Images Arizona April 2020

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TREVOR BRY CE AMY

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ART IS T S CUL P TOR

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ART IS T

“Spring Family,” Trevor Swanson, painting on patina metal, 24 x 16 in

“The Legend” Bryce Pettit, bronze

“Sonoran Desert,” Amy Lay, mixed media on canvas, 30 x 40 in “Dreaming of Jill” Bryce Pettit, stainless steel

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TIMELESS TEXTILES Writer Taylor Transtrum Photography Courtesy of Phoenix Art Museum

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and designer Anamika Khanna

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COMMUNITY EVENTS Writer Joseph J. Airdo

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25 YEARS OF HAPPY TAILS Writer Joseph J. Airdo Photography Courtesy of Foothills Animal Rescue and Maren Sater Photography

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BUTTERFLIES IN BLOOM Writer Joseph J. Airdo Photography by Saija Lehtonen

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A MENAGERIE OF INSPIRATION Writer Shannon Severson

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SPRING CHOPPED SALAD WITH PESTO-BUTTERMILK DRESSING Writer and Photographer Kyndra Kelly

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PUBLISHER Shelly Spence

MANAGING EDITOR Joseph J. Airdo

GRAPHIC DESIGNER Meaghan Hanie

CONTRIBUTING WRITERS Joseph J. Airdo Sue Kern-Fleischer Kyndra Kelly Shoshana Leon Shannon Severson Taylor Transtrum

PHOTOGRAPHERS Bryan Black Kyndra Kelly Loralei Lazurek Carl Schultz

ADVERTISING SALES Cooper Langston 480-544-8721 cooper@imagesaz.com

Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc. Copyright © 2020 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.

Local First A R I Z O NA

T

The month of April is usually one of the most exciting times for our community. The winter storms have finally subsided and all of that preceding rainfall has resulted in fields of wildflowers that make for a uniquely colorful landscape. That natural beauty combined with warm — but not too warm — temperatures make spring the absolutely perfect season for all of the best that Arizona’s arts and recreational organizations have to offer. Unfortunately, this year is different than all others. For the past month, our community — like all communities around the world — has been struggling to understand a pandemic that is unlike anything any of us have ever experienced before. As a result, many of our community’s concerts, festivals and gatherings have been canceled or indefinitely postponed. At press time, the many events that Images Arizona’s dedicated team of writers have written about in this month’s issue were still scheduled to take place as planned. However, as we have so clearly seen over the last several weeks, things can change in the blink of an eye. It is entirely possible that, by the time you read this, an organization has been forced to make the difficult decision to remove an event from its foreseeable calendar as a safety precaution of social distancing in order to slow the spread of infectious disease. Therefore, I encourage you to call ahead or check an event’s website for the most up-to-date information. Images Arizona remains committed to covering the many amazing people and outstanding organizations that make our part of the world so incredibly special. Please join me in supporting our community’s organizations by attending their rescheduled events as soon as the world around us returns to normal — and believe me, it will. We are in uncharted waters. But our community’s organizations are resilient and I have no doubt that, with our help, they will emerge from this brief standstill stronger than ever. Cheers! Shelly Spence Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221

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Writer Taylor Transtrum Photography Courtesy of Phoenix Art Museum and designer Anamika Khanna

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India has always held a special place in Helen Jean’s heart. “A love of this region has long been a professional curiosity of mine,” says Jean, Jacquie Dorrance Curator of Fashion Design at Phoenix Art Museum. “When I was approached by the museum to offer a proposal for a new exhibition, this seemed like the perfect opportunity to explore the culture in and around the Sikh community. Broadening that to India just made sense.” From streetwear to couture, Phoenix Art Museum’s latest exhibition — India: Fashion’s Muse — explores a love affair centuries in the making. Featuring garments from the 19th to the 21st centuries, the exhibition takes a deep dive into the ways Indian dress, aesthetic, artwork and tradition have inspired Western fashion designers past and present.

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One of the iconic images the exhibition looks at is the paisley pattern, which was originally a Persian pattern that traveled along the Silk Road to India and beyond. It has since become one of the most beloved patterns around the world — across cultures and dress traditions — and one that we still find in our homes today. “We also look at animal imagery — the peacock, the tiger, the elephant — and how that has been used in accessories and incredible couture beaded gowns from the 1920s,” Jean says. With ensembles from nine of India’s 28 states, India: Fashion’s Muse also explores some of the most iconic dress traditions of the country.

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6738 E. Cave Creek Road 480-488-9542 “These different ensembles are valuable because they communicate so much about people from these different regions,” Jean says. “The color of the sari; the type of weave; if it’s an embroidered design or woven design; if it’s dyed; if it’s tie-dyed or ikat — all of those things communicate where [in] India this person is from.”

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One of the most recognizable of these garments is the sari. Made of 4 to 9 yards of fabric, this versatile garment can be draped dozens of ways — each of which tells its own unique story. “The sari is all about balance, poise and grace all day long,” Jean says. “It's just the most incredible thing.” A television in the exhibition’s gallery displays “The Sari Series,” a digital anthology documenting India's regional sari drapes. Award-winning artist Sarah Singh’s short film “I Thought I Was Dreaming” is also on-screen in the gallery. It features India’s first supermodel Kirat Young and is based on the 1982 India-inspired collection by Yves Saint Laurent.

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In order to accurately represent each sari, Jean enlisted the help of the local Indian community. “We wanted [the exhibition] to be as authentic, clear and correct as it could possibly be,” she says. “This was not a story we could tell by ourselves. I was in an incredibly fortunate position to be able to find people to help tell this story, to help collect the objects and to help give them the platform to put the pieces together.” In addition to looking at traditional Indian saris, India: Fashion’s Muse explores Western interpretations of the dynamic garment. Among these pieces are examples from the Chanel Pre-Fall 2012 collection. There is also a robin’s egg blue and silver lame sari from the 1960s by Givenchy, which is similar to another ensemble that was featured in the film “Breakfast at Tiffany’s.” In the film, Audrey Hepburn’s character Holly Golightly enters a party with what is essentially a sari draped over her shoulder.

