藝 術 家 的 話
鄧樹榮
劇場導演、教育家及演員 「你為什麼不是 Steve Jobs: 我的新冒險」 《藝訊》2014 年 4 月
3
QUOTE FROM ARTIST
作為一個真正的藝術家， 創新的關鍵是在於 不斷突破個人界限。 這一點我深信不疑， 也希望你們在現實生活中 有同樣的信念。
As a real artist, to constantly breakthrough one's boundaries is the crux of real creativity. I do believe in that and I also invite you to believe in that in real life situations.
Tang Shu-wing Theatre director, educator and actor Why Aren’t You Steve Jobs: My New Adventure Artslink Apr 2014
FOREWORD
Contents
Foreword
專題故事 Feature Story
不管我們稱之為跨媒界或是多媒界藝術節，都是讓一群來自不
目錄
總幹事的話
同界別的藝術家互相回應對方的構思，一同創作的機會。團隊合 作在香港藝術中心是常態，因為我們大樓的建築設計和理念已 經塑造了我們的特質。有限的資源造就無盡的創意，而且能號召 藝術家一起創作獨一無二、相輔相成的作品。
跨媒介藝術︰拓荒與流變 Interdisciplinary art: Pioneering and Transformation
文化按摩師「跨界大龍鳯藝術節」可算是我們舉辨的第四代多 媒界藝術節。新一代香港藝術中心的團隊、藝術家和合作單位合 力從新視角出發，讓不常欣賞藝術的觀眾更容易接觸這類藝術
動向 Happenings
節，更運用非傳統用途的地方作為新的平台，使藝術家有機會與 觀眾互動。請密切留意，投入「跨界大龍鳯藝術節」這個旅程， 發掘箇中樂趣。 林淑儀
香港藝術中心總幹事
香港藝術中心開放日 2018 ̶ Taste Art Hong Kong Arts Centre Open House 2018 ̶ Taste Art
No matter how we named an art festival as "interdisciplinary" or "multidisciplinary", it is all about engaging
幕後人語 Backstage
artists from different disciplines to get together, respond to each other’s idea and create together. Teamwork is a norm in HKAC as our architectural design and vision shaped our character; moreover, our limitation in
回首在香港藝術中心的日子 ̶ 梁國輝 Nelson Leong: Looking back on the days with HKAC
resources gives rise to unlimited creativity that leads us to pull people together to create works that are unique and complementary to each other. Cultural Masseur Dragonix Multi-Arts Festival can be counted as the 4th generation of our multidisciplinary art festival where a new generation of HKAC team, artists and collaborators open a new horizon and dimension as to make this kind of festival more accessible to audience outside the art realm as well as making un-
節目表 Event Calendar
conventional spaces become new platforms to engage artists and audience. Stay tuned and enjoy the journey
設計 Art Direction
Edited.hk
編輯・出版・發行
Editorial・Publishing・Distribution 香港藝術中心 Hong Kong Arts Centre 香港灣仔港灣道二號八樓
8/F, 2 Harbour Road, Wan Chai, Hong Kong 電話 Tel: 2582 0200 傳真 Fax: 2802 0798 網頁 Website: www.hkac.org.hk Facebook: Hong Kong Arts Centre
香港藝術中心
Hong Kong Arts Centre 名譽贊助人 Honorary Patron
中華人民共和國香港特別行政區行政長官 林鄭月娥女士，大紫荊勳賢，GBS The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM, GBS The Chief Executive Hong Kong Special Administrative Region People’s Republic of China 名譽主席 Honorary President 包陪麗女士 BBS
Ms. Cissy Pao Pui-lai, BBS 監督團主席 Chairman, Board of Governors 楊余夏卿女士
Mrs. Dominica Yang 總幹事 Executive Director 林淑儀女士
Ms. Connie Lam
of discovering Dragonix Multi-Arts Festival. Connie Lam Executive Director, Hong Kong Arts Centre
專 題 故 事
6
F E AT U R E S TO RY
專 題 故 事
Festival Now: The large-scale interdisciplinary art festival
大型跨界藝術節 Festival Now:
Interdisciplinary art: Pioneering and Transformation
跨媒介藝術︰拓荒與流變
「香
7
港 藝 術 中 心 辦 跨 媒 介 藝 術 是 很 自 然 的，這 是 它 的 本 質。」曾任香港藝術中心展覽總監的何慶基道，一幢融
合了劇院、展覽廳、演奏廳、戲院的藝術中心，擁有實踐及探索 跨媒介藝術的優越條件。多元藝術空間，加上跨部門合作方式， 成就出大型跨媒介藝術節̶̶今天舞台 Festival Now。 「Festival Now 於 97 前後舉辦，是想對照、呼應回歸前 後的香港情況。」首屆藝術節，已揉合戲劇、音樂及舞蹈，邀請本 地各界表演藝術家參與，創作出獨屬於香港的作品。第二屆更加 入視覺藝術展覽、電影錄像、文學藝術，「跨媒介令人能用多種 角度檢視同一主題，令內容更豐富。」 那時候藝術中心四個不同專業的總監愛共進午餐，不少點 子就在言談間萌生，令跨媒介藝術得以實踐。「搞藝術的人不會 分界線，有些事情如我們覺得過癮，就會把它帶去另一個部門， 最終能否實現就由該部門決定。但當時我們的合作非常自由，其 實並沒想在跨媒介方面作刻意突破，是很 organic（有機）的。」 縱不刻意，但 Festival Now 其實嘗試了多種跨媒介方 式，除在同一主題下以多種媒介用不同活動呈現多角度，亦有 在單一活動裡融合不同藝術形式，如在 97 年 Festival Now 的「感性教育」展覽中，就已邀請一眾遊走於演藝和視藝的跨 媒介工作者，配合展品進行表演及行為藝術。嶄新意念不只為
Festival Now 帶來不俗迴響，亦開拓了觀眾對跨界藝術的認 知，為本地跨媒介藝術寫下開端。
「今日九九 : 操操蘇絲黃 ?」- 伍宇烈舞蹈作品
Festival NOW 99: ciao ciao Suzie Wong by YURI and company danciNG
香
港藝術中心充份運用其條件與設施，從二十多年前至今 持續舉辦跨媒介藝術節，不斷改寫「跨界」的定義，探索
箇中的可能性，為求擴闊及推進藝術的邊界至無限遠。
W
ith its advantages and multi-function facilities, the HKAC continues to organise interdisciplinary art programmes to redefine and shape the arts field, explore new possibilities, and charge into new frontiers.
F E AT U R E S TO RY
“T
he HKAC naturally took up the role of promoting interdisciplinary art. This crossdisciplinary outlook is the essence of the HKAC,” former Programme Director Oscar Ho observed. The HKAC has the distinct advantage of being home to theatres, exhibition galleries, and auditoriums. Equipped with hardware for any art form and coupled with close inter-departmental collaboration, the HKAC held the large scale interdisciplinary art festival – Festival Now. “Festival Now was held around 1997, with the precise aim to reflect and echo the sentiments in the Hong Kong society amid the handover back to China.” The fruit of this first event, which featured different local performing art artists, was a unique piece blending drama, music, and dance. The second instalment included also visual art, video art, and literature. “Interdisciplinary art helps the audience to examine a theme from multiple vantage points and thereby enhances the content of the work.” HKAC had the privilege of having four directors, each managing a different artistic field. Many new ideas sprouted simply from their regular lunch conversations, realising dreams of interdisciplinary art. “People engaged in artistic creation do not like demarcation. If one has a brilliant idea, he or she would take it to someone from another department, who would then decide whether to go forward with it or not. In general, the way we worked together was very flexible. We were not even focusing on achieving a certain breakthrough in interdisciplinary art, but we got there in our own organic way.” Festival Now successfully covered a wide range of interdisciplinary approaches. Apart from presenting a common theme through various media, the festival integrated different art forms in one event. One example was the exhibition Sentimental Education of the 1997 Festival Now, which featured interdisciplinary artists who created performing and performance arts pieces based on the exhibits. The ingenuity of Festival Now not only earned the event high acclaims, it enlarged the audience’s understanding of interdisciplinary art and opened up a new chapter for the local interdisciplinary art scene.
