（ UX ）設計經驗。擁有香港嶺南大學翻譯學士學位、香港理工大學知識管理深造文憑；修讀英國

王小鳳 Wong Siu- fung

舞台監督 Stage Manager

University for the Creative Arts 碩士課程（設計、創新及品牌管理），研究香港粵劇的知識傳承及推廣發展。2014 年修畢「粵劇提場實務培訓課程」，在梁煒康指導下，投入劇場的幕後製作，為香港八和會館油麻地戲院之「粵劇新秀演出系列」及多個劇團擔任舞台監督，2021 年 3 月分別為香港藝術發展局 Arts Go Digital「《斬二王》自助導賞看排場」及康樂及文化事務署主辦之大型粵劇「重演優秀粤劇作品《乾坤鏡》（五代同台版）」擔任舞台監督。

Creative Team Profiles

Wong Siu-fung is a stage manager (tichang) and lighting designer for Cantonese opera productions, and a member of the Chinese Artists Association of Hong Kong. She has more than 25 years’ experience in project coordination and user experience design. She holds a BA in Translation from Lingnan University, and a postgraduate diploma in Knowledge Management from Hong Kong Polytechnic University. She studied at the University for the Creative Arts (MA Design, Innovation and Brand Management) in the UK, where her research focused on the transmission of knowledge and promotion of Cantonese opera in Hong Kong. In 2014, she completed the Cantonese Opera Development Fund’s professional training programme for stage prompters. Under the guidance of Leung Wai-hong, Wong began her career as a backstage worker. She has worked as stage manager for the Cantonese Opera Young Talent Showcase organised by the Chinese Artists Association of Hong Kong and Yau Ma Tei Theatre, and for various opera troupes. In March 2021, she was the stage manager for the programme, “Self-guided for watching Paichang (formulaic staging) Execution of the Duke’s Second Brother” on Arts Go Digital produced by the Hong Kong Arts Development Council, and the programme “Revisiting a Fine Selection of Cantonese Opera The Cosmic Mirror” presented by the Leisure and Cultural Services Department.

創作團隊簡介

高永熙 Ko Wing- hei

擊樂領導 Percussion Leader

出身粵劇擊樂世家，師承父親高潤權，以及廣東粵劇學校粵劇科科長蘇學成。畢業於廣東粵劇學校（現廣東舞蹈戲曲藝術職業學院）。2005 年赴廣東粵劇學校學習粵劇，2010 年回港接受父親的教導，曾在艷陽天粵劇坊、紫迎楓粵劇團、東昇劇團、頌先聲粵劇團、御玲瓏粵劇團、劍麟粵劇團及香港八和會館「粵劇新秀演出系列」等擔任掌板。2021 年為康樂及文化事務署主辦之大型粵劇「重演優秀粤劇作品《乾坤鏡》（五代同台版）」擔任擊樂領導。

Creative Team Profiles

Ko Wing-hei was born into a family of Cantonese opera percussionists. He was mentored by his father Ko Yun-kuen, and Su Xuecheng, head of Cantonese opera at the Guangdong Yueju School (now Guangdong Dance and Drama College). He is a graduate of the Guangdong Yueju School, where he enrolled to study Cantonese opera in 2005. He received further training under his father after returning to Hong Kong in 2010. He has worked as the zhangban (principal percussionist) for Sunny Cantonese Opera Troupe, Purple Maple Chinese Opera, East Sing Cantonese Opera Troupe, Chung Sin Sing Cantonese Opera Troupe, Yue Ling Loong Cantonese Opera, Kim Lun Cantonese Opera Troupe, and the Cantonese Opera Young Talent Showcase by the Chinese Artists Association of Hong Kong. In 2021, he served as the percussion leader for the programme “Revisiting a Fine Selection of Cantonese Opera The Cosmic Mirror”, presented by the Leisure and Cultural Services Department.

創作團隊簡介

孫迪飛 Suen Tik- fei

音樂領導 Music Leader

受父親孫國良啟蒙學習西樂，並跟隨宋向民學習中樂。曾於千歲粵劇研究院學習，後來入讀香港演藝學院修讀演員及戲曲伴奏課程。在學生時期得蒙游龍師傅指導，一邊學習一邊實踐，並追隨師傅於各大小劇團演出。現為全職粵劇樂師，自 2018 年擔任劍麟粵劇團之音樂領導，排演新劇《霸王別姬》、《鍾馗嫁妹》、《決戰黃天蕩》、《鍾無艷》、《打焦贊》、《戰馬超》等。

Creative Team Profiles

Suen Tik-fei studied Western music with the encouragement of his father Suen Kwok-leung, and he was inspired to study Chinese music by Sung Heungman. He received training at the Chin Sui Cantonese Opera Research Institute, and he later studied acting and musical accompaniment at the Hong Kong Academy for Performing Arts. During his school years he was coached by Leo Wong, and he performed with various opera troupes under the guidance of his mentor. He is currently a full-time Cantonese opera musician. Since 2018, he has been the music leader of Kim Lun Cantonese Opera Troupe, where he has arranged the music for productions such as Farewell My Concubine, Zhong Kui Marrying His Younger Sister Off, The Battle of Huangtiandang, Queen Chung Wu-yen, Beating Jiao Zan and Battle with Ma Chiu.

