Images Arizona (December 2022)

At L’Entrata, we’re here to make sure everyone has a great experience and doesn’t feel intimidated by the wine selections. Let us find where your tastes lie, and we’ll steer you in the right direction. We are of the motto drink what you like. There is no wrong answer. We also have wines for the discerning palate and we’re happy to

explore those with you as well. We even have local brews for when you bring a friend who hasn’t necessarily “found wine yet.

This is a place for everyone to come and enjoy each other’s company, talk learn about wine, have a bite to eat and have fun!

NEW! Don’t miss Executive Chef, Josh Bracher’s rotating small-plate menu! Welcome to the L’Entrata Family! Never a bad day with wine!

Arizona

“It’s what you’re doing and who you’re with that creates the memory.”

From the Publisher

Publisher

Shelly Spence

Managing Editor

Joseph J. Airdo

Graphic Designer Meaghan Mitchell

Contributing Writers

Joseph J. Airdo

Amanda Christmann

Francine Coles Rebecca L. Rhoades Shannon Severson

Photographers

Francine Coles Loralei Lazurek Carl Schultz

Advertising Sales

Cindi Calcinari 860-966-3271 cindi@imagesaz.com

FFrom immersive representations of classic Christmas tales like “The Nutcracker” to grandiose light displays that decorate our desert communities to no-churn ice cream boasting one of the quintessential flavors of the holiday season, this month’s issue of Images Arizona is a celebration of everything that makes this time of the year so magical.

More so than any other year, we have filled these pages with stories that illustrate the many merry and bright ways in which our communities get into the holiday spirit. Whether you are already feeling festive or in need of a little cheer, it is my sincere wish that this month’s magazine is a source of joy, inspiration and hope.

As we close out 2022, I want to again express my utmost gratitude to each and every person who reads our magazine — as well as to our many amazing advertisers and our small-yet-talented team of writers and photographers who make Images Arizona the best publication possible month after month.

Thank you, as well, to my friends and family — especially my wonderful kids, of whom I am so proud — for bringing so much joy and light into my life. I cannot express enough how much you mean to me. Never in a million years would I have ever anticipated that I would be so fortunate to have such extraordinary people in my life.

Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com

Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc. Copyright © 2022 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.

I also want to wish you all a very happy and healthy holiday season. May it bring you much love and many memories.

Cheers!

Shelly Spence

Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221

Photography by Loralei Lazurek

by Josh Cihak

Sedona has always held a very special place in Phoenix resident Josh Cihak’s heart. The landscape photographer often makes the two-hour trip up north to reset and reconnect amidst the area’s raw beauty, which he says makes being present an absolutely effortless endeavor.

“I have hiked Soldier Pass to Seven Sacred Pools four times over the last two years,” says Cihak, noting that he has repeatedly sought a perfect shot of the popular site — free from the usual crowds and with the “pools” actually filled with water.

“I made the drive up early Sunday morning with expected rainfall, which typically limits the crowds on trails. I got to the trailhead around 9 a.m. Coming to a drizzle, the rain was nearing its end. By the time I was 0.3 miles from the pools, it had completely stopped, leaving a stillness in the air that I can’t describe.

“As I approached the pools, the red rocks began to glisten as the clouds were clearing, which left a milky haze over the valley. This was my final backdrop with the pools filled, in complete isolation, and a fog-tinted filter covering the rocks. It was such a serene moment — and a frame that I have been chasing for quite a while.”

Cihak aspires to, within the next few years, build a seasonal home in Sedona and open a gallery downtown to display his work. instagram.com/cihak1visuals cihak1visuals.com

Photo

TThe story of “The Nutcracker and the Mouse King” has entranced audiences young and old for more than 200 years. First written by German author E.T.A. Hoffman in 1816, the story was adapted by Alexandre Dumas — better known as author of “The Three Musketeers” –– in 1844, which became the basis for the version we are familiar with today.

The first stage performance of “The Nutcracker” ballet in St. Petersburg, Russia was commissioned by the director of the Russian Imperial Theater in 1892, set to the music of Peter Ilych Tchaikovsky’s original score — and, believe it or not, it received mixed reviews.

But as critics can sometimes be out of step with larger public sentiment, “The Nutcracker” went on to become a perennial favorite around the world as a dreamy tale of Christmas come to life. In the United States, choreographer

Writer Shannon Severson

Photography by Patrick Hodgson

George Balanchine’s 1954 version for New York City Ballet cemented the story as what is arguably America’s favorite ballet. For many families, the holidays just are not the same without attending a performance.

Now, a new way to enjoy this classic Christmas tale has arrived in the Valley in the form of “The Immersive Nutcracker, A Winter Miracle” at Scottsdale’s Lighthouse ArtSpace Phoenix. It’s an approachable experience for even squirmy young children who might prefer twirling alongside the dancers to sitting still in a theater seat.

“This is an experiential retelling of a classic holiday story combined with magical sounds of Christmas music, ballet dancing, state-ofthe-art moving projections and immersive animations,” says Corey Ross, producer and co-founder of Lighthouse Immersive who, along with Impact Museums, is bringing this creation of Canada’s Storywall Entertainment to local audiences.

Audiences will travel through five fantasy worlds from the Winter Forest to inside the magical Christmas tree to Candy World. Sprinkled throughout are ballet performances by Canadian talents, including principal dancer Denis Rodkin and leading soloist Eleonora

Sevenard, as well as animations — all in a 360-degree, three-dimensional environment with 50,000 cubic feet of projections.

The classical score includes the familiar strains of “The March of the Toys” and “The Dance of the Sugar Plum Fairy.” The 30-minute, larger-than-life experience allows attendees young and old to experience a bite-sized slice of the long-form holiday delight.

immersive-nutcracker.com

This is an experiential retelling of a classic holiday story combined with magical sounds of Christmas music, ballet dancing, state-of-theart moving projections and immersive animations.

Corey Ross

COMMUNITY December 2022

Through Dec. 29

‘A CHRISTMAS CAROL’

Arizona Broadway Theatre will present its production of “A Christmas Carol,” a lavish and thrilling Broadway adaptation of Charles Dickens’ story that breathes fantastic new life into the classic tale of Christmas tidings and heartwarming generosity. $85+. See website for times. Arizona Broadway Theatre, 7701 W. Paradise Lane, Peoria. 623-776-8400; azbroadway.org

Through Dec. 15

‘AND NOW A WORD FROM OUR

HOLIDAY SPONSORS’

Order Chaos Theater Company will present its production of “And Now a Word from Our Holiday Sponsors,” a play about the hilarity that ensues during a live Christmas Eve episode of a fictional TV sitcom. $10+. See website for times. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-252-8497; herbergertheater.org

Through Dec. 18

‘A CHRISTMAS STORY: THE MUSICAL’

Scottsdale Desert Stages Theatre will present its production of “A Christmas Story,” a stage musical version of the classic 1983 film. $30. See website for times. Scottsdale Desert Stages Theatre at Fashion Square, 7014 E. Camelback Road, Suite 0586, Scottsdale. 480-4831664; desertstages.org

Through Dec. 30

‘IT’S

A WONDERFUL LIFE’

Don Bluth Front Row Theater will present its production of “It’s a Wonderful Life,” a stage version of the classic 1946 film. $30; youth, student, senior, military and group discounts available. See website for times. Don Bluth Front Row Theater, 8989 E. Via Linda, Suite 118, Scottsdale. 480-314-0841; donbluthfrontrowtheatre.com

Through Jan. 1

‘CINDERELLA’