專 題 故 事
2001 年舉辦了 Digital Now，邀請本地藝術家用 digital
art（數碼媒體）與其他藝術形式進行跨界展演，如有融合舞蹈、 錄像，由葉惠嬿與張志偉共同合作的「通電化身」，及由楊惠美 與羅焯楠共同策劃的「一路拍、一路跳」形體．錄像工作坊。 距今十多年，惟參展藝術家之一的鍾緯正 (Bryan) 還是對 其中的跨媒介作品印象猶深。「還記得那時為「通電化身」提供 技術支援，作品中澳洲和香港兩地的舞者同時起舞，我們通過網 路專線，讓兩地舞者可即時看到對方的位置與舞姿，可在幾千里 外即時回應對方。」這樣的實驗於當時既難又新，礙於當時網路 速度甚慢，Bryan 需與電話公司租用專線，進行多番測試才能 順利演出。「硬件上很難處理，但如此跨界確實擴闊了對舞台的 想像。Digital art 像一種催化劑，因各種媒介能透過錄像或收 音等方法被數碼化，在軟件上更方便跨界的 integration（整合） 與互動，故跨媒介可謂媒體藝術的大趨勢。」亦因數碼藝術方便 傳播，容易為其他藝術形式拓展更多觀眾。像 Bryan 和洪強合 作籌劃了光碟製作《與人構成的連動影像計劃》展覽，內容包含 洪強對身體的想法，觀眾能把含有作品內容的光碟帶回家，使展 覽能突破時空讓更多人能參與。 「之前其他地方雖曾設 digital art festival，但多是邀請 海外藝術家參與。Digital Now 的活動幾乎全本地製作，絕大 部分由香港藝術家參與，作品又有互動性，是一次重要的展示機 會。」就本地媒體藝術發展而言，Digital Now 具有標誌性的 意義；當中跨媒介的實踐，更肯定傳統藝術能藉媒體藝術強化 其傳播及影響。
Digital Now : 多媒體舞蹈演出「通電化身」Multi-media peformance “Incarnate”
T
he Y2K bug was a hot topic around the turn of the millennium. Joining the global discussion on this issue, the HKAC organised Digital Now in 2001, an art show that featured digital art and other art forms, such as dance and video art, by local artists. Pieces included Yip Wai Yin and Cheung Chi Wai’s Incarnate and Yeung Wai Mei and Jamsen Law’s Dance-Video Workshop, Run-Shoot-Run. Despite the event being nearly two decades ago, one of the artists, Bryan Chung, still recalls some of the artworks vividly. “I was the one providing technical support to Incarnate. In the piece, dancers from Australia and Hong Kong danced simultaneously. It was still the age of dialup, and we used that to allow the dancers from the respective places to see each other’s poses and positions, and respond instantly.” The experiment was conceptually new and logistically challenging. Due to the slow internet speed, Bryan had to hire a special line from the telephone company, and multiple trials were required before a smoothrunning performance. “The hardware was tricky. But the experiment really expanded our imagination of what could be done on stage. Digital art is like a catalyst. It records different art forms through videos or audio recordings, digitalises and integrates them, and allows them to interact with one another. I dare to say that digital art will be the trajectory for interdisciplinary productions.” Due to the ease of transmission, digital art has become a prime channel for other art forms to widen their audience base. In addition to Incarnate, Bryan worked with Hung Keung to put Hung’s exhibition, Human Body and Moving Images, on CD-ROMs. The exhibition was an exposition of Hung’s thoughts of the human. Through storing it in CDs, viewers could bring home the entire exhibition, thereby allowing it to transcend time and space and reach new audiences beyond physical constraints. “There had been other digital art festivals in Hong Kong as well, but they usually featured foreign artists. To have one that was mostly produced by locals and local artists, with interactive artwork, Digital Now was an important showcase.” Digital Now was a significant milestone in the development of the local digital art scene. The promotion of interdisciplinary art through digital means will undoubtedly reinforce the influence and impact of traditional art forms.
專 題 故 事
i-City: The importance of networks in interdisciplinary collaborations
000 年 千 年 蟲 話 題 正 熱，適 逢 這 時 機 香 港 藝 術 中 心 於
F E AT U R E S TO RY
跨界合作由聯繫而生
Digital Now: Digital art as a catalyst for interdisciplinary art
數碼藝術催化跨界創作 Digital Now:
2
8
跨
9
媒介藝術活動的靈感，不只可源於憑空的想像，更可來自 己建立聯繫的藝術工作者。 「藝術中心的思考其實頗單純，
我們很想創造能讓藝術家發揮的平台。」於是時任節目總監、現 任總幹事林淑儀於 2005 年策劃了「i-City Festival」跨媒體 創作計劃。當時社會瀰漫著對 70 後的輿論，又剛巧是西西創作 《我城》的 25 週年，i-City 因而誕生，旨在呈現 70 年代成長 的一代人我城的想像，當中包含多種藝術形式。 因具多功能設施，香港藝術中心當時吸引了不同專業的藝 術工作者，是和他們建立的密切的網絡牽引出 i-city 多個跨媒 介環節。如租戶之一的 7A 班戲劇組，藝術中心為讓他們有更大 的舞台，邀請他們以《我城》文本為基礎，為 I-City 創作劇場「像 我這樣的一個城市」；同時為本地動畫創造機會，嘗試用錄像投 映揉合動畫與劇場。 當年亦正為 ifva 的十週年，因想為過往培育的動畫師拓展 舞台，遂邀請過去的 ifva 得獎者就《我城》創作動畫，串連成動 畫長片《i-city》，開拓以動畫演繹本地文學作品的先例，「以往 文學都是改編成電影，但是否就不可以做動畫呢？我們想打破 媒介之間的界限，這樣不同領域的觀眾就能留意到別的藝術範 疇，引發更多對話。」 而這個由藝術中心提供的平台，確實能幫助藝術家成長， 「像參與過 i-city 並創作出《香港清明上河圖（局部）》的 Lilian
Fu 和 Vivian Fu（傅詠欣、傅詠芹），本是第八屆 ifva 的少年 組銀獎，那次邀請她們為我城畫動畫，後來 Lillian 也自行創立 動畫公司 Flourman Production。」跨媒介能提供更多機會讓 不同範疇的藝術家參與，讓他們能保持創作熱情，繼續發展創作 路。
C
reativity alone is not sufficient for a successful interdisciplinary art production. A strong network with different artists is essential as well. “Our thought process was very simple. We desired to create a platform for artists to explore their ideas to the fullest.” Following this thought, then Programme Director and now Executive Director, Connie Lam Suk Yee, organised I-City Festival in 2005. It was a response to the heated discussion about the “Post-70s” and to the 25th anniversary of the novel, Wo Cheng (My City), by Xixi. I-City encapsulated, through a breadth of art forms, the imaginations for the city of the generation who grew up during the 70s. Since the HKAC was well-endowed with multifunctional facilities, the HKAC attracted many artists of different specialisations and built a close-knit network with them, who ultimately gave rise to the many interdisciplinary activities in I-City. A prime example would be one of the tenants, 7A Drama Group. The HKAC literally and metaphorically provided them a larger stage, by inviting them to create the play, A City With Nostalgia & Hope, based on Wo Cheng. Apart from 7A Drama Group, the attempt to integrate animation and theatre was an opportunity for local animators. A City With Nostalgia & Hope coincided with the 10th anniversary of the ifva. In order to nurture future animators, past winners of the ifva were called to make their contributions to Wo Cheng, and the animations they created were linked together for the animated feature, i-City. This set a precedent for re-interpreting a literary work with animation. “Literature was often adapted into movies, but why not animations as well? By breaking down boundaries between art forms, we hoped to let audiences discover other art fields and interact with one another.” Indeed, the platform provided by the HKAC was instrumental to the growth of many artists. “Creators of Along the River During Qingming (Hong Kong, Partial) in I-City, Lilian and Vivian Fu, were initially Junior Silver Award winners of the 8th ifva. Lilian proceeded to set up her own animation company “Flourman Production.” This was a sweet testimony to how interdisciplinary art gives opportunities to artists of different fields, which in turn fuels their enthusiasm and development in their artistic careers.