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“Even though she’s just draped it comically in this moment of the film, that’s one of the first times that we see the sari in Hollywood and it just explodes,” Jean says. “It’s such an incredible silhouette.” The curator adds that the sari is “a lifetime garment.” “You grow up learning how to drape it, how to wear it, how to move in it, how to be in it,” she explains. “It becomes a part of your identity and the Western versions are celebrations of that.” Jean’s favorite Western interpretation of the sari in the exhibition is a fuschia gown by French couture designer Pierre Balmain. “The theme of the exhibition is represented by this dress,” Jean says. “It’s an incredible silk sari that has been repurposed in the hands of this incredible French designer into a 1970s-style cocktail gown. This is the dress that I chose for the title wall, for the invitation [and] for all of the accents. It's all inspired by this dress.” The curator adds that Alexander McQueen’s 2008 peacock dress — located at the top of the museum’s stairs — is another key piece of the exhibition. “It was commissioned by the Fashion Institute of Design and Merchandising and it’s something to be celebrated,” she says. “The amount of work that went into making the dress, preserving

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EXPERIENCE

India: Fashion’s Muse i m a June g e s a r21 i z o|nSee a . c owebsite m Aprfor il 2hours 02 0 | Phoenix Art Museum | 1625 N. Central Ave., Phoenix | $18+ | 602-257-1880 | phxart.org 22Through Bill Blass, Coat and Trousers, 1980s. French silk and lurex brocade. Gift of Mrs. Hugh Downs.

Irene, Gold brocade evening dress with beige silk chiffon scarf, 1958. Lurex and silk brocade and silk chiffon. Gift of Mrs. B. J. Leonard.

Mary McFadden, Embroidered jacket, early 1980s. Silk velvet with metal and bead embroidery. Gift of Mrs. Jacquie Dorrance.


the dress and showing the dress is really a testament to the value we hold to fashion as art and the very important story that clothing tells about us and our experiences.” Closing out the exhibition are eight couture ensembles by Indian fashion designer Anamika Khanna. “Each of these pieces is handembroidered and hand-beaded,” Jean says. “They are exquisite, multilayered and they are each a celebration of the many different rich textile and embroidery traditions around India.” Khanna will be celebrating the U.S. premiere of her newest collection with a May 3 fashion show at Phoenix Art Museum — just one of several events that are being held in conjunction with the exhibition. “[India: Fashion’s Muse] presents a lot of incredible opportunities to see what’s happening in fashion in a part of the world that has and will continue to guide fashion,” Jean says. “I urge visitors to open their hearts when they come to the exhibition. I want them to come and learn to be better borrowers and celebrators of culture.” phxart.org

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COMMUNITY

2020 APRIL

Writer Joseph J. Airdo

April 1–30

SUPPORT LOCAL BUSINESSES Help reduce the impact of social distancing as a result of the coronavirus crisis on our community's businesses. Small measures can help your family remain healthy, safe and comfortable while also helping businesses to remain afloat during this difficult time. Take advantage of online shopping options from local supermarkets and retailers, many of which offer both delivery and pickup of goods. Utilize local restaurants' online and mobile ordering options that allow you to pick up a warm, professionally cooked, healthy meal or have it delivered directly to your door. Finally, consider being a little extra generous with tips for wait staff and delivery people. This may not directly contribute to a retailer or restaurant's bottom line, but it will increase the spirit of goodwill and help individual employees who are dealing with a reduced income due to fewer customers.

Feb. 1–May 31

April 3

April 4

The Arizona Center for Nature

FIRST FRIDAY ART WALK

Conservation and the Phoenix Zoo

Enjoy a diverse display of artistic

Local singer and songwriter Janelle

are collaborating with local artists

styles and mediums, meet the artists,

Loes will perform an intimate concert

to display their artwork in the zoo’s

enjoy refreshments and engage

in conjunction with the release of

new Savanna Gallery. The rotating

in conversation about art and

her new single “Criminal.” The track

exhibit enhances guests’ experience

architecture. Begin at any gallery then

is the first single off her sophomore

to not only see live animals but also

continue on to other participating

album “Stranger,” which is set for

be inspired by beautiful artwork.

galleries, all of which will pay the

release this fall. Free. 7–9 p.m. RSVP.

The exhibit aims to communicate

sales tax on artworks purchased

Fuego Bistro, 713 E. Palo Verde Drive,

the importance of national and

during the event. Free. 4–7 p.m. Town

Phoenix. janelleloes.com

international conservation efforts.

of Carefree, 101 Easy St., Carefree.

Art is available for purchase with a

visitcarefree.com/arts-and-culture

ART ON THE WILD SIDE

portion of proceeds benefiting the zoo’s conservation initiatives. Adults $24.95+; children $16.95+. Daily 9 a.m.–5 p.m. Phoenix Zoo, 455 N. Galvin Parkway, Phoenix. 602-286-3800; phoenixzoo.org

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JANELLE LOES CONCERT


April 6

A TASTE OF THE DESERT

brightly colored abstract paintings of Phoenix artists Bill Dambrova and Fausto Fernandez. Light refreshments will be served. The exhibition, which

Learn how to live off the desert during

opens April 8, will run through June

a seminar about edible plants. Attendees

30. 6:30–8 p.m. Scottsdale Civic Center

will not only discover how to go into

Public Gallery, 3839 N. Drinkwater

the desert to collect and make their own

Blvd., Scottsdale. scottsdalepublicart.org

foods but will also be treated to tastes and recipes. The seminar is sponsored by the Desert Awareness Committee of the

April 15

6:30–8 p.m. Holland Community Center,

SUSTAINABILITY AND DESIGN LECTURE

34250 N. 60th St., Scottsdale. azfcf.org/

Scottsdale Arts Learning and Innovation

about-desert-awareness

will host an all-ages talk about Frank

Foothills Community Foundation. Free.

Lloyd Wright’s philosophies on

April 7

ARIZONA GIVES DAY

sustainability and design and how they are tied to the modern green building movement. Free. 6 p.m. Appaloosa

The Alliance of Arizona Nonprofits

Public Gallery, 7377 E. Silverstone Drive,

and the Arizona Grantmakers Forum

Scottsdale. scottsdalepublicart.org

will collaborate for an online giving movement to celebrate and increase philanthropy in Arizona. The annual 24-hour statewide fundraising event will assist nonprofit organizations, including those that had to cancel fundraisers as a result of coronavirus

April 18 and 19 REGIONAL EQUESTRIAN COMPETITION

After a four-year hiatus, the equestrian

precautions. Donors also have the

division of Special Olympics Arizona

option to increase donations to support

will return to the Valley. During the

an Emergency Relief Fund to further

two-day event, special Olympians from

assist those nonprofit organizations

across the state will compete in a variety

affected by cancelations amid health

of different riding styles including

concerns. azgives.org

barrel racing, English equitation and gymkhana. Free. 9 a.m.–5 p.m. Hunkapi

April 10

ABSTRACT JOURNEYS OF MUTATION RECEPTION

Programs, 12051 N. 96th St., Scottsdale. hunkapi.org

Scottsdale Public Art will host an opening reception for its newly curated exhibition featuring the layered,