演員簡介

御玲瓏 Yue Ling-loong

飾鯉魚仙 / 沈雲英 / 淳于緹縈 as Carp / Shen Yunying / Chunyu Tiying

生於粵劇世家，約十一歲開始學戲，隨任大勳學習基本功， 1999 年首踏台板演折子戲，後與「廣州紅豆粵劇團」及「順德市粵劇團」在香港及國內作交流演出。2006 年首次紮腳演出《紮腳穆桂英大破天門陣》，2010 年底自組「御玲瓏青春劇團」，2005 至 2009 年參與蒲台島神功粵劇演出，曾合作名伶有龍貫天、南鳳、李鳳、尤聲普、廖國森、阮兆輝、賽麒麟及呂洪廣等。2007 年憑《紮腳劉金定斬四門》獲香港電台「 2007 年最受觀眾欣賞的粵劇演出劇目選舉」銀獎。2010 年獲香港藝術發展局頒發「 2009 藝術新秀獎」及香港電台及香港八和會館頒發「粵劇青年演員飛躍進步獎」優異獎。 Born into a family with a long tradition in Cantonese opera, Yue Ling-loong began training at the age of 11, learning the basics under the tutelage of Yam Tai-fan. After her stage debut in a performance of operatic excerpts in 1999, she collaborated with Guangzhou Hongdou Cantonese Opera

Troupe and Shunde Opera Troupe in Hong Kong and mainland China. In 2006, she performed wearing a pair of lotus shoes for bound feet for the first time in The Bound-feet Muk Kwai-ying Breaks the Heavenly Gate Formation. She founded Yue Ling Loong Cantonese Opera in 2010. From 2005 to 2009, she took part in the ritual performances of Cantonese opera on Po Toi Island. She has performed with Lung Koon-tin, Nam Fung, Lee Fung, Yau Sing-po, Liu Kwok-sum, Yuen Siu-fai, Choi Kei-leun, Lui Hung-kwong and other opera stars. For The BoundFeet Liu Jinding Crashes Four Gates, she won the 2007 Audience Choice Award for Cantonese Opera Performance – Silver Award by Radio Television Hong Kong. In 2010, she was recognised with the Award for Young Artist in Hong Kong Arts Development Awards 2009, and the Most Promising Actor Merit Award by Radio Television Hong Kong and the Chinese Artists Association of Hong Kong.

劍麟 Kim Lun

飾朱氏（王祥繼母） / 沈至緒（雲英之父） as Madam Zhu (Wang Xiang’s stepmother)/ Shen Zhixu (Yunying’s father)

Cast Profiles

八歲起隨廖儒安及文禮星學習粵劇，十四歲入行，工生、丑行，兼習花臉，曾隨多位京劇名演員學藝，集南北京粵表演特色，武打勇猛，唱唸宏亮。曾參與大型粵劇演出，包括每年的「香港八和會館慶祝華光先師寶誕」《香花山大賀壽》、香港藝術節 2010《香港粵劇經典》上海世博會演出、中國戲曲節 2017《粵劇經典慶回歸》等。2010 年獲香港電台及香港八和會館頒發「粵劇青年演員飛躍進步獎」（生角）優異獎，自 2012 年起參與香港八和會館「粵劇新秀演出系列」，2016 年獲選為「西九戲曲中心粵劇新星」。在「粵劇新秀演出系列」的六年演出中，被重點培訓主演以丑角和淨角擔綱的角色：知府胡進、捉鬼大臣鍾馗、楚霸王項羽等。 Kim Lun began learning Cantonese opera under Liu Yu-on and Man Lai-sing from the age of eight, and he started his career as a performer at 14. He specialises in sheng (male) and chou (clown) roles, and he also performs the hualian (painted face) role. He has studied with a number of famous Peking opera actors. The southern and northern features of Cantonese and Peking opera are evident in his performance, which is characterised by strong martial arts skills and a sonorous singing and reciting voice. He has taken part in various Cantonese opera showcases including the annual performance of Grand Birthday Celebration at Mount Heung Fa at the birthday celebration of Master Wa Gwong by the Chinese Artists Association of Hong Kong,

演員簡介

Hong Kong Cantonese Opera Treasures presented by the Hong Kong Arts Festival at Expo 2010 Shanghai China, and Cantonese Opera Classics to Celebrate the HKSAR Anniversary in the Chinese Opera Festival 2017. In 2010, he was recognised with the Most Promising Actor Merit Award for a young male opera role by the Chinese Artists Association of Hong Kong and RTHK. Since 2012, he has taken part in the Cantonese Opera Young Talent Showcase presented by the Chinese Artists Association of Hong Kong. In 2016, he was named one of the “Rising Stars of Cantonese Opera” presented by the Xiqu Centre. He has performed in six editions of the Cantonese Opera Young Talent Showcase. He was coached for performing lead roles as chou (clown) and jing (a role known for painted faces such as heroes, generals, villains, gods, or demons) characters, including Hu Jin the magistrate, Zhong Kui the demon hunter, and Xiang Yu the Hegemon-King of Western Chu.

