藝 術 家 的 話
葉旭耀
媒體藝術家、藝術教育工作者 和獨立策展人 「實驗電影／電影實驗」 《藝訊》2012 年 11 月
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QUOTE FROM ARTIST
任何一種具生命力和社會性 的文化形式（無論是音樂、 繪畫或文學）都應該擁有 一股內在的顛覆力量， 並能通過這種力量作 自我更新和發展。而實驗 正正是推動這股帶顛覆性的 生命力的作業。 At the core of any vibrant and socially relevant art form, be it music, paintings or literature, is an intrinsic force for subversion – subversion that causes the art form to regenerate and develop. This experiment precisely showcases this kind of subversive vitality.
Ip Yuk-Yiu Media Artist, Art Educator and Independent Curator Experimental Films/ Filmic Experimentations Artslink Nov 2012
FOREWORD
Contents
Foreword
目錄
總幹事的話
我們悉心籌劃每一個項目，務求會帶來影響力，並圓滿完成。
專題故事 Feature Story
我們經過兩年時間預備的最新旗艦展覽−《灣仔文法：過去、 現在、未來式》將會是 40 周年慶祝活動的總結。展覽特別獻給 所有珍視香港為家，並樂於高舉其獨特多元文化發展的大眾。
香港藝術中心年度旗艦展覽 ― 呈現和分享亞洲策展視角與實踐 The annual flagship exhibition – to understand, present, and share the curatorial perspective and practice in Asia
香港藝術中心當然也絕不會固步自封，只推廣本地的藝術文化。 我們在今個秋天將會進行多個文化交流節目，跨越漫畫、時裝和 媒體藝術的範疇。《阿推的漫畫─捉迷藏》將於中心的實驗畫廊 舉 行；《Chic of Hybrid: A Collection of Contemporary
動向 Happenings
Cheongsam》會在日本東京舉行；在香港則會舉辦《和風藝 傳−日本特色和服文化在香港》；而媒體裝置藝術展《To See
a World in the Grain of Sand》將會現身於比利時列日。這 些文化交流節目將繼續促進本地藝術界瞬息萬變的發展，吸引 更多外國觀眾留意香港的藝術文化。 文化按摩師「跨界大龍鳳」藝術節 Cultural Masseur: Dragonix Multi-Arts Festival 幕後人語 Backstage
林淑儀
香港藝術中心總幹事
Every project is planned with the good intention to bring impacts and to finish well. After two years of preparation, HKAC presents its latest edition of Flagship Exhibition, Wanchai Grammatical, Past,
陶瓷讓我找尋我的人生哲學̶張煒詩 Rachel Cheung: Philosophy of life in ceramics
Present and Future Tense as the closing remark of its 40th anniversary celebration. This exhibition is specially dedicated to those who treasure Hong Kong as home and celebrate the development of this city's unique hybrid cultures. HKAC's mission is indeed not confined to promote local arts and culture. This fall we will have a number of cultural exchange programmes stretching across genres from comics, fashion culture to media arts.
節目表 Event Calendar
The Quest Game: Solo Exhibition of Push Comic will take place at our Experimental Gallery; Chic of Hybrid:
設計 Art Direction
Edited.hk
編輯・出版・發行
Editorial・Publishing・Distribution 香港藝術中心 Hong Kong Arts Centre 香港灣仔港灣道二號八樓
8/F, 2 Harbour Road, Wan Chai, Hong Kong 電話 Tel: 2582 0200 傳真 Fax: 2802 0798 網頁 Website: www.hkac.org.hk Facebook: Hong Kong Arts Centre
香港藝術中心
Hong Kong Arts Centre 名譽贊助人 Honorary Patron
中華人民共和國香港特別行政區行政長官 林鄭月娥女士，大紫荊勳賢，GBS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM, GBS The Chief Executive Hong Kong Special Administrative Region People’s Republic of China 名譽主席 Honorary President 包陪麗女士 BBS
Ms. Cissy Pao Pui-lai, BBS 監督團主席 Chairman, Board of Governors 楊余夏卿女士
Mrs. Dominica Yang 總幹事 Executive Director 林淑儀女士
Ms. Connie Lam
A Collection of Contemporary Cheongsam in Tokyo; Fabulous Kimono Workshop in Hong Kong; and the media art installation, To See a World in the Grain of Sand in Liege. These cultural exchange programmes will continue to contribute to the development of local variant art scene as well as to build international audience for Hong Kong arts and culture. Connie Lam Executive Director, Hong Kong Arts Centre
專 題 故 事
Department, Hong Kong Arts Centre）
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專 題 故 事
T
he 2009 flagship exhibition positioned itself at the crossroads of sculptures and daily objects. The 18 artists who participated reinterpreted and recreated the functional objects of our everyday life – clothing, furniture, household objects – with wit, playfulness, and poetry.
何兆基《居心所》
A Place for the Mind by Ho Siu Kee
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009 年度旗艦展覽側重於探索雕塑與日常物件之間的交
Hong Kong artist Ho Siu Kee’s commissioned work A Place for the Mind presented a “reading box”, a space for one person to sit and read, while a “halo” would be created when light shined through the perforations – an artistic visualisation of the spiritual state of enlightenment.
叉點。此次參展的 18 名藝術家皆對日常生活中常見的功
能性物件（如衣物、傢具、常用工具等）進行了智慧、意趣、詩意 兼具的重新解讀或二次創作。 當中香港本地藝術家何兆基此次受委託而創作的作品
《居心所》向我們呈現了一個「閱讀廂」，其空間可供一人坐下 閱讀。閱讀時，從作品的小孔中透過的光線為閱讀者添上視野可 見的光環，可理解為藝術家對靈性
崔正化《關係項−世界》Relatum – World by Choi Jeong Hwa
於
2009 年由香港藝術中心時任主席包陪麗女士發起的 年度旗艦展覽致力於
發新視角、培育新興藝術思潮，
引 發 與 我 們 所 處 的 時 代 及 亞 洲 當 代 藝 術 息 息 相 關 的 對 話。 每一屆年度旗艦展覽皆邀請與亞洲聯繫緊密的知名客席策展人 共同策展，由此，香港藝術中心得以呈獻具有教育性、反思性的 展覽，也使得年度旗艦展覽項目具有活力及可持續性。 歷屆年度旗艦展覽各有精彩，同時統一於對人本體驗的關 注：一系列展覽皆著眼於日常生活，並志於引發高於日常生活 本身的解讀。在歷屆展覽中得以延續的另一主題是思考及探索 藝術之角色。在反復出現的、對自然、科技、維度及規模比例這 些主題的探討中，藝術記錄、放大、揭示，跨越文化政治上的隔 閡，向我們展示新的可能性。
I
nitiated in 2009 by Ms Cissy Pao, the then Chairperson of the HKAC, the series of annual flagship exhibition is an effort to present new perspectives, foster new artistic trends, and initiate conversations around the issues of our time and of the Asian contemporary art scene. Co-curating with guest curators of critical acclaim with strong connections to Asia, Hong Kong Arts Centre has mounted shows of awareness, education, and reflection, and has rendered the annual flagship programme a dynamic, sustainable one. While each exhibition was a revealing and thrilling ride in its own right, the past flagship exhibitions were united in their focus on the human experience by taking our everyday life as the point of departure and aspiring to look beyond. Another continued subtext of the exhibitions is the exploration of the role of art. In the recurring themes of nature, technology, dimensions, and scales of our surrounding environment, art documents, magnifies, reveals, and surpasses cultural and political barriers and suggests new possibilities.
Popping Up: Revisiting the Relationship between 2D and 3D
Text: Jackie Xu （Intern of the Programme
F E AT U R E S TO RY
Art in Use: Sculptural Objects
The annual flagship exhibition – to present and share the curatorial perspective and practice in Asia
香港藝術中心年度旗艦展覽 ︱ 呈現和分享亞洲策展視角與實踐
文：徐千越 （香港藝術中心節目部實習生）
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蒙這種狀態的視覺化展示。
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伊東豐雄《消失中的洞穴》Vanishing Caves by Toyo Ito
是
次參展的 13 位藝術家運用隊員的藝術形式，如軟雕塑、 剪紙、錄像、攝影及繪畫等，向我們呈現了他們對二維、
三維之間關係的思考。伊東豐雄的裝置作品《消失中的洞穴》 （藝術家玩味地將其稱作「台中大都會歌劇院的『二維半』抽象 演繹」）在是次展覽中具有象徵性意義̶̶裝置所展現的空間關 係隨觀者觀察角度的不同而變幻。展覽重新審視了不同維度間 的轉化，並打破其間的界限，對維度的趣味性進行了探討，也暗 示維度轉換間的複雜度與人生的複雜性相仿̶̶我們的日常生 活又何嘗不是耐以尋味且多彩的呢？
he 13 artists featured in this show articulated their own interpretation of the relationship between two- and three-dimensionality through a variety of artistic disciplines, including soft sculpture, papercutting, video, photography, and painting. Toyo Ito’s installation, Vanishing Caves, which he playfully termed “an abstract 2.5 dimensional representation of Taichung Metropolitan Opera House”, was emblematic of the show – the spatial relationship articulated in the installation reversed and fluctuated with the viewing angle as spectators circulated around the work. Re-examining the relationship between the dimensions and breaking down the barriers and constraints in between, the exhibition cast a fresh eye on the playfulness of dimensionalities, and how their complexity resembled that of life - Isn’t our daily life complex with its myriad layers and colours?
