Cine Fan May/Jun/Jul 2022 Programme

CINE FAN May Jun Jul 2022 // An Eternal Odyssey: The Complete Theo Angelopoulos 無止 境的旅程—安哲羅普洛斯全展 // Z 大風暴 // Missing 大失踪 // Desire 卿本佳人 // Love in the

Heaven Can Wait 摩登天堂 // Kieslowski: The Serendipity of Life 奇斯洛夫斯基：人生偶拾

May Jun Jul 2022

Afternoon 巴黎春戀 // The Astute Humour of Ernst Lubitsch 劉別謙—妙不可言的狡黠幽默 //

CIne fan 人生 偶拾 奇斯洛夫斯基 Kieślowski: The Serendipity of Life

主辦 Presented by

資助機構 Financially Supported by

May Jun Jul 2022

IS

MC

英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon

M+ 戲院 M+ Cinema 九龍博物館道38號西九文化區 M+大樓LG層 LG, M+ Building, West Kowloon Cultural District, 38 Museum Drive, Kowloon

目錄

Contents

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre 灣仔港灣道2號 2 Harbour Road, Wan Chai

2

14

22

29

30

37

An Eternal Odyssey: The Complete Theo Angelopoulos 無止境的旅程— 安哲羅普洛斯全展

Back to the Screen 銀幕再現

The Astute Humour of Ernst Lubitsch 劉別謙— 妙不可言的狡黠幽默

Cinema Heritage: From The Film Foundation 光影珍藏：電影基金會

Kieslowski: The Serendipity of Life 奇斯洛夫斯基： 人生偶拾

Screening Venues 放映場地

16 The Golden Age 黃金時代

38 Ticketing Information 購票須知

39 Screening Schedule 放映時間表 影片放映格式請參閱Cine Fan網頁 For screening format information, please refer to the Cine Fan website. 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by

資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.

The funding support bears no relationship whatsoever to the content of or views expressed in this project.

語言 Language (語言代碼 Language Code: ISO 639-2/B)

節目夥伴 Programme Partner

合作夥伴 Supporters

字幕 Subtitles

默片 Silent

May Jun Jul 2022

IS

MC

英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon

M+ 戲院 M+ Cinema 九龍博物館道38號西九文化區 M+大樓LG層 LG, M+ Building, West Kowloon Cultural District, 38 Museum Drive, Kowloon

目錄

Contents

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre 灣仔港灣道2號 2 Harbour Road, Wan Chai

2

14

22

29

30

37

An Eternal Odyssey: The Complete Theo Angelopoulos 無止境的旅程— 安哲羅普洛斯全展

Back to the Screen 銀幕再現

The Astute Humour of Ernst Lubitsch 劉別謙— 妙不可言的狡黠幽默

Cinema Heritage: From The Film Foundation 光影珍藏：電影基金會

Kieslowski: The Serendipity of Life 奇斯洛夫斯基： 人生偶拾

Screening Venues 放映場地

16 The Golden Age 黃金時代

38 Ticketing Information 購票須知

39 Screening Schedule 放映時間表 影片放映格式請參閱Cine Fan網頁 For screening format information, please refer to the Cine Fan website. 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.

主辦 Presented by

資助機構 Financially Supported by

香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund.

The funding support bears no relationship whatsoever to the content of or views expressed in this project.

語言 Language (語言代碼 Language Code: ISO 639-2/B)

節目夥伴 Programme Partner

合作夥伴 Supporters

字幕 Subtitles

默片 Silent

人類的宿命。永恆的回歸。這些主題追隨着安哲羅

憶幻變。從開始到終結，又回到起點，故事彷彿重

與賦格。放逐、流離、歸夢，乘光影孤舟航向奧德

黃雨衣的難民，種種意象更迭出現，遙相呼應，隱

普洛斯（1935-2012）一生，在其電影裏不斷變奏 賽之旅，探索着看得見和看不見的邊界，影像美學 的冒險將人引領至前所未到之境；而這旅程，永無 止境。

圓，拜占庭文化中標誌神聖的概念，是安氏電影擁 抱永恆與延續的符號。往復循環的尋父旅程，自小 深植於記憶之中：母親拖着他的手，在荒野亂屍堆 中尋找父親，成了畢生難以磨滅的烙印。由《塞瑟 島之旅》以至《霧中風景》，一直追尋是那流亡在 外、久別回家甚至不知存在與否的父親；由《尤利 西斯的凝望》、《一生何求》以至《時光微塵》， 在那亞歷山大或導演A的身影裏，不斷反思自我身 份、命運與歸宿。

長鏡頭的沉默凝視，360度全景的冷靜縱觀，像手風

琴緩緩伸舒的推軌移動，構成了思哲辯證而詩意縈 迴的畫面。於現實與虛幻之間自若遊走，時間穿越 空間遂意流動，讓過去與現在交錯重疊，任情感追

新開始，演遞交嬗。迷霧中的大樹、崩坍的巨像、 喻層層昇華；以疏離淡懷憂患，於沉默寄寓希望， 守護着現代主義電影之靈。

古希臘神話與戲劇的詩魂，流貫於電影的經脈，繼 承着阿伽門農、俄瑞斯忒斯的悲劇宿命，賦予現世 的詮釋。走過希臘二十世紀最動盪的歲月，巴爾幹 歷史的幽靈如濃霧籠罩不散，家國的苦難、民族的 悲情以至個人的命運，隨歷史永劫輪迴，與革命理 想的幻夢永遠同在。以切身而又超脫自我的視野， 把歷史的回溯提煉到神話的真實，呈現「另一個希 臘」──那個回不去的家。

尋覓、失去、再尋覓……那孑孓獨行的身影，惜因 意外到不了「另一片海」的彼岸。又或結束，才是 開始？

後記：彷彿應驗了結束，就是開始。首季節目因疫 情無奈取消了，然而偉大的電影自有其生命，暫且 消失後，復再歸來，又是新的開始。

无止境的旅程

His early childhood memories innately reflect a broader national trauma. The agonising experience of searching for a missing, or even non-existent, father becomes a metaphorical concept in his work, from Journey to

Cythera to Landscape in the Mist , that evokes the effects of war, emigration, and authoritarian society on families and communities. Simultaneously a tribute to and a reincarnation of the Greek epic poem, the emotional odyssey is also a yearning for reconnecting with the cultural past, while contemplating self-identity, artistic pursuit and ideological disillusionment, as seen through the characters of Alexander, or simply “A”, in Ulysses’ Gaze , Eternity and a Day and The Dust of Time .

Deeply immersed in Hellenic culture, his films are coded with classical references, transfiguring Byzantine images and mythical personalities in Greek Tragedy to probe the roots of contemporary Greek society. Like

the travelling players who live through the turbulent times of the 20th century, the last modernist sought to capture the human toll of its tragic legacy, in his monumental fusion of history, myth and memory that is incisive and deeply moving.

An epic poet of the cinema, Angelopoulos redefined the slow pan, the long take and tracking shots through his magisterial elliptical style, spatial coexistence and languidly unfolding narratives, providing “more freedom” for viewers to ponder upon his historical and political allegories. Failed idealism articulated through the elegiac image of Lenin’s dismantled statue; transcendence across borders conjured by the line of yellow jacketed refugees on the telephone poles; or dreams of hope evoked in the lone tree in the mist – all these emblematic imageries of poetic realism encapsulate Angelopoulos’ distinctive gaze of estrangement, and vision of redemption.

The sudden arrival of the Angel of Death left his odyssey to The Other Sea unfinished. Yet, nothing ever ends. The end is where he starts from.

PS: As if living through the journey, the cancellation of our first quarter programme is to make a new beginning. We go with films that have their own lives: see, they return, and bring us with them.

—

The Complete Theo Angelopoulos

安哲罗普洛斯全展

An Eternal Odyssey:

Human destiny. Eternal return. Flowing in the vein of Theo Angelopoulos (1935-2012), the accents of these themes reign over all his works in variations and fugues. In a life of cinematic odyssey, he navigated distinctive aesthetics of myth and empathy, transposing us into a deep exploration and contemplation of exile, displacement and homecoming – a national and personal journey that fated to never end.

Special thanks to Theo Angelopoulos Film Production and Theo Angelopoulos family.

人類的宿命。永恆的回歸。這些主題追隨着安哲羅

憶幻變。從開始到終結，又回到起點，故事彷彿重

與賦格。放逐、流離、歸夢，乘光影孤舟航向奧德

黃雨衣的難民，種種意象更迭出現，遙相呼應，隱

普洛斯（1935-2012）一生，在其電影裏不斷變奏 賽之旅，探索着看得見和看不見的邊界，影像美學 的冒險將人引領至前所未到之境；而這旅程，永無 止境。

圓，拜占庭文化中標誌神聖的概念，是安氏電影擁 抱永恆與延續的符號。往復循環的尋父旅程，自小 深植於記憶之中：母親拖着他的手，在荒野亂屍堆 中尋找父親，成了畢生難以磨滅的烙印。由《塞瑟 島之旅》以至《霧中風景》，一直追尋是那流亡在 外、久別回家甚至不知存在與否的父親；由《尤利 西斯的凝望》、《一生何求》以至《時光微塵》， 在那亞歷山大或導演A的身影裏，不斷反思自我身 份、命運與歸宿。

長鏡頭的沉默凝視，360度全景的冷靜縱觀，像手風

琴緩緩伸舒的推軌移動，構成了思哲辯證而詩意縈 迴的畫面。於現實與虛幻之間自若遊走，時間穿越 空間遂意流動，讓過去與現在交錯重疊，任情感追

新開始，演遞交嬗。迷霧中的大樹、崩坍的巨像、 喻層層昇華；以疏離淡懷憂患，於沉默寄寓希望， 守護着現代主義電影之靈。

古希臘神話與戲劇的詩魂，流貫於電影的經脈，繼 承着阿伽門農、俄瑞斯忒斯的悲劇宿命，賦予現世 的詮釋。走過希臘二十世紀最動盪的歲月，巴爾幹 歷史的幽靈如濃霧籠罩不散，家國的苦難、民族的 悲情以至個人的命運，隨歷史永劫輪迴，與革命理 想的幻夢永遠同在。以切身而又超脫自我的視野， 把歷史的回溯提煉到神話的真實，呈現「另一個希 臘」──那個回不去的家。

尋覓、失去、再尋覓……那孑孓獨行的身影，惜因 意外到不了「另一片海」的彼岸。又或結束，才是 開始？

後記：彷彿應驗了結束，就是開始。首季節目因疫 情無奈取消了，然而偉大的電影自有其生命，暫且 消失後，復再歸來，又是新的開始。

无止境的旅程

His early childhood memories innately reflect a broader national trauma. The agonising experience of searching for a missing, or even non-existent, father becomes a metaphorical concept in his work, from Journey to

Cythera to Landscape in the Mist , that evokes the effects of war, emigration, and authoritarian society on families and communities. Simultaneously a tribute to and a reincarnation of the Greek epic poem, the emotional odyssey is also a yearning for reconnecting with the cultural past, while contemplating self-identity, artistic pursuit and ideological disillusionment, as seen through the characters of Alexander, or simply “A”, in Ulysses’ Gaze , Eternity and a Day and The Dust of Time .

Deeply immersed in Hellenic culture, his films are coded with classical references, transfiguring Byzantine images and mythical personalities in Greek Tragedy to probe the roots of contemporary Greek society. Like

the travelling players who live through the turbulent times of the 20th century, the last modernist sought to capture the human toll of its tragic legacy, in his monumental fusion of history, myth and memory that is incisive and deeply moving.

An epic poet of the cinema, Angelopoulos redefined the slow pan, the long take and tracking shots through his magisterial elliptical style, spatial coexistence and languidly unfolding narratives, providing “more freedom” for viewers to ponder upon his historical and political allegories. Failed idealism articulated through the elegiac image of Lenin’s dismantled statue; transcendence across borders conjured by the line of yellow jacketed refugees on the telephone poles; or dreams of hope evoked in the lone tree in the mist – all these emblematic imageries of poetic realism encapsulate Angelopoulos’ distinctive gaze of estrangement, and vision of redemption.

The sudden arrival of the Angel of Death left his odyssey to The Other Sea unfinished. Yet, nothing ever ends. The end is where he starts from.

PS: As if living through the journey, the cancellation of our first quarter programme is to make a new beginning. We go with films that have their own lives: see, they return, and bring us with them.

—

The Complete Theo Angelopoulos

安哲罗普洛斯全展

An Eternal Odyssey:

Human destiny. Eternal return. Flowing in the vein of Theo Angelopoulos (1935-2012), the accents of these themes reign over all his works in variations and fugues. In a life of cinematic odyssey, he navigated distinctive aesthetics of myth and empathy, transposing us into a deep exploration and contemplation of exile, displacement and homecoming – a national and personal journey that fated to never end.

Special thanks to Theo Angelopoulos Film Production and Theo Angelopoulos family.

The Broadcast 广播 (I Ekpompi)

安哲羅普洛斯首項光影實驗，向當代「自由電影」致

以三六年監獄衝突的真實事件掀開「希臘近代史三部

敬。幾名電視台記者在雅典街頭走訪路過美女，集合她

曲」序章，在布萊希特疏離美學的虛晃下，暗通七十年

們對「理想男人」的定義，再找來符合條件的人辦。平

代軍政獨裁的暗黑歲月，看歷史永劫回歸。被控謀殺工

凡不過的路人甲被選為得獎者，獲邀與大明星閃見一

會領袖的警方線人在囚室挾持國會議員作困獸鬥，進退

面後，在大氣電波向觀眾照稿讀出感受。於軍政獨裁剛

維谷是門外的無能官員，夾在政黨權鬥中苦無對策。高

始的歲月完成，不少希臘新浪潮先驅已避走他方，安氏

角度俯瞰前監獄實境的幽閉空間，窒息空氣在歷史迴廊

Cast: Theodoros Katsadramis, Lina Triantafillou,

卻以紀實姿態暗藏尖刻諷喻，巧妙避過政治審查。長鏡

驅之不散，360度全景環觀官員的一籌莫展與囚犯的無

塞薩洛尼基國際電影節最佳劇情短片獎 Thessaloniki Film Festival: Best Short Fiction Award

頭及緩緩推軌的獨步風格早見端倪，短短二十分鐘已展

路可退。寥寥對白是意在言外的迂迴暗示，在壓抑的噤

露對社會浮誇及傳媒虛妄的敏銳觀察。同場放映《重

默裏，流沉着國族亡魂之悲涼與控訴。

希臘 Greece 1968 21min Nikos Mastorakis

構》。

An experimental homage to the “free cinema” of the period, Angelopoulos’ debut short film begins like a cinema vérité, and is also a subtly absurdist and subversive satire that slyly past the censors during the beginning of military dictatorship. Comprising long takes and sequence shots which prefigure his signature style, the story follows a group of television journalists wandering around Athens, asking passersby for their definition of the “ideal man”. An ordinary man is randomly picked as the winner, whose ultimate award is no more than becoming a puppet in a media show. Screening with Reconstruction .

13.5 19:30 AC

26.6 17:40 IS

The darkening political landscape of 1936 sets the stage for drawing parallels with the 1970s for the first film in Angelopoulos’ “Trilogy of History”. In a Brechtian drama based on a real-life incident, a police informer accused of assassinating a trade unionist holds a politician hostage in his cell, leading to an absurd government crisis. Reconstructed in an oblique and elliptical narrative, the parody under an imposed silence denies everyone a clear picture, yet the high-angle long shots and the languorous 360-degree tracks and pans cast a sardonic eye on the ineptitudes of the bureaucrats and politicians, exposing an underlying truth beyond ambiguity.

14.5 19:15 AC

Days of '36 三六年的岁月 (Méres tou '36) 希臘 Greece 1972 108min

Cast: Giorgos Kiritsis, Christoforos Chimaras, Takis Doukakos 柏林影展國際影評人聯盟獎 Berlin International Film Festival: FIPRESCI Prize

塞薩洛尼基國際電影節最佳導演及最佳攝影獎 Thessaloniki Film Festival: Best Director and Best Cinematography

19.6 20:40 MC

"Farewell! But if you only knew, down deep what pains are

fated to fill your cup before you reach that shore…" ~Homer, "The Odyssey"

Reconstruction 重构 (Anaparastasi) 希臘 Greece 1970 101min

Cast: Toula Stathopoulou, Yannis Totsikas, Thanos Grammenos 柏林影展國際影評人聯盟獎特別表揚 Berlin International Film Festival: FIPRESCI Prize - Special Mention

塞薩洛尼基國際電影節最佳藝術片、最佳女配角、 最佳新導演及最佳攝影獎 Thessaloniki Film Festival: Best Art Film, Best Supporting Actress, Best New Director and Best Cinematography

4

為希臘電影改弦更張的出道作，鉤深致遠的現代主義大

來到「希臘近代史三部曲」的第二部，安氏將家國的歷

師風格如是奠基。遠從德國返鄉的丈夫，逃不過血脈裏

史滄桑投影於流浪藝人的漂泊苦旅，以恢宏視野建構出

阿伽門農神話的悲劇命運。取材自真實謀殺案的三重層

戲劇、歷史與電影互文的空前深度，震撼國際影壇。百

面交錯辯證：警察在現場重組妻子與情人合謀殺夫的案

年劇目《牧羊女戈爾芙》的演出被四度中斷，貫通希臘

情，記者左訪右探重塑桃色醜聞，安氏則以黑色電影重

1939至52年間的巨大轉折：軍政獨裁、意軍轟炸、英

構出軍事獨裁下歷史村落凋零與家國衰敗的真象。借奧

國介入政權，以至內戰爆發。表演者在時空交錯中成為

遜威爾斯之調度展現房廊進出之間盤訊角力的張弛，在

神話悲劇的現實主角，三段獨白與囈語訴說個人與歷史

亞凡尼提斯的冷峻鏡頭下疑雲陰霾密佈，隨門闌緊閉，

糾結的命運。近乎凝固的長鏡頭恍與大地共同沉默，讓

故事彷彿終結，又暗自回歸開始。同場放映《廣播》。

無聲街角見證時代變遷，以全景攝悟歷史輪迴，成就安

Hailed as one of the most remarkable debuts ever, Angelopoulos’ modernist reconstruction of the Agamemnon tragedy heralded the New Greek Cinema Movement. A real-life crime committed in a forsaken village is construed as a complex interplay: of a case reenactment construed by the police, of a tabloid news reported by the journalists, and of the dying of the Greek traditional values under the military regime. Juxtaposing noir-inflected passion with incisive social study, the virtuoso feature, accentuated by the intensity of Giorgos Arvanitis’ stark black-and-white images, lays an overwhelming sense of loss and alienation in the deep soil of Angelopoulos’ oeuvre.

Screening with The Broadcast .

13.5 19:30 AC

26.6 17:40 IS

氏滲透深邃沉思的史詩傑作。

An epic vision of the tumultuous landscape of Greek history is traced through the personal histories of a troupe of actors, whose pastoral play Golfo the Shepherdess is continuously interrupted by the politics of the time.

Re-enacting the fates of the major figures in Aeschylus’ Oresteia , the travelling performers are caught in struggle, betrayal and tragic death amidst the swirling vortices of military junta, World War II and the aftermath of the Civil War. An indisputable landmark in cinema, this analogy for all Greek people as displaced exiles is an ensemble of Angelopoulos' profound long-take and moving camera mise-en-scene taken to harrowingly beautiful extremes.

15.5 19:00 AC

The Travelling Players 流浪艺人 (O Thiasos) 希臘 Greece 1975 231min

Cast: Eva Kotamanidou, Aliki Georgouli, Stratos Pachis

康城影展國際影評人聯盟獎 Cannes Film Festival: FIPRESCI Prize (Parallel Sections) 塞薩洛尼基國際電影節最佳影片及最佳導演等六項大獎 Thessaloniki Film Festival: 6 awards including Best Film and Best Director

30.7 14:30 IS

5

The Broadcast 广播 (I Ekpompi)

安哲羅普洛斯首項光影實驗，向當代「自由電影」致

以三六年監獄衝突的真實事件掀開「希臘近代史三部

敬。幾名電視台記者在雅典街頭走訪路過美女，集合她

曲」序章，在布萊希特疏離美學的虛晃下，暗通七十年

們對「理想男人」的定義，再找來符合條件的人辦。平

代軍政獨裁的暗黑歲月，看歷史永劫回歸。被控謀殺工

凡不過的路人甲被選為得獎者，獲邀與大明星閃見一

會領袖的警方線人在囚室挾持國會議員作困獸鬥，進退

面後，在大氣電波向觀眾照稿讀出感受。於軍政獨裁剛

維谷是門外的無能官員，夾在政黨權鬥中苦無對策。高

始的歲月完成，不少希臘新浪潮先驅已避走他方，安氏

角度俯瞰前監獄實境的幽閉空間，窒息空氣在歷史迴廊

Cast: Theodoros Katsadramis, Lina Triantafillou,

卻以紀實姿態暗藏尖刻諷喻，巧妙避過政治審查。長鏡

驅之不散，360度全景環觀官員的一籌莫展與囚犯的無

塞薩洛尼基國際電影節最佳劇情短片獎 Thessaloniki Film Festival: Best Short Fiction Award

頭及緩緩推軌的獨步風格早見端倪，短短二十分鐘已展

路可退。寥寥對白是意在言外的迂迴暗示，在壓抑的噤

露對社會浮誇及傳媒虛妄的敏銳觀察。同場放映《重

默裏，流沉着國族亡魂之悲涼與控訴。

希臘 Greece 1968 21min Nikos Mastorakis

構》。

An experimental homage to the “free cinema” of the period, Angelopoulos’ debut short film begins like a cinema vérité, and is also a subtly absurdist and subversive satire that slyly past the censors during the beginning of military dictatorship. Comprising long takes and sequence shots which prefigure his signature style, the story follows a group of television journalists wandering around Athens, asking passersby for their definition of the “ideal man”. An ordinary man is randomly picked as the winner, whose ultimate award is no more than becoming a puppet in a media show. Screening with Reconstruction .

13.5 19:30 AC

26.6 17:40 IS

The darkening political landscape of 1936 sets the stage for drawing parallels with the 1970s for the first film in Angelopoulos’ “Trilogy of History”. In a Brechtian drama based on a real-life incident, a police informer accused of assassinating a trade unionist holds a politician hostage in his cell, leading to an absurd government crisis. Reconstructed in an oblique and elliptical narrative, the parody under an imposed silence denies everyone a clear picture, yet the high-angle long shots and the languorous 360-degree tracks and pans cast a sardonic eye on the ineptitudes of the bureaucrats and politicians, exposing an underlying truth beyond ambiguity.