吳立熙 Ng Lap-hei

飾石子爵（雲英之表兄）/ 漢文帝 as Shi Zijue (Yunying’s elder cousin) /

Emperor Wen of Han

工小武，兼演老生及丑生。早年參加雯藝軒的少年兒童粵劇培訓，師承黃綺雯、楊明、何家耀、關世振等，後考入八和粵劇學院，完成四年的課程，畢業後投身粵劇作專業演員，現活躍於香港各大小劇團。自 2012 年起參與香港八和會館「粵劇新秀演出系列」，曾主演《長坂坡》、《甘露寺．三氣周瑜》、《三帥困崤山》、《大鬧廣昌隆》等劇目。2019 年參加西九戲曲中心製作的小劇場粵劇《文廣探谷》擔演楊文廣，於北京首演榮獲第四屆北京新文藝團體優秀戲劇展演選為戲曲類「最佳劇目」。2020 年獲香港藝術發展局頒發「第十四屆香港藝術發展獎——藝術新秀獎（戲曲）」。 Ng Lap-hei specialises in the xiaowu (supporting military male) role, and he also performs laosheng (old male) and chou (clown) roles. As a child, he took part in Emily Music Forum’s Cantonese opera training programme for children and young people. He studied with a number of mentors, including Wong Yee-man, Yeung Ming, Ho Ka-yiu and Guan Shizhen. He later enrolled in the Cantonese Opera Academy of Hong Kong’s four-year training programme. A professional Cantonese opera actor since his graduation, he performs with various opera troupes in Hong Kong. Since 2012, he has taken part in the Cantonese Opera Young Talent Showcase organised by the Chinese Artists Association of Hong Kong, playing lead roles in The Long Slope Hill, At the Sweet Dew Monastery – Three Angers of Chow Yu, Three Generals Trapped at Mount Xiao and Havoc at Guang Chang Long. In 2019, he was cast in the Xiqu Centre’s original production of the experimental Cantonese

Cast Profiles

opera, Wenguang Explores the Valley, playing the titular role of Yang Wenguang. The production was awarded Best Play in the Contemporary Small Theatre (Xiqu category) at the 2019 Beijing New Arts and Culture Outstanding Theatre Showcase series. He received the Award for Young Artist (Xiqu) in the 14th Hong Kong Arts Development Awards in 2020.

鄺紫煌 Kwong Tsz-wong

飾風神 / 陳平（左丞相） as Wind God / Chenping (Grand Chancellor of the Left)

工生行，習藝十年，曾參加小紅船青年粵劇團、鑫韻青年粵劇團的培訓，續完成八和粵劇學院第一屆青少年演員訓練班的四年課程。2014 年畢業後，參與過慶鳳鳴粵劇團、任白慈善基金、朝暉粵劇團、長青粵劇團、艷陽天粵劇團等演出，現為香港八和會館「粵劇新秀演出系列」演員，並經常在各大劇團擔任次要演員，汲取實習經驗。 Kwong Tsz-wong specialises in the sheng (male) role, and he has learned Cantonese opera for ten years. He trained with Little Red Boat Youth Cantonese Opera Troupe and the youth section of Melody Cantonese Opera

演員簡介

Laboratory. He was in the first cohort of the Cantonese Opera Academy of Hong Kong’s four-year Cantonese opera youth training programme. Since graduating in 2014 he has performed in productions by Hing Fung Ming Opera Troupe, Yam Kim Fai and Pak Suet Sin Charitable Foundation, Chiu Fai Cantonese Opera Troupe, Evergreen Opera Troupe and Sunny Cantonese Opera Troupe. He has taken part in the Cantonese Opera Young Talent Showcase organised by the Chinese Artists Association of Hong Kong and often plays secondary roles in productions by various opera troupes.

In 2016, he became a protégé of Peking opera star Guan Shizen. He works with various opera troupes in Hong Kong. In addition to Cantonese opera, he has also performed in two Peking opera productions, The Pulley and Xiao Shang He, and in the stage play The Mission of Christ.

Cast Profiles

Hong Kong Schools Music Festival four years running and was the Hong Kong winner at the inaugural Shenzhen-Zhuhai-Hong Kong-Macau Cantonese Opera Exchange. She was the first runnerup in the Student of the Year (Performing Artist) awarded by the South China Morning Post, winner of the Henderson Land Cup in the Link Cantonese Opera Elite Competition, and the first runnerup in the solo zihou (falsetto) category of the Lim Por Yen Cantonese Opera Competition.

