Wiener Symphoniker - Inaugural Concert of 2020/21 Season - 49th Hong Kong Arts Festival by Hong Kong Arts Festival

Wiener Symphoniker 維也納交響樂團

放映節目贊助 Screening sponsored by

行政長官的話

MESSAGE FROM THE CHIEF EXECUTIVE

大部分節目，當中許多節目更開放予世界各地愛好藝術的觀眾。

衷心祝賀香港藝術節今年踏入第 49 屆。這一年一度的藝術盛事在新冠肺炎疫情的挑戰下，仍然辦得有聲有色，精采可期。

今年藝術節帶來一連串繽紛多彩的網上及現場節目，涵蓋音樂、歌劇、戲劇、舞蹈、電影等多個藝術範疇。總體來說，藝術節會在「遠在咫尺」的主題下，呈獻合共約三百場節目、活動及表演。藝術節的亮點，包括捷克布爾諾國家歌劇院及其兩年一度「布爾諾楊納傑克節」的多場精選數碼版歌劇及音樂會。同樣引人注目的，還有兩部取材自英國劇作家尼爾．巴奈特改編劇作《鼠疫》的發人深省作品，一部為英語版，另一部為粵語版。粵語版為香港本地製作，英語版則由身處六個地區的六名演員作網上實時演出。來自蘇格蘭鄉村的魔術師史葛．蕭凡亦會在網上實時演出，他的互動作品《心靈旅程》每場只限三十位觀眾參與。此外，亦有十六部慶祝香港賽馬會當代舞蹈平台十周年的製作，包括與中國內地及英國藝術家合力創作的作品。在藝術節開幕演出中，香港中樂團會進行兩首曲目的世界首演，而廣獲讚譽的莫斯科莫伊謝耶夫舞團，則會為這國際藝壇盛會作閉幕演出。我很高興市民可於登記後免費觀賞

藝術節一如以往，在學校推廣藝術教育，並透過幕後花絮影片、藝術家對談、演前及演後講座等「加料節目」，讓觀眾與藝術家互動交流。

衷心感謝香港藝術節團隊努力不懈，悉心籌辦以上各項節目及活動。我亦感謝贊助商和捐款者大力支持藝術文化，與藝術文化界共渡時艱。謹祝香港藝術節圓滿成功，為大家帶來一趟精采難忘的藝術之旅。

It gives me great pleasure to congratulate the Hong Kong Arts Festival on the staging of its 49th annual celebration of the arts, and doing so in splendid fashion despite the daunting challenges of the COVID-19 pandemic. This year’s Festival features a cheering range of online and in-venue programmes showcasing music, opera, theatre, dance, film and more. In all, the Festival presents some 300 events, activities and performances under the theme “Separate Together”. Festival highlights include a dazzling digital selection of operas and concerts from the Czech Republic’s National Theatre Brno and its biennial Janá ek Brno Festival. Equally notable are two piercing productions of British playwright Neil Bartlett’s adaptation of The Plague, one in English, the other in Cantonese. The Cantonese version is produced in Hong Kong, while the English version is a live

香港特別行政區行政長官

林鄭月娥

online performance starring six actors in six time zones. Illusionist Scott Silven also performs online and live, from rural Scotland. His interactive production, The Journey, is limited to 30 participants per show. The Hong Kong Jockey Club Contemporary Dance Series celebrates its 10th anniversary with 16 productions, including collaborations with artists from the Chinese mainland and the United Kingdom. The Festival opens with the Hong Kong Chinese Orchestra performing two world premieres and concludes its international slate with the acclaimed Igor Moiseyev Ballet from Moscow. I find it particularly gratifying to note that the vast majority of events are available free of charge, upon registration, with many of them open to arts lovers from all over the world. The Arts Festival’s promotion of arts education in schools continues. And PLUS programmes bring together audiences and artists through behindthe-scenes videos, artist dialogues and pre- and post-performance talks. For all that, and much more, I am grateful to the inspired diligence and dedication of the Hong Kong Arts Festival team. My thanks, too, to the sponsors and donors for their generous support to arts and culture, particularly in this trying time. I wish you all an enjoyable and memorable Hong Kong Arts Festival.

Mrs Carrie Lam

Chief Executive Hong Kong Special Administrative Region

主席的話

MESSAGE FROM THE CHAIRMAN

第 49 屆香港藝術節思考「距離」及「聯繫」的意義，我亦希望藉此機會感謝一眾促成今天表演的支持者，這場表演為我們提供難得的機會，探索與他人聯繫的方法。我衷心感謝香港特別行政區政府透

過康樂及文化事務署提供年度撥款，以及香港賽馬會慈善信託基金持續並堅定地支持我們，也感謝眾多企業贊助商、慈善基金會以至個人捐助者，在這前所未有的挑戰中給予我們莫大的幫助，與我們並肩同行。亦要感謝一眾富有才華的藝術家傾力演出，令今天的表演生色不少。同時也感謝觀眾的參與，令演出能圓滿成功。希望你會在今天的演出中找到屬於自己的聯繫，並像我一樣珍視這些連結。

As we reflect on distance and connection in the 49th Hong Kong Arts Festival, I would like to thank everyone who has made this performance possible, giving us an invaluable opportunity to explore ways of connecting with others. I am grateful to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention; and to The Hong Kong Jockey Club Charities Trust for its staunch and ongoing support. Thanks are also due to our corporate sponsors, charitable foundations and individual donors, who continue to stand by us in these unprecedented circumstances. Sincere thanks also go to all of the participating artists, whose talent and dedication have gone into today’s performance; and to you, the audience, without whom the show would not be complete. I hope you will find your own connection to today’s performance and will treasure it as much as I do.

香港藝術節主席

查懋成

Victor Cha

Chairman Hong Kong Arts Festival

行政總監的話

MESSAGE FROM THE EXECUTIVE DIRECTOR

我連同藝術節團隊，很高興歡迎閣下觀賞第 49 屆香港藝術節的演出。

過去一年，香港以至世界情勢面臨前所未有的變化，使我們都體會到分離和孤獨的滋味。「遠在咫尺」所指的，正是我們這種共同經歷的感

With all my colleagues, I am thrilled to welcome you to this performance in the 49th Hong Kong Arts Festival.

Over the past year, we have shared the isolation resulting from unprecedented circumstances both in Hong Kong and around the world. 受。今屆藝術節的不少節目亦與之 “Separate Together” acknowledges 呼應，身處各地的藝術家及觀眾， what we have all been going through, 因為藝術節的演出及活動而拉近彼 and is referenced in a number 此距離。另一方面，「遠在咫尺」亦 of productions this year. It also 點出所有優秀藝術作品擁有的奇妙 alludes to all the separate artists 力量：既能喚起最獨特、深刻的個 and audiences brought together for 人感受和回應，但同時又能讓觀者 performances and events. At the 一同分享種種奧妙、感動、啟迪 same time, “Separate Together” 和鼓舞。今屆藝術節將呈獻眾多演 describes one of the most magical 出，我衷心希望我們會一起體會藝 aspects of great art: its capacity to elicit uniquely and deeply personal 術的奇妙力量。 responses while paradoxically giving 此外，敬請留意一連串「加料節目」 us a shared moment of wonder, to be 活動，為你在演出以外打開新的觀 moved, inspired and uplifted. I hope 賞角度，令觀賞體驗更豐富。請盡 very much that we will experience this together in many performances in the 情投入！ course of the Festival. Please also look out for ancillary PLUS programmes and events, which are curated to provide additional dimensions to the work presented, and enrich your Festival experience. Enjoy!

香港藝術節行政總監

何嘉坤

香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:

Tisa Ho

Executive Director Hong Kong Arts Festival

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 A major international arts festival in, of and for Hong Kong

「藝術的創作與演出給世界帶來美麗，給人類引起鼓舞，給生命充實活力，給社會增添光輝……這是舉辦香港藝術節的崇高意義。」

“Creative and representational arts have a common mission. They bring beauty to the world, courage to mankind, vigour to life, and brilliance to society… Therein lies the noble significance of the Festival.” 香港藝術節協會永遠名譽會長邵逸夫爵士 (1907–2014) Sir Run Run Shaw, CBE, HKAF Honourary Life President (1907–2014)

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，致力豐富香港的文化生活。藝術節的節目精采多元，涉獵音樂、歌劇、戲曲、實驗劇場、芭蕾舞以至街舞等林林總總的類型。過往曾獲邀在藝術節舞台表演的國際演藝名家及團體包括一流的國家歌劇院、劇團、管弦樂團，以及眾多具代表性的表演者等。我們亦經常與傑出的國際藝術家及團體攜手製作演出。

我們亦積極與本地演藝人才合作，並致力為新進藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，不少更已在香港及海外多次重演。

為使香港的文化生活更豐富，我們每年於藝術節前及期間主辦一系列多元化並深入社區的「加料節目」，例如電影放映、大師班、展覽、藝人談、後台參觀及文化導賞團等，鼓勵觀眾與藝術家互動接觸。