The Phoenix Theatre Company will present its production of “Cinderella,” which tells the endearing tale of a girl who learns to believe in what’s possible — with a contemporary twist. See website for price and times. The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. 602-254-2151; phoenixtheatre.com

Through Jan. 1

CITYSKATE

CitySkate, downtown Phoenix’s most popular and real outdoor ice-skating rink, will return to CityScape Phoenix for the holiday season. $20; youth, student, senior and military discounts available. See website for times. Patriot’s Park at CityScape, 11 W. Washington St., Phoenix. cityskatephx.com

Dec. 1

WINTER WINDS AND WHISPERS

Arizona Wind Symphony will perform a concert of holiday music. $12+; student and senior discounts available. 7 p.m. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe. 480-350-2822; tempecenterforthearts.com

Writer Joseph J. Airdo

Dec. 2

WILD AND SWINGIN’

HOLIDAY PARTY

Leading swing revival band Big Bad Voodoo Daddy will bring its unique and spirited holiday concert to the Valley as part of Arizona Musicfest. $51+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org

Dec. 2–4

‘ARIADNE AUF NAXOS’

Arizona Opera will present its production of “Ariadne auf Naxos,” a satirical farce that combines sublime music with hilarious antics. See website for price and times. Herberger Theater Center, 222 E. Monroe St. Phoenix. 602-254-7399; azopera.org

Dec. 2–4

HOLIDAY POPS

The Phoenix Symphony will perform a concert of Christmas music with special guest vocalist Andrea Ross. See website for price and times. Symphony Hall, 75 N. Second St., Phoenix. phoenixsymphony.org

Dec. 2–18

‘BLACK NATIVITY’

Black Theatre Troupe will present its production of “Black Nativity,” in which a joyous company of singers, actors, dancers and musicians delivers a powerful message of joy, hope, victory and liberation. $48+. See website for times. Helen K. Mason Performing Arts Center, 1333 E. Washington St., Phoenix. 602-2588128; blacktheatretroupe.org

Dec. 2–18

‘ELF: THE MUSICAL’

Starlight Community Theater will present its production of “Elf: The Musical,” a fish-out-of-water comedy that follows an elf along his quest to find his true identity. $25. See website for times. Starlight Community Theater, 1611 W. Whispering Wind Drive, Suite 9, Phoenix. starlightcommunitytheater.com

Dec. 2–Jan. 3

EXCITING TRAVEL PHOTOGRAPHY

Herberger Theater Center will host an exhibit featuring the travel photography of Matt Cohen. Free. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-252-8497; herbergertheater.org

Dec. 3

BOSSA CHRISTMAS

Singer-songwriter Caro Pierotto will express her love for her Brazilian heritage by blending Bossa Nova magic with classic Christmas songs in her new holiday concert. $20; youth discounts available. 7:30 p.m. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe. 480-3502822; tempecenterforthearts.com

Dec. 3 and 4 BALLET THEATRE OF PHOENIX’S ‘THE NUTCRACKER’

Ballet Theatre of Phoenix will present two fully staged performances of “The Nutcracker,” featuring its students and professional dancers from Convergence Ballet. This year's production will include authentic flamenco, classical Indian and Russian folk dancers to perform the iconic “Dances of the Sweets” in the second act. $30. Saturday 7 p.m.; Sunday 11 a.m. and 3 p.m. Horizon High School, 5601 N. Greenway Road, Phoenix. ballettheatreofphx.org

Dec. 3 and 4

ZONA MUSIC FESTIVAL

Psyko Steve Presents will debut its inaugural two-day boutique music festival featuring a diverse range of national and local alternative, indie, pop and rock artists. $164+. See website for schedule. Margaret T. Hance Park, 67 W. Culver St., Phoenix. zonamusicfest.com

COMMUNITY December 2022

Through Dec. 31

THE IMMERSIVE NUTCRACKER

Lighthouse Immersive and Impact Museums will debut an experiential retelling of a young girl’s magical Christmas Eve journey, featuring more than 500,000 cubic feet of projections composed of over 1 million frames of video, curating a grand immersive display that relays the tale of “The Nutcracker” from opening to finale. $29.99+. See website for times. Lighthouse ArtSpace Phoenix, 4301 N. Scottsdale Road, Scottsdale. immersive-nutcracker.com

Dec. 4

THE SCHUMANN LEGACY

The Musical Instrument Museum will welcome MusicaNova Orchestra for a concert of Robert Schumann’s most treasured masterpieces. $33.50+. 2 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 6

AN APPALACHIAN CHRISTMAS

Virtuosic fiddle player, guitarist and composer Mark O’Connor will take the stage, joined by his wife, Maggie, and son, Forrest, for a holiday concert as part of Arizona Musicfest. $34+. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org

Dec. 8–11

‘BE MORE CHILL’

Musical Theatre of Anthem will present its production of “Be More Chill,” a sci-fi musical that explores parts of high school that everyone goes through — such as trying to fit in, wanting to impress someone you like, feeling like an outcast and even losing a good friend along the way. $25. See website for times. Musical Theatre of Anthem, 42201 N. 41st Drive, Anthem. 623-336-6001; musicaltheatreofanthem.org

Dec. 8

MINDI ABAIR’S I CAN’T WAIT FOR CHRISTMAS

The Musical Instrument Museum will welcome two-time Grammy nominee Mindi Abair for a holiday concert featuring an incredible group of multitalented smooth jazz musicians. $33.50+. 7 and 9 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 9

BIG BAND HOLIDAYS

The Musical Instrument Museum will welcome National Endowment for the Arts jazz master and five-time Grammywinning vocalist Dianne Reeves, emerging singer Samara Joy and Jazz at Lincoln Center Orchestra for a concert featuring soulful renditions of holiday classics, playful improvisation and entertaining storytelling. $69.50+. 6:30 and 9 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 9 and 10

KATHERINE JETTER

Marvel at the unique enamel hues, vibrant gold treatments and rare colored gems of couture jewelry designer Katherine Jetter. These cutting-edge, wearable art pieces for bold and brilliant women feature sensational, proprietary colors with eye-catching rhodium hues and exceptional, hand-picked gemstones that individually tell Jetter what they need during her design process. Free. 10 a.m.–5 p.m. Grace Renee Gallery, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com

Writer Joseph J. Airdo

Dec. 9 and 10

STEPHEN WEBSTER

Discover the bold and glamorous collections from Stephen Webster, a London-based contemporary fine jeweler celebrated for his fearless creativity, powerful aesthetic, and traditional British craftsmanship. Coveted by Hollywood icons and idols alike, from Megan Fox and Madonna, to David Beckham and Elton John. Free. 10 a.m.–5 p.m. Grace Renee Gallery, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com

Dec. 9–18

‘HOLLY DAZED: A FESTIVELY CONFUSED CABARET’

Order Chaos Theater Company will present its production of “Holly Dazed: A Festively Confused Cabaret,” a show about a classical piano holiday recital that goes awry. $27. See website for times. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-2528497; herbergertheater.org

Dec. 9–23

PHOENIX BALLET’S ‘THE NUTCRACKER’

Phoenix Ballet will perform its production of “The Nutcracker.” See website for price and times. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-996-8000; phoenixballet.org

Dec. 9–24

BALLET ARIZONA’S ‘THE NUTCRACKER’

Ballet Arizona will present its performance of “The Nutcracker,” during which the Phoenix Symphony will play Pyotr Ilyich Tchaikovsky’s iconic score that perfectly encapsulates the feeling of Christmas while Clara battles mischievous mice and charms the Sugar Plum Fairy. See website for price and times. Symphony Hall, 75 N. Second St., Phoenix. 602-381-1096; balletaz.org

Dec. 10

ANTHEM HOLIDAY LIGHT CRUISE

A group of local Jeep and utility terrain vehicle enthusiasts will light up the streets

of Anthem with a procession of festively decorated off-road vehicles. Traveling along a 25-mile route, the light cruise will weave in and out of neighborhoods, spreading holiday cheer throughout the community. Free. Dusk. Outlets at Anthem, 4250 W. Anthem Way, Phoenix.