梁芷萁 Jackie Leung

飾仙女 / 小梅（雲英之婢）/ 雲湘（姐妹）as Fairy / Xiaomei (Yunying’s maidservant) / Yunxiang (sister)

吳國華 Ng Kwok-wa

飾張獻忠 as Zhang Xianzhong

工武生，2005 年起隨黃綺雯、楊明、何家耀、蔡之崴等老師習藝。2016 年拜京劇名家關世振為師，現活躍於香港各大小劇團。除粵劇演出外，曾演出京劇《挑滑車》、《小商河》及話劇《耶穌傳》。 Ng Kwok-wa specialises in the wusheng (military male) role. Since 2005 he has received training under Wong Yee-man, Yeung Ming, Ho Ka-yiu and Tsai Win-wei. 38

自六歲起對粵劇產生興趣，先後加入劍心粵劇團及八和粵劇學院青少年演員訓練班。曾連續四年獲得香港學校音樂節粵曲組別冠軍，為首屆「深珠港澳粵劇粵曲交流展演」香港區優勝者、南華早報「傑出學生（表演藝術界別）」亞軍、「領匯全港十八區粵曲精英大賽」恆基盃得獎者，以及首屆「林百欣盃全港社團粵劇粵曲比賽」子喉獨唱組亞軍。 A lover of Cantonese opera from the age of six, Jackie Leung first joined Kim Sum Cantonese Opera and later enrolled in the Cantonese Opera Academy of Hong Kong’s youth training programme. She was the winner in the Cantonese Operatic Song category of the

朱兆壹 Chu Siu-yat

飾土地 / 欽差 / 周勃（右丞相） as Earth God / Imperial Commissioner / Zhoubo (Grand Chancellor of the Right)

工生行，六歲開始接觸粵劇，中學畢業後投考香港演藝學院戲曲課程，現已取得戲曲藝術學士學位。在學院主要跟隨洪海老師、蔡之崴老師學習戲曲身段和基本功。修讀期間除了參與本地各大劇團的演出，也曾到廣州、澳門、台灣、韓國、日本和加拿大，與當地的藝術團體合作、交流和演出，在進修及實踐中努力學習舞台表演藝術。曾獲全港青年粵曲比賽（ 2016 至 2017 年度）青年獨唱組亞軍。在校《鑼鼓響》代表演出劇目有《脫穽救

演員簡介

Cast Profiles

裴》、《千里送京娘》、《泗水關》、《西河會妻》等。2018 年參與第 46 屆香港藝術節毛俊輝策劃及創作全新粵劇經典《百花亭贈劍》擔演安西王。 Chu Siu-yat specialises in the sheng (male) role, having been introduced to Cantonese opera at the age of six. After graduating from secondary school, he enrolled in the Hong Kong Academy for Performing Arts, where he obtained his Bachelor of Fine Arts in Chinese Opera. During his school years, he was mentored by Hong Hai and Tsai Win-wei in movement and posture and the basics of opera. He also took part in performances by various local opera troupes. Chu has also travelled to Guangzhou, Macau, Taiwan, Korea, Japan and Canada for exchanges and performances with local arts groups. He won second prize in the Vocal Solo category of Cantonese Operatic Singing Competition (2016-2017). In the programme Gongs and Drums at the Hong Kong Academy for Performing Arts, he performed in Rescuing Pei from Trap, Accompany Jinniang for Thousands of Miles, Gate at Si River, and Reunion With My Wife by West River. In 2018, he played Prince Anxi in Pavilion of a Hundred Flowers, an original Cantonese production directed by Fredric Mao, at the 46th HKAF.

吳倩衡 Ng Sin-hang

飾王祥 / 石子祿（雲英之表弟） as Wang Xiang / Shi Zilu (Yunying’s younger cousin)

自 2003 年至今，跟隨梁森兒老師學習生角行當，並參與劍心粵劇團各項演出。 2013 年畢業於八和粵劇學院青少年演員訓練班的四年課程。現隨蔡之崴老師習藝，專工生角，擅演娃娃生及武生。除參與香港八和會館「粵劇新秀演出系列」，亦經常在各大劇團擔任次要演員，汲取實習經驗。 Since 2003, Ng Sin-hang has been learning the sheng role under the mentorship of Leung Sumyee, and she has taken part in performances with the Kim Sum Cantonese Opera Association. In 2013, she graduated from the Cantonese Opera Academy of Hong Kong’s four-year youth training programme. She is currently continuing her studies under Tsai Chih-wei, and she is a skilled performer of wawasheng (young male) and wusheng (military male) roles. In addition to taking part in the Cantonese Opera Young Talent Showcase, she plays secondary roles in performances by various opera troupes.

