Desert Mountain
ECRWSS Local Postal Customer
Carefree
Cave Creek PRSRT STD US POSTAGE PAID PHOENIX, AZ PERMIT NO. 3418
N ovember 2017
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S SA AN ND DE ER RS SO ON N L L II N NC CO OL LN N
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Andrew Bloom
David Van Omen
7 bedrooms 10 Bathrooms 12,500 SF Offered $10,500,000.00
10851 E Wingspan Way Scottsdale 85255
Have your home found online, offline and everywhere in between with our omnichannel marketing strategy Call us today to find out why more home sellers choose us!
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CALL US 480 999 1821
36396 N Sun Rock Way Carefree AZ 85377 6 Bed | 6.5 Bath | 9,004 SF Offered $1,699,000.00
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4 Bed | 4.5 Bath | 4,359 SF Offered $1,649,000.00
7400 E Pinnacle Peak Rd Suite 100 Scottsdale 85255 N ovember 2017 AZ imagesar iz ona .c om 3
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CELEBRATE VALLEY ARTS AT HERBERGER THEATER
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WORKING FROM A BLANK CANVAS
Writer Lara Piu
By Amanda Christmann
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COMMUNITY EVENTS By Amanda Christmann
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TRUSTING THE VISION: ARTIST CARLOS PAGE By Sue Kern-Fleischer Photography by Rich David
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THE FARM AT AGRITOPIA By Lara Piu
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PALEO PUMPKIN CAKE WITH MAPLE FROSTING By Kaylie Johnson
! ule se d e u Sch enHo e s p u Ho om/O n e Op dale.c y a d tts Sun illSco m ind
W
20 Acres. 8 Homes. 1 Designer. An enclave of homes designed by “Master of the Southwest” Bob Bacon, with interiors by Gail Archer.
Car Collector Garage Options – 1600 & 3600 sq ft
Creek
Rd Pima Rd
Cave
Windmill is a custom neighborhood of western ranch homes ranging from 3,500 to 5,200 square feet. Although every home bears a family resemblance, each features a unique floor plan and elevation, and is carefully located in relation to its neighbors. The uniqueness of the neighborhood has already attracted buyers who appreciate homes reflecting Bacon’s signature high levels of architectural artistry, quality, and careful attention to every detail. For a private tour, call Davis Driver at 480-788-0401.
Stagecoach Pass Rd Windmill Rd
Sales by RE/MAX Platinum Living
“Room to Dream” www.WindmillScottsdale.com N ovember 2017
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PUBLISHER Shelly Spence
MANAGING EDITOR Amanda Christmann
GRAPHIC DESIGNER Meaghan Mitchell Ana Petrovic
CONTRIBUTING WRITERS Amanda Christmann Sue Kern-Fleischer Gregory Granillo Kaylie Johnson Kenneth LaFave Lara Piu Shannon Severson
PHOTOGRAPHERS Scott Baxter Bryan Black Rich David Kaylie Johnson Loralei Lazurek
O
One of the most difficult things in the world is trying to describe the hole left behind in your soul when someone you love passes on. As someone whose life moves through pictures and words, I’d hoped it would be simpler to remember and honor my Grandma Katuin, who passed away peacefully in her sleep this morning. Yet the words do not come. Instead of beautiful sentences and colorful phrases to describe how she touched my life, my mind is a jumble of memories. I see the smile on her lips when she held my babies for the first time. I see the twinkle in her eyes when, as a child, she patiently showed me how to make Norwegian potato Lefse. I hear the sound of her voice that seemed to become more gentle as the lines around her eyes grew deeper. I am fortunate that she spent my entire life slowly passing her torch to me. Through the stories we created together, she shared her wisdom, joys, love and pain. We made memories that will forever be in my heart. As her life came to an end, she taught me perhaps the most important lesson of all. We all have stories. Every one of us writes our own chapters in life, and we illustrate them with the memories we make. We get to choose our own plot, deciding for ourselves who will be the heroes and how our narrative will read. We can focus on the struggles, or we can use our pen to detail the beauty and love all around us. Either way, they become who we are and how we are remembered. I felt my grandmother’s spirit today as I pondered my life. For nearly two decades now,
ADVERTISING SALES
I have been a storyteller. Images Arizona has become more than just a publication to
Tatum Williams 480-280-9490 tatum@imagesaz.com
me; it’s my purpose. Each month, our family of writers and photographers is creating the narrative of who we are as a community, and in the process, who we are as human beings. Through images and essays, we are making sure that these stories don’t disappear.
Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc. Copyright © 2017 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.
Local First A R I Z O NA
It is a privilege for me to share accomplishments, blessings, and challenges of our neighbors and friends each month. These stories become the threads of our lives. They create a shared legacy, and a feeling of belonging to something much bigger than ourselves. They are important, and they will live on long after each of us is gone. I am sure my Grandma Katuin is smiling down from heaven as I write this. I only hope I can create similar memories and instill her love for life in my own friends and family. I feel comfort knowing that she would be proud that her legacy lives on, not just in me, but also in the stories I am helping to create and share through Images Arizona. Sincerely, Shelly Spence Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221
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La Mirada
Shop, Dine & Relax!
NE CORNER, PINNACLE PEAK & PIMA 8852 E. Pinnacle Peak Rd., Scottsdale, AZ 85255 | LaMiradaCenter.com
Home & Personal Fashion Adornments
Baudine’s Mad About Shoes Cuddles by goochie goo garbs del Adora Fine Linens Desertique Boutique The Dress
Essenza Boutique
High Desert Rugs & Furnishings Sunny & Chair
Dining
Bodega 13 | (480) 284-7600
Al Hamra
Bodega 13
TAPAS RESTAURANT
Jade Palace
Share authentic tapas, dinner entrees
Lamp Wood Oven Pizza
LAMP CAFÉ Mastro’s Steakhouse
or Old World paellas in a modern, European
Pane e Vino
style of casual elegance. Enjoy live music Friday
Starbucks Coffee Co.
and Saturday evenings on the patio. Bodega offers shared or full-portion plates, along with gluten-free, vegitarian and vegan options. Make your reservations at www.opentable.com or call (480) 284-7600. 8876 E. Pinnacle Peak Rd., Scottsdale, AZ 85255 | Bodega13.com
Education
Kumon Math & Reading Premier Martial Arts
Health, Wellness & Beauty
Trucco & Cappelli Salon Suites Pinnacle Fitness Pinnacle Peak Dental Care Premier Pilates & Fitness Roma Barber Shop
Essenza Boutique
Skin Enrichment The Hills Salon & Spa Walgreens
LITTLE BOUTIQUE WITH BIG STYLE!
Services
Bank of America
Essenza boutique is committed to
Cameo Cleaners Data Doctors
fashion & fit from designers you love. Some of our favorite designers include Joseph Ribkoff, Leo & Ugo, J’enive, Lisa Todd, Belford, and Lynn Ritchie. Upcoming 2017 Trunk Shows:
November 1-4: November 8-11: November 16-18: December 1:
Liverpool Jeans Sympli Fashions Lafayette148 NY Simon Sebbag Jewelry
(480) 563-9963 | EssenzaBoutique.net
Farmer’s Insurance Kirsch-Goodwin & Kirsch Kolton Consulting Pima North Animal Hospital The UPS Store True Blue Life Insurance
Specialty Retail
ClickChick Photography Hyde Park Interiors Parson Interior Design ProTravel International
N ovember 2017
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Writer Lara Piu
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In addition to the more than 500 dances, dramas and musicals performed on the stages of the Herberger Theater, arts education is another gift the Herberger gives to the community. Each year, nearly 12,000 Valley youth between the ages of 3 and 19, including those in underprivileged and underserved areas, benefit from these programs. This month, the theater will raise money for its outreach programs through the eighth annual Herberger Theater Festival of the Arts. The free event, which will take place November 4 from 11:30 a.m. to 5 p.m. at Herberger Theater Center, is a celebration of the Valley’s vibrant fine arts scene. There will be performances, dance, visual art, live music, children’s activities, pet adoptions, shopping, food, craft beer and wine tasting, and more. The festival is an ideal opportunity to see talent from arts organizations throughout the Valley. Free performances by Arizona Opera, Ballet Arizona, the Phoenix Conservatory of Music, Indo American Cultural Connect, Yumi La Rosa Flamenco Dance Company, Aero Terra Arts and other Valley groups will be presented on four different stages. Kiddos will have plenty to enjoy, including a children’s area with free activities offered by the Children’s Museum of Phoenix, Free Arts for Abused Children of Arizona, Phoenix Center for the Arts, and Miss Bookworm’s Corner by Usborne Books and More.
Experience Herberger Theater Festival of the Arts
Saturday, November 4 11:30 a.m.–5 p.m. Herberger Theater Center 222 E. Monroe St., Phoenix Free Admission herbergertheater.org N ovember 2017
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Art aficionados who love animals will love the pet adoption center, where four-legged friends from Arizona Beagle Rescue, the Arizona Humane Society and Rescue a Golden of Arizona will hopefully find loving homes. Proceeds from Herberger Theater Festival of the Arts will benefit programs that provide Arizona children with opportunities to excel, learn and heal through the arts. Those programs include Multicultural Theater Camp, Arizona Young Artists’ Competition, a children’s art exhibit and Wolf Trap which, in collaboration with Center Dance Ensemble, brings professional artists into preschool and Head Start classrooms for a seven-week residency. Drama, music and movement are used to encourage participation and self-esteem in the early stages of learning. Established in 1989, the Herberger Theater hosts a diverse range of dramatic, dance and musical performances and is home to local theater and dance companies like Center Dance Ensemble, Arizona Theater Company and iTheatre Collaborative. Over the last 27 years, 4.2 million people have attended the theater’s more than 11,000 performances. The center is also home to two art galleries that feature the work of artists through the state, as well as a plaza that hosts and arts events like this month’s festival. herbergertheater.org
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COMMUNITY arts // announcements // culture Writer Amanda Christmann
NOV. 3–17
Experience
NOV. 3–5
GRAND PRIX OF SCOTTSDALE THIRD ANNUAL GALA AND KICKOFF
The 27th season of Arizona Musicfest will share an exceptional lineup of artists this month, from country superstars Mary Chapin Carpenter and Lee Ann Womack to Broadway legends Chita Rivera and Tommy Tune, and from famed singer/pianist Michael Feinstein to internationally celebrated Pink Martini and the iconic
Scottsdale Waterfront will
bandleader/trumpeter Doc
transform into a picturesque
Severinsen. At the heart of the
21st century version of the
festival is the Festival Orchestra
Roaring 1920s for a weekend
with Maestro Robert Moody,
of racing, libations and fun.
featuring the nation’s finest
Proceeds benefit Southwest
orchestral musicians. This festival
Human Development. For
is not to be missed! Concert
pricing, schedule and
times and locations vary. Visit website for tickets and details.
additional information, visit grandprixscottsdale.com
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ARIZONA MUSICFEST FALL FEST
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Photo courtesy Grand Prix of Scottsdale
480-422-8449; azmusicfest.org.
NOV. 3, 4
11TH ANNUAL HOLIDAY BAZAAR Find the perfect one-of-a-kind gifts for family, friends or even yourself at the annual holiday bazaar at Our Lady of Joy Catholic Church. Over 70 vendors will offer jewelry, photography, pet boutique items, gently used books, holiday ornaments and much more. Free admission. 36811 N. Pima Rd., Carefree. 9 a.m. to 4 p.m. 480-575-5238
NOV. 3–5
CAREFREE FINE ART & WINE FESTIVAL Jacinthe Dugal-Lacroix is the featured artist for this muchanticipated event. Live music, great food and inspiring art. Admission: Adults $3; free for children 17 and under; additional fee for wine tasting. Ho Hum and Easy Streets in downtown Carefree. 10 a.m. to 5 p.m. thunderbirdartists.com
NOV. 3–5
CAVE CREEK WILD WEST DAYS Come on up to Cave Creek for two days of fun! Mutton bustin’, pig races, re-enactments, bed races and a whole host of activities. Stop by the Cave Creek Museum and be sure to catch the Wild West Days Parade. Complete schedule of events online. Free admission and parking. Historic Town of Cave Creek. wildwestdayscavecreek.com
NOV. 4
PIANIST JANICE CARISSA TO OPEN LIVING MUSIC PERFORMANCE SERIES Piano virtuoso Janice Carissa will launch the fifth annual Living Music Performance Series at
Media Sponsor
Beer Sponsor
Christ the Lord Lutheran Church. $30. 9205 E. Cave Creek Rd., Carefree. 7 p.m. 480-488-2081; ctlcarefree.org N ovember 2017
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NOV. 4
ADOPT THE LOVE OF YOUR LIFE Phoenix Animal Care Coalition 911 is holding a giant pet adopt-a-thon to find loving homes for animals currently being housed by 45 different area rescue groups. All pets are spayed or neutered and vaccinated. Free admission. All Saints Episcopal Church, 6300 N. Central Ave., Phoenix. 10 a.m. to 3 p.m. pacc911.org
NOV. 8
PATRICIA GILMAN TALKS ANCIENT MESOAMERICAN POTTERY Arizona Archaeology Society Desert Foothills Chapter presents Patricia A. Gilman, who will discuss Mimbres archaeology and relationships between pottery designs and
Art Show
NOV. 9
MISFITS: ALTERED TAILS BENEFIT ART SHOW
people. Free. Maitland Hall at Good Shepard of the Hills Episcopal Church, 6502 E. Cave Creek Rd., Cave Creek. 7 p.m. azarchsoc.wildapricot.org
NOV. 9
JOHN SEBASTIAN AT MIM In the mid-1960s, singersongwriter John Sebastian
Entrepreneur and artist Chad
and The Lovin’ Spoonful made
Little will present “Misfits,” a
music like no other band
collection of unique works
before or since, putting its first
in oil, at his Paradise Valley
seven singles into the Top 10.
studio to benefit Altered Tails,
Join John Sebastian in concert
the Valley’s largest non-profit
at Musical Instrument Museum.
low-cost spay and neuter clinic.
$43.50–$53.50. 4725 E. Mayo
Free admission. 60th St. and
Blvd., Phoenix. 7:30 p.m. Tickets
Cactus Wren, Paradise Valley. 5 to 8 p.m. chadlittleart.com
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interaction with Mesoamerican
i m a g e s a r i z o n a . c o m Nov e m b e r 2 017
*Photo courtesy Winquist Photography
available online. 480-478-6000; mim.org
NOV. 9
LIFELONG VITALITY HAPPY HOUR Phyllis Strupp, award-winning author and brain training expert, will speak about the A-B-Cs of brain health and the best forms of brain training to improve neuroplasticity and get better with age. Space is limited. Free. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek. 4 to 5 p.m. RSVP 480-488-2286; dfla.org
NOV. 10
ESTEBAN IN CONCERT The passion of Spain and Flamenco performed in a new modern way that you'll never forget: riveting Flamenco and Spanish Guitar and Gypsy violin performances, along with full band. $30–$75. Tempe Center for the Arts, 700 W. Rio Salado Pkwy., Tempe. 7 p.m. 480-3504822; tempe.gov
NOV. 10
REMEMBERING THE FORGOTTEN APPRECIATION DINNER Our Fourth Degree Knights of Columbus Resurrection Assembly #3218 will host “Remembering the Forgotten,” an appreciation dinner honoring U.S. military men and women. $45 per person. Our Lady of Joy Parish Hall, 36811 N. Pima Rd., Carefree. 6 p.m. 480-488-2782. N ovember 2017
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NOV. 10
FEARLESSLY TURBULENT ARTISTS’ RECEPTION Meet artists Michelle Micalizzi, Ken Kaminski, Joe Holdren and Dennis Kleidon, whose neo-expressionism explores the uncertainties and hope of the 20th and 21st centuries in “Fearlessly Turbulent,” a show running through Dec. 7. 7211 East Ho Rd., #17, Carefree. Reception 6-9 p.m. Exhibit Mon.Fri. 10 a.m. to 4 p.m.; Sat. 11 a.m. to 3 p.m. 480-526-2609.