Dec. 10 and 11

‘TIS THE SEASON: HOLIDAYS AT MIM

The Musical Instrument Museum will celebrate the merry melodies and seasonal traditions of global wintertime celebrations. See website for schedule of events. $20; youth discounts available. 9 a.m.–5 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd. Phoenix. 480-478-6000; mim.org

Dec. 10–23

‘THE WICKHAMS: CHRISTMAS AT PEMBERLEY’ Arizona Theatre Company will present its production of “The Wickhams: Christmas at Pemberley,” Lauren Gunderson and Margot Melcon’s latest story featuring the characters from Jane Austen’s “Pride and Prejudice.” $25+. See website for times. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602252-8497; arizonatheatre.org

Dec. 11

HOLIDAYS WITH ORPHEUS: CELEBRATE THE SEASON

Orpheus Male Chorus will perform a concert of traditional and contemporary holiday songs. $25; youth, student and senior discounts available. 3 p.m. Camelback Bible Church, 3900 E. Stanford Drive, Paradise Valley. orpheus.org

Dec. 11

HOME FOR THE HOLIDAYS

The Phoenix Boys Choir will perform a holiday concert of music from around the world as well as stunning choral a cappella pieces to usher in the winter season. $28.50+. 1 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480478-6000; mim.org

Joseph J. Airdo

COMMUNITY December 2022

Dec. 17

WREATHS ACROSS AMERICA

Wreaths Across America will host its annual ceremony at the National Memorial Cemetery of Arizona in Phoenix, where thousands of holiday wreaths will be laid on the graves of our country's fallen heroes. Free. 10 a.m. National Memorial Cemetery of Arizona, 23029 N. Cave Creek Road, Phoenix. wreathsacrossamerica.org

Dec. 14

CHRISTMAS CARAVAN

The Musical Instrument Museum will welcome Squirrel Nut Zippers for a concert of holiday music. $33.50+. 7 and 9 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 15

A WINTER’S EVE CONCERT

The Musical Instrument Museum will welcome five-time Grammy Award-nominated composer and performer David Arkenstone for an enchanting performance of chart-topping favorites, glorious traditional holiday songs and new neoclassical and crossover compositions featuring strings and percussion. $38.50+. 7:30 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 15–18

HANDEL’S MESSIAH

The Phoenix Symphony will perform a concert that has become synonymous with Christmas celebrations. See website for prices, times and locations. phoenixsymphony.org

Dec. 15–19

A CHORALE CHRISTMAS: NAVIDAD

Phoenix Chorale will perform a series of holiday concerts featuring Spanish and Latin music at several venues around the Valley. $45; youth, senior, military and veteran discounts available. See website for times and locations. phoenixchorale.org

Dec. 17

CHRISTMAS THROUGH THE AGES

ProMusica Arizona Chorale and Orchestra will perform a holiday concert, which will include stunning arrangements of traditional carols as well as the world premiere of “Jesus, Refulsit Omnium” — the earliest known Nativity text stemming from 368 A.D. based on the original Gregorian chant. The All Saints Lutheran Church Bell Choir and the Handbell Ringers of Sun City will add their talents to the performance. $27.50; youth, student, senior, military and group discounts available. 7 p.m. All Saints Lutheran Church, 15649 N. Seventh St., Phoenix. 623-326-5172; pmaz.org

Dec. 17

THE MIRACLES

The Musical Instrument Museum will welcome the classic Motown group The Miracles for a concert of holiday music. $64.50+. 3 and 7:30 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 17

A JOYFUL CHRISTMAS

North Valley Symphony Orchestra will perform a concert

Writer

featuring festive music from holiday hits such as “National Lampoon’s Christmas Vacation” and “A Charlie Brown Christmas.” $5. 7 p.m. North Canyon High School, 1700 E. Union Hills Drive, Phoenix. northvalleysymphony.org

Dec. 19

A HAPPY JOYOUS HANUKKAH

The Musical Instrument Museum will welcome The Klezmatics for a concert of Hanukkah music. $44.50+. 7 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480478-6000; mim.org

Dec. 19–24

‘RUDOLPH THE RED-NOSED REINDEER’

Childsplay will present its production of “Rudolph the Red-Nosed Reindeer,” a musical stage adaptation of the beloved television special. $13+. See website for times. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-252-8497; herbergertheater.org

Dec. 20–24

‘FANCY NANCY SPLENDIFEROUS CHRISTMAS’

Arizona Broadway Theatre will present its Theatre for Young Audiences production of “Fancy Nancy Splendiferous Christmas,” based on the beloved children’s book. During the performance dates, the theater will collect new and slightly used chapter books for readers ages 12–19, which will be donated to Peoria Libraries. $15+. See website for times. Arizona Broadway Theatre, 7701 W. Paradise Lane, Peoria. 623776-8400; azbroadway.org

Dec. 28–Jan. 22

‘SECRET

Dec. 29–31

A VERY MERRY CHRISTMAS

The Musical Instrument Museum will welcome songwriter and pianist Jim Brickman for a concert of holiday music. $49.50+. See website for times. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480478-6000; mim.org

Dec. 31

NEW YEAR’S EVE CONCERT

The Phoenix Symphony will perform its annual New Year’s Eve concert. See website for price. 7:30 p.m. Symphony Hall, 75 N. Second St., Phoenix. phoenixsymphony.org

Jan. 5–15

‘LOMBARDI’

Order Chaos Theater Company will present its production of “Lombardi,” a play about a young journalist who accepts the invitation to live with legendary football icon Vince Lombardi and his wife Marie. $27. See website for times. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-252-8497; herbergertheater.org

Jan. 6

THE MODERN GENTLEMEN

Vocal quartet The Modern Gentlemen will perform a concert of doo-wop, Motown, pop and rock music with a sound that blends classic hits of yesterday with a modern dapper style as part of Arizona Musicfest. $51+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org

Jan. 6–30

STORIES WE LOVE TO TELL

COMEDY OF WOMEN’

Playhouse Productions will present a play about the challenges of womanhood. $49+. See website for times. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-2528497; herbergertheater.org

Four women explore aspects of growing up, interwoven family history and narratives that have affected their art through a visual memoir. Free. Herberger Theater Center, 222 E. Monroe St., Phoenix. 602-252-8497; herbergertheater.org

Cruising into Christmas

OOne night each December, the streets of Anthem light up with a procession of festively decorated off-road vehicles that, traveling along a 25-mile route, weave in and out of neighborhoods, spreading holiday spirit throughout the entire community.

Paving the way for Santa’s reindeer-powered sleigh, the holiday light cruise is to Anthem what Macy’s Thanksgiving Day Parade is to New York City. However, its original organizers never intended for the excursion to be anywhere near the seasonal spectacle that it has become.

The first holiday light cruise through Anthem took place seven years ago as a way for local Jeep and utility terrain vehicle enthusiasts to gather together and take a wintertime tour of the community’s most creatively decorated homes. It was not long until the sightseers became the sight themselves.

“It successfully grew over its first couple of years,” says David Coleman, who a few years ago took the reigns of the annual Christmas caravan. “It has gotten bigger and bigger each year and has become an extremely large event. We had more than 300 vehicles last year. Someone told me that the line was three-and-a-half miles long.”