14.5 19:15 AC

Days of '36 三六年的岁月 (Méres tou '36) 希臘 Greece 1972 108min

Cast: Giorgos Kiritsis, Christoforos Chimaras, Takis Doukakos 柏林影展國際影評人聯盟獎 Berlin International Film Festival: FIPRESCI Prize

塞薩洛尼基國際電影節最佳導演及最佳攝影獎 Thessaloniki Film Festival: Best Director and Best Cinematography

19.6 20:40 MC

"Farewell! But if you only knew, down deep what pains are

fated to fill your cup before you reach that shore…" ~Homer, "The Odyssey"

Reconstruction 重构 (Anaparastasi) 希臘 Greece 1970 101min

Cast: Toula Stathopoulou, Yannis Totsikas, Thanos Grammenos 柏林影展國際影評人聯盟獎特別表揚 Berlin International Film Festival: FIPRESCI Prize - Special Mention

塞薩洛尼基國際電影節最佳藝術片、最佳女配角、 最佳新導演及最佳攝影獎 Thessaloniki Film Festival: Best Art Film, Best Supporting Actress, Best New Director and Best Cinematography

4

為希臘電影改弦更張的出道作，鉤深致遠的現代主義大

來到「希臘近代史三部曲」的第二部，安氏將家國的歷

師風格如是奠基。遠從德國返鄉的丈夫，逃不過血脈裏

史滄桑投影於流浪藝人的漂泊苦旅，以恢宏視野建構出

阿伽門農神話的悲劇命運。取材自真實謀殺案的三重層

戲劇、歷史與電影互文的空前深度，震撼國際影壇。百

面交錯辯證：警察在現場重組妻子與情人合謀殺夫的案

年劇目《牧羊女戈爾芙》的演出被四度中斷，貫通希臘

情，記者左訪右探重塑桃色醜聞，安氏則以黑色電影重

1939至52年間的巨大轉折：軍政獨裁、意軍轟炸、英

構出軍事獨裁下歷史村落凋零與家國衰敗的真象。借奧

國介入政權，以至內戰爆發。表演者在時空交錯中成為

遜威爾斯之調度展現房廊進出之間盤訊角力的張弛，在

神話悲劇的現實主角，三段獨白與囈語訴說個人與歷史

亞凡尼提斯的冷峻鏡頭下疑雲陰霾密佈，隨門闌緊閉，

糾結的命運。近乎凝固的長鏡頭恍與大地共同沉默，讓

故事彷彿終結，又暗自回歸開始。同場放映《廣播》。

無聲街角見證時代變遷，以全景攝悟歷史輪迴，成就安

Hailed as one of the most remarkable debuts ever, Angelopoulos’ modernist reconstruction of the Agamemnon tragedy heralded the New Greek Cinema Movement. A real-life crime committed in a forsaken village is construed as a complex interplay: of a case reenactment construed by the police, of a tabloid news reported by the journalists, and of the dying of the Greek traditional values under the military regime. Juxtaposing noir-inflected passion with incisive social study, the virtuoso feature, accentuated by the intensity of Giorgos Arvanitis’ stark black-and-white images, lays an overwhelming sense of loss and alienation in the deep soil of Angelopoulos’ oeuvre.

Screening with The Broadcast .

13.5 19:30 AC

26.6 17:40 IS

氏滲透深邃沉思的史詩傑作。

An epic vision of the tumultuous landscape of Greek history is traced through the personal histories of a troupe of actors, whose pastoral play Golfo the Shepherdess is continuously interrupted by the politics of the time.

Re-enacting the fates of the major figures in Aeschylus’ Oresteia , the travelling performers are caught in struggle, betrayal and tragic death amidst the swirling vortices of military junta, World War II and the aftermath of the Civil War. An indisputable landmark in cinema, this analogy for all Greek people as displaced exiles is an ensemble of Angelopoulos' profound long-take and moving camera mise-en-scene taken to harrowingly beautiful extremes.

15.5 19:00 AC

The Travelling Players 流浪艺人 (O Thiasos) 希臘 Greece 1975 231min

Cast: Eva Kotamanidou, Aliki Georgouli, Stratos Pachis

康城影展國際影評人聯盟獎 Cannes Film Festival: FIPRESCI Prize (Parallel Sections) 塞薩洛尼基國際電影節最佳影片及最佳導演等六項大獎 Thessaloniki Film Festival: 6 awards including Best Film and Best Director

30.7 14:30 IS

5

The Hunters 猎人 (Oi kynigoi)

「希臘近代史三部曲」的終章來到1976年除夕，革命

雅典，在安氏的鏡頭下既是古都，也是浮城。重返出生

陣線在廿八年前早已潰敗告終，歷史卻拒絕成為過去。

地，由衛城走過拜占庭教堂、新古典主義舊宅的遺址及

一群中產階級在雪地狩獵，意外發現一具內戰時期左翼

炮火洗禮下殘存的樓房，尋訪兒時故居，見證歐洲文

游擊隊員屍骸，身上竟仍流着鮮血。調查的劇場帷幔揭

明誕生之地的滄海桑田。那是希臘歷史與個人神話的

希臘 Greece 1977 149min

開，眾人在各自舞台力圖劃清界線，卻在陳述與告白間

融合，也是沉重過去與悲愴現世的交匯。以塞弗里斯的

Athens, Return to the Acropolis 雅典，重返卫城

被迫面對自己的從前。紅帆過盡，革命幻象破滅，只求

詩詞、沙奴哲斯的油畫為靈感點綴，串連起城市的失落

(Athina, epistrofi stin Akropoli)

康城影展競賽影片 Cannes Film Festival: In Competition

寄身於歌舞昇平的當下，悔恨愧疚卻如歷史謬誤，重得

故事與個人的深情回憶。為歐洲文化之都電視系列拍攝

教人無處安放。害怕革命死而復生，一報前仇？就把歷

的特輯之一，處處是安氏獨特的詩意筆觸，從中可瞥見

史再埋葬一次，折當新年伊始的希望。

《流浪藝人》的影子。

It’s New Year’s Eve, 1976. A group of bourgeois hunters preparing for a party comes upon the frozen remains of a partisan killed during the Greek civil war. The time for celebration is unexpectedly turned into an inquest into their troubling past, as the colonel, the industrialist, Nazi collaborators and royalist alike are forced to give an account of their unflattering actions. Merging poetic allegory and historic reconstruction in Brechtian dramaturgy, the film underlines a collective nightmare of guilty conscience, and an indictment of the nation’s deliberate suppression of painful history.

As part of a television series on the European cultural capitals, a different Athens is evoked under the lyrical lens of Angelopoulos, who captures the city he was born and raised with musings on its past and present, on national history and personal myth. Travelling from Acropolis to the Byzantine churches, the remains of the neo-classical homes, and searching for the houses in which he lived, his portrait of Athens is full of memories and inspirations, laced with the poetry of George Seferis and the paintings of Yannis Tsarouchis, and reminiscent of The Travelling Players .

Cast: Vangelis Kazan, Betty Valassi, Giorgos Danis

4.6

16:45 AC

23.7 14:45 IS

3.6

CINE FAN ONLINE

"What do our souls seek journeying on the decks of decayed ships?"

Alexander the Great 亚历山大大帝 (O Megalexandros) 希臘 Greece／意大利 Italy 1980 208min

「是我。」一直尋索的父親突現眼前，似近還遠。流亡

紀的英國貴族，要求地主交還土地。帶着人質凱旋榮歸

蘇聯卅二年後回國，家庭隔閡的心結，與歷史遺留的失

故里，被民眾奉若解放英雄，卻漸漸發現人事全非，公

落，在時空疏離的長鏡頭下徘徊不散。還鄉落葉歸根的

社早已在土地植根。當解放者變為暴君，霸權以默然肅

心願成空，失去身份與國籍，無處安頓的靈魂復被放逐

殺之氣覆蓋大地，社會主義理想如羔羊被宰，古代神話

到茫茫大海。被過去與現在遺棄的革命遊子，在歷史的

與新紀元憧憬皆告幻滅。到頭來是英雄、梟雄，抑或只

沉默裏延續無休無止的奧德賽之旅。不散的濃霧、驟來

是曾受人膜拜的神像而已？直線敘事反更超現實，權慾

的暴雨，成了「沉默三部曲」的孤景；對襯格拉的深邃

在伊底帕斯亂倫的宿命裏陰魂不息，而希望，又能否在

劇本與卡蘭德若的淒美和弦，從此伴隨着安氏一個又一

繼承的小亞歷山大身上劫後重生？

個在記憶與流離裏叩尋父親的自我身影。

Assuming the spiritual glory of the legendary Greek liberator, this great Alexander is a bandit who kidnaps a group of English aristocrats and holds them in a mountain village for political ransom. The mysterious hero soon turns into a Stalin-like tyrant, whose brutality in silence brings the ruins of Greece. Radiating with Angelopoulos’ ambition to create a blend of imaginative filmmaking with classical Greek tragedy forms, this parable is a provocative examination on demythification – from the roots of legend, socialist ideals, to the vain promises of the new century, yet leaving a faint sense of hope in the reincarnated young Alexander.

Setting out to contrast the truth inherent in the Homeric myth of Odysseus and the bleak reality of modern Greek, Angelopoulos contrived a film-within-a-film narrative as a metaphor for searching for a displaced father. Returning from exile in the Soviet Union, the old leftist attempts to reconnect with his former life and his ancestral land, only to find a son and a country become virtually unknown to him, and a life destined to be adrift. The first chapter in the “Trilogy of Silence”, this is a profoundly poetic meditation on a man’s failure to reconcile with his present, and a country’s inability to resolve with its past.

威尼斯影展評審團特別獎及國際影評人聯盟獎 Venice Film Festival: Special Jury Prize and FIPRESCI Prize

6

~George Seferis, "Mythical Story"

披上亞歷山大大帝傳奇的榮光，草寇劫持一群迎接新世

Cast: Omero Antonutti, Eva Kotamanidou, Grigoris Evanelatos 塞薩洛尼基電影節最佳電影、最佳攝影、最佳佈景及最佳聲效設計獎 Thessaloniki Film Festival: Best Film, Best Cinematography, Best Set Decoration and Best Sound

希臘 Greece 1983 45min

Journey to Cythera 塞瑟岛之旅 (Taxidi sta Kythira)

希臘 Greece 1984 139min

Cast: Manos Katrakis, Giulio Brogi, Mary Chronopoulou

5.6

16:30 AC

24.7 14:40 IS

4.6

20:15 AC

22.7 19:30 IS

康城影展最佳編劇獎及國際影評人聯盟獎 Cannes Film Festival: Best Screenplay and FIPRESCI Prize

7

The Hunters 猎人 (Oi kynigoi)

「希臘近代史三部曲」的終章來到1976年除夕，革命

雅典，在安氏的鏡頭下既是古都，也是浮城。重返出生

陣線在廿八年前早已潰敗告終，歷史卻拒絕成為過去。

地，由衛城走過拜占庭教堂、新古典主義舊宅的遺址及

一群中產階級在雪地狩獵，意外發現一具內戰時期左翼

炮火洗禮下殘存的樓房，尋訪兒時故居，見證歐洲文

游擊隊員屍骸，身上竟仍流着鮮血。調查的劇場帷幔揭

明誕生之地的滄海桑田。那是希臘歷史與個人神話的

希臘 Greece 1977 149min

開，眾人在各自舞台力圖劃清界線，卻在陳述與告白間

融合，也是沉重過去與悲愴現世的交匯。以塞弗里斯的

Athens, Return to the Acropolis 雅典，重返卫城

被迫面對自己的從前。紅帆過盡，革命幻象破滅，只求

詩詞、沙奴哲斯的油畫為靈感點綴，串連起城市的失落

(Athina, epistrofi stin Akropoli)

康城影展競賽影片 Cannes Film Festival: In Competition

寄身於歌舞昇平的當下，悔恨愧疚卻如歷史謬誤，重得

故事與個人的深情回憶。為歐洲文化之都電視系列拍攝

教人無處安放。害怕革命死而復生，一報前仇？就把歷

的特輯之一，處處是安氏獨特的詩意筆觸，從中可瞥見

史再埋葬一次，折當新年伊始的希望。

《流浪藝人》的影子。

It’s New Year’s Eve, 1976. A group of bourgeois hunters preparing for a party comes upon the frozen remains of a partisan killed during the Greek civil war. The time for celebration is unexpectedly turned into an inquest into their troubling past, as the colonel, the industrialist, Nazi collaborators and royalist alike are forced to give an account of their unflattering actions. Merging poetic allegory and historic reconstruction in Brechtian dramaturgy, the film underlines a collective nightmare of guilty conscience, and an indictment of the nation’s deliberate suppression of painful history.

As part of a television series on the European cultural capitals, a different Athens is evoked under the lyrical lens of Angelopoulos, who captures the city he was born and raised with musings on its past and present, on national history and personal myth. Travelling from Acropolis to the Byzantine churches, the remains of the neo-classical homes, and searching for the houses in which he lived, his portrait of Athens is full of memories and inspirations, laced with the poetry of George Seferis and the paintings of Yannis Tsarouchis, and reminiscent of The Travelling Players .

Cast: Vangelis Kazan, Betty Valassi, Giorgos Danis

4.6

16:45 AC

23.7 14:45 IS

3.6

CINE FAN ONLINE

"What do our souls seek journeying on the decks of decayed ships?"

Alexander the Great 亚历山大大帝 (O Megalexandros) 希臘 Greece／意大利 Italy 1980 208min

「是我。」一直尋索的父親突現眼前，似近還遠。流亡

紀的英國貴族，要求地主交還土地。帶着人質凱旋榮歸

蘇聯卅二年後回國，家庭隔閡的心結，與歷史遺留的失

故里，被民眾奉若解放英雄，卻漸漸發現人事全非，公

落，在時空疏離的長鏡頭下徘徊不散。還鄉落葉歸根的

社早已在土地植根。當解放者變為暴君，霸權以默然肅

心願成空，失去身份與國籍，無處安頓的靈魂復被放逐

殺之氣覆蓋大地，社會主義理想如羔羊被宰，古代神話

到茫茫大海。被過去與現在遺棄的革命遊子，在歷史的

與新紀元憧憬皆告幻滅。到頭來是英雄、梟雄，抑或只

沉默裏延續無休無止的奧德賽之旅。不散的濃霧、驟來

是曾受人膜拜的神像而已？直線敘事反更超現實，權慾

的暴雨，成了「沉默三部曲」的孤景；對襯格拉的深邃

在伊底帕斯亂倫的宿命裏陰魂不息，而希望，又能否在

劇本與卡蘭德若的淒美和弦，從此伴隨着安氏一個又一

繼承的小亞歷山大身上劫後重生？

個在記憶與流離裏叩尋父親的自我身影。

Assuming the spiritual glory of the legendary Greek liberator, this great Alexander is a bandit who kidnaps a group of English aristocrats and holds them in a mountain village for political ransom. The mysterious hero soon turns into a Stalin-like tyrant, whose brutality in silence brings the ruins of Greece. Radiating with Angelopoulos’ ambition to create a blend of imaginative filmmaking with classical Greek tragedy forms, this parable is a provocative examination on demythification – from the roots of legend, socialist ideals, to the vain promises of the new century, yet leaving a faint sense of hope in the reincarnated young Alexander.

Setting out to contrast the truth inherent in the Homeric myth of Odysseus and the bleak reality of modern Greek, Angelopoulos contrived a film-within-a-film narrative as a metaphor for searching for a displaced father. Returning from exile in the Soviet Union, the old leftist attempts to reconnect with his former life and his ancestral land, only to find a son and a country become virtually unknown to him, and a life destined to be adrift. The first chapter in the “Trilogy of Silence”, this is a profoundly poetic meditation on a man’s failure to reconcile with his present, and a country’s inability to resolve with its past.

威尼斯影展評審團特別獎及國際影評人聯盟獎 Venice Film Festival: Special Jury Prize and FIPRESCI Prize

6

~George Seferis, "Mythical Story"

披上亞歷山大大帝傳奇的榮光，草寇劫持一群迎接新世

Cast: Omero Antonutti, Eva Kotamanidou, Grigoris Evanelatos 塞薩洛尼基電影節最佳電影、最佳攝影、最佳佈景及最佳聲效設計獎 Thessaloniki Film Festival: Best Film, Best Cinematography, Best Set Decoration and Best Sound

希臘 Greece 1983 45min

Journey to Cythera 塞瑟岛之旅 (Taxidi sta Kythira)

希臘 Greece 1984 139min

Cast: Manos Katrakis, Giulio Brogi, Mary Chronopoulou

5.6

16:30 AC

24.7 14:40 IS

4.6

20:15 AC

22.7 19:30 IS

康城影展最佳編劇獎及國際影評人聯盟獎 Cannes Film Festival: Best Screenplay and FIPRESCI Prize

7

The Beekeeper 养蜂人 (O melissokomos) 希臘 Greece／法國 France／意大利 Italy 1986 122min

Cast: Marcello Mastroianni, Nadia Mourouzi, Serge Reggiani 威尼斯影展競賽影片 Venice Film Festival: In Competition

棄我去者，昨日之日不可留。告別妻兒，帶着祖傳的蜂

猶豫在半空的腳步，跨不過劃地的國界。政治家神秘失

巢，在春寒料峭的季節逐繁花南下，踏上往昔之路，尋

蹤多年，偶然被電視台記者發現棲身邊境難民營內，與

訪半世紀的記憶與摯友，以美酒緬懷曾想改變世界的雄

前妻相見已不相識。他不是歸人，是個過客：「我們要

心壯志。只有昨天的退休老師半路邂逅只有今天的浪蕩

跨過多少邊界，方能回家？」難以逾越更是種族、宗教

女孩，在她身上摸索親情、慾望與人心的界線，然而平

以至人心的隔閡。安氏在「邊境三部曲」對顛沛流離的

行線終究不能交集，女王蜂在狂舞過後高飛遠去。在愛

沉思，嬗變成當世預言。在夜裏咆哮的長河，兩岸默靜

情的沉默裏，馬斯杜安尼的悲哀是透過肉體也無法與未

的婚禮如真似夢；在霧色蒼茫的邊境，難民爬到電線桿

來溝通的挫敗；巴特農神殿戲院廢落，希望隨電影幻夢

端修復連繫，更有若苦行者的虔誠奉獻—這何嘗不是

破滅，只能頹然向大地作最後傾訴。

打破藩籬的企盼，回應世紀末的絕望？同場放映短片

Chronicling the aimless life of a middle-aged schoolteacher, this is a dark and sombre portrait of profound disconnection, solitude and obsolescence. Embarking on his family traditional vocation of apiculture to get away from strained family relations, the man of the past desperately attempts to connect with the realities of an unfamiliar modern world through a promiscuous young hitchhiker who lives for the present, only to confirm his disenchantment with the future. In the legendary Marcello Mastroianni's Spyros the father figure reincarnates, embracing the solemn silence and loneliness in a deeply personal journey that starts and ends with the doomed fate of his hives.

映後座談會講者羅展鳳 Film talk with Angela Law

5.6

20:45 AC

19.6 17:30 MC

《三分鐘》（2007，3分鐘）。

“How many borders do we have to cross before we reach home?” The aging, reclusive refugee is believed to be a famous Greek politician missing years ago, now living among refugees from different countries who are waiting to start life anew “somewhere else”. Told from the perspective of a young journalist who seeks to ascertain his identity, it is a prophecy about the “melancholy at the end of the century”, in which Angelopoulos weaves a poetical allegory on borders, refugees, a changing world in our turbulent age – and the possibility of a “new humanism” evoked in an almost mythical closing image of refixing communications.

Screening with short film Three Minutes (2007, 3’)

10.6 19:30 AC

The Suspended Step of the Stork 鹳鸟踟 (To meteoro vima tou pelargou) 希臘 Greece／法國 France／意大利 Italy／瑞士 Switzerland 1991 150min

Cast: Marcello Mastroianni, Jeanne Moreau, Gregory Karr

康城影展競賽影片 Cannes Film Festival: In Competition

17.7 19:30 MC

"And, if the soul is to know itself, it must gaze into the soul." ~Plato, "Alcibiades 133b"

Landscape in the Mist 雾中风景 (Topio stin omichli) 希臘 Greece／法國 France／意大利 Italy 1988 124min

Cast: Tania Palaiologou, Michalis Zeke, Stratos Tzortzoglou

「地是空虛混沌。」兩小姐弟決定出發尋父，踏上開往

流亡美國三十五年的希臘導演重返故鄉，為追尋三卷

德國火車的一刻，成長之旅於焉展開，迎來是生命的沉

早期影像的菲林，從雅典走到內戰正酣的薩拉熱窩，

重領悟──老馬垂死的哀慟、身體暴烈的啟蒙，還有溫

踏進巴爾幹半島顛簸的歷史軌跡。列寧殘像橫臥時間

柔懷抱裏初戀的幻滅。走過希臘過去與現世的蒼茫，流

長河，四分五裂的國土人心邊界依然難以跨越。安氏

浪藝人再沒表演舞台；斷掌從海底升起遠去，沉默的上

以史詩氣魄的影像雕刻漫長苦旅，尋找電影最簡樸的

帝已無從指示未來方向。在虛幻的父親神話裏，只剩下

真實，為瀕臨消亡的文化根源存留希望。往昔與現實

成長的殘酷烙印。一場一鏡的調度美得淒然，詩意的距

魔幻相接，除夕夜舞影間流年暗換，在個人追憶裏勾

離難消心頭隱痛。「然後有了光」，大樹在迷霧中隱

喚家國命運的幽靈。自我靈魂回眸凝視，在濃霧中別過

現，讓重新創造世界的童話，於幻夢達至彼岸。

愛人抱擁，重新踏上那未完的旅程。同場放映《40大

The prodigal father figure is vaporised into a myth in his non-existential silence, sending his children to an odyssey towards innocence loss. Grimly travelling across the bleak, unforgiving landscape of Greece towards the border, the pubescent sister and her little brother confront life’s ordeals and rites through surreal epiphanies: a lover’s dance ended in loneliness, and a Godlike hand emerged as a disillusion.

Transcending his quest for spiritual enlightenment with poetic lyricism, Angelopoulos’ melancholic portrayal of a struggling Greece nevertheless embraces a fairytale vision, leaving a ray of light in the abyss of darkness.

威尼斯影展最佳導演銀獅獎 Venice Film Festival: Silver Lion for Best Director

歐洲電影大獎最佳電影 European Film Awards: European Film of the Year

映後談講者張翠容 Film talk with Susanna Cheung Chui-yung

8

11.6 17:00 AC

16.7 19:30 MC

導與盧米埃》（1995）中短片《雅典》（2分鐘）。

In a modern odyssey across the Balkans, Angelopoulos condenses in the character of Harvey Keitel, a GreekAmerican filmmaker simply known as “A”, as he returns to his hometown to track down three missing reels of early film footage. Gazing into the heart of darkness through the war-torn landscape, he looks for redemption in a world where toppled monumental figure is carried down the river.

Moving fluidly between shattered reality, spectral memories and broken dreams, this epic voyage is simultaneously a meditation on the genesis of cinema, an exploration of changing borders, and a man’s metaphysical search of his own soul. Screening with short film Athens (2’) from Lumiére and Company ( 1995).