我們亦銳意將共融藝術理念拓展到社區每一角落。由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限亮」計劃於 2019 年正式開展，透過一系列的演出及多元的教育及社區外展節目，「無限亮」致力創造共融空間，讓不同能力人士均可以一同欣賞、參與及擁抱藝術。

The Hong Kong Arts Festival (HKAF) is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts in February and March each year. Since its launch in 1973, HKAF has presented top international artists and ensembles across multiple genres—from music, opera, Chinese opera and ballet to break dance and experimental theatre. International guests have included major state operas, established theatres, top orchestras and stars of the day. We also frequently partner with renowned international artists and institutions to produce exceptional new works. We have also collaborated with Hong Kong’s own creative talent to produce work which is now part of the local canon and to showcase emerging local artists. Over the years, the HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance—many with successful subsequent performances in Hong Kong and overseas. As part of our enduring commitment to enriching the cultural life of the city, we organise a diverse range of Festival PLUS activities for the community before and during the Festival to enhance engagement between artists and audiences. These include film screenings, masterclasses, exhibitions,

為了培養未來的藝術家和觀眾，我們大力投資下一代的藝術教育。「青少年之友」成立 29 年來，已為逾 782,000 位本地中學生及大專生提供藝術體驗活動。會員可參加由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排，以及欣賞藝術節演出等。通過「學生票捐助計劃」，藝術節每年亦提供約 10,000 張半價學生票。

香港藝術節是一所非牟利機構，其主要收入除了政府的恆常資助及票房外，極大一部分來自各大企業、熱心人士和慈善基金會的贊助和捐款，以及政府針對捐款和贊助收入而提供的配對資助。

*2021 年 1 月更新 Updated January 2021

過往節目一覽

Visit our programme archive

meet-the-artist sessions and guided backstage and cultural tours. Beyond the main Festival, the HKAF also promotes inclusivity and understanding through the arts. Its “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, strives to create an inclusive space for people with different abilities to share the joy of the arts together. To nurture the next generation of artists and audiences, the HKAF also invests heavily in yearround arts education for young people. Over the past 29 years, our “Young Friends” scheme has reached over 782,000 local secondary and tertiary school students; members can enjoy showcases, pre-performance talks, open rehearsals, Festival performances and in-school workshops led by international and local artists. Donations to the Student Ticket Scheme also make approximately 10,000 half-price student tickets available each year. HKAF is a non-profit organisation. Its principal income sources are: recurrent funding from the government, box office revenues, and sponsorship and donations made by corporations, individuals and charitable foundations which form a significant portion of total income and also enables HKAF to receive support from the Government’s matching scheme that matches income generated through private sector sponsorship and donations.

香港藝術節 HONG KONG ARTS FESTIVAL 感謝 would like to thank

贊助 for sponsoring 「香港賽馬會藝粹系列」之維也納交響樂團音樂會節目放映

THE SCREENING OF CONCERT BY WIENER SYMPHONIKER as part of THE HONG KONG JOCKEY CLUB SERIES

曲目

樂曲介紹

維也納交響樂團簡介

2020/ 21 樂季開幕音樂會 Inaugural Concert of 2020/21 Season

音樂總監及指揮 Music Director and Conductor

4–7.03.2021

Andrés Orozco-Estrada

Programme

維也納交響樂團 WIENER SYMPHONIKER

網上放映

Online Screening

演出長約 1 小時 30 分鐘

Approx 1 hour and 30 minutes

德語演唱，附中、英文字幕

Performed in German with Chinese and English subtitles

Programme Notes

About the Wiener Symphoniker 安德烈斯．奧羅斯科－埃斯特拉

女高音 Soprano

克里斯汀．卡格

Christiane Karg

作曲家 Composer

卡萊恩．梅斯勒

28 31

Carlijn Metselaar

香港藝術節感謝天開數碼媒體有限公司為維也納交響樂團 2020/21 樂季開幕音樂會節目提供網上播放支持 The HKAF thanks TFI for providing technical support for the online screening of Wiener Symphoniker Inaugural Concert of 2020/21 Season 藝術節加料節目

封面照片 Cover Photograph © Julia Wesely

歡迎觀賞音樂會導賞講座，瀏覽連結請參閱加料節目網頁 Have a look at the guided talk video for more interesting stories about the artist and the music. Please visit the PLUS webpage for viewing link.

請勿在網上演出途中錄影、錄音、攝影或轉播 Photography, streaming or recording of any kind is strictly prohibited 通訊、流量狀況及其他外部因素可能影響影片畫質及音質，敬請見諒 Picture stability and quality are subject to home internet speeds and bandwidth, and other external factors

曲目

Programme

曲目

PROGRAMME 梅斯勒

Carlijn Metselaar (1989–)

康戈爾德

Erich Wolfgang Korngold (1897–1957)

號曲《盼望》《六首簡單的歌》選段，作品 9 〈雪鈴花〉〈小夜曲〉〈情書〉〈夏〉

〈僅餘之樂〉，選自《死城》，作品 12 女高音：克里斯汀．卡格

Fanfare: Vorfreude

Excerpts from Sechs Einfache Lieder, Op 9 “Schneeglöckchen” (Snowdrop) “Ständchen” (Serenade)

“Liebesbriefchen” (Billet-doux) “Sommer” (Summer)

“Glück das mir verblieb” from Die tote Stadt, Op 12 Soprano: Christiane Karg

李察．史特勞斯

Richard Strauss (1864–1949)

小提琴獨奏：蘇菲．海因里希

Violin Solo: Sophie Heinrich

《英雄的一生》，作品 40

Ein Heldenleben (A Hero’s Life), Op 40

樂曲介紹

Programme Notes

關於《盼望》 About Vorfreude 維也納交響樂團的 2020/21 樂季開幕音樂會以荷蘭年輕作曲家梅斯勒的新作《盼望》揭幕。《盼望》是作曲比賽的優勝作品，從全球超過二百五十首作品中脫穎而出，而樂團的新任音樂總監安德烈斯．奧羅斯科－埃斯特拉正是比賽評審之一。演出時，樂手從音樂廳不同位置演奏，讓音樂得以從四方八面包圍觀眾，使觀眾沉醉其中。

對於是次合作，梅斯勒說：「很榮幸能為維也納交響樂團作曲，尤其這是樂團音樂總監安德烈斯．奧羅斯科－埃斯特拉上任後的首場音樂會。 2020 年 2 月，我到訪維也納音樂廳，發現它有豐富的演奏潛力，啟發我譜曲讚美樂團以及這座音樂廳，為這個喜慶時刻添上祝福。」

資料取自樂團網站，獲樂團授權修訂。

The Wiener Symphoniker’s 2020/21 inaugural concert features the world premiere of the young Dutch composer Carlijn Metselaar’s new work, Vorfreude, which has been selected from more than 250 international entries by a specialist jury that included the orchestra’s new music director Andrés Orozco-Estrada. The work is to be performed from various positions in the hall so that the music surrounds, envelops and embraces the audience from all sides. “I am hugely honoured to be writing a piece for the Wiener Symphoniker, especially for Andrés Orozco-Estrada’s first concert as music director of the orchestra,” says Metselaar. “Having visited the orchestra in February 2020 and seen the Konzerthaus and its performance possibilities, I am very inspired to write a piece which celebrates this orchestra, this hall and this festive moment.” Retrieved from the orchestra’s website. Edited with the orchestra’s permission.

匯聚時代的思潮

—— 康戈爾德和李察．史特勞斯

ZEITGEIST SYNERGIES

—ERICH WOLFGANG KORNGOLD AND RICHARD STRAUSS

康戈爾德可能是有史以來最驚人的音樂神童。他九歲時向馬勒演奏了自己的清唱劇《黃金》，獲馬勒認定為天才。兩年後他寫了芭蕾舞劇《雪人》，並於 1910 年在維也納宮廷歌劇院首演，轟動一時。隨後他很快創作了一些室樂和鋼琴獨奏作品，李察．史特勞斯有此評價：「對於這些作品是出於一位孩子之手，實在令人驚訝，也令人掛心，要讓這樣早熟的一位天才得到機會作適當發展……他自信的風格、熟練的曲式、獨特的表現力、大膽的和聲，實在令人驚嘆！」十四歲那年，康戈爾德已完成首部管弦樂作品，三年後已寫好首兩部歌劇。而李察．史特勞斯則是同儕中最多才多藝、最具才華的作曲家之一。同樣地，他年幼時已顯露出非凡的音樂才華，十八歲那年已著有大約一百四十部作品，包括近六十首歌曲和超過四十部鋼琴作品。他的藝術生涯長達近八十年，以淡漠和諷刺的態度巧妙地遊走於藝術世界和現實社會。作為一位作曲家、作為一個人，他以創作比對瑣事和美事、日常事和奇事。要欣賞他的音樂，不一定 16