NOV. 11
ROTATION OF ART GRAND OPENING The Gallery at el Pedregal will be holding an artists’ reception and grand opening of the new Rotation of Art, featuring the work of more than 40 artists. Refreshments, music, demonstrations and conversations with many featured artists. Free. Second floor, 34505 N. Scottsdale Rd., Scottsdale. 4 to 6 p.m. 480575-6624; theleaguegallery.com
NOV. 11
STAMP MILL RUN AT CAVE CREEK MUSEUM Come watch the Golden Reef Stamp Mill in operation. It will be crushing gold bearing ore from its original location on the back side of Continental Mountain. Adults $5; seniors $3; students 12 and over $2; children under 12 free. 6140 E. Skyline Dr., Cave Creek. 1:30 to 2 p.m. 480-488-2764; cavecreekmuseum.org
Sedona Open NOV. 10–12
14TH ANNUAL SEDONA OPEN STUDIOS TOUR Verde Valley artists will shine as they open their private studios to the public for self-guided tours. Presented by Sedona Visual Artists’ Coalition. Free. Downloadable map available on website and at Sedona Arts Center or Chamber of Commerce Visitor Center in Uptown Sedona. 10 a.m. to 5 p.m. sedonaartistscoalition.org
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*Photo by Brenna Zumbo
NOV. 11
MARTIN GRELLE ARTIST RECEPTION AND LIVE AUCTION This one-man show, on display Nov. 11-19, will premiere 20 new Native Americaninspired paintings. 5 to 7 p.m. Legacy Gallery, 7178 Main St., Scottsdale. 480-945-1113; legacygallery.com
NOV. 11
ARTISAN & CRAFT FAIRE Tis the season to deck your halls with creative décor and gather unique gift items to lavish upon your loved ones or donate to those in need. Christ Anglican Church invites the public to attend its annual craft fair held to benefit Jubilate Performing Arts. Free. 35500 N. Cave Creek Rd., Cave Creek. 9 a.m. to 4 p.m. 480-993-6147; challisemusic@gmail.com
NOV. 11
NOTRE DAME PREP CULINARY FESTIVAL Some of the best local restaurants are prepped to wow event-goers with exceptional tastes of the Valley. Music by Elvis Before Noon. $100 in advance; $125 at the door. 9701 E. Bell Rd., Scottsdale. 6 to 10 p.m. ndpsaints.org
FAMILY FUN WORKSHOP TO CELEBRATE VETERANS It’s time for families and veterans at Cave Creek Museum with fun, fascinating and exciting programs guaranteed to interest all ages. Free for museum members; $5 for non-members. Cave Creek Museum, 6140 E. Skyline Dr., Cave Creek. 1:30 to 3 p.m.
11 E.
cavecreekmuseum.org
Glowing Skin
IS ALWAYS IN
NOV. 12
RSVP 480-488-2764; SUNDIAL CIRCLE, SUITE
Now offering Professional Cosmetic Application and Image Consultation
3, CAREFREE
MICRONEEDLING PRP/BLOOD FACIALS NO PEEL PEELS DERMAPLANING LED THERAPY COSMETIC INJECTABLES ACNE CONTROL TREATMENT GENTLEMAN’S FACIAL
4 8 0 - 8 2 8 - 0 9 8 7 S K I N R E V I S I O N A Z. C O M 14 EASY STREET SUITE D, CAREFREE N ovember 2017
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NOV. 14
MINERS’ DINNER AT CAVE CREEK MUSEUM Enjoy blacksmith demos, watch a run of the Golden Reef Stamp Mill, pan for gold, bid for fun and amazing silent auction items, then settle down for a delicious all-youcan-eat chuck wagon dinner while tapping your toes to the stylings of cowboy balladeer Mike Ewing. $55 per person. Cave Creek Museum, 6140 E. Skyline Dr., Cave Creek. 4 to 8:30 p.m. RSVP 480-488-2764; info@cavecreekmuseum.com.
NOV. 15–JAN. 14 ILLUMINATION: SYMPHONY OF LIGHT Arizona’s largest holiday drive-through light spectacular is coming to North Phoenix! This more-than-one-mile driving attraction immerses visitors in millions of holiday lights carefully synchronized to joyful holiday classics. A portion of profits will go to Phoenix Children’s Hospital. Advanced tickets $29.50+ per car; optional walking exhibit an additional $10 per car. 27701 Black Canyon Highway, near I-17 and Jomax. 6 p.m. illuminationaz.com
NOV. 16
DEMONSTRATE! AT SCOTTSDALE ART WALK Galleries will be full of energy
Music
as multiple world-class painters, sculptors and other artisans give live demonstrations. Free. Scottsdale Art District, Main St. from Scottsdale Rd. to Goldwater Blvd. and north on Marshall Way. 6:30 p.m. to 9 p.m. scottsdalegalleries.com
NOV. 12
AZ MUSICFEST PRESENTS MARY CHAPIN CARPENTER Five-time Grammy Awardwinning singer-songwriter and Nashville Songwriters Hall of Fame inductee Mary Chapin Carpenter performs as part of AZ Musicfest’s acclaimed Fall Fest. Highlands Church, 9050 E. Pinnacle Peak Rd., Scottsdale. Advance tickets only. 480-422-8449;
*Photo by Aaron Farrington
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azmuscifest.org
NOV. 16
LIFE-GIVING CHOCOLATE Learn more about the history of chocolate and cacao and how it can improve your health. Raw vegan chef and author Haley Cloud will present a live demonstration and chocolate truffle samples. Space is limited. $10. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek. 2 to 3 p.m. RSVP 480-4882286; dfla.org
NOV. 16
VICELAND: INDUSTRY VS. NATIVE LANDS Industry has had a significant impact on indigenous people and their sacred lands. Cable television channel Viceland’s series “Abandoned and Rise” visits Arizona to investigate the role industry has played in indigenous communities. Rise host Sarain Fox will join viewers for a discussion after the screening. Members $4; non-members $7. Scottsdale Museum of Contemporary Art, 7374 E. Second St., Scottsdale. 7 p.m. 480-874-4666; smoca.org
NOV. 16
13TH ANNUAL PHOENIX COOKS PRESENTS DEMONSTRATE! Benefiting Special Olympics Arizona, this event brings tasty food, celebrity chefs and local personalities together for a culinary paradise. $60–$100. The Westin Kierland Resort & Spa, 6902 E. Greenway Pkwy., Scottsdale. 10 a.m. to 3 p.m. phxcooks.com
N ovember 2017
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NOV. 17, 18, 24, 25
JENNIFER HANSCOM TRUNK SHOW Hand-forged sterling silver jewelry from local artist Jennifer Hanscom is infused with positive energy and intentions and will be featured at this unique trunk show. No admission. Etania Jewelry & Boutique, 6140 E. Cave Creek Rd., Cave Creek. 10:30 a.m. to 6 p.m. 602-429-0505.
NOV. 18
ART PARTY AT THE GALLERY AT EL PEDREGAL Celebrate the arts with artists’ demonstrations, fine food and musical performances. Free admission. The Gallery at el
Art
Pedregal, second floor, 34505 N. Scottsdale Rd., Scottsdale. 1 to 4 p.m. 480-575-6624; theleaguegallery.com
NOV. 18
NOV. 17–19; 24–26
3RD ANNUAL SWEET TO THE SOUL BOUTIQUE SHOW Sweet to the Soul Boutique, started by two Valley moms,
HIDDEN IN THE HILLS
will feature almost 250 local
It’s time again for Arizona’s
handmade shops, bakeries,
largest and longest-running
direct sales businesses and
artist studio tour. Take a
food trucks. Free swag bag
self-guided tour through the
for the first 100 visitors. Free
studios of some of Arizona’s
admission. Peoria Sports
most talented artists. Free. See
Complex, 16101 N. 83rd
website for map locations. 10 a.m. to 5 p.m. 480-575-6624;
Ave., Peoria. 9 a.m. to 4 p.m. sweettothesoulboutique.com
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*Photo by Rich David
hiddeninthehills.org
N ovember 2017
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NOV. 18
ANTIQUES IN THE LODGE: THE FOLK ART OF AMERICAN FRATERNAL SOCIETIES Desert Foothills Library presents a program on antiques and folk art once used by Odd Fellows, Freemasons, Elks and other fraternal societies during the 1800s and early 1900s from the personal collection of Greg Hoffman, a local antique aficionado. Space is limited. Free. 38443 N. Schoolhouse Rd., Cave Creek. RSVP 480-488-2286; dfla.org
NOV. 19
GLOBAL LUXURY CONCERT SERIES DEBUT
Culture
NOV. 27, 28
IRISH CHRISTMAS IN AMERICA AT MIM
The hugely popular Irish Christmas in America show, now in its 13th season, features top Irish music, songs and dances in an engaging performance rich in history, humor and boundless energy. $35.50–$40.50. 4725 E. Mayo Blvd., Phoenix. 7 p.m. Tickets available online. 480-478-6000; mim.org
The inaugural season of the Coldwell Banker Global Luxury concert series debuts at The Boulders Resort & Spa with piano virtuoso Nicole Pesce. $25 cash at the door. 34631 N. Tom Darlington Dr., Scottsdale, Latilla Ballroom. 3 p.m. 480-204-7292; josephmusicevents.weebly.com
NOV. 18, 19
24TH ANNUAL SCOTTSDALE ARTFEST Scottsdale Civic Center Plaza bustles with more than 180 fine artists selling their masterpieces, local musicians and food vendors representing a variety of cultural tastes. Scottsdale Civic Center Plaza, 75th St. and Indian School Rd., Scottsdale. 10 a.m. to 5 p.m. 888artfest.com
NOV. 18–26
MERMAID MAGIC RETURNS TO ODYSEA AQUARIUM Mythical mermaids are coming to OdySea Aquarium! Check website for hours and admission. OdySea Aquarium, 9500 E. Via de Ventura, Scottsdale. 480-291-8000; odyseaaquarium.com
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*Photo courtesy MIM
NOV. 20
CARING CORPS GOLF TOURNAMENT Grab some friends and practice your swing for the
OUTDOOR LIVING AT ITS FINEST HIGH-END, LOW-VOLTAGE, OUTDOOR LIGHTING
7th Annual Charity Golf Tournament to benefit Foothills Caring Corps (FCC), dedicated to promoting independence and enhancing the quality of life for older residents in the northeast Valley. $400 per player. Sponsorship opportunities available. Mirabel Golf Club, 37100 N. Mirabel Club Dr., Scottsdale. 10 a.m. shotgun start. 480-488-1105; foothillscaringcorps.com
NOV. 25, 26
NATIVITIES OF THE WORLD Foothills Food Bank and Resource Center will sponsor an exhibit of over 150 nativity sets from around the world. Free with suggested donation of non-perishable food or
www.lettherebelightllc.com (480) 575-3204 info@lettherebelightllc.com Licensed | Bonded | Insured
cash. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek. 10 a.m. to 4 p.m. Saturday; 11 a.m. to 3 p.m. Sunday.
NOV. 29
NATIVE AMERICAN FLAVORS AT CARTWRIGHT'S Cartwright’s Modern Cuisine Chef Brett Vibber and Chef Jesse Carpenter, both Arizona natives with deep respect for the ingredients that were staples in the cultures that thrived here before us, will be working closely with local Native American growers to produce a dinner you won't soon forget. $65 per person for food; $20 optional drink pairing. 6710 E. Cave Creek Rd., Cave Creek. 6:30 p.m. RSVP 480-488-8031; cartwrightsmoderncuisine.com
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DEC. 10, 17
SONGS OF THE SEASON BY UPSCALE SINGERS Tickets are on sale now for the 12th Annual Upscale Singers “Songs of the Season” concert. Adults $20; teens 13 through high school $10; children 12 and under $7. Desert Hills Presbyterian Church 34605 N. Tom
NOV. 30
Darlington, Carefree. 5 p.m. Ticket information: 480-575-
MARKET STREET HOT COCOA STROLL
0811; upscalesingers.com
Santa is coming to DC Ranch! Santa’s Parade, tree lighting on the plaza, music, activities, and more. Free. Bring a new toy to donate to Childhelp. 5:30 to 8 p.m. Market Street at DC Ranch, Thompson Peak Pkwy. and Pima Rd. 480-397-1902; beonmarketstreet.com
NOV. 30
SMOCA DOCUMENTARY VIDEO ART FESTIVAL Students in documentary video art, as part of the intermedia program of the ASU School of Art, present a showcase of experimental short videos highlighting social, cultural and personal topics. Free. Scottsdale Museum of Contemporary Art, 7374 E. Second St., Scottsdale. 7 p.m. 480-874-4666; smoca.org
DEC. 3
NUTCRACKER TEA WITH SUGAR PLUM FAIRIES
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DEC. 2
ANSEL ADAMS: AMERICA MUSICAL TRIBUTE Scottsdale Center for the Performing Arts presents “Ansel Adams: America” as part of its ARTrageous Gala 2017, featuring more than 100 breathtaking images by the celebrated photographer, paired with a commissioned
Ballerinas, sugar plums and
symphonic work by late jazz
princesses are invited to tea
legend Dave Brubeck and his
at the English Rose Tea Room
son, Chris. Proceeds benefit
for a Christmas celebration not
Scottsdale Arts education
to be forgotten! Ballerinas from
and outreach programs.
the Nutcracker Ballet will read
Complete dinner and concert
from the story, dance and
packages available. See
be available for photos. $35
website for details. Times
per person. English Rose Tea
vary according to package.
Room, 201 Easy St., Carefree.
Virginia G. Piper Theater, 7380
3 to 5 p.m. RSVP 480-488-
E. Second St., Scottsdale.
4812; carefreetea.com
scottsdaleperformingarts.org
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*Photo by Casey Sapio Photography
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DEC. 16
PROMUSICA: COMFORT AND JOY Brighten your holiday season with ProMusica Arizona. This year's holiday concert, Comfort and Joy, will feature beautiful sacred and secular classics, soldiers marching, snowflakes waltzing and a sugar plum fairy dancing in our minds to selections from Tchaikovsky's Nutcracker Suite. Adults $20; seniors (65+)/military $18; students (16-26) $12. Cross of Christ Lutheran Church, 39808 N. Gavilan Peak Pkwy., Anthem. 7:30 p.m. 623-326-5172; pmaz.org
WEDNESDAYS AT TERRAVITA FARM ‘N’ ART MARKET Farm fresh eats and delectable designs are the perfect pairing each Wednesday through May at Magic Bird's new Farm ‘n’ Art shows that combine the farmers’ market concept with a pinch of artisan spice. Free. 34402 N. Scottsdale Rd., Scottsdale. 3 to 7 p.m. magicbirdfestivals.com
CACTUS SHADOWS ALUM, BIG EARL’S OWNER SHOWS STUDENTS WHAT’S COOKIN’ Brooke Butler, owner of Big Earls Greasy Eats and Cactus Shadows Alumna (’08) and Big Earl’s kitchen manager Andrew Martin shared knife skills and other kitchen tricks in the school’s CTE culinary classroom last month. The two brought real-world experience to help students learn and appreciate all that goes on behind the scenes of a restaurant. Said Cactus Shadows principal Dr. Steve Bebee, “Brook’s experiences bring relevance to what is being taught. When that business owner is a former Falcon herself, that just makes the experience even more special.”