專 題 故 事
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F E AT U R E S TO RY
栗林隆作品 Wald aus Wald (Forest from Forest) by Takashi Kuribayashi
通
過多元化的藝術形式，如多媒體裝置、繪畫、錄像、電影及 表演，參展的八位知名亞洲當代藝術家邀請觀者在其作
品中迷失，又或者在沈浸於他們所展示的自然景象中自我探尋。 栗林隆大型裝置作品 Wald aus Wald (Forest from Forest) 以其極具感染性的寧靜覆蓋了包氏畫廊的二層空間。
hrough a diverse selection of mediums including multimedia installation, painting, video, film, and performance, the eight celebrated Asian contemporary artists featured in the show invited us to be lost, and perhaps at the same time found, in nature through their visions of it. Takashi Kuribayashi’s Wald aus Wald (Forest from Forest), one of his biggest installations ever presented in Hong Kong, covered both floors of the Pao Galleries with contagious tranquillity. The works featured were united in their aspiration to reconnect with nature’s awesome grandeur, to retrieve the intimate bond between the self and nature, and to achieve a sustainable, spiritual, and harmonious integration. In response to this era of ecology, the show provided a new plateau as to how the subject could be approached.
Distilling Senses: A Journey through Art and Technology in Asian Contemporary Art
Vision of Nature: Lost & Found in Asian Contemporary Art
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專 題 故 事
H
團體實驗室作品 Homogenizing and Transforming World by teamLab
香
港藝術中心始終志於走在時代前沿，並致力於向觀眾介 紹藝術領域的最新進展。在藝術領域中曾被邊緣化的科
技如今以數字藝術及精密機械裝置的形式在當代藝術中大造波 的回應，第五屆年度旗艦展覽對藝術與科技的交融進行了探討。 參展藝術家的作品皆將科技視為敘事手法或主題，向觀者
者重新獲得與自然的親密聯結，並追求具有可持續性、靈性及和
展示了創作的挑戰並不在於融入新興科技，而在於取得平衡。
諧美的共融。在生態社會的框架內，是次展覽對如何解讀人與自
Unseen Existence: Dialogues with the Environment in Contemporary Art
然間的關係提出了新的解讀。
覽聚焦於有關規模比例的探討̶不僅僅是對我們的美學 體驗，甚至是對於我們的人生體驗而言，規模比例都有可
能產生決定性的影響。我們創造並穿梭於不同的規模比例中， 而這些比例關係同時也在規整著我們的生活。當中 N.S. 哈夏的
Spurting Streams in Everyday Parade 通過植物和每棵 植物賴以成長的力量，探討尺度、空間和時間的關係，人們如何 在大城市中利用個人空間追求人生更大的存在意義。展覽有助 於我們更好地體察我們在這個世界，又或是這個茫茫宇宙中的 定位。
he exhibition indicated to the issue of scale, which can be a defining variable in our aesthetic experience, and our life experience indeed. We humans create and shuttle between different scales, and the scales we encounter and experience, in turn, discipline the order of our life. N S Harsha explores the relationship between scale, space and time by Spurting Streams in Everyday Parade. He gives attention to how individuals create their own personal space to address the larger human quest for existence in megacities by reflecting upon vegetation and the vitality with which each plant fuels its flow of growth into space. Examining the scales in our surroundings, the show shines light upon how we can better comprehend our position in the world, or indeed the universe.
S
蘇圖西亞·蘇芭芭恩雅作品《當需求移動地球》
When Need Moves the Earth by Sutthirat Supaparinya
蘇
utthirat Supaparinya’s video When Need Moves the Earth investigating the man-made earthquakes - coal mining and reservoir, artist duo Allora & Calzadilla’s delicate work recording the effort to communicate and create new relations with animals, together with the works of ten other artists included try to gather solely needed attention to the current state of our planet. Faced with the topic of sustainability, scientists utilise sophisticated theories and technologies, while the creative initiate artistic dialogues.
圖西亞 · 蘇芭芭恩雅的錄像作品《當需求移動地球》對由 採礦及建造人共蓄水庫而造成的人為地震進行了審視；
藝術家組合阿洛拉與卡爾薩迪利亞的精緻作品則記錄了人與動 物之間的交流與情感聯結。其餘十位參展藝術家的作品亦志於 引發觀者對地球現狀的關注及思考。面對可持續發展的話題， 科學家們搬出複雜精密的理論與技術，而藝術家們則通過藝術 引發對話。
Familiar Otherness: Art Across Northeast Asia
Of Human Scale and Beyond: Experience and Transcendence
T
展
ong Kong Arts Centre is always keen to embrace the changing pace of time and to introduce the latest artistic progress to its audience. Technology, an element that was once at the fringe of the artistic field, is now making new waves in the forms of digital art and sophisticated mechanical devices used in contemporary art. In response to today’s technology laden world and the ever-evolving pairing of art and technology, the fifth annual flagship exhibition delved into the marriage of the two. The works engaged technology as a narrative device, or the subject, showing that the difficulty lied not in incorporating new technology, but in striking a balance.
瀾。作為對於現今的科技社會及科技、藝術之間愈發緊密之聯繫
參展作品皆志在引發觀者對自然之宏大景象的敬畏，使觀
N·S·哈夏作品 Spurting Streams in Everyday Parade by N S Harsha
F E AT U R E S TO RY
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rouped under four conceptual sub-themes – Dreams and Reality, Day-to-Day and Transcendentalism, Context and Intervention, and Filtering and Magnifying, the works presented served as microcosms through which the artistic languages and subjects of Northeast Asia were examined.
李承熙作品《朱陶竹林》Red Ceramic Bamboo Forest by Lee Seung Hee
此
次展覽聚焦於四個視點： 「夢想與現實」、「日常與超驗」、
「語境與介入」、「過濾與放大」，而參展作品則是東北亞
藝術語言與主題的微觀體現。 是次展覽集結了來自東北亞國家和地區（台灣、中國大 陸、香港、日本及韓國）的藝術家，並志於開
超越社會政治屏
障的文化交流。韓國藝術家李承熙以竹̶̶中國文化的象徵之 一̶̶為主題，向中國古代著名文人蘇東坡的典故之一致敬。 是次展覽中處處可見文化交流及相融的跡象。
Featuring artists from Taiwan, China, Hong Kong, Japan, and Korea, the constituent countries and regions of Northeast Asia, the exhibition sought to initiate cultural communication that transcended socio-political barriers. Taking bamboo, an archetypal symbol of China as the subject and ceramic as the medium, Korean artist Lee Seung Hee paid tribute to a historical anecdote of Su Dongpo, the famous Chinese literati. Conversations and crossfertilisations between the cultures in the region thus manifested themselves in the exhibition.
專 題 故 事
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F E AT U R E S TO RY
專 題 故 事
Curators' Sharing
策展人分享
V ̶ 任卓華 Valerie C. Doran C ̶ 林淑儀 Connie Lam
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展覽標題中的 「過去、現在、未來式」 三種時態如何匯集於灣仔 與展覽中？
V ̶ 不同背景的藝術家通過作品展現作為物理空間而存在的、 承載豐厚歷史及充沛情感的灣仔， 或是對灣仔的多面性作出各自 的回應。這些藝術表達構成了一種集體話語̶̶一種有助於我們 更深入、廣泛地瞭解灣仔及我們與灣仔之間的聯繫的語言。觀眾 可穿梭時空、探索歷史， 過去、現在及未來以種種不同形式在作品 中交織著。 灣仔印象？
C ̶ 香港藝術中心的創辦人之一，亦是中心建築師的何弢先生， 最初對這片新填海地的願景是打造一個文化區。籌備時光藝廊展 覽時，我們發現何先生為海濱公共空間所打造的未來藍圖。何先 生的願景正是一個經典的例子̶̶創意能夠跨越時代， 讓我們更 期許香港文化藝術的未來。 有何本地特色是您喜歡且希望得以保存的？
何弢博士於七十年代繪畫的 灣仔海濱公共空間未來藍圖
C ̶ 灣仔體現了香港的多樣性，我們可以追溯海岸線變更的歷
Blueprint on Harbourfront public space in Wan Chai created by Dr Tao Ho during the 1970s.