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April 1–30

CERAMIC SPLENDOR Experience the incredible art of ceramicist Brandon Reese. The Oklahoma-based artist's work is predominantly known for its simple, familiar forms created in a variety of methods and at such large scales that they push the traditional boundaries of ceramic art. His sculptures playfully and beautifully express the idea that relationships offer a unique ability to enhance the individual elements while simultaneously unifying them to create a powerfully emotional and visual experience. Grace Renee Gallery, 7212 E. Ho Hum Rd., #7, Carefree. 480-575-8080; gracereneegallery.com

TALIESIN WEST TO HOST REVITALIZED LINEUP OF SUMMER CAMPS

PHOENIX THEATRE COMPANY ANNOUNCES 101ST SEASON

SONORAN ARTS LEAGUE RECEIVES NATIONAL CERTIFICATION

The Frank Lloyd Wright Foundation

The Phoenix Theatre Company

The Sonoran Arts League recently

this summer will debut a revitalized

has announced the 10 shows that

received national certification by the

lineup of art and architecture camps

will make up its 101st season. The

Points of Light through the Arizona

for K–12 students that will take place

season will open July 8 with “The

Governor's Office of Youth, Faith and

at Taliesin West, the desert laboratory

King’s Speech.” Other productions

Family. The nonprofit achieved the

of America’s most prolific architect.

include Lin Manuel-Miranda’s

prestigious status after completing

Combining real-world lessons and

“In the Heights,” “Murder on the

several months of comprehensive

challenges with Wright’s famed

Orient Express,” “Ragtime,” “On

assessment, training and coaching

principles of organic architecture and

Your Feet!,” “Ride the Cyclone”

through the Points of Light

solutions-based design, each camp

and “Lunch at Audrey’s” as well as

Foundation — the world’s largest

will offer students its own variation

revivals of three Broadway favorites

organization dedicated to volunteer

of hands-on projects and activities

— “The Color Purple,” Rodgers and

service. The Sonoran Arts League

that encourage them to think

Hammerstein’s “Cinderella” and

is now listed on a national registry

critically and creatively. Taliesin

“Singin’ in the Rain.” The Phoenix

of certified Service Enterprises.

West, 12621 N. Frank Lloyd Wright

Theatre Company, 1825 N. Central

pointsoflight.org/service-enterprises

Blvd., Scottsdale. franklloydwright.

Ave., Phoenix. phoenixtheatre.com

org/summer-camps

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RESIDENTIAL

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that he will retire at the end of 2020. Court has led the organization through a remodel of the library, the construction of an additional parking lot and an expansion of services provided to the community since August 2010. The library’s board of directors will commence a search for a new executive director shortly with the intention of having a handover period that will ensure the organization has continuity of leadership. Desert Foothills Library, 38443 N. Schoolhouse Road, Cave Creek. 480-488-2286; dfla.org

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CONTEMPORARY JEWELRY + ART

– AARON HENRY JEWELRY– The hallmarks to Aaron Henry jewelry are design integrity, gemstone quality, fine craftsmanship and attention to detail. Each brilliant piece is hand-crafted bringing classical Old World quality to modern design.

Grace Renee Gallery 7212 E. Ho Hum Rd. # 7 | Carefree, AZ 85377 Open Daily 10 a.m.–5 p.m. and Open Late Thur.–Sat.until 7 p.m. 480.575.8080

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GraceReneeGallery.com


Aaron Henry Designs 18-karat gold with diamonds and fine gemstones. Apri l 2020

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Writer Shoshana Leon Photographer Carl Schultz

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In its eight square miles, the charming town of Carefree has a wide variety of dining options — from wine bars and coffee shops to upscale eateries and pizza parlors. Jo Gemmill of the English Rose Tea Room founded the Carefree Restaurant Association in 2017 to promote the town’s many unique restaurants. “The restaurant base in Carefree is made up of independent, family-owned businesses,” Gemmill says. “Business owners determine the look, feel, style, concept and brand based on their individual culinary expertise.” To further promote and showcase the area’s many offerings, the Carefree Restaurant Association began organizing Carefree Restaurant Week. During the event — which is now held twice each year — local restaurants offer prix fixe menus for lunch and dinner, giving diners the opportunity to try a variety of dishes and experience different restaurants. This year’s spring event is slated for May 3–9. During Carefree Restaurant Week, most participating restaurants will offer a two-course lunch menu for $18 and a three-course dinner menu for $35 or $45. Some restaurants will offer specials and promote new menu items throughout the event. “Carefree Restaurant Week provides a chance for local restaurants to collaborate on a marketing opportunity that helps promote dining locally,” Gemmill says. “It creates a stronger sense of community and camaraderie among restaurant owners and provides an opportunity to support our town’s small businesses.” Keeler’s Neighborhood Steakhouse — which opened in 2018 — is one of the many restaurants that will be participating in Carefree Restaurant Week. Paul Keeler, the restaurant’s owner, is grateful for the unique opportunity that the event offers the community.

6738 E. Cave Creek Rd , Cave Creek 480-488-9542 TheHornyToad.com Let Us Cook for You!

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“We believe that Carefree is being established as a quality dining community with a diverse selection of high-quality, independently owned restaurants,” Keeler says. “During Carefree Restaurant Week, our guests can expect high quality, value, a comfortable environment, and knowledgeable, personable and professional service.” Other participating restaurants include Alberto Ristorante, Black Mountain Café and Coffee Shop, Civana, Confluence, Corrado’s Cucina Italiana, English Rose Tea Room, Giordano’s Trattoria Romana, Pizzicata, Raven’s View Wine Bar, Sundial Garden Cafe and Venues Café. “We participate in Carefree Restaurant Week to help bring recognition to our creative, hardworking and growing restaurant community,” Keeler says. “It is exciting to reach guests that have not yet discovered the great restaurants in Carefree.” carefreerestaurants.com

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Writer Joseph J. Airdo

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Think about the time that you first invited a cat or dog into your home to become a member of your family. If you are like most people, that decision — while not made lightly — did not truly take into consideration the monumental impact that new pet would ultimately have on your life. You suddenly had a creature in your home that depends on you for food, water, shelter and love. Almost instantaneously, that cat or dog became your constant companion — going on walks, runs or hikes with you; sleeping at the foot of your bed; and sharing your family’s every emotional milestone. Over time, you realize that you are carrying on onesided conversations with the animal and skipped right over the part where such a routine seemed strange. And eventually, the unconditional love that you receive from and feel for that new family member becomes the standard by which you measure all other relationships. The volunteers at Foothills Animal Rescue know the monumental impact that a pet can have on someone’s life, though, as they have been seeing it happen for the past 25 years. “People are really touched by the animals that they adopt from us,” says Melissa Gable, chief engagement officer of Foothills Animal Rescue. “We have had so many people who have come in and adopt a cat or dog only to reach back out weeks, months and even years later to tell us what an important part of the family that animal has become.”