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EDWARD S. CURTIS PHOTOGRAPHY COLLECTION Photography of Edward S. Curtis will be on exhibit at Cave Creek Museum through May 31. Curtis, (18681952), focused his work on the American West and on Native American peoples. Check website for hours and admission. 6140 E. Skyline Dr., Cave Creek. 480-488-2764; cavecreekmuseum.org
*Photo by Bryan Black
CELEBRATING THE NEXT CHAPTER AT DESERT FOOTHILLS LIBRARY Desert Foothills Library in Cave Creek has completed its first phase of expansion, adding 52 more parking spaces and street lighting. Building renovations and new additions are next in the five-year expansion plan, slated to better serve the 73 percent increase in patrons over the last five years. It has truly been a community effort since the library, a 501(c)3 nonprofit, is funded by donations from the community. desertfoothillslibrary.org N ovember 2017
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Writer Amanda Christmann
T
There’s something about the weathered granite boulders of Carefree, the jagged contours of Black Mountain, and the vastness of North Valley skies that invite perspective, balance, and creativity. The grandeur draws artists, dreamers and musicians—the latter of which includes a growing list of incredible talent and breathtaking venues. Images Arizona is proud to be among the sponsors for an exciting new series of concerts, the Coldwell Banker Global Luxury Concert Music Series, slated to take place in one of the most magnificent of locales, the Latilla Ballroom at The Boulders Resort & Spa. This six-concert Sunday series, produced by internationally acclaimed saxophonist Joseph Wytco, brings an array of world-class musical artists performing classical, jazz, a cappella, classical guitar, and other tastefully diverse styles of music once each month through March. Wytco himself will delight audiences for the Dec. 17 concert. Extraordinary pianist Nicole Pesce and her jazz trio, which includes drummer Dom Moio and bassist Bob Lashier, will kick off the inaugural concert Nov. 19 at 3 p.m.
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Other highlights of the Coldwell Banker Global Luxury Concert Music Series include Brazilian classical guitarist Eduardo Minozzi Costa, acclaimed songstress Alice Tatum and her jazz quartet, and singer-songwriter-guitarist Omar Mondragon de Leon. The season’s grand finale will be held April 22 and will feature powerful vocalist Renee Grant Patrick, daughter of renowned Ink Spots singer George Grant. She will perform with classical/jazz/Latin violinist Suzanne Lansford and keyboardist Nicole Pesce, the three of whom make up the incredibly gifted trio We3. “Music brings us together as a community,” said Images Arizona publisher Shelly Spence. “It doesn’t matter how old we are, where we came from, or how long we’ve been here; when we share the beauty of music against the backdrop of the Sonoran Desert, we connect with something much deeper than ourselves—we connect to each other. That’s why it was important to me, and to us as community-based publication, to help bring this concert series to the North Valley.” coldwellbankerconcerts.eventbrite.com
Coldwell Banker Global Luxury Concert 2017/18 Music Series Nicole Pesce & Nicole Pesce Trio Sunday, November 19 3 p.m.
Joseph Wytko Sunday, December 17 3 p.m.
Eduardo Minozzi Costa Sunday, January 14 3 p.m.
Alice Tatum Sunday, February 25 3 p.m.
Omar Mondragon de Leon Sunday, March 25 3 p.m.
We3–Renee Grant Patrick, Suzanne Lansford, and Nicole Pesce Sunday, April 22 3 p.m.
Experience Coldwell Banker Global Luxury Concert Music Series
November 19–April 22 One Sunday per month 3:00 p.m. The Boulders Resort and Spa Latilla Ballroom 34631 N. Tom Darlington, Scottsdale $25 per person coldwellbankerconcerts.eventbrite.com N ovember 2017
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Writer Amanda Christmann
F
From the Tonto Apaches to Stoneman’s troops, and from prospectors to cattle ranchers, Cave Creek has made an adventurous ride through the continuum of history. Since 1970, the Cave Creek Museum has honored the stories of those who lay claim to building the historical foundation for the town and its surrounds. This month it will recognize a different kind of honor—a changing of the guard, so to speak. Evelyn Johnson, who has been at the helm of the museum for the last 12 years, has handed the reins to new executive director Karrie Porter Brace upon her retirement. Porter Brace’s most recent title of chief exhibits curator for Arizona State University libraries, archives and special collections is just one of several relevant experiences in an impressive curriculum vitae. She was chosen from a list of qualified applicants for her energy, eagerness and impressive background in historical artifacts.
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“Museums and the objects they have in their care have been a huge part of my life,” Porter Brace explained. “I believe the objects in our lives, ordinary and extraordinary, tell distinct and exciting tales. That’s why I’m honored to be serving as the new executive director of the Cave Creek Museum.” “Karrie has extensive experience in the museum world and is excited to embrace the communities that we serve and have the privilege to tell their history,” said Johnson in support. Porter Brace’s fascination with museums began when her Brownie troop took a field trip to the Logan Museum of Anthropology at Beloit College in Illinois. “The experience impressed upon me how the world and our history could be displayed, all in one building,” she said. “It captured my imagination and set a course for the rest of my life.”
Her passion is evident. “It’s the idea of bringing what’s unique about each community—the whats and whys and hows of a shared history,” she explained. “It’s displaying the artifacts to tell the stories of the founders, the families and those who carry on each place’s legacy.” Porter Brace’s Cave Creek commencement is already looking to be a challenge—but one she’s willing to tackle. She’ll start November with Cave Creek Days, followed by the museum’s biggest fundraiser of the year, the ever-popular Miners’ Dinner Nov. 14. The Miners’ Dinner provides a great opportunity to meet Porter Brace and see what’s new at the Cave Creek Museum. This year’s all-you-can-eat chuckwagon dinner will feature cowboy balladeer Mike Ewing, a special run of the restored Golden Reef Stamp Mill that once pounded ore from nearby Continental Mountain, blacksmith demonstrations, panning for gold and a silent auction. This new chapter of the Cave Creek Museum’s history is all-themore reason to celebrate—and to be part of what continues to make our community thrive. cavecreekmuseum.org
History Miners' Dinner
November 14 4–8:30 p.m. Cave Creek Museum 6140 E. Skyline Dr., Cave Creek $55 per person 480-488-2764 cavecreekmuseum.org
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Writer Lara Piu
When ideal temperatures officially set in and the phrase, “This is why we live here,” is widely used, it’s time to head to the great outdoors. And after a morning walk, hike, run or bike ride, what better way to relax than perusing fresh, local wares at your local farmers’ market? There’s a hearty list of markets to select from, and each offers a unique pick of produce, flowers, honey, meats, cheese, sauces, artisan work, beauty items, food trucks and other hometown-grown or made goodies. Here are some of the farmers’ markets happening right now, and the unique experiences they offer. Be sure to check websites for special events and changes to hours.
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Uptown Farmers’ Market Wednesdays and Saturdays 5757 N. Central Ave., Phoenix 9 a.m.–1 p.m. Multi-level 75-minute community yoga classes Saturdays at 10 a.m. by Dirty Yoga. uptownmarketaz.com
Open Air Market at Phoenix Public Market Saturdays 721 N. Central Ave., Phoenix 8 a.m.–1 p.m. Traditional Mexican dance, music, and dress Nov. 11 from 9–11 a.m. by Folklor Mexicano. phxpublicmarket.com
The Camelback Market at Vincent’s on Camelback Saturdays 3930 E. Camelback Rd., Phoenix 9 a.m.–1 p.m. Fresh-made omelets, crêpes, grilled panini sandwiches, chicken and potatoes, thin-crust pizzas from renowned restaurant’s wood-fired pizza oven, and fresh seafood and meat paella from its oversized paella pans. vincentsoncamelback.com
Old Town Farmers’ Market Saturdays 3806 N. Brown Rd., Scottsdale 8 a.m.–1 p.m. Gourmet cooking classes from 10:30 a.m. to 11:30 a.m. weekly. arizonacommunityfarmersmarkets.com
Farmers’ Market at Mercado Sundays 8300 N. Hayden Rd., Scottsdale 10 a.m.–2 p.m. Corner of Hayden Rd. and Via De Ventura This market is new; it launched in October. arizonacommunityfarmersmarkets.com
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Farmers’ Market on High Street at CityNorth Third Sundays
Farm ‘n’ Art Market at Desert Canyon Shopping Center Fridays
5415 E. High St., Phoenix 10 a.m.–2 p.m.
10401 E. McDowell Mountain Ranch Rd., Scottsdale 3 p.m.–7 p.m.
Check the website for the market's lineup of demonstrations and live entertainment.
The market’s experiences and demonstrations to be announced. Check the website for details.
highstreetaz.com
magicbirdfestivals.com
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Farmers’ Market North Scottsdale at the General Store Second and fourth Saturdays 8711 E. Pinnacle Peak Rd., Scottsdale 9 a.m.–1 p.m. Mindful Flow Yoga from 9:30 to 10:30 a.m.; Yin & Zen Yoga from 11 a.m. to noon at Harumi Yoga. troonnorthfarmersmarket.com
Farmers’ Market North Scottsdale at Troon North First and third Saturdays 10037 E. Dynamite Blvd., Scottsdale 9 a.m.–1 p.m. Chef Jeff Benson, personal chef to celebrities, demonstrates how to cook healthy meals using market items. troonnorthfarmersmarket.com
Farm ‘n’ Art Market at Terravita Shopping Center Wednesdays 34402 N. Scottsdale Rd., Scottsdale 3 p.m.–7 p.m. The market’s experiences and demonstrations are in the works. Check the website for details. magicbirdfestivals.com
Carefree Farmers’ Market Fridays 1 Sundial Cr., Carefree 9 a.m.–1 p.m. Chef demonstrations representing Valley restaurants. arizonacommunityfarmersmarkets.com
Anthem Community Farmers’ Market at Anthem Community Park Saturdays 41703 N. Gavilan Peak Pkwy. 9 a.m.–1 p.m. Gardeners will love the locally provided seeds, compost and worm castings. arizonacommunityfarmersmarkets.com
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Welcome to Carefree—the town with a name that says it all! Take a stroll through exemplary art galleries, enjoy the serene atmosphere of Carefree Desert Gardens, taste the delectable edible creations served at fine dining establishments and feel your cares slip away!
PIANO VIRTUOSO JANICE CLARISSA
SUGAR PLUM FAIRY TEA
SONGS OF THE SEASON
Welcoming all ballerinas, sugar plums
Tickets are on sale online now for the
The fifth annual Living Music
and princesses to tea at the English Rose
12th Annual Songs of the Season, a festive
Performance Series launches with the
Tea Room for an afternoon of Nutcracker
holiday concert by local favorite, the
talented Janice Clarissa tickling the
music and festivities! Ballerinas from
Upscale Singers.
ivories.
the Nutcracker Ballet will read from the
When: Dec. 10, 17, 5 p.m.
When: Nov. 4, 7 p.m.
story, dance and be available for photos.
Where: Desert Hills Presbyterian Church,
Where: Christ the Lord Lutheran Church,
When: Dec. 3, 3–5 p.m.
3460 N. Tom Darlington, Carefree.
9205 E. Cave Creek Rd., Carefree.
Where: English Rose Tea Room,
Cost: $7–$20.
Cost: $30.
201 Easy St., Carefree.
480-575-0811; upscalesingers.com
480-488-2081; ctlcarefree.org
Cost: $35 per person. 480-488-4812; carefreetea.com
Contact Tatum Williams at 480-280-9490 or tatum@imagesaz.com to talk about joining our Images Arizona Carefree destination pages.
Writer Kenneth LaFave Photography Courtesy of Binkley’s Restaurant
K
Kevin Binkley was born 300 years too late. One imagines him in the court of an 18th century monarch, overseeing grand dinners for dukes and duchesses, preparing roast pheasant and saddle of lamb, oblivious to financial constraints and the timeconsuming bother of taxes, regulations, marketing and personnel management. In reality, however, Binkley lives in 2017, meaning he must manage all those pesky business things while fighting to remain fixed on his life-long passion of cooking original, quality, memorable meals for people who love food as much as he does. “I love to cook,” says Binkley, 44, summing up his life. And it shows. Many local gourmets would name him the Valley's best chef, and everyone would place him in at least the top five. “But I hate the restaurant business.”
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That's a surprising statement coming from one of the Valley's best-known restaurateurs, a 2015 finalist for the James Beard Foundation Award who has been in the food business one way or another since he took his first job at age 14 at a TCBY. He makes it very clear that he means it: “I've been cooking for more than 30 years. I don't want to be doing anything else. I want to cook, not manage.” Binkley has cooked more and managed less since last year, when he downsized and refocused, selling three of the four restaurants he and his wife, Amy, had run since 2004, and opening a new site under an audacious concept: an upscale, fixed-price, singlemenu restaurant open only four nights a week, and limited to a maximum of 24 people per evening. The concept is not unknown elsewhere, but it's a first for Arizona.
The singular focus on one menu and a relative handful of people is a far cry from the life Binkley lived prior to 2016. “I was driving between the four restaurants all day long. We had restaurants all over the Valley. Some days I spent more time driving than cooking,” he said. Something had to give. “I had conversations with my wife about how we needed to downsize and get down to focusing on one restaurant. It took two years to make it all come to fruition.” In the long run, they kept the more casual-dining restaurant in Carefree, called Cafe Bink, but put it under the management of an associate. At the new establishment, called simply Binkley's Restaurant and nestled in a former family home on East Osborn Road, diners pay $165 per person to enjoy a three-and-a-half hour sitting in which they are served 20 or more small courses, from appetizers to dessert. A 22 percent service charge is automatically added. If the diner desires, wine pairings are available at $85 per person for standard pairings, $130 for the sommelier's choices, or $190 for the chef's selections. Additional items are available. Caviar is $72 per person, and if you demand Wagyu beef (a specially raised Japanese breed), it's $42 extra per person. In other words, dining for two at Binkley's Restaurant could easily run to $700 or $800—almost enough to buy a single ticket to Hamilton on Broadway. It's not for the common folk of the Valley that Binkley's Restaurant exists. It's for the dukes and duchesses. And they are showing up, though not always in the numbers Binkley would like to see. The maximum seating of 24 is rarely achieved, and has been as low as 10. Eighteen diners is about average.
Experience Binkley's Restaurant
2320 E. Osborn Rd., Phoenix Dinner (single sittings only) Wednesday through Saturday Reservations required, accepted Tuesday through Saturday, 1–4 p.m. 602-388-4874 binkleysrestaurant.com
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Curiously enough, Binkley would like to see the planned number of people he serves nightly drop to around 10—with, of course, a commensurate hike in prices. (“That's the down side,” he admits.) His reasoning is simple: the fewer the diners, the more he can get to know their wants and likes, and the more he can concentrate on creating dishes just for them.
dishes. For a vegan, I might substitute a pork tenderloin dish with something like a slow-smoked sweet potato.”
“I want to focus on one menu, know exactly who's coming in, and prepare dinners from the absolute best products I can get that are in season.”
Binkley laid that down as a rule when he and this wife decided on the new concept: One shouldn't go to a chef-driven restaurant and find the chef absent, anymore than one should go to dinner at friend's home and find the friend absent.
That being said, Chef Binkley will adjust the menu to accommodate food allergies and preferences. For example, he has served entirely vegan versions of his dinners. How is it done? “We like to keep the alternative dishes similar, so everyone has the same experience at the same time, with similar
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Though Binkley's Restaurant is open only four nights per week, the chef is there six days per week, prepping for the dinners. If the restaurant is open, he is there.
