Images Arizona (December 2022)

THIS HOLIDAY SEASON GIVE A STUNNING GIFT

Introducing David Gross Sapphire Collection Feeling Blue Never Felt So Good

Left: 13.71 carat asscher cut sapphire with trapezoid diamonds Center: 11.29 carat royal blue sapphire with diamonds Right: 7.83 carat cornflower blue sapphire with diamonds

7212 E. Ho Hum Rd. # 7 | Carefree, AZ 85377

Hours Tue.–Sat. 10 a.m.–5 p.m. By appointment Sun. and Mon. 480.575.8080

GraceReneeGallery.com

From the Publisher

Publisher

Shelly Spence

Managing Editor

Joseph J. Airdo

Graphic Designer Meaghan Mitchell

Contributing Writers

Joseph J. Airdo

Amanda Christmann

Francine Coles Rebecca L. Rhoades Shannon Severson

Photographers

Francine Coles Loralei Lazurek Carl Schultz

Advertising Sales

Cindi Calcinari 860-966-3271 cindi@imagesaz.com

FFrom immersive representations of classic Christmas tales like “The Nutcracker” to grandiose light displays that decorate our desert communities to no-churn ice cream boasting one of the quintessential flavors of the holiday season, this month’s issue of Images Arizona is a celebration of everything that makes this time of the year so magical.

More so than any other year, we have filled these pages with stories that illustrate the many merry and bright ways in which our communities get into the holiday spirit. Whether you are already feeling festive or in need of a little cheer, it is my sincere wish that this month’s magazine is a source of joy, inspiration and hope.

As we close out 2022, I want to again express my utmost gratitude to each and every person who reads our magazine — as well as to our many amazing advertisers and our small-yet-talented team of writers and photographers who make Images Arizona the best publication possible month after month.

Thank you, as well, to my friends and family — especially my wonderful kids, of whom I am so proud — for bringing so much joy and light into my life. I cannot express enough how much you mean to me. Never in a million years would I have ever anticipated that I would be so fortunate to have such extraordinary people in my life.

Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com

Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc. Copyright © 2022 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.

I also want to wish you all a very happy and healthy holiday season. May it bring you much love and many memories.

Cheers!

Shelly Spence

Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221

Photography by Loralei Lazurek

by Josh Cihak

Sedona has always held a very special place in Phoenix resident Josh Cihak’s heart. The landscape photographer often makes the two-hour trip up north to reset and reconnect amidst the area’s raw beauty, which he says makes being present an absolutely effortless endeavor.

“I have hiked Soldier Pass to Seven Sacred Pools four times over the last two years,” says Cihak, noting that he has repeatedly sought a perfect shot of the popular site — free from the usual crowds and with the “pools” actually filled with water.

“I made the drive up early Sunday morning with expected rainfall, which typically limits the crowds on trails. I got to the trailhead around 9 a.m. Coming to a drizzle, the rain was nearing its end. By the time I was 0.3 miles from the pools, it had completely stopped, leaving a stillness in the air that I can’t describe.

“As I approached the pools, the red rocks began to glisten as the clouds were clearing, which left a milky haze over the valley. This was my final backdrop with the pools filled, in complete isolation, and a fog-tinted filter covering the rocks. It was such a serene moment — and a frame that I have been chasing for quite a while.”

Cihak aspires to, within the next few years, build a seasonal home in Sedona and open a gallery downtown to display his work. instagram.com/cihak1visuals cihak1visuals.com

Photo

KATHERINE JETTER —

DECEMBER 9–10

Friday and Saturday from 10 a.m.– 5 p.m. Marvel at the unique enamel hues, vibrant gold treatments and rare colored gems of couture jewelry designer Katherine Jetter. These cutting-edge, wearable art pieces for bold and brilliant women feature sensational, proprietary colors with eye-catching rhodium hues and exceptional, hand-picked gemstones that individually tell Jetter what they need during her design process.

— STEPHEN WEBSTER — DECEMBER 9–10 Friday and Saturday from 10 a.m.– 5 p.m.