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This year commemorates Foothills Animal Rescue’s 25th anniversary of finding loving homes for cats and dogs that dream of a family to which they can belong. Today, the nonprofit organization has not only a beautiful and serene adoption center but also two nonconsignment resale boutiques that serve as the primary source of revenue for its animal shelter. With now more than 600 active volunteers and countless cats and dogs having found forever homes, it is difficult to imagine Foothills Animal Rescue’s humble beginnings in the community.

MAKING AN IMPACT

Founded in 1995 in Cave Creek, Foothills Animal Rescue began as a foster-based organization dedicated to saving the lives of homeless cats and dogs. “It was initially just a group of animal lovers who were literally sitting around someone's kitchen table and trying to come up with a way that they could help animals in the community,” Gable says. “The Valley was really struggling with a pet homelessness problem back then and this group wanted to make an impact.” In the first few years, the number of animals the group could help was limited to the number of foster homes it had available. However, as time went on, the group grew in not only its number of volunteers but, more importantly, the number of animals it could help. “At one point, we were in the back of a veterinarian's office,” Gable says. “We kept cats at that facility but there was not enough room for dogs so they still had to be in foster homes.”

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Back then, Foothills Animal Rescue operated primarily on adoption fees and private donations — sources of revenue that have remained an integral part of the organization’s ability to serve the community over the past 25 years. “We are fortunate that we are in a part of the Valley where our neighbors are huge animal lovers,” Gable says. “They have always been very supportive of our efforts. We receive some [support] through grant money and money that comes in through special events, but it is really the private citizens and animal lovers who we rely on most.” In 2010, Foothills Animal Rescue opened its first standing adoption center at 23030 N. Pima Road in Scottsdale, again increasing the number of animals it could help. The facility also gave the organization an additional source of revenue. The standing adoption center doubled as a non-consignment resale boutique, featuring a space for the sale of clothing, pet supplies, furniture, housewares, accessories and jewelry. It was an instant hit with customers who were eager to not only find a fantastic treasure at a terrific price but to also see their purchases benefit a very admirable cause. Business at the boutique was so successful that the organization decided to not only eventually expand upon the store space but to also open this past February a second location at 7202 E. Ho Road in Carefree.

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Foothills Animal Rescue once occupied the back of a veterinarian's office. It was able to keep cats at the facility but dogs still had to stay in foster homes due to space limitations.

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A SAFE HAVEN

Funds have little value without a proper place to utilize them, though. Fortunately, Foothills Animal Rescue had a guardian angel in the form of a woman named Brynne Alanna Smith. After Smith — an animal lover — passed away unexpectedly, her family reached out to the organization and offered to help. In December 2016, Foothills Animal Rescue opened its Brynne Smith Memorial Campus Adoption Center at 10197 E. Bell Road in Scottsdale, which provides a safe haven to homeless cats and dogs awaiting their forever home. It is also a testament to the important role that companion animals play in our lives. “As soon as we moved into the facility, our numbers for the animals that were adopted out easily doubled,” Gable says. “Whereas before we were relying a lot on community events and setting up temporary pens at different pet supplies stores, we now have this beautiful shelter where we can showcase these animals and they can be directly adopted by the public.” Brynne Smith Memorial Campus Adoption Center was built with the animals in mind. When you walk inside, you can immediately see, smell, hear and feel the difference between the adoption center and most other animal shelters. Cages have been replaced by “community cat rooms” and “doggy suites.” The air smells fresh and unpolluted. And instead of a bunch of barking, there is a serene silence evident of a space where animals are being well cared for.

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“We have a lot of people who come in and compare us to a pet resort,” Gable says. “Sometimes, other animal shelters can be sad and overwhelming for folks. In planning our shelter, we wanted it to be a place where the community would feel comfortable.” Foothills Animal Rescue occasionally hosts special events at the center, such as Yappy Yoga, but its primary focus is finding loving homes for animals — especially those that are at risk for euthanasia at other shelters due to limited space or minor medical conditions. “When we first started, we could not afford medical care for a lot of the animals,” Gable explains. “Now, we are taking in animals that we know need special medical care and, because of the support that we have received from our donors, we are able to provide that care.”

PART OF THE FAMILY

Gable says that after 25 years, Foothills Animal Rescue’s goal has not changed. “The goal 25 years ago was to help animals in our community,” she says. “The goal is still to help animals in our community.” The only things about that goal that have changed are the ways Foothills Animal Rescue accomplishes it and the resources with which it has to do so. “Over the years, we have changed how we look at it,” Gable explains. “We think about what we can do to make the animals that we have more adoptable. We focus on their behavior, send them to obedience school and try to find ways to make them more — for lack of a better term — marketable to the potential

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adopter. We do a lot more enrichment activities now with toys, games and programs that are designed to keep the animals that we have here mentally and physically healthy.” It is all in the name of finding loving families into which the cats and dogs at their facility can be welcomed with open arms. “One of my favorite things about Foothills Animal Rescue is the fact that we keep in touch with our adopters,” Gable adds. “We have people who stop by with the cat or dog that they adopted from us years ago just to check in and say hello. I like that we all stay in touch because it is bittersweet when an animal gets adopted. “We are happy and it is a celebration but we have become very attached to them. While they are here, we treat them like they are our own. So it is always nice to hear follow-up stories about how well a particular animal is doing with their new family.” Foothills Animal Rescue’s Brynn Smith Memorial Campus Adoption Center 10197 E. Bell Road, Scottsdale 480-488-9890 foothillsanimal.org

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Writer Joseph J. Airdo

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I think that butterflies can teach us a lot. They start off not so pretty aa caterpillars. Then they emerge from their shell. Sometimes we do not see the beauty on the outside in the beginning and we have to wait until it emerges from the inside. I think butterflies also remind us to let our dreams soar. Saija Lehtonen

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Spring takes on an exceptionally special meaning to photographer Saija Lehtonen. “I feel like spring is the beginning of the whole year,” Lehtonen says. “Spring — when the wildflowers begin to bloom — is when my photography really starts. From there, it slowly progresses to cactus flowers when the summer starts coming in. Then we move into monsoon storm season.” Spring symbolizes the start of an entire 365-day cycle of life. For Lehtonen, that cycle is represented through her photography. For others, it may be represented through sports, bringing with it new seasons of games that begin with softball and baseball. For others still, it may be represented through fashion, marking the arrival of new looks and trends that start with shorts, shirts and sandals. As Lehtonen’s photography alludes to, spring symbolizes something even more significant in nature. The days grow longer, the trees get greener and the wildflowers begin to bloom, prompting the arrival of some of the most beautiful and colorful creatures on our planet — butterflies.