In fact, it has gotten so big that Coleman has had to turn away many individuals who want to join the cruise, limiting participation to Jeeps and UTVs.

“Everybody wants to drive in it — and I would love for everybody to do so — but that is, logistically, just not possible,” Coleman says. “As it stands, it is nearly 9 p.m. by the time we get to the last neighborhood. And I want to get through as many neighborhoods as we possibly can.”

Writer Joseph J. Airdo

Photography Courtesy of the Anthem Holiday Light Cruise Team

He has also had to work closely with the Arizona Department of Public Safety, who this year will assist in ensuring a safe and steady flow from the cruise’s starting point at Outlets at Anthem to the neighborhoods on the east side of I-17.

“Setting up something like this is not for the faint of heart,” Coleman says. “It is quite the undertaking. I could not do it without the countless people who help me pull it off year after year — especially Stephanie MacLean and Ben Southgate, who have really stepped up and helped secure sponsors to pay for signage and stuff like that. We have not perfected it by any stretch of the imagination, but we are learning every year; and everybody just gets so excited about it.”

That enthusiasm comes through quite clearly from the creativity with which cruise participants decorate their vehicles.

“We have some people who get so darn creative every year,” Coleman says. “It is just amazing. A couple of years ago, someone attached a basketball hoop to their vehicle with Santa dunking. Last year, we had someone with the Grinch sitting on their roof watching a working television that was mounted on the back of their vehicle. The creativity makes it so much fun.”

Each year, Coleman asks an impartial spectator to select their three favorite participants, who then receive gift cards. However, he says that the competition element is merely a means to encourage creativity and make the event even more fun.

The light cruise is a way that we can give back to the community. It is a way for myself, my team, my wife and everybody who participates to spread holiday love and cheer.

David Coleman

“I run a 3,500-watt inverter generator and, last year, had 18,000 lights on my Jeep,” Coleman says. “It was completely covered. But you can just put a couple of strands of lights on your vehicle and be in [the cruise].”

Coleman estimates that roughly 75% of the holiday light cruise’s participants are Anthem residents, with the remaining 25% coming from as far north as Black Canyon City and as far south as Peoria.

Participants have always been encouraged to bring new, unwrapped toys and nonperishable food items, which are then donated to a local charity. However, this year’s cruise — which is set for Saturday, Dec. 10 — will take that one step further, with those donations serving as everyone’s entrance fee.

As it has the past two years, the holiday light cruise will begin at dusk at the Outlets at Anthem — a location from which Coleman strongly suggests spectators enjoy the show.

“We invite people to park in front of the outlets by the Christmas tree, set up their lawn chairs and watch as [our participants] pass by,” he says. “We are going to circle the entire outlet mall then exit out the back.”

From there, participants will cruise through Anthem’s west-side neighborhoods before making their way over I-17 and through the community’s east-side neighborhoods, including Arroyo Norte. If you are lucky, you may only need to set up your lawn chair at the end of your driveway to catch the cruise. However, Coleman says that Boulder Creek High School and Anthem Community Park are prime public viewing areas.

He and other event organizers are hopeful that the holiday light cruise can continue for many years to come. In only a few short years, it has already evolved into a beloved Yuletide tradition for the many participants and spectators who count on the convivial convoy to help ring in the season.

“A lot of us have our own businesses here and the community has always taken great care of us,” says Coleman, who owns Precise Pest Solutions. “The light cruise is a way that we can give back to the community. It is a way for myself, my wife, my team and everybody who participates to spread holiday love and cheer.

“It is extremely stressful sometimes, but this event is extremely important to me. And I do not see myself giving it up or trying to find someone else to take it over in the near future. Because I really look forward to it every year. It is just a fun event. And I enjoy the smiles on people’s faces as we go by.

“I wish that we could go slower, but I can still see the smiles — especially on the faces of those people who may not be able to get out and about and can just scoot out to their sidewalk or go down to the end of the street to see us go by. Those smiles make it all worth it every year.”

Experience

Anthem Holiday Light Cruise

Saturday, Dec. 10 | Dusk Outlets at Anthem 4250 W. Anthem Way, Phoenix Free

Visit anchor.fm/imagesaz or scan this QR code with your phone to listen to “Christmas Caravan,” featuring David Coleman’s remarks about the creative ways in which Anthem’s holiday light cruise participants decorate their off-road vehicles and why the annual event means so much to him.

FFor each shopper who mentions Comfort Bears in a Catastrophe at checkout 2–4 p.m. Saturday, Dec. 3 at Kendra Scott Jewelry's Scottsdale Quarter and Chandler locations (and online shoppers who use promo code GIVEBACK-CYOCA all-day Dec. 3 and 4), the jewelry company will donate 20% of its proceeds to the nonprofit organization.

Moreover, at its Scottsdale location, Kendra Scott Jewelry will also host a meet-and-greet with the Comfort Bears in a Catastrophe’s teddy bear mascot, who will be posing for photos with and passing out stickers to children.

When hurricanes, fires, tornadoes and other natural disasters ravage a community, many families lose everything. Charities and government agencies step in to help repair the damage and replace the essentials — housing, clothes, furniture and food — but the smallest victims, the children, often lose something that adults don’t give a second thought to: a favorite stuffed animal or doll.

Comfort Bears in a Catastrophe was founded by Anthem native Mimi Hymel out of her own experience with tragedy. When she was just 3 years old, her family’s home was ravaged by the flood waters of Hurricane Katrina. Along with all the big stuff, she lost her favorite teddy bear.

“People often donate essential items, leaving kids with no comfort items and confused,” Hymel explains. “This leads to a decrease in their mental health and [causes] long-term impacts in social skills, education and more.”

Hymel can relate to every child who receives a Comfort Bear. She recalls her desire for a new teddy bear to comfort her in the face of the trauma and disaster she experienced back in those tough days of Katrina. This core memory inspired her to found the charity when she was still an undergraduate at Arizona State University’s Walter Cronkite School of Journalism. She is now pursuing a Master’s in Public Administration at Grand Canyon University.

It has been a grassroots effort and a labor of love. Hymel worked to code her own website, post on social media and pitch stories to the press, getting her mission off the ground and increasing community support. She procured fiscal sponsorship from an established nonprofit organization, the Institute for Education, Research and Scholarships.

To date, Comfort Bears in a Catastrophe has gifted more than 1,000 teddy bears to children impacted by natural disasters in five states. More than 150 volunteers help to distribute the bears and have handmade more than 1,250 cards with messages of encouragement and love for each child who receives a bear. Comfort Bears in a Catastrophe hosts public and private Tag-A-Bear events so that adults and kids can get involved and learn more about this real need.

Writer Shannon Severson Photography Courtesy of Comfort Bears in a Catastrophe

A key partnership that Hymel made early on was with the Phoenix chapter of Habitat for Humanity in 2021.

“We gave 50 bears to families impacted,” Hymel recalls. “A lot of times, after a disaster, much like my family, you end up displaced and still need a home to live in. It can be a struggle for families to afford all of the essential items and comfort items for their children on top of that.

“Habitat for Humanity helps to build homes in a more accessible way for these families. I’ve found that displaced families are often the hardest to find and provide support to after a disaster. People don’t think about families who have left [the disaster site] but they still need support and comfort.”

While some have asked Hymel if she has considered expanding her reach to sick children in the hospital or foster children through already-established charities, she says those sentiments highlight why Comfort Bears in a Catastrophe is so necessary.