專 題 故 事
無限」項目，當中包含午間藝萃、開放舞蹈等環節，舉辦
一系列免費且在公共空間舉行的文化活動。午間藝萃是在中午 時分，在藝術中心內外舉辦多項節目如音樂會、電影放映等，甚 至有民族舞，「當時觀察到灣仔有不少非華裔，我們就想到讓這 些族群有更多發揮。」林淑儀和節目部團隊遂想到安排印度舞和 巴西戰舞，引發一場場用身體演練的跨文化對話，同時打破觀眾 只在夜間觀賞藝術的習慣。 而策劃開放舞蹈環節的契機，則源於一個觀察︰舞蹈觀 眾的增長於多年來，較其他藝術形式少；藝術中心遂決定與編 舞家楊春江合辦，在各處帶來多種舞蹈演出，包括爵士舞、拉丁 舞、hip-hop 舞等。當舞者在公共空間起舞，自然邀請觀眾一 同舞動身體，打破觀眾與表演者間的界限，能引起公眾對舞蹈的 興趣；且舞者亦往往會與周圍的藝術品有互動，變相促成跨媒 介演出。
F
ollowing the success of past interdisciplinary art festivals, the HKAC launched Arts Xperience, comprising Art@Lunch, Open Dance, and a series of free cultural activities in public spaces. Art@ Lunch, as the name suggests, took place at mid-day. Its programmes ranged from concerts and moviescreenings to ethnic dance shows. “I noticed that Wan Chai was the stomping ground for many ethnic minorities and so I wanted to give a space for them to exploit their potential.” said Connie Lam. Among other events, Connie and the Programme team put Indian traditional dances vis-a-vis Brazilian capoeira, inspiring a physical, cross-cultural conversation. The captivating performance also broke the audience’s habit of only attending art events in the evening. The idea behind Open Dance originated from the observation that, over the years, the growth of the dance audience base had been lagging those of the other art forms. The HKAC therefore joined hands with choreographer Daniel Yeung to bring to the audience a great variety of dance forms, including jazz, Latin, hip-hop and so on. These performances took place in public spaces, and the audience were invited to join in. The blurred boundaries between them and the performers re-ignited public interest in dance. The interaction between the dancers and public artworks was in itself an interdisciplinary performance.
Top: 午間藝萃 – 一場華麗的巴西之旅 Art@lunch - A Brazilian Journey Left: 開放舞蹈 Open Dance
專 題 故 事
A Co-production with Brussels on Cross-cultural and Cross-disciplinary Arts Exchange: crossing media and continents
乎以往跨媒介藝術節均受好評，香港藝術中心開展了「藝
F E AT U R E S TO RY
香港 布 ×魯塞爾︰跨文化藝術展演︰跨媒介再跨地域
Arts Xperience: An experiment in breaking boundaries
藝無限︰打破邊界的實驗
觀
10
「香
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港藝術中心一向著重 cross discipline（跨領域）， 但我們還想 cross culture（跨文化）。我們常說『文
化交流』，香港的確有很多海外的藝術家來港演出，但是否僅僅 來演出就足夠，還是也應該有合作？」抱著這意念，香港藝術 中心分別於 2016 及 2017，在布魯塞爾及香港參與舉辦了「A
Taste of Hong Kong」及「Art Actually」兩次跨文化藝術展 演，前者是有十位香港藝術家前往布魯塞爾，後者則有十位布魯 塞爾的藝術家來港；演出主要由兩地藝術家兩人一組，以舞蹈 為展演語言創作出九個舞台作品。這計劃有趣之處在於︰其中 一人需為舞蹈家，另一人需屬於其他藝術範疇，如梅卓燕的拍檔 是紡織藝術家 Elise Péroi，舞者 Nicanor de Elia 即夥拍漫 畫家江記，促成多個跨媒介演出。 在這前提下，非舞蹈範團的藝術家，都需思考如何以自己 的方式參與演出，這過程中卻發現不少驚喜。例如電影導演曾翠 珊就與意大利舞蹈家 Gaïa Saitta 合演，她過去不曾在舞台上 表演，那時卻首次在台上舞動肢體回應對方，是跨越安舒區的嘗 試。 跨文化不只令海外的觀眾有機會認識到香港的藝術，亦能 令本地藝術家接收到其他地方的藝術家對作品的評價，培養出 創作的國際視野。而跨媒介令藝術家不只將眼界放在自己的領 域上，其思考維度會被擴闊，甚至能突破自我的界限。 更始料不及的是，這兩次展演深化了一些不同範疇藝術家 間的關係，如由舞蹈家黃翠絲、毛維與來自法國和比利時的藝 術家共同創作的作品，更於第 29 屆澳門藝術節重新演出。正 如林淑儀所言︰「我們提供了一個平台令事情可作 organic
growth，但參與者彼此間產生的化學作用，並非我們能夠預期 的。」
F E AT U R E S TO RY
“I
nterdisciplinary art has been a core value of the HKAC. However, we wanted to take one step further by crossing cultures as well. We often talk about cultural exchange, and Hong Kong does receive many foreign artists. But are we satisfied with only watching their performances, or should the two sides collaborate?” said Connie. HKAC organised A Taste of Hong Kong and Art Actually, two cross-cultural art exhibitions, in 2016 and 2017 respectively. The former saw ten Hong Kong artists travel to Brussels, and the latter ten artists from Brussels to Hong Kong. Each artist paired up with a counterpart from the other city to create a piece of stage work, with dance as the main medium. The most interesting feature of this project was the pairing of a dancer and an artist from a different art field. For instance, dancer Mui Cheuk Yin’s partner was weaving artist, Elise Péroi; and dancer Nicanor de Elia’s partner was cartoonist, Kong Kee. These combinations sparked many interdisciplinary performances. Under this premise, the non-dance artists had to think extra hard to insert their specialisations into the performances. Nevertheless, that led to many pleasant surprises. For example, film director Jessey Tsang was partnered with Italian dancer, Gaïa Saitta. Tsang had never performed on stage but decided to respond to Saitta on stage through dance. She was not only crossing media and cultures, but also the boundaries of her own comfort zone. In summary, cross-cultural performances are a great way to introduce Hong Kong art to foreign audiences, as well as for Hong Kong artists to receive comments and input on their works from audiences overseas and gain an international outlook. Furthermore, interdisciplinary art forces artists to look beyond their specialty, widen their horizons, and venture into unknown territories. Anecdotally, these two exhibitions deepened the relationships between artists of different fields. The piece created by dancer/choreographer Tracy Wong and Mao Wei and artists from France and Belgium was re-staged at the 29th Macao Arts Festival. As Connie said, “We provided a platform for organic growth. But the chemistry between participants often exceeds our expectations.”