There are more than 250 species of butterflies in the Sonoran Desert. Because Arizona’s topography is so diverse, our state has a uniquely large number of different microclimates, rainfall patterns and plant distributions. As a result, we have an especially rich population of these majestic life forms. Our fields and our skies are filled with every color of the rainbow — as well as a vast number of color combinations — because of butterflies. Of course, their contribution to our state is more than just aesthetic. They are, after all, one of our environment’s key pollinators. But that, too, ends up benefitting us through a bounty of beautiful wildflowers. It is almost as though butterflies are miniature angels, enriching our world with a colorful grace and reminding us to live our lives in a way that does the same for those around us. We hope that Lehtonen’s images of these heavenly creatures featured in this month’s photo essay inspire you to look ahead at your next 365-day cycle — whatever it may be — and consider how it, too, adds color to our community.

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I love the zebra [longwing butterflies]. They are absolutely beautiful. But I also love the migrating monarchs and the large swallowtails. Those come in a lot of different colors in our desert here. I have to say that they are probably one of my favorites. Saija Lehtonen

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When you sit there for a while watching the butterflies, you get the idea of how they fly and what their flight pattern is so it becomes easier to photograph them. Focus on whatever flower you are interested in and just sit there and wait for them. Butterflies like to stay in the same area but they will go from flower to flower. It really just comes down to patience. Saija Lehtonen

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Having grown up in Helsinki, Finland, Saija Lehtonen first discovered her love for photography at 12 years old. “Somebody gave me a coffee table book by Ansel Adams and I loved his work,” says Lehtonen of the landscape photographer and environmentalist known for his black-andwhite images of the American West. “His work was just incredible. I remember telling my mom, 'I really want to do this.' So she got me a camera.” That first camera was nothing fancy — just an inexpensive Kodak 35mm film camera. But the moment that she snapped her first photo, Lehtonen had fallen in love with the art form. “I was always camera-in-hand everywhere I went,” says Lehtonen, noting that she was initially drawn to black-and-white photography, much like that of Adams. “When I got to high school, I started taking photography classes and learned how to develop film.” However, as with many things, life got in the way and Lehtonen eventually drifted from the art form. She pursued a career in property management and advertising. In 2003, she picked up a digital camera and a wave of that earlier enthusiasm washed over her. “I had not done photography in years,” Lehtonen explains. “In 2010, just for fun, I entered one of my pictures that a lot of my friends really liked into the America's Next Master Photographer contest. I ended up winning and I found myself falling in love with photography all over again.” Shortly after that, Lehtonen decided to make photography her full-time job, fulfilling the dreams of her 12-year-old self. Her subjects range from nature and wildlife to storms and landscapes as she hikes and occasionally camps in places across Arizona that are off the beaten path. “You will often find me chasing sunrises and sunsets, just hunting for that perfect light,” says Lehtonen, who now calls Chandler her home.

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saija-lehtonen.pixels.com


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Writer Joseph J. Airdo Opening Photo by Alex Avalos on Unsplash All Other Photos Courtesy of Ginny Temple


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Terry Temple believes that the most transformative forces within a community are the arts. “A director makes theater happen from the management side but the talent side, the building side and the support side all belong to the community,” Temple explains. “It is ultimately their responsibility. And that brings a sense of belonging to a community.” Late last year, Temple assumed the role of managing director of Desert Foothills Theater, which has been providing performance opportunities to aspiring actors and attendance opportunities to audiences in the North Valley since 1975. Its performance venues include Cactus Shadows Fine Arts Center and Foothills Community Foundation’s Holland Center — both in Scottsdale. In addition to inviting participation through open auditions for all adult and youth shows, the award-winning theater features a variety of educational classes, camps, post-performance talkbacks and pre-performance meetups. It also provides volunteer opportunities in all areas and aspects of theater production, which includes training and support for those interested in learning more about backstage work. Now, Temple has joined the theater, armed with his extensive backgrounds in business and art to create vibrant opportunities for artists of all ages and enrich the community with robust storytelling and theater performances.

CONNECTING WITH PEOPLE

“In my family, you had to be good at athletics and cars but I thought I was good at the arts,” says Temple, who grew up in Mesa. “Fortunately, I had parents who supported me. I started off playing different instruments and singing in choirs. Then, in high school, I was cast in my first show and I fell in love with [theater].” While studying music at Arizona State University, Temple became a touring member of American large-ensemble folk music group The New Christy Minstrels. It was during this time that Temple learned that the most important part of the arts is connecting with people. He credits one of the group’s music directors, Sid Garris, with that key nugget of knowledge.

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Terry Temple (right) collaborates with Ash Patriquin (left), one of his students at Temple Music and Performing Arts.

“He was this interesting curmudgeon of a man who wore a monocle,” Temple says. “He taught me that if you do not have people who are willing to lay down their money to come and see you for an hour and a half, then you do not have anything at all. And he had a great way of telling you if you did not have anything. He would go from this crazy, unhinged man to this profound, Yoda-esque character all in the same sentence.” Temple also learned a lot about music’s influence from Garris, who insisted that the world needs more of the beauty that only the arts can create. With The New Christy Minstrels based in Los Angeles, Temple eventually found himself auditioning for roles in TV shows and bit parts in movies. His on-screen credits include NBC’s crime drama “Sonny Spoon,” which starred Mario van Peebles, and the 1988 made-for-TV movie “Perfect People,” starring Lauren Hutton and Perry King. However, Temple did not like being so far away from his home and his family so he returned to Arizona around the same time that his grandmother had fallen ill.

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“My mom had asked me if I could be around for a while so I took a temporary job with a church in Mesa,” Temple says. “Some of my earliest memories were singing in the choir. I have always been drawn to the church and I still am.” That temporary position propelled Temple into a 25-year career as a liturgical musician for parishes in the Diocese of Phoenix.