11.6 20:00 AC

15.7 19:00 MC

Ulysses’ Gaze 尤利西斯的凝望 (To vlemma tou Odyssea) 希臘 Greece／法國 France／意大利 Italy／德國 Germany

1995 175min

Cast: Harvey Keitel, Maia Morgenstern, Erland Josephson

康城影展評審團大獎及國際影評人聯盟獎 Cannes Film Festival: Grand Prize of the Jury and FIPRESCI Prize 歐洲電影獎國際影評人聯盟獎 European Film Awards: FIPRESCI Prize

9

The Beekeeper 养蜂人 (O melissokomos) 希臘 Greece／法國 France／意大利 Italy 1986 122min

Cast: Marcello Mastroianni, Nadia Mourouzi, Serge Reggiani 威尼斯影展競賽影片 Venice Film Festival: In Competition

棄我去者，昨日之日不可留。告別妻兒，帶着祖傳的蜂

猶豫在半空的腳步，跨不過劃地的國界。政治家神秘失

巢，在春寒料峭的季節逐繁花南下，踏上往昔之路，尋

蹤多年，偶然被電視台記者發現棲身邊境難民營內，與

訪半世紀的記憶與摯友，以美酒緬懷曾想改變世界的雄

前妻相見已不相識。他不是歸人，是個過客：「我們要

心壯志。只有昨天的退休老師半路邂逅只有今天的浪蕩

跨過多少邊界，方能回家？」難以逾越更是種族、宗教

女孩，在她身上摸索親情、慾望與人心的界線，然而平

以至人心的隔閡。安氏在「邊境三部曲」對顛沛流離的

行線終究不能交集，女王蜂在狂舞過後高飛遠去。在愛

沉思，嬗變成當世預言。在夜裏咆哮的長河，兩岸默靜

情的沉默裏，馬斯杜安尼的悲哀是透過肉體也無法與未

的婚禮如真似夢；在霧色蒼茫的邊境，難民爬到電線桿

來溝通的挫敗；巴特農神殿戲院廢落，希望隨電影幻夢

端修復連繫，更有若苦行者的虔誠奉獻—這何嘗不是

破滅，只能頹然向大地作最後傾訴。

打破藩籬的企盼，回應世紀末的絕望？同場放映短片

Chronicling the aimless life of a middle-aged schoolteacher, this is a dark and sombre portrait of profound disconnection, solitude and obsolescence. Embarking on his family traditional vocation of apiculture to get away from strained family relations, the man of the past desperately attempts to connect with the realities of an unfamiliar modern world through a promiscuous young hitchhiker who lives for the present, only to confirm his disenchantment with the future. In the legendary Marcello Mastroianni's Spyros the father figure reincarnates, embracing the solemn silence and loneliness in a deeply personal journey that starts and ends with the doomed fate of his hives.

映後座談會講者羅展鳳 Film talk with Angela Law

5.6

20:45 AC

19.6 17:30 MC

《三分鐘》（2007，3分鐘）。

“How many borders do we have to cross before we reach home?” The aging, reclusive refugee is believed to be a famous Greek politician missing years ago, now living among refugees from different countries who are waiting to start life anew “somewhere else”. Told from the perspective of a young journalist who seeks to ascertain his identity, it is a prophecy about the “melancholy at the end of the century”, in which Angelopoulos weaves a poetical allegory on borders, refugees, a changing world in our turbulent age – and the possibility of a “new humanism” evoked in an almost mythical closing image of refixing communications.

Screening with short film Three Minutes (2007, 3’)

10.6 19:30 AC

The Suspended Step of the Stork 鹳鸟踟 (To meteoro vima tou pelargou) 希臘 Greece／法國 France／意大利 Italy／瑞士 Switzerland 1991 150min

Cast: Marcello Mastroianni, Jeanne Moreau, Gregory Karr

康城影展競賽影片 Cannes Film Festival: In Competition

17.7 19:30 MC

"And, if the soul is to know itself, it must gaze into the soul." ~Plato, "Alcibiades 133b"

Landscape in the Mist 雾中风景 (Topio stin omichli) 希臘 Greece／法國 France／意大利 Italy 1988 124min

Cast: Tania Palaiologou, Michalis Zeke, Stratos Tzortzoglou

「地是空虛混沌。」兩小姐弟決定出發尋父，踏上開往

流亡美國三十五年的希臘導演重返故鄉，為追尋三卷

德國火車的一刻，成長之旅於焉展開，迎來是生命的沉

早期影像的菲林，從雅典走到內戰正酣的薩拉熱窩，

重領悟──老馬垂死的哀慟、身體暴烈的啟蒙，還有溫

踏進巴爾幹半島顛簸的歷史軌跡。列寧殘像橫臥時間

柔懷抱裏初戀的幻滅。走過希臘過去與現世的蒼茫，流

長河，四分五裂的國土人心邊界依然難以跨越。安氏

浪藝人再沒表演舞台；斷掌從海底升起遠去，沉默的上

以史詩氣魄的影像雕刻漫長苦旅，尋找電影最簡樸的

帝已無從指示未來方向。在虛幻的父親神話裏，只剩下

真實，為瀕臨消亡的文化根源存留希望。往昔與現實

成長的殘酷烙印。一場一鏡的調度美得淒然，詩意的距

魔幻相接，除夕夜舞影間流年暗換，在個人追憶裏勾

離難消心頭隱痛。「然後有了光」，大樹在迷霧中隱

喚家國命運的幽靈。自我靈魂回眸凝視，在濃霧中別過

現，讓重新創造世界的童話，於幻夢達至彼岸。

愛人抱擁，重新踏上那未完的旅程。同場放映《40大

The prodigal father figure is vaporised into a myth in his non-existential silence, sending his children to an odyssey towards innocence loss. Grimly travelling across the bleak, unforgiving landscape of Greece towards the border, the pubescent sister and her little brother confront life’s ordeals and rites through surreal epiphanies: a lover’s dance ended in loneliness, and a Godlike hand emerged as a disillusion.

Transcending his quest for spiritual enlightenment with poetic lyricism, Angelopoulos’ melancholic portrayal of a struggling Greece nevertheless embraces a fairytale vision, leaving a ray of light in the abyss of darkness.

威尼斯影展最佳導演銀獅獎 Venice Film Festival: Silver Lion for Best Director

歐洲電影大獎最佳電影 European Film Awards: European Film of the Year

映後談講者張翠容 Film talk with Susanna Cheung Chui-yung

8

11.6 17:00 AC

16.7 19:30 MC

導與盧米埃》（1995）中短片《雅典》（2分鐘）。

In a modern odyssey across the Balkans, Angelopoulos condenses in the character of Harvey Keitel, a GreekAmerican filmmaker simply known as “A”, as he returns to his hometown to track down three missing reels of early film footage. Gazing into the heart of darkness through the war-torn landscape, he looks for redemption in a world where toppled monumental figure is carried down the river.

Moving fluidly between shattered reality, spectral memories and broken dreams, this epic voyage is simultaneously a meditation on the genesis of cinema, an exploration of changing borders, and a man’s metaphysical search of his own soul. Screening with short film Athens (2’) from Lumiére and Company ( 1995).

11.6 20:00 AC

15.7 19:00 MC

Ulysses’ Gaze 尤利西斯的凝望 (To vlemma tou Odyssea) 希臘 Greece／法國 France／意大利 Italy／德國 Germany

1995 175min

Cast: Harvey Keitel, Maia Morgenstern, Erland Josephson

康城影展評審團大獎及國際影評人聯盟獎 Cannes Film Festival: Grand Prize of the Jury and FIPRESCI Prize 歐洲電影獎國際影評人聯盟獎 European Film Awards: FIPRESCI Prize

9

Eternity and a Day 一生何求

暮年作家將走到生命盡頭，剩下愛犬相伴。翻出亡妻書

《尤利西斯的凝望》的美籍希裔導演回歸，來到意大

簡，跌進海濱舊宅的快樂回憶。驀然回首，方知天海曾

利片廠，於世紀之交延續從過去、現來到將來無止境

是那麼蔚藍，深情的妻子卻如斯孤寂。惘然若失的愛在

的旅程。穿越無數邊界，從史太林逝世追溯至越戰、

偶遇的阿爾巴尼亞小孩身上找到寄託，於失語世界共同

柏林圍牆倒下，在拍攝的電影中尋索父母與自己的故

尋覓那湮遠詩人的忘字。在夢幻巴士旅程上讓憂傷靈魂

事。時光讓意識空漠蒙塵，矇矓回憶與憂悒現實相匯

希臘 Greece／法國 France／意大利 Italy 1998 133min

暫且一歇，在告別前終喚回「人生的甜美」。安氏最個

相融，是母親與兩個男人延續至今的離合聚散，也是

Cast: Bruno Ganz, Isabelle Renauld, Fabrizio Bentivoglio

人的詩意之作，凝煉風格渾然天成，將電影生涯的命題

女兒在自己破裂婚姻中頓然迷失。天使把手伸向第三

康城影展金棕櫚獎 Cannes Film Festival: Palme d'Or

抱個滿懷。康城金棕櫚獎雖珊珊來遲，生命卻未嫌太

翼，新紀元的烏托邦卻未可及。安氏在凡塵留下最後

塞薩洛尼基國際電影節最佳影片、最佳導演及最佳編劇等七項大獎 Thessaloniki Film Festival: 7 awards including Best Film, Best Director and Best Screenplay

晚；「明日幾時盡？」一天，也是永恆。

作品，沒有終結，永不止息。同場放映《看不見的世

(Mia aioniotita kai mia mera)

An overdue Palme d’Or finally came on board Angelopoulos’ list of accolades, bestowed on his most personal journey with new tenderness and emotional intensity. In his unrivalled style of metaphysical reverie at its most accessible lies the haunting poetic valedictory of a dying author, Alexandre, who is immersed in memories of his wife, and wants one final chance to capture the lost moments of true happiness through his unexpected friendship with an abandoned Albanian boy. Soulful and hypnotic, this lyrical meditation on the meaning of life conjures mystically beautiful images of love and farewell, transcending a day into an eternity.

12.6 16:45 AC

29.7

Continuing the odyssey of a Greek-American filmmaker echoing “A” in Ulysses’ Gaze , Angelopoulos’ final epic sets on the coming of new millennium, taking a long trip back into the vast history of the last half-century, from the death of Stalin to the fall of the Berlin Wall. This time, in Rome’s Cinecittà studios directing a film about his parents and his own life, he is absorbed into an elliptical intermingling of memory and reality, time and history, love and borders. The cinematic journey of the Greek maestro halted at this fin-de-siècle drama. Yet, nothing ended. Nothing ever ends. Screening with short film Sky Below (6’) from Invisible World (2012).

26.6

19:30 IS

"And from there a gentle breeze sweetly blew

界》（2012）中短片《下面的天空》（6分鐘）。

14:40 IS

1.7

CINE FAN ONLINE

The Dust of Time 时光微尘 (I skoni tou hronou) 希臘 Greece／法國 France／意大利 Italy／ 德國 Germany／俄羅斯 Russia 2008 127min

Cast: Willem Dafoe, Bruno Ganz, Michel Piccoli, Irene Jacob 康城影展競賽影片 Cannes Film Festival: In Competition

映後談講者朗天 Film talk with Long Tin

31.7 20:50 IS

Caressing the faces down below

As if to murmur into the heart's recesses

'Life is sweet and death is darkness'." ~Dionysios Solomos,"The Day of Easter"

孤女隨移民養父母逃避紅軍返國，流向一生漫長飄泊。 逃出婚禮，與愛人私奔，卻避不過老父幽靈的苦纏，還 有連連戰禍的蹂躪。丈夫的手風琴聲已渡重洋，等待她 的是荒謬的鐵窗生涯，更是孖生兒在內戰中互鬥而亡。 黑旗飄揚的海上葬禮、掛吊枯樹上的亡羊殘骸、隱現白

3-5.6

幔間的樂師迎風奏樂，夢幻景象點綴冷峻的直線敘事， 幽通失落的神話。隨歷史洪流放逐、分離、流徙，歸來

雅典，重返卫城 Athens, Return to the Acropolis

時故土早被淹沒，復又孑然一身。安氏奏起「希臘三部 曲」的人類命運輓歌，可惜未及得見終章。

Trilogy: The Weeping Meadow 悲伤草原 (Trilogia: To livadi pou dakryzei) 希臘 Greece／法國 France／意大利 Italy／德國 Germany 2003 167min

Lines of kayak solemnly paying tribute to a funeral along the river; a herd of slaughtered sheep hanging omenlike on a tree; a group of travelling musicians playing their haunting score among a field of flying white sheets… a procession of starkly beautiful, almost mythical, images pave the life journey of Eleni, an orphan adopted by a family returning to Greece after their exile in Odessa, only to continue her never-ending exile among wars. Capturing the changing tides of the history of Greece between 1919 and 1949, Angelopoulos chants his elegy on human fate, of pain and passion, of solitude and loss.

Cast: Alexandra Aidini, Nikos Poursanidis, Giorgos Armenis 歐洲電影大獎國際影評人聯盟獎 European Film Awards: FIPRESCI Prize

柏林影展競賽片 Berlin International Film Festival: In Competition

10

12.6 20:00 AC

8.7

1-3.7 时光微尘 The Dust of Time

19:30 AC 每個網上節目放映期長達 72 小時（影片開始播放後，須於 24 小時內觀看） Each film will be available for viewing for 72 hours (Once the viewing starts, the purchased content can only be accessed within 24 hours)

11

Eternity and a Day 一生何求

暮年作家將走到生命盡頭，剩下愛犬相伴。翻出亡妻書

《尤利西斯的凝望》的美籍希裔導演回歸，來到意大

簡，跌進海濱舊宅的快樂回憶。驀然回首，方知天海曾

利片廠，於世紀之交延續從過去、現來到將來無止境

是那麼蔚藍，深情的妻子卻如斯孤寂。惘然若失的愛在

的旅程。穿越無數邊界，從史太林逝世追溯至越戰、

偶遇的阿爾巴尼亞小孩身上找到寄託，於失語世界共同

柏林圍牆倒下，在拍攝的電影中尋索父母與自己的故

尋覓那湮遠詩人的忘字。在夢幻巴士旅程上讓憂傷靈魂

事。時光讓意識空漠蒙塵，矇矓回憶與憂悒現實相匯

希臘 Greece／法國 France／意大利 Italy 1998 133min

暫且一歇，在告別前終喚回「人生的甜美」。安氏最個

相融，是母親與兩個男人延續至今的離合聚散，也是

Cast: Bruno Ganz, Isabelle Renauld, Fabrizio Bentivoglio

人的詩意之作，凝煉風格渾然天成，將電影生涯的命題

女兒在自己破裂婚姻中頓然迷失。天使把手伸向第三

康城影展金棕櫚獎 Cannes Film Festival: Palme d'Or

抱個滿懷。康城金棕櫚獎雖珊珊來遲，生命卻未嫌太

翼，新紀元的烏托邦卻未可及。安氏在凡塵留下最後

塞薩洛尼基國際電影節最佳影片、最佳導演及最佳編劇等七項大獎 Thessaloniki Film Festival: 7 awards including Best Film, Best Director and Best Screenplay

晚；「明日幾時盡？」一天，也是永恆。

作品，沒有終結，永不止息。同場放映《看不見的世

(Mia aioniotita kai mia mera)

An overdue Palme d’Or finally came on board Angelopoulos’ list of accolades, bestowed on his most personal journey with new tenderness and emotional intensity. In his unrivalled style of metaphysical reverie at its most accessible lies the haunting poetic valedictory of a dying author, Alexandre, who is immersed in memories of his wife, and wants one final chance to capture the lost moments of true happiness through his unexpected friendship with an abandoned Albanian boy. Soulful and hypnotic, this lyrical meditation on the meaning of life conjures mystically beautiful images of love and farewell, transcending a day into an eternity.

12.6 16:45 AC

29.7

Continuing the odyssey of a Greek-American filmmaker echoing “A” in Ulysses’ Gaze , Angelopoulos’ final epic sets on the coming of new millennium, taking a long trip back into the vast history of the last half-century, from the death of Stalin to the fall of the Berlin Wall. This time, in Rome’s Cinecittà studios directing a film about his parents and his own life, he is absorbed into an elliptical intermingling of memory and reality, time and history, love and borders. The cinematic journey of the Greek maestro halted at this fin-de-siècle drama. Yet, nothing ended. Nothing ever ends. Screening with short film Sky Below (6’) from Invisible World (2012).

26.6

19:30 IS

"And from there a gentle breeze sweetly blew

界》（2012）中短片《下面的天空》（6分鐘）。

14:40 IS

1.7

CINE FAN ONLINE

The Dust of Time 时光微尘 (I skoni tou hronou) 希臘 Greece／法國 France／意大利 Italy／ 德國 Germany／俄羅斯 Russia 2008 127min

Cast: Willem Dafoe, Bruno Ganz, Michel Piccoli, Irene Jacob 康城影展競賽影片 Cannes Film Festival: In Competition

映後談講者朗天 Film talk with Long Tin

31.7 20:50 IS

Caressing the faces down below

As if to murmur into the heart's recesses

'Life is sweet and death is darkness'." ~Dionysios Solomos,"The Day of Easter"

孤女隨移民養父母逃避紅軍返國，流向一生漫長飄泊。 逃出婚禮，與愛人私奔，卻避不過老父幽靈的苦纏，還 有連連戰禍的蹂躪。丈夫的手風琴聲已渡重洋，等待她 的是荒謬的鐵窗生涯，更是孖生兒在內戰中互鬥而亡。 黑旗飄揚的海上葬禮、掛吊枯樹上的亡羊殘骸、隱現白

3-5.6

幔間的樂師迎風奏樂，夢幻景象點綴冷峻的直線敘事， 幽通失落的神話。隨歷史洪流放逐、分離、流徙，歸來

雅典，重返卫城 Athens, Return to the Acropolis

時故土早被淹沒，復又孑然一身。安氏奏起「希臘三部 曲」的人類命運輓歌，可惜未及得見終章。

Trilogy: The Weeping Meadow 悲伤草原 (Trilogia: To livadi pou dakryzei) 希臘 Greece／法國 France／意大利 Italy／德國 Germany 2003 167min

Lines of kayak solemnly paying tribute to a funeral along the river; a herd of slaughtered sheep hanging omenlike on a tree; a group of travelling musicians playing their haunting score among a field of flying white sheets… a procession of starkly beautiful, almost mythical, images pave the life journey of Eleni, an orphan adopted by a family returning to Greece after their exile in Odessa, only to continue her never-ending exile among wars. Capturing the changing tides of the history of Greece between 1919 and 1949, Angelopoulos chants his elegy on human fate, of pain and passion, of solitude and loss.

Cast: Alexandra Aidini, Nikos Poursanidis, Giorgos Armenis 歐洲電影大獎國際影評人聯盟獎 European Film Awards: FIPRESCI Prize

柏林影展競賽片 Berlin International Film Festival: In Competition

10

12.6 20:00 AC

8.7

1-3.7 时光微尘 The Dust of Time

19:30 AC 每個網上節目放映期長達 72 小時（影片開始播放後，須於 24 小時內觀看） Each film will be available for viewing for 72 hours (Once the viewing starts, the purchased content can only be accessed within 24 hours)

11

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Back To The Screen

Back To The Screen

銀幕 再現

銀幕 再現

大風暴 Z

一場演說揭開法西斯風暴序幕，廣受群眾支持的左翼政治家在街上被暴 徒致命伏擊，到場調查事件的法官尚路易杜寧南在攝影記者協助下，逐 步發現政警黑三方勾結的駭人真相。把希臘議員林布拉基斯遇襲案的報 道文學改編搬上銀幕，開首一句「本故事如有雷同，純屬故意」拉起戰 幔，公然向軍政府投下政治炸彈。連奪康城評審團獎、金球獎及奧斯卡 最佳外語片殊榮，鋒頭一時無兩。作為示威口號的希臘字母Z代表生命， 直指至死無悔的抗爭決心，行色悲壯，觀者動容，影片懾人的場面氣氛 營造，更令哥斯達加華斯登上政治驚慄片大師寶座。 In a fictional nation, its right-wing military government uses pro-establishment thugs to violently silence its critics. When a deputy of the opposition is assassinated by such thugs, a magistrate uncovers a conspiracy that goes all the way to the top – and the military will use every trick it has to keep the truth sealed. Costa-Gavras’ thinly-fictionalised and furious attack at the junta that ruled his home nation of Greece following the assassination of an opposition political figure, Z is an engrossing political thriller about the absurdly desperate measures taken by an authoritarian regime for the sake of clinging to power. In a world embroiled in political activism and repression, Z continues to strike a nerve around the globe today.

哥斯達加華斯 Costa-Gavras

France 法國／Algeria 阿爾及利亞 1969 127min Cast: Jean-Louis Trintignant, Yves Montand, Irene Papas 康城影展評審團獎及最佳男演員獎 Cannes Film Festival: Jury Prize and Best Actor

奧斯卡金像奬最佳外語片及最佳剪接 Academy Awards: Best Foreign Language Film and Best Film Editing

22.5 14:40 IS

24.7 20:45 IS

大失踪 Missing

《大風暴》之後，哥斯達加華斯聲名大噪，眼光卻沒離開過人間 不義，拍攝題材繼續聚焦政治風暴。《大失蹤》是他首部踏足荷 里活的作品，真人真事改編，以智利軍事政變為題。積林蒙飾演 的美國保守商人前往智利尋找在宵禁期間失蹤的記者兒子，與政 見不合的媳婦合力調查卻處處碰壁，過程中目睹智利軍方殘暴鎮 壓，後來發現大使館與軍政府勾結，背後更有美國撐腰……待猛 然醒覺，一切已難挽回。一舉摘下康城影展金棕櫚大獎及最佳男 演員獎，實至名歸。當年電影公映後，美國大使曾提出誹謗訴 訟，直至2006年才得以再度面世。 In 1973, Chile’s democratically elected socialist leader was deposed in a violent military coup. When a left-wing Chile-based American journalist goes missing, his conservative pro-establishment father and his wife must overcome their political differences to find him. Together, they discover that the US government not only aided in the coup but knows more about the disappearance than it lets on. As strikingly realistic as it is, the film was ensnared in a lawsuit for libel by the former US Ambassador. Though a continuation of Costa-Gavras’ longtime creative interest in exposing authoritarian regimes and those who enable them, this controversial Palme d'Or winner also goes beyond that as a sincere character drama about trauma and truths bridging one family’s ideological divide.

14

哥斯達加華斯 Costa-Gavras

美國 USA 1982 122min Cast: Jack Lemmon, Sissy Spacek, Melanie Mayron

康城影展金棕櫚獎及最佳男演員獎 Cannes Film Festival: Palme d'Or and Best Actor 奧斯卡金像奬最佳改編劇本 Academy Awards: Best Adapted Screenplay

映後談講者黃可欣 Film talk with Mimi Wong

22.5 17:20 IS

23.7 20:50 IS

15

Back To The Screen

Back To The Screen

銀幕 再現

銀幕 再現

大風暴 Z

一場演說揭開法西斯風暴序幕，廣受群眾支持的左翼政治家在街上被暴 徒致命伏擊，到場調查事件的法官尚路易杜寧南在攝影記者協助下，逐 步發現政警黑三方勾結的駭人真相。把希臘議員林布拉基斯遇襲案的報 道文學改編搬上銀幕，開首一句「本故事如有雷同，純屬故意」拉起戰 幔，公然向軍政府投下政治炸彈。連奪康城評審團獎、金球獎及奧斯卡 最佳外語片殊榮，鋒頭一時無兩。作為示威口號的希臘字母Z代表生命， 直指至死無悔的抗爭決心，行色悲壯，觀者動容，影片懾人的場面氣氛 營造，更令哥斯達加華斯登上政治驚慄片大師寶座。 In a fictional nation, its right-wing military government uses pro-establishment thugs to violently silence its critics. When a deputy of the opposition is assassinated by such thugs, a magistrate uncovers a conspiracy that goes all the way to the top – and the military will use every trick it has to keep the truth sealed. Costa-Gavras’ thinly-fictionalised and furious attack at the junta that ruled his home nation of Greece following the assassination of an opposition political figure, Z is an engrossing political thriller about the absurdly desperate measures taken by an authoritarian regime for the sake of clinging to power. In a world embroiled in political activism and repression, Z continues to strike a nerve around the globe today.