史， 區內的建築風格亦具觀賞價值， 例如以灣仔街市為例的包豪斯 風格建築、香港首個藝術文化中心的香港藝術中心大樓、歷史悠 久的藍屋。
40th Anniversary flagship exhibition Wan Chai Grammatica: Past, Present, Future Tense
香港藝術中心四十週年旗艦展覽 灣仔文法：過去、現在、未來式
香
港藝術中心四十週年旗艦展覽將聚焦中心所在地：灣仔。 灣仔是香港歷史最悠久的地區之一，新舊並存，蘊含豐富
的多元文化，彷彿香港的縮影。 灣仔長期以來在保留本地特色的同時，亦持續反映經濟， 政治，民族與文化的多元性，熔鑄為香港的傳統。灣仔的都市風 景就像是一種建築風格紀錄，同時揭示其歷史的多層次，以及從 東方與西方而來的不同族群在該區短暫駐留、定居、建設與促成 繁榮的多樣化人文足跡。 以灣仔為界定點及出發點，是次展覽是一個跨世代、跨領 域、跨文化的計畫，嘗試回應香港的獨特文化身份，「香港人」 的意義為何？我們的多元願景如何在過去和現在反映出我們彼 此不同、但同樣真切的經歷？ 「灣 仔 文 法： 過 去、現 在、未 來 式 」 包 括 來 自 不 同 世 代、 背景或原始國籍的香港藝術家，以及國際上與香港有特殊因緣 的藝術家，呈現多種藝術風格和語言，同時鼓勵彼此之間的共鳴 和回應，勾勒情景與藝術軌跡，全新的委託創作更進一步探索藝 術家從個人、歷史、經驗等不同層面呈現的灣仔與香港。
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V ̶ 我已經在香港居住了三十多年，依然驚訝於看似熟悉的地方
he Hong Kong Arts Centre 40th Anniversary flagship exhibition Wan Chai Grammatica: Past, Present, Future Tense celebrates the cultural and artistic traces of Hong Kong, and is simultaneously an investigation into and a celebration of Hong Kong identity, as seen through the lens of one of Hong Kong's most iconic city districts: Wan Chai. While retaining its distinct local identity, Wan Chai continues to reflect the unique crucible of economic, political, ethnic and cultural diversity that has shaped Hong Kong’s heritage. The cityscape of the district is like a kind of architectural palimpsest, simultaneously revealing multiple layers of its history, and traces of the diversity of the people who have passed through, settled, built and thrived there from both East and West. Taking Wan Chai as both its point of definition and its point of departure, the exhibition is a multigenerational, multi-disciplinary, and multi-cultural project that invites reflections on the question of who shares in Hong Kong’s unique identity. What does it mean to be a ‘Hong Konger’? How do our diverse visions̶past and present̶reflect our different, but equally authentic, experiences? Participants in the exhibition include Hong Kong artists from different generations, backgrounds and national origins, as well as artists from the international community who have a special connection to Hong Kong. It will include a diversity of artistic genres and languages as well as newly commissioned works that express artists’ explorations of Wan Chai on many different levels, including personal, historical, and experiential. Above all, the project encourages resonance and response among participants, not only to Wan Chai as a physical and auratic space, but also to each other.
如何能夠常看常新。我十分懷念舊時街邊的唐樓，其人性化的設 計與琳瑯滿目的小商店及小飯館。 這次參展的藝術家之間的聯結與互動？
C ̶ 這次展覽可謂香港藝術文化界之微觀，呈現個體藝術家及 不同年代的藝術家之間的聯結。參展藝術家們心中皆懷有香港， 也喜愛灣仔的特色， 並做出個人化的解讀， 分享獨具特色的故事。 策展團隊期待是次展覽將是帶領觀眾深入灣仔、一探區內多元文 化及香港特色的美妙旅途。 何弢博士於七十年代繪畫的 灣仔海濱公共空間未來藍圖
V ̶ 我對香港藝術中心對於灣仔社區的耕耘有了更深入的認識。
Blueprint on Harbourfront public space in Wan Chai created by Dr Tao Ho during the 1970s.
間蘊涵著有機且多樣化的關係。
這些聯結存在於藝術家與灣仔、與香港藝術中心之間，每個作品
F E AT U R E S TO RY
How do “past, present, future tenses” converge in Wan Chai? And do they come together in the exhibition itself? V ̶ We are bringing together artists of different
generations and backgrounds. While each artist is responding to or illuminating different aspects of Wan Chai as a physical, historical or emotional site, together these multiple expressions create a kind of collective discourse, a language of communication that helps to creates both a deeper and wider understanding of Wan Chai and our connections with it. There are myriad ways that the interplay of past, present and future tense plays out in the artworks in the exhibition. What's your impression of Wan Chai? C ̶ One of the founders of HKAC, Mr Tao Ho, who
is also the architect of HKAC building, had a vision to transform the newly reclaimed land into a cultural hub. When we were doing research for the Tao Ho session in our time gallery, we found how Tao Ho envisioned HKAC as an arts and cultural space not limited in the building, but one that could be extended into the public space. Ho’s blueprint is a classic example of how creativity cannot be confined by time, but projects into the future of Hong Kong’s art and cultural scene. Is there any unique local culture that you love and wish it could be passed on? C ̶ I really enjoy wandering in Wan Chai as it is a
perfect representation of the diversity of Hong Kong. We can find traces of the changes of coast line. The architecture can also be appreciated - Bauhaus buildings like the façade of Wan Chai market, HKAC as the first arts and cultural hub, Blue House. V ̶ Even having lived in Hong Kong for over 30 years, I can still be surprised by how much there is to discover about seemingly familiar places if one is simply more attentive to them., I loved stopping at little shops and myriad cha chaan teng. The participating artists themselves are linked in various ways. Do these nexuses between the artists come across in the exhibition? Or, how do the works interact with one another? C ̶ This exhibition presents a matrix of the art and
cultural scene of Hong Kong as well as the nexuses between one artist and another, one generation and another. They have a heart of Hong Kong and of enjoying the characteristics of Wan Chai as demonstrated through their artworks. Also they see Wan Chai from their own perspectives and have unique stories to share. The artists are unique but they are making dialogues with each other. This is a journey to bring viewers to the heart of Wan Chai, where hybrid cultures are cultivated and set the tone of Hong Kongness V ̶ I have learned a great deal more about the HKAC’s connection and commitment to the local Wan Chai community. These nexuses, or connections, exist not only among the artists themselves, but also between the artists and Wan Chai, and between the artists and the HKAC as a site。
動 向
12
HAPPENINGS
在
過去的 5 月 11 日，香港藝術中心聯同香港聾人協進會和 亞洲民眾戲劇節協會為第八屆聾人電影節打開序幕。聾
人電影節多年來致力讓社會關注聾人社群。今年，以「聾人太少」 為主題，在電影節的四日裏為觀眾帶來五個放映節目，再加上開 幕放映會和研討會。是次電影節總共放映十四部電影，它們分 別來自中國、臺灣、印度、愛爾蘭、英國和日本，這亦是首屆有來
n 11 May, Hong Kong Arts Centre kick-started the 8th Deaf Film Festival with the Hong Kong Association of Deaf and the Asian People’s Theatre Festival Society to raise public attention towards the Deaf Society. This year, under the theme “Those who are Deaf, too many or too few?”, the HKAC proudly presented five programmes, an opening screening, and a seminar during the four-day festival. There were 14 titles from different countries, including China, Taiwan, Ireland, India, England, and Japan, which joined the Festival for the first time. The high quality Deaf Films in a variety of genres, such as music video, drama, and documentary, were a feast for the eyes. The seminar was also truly inspiring. Five distinguished Deaf film culture specialists were invited to share their views on the difference between the languages of the Deaf and the hearing impaired as well as on their representation in films.
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he HKAC Bee team ran several one-of-a-kind art events from June to August, including a “Fast Art Workshop” organised by Tai Kwun and led by renowned Hong Kong American artist, Bing Lee. In August, HKAC Bee collaborated with the UCL Alumni group and staged a UCL Bartlett alumni exhibition that featured young architects from Hong Kong who are based in London. The exhibition offered an invaluable platform for young architects to showcase their work and display their talents to new audiences here in Hong Kong.