“Home” is a key word here, as Binkley uses the rambling rooms of the old house to bring guests from the bar, to the dining room, to the patio, just as a guest for dinner might enjoy the various rooms of a host's home. The core of the experience is, of course, what one patron calls Binkley's “insanely delicious”
dishes, which on a menu in September included the following from among its 20 offerings: candied salmon sliders; buffalo pakoras with bleu cheese dipping sauce; skewers of chilled, curry butter-dipped lobster with maple butternut squash and cold, seared foie gras; slow cooked duck leg, with beluga lentils; miso-glazed eggplant; rack of hazelnut-fed pork, with bacon-date relish in a balsamic-mirin glaze; braised abalone with daikon; selections of wild mushrooms, including chanterelles braised in goat butter; fresh huckleberries with cantaloupe coulis; and green tea pannacotta with a gingerbread crumble.
SCOTTSDALE 2018 AUCTIONS JANUARY 18TH & 19TH APRIL 5TH & 6TH
Everything is an integral part of the experience, down to the serving dishes. The tiny glass ones were made especially by Laughing Glass Studio to match the restaurant's aesthetic. Says Carole Perry, who owns Laughing Glass with husband Don Carroll, “As Binkley's has evolved to create an experience of many diverse flavors and bites, we worked with Kevin to create smaller and smaller pieces that serve as an integrated canvas for the artful presentation of each dish. We're currently making four new pieces for the new season.” Count on everything to evolve at Binkley's Restaurant, and on one thing to remain the same: Binkley's commitment to the dining experience. He and his wife moved their home to within walking distance of the restaurant so that the chef would be able to check on dishes slow-smoking throughout the night. Amy Binkley planted and maintains a flourishing garden in the restaurant's front yard area, so that many herbs are literally garden-fresh. In all, Binkley's Restaurant is devotion worthy of dukes, duchesses—and lovers of great, unique dining.
Kenneth Riley b. 1919 CAA, NAWA | Mandan Gold Oil on linen | 48 by 40 inches | $90,000 - $130,000
I NVITING C ONSIGNMENTS FOR O UR 2018 J ANUARY AND A PRIL A UCTIONS IN S COTTSDALE FOR A COMPLIMENTARY AUCTION EVALUATION, PLEASE SEND IMAGES AND ARTWORK INFORMATION TO INFO@ALTERMANN.COM. YOU MAY ALSO MAIL SUBMISSION MATERIALS TO THE SCOTTSDALE GALLERY. 345 CAMINO DEL MONTE SOL, SANTA FE, NM 87501 7172 EAST MAIN STREET, SCOTTSDALE, AZ 85251 CONSIGNMENT OFFICE, 2103 IRVING BLVD., DALLAS, TX 75207
(855) 945-0448 ALTERMANN.COM
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GUIDE TO THE 2017-2018
Gold Palette ArtWalk Series
Writer Lara Piu Photography Courtesy Scottsdale Gallery Association
E
Every Thursday evening, members of the Scottsdale Gallery Association throw their doors open for the Scottsdale Art District ArtWalk. Hosted by the association and the City of Scottsdale, it’s a chance to stroll in and out of downtown Scottsdale galleries and learn more about the artists featured in them. For a deeper look into the local world of art, try a Gold Palette ArtWalk. This series of eight free, monthly art events are held by the association and the city from November through July. The events offer a closer look at video, Western, Native American, international, and other art themes through a variety of engaging experiences and live entertainment. This year, the series kicks off with a return of its popular Demonstrate! event on November 16. This unique art experience allows patrons to watch as artists create their work. Designed to create a rich art learning experience, observers will see a variety of creative processes, be encouraged to ask questions and might even be asked to participate.
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December 14 – Scottsdazzle Scottsdale Gallery Association district galleries light the night up for the holidays with window lights and traditional Southwest luminaries. There will also be unique gifts, refreshments, entertainment, ice sculptures, strolling carolers and featured art exhibitions.
January 25 – Art in Motion: A Video Experience ArtWalk A team of curated video artists will create a video trail of art projected onto buildings, in the streets, within galleries and on storefronts, inviting attendees to become immersed in these interactive video artworks.
February 8 – Western Spirit ArtWalk Held during the City of Scottsdale’s Western Week, Western Spirit night will be a celebration of Scottsdale’s rich Western cultural
heritage through an evening that features Western art, music and food.
March 1 – Native Spirit ArtWalk The Native Spirit ArtWalk will host artists and celebrate the many themes of Native art, food and music. Coinciding with the Heard Museum’s annual Indian Market in Phoenix, tribes from around North American will converge in the Southwest to share their diverse cultures with each other, art collectors and Native American enthusiasts.
March 22 – Worth 1,000 Words Enjoy landscape, still life, portraits, wildlife and other themes as you discover the wonderful art of Southwest photographers, along with art, culture and dining of the Southwest.
April 5 – A Taste of Scottsdale: Eat, Drink & Art Art, food and wine come together as galleries serve food from various Scottsdale Arts District restaurants, while wine tasting rooms along the walk serve selections from Arizona wineries.
July 12 – Summer Spectacular ArtWalk A long-time Scottsdale Art District summer tradition, this special event is a celebration of international art, music, culture and food. scottsdalegalleries.com N ovember 2017
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There’s nowhere else like Cave Creek! Nestled in the beautiful mountains of the Sonoran Desert, the Old West charm of Cave Creek is like a well-preserved page of Southwest American history. From fine and casual dining to eclectic shops, and from extraordinary galleries to one-of-a-kind community events, you’ll love stepping back in time Cave Creek-style!
CAVE CREEK WILD WEST DAYS
Come see the Wild West as it really was—but better! Two days of mutton bustin’, pig races, re-enactments, bed races and more! Be sure to catch the Wild West Days parade! Full schedule available online. When: Nov. 3–5. Where: Historic downtown Cave Creek. wildwestdayscavecreek.com
STAMP MILL RUN AT CAVE CREEK MUSEUM
In the mining days of Cave Creek, the Golden Reef stamp mill crushed tons of rock so valuable ore could be extracted. Step back in time as Cave Creek Museum gives a demonstration of this restored mill in action. When: Nov. 11, 1:30–2 p.m. Where: Cave Creek Museum, 6140 E. Skyline Dr., Cave Creek. Cost:$2–$5; children under 12 free. 480-488-2764; cavecreekmuseum.org
JEWELRY TRUNK SHOW
Artist Jennifer Hanscom infuses her handforged sterling silver jewelry with something we can all use—positive energy and intentions. Come browse her trunk show! When: Nov. 17, 18, 24, 25, 9 a.m.–4 p.m. Where: Etania Jewelry & Boutique, 6140 E. Cave Creek Rd., Cave Creek. Cost: Free. 602-429-0505
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MINER’S DINNER
Take your hat off and sit a spell at the Cave Creek Museum Miner’s Dinner! Chow down chuckwagon style to the tunes of a balladeer and see live demonstrations of blacksmithing, the Golden Reef stamp mill, pan for gold, and bid on great prizes! When: Nov. 14, 4–8:30 p.m. Where: Cave Creek Museum, 6140 E. Skyline Dr., Cave Creek. Cost: $55 per person. 480-488-2764; cavecreekmuseum.org
Contact Tatum Williams at 480-280-9490 or tatum@imagesaz.com to talk about joining our Images Arizona Cave Creek destination pages.
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Writer Amanda Christmann Photography Courtesy of Winquist Photography
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I
In an unassuming corner of a quiet block in Paradise Valley, tech whiz and entrepreneur Chad Little is hard at work. Coffeehouse music plays softly through a speaker as he studies his latest project, and despite the thoughts most certainly buzzing through his brain, his eyes remain fixed, absorbed in his task. With careful precision, he eases a brush across the blank canvas before him, creating the first of many layers that will become a figure, then a face, then a subjective statement of human expression hidden between shadows and bleeding lines of color. Little is an artist, and he always has been. Though his medium has changed from digital computer code to Internet algorithms, and more recently to oils on canvas, his genius is in transforming a blank slate into something never before achieved. From his first start-ups in the early 1990s, Tracer Design and Sandbox Entertainment, to AdOn Network, Fetchback and Hivewyre, the companies Little has founded have always been innovative, and they’ve always been successful. Like his art, none of the foundational concepts are particularly difficult. It’s Little’s ability to filter and funnel ideas through his mind and envision something entirely new that is nearly legendary in certain circles—and those circles are wide. Marketing giant Prime Visibility (now Wpromote) acquired AdOn in 2007, and Fetchback is now owned by eBay. Hivewyre, his most recent venture, is still gaining momentum and will no doubt be equally successful. Not bad for a guy whose parents were hoping he’d do something “normal” for a living. Born in Arizona, Little says he “did time” in Oklahoma before heading west for college. “My mom and dad wanted me to be a doctor or a
Experience “Misfits” Contemporary Art by Chad Little
Thursday, November 9 5–8:00 p.m. Chad Little Studio Northwest Corner of 60th and Cactus Wren, Paradise Valley Art and pricing available online. chadlittleart.com N ovember 2017
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lawyer—or go my dad’s route and fly jets for the Air Force,” he says with a hint of dryness. “I found that art was my passion, and I figured that, if I could make a living in the field of arts, that’d be the way to go.” He went to school for graphic design, hoping to develop his portfolio enough to get into the elite California Institute of the Arts in Valencia. Instead, he found himself with an associate’s degree and a job in Phoenix that paid $13,000 a year—but there were other perks. “It had amazing computer systems,” he explains, drawing out the word “amazing.” “I didn’t mind the pay because I had unfettered access to the computers.”
… his genius is in transforming a blank slate into something never before achieved. 48
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He used his time wisely, developing a CD-ROM-based graphic design and marketing materials. That was the foundation for Tracer, his first company. Next came Sandbox Entertainment, a platform for fantasy sports and games. Little raised millions in venture capital funding and created partnerships with CNN/Sports Illustrated and Yahoo! before the company was acquired by Wall St. Sports in 1999. Though completely different in purpose, Little then applied his trademark business savvy and creative vision to Fetchback, AdOn and Hivewyre, identifying needs in the market and filling them with technological know-how and innovative ideas.
Success does not seem to have changed Little. The only difference is that the t-shirts and shorts he’s worn to work for the last 20+ years are now speckled and spattered with layers of paint. His companies have all been known for their dog-friendly offices with self-driven, freethinking corporate cultures. Though he now works alone, save for regular visits from his wife Sophia, his love for dogs and personal freedom are still top priority—so much, in fact, much of his net profit goes to Altered Tails, the state’s largest low-cost spay and neuter charity. Time and again, Little has pulled ideas from his mind, mixed them with inspiration from his mentors and muses, and figuratively filled an empty page with them. Once those ideas are perfected and completed, he lets them go (at a price worthy of their quality) and moves on. Now that he has achieved his business goals, he’s moved on to a much more literal blank canvas. Construction is complete on his contemporary and more-than-alittle-eye-popping new studio, designed by Chen+Suchart. Little and his wife, Sophia, will be hosting art fundraisers for Altered Tails and other charities they support. The next event, titled “Misfits” after one of Little’s paintings, will be held November 9 from 5 to 8 p.m. “It’s a big cause that’s near and dear to our hearts,” Little says, adding that his own “children” are four-legged. Art and pricing is available online.
IT’S IN THE EYES Little’s paintings, which began as whimsical and almost cartoon-like, are now decidedly complex works of abstract impressionism. His subjects are strangers whose faces he finds in vintage photographs, but he comes to know them intimately as his brush recreates them.
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His portraits are beautifully dark and raw, yet inherently human.
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the art of organization
Though the images are recognizable, they take on new life after they’re distilled through Little’s mind. His portraits are beautifully dark and raw, yet inherently human. “It’s all in the eyes,” Little says. “That’s what usually inspires me.” In his work, the eyes always stand out— either because of their detail, or their lack of it. One painting, titled “Loading Zone” is of a solid girl in a plaid shirt sitting at a table. A cigarette hangs out of her mouth and she is holding a halfempty glass. What is most notable is that she has no decipherable eyes, as if she was a character Little felt little connection to. On the other end of a spectrum is a striking piece called “Vulnerable.” Piercing eyes look out as light and shadows expose emotions from deep inside of the subject—and likely from the artist as well. Like the rest of his creations, Little’s paintings are fascinating in their imaginativeness and boldness. In fact, they’re very good, although he will likely never use that term to describe his own work. “I think it’s better to be different than good,” he says without pretense. “The path to painting an apple amazingly well is different than the path to painting it differently,” he explains, holding up an imaginary fruit for emphasis. Ironically, time and again, manages to achieve both.
Little
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HIDDEN IN THE HILLS ARTIST FEATURE
Writer Sue Kern-Fleischer Photography by Rich David
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Surrounded by contemporary sculpture fashioned from steel, concrete and wood, Carlos Page’s openair studio stands firmly against a desert backdrop. Framed by six metal posts that hold a sizable roof structure, the partially shaded studio gives Page the space he needs to get into his creative zone.
place from 10 a.m. to 5 p.m. Nov. 17, 18 and 19; and Nov. 24, 25, and 26. A signature event of the nonprofit Sonoran Arts League, the free, self-guided tour features 174 artists in 44 studio locations throughout the scenic Desert Foothills communities of Cave Creek, Carefree and North Scottsdale.
His work table is strewn with the tools that Page uses to grind, cut, chisel and pound geometric shapes and designs into and out of large pieces of reclaimed wood, raw steel, remnants of rusty metal tanks, pipes, beams and other odds and ends that he finds in metal yards. Off to one side are an acetylene torch and his welding machine, which he uses to shape, forge and fuse the materials.
A staple of the Hidden in the Hills event has been the four-color, glossy artists’ directory, which includes a comprehensive listing of participating artists with an image of their art, a large, easy-to-read map of the studios, and advertisements from participating artists and community art partners.
Page, a Cave Creek resident, is this year’s featured directory artist for the 21st Annual Hidden in the Hills Artist Studio Tour (HITH). As Arizona’s largest and longest-running artist studio tour, HITH takes
In May, participating artists were invited to submit original pieces for consideration of the artists’ directory cover during a selection process. More than 80 pieces of art were submitted, and the committee chose a striking, contemporary piece by Page to be the featured artwork. The untitled wall sculpture is
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composed of steel and a 200-year-old wood beam that Page reclaimed from a building in New York City. It stands at 59 inches tall, 24 inches wide and 7 inches in depth. “Choosing a featured cover artist was not easy, as there were so many terrific entries this year, but in the end, we were all drawn to Carlos’ stunning design and abstract form. He is a brilliant artist and a true visionary,” said HITH marketing chair Carole Perry, a glass artist who has opened her studio to patrons for all 21 years of the tour. Born in Buenos Aires, Argentina, Page traveled extensively before settling in the United States in 1989 to pursue the study of fine art. After an apprenticeship at a metalworks studio in San Francisco, he moved to New York City and graduated from a special honors program at Hunter College. At Hunter, he focused on contemporary design and sculpture, creating functional and abstract pieces made with steel, concrete and wood. In February 2001, Page opened his first sculpture studio in Hoboken, New Jersey, just across the river from Manhattan. Seven months later, his career came to an abrupt halt after the terrorist attacks of 9/11. Page had weathered bad times before. His father died when he was a young boy, and he experienced the turmoil of Argentina’s ‘Dirty War’ in the 1970s. The months after 9/11 were another dark period for him, with lots of uncertainty. “It was a very difficult time, especially the first winter when I couldn’t heat the studio. I wore six layers of clothing because the boiler didn’t function and some of the windows were broken. I remember that everything in the studio froze,” Page said. “My salvation was to trust in my vision and to focus on my work. That has been my strength ever since.”