TO NEW ADVENTURES

In 2009, Temple opened the doors to Temple Music and Performing Arts — a Scottsdale studio that teaches voice, piano, guitar, drums, acting and audition preparation. His wife Ginny manages operations behind the scenes while the couple’s daughter Emily, who graduated last May with an acting degree from Azusa Pacific University in California, serves as one of the studio’s instructors. An important part of Temple Music and Performing Arts is its Theater-in-a-Box program — which fills a necessary role in the arts curriculum of schools that do not have their own theater programs. The studio’s choreographers work closely with a school’s staff and parent volunteers to train and rehearse students and produce a show that often serves as a fundraiser. Over the past 10 years, Temple has directed more than 40 shows through the program. This past fall, Desert Foothills Theater asked Temple to direct its production of “Pirates of Penzance Jr.” Temple was already familiar with the theater as his daughter had appeared in its production of “Hairspray” about five years earlier. As fate would have it, Desert Foothills Theater’s previous managing director resigned shortly thereafter. After attending a fundraiser for the organization, Temple decided to throw his hat in the ring for the newly vacated managing director position and three weeks later he had the job. “It has been an adventure,” Temple says. “We have literally had five shows opening and closing within a two-month period — something that I would not have scheduled if I had any control over it. But I had to make it happen because they were already in place. It has been a load of work, but I am really enjoying it.”

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Desert Foothills Theater’s new managing director Terry Temple plans to explore opportunities for growth of the performing arts organization.

Managing director Terry Temple (top left) oversees a rehearsal of Desert Foothills Theater’s production of “Steel Magnolias,” directed by Barbara McBain (bottom right).

Terry Temple late last year assumed the role of managing director of Desert Foothills Theater.

OPPORTUNITIES FOR GROWTH

Desert Foothills Theater’s current season continues March 27–April 5 with “Steel Magnolias” and April 17–19 with “Fair Game” — an original musical, written by Andrea Markowitz, in which  the lies ripped from actual headlines that smeared the reputation of a reclusive heiress come back to haunt five people who wrote them. The season will culminate May 8–17 with the theater’s production of “Godspell.” Temple has already started meeting with key members of the community as well as a variety of different organizations to get the word out about Desert Foothills Theater and to gain a foothold of its role within the area. Once the current season winds down, Temple will further explore opportunities for growth — including spreading shows out a bit more, developing a summer program and collaborating with Paradise Valley Community College on a potential internship program that will provide the theater with technical support. “There is a real love of theater and the arts in this area and I want to build upon that,” he says. Desert Foothills Theater volunteer Liana Doe has enjoyed seeing what Temple has done for the performing arts organization thus far and is looking forward to watching it continue to grow under his leadership.

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“The sky is the limit,” Doe says. “My daughter Sophia had the opportunity to be a part of ‘Pirates of Penzance Jr.’ under his direction. He was amazing working with a large cast of kids and gave them a priceless experience to grow personally and as young actors.” It is that priceless experience to grow personally and as young actors that fuels Temple’s passion for theater. “If you look around, you see artists' work everywhere you go in this world,” he says. “But, for some reason, it is sometimes hard for kids to know how they fit in. There are kids who do not fit into a lot of the social groups that are out there. They see the world and interpret things differently.” Temple adds that he has seen countless examples of young performers find their niche — and themselves — through theater. “Sometimes, it is only through theater that these kids are allowed to be accepted, to be creative and to be involved with other like-minded kids who also see the world and interpret things differently,” he explains. “I love watching artists — especially young artists — be affirmed that they are not crazy, that they are not weird and that they are necessary in this world.” Desert Foothills Theater 34250 N. 60th St., Scottsdale 480-488-1981 dftheater.org

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Writer Shannon Severson

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The talons of a gray hawk curl around a bare branch as it takes a hunting break. A playful litter of cougar cubs scratch and climb. A mother elephant and her baby take a stroll through the tall plains grasses. These moments depicting the beauty and personality of animals in the wild are captured on canvas by talented local artists at the Phoenix Zoo’s Art on the Wild Side — an exhibition that will run through May 31 in the Savanna Gallery located inside of the zoo’s newest restaurant, Savanna Grill. When the Phoenix Zoo’s director Bert Castro enlisted the help of board member Jean Bingham to catalog the zoo’s art inventory, the idea for the exhibition was born. Art on the Wild Side was inspired by the growing collection of sculptures and paintings throughout the property. Since the spring of 2019, the Phoenix Zoo has hosted biannual art shows featuring local painters and photographers who share their work and donate 20% of sales to the zoo’s wildlife conservation efforts.

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LUCY DICKENS

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“The zoo wants to give people experiences that enrich the community, inspire them to experience the natural world and to support conservation,” Castro says. “It creates an emotional connection.” One of this spring’s three featured artists, Lucy Dickens is known for her landscapes with intricate depictions of light and shadow. Every painting is accompanied by a written story that seeks to give greater detail, inviting the viewer to become part of the moment. A recent safari trip to Kenya and Tanzania with her husband inspired the work that she is displaying during the Phoenix Zoo’s exhibition. “We visited five breathtaking preserves,” Dickens says. “It was an artist’s dream come true. I could hardly wait to get in my studio to start painting. I’m unveiling my Safari Adventures series at the exhibition. What excites me the most is that, together with the Phoenix Zoo, my collectors and myself, we are truly making a difference in the world.” Meanwhile, Joye DeGoede’s JoyEful Party Animals art playfully juxtaposes reality with fantasy. Her whimsical pieces appeal to all ages. She is the Gallery at el Pedregal’s artist in residence at the Boulders Resort in Scottsdale and was recently invited by the U.S. State Department Arts in the Embassies program to exhibit at a three-year show in the U.S. Embassy in Montenegro.

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JOYE DEGOEDE

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“My work inspires the viewer to see the fun in the mundane and the vast opportunities for joy in our everyday world,” DeGoede says. “I love painting the surrealistic mixture of animals imitating human habits and in their natural habitat. I worked to embrace the mission of the Phoenix Zoo and I can use the JoyEful Party Animals to raise awareness locally [and] internationally and make a small financial contribution to the efforts.” Anne Peyton rounds out this spring’s featured artists. For many years, she was one of the most sought-after motorsports artists. Today, her brushes depict the beauty of the natural world as she returns to her love of wildlife — the subjects of her earliest paintings at her grandfather’s Fort Collins, Colorado home, where she would spend hours sketching and painting the birds that came into his yard. Peyton gets up close and personal to her subjects through her volunteer work at Liberty Wildlife — a Scottsdalebased animal and bird rehabilitation and education organization that trains owls, hawks, eagles and falcons to be comfortable around people in educational settings.