哥斯達加華斯 Costa-Gavras

France 法國／Algeria 阿爾及利亞 1969 127min Cast: Jean-Louis Trintignant, Yves Montand, Irene Papas 康城影展評審團獎及最佳男演員獎 Cannes Film Festival: Jury Prize and Best Actor

奧斯卡金像奬最佳外語片及最佳剪接 Academy Awards: Best Foreign Language Film and Best Film Editing

22.5 14:40 IS

24.7 20:45 IS

大失踪 Missing

《大風暴》之後，哥斯達加華斯聲名大噪，眼光卻沒離開過人間 不義，拍攝題材繼續聚焦政治風暴。《大失蹤》是他首部踏足荷 里活的作品，真人真事改編，以智利軍事政變為題。積林蒙飾演 的美國保守商人前往智利尋找在宵禁期間失蹤的記者兒子，與政 見不合的媳婦合力調查卻處處碰壁，過程中目睹智利軍方殘暴鎮 壓，後來發現大使館與軍政府勾結，背後更有美國撐腰……待猛 然醒覺，一切已難挽回。一舉摘下康城影展金棕櫚大獎及最佳男 演員獎，實至名歸。當年電影公映後，美國大使曾提出誹謗訴 訟，直至2006年才得以再度面世。 In 1973, Chile’s democratically elected socialist leader was deposed in a violent military coup. When a left-wing Chile-based American journalist goes missing, his conservative pro-establishment father and his wife must overcome their political differences to find him. Together, they discover that the US government not only aided in the coup but knows more about the disappearance than it lets on. As strikingly realistic as it is, the film was ensnared in a lawsuit for libel by the former US Ambassador. Though a continuation of Costa-Gavras’ longtime creative interest in exposing authoritarian regimes and those who enable them, this controversial Palme d'Or winner also goes beyond that as a sincere character drama about trauma and truths bridging one family’s ideological divide.

14

哥斯達加華斯 Costa-Gavras

美國 USA 1982 122min Cast: Jack Lemmon, Sissy Spacek, Melanie Mayron

康城影展金棕櫚獎及最佳男演員獎 Cannes Film Festival: Palme d'Or and Best Actor 奧斯卡金像奬最佳改編劇本 Academy Awards: Best Adapted Screenplay

映後談講者黃可欣 Film talk with Mimi Wong

22.5 17:20 IS

23.7 20:50 IS

15

Images courtesy of Park Circus/Universal

卿本佳人

巴黎春戀

和天作之合的約瑟馮史登堡一導一演七部經典後，瑪蓮德烈治已

巴黎，何止是一席流動的饗宴；點綴着柯德莉夏萍曼妙身影的花

是不朽絕艷，隨即投身言情聖手波西傑的鏡頭中，又是另一筆男

都，更讓人如沐春風。巴黎私家偵探調查美國富翁的艷事，自家

和女、新與舊大陸交鋒的風流賬。美艷女竊賊在巴黎巧騙珍珠頸

女兒卻着了富翁的魔。她面對情場老手，怎能太快投降，於是偽造

鍊，逃往西班牙路上，遇上俊俏美國遊客加利谷巴，利用鬥氣冤

長長風流列表，抬高身價，要雙方玩起攻防戰，死去活來，方見真

家運贓之餘，芳心竟也不自覺地被偷去，但騙匪集團豈容她金盆

章。與《龍鳳配》的比利懷特再結片緣，巴黎實景拍攝，懷特來自

洗手。波西傑向來鍾情年輕愛侶的淒美歷練，德烈治華衣錦服依

歐陸，不須過火賣弄，模仿法國電影的寫實幾可亂真，而午後的總

然眩目，卻是倦怠思變，堅決向邪惡開戰，不僅是爭取愛情，尚

統套房，窗外從明漸黯，微熱空氣好像迷霧，在小樂隊伴奏中，夏

有道德的洗心革面。監製劉別謙注入獨有幽默，歐洲式的沉着應

萍和谷巴曼舞調情，醉人豈是深夜可以比擬。主演劉別謙《風流寡

變被美式進攻一一戳破，雖全是獨有騙子門面，仍是優雅悅心。

婦》等名作的歌王司花利亞飾演父親，瀟洒怪趣不減當年，並提供

浪漫喜劇暗藏使徒般的考驗，神跡似的蛻變，德烈治創造新猷，

道地的巴黎智慧。糅合法國格調和荷里活技藝，雋妙而用情，是懷

是她難得滿意之作。

特被譽為最劉別謙的作品。

Desire is a fruitful yield of artistic cross-pollination between producer Ernst Lubitsch’s sophisticated comedy and director Frank Borzage’s melodramatic sensibility. In her reunion with Gary Cooper since Morocco , Marlene Dietrich forged her new screen persona as a beguiling thief who is compelled to flirt outrageously with a Detroit engineer on vacation in order to retrieve a valuable pearl necklace she stole. Sparkling and twinkling under the Lubitsch touch, the smartly-piloted romantic suspense moves along a journey from deceptive glamour to true confession. And in the Borzagian brand of redemptive power of love, the two lonely hearts – who are at first drawn together by their strife and discord – are magically transcended under the spell of the Spanish Moon.

Manifesting himself as a successor to Lubitsch, Billy Wilder mounted his own pedestal as a master of romantic comedy, in the first of his longlasting collaboration with screenwriter I.A.L. Diamond. Crafting his own “touches” of subtle sophisticated slapstick, Wilder mixes glamour, enchantment and cynical mirth in this Cinderella-meet-Don Juan story – a lovely, innocent Audrey Hepburn, daughter of a private eye, comes to rescue and falls for Gary Cooper, a high-flying playboy millionaire whom his father investigates. With pails of champagne and gypsy musicians’ streams of Fascination Waltz, their mood-drenched, seductive rendezvous in the afternoon becomes a wickedly funny game of matching wits leading to the evolution of love.

Desire 法蘭波西傑

Frank Borzage

美國 USA 1936 95min Cast: Marlene Dietrich, Gary Cooper, John Halliday

映後談講者林瀚光 Film talk with Derek Lam

2.7

14:45 IS

16

24.7 18:40 IS

Love in the Afternoon 比利懷特

Billy Wilder

美國 USA 1957 130min Cast: Gary Cooper, Audrey Hepburn, Maurice Chevalier

2.7

17:20 IS

23.7 18:00 IS

17

Images courtesy of Park Circus/Universal

卿本佳人

巴黎春戀

和天作之合的約瑟馮史登堡一導一演七部經典後，瑪蓮德烈治已

巴黎，何止是一席流動的饗宴；點綴着柯德莉夏萍曼妙身影的花

是不朽絕艷，隨即投身言情聖手波西傑的鏡頭中，又是另一筆男

都，更讓人如沐春風。巴黎私家偵探調查美國富翁的艷事，自家

和女、新與舊大陸交鋒的風流賬。美艷女竊賊在巴黎巧騙珍珠頸

女兒卻着了富翁的魔。她面對情場老手，怎能太快投降，於是偽造

鍊，逃往西班牙路上，遇上俊俏美國遊客加利谷巴，利用鬥氣冤

長長風流列表，抬高身價，要雙方玩起攻防戰，死去活來，方見真

家運贓之餘，芳心竟也不自覺地被偷去，但騙匪集團豈容她金盆

章。與《龍鳳配》的比利懷特再結片緣，巴黎實景拍攝，懷特來自

洗手。波西傑向來鍾情年輕愛侶的淒美歷練，德烈治華衣錦服依

歐陸，不須過火賣弄，模仿法國電影的寫實幾可亂真，而午後的總

然眩目，卻是倦怠思變，堅決向邪惡開戰，不僅是爭取愛情，尚

統套房，窗外從明漸黯，微熱空氣好像迷霧，在小樂隊伴奏中，夏

有道德的洗心革面。監製劉別謙注入獨有幽默，歐洲式的沉着應

萍和谷巴曼舞調情，醉人豈是深夜可以比擬。主演劉別謙《風流寡

變被美式進攻一一戳破，雖全是獨有騙子門面，仍是優雅悅心。

婦》等名作的歌王司花利亞飾演父親，瀟洒怪趣不減當年，並提供

浪漫喜劇暗藏使徒般的考驗，神跡似的蛻變，德烈治創造新猷，

道地的巴黎智慧。糅合法國格調和荷里活技藝，雋妙而用情，是懷

是她難得滿意之作。

特被譽為最劉別謙的作品。

Desire is a fruitful yield of artistic cross-pollination between producer Ernst Lubitsch’s sophisticated comedy and director Frank Borzage’s melodramatic sensibility. In her reunion with Gary Cooper since Morocco , Marlene Dietrich forged her new screen persona as a beguiling thief who is compelled to flirt outrageously with a Detroit engineer on vacation in order to retrieve a valuable pearl necklace she stole. Sparkling and twinkling under the Lubitsch touch, the smartly-piloted romantic suspense moves along a journey from deceptive glamour to true confession. And in the Borzagian brand of redemptive power of love, the two lonely hearts – who are at first drawn together by their strife and discord – are magically transcended under the spell of the Spanish Moon.

Manifesting himself as a successor to Lubitsch, Billy Wilder mounted his own pedestal as a master of romantic comedy, in the first of his longlasting collaboration with screenwriter I.A.L. Diamond. Crafting his own “touches” of subtle sophisticated slapstick, Wilder mixes glamour, enchantment and cynical mirth in this Cinderella-meet-Don Juan story – a lovely, innocent Audrey Hepburn, daughter of a private eye, comes to rescue and falls for Gary Cooper, a high-flying playboy millionaire whom his father investigates. With pails of champagne and gypsy musicians’ streams of Fascination Waltz, their mood-drenched, seductive rendezvous in the afternoon becomes a wickedly funny game of matching wits leading to the evolution of love.

Desire 法蘭波西傑

Frank Borzage

美國 USA 1936 95min Cast: Marlene Dietrich, Gary Cooper, John Halliday

映後談講者林瀚光 Film talk with Derek Lam

2.7

14:45 IS

16

24.7 18:40 IS

Love in the Afternoon 比利懷特

Billy Wilder

美國 USA 1957 130min Cast: Gary Cooper, Audrey Hepburn, Maurice Chevalier

2.7

17:20 IS

23.7 18:00 IS

17

16

節 目詳 情 及 購 票連 結

Programme Details and Buy Tickets

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主辦 Organised by

資助 Supported by

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際

短

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th 第十六屆

17.6 17.7.2022

16

節 目詳 情 及 購 票連 結

Programme Details and Buy Tickets

www.freshwave.hk

主辦 Organised by

資助 Supported by

國

際

短

片

節

th 第十六屆

17.6 17.7.2022

LA DOUBLE VIE DE VÉRONIQUE THE DOUBLE LIFE OF VÉRONIQUE

LA DOUBLE VIE DE VÉRONIQUE THE DOUBLE LIFE OF VÉRONIQUE

奧

遜威爾斯稱許他是巨人，才華及創意

為人津津樂道，即使踩入情慾禁區，依然優

代荷里活；差利卓別靈亦頌揚他以絕不色情

能舉重若輕。有時用一道門遮擋視線；有時

令人驚嘆；尚雷諾亞誇讚他開創了現

的方式，表現了性的優雅與幽默，無人能 及。這位大師眼中的大師，正是以喜劇獨步

天下的劉別謙（1892-1947） 。他為荷里活浪

漫喜劇奠定成功方程式，亦令歌舞片類型大 放異彩。得意門生比利懷特甚至在辦公室牆

上掛了這麼一句提醒自己：「換了是劉別謙 會怎樣做？」影響力無遠弗屆，說是前無古 人、後無來者，亦絕非誇大之辭。

劉 別 謙 生 於 柏 林， 默 片 年 代 已 聲 名 大 噪， 三十歲成為首個被荷里活羅致的德國導演， 把歐陸都會的精緻與風情，帶到彼岸開花結

果，其中尤以《迴轉姻緣》為最上乘之作。

電影沒多餘鏡頭，借杜魯福之言，其省略筆

法猶如芝士上的洞，每個洞都在向觀眾打眼 色。

《天堂艷史》堪稱「劉別謙筆觸」示範作，

亦是風格上他最滿意的作品；《人約黃昏後》 更被影評人寶蓮姬爾譽為「近乎完美」。他 擅於發掘明星潛能，嘉寶和瑪蓮德烈治在其 鏡頭下都脫胎換骨，加利谷巴亦充分發揮喜 劇潛能。以幽默為武器，透過愛情喜劇的輕

巧反照時代的荒謬，《蘇俄艷史》諷刺鐵幕、

諧風趣不低俗，對人性更有生動細膩描寫。

130 歲冥壽，回顧其精心傑作，展現喜劇大

H

ailed by Orson Welles as “a giant” whose “talent and originality are stupefying”, Ernst Lubitsch (1892–1947) is celebrated for inventing the genre of sophisticated romantic comedy and pioneering movie musicals. He won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” His stature and influence in the world of cinema has never faded over a century.

22

像；有時一語雙關，更令人會心微笑。他的

《戲諜人生》對抗納粹、遺作《佳偶天成》

其獨有的「劉別謙筆觸」雖難以言喻，但仍

h c s t i b u L t s Ern

把重要情節置於畫面外，從而挑動觀眾想

由無聲到有聲，由百無禁忌到電檢雷厲風行 年代，他都應付裕如。談情說性不露骨，詼

f o r u o m u H e t u t s A The

雅含蓄，充滿機智幽默，每每點到即止，卻

Born in Berlin in 1892, Lubitsch had already come to international prominence with hits like Madame DuBarry and Anne Boleyn , before he was invited by Mary Pickford to Hollywood in 1922. Remaining in the US for the rest of his career, he quickly established a reputation as one of the art-form’s most elegant and sophisticated auteurs. The Marriage Circle is a perfect example of his bold, taboo-breaking style, challenging social mores with his sexually liberated and progressive protagonists.

Transitioning seamlessly from the silent era into talkies, Lubitsch worked consistently with the biggest stars in the industry, while “the Lubitsch touch” became a brand unto itself. His brazenly frank and ribald comedies, such as Trouble in Paradise and Design for Living fell foul of the censors,

亦不忘戲謔階級及性別定型。今年值劉別謙 師的才情與魅力所在。

but these controversies only fueled public interest in his allegedly salacious works. The outbreak of World War II seemed to inspire Lubitsch further, whether openly addressing Stalin’s oppressive regime in Ninotchka , or poking fun at Hitler himself in To Be or Not to Be .

Many of Lubitsch's films are set in prominent European cities like Paris, Budapest or Warsaw, rather than in America, while his protagonists are frequently foreigners navigating strange new lands, as envoys, diplomats, or those seeking safety or asylum. Yet, even with the world in turmoil, he continued to work almost exclusively within the realm of romantic comedy, following characters who disregard politics in the pursuit of personal happiness.

The ineffable quality of “the Lubitsch touch” is hard to define, but can be vividly experienced through his works: it is a style so witty, so ironic, so incisive, arranged with tight plots and refined visuals in conjunction with verbal thrusts and parries which elicits spiritual transcendence of the films. In Lubitsch’s world, he offers us an opportunity to escape, whether from the constraints of social etiquette, or more serious threats to our freedoms and prosperity, and it remains today as vital, and delightful, as ever.

23

奧

遜威爾斯稱許他是巨人，才華及創意

為人津津樂道，即使踩入情慾禁區，依然優

代荷里活；差利卓別靈亦頌揚他以絕不色情

能舉重若輕。有時用一道門遮擋視線；有時

令人驚嘆；尚雷諾亞誇讚他開創了現

的方式，表現了性的優雅與幽默，無人能 及。這位大師眼中的大師，正是以喜劇獨步

天下的劉別謙（1892-1947） 。他為荷里活浪

漫喜劇奠定成功方程式，亦令歌舞片類型大 放異彩。得意門生比利懷特甚至在辦公室牆

上掛了這麼一句提醒自己：「換了是劉別謙 會怎樣做？」影響力無遠弗屆，說是前無古 人、後無來者，亦絕非誇大之辭。

劉 別 謙 生 於 柏 林， 默 片 年 代 已 聲 名 大 噪， 三十歲成為首個被荷里活羅致的德國導演， 把歐陸都會的精緻與風情，帶到彼岸開花結

果，其中尤以《迴轉姻緣》為最上乘之作。

電影沒多餘鏡頭，借杜魯福之言，其省略筆

法猶如芝士上的洞，每個洞都在向觀眾打眼 色。

《天堂艷史》堪稱「劉別謙筆觸」示範作，

亦是風格上他最滿意的作品；《人約黃昏後》 更被影評人寶蓮姬爾譽為「近乎完美」。他 擅於發掘明星潛能，嘉寶和瑪蓮德烈治在其 鏡頭下都脫胎換骨，加利谷巴亦充分發揮喜 劇潛能。以幽默為武器，透過愛情喜劇的輕

巧反照時代的荒謬，《蘇俄艷史》諷刺鐵幕、

諧風趣不低俗，對人性更有生動細膩描寫。

130 歲冥壽，回顧其精心傑作，展現喜劇大

H

ailed by Orson Welles as “a giant” whose “talent and originality are stupefying”, Ernst Lubitsch (1892–1947) is celebrated for inventing the genre of sophisticated romantic comedy and pioneering movie musicals. He won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” His stature and influence in the world of cinema has never faded over a century.

22

像；有時一語雙關，更令人會心微笑。他的

《戲諜人生》對抗納粹、遺作《佳偶天成》

其獨有的「劉別謙筆觸」雖難以言喻，但仍

h c s t i b u L t s Ern

把重要情節置於畫面外，從而挑動觀眾想

由無聲到有聲，由百無禁忌到電檢雷厲風行 年代，他都應付裕如。談情說性不露骨，詼

f o r u o m u H e t u t s A The

雅含蓄，充滿機智幽默，每每點到即止，卻

Born in Berlin in 1892, Lubitsch had already come to international prominence with hits like Madame DuBarry and Anne Boleyn , before he was invited by Mary Pickford to Hollywood in 1922. Remaining in the US for the rest of his career, he quickly established a reputation as one of the art-form’s most elegant and sophisticated auteurs. The Marriage Circle is a perfect example of his bold, taboo-breaking style, challenging social mores with his sexually liberated and progressive protagonists.

Transitioning seamlessly from the silent era into talkies, Lubitsch worked consistently with the biggest stars in the industry, while “the Lubitsch touch” became a brand unto itself. His brazenly frank and ribald comedies, such as Trouble in Paradise and Design for Living fell foul of the censors,

亦不忘戲謔階級及性別定型。今年值劉別謙 師的才情與魅力所在。

but these controversies only fueled public interest in his allegedly salacious works. The outbreak of World War II seemed to inspire Lubitsch further, whether openly addressing Stalin’s oppressive regime in Ninotchka , or poking fun at Hitler himself in To Be or Not to Be .

Many of Lubitsch's films are set in prominent European cities like Paris, Budapest or Warsaw, rather than in America, while his protagonists are frequently foreigners navigating strange new lands, as envoys, diplomats, or those seeking safety or asylum. Yet, even with the world in turmoil, he continued to work almost exclusively within the realm of romantic comedy, following characters who disregard politics in the pursuit of personal happiness.

The ineffable quality of “the Lubitsch touch” is hard to define, but can be vividly experienced through his works: it is a style so witty, so ironic, so incisive, arranged with tight plots and refined visuals in conjunction with verbal thrusts and parries which elicits spiritual transcendence of the films. In Lubitsch’s world, he offers us an opportunity to escape, whether from the constraints of social etiquette, or more serious threats to our freedoms and prosperity, and it remains today as vital, and delightful, as ever.

23

迴轉姻緣

美國 USA 1924 85min

14.5 14:30 AC

9.7

21:30 AC

Images courtesy of Park Circus/Universal

Cast: Florence Vidor, Monte Blue, Marie Prevost

Trouble in Paradise 天堂艷史

美國 USA

1932 83min

Cast: Miriam Hopkins, Kay Francis, Herbert Marshall

24

14.5 16:45 AC

25.6 15:00 IS

前往巴黎的火車上，兩男同時結識率性跳

情節峰迴路轉的婚姻喜劇，叫好叫座。美

脫的姬黛，被她獨特個性深深吸引。一個

芝與丈夫感情如同破了的襪，有天她遇見

是不被賞識的劇作家，一個是寂寂無名的

同車紳士，認定是偷情對象，殊不知對方

畫家，都是窮光蛋，姬黛卻慧眼識英雄，

是好姊妹夏綠蒂的恩愛夫婿。夏綠蒂懷疑

而且兩個都愛。小朋友才做選擇，她提出

丈夫不忠，竟親手將他推向情敵身邊。此

君子協定，三人同居同行，但愛情真的可

時殺出程咬金，一直暗戀夏綠蒂的男子乘

以平分？改編自同名舞台劇，劉別謙大刀

虛而入。圍繞兩對夫妻的多角情緣，兜兜

闊斧砍掉重寫，大膽奇招偷越色慾界線，

轉轉，意馬心猿。睿智的諷刺筆觸、精準

妙語如珠突破道德規限，比杜魯福《祖與

的戲劇節奏，大師奠定個人風格，拍出無

占》走前了三十年，順便發掘加利谷巴潛

聲但擲地有聲的得意傑作。希治閣譽之為

藏的喜劇細胞，並為往後大行其道的神經

「純電影」，對電影史貢獻超卓。

喜劇奠定雛形。

In his second Hollywood film, Ernst Lubitsch adapts Lothar Schmidt’s play Only a Dream into a wickedly funny and progressive comedy of manners. A neglected and pathologically unfaithful wife sets her sights on seducing her best friend’s new husband. Her professor husband hires a private detective to investigate her, and the results prove chaotically witty. Inspired by Chaplin’s A Woman of Paris (1923), this merry-go-round of marital misunderstandings maneuvered through jealousy, infidelity and sexuality see his inventive comic sensibility and artfully-constructed direction elevate to new heights. Lubitsch would go on to remake the film in 1932 with George Cukor, as the talkie One Hour with You .

Hugely controversial at the time of its release for its frank discussions of sexual behaviour, Lubitsch’s loose adaptation of Noël Coward’s Broadway play proved a notable box office success and is now regarded as a classic of Hollywood’s pre-Code era. Split between Paris, London and New York, it sees a charming girl-of-fortune meeting and falling in love with two handsome Americans: a struggling painter and his best friend, an equally unsuccessful playwright. Unable to choose between her two suitors, the trio enters into a platonic three-way relationship with predictably calamitous, yet often hilarious, results.