“Children impacted by disasters are typically forgotten about when thinking of where to donate comfort items,” Hymel says. “They are handed essential items which, as a child, you don't miss. You expect there to be a house or food on the table like there was every other day. You're really missing those comfort items and that's what you want.

“To know that very few organizations provide this kind of support to children was heartbreaking and I experienced it first-hand as well. While organizations like the Red Cross have some teddy bears on hand, they don't typically have more than 50 at a time for storage purposes. This means when a big disaster like Hurricane Ian hits, they don't have the output for comfort items to provide.

“That was a leading reason I wanted to create a nonprofit solely focused on providing those comfort items to children impacted by disasters specifically. With that as our sole mission, we are able to give out and store a much higher number of stuffed animals.”

comfortbearsinacatastrophe.org

Anthem native Mimi Hymel founded Comfort Bears in a Catastrophe out of her own experience with tragedy. When she was just 3 years old, her family’s home was ravaged by the flood waters of Hurricane Katrina. // Photo by Nichole Yazzie

Comfort for Christmas

Comfort Bears in a Catastrophe this month will receive a fundraising boost through the philanthropic arm of Kendra Scott Jewelry, which is offering shoppers an opportunity to extend their gifts beyond what’s under the tree to children in need who they may never meet, but nonetheless will now have a teddy bear to cuddle up with as their families face the path to recovery.

For each shopper who mentions Comfort Bears in a Catastrophe at checkout 2–4 p.m. Saturday, Dec. 3 at Kendra Scott Jewelry's Scottsdale Quarter and Chandler locations (and online shoppers who use promo code GIVEBACK-CYOCA all-day Dec. 3 and 4), the jewelry company will donate 20% of its proceeds to the nonprofit organization.

Moreover, at its Scottsdale location, Kendra Scott Jewelry will also host a meet-and-greet with the Comfort Bears in a Catastrophe’s teddy bear mascot, who will be posing for photos with and passing out stickers to children.

RRegardless of which holiday you are celebrating this season, there is a pretty high probability that lights play a fairly substantial role in it.

The tradition of adorning our homes with decorative lights dates back to the 17th century when those in Germany, and later Eastern Europe, attached small candles to tree branches with pins or melted wax. European Christians also displayed burning candles in their windows, indicating that those who shared their religious beliefs were welcome to come worship with them.

During the 1880 holiday season, Thomas Edison introduced the first outdoor electric Christmas light display on the outside of his laboratory compound, which sat near a railway where, each night, countless people could behold its wonder and glory. A few years later, Edward Johnson — an inventor under Edison’s supervision — created the first string of Christmas lights, which was made out of 80 small electric bulbs.

In 1890, Johnson’s light strings were mass-produced and department stores began displaying them in the Christmas displays in their stores. Five years later, President Grover Cleveland sponsored the first electrically lit Christmas tree at the White House, bringing national attention to the trend.

The brightly lit decorations quickly caught on and, at the turn of the century in the U.S., public displays of Christmas lights in retail stores and government buildings became increasingly popular. A few decades later, when electric lights became more affordable, it became a common practice for people to decorate their homes with them each holiday season.

Today, lights symbolize many things — from solemn remembrance to a guiding hope to joyful revelry — as we use them to communicate a belief or a feeling that words alone cannot relay as succinctly or as beautifully.

Photographer Nick Pease has captured some of the best representations of lights around Arizona, which we are proud and grateful to be able to share with our readers through this month’s photo essay. It is the sincere hope of everyone at Images Arizona that they bring unto you festive reflections of whatever it is that you are celebrating this season.

Writer Joseph J. Airdo Photography by Nick Pease

Ever since I was a kid, I have always loved Christmastime. My dad would put up the Christmas decorations outside in November and I would get so excited. I always wanted to help him. It was our goal to have all of the decorations put up and turned on before any of our neighbors.

Nick Pease

Growing up, most everyone in my neighborhood decorated for the holidays. My favorite thing, though, was when my parents, my brother and I would get into the car and drive around the city and the outskirts to look at all of the best Christmas lights and decorations around. Nick Pease

These images help me re-experience the cherished childhood memories I have of Christmastime. I enjoy driving around the Valley and all of Arizona in search of the best holiday decorations and other festive reflections. Nick Pease

About the Photographer

When Nick Pease moved from northeast Minnesota to Arizona in 2015, he spent a great deal of his free time exploring the state and taking pictures of its breathtaking beauty with his iPhone 4. Two years later, following the praise and advice of his father, Pease decided to pursue a career in photography and purchased a Canon EOS 77D as well as a couple of lenses.

“Two weeks after I bought my camera, I sold my first image,” Pease says. “It was so cool to see my own work on a canvas print. From that moment, I knew that I needed to continue doing this.”

Pease spent a couple of years learning about his camera and its various settings on his own until he crossed paths with other local photographers, from who he gained additional education and insight into the art form.

Since then, the south Tempe resident has sold numerous images to individuals across Arizona as well as to family and friends in other states, has been a finalist in two photography competitions and has published calendars showcasing his work for 2022 and 2023.

“Some of the things that photography has taught me is to be patient, to enjoy the little things in life, to savor each moment and to always be making memories,” says Pease, who also enjoys hiking and storm chasing. “Photography has also taught me that I am a very talented person and that I can make a difference in this world.

“The human experience is something I am blessed and thankful to be able to live every day. It really is something special. Not everybody is able to get out and road trip around the state or get the chance to go see five states during a given year. Not everyone gets a chance to get out and experience the world.

“I am always looking for new places to explore and I love being able to share my experiences of traveling and hiking all across the southwestern U.S. with everyone and showing them, through my art, just how awesome of a place we live in.”

instagram.com/nickpease_azphoto facebook.com/nick.pease.146

Writer Joseph J. Airdo

FFestive fables that are traditionally told in some way, shape or form each and every holiday season are quite possibly the stories that have the most memorable impacts on our lives.

Whether it is watching a reindeer named Rudolph save the day with his red nose, reading about how a green Grinch steals Christmas from a bunch of Whos in Whoville, listening to the account of a frosty snowman who comes to life and has to hurry on his way before he melts away or even seeing Tim Allen suit up as Santa because of a clause, these Yuletide tales leave a lasting imprint on our minds and in our hearts.

Perhaps it is just the joyful themes they relay and represent or maybe it is due to the fact that we first experience these stories with

Don Bluth Front Row Theater’s “It’s a Wonderful Life” // Photo by Stephanie Cartwright

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Jace Wilson stars as Ralphie Parker in Scottsdale Desert Stages Theatre’s production of “A Christmas Story: The Musical” //

the ones we love most — our parents when we are kids and our children when we are adults — but, either way, we return to them year after year to find a comforting feeling that makes everything merry and bright.

This month, some of the greatest Christmas chronicles of all time will take the stage courtesy of the tremendously talented performing arts organizations we are so privileged to have here in the Valley. From a cautionary tale about a boy who wants a Red Ryder BB gun for Christmas to a narrative that reminds us that every time a bell rings, an angel gets its wings, these are the stories that prove that this truly is the most wonderful time of the year.

‘A CHRISTMAS STORY’

One year shy of its 40th anniversary, “A Christmas Story” is at the forefront of everyone’s minds this holiday season thanks to a newly released HBO Max sequel in which star Peter Billingsley reprises his role of Ralphie who, now an adult, returns to the house on Cleveland street to give his kids a magical Christmas just like the one that he had as a child.

However, 13 years ago, the 1983 film saw a similar resurgence with the premiere of “A Christmas Story: The Musical” — a show that began as a regional production before opening on Broadway, going on tour and eventually making its way to television screens in 2017.