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ANNE PEYTON

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“Phoenix has been my home for many years and the Phoenix Zoo has been a big part of my time here,” Peyton says. “To have my art exhibited at the zoo is quite an honor. Many people who love birds will be able to enjoy my work and, hopefully, they will learn something about birds that they did not know before they studied the art.” With the Phoenix Zoo drawing almost 1.4 million annual visitors from all walks of life, Dickens, DeGoede and Peyton’s work is getting a lot of exposure to new audiences through Art on the Wild Side. Castro says that it is been exciting to see how enthusiastically the zoo’s guests have been responding to the art featured in the exhibition. “We see kids who want to sit at a certain table in the restaurant because it’s near an animal they like,” Castro explains. “People have been very respectful of the art. It has been great for the artists, the kids and the parents. Art on the Wild Side has been a wonderful experience all around.” phoenixzoo.org

EXPERIENCE Art on the Wild Side Through May 31 | Daily 9 a.m.–5 p.m. Savanna Gallery at the Phoenix Zoo 455 N. Galvin Parkway, Phoenix Adults $24.95+ | Children $16.95+ 602–286-3800 | phoenixzoo.org Apri l 2020

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Writer Shannon Severson Opening Photo Courtesy of LB Photography All Other Photos Courtesy of David Cottle

After its debut at Rock the District, four-man alternative pop-rock band Promise To Myself went on to sign a recording deal with 80/20 Records.

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A young student steps onto the stage. The crowd is hushed for just a moment, pausing to listen for the first chord she will strum on her guitar. She’s prepared for this, so she takes a deep breath and begins, her voice amplified above the notes as she claims the spot she earned in this showcase of talent. Each year, teen performers in grades 6–12 perform as part of Rock the District — an annual benefit concert produced by Cave Creek Unified Education Foundation. Many of the acts hope to follow in the footsteps of those that have gone on to success after being discovered at the event.

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Like many other events planned for this month, the 11th Annual Rock the District was canceled as a health precaution. Organizers note that they hope all of this year’s scheduled performers who auditioned and made the cut are proud of their hard work and keep striving for success. Cave Creek Unified Education Foundation is committed to continuing to help them do that. The organization’s president Sarah Byrne says that the process this year’s auditionees went through was designed to give them the “full experience.” “They must write bios, bring headshots and perform for a panel of judges,” Bryne says. “It’s a real-life situation. Then we provide a free mentoring day where they receive advice and direction from music industry people and professional musicians. They learn how to put on a good show and the kids have a basis of how to go on and pursue music if they’re committed to it.” As education funding tightens, schools must often make the difficult decision to cut arts programs — particularly music, even though neuroscience research indicates that music instruction actually strengthens networks in the brain associated with spatial intelligence, language, listening and math skills. Founded in 2009 by Melissa Nelson, a Cactus Shadows High School student, Rock the District is Cave Creek Unified Education Foundation’s signature fundraising event to support underfunded programs in Cave Creek schools — including the arts. Nelson’s dream to help alleviate budget cuts has become a community tradition. Over the years, Cave Creek Unified

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Education Foundation has awarded its educators more than $200,000 in grants. Alumni sometimes return to give back to the program that launched their music careers. Promise To Myself is a four-man Phoenix alternative pop-rock band that debuted at Rock the District and went on to sign a recording deal with 80/20 Records. In February, the band released its second EP, “I Might Be Crazy.” The band’s lead vocalist Karl Nagy, a graduate of Pinnacle High School who is now pursuing an interdisciplinary sciences degree at Arizona State University, says he and the other band members in Promise To Myself entered the showcase for the opportunity to play good music and to help out a great cause. Looking back, Nagy recalls the rocky first audition that became the genesis of a music career. “Our first audition [for Rock The District] was god-awful, but for some reason they let us in,” he says. “We have been a part of it ever since. We are always happy to give back to Rock the District because we credit it with our success so far.”

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Nagy adds that it is interesting to see the growth in the kids who keep coming back to the event. “Last year, all four of us mentored and our goal was to teach stage presence and how to relax and have a good time,” he says. “It even tests our knowledge of how to benefit the musicians in the way that would be most helpful. “[Rhythm guitarist] Zack Bruge and I say that no one comes to a show to see something perfect. They want to see a

Watch a variety of artists crafting, enjoy musicians and be delighted by a wandering mime in the Gardens — a fun way to spend a gorgeous spring day in Carefree! Carefree Desert Gardens 101 Easy Street, Carefree, AZ 85377 VisitCarefree.com Apri l 2020

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show, so just keep moving and feel comfortable in the space. The stage is where you want to live. You need to make it your home.” An attitude toward experimentation and not being afraid to fail is something on which each one of the band members in Promise To Myself prides himself. It’s also something that they’re able to use to give young artists the courage to keep trying. “There’s only so much being taught can teach you without having the actual experience,” Nagy explains. All of the teen performers who take the stage as part of Rock the District each year gain that experience and therefore possess the knowledge that may help them launch their own music careers — while also benefiting thousands of other students in the process.

MUSIC

rockthedistrict.net

11th Annual Rock the District Like many other events planned for this month, the 11th Annual Rock the District was canceled as a health precaution. Congratulations to all of this year's scheduled performers who auditioned and made the cut. Images Arizona encourages you to support these talented students and the event's producing organization Cave Creek Unified Education Foundation. To do so and for more information, visit rockthedistrict.net

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Your wedding day paints a picture of your dreams. Rancho Mañana offers a perfect canvas for stunning and timeless photography often backed with marmalade skies. From the ceremony to the reception, our attentive catering staff is personally involved in every detail of your special day. Let us make your dream a reality @tontoweddings

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Writer Joseph J. Airdo

Writer Joseph J. Airdo

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Our local nonprofit community is already reporting significant losses, decreases in staff and volunteer capacity and will likely see an increase in demand for services.

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The entire world essentially came to an unprecedented standstill last month in response to the coronavirus pandemic. People stayed home, businesses made drastic modifications to their operations and events of all types were postponed or — in many cases — completely canceled. No one was untouched by what has clearly become a historic incident. That includes nonprofit organizations across Arizona that made the difficult decision to pull the plug on concerts, festivals and other gatherings — key fundraising activities that allow them to operate and make our communities more vibrant places full of art, culture and humanity.

