3.3 MUSEE YVES SAINT LAURENT

AUDITORIUM The design of an auditorium is to determine a seating area, establish the position of walls and shape of floors within the limitations to see satisfactorily.

Center of curvature- It is located on the center line of the auditorium, approximately the depth of the house behind the proscenium. Aisles- Maximum legal number of seats into each row in every section- 14. A center aisle wastes the most desired seating area in the front Visual acuity- Distance of not more than 15m Capacity- Varies with the different performances in the stage. For pageants/shows, 48-60m is generally adopted on grounds of visibility for determining the maximum depth of the house. Floor slope- To determine floor slope, establish eye position of spectator in first row on center line by approximately 30o vertical angle above. For live shows stage floor will be 0.05m below the eye level. A point 1.12m below and 0.45m in front of the eye position will be the floor level for the first row. Considerations in planning depth of house Draw a sight line from the from the eye position to the downstage edge of stage and extend it back of the eye position for the front row, step off horizontal seat spacing and draw vertical lines at the points thus established. Establish a point 0.127m above the intersection of the extended sight line and the next vertical line. This is the eye position for the second row and the floor level at the front edge of the second row seat is 1.12m below in front of the eye position. Repeat steps 1, 2, 3 to the back of the house and draw in the floor slope. Where the slope exceeds 0.03 in 0.3, platforms are required under the seats and steps in the aisles. In laying out the balcony, sight lines are laid out from rear to front because it is unsafe to change balcony slope. Proscenium width for pageant performances- 24m Spatial requirements for

Pageant/Shows productions General characteristics- dramatic episodes, processions, marches, dances and crowd scenes. Masses of performers engaged in simple but expansive movements before very large audiences. Acting area size- From 185-465sqm, depending on the scale of the project. Shape Rectangular shape with aspect ratio between 1 to 3 and 2 to 3

Performance –Audience arrangements Audience looking in one direction towards the performance proscenium. It affords maximum confrontation of performers and audience and is best for concert performances and presentations. It offers limited orientation of performers to the audience. It creates a limited, unified, fixed frame for the pictorial composition of the performance.

CHANGING ROOMS These are needed for artistic personnel, directors and administration. From a historic perspective the personnel rooms were placed on the either side of the stage. Nowadays, it is built on one side of the stage, opposite to the technical side and on several floors.

TECHNICAL ROOM Transformer room, Medium and low-voltage switch room, emergency power batteries, air conditioning and ventilation plant, water supply- sprinkler system according to local requirements and specialist planning.

CHAPTER 3 - CASESTUDY

LIVE CASE STUDY

3.1 PEARL ACADAMY OF FASHION, JAIPUR

Located in a typical hot, dry, desert type climate on the outskirts of jaipur in the Kukas industrial area, about 20Km from Jaipur. PLOT AREA: 12 acres. It ranks third in the top 10 fashion design colleges in India. Materials Used for Construction: Locally available stone, steel, glass , concrete. Contemporary design accommodating heritage values Climate Responsive: The double skin facade acts as a thermal buffer between the building and the surroundings. Shadow Patterns for Diffused Light: self-shading to control temperature while allowing diffused natural light to the interiors like studios and classrooms. 100% Energy Efficient

3.1.1 Purpose of the study Purpose Of the Study

To understand the function and different spaces in a fashion institute which can be incoperated in the training center.

Fig 3.1.1 Fig 3.1.2 Fig 3.1.3

Fig 3.1.4(Ground floor plan)

Fig 3.1.5(first floor plan)

1.MAIN ENTRANCE 2.RECEPTION 3.EXHIBITION AREA 4.LECTURE THEATRE 5.STUDIOS 6.LIBRARY 7.RESOURCE CENTER 8.CLASSROOMS 9.LABS 10.ADMINISTRATIVE OFFICE 11.STAIRCASES 12.CANTEEN 13.OUTDOOR SEATING 14.KITCHEN 15.BACKSTAGE 16.LOCKERS 17.SHOP

3.1.3 INTERIOR

Fig 3.1.6(Studio) Fig 3.1.7(Studio) Fig 3.1.8(Studio)

THESIS REPORT | FASHION HUB DELHI

The studio spaces have glass windows and the jali which provides shadow and prevent direct sunlight. Studios have workstations for designing purpose and also mannequins for trials of the designs they make.

Fig 3.1.9(Studio) Fig 3.1.10(Studio) Fig 3.1.11(Studio

Passages are wide and the works of the students are exhibited there. Niches to corridors to exhibit student works and achievements. There is a room called resource room which acts a fashion incubator with meeting room. There are labs like sewing lab, printing and dyeing room, art room etc.. Spaces are well zoned snd the circulation pattern is excellent. Ground floor which is like an activity space is converted to exhibition spaces. Ground floor area used as informal area for students.

3.1.4 ANALYSIS

 Proper ventilation and area in the class rooms  Studios are spacious and properly designed .  Proper circulation spaces.  Corridor space and courtyard space is sufficient as interaction spaces.

3.2 SABYASACHI's FLAGSHIP STORE , DELHI

LOCATION Mehrauli,Delhi India

BUILDING TYPE Retail Store

AREA 13500 sqm

3.2.1 CONCEPT

The Sabyasachi brand is dedicated to maintaining Indian culture through its products. 'International styling with an Indian soul,' is the brands vision and mission. Through current fashions, every accessories, store design, and clothes have a distinctively Indian feel to them.

Tradition is a huge factor in all of his work it contains all of the traditional qajar art of Persia, to the victorian influence, to the darkly lighted hallways,to the luxurious exhibition of his progress everything is characterised in all of his luxury store.

Fig 3.2.1 Fig 3.2.2 Fig 3.2.3