莫心兒 Mock Sum-yee

飾雲娥（姐妹）as Yune (sister)

工旦角。自小酷愛粵劇，2015 年參加八和粵劇學院青少年培訓課程，曾參演《碧血寫春秋之斬子存忠》，2019 年畢業後積極參與各職業劇團的演出。 Mock Sum-yee specialises in the dan (female) role, and she has been a Cantonese opera enthusiast from a young age. In 2015, she enrolled in the Cantonese Opera Academy of Hong Kong’s youth training programme, and she performed in Executing His Own Son to Demonstrate Patriotism. Since her graduation in 2019, she has taken part in performances by various professional opera troupes.

鳴謝 ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member 嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

青銅會員 Bronze Member 鷹君集團 Great Eagle Group

Shanghai Commercial Bank Limited

實物支持機構 In-kind Supporters

618 上海街 618 Shanghai Street 香港港麗酒店 Conrad Hong Kong H6 CONET

藝術節捐助計劃 Festival Donation Scheme

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Mr Sebastian Man Nathan Road Investment Limited

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Mrs Miriam Hwa Sino Group

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無名氏 Anonymous 陳求德醫生及夫人 Dr & Mrs Chan Kow Tak Ms Eleanor Leung & Ma Pak Leung Company Limited

香港海事博物館 Hong Kong Maritime Museum 香港逸蘭銅鑼灣酒店 Lanson Place Causeway Bay, Hong Kong 通利琴行 Tom Lee Music 市區重建局 Urban Renewal Authority

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 Anonymous AWORKS.DESIGN Loretto Chan

天智合規顧問有限公司 CompliancePlus Consulting Limited Mr Lee Kam Sang Franklin Dr Michael Mak Moore family Mrs Schmitt Ling Jane 譚天放先生 Mr Martin T. F. Tam Ms Christine Tong Ms Enoch Yiu Ms Isabel Yiu

Ms Leung Wai Yee Candice Dr Tong Pak Chuen Mrs Darani Winnie Tsao

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HK$12,000 – HK$29,999

Associated Professional Engineers Ltd Mr David Baile Dr & Mrs Dan & Veryan Bradshaw Brandon Learning Centre Mrs Anson Chan Ms Chan Chui Shan Dr Fiona Chung Mr Anthony John Hardy HK CT ABRSM ALUMNI ASSOCIATION Ms Ho Man Fung Edith Ms Zoe Ho Ms Khoo Li Lian Mr & Mrs Ko Ying & Ko Woo Shing Ching Patricia Dr Alfred Lau Ms Ka Shi Lau Dr Lee Wan Fai Walter Mr & Mrs David S L Lin Dr Andrea Lowe Mr Luk Nai Man Dr Joseph Pang Jose M. Sevilla & Julie Bisaillon Victoria Capital Limited Mr Wong Yick Kam Ms Cecilia W Y YEUNG

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Dr Gillian Choa Ho & Fung Charitable Foundation Limited Mr Edmond Huang Ms Lee Lai Kuen Shelley Ms Caroline Y. Pang Mrs A. M. Peyer 曹小玲醫生 Dr Sabrina Tsao 曹延洲醫生夫人 Dr & Mrs Tsao Yen-chow Samuel & Amy Wang Dr Eleanor Wong Mr Jesmer Wong Mr Yu Wang Man

錢琨黃炤哲

HK$3,000 – HK$5,999

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新作捐助計劃 New Works Scheme 黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

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無名氏 Anonymous

Mr So Kai Tai

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MDB & Star B Chan Ms Phyllis Mi Ching Lam Mr Joseph Pang Mrs A. M. Peyer

Ms Grace Chiang Edith Shih & Stephen Sun

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HK$140,000 或以上 AND ABOVE

馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd

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Dr & Mrs H. Sohmen

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Ms Yvonne Cheng & Mr Kelvin Koo

無名氏 Anonymous Mrs A. M. Peyer

HK$12,000 – HK$29,999

無名氏 Anonymous

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無名氏 (2) Anonymous (2)

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Mrs Miriam Hwa Mrs Purviz R. Shroff, MH & Late Mr Rusy M. Shroff, BBS, MBE Tin Ka Ping Foundation 芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS HK$30,000 – HK$69,999

Roger and Lina Lui Ronald and Rita McAulay Foundation

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

無名氏 Anonymous

Ms Momo Chan Dr Chung See Yuen Ho & Fung Charitable Foundation Limited Mr & Mrs Stefan & Caroline Kracht Diana and Jay Parmanand Mr & Mrs Kenneth Quinn Edith Shih & Stephen Sun Dr Peter & Mrs Nancy Thompson Dr Eleanor Wong

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HK$6,000 – HK$11,999

Mr Iain Bruce Anna Chan and Henry Wong Ms Yvonne Cheng & Mr Kelvin Koo Mr & Mrs Norman Chui Pak Ming 天智合規顧問有限公司 CompliancePlus Consulting Limited Mrs Margaret Hamilton 林海容女士 Ms Lam Hoi Yung 麥禮和醫生 Dr Mak Lai Wo Mr & Mrs Vernon Moore 曹延洲醫生夫人 Dr & Mrs Tsao Yen-chow Mrs Linda Wang