Art Actually 香港 x 布魯塞爾跨文化 藝術展演 HK x Brussels Multi-Arts Encounter
專 題 故 事
Dragonix Multi-Arts Festival: A interdisciplinary art festival that includes public participation
文化按摩師﹁跨界大龍鳳﹂藝術節︰公眾參與的跨界藝術節
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017 年中，藝術中心嘗試將跨媒介引進藝術培育計劃，策 劃長達年半的文化按摩師，以一系列導賞團、工作坊、學徒
計劃等，鼓勵公眾參與多方面藝術活動。文化按摩師於今年夏天 亦開展全新的「跨界大龍鳳」藝術節，是以公眾為主體的跨媒介 藝術節。 藝術節分為「埋嚟睇」、「埋嚟行」、「埋嚟玩」和「埋嚟 傾」四部分，共十二個節目。當中「埋嚟睇」的《漂》由藝術家林 嵐與音樂人黑鬼及形體指導王榮祿合作。「這個演出的起源是 漂白，和洗、家務有關的。今次也會展現和家庭主婦合作的作品， 還會加上一些關於嗅覺的元素。」林嵐道。談到為何在能容納超 過 400 人的壽臣劇院演出，卻每場只限售 60 張門票，那是因
為她是做空間藝術媒介的，空間是十分重要的，所以觀眾人數要 比較少。初次涉獵表演藝術的她今次將會有形體演出，更花了不 止半年時間練習，她的表現實在值得期待。 至於由香港演藝學院戲劇老師潘詩韻、張藝生及邵美君， 率領表演及戲劇系學生呈獻的《Unknown 進行中》，張藝生說 到香港藝術中心看場地時發現有些地方寫著不准進入，好奇裡 面會發生什麼事，所以《Unknown 進行中》就是以五感作為角 度，來回應空間的故事。 「五感對於表演藝術來說是很重要工具， 能產生真實感。」觀眾不單能走過劇場，更有機會經過從未去過 的走道，與各個空間對話。 由 Festival Now 到文化按摩師這廿多年，香港藝術中心 將跨界藝術實踐對象由不同範疇的創作人，延伸至跨地域的藝 術家，甚至擴及普羅大眾，見其邊界得逐漸延展。中心未來如何 進一步作跨界創新仍屬未知數，惟肯定的是，展現的主題必然更 立體，嘗試亦將更大膽，合作的地區將會更多；因為跨界藝術中 能蘊藏的變化，存在著浩瀚如繁星的可能性。
MYOUSIC – Dimitri de Perrot with Julian Sartorius
F E AT U R E S TO RY
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n mid-2017, the HKAC introduced multi-arts into its art incubation programme. Cultural Masseur, which took a year and a half to plan, aimed to encourage public participation in art events through several series of guided tours, workshops, and internships. This summer, Cultural Masseur will launch the Dragonix Multi-Arts Festival, an event that aims to enrich the public’s artistic knowledge and experience.
The 12 activities of Dragonix fall under four main categories, Theatre & Exhibitions, Thematic Walks, Site-Specific Performances, and Chill Chat. PIU3, a Theatre piece, is a collaboration between artist Jaffa Lam, musician Hakgwai, and movement coach Ong Yong Lock. Jaffa explained: “This piece was inspired by housework and the act of washing – bleaching.”. Unconventionally, only 60 tickets will be available for each performance at the Shouson Theatre. With her specialisation in installation art, Jaffa is particularly interested in space and her intent is to carve out a space by reducing the number of participants in each show. This will also be Jaffa’s exciting debut in performing art. Having rehearsed for over half a year, she is ready to showcase her skills in physical theatre as part of the piece. In another theatrical piece, Janice Poon, Alex Cheung and Shaw Mei Kwan, Lecturers at the School of Drama of the Hong Kong Academy of Performing Arts, will lead a group of drama students to present Unknown: living in progress. Cheung observed that signs denoting “No Entry” often paradoxically aroused his curiosity in what was being kept from sight. Unknown: living in progress, which engages all five senses, is his response to these unhidden spaces. “The five senses are an important tool in performing art as they re-create reality for the audience.” The audience will not only have the rare opportunity to set foot on the theatre space itself, but also within the secret passages in the HKAC building. From Festival Now to Cultural Masseur, the HKAC’s promotion of multi-arts has spanned more than 20 years. The projects started with having only local artists of different specialties but gradually expanded to engaging those from outside of Hong Kong’s borders and even members of the public. As the HKAC continues to venture into new frontiers, it looks forward to making new attempts, staging more diverse exhibitions, collaborating with more cities to explore the infinite possibilities and configurations of multi-arts.
動 向
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HAPPENINGS
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KAC Bee 是香港藝術中心的附屬非牟利會員協作組織。 HKAC Bee 不單積極推廣香港藝術中心的活動，還希望
藉此開拓更多活動和資源，擴大中心的觀眾規模和層面，令他們 更樂於欣賞當代藝術。
HKAC Bee 首 次 會 員 活 動 於 2017 年 12 月 舉 辦，舉 行 了「靜聽深度」香港藝術學院 Alumni Network 展覽導賞團， 今年 3 月我們邀請會員參加 ifva 獨立短片及影像媒體節放映、
HKAC x Bonham’s Jewelry 大師班、開放日、藝遊維港導賞 團。5 月初舉辦了 HKAC Bee 南港島藝廊導賞團，亦於 5 月下 旬安排會員參加李綾瑄個展開幕和藝術家講座。
HKAC Bee 將會 9 月份正式成立，敬請密切期待 ! 我們
HKAC Bee had its soft launch in December 2017, coupled with a tour of “Deep Silence” – Hong Kong Art School alumni art exhibition. This year’s March we had ifva festival screenings, a HKAC x Bonham’s Jewelry Master-class, Harbour Arts Sculpture Park tours as well as the HKAC open day. Early in May, we ran a HKAC Bee South Island Art District Gallery tour and later in May we arranged to attend the Jane Lee art exhibition opening and private talk. In September we look forward to the HKAC Bee official launch! Please do keep up with our specially highlighted HKAC events via our newsletters, which you can receive on email.
Harbour Arts Sculpture Park
KAC Bee group is a not-for-profit collaborative subsidiary membership group, nested in the Hong Kong Arts Centre (HKAC). The group not only seeks to support the activities of the HKAC, but to generate activities and funding likely to increase the size and the diversity of its audiences and their enjoyment of contemporary art.
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藝遊維港
HKAC Bee
H
動 向
HAPPENINGS
F
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018 年 2 月 22 日至 4 月 11 日，《藝遊維港》展出了 22 位新晉及知名本地及國際藝術家的 20 件雕塑作品，為本
港帶來首個國際級海濱雕塑藝術盛會。是次免費開放的戶外展
rom 22 February to 11 April 2018, the Harbour Arts Sculpture Park featured 22 sculptures by 20 emerging and renowned local and international contemporary artists together – a first for the artists and the city. The free sculpture park offered a unique opportunity for locals and tourists to experience world-class art set against the backdrop of Hong Kong’s iconic skyline. It was accompanied by the “Harbour Arts Sculpture Park” Jockey Club Arts Education Programme, which was comprised of over 130 diverse outreach and education programmes including reflective workshops, guided tours, a public art symposium, and an artist residency programme. The Programme demonstrated that art is for all ages and interests.
覽為參觀者提供前所未有的機會，在香港極具代表性的天際線 作背景下，欣賞世界級藝術作品。「藝遊維港」賽馬會藝術教育 計劃，更帶來超過 130 場多元廣泛的教育活動，包括工作坊、導 賞團、公共藝術論壇及藝術家駐場計劃，為不同年齡人士提供接 觸藝術的機會。
To sign up please visit http://www.hkac.org.hk/ en/activitygroup.php. We look forward to having you join our 2018 special events! For any comments and questions please email to infobee@hkac.org.hk.
會用電郵傳送會員通訊，發放精選的香港藝術中心活動消息。 如欲成為 HKAC Bee 會員 , 請瀏覽 http://www.hkac.
org.hk/en/activitygroup.php。期待有您參與 2018 年的特 別活動 ! 如有任何查詢，請電郵至 infobee@hkac.org.hk。
文 化 博 物 館 合 作，策 劃《港 式 動 人 動 畫 − 2007 年 至
2017 年 香 港 動 畫 發 展 》 研 究 計 劃，以 口 述 歷 史 的 形 式 梳 理 近十年香港動畫的發展脈絡。早前於香港文化博物館以展覽 及 公 開 放 映 的 形 式 與 公 眾 分 享 研 究 的 內 容，展 示 了 十 多 個 活躍於近十年的香港動畫公司、工作室和創作人的錄像訪問 及 動 畫 作 品，包 括 C-major Studio、峯 制 作、ManyMany
Creations、影陶士媒體創作有限公司、奇理夫創作、九猴工作 室、Paperbox Creations、企鵝實驗室、貓室、深圳市方塊動 漫畫文化發展有限公司、線美動畫媒體有限公司、黃炳動畫廊及
Zcratch。展 期 由 2017 年 11 月 18 日 至 2018 年 4 月 2 日， 錄得逾 190,000 的參觀人次。 香港動畫創作水準甚高，題材及風格多元化，近年更在 多個國際比賽屢獲殊榮。藝術中心希望透過今次的研究計劃， 記錄香港動畫的特色，讓本地及海外的觀眾認識「港式動人動 畫」。
In recent years, Hong Kong animation films have won international accolades for the diverse topics and styles and excellent production quality. The research showcases the creative ideas imbued in Hong Kong animation. With the research, the Hong Kong Arts Centre hopes to promote Hong Kong animations both locally and abroad.