Discover the bold and glamorous collections from Stephen Webster, a London-based contemporary fine jewelers celebrated for his fearless creativity, powerful aesthetic, and traditional British craftsmanship. Coveted by Hollywood icons and idols alike, from Megan Fox and Madonna, to David Beckham and Elton John.

TThe story of “The Nutcracker and the Mouse King” has entranced audiences young and old for more than 200 years. First written by German author E.T.A. Hoffman in 1816, the story was adapted by Alexandre Dumas — better known as author of “The Three Musketeers” –– in 1844, which became the basis for the version we are familiar with today.

The first stage performance of “The Nutcracker” ballet in St. Petersburg, Russia was commissioned by the director of the Russian Imperial Theater in 1892, set to the music of Peter Ilych Tchaikovsky’s original score — and, believe it or not, it received mixed reviews.

But as critics can sometimes be out of step with larger public sentiment, “The Nutcracker” went on to become a perennial favorite around the world as a dreamy tale of Christmas come to life. In the United States, choreographer

Writer Shannon Severson

Photography by Patrick Hodgson

George Balanchine’s 1954 version for New York City Ballet cemented the story as what is arguably America’s favorite ballet. For many families, the holidays just are not the same without attending a performance.

Now, a new way to enjoy this classic Christmas tale has arrived in the Valley in the form of “The Immersive Nutcracker, A Winter Miracle” at Scottsdale’s Lighthouse ArtSpace Phoenix. It’s an approachable experience for even squirmy young children who might prefer twirling alongside the dancers to sitting still in a theater seat.

“This is an experiential retelling of a classic holiday story combined with magical sounds of Christmas music, ballet dancing, state-ofthe-art moving projections and immersive animations,” says Corey Ross, producer and co-founder of Lighthouse Immersive who, along with Impact Museums, is bringing this creation of Canada’s Storywall Entertainment to local audiences.

Audiences will travel through five fantasy worlds from the Winter Forest to inside the magical Christmas tree to Candy World. Sprinkled throughout are ballet performances by Canadian talents, including principal dancer Denis Rodkin and leading soloist Eleonora

This is an experiential retelling of a classic holiday story combined with magical sounds of Christmas music, ballet dancing, state-of-theart moving projections and immersive animations.

Corey Ross

Sevenard, as well as animations — all in a 360-degree, three-dimensional environment with 50,000 cubic feet of projections.

The classical score includes the familiar strains of “The March of the Toys” and “The Dance of the Sugar Plum Fairy.” The 30-minute, larger-than-life experience allows attendees young and old to experience a bite-sized slice of the long-form holiday delight.

immersive-nutcracker.com

A LEGACY OF TRUST BUILT ON GRATITUDE

Serving Arizona Since 1947

As we reflect on these past 75 years and consider all of our individual and collective blessings, we find ourselves with an overwhelming sense of gratitude. We are fully aware that our legacy rests on the shoulder of our appreciation throughout the state.

We are grateful for the people we serve, the beautiful communities we love, the commitment of those who came before us, and the future we are building with our clients.

We are grateful for YOU!

We are an inspired family relentlessly pursuing excellence in real estate and in life. We take pride in our legacy. A legacy of trust, integrity, collaboration, community, commitment, and our pride.

Carefree Office - 480.488.2400 | Desert Mountain Office - 480.488.2998

am very proud of Russ Lyon Sotheby’s International Realty for reaching our diamond milestone as we continue to represent buyers and sellers at all price points locally and internationally. We always give our clients the white-glove services they deserve and have come to expect. Our real estate advisors across Arizona are our core business, they work relentlessly to provide the best service possible while upholding the standards that make Russ Lyon Sotheby’s International Realty Arizona’s real estate leader.“

- Jim Lyon, Chairman

“I

COMMUNITY

December 2022

Through Dec. 11

‘THE CHILDREN’