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Page’s wife, LeeAnn, a teacher in New York City, was working while he began traveling in the northeast to attend art shows. A trip to Chicago in 2006 energized him to explore the country more as he fell in love with the city’s architecture and began building clientele there. Page participated in the fine arts show circuit for many years. In 2011, he made his first trip to Arizona to participate in Thunderbird Artists’ Carefree show. The following year, he participated in the 10-week Celebration of Fine Art show in Scottsdale. This January will mark his seventh season exhibiting there.
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Long-distance travel and the logistical challenges of hauling artwork to shows in Arizona and around the country spurred Page and his wife to invest in a mixeduse property in Cave Creek. In 2014, he moved his production and set up his studio in Arizona. He and his wife maintain their home in New Jersey, and she will soon join him in Arizona as she is close to retiring. A grand part of Page’s inspiration has always come from the energy of the people and the places that he has encountered. His work reflects on the balance between the raw power of nature and the sophistication of the human experience.
Releasing the Spirit of Stone 36633 N. Sidewinder Rd., Carefree gedionnyanhongo@gmail.com GedionGalleries.com facebook.com/gedion6747
RICK GRIGGS
480-255-4184
#1O
Live Edge Furniture Live Edge Art 36633 N. Sidewinder Rd., Carefree naturalwoodedge.com
206-679-4084
#10
MANON DOYLE Jewelery Design
480-818-3803
4944 E. Sawmill Circle, Cave Creek
HIDDEN IN THE HILLS ARTIST STUDIO TOUR AND SALE
GEDION NYANHONGO
sistersofthesun.com
#28 CAROLE PERRY & DON CARROLL
Laughing Glass Studio
Functional and Sculptural Glass Art
480-488-6070
4944 E. Sawmill Circle, Cave Creek Open by appointment year round! Carole@LaughingGlass.com
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Describing the process as “magical,” he creates bold, abstract sculptures and furniture that reflect his love for nature, zest for life and passion for art. Each smaller component of a piece is welded together to become one large sculptural piece. There are no nails, screws or other items used to fasten the materials.
SKIDD STUDIO I N DO O R/ O UTDO O R M E TAL ART
skiddstudio.com
“There’s a simple, built-in quality to my work that is sturdy and dependable. For example, you can’t take the leg off of a bench —it is one complete piece,” Page said. “I think my work resonates with people because it is peaceful and harmonious, yet at the same time, it is dynamic.” Of course, getting to that point of harmony takes a tremendous amount of focus and labor. Page rarely sketches out his designs. He counts on his gut to guide him. Background music plays a big role in his inspiration at work. The sound and rhythm help him focus. He has an extensive record album and CD collection, and he listens to everything from Brazilian and world music to bluegrass, rock ’n’ roll, jazz and classical. “I begin by pulling materials apart, and then, like in the universe, there’s a transformation,” Page explains. When he is in his studio, time is unimportant to him. He gives each piece its own time until he is satisfied with it. He doesn’t follow trends, and sales do not dictate his creative process. “I trust my instincts with each piece,” he said, adding that working with his hands is a humbling experience. Paying close attention to form and proportion, he expends a tremendous amount of intellectual and physical energy on each creation.
HIDDEN IN THE HILLS ARTIST STUDIO TOUR AND SALE
“My work is straight-forward and honest—I don’t hide anything,” Page explained. “The accents in the material that happen over time and in nature, like cracks or nails in wood, or rough, uneven surfaces of metal, are accentuated for people to see. I love the history, texture, luminosity and playfulness of the material I work with.”
BETH ZINK
33444 N. 55th St. Cave Creek, AZ 85331
#26
480-980-3848 bethzinkart.com
KEN KAMINSKI FINE ART Studio open by appointment Cave Creek, AZ
908-391-1830
KenKaminski.com Facebook.com/ KenKaminskiArt kkaminski@me.com
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“You go through a lot of discomfort when you’re hammering out a piece,” he said. “Not only is the physical work challenging, it requires full focus.” Losing focus leads to injuries, and Page joked that he has the scars to prove it. This will be Page’s fourth year participating as a HITH studio host. His Studio #29 includes guest artists, painter Michael McKee, jeweler Rollande Poirier and ceramist Myron Whitaker. Page said he is honored to have his work featured on the cover of the HITH artists’ directory. “I am thrilled to have been chosen to represent Hidden in the Hills as this year’s featured artist. I hope my sculpture resonates with people, no matter what their background. It’s a strong, rustic piece that blends my love of nature with my passion for architecture,” he said.
I wore six layers of clothing because the boiler didn’t function and some of the windows were broken.
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The Sonoran Arts League is selling the 21st Annual Hidden in the Hills artists’ directories for $5 at the league’s new Center for the Arts, 7100 E. Cave Creek Rd., Suite 144, at Stagecoach Village in Cave Creek. The beautiful new office will serve as the information headquarters for the popular art tour.
6948 E. Horizon Dr. Cave Creek
480-595-9985
HIDDEN IN THE HILLS ARTIST STUDIO TOUR AND SALE
LINDA BUDGE
JOAN WATERS
sculpture & painting steel + clay + wood joanwaters.me
lindabudge.com
#4
#2
JUDY BRUCE STUDIO
480-437-9995
7162 E. Stevens Rd., Cave Creek judybruceart.com
#4 SANDI CIARAMITARO
PAT ISAACSON
Watercolor - Oil - Bronze 26420 N. 82nd St., Scottsdale
Fused and Cast Glass 26420 N. 82nd St., Scottsdale
pisaacson@cox.net patsglassstudio.com
480-488-8200 480-861-1010
SandiCme@cox.net • SandiC.me
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Visit the Sonoran Arts League office to pick up artists’ directories, maps and inquire about other tour details prior to and during the tour. In addition, more than two dozen students will exhibit their work at Youth Art Studio 1 at the same location.
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Experience Hidden in the Hills
November 17–19; 24–26 10 a.m.–5 p.m. Visit website for locations and more Free 480-575-6624 hiddeninthehills.org
Mixed Media Fiber & Metal Guest Artist at HIGH DESERT CREATIONS
HIDDEN IN THE HILLS ARTIST STUDIO TOUR AND SALE
BRIAN JOHNSON
KATHI TURNER HIGH DESERT CREATIONS
31616 N. 70th St. (N. Scottsdale Rd. & E. Lone Mtn. Rd.) Scottsdale 85266
brianjohnsonwallsculpture.com
480-251-0771
#13
#13
JOANIE WOLTER Fiber Clay Sculpture
CUVEE ART STUDIOS 31550 N. 70th St. (N. Scottsdale Rd. & E. Lone Mtn. Rd.) Scottsdale 85266 cuveeart.com
562-225-2552
#14
#13
CHARLES WOLTER
KATHI TURNER, Jewelry Designer highdesertcreations.com
KATHI TURNER HIGH DESERT CREATIONS
Glass
kathi89445@yahoo.com
CUVEE ART STUDIOS 31550 N. 70th St. (N. Scottsdale Rd. & E. Lone Mtn. Rd.) Scottsdale 85266
775-304-6756
cuveeart.com
714-920-4001
#14
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Writer Sue Kern-Fleischer Photography by Scott Baxter
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Tess Mosko Scherer is going through a transformation that is shaking things up a bit, and that’s okay with her—especially because the changes in her life are pushing her into new directions as an artist. Mosko Scherer is one of 174 artists participating in the 21st Annual Hidden in the Hills Artist Studio Tour taking place Nov. 17, 18 and 19; and Nov. 24, 25 and 26. A signature event of the non-profit Sonoran Arts League, Hidden in the Hills (HITH) features 44 studio locations throughout the scenic Desert Foothills communities of Cave Creek, Carefree and North Scottsdale. Mosko Scherer is a guest artist at Studio #25 in Cave Creek, hosted by ceramists Pat and Mike Markham. Other guest artists include painter Ronnie Wainwright and jeweler Liliana Schuett. “I really love being a guest artist there,” Mosko Scherer said, adding that this is her fourth year
participating in HITH. “We have such a wonderful camaraderie between the four of us, and we’ve forged great friendships. When we’re together, I think people sense the warmth between us and feel welcomed and at ease as well.” Having that friendship and support makes this year even more special as Mosko Scherer prepares to exhibit a new series of mixed media constructions during the free, self-guided tour. Those familiar with her unique work have seen it evolve over a 16-year span from book arts to evocative mixed media pieces that explore the imbalance between the complex machinations of our private inner worlds and the outer world in which we are seen. “My work combines my interest in the study of the human psyche and knowledge of art and art history with an ability to express myself artistically. Simplified color and form convey complex and universal themes,” she said.
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GETTING A READ ON LIFE “Bookmaking has always been a part of my life. When I was young, I would make books for family members and friends. I love to hold books, read books and pour over the illustrations in books,” she said. “As a child, I tried to make sense of the chaos I observed. As an adult, I strive to do the same. Something deep within me is stirred when witnessing light’s illuminating beauty or the rawness of human emotional expression. To me both are equally poignant and beautiful.”
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While working her way through college, she landed a job at a local gallery, where she discovered her natural gift in sales and marketing. Over time, she fell in love with and later married gallery owner Marty Scherer. In 1997, they moved the gallery from Marlboro, New Jersey to Sedona. Inspired by the beauty of Sedona and its thriving arts community, she immersed herself in the study of binding. She was drawn to the beautiful choreography of paper, leather, book board and linen thread. Predominantly self-taught through Keith A. Smith’s educational series of books, she made more
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"My Life Is an Open Book" series. The emphasis of my work is about expression—yours and mine. Through the journal, I create a sacred space for a person to delve into their hidden world. Shining light into their darkness reveals what they have not seen before.”
Bookmaking can be both a gentle and rough process. From sewing, drawing, and folding to drilling, cutting and tearing, Mosko Scherer loves to watch her books come to life as they emerge from flat paper and boards into solid, meaningful and inspiring books.
Her mixed media constructions are an extension of her book art. Each piece begins with blank paper that is incised, scraped, drawn onto, torn and often sewn back together again. Working with a variety of media, from watercolor and pastels to colored pencils and graphite, her color palette ranges from muted monochromatic to more bold colors.
With the advent of the digital age, she and her husband felt the timing was right to move the gallery completely online in 2006. That same year, the couple embarked on a three-year journey exploring the United States. “It was a life-changing experience in that the majestic national parks, small towns and bustling cities nourished my hungry soul,” she said. “Artwork flowed into one-of-a-kind and limited edition artist books. These books are filled with poems, writings and images inspired by my personal inner journey and the outer journey that my husband and I shared.” In 2009, the couple bought a home in central Arizona where Mosko Scherer still resides.
UNRAVELING THE SPINE Over the years, the book structure became less important, and Mosko Scherer began to experiment with mixed media creations. A divorce and other life challenges prompted her to delve deep into self-reflection. “When I am making art, I find I lose myself, and in doing so, I find myself,” she said. “My art is a place to express myself. It can be deeply personal, hidden within the closed covers or fully exposed as in the
HIDDEN IN THE HILLS ARTIST FEATURE
than 1,000 books, mastering traditional methods and experimenting with her own interpretations of historical techniques. She began with the Coptic sewing stitch, which dates back to the 2nd century AD, and still loves the aesthetics because it reveals an exposed spine.
Several series contain words, and some feature hundreds of tiny, hand-written words. “People are intrigued by the use of words in my work. It is the volume of the words that makes the impact,” she said. “For example, the series “Grief” peels back the layers of grief like pulling back the curtain on the great and powerful Oz. Naming all the emotions that accompany it, grief loses its powerful weight through the revelation. When the burden lifts, it makes room for the lighter emotions to drift in.” The talented artist, who likes to read everything from espionage to art history books, will exhibit a new series, “Unbound,” of mixed creations during the Hidden in the Hills artist studio tour. “This series has been evolving, and I can’t say I know where it will take me,” she said. “Typically with bookmaking, the spine is what is bound. In this series, the edges of the pages are bound together. There’s fraying, loose openings, and curled paper, which I believe is a metaphor for where I am in my life right now. I am opening myself to new experiences and possibilities.”
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“Unbound” has helped her look at paper in a new way. “I really like playing with dimensionality and looking at what the paper can do and how far it can be pushed,” she said. “For example, I’ve been soaking the paper and peeling back layers or letting it curl to see what direction it goes.”
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Her studio is packed with shelves of countless varieties of paper, but for the mixed media creations, her preference is working with a four-ply Strathmore Bristol paper. “It’s like a workhorse and heavy enough that I can push it further,” she said. “When I make a journal,
Lucy Dickens Fine Art
12
www.LucyDickensFineArt.com - (602) 653-7002
Stop by here first to get your directory! N ovember 2017
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I use lighter papers such as an etching paper or a drawing or watercolor paper for a sketchbook.”
THE TRANSFORMATION CONTINUES As for what the future holds for Mosko Scherer, she's looking forward to a trip to China in 2018 where she will be facilitating a five-week program through the World Academy for the Future of Women. She is one of 16 women to be invited to participate in the "Give Voice to Women Through the Arts" program. From gallerist to artist, Mosko Scherer also is a certified life coach with a small private practice. Well-respected in the community, she is an arts advocate who volunteers her time as board president of the Arizona Artists Guild. She served as Shemer Art Center and Museum’s first artistic director in Phoenix from 2015 to 2017. An award-winning artist, she was named one of the 100 Creatives by Phoenix New Times in 2016. In addition to being a member of the Sonoran Arts League, she is a member of Art Link and Art Intersection.
Experience Hidden in the Hills
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November 17–19; 24–26 10 a.m.–5 p.m. Visit website for locations and more Free 480-575-6624 hiddeninthehills.org
“My life would be meaningless if I could not create and use my gifts to benefit others’ lives. Every day I am learning, waking, opening to what is—in nature and in my studio,” she said. “I am grateful for the unexpected turns in the path of this journey called life. I see life’s imbalances as an invitation to continually transform and grow as an artist, woman, mentor and friend.”
“I found it...
Hidden In The Hills!”
Art by Sandy Pendleton
ARIZONA’S PREMIER STUDIO TOUR
November 17-19 & 24-26 10 am to 5 pm each day • Cave Creek, Carefree & N. Scottsdale
Cover Art by Carlos Page
Discover your next treasure at the 21st Annual Hidden in The Hills—174 artists at 44 studios! Purchase original works of art directly from nationally recognized and emerging artists. Plan your tour with the full-color directory shown at right, which features all participating artists, includes a map and can be purchased in advance for only $5 online at HiddenInTheHills.org or by calling the Sonoran Arts League at 480.575.6624. You can also customize your tour online using the interactive map found at HiddenInTheHills.org.