“‘A Christmas Story’ has always been one of my two favorite Christmas movies since I was a kid,” says Dan Ashlock, Jr., noting that his other favorite Christmas movie is “A Muppets Christmas Carol.” “Those are the two that I have to watch every year.”

‘A Christmas Story’ has always been one of my two favorite Christmas movies since I was a kid. It is especially nostalgic for adults to be able to look back and see what they enjoyed about the holidays of their childhood. It is just such a heartwarming holiday story.

Dan Ashlock, Jr.

Photo by Richard “Mickey” Courtney

Having produced the traditional narrative version of “A Christmas Story” for several years, Scottsdale Desert Stages Theatre this year brings the musical adaptation to its stage, with Ashlock as director. Through Dec. 18, audiences can experience everything from Ralphie’s pink bunny rabbit pajamas to the movie’s iconic leg lamp live on stage.

“It is pretty much the same story as the original,” Ashlock says. “All of the same characters are involved and most of the lines in the musical are taken directly from the movie. It just adds music to help [advance and enhance] the story.”

Scottsdale Desert Stages Theatre executive director Ellen Versen adds that the music and lyrics for “A Christmas Story: The Musical” were written by Benj Pasek and Justin Paul — the same songwriting duo behind “Dear Evan Hansen,” “The Greatest Showman” and many of the songs featured in “La La Land.”

Ashlock hopes to use the production’s songs and story to impart upon audiences all of the good feelings that are inherently tied to the holiday season — especially that magical moment when everything finally goes precisely as planned and you get that perfect Christmas gift of which you have been dreaming all year long.

“It is especially nostalgic for adults to be able to look back and see what they enjoyed about the holidays of their childhood,” explains the director, noting that everyone can relate to the perfectly imperfect Parker family that is at the center of “A Christmas Story.” “It is just such a heartwarming holiday story.”

‘THE NUTCRACKER’

As it is for many, “The Nutcracker” has been a holiday tradition for Tiffany Chatfield for as long as she can remember.

“My older sister and I loved dancing in our local dance studio’s [production of] ‘The Nutcracker,’ Chatfield says. “And even though I have performed some rendition of ‘The Nutcracker’ every year since the age of 5, the magic I felt as a baby ballerina still surrounds me each holiday season.”

Chatfield is honored to now be able to continue that tradition as a dancer in Ballet Arizona’s production of the classic story about a young girl who battles mischievous mice and charms the Sugar Plum Fairy

Ballet Arizona’s “The Nutcracker” // Photos by Rosalie O'Connor

— all while Phoenix Symphony performs Pyotr Ilyich Tchaikovsky’s iconic score that perfectly encapsulates the feeling of Christmas.

“Ballet Arizona’s production really brings the magic to life like nothing you have seen before,” Chatfield adds. “From the gigantic Rat King, to the twisty and twirly costumes of the Marzipan girls, the costumes are phenomenal. My favorite part of our production of ‘The Nutcracker’ is definitely the battle scene because of how immersive the set is.”

The battle scene is also a highlight for Ballet Arizona dancer Ethan Price, who credits “The Nutcracker” with solidifying his love for the magic of the stage.

“The first act of Ballet Arizona’s ‘The Nutcracker’ has so many incredible sets and transformations,” Price explains. “The house growing into the battle scene is great, and capping off the act with the sparkling backdrop of snow scene is incredible to see. There is really nothing quite like it.”

On stage at Symphony Hall Dec. 9–24, the story of “The Nutcracker” is brought to life by Ballet Arizona’s artistic director, Ib Andersen — a choreographer that dancer Isabella Seo says provides that extra special element that makes the production stand out in a sea of wooden soldiers.

“I think it is cool that we get to dance many of his ballets that have his personality and thinking added into them,” explains Seo, noting that she, too, has cherished memories of dancing in “The Nutcracker” with her siblings. “It is a festive ballet with beautiful props, music and dancing that touches the audience in a way, leaving a warm holiday memory.”

Chatfield agrees.

“The ballet itself has themes of Christmas intertwined, so it is no wonder why so many have embraced [‘The Nutcracker’] as a [holiday] staple,” she adds. “But it is the heartwarming story of kindness that really makes it a perfect fit for the festive atmosphere of December.”

‘A CHRISTMAS CAROL’

You may be surprised to learn that quite possibly the most well-known holiday tale of all time, “A Christmas Carol,” was actually self-published in 1843 by author Charles

Dickens who, at the time, was unable to find anyone willing to release his book. However, it was an instant success.

Priced at 5 shillings — about $30 — the first edition was released Dec. 19 of that year and was sold out by Christmas Day. Two more editions were printed before the end of the year and the first stage adaptation appeared in London less than two months later, which was quickly followed by seven others.

Over the years, the story of a miserly misanthrope who is taken on a magical journey has been reimagined and retold in a variety of ways — via 1988’s “Scrooged!,” 1992’s “A Muppet Christmas Carol” and most recently Apple TV+’s “Spirited,” a musical starring Will Ferrell and Ryan Reynolds.

Locally, the story comes to life through Dec. 29 at Arizona Broadway Theatre. Marketing and communications director, Michele Meyer, says that the theater’s version of the production is the one that first premiered in 1994 at Madison Square Garden in New York, with music by Disney and Broadway legend Alan Menken, and a decade later was adapted for television with Kelsey Grammer in the role of Ebenezer Scrooge.

“Arizona Broadway Theatre is a dinner theater that only seats about 400 people or so,” Meyer adds. “So it is more spacious and, during each performance, you can enjoy a two-course meal and conversation with your family or friends.”

Local Arizona Broadway Theatre favorites who have returned to the stage in new roles for this year’s production include Jamie Michael Parnell as Ebenezer Scrooge.

Keeping with the tale’s message of generosity, audiences are encouraged to bring donations for the theater’s toy and clothing drive, which this year benefits Sunshine Residential Homes — an organization that provides clean, safe and structured homes for children who are victims of abuse, abandonment and neglect.

“We deck out the lobby and in front of the theater with trees,” Meyer adds. “We just want to give audiences a few hours to socialize and see a great show. The holidays are all about that warm feeling you get while gathering together.”

Arizona Broadway Theatre’s “A Christmas Carol: The Musical” // Photo Courtesy of Arizona Broadway Theatre

‘ELF’

High school theater teacher Megan Gardner’s favorite Christmas movie of all time is “Elf” — a 2003 comedy in which Will Ferrell plays a man who, raised as an oversized elf, travels from the North Pole to New York City to meet his biological father who does not know that he exists and is in desperate need of the holiday spirit.

“I could watch it a thousand times every Christmas season,” Gardner says.

She was therefore delighted when Ashlock offered her the opportunity to direct the musical version of the story for Starlight Community Theater, for which he serves as artistic director. Set for Dec. 2–18, “Elf: The Musical” marks Gardner’s fourth production for the theater this year, following in the footsteps of “My Son Pinocchio, Jr.” “Disney's The Little Mermaid” and “Heathers: The Musical — Teen Edition.”

“Anyone who knows the movie will definitely recognize a majority of the story,” Gardner says. “It is the movie put on stage — the seven levels of the Candy Cane Forest, Buddy the elf and all that good stuff — but with some really fun original music and dancing thrown in there as well.”

Gardner adds that the show, like most produced by Starlight Community Theater, is a multi-generational affair.

“We have all ages,” she explains. “I think that our youngest is 6 years old and our oldest is in their upper 50s or mid-60s. We have got brothers, parents, children — you name it. My favorite part of Starlight Community Theater is that it is a family theater through and through.”

In addition to the movie, “Elf: The Musical” also draws inspiration from “Elf: Buddy's Musical Christmas” — a 2014 animated special in which Jim Parsons voices the title character.