Writer Joseph J. Airdo

The Theatre Artists Studio will present its production of “The Children,” which tells the story of two married and retired nuclear scientists who have chosen to live their lives in isolation until an old friend arrives with a frightening request. $25; student, senior, military and group discounts available. See website for times. The Theatre Artists Studio, 4848 E. Cactus Road, Suite 406, Scottsdale. thestudiophx.org

Through Dec. 18

‘A

CHRISTMAS STORY: THE MUSICAL’

Scottsdale Desert Stages Theatre will present its production of “A Christmas Story,” a stage musical version of the classic 1983 film. $30. See website for times. Scottsdale Desert Stages Theatre at Fashion Square, 7014 E. Camelback Road, Suite 0586, Scottsdale. 480-4831664; desertstages.org

Through Dec. 30

‘IT’S A WONDERFUL LIFE’

Don Bluth Front Row Theater will present its production of “It’s a Wonderful Life,” a stage version of the classic 1946 film. $30; youth, student, senior, military and group discounts available. See website for times. Don Bluth Front Row Theater, 8989 E. Via Linda, Suite 118, Scottsdale. 480-314-0841; donbluthfrontrowtheatre.com

Through Dec. 31

MODERN LATINA: CULTURA, FAMILIA Y ARTE

Through Dec. 29

‘A CHRISTMAS CAROL’

Arizona Broadway Theatre will present its production of “A Christmas Carol,” a lavish and thrilling Broadway adaptation of Charles Dickens’ story that breathes fantastic new life into the classic tale of Christmas tidings and heartwarming generosity. $85+. See website for times. Arizona Broadway Theatre, 7701 W. Paradise Lane, Peoria. 623-776-8400; azbroadway.org

Scottsdale Public Art will showcase artworks that celebrate the resilience and creativity of Arizona Latina artists. The featured artworks reveal the Latina life experience, showing how the personal is also universal, while also asserting that the power and voice of women is long-lasting and farreaching throughout time. Free. Civic Center Public Gallery at Scottsdale Civic Center Library, 3839 N. Drinkwater Blvd., Scottsdale. scottsdalepublicart.org

Through Jan. 22

HOLD

ON TO HOPE

Scottsdale Arts Learning and Innovation will showcase a new exhibition spotlighting the life of local Holocaust survivor Oskar Knoblauch. The exhibition takes viewers on a visual journey through Knoblauch’s harrowing experiences as he and his family struggled to survive the brutality of the Third Reich in Germany and Nazioccupied Poland. As visitors walk through the gallery, photos, Knoblauch’s personal anecdotes and period objects will illustrate key events, people and places. Free. The Center Space Gallery at Scottsdale Center for the Performing Arts, 7380 E. Second St., Scottsdale. 480-4998587; scottsdaleartslearning.org

Dec. 1

WINTER WINDS AND WHISPERS

Arizona Wind Symphony will perform a concert of holiday music. $12+; student and senior discounts available. 7 p.m. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe. 480-350-2822; tempecenterforthearts.com

Dec. 2

WILD AND SWINGIN’ HOLIDAY PARTY

Leading swing revival band Big Bad Voodoo Daddy will bring its unique and spirited holiday concert to the Valley as part of Arizona Musicfest. $51+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org

Dec. 2–18

‘THE QUILTMAKER’S GIFT’

Fountain Hills Theater will present its production of “The Quiltmaker’s Gift,” a play about an old woman who starts a greedy king on a journey of self-discovery that takes them both on a whimsical adventure. $32; youth, student and senior discounts available. See website for times. Fountain Hills Theater, 11445 N. Saguaro Blvd., Fountain Hills. 480837-9661; fhtaz.org

Dec. 2–18

‘THE

VELVETEEN RABBIT’

Scottsdale Desert Stages Theatre will present its production of “The Velveteen Rabbit.” See website for price and times. Scottsdale Desert Stages Theatre at Fashion Square, 7014 E. Camelback Road, Suite 0586, Scottsdale. 480-483-1664; desertstages.org

Dec. 3

BOSSA CHRISTMAS

Singer-songwriter Caro Pierotto will express her love for her Brazilian heritage by blending Bossa Nova magic with classic Christmas songs in her new holiday concert. $20; youth discounts available. 7:30 p.m. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe. 480-350-2822; tempecenterforthearts.com