Erich Wolfgang Korngold might have been the most phenomenal musical prodigy of all time. At the age of nine, he played his cantata Gold to Gustav Mahler, who pronounced him a genius. Just two years later, he composed the ballet Der Schneemann (The Snowman ), which caused a sensation upon its premiere at the Vienna Court Opera in 1910. Various compositions for chamber ensemble and solo piano quickly followed, and Richard Strauss wrote: “One’s first reaction that these compositions are by a child are those of awe and concern that so precocious a genius should follow its normal development…This assurance of style, this mastery of form, this characteristic expressiveness, this bold harmony, are truly astonishing!” By age 14, Korngold had written his first orchestral composition, and he completed his first two operas three years later. Richard Strauss, in his turn, was one of the most versatile and talented composers of his generation. His exceptional musical talents were also recognised early and, by the age of 18, Strauss had

樂曲介紹

康戈爾德

Erich Wolfgang Korngold 出生 Born 1897 年 5 月 29 日（摩爾維亞布爾諾） 29 May 1897 (Brno, Moravia)

逝世 Died 1957 年 11 月 29 日（美國洛杉磯） 29 November 1957 (Los Angeles, USA) 《六首簡單的歌》 Sechs Einfache Lieder 作曲 Composed 1911–1913

這套聯篇歌曲的六首歌目皆以詩歌入詞，是次音樂會演唱當中四首曲目，其中〈雪鈴花〉及〈小夜曲〉的歌詞皆出自十九世紀德國浪漫派詩人約瑟夫．艾興多夫。 The six songs in this cycle all set poems to music. Of the four songs featured in today’s concert, “Schneeglöckchen” (Snowdrop) and “Ständchen” (Serenade) were written by the German Romantic poet Joseph Eichendorff. 《死城》 Die tote Stadt 作曲 Composed 1920 根據康戈爾德出版商碩特音樂保存的歌劇演出文獻記載，《死城》於 1930 年代在納粹黨上台後甚少演出。直至五十年代才重新於歐洲興起，在二十世紀，劇作每十年才有幾次演出。 According to the opera’s performance history kept by Korngold’s publisher, Schott, Die tote Stadt was rarely performed after 1930s when the Nazis came to power. It didn’t appear again in Europe until the 1950s and was only staged a handful of times each decade in the 20th century.

要嘗試調和或解決這些矛盾，反而要了解作曲家如何透過音樂擁抱這種二元對立。最重要的是，史特勞斯發現當代藝術無法維持一套標準的表達方法，並竭力利用音樂處理這個現代性的基本問題。維也納與藝術家

康戈爾德在音樂事業發展之初來到維也納，而史特勞斯則同樣在這座城市登上他的事業高峰，擔任維也納國家歌劇院聯席指揮。維也納自詡為音樂之都，致力探索外在世界和內在世界之間的差距；兩位作曲家都因此被吸引來到這裏發展。那時的知識分子利用不同手法探討真相與假象的概念，而令人詫異的是，他們往往得到相似的結論。弗洛伊德提到夢境的錯覺和假象；阿道夫．魯斯討論建築學上的裝飾騙局；阿瑟．史尼茲勒指社會習俗就如他的中產沙龍聚會的奢華窗簾一樣陳舊俗套；約塞夫．霍夫曼、科羅曼．莫塞爾和古斯塔夫．克林姆的設計和畫作則試圖透過物件的外在形貌創出全新風格，以實踐現代主義。他們既重視內容，又強調表達手法，而整個藝術文化氛圍── 特別在維也納──就像其盛載的創意成果一樣，發揮着相同的溝通作用。

Programme Notes

already composed about 140 compositions, including almost 60 songs and more than 40 piano pieces. His artistic career spanned nearly eight decades and he adeptly negotiated the worlds of art and society with a remarkable combination of detachment and irony. As a composer and a man, he juxtaposed the trivial and the sublime, and the extraordinary with the everyday. The key to understanding his music might not be found in attempting to reconcile or resolve these contradictions, but rather in the composer’s own musical celebration of this duality. Most importantly, Strauss recognised the inability of contemporary art to maintain a unified mode of expression, and he eagerly confronted and musically addressed this fundamental issue of modernity. The City and the Artists Korngold came to Vienna at the very beginning of his career, while Strauss capped his with a joint directorship at the Vienna State Opera. Professionally, both were drawn to this self-anointed capital of music because it had devoted itself to exploring the disparity between interior and exterior worlds. What was truth and what was illusion was a question the intelligentsia of this period addressed using different methods, often arriving at astonishingly similar results. Sigmund Freud spoke of deception and the façade of dream texts, while Adolf Loos fought his campaign against 17

李察．史特勞斯

Richard Strauss

出生 Born 1864 年 6 月 11 日（慕尼黑） 11 June 1864 (Munich)

逝世 Died 1949 年 9 月 8 日（西德加爾米施—帕滕基興） 8 September 1949 (GarmischPartenkirchen, West Germany) 《英雄的一生》 Ein Heldenleben 作曲 Composed 1898 《英雄的一生》是單樂章作品，一氣呵成。這個龐大的樂章在主題上分為六部分，名為〈英雄〉、〈英雄的對手〉、〈英雄的伴侶〉、〈英雄的戰鬥〉、〈英雄的和平努力〉及〈英雄的榮休和功德圓滿〉。 Running without a break, Ein Heldenleben is designed as a single enormous movement divided into six distinct thematic sections, namely “The Hero”, “The Hero's Adversaries”, “The Hero's Companion”, “The Hero at Battle”, “The Hero's Works of Peace” and “The Hero's Flight from this World and Fulfilment”.

在各種早期現代藝術中，音樂佔了重要的一席位。音樂與其他藝術一樣，有義務探討現代生活的歷史獨特性，並凸顯藝術家表達主觀感受和獨到經歷的需要。當時的人認為，音樂能造就有機和全面的藝術體驗，而這些體驗的影響更超越單純的美學欣賞。事實上，當時對音樂的看法是它能解放視覺藝術，其對人類感受與想法的影響，能為象徵主義、新藝術運動及抽象風格提供清晰的模型。康戈爾德在年輕時為管弦樂團創作了《六首簡單的歌》，顯示了不同藝術形式的交匯不一定帶有任何實在的影響或意圖；而史特勞斯的《英雄的一生》，相信會是研究弗洛伊德理論的一個合適個案。音樂與詩歌相輔相成

康戈爾德沉迷於維也納熾熱和豐盛的藝術與音樂生活，促使他在 1910 年開始以約瑟夫．艾興多夫的詩歌創作一部大型的聯篇藝術歌曲。康戈爾德的父親朱利葉斯是位令人敬畏的音樂評論家，他起初對這部作品不太感興趣，所以這位年輕作曲家便擱下了作品，三年後才繼續創作。他選擇出版當中部份作品，並諷刺地命名《六首簡單的歌》，隱藏歌曲不簡單的一面。雖然康戈爾德年紀輕輕，但已掌握把文字與和聲變化精妙配合的技術，透過把文字分句，使音樂和詩詞更為生動。他於 1917 年末把這些歌曲寫成管弦樂作品，將詩詞帶到裝飾精密的音樂框架裏，令音樂和詩歌合而為一，效果別

ornamental deception in architecture. Arthur Schnitzler revealed social conventions to be as threadbare as the lavish draperies of his bourgeois salons, and the designs and paintings of Josef Hoffmann, Kolomann Moser and Gustav Klimt sought to realise modernism by inventing a new style through the external form of objects. Their exhibitions placed equal value on the content and its presentation, and the atmospheric frame— especially in Vienna—undertook the same task of communication as the content it encased. Within these various streams of early modern art, music played a fundamental role. It shared with the other arts the obligation to engage with the historical uniqueness of modern life and also the need to foreground the subjective and singularly insightful experience of the creative artist. Music was understood as crucial to the notion of an organic and encompassing art experience whose impact extended beyond mere aesthetic appreciation. In fact, it was suggested that music could play a role in liberating the visual arts, and the effects upon our feelings and perceptions provided clear models for symbolism, Jugendstil (Art Nouveau) and abstraction. While the orchestrated Sechs Einfache Lieder by the youthful Korngold reveal the points of convergence or contact between two or more arts without necessarily assuming anything as concrete as influence or intention, Richard

樂曲介紹

具說服力。康戈爾德意識到規模宏大的戲劇製作別具影響力 ──這一點，在他後來那著名的歌劇《死城》就足以證明，他把優雅和尊貴的元素結合調和，同時又以其纖弱的個人氣質為大型管弦樂團增添魅力。

研究史特勞斯的學者布萊恩．吉里安認為，「《英雄的一生》是史特勞斯最具爭議性的作品之一，主要是因為作品的表面元素一直被過份強調。」《英雄的一生》常被視為是史特勞斯公然表現藝術自我主義的例子，以自傳和懺悔的方式描述作品中所謂的英雄來映照自己。可是，史特勞斯從沒把自己想像成神話中的英雄，只