FREE SELF-GUIDED STUDIO TOUR • HIDDENINTHEHILLS.ORG N ovember 2017
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Writer Lara Piu Photographer Loralei Lazurek
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Paradise Valley resident and Valley arts philanthropist Mary Way has been impacting the arts since kindergarten. As a girl, she studied dance for 12 years and after high school, earned a degree in art history and political science at Whitman College. She then studied classical singing for 12 years and worked as a writer, director and producer for several television shows. Mary later moved with her husband to England (where her kids were eventually born) so she could work at the Royal Academy of Arts and, with the help of Diana, Princess of Wales, served on the founding development board of the London City Ballet. They later moved to Tokyo, where Mary curated and became the chairman of the world's largest exhibition and sale of Japanese contemporary prints, called hanga. “I guess all these experiences gave me a hard knocks education that helped inform my participation in the arts in Arizona,” Mary explains. “In the arts, people seem to be divided into two groups: those who are creating the art, and those who are raising funds so that they can.” Mary crossed that creator-administrator line with her London City Ballet board appointment. When she moved to Phoenix in 1995, she served on the board of the Contemporary Forum Asian Arts Council at Phoenix Art Museum. Her husband, Bill, became chairman of its board of directors. After many years of serving there, they joined the leadership board at ASU Gammage, where Mary became co-chair. Eight years ago, she joined the advisory board of Southwest Shakespeare Company, where she began as chair of the board and then accepted the position of executive director. “Southwest Shakespeare has a wonderful artistic and production team,” Mary says. “I am back where I started: creating programs designed to enlighten and entertain—even though I still have to figure out how to pay for it.” In June, the company’s warehouse burned down, taking everything it owns with it. Twenty-three years’ worth of costumes, props, sets and signage were gone in six short hours. “They are pulling themselves together for the season opening September 8 with ‘The Complete Works of William Shakespeare, Abridged’ at the Mesa Arts Center,” she reports. She’s also been a directorial apprentice to Tony Award-winner Bill T. Jones, served on the National Endowment for the Arts panel for American Masterpieces and has coached actors at the National YoungArts Foundation finals in Miami. “The most fun I have is working with students,” Mary says, adding that she has worked with the English Speaking Union and the Utah Shakespeare Festival's national and regional high school competitions. This year, Mary’s work in the arts was recognized by Arizona Citizens for the Arts (ACA), a 35-year-old 501(c)(3) that advocates for Arizona’s non-profit arts and culture sector. Mary received its first Philanthropy Award for her extraordinary philanthropic leadership, for her financial contributions and for engaging others to give, as well. N ovember 2017
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“Mary was chosen by a panel of her peers—philanthropists themselves who are not only generous with their money but also give their time and their talent to the organizations they support,” explains ACA executive director Catherine "Rusty" Foley. “Mary is not someone who seeks the limelight for herself, so it was a pleasure to not only recognize her for her philanthropy, but also to acknowledge her selfless attitude.” The organization recognized Mary’s significant impact on the Valley’s major arts institutions, including her recent chair for the $15 million capital campaign at ASU Gammage and her work and donations to Phoenix Art Museum. “Non-profit organizations, especially the arts, have always depended on the financial support of philanthropic individuals,” Catherine continues. “Recognizing these philanthropists is not only an opportunity for the arts community to say thank you; it also gives us an occasion to tell the story of why individuals like Mary Way believe support for the arts is important. Hopefully, others identify with what motivates Mary and feel compelled to provide more support to the arts.” ACA also recognized the impact Mary’s contributions and volunteer hours have had on Southwest Shakespeare, which have helped transform the once-struggling company. In the last one and a half years, she helped install a new board, raise significant capital, install new reporting systems, balance the budget and reduce their debt. “Arts are not only entertaining and uplifting, they are potentially transformative, both in terms of empathy and in terms of academic performance,” Mary says. She notes seven studies that demonstrate live classical performance’s significant impact on students’ grade point averages and standardized test scores across all socioeconomic strata. “In Arizona, we have not only an opportunity but also a moral obligation to bring classical theater to as many people as we can,” she advocates. “Give all the rural students of all ages the same opportunities as those in the cities.” Her work has been gratifying in many ways, Mary shares. “I am grateful for all the kind, generous and creative people I have met along the way,” she says. “I am inspired every day by these friends and coworkers who help us advance the great cause—and those who support them. Thank you!” azcitizensforthearts.org
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Writer Amanda Christmann Photography Courtesy of Arizona Musicfest
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Ask anyone from Idaho to Ireland what they know about Arizona, and you’ll likely hear something about cacti, cowboys and the Grand Canyon. Soon, however, you may be just as likely to hear Arizona, particularly the North Valley, referred to as an incubator of phenomenal young musical talent. Since 2010, Arizona Musicfest has contributed over $60,000 toward helping young musicians and composers further their education and training. It would be an understatement to say that the caliber of talent for the Arizona Musicfest scholarship program is impressive; these students have often gone on to become top performers at some of the most elite schools in the nation. Four current Arizona Musicfest scholarship recipients are Robert Bui, Thomas Desrosiers, Ryanne McLaren and Anna Han. These students are making the most of the opportunities provided through Arizona Musicfest and are representing themselves, their families and our community with aplomb across the country and throughout the world.
ROBERT BUI Robert Bui is a Mountain View High School graduate whose command of music is inspiring. A 2017 Arizona Musicfest scholarship recipient, Robert began his composition studies at New England Conservatory this fall, a big step in his journey toward becoming a film composer. “I’m extremely grateful to have been selected for the Arizona Musicfest scholarship,” Robert said. “I can’t possibly thank my colleagues, friends, parents and teachers enough for everything they’ve done to support me.
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“I’d also like to give the biggest of thanks to Arizona Musicfest for being one of the most influential organizations I’ve associated with, especially for my development in chamber music skills. Once again, I am extremely honored and highly appreciative to have this support for my education and beyond.”
Our 2017-2018 Inaugural Season
The Coldwell Banker Global Luxury Concert Series Bob Pfeiffer, Luxury Home Specialist bobazliving@gmail.com SUNDAY, NOVEMBER 19, 2017 @ 3PM Nicole Pesce & Nicole Pesce Trio Bob Lashier, Bass ~ Dom Moio, Drums SUNDAY, DECEMBER 17, 2017 @ 3PM Joseph Wytko, Saxophonist
THOMAS DESROSIERS
THOMAS DESROSIERS When 2016 Arizona Musicfest scholar Thomas Desrosiers picked up a clarinet for the first time in sixth grade, he had no idea the impact that his instrument would have on his life and the lives of many other budding musicians. While in high school, in addition to numerous musical accolades Thomas earned, he led a project to collect, repair and redistribute band and orchestra instruments to low-income students and continued his outreach by volunteering as a clarinet instructor for Harmony Project PHX. Now, with the help of his Arizona Musicfest scholarship, Thomas is a sophomore at Vanderbilt University and is passionately pursuing his degree in music education with a concentration in music theory. His desire to give back to others through music is a testament to his parents, teachers and mentors along the way. “Music has become my life,” said Thomas. “My ultimate goal is to share the love and power of music with as many people as possible.” He is currently doing just that by partnering with a friend to teach entry-level music theory to Vanderbilt students who want to continue music as a hobby, in addition to their regular studies.
SUNDAY, JANUARY 14, 2018 @ 3 PM Eduardo Minozzi Costa, Classical Guitar & A Capella Syndicate SUNDAY, FEBRUARY 25, 2018 @ 3PM Alice Tatum, Vocalist with Todd Chuba, Drums ~ Bob Lashier, Bass & Nicole Pesce, Keyboard SUNDAY, MARCH 25, 2018 @ 3PM Omar Mondragon de Leon, SingerGuitarist-Songwriter & Saxophonist Joseph Wytko SUNDAY, APRIL 22, 2018 @ 3 PM We3 – Vocalist Renee Grant Patrick, Violinist Suzanne Lansford & PianistComposer-Keyboardist Nicole Pesce
The Boulders Resort & Spa Latilla Ballroom 34631 N. Tom Darlington Drive Scottsdale, AZ 85262 Concert info: (480) 204-7292 JosephMusic@cox.net Ticketing:
coldwellbankerconcerts.eventbrite.com SPONSORS: ARIZONA STATE UNIV. EMERITUS COLLEGE ~ BOB PFEIFFER, REALTOR ~ IMAGES ARIZONA MAGAZINE ~ VESUVIUS PRESS INC ~ ENGLISH ROSE TEA ROOM ~ LMC HOME ENTERTAINMENT LTD ~ ULTIMATE HEATING & COOLING LLC ~ CAREFREE COVERINGS INC ~ CAREFREE FLOORS ~ CAREFREE TRAVELER INC – CRYSTAL CRUISES ~ DOVE VALLEY ANIMAL HOSPITAL ~ LPL FINANCIAL – RYAN TORONTO MBA, CFP ~ PORSCHE NORTH SCOTTSDALE ~ CORNERSTONE SERVICES ~ JOSEPH MUSIC EVENTS ~ LET THERE BE LIGHT ~ PATTI SCHAUMBERG ~ BETSY & GARY SWENSON N ovember 2017
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RYANNE MCLAREN
RYANNE MCLAREN While other Arizona Musicfest scholars are spreading their wings inside the U.S., 2015 scholarship recipient Ryanne McLaren is pursuing her dream abroad. This promising young pianist, violinist and vocalist was a member of the National Honor Society, student council, principal’s council and volunteer during her years at Campo Verde High School in Gilbert, and she has continued to strive for excellence as a performance in piano and organ major at La Mirada, California’s Biola University. Now a junior at Biola, she has traveled to Cremona, Italy to participate in an international music academy, collaborating with the premier quintet and performing in the grand finale of a long series of concerts. She also took her talent to Cambridge, where she spent time studying English literature with the Torrey Honors Institute. “I aspire to achieve a graduate degree in collaborative piano,” she said. “Accompanying and working alongside other musicians are my passions.”
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ANNA HAN
ANNA HAN Twenty-one-year-old Anna Han is, as the Washington Post has proclaimed, “prodigiously gifted … a display of imagination, taste and pianistic firepower far beyond her years.” Now a senior studying piano performance at Juliard, Anna is making her mark across the globe, tickling the ivories from Washington D.C. to Warsaw. As much as Anna has accomplished, she continues to delve deeper into her gift for music, exploring new facets and deeper meaning. “I have been learning the importance of connecting to your audiences and making what you do relevant to them,” she explained. Thanks in part to the Arizona Musicfest scholarship program, Anna will complete her Juliard education and continue to shine her music on new audiences. “This is something I hope to be able to spread, and it is my goal to continue performing more and more as I grow.” Arizona Musicfest relies on the generous support of its patrons to help sustain the Arizona Musicfest scholarship program, and to support talented young musicians with their many pursuits. If you would like to help, visit the Arizona Musicfest website. azmusicfest.org
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In the grand scheme of the most populous U.S. cities, Phoenix is a relative youngster. Yet time and circumstances converged to make it a prime location for mid-century modern architectural design. Modern Phoenix, founded and operated by Alison and Matthew King, is both a comprehensive compendium of the era’s architectural style and a dedicated, proactive organization that educates the public; provides resources to homeowners, developers, and businesses; and features the work of contemporary designers. Essential to the mission of Modern Phoenix are preservation efforts, as many historically significant and beautiful structures have, unfortunately, been the casualties of progress as the area continues to boom. Prior to the conclusion of World War II, Phoenix existed as a hot and sleepy desert town with an economy primarily based on agriculture, and was just beginning to attract visitors escaping the bitter cold of northern winters. With
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Writer Shannon Severson Portrait by Loralei Lazurek
the growing availability of air conditioning and plenty of inexpensive land, the city was perfectly positioned for the proliferation of mid-century design. Now working as professors at The Art Institute of Phoenix, Alison and Matthew were high school sweethearts who met
as students at Saguaro High School. Her interest in—and talent for—illustration, printmaking, design, photography, and teaching has been life-long and earned her a full-ride to Arizona State University, but ASU didn’t offer a graphic arts degree at the time and she was eager to spread her wings and leave the familiar behind. It seemed like kismet that both were accepted to colleges in New York City: Alison to the Parsons School of Art and Design, where she pursued an illustration major and Matthew to Eugene Lang College, though he later transferred to Parsons as a furniture design major. The two spent every spare minute together biking and skateboarding through Central Park and exploring as many neighborhoods and museums as possible. That sense of exploration helped to cement their interest in design and architecture, and their partnership. Each year, the couple returned to Arizona to visit family and brought that same sense of exploration, but they’d inevitably itch to return east—until the day they received a postcard Alison’s parents sent from an Arcosanti exhibit. Intrigued, Alison and Matthew soon secured their attendance at a five-week academic and hands-on workshop during the construction of the East Crescent. They helped with concrete formwork, digging ditches, welding, dry wall and spackle. Alison spent time in the ceramics studio molding clappers for the famous bells. “It was transformative,” Alison says. “We did whatever was needed, both indoors and out. It was monsoon season in August, the prettiest month of the year with weather that wasn’t too hot and the sky filled with all those amazing clouds.” They tied the knot in 1994, and after many years of New York living, Alison and Matthew made the decision to return to their roots and settle in Phoenix, at least for a while. They didn’t expect the importance of what they’ve now found and what they’ve formed. Their son, Oscar, actually played a large part in the launch of Modern Phoenix in 2003. His colic was cured only by afternoon drives, so the Kings took the opportunity to explore. “We began to ask around as to where the good stuff was,” says Alison. “We saw the Wendell Burnette House in Sunnyslope, the Willo District, Ralph Haver neighborhoods, the cool stuff along the canals and all these little pockets that you don’t hear about. We started pulling sales fliers and made it a game to guess the prices.” Alison began carefully photographing, mapping and cataloging her findings and publishing it all online, long
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his family now, adding another layer to their experience and their love for his work around the city. Alison isn’t confined to Haver. She also works with the family of Alfred Beadle to maintain an archive of his work and the Modern Phoenix site has listings of both past and present architects whose work fits the style and spirit of mid-century modern.
before Facebook or LinkedIn existed. She was particularly fond of Haver and began posting as much about him as she could find, page by page. In reacquainting themselves with their old stomping grounds, they realized the city had grown up and had a newly thriving art scene. The mid-century design they loved was theirs for the finding. “It was like peeling away the layers of a story that was so familiar,” says Alison. “My parents actually met as young teachers at Coronado High School, which was designed by Haver and Jimmy Nunn. I grew up with Ralph Haver architecture all around me, I just didn’t have a name for it.” In 2005, the couple purchased their own Haver home in the Canal North neighborhood, his first residential project. Built in 1945, it’s right next door to the famed architect’s former personal residence. They are regularly in contact with
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Modern Phoenix has expanded from a solely residential focus to include an extensive commercial archive as well. From the start, mid-century fans have contacted Alison, asking for more information and interested in seeing these masterpieces in person. Within months of its founding, Modern Phoenix hosted 110 people for its first home tour, albeit informal, of five homes in the Windemere neighborhood. The tours have grown by leaps and bounds, with Modern Phoenix partnering with various cultural institutions over the years. This year’s tour sold out by noon on the very first day and attracted 1,000 visitors. In March, Modern Phoenix played host to 250 experts from around the country at the Docomomo US National Symposium on Modernism and Climate, utilizing various venues in the area, including Phoenix College, Arcosanti and Taliesin West. Through their work, the Kings are putting Phoenix on the map as a destination for mid-century modern enthusiasts. They have played a proactive role in preserving historic
structures and educating homeowners, developers and businesses about the value of maintaining the integrity of great residential and commercial design while providing an extensive array of resources with which to do so. “It’s informational, but also inspirational,” says Alison. “If residents or developers want to go back to a certain point in time, they have the visual resources to do that. One thing that I’ve learned through teaching is that sometimes people need to hear the same message a few times, in a few different ways, before they start getting the picture. The positive working relationships we’ve developed have been really productive.” A particularly high profile project is Modern Phoenix’s ongoing effort to preserve the David and Gladys Wright House, which was quite literally saved at the last minute by a demolition crew member who couldn’t bear to finish the job. A national publicity campaign was launched and the home was saved and is currently undergoing extensive renovation. Alison’s team has served an important advisory role throughout the process. Efforts continue with various entities to ensure solvency in perpetuity and arrange proper zoning to secure public access. The vision is that the home will be open to the public as an educational institution, just as Taliesin West is now. As Phoenix continues to grow and change, the Kings will keep working to preserve vital history and maintain the treasures of the past for future generations. modernphoenix.net davidwrighthouse.org
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Writers Lara Piu and Amanda Christmann Photography by Scott Baxter
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Throughout history and across cultural divides, there has always been the idea of the yin and yang, Shiva and Shakti or heart space versus head space. No matter the name, it has little to do with gender, but rather the idea that two separate yet complete energies can come together and form a synergistic whole. The idea is nearly universal—and it is the foundational approach for one of Scottsdale’s most successful art galleries. Bonner David Galleries, founded 15 years ago by Christi Bonner Manuelito and Clark David Olson, is something unique in the art world. Unlike other galleries, Christi and Clark have thoughtfully interwoven dual collections of traditional and contemporary art to show not only that the styles can exist in harmony, but that they should. Together, the friends and business partners have cultivated a marriage of sorts between contemporary and traditional art, finding common ground in the capacious range of human emotions elicited by both. They do it by focusing on the human element: the artists. Even the gallery’s name reflects this intent: “Bonner David” is a combination of Christi and Clark’s middle names, an intentional move to avoid using their own first names. “We wanted it to remind us that our artists come first in our gallery,” Christi explains. Through Bonner David Galleries, they have accomplished a remarkable feat, bringing together a family of artists whose work represents several mediums, multiple continents, and distinct styles—both contemporary and traditional.