拍浪漫水鄉威尼斯，卻諷刺地以垃圾船揭

寡婦坐擁小國逾半資產，厭倦了獨守空房

開序幕。俊男美女一派貴族模樣，原來老

的枯燥日子，搬到巴黎尋找燦爛人生。國

千手法層出不窮，雌雄大賊一邊過招一邊

王唯恐資金外流國運不保，出動美男計追

調情，棋逢敵手，於是拍檔做世界。回到

她回來。風流上尉奉旨談情卻節外生枝，

巴黎，盯上城中名媛，不只偷金也要偷

任務尚未開始，已被神秘女郎徹底征服。

心，計劃大刮一筆遠走高飛，卻不慎陷入

美高梅大製作，載歌載舞，以華麗佈景反

三角關係，真戀假愛如何是好？完美示範

襯芳心寂寞，奧斯卡最佳美術設計實至名

何謂「劉別謙筆觸」的睿智喜劇巔峰作，

歸。劉別謙盡顯駕馭音樂喜劇高超功力，

亦是他的個人最愛，趁着荷里活嚴厲審查

談笑風生樂而不淫，爽快利落神采飛揚，

制度實施前的空隙，情慾暗湧，語帶挑

國王發現姦情一幕尤其絕妙。當年遇上道

逗，鏡頭活潑靈巧，節奏亦如舞蹈般曼妙

德審查首當其衝遭刪剪，幸有足本底片流

優雅，格外迷人。

傳至今。

Legendary thief meets his match in fellow larcenist, but the love between these perfect partners in crime falls under investigation when he plans to burgle both money and heart of their latest target – the sexy, ditsy heiress to a perfume manufacturing empire. Filled with pre-Code sexual innuendo and a quintessential example of “the Lubitsch touch” that sparkles with wit, sophistication, and elegance, Trouble in Paradise – the director’s own personal favourite – is a masterpiece of romantic comedy, a pinnacle of sly virtuosity and high-style cynicism that reigned in 1930s Hollywood.

Bursting with song and sizzling with Lubitsch’s signature saucy dialogues, this visually ravishing adaptation of Franz Lehár’s operetta is widely regarded as Lubitsch’s best musical, but often unfairly neglected in his oeuvre. Set in a small fictitious European kingdom, a dashing captain is dispatched by the king to woo a wealthy young widow, so as to keep her fortune on home turf. But as both parties are revealed to be proudly promiscuous, tying the knot proves no easy task. Controversial scenes, removed under the Production Code, were retrieved in this full version.

Design for Living 春色平分

15.5 14:30 AC

美國 USA

1933

91min

Cast: Fredric March, Gary Cooper, Miriam Hopkins

25.6 17:00 IS

© 1939 WBEI.

The Marriage Circle

劉別謙的荷里活第二作受差利啟發，炮製

The Merry Widow 風流寡婦 美國 USA 1934 99min

Cast: Maurice Chevalier, Jeanette MacDonald, Edward Everett Horton

奧斯卡金像奬最佳美術指導 Academy Awards: Best Art Direction

4.6

14:30 AC

18.6 映後談講者吳月華 Film talk with Stephanie Ng

20:30 MC

25

迴轉姻緣

美國 USA 1924 85min

14.5 14:30 AC

9.7

21:30 AC

Images courtesy of Park Circus/Universal

Cast: Florence Vidor, Monte Blue, Marie Prevost

Trouble in Paradise 天堂艷史

美國 USA

1932 83min

Cast: Miriam Hopkins, Kay Francis, Herbert Marshall

24

14.5 16:45 AC

25.6 15:00 IS

前往巴黎的火車上，兩男同時結識率性跳

情節峰迴路轉的婚姻喜劇，叫好叫座。美

脫的姬黛，被她獨特個性深深吸引。一個

芝與丈夫感情如同破了的襪，有天她遇見

是不被賞識的劇作家，一個是寂寂無名的

同車紳士，認定是偷情對象，殊不知對方

畫家，都是窮光蛋，姬黛卻慧眼識英雄，

是好姊妹夏綠蒂的恩愛夫婿。夏綠蒂懷疑

而且兩個都愛。小朋友才做選擇，她提出

丈夫不忠，竟親手將他推向情敵身邊。此

君子協定，三人同居同行，但愛情真的可

時殺出程咬金，一直暗戀夏綠蒂的男子乘

以平分？改編自同名舞台劇，劉別謙大刀

虛而入。圍繞兩對夫妻的多角情緣，兜兜

闊斧砍掉重寫，大膽奇招偷越色慾界線，

轉轉，意馬心猿。睿智的諷刺筆觸、精準

妙語如珠突破道德規限，比杜魯福《祖與

的戲劇節奏，大師奠定個人風格，拍出無

占》走前了三十年，順便發掘加利谷巴潛

聲但擲地有聲的得意傑作。希治閣譽之為

藏的喜劇細胞，並為往後大行其道的神經

「純電影」，對電影史貢獻超卓。

喜劇奠定雛形。

In his second Hollywood film, Ernst Lubitsch adapts Lothar Schmidt’s play Only a Dream into a wickedly funny and progressive comedy of manners. A neglected and pathologically unfaithful wife sets her sights on seducing her best friend’s new husband. Her professor husband hires a private detective to investigate her, and the results prove chaotically witty. Inspired by Chaplin’s A Woman of Paris (1923), this merry-go-round of marital misunderstandings maneuvered through jealousy, infidelity and sexuality see his inventive comic sensibility and artfully-constructed direction elevate to new heights. Lubitsch would go on to remake the film in 1932 with George Cukor, as the talkie One Hour with You .

Hugely controversial at the time of its release for its frank discussions of sexual behaviour, Lubitsch’s loose adaptation of Noël Coward’s Broadway play proved a notable box office success and is now regarded as a classic of Hollywood’s pre-Code era. Split between Paris, London and New York, it sees a charming girl-of-fortune meeting and falling in love with two handsome Americans: a struggling painter and his best friend, an equally unsuccessful playwright. Unable to choose between her two suitors, the trio enters into a platonic three-way relationship with predictably calamitous, yet often hilarious, results.

拍浪漫水鄉威尼斯，卻諷刺地以垃圾船揭

寡婦坐擁小國逾半資產，厭倦了獨守空房

開序幕。俊男美女一派貴族模樣，原來老

的枯燥日子，搬到巴黎尋找燦爛人生。國

千手法層出不窮，雌雄大賊一邊過招一邊

王唯恐資金外流國運不保，出動美男計追

調情，棋逢敵手，於是拍檔做世界。回到

她回來。風流上尉奉旨談情卻節外生枝，

巴黎，盯上城中名媛，不只偷金也要偷

任務尚未開始，已被神秘女郎徹底征服。

心，計劃大刮一筆遠走高飛，卻不慎陷入

美高梅大製作，載歌載舞，以華麗佈景反

三角關係，真戀假愛如何是好？完美示範

襯芳心寂寞，奧斯卡最佳美術設計實至名

何謂「劉別謙筆觸」的睿智喜劇巔峰作，

歸。劉別謙盡顯駕馭音樂喜劇高超功力，

亦是他的個人最愛，趁着荷里活嚴厲審查

談笑風生樂而不淫，爽快利落神采飛揚，

制度實施前的空隙，情慾暗湧，語帶挑

國王發現姦情一幕尤其絕妙。當年遇上道

逗，鏡頭活潑靈巧，節奏亦如舞蹈般曼妙

德審查首當其衝遭刪剪，幸有足本底片流

優雅，格外迷人。

傳至今。

Legendary thief meets his match in fellow larcenist, but the love between these perfect partners in crime falls under investigation when he plans to burgle both money and heart of their latest target – the sexy, ditsy heiress to a perfume manufacturing empire. Filled with pre-Code sexual innuendo and a quintessential example of “the Lubitsch touch” that sparkles with wit, sophistication, and elegance, Trouble in Paradise – the director’s own personal favourite – is a masterpiece of romantic comedy, a pinnacle of sly virtuosity and high-style cynicism that reigned in 1930s Hollywood.

Bursting with song and sizzling with Lubitsch’s signature saucy dialogues, this visually ravishing adaptation of Franz Lehár’s operetta is widely regarded as Lubitsch’s best musical, but often unfairly neglected in his oeuvre. Set in a small fictitious European kingdom, a dashing captain is dispatched by the king to woo a wealthy young widow, so as to keep her fortune on home turf. But as both parties are revealed to be proudly promiscuous, tying the knot proves no easy task. Controversial scenes, removed under the Production Code, were retrieved in this full version.

Design for Living 春色平分

15.5 14:30 AC

美國 USA

1933

91min

Cast: Fredric March, Gary Cooper, Miriam Hopkins

25.6 17:00 IS

© 1939 WBEI.

The Marriage Circle

劉別謙的荷里活第二作受差利啟發，炮製

The Merry Widow 風流寡婦 美國 USA 1934 99min

Cast: Maurice Chevalier, Jeanette MacDonald, Edward Everett Horton

奧斯卡金像奬最佳美術指導 Academy Awards: Best Art Direction

4.6

14:30 AC

18.6 映後談講者吳月華 Film talk with Stephanie Ng

20:30 MC

25

寶，抵擋不住物質誘惑，遲遲未能完成任

下凡一宵，迅即人間蒸發，男子苦尋伊人

務。鐵幕唯有派出特使，由鐵面無私的妮諾

蹤影，終於在倫敦再遇，始知魂牽夢縈的

齊嘉同志遠征花都，順便參觀鐵塔窺探西方

天使原來是外交官夫人。由瑪蓮德烈治演

技術。偶遇口甜舌滑翩翩公子，冰美人驍勇

繹高貴冷艷少婦，不作他人選。神經喜劇

善戰，無懼情關，但對方竟是密謀阻止交易

流行之際，劉別謙反其道而行，更刻意把

的珠寶主人情夫。劉別謙為嘉寶度身訂造，

最具戲劇性的場面置於畫面外。儘管當時

宣傳口號「嘉寶笑了！」成為一時佳話，同

觀眾不受落，卻是精心之作，表面看似波

時大開政治玩笑，連列寧也忍不住微笑。比

瀾不驚，實則暗湧處處，充滿張力。門的

利懷特繼續從旁偷師，當年叫好叫座，可惜

運用絕妙，對白意在言外，婉轉含蓄教人

已是花都淪陷前夕最後一笑。

回味。

Angel

安琪艷史

（又名：天使出牆）

美國 USA 1937 91min

Cast: Marlene Dietrich, Herbert Marshall, Melvyn Douglas

15.5 16:45 AC

3.7

15:15 IS

Bluebeard's Eighth Wife 第八夫人

美國 USA 1938 85min

Cast: Claudette Colbert, Gary Cooper, Edward Everett Horton

映後座談會講者喬奕思、陳志華 Seminar with Joyce Yang and Ernest Chan

26

21.5 14:45 IS

10.7 19:15 AC

Marlene Dietrich is the wealthy and frustrated Maria, wife of an inattentive British diplomat, who is too busy with his career to tend to her happiness. During a secret sojourn in Paris, she has an anonymous tryst with a charming war veteran, only to discover he is an old army acquaintance of her husband, and has fallen desperately in love with her.

With Angel , Lubitsch flits effortlessly between comedy and melodrama, as the film builds to an unpredictable and quietly devastating climax, which sees Dietrich at her steely and statuesque best.

Garbo laughs! In her penultimate screen performance, the somber Swedish starlet turned her hand to comedy, and was rewarded with her fourth Academy Award nomination. One of the first Hollywood films to depict Stalin’s authoritarian regime in a political satire, Ninotchka stars Garbo as the eponymous buttoned-down Soviet envoy, who travels to Paris to oversee the sale of confiscated aristocratic jewellery. There she meets a smooth-talking Count tasked with retrieving the jewels, and Ninotchka has to re-evaluate everything she used to detest, as she succumbs to his charms and the decadent pleasures of capitalism.

青年富商到法國蔚藍海岸度假，美景當前

街角皮具店店員本來深得老闆信任，忽爾

但總是失眠。購物時遇上法國女貴族，一

被無理針對，互不咬弦。新來的女店員亦

如既往，他習慣用金錢解決大小事情，包

常與他針鋒相對，兩人分別有心靈契合的

括追求異性。到了談婚論嫁，對方才赫然

筆友，互相傾慕，只可惜一直緣慳一面。

發現他是個藍鬍子─ 不是說他曾經殺

情場各自得意，只是職場冤家路窄，殊不

妻，只是結婚當買玩具，離婚當食生菜。

知世上最遙遠的距離就是我站在你面前你

新婚妻子為了扭轉乾坤，使出意想不到的

卻不知道。改編匈牙利劇作家作品，劉別

殺手鐧。比利懷特參與編劇，開場買睡衣

謙通曉人情世故，以感人筆觸把小店平凡

一段尤其精彩，婚後夫妻連場鬥法亦妙趣

人事拍得活潑親切。占士史超域與瑪嘉烈

橫生。劉別謙回到神經喜劇、歡喜冤家的

蘇莉雲的錯摸互動令人會心微笑，被譽為

大路，但比神經更神經，也是給捧讀《馴

愛情喜劇經典，日後改編同一原著的《網

悍記》的花花公子當頭一棒。

上情緣》望塵莫及。

A wealthy businessman and prolific bridegroom gets more than he bargains for upon meeting sassy heiress Nicole on the French Riviera.

Initially swept off her feet, she pumps the brakes on their nuptials after discovering that her fiancé has been married seven times before. What follows is a classic Lubitsch farce, involving private detectives, strait jackets, and Louis XIV’s antique bathtub. David Niven appears as Nicole’s loyal best pal, while Colbert steals the show as a resolutely modern gal who knows what she wants and just how to get it.

With the delightful air of almost Shakespearean farce, Lubitsch’s witty adaptation of Miklós László’s Hungarian stage play is justly regarded as one of Hollywood’s finest romantic comedies. Set in a small leather goods boutique in Budapest, Stewart and Sullavan are both charming as a pair of store clerks, whose escalating contempt for one another is undercut by the blossoming romance that unwittingly develops between them via passionate anonymous correspondences. The film sparkles with pithy banter and its playfully satirical dissection of high street consumerism.

@1939 WBEI

三名蘇聯特工奉命到巴黎出售前朝皇室珠

生男子不知芳名，只管叫她安琪兒。天使

Ninotchka 蘇俄艷史

( 又名：情迷冰美人 ) 美國 USA 1939 110min

Cast: Greta Garbo, Melvyn Douglas,

21.5 17:40 IS

Ina Claire

奧斯卡金像奬最佳電影及最佳女主角等四項提名 Academy Awards: 4 nominations including Best Picture and Best Actress

10.7 21:15 AC

© 1940 WBEI.

少婦芳心寂寞，出遊巴黎尋樂，邂逅的陌

The Shop Around the Corner 人約黃昏後

5.6

14:15 AC 美國 USA 1940 99min

Cast: James Stewart, Margaret Sullavan, Frank Morgan

3.7

17:30 IS

27

寶，抵擋不住物質誘惑，遲遲未能完成任

下凡一宵，迅即人間蒸發，男子苦尋伊人

務。鐵幕唯有派出特使，由鐵面無私的妮諾

蹤影，終於在倫敦再遇，始知魂牽夢縈的

齊嘉同志遠征花都，順便參觀鐵塔窺探西方

天使原來是外交官夫人。由瑪蓮德烈治演

技術。偶遇口甜舌滑翩翩公子，冰美人驍勇

繹高貴冷艷少婦，不作他人選。神經喜劇

善戰，無懼情關，但對方竟是密謀阻止交易

流行之際，劉別謙反其道而行，更刻意把

的珠寶主人情夫。劉別謙為嘉寶度身訂造，

最具戲劇性的場面置於畫面外。儘管當時

宣傳口號「嘉寶笑了！」成為一時佳話，同

觀眾不受落，卻是精心之作，表面看似波

時大開政治玩笑，連列寧也忍不住微笑。比

瀾不驚，實則暗湧處處，充滿張力。門的

利懷特繼續從旁偷師，當年叫好叫座，可惜

運用絕妙，對白意在言外，婉轉含蓄教人

已是花都淪陷前夕最後一笑。

回味。

Angel

安琪艷史

（又名：天使出牆）

美國 USA 1937 91min

Cast: Marlene Dietrich, Herbert Marshall, Melvyn Douglas

15.5 16:45 AC

3.7

15:15 IS

Bluebeard's Eighth Wife 第八夫人

美國 USA 1938 85min

Cast: Claudette Colbert, Gary Cooper, Edward Everett Horton

映後座談會講者喬奕思、陳志華 Seminar with Joyce Yang and Ernest Chan

26

21.5 14:45 IS

10.7 19:15 AC

Marlene Dietrich is the wealthy and frustrated Maria, wife of an inattentive British diplomat, who is too busy with his career to tend to her happiness. During a secret sojourn in Paris, she has an anonymous tryst with a charming war veteran, only to discover he is an old army acquaintance of her husband, and has fallen desperately in love with her.

With Angel , Lubitsch flits effortlessly between comedy and melodrama, as the film builds to an unpredictable and quietly devastating climax, which sees Dietrich at her steely and statuesque best.

Garbo laughs! In her penultimate screen performance, the somber Swedish starlet turned her hand to comedy, and was rewarded with her fourth Academy Award nomination. One of the first Hollywood films to depict Stalin’s authoritarian regime in a political satire, Ninotchka stars Garbo as the eponymous buttoned-down Soviet envoy, who travels to Paris to oversee the sale of confiscated aristocratic jewellery. There she meets a smooth-talking Count tasked with retrieving the jewels, and Ninotchka has to re-evaluate everything she used to detest, as she succumbs to his charms and the decadent pleasures of capitalism.

青年富商到法國蔚藍海岸度假，美景當前

街角皮具店店員本來深得老闆信任，忽爾

但總是失眠。購物時遇上法國女貴族，一

被無理針對，互不咬弦。新來的女店員亦

如既往，他習慣用金錢解決大小事情，包

常與他針鋒相對，兩人分別有心靈契合的

括追求異性。到了談婚論嫁，對方才赫然

筆友，互相傾慕，只可惜一直緣慳一面。

發現他是個藍鬍子─ 不是說他曾經殺

情場各自得意，只是職場冤家路窄，殊不

妻，只是結婚當買玩具，離婚當食生菜。

知世上最遙遠的距離就是我站在你面前你

新婚妻子為了扭轉乾坤，使出意想不到的

卻不知道。改編匈牙利劇作家作品，劉別

殺手鐧。比利懷特參與編劇，開場買睡衣

謙通曉人情世故，以感人筆觸把小店平凡

一段尤其精彩，婚後夫妻連場鬥法亦妙趣

人事拍得活潑親切。占士史超域與瑪嘉烈

橫生。劉別謙回到神經喜劇、歡喜冤家的

蘇莉雲的錯摸互動令人會心微笑，被譽為

大路，但比神經更神經，也是給捧讀《馴

愛情喜劇經典，日後改編同一原著的《網

悍記》的花花公子當頭一棒。

上情緣》望塵莫及。

A wealthy businessman and prolific bridegroom gets more than he bargains for upon meeting sassy heiress Nicole on the French Riviera.

Initially swept off her feet, she pumps the brakes on their nuptials after discovering that her fiancé has been married seven times before. What follows is a classic Lubitsch farce, involving private detectives, strait jackets, and Louis XIV’s antique bathtub. David Niven appears as Nicole’s loyal best pal, while Colbert steals the show as a resolutely modern gal who knows what she wants and just how to get it.

With the delightful air of almost Shakespearean farce, Lubitsch’s witty adaptation of Miklós László’s Hungarian stage play is justly regarded as one of Hollywood’s finest romantic comedies. Set in a small leather goods boutique in Budapest, Stewart and Sullavan are both charming as a pair of store clerks, whose escalating contempt for one another is undercut by the blossoming romance that unwittingly develops between them via passionate anonymous correspondences. The film sparkles with pithy banter and its playfully satirical dissection of high street consumerism.

@1939 WBEI

三名蘇聯特工奉命到巴黎出售前朝皇室珠

生男子不知芳名，只管叫她安琪兒。天使

Ninotchka 蘇俄艷史

( 又名：情迷冰美人 ) 美國 USA 1939 110min

Cast: Greta Garbo, Melvyn Douglas,

21.5 17:40 IS

Ina Claire

奧斯卡金像奬最佳電影及最佳女主角等四項提名 Academy Awards: 4 nominations including Best Picture and Best Actress

10.7 21:15 AC

© 1940 WBEI.

少婦芳心寂寞，出遊巴黎尋樂，邂逅的陌

The Shop Around the Corner 人約黃昏後

5.6

14:15 AC 美國 USA 1940 99min

Cast: James Stewart, Margaret Sullavan, Frank Morgan

3.7

17:30 IS

27

《蘇俄艷史》後，劉別謙更藝高人膽大， 政治諷刺瞄準正在歐陸肆虐的希特拉。納 粹入侵波蘭之際，劇團正在上演的《王子 復仇記》被禁，但演戲不一定在台上。為 了保護地下抵抗組織，破壞德軍間諜陰 謀，劇團台柱夫妻檔一唱一和，誘使敵人 墮羅網，更喬裝偽冒深入敵陣，迎接演藝 生涯最生死攸關的一場戲。妙到毫巔的劇 本，巧借莎劇台詞，以幽默對抗極權，以 笑聲戰勝恐懼，把喜劇能量發揮到極致， 塔倫天奴更深受啟發，拍出《希魔撞正殺

To Be or Not to Be 戲諜人生

美國 USA 1942

99min

Cast: Carole Lombard, Jack Benny, Robert Stack

奧斯卡金像獎最佳電影音樂提名 Academy Awards: Best Music Score nomination

11.6 14:30 AC

17.7 16:45 MC

摩登天堂

Heaven Can Wait

人狂》顛覆二戰歷史。

出身富裕家庭的七旬老翁來到鬼門關，自知一生荒唐，從容不迫到地

Filmed on the eve of America’s entry into World War II and set during the German invasion of Poland, Lubitsch’s screwball masterpiece stars Jack Benny and Carole Lombard, in her final screen performance, as a married couple of Warsaw stage actors who become embroiled in an international spy plot.

Their unfaithful deceptions soon make way for a delightful caper of misunderstandings and mistaken identities involving their entire company of Shakespearean thesps, as Lubitsch delivers a bold and unflinching send-up of the Nazi high command, reaching all the way to lampooning the Führer himself.

府報到。地獄判官願聞其詳，他細數每個生日，娓娓道來風流往事： 從小已懂得以禮物哄女孩，年少時與法籍女傭買醉胡鬧，青年時一見 鍾情橫刀奪愛，婚後仍處處留情，氣得愛妻離家出走……乍看是渣男 懺悔記，其實是浪子回頭金不換的深情。劉別謙唯一彩色電影，拍攝 期間心臟病發死過翻生，面對關於死亡的題材，他照樣談笑風生，對 白依舊機智精妙。天堂可待，實在暗藏對天長地久的盼望。 Arriving in Hell, the elderly Henry Van Cleve is denied entry until his life has been assessed by the infernal Excellency. And so Henry recounts his spoilt, promiscuous existence, not least his passionate yet tempestuous marriage to a small-town country gal. Predating Powell and Pressburger’s A Matter of Life and Death (1946), this Lubitsch’s only film in ravishing Technicolor is widely praised as one of the greatest in his late films, with his trademark blend of wit, grace and sensitivity anchored by a pair of charming performances.

© 1946 Twentieth Century Fox Film Corporation.

Renewed 1973 Twentieth Century Fox Film Corporation.

All rights reserved.