Programme Notes

Strauss’s Ein Heldenleben might very comfortably sit on the famed couch of Dr Sigmund Freud. Synergy of music and poetry Captivated by Vienna’s passionate and all-consuming artistic and musical life, Korngold started work on a major Lied cycle based on the poems of Joseph Eichendorff in 1910. Since his father, the much-feared music critic Julius Korngold was initially unimpressed, the young composer returned to these settings only three years later. He published a selection under the ironic title Sechs einfache Lieder (Six Simple Songs), belying the fact that they were anything but simple. Despite

《死城》樂譜手稿，作曲家在右下角簽上署名 Manuscript of Die tote Stadt with the composer's signature

此照片原為 1902 年 12 月 6 日的《英雄的一生》英國首演的宣傳照 This photo was originally published as publicity for the British premiere of Ein Heldenleben on 6 December 1902

樂曲介紹

是用英雄主義的字眼來探索自己的內在掙扎。《英雄的一生》不單以音樂講述一位藝術家的個性、想法、家庭生活和事業，它還是一部寓言，「反映史特勞斯深信尼采認為『人面對逆境有自我決定的權力』這種想法。」《英雄的一生》是史特勞斯於十九世紀所寫的最後一部交響詩，別具探討哲學的野心，更帶有崇尚武力的色彩，是一部充滿諷刺和嘲弄的作品。雖然史特勞斯和康戈爾德的音樂風格一向非常嚴謹和特殊，他們對當時代思潮的追求，無疑為聽眾帶來壯麗繽紛的佳作。

his extreme youth, Korngold had already mastered the art of matching words to a pointed harmonic inflection by constantly phrasing the text and bringing it alive. Orchestrated in late 1917, they provide a convincing synergy of music and poetry by embedding the lyric dimension into a richly detailed ornamental musical frame. Korngold, who intuitively understood the importance of great theatre — as he was to prove so forcefully in his celebrated opera Die tote Stadt — combines and reconciles the ethereal with the exalted, while investing the seductive power of a large orchestra with fragile individuality. For the Richard Strauss scholar Bryan Gilliam, “Ein Heldenleben (A Hero’s Life) remains one of Strauss’s most controversial works, mainly because its surface elements have been continually overemphasised”. The work is frequently seen as a flagrant instance of Strauss’s artistic egotism, with its nominal hero an autobiographical and confessional portrait of the

樂曲介紹：裴德龍裴德龍是位講師、學者及作者，持表演藝術及音樂學學位。其古典音樂傳訊公司 ArtsSense 以香港為基地，為珠三角及其他地區提供音樂、藝術及市場諮詢服務。

Programme Notes

composer himself. However, Strauss never fancied himself a mythical hero, but used the vocabulary of heroism to explore the struggles within him. Ein Heldenleben is not merely a musical portrait of an artist’s personality, ideas, domestic life, and career, but rather an allegorical work, “reflecting Strauss’s preoccupation with the Nietzschean ideology of an individual’s right to selfdetermination in the face of a hostile world”. For all its philosophical ambitions and militaristic rhetoric, Ein Heldenleben is inundated with multiple layers of irony and parody that mark the end of Strauss’s 19th-century tone poems. Although Strauss and Korngold frequently treated musical style in a highly critical and idiosyncratic manner, their pursuit of the prevailing Zeitgeist undoubtedly reached magnificent and colourful musical conclusions.

Programme notes by Georg A. Predota Dr Georg A. Predota is a lecturer, researcher and writer with degrees in performance and musicology. His Hong Kong-based classical music media company ArtsSense offers musical, artistic and contextual services to the Pearl River Delta and beyond.

維也納交響樂團

WIENER SYMPHONIKER 維也納交響樂團憑藉其悠久歷史、獨有氣魄和探究精神，一直肩負宏揚古典音樂的角色。創團迄今一百二十年，樂團撫今追昔，同時力求革新，不斷塑造屬於音樂之都的獨特聲音。2020 至 21 樂季起，樂團迎來新任首席指揮安德烈斯．奧羅斯科－埃斯特拉，展開一段追本溯源、展望未來的音樂旅程。維也納交響樂團創立於 1900 年，其時維也納現代主義浪潮正席捲這座音樂之都。時值世紀之交，樂團依然別具自信和前瞻視野，從容地應付各種挑戰，並發展當地的音樂傳統。作為市內第一個演奏貝多芬交響曲全集的樂團，貝多芬的人文精神及創新態度與維也納浪漫主義思想可說是專為樂團度身訂造，他們至今依然是演奏這組曲目的頂尖樂團。維也納交響樂團別具先鋒者氣魄，當時創團不久便迅速成為 24

With a rich history steeped in tradition, the courage to stand apart and an enduring joy of discovery, the Wiener Symphoniker is the beating heart of the metropolis of classical music, Vienna. For 120 years, the orchestra has shaped the special sound of its native city, forging a link between past, present and future like no other. In Andrés Orozco-Estrada, the orchestra has found a chief conductor to lead this talented ensemble forward from the 2020-21 season on, and at the same time revisit its musical roots. The Wiener Symphoniker was formed in 1900, as the fresh wind of Viennese Modernism was swirling in the Austrian capital. The new orchestra confronted the challenges of the new century with confidence and vision. This initially included an assured command of the city’s musical past: it was the first orchestra in Vienna to present all of Beethoven’s symphonies

維也納交響樂團簡介

歐洲其中一個讓作曲家發表新作的重要樂團。樂團為音樂歷史立下眾多里程碑，曾為不少著名作品作世界首演，如布魯克納的第九交響曲、荀伯格《古雷之歌》、拉威爾的左手鋼琴協奏曲，以及施密特《七印之書》等，這些嶄新樂思為古典音樂開啟了另一道大門，並使之更加容易接觸大眾。另外，樂團積極與當代作曲家合作，例如奧嘉．紐威爾斯、沃爾夫岡．力恩、亨氏．卡爾．葛魯伯、湯瑪士．拉爾赫，令樂團成為維也納乃至全球當代音樂界的重要推手，而樂團過去一百二十年的歷代首席指揮，皆為具有前瞻性的傳奇人物，對古典音樂影響深遠，包括布魯諾．華特、富特文格勒、漢斯．斯瓦洛夫斯基、卡拉揚、沙瓦利殊和喬治．普雷特等。除了在音樂上不斷邁步向前，維也納交響樂團同樣心繫社會，與社會大眾保持緊密關係。自創團起，樂團已積極舉行「人民音樂會」及「工人交響音樂會」，讓古典音樂不再只是精英階層獨享的專利。時至今天，樂團依然會在維也納選取特別場地舉行「鄰里音樂會」，令音樂滲透大街小巷。在 2020 至 21 樂季，新任首席指揮將帶領維也納交響樂團重返先鋒者的本位，以自信和遠見迎接當前挑戰。

as one cycle. The humanist and forward-looking legacy of Beethoven and Viennese Romanticism was tailor-made for the Symphoniker, who are justly leaders in this repertoire to this day. That pioneering spirit was also evident in the fact that within a very short time the Wiener Symphoniker rose to become one of the most important European orchestras for the performance of new works. They have given the world premieres of many milestones in music history, such as Anton Bruckner’s Ninth Symphony, Arnold Schönberg’s Gurre-Lieder, Maurice Ravel’s Piano Concerto for the Left Hand and Franz Schmidt’s The Book of the Seven Seals— concerts that opened a door to completely new worlds of sound and made these accessible to a wider public. The importance that the Symphoniker continues to place on collaborations with contemporary composers such as Olga Neuwirth, Wolfgang Rihm, Heinz Karl Gruber and Thomas Larcher has positioned it as one of the most important driving forces in contemporary music, both in Vienna and internationally. Among the Symphoniker’s chief conductors over the past 120 years— including Bruno Walter, Wilhelm Furtwängler, Hans Swarowsky, Herbert von Karajan, Wolfgang Sawallisch and Georges Prêtre— are numerous visionary figures who have each had a lasting

About the Wiener Symphoniker

influence on classical music. Ever a forward-moving institution, the Wiener Symphoniker has nonetheless always remained grounded in its community, enjoying a close relationship with audiences. From its inception, the orchestra’s Volksthümlichen Concerten (People’s Concerts) and Arbeiter-Symphoniekonzerte (Workers Symphonic Concerts) have ensured that classical music would no longer be the exclusive preserve of the elite. Today, the Symphoniker gives concerts at unconventional venues throughout Vienna as part of its Grätzl-Konzerte (Neighbourhood Concerts) and continues to fill every corner of the city with musical life. In the 2020-21 season, the Wiener Symphoniker and its new chief conductor will return to the orchestra’s origins as a musical pioneer, as befits an ensemble that faces the challenges of the times with confidence and vision.