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Arizona Musicfest pushed its performance of The Blues Brothers Revue to November. Foothills Animal Rescue indefinitely postponed its 4th Annual Paws to Celebrate event. Musical Instrument Museum called off a number of its concerts and signature events. The effects are far-reaching. Arizona Broadway Theatre’s executive producer Kiel Klaphake wrote a message on the theater’s website detailing the difficult decision to cancel some of its productions and place others on an indefinite hiatus. “Weighing the importance of public health as a top priority, our financial viability and the loyalty and commitment we feel toward our staff and patrons has been — quite simply — agonizing,” Klaphake wrote. “As a not-for-profit arts organization, the coming weeks and months will be the most challenging we’ve faced in our 15-year history — perhaps even greater than the financial crash of 2008.” Klaphake urged Arizona Broadway Theatre’s patrons to make tax-deductible donations to the nonprofit organization, noting that such contributions are vital to the theater’s future.

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Reduce your

Anxiety with us! On Tuesday, April 7, Alliance of Arizona Nonprofits and Arizona Grantmakers Forum will host a 24hour statewide online fundraising event to help raise awareness about Arizona nonprofits and the critical role they play in our communities and state. The event — which is in its eighth year — is not new, but it has suddenly become more important than ever with timing that is absolutely impeccable. Some nonprofit organizations expect to lose an average of 25% in revenue as a result of the many event cancelations and postponements caused by coronavirus health precautions. Alliance of Arizona Nonprofits CEO Kristen Merrifield hopes that Arizona Gives can help close the gap.

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“Our local nonprofit community is already reporting significant losses, decreases in staff and volunteer capacity and will likely see an increase in demand for services,” Merrifield says. Since 2013, Arizona Gives has helped to raise more than $17 million for the state’s nonprofit sector — including a record $3.6 million raised last year — with the Alliance of Arizona Nonprofits and Arizona Grantmakers Forum partnership facilitating financial contributions through a unique online platform. Those who wish to make a donation can simply visit the Arizona Gives website on Tuesday, April 7 and issue their contribution. “We want to make giving as easy as possible,” Merrifield says. Donations will also be accepted prior to and after April 7, but doing so on Arizona Gives Day makes it possible for participating nonprofit organizations to earn additional funds from a $180,000 prize pool. Those funds are distributed based on certain categories from random drawings and through Power Hours to total dollars raised during the 24-hour period. This year, donors have the option to increase their contribution to support an Emergency Relief Fund to assist nonprofit organizations that have had to cancel or postpone critical fundraising events during this extremely difficult time. Those contributions may be made as

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an add-on to a regular donation or by making a direct donation to the Emergency Relief Fund itself. Emergency Relief Fund donations will be distributed evenly among the organizations participating in Arizona Gives Day this year. At Images Arizona’s press time, almost 780 nonprofit organizations had registered and been certified to participate in the event. With all of the recent event cancelations and postponements caused by the coronavirus health precautions, that number has most certainly increased. However, if there is one thing that these difficult times have shown us, it is that we need to come together, help one another and exhibit all of the benevolence of mankind to overcome the impact that this historical and unprecedented incident has had on our communities. Merrifield hopes this year’s Arizona Gives Day inspires people to give generously to the nonprofit organizations that make our state stronger and create a thriving community for all. “The beauty of Arizona Gives Day is that it shows what is possible when we all invest our time, talents and treasures to truly lift the tide of all nonprofits that participate,” Merrifield says. azgives.org

SUPPORT

Arizona Gives Day To make a donation, simply visit the Arizona Gives website at azgives.org on Tuesday, April 7 and issue your contribution. Apri l 2020

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Cherry Danish These multilayered, laminated sweet pastries are just like cherry pie — but a whole lot better! Serves: 2

Ingredients: 2 jars of Morello cherries 3/4 cup sugar 1/4 cup corn starch 1/4 teaspoon almond extract 1 package frozen puff pastry Coarse sugar (for sprinkling) 1 egg (for egg wash) 1 cup powdered sugar 1 tablespoon milk 1/4 teaspoon vanilla

Directions: Drain and reserve the juice from one jar of cherries. Drain and discard the juice from the other jar of cherries. Combine sugar and corn starch in a saucepan. Add the reserved cherry juice and bring to a boil, stirring constantly until thickened. Remove from heat. Add cherries and almond extract and stir until all of the cherries are covered. Cool and refrigerate. Preheat oven to 375 degrees. Take puff pastry out of the freezer to thaw and prepare an egg wash by mixing egg with a splash of water in a small bowl. Roll each sheet of puff pastry into a 12- by 16-inch rectangle on a lightly floured surface. Spread half of the cooled cherry filling down the center of each sheet, leaving a border along all sides. Cut the corners off of one of the short sides of each sheet. Cut diagonal slits on both of the long sides all the way down to the bottom of each sheet, leaving the center portion with the cherry filling intact. Criss-cross each of the diagonal strips over the filling. Fold the small rectangles at the top and bottom of each pastry over the filling, making sure to seal it tightly. Brush the tops of each pastry with egg wash then sprinkle with coarse sugar. Transfer pastries to a baking sheet and bake in oven until golden brown, about 35 minutes. Cool on a wire rack for at least 30 minutes.

Writer and Photographer Kyndra Kelly

kyndraclaire.com

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In a small bowl, whisk powdered sugar, milk and vanilla until the consistency of a glaze is reached. Drizzle glaze over the pastries and serve.


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Spring Chopped Salad with Pesto-Buttermilk Dressing This salad is not only beautiful but delicious, too! Use this recipe as a base to create your own unique salad, substituting ingredients with those that fit your personal palate or whatever you have on hand! Serves: 4

Ingredients: 1/4 cup pesto 1/2 cup mayonnaise 1 small shallot, finely minced 1/2 teaspoon garlic, minced 1/2 cup buttermilk Juice of 1/2 lemon Salt and pepper (to taste) 1 cup raw couscous 1–2 tablespoons butter 6 ounces arugula 1 cup red pepper, diced 1 cup raw asparagus, diced 1 cup cucumber, diced 1/2 cup dried cranberries 1 cup dried sweet corn Rotisserie chicken, diced 1/2 cup pepitas 1/2 cup cilantro, chopped 1 cup queso fresco cheese, crumbled

Directions: Combine pesto, mayonnaise, shallot and garlic in a food processor and blend until smooth. Add buttermilk, lemon juice, salt and pepper and pulse to combine. Add a little more lemon juice or water if the mixture is too thick. Store in refrigerator until ready to use. Toast raw couscous in butter until lightly browned. Then cook according to package directions and allow to cool. When ready to serve, divide arugula among plates. Arrange the couscous, red pepper, asparagus, cucumber, dried cranberries, dried corn, queso fresco cheese and chicken in rows over the arugula. Sprinkle each salad with pepitas and cilantro and serve with pesto-buttermilk dressing.

Writer and Photographer Kyndra Kelly

kyndraclaire.com

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