Dec. 4

SCOTTSDALE PHILHARMONIC

Scottsdale Philharmonic will perform a concert of classical music by composers Frédéric Chopin, Joseph Haydn and Wolfgang Amadeus Mozart. $15 donation. 4 p.m. Scottsdale Center for the Performing Arts, 7380, E. Second St., Scottsdale. scottsdalephilharmonic.com

COMMUNITY

December 2022

Dec. 4

THE SCHUMANN LEGACY

Joseph J. Airdo

The Musical Instrument Museum will welcome MusicaNova Orchestra for a concert of Robert Schumann’s most treasured masterpieces. $33.50+. 2 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 6

AN APPALACHIAN CHRISTMAS

Virtuosic fiddle player, guitarist and composer Mark O’Connor will take the stage, joined by his wife, Maggie, and son, Forrest, for a holiday concert as part of Arizona Musicfest. $34+. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org

Dec. 8

MINDI ABAIR’S I CAN’T WAIT FOR CHRISTMAS

The Musical Instrument Museum will welcome two-time Grammy nominee Mindi Abair for a holiday concert featuring an incredible group of multitalented smooth jazz musicians. $33.50+. 7 and 9 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 9

BIG BAND HOLIDAYS

The Musical Instrument Museum will welcome National Endowment for the Arts jazz master and five-time Grammywinning vocalist Dianne Reeves, emerging singer Samara Joy and Jazz at Lincoln Center Orchestra for a concert featuring soulful renditions of holiday classics, playful improvisation and entertaining storytelling. $69.50+. 6:30 and 9 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Through Dec. 31

THE IMMERSIVE NUTCRACKER

Lighthouse Immersive and Impact Museums will debut an experiential retelling of a young girl’s magical Christmas Eve journey, featuring more than 500,000 cubic feet of projections composed of over 1 million frames of video, curating a grand immersive display that relays the tale of “The Nutcracker” from opening to finale. $29.99+. See website for times. Lighthouse ArtSpace Phoenix, 4301 N. Scottsdale Road, Scottsdale. immersive-nutcracker.com

Dec. 9 and 10

KATHERINE JETTER

Marvel at the unique enamel hues, vibrant gold treatments and rare colored gems of couture jewelry designer Katherine Jetter. These cutting-edge, wearable art pieces for bold and brilliant women feature sensational, proprietary colors with eye-catching rhodium hues and exceptional, hand-picked gemstones that individually tell Jetter what they need during her design process. Free. 10 a.m.–5 p.m. Grace Renee Gallery, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com

Dec. 9–11

WESTERN HOLIDAYS

Stagecoach Village and title sponsors Sanderson Ford and Sanderson Lincoln will host a family-friendly holiday celebration featuring special guests Mr. and Mrs. Santa

Writer

Claus. The event will include holiday carolers, festival food, children’s activities, a tractor parade, live music, storytelling and a beer and wine garden as well as a Yuletide artesian market featuring a variety of pieces by local artists, handcrafted holiday wares and other gifts. Cowbells Western Interiors will host a crazy Christmas hat contest Saturday afternoon, followed by a holiday balloon glow that evening. Free admission with toy or nonperishable food donation to Operation Santa Claus. Friday 10 a.m.–7 p.m.; Saturday 10 a.m.–10 p.m.; Sunday 10 a.m.–4 p.m. Stagecoach Village, 7100 E. Cave Creek Road, Cave Creek. 480-282-4370; stagecoachvillagecc.com

Dec. 9–24

BALLET ARIZONA’S ‘THE NUTCRACKER’

Ballet Arizona will present its performance of “The Nutcracker,” during which the Phoenix Symphony will play Pyotr Ilyich Tchaikovsky’s iconic score that perfectly encapsulates the feeling of Christmas while Clara battles mischievous mice and charms the Sugar Plum Fairy. See website for price and times. Symphony Hall, 75 N. Second St., Phoenix. 602-381-1096; balletaz.org