安德烈斯．奧羅斯科－埃斯特拉以其剛柔並重，饒富氣魄的獨特風格著稱樂壇。在 2014 年，他成為法蘭克福廣播電台交響樂團的首席指揮，同時擔任休斯敦交響樂團的音樂總監。從 2020 至 21 樂季起，他則以音樂總監的身分，執掌維也納交響樂團。奧羅斯科－埃斯特拉經常與歐洲頂尖樂團合作，包括維也納愛樂樂團、柏林愛樂樂團、德累斯頓國家管弦樂團、萊比錫布業大廳樂團、皇家音樂廳管弦樂團、羅馬國立聖西西里亞學院管弦樂團和法國國家管弦樂團。他亦曾在美國指揮不少著名樂團，如費城管弦樂團、克里夫蘭管弦樂團，以及芝加哥交響樂團。此外，在他執棒之下，於格特蘭堡歌劇節和薩爾斯堡藝術節的音樂會及歌劇演出均非常成功。

安德烈斯．奧羅斯科－埃斯特拉

ANDRÉS OROZCO-ESTRADA

音樂總監及指揮 Music Director and Conductor

他致力以座談會和影像投射的方式，銳意突破傳統音樂會模式，重塑觀眾對經典曲目的認知，當中包括與法蘭克福廣播電台交響樂團聯手呈獻的「聚光燈」音樂會、萊比錫布業大廳樂團的合家歡音樂會，及維也納交響樂團一系列供公眾參與的小型音樂會等。

另外，奧羅斯科－埃斯特拉與荷蘭五音唱片公司推出的錄音亦獲得坊間廣泛迴響。他與法蘭克福廣播電台交響樂團錄製的史達拉汶斯基《火鳥》及《春之祭》，獲《留聲機》雜

音樂總監及指揮 – 安德烈斯．奧羅斯科－埃斯特拉

誌譽為「魂牽夢縈般美麗」。近期錄音則有《阿爾卑斯交響曲》，作品 64，是其李察．史特勞斯組曲計劃之一。而他與休斯敦交響樂團聯手演繹的德伏扎克組曲，則獲《撥弦》雜誌形容為「熱情而溫潤的德伏扎克」。他亦曾灌錄布拉姆斯和孟德爾頌的全套交響曲。安德烈斯．奧羅斯科－埃斯特拉出生於哥倫比亞的麥德林。他於年少時學習小提琴，並於十五歲開始學習指揮。1997 年遷居維也納後，他入讀維也納音樂與表演藝術大學，師從著名指揮家漢斯．斯瓦洛夫斯基的門生烏羅什．拉約維茨。

Energy, elegance and spirit— this is what distinguishes Andrés Orozco-Estrada as a musician. In 2014, he took over as chief conductor of the Frankfurt Radio Symphony Orchestra and also became music director of the Houston Symphony Orchestra. From the 2020-21 season, he becomes music director of the Wiener Symphoniker. Orozco-Estrada regularly conducts many of Europe’s leading orchestras, including the Vienna Philharmonic, the Berlin Philharmonic, the Sächsische Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Koninklijk Concertgebouworkest, the Orchestra dell’Accademia Nazionale di Santa Cecilia and the Orchestre National de France, as well as the mostrenowned American ensembles, such as the Philadelphia and Cleveland Orchestras and Chicago Symphony Orchestra. He has also conducted concert and opera performances at the Glyndebourne and Salzburg festivals, with outstanding success.

Music Director and Conductor – Andrés Orozco-Estrada

Leipzig, or at the participatory “House Concerts” of the Wiener Symphoniker. His releases on the Pentatone label have attracted considerable attention. With the Frankfurt Radio Symphony Orchestra, he has recorded Stravinsky’s Firebird and Rite of Spring, which were hailed as “hauntingly beautiful” by Gramophone. Among his most recent releases is An Alpine Symphony, Op 64, which forms part of his Richard Strauss cycle. His Dvorák cycle with the Houston Symphony was considered by Pizzicato to be a “zestful Dvorák with warm colours”. In addition, he has recorded all of Brahms’s and Mendelssohn’s symphonies. Born in Medellín, Colombia, Andrés Orozco-Estrada began his musical studies on the violin. At the age of 15, he received his first conducting lessons and in 1997 he moved to Vienna to study at the University of Music and Performing Arts Vienna with Uroš Lajovic, himself a pupil of the legendary Hans Swarowsky.

He is particularly committed to new concert formats featuring moderation and images where he rediscovers together with the audience well-known pieces of the repertoire—for example, in the “Spotlight” concerts with the Frankfurt Radio Symphony Orchestra, the family concert with the Gewandhausorchester 27

克里斯汀．卡格生於德國巴伐利亞的福伊赫特萬根，及後於薩爾茨堡莫扎特大學修讀聲樂，師從海納．霍普夫納和沃爾夫岡．霍茲米爾，更曾獲頒莉莉．萊曼獎。此外，她亦於維羅納的音樂學院修業。在學期間，她首度亮相薩爾斯堡藝術節，其演出得到外界好評，自此經常參與該節的演出。

她的表演足跡遍佈全球，例如在倫敦高文花園皇家歌劇院飾演《魔笛》的帕米娜；在芝加哥歌劇院及紐約大都會歌劇院飾演《費加洛的婚禮》蘇珊娜一角；在米蘭史卡拉歌劇院飾演《玫瑰騎士》的蘇菲和《奧菲爾與尤麗迪絲》的尤麗黛絲，以及在維也納國家歌劇院中飾演《佩利亞斯與梅麗桑德》的梅麗桑德等。她的近期演出，則要數到在巴伐利亞國家歌劇院飾演《女人心》的費奧迪麗姬；在柏林德意志國家歌劇院裏上演的新版《卡門》中，她在丹尼爾．巴倫波因執棒下，飾演米凱拉一角，以及在漢堡飾演《費加洛的婚禮》的伯爵夫人。在 2020 至 21 冬季，她將重返紐約大都會歌劇院，飾演《魔笛》中的帕米娜。

克里斯汀．卡格

CHRISTIANE KARG

女高音 Soprano

除了歌劇演出外，卡格亦經常於音樂會演出。她的合作夥伴包括著名指揮丹尼奧．哈汀、泰利曼、列卡度．慕迪及蘇賓．梅達等。 © Gisela Schenker

作為 KunstKlang 藝術節的藝術總監，卡格積極為家鄉福伊赫

女高音 – 克里斯汀．卡格

特萬根舉辦一系列的音樂會，尤其是「 Be Part of it! 眾人同樂」計劃，藉此推動兒童及青少年的音樂教育。

卡格曾獲頒巴伐利亞文化獎（藝術），最近亦獲什列斯威－好斯敦布拉姆斯協會頒發布拉姆斯獎。

2017 年春天，卡格在德國柏林經典唱片公司旗下推出一張法國歌曲合集專輯《香水》，獲樂評人推崇備至。她與指揮家亞尼克．聶澤－賽金合作的《費加洛的婚禮》、與喬納森．寇恩及大天使古樂團聯手炮製的《 Scene! 》，以及藝術歌曲專輯《變形記：年度歌曲》（鋼琴：布哈德．克林）均屢獲殊榮。其近期作品則是由德意志留聲機灌錄，與指揮家聶澤－賽金共同演繹的《魔笛》。此外，她正在籌備馬勒歌曲專輯。

Christiane Karg was born in Feuchtwangen, Bavaria. She studied singing at the Salzburg Mozarteum University with Heiner Hopfner and Wolfgang Holzmair, where she was awarded the Lilli Lehmann Medal, and at the Music Conservatory in Verona. During her studies she made her highly acclaimed debut at the Salzburg Festival and has been a welcome guest there ever since. She has performed worldwide in the great roles of her repertoire: in London at the Royal Opera House, Covent Garden as Pamina (Magic Flute); at the Lyric Opera of Chicago and at the Metropolitan Museum of Art in New York as Susanna (Le Nozze di Figaro); at La Scala in Milan as Sophie (Der Rosenkavalier) and Eurydice (Orpheus and Eurydice); and at the Vienna State Opera as Mélisande (Pelléas et Mélisande). Among her latest roles are Fiordiligi in Così fan tutte at the Bavarian State Opera in Munich, Micaela in a new production of Carmen at the Berlin State Opera under Daniel Barenboim, and the Contessa in Mozart’s Le Nozze di Figaro, among others, in Hamburg. In the winter of 2020-21 she will appear again, this time as Pamina, at the Metropolitan Opera in New York.

Soprano – Christiane Karg

In addition to her numerous engagements, Christiane, as artistic director of the Festival KunstKlang, conceives and is responsible for her own concert series in her hometown of Feuchtwangen and is very committed to the “be part of it! – Musik für Alle” project to promote music education for children and young people. Karg has been awarded the Bavarian Culture Prize in the art category, and recently the Brahms Prize by the Brahms Society of Schleswig-Holstein. In spring 2017 Karg released the CD Parfum —a collection of French songs on the Berlin Classic label, which was highly acclaimed by critics. Her recording of Le Nozze di Figaro under Yannick NézetSéguin, her CD Scene! with the Arcangelo baroque orchestra under Jonathan Cohen, and her Lied CD Verwandlung – Lieder eines Jahres (piano: Burkhard Kehring) also won awards. Her most recent release is Mozart’s The Magic Flute, under Yannick Nézet-Seguin, on Deutsche Grammophon. A CD of Mahler songs is in preparation.