The 23rd ifva Festival
港藝術中心、康樂及文化事務署，聯同動漫基地、香港
獨立短片及影像媒體節 ifva
年香港動畫發展 2017
香
he Hong Kong Arts Centre and the Leisure and Cultural Services Department, along with Comix Home Base and the Hong Kong Heritage Museum, presented the Moving Tales of Hong Kong Animation – Hong Kong Animation Development from 2007 to 2017 research project. The research interviewed and charted the development of the animation industry in Hong Kong. The findings were publicly showcased in an exhibition and in screenings at the Hong Kong Heritage Museum, presenting interviews that concern the development of Hong Kong’s animation industry. The interviews were conducted with animation companies, workshops, and animators who were active during the past decade, including C-major Studio, FUNG’S Production House, ManyMany Creations Limited, Intoxic Studio Limited, Mad Keith Workbench, Nine Monkeys Workshop, Paperbox Creations, Penguin Lab Limited, Postgal Workshop, Puzzle Animation Studio Limited, Simage Animation and Media Limited, Wong Ping Animation Laboratory, and Zcratch. The exhibition was held from 18 November 2017 to 2 April 2018 and welcomed more than 190,000 visitors.
第二十三屆
年至 ̶ 2007
Moving Tales of Hong Kong Animation – Hong Kong Animation Development from 2007 to 2017
港式動人動畫
T
O
由
香港藝術中心主辦、康樂及文化事務署贊助的第二十三 屆 ifva 獨立短片及影像媒體節已於 2018 年 3 月 6 日
至 20 日圓滿舉行。3 月 17 日晚的比賽頒獎典禮頒發了公開組、 青少年組、動畫組及亞洲新力量組獎項，加上 3 月 6 日晚 ifva 節開幕禮頒發的媒體藝術組獎項，今屆比賽共頒出 21 個獎項， 以表彰獨立媒體影像創作人！節期還舉辦了一系列精彩活動， 包括各組入圍短片放映會、媒體藝術展、人民影院戶外放映、導 演講座及分享會，繼續推動各種影像的文化及探索創意媒體的 無限可能！ 第 二 十 四 屆 ifva 比 賽 將 於 7 月 開 始 接 受 報 名， 敬請留意 ifva 網頁及 Facebook 專頁最新消息！
rganised by Hong Kong Arts Centre and sponsored by Leisure and Cultural Services Department, the 23rd ifva Festival was successfully held during 6 – 20 March 2018. A total of 21 awards were presented during the festival, including 17 awards for Open, Youth, Animation, and Asian New Force categories at the 23rd ifva Awards Presentation Ceremony on 17 March, as well as four awards for the Media Art category at the festival opening on 6 March. The festival has been organising a host of programmes, including a series of finalist short film screenings, media arts exhibition, outdoor screening, talks, and sharing sessions. As always, ifva is dedicated to promoting different visual cultures while exploring the boundless potential of creative media. The 24th ifva Awards will call for entries from July. Stay tuned to the ifva website and Facebook fan page!
動 向
16
HAPPENINGS
過 去 的 復 活 節 假 期 首 天，香 港 藝 術 中 心 舉 辦 了 翻 新 後 的首個開放日。開放日以 Taste Art 為主題 ，旨在帶領
觀眾遊走於藝術、生活和美食之間。當日，藝術中心於 12 小 時內馬不停蹄為觀眾提供多元豐富節目，包括展覽、工作坊、 講座、導賞團及放映會等等。今年，中心更破天荒舉辦深宵節目 ̶ Just Moment Salon 及電影放題夜，觀眾除可欣賞兩齣
Sound Forms: A Festival of multichannel sound
在
n the first day of the Easter Holiday, the Hong Kong Arts Centre organised its first open day after its renovation and facilities upgrade project. Based on the theme of “Taste Art”, the 12-hour event provided a new and fruitful experience to our visitors, where art, food, and life intersected at the nexus of our being. Not only a wide range of activities, including exhibitions, workshops, talks, guided tours, and screenings were organised, the HKAC also presented an unprecedented Late Night Programme, which allowed audiences to enjoy this contemporary art-base till midnight. The Late Night Programmes included a Movie Night and a Just Moment Salon, where audiences could delight in watching two foodrelated movies (Kamome Diner and Tampopo), and where they could have a taste of life through different soundscape, stories, and music performances in the Salon.
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︽聲形︾多聲道聲音藝術節
2018 ̶ Taste Art
Hong Kong Arts Centre Open House 2018 ̶ Taste Art
香港藝術中心開放日
O
動 向
以食為主題的電影 (《海鷗食堂》及《蒲公英》) 外 , 更可透過
I
n this Spring of 2018, Hong Kong Arts Centre and Contemporary Musiking Hong Kong have copresented the first multi-channels sound festival in Hong Kong. The Sound Forms festival featured 5 new commissions by emerging local composers and artists, 21 international artists, 21 Hong Kong premieres and 2 world premieres in 7 Sound Form Live concerts and 6 Sound Form Lounge exhibitions in a week from 6 – 12 April.
在
2018 的這個春天，香港藝術中心及現在音樂合辦了香港 首個多聲道聲音藝術節。
《聲形》聲音藝術節於 4 月 6 – 12 日期間順利舉行，在七 場音樂會及六場展覽中，一共呈獻了五位本地新晉作曲家及藝 術家的委約作品和 21 位海外藝術家的作品，當中包括 21 個香 港首演及兩個世界首演作品。 在舒適的香港藝術中心麥高利小劇場中，從八方而來的聲 音引領觀眾走了一趟跨越時間與空間、現實與幻想的旅程﹕由
聲音 、故事與音樂於 Just Moment Salon 內品嚐每個生命
幻想中百年以前的造船廠到最新發現的系外行星克卜勒 62e；
中最獨特的時刻。
由印度的迷失國度到新澤西州普林斯頓的四線高速公路；由五 個歐洲城市發生離異的破碎故事到金庸小說中的武俠世界；這 些體驗震撼了觀眾的空間感。 漆黑的燈光設計奪走了觀眾以雙眼認知及探索空門的能 力，使他們集中於聽覺。實質的空間開始變得不安定，周遭的空 間被重構成聽覺經驗所建築成的環境。 《聲形》將會在 2019 再次帶領觀眾出發。密切留意，萬勿
造城市．藝行實現社」是一系列推廣創意生活的藝文 外展教育計劃。活動分為四大階段：第一階段「藝術聯
繫」，讓同學們參考藝術家們創意生活例子；第二階段「藝術製 提高同學們對社區的連繫，計劃將在第三階段「藝行實現」將創 意點子於社區展示。最後第四階段「藝行分享」舉辦的成果分享 會及紀綠片巡迴放映會，希望傳承創意生活實踐精神，互相學 習。活動的第一階段「藝術聯繫」已於 3 月份順利進行，三位藝 術家包括音樂人黑鬼、自由身舞者曹德寶及環保建築師葉頌文
̶
作」跟隨藝術家一同製作卡車，學習創意生活的實踐方法。為了
The First Solo exhibition of acclaimed Singaporean artist in Hong Kong ̶ Jane Lee: Red States
City Art Lab
「手
ity Art Lab is an education outreach project that promotes creativity in everyday life. The project is divided into four phases. The first phase, “Art in Connection”, aims to connect students with artists to share their experiences in art. The second phase, “Art in Production”, helps students to realise their creativity. The third phase, “Art in Communities”, enables students to showcase their creativity in different communities. And the last phase, “Art in Contribution”, encourages students to pass on their knowledge and inspirations in art to others through a series of talks, sharing sessions, and documentary film screenings. The first phase of the project was completed in March. Three artists, including musician Hakgwai, choreographer and dancer Hugh Cho, and green architect Tony Yip shared their art experiences with the students in Wong Tai Sin and Yuen Long district. A series of yoga and mindfulness workshops were also organised to stimulate the students’ five senses and encourage them to respond to daily life with arts.