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (4) Anonymous (4)

Mr Au Son Yiu Mr & Mrs Herbert Au-Yeung 陳皓宜博士 Dr Cindy Chan MDB & Star B Chan Dr Chan Wan Tung Dr Chiang Kwok Shing Alan 馮兆林先生太太 Mr & Mrs Fung Shiu Lam Ms Maureen Leung Savita Leung Ms Regina Lo Mrs A. M. Peyer Dr Adrian Raper Ms Janice Ritchie Mr So Kin Man Mr Desmond Yu

支持及協助 SUPPORT AND COOPERATION Acorn Design Alfie Leung Design AMC Pacific Place

香港浸會大學 Hong Kong Baptist University •音樂系 Department of Music •拉闊文化 Cultural Literacy Programme

教育局藝術教育組 •

香港大會堂 Hong Kong City Hall

Arts with the Disabled Association Hong Kong Auberge Discovery Bay Hong Kong

Arts Education Section, Education Bureau 香港展能藝術會 • 香港愉景灣酒店 •

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong 百老匯院線 Broadway Circuit

burgundy etc CAMPSITE

香港管弦樂團 Hong Kong Philharmonic Orchestra 香港公共圖書館 Hong Kong Public Libraries

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

香港旅遊發展局 Hong Kong Tourism Board

香港海事博物館 Hong Kong Maritime Museum

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd 比利時駐港澳總領事館 •

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港總領事館 •

Consulate General of Canada in Hong Kong and Macau 智利駐港澳總領事館 •

Consulate General of Chile in Hong Kong 法國駐港澳總領事館 •

Consulate General of France in Hong Kong and Macau 以色列駐香港總領事館 •

Consulate General of Israel in Hong Kong & Macau 西班牙駐港澳總領事館 •

Consulate General of Spain in Hong Kong and Macao 瑞士駐香港總領事館 •

Consulate General of Switzerland in Hong Kong 捷克共和國駐香港領事館•

Consulate General of the Czech Republic in Hong Kong 伊朗駐香港總領事館 •

Consulate General of the Islamic Republic of Iran in Hong Kong 荷蘭王國駐港總領事館 •

Hotel Ease Access Tsuen Wan

天開數碼媒體有限公司 TFI Digital Media Limited

宜必思香港中上環 •

香港中文大學 The Chinese University of Hong Kong

荃灣 Hotel COZi Oasis

登臺 Hotel Stage

荃灣 •

ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia)

香港以外地區經濟事務辦事處新聞及公共關係組海景嘉福洲際酒店 •

InterContinental Grand Stanford Hong Kong JellyBin Limited

賽馬會創意藝術中心 Jockey Club Creative Arts Centre 高山劇場 Ko Shan Theatre

Die Konzertisten

拔萃女書院 Diocesan Girls' School

香港荃灣帝盛酒店 Dorsett Tsuen Wan, Hong Kong 香港灣仔帝盛酒店 Dorsett Wanchai, Hong Kong

Kwang Hwa Information & Culture Center

香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong 拉脫維亞駐香港名譽領事館 •

Latvian Honorary Consulate in Hong Kong 康樂及文化事務署 •

Leisure and Cultural Services Department

中央人民政府駐香港特別行政區聯絡辦公室•

Liaison Office of the Central People's Government in the HKSAR 嶺南大學 Lingnan University

• 黃炳禮音樂及演藝部 • Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

MCL K11 Art House

Ministry of Culture and Tourism, PRC

香港君悅酒店 Grand Hyatt Hong Kong 青苗琴行 Greenery Music

快達票香港有限公司 HK Ticketing 香港藝術行政人員協會 •

Hong Kong Arts Administrators Association 香港藝術中心 Hong Kong Arts Centre

音樂系 Department of Music 聯合書院 United College 文學院 Faculty of Arts 藝術行政主任辦公室 The Office of the Arts Administrator 文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

• 中文及歷史學系 Department of Chinese and History • 城大創意媒體學院 School of Creative Media

香港教育大學 The Education University of Hong Kong

• 文化與創意藝術學系 Department of Cultural and Creative Arts • 圖書館 Library

香港演藝學院 • • • • • • •

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music 舞蹈學院 School Dance 電影電視學院 Film and Television 學生事務處 Student Affairs Office

香港兒童合唱團 The Hong Kong Children’s Choir 香港科技大學 •

The Hong Kong University of Science and Technology • 藝術中心 Center for the Arts

中環石板街酒店 The Pottinger Hong Kong

The Swiss Chamber of Commerce in Hong Kong Limited 香港大學 The University of Hong Kong • • • •

音樂系 Department of Music 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 志新學院 Chi Sun College