Christiane Karg is also in demand internationally for concert roles. Her musical partners include conductors such as Daniel Harding, Christian Thielemann, Riccardo Muti and Zubin Mehta. 29

作曲 – 卡萊恩．梅斯勒

卡萊恩．梅斯勒

Carlijn Metselaar

作曲家 Composer

荷蘭作曲家卡萊恩．梅斯勒現居威爾斯卡迪夫。

2017 年，梅斯勒以優異成績畢業於皇家威爾斯音樂戲劇學院作曲系研究院，師從林恩．普洛曼。與此同時，她也是烏特勒支音樂學院作曲學士，並於此校完成音樂學碩士，以及修讀合唱團指揮課程。

她的歌劇《馬丁及馬蒂努斯》 2016 年於烏特勒支聖馬丁主教座堂上演，演出獲荷蘭表演藝術基金資助。

2015 年，她為合唱團及弦樂團創作的《羔羊頌》成為作曲家交流會 Sacrarium 2015 的表演節目之一，由烏克蘭利維夫室樂團及加利西亞室樂合唱團聯手演出；她亦曾於 2012 年阿姆斯特丹時裝週為時裝設計師溫德．雷斯塔的新系列創作配樂；其兒童清唱劇《 Muze gezocht 》採用作家妮娜．散爾克的文本，由八百個學童於烏特勒支費拉登堡表演中心上演，是 2009 年歐洲歌唱節的演出節目之一。

梅斯勒近期的音樂作品包括：為威爾斯音樂劇場的「詠嘆調創作工作坊」而寫的《靈薄獄》，以及由英國國家廣播公司威爾斯國家管弦樂團演奏的小型管弦樂作品《跳躍》。她亦曾受音樂組織 Musical Movements 委約，為荷蘭奧嘉聲樂合唱團創作卡巴萊歌舞曲《 Well, Actually 》，講述男性常常居高臨下向女性說教的情況。

Carlijn Metselaar is a Dutch composer currently living in Cardiff, Wales. In 2017, Metselaar completed a postgraduate degree in composition with distinction at the Royal Welsh College of Music and Drama, studying with Lynne Plowman. She graduated with a bachelor's in composition from the Utrecht Conservatoire, where she also studied choral conducting, and obtained a master's in musicology from Utrecht University.

Composer – Carlijn Metselaar

during Amsterdam Fashion Week 2012. Her children’s cantata Muze gezocht, with text by Nina Moelker, was performed by 800 schoolchildren in Vredenburg Leidsche Rijn, Utrecht as part of Europa Cantat 2009. Metselaar’s recent compositions include In Limbo, written for the Make an Aria Workshop with Music Theatre Wales and Leap, an orchestral miniature performed by the BBC National Orchestra of Wales. She has also written "Well, Actually", a cabaret song about mansplaining commissioned by Musical Movements for Olga Vocal Ensemble.

Her opera Martine & Martinus was performed at St Martin’s Cathedral in Utrecht in 2016, for which she received a grant from the Dutch Performing Arts Fund. In 2015, her piece Agnus Dei for choir and string orchestra was performed as part of Sacrarium 2015 by the Lviv Chamber Orchestra and the Galician Chamber Choir in Lviv, Ukraine. She composed music to accompany fashion designer Winde Rienstra’s collection 31

維也納交響樂團

Wiener Symphoniker 指揮 Conductor

Andrés Orozco-Estrada

Concertmasters 樂團首席

Sophie Heinrich Anton Sorokow Alexander Burggasser First Violins 第一小提琴

Christian Birnbaum Maximilian Dobrovich Franz Michael Fischer Nicolas Geremus Dorice Köstenberger Claire Nyqvist Edwin Prochart Eva-Maria Reisinger Caroline Sigwald Ge Song Birgit Zalodek Aurora Irina Zodieru Luca Second Violins 第二小提琴

Dominika Falger Libor Meisl Christian Blasl Oliver Breuer Christian Knaus Elena Kodin Mariam Margaryan-Petkova Stefan Pöchhacker Maiko Seyama Renate Turon Gerald Wilfinger Alexandra Winkler

Violas 中提琴

Johannes Flieder Roman Bernhart Michael Buchmann Werner Frank Christian Kaufmann Karl-Heinz Krumpöck Wolfgang Prochaska Paul Rabeck Roland Roniger Ulrich Schönauer Cellos 大提琴

Christoph Stradner Erik Umenhoffer György Bognár Michael Günther Zsófia Günther-Mészáros Andreas Pokorny Christian Schulz Peter Siakala Double Basses 低音大提琴

Ernst Weissensteiner Martin Kabas Dragan Lon ina Andreas Sohm Helmut Stockhammer Hans-Joachim Tinnefeld

Flutes 長笛

Erwin Klambauer Alexandra Uhlig Esther Gisler-Auch Simona Pittau

Trumpets 小號

Andreas Gruber Matthias Kernstock Heinrich Bruckner Christian Löw Rainer Küblböck

Oboes 雙簧管

Paul Kaiser Adelheid Bosch Thomas Machtinger Peter Schreiber Clarinets 單簧管

Gerald Pachinger Alexander Neubauer Manuel Gangl Martin Rainer Bassoons 低音管

Patrick De Ritis Robert Gillinger Magdalena Pramhaas Ryo Yoshimura Horns 圓號

Armin Berger Peter Dorfmayr Jonas Rudner Gergely Sugár Markus Obmann Peter Lengyelvari Josef Eder Eric Kushner Armin Kerschbaumer

Trombones 長號

Martin Riener Walter Voglmayr Reinhard Hofbauer Wolfgang Pfistermüller Tuba 大號

Franz Winkler Timpani 定音鼓

Dieter Seiler Percussion 敲擊

Thomas Schindl Michael Vladar Martin Kerschbaum Ferenc Csincsi Harps 豎琴

Volker Kempf Zsofia Kiss Pianos 鋼琴

Sandra Jost Herbert Rüdisser

鳴謝 ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member 嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

純銀會員 Silver Member 太古集團慈善信託基金

The Swire Group Charitable Trust

青銅會員 Bronze Members 鷹君集團有限公司 Great Eagle Group

上海商業銀行有限公司

Shanghai Commercial Bank Limited

實物支持機構 In-kind Supporters

嘉頓有限公司 The Garden Company Limited

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者

PLATINUM DONORS

HK$140,000 或以上 AND ABOVE

無名氏 Anonymous Burger Collection

鑽石捐款者

DIAMOND DONORS HK$70,000 – HK$139,999

Rusy and Purviz Shroff Charitable Foundation

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation 黃金捐款者

GOLD DONORS HK$12,000 – HK$29,999

Dr Chung See Yuen Peter and Nancy Thompson Mr William To

Initial Fashion

純銀捐款者

SILVER DONORS

青銅捐款者

HK$6,000 – HK$11,999

HK$3,000 – HK$5,999

Mr Iain Bruce

馮兆林先生夫人 Mr & Mrs Fung Shiu Lam Dr Mak Lai Wo

黃乃正及陳穎儀

Ms Wong Pie Yue Cleresa

BRONZE DONORS

無名氏 (3) Anonymous (3) Ms Chan Wan Tung Mr D Chang Ms Savita Leung Mrs A.M. Peyer Ms Janice Ritchie Mr Alex So Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao

網上藝術教育捐助計劃 Digital Arts Education Scheme

鑽石捐款者

DIAMOND DONORS

純銀捐款者

SILVER DONORS

青銅捐款者

HK$70,000 – HK$139,999

HK$6,000 – HK$11,999

HK$3,000 – HK$5,999

Lincoln & Yu-San Leong Sino Group

Mrs Germaine Tso Ms Wu Tseng Helen

Mr Lee King Fung Mrs A.M. Peyer Mr Alex So Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao

純銀捐款者 SILVER DONORS

青銅捐款者

藝術節捐助計劃 Festival Donation Scheme

翡翠捐款者 JADE DONOR HK$30,000 – HK$69,999

Shun Hing Group

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

Mr & Mrs Jeffrey & Helen Chan Mr SHN Cheng

Ms Jenny Hodgson Mr Stephen Tan Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao Samuel & Amy Wang Mr Andric Yew

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONOR HK$12,000 – HK$29,999

劉仰澤先生 Mr Lau Yeung Chak

BRONZE DONORS

無名氏 (4) Anonymous (4) Star B Chan & MDB

HK$6,000 – HK$11,999

無名氏 (3) Anonymous (3) Mr & Mrs David S L Lin Dr Ronald Paul Ng Mrs A.M. Peyer Leland & Helen Sun Mr Wong Yick Kam Ms Isabel Yiu

BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (3) Anonymous (3) Ms Grace Chiang Dr Alfred Lau Ms Khoo Li Lian Flavia & Gary Ma Mr & Mrs Gary Ma Dr Jason Yeung