著名新加坡藝術家首個香港個展 李綾瑄 (Jane Lee): 絳紅狀態
手造城市．藝行實現社
C
HAPPENINGS
錯過 !
由
In the cozy space of McAulay Studio in the Hong Kong Arts Centre, the 8-channel sounds brought the audiences to journeys across time and space as well as reality and imagination. From the imagined shipyards back in a century ago to the newly discovered exoplanet Kepler 62e; from the labyrinth in India to a 4-lane highway in Princeton Junction of New Jersey; from fragmented stories of dislocation from 5 European cities to fictional world of Jin Yong’s martial arts novels; these experiences challenge our sense of space. The dark lighting that takes away audience’s abilities to sense the surroundings with eyes forces them to focus on listening. The sense of a solid space dissolves and the space is re-structured into whatever the auditory sense leads to. Sound Forms festival will take audiences to another journey in 2019. Stay tuned and do not miss this!
T
泰戈爾國際基金會和香港藝術中心合辦，聯合呈獻著名 新加坡藝術家《李綾瑄全新個展 : 絳紅狀態》，展覽獲新
加坡國家藝術理事會慷慨支持。是次展覽於 2018 年 5 月 11 日 至 6 月 10 日在包氏畫廊展出，為藝術家首個香港個展，展出作 品包括回顧李氏不同時期的藝術作品研究和模型等。 李氏特別為是次展覽製作全新雕塑作品和定點裝置，作品 類別包括繪畫、雕塑，和懸掛頂層天花板的大型裝置，並附設研 究及參考資料，闡述李氏藝術實踐的演變。展覽的回顧部分由新 加坡南洋理工大學藝術設計與媒體學院 ADM 畫廊副總監，前
分別到黃大仙及元朗區的中學分享他們的藝術生活。同學亦透
新加坡藝術博物館策展人何子淩策劃。展覽同時展出藝術家早
過多場正念瑜伽工作坊，打通身體五感，學習以藝術回應生活。
期系列作品，包括李氏最著名的繪畫系列之一 Fetish。
agore Foundation International, in partnership with the Hong Kong Arts Centre, and with generous support from the National Arts Council of Singapore, presents Jane Lee: Red States, an exhibition by acclaimed Singaporean artist Jane Lee, on 11 May – 10 June 2018 at the Pao Galleries. This defining, mid-career presentation, which includes a retrospective selection of studies and maquettes that trace the chronology of Lee's practice, is the artist’s first solo show in Hong Kong. Red States comprises a diverse yet cohesive mix of new sculptural paintings and site-specific installations produced for this presentation. The exhibition spans the Galleries with paintings, sculptures and a large-scale installation suspended from the ceiling on the top floor, accompanied by studies and reference materials tracing the evolution of Lee’s practice on the lower level. The retrospective portion of the exhibition is curated by Michelle Ho, assistant director of Singapore’s ADM Gallery at the School of Art, Design and Media, Nanyang Technological University, and former curator at the Singapore Art Museum. Included in the show are works that expand on earlier series including Fetish, one of Lee’s most celebrated group of paintings.
20
幕 後 人 語
N ̶因為時任中心主席包陪麗女士的邀請，我在 2009 年 7 月成 為建築物委員會主席， 不久我便了解到中心對香港藝術生態是十 分重要， 而且它的運作模式是有著跨領域的特質。
A ̶ 中心有什麼進展是你一直希望見到而最後實現了的 ?
展， 甚至超越香港的界限。透過與其他機構合作舉辦節目和活動， 把香港藝術家介紹給本港其他地區和世界各地， 是我非常樂見的 其中一項發展。另外， 善用灣仔大樓也有助觀眾拓展方面的工作。 我們能擁有自己的設施是很難得的， 應該好好地運用， 如舉辦一些 深夜節目。今年 3 月 30 日舉行了中心的首個深夜放映，作為年 度開放日的其中一個節目， 反應很好。
A ̶ 中心有什麼節目或成就令你最難忘 ?
N ̶ 電 影 院 裝 修 會 是 其 中 一 項，我 覺 得 它 是 香 港 其 中 一 間 最 舒適、高水平和美觀的電影院。茂蘿街舊綠屋的 「動漫基地」 開幕也是值得記念的。最感動的是大樓地下大堂的時光藝廊開幕， 何弢先生和他的家人都出席了。最後是中心四十周年的一連串 慶祝活動，包括藝遊維港、肖恩 · 斯庫利展覽和在禮賓府舉行的
40 週年籌款晚宴， 是我們第一次在這座歷史建築物舉行活動。 A ̶ 有想對我們說的話嗎？
N ̶ 香港藝術中心和香港藝術學院依舊作為香港人服務的藝術 機構，繼續保持出色。這是一所由一班有心人營運的機構，能和 他們共事，實在感到非常驕傲和幸運。我希望我的工作有助中心 繼往開來。
梁國輝 ̶̶
N ̶ 我一直相信中心是不止是一座大樓，而是可以由灣仔一直延
A ̶ Artslink
N ̶ Nelson Leong A ̶ How did you get involved with the HKAC? N ̶I was invited on to the Board in July 2009 by then
Chairperson, Mrs Cissy Pao-Watari, to chair HKAC’s Building Committee. I quickly learnt the importance of the HKAC in the art ecosystem of Hong Kong and the multi-disciplinary nature of the HKAC’s operations. A ̶What developments have you longed for and finally made happen?
N ̶I have always believed that the HKAC is not just a physical building – it is an organisation that can extend its reach beyond the building in Wan Chai and beyond the borders of Hong Kong. Therefore establishing relationships with other institutions have allowed us to stage programmes and events that showcase Hong Kong’s talent throughout Hong Kong and overseas is one area that I am very happy see continuing to expand. Another area is audience building through better utilisation of our building in Wan Chai. We are blessed with our own premises, and we should make fuller use of it by offering late night events or programmes. On 30 March 2018, HKAC organised very successfully its first late night screening as part of our annual Open House event. A ̶ During your time at HKAC, what were your most memorable events or achievements of HKAC?
N ̶The renovations of our cinema would be one – I think it remains one of the most comfortable, state of the art and good-looking cinemas in Hong Kong. The opening of Comix Home Base in the old Green House on Mallory Street would be another. The most touching event would be the opening of the Time Gallery on the G/F of our building and having Tao Ho and his family attend. And the last would be the events surrounding our 40th Year Anniversary, including the Harbour Arts Sculpture Park, the Sean Scully exhibition, and our 40th Anniversary Gala Fundraising Dinner at Government House, the first time the HKAC has held an event at this historic building. A ̶Do you have any messages for us? N ̶ Keep making HKAC and our school, the Hong
Kong Arts School (HKAS) great by remaining the arts institution for the people of Hong Kong. It is a fantastic organisation run by a dedicated and passionate group of people and I feel very proud and lucky to have worked together with them. I hope I have helped pave the way for HKAC to grow from strength to strength.
期的「幕後人語」也請來 HKAC 的支持者馬凱晴跟大家
今
分享一下她對藝術的想法。
A ̶ Artslink C ̶ 馬凱晴 A ̶ 可以介紹一下自己嗎？
C̶我是社會科學家，在英國、葡萄牙 ( 我的出生地 ) 以及南美教 授過比較公共政策的議題，亦就此作過不少研究及撰寫文章。我 曾於葡萄牙、英國及美國生活及從事培訓工作。
A ̶ 什麼時候第一次踏足香港藝術中心 ?
C ̶ 2010 年我來到香港，參觀的第一所藝術文化機構就是香港 藝術中心。最近參觀了大堂的時光藝廊，對這座大廈的起源和 建築師加深了認識。我認為這是香港建築史上一個卓越而重要的 地方。
A ̶ 藝術對你而言是什麼？
C ̶ 我欣賞藝術已有很多年了。藝術是一種能夠令人明白世界、
馬凱晴 ̶̶
A ̶ 你是怎樣開始參與香港藝術中心的工作的 ?
n this edition of Backstage, Mr Nelson Leong, whose second and final term as Chairperson of the Board of Governors of the Hong Kong Arts Centre (HKAC) ended as at 31 March 2018, sat down and shared his experience with HKAC.