港青 - 香港基督教青年會 The Salisbury – YMCA of

Hong Kong

綠葉劇團 Théâtre de la Feuille

音樂事務處 Music Office

三角關係 Trinity Theatre

李鏡輝先生 Mr Alpha Li

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

柏斯琴行 Parsons Music Limited

卓滙達有限公司 Patsville Company Ltd

Pixellent

香港歌德學院 Goethe-Institut Hong Kong

• • • • •

Mission Production Company Ltd

德國駐香港總領事館 •

六國酒店 Gloucester Luk Kwok Hong Kong

香港八和會館 The Chinese Artists Association of Hong Kong

The Hong Kong Academy for Performing Arts

光華新聞文化中心 •

Performing Arts Fund NL

German Consulate General Hong Kong

藝林文具印刷有限公司 The Artland Co Ltd

葵青劇院 Kwai Tsing Theatre

香港旺角帝盛酒店 Dorsett Mongkok, Hong Kong 愛普生香港有限公司 Epson Hong Kong Limited

道風山基督教叢林 Tao Fong Shan Christian Centre

梅夫人婦女會 The Helena May

中華人民共和國文化和旅遊部 •

好青年荼毒室 Corrupt the Youth

Taiwan Sotheby's International Realty

九龍木球會 Kowloon Cricket Club

Kubrick

Consulate General of the Lao PDR in Hong Kong Consulate General of the Russian Federation in Hong Kong SAR, PRC

大館 Tai Kwun

旭逸雅捷酒店

悦品酒店

Maxibit HK/China

俄羅斯駐香港總領事館 •

辰衝圖書有限公司 Swindon Book Co. Ltd. 台灣蘇富比國際房地產•

Consulate General of the Kingdom of Netherlands 老撾駐香港總領事館 •

香港西班牙商會 •

Honorary Consulate of Monaco in Hong Kong

摩納哥駐香港名譽領事館 •

Information and Public Relations Units in Offices Outside Hong Kong

城市當代舞蹈團 City Contemporary Dance Company

信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd.

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd

CITIC Telecom International CPC Limited

上環文娛中心 Sheung Wan Civic Centre

Southgate Design

入境事務處 Immigration Department

中信國際電訊 ( 信息技術 ) 有限公司 •

邵氏影城 Shaw Studios

香港文化中心 Hong Kong Cultural Centre

粵劇發展基金 Cantonese Opera Development Fund 牛棚藝術村 Cattle Depot Artist Village

618 上海街 618 Shanghai Street

電訊盈科 PCCW

犇華企業服務有限公司 Primasia Corporate Services Limited

通利琴行 Tom Lee Music Company Ltd 荃灣大會堂 Tsuen Wan Town Hall 屯門大會堂 Tuen Mun Town Hall 城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre 進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局 West Kowloon Cultural District

Authority

富豪酒店國際 Regal Hotels International

粵海華美灣際酒店 Wharney Hotel

皇家太平洋酒店 Royal Pacific Hotel

YSpace

Royal Thai Consulate General Hong Kong

赤豚事務所 Zhu Graphizs

香港瑰麗酒店 Rosewood Hong Kong 泰國駐香港總領事館 •

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

油麻地戲院 Yau Ma Tei Theatre 元朗劇院 Yuen Long Theatre

電話 PHONE 傳真 FAX 地址 ADDRESS

2824 3555 2824 3798 / 2824 3722 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

贊助人

李家超先生

PATRON

John Lee Ka-chiu, SBS PDSM PMSM

永遠名譽會長

邵逸夫爵士

HONORARY LIFE PRESIDENT

Sir Run Run Shaw, CBE (1907-2014)

主席

查懋成先生

Chairman

Mr Victor Cha

義務司庫

范高廉先生

Vice Chairman

Prof Lo King-man, SBS MBE JP

Honorary Treasurer

Mr Colin Farrell

Members

Mrs Betty Yuen Cheng Ms Margaret Cheng Mr Michael Fung Ms Joanna Hotung Mr Sebastian Shiu-wai Man Dr Dennis T L Sun, BBS JP Ms Miriam Yao Mr Sunny Yeung

執行委員會副主席委員

節目委員會主席委員

財務委員會主席委員發展委員會主席

盧景文教授鄭阮培恩女士鄭惠貞女士馮愉敏先生何苗春暉女士文肇偉先生孫大倫博士姚潔莉女士楊光先生盧景文教授

白諾信教授紀大衛教授羅志力先生毛俊輝教授李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士范高廉先生

鄭惠貞女士梁國輝先生鄭阮培恩女士

副主席

雍景欣女士

顧問

夏佳理先生鮑磊先生陳祖澤博士陳達文博士霍璽先生李業廣先生梁紹榮夫人李國寶博士

委員

名譽法律顧問核數師

馮愉敏先生龐心怡女士孫林宣雅女士姚祖輝先生

甘乃迪女士（孖士打）羅兵咸永道會計師事務所

+ 榮譽節目顧問 Honorary Programme Advisor

EXECUTIVE COMMITTEE

PROGRAMME COMMITTEE Chairman

Prof Lo King-man, SBS MBE JP

Members

Prof Giorgio Biancorosso Prof David Gwilt, MBE Mr Peter C L Lo Prof Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP

FINANCE COMMITTEE Chairman

Mr Colin Farrell

Members

Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman

Mrs Betty Yuen Cheng

Vice Chairman

Ms Jane Yong

Members

Mr Michael Fung Ms Samanta Sum-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM GBS JP ADVISORS Mr Martin Barrow, GBS CBE JP Dr John C C Chan, GBS CBE LVO JP Dr Darwin Chen, SBS ISO Mr Angus H Forsyth The Hon Charles Y K Lee, GBM GBS OBE JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon Sir David K P Li, GBM GBS OBE JP

HONORARY SOLICITOR

Ms Gabriela Kennedy, Mayer Brown

AUDITOR

PricewaterhouseCoopers

職員

行政總監行政總監助理

何嘉坤何丹蓉

短期節目經理

梁掌瑋鄭佩群馬筠婷譚小敏游慧姿

節目節目總監節目經理

節目統籌物流及接待經理

行政節目經理 ( 行政 ) 節目主任 ( 行政 ) 技術製作經理助理製作經理出版編輯助理編輯外展外展經理外展統籌外展主任外展助理

市場推廣市場總監副市場總監市場經理副市場經理助理項目經理助理市場經理

票務市場經理 ( 票務 ) 高級票務主任

發展發展總監發展經理（大額捐獻）發展經理副發展經理藝術行政見習員發展主任行政事務

會計財務總監會計經理會計主任

人力資源及行政人力資源及行政經理接待員 / 初級秘書助理資訊科技資訊科技經理

無限亮高級項目經理節目及外展經理節目及外展主任市場經理助理市場經理助理技術及製作經理高級會計主任

STAFF Executive Director Assistant to Executive Director 蘇國雲廖國穎司徒頌欣

陳栢琦金學忠蘇雪凌林穎妍梁雅芝莫賦斌

奧利弗．化理李芷晴鄧冠恆周綺雯林穎茵韓樂恒鄭尚榮盧伯全黃嘉璧陳靄婷李穎軒許樂欣

林嘉敏張翠騫

張予心譚懿諾

Temporary Programme Manager

Grace Lang Cathy Cheng Katie Ma Tracy Tam Janet Yau

Programme Coordinator Logistics Manager

Pecky Chan Elvis King

譚樂瑤

So Kwok-wan Sophie Liao Samantha Szeto

ADMINISTRATION Programme Manager (Administration) Programme Officer (Administration)

Shirley So Michelle Lam

TECHNICAL Production Manager Assistant Production Manager

Shirley Leung Benny Mok

PUBLICATIONS Editor Assistant Editor

Oliver Farry Rebecca Lee

OUTREACH Outreach Managers Outreach Coordinators Outreach Officer Outreach Assistant

Joe Tang Janet Chow Lilian Lam Leona Hon

MARKETING Marketing Director Associate Marketing Director Marketing Manager Deputy Marketing Managers Assistant Project Managers Assistant Marketing Manager TICKETING Marketing Manager (Ticketing) Senior Ticketing Officer

梁彩雲陳偲穎余潔儀鍾雅妍林思穎蘇小欣蘇曉嵐向寶淇

PROGRAMME Programme Directors Programme Managers

Tisa Ho Connie Ho

DEVELOPMENT Development Director Development Manager (Major Gifts) Development Managers Deputy Development Manager Arts Administrator Trainee Development Officer

Katy Cheng Eugene Lo Valentina Wong Tobie Chan Hill Li Sally Hui

Carman Lam Tracy Cheung

Stephanie Cheung Hades Tam

Eppie Leung Stephanie Chan Flora Yu Fiona Chung Sharon Lam Connie So Katrina So Winky Heung

Lorna Tam

CORPORATE SERVICES 鄺敬婷杜詩麗鍾巧明

ACCOUNTS

楊美君李美娟黃國愛

HR & ADMINISTRATION

陳啟明

INFORMATION TECHNOLOGY

張文磊施藝虹何敬堯何詩慧黃秀雯陳梓衡彭健欣

Finance Director Account Manager Accounting Officer

Teresa Kwong Connie To Catherine Chung

Human Resources and Administration Manager Janet Yeung Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong Information Technology Manager

嚴家卉潘詠汶

按英文姓氏首字母排列 In alphabetical order 2022 年 7 月更新 Updated July 2022

NO LIMITS Senior Project Manager Programme and Outreach Managers Programme and Outreach Coordinators Marketing Manager Assistant Marketing Manager Assistant Technical and Production Manager Senior Accounting Officer

Derek Chan Grace Zhang Alice Sze Kelvin Ho Ho Sze-wai Stephanie Wong Jacob Chan Janice Pang

Michelle Yim Jasmine Poon