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 Anonymous Ms Grace Chiang Mrs A.M. Peyer

支持及協助 SUPPORT AND COOPERATION Acorn Design Alfie Leung Design

教育局藝術教育組

Arts Education Section, Education Bureau 香港展能藝術會

Arts with the Disabled Association Hong Kong 香港愉景灣酒店

Auberge Discovery Bay Hong Kong 奧地利駐香港總領事館

Austrian Consulate General Hong Kong 樺利廣告有限公司

Avanny Advertising Co Ltd

香港小交響樂團

Hong Kong Sinfonietta 宜必思香港中上環

ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia)

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices Outside Hong Kong 港島太平洋酒店

Island Pacific Hotel Hong Kong JellyBin Limited

• 文學院 Faculty of Arts

香港演藝學院

The Hong Kong Academy for Performing Arts

• 戲曲學院 School of Chinese Opera • 戲劇學院 School of Drama

• 音樂學院 School of Music

中環石板街酒店

The Pottinger Hong Kong

港青 - 香港基督教青年會 The Salisbury – YMCA of Hong Kong 綠葉劇團

BRICK LANE

高山劇場

光華新聞文化中心

THEDO

British Consulate General Hong Kong

中央人民政府駐香港特別行政區聯絡辦公室

Tom Lee Music Company Ltd

英國駐香港總領事館

Ko Shan Theatre

Théâtre de la Feuille

Broadway Cinema

Kwang Hwa Information & Culture Center

通利琴行

CAMPSITE

Liaison Office of the Central People's Government in the HKSAR

Trinity Theatre

Cattle Depot Artist Village

Marco Polo Hongkong Hotel

百老匯院線 Broadway Circuit

三角關係

馬哥孛羅香港酒店

屯門大會堂

周生生集團國際有限公司

Maxibit HK/China

URBTIX

中信國際電訊（信息技術）有限公司

Ministry of Culture and Tourism, PRC

牛棚藝術村

Chow Sang Sang Jewellery Co. Ltd

CITIC Telecom International CPC Limited 城市當代舞蹈團

City Contemporary Dance Company 城巿花園酒店

中華人民共和國文化和旅遊部

Mission Production Company Ltd MOViE MOViE 太古城中心 MOViE MOViE Cityplaza

City Garden Hotel

MOViE MOViE 太古廣場 MOViE MOViE Pacific Place

Consulate General of Canada in Hong Kong and Macau

Mr Alpha Li

加拿大駐香港總領事館

捷克共和國駐香港領事館

Consulate General of the Czech Republic in Hong Kong 俄羅斯駐香港總領事館

Consulate General of the Russian Federation in Hong Kong SAR, PRC 香港城市大學中文及歷史學系

Department of Chinese and History, The City University of Hong Kong 香港教育大學文化與創意藝術學系

Department of Cultural and Creative Arts, Education University of Hong Kong 嶺南大學文化研究系

李鏡輝先生

前進進戲劇工作坊 On & On Theatre Workshop

One Minden Tapas Kitchen 柏斯琴行

Parsons Music Limited

沙田大會堂

Sha Tin Town Hall

Hong Kong Arts Administrators Association

上環文娛中心

Sheung Wan Civic Centre

Hong Kong Arts Centre

Shun Hing Electronic Trading Co., Ltd.

Hong Kong Baptist University

• 音樂系 Department of Music

• 拉闊文化 Cultural Literacy Programme

香港中樂團

元朗劇院

Yuen Long Theatre 赤豚事務所

Zhu Graphizs

Speedy Promotion Limited 台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

Hong Kong Cultural Centre

香港八和會館

Hong Kong Gold Coast Hotel

香港中文大學

Tao Fong Shan Christian Centre The Artland Co Ltd

The Chinese Artists Association of Hong Kong The Chinese University of Hong Kong

Hong Kong Philharmonic Orchestra

• 文化及宗教研究系 Department of Cultural and Religious Studies

Hong Kong Tourism Board

• 音樂系 Department of Music

香港旅遊發展局

wine etc

事必達推廣有限公司

藝林文具印刷有限公司

香港管弦樂團

Wharney Hotel

Southgate Design

Hong Kong City Hall 香港黃金海岸酒店

粵海華美灣際酒店

信興電器貿易有限公司

道風山基督教叢林

香港文化中心

West Kowloon Cultural District Authority

Primasia Corporate Services Limited

Hong Kong Chinese Orchestra 香港大會堂

西九文化區管理局

Pixellent

Gloucester Luk Kwok Hong Kong

香港浸會大學

Wealthy Step Printing Co.

Piano Arts Service Limited

Royal Pacific Hotel

香港藝術中心

進富印刷公司

PCCW

皇家太平洋酒店

香港藝術行政人員協會

WeDraman Black Box Theatre

電訊盈科

Fringe Club 六國酒店

同流黑盒劇場

Patsville Company Ltd

犇華企業服務有限公司

藝穗會

城市售票網

卓滙達有限公司

Die Konzertisten

Department of Cultural Studies, Lingnan University

Tuen Mun Town Hall

按英文名稱首字母排列 In alphabetical order

節目一覽 FESTIVAL PROGRAMME 荀伯格合唱團

Arnold Schoenberg Choir 《節目構想》 Curating the Programme

《後浪漫主義時期的歐洲合唱音樂傳統》 The European Choral Tradition of the Late Romantic Period

粵劇《挪亞方舟》

Cantonese Opera Noah’s Ark

幕後花絮 Behind-the-scenes

《當彩瓷遇上戲曲》 Telling Images of Xiqu on Porcelain

查爾斯．理察－哈梅林音樂會 Charles Richard-Hamelin

Concerts

《面對鋼琴大賽的焦慮》 Conquering Performance Anxiety in Piano Competition

多瑪倉庫劇院《盲流感》

Donmar Warehouse Blindness

香港中樂團 — 樂旅中國

Hong Kong Chinese Orchestra Music About China 俄羅斯莫伊謝耶夫舞團「特備節目」

Igor Moiseyev State Academic Ensemble of Popular Dance Igor Moiseyev Ballet Special

《繼續演出》─ 伊蓮娜．莎巴科娃從藝五十年 Without Intermission – 50 Years of Artistic Life of Elena Shcherbakova

香港小交響樂團英雄 · 貝多芬

Inspired by Beethoven – Hong Kong Sinfonietta•Eroica

賽馬會本地菁英創作系列《後話西遊》/《兩個女子》

Jockey Club Local Creative Talent Series Journey to the West Rewind / Women Like Us

《〈兩個女子〉：追求漫長幸福路的艱辛》 Women Like Us On the Arduous Path to Happiness 《〈後話西遊〉：如何在新常態下繼續取經》 The New Normal of Journey to the West Rewind

賽馬會本地菁英創作系列音樂劇《日新》（暫名）工作坊展演

Jockey Club Local Creative Talent Series Yat-sen (tentative title) Work-inProgress Preview 《〈日新〉創作團隊訪問》 Creative team sharing on Musical Yat-sen

馬修 · 伯恩芭蕾電影系列《仙履奇緣》

Matthew Bourne’s Ballet Film Series Cinderella

幕後花絮 Behind-the-scenes

馬修 · 伯恩芭蕾電影系列《羅密歐與茱麗葉》

Matthew Bourne’s Ballet Film Series Romeo & Juliet

幕後花絮 Behind-the-scenes

馬修 · 伯恩芭蕾電影系列《天鵝湖》

Matthew Bourne’s Ballet Film Series Swan Lake

幕後花絮 Behind-the-scenes

馬修 · 伯恩新冒險舞蹈團芭蕾電影《紅舞鞋》

A Matthew Bourne’s New Adventures production Ballet Film: The Red Shoes 捷克布爾諾國家歌劇院《耶奴法》

National Theatre Brno Jen fa

幕後花絮 Behind-the-scenes

《追尋楊納傑克的足跡》 In the Footsteps of Leoš Janá ek 《樂遊捷地》 Into the Czech Lands

捷克布爾諾國家歌劇院《狡猾的小狐狸》

National Theatre Brno The Cunning Little Vixen

幕後花絮 Behind-the-scenes

捷克布爾諾國家歌劇院《失蹤者的日記》

National Theatre Brno The Diary of One Who Disappeared 《演繹楊納傑克》 Performing Janá ek

《楊納傑克的戀戀情思》 Janá ek's Unrequited Love

巴維．哈斯四重奏

Pavel Haas Quartet

《楊納傑克與馬天奈弦樂四重奏：親暱與著迷》 Janá ek and Martin : Intimacy and Obsessions in String Quartets 《追尋楊納傑克》 Finding Your Own Janá ek