H
KAC Bee 在 6 月至 8 月舉行了多個藝術活動，包括由 大館主辦、美籍香港藝術家李秉罡的 Fast Art 工作坊，
他帶領會員進行藝術創作。8 月與倫敦大學學院 (UCL) 校友會
合辦了 UCL Bartlett 校友展覽，參展者都是駐留倫敦的香港 年輕建築師。這次展覽是一個不同的平台，讓他們向香港的觀眾 展示作品，展露他們的才華。
自日本的製作參與。音樂影片、劇情片和紀錄片等不同類型的高
HKAC Bee 也和 D’Auchel 皮革手袋定製店舉辦皮革製
質素聾人電影為觀眾帶來一場又一場的視覺饗宴。另外，研討會
作工作坊，讓會員體驗歐式皮革的手作工藝，學習如何親手縫製
的內容亦充滿啟發性。五位本地及臺灣聾人電影文化工作者̶
皮革製品。
蔡甘銓先生、蔡冀逵先生、牛暄文先生、林哲瑩先生和陳立育先
今 年 夏 天 HKAC Bee 團 隊 全 力 製 作 網 上 通 行 證
生作研討會的講者，以「聾人電影的手與口」為題，分享語言之
(e-pass)，令會員更容易使用各種優惠。有關 e-pass 的請密切
於聾人和健聽人士的感官體驗，並探討其中不同之處於電影中
留意電郵和網頁消息。 會員於 9 月不但能使用 e-pass 專享會員福利，還可參與
的呈現。
9 月末舉行的 HKAC Bee 成立典禮，更多活動消息會透過電 郵發布。
香港藝術中心創辦的流動影像節目「極品廣告片」於 月 份 完 滿 結 束。由 廣 告 型 人 Secret Tour Hong
Kong 創辦人鍾振傑（Stephen）所主持的「點解被釘橋」研討 會亦大獲觀眾好評，座上聽眾表示「正！」。 今年的放映節目繼續由被受觀眾歡迎及國際好評的廣告 獎項名單選片，示範當下世界各地的廣告創意、潮流及文化。節 目包括表揚出色香港廣告作品的金帆廣告大獎、國際廣告盛事
Clio 廣告大獎、幽默溫馨的亞太廣告節（ADFEST）、韓粉至愛 的韓國影像廣告節、嘉許西、葡語系市場創意的西班牙及葡萄牙 語系廣告節（FIAP）及美國獨立廣告製作人協會的 AICP 廣告 大獎。 「極 品 廣 告 片 」 將 於 來 年 為 觀 眾 帶 來 更 多 精 彩 節 目， 下年見！
Art of Commercials will continue to bring more excitement! See you again next year!
Cultural Masseur: Dragonix Multi-Arts Festival
由6
Our line-up this year continued to showcase commercials from international advertising awards that received popular and critical acclaims, demonstrating the world’s leading advertising creativity, trends, and cultures. This edition of Art of Commercials included award-winning works of Hong Kong’s Kam Fan Awards, the globally prestigious Clio Awards, the witty and warm ADFEST, the starstudded Korean TVCF Advertising Awards, the Latincentric Festival Iberoamericano de Publicidad, and America’s AICP Show, presented by the Association of Independent Commercial Producers.
文化按摩師﹁跨界大龍鳳﹂藝術節
rt of Commercials, an annual moving image programme founded by the Hong Kong Arts Centre, took place successfully in June. The seminar, Why Are Ideas Banned?, led by Hong Kong ad man, Stephen Chung (Founder of Secret Tour Hong Kong), was very much enjoyed by the audience.
2018
Art of Commercials 2018
極品廣告片
A
HAPPENINGS
T
HKAC Bee
2018
Hong Kong International Deaf Film Festival
香港國際聾人電影節
O
動 向
In tandem, HKAC Bee ran a leather-making workshop with D’Auchel – a boutique maison and atelier – where participants discovered the European artistry of hand-made leather goods and learned the craft of stitching a swatch by hand. Through the summer months, the HKAC Bee team have been working on creating an e-pass for members to collect Bee membership benefits more easily. Keep an eye out for more information on our emails and webpage if you have not already received your pass. In September, not only will members be able to finally enjoy their membership privileges with their e-pass, they can also expect to participate in the HKAC Bee official launch at the end of the month. Stay tuned to our emails for updates on all the special events surrounding this launch.
C
文
化按摩師「跨界大龍鳳」藝術節已於 2018 年 6 月 29 日至 7 月 31 日圓滿舉行。藝術節與本地、亞洲及歐洲多
位跨界別藝術家攜手，為公眾帶來一系列藝術表演、裝置展覽、 城市探索旅程、藝術創作研討會，帶領觀眾遊走城中不同角落， 如劇場、城市舊區、鬧市商場、海濱大笪地、餐廳、虛幻斗室、香 港藝術中心遊人止步秘地等，以不同形式欣賞當代藝術。藝術節 探索跨界碰撞、人與人之間的互動及多元化的感官體驗，希望藉 此打開五感，擁抱藝術於生活之中。啟發大眾思考藝術與生活的 關係。「跨界大龍鳳」藝術節為「文化按摩師」計劃之最終章。
ultural Masseur: Dragonix Multi-Arts Festival took place from 29 June to 31 July 2018. Co-curated with cross-disciplinary artists from Hong Kong, Asia and Europe, the events spanned across performing arts, installation exhibition, urban exploration, and “chill chats” on arts and artistic creation. The festival took the contemporary art experience to the theatre and beyond, traversing the city’s old and unknown corners, a hustling and bustling mall, the harbourfront of lost times, a restaurant, virtual living spaces and the no-trespass zone at the HKAC. The programmes seek to catalyse cross-media creation, foster human interaction, challenge and open up the senses, and revealed the fascinating dynamics between the arts and our day-to-day existence. The Dragonix Multi-Arts Festival was the final stage of the Cultural Masseur programme.
動 向
14
HAPPENINGS
動 向
阿推的漫畫
The Quest Game – Exhibition of Push Comic’s Works
主辦
15
Presenter
HAPPENINGS
So, where are the hidden signs and secrets in his comics? The closer you look, the more you will see!
香港藝術中心 Hong
Kong Arts Centre
The Quest Game is Push Comic’s first solo exhibition in Hong Kong. Co-presented with Kwang Hwa Information and Culture Center, the exhibition is one of the programmes of “2018 Taiwan Arts Festival”. In addition to the exhibition, there will be a talk and workshop hosted by Push Comic. Don’t miss it!