Clementina Cardoso: Art is a Language
N ̶ 梁國輝
I
21
幕 後 人 語
藝術是一種語言
A ̶ Artslink
Nelson Leong: Looking back on the days with HKAC
藝 術中心監督團主席的第二和最後一屆任期的梁國輝
先生，與我們分享他在中心的經歷。
回首在香港藝術中心的日子
期「幕 後 人 語」邀 得 剛 於 2018 年 3 月 31 日完 成 香 港
今
B A C K S TA G E
B A C K S TA G E
F
or this issue of Backstage, we invited Clementina Cardoso, supporter of the HKAC, to share with us her thoughts on art.
A ̶ Artslink
C ̶ Clementina Cardoso A ̶ Could you introduce yourself?
C ̶I am a social scientist. I have conducted research, written, and taught on comparative public policies in the UK, Portugal (where I was born), and in South America, and I lived and trained in Portugal, the UK, and the US. A ̶When was the first time you set foot in the HKAC?
C ̶The HKAC was the first cultural institution I came to when I arrived in Hong Kong in 2010. I also learnt recently about the origin and the architect of this building through the Time Gallery in the lobby and I think it is really a great and important place in the history of Hong Kong architecture. A ̶ What is art to you?
攝影。
C ̶I have been involved in arts appreciation for many years. Art is a language that allows for understanding the world, human experience, and emotions. It is a highly sophisticated form of intellectual and experiential human achievement. Art is an important part of community development and collective and personal enjoyment of life. Because art is of such significance and is, together with health and education, an essential pillar in the development of communities, its place in public budgeting and funding must reflect such significance.
A ̶ 作為香港藝術中心的支持者，有想對我們說的話嗎？
A ̶I heard that you are fond of movies. C ̶ Film has a unique capacity to create fiction that
明白人類經驗及情感的語言。它是一種人類智慧與經驗成就最 成熟、精煉的展現。藝術是社區發展、集體和個人享受生活的 重要一環。我認為藝術是十分重要的， 就和醫療和教育一樣， 是社 區發展的支柱， 因此它的重要性應該從政府的撥款和資助方面反 映出來。
A ̶ 聽說你很喜歡電影。
C ̶ 我熱愛獨立電影、香港及亞洲製作的電影。香港藝術中心 電影院是一個很獨特的一流場地。我也喜歡表演藝術、畫作和
C ̶ 請把優秀的工作延續下去。香港藝術中心是獨特的，包氏畫 廊與中心內其他場地， 以至各種與藝術相關的教育活動都擁有無 比潛能， 足比天高。
helps you understand emotions and the world. I love independent films, made-in-Hong Kong and madein-Asia films, and the HKAC Cinema is a very special and great venue. I like performing arts, painting, and photography too. A ̶As one of the supporters of the HKAC, do you have any messages for us? C ̶ Carry on with the good work. The HKAC is unique
and only the sky is the limit for the great, continued potential of the Pao Galleries, of all the other HKAC venues, and of the associated art and art education activities.
重 點 節目
粵語演出 In Cantonese | www.projectroundabout.com
PROJECT ROUNDABOUT 製作，香港藝術中心合辦 去年首演 25 場 一票難求，今年 6 月 7 - 24 日載譽重演
JUNE
LA VÉRITÉ 劇作 FLORIAN ZELLER 翻譯：李迎 粵語改編：潘惠森 導演：李鎮洲
演員：潘燦良 / 蘇玉華 / 陳永泉 / 黃哲希
監製：張志偉
首演榮獲本年度香港舞台劇獎六項提名 寧願撒美麗的謊 還是闖坦白的禍
節目表
Event Calendar
THE TRUTH》Rerun
M O N T H LY H I G H L I G H T
�目�
六月
Monthly Highlight
重點節目
《謊言
22
A PROJECT ROUNDABOUT production co-presented by Hong Kong Arts Centre
The Hong Kong Arts Centre’s annual moving image programme Art of Commercials showcases major award nominated and winning commercials from Hong Kong and beyond, demonstrating the best concepts and crafts of promotional communications. This year, most works come from Japan, Korea, US and South America. At the seminar titled Why Are Ideas Banned?, Stephen Chung (experienced ad man, Secret Tour Hong Kong Co-Founder/Director) tells stories of banned ideas, and how their uselessness are also useful. The seminar is conducted in Cantonese.
文化按摩師「跨界大龍鳳」藝術節
Cultural Masseur: Dragonix Multi-Arts Festival
七月
www.culturalmasseur.hk 「跨界大龍鳳」藝術節分為 【埋嚟睇】、 【埋嚟玩】、 【埋嚟行】及【埋嚟傾】 四個系列，共十二個節目。與本地、亞洲及歐洲多位 跨界別藝術家攜手，為
JULY
學習
Performance
Screening 放映
Exhibition 展覽
The Dragonix Multi-Arts Festival consists of 12 programmes in 4 series – Theatre, Site-specific Performances, Thematic Walks and Chill Chat, featuring cross-disciplinary programmes that connect the dots in the arts ecology. Co-curated by artists from Hong Kong, Asia and Europe, the events span across theatrical pieces, site-specific performances, installations, intimate encounters, thematic walks, urban exploration and roundtable discussion.
www.hkrep.com
晚清時期，胡雪巖以其善造時勢、知人善任的能力，從潦倒的小子搖身一變 成為富可敵國的紅頂商人。他遊刃於政商兩界，試圖以一己之力挽救晚清的 衰落。 《親愛的，胡雪巖》榮奪多個香港舞台劇獎獎項，是次演出定必再次席
AUGUST
表演
觀眾遊走城中不同角落，以不同形式欣賞當代藝術。
《親愛的，胡雪巖》Hu Xueyan, my Dear
八月
Learning
公眾帶來一系列藝術表演、裝置展覽、城市探索旅程、藝術創作研討會，帶領
捲華語劇壇。
The time is late Qing dynasty. Hu Xueyan transformed himself from a penniless lad to the nation’s top merchant powerful enough to rival the court. Hu Xueyan, my Dear is a winner of numerous awards at the Hong Kong Drama Awards. For this revival, a revised script, a new cast with new design will surely wow the Hong Kong audience and Chinese-language theatre anew.
焦點影人 : 若松孝二與足立正生 Indie Focus: Koji Wakamatsu & Masao Adachi
4 - 7 Jun 香港藝術中心電影院 HKAC Cinema
Thematic Book Display: Lots of Laughs and Joy – Seunggun Siu-keung and Sau Sing Zai 1 Jun - 1 Jul 動漫基地二樓動漫沙龍
Comix Salon, 2/F, Comix Home Base
乒乓城（西營盤第二街 129 號南昌樓） Ping Pong 129 Gintonería (Nam Cheong Lau, 129 Second Street, Sai Ying Pun)
MYOUSIC
香港藝術中心電影院 HKAC Cinema
19 - 21 Jul
藝術文學士畢業展 2018 – 非決定性相關的事
Bachelor of Arts (Fine Art) Graduation Exhibition 2018 – Sometimes Irrelevant
7 - 22 Jul
22 - 26 Jun
包氏畫廊
壽臣劇院 Shouson Theatre
主題書目展示： 笑聲滿載 – 上官小強與壽星仔
15 Jul
5, 19 Jul
Dad’s Lunch Box, The Last Recipe, Sakura Guardian in The North, Based on a True Story
7 - 24 Jun
六月 June
高先精選 Golden Scene Selection
Panel Roundtable
壽臣劇院 Shouson Theatre
《謊言 THE TRUTH》Rerun
圍或贏得重要獎項之廣告，展現精彩的宣傳創意和技巧。是屆作品多來自日
賽馬會 ifva Everywhere – 48 小時短片製作挑戰賽 Jockey Club ifva Everywhere – 48 Hour Film Challenge 截止日期 Deadline 6 Jul
香港藝術中心電影院 HKAC Cinema
「極品廣告片」為香港藝術中心年度流動影像節目，放映本地及世界各地入
創辦人鍾振傑主持「點解被釘橋」研討會，介紹「釘橋」的「無用之用」 。
麥高利小劇場 McAulay Studio
Golden Scene Selection –
of Commercials 2018
本、韓國、美國及南美洲等，更邀得資深廣告人、Hong Kong Secret Tour
1-3, 5-10, 12-17 Jun
高先精選 –《爸爸的便當》、 《最後的食譜》、 《北之櫻守》、 《狂迷驚魂》
La Vérité (The Truth by Florian Zeller) revolves around two married couples. Michael, married to Lauren, is having an affair with Alice, wife of his best friend Paul. It seems that Lauren and Paul both suspect their partners have been unfaithful, but when Alice guiltily threatens to confess all, Michael is thrown into a panic. The truth, though, proves to be far from straightforward as we cannot be sure who is deceiving whom.