Christi, an artist herself, earned fine art and art history degrees from the University of New Mexico. She notes, “People often grow up in a background where there’s one or the other, but we take the time to explain the art and why someone might react to a piece. It opens a door for that person. Art opens people up to being more receptive to different ideas and experiences.” The concept seems apropos for the two gallery owners, considering their vastly different backgrounds. Christi was raised in Santa Fe. The beauty and mystery of the mountains and mesas provided terra firma for her love of art, while her grandmother instilled an appreciation for the timeless connections it provides. Clark grew up in the Midwest surrounded by a very different, yet similarly beautiful view, literally and figuratively. His family was of modest means, but his parents cultivated in him an appreciation for human creativity. He still recalls times his parents made room in their budget to purchase special pieces that inspired them. Clark loans out paintings from his personal collection like most people share books. A fine art aficionado since he can remember, he has a private fine art compilation that exceeds 100 pieces. “I’ve collected art since the 1980s when I moved here from the Midwest,” says Clark, who also collects art when he travels. “I used to come to nearly every art walk. I loved them.”
Experience The Best of Bonner David 15th Anniversary Show Nov. 10–29 Celebratory Gala Nov. 10, 6–9:00 p.m. Bonner David Galleries 7040 E. Main St., Scottsdale 480-941-8500 bonnerdavid.com N ovember 2017
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It’s no surprise that Christi and Clark were both drawn to the art industry, which is how they met. One evening over cocktails at AZ88, the two dreamed out loud of a next-generation Old Town Scottsdale gallery. “We said, ‘We can do this,’” Clark recalls. “We thought, ‘We can treat our artists really well, and we can do something different.’” In 2002, Christi and Clark opened Bonner David Galleries at 7040 E. Main St. in the heart of Old Town Scottsdale. At first, the gallery was a little more than 2,100 square feet; now the show space boasts more than 4,000 square feet of some of the finest paintings and sculptures. The gallery represents a curation of stunning pieces created by gifted wellknown artists, including brilliant landscape artist Romona Youngquist, noted colorist Claudia Hartley, renown botanical artist Dyana Hesson, highly collected abstract artist Max Hammond, and Quim Bove, known for his colorful work with resin. In addition, it features the work of more than 30 other talented local, national and international artists. “We only take people who are full-time artists,” Clark says. “These are not people who dabble in art; these are people who have art degrees—who have studied it and really know art.” “What makes a person’s collection really good is that they have both [contemporary and traditional works], and we wanted to demonstrate that you can have both in your home side-by-side,” Clark adds. Today the gallery continues to illustrate this concept. A traditional still life oil painting by Jane Jones hangs in the same room as a Liz Tran piece, featuring explosive, brightly-colored geodes. The effect is an elevated, holistic art experience. Every piece displayed in the gallery is meticulously hand-picked by Christi and
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Clark. “If I wouldn’t buy it, why would I hang it in the gallery?” Clark asks. “We’re very particular,” Christi expands. “It has to touch you emotionally.” Looking around the gallery, this is clear. From the solitude of subdued stills to the joy of bright, modern form, the works on display invite and nearly urge connections through emotion, inspiration and imagination. “There are certain pieces for certain people,” Christi says. “There is some sort of energy between a person and a piece of art. Sometimes a collector will fall in love with a piece and we know the piece was waiting for that one person.” In October, to kick off its 15-year anniversary, Bonner David Galleries hosted a multisensory experiential event in which clients were introduced to the gallery’s African Shona sculptures through a blindfolded, guided tour. “Their sensual, tactile quality is one of the features of their rare beauty,” Christi explains, adding that this year’s schedule will expand to include similarly unique events. This month, the Best of Bonner David 15th Anniversary Show will feature the best new artwork by each of their 40 artists. The event has been a year in the making. They will also continue to participate in the area’s Thursday night Scottsdale Art Walk tours, which they say provide great opportunities to educate people on importance of art in day-to-day life. “Maybe it reminds you of something in your past, or it is something you aspire to,” Clark says. Like the yin to his yang, Christi adds, “Once you realize how to use art in your own life and your own environment, it just feeds you daily.” bonnerdavid.com
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Writer Lara Piu Images Courtesy of Scottsdale Public Art
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Public art often makes a first impression. It marks a significant sport or adorns a communal area, yet it’s so much more. It’s the art of our community—it is the art of us. These larger-than-life expressions of humanity comment on who we are, reflect on where we have been, and dream about where we are going. Here’s the backstory on a few of the pieces we admire, including some that might be new to you. scottsdalepublicart.org
Sonoran Seed Pods 27775 N. Alma School Pkwy., Scottsdale As you walk along the east end of George “Doc” Cavalliere Park – Frank Crerie Nature Trail, oversized seed pod-like, rust-colored sculptures guide you along a loop. They were created by artist Jeff Zischke to emulate the very shapes of the mesquite, creosote, brittlebush, yucca and other Sonoran Desert seeds and seedpods found in the park. The sculptures honor the memory of longtime Scottsdale resident and art patron, Frank Crerie, whose Scottsdale Public Art bequest made the project possible.
Sonoran Seed Pods by Jeff Zischke Photographer Sean Deckert
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Desert Mirage 15525 N. Thompson Peak Pkwy., Scottsdale Desert Mirage, a sculpture that serves as the front facade of the pool’s water slide tower, greets those who enter McDowell Mountain Ranch Park and Aquatic Center. Created by artist Norie Sato, the towering piece stands 30-feet tall by 40feet wide. It’s made of stainless steel, acrylic, aluminum and scrim, a fabric that diffuses light. Thousands of small mylar dots suspended on the back side of the sculpture flutter with the Sonoran breeze, reflecting a pallet of color that changes with the day. Desert light and the segmented creases of barrel cactuses inspired Norie.
Cactus Mirage by Norie Sato Photographer Bill Timmerman
Impulsion 16601 N. Pima Rd., Scottsdale While the bucking horse sculptures at the entrance of West World are iconic to Scottsdale, standing in front of ground’s recently renovated equidome and North Hall is Impulsion, a new next-generation icon of sorts that deserves a good look, too. The monumental 20- to 24-foot tall, 35- to 40foot wide horse made of stainless steel square tubing was also created by Jeff Zischke. He competed against nearly 200 other artists to win this project, which he strategically illuminated with colorful LED lighting. Jeff captures the powerful movement, agility and grace of the equine in this inspirational piece.
Impulsion by Jeff Zischke Photographer Andrew Pielage
Hidden Histories Brown Ave. and First St., Old Town Scottsdale Inspired by Old Town Scottsdale’s cultural heritage, Washington artist Elizabeth Conner used two of the area’s historic symbols—a branding iron and a vintage tire—to create this whimsical corner display. Shaped in the form of a W-M-W, the branding iron pays homage to the post-World War II Scottsdale marketing slogan “The West’s Most Western Town,” adopted by the City of Scottsdale seal in 1951. A pink vintage tire is a nod to the cotton once grown in the area, which was used to manufacture tires. Its tread is modeled after the handmade baskets and pottery of the Pima, Hohokam and Tohono-O'odham Native American tribes.
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Hidden Histories by Elizabeth Conner Photographer Chris Loomis
Jack Knife Marshall Way and Main St., Old Town Scottsdale Standing eight-and-a-half-feet tall, Jack Knife greets Old Town Scottsdale patrons. The larger-than-life bronze sculpture of a rider on a bucking horse was installed in 1993. The well-known piece was the first large-scale sculpture by local artist Ed Mell. Ed was born and raised in Phoenix, and is also responsible for the rising Phoenix bronze that sits in a plaza near Phoenix City Hall.
Jack Knife by Ed Mell Photographer Sean Deckert
Bronze Horse Fountain Fifth Ave. roundabout, Old Town Scottsdale Before North Scottsdale was a thing, Arabian horse farms filled its acres. This foundation at the Fifth Ave. roundabout remembers when. Donated by the artist and one-time gallery owner, Bob Parks, the piece was inspired by award-winning horse breeder Tom Chauncey. Each of the five horses’ names, which can be found at the base of the foundation, pay homage to the Arabian horses of the Stillman, Wrigley and McCormick families.
Bronze Horse Fountain by Bob Parks Photographer Scottsdale Public Art
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Writer Shannon Severson Photo by Brenna Zumbro
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Founded in 2004 by the Sedona Visual Arts Coalition, Sedona Open Studio Tours allow visitors to see, learn and understand the artists of Sedona with an in-depth, personal experience. This November 10-12, attendees will embark on self-guided tours of artists’ studios in picturesque Sedona and the Verde Valley. With 66 artists and more than 40 studios participating, it’s a chance to meet a broad range of artists, learn their techniques by witnessing the creative process first-hand, and to have the chance to hear the personal stories of profoundly talented people. “For the visitor, the Open Studios experience invites the artwork to speak much more intimately to them, as it provides an opportunity to gain a deeper appreciation and understanding of the creative process,” says co-chair Mike Upp. “The wide range of style, quality and art forms is a testament to the thriving vitality of the arts community here.”
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Artists look forward to meeting patrons in person, giving demonstrations of their techniques, and building relationships with collectors who enjoy visiting year after aspect is a leading draw as i m a gyear. e s a r i zThe o n a . chands-on o m Nov elearning m b e r 2 017
attendees explore the variety of artists’ tools, materials and processes on display. When collectors take home a piece of art, it is imbued with the rich experience of purchasing it from the source, and the story behind each item makes it all-the-more meaningful. Upp and his co-chair, painter Julie Ronning Talbot, have lead and expanded the event over the last four years of its 14-year run, sponsored by its parent non-profit, Sedona Visual Artists’ Coalition, as well as local hotels, restaurants, the Sedona Arts Center and the Sedona Chamber of Commerce Visitor Center. Brochures with a complete list of participating artists, including a map, are available online and in restaurants and hotels around the area. The tour runs daily from 10 a.m. to 5 p.m. and is free to the public. Traditionally occurring during the last weekend in April, this is the first year that a fall tour has been added. More than 200 people are expected to attend. sedonaartistscoalition.org
Mike & Sharon Upp: Earth and Fire Ceramic Design Just a few miles south of Arizona wine country, Mike and Sharon Upp create primarily tabletop ceramics that are both functional and decorative, with styles that simultaneously complement and contrast each other. “I always say that she’s the artist and I’m the craftsman,” says Mike. “She’s so creative, always coming up with new ideas. People enjoy the conversational value of having both our styles on their tables.“ Visitors to the Upp’s studio will see Mike demonstrating the challenging process of applying handles to mugs and to see each step in the potter’s process, with samples of unglazed and unfired pieces all the way to the finished product. Mike’s philosophy embraces functional art that can be used on a daily basis. His pieces are structured and thrown on a wheel, and he produces three different lines. His dinnerware sets are extremely popular. Collectors often request personalized pieces, mixing and matching styles and often returning each year to add on serving pieces, like large-sized platters. Sharon’s pieces in her “Live Edge” series are entirely hand-built from slabs of clay, which are rolled to an even thickness, then formed using inspiration from nature, particularly wood and twisted branches. She then uses various techniques—stamps, wet clay, white slip, hand painting and various glazes—to give each a unique look. “I try to approach it from a place of no mind,” says Sharon. “I let the clay be what it wants to be. Sometimes I make handles for Mike’s pieces. Everything he does is very symmetrical, but that’s not me. It’s fun to add an unusual element to his classic pieces.” Both Sharon and Mike enjoy being part of the arts community and living in a dark sky community. They are inspired by the proximity to nature, wildlife, and the opportunity to meet and learn from other artists. Instead of occasionally borrowing a cup of sugar from neighbors, they borrow ceramics materials. The two are both alumni of Arizona State University, though they’ve lived around the country. Mike has always been a potter and worked in the arts. He ran the Tempe Arts Festival for three years. He has also worked in high-tech sales and marketing. Mike’s combination of art and marketing savvy has made him a great organizer and publicist for the Sedona Open Studio Tour. Earth and Fire Ceramic Design joined the tour in 2013 when Mike offered to help with marketing in exchange for participation. At the time, there were 29 artists and the Upp’s studio was the only one outside of Sedona proper. That number has more than tripled. “People thought I was crazy,” says Mike. “Believe it or not, we had 75 people come to our studio that first year. My goal became to recruit as many people in the Verde Valley as possible. We’ve been able to expand the geography and the quality and number of participating artists.” facebook.com/earthandfiredesign N ovember 2017
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Christine Debrosky: Oil and Pastels Painter Christine’s impressionist pastel and oil paintings have garnered awards, recognition, and the opportunity to teach around the world. Sedona Open Studio Tour attendees have the chance to visit the studio where she works at the Clarkdale home that she and her husband, Wayne (who she counts as her “biggest fan,”) completely renovated and have lived in since 2009. Located about 18 miles from Sedona, her studio is tucked into the hillside and the lack of fences allows coyotes, bobcats and javelinas to wander through as hawks soar overhead, enhancing the stunning views. The Debroskys built here with an eye toward hosting visitors. “Thanks to the great tour organizers, I get about 50 to 60 people,” says Christine. “I’m out of the way, but I’m glad they are willing to come to see me. It’s so nice being up here and I get wonderful comments from visitors. They love the views and say they had no idea this was here.” Growing up in New York’s Hudson Valley, Christine was always interested in art. Despite limited means, she utilized
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all that was around her to master the nearly elusive art of painting light. In the winter, the blanket of snow covering the land served as a neutral background for studying winter light. In spring and summer, she worked “en plein air,” as she continues to do today. “Being outdoors meant I didn’t need a dedicated studio,” Christine says. “It probably had something to do with my becoming a landscape painter.” Christine used the bright, transparent sunlight to paint every shade of green in the rich environment. She notes, though, that the weather there rendered a darker light than the bright Arizona skies she now works under. “The light in Arizona really changed my work,” says Christine. “Even summers in the Hudson Valley were darker due to the thick canopy of trees. My color palette has changed here and I’m learning to paint light in a different way. When the sun sets low, the shadow of Mingus Mountain casts a
rosy-red glow on Sedona’s rock formations.” The landscapes she is known for are the beautiful result of her love of painting outdoors, though her travels have influenced her to add manmade elements to some of her paintings. She’s also experimenting with pieces that are more abstract. “Until I began traveling to Europe, I was painting pure landscape,” Christine says. “After visiting Italy, I became really interested in architecture and saw my surroundings with a fresh eye. Traveling really gives one a different perspective.” Those who travel to Christine’s studio on the tour will have the chance to see her in action and learn more about pastel painting, which, she notes, is a medium that people are less familiar with and explaining her process is rewarding. It also allows her to hear collectors’ responses to her work first-hand. “When I sell through galleries, I rarely get to meet the people who purchase my work,” says Christine. “It’s nice to know they’re coming in because they’re specifically interested in meeting me and seeing my work. The tour has afforded me many opportunities, both to teach and to show my work in other venues, including a show I’m doing this fall at Sedona City Hall. It has been a really beneficial experience.” christinedebrosky.com
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Lon Walters: Metal Sculpture “Whimsy in Metal” is a perfect description of Lon Walters’ work. The path that led him to creating art is as fascinating as the creations of copper, brass, bronze and steel that he designs and builds in his Sedona home studio. Working with metal seems fitting for a man who spent 21 years soaring through the skies as a Navy pilot and, for a time, competed in vintage car racing. After retiring from the Navy, he learned to bake as a departure from the stress of flying, and eventually opened a bakery in San Diego where he specialized in cheesecakes. He is also a real estate agent and a writer, having written a weekly food column, a highly successful cookbook and an adventure novel. He is now working on a memoir for his grandchildren to read someday. “I can’t sit still,” says Lon. “I don’t like to do the same thing over and over again. I like creating, and trying something new makes me problem solve. Some people count sheep before they go to sleep; I’m working out a problem with a sculpture I have in the garage.”