聯合主辦
捉迷藏 ─
Co-presented with
光華新聞文化中心 Kwang
Hwa Information and Culture Center 授權單位
Authorised unit
阿推的漫畫 AH TUI -
PUSH COMIC©2018
2017 風竹城 漫畫 2017 Bamboo Windy Towns comics
展覽
日期及時間 Date & Time 地點 Venue
參與藝術家 Artist
免費入場 Free Admission
兒
時玩捉迷藏，你躲丶我找，好不樂趣。有想過這個遊戲也 可以在紙上進行嗎？阿推的漫畫中隱藏大量密碼、符號
及彩蛋，這正正就是各人最愛的解碼×捉迷藏遊戲。臺灣資深科 幻漫畫家，傳說中的「科幻漫畫潮流教父」，今次展覽就來陪他 玩──讓漫畫「捉」動你的視覺神經及瘋狂想像，「迷」上其歐 美風格加上細膩畫法，並收「藏」他獨特的金句、角色與玩具。 從擔任飛碟唱片的美術主編到《歡樂漫畫半月刊》知名漫 畫家們的編輯，繪畫科幻漫畫到製作藝術家玩具，搶攻法國、意 大利漫畫市場到 BBDO 廣告設計，展覽內容以阿推具國際視野 的 33 年創作生涯的三個重要階段為主軸，展示其手稿、模型玩 具、漫畫書、商業企劃以及視覺設計，呈現其創造力的多元及作 品的玩味。 漫畫的一格空間不大，但對於阿推卻是無限的天地。無論 是膾炙人口的作品《超人巴力入》之「反空間」，又或是「在地的」 故事《風竹城》，一格一樣暗藏滿滿的驚喜，其天馬行空的想像 力及豐富的畫面吸納不少華文及非華文世界的讀者，當中包括 樂團五月天成員阿信及瑪莎。 還未找到阿推的漫畫箇中的「超連結」和秘密？仔細再看 一遍，重點往往就在細節之中！ 「捉迷藏」是阿推在香港的首次個人展覽，亦是光華新聞文 化中心旗下「2018 台灣月」的節目之一。除展覽外，不要錯過 連串的週邊活動，包括阿推親自坐鎮的公眾座談會以及現場創 作示範。
2018 台灣月節目 Taiwan Arts Festival programme
19 Oct – 20 Nov 10am – 6pm 三樓實驗畫廊 Experimental Gallery, 3/F 阿推 Push Comic
Talk: The Perspective of Comics Artiston Hong Kong and Taiwanese Cross-media Creations 由創作者到「潮人」，多棲的兩地漫畫人涉獵多個文化及商業範 疇，跨媒介、劃時代深深影響着港臺的流行文化。當臺灣流行文
Still remember the game of hide-and-seek? You can actually play it on paper! There are numerous hidden codes, symbols, and “Easter eggs” on each page of comics of famed Taiwanese comics artist, Push Comic. Fans love them as fun decoding/hunting games. A legend of sci-fi comics and the “Godfather of Pop Culture”, Push Comic invites you to play with him at this exhibition – go on a “quest” for whimsical and wild imaginations, fall for his one-of-a-kind pen work with American and European influences, and collect his quotes, codes, and characters. From working as an art editor for UFO Group to working for Joy Comics, from drawing offbeat sci-fi comics to making art toys, from entering the French and Italian comics market to creating advertisements for BBDO, the exhibition focuses on three significant stages of Push Comic’s 33-year creative career and his global vision. A “game” of creativity and diversity, the exhibition displays some of his manuscripts, drawings, figures, comic books, commercial projects, and graphic designs. Each panel of a comic strip has limited space, but to Push Comic, it is an infinite world. Whether it is his previous, popular work Balézo or the latest, locally-inspired story Bamboo Windy Towns, every single panel of his comics is full of surprises. His imagination and detailed drawings have captured the hearts of many readers, including members of the renowned Taiwanese rock band Mayday: Ashin and Masa.
公眾座談會：漫畫家看兩地跨媒體創作
Exhibition
開幕典禮 Opening Ceremony 日期及時間 Date & Time 地點 Venue
免費入場 Free Admission
現場創作示範 Live
19 Oct 5pm – 7pm 三樓實驗畫廊 Experimental Gallery, 3/F
Drawing Demonstration
機會嚟啦！飛雲！想一睹臺灣漫畫大師的風采？立即參加現場 創作示範，你便可以近距離欣賞阿推即席繪畫，活用不同的素 材，例如：木板、紙和襯衫來創作。
It’s your golden chance to meet and greet the Taiwanese comics master! Join the live drawing demonstration and you can watch closely how Push Comic creates his work on the spot, utilising different materials, such as wood, paper, and shirt. 日期及時間 Date & Time 地點 Venue
參與藝術家 Artist 語言 Language
入場年齡 Admission Age 名額 Quota
登記 Registration
2018 台灣月節目 Taiwan Arts Festival programme
免費入場 Free Admission
20 Oct 4:30pm – 6pm 何鴻章排練室 Eric Hotung Studio 阿推 Push Comic 國語 Mandarin
5 歲或以上 : 5 or above
化的標誌人物阿推遇上香港會擦出怎樣的火花？聽君一席話， 勝讀十年書。座談會上他會分享跨媒體創作經驗及成功之道， 亦會交流對兩地潮流、藝術、設計及漫畫生態的看法，討論如何 達至跨界、跨地域共融。
More than just a creator, multidisciplinary comics artist from Taiwan prides himself for being “trendy”. His influences in the cultural and commercial sectors are phenomenal. When Taiwanese Pop culture icon Push Comic meets Hong Kong, be prepared for lots of sparks! Apart from sharing his experiences and insights in cross-media creations, he will also share his thoughts on trends, arts, design and the ecology of comics in Taiwan and Hong Kong, to facilitate collaborations that transcend borders. 日期及時間 Date & Time 地點 Venue
講者 Speaker
語言 Language
入場年齡 Admission Age 名額 Quota
登記 Registration
40 需網上登記，先到先得。
Online registration required. First-come, first-served.
免費入場 Free Admission
20 Oct 3pm – 4pm 何鴻章排練室 Eric Hotung Studio 阿推 Push Comic 國語 Mandarin
5 歲或以上 : 5 or above 40 需網上登記，先到先得。
Online registration required. First-come, first-served.
動 向
Comics, a universal language
漫畫，是一種世界語言
漫
16
畫家黃照達（Justin）、袁家寶（Kent）今個夏季闖入歐 洲市場。香港的創意又一次受到海外讀者的肯定！
Justin、Kent 近年分別參與歐洲的大型漫畫節，作品因 此獲得歐洲出版社的青睞，在今年先後於 3 月及 5 月出版了他 們的法文版作品。
Justin 漫畫筆下是一位被公司辭退的打工仔，他以另類 的幽默方式享受這個人生旅程中的小息。正是這「明天不用上 班」的夢想跟歐洲讀者連繫上。《Lonely Planet》的法文版 《Je préférerais ne pas》 引 起 了 當 地 評 論 的 注 目 及 讚 賞： 法 國 漫 畫 資 訊 網 站 BDGest.com 形 容 Justin 的 畫 風 像
Chris Ware 及 Steve Jobs 的混合體，而他更被邀請親赴巴 黎出席新書發佈會！ 「這本書是 2010 年創作的，故事主角的經歷算是當時自 己對工作的反思和生活寫照。我以前是全職教書，兼職政治漫畫 專欄，兩者上互有拉扯。我覺得創作人是不應該上班的，因為我 們需要更多的體驗和經歷，才可發揮最大的創意。」Justin 道。 如何從工作與生活之間取得平衡？這不單單是香港人在追求的 一門學問，原來法國人也面對同樣的問題，因此視覺及題材上 能產生共鳴。 而熱愛足球的 Kent，就化身成為香港代表，與 20 多名 來至世界各地的漫畫家共同繪畫了一本有關足球世界盃故事的 漫畫短篇集̶̶《Histoires incroyables de la Coupe du
Monde》，在漫畫的世界裡盡情爆發汗水與熱血。 「我以往一直是一個非常傳統的香港漫畫家，以武打的漫 畫風格為主，所以有機會與外國出版社合作和嘗試其他漫畫主 題，我感到相當高興。加上能夠將我喜愛的足球和漫畫結合， 就像參加了世界盃的派對一樣！」 雖然出版社對於漫畫風格方面有一定的限制，以紀實的方 法呈現故事，但 Kent 表示製作過程相當順利。「他們的漫畫 分格十分規矩、工整，而香港漫畫則『有大有細』，更富電影感， 這是我在創作中感受到的差異。」
兩人分享透過香港藝術中心參與歐洲大型漫畫節的經歷。
Artists shared their experiences of participating in large-scale European comics festivals through the HKAC.
HAPPENINGS
T
his summer, comics artists Justin Wong and Kent Yuen made their appearances in the European market. The creativity of Hong Kong artists is once again recognised by overseas readers! In recent years, Justin and Kent have participated in various large-scale European comics festivals. They won the favour of European publishers, and the French edition of their works have been published in March and May respectively. Justin’s comics is about a worker who has just been laid off. Despite this, the protagonist chooses to enjoy this short break from his routine life in a light-hearted manner. It is this mantra of “not having to work tomorrow” that connects with the European readers. The French edition of Lonely Planet Je préférerais ne pas has caught the attention of French critics: comics social cataloguing website BDGest.com has described Justin’s style as “Like Chris Ware, having eaten Steve Jobs at breakfast”, and Justin was consequently invited to attend the book launch events in Paris. “This book was created in 2010. The protagonist and scenarios in the story are a kind of reflection of my life and career at that time. I used to be a teacher by day, political comics artist by night, but the two roles hindered one another,” noted Justin. “As an artist, I think we should not have full-time jobs, since we need more experiences and encounters to spark our creativity.” Work-life balance – it turns out that it’s not just a buzzword in Hong Kong, but an issue in France as well, that’s why this topic and the comics resonate with them.