“That is actually a big part of our set design,” Gardner says. “The Starlight stage is very unique. We are small, but we are mighty — and we can do a lot of really cool things. We are playing a lot with the 3D element and trying to find ways to make the whole theater feel like

a snow globe. Our goal is for the audience to feel like they are sitting in a Christmas snow globe in New York City.

“I want them to feel at home and in the Christmas spirit. I want this to be something that they can bring their whole family to, because ‘Elf’ is for everybody. Even if you do not like musicals but you like the movie, we have got it. It is right here — just with a little extra zazzle on top. This show is so fun and magical. And it is a really great way to set the Christmas spirit this December.”

After all, as Buddy says, “The best way to spread Christmas cheer is singing loud for all to hear.”

‘IT’S A WONDERFUL LIFE’

Quoting Dolly Parton’s character in 1989’s “Steel Magnolias,” Cheryl Schaar says that laughter through tears is her favorite emotion. Perhaps that is why her favorite holiday tale is Frank Capra’s 1946 Oscar-nominated film “It’s a Wonderful Life” — in which James Stewart plays a desperately frustrated businessman who, on Christmas Eve, is visited by an angel that shows him what life would have been like if he had never existed.

“I just love the inspirational quality of ‘It's a Wonderful Life,’ because I think that we often forget the impact that we have on other people and what life would be like for them if we were not there,” Schaar says. “We do not realize just how important we are to other people.”

For the past eight or nine years, Schaar has had the opportunity to share the movie’s meaningful message in a far more intimate setting — Don Bluth Front Row Theatre, which boasts a seating capacity of just 45.

Don Bluth Front Row Theater’s “It’s a Wonderful Life” // Photos by Stephanie Cartwright

“We keep it very comfortable,” says Schaar, who is directing the theater’s production of “It’s a Wonderful Life” through Dec. 30. “Our actors are not even miked. We are such an intimate space and the acoustics are such that you can hear everything. You feel like you are in the living room at a cocktail party, just listening to what is going on.”

This year, for the first time ever, the show will be performed in the round.

“We try to literally bring the movie to life,” says Schaar, noting that a little artistic license is taken to accommodate the theater’s budget — which is obviously considerably smaller than that of the Hollywood production. “Every year, we use a backdrop that [the theater’s founder Don Bluth] painted of Bedford Falls. You really feel like you are in Bedford Falls when you see this giant 18-by-10foot backdrop. If you allow yourself, you will leave the theater wiping a few tears away and being so glad that you came.”

Schaar adds that “It’s a Wonderful Life” is the theater’s Christmas gift to the community, one that she hopes may even lead to audiences leaving the theater a slightly different person than when they entered.

“Years ago, Don had a meeting with Lillian Gish — a movie star from the 20s,” Schaar explains. “She said to him, ‘When you sit in the dark, whether you are at a concert, a movie, a play or any other kind of production of the arts, your molecules are being rearranged and you leave that space slightly different.’ We hope that you leave our theater feeling inspired, motivated and happier.

“Every holiday story, at its heart, has the message of how it is better to give than to receive and how you must always appreciate what you have in life. To me, ‘It's a Wonderful Life’ says it best. It shows just how important we all are to our communities and to our families.

“It also encourages us to cherish the people in our lives as well. Because what would your life be like if they were not in it? Everybody who has ever lost somebody knows the answer to that. So while we have got them with us, we have to make the most of it. And do not forget to tell them that you love them every day.”

Experience‘A Christmas Story: The Musical’ Through Dec. 18

Scottsdale Desert Stages Theatre 7014 E. Camelback Road, Suite 0586, Scottsdale $30 480-483-1664 | desertstages.org

‘Elf: The Musical’ Dec. 2–18 Starlight Community Theater 1611 W. Whispering Wind Drive, Suite 9, Phoenix $25 starlightcommunitytheater.com

‘The Nutcracker’ Dec. 9–24 Symphony Hall 75 N. Second St., Phoenix $40+ 602-381-1096 | balletaz.org

‘A Christmas Carol: The Musical’ Through Dec. 29 Arizona Broadway Theatre 7701 W. Paradise Lane, Peoria $85+ 623-776-8400 | azbroadway.org

‘It’s a Wonderful Life’ Through Dec. 30 Don Bluth Front Row Theater 8989 E. Via Linda, Suite 118, Scottsdale $30; youth, student, senior, military and group discounts available 480-314-0841 | donbluthfrontrowtheatre.com

Visit anchor.fm/imagesaz or scan this QR code with your phone to listen to “Staging Christmas,” in which Cheryl Schaar discusses her career in theater and the “wonderful” appeal of Don Bluth Front Row Theater’s intimate setting.

What traits and tendencies are passed down through generations? A prominent physical feature? Lefthandedness? Special propensities or talents? Renowned wildlife artist Trevor Swanson can trace not only his artistic aptitude to generations of his forbears, but also the centuriesold techniques he uses today.

Each depiction of a quail, a coyote, a roadrunner or a bison tells a story of its own time and place and of Swanson’s adventurous experiences that inspire the paintings.

Now, he has developed another aspect of his art, using chemical treatment of metals to create patinas that serve as a new type of canvas and the results are durable works of art that can be displayed indoors or out and can even be utilized in functional home pieces. Swanson has partnered with Sue Bickerdyke Interiors Home Furnishings and Art Gallery in Carefree to feature these pieces.

“The patina metal is a unique technique that Trevor has developed over a period of years,” says Sue Bickerdyke, the

WWildlife artist Trevor Swanson’s paintings are available at Sue Bickerdyke Interiors Home Furnishings and Art Gallery in Carefree.

Writer Shannon Severson Photography by Loralei Lazurek

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showroom’s owner. “The surprises that are presented inspire the direction and the colors of the work that will become the completed art.”

It’s a twist on the talent that is embedded in Swanson’s DNA.

THE FAMILY THAT PAINTS TOGETHER…

Sitting in his light-filled Moon Valley studio, surrounded by volumes of photos and artifacts from his own lifetime of world travels and that of his family, Swanson says that his great-grandfather, Vernon, was an immigrant from Sweden.

It’s easy to go hiking somewhere and I come back with a bunch of different ideas and the beauty of the desert in different seasons. Each piece I do, I research and travel and it comes from a story that people are able to connect with.

Trevor Swanson

“He was a full-time farmer, parttime painter,” Swanson explains. “I still have some of his work. It’s something that has been passed down and then skipped a generation to my uncle and father.”

Swanson’s uncle Ray discovered a set of paints at the family’s South Dakota farm and inspiration struck like a nearly divine spark from the past. At the time, Swanson’s father, Gary, was working as a taxidermist in the wilds of Alaska and his brother encouraged him to return so they could paint together.

Each depiction of a quail, a coyote, a roadrunner or a bison tells a story of its own time and place and of wildlife artist Trevor Swanson’s adventurous experiences that inspire the paintings.

Ray loved painting people and Americana themes, while Gary — like Swanson now — was passionate about painting wildlife. Ray became known for his depictions of Southwest Native American tribes and his studio is now replicated at Prescott’s Phippen Museum, which the family helped to establish.

“My uncle just felt this calling to start to paint,” Swanson says. “He kind of started this whole family business and all of us have used the style of the Dutch masters — Vermeer and Rembrandt. It’s a lot of over-painting, a lot of wet and dry techniques; it’s time-consuming.

“I liken it to building a house. You start with a real interesting kind of foundation layer where you get the general layout of what the painting is going to be. Then you go from there to start adding the things that create the structure.