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“My wife says I’m not just a type A personality, but a type AAA personality.” He and Margi met when he was at the Naval Postgraduate School in Monterey, California. They’ve lived in Sedona for 25 years and have two grown children and five grandchildren, along with two horses, two dogs, 40 birds and an 80 yearold tortoise. Always keen to learn something new, Lon took a welding class and really enjoyed it. He then moved on to brazing, which uses a smaller torch, doesn’t penetrate the metal like welding does and is less messy. It’s a fitting skill for a car enthusiast, and nothing ever goes to waste in his garage or studio. “I’ve been messing around with art my whole life and not well,” jokes Lon. “I’ve always wanted to do art and fortunately, we’re in a position that I can have a great time with it. It has been my full-time pursuit for the last three or four years.”
My wife says I’m not just a type A personality, but a type AAA personality.
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“Galleries are fine, but you don’t get a true sense of who is creating the art,” Lon says. “When Open Studios visitors take home one of my pieces, they’re not just bringing home art, they’re hanging a story on their wall or placing it in their garden. There’s a story behind every piece.”
Your child’s educational options are numerous. A+
Lon began making garden insects for his own yard—friendly spiders, curious ants, and colorful dragonflies—and as his garden filled up, he gave many away to friends. When he became involved in the Open Studio Tour, he finished out a small shed on his property as a display area. It’s now filled with Lon’s imaginative creations—large, copper bubble wands that he was first inspired to make for his grandchildren (though even adults can’t help but be caught up in the wonder and fun of bubbles), magical flying machines, fantastical bar-top contraptions for displaying bottles of wine and accompanying glassware, circus art and wall sculptures. Visitors have plenty to smile at.
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In a golf retail world filled with mega chains owned by who knows whom, Hornacek’s Golf is a breath of fresh air. Located in the Pinnacle at Scottsdale Mall, Hornacek’s Golf is privately owned by John Hornacek, who has lived and worked in the area for more than 25 years. After graduating college, John relocated to North Scottsdale when his brother Jeff came to play for the Phoenix Suns in 1996. “Jeff was traded for Charles Barkley when I was here on vacation from Chicago and just stayed out here,” John explained. That’s when John, a former baseball player at Illinois State University, saw the community’s need for a high-quality golf store. “At that time you had to drive nearly 30 minutes to find a golf shop,” John recalls. “We wanted to provide the community with a store that had everything in their backyard.” Since then, Hornacek’s Golf has been equipping golfers in the area with anything and everything needed to play. The 9,500-square-foot shop carries 35 brands of golf clubs, clothing, shoes and accessories. Customers can test clubs out on the store’s putting green or in one of its two hitting bays. And when equipment needs a little TLC, Hornacek’s Golf is there to repair it. “Our selection and prices go head-to-head with any mega golf store, hands down,” John adds. On most days, John, alongside his two loyal bulldogs, Norman and Matilda, is hands-on in the store. He greets customers, gives advice and helps them find what they need. Many of his customers have been coming to the store since the beginning, and he and his staff know many of them by name. Hornacek’s Golf is also currently the only store in the Valley to carry the complete line of Parsons Xtreme Golf (PXG)’s very popular, top-shelf line of golf clubs, clothing and accessories launched by Bob Parsons, the billionaire behind Go Daddy. “This is the first golf brand that really has lived up to the hype,” John suggests. “It out-performs everybody and everything. It’s the best product I've seen in 22 years.” N ovember 2017
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A set of PXG clubs sell for an average of $3,500, and according to John, they are worth every penny. “The technology performs better than any other product,” he explains. “The ads are literally the truth.” “But isn’t the golf world saturated with high-end golf clubs?” you may ask. “It's the difference between a Mercedes or a Bentley,” John answers. “You can even feel the difference in the quality of PXG’s shirts. You may be spending $200 for a shirt, but you are actually also getting that quality, rather than simply paying for the hype of a brand.” Parsons established PXG to create the “best-performing golf equipment on the planet, without regard to cost.” The company already boasts 120 global patents on its proprietary designs and innovations. Earlier this year, the brand added a line of 0311X driving irons to its list of high-end and high-performance golf clubs. Available in five lofts ranging from 15 to 24 degrees, the low-spin driving irons are designed to deliver more ball flight and perform optimally under various weather conditions. A wide sole design
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and minimal offset give the irons low-sitting center of gravity positions closer to the shaft axis. The result, according to Forbes magazine is “a less dynamic loft at impact, keeping the ball low, sending it far and giving the club what PXG founder Bob Parsons says is its ‘buttery smooth’ feel.” The new 0311X driving irons are sold for $350 for the chrome finish, and $450 for the Xtreme Dark version. The company also recently released 100% milled wedges, and a line of drivers, fairway woods and hybrids known for low spin rates and high launch angles. “Nobody makes golf clubs the way we do, period,” PXG founder and CEO Bob Parsons says. The entire PXG line can be found at Hornacek’s Golf, open 9 a.m. to 6 p.m. Monday through Saturday, and from 10 a.m. to 5 p.m. Sunday. Hornacek’s Golf 23587 N. Scottsdale Rd. Scottsdale 480-502-0555 hornaceksgolf.com
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LMTN AZ Republic November 2017
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Agritopia Writer Lara Piu Images Provided by Agritopia
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What if you could live on a farm? One that would yield fresh groceries, yet you needn’t lift a finger unless you wanted to—and when you wanted a break from cooking, four restaurants and all the conveniences of the world were just a stroll or a quick drive away? For the nearly 1,600 residents in Agritopia, that dream is a reality. The suburban Gilbert community near Higley and Ray Roads, just off the 202 Highway, is centered on a 160-acre farm that yields fresh fruit, vegetables and honey. There’s also a coffee shop, restaurants, a school and many other amenities just steps away. The land was originally a homestead established in 1927 by the Reber family. The vision for the present-day community was born in 1960 by Jim and Virginia Johnston. Thinking a farm would be an ideal environment for their three boys, the young couple purchased the acreage and established their family home. They grew cotton and wheat, and their boys, Steve, Paul and Joe, worked the farm in the summer. When they grew up, Steve and Paul studied agriculture at University of Arizona and returned to work at the farm afterward. Joe studied engineering at Stanford University. While they were away, the city of Gilbert grew. By the 1990s, suburban development was closing in on the farm. That’s when the Johnstons began to think about preservation. Leveraging Joe’s engineering know-how, the family worked with a land planner, landscape architects, the Town of Gilbert and community developers to build Agritopia. In 2000, the family’s vision came to life: A modern-day community that honors its farming past. The Johnston family lives in the community to this day and the development now features 550 homes and growing. The homes feature charming front porches, and residents have modern amenities at their fingertips: four restaurants, a coffee shop, a N ovember 2017
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K-8 school, tennis courts, parks, a retirement center and even a craftsmen community. In the fall and spring, goods from the farm and goodies from local vendors are sold at the farmer’s market every Wednesday evening. Still, the star of Agritopia is the farm. Located at the center of the neighborhood, it yields dates, citrus, artichokes, zucchini, artichokes, honey, peaches, olives, tomatoes, carrots, kale, grapevines and other fresh goods. More than 11 of its 160 acres are certified organic farmland. Walking paths dotted by sunflowers and covered by grapevine-filled arches cross the middle of the farm inviting residents to take a peaceful, picturesque stroll. Photographers from across the Valley purchase permits from the farm to take senior, engagement and wedding portraits in the midst of this unique setting. In 2015, the Johnston family created the Johnston Family Foundation of Urban Agriculture as a way to educate people on urban farming and celebrate the agricultural tradition. For those that want to get their hands dirty, they offer a community garden where more than 40 20-by-20-foot plots are available for rent. It’s fully equipped with a communal tool shed and water and there are “garden gatherings” where renters learn things like how to preserve their produce. The Coffee Shop sits south of the farm, where residents and non-residents can gather for a
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cuppa joe or a sandwich, bakery item or salad. Next door is the original Johnston family home that is now Joe’s Farm Grill. Owned by Joe Johnston and his business partners, it serves elevated barbecue selections that has gained the attention of Guy Fiere’s “Diners, Dives and Drive Ins” on The Food Network—and you can bet there’s almost always a line. Comforting but creative and high-quality burgers, hot dogs, salads and other barbecue items are combined with the fresh flavors of veggies sourced from The Farm at Agritopia. Adjacent is Barnone, where “creativity is unleashed.” Twelve artisans share a workshop and retail presence here. There are woodworkers, winemakers, letterpress printers, florists, and a wide variety of makers. The space houses an additional two restaurants’, Fire and Brimstone and The Uprooted Kitchen. Recently, the community expanded with the addition of Generations Senior Living Community, a 117-unit retirement home and assisted living facility. Another add-on called Epicenter is currently underway. Designed to be the urban core of Agritopia, its ground-level spaces will feature shops, health clubs, yoga centers, restaurants and cocktail bars, and above will be luxury apartments. The nearly 20-acre development and will connect to the rest of Agritopia through sidewalks and pathways. agritopia.com
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This moist and delicious pumpkin cake with maple frosting is melt-in-your-mouth good! Fire-grilled chili limeflour and palm oil Almond flour, arrowroot shrimp provide are cradled in a alternatives shortening healthier beddairy-free, of tangy red cabbageand refined in this gluten-free slaw and wrapped in agrandma’s favorite sugar-free version of your warmcake tortilla for aWe light, pumpkin recipe. promise your mouth yetnotice superthe satisfying dinner. won’t difference! Make extra, because these mouthwatering shrimp tacos go quickly.
Paleo Pumpkin Cake with Maple Frosting Prep time: 15 minutes Cook time: 45 minutes Serves: 9 Ingredients: Cake Batter 1 c. almond flour 1/2 c. arrowroot flour 1/2 c. palm oil shortening 1/2 c. canned pumpkin 1/2 c. real maple syrup 1/4 c. almond butter 3 whole eggs 2 tsp. vanilla extract 2 tsp. baking powder 2 tsp. ground cinnamon 1 tsp. ground ginger 1/3 tsp. sea salt 1/2 tsp. ground nutmeg Frosting 1/2 c. coconut butter 1 tbsp. real maple syrup, room temp 1 tbsp. palm oil shortening 1-2 tsp. hot water, depending on how thin or thick you desire the frosting to be
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Directions: Cake Preheat the oven to 350 degrees. Line an 8-inch by 8-inch glass baking dish with parchment paper. Combine all of the cake batter ingredients in a large mixing bowl until completely smooth. You can also use an electric mixer for this. Pour cake batter into the baking dish and bake at 350 degrees for 45 minutes until golden. Frosting Before combining ingredients for the frosting, be sure that your maple syrup is at room temp! This is very important! If the maple syrup is chilled, it will clump the frosting. For the frosting, combine all of the ingredients in a blender or food processor for about 1 minute until smooth. Do not over whip or frosting will clump. Gently frost the cake with the whipped maple frosting, serve and enjoy!
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䌀伀䴀倀唀吀䔀刀 刀䔀倀䄀䤀刀 ☀ 匀䔀刀嘀䤀䌀䔀 一䔀吀圀伀刀䬀 匀唀倀倀伀刀吀 圀䔀䈀 䴀䄀刀䬀䔀吀䤀一䜀 ☀ 䐀䔀匀䤀䜀一 吀刀䄀䤀一䤀一䜀 ⴀ 倀攀爀猀漀渀愀氀 ☀ 䈀甀猀椀渀攀猀猀
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f you haven’t heard of Q-to-U BBQ, then you haven’t yet experienced the newest barbeque in town.
With a determination to serve barbeque their way, owners David and Karyn Rosol opened Q-to-U BBQ in July of 2010. Since then, they have perfected the skills they obtained from years of barbeque competitions. While what they have learned can only be tasted, delicious slow-smoked barbecue is what you can expect. That process begins with a selection of the finest ingredients. Then, with patience and love, David and Karyn, along with their two sons, prepare pulled pork, pulled chicken and beef brisket that will make you realize you’ve been doing barbeque all wrong. On their menu, you’ll also find appetizers from pulled pork nachos to fried mac & cheese, and specialty items like smoked Polish
sausage stuffed with cheese. But don’t think you’ll come in for just a quick bite to eat. With menu items like “Loosen Your Belt” and “Unbutton Your Pants,” you know they mean business. Chillin’ and grillin’ are the best parts of summer, except, at Q-To-UBBQ, the only thing required of you is to relax and eat. The grillin’ work is left to the pros. Q-to-U BBQ is open Tuesday through Saturday, 11 a.m. to 8:30 p.m., and Sundays 12:30 to 6 p.m. They are closed Mondays. Q-to-U BBQ 4705 E. Carefree Hwy. #101 Cave Creek 480-664-4198 q-to-u-bbq.com
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Creamy Whole30 Bacon Garlic Spaghetti Squash The flavors of fall are here! The only thing better than biting into delicious Thanksgiving squash is noshing guilt-free. This creamy bacon garlic spaghetti squash bake is made with coconut milk, which adds richness without heavy cream. It’s Paleo-friendly, healthy and a snap to make. Whether you enjoy it by itself or add it to your Thanksgiving feast menu, it’s sure to be a new favorite.
Prep time: 15 minutes Cook time: 8–10 minutes Serves: 4 Ingredients: 3–4 c. cooked spaghetti squash 8 pieces cooked bacon, chopped in pieces 1 1/2 c. steamed broccoli Sauce 1 c. full fat coconut milk 1 medium egg 1 tsp. sea salt, or to taste 1 tsp. garlic powder fresh ground pepper, to taste Directions: Cut spaghetti squash in half and remove seeds with a large metal spoon. Lay open-side-down in pan with 1" water. Cook at 350 degrees for about 1 hr. until soft. Remove squash strands with a fork and set aside. In a saucepan, whisk together all the ingredients for cream sauce. Heat on stove over medium heat. Continue whisking sauce while it cooks for about 5 to 8 minutes until it thickens. In a casserole dish, add steamed broccoli and bacon to the cooked spaghetti squash. Pour cream sauce over the casserole. Heat in the oven at 400 degrees until warm, or save for later.
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Writer and photographer Kaylie Johnson
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SAIEDEH SOLD TWO HOMES IN SOLSTICE, SHE CAN SELL YOURS TOO!
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