動 向
17
對於今次能各自與不同的法國出版社合作和此前參與的 漫畫節，兩人均有相當大的感受。「若然不是香港藝術中心提供 機會讓我參與安古蘭國際漫畫節，我都沒有辦法認識到這麼多 法國漫畫人及出版商。自己對參與漫畫節的感受很深，因為安古 蘭漫畫節已經舉辦了 40 多屆，可是在過去的 30 多屆都未見 香港漫畫家的身影。漫畫節就像一個『武林聖地』，各地的漫畫 高手雲集，是一次獲益良多的經驗。我亦感受到當地漫畫氣息之 強烈，連一間普通餐廳都會將漫畫掛在店內、標上價錢供客人購 買。」Kent 道。
Justin 則認為對藝術家而言，有了香港藝術中心這樣的橋 樑，無論是與出版社之間的統籌，又或是內容編輯等方面都會比 較方便。「近年香港藝術中心都積極帶不同的藝術家到歐洲參 與漫畫節，一步步去建立更多外在連繫和網絡，有助本地藝術家 發展。作為參與其中的一份子，在漫畫節中與不同讀者交流的過 程發現外國的讀者群很廣，而且他們不會只看一種漫畫，而是十 分開放、接受不同漫畫風格的作品。我亦感受到當地人對漫畫的
According to Kent, the production process was smooth, even though there were limitations for documentary comics and cultural differences. “French comics panel is usually consistent and neat. Comparatively, Hong Kong comics is more cinematic and dynamic.” On promoting local comics at international comics festivals and working with different French publishers, both Justin and Kent thought that the Hong Kong Arts Centre (HKAC) has played a significant role in these collaborations. “If it was not for the HKAC, I would not have had this valuable chance to participate in the Angoulême International Comics Festival, let alone make new friends with French comics artists and publishers. It’s a great
本地漫畫家黃照達親赴巴黎出席新書發佈會， 與讀者交流。
Local comics artist Justin Wong was invited to Paris for the book launch events.
熱情，他們仍然鍾情於漫畫書，這是在香港愈來愈少見的。」 香港藝術中心近十年積極嘗試以不同的形式、不同的平臺 推廣本地動漫創作，鼓勵本地漫畫家親身參與及面向不同文化 交流盛會，從中汲取養分及探索不同的機遇。在多年夥伴「創意 香港」的支持下，中心得以持續舉辦海外巡迴展，為漫畫家爭取 曝光的機會。香港漫畫人的創意及細緻畫功，絕對擁有潛力及能 力在世界各地綻放光芒。開闢海外市場是創作人未來發展的大 好機會，香港藝術中心亦會繼續積極尋找予香港漫畫與世界各 地讀者對話的平臺。
Meanwhile, Kent, a keen football fan, is more than happy to represent Hong Kong in the creation of Histoires incroyables de la Coupe du Monde, a collection of short-comics on the World Cup. Together with more than 20 other comics artists across the globe, they fuelled the pages of comics with enthusiasm and passion. “I used to be a very traditional Hong Kong comics artist that specialised in the genre of martial arts, so I never thought that I would have the opportunity to work with foreign publishers and venture into other comics themes,” said Kent. “I feel honoured and glad, marrying my love for football and comics, it’s a dream come true!”
HAPPENINGS
本地漫畫家袁家寶在世界盃故事漫畫集內的作品。
Local comics artist Kent Yuen’s work in the World Cup comic book Histoires incroyables de la Coupe du Monde.
experience,” said Kent. “Hong Kong artists didn’t participate in the Festival for the first 30 or so editions. The Festival is like a battlefield between comics masters from around the world, they gather to share their skills and showcase their works. I can also feel the strong presence of comics in France – comics are sold even at an ordinary eatery.” To Justin, the HKAC serves as a bridge that connects publishers and artists, making the cooperation more convenient and easy. “In recent years, the HKAC has been actively organising touring exhibitions to bring different artists to various European comics festivals. This helps us to expand our networks step by step, which is crucial to the development of the industry,” he added. “As one of the participating artists, I was able to communicate with many foreign readers, and I found that comics readership in Europe is very wide. They are open to different styles of comics, and I can still feel their passion for it, which is rather rare in Hong Kong.” The HKAC has been actively utilising different means and platforms to promote local comics and animation in the past decade, encouraging local comics artists to participate in exchange events of various cultural contexts, so that they can explore and seize different opportunities. With the unwavering support of CreateHK, numerous touring exhibitions have been successfully presented and organised. They have increased the exposure of local comics artists. With their exceptional creativity and professional skills, Hong Kong comics artists certainly have the potential to shine on the world stage. To ensure that they get a chance for further development in overseas markets, the HKAC will continue to seek effective platforms where Hong Kong comics can connect and communicate with readers from all parts of the world.
動 向
18
HAPPENINGS
Acknowledgement Hong Kong Arts Centre would like to express our gratitude to our individual and corporate donors and sponsors for their support in the period of 1 July 2017 – 30 June 2018 (in alphabetical order)
Anonymous Donor
Mary Ann & Wyman LI
Keita ARISAWA
Oscar LI
Art Basel
Louis Vuitton
Pietro Ciani BASSETTI
Bryant LU, JP
Café de Coral
Mega Home Holding Ltd.
Cartier
NG Ming Wah, Charles
Philip CHENG & Eileen LUI
One Cool Film Production Limited
Sonia CHENG
Cissy PAO & Shin WATARI
Cecilia CHEUNG
Doreen PAO
Winnie CHIU, JP
Emmanuel PERROTIN / Perrotin Gallery
Dynamic Network Alliances
Melanie PONG
Dorsett Hospitality International Services Ltd
Pure Art Foundation
Barry FREEMAN
Push Comic
Henderson Development Limited
Michael SCHRIVER
Pansy HO, ONM, JP
Sotheby's
Mr. & Mrs. Justin HUI
Galuh SUKARDI
Alice HUNG
Dennis SUN, BBS, JP
Hysan Development Company Limited
Jacqueline SUN
Industrial and Commercial Bank of China (Asia) Limited
Hamilton TANG
Ronald KAN
Mr. & Mrs. Henry TANG
Korean Cultural Center
The Coca-Cola Foundation
K K Kwan
The Hong Kong Institute of Architects
Kwang Hwa Information and Culture Centre
The Hong Kong Jockey Club Charities Trust
Kevin LAM
The Lane Crawford Joyce Group
Peter LAM
The Mira Hong Kong
Peter LAU
Thomas and Linda Lau Family Foundation
Lee Tung Avenue Management Co. Ltd.
Leigh TUNG CHOU
Carol LEE
U.S. Consulate General of Hong Kong and Macau
LEE, Irene Yun Lien
Urbantraces Limited
Martin LEE
WYNG Foundation
Wendy LEE
YANG Fan
Mona M.S. LEONG, SBS, BBS, MBE, JP
Trevor & Dominica YANG
Nelson LEONG
Zhen YAO
Brian LI
Victor YIP
19
20
幕 後 人 語
A ̶ Artslink R ̶ 張煒詩 A ̶ 為什麼會在投入社會工作後選擇回到校園，修讀香港藝術學 院的課程？
R ̶當時從事有關時裝的工作，偶然和朋友參加了陶瓷班後，很想 繼續深造， 適逢當時香港藝術學院與澳洲皇家墨爾本理工大學合 辦第一屆藝術文學士有陶瓷主修科目， 是不二之選。
A ̶ 畢業後為什麼會決定從事藝術教育工作 ? 教學的滿足感在 R ̶ 得到獎學金去英國留學，令我有回饋的念頭。在藝術學院做 全職老師後， 可以利用更多資源幫助學生成長， 同時令自己亦有裨
益。看到學生有進步，不單是學術成績，還是做人處世方面，我都 感到高興， 也希望他們有毅力去行藝術的路。
A ̶ 作為一位陶瓷藝術家，陶瓷對你有什麼意義 ?
R ̶ 我喜歡運用陶瓷去表達 「平衡」 這個主題，會運用紙和橡皮 圈等不耐久的物料， 配合較恆久的陶瓷， 廣闊地講述「關係」的故 事。陶瓷創作對我來說就是找尋我的人生哲學。
A ̶ 你於八月代表香港藝術中心參與「九龍倉全港中學生繪畫比 賽越後妻有交流團」，會擔當怎樣的角色？
R ̶ 我會擔任隨團藝術家，和一班喜歡藝術的中學生參觀藝術祭
張煒詩 ̶
於什麼？
Rachel Cheung: Philosophy of life in ceramics
煒詩，與我們談談她的陶瓷教師和藝術家的雙重身份。
陶瓷讓我找尋我的人生哲學
期的「幕後人語」請來香港藝術學院講師及課程統籌張
今
時分享自己對藝術的想法， 也希望他們藉這次旅程了解藝術媒介
B A C K S TA G E
B
ackstage sat down with Rachel Cheung, Lecturer and Programme Coordinator at the Hong Kong Art School (HKAS), to chat about her roles as a teacher and an artist in ceramics.