Restored by 20th Century Fox and the Academy Film Archive in collaboration with The Film Foundation.

Cluny Brown 佳偶天成

美國 USA 1946 100min

Cast: Charles Boyer, Jennifer Jones, Peter Lawford

28

12.6 14:30 AC

30.7 21:20 IS

劉別謙

Ernst Lubitsch

美國 USA 1943 112min

Cast: Don Ameche, Gene Tierney, Charles Coburn

奧斯卡金像獎最佳電影及最佳導演等三項提名 Academy Awards: 3 nominations including Best Picture and Best Director

18.6 17:45 MC

30.7 18:55 IS

離鄉別井想當個水喉匠自力更生的孤女， 被送到鄉間當貴族的女傭，還打算嫁給古 板藥劑師，卻因性格爽直屢次撞板。同樣 不愛拘束的反納粹捷克作家，在大戰前夕 逃到英倫，在貴族大宅作客時與她相遇。 與講究階級及性別分工的社會格格不入， 兩個「異類」像在荒島上的倖存者，彼此 作伴。劉別謙遺作，角色的離散身份彷彿 其自身處境的投射，而在幽默諷刺之餘， 更強調自由可貴。經典對白「把松鼠餵給 堅果」看似無厘頭，卻是走出規範忠於自 己的暗語。 Lubitsch’s final film (1948’s That Lady in Ermine was released posthumously, completed

by Otto Preminger) is an endlessly witty and scathing indictment of British high society, on the eve of World War II. The always delightful Jennifer Jones plays the eponymous plumber’s niece-turned-parlour maid, who meets Charles Boyer’s prominent Czechoslovakian writer at a grand British countryside estate. The irrepressible heroine and the eccentric exile who is hiding from the Nazis form an unlikely alliance, and their burgeoning romance defies the household’s – and the country’s – longstanding social protocols.

29

《蘇俄艷史》後，劉別謙更藝高人膽大， 政治諷刺瞄準正在歐陸肆虐的希特拉。納 粹入侵波蘭之際，劇團正在上演的《王子 復仇記》被禁，但演戲不一定在台上。為 了保護地下抵抗組織，破壞德軍間諜陰 謀，劇團台柱夫妻檔一唱一和，誘使敵人 墮羅網，更喬裝偽冒深入敵陣，迎接演藝 生涯最生死攸關的一場戲。妙到毫巔的劇 本，巧借莎劇台詞，以幽默對抗極權，以 笑聲戰勝恐懼，把喜劇能量發揮到極致， 塔倫天奴更深受啟發，拍出《希魔撞正殺

To Be or Not to Be 戲諜人生

美國 USA 1942

99min

Cast: Carole Lombard, Jack Benny, Robert Stack

奧斯卡金像獎最佳電影音樂提名 Academy Awards: Best Music Score nomination

11.6 14:30 AC

17.7 16:45 MC

摩登天堂

Heaven Can Wait

人狂》顛覆二戰歷史。

出身富裕家庭的七旬老翁來到鬼門關，自知一生荒唐，從容不迫到地

Filmed on the eve of America’s entry into World War II and set during the German invasion of Poland, Lubitsch’s screwball masterpiece stars Jack Benny and Carole Lombard, in her final screen performance, as a married couple of Warsaw stage actors who become embroiled in an international spy plot.

Their unfaithful deceptions soon make way for a delightful caper of misunderstandings and mistaken identities involving their entire company of Shakespearean thesps, as Lubitsch delivers a bold and unflinching send-up of the Nazi high command, reaching all the way to lampooning the Führer himself.

府報到。地獄判官願聞其詳，他細數每個生日，娓娓道來風流往事： 從小已懂得以禮物哄女孩，年少時與法籍女傭買醉胡鬧，青年時一見 鍾情橫刀奪愛，婚後仍處處留情，氣得愛妻離家出走……乍看是渣男 懺悔記，其實是浪子回頭金不換的深情。劉別謙唯一彩色電影，拍攝 期間心臟病發死過翻生，面對關於死亡的題材，他照樣談笑風生，對 白依舊機智精妙。天堂可待，實在暗藏對天長地久的盼望。 Arriving in Hell, the elderly Henry Van Cleve is denied entry until his life has been assessed by the infernal Excellency. And so Henry recounts his spoilt, promiscuous existence, not least his passionate yet tempestuous marriage to a small-town country gal. Predating Powell and Pressburger’s A Matter of Life and Death (1946), this Lubitsch’s only film in ravishing Technicolor is widely praised as one of the greatest in his late films, with his trademark blend of wit, grace and sensitivity anchored by a pair of charming performances.

© 1946 Twentieth Century Fox Film Corporation.

Renewed 1973 Twentieth Century Fox Film Corporation.

All rights reserved.

Restored by 20th Century Fox and the Academy Film Archive in collaboration with The Film Foundation.

Cluny Brown 佳偶天成

美國 USA 1946 100min

Cast: Charles Boyer, Jennifer Jones, Peter Lawford

28

12.6 14:30 AC

30.7 21:20 IS

劉別謙

Ernst Lubitsch

美國 USA 1943 112min

Cast: Don Ameche, Gene Tierney, Charles Coburn

奧斯卡金像獎最佳電影及最佳導演等三項提名 Academy Awards: 3 nominations including Best Picture and Best Director

18.6 17:45 MC

30.7 18:55 IS

離鄉別井想當個水喉匠自力更生的孤女， 被送到鄉間當貴族的女傭，還打算嫁給古 板藥劑師，卻因性格爽直屢次撞板。同樣 不愛拘束的反納粹捷克作家，在大戰前夕 逃到英倫，在貴族大宅作客時與她相遇。 與講究階級及性別分工的社會格格不入， 兩個「異類」像在荒島上的倖存者，彼此 作伴。劉別謙遺作，角色的離散身份彷彿 其自身處境的投射，而在幽默諷刺之餘， 更強調自由可貴。經典對白「把松鼠餵給 堅果」看似無厘頭，卻是走出規範忠於自 己的暗語。 Lubitsch’s final film (1948’s That Lady in Ermine was released posthumously, completed

by Otto Preminger) is an endlessly witty and scathing indictment of British high society, on the eve of World War II. The always delightful Jennifer Jones plays the eponymous plumber’s niece-turned-parlour maid, who meets Charles Boyer’s prominent Czechoslovakian writer at a grand British countryside estate. The irrepressible heroine and the eccentric exile who is hiding from the Nazis form an unlikely alliance, and their burgeoning romance defies the household’s – and the country’s – longstanding social protocols.

29

電 影 課 程 Film Course 第 二 部 份 Part II

《十誡》、《兩生花》、《藍白紅三部曲》，皆是奇斯洛

原罪不能卸，天命不可違？奇斯洛夫斯基將聖

夫斯基最為人景仰之作，以命運及機緣縱橫的細線，交錯

經十誡之條與凡人之業置於天秤的兩端，以命

出一個個哲思縈迴的故事。「我只想呈現生命是複雜的，

運與偶然貫穿主脈，丈量生命中不能承受的

僅此而已。」他如是說。課程的第二部份，探入大師最後 數年的作品，在人心紛擾的蒼茫裏，如何以電影的深邃靈

奇斯洛夫斯基

光，思索人性的美善，還有愛的可能。 A lifelong exploration on chance and fate in modern life, The Decalogue , The Double Life of Véronique , and Three Colours Trilogy constitute the most admired work in Krzysztof Kieślowski’s oeuvre. Of his deeply metaphysical films, the director himself has said, "I simply wanted to show that life is complicated… nothing more." In part II of the film course, we’ll delve into his intriguing films, taking a closer look at his profound reflection on life, humanity, and love.

放映

Screening + Lecture

《第二誡》：老醫生遇難題，小提琴家的丈夫 病危昏迷，她急需知道丈夫是否將死，因她懷 了別人骨肉，墮胎與否取決於丈夫病情，但上 帝之外，誰又能判定生死？ Drawing from the Ten Commandments for inspiration yet moving beyond the debates on religiosity, Krzysztof Kieślowski’s anthology series delves deep into the existential questions of morality, chance and fate, making it one of the greatest television series of all time. In The Decalogue: One , his dramatisation of the First Commandment revolves around a university professor, whose adamant faith in computer science ends up in a tragedy of his son. The Decalogue: Two brings in an ethically charged dilemma, when a doctor is asked by a woman to swear by his prognosis of her comatose husband, as his life or death is critical to her abortion decision.

20.5

The Decalogue: One & Two

十诫 : 第一诫丶第二诫 (Dekalog, jeden & dwa)

19:30 IS

9.7

14:00 AC

波蘭 Poland 1989 115min

Cast: 【1】 Henryk Baranowski, Wojciech Klata, Maja Komorowska;

【2】Krystyna Janda, Aleksander Bardini, Olgierd Łukaszewicz

普天同慶的日子，寂寞長夜如何熬過？男子偕 妻兒參加平安夜彌撒，豈料在教堂發現舊日 外遇的蹤影。她更找上門來，請他漏夜幫忙 尋夫，最後竟成了生死攸關的抉擇。《第四 誡》：父母子女之間，孝順與愛戀如何分界？ 少女情竇初開，母親早已仙遊，在父親眼中她 仍是小孩，她卻想成為父親的伴侶。有天她發 現亡母留下遺言，或許透露父親的秘密，情感 偶爾跳線，那人倫界限可否僭越？

講 + 座

人生偶拾

Audience who attends the lecture is eligible for a complimentary copy of Kieślowski: The Serendipity of Life (Chinese version only)

子溜冰安全，豈料神的旨意非人所能計算。

當中，竟能激盪起千尺巨浪。《第三誡》：在

粵語主講，講座長約五十分鐘 Conducted in Cantonese. Approximately 50-minute lecture

出席講座的觀眾將獲贈課程筆記《奇斯洛夫斯基：人生偶拾》（中文版）乙本

技萬能，以為精準算出湖上冰層厚度能確保兒

看似理所當然的戒條，放諸城市人的感情倫理

The Serendipity of Life

奇斯洛夫斯基課程特刊 Krzysztof Kieślowski Film Course Catalogue

立於天地之間。《第一誡》：大學教授篤信科

講者：喬奕思（電影研究者、影評人） Speaker: Joyce Yang (Researcher, film critic)

Kieślowski:

套票優惠 Package Discount 九場或以上七折 30% off for 9 or more screenings 四場或以上七五折 25% off for 4 or more screenings

重，為波蘭電視台拍攝的萬鈞之作如是永恆佇

節目夥伴 Programme Partner

Keeping the Sabbath day holy is not an easy commandment to observe when the night is lonely. In The Decalogue: Three , a taxi driver and his former lover recall the fallout over their doomed extramarital affair from three years earlier when she asks for his help in locating her missing husband on Christmas night. Going into the family circle, The Decalogue: Four raises debates on the boundaries between respect and love in the father-daughter relationship, in a powerful drama about a young acting student reconsidering her eerily close bond with her father when she discovers a long-hidden letter from her late mother which may contain a shocking confession.

21.5

The Decalogue: Three & Four

十诫 : 第三诫丶第四诫 (Dekalog, trzy & cztery)

20:15 IS

9.7

16:30 AC

波蘭 Poland 1989 116min

Cast: 【3】 Daniel Olbrychski, Maria Pakulnis, Joanna Szczepowska; 【4】 Adrianna Biedrzyńska, Janusz Gajos, Artur Barciś

講者：林瀚光博士（香港大學比較文學系講師） Speaker: Dr. Derek Lam (Lecturer in Comparative Literature at the University of Hong Kong)

31

電 影 課 程 Film Course 第 二 部 份 Part II

《十誡》、《兩生花》、《藍白紅三部曲》，皆是奇斯洛

原罪不能卸，天命不可違？奇斯洛夫斯基將聖

夫斯基最為人景仰之作，以命運及機緣縱橫的細線，交錯

經十誡之條與凡人之業置於天秤的兩端，以命

出一個個哲思縈迴的故事。「我只想呈現生命是複雜的，

運與偶然貫穿主脈，丈量生命中不能承受的

僅此而已。」他如是說。課程的第二部份，探入大師最後 數年的作品，在人心紛擾的蒼茫裏，如何以電影的深邃靈

奇斯洛夫斯基

光，思索人性的美善，還有愛的可能。 A lifelong exploration on chance and fate in modern life, The Decalogue , The Double Life of Véronique , and Three Colours Trilogy constitute the most admired work in Krzysztof Kieślowski’s oeuvre. Of his deeply metaphysical films, the director himself has said, "I simply wanted to show that life is complicated… nothing more." In part II of the film course, we’ll delve into his intriguing films, taking a closer look at his profound reflection on life, humanity, and love.

放映

Screening + Lecture

《第二誡》：老醫生遇難題，小提琴家的丈夫 病危昏迷，她急需知道丈夫是否將死，因她懷 了別人骨肉，墮胎與否取決於丈夫病情，但上 帝之外，誰又能判定生死？ Drawing from the Ten Commandments for inspiration yet moving beyond the debates on religiosity, Krzysztof Kieślowski’s anthology series delves deep into the existential questions of morality, chance and fate, making it one of the greatest television series of all time. In The Decalogue: One , his dramatisation of the First Commandment revolves around a university professor, whose adamant faith in computer science ends up in a tragedy of his son. The Decalogue: Two brings in an ethically charged dilemma, when a doctor is asked by a woman to swear by his prognosis of her comatose husband, as his life or death is critical to her abortion decision.

20.5

The Decalogue: One & Two

十诫 : 第一诫丶第二诫 (Dekalog, jeden & dwa)

19:30 IS

9.7

14:00 AC

波蘭 Poland 1989 115min

Cast: 【1】 Henryk Baranowski, Wojciech Klata, Maja Komorowska;

【2】Krystyna Janda, Aleksander Bardini, Olgierd Łukaszewicz

普天同慶的日子，寂寞長夜如何熬過？男子偕 妻兒參加平安夜彌撒，豈料在教堂發現舊日 外遇的蹤影。她更找上門來，請他漏夜幫忙 尋夫，最後竟成了生死攸關的抉擇。《第四 誡》：父母子女之間，孝順與愛戀如何分界？ 少女情竇初開，母親早已仙遊，在父親眼中她 仍是小孩，她卻想成為父親的伴侶。有天她發 現亡母留下遺言，或許透露父親的秘密，情感 偶爾跳線，那人倫界限可否僭越？

講 + 座

人生偶拾

Audience who attends the lecture is eligible for a complimentary copy of Kieślowski: The Serendipity of Life (Chinese version only)

子溜冰安全，豈料神的旨意非人所能計算。

當中，竟能激盪起千尺巨浪。《第三誡》：在

粵語主講，講座長約五十分鐘 Conducted in Cantonese. Approximately 50-minute lecture

出席講座的觀眾將獲贈課程筆記《奇斯洛夫斯基：人生偶拾》（中文版）乙本

技萬能，以為精準算出湖上冰層厚度能確保兒

看似理所當然的戒條，放諸城市人的感情倫理

The Serendipity of Life

奇斯洛夫斯基課程特刊 Krzysztof Kieślowski Film Course Catalogue

立於天地之間。《第一誡》：大學教授篤信科

講者：喬奕思（電影研究者、影評人） Speaker: Joyce Yang (Researcher, film critic)

Kieślowski:

套票優惠 Package Discount 九場或以上七折 30% off for 9 or more screenings 四場或以上七五折 25% off for 4 or more screenings

重，為波蘭電視台拍攝的萬鈞之作如是永恆佇

節目夥伴 Programme Partner

Keeping the Sabbath day holy is not an easy commandment to observe when the night is lonely. In The Decalogue: Three , a taxi driver and his former lover recall the fallout over their doomed extramarital affair from three years earlier when she asks for his help in locating her missing husband on Christmas night. Going into the family circle, The Decalogue: Four raises debates on the boundaries between respect and love in the father-daughter relationship, in a powerful drama about a young acting student reconsidering her eerily close bond with her father when she discovers a long-hidden letter from her late mother which may contain a shocking confession.

21.5

The Decalogue: Three & Four

十诫 : 第三诫丶第四诫 (Dekalog, trzy & cztery)

20:15 IS

9.7

16:30 AC

波蘭 Poland 1989 116min

Cast: 【3】 Daniel Olbrychski, Maria Pakulnis, Joanna Szczepowska; 【4】 Adrianna Biedrzyńska, Janusz Gajos, Artur Barciś

講者：林瀚光博士（香港大學比較文學系講師） Speaker: Dr. Derek Lam (Lecturer in Comparative Literature at the University of Hong Kong)

31

《第五誡》是《殺誡》的原版，比較細節差

《第九誡》：此心安處，是婚姻的依歸？醫

異更見導演功力。法律底下殺人變得合法，

生發現自己突然性無能，以為可以接受妻子

但又是否合乎倫理？律師深信死刑不能遏止

有外遇，但嫉妒令他瘋狂。故事支線的女病

罪行，但他卻救不了殺人的少年。十集攝影

人須接受心臟手術，正是《兩生花》前身；

師風格各異，Sławomir Idziak以濾鏡顯露人世

偷聽窺視的情節，則在《藍白紅三部曲之

的殘酷底色最為突出，其後為《兩生花》及

紅》再現。《第十誡》：一對兄弟繼承亡父

《藍白紅三部曲之藍》掌鏡更見異彩。《第

珍藏的郵票，發現原來價值不菲。為了補遺

六誡》跟《情誡》故事相同，節奏殊途，結

稀有的郵票系列以求賣得高價，哥哥竟以捐

局亦不同歸。靦腆少年後窗窺視，迷戀住在

腎來交換，結果卻出乎意料。奇氏選擇以黑

對面大廈的單身女子。提着皮箱的神秘男

色幽默收場，嘲諷世人貪婪成性，在《藍白

人，見證少年的狂喜與絕望。而被偷窺的

紅三部曲之白》更來個微妙逆轉。

她，要易地而處，始明白箇中滋味。

22.5

The Decalogue: Five & Six

十诫 : 第五诫丶第六诫 (Dekalog, pięć & sześć)

20:20 IS

9.7

19:00 AC

波蘭 Poland 1989 120min

Cast: 【5】 Mirosław Baka, Krzysztof Globisz, Jan Tesarz;

【6】 Grażyna Szapołowska, Olaf Lubaszenko, Stefania Iwińsk

Examining the preciousness of life and love through characters who must wade through the murky morality of the death penalty and sexual obsession, these two poignant dramas were expanded into the celebrated A Short Film About Killing and A Short Film About Love . In The Decalogue: Five , an idealistic public defender against the death penalty attempts to save the life of a young man who senselessly murdered a taxi driver. The Decalogue: Six turns a twist of fate, as a sexually promiscuous woman whom an introverted young post office clerk has been spying on forms an unusual bond with him.

Krzysztof Kieślowski’s mesmerising anthology series ends on stories about two different types of romance in its final two episodes. In The Decalogue: Nine , a woman takes a lover on the advice of her impotent husband, but she remains hopelessly devoted to him in spite of his endless bouts of self-pity. Its side story of a woman receiving heart transplant would be reincarnated in The Double Life of Véronique . In The Decalogue: Ten , the only darkly comedic story of the series, two brothers see their brotherly love suffer when they become consumed with protecting the valuable stamp collection that their late estranged father left behind.

講者：黃淑嫻（作家、香港嶺南大學中文系副教授） Speaker: Mary Wong (Writer and Associate Professor in Chinese Department at Lingnan University)

十诫 : 第七诫丶第八诫 (Dekalog, siedem & osiem)

19:30 IS

10.7 14:00 AC

波蘭 Poland 1989 115min

Cast: 【7】Anna Polony, Maja Barełkowska, Katarzyna Piwowarczyk;

【8】Maria Kościałkowska, Teresa Marczewska, Tadeusz Łomnicki

講者：馮美華（獨立文化藝術工作者） Speaker: May Fung (Independent art and cultural worker)

32

The Decalogue: Nine & Ten

十诫 : 第九诫丶第十诫 (Dekalog, dziewięć & dziesięć)

19:30 IS

10.7 16:30 AC

波蘭 Poland 1989 120min

Cast: 【9】 Ewa Błaszczyk, Piotr Machalica, Jolanta Piętek-Górecka; 【10】Zbigniew Zamachowski, Jerzy Stuhr, Henryk Bista

講者：朗天（作家、文化策劃及評論） Speaker: Long Tin (Writer, cultural curator and critic)

24.6

The Decalogue: Seven & Eight

25.6

《第七誡》：雖說不可偷盜，但若取回本屬

無可奈何花落去，似曾相識燕歸來。在世界

自己所有的，是否亦視為盜？瑪嘉十六歲時

某一角落，會否有另一個我同時存在？玻璃

因師生戀懷孕，身為校長的母親伊華為避免

球、戒指、鞋帶，接通兩個樣貌相同卻互不

醜聞外揚，自認是其女兒安妮亞的母親。六

認識的維朗妮嘉。天各一方，兩人心臟都有

年後，瑪嘉要帶走親生小孩，母女間的死結

毛病，卻有着微妙心靈感應。茫茫人海中擦

如何能解？《第八誡》：不可作假見證，要

身而過，始終緣慳一面。當波蘭的她唱至生

是性命攸關，該如何抉擇？大學教授索菲亞

命最後一顆音符時，法國的她在情人懷中則

的倫理學課堂上，前來拜訪的猶太裔女子忍

感到莫名哀傷。木偶化蝶，花落花開，上承

不住重提童年往事。原來她六歲時險落入納

《十誡：第九誡》故事支線，下啟《藍白紅

粹魔掌，皆因索菲亞拒絕以謊言換取收留她

三部曲》，奇斯洛夫斯基把難以言詮的命運

的機會。在生命面前，主敬存誠是道還是非

主題拍得詩意動人，愛蓮謝歌光芒四射，普

道？

理斯納的配樂更是超凡入聖。

Delving into lives haunted by the ghosts of the past, these episodes explore the impact our words and deeds have upon others. "Can you steal something that is yours?" is a question raised in The Decalogue: Seven , in which a young woman abducts her daughter from her mother, who has “stolen” and raised the child as her own. The Decalogue: Eight follows a translator’s meeting with an ethics professor who had refused to shelter her family during the Holocaust, believing that a fake christening would bear false witness to God. This action puts the child's life in grave danger, and ends up in her own remorse.

Shooting for the first time outside Poland, Kieślowski gave full rein to his interest in metaphysical concerns, leaving politics and everyday realism behind for a highly expressionist spiritual fable of intertwined destinies. Two young women who are doubles unbeknownst to one another – Poland’s Weronika and France’s Véronique – reach an intersection in their lives where one finds love and the other death. The Double Life of Véronique evokes his most ravishing rumination on coincidence and synchronicity, in which the heightened expression of sound and image found renewed intensity through his collaboration with cinematographer Sławomir Idziak, composer Zbigniew Preisner, and sound designer Jacques Witta.