“There is a point that’s the drywall stage — it’s going to be pretty even though it’s not right now. But in that last stage, the process that’s almost exactly what has been going on for centuries is applied; rabbit skin glue is what it used to be. It’s called a retouch varnish. You get a kind of soft sticky layer that goes across that paint and that last layer is where you build the light and the detail.”

Swanson, who grew up in Prescott, begins with using his larger paintbrushes and works his way down to the smallest and finest brushes, all the while applying a pallet of natural earth tones — the same ones his family has always used, so much so that he can always spot a Swanson painting in a gallery or museum.

“If you don’t find it in nature, it’s not going to be on my pallet,” Swanson says.

This process and practice is the result of extreme discipline. Swanson says that he keeps the rest of his life — from what he eats to how he orders his day — very routine. It allows him to save his mental energy for art. While he’s painting wildlife scenes that tend toward serene majesty, he’s probably cranking hardcore metal music in his studio.

Wildlife artist Trevor Swanson uses chemical treatment of metals to create patinas that serve as a new type of canvas and the results are durable works of art that can be displayed indoors or out and can even be utilized in functional home pieces

“Everyone knows if the music is loud, don’t come in,” Swanson reveals. “If it’s quiet, then come in.”

His specific routines are a discipline that extends to his tools. He admits that he is obsessive about organizing and maintaining his brushes.

“I spend more time with my brushes than I do with my family,” Swanson says. “They’re like my babies and I take really good care of them. They have a little spa treatment at the end of the day in a lukewarm bath, then I treat them with olive oil. Some of these brushes have been with me for a decade. At first, I didn’t realize that not everyone does the same thing I do.”

HEAVY METAL

It seems fairly appropriate that a hardcore metal fan would end up using metal material, but it’s quite different from his 25 years of painting only on canvas. Swanson’s metal works are a new level of process and careful attention to detail.

After so many years of oil on canvas, he became intrigued by steel patina and the chemical process associated with it. The journey began when a friend asked his advice for covering up an unsightly air conditioner condenser outside his kitchen window. Swanson located a company in California that was creating patina for steel.

“Most patinas are made to be used on bronze,” Swanson says. “These can be used on steel, copper and brass. I worked on it for a year to experiment and get the effect I wanted. Suddenly, I had a whole new branch of my work, a whole new avenue of what I can do.”

Swanson says that he had to go back and learn chemistry — a subject that he didn’t enjoy in school. But this time was different because it really meant something to him; he was on a mission. He delved deep into metal, chemicals and just how much heat and acids to apply. It’s a delicate balance so that, when the chemicals are washed away after curing, all the color doesn’t go with it.

While he’s painting wildlife scenes that tend toward serene majesty, Trevor Swanson is probably cranking hardcore metal music in his studio.

At first, he was pleased that the patina produced similar color to the palette he was already working with — mostly browns and tans — but with time and practice, he has also developed rich forest greens and blues. He’s also chasing an elusive pink that would mimic the rosyorange hue of a sunset. When it came time to present his results, some galleries weren't open to change.

“I started shopping around my work with different galleries that knew my canvas work,” Swanson recalls. “Some galleries were like, ‘Nah, that’s just too different; it’s not a traditional thing.’ I’d known Sue Bickerdyke for years and we spoke when I took my work to the Celebration of Fine Art in Scottsdale. We clicked and it’s opened up this whole different world of functional art.

“In working with Sue, we’ve done projects like copper table tops, outdoor fireplace screens and a custom-built refrigerator. Growing up in the desert, I love Arizona and people who move here want something of the desert in their homes. We are bringing the desert to them.”

Bickerdyke is just as thrilled to be working with Swanson and says that she loves sharing his talent with her clients, who are amazed at his attention to detail — the hundreds of tiny paintbrush strokes that are captured with his collection of hundreds of brushes. His quail works, for which he is well-known — are among her favorites.

“He was born to be an artist,” Bickerdyke says. “It’s just in his blood. “Trevor’s passion for his work and his unique approach to wildlife, nature and life are captured in his work; you just feel it. It doesn’t matter if it’s an animal or a vintage old truck; the expression and the personality make you fall in love with the subject.”

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Sue Bickerdyke

LASTING WORKS OF ART

Swanson says that he’s had to embrace the chaos and unpredictability of the chemical process on metal. Unlike the canvas process he uses, smooth metal surfaces aren’t “grippy,” and yet he’s found treatments that allow him to paint in even greater detail than in his traditional works.

“The feathers on my birds are even softer on a piece of copper than on my canvas work,” Swanson says.

Further, the pieces are durable enough to withstand daily use inside the home or the harsh conditions of Arizona’s weather. New ideas for sturdy yet beautiful framing are also on Swanson’s mind. Everything is created to endure for generations and to fit traditional or modern design styles.

“The paintings will outlast me,” Swanson says. “The company that makes the patina has these incredible sealers that protect the pieces. It’s just amazing. With Sue, we do a lot of desert scenery. It’s easy to go hiking somewhere and I come back with a bunch of different ideas and the beauty of the desert in different seasons. Each piece I do, I research and travel and it comes from a story that people are able to connect with.”

Wildlife artist Trevor Swanson, who grew up in Prescott, begins with using his larger paintbrushes and works his way down to the smallest and finest brushes, all the while applying a pallet of natural earth tones.

Trevor’s passion for his work and his unique approach to wildlife, nature and life are captured in his work; you just feel it.

The Swanson legacy and its true representation of the beauty of our desert environment is alive and well and now there are myriad ways for patrons to enjoy it. Galleries and collectors are enthusiastically embracing both of Swanson’s artistic formats.

“There’s a guy who has had one of my paintings for ten years now,” Swanson says. “I see him every once in a while and he says, ‘Man, I start my day with a cup of coffee and I look at your work.’ That just gives me the chills. There is sacrifice in this business; it’s not a steady paycheck, there’s no health insurance –– that type of stuff. But there is an intangible element in those types of moments where you see that someone has connected to your work. It’s amazing.”

Bickerdyke recounts her own joy of living daily with one of Swanson’s works in her home.

“Trevor was commissioned to paint San Xavier del Bac Mission as a surprise from my husband,” she says. “It is lit with a picture light at the top. Every morning I turn on the dimmers and enjoy the sky or the architecture or the beauty of it. By carrying his work in our showroom, it has upped our game.”

suebickerdyke.com

No-Churn Peppermint Ice Cream

Serves: 6

Ingredients:

2-1/2 cups heavy whipping cream

14 ounces sweetened condensed milk

Pink food coloring, optional 3/4 teaspoon mint extract 1/2 cup crushed peppermint candy canes

Directions:

Add heavy cream and sweetened condensed milk to a large bowl. Whisk on a medium-low speed until the ingredients are smooth and even.

Turn the whisk up a bit higher and whisk until the mixture is starting to thicken and is smooth (it doesn’t need to be extremely thick), about 3 minutes on medium speed.

Add pink food coloring, if using, and mix until desired color is achieved. Add crushed candy canes and mix until distributed throughout.

Pour into a 9-by-5-inch loaf pan and place in the freezer until frozen and firm.

Chef’s Notes:

To crush candy canes, place into a Ziploc bag and pound with a rolling pin.

You may need to let the ice cream sit for 5–10 minutes before scooping.

Ice cream will last for 30 days in the freezer.

Writer and Photographer Francine Coles thefancypantskitchen.com

It may be winter, but some of us still have to enjoy our daily bite of ice cream— and there is no better fix than this no-churn peppermint ice cream, featuring fresh peppermint flavor with little bits of crushed candy canes in every bite. It’s also super easy to make!