極品廣告片 Art
The Faust Festival 2018
EVENT CALENDAR
23
Pao Galleries
漂
PIU3
11 - 24 Jun
香港藝術中心電影院 HKAC Cinema
壽臣劇院
江湖
Gone Wood
��大� – 石��的工��物畫
中環碼頭海濱長廊
16 - 24 Jun
明日之前・沉淪都市
實驗畫廊 Experimental Gallery
香港藝術學院包黃秀英校舍
( 筲箕灣譚公廟道 8 號 ) Hong Kong Art School Pao Huang Sue Ing Campus (8 Tam Kung Temple Road, Shau Kei Wan)
好旅程
Bon Voyage
26, 29 Jul
6, 13 Jul
Architecture Costume – Gongbi Figure Painting by Wilson Shieh
19 - 29 Jul
6, 7, 13, 14 Jul Shouson Theatre
極品廣告片 Art of Commercials 2018
藝術高級文憑課程畢業創作展 2018 – 見 Higher Diploma in Fine Art Graduation Showcase 2018 – Vision
Central Pier Waterfront
香港藝術中心 HKAC
彩虹の冒險之書
ENGEKI QUEST – The Rainbow Masseur
28, 29 Jul
Before Tomorrow・Fallen City
彩虹村 Choi Hung Estate
7, 8, 14, 15 Jul
HKAC Arty Privy
Hostile Witness by Jack Roffey
持續進行 ongoing
20, 22 - 24 Jun
香港藝術中心 LB,UB, 2 至 5 樓 洗手間 Toilets on LB, UB, 2 – 5/F of HKAC
麥高利小劇場 McAulay Studio
時光藝廊 HKAC Time Gallery
西環 Sai Wan
Love & Diversity 9 - 10 Jul
凌志瑩女士紀念畫展 Rita Ling Chi
Ying Memorial Painting Exhibition
Kafun ( 紅磡灣紅鸞道 38 號二樓 2/F, 38 Hung Luen Road, Hung Hom)
持續進行 ongoing
22 - 24 Jun
香港藝術中心地下 G/F, HKAC
包氏畫廊四樓 4/F Pao Galleries
漫遊機場
移動漫畫：漫畫漂流記
自主�� –《甘浩��禮�年》
9 Jul – Nov
至 Until 18 Jul
Franco Mella
Hong Kong International Airport
MOVIN' COMIX: Comix Drift 動漫基地 Comix Home Base
Independently Yours –
漫遊城市 – 灣仔
Comixtream in the City – Wan Chai
Unknown 進行中 Unknown : living in progress
至 Until 31 Jul
29 Jun - 1 Jul
香港藝術中心外牆，稅務大樓東入口， 修頓遊樂場和動漫基地
麥高利小劇場 McAulay Studio
HKAC, Revenue Tower, Southorn Playgound & Comix Home Base
手造城市・藝行實現社
City Art Lab 至 Until Dec
各區中學 Secondary Schools in HK
– 功夫三部曲 Comixtream @ Airport – Kung Fu Trilogy
香港國際機場
28 Jun 香港藝術中心電影院 HKAC Cinema
八月 August 香港話劇團 –《親愛的，胡雪巖》 (2018 新版 ) Hong Kong Repertory Theatre "Hu Xueyan, my Dear"
4-5, 7-12, 14-19 Aug 壽臣劇院 Shouson Theatre
高先精選
Golden Scene Selection
16, 23 Aug
UNLESS
香港藝術中心電影院 HKAC Cinema
13 - 24 Jul 希慎廣場一樓中庭
1/F Atrium, Hysan Place
Biospheres, In Earth as in Heaven 29 Aug - 1 Sep 包氏畫廊 Pao Galleries
Space in Hong Kong 13 - 24 Jul
七月 July 第二十四屆 ifva 比賽接受報名
The 24th ifva Awards – Call For Entry
香港城市大學邵逸夫創意媒體 中心 多媒體劇場 ( 九龍塘達康路 18 號 )
Multimedia Theatre, Run Run Shaw Creative Media Centre, City University of Hong Kong (18 Tat Hong Avenue, Kowloon Tong)
節目詳情請瀏覽
For more details of the programmes, please refer to www.hkac.org.hk
24
概 覽
Introduction of Hong Kong Arts Centre
香港藝術中心簡介
彰顯多元藝術 、薈萃創意靈感
香港藝術中心是一所多元藝術創意中心，多年來積極將創新前
HKAC is a multi-arts centre that fosters artistic ex-
觀眾。
changes locally and internationally, bringing the most
中心更是本地唯一獨立自主的非牟利多元藝術機構，一直 致力鼓勵、推廣創意 , 竭力促進本地與國際的藝術交流；透過 舉辦不同形式的藝術活動及跨界合作，把香港和世界聯繫起來。 歡迎來到香港藝術中心，透過體驗藝術豐富生活，藉著欣
grown talents abroad. HKAC stimulates innovation and promotes creativity. Being Hong Kong’s only independent non-profscreenings and performances, connecting the arts of Hong Kong to the rest of the world through programmes and collaborations. Come to HKAC to experience, appreciate, learn and be inspired by arts.
Locations & Opening Hours
地址及開放時間
香港藝術中心 Hong
Kong Arts Centre
Kong Art School
灣仔港灣道二號香港藝術中心十樓
2 Harbour Road, Wan Chai
10/F, Hong Kong Arts Centre, 2 Harbour Road, Wan Chai
電話 Tel: 2582 0200 網頁 Website: www.hkac.org.hk
Facebook: Hong Kong Arts Centre 星期一至日 Mon – Sun: 8am – 11pm 農曆年初一至三休息 Closed on the first three days of the Lunar New Year
動漫基地 Comix Home
香港藝術學院 Hong 本部 Main Campu
灣仔港灣道二號
Base
灣仔茂蘿街七號
7 Mallory Street, Wan Chai 電話 Tel: 2824 5303
10am – 8pm（如有活動，開放時間或延至 10pm May extend to 10pm for any special activities)
動漫沙龍 Comix Salon
12nn – 8pm ( 逢星期一休息 Closed on Mondays)
Closed when or a Typhoon Signal No. 8 or higher is hoisted.
forward creations to Hong Kong and showcasing home-
it multi-arts institution, HKAC offers exhibitions,
賞藝術啟發創意。
地下大堂至四樓 G/F Lobby to 4/F
暫停開放
The relevant destination for arts and creative inspirations in Hong Kong
瞻的當代藝術引進香港，同時亦努力將本土藝術家介紹給海外
網頁 Website: www.comixhomebase.com.hk
當八號或更高烈風訊號生效時將
OVERVIEW
公眾休憩空間 Public Open Space
8am – 10pm
農曆年初一至三休息 The first three days of the Lunar New Year
包黃秀英校舍 Pao Haung Sue Ing Campus 筲箕灣譚公廟道八號
8 Tam Kung Temple Road, Shau Kei Wan 柴灣校舍 （學院註冊處）
Chai Wan Campus (School Enrolment Office) 柴灣柴灣道 238 號青年廣場八樓 819 室
Rm 819, 8/F, 238 Chai Wan Road, Chai Wan
電話 Tel: 2922 2822 網頁 Website: www.hkas.edu.hk
Facebook: Hong Kong Art School 星期一至五 Mon – Fri: 10am – 7pm 星期六 Sat: 10am – 6pm 星期日及公眾假期休息 Closed on Sun & Public Holidays
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