26.6

The Double Life of Véronique 两生花

(La double vie de Véronique)

20:30 IS

17.7 14:30 MC

法國 France／波蘭 Poland／挪威 Norway 1991 98min Cast: Irène Jacob, Philippe Volter, Sandrine Dumas

康城影展最佳女演員獎、國際影評人聯盟獎、天主教人道精神獎 Cannes Film Festival: Best Actress, FIPRESCI Prize, Prize of the Ecumenical Jury

講者：黃淑嫻（作家、香港嶺南大學中文系副教授） Speaker: Mary Wong (Writer and Associate Professor in Chinese Department at Lingnan University)

33

《第五誡》是《殺誡》的原版，比較細節差

《第九誡》：此心安處，是婚姻的依歸？醫

異更見導演功力。法律底下殺人變得合法，

生發現自己突然性無能，以為可以接受妻子

但又是否合乎倫理？律師深信死刑不能遏止

有外遇，但嫉妒令他瘋狂。故事支線的女病

罪行，但他卻救不了殺人的少年。十集攝影

人須接受心臟手術，正是《兩生花》前身；

師風格各異，Sławomir Idziak以濾鏡顯露人世

偷聽窺視的情節，則在《藍白紅三部曲之

的殘酷底色最為突出，其後為《兩生花》及

紅》再現。《第十誡》：一對兄弟繼承亡父

《藍白紅三部曲之藍》掌鏡更見異彩。《第

珍藏的郵票，發現原來價值不菲。為了補遺

六誡》跟《情誡》故事相同，節奏殊途，結

稀有的郵票系列以求賣得高價，哥哥竟以捐

局亦不同歸。靦腆少年後窗窺視，迷戀住在

腎來交換，結果卻出乎意料。奇氏選擇以黑

對面大廈的單身女子。提着皮箱的神秘男

色幽默收場，嘲諷世人貪婪成性，在《藍白

人，見證少年的狂喜與絕望。而被偷窺的

紅三部曲之白》更來個微妙逆轉。

她，要易地而處，始明白箇中滋味。

22.5

The Decalogue: Five & Six

十诫 : 第五诫丶第六诫 (Dekalog, pięć & sześć)

20:20 IS

9.7

19:00 AC

波蘭 Poland 1989 120min

Cast: 【5】 Mirosław Baka, Krzysztof Globisz, Jan Tesarz;

【6】 Grażyna Szapołowska, Olaf Lubaszenko, Stefania Iwińsk

Examining the preciousness of life and love through characters who must wade through the murky morality of the death penalty and sexual obsession, these two poignant dramas were expanded into the celebrated A Short Film About Killing and A Short Film About Love . In The Decalogue: Five , an idealistic public defender against the death penalty attempts to save the life of a young man who senselessly murdered a taxi driver. The Decalogue: Six turns a twist of fate, as a sexually promiscuous woman whom an introverted young post office clerk has been spying on forms an unusual bond with him.

Krzysztof Kieślowski’s mesmerising anthology series ends on stories about two different types of romance in its final two episodes. In The Decalogue: Nine , a woman takes a lover on the advice of her impotent husband, but she remains hopelessly devoted to him in spite of his endless bouts of self-pity. Its side story of a woman receiving heart transplant would be reincarnated in The Double Life of Véronique . In The Decalogue: Ten , the only darkly comedic story of the series, two brothers see their brotherly love suffer when they become consumed with protecting the valuable stamp collection that their late estranged father left behind.

講者：黃淑嫻（作家、香港嶺南大學中文系副教授） Speaker: Mary Wong (Writer and Associate Professor in Chinese Department at Lingnan University)

十诫 : 第七诫丶第八诫 (Dekalog, siedem & osiem)

19:30 IS

10.7 14:00 AC

波蘭 Poland 1989 115min

Cast: 【7】Anna Polony, Maja Barełkowska, Katarzyna Piwowarczyk;

【8】Maria Kościałkowska, Teresa Marczewska, Tadeusz Łomnicki

講者：馮美華（獨立文化藝術工作者） Speaker: May Fung (Independent art and cultural worker)

32

The Decalogue: Nine & Ten

十诫 : 第九诫丶第十诫 (Dekalog, dziewięć & dziesięć)

19:30 IS

10.7 16:30 AC

波蘭 Poland 1989 120min

Cast: 【9】 Ewa Błaszczyk, Piotr Machalica, Jolanta Piętek-Górecka; 【10】Zbigniew Zamachowski, Jerzy Stuhr, Henryk Bista

講者：朗天（作家、文化策劃及評論） Speaker: Long Tin (Writer, cultural curator and critic)

24.6

The Decalogue: Seven & Eight

25.6

《第七誡》：雖說不可偷盜，但若取回本屬

無可奈何花落去，似曾相識燕歸來。在世界

自己所有的，是否亦視為盜？瑪嘉十六歲時

某一角落，會否有另一個我同時存在？玻璃

因師生戀懷孕，身為校長的母親伊華為避免

球、戒指、鞋帶，接通兩個樣貌相同卻互不

醜聞外揚，自認是其女兒安妮亞的母親。六

認識的維朗妮嘉。天各一方，兩人心臟都有

年後，瑪嘉要帶走親生小孩，母女間的死結

毛病，卻有着微妙心靈感應。茫茫人海中擦

如何能解？《第八誡》：不可作假見證，要

身而過，始終緣慳一面。當波蘭的她唱至生

是性命攸關，該如何抉擇？大學教授索菲亞

命最後一顆音符時，法國的她在情人懷中則

的倫理學課堂上，前來拜訪的猶太裔女子忍

感到莫名哀傷。木偶化蝶，花落花開，上承

不住重提童年往事。原來她六歲時險落入納

《十誡：第九誡》故事支線，下啟《藍白紅

粹魔掌，皆因索菲亞拒絕以謊言換取收留她

三部曲》，奇斯洛夫斯基把難以言詮的命運

的機會。在生命面前，主敬存誠是道還是非

主題拍得詩意動人，愛蓮謝歌光芒四射，普

道？

理斯納的配樂更是超凡入聖。

Delving into lives haunted by the ghosts of the past, these episodes explore the impact our words and deeds have upon others. "Can you steal something that is yours?" is a question raised in The Decalogue: Seven , in which a young woman abducts her daughter from her mother, who has “stolen” and raised the child as her own. The Decalogue: Eight follows a translator’s meeting with an ethics professor who had refused to shelter her family during the Holocaust, believing that a fake christening would bear false witness to God. This action puts the child's life in grave danger, and ends up in her own remorse.

Shooting for the first time outside Poland, Kieślowski gave full rein to his interest in metaphysical concerns, leaving politics and everyday realism behind for a highly expressionist spiritual fable of intertwined destinies. Two young women who are doubles unbeknownst to one another – Poland’s Weronika and France’s Véronique – reach an intersection in their lives where one finds love and the other death. The Double Life of Véronique evokes his most ravishing rumination on coincidence and synchronicity, in which the heightened expression of sound and image found renewed intensity through his collaboration with cinematographer Sławomir Idziak, composer Zbigniew Preisner, and sound designer Jacques Witta.

26.6

The Double Life of Véronique 两生花

(La double vie de Véronique)

20:30 IS

17.7 14:30 MC

法國 France／波蘭 Poland／挪威 Norway 1991 98min Cast: Irène Jacob, Philippe Volter, Sandrine Dumas

康城影展最佳女演員獎、國際影評人聯盟獎、天主教人道精神獎 Cannes Film Festival: Best Actress, FIPRESCI Prize, Prize of the Ecumenical Jury

講者：黃淑嫻（作家、香港嶺南大學中文系副教授） Speaker: Mary Wong (Writer and Associate Professor in Chinese Department at Lingnan University)

33

藍、白、紅，法國國旗三色，在奇斯洛夫斯

紅是看不見的線，把人的命運暗自牽連。

基非凡哲詩之鏡下，化作重新思考自由、平

《兩生花》的愛蓮謝歌這次飾演日內瓦大學

等、博愛的三部曲。命中注定是寂寞憂鬱的

生，兼職當模特兒，有天開車意外撞傷牧羊

顏色，車禍中只有她一人活下來。音樂家丈

犬，竟令她闖進了退休法官的生命，無意中

夫與女兒去世，她悲痛欲絕，決心與過去一

得知他以竊聽鄰居電話度日。一個火紅，一

刀兩斷。亡夫未完成的歐盟樂章，卻一直縈

個蒼白，卻漸漸建立起忘年友情。輪舞曲不

繞心頭。人生無常，怎樣才可獲得真正自

斷迴轉，她那天在同一街道駕車擦身而過的

由？卻原來藍也可是信念與希望的色溫，在

法律系學生正遭遇感情打擊，似乎正重複退

愛的延續裏得以重生。茱麗葉庇洛仙的演出

休法官的年少經歷。以艷紅主調映襯博愛的

登峰造極，獲封威尼斯影后。把瓶子丟進回

濃馥，貫徹奇斯洛夫斯基作品的機緣巧合與

收桶的老婦，看似偶然的身影，卻成了三部

神秘宿命主題，為三部曲作完美謝幕。

曲的微妙連繫。

1.7

Three Colours: Blue

20:00 IS

(Trois couleurs: Bleu)

31.7

蓝白红三部曲之蓝

14:30 IS

法國 France／波蘭 Poland／瑞士 Switzerland 1993 94min Cast: Juliette Binoche, Benoît Régent, Emmanuelle Riva 威尼斯影展最佳電影金獅奬、最佳女主角、最佳攝影 Venice Film Festival: Golden Lion Best Film, Best Actress, Best Cinematography

Inspired by the motto of the French Republic, the Three Colours Trilogy was meant as Kieślowski’s valedictory statement exploring the meaning of liberty, equality and fraternity in contemporary life.

In Three Colours: Blue , the mesmerising Juliette Binoche is the widow of a renowned composer, who seeks an existence free from any bonds after her husband and daughter die in a car accident, only to find herself inseparable from others connected to her in myriad ways. Kieślowski’s mystical vision of transcendent spiritual forces that unite us resonated within the context of a postCold War Europe on the brink of reunification and facing the anxieties of a new millennium.

Youthful idealism and innocence are confronted with the jaded and cynical perspective of old age in Kieślowski’s magisterial swansong. When a young model accidentally runs over a dog, the incident brings her in contact with a retired judge who has a habit of spying on others. These explorations of voyeurism and authorial omniscience – ways in which man tries to play God, even he struggles to find love – culminate in a tempest worthy of Shakespeare. A metaphysical treatise on fraternity, Three Colours: Red marks the culmination of Kieślowski’s life's work as a conjurer of destinies, even as Prospero-like he breaks his staff and drowns his book.

HKIFF46̲CinFanBooklet̲170x145.pdf 1 21/4/2022 17:44

講者：登徒（影評人及大學兼任講師） Speaker: Thomas Shin (Film critic and part-time university lecturer)

3.7

Three Colours: Red 蓝白红三部曲之红 (Trois couleurs: Rouge) 法國 France／波蘭 Poland／瑞士 Switzerland 1994 99min

Cast: Irène Jacob, Jean-Louis Trintignant, Jean-Pierre Lorit 康城影展競賽影片 Cannes Film Festival: In Competition

講者：歐嘉麗（香港浸會大學電影學院講師） Speaker: Dr. Sonia Au (Lecturer in Academy of Film at Hong Kong Baptist University)

眾生平等，但有些人想要比別人更平等。披 上雪白的婚紗，彼此忠誠愛護的盟約又是否 白璧無瑕？移居巴黎的波蘭裔髮型師，深愛 年輕貌美的法籍新婚妻子，卻由於無法行房 被要求離婚，法庭上抗辯無效，落得人財兩 失，自尊掃地。設法返回老家，誓要討回公 道，在新時代的波蘭發大財，並着手對愛妻 展開報復大計。由行李輸送帶上的皮箱開 始，奇斯洛夫斯基以黑色喜劇處理有關平等 的議題，流露波蘭人害怕被歐洲排拒的複雜 心理，亦對共黨倒台後的波蘭社會狀況作出 犀利諷刺。

2.7

Three Colours: White 蓝白红三部曲之白 (Trois couleurs: Blanc)

法國 France／波蘭 Poland／瑞士 Switzerland 1994 87min

20:30 IS

31.7 16:40 IS

Cast: Zbigniew Zamachowski, Julie Delpy, Janusz Gajos, Jerzy Stuhr 柏林影展最佳導演 Berlin International Film Festival: Best Director

講者：朗天（作家、文化策劃及評論） Speaker: Long Tin (Writer, cultural curator and critic)

34

C

M

A sardonic take on equality between the East and the West in post-communist Europe, the middle Y panel of Kieślowski’s triptych divides itself between CM Warsaw and Paris. Humiliated by his French wife MY who divorces him on the grounds of his impotence, CY the Polish hairdresser Karol Karol (Charlie in Polish, CMY as a tribute to Chaplin) plans an elaborate revenge using funds he amasses swindling gangsters in newly K capitalist Poland's black market. Three Colours: White reunites Kieślowski with actors Zbigniew Zamachowski (The Decalogue: Ten ) and Jerzy Stuhr (Camera Buff ) for a black comedy that satirises globalisation even as it affirms his faith in love and spiritual redemption.

The 46th Hong Kong International Film Festival 第四十六屆香港國際電影節

15- 31 . 8 . 2022

20:10 IS

31.7 18:40 IS

藍、白、紅，法國國旗三色，在奇斯洛夫斯

紅是看不見的線，把人的命運暗自牽連。

基非凡哲詩之鏡下，化作重新思考自由、平

《兩生花》的愛蓮謝歌這次飾演日內瓦大學

等、博愛的三部曲。命中注定是寂寞憂鬱的

生，兼職當模特兒，有天開車意外撞傷牧羊

顏色，車禍中只有她一人活下來。音樂家丈

犬，竟令她闖進了退休法官的生命，無意中

夫與女兒去世，她悲痛欲絕，決心與過去一

得知他以竊聽鄰居電話度日。一個火紅，一

刀兩斷。亡夫未完成的歐盟樂章，卻一直縈

個蒼白，卻漸漸建立起忘年友情。輪舞曲不

繞心頭。人生無常，怎樣才可獲得真正自

斷迴轉，她那天在同一街道駕車擦身而過的

由？卻原來藍也可是信念與希望的色溫，在

法律系學生正遭遇感情打擊，似乎正重複退

愛的延續裏得以重生。茱麗葉庇洛仙的演出

休法官的年少經歷。以艷紅主調映襯博愛的

登峰造極，獲封威尼斯影后。把瓶子丟進回

濃馥，貫徹奇斯洛夫斯基作品的機緣巧合與

收桶的老婦，看似偶然的身影，卻成了三部

神秘宿命主題，為三部曲作完美謝幕。

曲的微妙連繫。

1.7

Three Colours: Blue

20:00 IS

(Trois couleurs: Bleu)

31.7

蓝白红三部曲之蓝

14:30 IS

法國 France／波蘭 Poland／瑞士 Switzerland 1993 94min Cast: Juliette Binoche, Benoît Régent, Emmanuelle Riva 威尼斯影展最佳電影金獅奬、最佳女主角、最佳攝影 Venice Film Festival: Golden Lion Best Film, Best Actress, Best Cinematography

Inspired by the motto of the French Republic, the Three Colours Trilogy was meant as Kieślowski’s valedictory statement exploring the meaning of liberty, equality and fraternity in contemporary life.

In Three Colours: Blue , the mesmerising Juliette Binoche is the widow of a renowned composer, who seeks an existence free from any bonds after her husband and daughter die in a car accident, only to find herself inseparable from others connected to her in myriad ways. Kieślowski’s mystical vision of transcendent spiritual forces that unite us resonated within the context of a postCold War Europe on the brink of reunification and facing the anxieties of a new millennium.

Youthful idealism and innocence are confronted with the jaded and cynical perspective of old age in Kieślowski’s magisterial swansong. When a young model accidentally runs over a dog, the incident brings her in contact with a retired judge who has a habit of spying on others. These explorations of voyeurism and authorial omniscience – ways in which man tries to play God, even he struggles to find love – culminate in a tempest worthy of Shakespeare. A metaphysical treatise on fraternity, Three Colours: Red marks the culmination of Kieślowski’s life's work as a conjurer of destinies, even as Prospero-like he breaks his staff and drowns his book.

HKIFF46̲CinFanBooklet̲170x145.pdf 1 21/4/2022 17:44

講者：登徒（影評人及大學兼任講師） Speaker: Thomas Shin (Film critic and part-time university lecturer)

3.7

Three Colours: Red 蓝白红三部曲之红 (Trois couleurs: Rouge) 法國 France／波蘭 Poland／瑞士 Switzerland 1994 99min

Cast: Irène Jacob, Jean-Louis Trintignant, Jean-Pierre Lorit 康城影展競賽影片 Cannes Film Festival: In Competition

講者：歐嘉麗（香港浸會大學電影學院講師） Speaker: Dr. Sonia Au (Lecturer in Academy of Film at Hong Kong Baptist University)

眾生平等，但有些人想要比別人更平等。披 上雪白的婚紗，彼此忠誠愛護的盟約又是否 白璧無瑕？移居巴黎的波蘭裔髮型師，深愛 年輕貌美的法籍新婚妻子，卻由於無法行房 被要求離婚，法庭上抗辯無效，落得人財兩 失，自尊掃地。設法返回老家，誓要討回公 道，在新時代的波蘭發大財，並着手對愛妻 展開報復大計。由行李輸送帶上的皮箱開 始，奇斯洛夫斯基以黑色喜劇處理有關平等 的議題，流露波蘭人害怕被歐洲排拒的複雜 心理，亦對共黨倒台後的波蘭社會狀況作出 犀利諷刺。

2.7

Three Colours: White 蓝白红三部曲之白 (Trois couleurs: Blanc)

法國 France／波蘭 Poland／瑞士 Switzerland 1994 87min

20:30 IS

31.7 16:40 IS

Cast: Zbigniew Zamachowski, Julie Delpy, Janusz Gajos, Jerzy Stuhr 柏林影展最佳導演 Berlin International Film Festival: Best Director

講者：朗天（作家、文化策劃及評論） Speaker: Long Tin (Writer, cultural curator and critic)

34

C

M

A sardonic take on equality between the East and the West in post-communist Europe, the middle Y panel of Kieślowski’s triptych divides itself between CM Warsaw and Paris. Humiliated by his French wife MY who divorces him on the grounds of his impotence, CY the Polish hairdresser Karol Karol (Charlie in Polish, CMY as a tribute to Chaplin) plans an elaborate revenge using funds he amasses swindling gangsters in newly K capitalist Poland's black market. Three Colours: White reunites Kieślowski with actors Zbigniew Zamachowski (The Decalogue: Ten ) and Jerzy Stuhr (Camera Buff ) for a black comedy that satirises globalisation even as it affirms his faith in love and spiritual redemption.

The 46th Hong Kong International Film Festival 第四十六屆香港國際電影節

15- 31 . 8 . 2022

20:10 IS

31.7 18:40 IS

SCREENING VENUES

放映場地 灣 仔 Wan Chai

碼頭方向 To Ferry Pier

香港藝術中心古天樂電影院 Louis Koo Cinema , Hong Kong Arts Centre (AC) 灣仔港灣道2號 2 Harbour Road, Wan Chai 電話 Tel: 2582 0200 ． 港鐵灣仔站 A1 出口 Wan Chai MTR Station Exit A1 ． 灣仔碼頭步行15分鐘 15-min walk from Wan Chai Pier

稅務大樓 Revenue Tower

尖 沙 咀 Tsim Sha Tsui

樂道 Lock Road

Road 漢口道 Hankow

彌敦道 Nathan Road

D1

on Road 加拿分道 Carnarv

美麗都大廈

R

Mirador Mansion

Emperor Cinemas 英皇戲院

亞太中心 Hong Kong Pacific Centre

國際廣場

英 皇 戲 院 尖 沙 咀 iSQUARE Emperor Cinemas iSQUARE (IS) 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon 電話 Tel: 2522 2996 ． 港鐵尖沙咀站 H/R 出口 Tsim Sha Tsui MTR Station Exit H/R

Road 麼地道 Mody

N5

香港金域假日酒店

iSQUARE

Holiday Inn Golden Mile Hong Kong

H g Road 北京道 Pekin

西 九 文 化 區 West Kowloon Cultural District

圓方

um

ive Dr

C1 D1

ICC 柯士甸道西

連翔道 Lin Cheung Road

Che

九龍站 Kowloon Station

道N ga 雅翔

We 西 ste 區 rn 海底 Ha rbo 隧道 ur Tu nn e

l

ung

Roa d

Elements

Austin Road West

se

道

館

物

博

Mu

藝術廣場天橋 Artist Square Bridge

M+ 戲 院 M+ Cinema (MC) 九龍博物館道38號西九文化區M+大樓LG層 LG, M+ Building, West Kowloon Cultural District, 38 Museum Drive, Kowloon 電話 Tel: 2200 0217 ． 港鐵九龍站C1出口 Kowloon MTR Station Exit C1 ． 港鐵九龍站D1出口 Kowloon MTR Station Exit D1

SCREENING VENUES

放映場地 灣 仔 Wan Chai

碼頭方向 To Ferry Pier

香港藝術中心古天樂電影院 Louis Koo Cinema , Hong Kong Arts Centre (AC) 灣仔港灣道2號 2 Harbour Road, Wan Chai 電話 Tel: 2582 0200 ． 港鐵灣仔站 A1 出口 Wan Chai MTR Station Exit A1 ． 灣仔碼頭步行15分鐘 15-min walk from Wan Chai Pier

稅務大樓 Revenue Tower

尖 沙 咀 Tsim Sha Tsui

樂道 Lock Road

Road 漢口道 Hankow

彌敦道 Nathan Road

D1

on Road 加拿分道 Carnarv

美麗都大廈

R

Mirador Mansion

Emperor Cinemas 英皇戲院

亞太中心 Hong Kong Pacific Centre

國際廣場

英 皇 戲 院 尖 沙 咀 iSQUARE Emperor Cinemas iSQUARE (IS) 九龍尖沙咀彌敦道63號國際廣場7樓 L7, iSQUARE, 63 Nathan Road, Tsim Sha Tsui, Kowloon 電話 Tel: 2522 2996 ． 港鐵尖沙咀站 H/R 出口 Tsim Sha Tsui MTR Station Exit H/R

Road 麼地道 Mody

N5

香港金域假日酒店

iSQUARE

Holiday Inn Golden Mile Hong Kong

H g Road 北京道 Pekin

西 九 文 化 區 West Kowloon Cultural District

圓方

um

ive Dr

C1 D1

ICC 柯士甸道西

連翔道 Lin Cheung Road

Che

九龍站 Kowloon Station

道N ga 雅翔

We 西 ste 區 rn 海底 Ha rbo 隧道 ur Tu nn e

l

ung

Roa d

Elements

Austin Road West

se

道

館

物

博

Mu

藝術廣場天橋 Artist Square Bridge

M+ 戲 院 M+ Cinema (MC) 九龍博物館道38號西九文化區M+大樓LG層 LG, M+ Building, West Kowloon Cultural District, 38 Museum Drive, Kowloon 電話 Tel: 2200 0217 ． 港鐵九龍站C1出口 Kowloon MTR Station Exit C1 ． 港鐵九龍站D1出口 Kowloon MTR Station Exit D1

購票須知

TICKETING INFORMATION

售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets

門票於2022年4月29日起於城市售票網公開發售

Tickets available from 29 April 2022 onwards at URBTIX 票價 Ticket Price

$100

「奇斯洛夫斯基：人生偶拾」之場次 “Kie lowski: The Serendipity of Life” screenings

$100

《尤利西斯的凝望》於 M+ 戲院放映之場次及 《亞歷山大大帝》、《流浪藝人》於英皇戲院 尖沙咀 iSQUARE 放映之場次 Ulysses’ Gaze at M+ Cinema and Alexander the Great, The Travelling Players at Emperor Cinemas iSQUARE

MAY 五月

網上購票 Internet Booking： cinefan.hkiff.org.hk / www.urbtix.hk

$90 $85

於英皇戲院 尖沙咀 iSQUARE 及 M+ 戲院放映之場次 Screenings at Emperor Cinemas iSQUARE / M+ Cinema

$75

於香港藝術中心放映之場次 Screenings at Hong Kong Arts Centre

票務查詢 Ticketing Enquiries：3761 6661

「奇斯洛夫斯基：人生偶拾」電影課程套票優惠： 同時購買四場或以上的電影課程之正價門票可享七五折優惠；同時購買九場或以上電影課程之正價門票可享七折優惠。 Package Discount for “Kieslowski: The Serendipity of Life ”: 25% discount to each purchase of standard tickets for 4 or more screenings. 30% discount to each purchase of standard tickets for 9 or more screenings.