A ̶ Artslink
R ̶ Rachel A ̶What made you go back to school to study ceramics at the HKAS after a few years of work?
R ̶I was working in the fashion industry at the time. By chance, I went to a ceramics class with a friend, which piqued my interest for further studies. Incidentally, it was the year that the BA Fine Art programme, run by the HKAS and RMIT University, started a major in ceramics. So I needed to look no further. A ̶After finishing the course, why did you decide to get into art education? What gives you the greatest satisfaction in teaching?
R ̶As a student, I received two scholarships to study in the UK so I was inspired to pay it forward. By teaching full-time at the HKAS, I have abundant resources to spur the growth of my students, which enriched my own experience too. I’m really proud of my students, not only in terms of academics, but also of their wisdom and character. My best wishes to them as they persevere in the journey of becoming artists or professionals in the art field. A ̶ As an artist, what does ceramics mean to you?
R ̶My topic of interest is “equilibrium”. I like combining perishable materials, such as paper or rubber bands, with ceramics, which is durable, to explore the relationship between the two. Ceramics to me is the pathway to search for my philosophy of life.
是很寬闊的， 有不同的表達方式和主題， 也會介紹藝術祭相關的事 情， 和藝術在社會的作用。
A ̶ 可以介紹一下九月至十月在 Touch Ceramics 舉行的個人
陶藝展覽的主題和作品特色嗎 ?
A ̶You will represent the Hong Kong Arts Centre in “The Wharf Hong Kong Secondary School Art Competition Echigo-Tsumari Exchange Tour” in August. What will be your role?
R ̶ 展覽的題目是 「由實用至抽象」，是 2016 年參與瀨戶內藝
術三年祭 「FUKUTAKE HOUSE 亞洲藝術平台」 的延續， 用實用 陶瓷出發去探討當代陶藝， 探索陶藝創作若打破常規， 會有更多創
R ̶I will go with the group and share my thoughts on art with a bunch of art-loving secondary students during the Echigo-Tsumari Art Triennale. I hope this tour would expand their artistic horizon to see that there are numerous modes of self-expression and themes in art. In addition, I will introduce them to various things related to the Triennale, as well as the role of art in society.
作上的可能性嗎 ?
A ̶Could you also talk about your solo exhibition at Touch Ceramics, that takes place from September to October? What is special about the artworks this time? R ̶ The title of the exhibition is “From Functionality to
《由實用至抽像》 （局部）
From Functionality to Abstraction (Partial)
Abstraction”. It is an extension of my participation in the “Fukutake House Asian Art Platform” at the 2016 Setouchi Triennale. I will use practical ceramic wares as a starting point to explore the meaning of ceramics in contemporary art, in particular the possibilities created when the artist is willing to break the rules.
重 點 節目
22
M O N T H LY H I G H L I G H T
SEPTEMBER
Event Calendar
�目�
九月
Monthly Highlight
重點節目
賽馬會
ifva Everywhere ̶ 影像嘉年華 Jockey Club ifva Everywhere Carnival
www.ifva.com/everywhere 由香港藝術中心主辦、香港賽馬會慈善信託基金獨家贊助， 「賽馬會 ifva
Everywhere - 影像嘉年華」將於 9 月 29 至 30 日假中環愛丁堡廣場，展 開兩日兩夜精彩戶外節目，包括露天放映、互動媒體展影場、光影學堂及賣 藝趁墟等，開拓公眾對影像文化的眼界。
Organised by the Hong Kong Arts Centre and exclusively funded by the Hong Kong Jockey Club Charities Trust, Jockey Club ifva Everywhere Carnival will be held on 29 and 30 September at Edinburgh Place, Central. This two-day outdoor moving image festival covers open-air screening, film tent, media arts exhibitions, as well as workshops and pop-up market to provide free entertainment to the community and the general public.
九月 September 漫遊機場 − 功夫三部曲 Comix tream
香港藝術中心四十週年旗艦展覽將聚焦中心所在地：灣仔。灣仔是香港歷史 最悠久的地區之一，新舊並存，蘊含豐富的多元文化，彷彿香港的縮影。展覽 融合不同世代、跨領域、跨文化的創作，勾勒情景與藝術軌跡，全新的委託創
have a special connection to Hong Kong. Diverse artistic genres and newly commissioned works express artists’ explorations of Wan Chai on many different levels, including personal, historical, and experiential.
十月
OCTOBER
學習
表演
Screening 放映
Exhibition 展覽
NOVEMBER
Performance
十一月
Learning
City Art Lab 至 Until Dec
各區中學 Secondary Schools in HK
Black & White as an Aesthetic Choice - The Last Picture Show,
Killer of Sheep, Mad Max: Fury Road (Black and Chrome Edition), The White Ribbon, The Woman Who Left, Devils on the Doorstep 25, 27 - 29 Sep, 1 Oct 古天樂電影院 Louis Koo Cinema
自主特區 −《分域大道》( 香港首映 )
導演 鄧偉傑 | 演員 劉玉翠 / 關寶慧 / 黄呈欣 / 彭鎮南 / 莫家堯 / 伍潔茵
Bun Hay Mean aka Chinois Marrant
監製 張志偉 劉雅麗
1 Sep
後， 是 PROJECT ROUNDABOUT 繼《謊言 THE TRUTH》 《她媽的葬禮》
壽臣劇院 Shouson Theatre
第二年度的演出。三姊妹 Teresa/Mary/Catherine 久別重逢，在母親的 葬禮前夕回到兒時成長的故居，為她們心目中差勁的母親籌劃葬禮。一起追 憶往事，未見得令三姊妹走得更近，反而越吵越鬧！本劇榮獲奧利花獎 最佳
and family. As the three sisters attempt to organise their mother’s funeral, their memories of their childhood run together; and the secrets of their separate lives are revealed. The comedy becomes melancholic, as the emotional bruises of the three sisters’ childhood emerge. Memories fade, blur, and persist as the three sisters bicker, watched over by the ghost of the mother to whom they are preparing to say goodbye.
王迪詩「我敢」演唱會
Independently Yours - Last Exit to Kai Tak (Hong Kong Premiere) 古天樂電影院 Louis Koo Cinema
賽馬會 ifva Everywhere − 影像嘉年華
Daisy Wong "I Dare" Concert 7 - 8 Sep
29 - 30 Sep
壽臣劇院 Shouson Theatre
中環愛丁堡廣場
Edinburgh Place, Central 澳洲皇家墨爾本理工大學藝術碩士香港畢 業展 2018 − Peeling the Onion
Peeling the Onion RMIT Master of Fine Art Graduate Exhibition HK 2018 8 - 16 Sep
包氏畫廊 Pao Galleries
以個人的家庭故事為起始，透過物件、短片和她標誌性的黑白紀實攝影作
ifva x 都爹利會館 放映活動 ifva x Duddell's Screening Series
品，展現移民工人的愛、家庭及犧牲。
11 Sep
WMA Commission Mobility cycle recipient, Xyza Cruz Bacani, will tell the story of women who live abroad as foreign domestic workers, who leave behind their families in their home countries. Beginning with her own family story, Bacani’s solo exhibition We Are Like Air will shed light on the love, family, and sacrifice of migrant workers through objects, video, and her signature black-and-white documentary photography.