揚．巴托斯鋼琴獨奏會

Piano Recital by Jan Bartoš

《楊納傑克鋼琴作品分析》 Revealing Janá ek and His Piano Works

史葛 · 蕭凡《心靈旅程》

Scott Silven’s The Journey

演後藝人談 Meet-the-Artist

快刀劇場《無晴情天氣報告》

The Chop Pathetic Fallacy

香港賽馬會當代舞蹈平台《當代十年》

The Hong Kong Jockey Club Contemporary Dance Series Dance On and Off

《疫情下舞蹈家如何發展身體潛能》 Dancers at Home 《在不明確的世界中尋找眾聲起舞的意義》 Voice Out Mokita in An Uncertain World

香港賽馬會當代舞蹈平台《沒有大象》/《得體》

《鼠疫》（粵語版） The Plague (Cantonese version) 《為鼠疫作證》 The Witnesses of The Plague

《鼠疫》（英語版） The Plague (English version)

《此時此刻，重讀卡繆〈瘟疫〉》 Seeing your own plague in Albert Camus’s The Plague

維也納交響樂團音樂會

Wiener Symphoniker’s Concerts 導賞講座 Guided Talk

葉氏兒童合唱團兒童歌劇《愛麗絲夢遊仙境》

Yip’s Children’s Choir Children’s Opera Alice in Wonderland

音樂 Music

舞蹈 Dance

戲劇 Theatre

歌劇 / 戲曲 Opera/Chinese Opera

加料節目

藝術家分享 Artist Sharing

幕後花絮 Behind-the-scenes

紀錄片放映 Documentary Screening 講座 Talks

網上展覽 Online Exhibition 請瀏覽香港藝術節網站，查看最新節目資訊 Please visit the HKAF website for latest programme information

www.hk.artsfestival.org

The Hong Kong Jockey Club Contemporary Dance Series Elephant in the Room / Dirty

香港賽馬會當代舞蹈平台《在不明確的世界中尋找意義》

The Hong Kong Jockey Club Contemporary Dance Series Finding Meaning in an Uncertain World

香港賽馬會當代舞蹈平台《 Mokita 》/《眾聲起舞》

The Hong Kong Jockey Club Contemporary Dance Series Mokita / Voice Out

香港賽馬會當代舞蹈平台《火滅》/《煉金》

The Hong Kong Jockey Club Contemporary Dance Series Put Out the Flame / Hermetic Diode

電話 Tel 傳真 Fax 電郵 Email 節目查詢

Programme Enquiry

2824 3555 2824 3798 / 2824 3722 afgen@hkaf.org 2824 2430

香港灣仔港灣道 2 號 12 樓 1205 室

Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

贊助人

林鄭月娥女士

PATRON

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS

永遠名譽會長

邵逸夫爵士

HONORARY LIFE PRESIDENT

Sir Run Run Shaw, CBE (1907-2014)

執行委員會

EXECUTIVE COMMITTEE

主席

查懋成先生

義務司庫

李錦榮先生

副主席委員

節目委員會主席委員

盧景文教授鄭維新先生鄭惠貞女士梁靳羽珊女士梁卓偉教授文肇偉先生孫大倫博士姚潔莉女士楊光先生

委員

盧景文教授

白諾信教授紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 * 譚榮邦先生姚珏女士李錦榮先生

鄭惠貞女士梁國輝先生

發展委員會主席

副主席委員

顧問

名譽法律顧問核數師

Mr Victor Cha

Vice Chairman

Prof Lo King-man, MBE, JP, SBS

Honorary Treasurer

Mr William Li

Members

Mr Edward Cheng, GBS JP Ms Margaret Cheng Mrs Yu-san Leong Prof Gabriel Leung, GBS JP Mr Sebastian Shiu-wai Man Dr Dennis T L Sun, BBS JP Ms Miriam Yao Mr Sunny Yeung

PROGRAMME COMMITTEE

財務委員會主席

Chairman

梁靳羽珊女士雍景欣女士

鄭阮培恩女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生陳祖澤博士陳達文博士霍璽先生李業廣先生梁紹榮夫人李國寶博士

甘乃迪女士（孖士打）羅兵咸永道會計師事務所

* 榮譽節目顧問 Honorary Programme Advisor 40

Chairman

Prof Lo King-man, MBE, JP, SBS

Members

Prof Giorgio Biancorosso Prof David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig * Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP

FINANCE COMMITTEE Chairman

Mr William Li

Members

Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman

Mrs Yu-san Leong

Vice Chairman

Ms Jane Yong

Members

Mrs Betty Yuen Cheng Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao

ADVISORS

The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Dr John C C Chan, GBS CBE LVO JP Dr Darwin Chen, SBS ISO Mr Angus H Forsyth The Hon Charles Y K Lee, GBM GBS OBE JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon Sir David K P Li, GBM GBS OBE JP

HONORARY SOLICITOR

Ms Gabriela Kennedy, Mayer Brown

AUDITOR PricewaterhouseCoopers

職員

STAFF

行政總監行政總監助理

何嘉坤 ** 何丹蓉

助理節目經理節目統籌物流及接待經理

梁掌瑋 ** 蘇國雲游慧姿 * 葉健鈴余瑞婷 * 譚小敏 * 黃傲軒 * 袁潔敏 * 金學忠 *

節目節目總監副節目總監節目經理

行政節目經理 ( 行政 ) 節目主任 ( 行政 ) 技術製作經理助理製作經理出版編輯助理編輯

外展高級外展經理副外展經理助理外展經理外展主任市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員藝術行政見習員

票務市場經理 ( 票務 ) 票務主任

發展發展總監發展經理

助理發展經理發展主任藝術行政見習員會計財務主管會計經理會計主任

人力資源及行政行政經理接待員 / 初級秘書助理

無限亮項目主管項目統籌節目及外展經理助理節目及外展經理助理市場經理外展統籌助理技術及製作經理高級會計主任

蘇雪凌程鶩誼 * 梁雅芝 * 莫賦斌 * 廖健邦 * 鄭豐榮 * 黎家欣 * 李冠輝 ** 鄧冠恆 * 林嘉敏 * 張翠騫 * 李玨熙 * 李萬祺 * 鄭尚榮 ** 胡銘堯 ** 陳志雄 * 周怡楊璞 * 郭駿成 * 陳閏霖 * 張予心 * 梁彩雲陳偲穎 * 鍾卓祐 * 余潔儀 ** 張慧芝 * 麥紫琴 * 譚樂瑤蘇寶蓮 * 雲希朗 * 吳樂怡 * 鄺敬婷 ** 杜詩麗 * 蘇永恆 * 譚智盈 * 李美娟黃國愛鍾雅妍 * 陸凱盈 * 林淦鈞 * 陳慧晶 * 朱穎欣 * 汪盈 * 馮顯峰 * 陳梓衡 * 彭健欣 *

* 合約職員 Contract Staff ** 無限亮指導委員會成員 No Limits Steering Committee Members

Executive Director Assistant to Executive Director PROGRAMME Programme Director Associate Programme Director Programme Managers Assistant Programme Managers Programme Coordinator Logistics Manager

Tisa Ho** Connie Ho Grace Lang** So Kwok-wan Janet Yau* Susanna Yu* Tracy Tam* Loui Yuen* Elvis King*

ADMINISTRATION Programme Manager (Administration) Programme Officer (Administration)

Shirley So Spaky Ching*

TECHNICAL Production Manager Assistant Production Manager

Shirley Leung* Benny Mok*

PUBLICATIONS Editor Assistant Editors

James Liu* Rain Cheng*

OUTREACH Senior Outreach Manager Deputy Outreach Manager Assistant Outreach Manager Outreach Officers MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Arts Administrator Trainee TICKETING Marketing Manager (Ticketing) Ticketing Officers DEVELOPMENT Development Director Development Managers

Kenneth Lee** Joe Tang* Carman Lam* Tracy Cheung* Kelvin Li*

Linda Yip Joseph Wong*

Melody Lai*

Michael Lee*

Katy Cheng** Dennis Wu** Dennis Chan* Alexia Chow Michelle Yeung* Joel Kwok* Ben Chan* Stephanie Cheung* Eppie Leung Stephanie Chan*

Assistant Development Manager Development Officer Arts Administrator Trainee

Flora Yu** Anna Cheung* Lorna Tam Conny Souw* Alana Wan* Lois Ng*

ACCOUNTS Head of Finance Accounting Manager Accounting Officer

Teresa Kwong** Connie To* Peter So*

HR & ADMINISTRATION Office Manager Receptionist/Junior Secretary General Assistant

Judy Tam* Virginia Li Bonia Wong

NO LIMITS Project Administrator Project Coordinator Programme and Outreach Manager Assistant Programme and Outreach Manager Assistant Marketing Managers Outreach Coordinator Assistant Technical and Production Manager Senior Accounting Officer

Fiona Chung* Helen Luk* Lam Kam-kwan* Ainslee Chan* Wendy Chu* Wilson Fung* Jacob Chan* Janice Pang*

Chung Cheuk-yau*

Mak Tsz Kam*

Tiffany Wong*

按英文姓氏首字母排列 In alphabetical order

2021 年 2 月更新 Updated February 2021