CINE FAN ONLINE 門票於2022年5月13日起於cinefan.hkiff.org.hk公開發售 CINE FAN ONLINE tickets available from 13 May 2022 onwards at cinefan.hkiff.org.hk CINE FAN ONLINE 票價 Ticket Price

廣播 + 重構

The Broadcast + Reconstruction

14:30 AC

16:45 AC

19:15 AC

迴轉姻緣

天堂艷史

三六年的歲月

The Marriage Circle

Trouble in Paradise

Days of '36

14:30 AC

16:45 AC

19:00 AC

春色平分

安琪艷史

流浪藝人

Design for Living

Angel

The Travelling Players

$50

19:30 IS

* 網上平台訂票指南及使用條款，請參閱 cinefan.hkiff.org.hk。Please refer to the Booking Guide and Terms & Conditions at cinefan.hkiff.org.hk.

門票優惠 Discount Schemes （不適用於購買 CINE FAN ONLINE 門票

電影會會員/ 贊助會員 CineClub Classic / Patron

英皇戲院 尖沙咀iSQUARE各場次八折優惠 20% Discount for screenings at Emperor Cinemas iSQUARE

英皇戲院VIP會員 Emperor Cinemas VIP Membership@

九折優惠 10% discount

十誡：第一誡丶第二誡

The Decalogue: One & Two

Not valid for purchasing CINE FAN ONLINE ticket）

八折優惠 20% discount

「港樂會」會員 + /「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、 Dance, Kids Card 會員 @ /「進念之友」會員 + /「中樂摯友會」會員 + / 藝穗會會員 @ / Hong Kong Philharmonic Orchestra Club Bravo Members+/ Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card@ / 'Zuni Friends ' Members+/ 'Friends of Hong Kong Chinese Orchestra' Members+/ Fringe Club Members@ / Screenings at Emperor Cinemas iSQUARE: Tickets are available at URBTIX till 5pm one day before respective screenings, after which tickets will be available only at Emperor Cinemas Website, Mobile App and the box office of the respective venue on the day of screening, subject to availability.

@ 優惠只適用於城市售票網售票處之售票櫃檯及相關戲院之即日門票，售完即止。 Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability. + 只適用於城市售票網購票及相關戲院之即日門票，售完即止。 Available at URBTIX and corresponding cinemas on-date sales, subject to availability. * 於香港藝術中心之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售 票處發售。 Screenings at HK Arts Centre: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues. * 英皇戲院 尖沙咀iSQUARE放映之場次：城市售票網將於放映前一天之下午5時停止發售門 票。觀眾可於電影放映當日到英皇戲院網站、流動應用程式及放映場地票房購票剩餘門 票，售完即止。

使用信用卡電話購票、 流動購票應用程式或網上購票

For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking

20:15 IS

蘇俄艷史

十誡：第三誡丶第四誡

Bluebeard's Eighth Wife

Seminar on Ernst Lubitsch

Ninotchka

The Decalogue: Three & Four

14:40 IS

17:20 IS

20:20 IS

大風暴

大失踪

十誡：第五誡丶第六誡

Z

Missing

The Decalogue: Five & Six

Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.

兒童不宜 Not Suitable for Children

只准18歲或以上人士 Persons Aged 18 or Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.hkiff.org.hk / 2970 3300 / info@hkiff.org.hk

Follow us

HKIFFS

15 日 Sun

20 五 Fri

21 六 Sat

22 日 Sun

03 五 Fri

14:30 AC

16:45 AC

20:15 AC

風流寡婦

獵人

塞瑟島之旅

The Merry Widow

The Hunters

Journey to Cythera

14:15 AC

16:30 AC

20:45 AC

人約黃昏後

亞歷山大大帝

養蜂人

The Shop Around the Corner

Alexander the Great

The Beekeeper

19:30 AC 鸛鳥踟躕

青少年及兒童不宜 Not Suitable for Young Persons and Children

14 六 Sat

雅典，重返衛城

售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.

五 Fri

Athens, Return to the Acropolis

3.6 00:00 - 5.6 23:59

Refund Arrangement and Programme Change 節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2022年8月26日申請退票。 觀眾可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.hkiff.org.hk）上填寫電子表格，或下載實體版

13

JUNE 六月

退票及節目更改

惡劣天氣之放映安排

38

17:40 IS

劉別謙座談會

所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked for all screenings. All tickets are non-refundable and non-exchangeable.

HKIFFS is not responsible for any lost ticket.

自助取票服務 Ticketing Collection Service

適合任何年齡人士 Suitable for All Ages

16:10 IS

第八夫人

每張門票最多只可享用其中一種購票優惠。 All of the above discount cannot be used in conjunction with any other discounts or offers.

本。如放映取消，將另作安排。 For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 26 August 2022. Ticket holders may fill out refund application form online or download from Cine Fan website (cinefan.hkiff.org.hk). For cancellation of screening, alternative arrangement would be announced.

電影分級制 The Film Classification

14:45 IS

* M+ 戲院放映之場次：不設現場售票服務，觀眾須於城市售票網購票。 Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door.

手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.

顧客選擇自助取票服務提取門票，可於4月30日開始， 攜帶交易使用的信用卡在購票通自助取票機刷卡提取 門票，或親臨任何一間城市售票網售票處的售票櫃檯 憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 30 April onwards.

座談會：粵語主講 Seminar : Conducted in Cantonese

19:30 AC

信用卡電話購票 Credit Card Telephone Booking： 2111 5999 流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)

《尤利西斯的凝望》、《悲傷草原》、《流浪藝人》、《亞歷山大大帝》於藝術中心放映之場次 Ulysses’ Gaze, Trilogy: The Weeping Meadow, The Travelling Players, Alexander the Great at Hong Kong Arts Centre

放映時間表

SCREENING SCHEDULE

The Suspended Step of the Stork

14:30 AC

17:00 AC

20:00 AC

戲諜人生

霧中風景

尤利西斯的凝望

To Be or Not to Be

Landscape in the Mist

Ulysses' Gaze

映後談 Film Talk

座談會 Seminar

04 六 Sat

05 日 Sun

10 五 Fri

11 六 Sat

電影課程 Film Course

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE MC M+ 戲院 M+ Cinema

39

購票須知

TICKETING INFORMATION

售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets

門票於2022年4月29日起於城市售票網公開發售

Tickets available from 29 April 2022 onwards at URBTIX 票價 Ticket Price

$100

「奇斯洛夫斯基：人生偶拾」之場次 “Kie lowski: The Serendipity of Life” screenings

$100

《尤利西斯的凝望》於 M+ 戲院放映之場次及 《亞歷山大大帝》、《流浪藝人》於英皇戲院 尖沙咀 iSQUARE 放映之場次 Ulysses’ Gaze at M+ Cinema and Alexander the Great, The Travelling Players at Emperor Cinemas iSQUARE

MAY 五月

網上購票 Internet Booking： cinefan.hkiff.org.hk / www.urbtix.hk

$90 $85

於英皇戲院 尖沙咀 iSQUARE 及 M+ 戲院放映之場次 Screenings at Emperor Cinemas iSQUARE / M+ Cinema

$75

於香港藝術中心放映之場次 Screenings at Hong Kong Arts Centre

票務查詢 Ticketing Enquiries：3761 6661

「奇斯洛夫斯基：人生偶拾」電影課程套票優惠： 同時購買四場或以上的電影課程之正價門票可享七五折優惠；同時購買九場或以上電影課程之正價門票可享七折優惠。 Package Discount for “Kieslowski: The Serendipity of Life ”: 25% discount to each purchase of standard tickets for 4 or more screenings. 30% discount to each purchase of standard tickets for 9 or more screenings.

CINE FAN ONLINE 門票於2022年5月13日起於cinefan.hkiff.org.hk公開發售 CINE FAN ONLINE tickets available from 13 May 2022 onwards at cinefan.hkiff.org.hk CINE FAN ONLINE 票價 Ticket Price

廣播 + 重構

The Broadcast + Reconstruction

14:30 AC

16:45 AC

19:15 AC

迴轉姻緣

天堂艷史

三六年的歲月

The Marriage Circle

Trouble in Paradise

Days of '36

14:30 AC

16:45 AC

19:00 AC

春色平分

安琪艷史

流浪藝人

Design for Living

Angel

The Travelling Players

$50

19:30 IS

* 網上平台訂票指南及使用條款，請參閱 cinefan.hkiff.org.hk。Please refer to the Booking Guide and Terms & Conditions at cinefan.hkiff.org.hk.

門票優惠 Discount Schemes （不適用於購買 CINE FAN ONLINE 門票

電影會會員/ 贊助會員 CineClub Classic / Patron

英皇戲院 尖沙咀iSQUARE各場次八折優惠 20% Discount for screenings at Emperor Cinemas iSQUARE

英皇戲院VIP會員 Emperor Cinemas VIP Membership@

九折優惠 10% discount

十誡：第一誡丶第二誡

The Decalogue: One & Two

Not valid for purchasing CINE FAN ONLINE ticket）

八折優惠 20% discount

「港樂會」會員 + /「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、 Dance, Kids Card 會員 @ /「進念之友」會員 + /「中樂摯友會」會員 + / 藝穗會會員 @ / Hong Kong Philharmonic Orchestra Club Bravo Members+/ Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card@ / 'Zuni Friends ' Members+/ 'Friends of Hong Kong Chinese Orchestra' Members+/ Fringe Club Members@ / Screenings at Emperor Cinemas iSQUARE: Tickets are available at URBTIX till 5pm one day before respective screenings, after which tickets will be available only at Emperor Cinemas Website, Mobile App and the box office of the respective venue on the day of screening, subject to availability.

@ 優惠只適用於城市售票網售票處之售票櫃檯及相關戲院之即日門票，售完即止。 Applicable at the sales counter of URBTIX Outlets and corresponding cinemas on-date sales, subject to availability. + 只適用於城市售票網購票及相關戲院之即日門票，售完即止。 Available at URBTIX and corresponding cinemas on-date sales, subject to availability. * 於香港藝術中心之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售 票處發售。 Screenings at HK Arts Centre: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues. * 英皇戲院 尖沙咀iSQUARE放映之場次：城市售票網將於放映前一天之下午5時停止發售門 票。觀眾可於電影放映當日到英皇戲院網站、流動應用程式及放映場地票房購票剩餘門 票，售完即止。

使用信用卡電話購票、 流動購票應用程式或網上購票

For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking

20:15 IS

蘇俄艷史

十誡：第三誡丶第四誡

Bluebeard's Eighth Wife

Seminar on Ernst Lubitsch

Ninotchka

The Decalogue: Three & Four

14:40 IS

17:20 IS

20:20 IS

大風暴

大失踪

十誡：第五誡丶第六誡

Z

Missing

The Decalogue: Five & Six

Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.

兒童不宜 Not Suitable for Children

只准18歲或以上人士 Persons Aged 18 or Above Only

本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.

cinefan.hkiff.org.hk / 2970 3300 / info@hkiff.org.hk

Follow us

HKIFFS

15 日 Sun

20 五 Fri

21 六 Sat

22 日 Sun

03 五 Fri

14:30 AC

16:45 AC

20:15 AC

風流寡婦

獵人

塞瑟島之旅

The Merry Widow

The Hunters

Journey to Cythera

14:15 AC

16:30 AC

20:45 AC

人約黃昏後

亞歷山大大帝

養蜂人

The Shop Around the Corner

Alexander the Great

The Beekeeper

19:30 AC 鸛鳥踟躕

青少年及兒童不宜 Not Suitable for Young Persons and Children

14 六 Sat

雅典，重返衛城

售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.

五 Fri

Athens, Return to the Acropolis

3.6 00:00 - 5.6 23:59

Refund Arrangement and Programme Change 節目如有更改，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2022年8月26日申請退票。 觀眾可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.hkiff.org.hk）上填寫電子表格，或下載實體版

13

JUNE 六月

退票及節目更改

惡劣天氣之放映安排

38

17:40 IS

劉別謙座談會

所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked for all screenings. All tickets are non-refundable and non-exchangeable.

HKIFFS is not responsible for any lost ticket.

自助取票服務 Ticketing Collection Service

適合任何年齡人士 Suitable for All Ages

16:10 IS

第八夫人

每張門票最多只可享用其中一種購票優惠。 All of the above discount cannot be used in conjunction with any other discounts or offers.

本。如放映取消，將另作安排。 For alteration of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 26 August 2022. Ticket holders may fill out refund application form online or download from Cine Fan website (cinefan.hkiff.org.hk). For cancellation of screening, alternative arrangement would be announced.

電影分級制 The Film Classification

14:45 IS

* M+ 戲院放映之場次：不設現場售票服務，觀眾須於城市售票網購票。 Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door.

手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.

顧客選擇自助取票服務提取門票，可於4月30日開始， 攜帶交易使用的信用卡在購票通自助取票機刷卡提取 門票，或親臨任何一間城市售票網售票處的售票櫃檯 憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 30 April onwards.

座談會：粵語主講 Seminar : Conducted in Cantonese

19:30 AC

信用卡電話購票 Credit Card Telephone Booking： 2111 5999 流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)

《尤利西斯的凝望》、《悲傷草原》、《流浪藝人》、《亞歷山大大帝》於藝術中心放映之場次 Ulysses’ Gaze, Trilogy: The Weeping Meadow, The Travelling Players, Alexander the Great at Hong Kong Arts Centre

放映時間表

SCREENING SCHEDULE

The Suspended Step of the Stork

14:30 AC

17:00 AC

20:00 AC

戲諜人生

霧中風景

尤利西斯的凝望

To Be or Not to Be

Landscape in the Mist

Ulysses' Gaze

映後談 Film Talk

座談會 Seminar

04 六 Sat

05 日 Sun

10 五 Fri

11 六 Sat

電影課程 Film Course

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE MC M+ 戲院 M+ Cinema

39

放映時間表

SCREENING SCHEDULE JUNE 六月

JULY 七月

14:30 AC

16:45 AC

20:00 AC

14:00 AC

16:30 AC

19:15 AC

21:15 AC

佳偶天成

一生何求

悲傷草原

十誡：第七誡丶第八誡

十誡：第九誡丶第十誡

第八夫人

蘇俄艷史

Cluny Brown

Eternity and a Day

Trilogy: The Weeping Meadow

The Decalogue: Seven & Eight

The Decalogue: Nine & Ten

Bluebeard's Eighth Wife

Ninotchka

17:45 MC

20:30 MC

19:00 MC

摩登天堂

風流寡婦

尤利西斯的凝望

Heaven Can Wait

The Merry Widow

Ulysses' Gaze

19

17:30 MC

20:40 MC

19:30 MC

養蜂人

三六年的歲月

霧中風景

日 Sun

The Beekeeper

Days of '36

Landscape in the Mist

12 日 Sun

18 六 Sat

24 五 Fri

25 六 Sat

26 日 Sun

19:30 IS

14:30 MC

16:45 MC

19:30 MC

十誡：第七誡丶第八誡

兩生花

戲諜人生

鸛鳥踟躕

The Decalogue: Seven & Eight

The Double Life of Véronique

To Be or Not to Be

The Suspended Step of the Stork

15 五 Fri

16 六 Sat

17 日 Sun

15:00 IS

17:00 IS

19:30 IS

19:30 IS

天堂艷史

春色平分

十誡：第九誡丶第十誡

塞瑟島之旅

Trouble in Paradise

Design for Living

The Decalogue: Nine & Ten

Journey to Cythera

14:40 IS

17:40 IS

20:30 IS

14:45 IS

18:00 IS

20:50 IS

時光微塵

廣播 + 重構

兩生花

獵人

巴黎春戀

大失踪

The Dust of Time

The Broadcast + Reconstruction

The Double Life of Véronique

The Hunters

Love in the Afternoon

Missing

14:40 IS

18:40 IS

20:45 IS

亞歷山大大帝

卿本佳人

大風暴

Alexander the Great

Desire

Z

JULY 七月

01

22 五 Fri

時光微塵

19:30 IS

The Dust of Time

藍白紅三部曲之藍

Three Colours: Blue

日 Sun

14:45 IS

17:20 IS

20:30 IS

卿本佳人

巴黎春戀

藍白紅三部曲之白

Desire

Love in the Afternoon

Three Colours: White

15:15 IS

17:30 IS

20:10 IS

安琪艷史

人約黃昏後

藍白紅三部曲之紅

Angel

The Shop Around the Corner

Three Colours: Red

悲傷草原

Trilogy: The Weeping Meadow

五 Fri

六 Sat

40

14:30 IS

18:55 IS

21:20 IS

流浪藝人

摩登天堂

佳偶天成

The Travelling Players

Heaven Can Wait

Cluny Brown

14:30 IS

16:40 IS

18:40 IS

20:50 IS

藍白紅三部曲之藍

藍白紅三部曲之白

藍白紅三部曲之紅

時光微塵

Three Colours: Blue

Three Colours: White

Three Colours: Red

The Dust of Time

映後談 Film Talk

座談會 Seminar

30 六 Sat

31 日 Sun

電影課程 Film Course

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE MC M+ 戲院 M+ Cinema

19:30 AC

08 09

日 Sun

五 Fri

20:00 IS

03

24 29

一生何求

Eternity and a Day

六 Sat

23 六 Sat

1.7 00:00 - 3.7 23:59

五 Fri

02

10 日 Sun

14:00 AC

16:30 AC

19:00 AC

21:30 AC

十誡：第一誡丶第二誡

十誡：第三誡丶第四誡

十誡：第五誡丶第六誡

迴轉姻緣

The Decalogue: One & Two

The Decalogue: Three & Four

The Decalogue: Five & Six

The Marriage Circle

41

放映時間表

SCREENING SCHEDULE JUNE 六月

JULY 七月

14:30 AC

16:45 AC

20:00 AC

14:00 AC

16:30 AC

19:15 AC

21:15 AC

佳偶天成

一生何求

悲傷草原

十誡：第七誡丶第八誡

十誡：第九誡丶第十誡

第八夫人

蘇俄艷史

Cluny Brown

Eternity and a Day

Trilogy: The Weeping Meadow

The Decalogue: Seven & Eight

The Decalogue: Nine & Ten

Bluebeard's Eighth Wife

Ninotchka

17:45 MC

20:30 MC

19:00 MC

摩登天堂

風流寡婦

尤利西斯的凝望

Heaven Can Wait

The Merry Widow

Ulysses' Gaze

19

17:30 MC

20:40 MC

19:30 MC

養蜂人

三六年的歲月

霧中風景

日 Sun

The Beekeeper

Days of '36

Landscape in the Mist

12 日 Sun

18 六 Sat

24 五 Fri

25 六 Sat

26 日 Sun

19:30 IS

14:30 MC

16:45 MC

19:30 MC

十誡：第七誡丶第八誡

兩生花

戲諜人生

鸛鳥踟躕

The Decalogue: Seven & Eight

The Double Life of Véronique

To Be or Not to Be

The Suspended Step of the Stork

15 五 Fri

16 六 Sat

17 日 Sun

15:00 IS

17:00 IS

19:30 IS

19:30 IS

天堂艷史

春色平分

十誡：第九誡丶第十誡

塞瑟島之旅

Trouble in Paradise

Design for Living

The Decalogue: Nine & Ten

Journey to Cythera

14:40 IS

17:40 IS

20:30 IS

14:45 IS

18:00 IS

20:50 IS

時光微塵

廣播 + 重構

兩生花

獵人

巴黎春戀

大失踪

The Dust of Time

The Broadcast + Reconstruction

The Double Life of Véronique

The Hunters

Love in the Afternoon

Missing

14:40 IS

18:40 IS

20:45 IS

亞歷山大大帝

卿本佳人

大風暴

Alexander the Great

Desire

Z

JULY 七月

01

22 五 Fri

時光微塵

19:30 IS

The Dust of Time

藍白紅三部曲之藍

Three Colours: Blue

日 Sun

14:45 IS

17:20 IS

20:30 IS

卿本佳人

巴黎春戀

藍白紅三部曲之白

Desire

Love in the Afternoon

Three Colours: White

15:15 IS

17:30 IS

20:10 IS

安琪艷史

人約黃昏後

藍白紅三部曲之紅

Angel

The Shop Around the Corner

Three Colours: Red

悲傷草原

Trilogy: The Weeping Meadow

五 Fri

六 Sat

40

14:30 IS

18:55 IS

21:20 IS

流浪藝人

摩登天堂

佳偶天成

The Travelling Players

Heaven Can Wait

Cluny Brown

14:30 IS

16:40 IS

18:40 IS

20:50 IS

藍白紅三部曲之藍

藍白紅三部曲之白

藍白紅三部曲之紅

時光微塵

Three Colours: Blue

Three Colours: White

Three Colours: Red

The Dust of Time

映後談 Film Talk

座談會 Seminar

30 六 Sat

31 日 Sun

電影課程 Film Course

AC 香港藝術中心古天樂電影院 Louis Koo Cinema, Hong Kong Arts Centre IS 英皇戲院 尖沙咀iSQUARE Emperor Cinemas iSQUARE MC M+ 戲院 M+ Cinema

19:30 AC

08 09

日 Sun

五 Fri

20:00 IS

03

24 29

一生何求

Eternity and a Day

六 Sat

23 六 Sat

1.7 00:00 - 3.7 23:59

五 Fri

02

10 日 Sun

14:00 AC

16:30 AC

19:00 AC

21:30 AC

十誡：第一誡丶第二誡

十誡：第三誡丶第四誡

十誡：第五誡丶第六誡

迴轉姻緣

The Decalogue: One & Two

The Decalogue: Three & Four

The Decalogue: Five & Six

The Marriage Circle

41

CINE FAN May Jun Jul 2022 // An Eternal Odyssey: The Complete Theo Angelopoulos 無止 境的旅程—安哲羅普洛斯全展 // Z 大風暴 // Missing 大失踪 // Desire 卿本佳人 // Love in the

Heaven Can Wait 摩登天堂 // Kieslowski: The Serendipity of Life 奇斯洛夫斯基：人生偶拾

May Jun Jul 2022

Afternoon 巴黎春戀 // The Astute Humour of Ernst Lubitsch 劉別謙—妙不可言的狡黠幽默 //

CIne fan 人生 偶拾 奇斯洛夫斯基 Kieślowski: The Serendipity of Life

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