都爹利會館 Duddell's, Central
有一個人 Once a man
香港藝術中心四十周年旗艦展覽 − 灣仔文法：過去、現在、未來式
The HKAC 40th Anniversary flagship exhibition Wan Chai Grammatica: Past, Present, Future Tense 30 Sep - 4 Nov 包氏畫廊 Pao Galleries
十月 October 香港國際黑盒劇場節：Milo Rau/IIPM/ CAMPO《五段小品》( 瑞士 / 德國 / 比利時 ) Hong Kong International
Black Box Festival: Milo Rau/ IIPM/CAMPO - Five Easy Pieces (Switzerland/Germany/Belgium) 3 Oct - 2 Nov 壽臣劇院 Shouson Theatre
十一月 November 溝口健二：映畫一代男
Kenji Mizoguchi: A Life in Film 1, 3, 14, 25 Nov 古天樂電影院 Louis Koo Cinema
HKAC Art Shop 啟發分享系列 x 嶺 南大學 50 週年講座系列 (2017–2018) HKAC Art Shop Inspiration series x Lingnan University 50th Anniversary Lecture Series (2017–2018)
Hong Kong Art School @ Fine Art Asia 2018 29 Sep - 2 Oct 香港會議中心展覽廳 3
Hall 3, Hong Kong Convention and Exibition Centre
Jockey Club ifva Everywhere 48 Hour Film Challenge: Finalist Outdoor Screening and Prize Presentation Ceremony
麥高利小劇場 McAulay Studio
影評人之選 2018 − 電影，從鐵路開始 − 《暴走列車》、 《東方快車謀殺案》、 《嚴密監視的列車》
Critics' Choice 2018 - From Rails to Reels - Runaway Train, Murder on the Orient Express, Closely Watched Train 古天樂電影院 Louis Koo Cinema
8 Oct 何鴻章排練室 Eric Hotung Studio
11-28 Nov 包氏畫廊 Pao Galleries
她媽的葬禮 The Memory of Water
by Shelagh Stephenson
9 - 14, 16 - 18 Oct
ifva x 都爹利會館 放映活動 ifva x Duddell's Screening Series
壽臣劇院 Shouson Theatre
13 Nov 都爹利會館 Duddell's, Central
德國電影節 KINO/18 KINO/18 German Film Festival
11 - 18 Oct 古天樂電影院 Louis Koo Cinema
和風藝傳 − 日本特色和服文化在香港
Fabulous Kimono Workshop
16 Nov 古天樂電影院 Louis Koo Cinema
ifva x 都爹利會館 放映活動 ifva x Duddell's Screening Series 16 Oct 都爹利會館 Duddell's, Central
阿推的漫畫 − 捉迷藏
The Quest Game – Exhibition of Push Comic’s Works 實驗畫廊 Experimental Gallery
高先精選 −《邊境奇聞》 、 《水底行走的人》 、 《非同凡響》 、 《美聲人質》 、 《幼稚園老師》
Golden Scene Selection - Border, I've Got the Blues, Distinction, Bel Canto, The Kindergarten Teacher 25 - 29 Oct
�馬� ifva Everywhere - 48 小�� ��作挑戰�：入�作品�������禮
2 - 11 Nov
Social Transformations: An Exhibition Celebrating 20 years of Partnership between RMIT University and Hong Kong Art School
19 Oct - 20 Nov 香港藝術學院 @ 典亞藝博 2018
I Want to Sick Leave Tomorrow
9 - 10 Nov
26 Sep
Jockey Club ifva Everywhere Carnival
WMA 委託計劃「動」得主 Xyza Cruz Bacani 個展「 We Are Like Air」， 將述說外籍家庭女傭為生計漂泊海外，離開自己的家庭的故事。Bacani 將
�形 − 1970 年�黑白���� − 《��的��》、 《���》、 《末日先� : 戰甲�車》 ( ��黑白� )、《白���》、 《��的女�》、 《��來了》
修頓遊樂場 Southorn Playground
劇作 Shelagh Stephenson | 翻譯 鍾燕詩
We Are Like Air
HKAC x ACC 創意思維分享系列及 HKAC Art Shop 啟發分享系列 x 嶺南大學 50 週年講座系列 (2017-2018) HKAC x ACC Creative Mind Series & HKAC Art Shop Inspiration series x Lingnan University 50th Anniversary Lecture Series (20172018) 何鴻章排練室 Eric Hotung Studio
至 Until Mar 2019
粵語演出 In Cantonese | www.projectroundabout.com
Three estranged sisters (Teresa/Mary/Catherine) meet on the eve of their mother’s funeral to argue and reminisce memory
唐吉訶德 DON QUIXOTE
至 Until Nov
手造城市・藝行實現社
EVENT CALENDAR
23
古天樂電影院 Louis Koo Cinema
@Airport - Kung Fu Triology
漫遊城市 − 灣仔 Comixtream in the City - Wan Chai
THE MEMORY OF WATER by Shelagh Stephenson
A PROJECT ROUNDABOUT production co-presented by the Hong Kong Arts Centre
20 - 24 Sep
22 Sep
International Airport
《她媽的葬禮》
"Black comedy magic." 英國每日鏡報
Wife Always Pretends to be Dead, Border (Preview), Distinction, I’ve Got the Blues
香港國際機場 Hong Kong
作更進一步探索藝術家眼中的灣仔與香港。
"Wickedly funny and moving." 英國獨立報
Selection - When I Get Home My
壽臣劇院 Shouson Theatre
The HKAC 40th Anniversary flagship exhibition Wan Chai Grammatica: Past, Present, Future Tense
喜劇。 《她媽的葬禮》一齣又苦又甜 又愛又恨的笑「喪」喜劇。
高先精選 −《我老婆日日都扮死》、 《邊境奇聞 》( 優先場 )、 《非同凡響》、 《水底行走的人》Golden Scene
21 - 24, 26 - 27 Sep
香港藝術中心四十周年旗艦展覽 ̶ 灣仔文法：過去、現在、未來式
The HKAC 40th Anniversary flagship exhibition celebrates the cultural and artistic traces of Hong Kong. The programme is simultaneously an investigation into and a celebration of the Hong Kong identity, as seen through one of Hong Kong's most iconic city districts: Wan Chai. Participants include Hong Kong artists from different generations, backgrounds, and national origins, as well as artists from the international community who
節目表
Art X 17 - 18 Nov 香港藝術中心 Hong Kong Arts Centre
自主特區 − 陳耀成回顧展
Independently Yours - Evans Chan Retrospective 18 - 24 Nov 古天樂電影院 Louis Koo Cinema
高先精選（十一月）
Golden Scene Selection (November) 22 - 26 Nov 古天樂電影院 Louis Koo Cinema
古天樂電影院 Louis Koo Cinema
We Are Like Air 香港國際黑盒劇場節 −《剛果裁决》放映
Hong Kong International Black Box Festival - Screening of The
30 Sep
Congo Tribunal
13 - 16 Sep
中環愛丁堡廣場
30 Oct
壽臣劇院 Shouson Theatre
Edinburgh Place, Central
古天樂電影院 Louis Koo Cinema
1 - 20 Dec ( 開幕 Opening 30 Nov ) 實驗畫廊 Experimental Gallery
節目詳情請瀏覽 For more details of the
programmes, please refer to www.hkac.org.hk
概 覽
24
Introduction of Hong Kong Arts Centre
香港藝術中心簡介
彰顯多元藝術 、薈萃創意靈感
香港藝術中心是一所多元藝術創意中心，多年來積極將創新前
OVERVIEW
The relevant destination for arts and creative inspirations in Hong Kong
瞻的當代藝術引進香港，同時亦努力將本土藝術家介紹給海外
HKAC is a multi-arts centre that fosters artistic
觀眾。
exchanges locally and internationally, bringing the
中心更是本地唯一獨立自主的非牟利多元藝術機構，一直 致力鼓勵、推廣創意 , 竭力促進本地與國際的藝術交流；透過 舉辦不同形式的藝術活動及跨界合作，把香港和世界聯繫起來。 歡迎來到香港藝術中心，透過體驗藝術豐富生活，藉著欣
most forward creations to Hong Kong and showcasing homegrown talents abroad. HKAC stimulates innovation and promotes creativity. Being Hong Kong’s only independent nonprofit multi-arts institution, HKAC offers exhibitions,
賞藝術啟發創意。
screenings and performances, connecting the arts of Hong Kong to the rest of the world through programmes and collaborations. Come to HKAC to experience, appreciate, learn and be inspired by arts.
Locations & Opening Hours
地址及開放時間
香港藝術中心 Hong
Kong Arts Centre
灣仔港灣道二號
2 Harbour Road, Wan Chai 電話 Tel: 2582 0200 網頁 Website: www.hkac.org.hk
Facebook: Hong Kong Arts Centre 星期一至日 Mon – Sun: 8am – 11pm 農曆年初一至三休息 Closed on the first three days of the Lunar New Year
香港藝術學院 Hong
Kong Art School
本部 Main Campus
灣仔港灣道二號香港藝術中心十樓
10/F, Hong Kong Arts Centre, 2 Harbour Road, Wan Chai 包黃秀英校舍 Pao Haung Sue Ing Campus 筲箕灣譚公廟道八號
8 Tam Kung Temple Road, Shau Kei Wan 柴灣校舍 （學院註冊處）
Chai Wan Campus (School Enrolment Office) 柴灣柴灣道 238 號青年廣場八樓 819 室
Rm 819, 8/F, 238 Chai Wan Road, Chai Wan
電話 Tel: 2922 2822 網頁 Website: www.hkas.edu.hk
Facebook: Hong Kong Art School 星期一至五 Mon – Fri: 10am – 7pm 星期六 Sat: 10am – 6pm 星期日及公眾假期休息 Closed on Sun & Public Holidays
當八號或更高烈風訊號生效時 將暫停開放
Closed when a Typhoon Signal No. 8 or higher is hoisted.