Dec. 10

DECEMBER DELIGHTS

Carolyn Eynon Singers will perform a concert of holiday music. $20; youth discounts available. 3 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. carolyneynonsingers.com

Dec. 10

HOLIDAY CABARET

Desert Foothills Theater will present its annual holiday cabaret. See website for price and times. The Holland Center, 34250 N. 60th St., Scottsdale. dftheater.org

Dec. 10 and 11

SPIRIT OF THE SEASON

Uptown Singers will perform a concert of holiday music. $20; youth discounts available. Saturday 7 p.m.; Sunday 5 p.m. Desert Hills Presbyterian Church, 34605 N. Tom Darlington Drive, Scottsdale. upscalesingers.com

Dec. 10 and 11

‘TIS THE SEASON: HOLIDAYS AT MIM

The Musical Instrument Museum will celebrate the merry melodies and seasonal traditions of global wintertime celebrations. See website for schedule of events. $20; youth discounts available. 9 a.m.–5 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd. Phoenix. 480-478-6000; mim.org

COMMUNITY

December 2022

Dec. 10–18

THE SPIRIT OF CHRISTMAS

Writer Joseph J. Airdo

Tempe Dance Academy will perform an energetic variety show featuring a cast of more than 100 dancers, singers, a horse and carriage, special guest performers and a champion hoop dancer. $33; youth discounts available. See website for times. Chandler Center for the Arts, 250 N. Arizona Ave., Chandler. 480-782-2680; chandlercenter.org

Dec. 11

HOLIDAYS WITH ORPHEUS: CELEBRATE THE SEASON

Orpheus Male Chorus will perform a concert of traditional and contemporary holiday songs. $25; youth, student and senior discounts available. 3 p.m. Camelback Bible Church, 3900 E. Stanford Drive, Paradise Valley. orpheus.org

Dec. 11

SONGS FOR THE SEASON

Sonoran Desert Chorale will perform a concert of seasonal pieces. $25; student, senior and group discounts available. 3 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. sonorandesertchorale.org

Dec. 14

CHRISTMAS CARAVAN

The Musical Instrument Museum will welcome Squirrel Nut Zippers for a concert of holiday music. $33.50+. 7 and 9 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 15

Dec. 9 and 10

STEPHEN WEBSTER

Discover the bold and glamorous collections from Stephen Webster, a London-based contemporary fine jeweler celebrated for his fearless creativity, powerful aesthetic, and traditional British craftsmanship. Coveted by Hollywood icons and idols alike, from Megan Fox and Madonna, to David Beckham and Elton John. Free. 10 a.m.–5 p.m. Grace Renee Gallery, 7212 E. Ho Road, Carefree. 480-575-8080; gracereneegallery.com

CAREFREE ART NIGHT

Galleries throughout Carefree will host an event that offers art enthusiasts an opportunity to enjoy live music and refreshments as they stroll through the breathtaking shadows of Black Mountain in search of their next masterpiece. Free. 4–7 p.m. See website for participating galleries. visitcarefree.com

Dec. 15

A WINTER’S EVE CONCERT

The Musical Instrument Museum will welcome five-time Grammy Award-nominated composer and performer David Arkenstone for an enchanting performance of charttopping favorites, glorious traditional holiday songs and new neoclassical and crossover compositions featuring strings and percussion. $38.50+. 7:30 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480478-6000; mim.org

Dec. 16

THE DOO WOP PROJECT

The Doo Wop Project will perform a concert of old-school holiday classics — including The Drifters’ “White Christmas,” The Temptations’ “Rudolph the Red-Nosed Reindeer,” and Frankie Valli and The Four Seasons’ “Santa Claus is Coming to Town.” $32+. 7:30 p.m. Chandler Center for the Arts, 250 N. Arizona Ave., Chandler. 480-7822680; chandlercenter.org

Dec. 17

A MERRY-ACHI CHRISTMAS

Maestro José Hernández and his platinum-selling Mariachi Sol de México will perform treasured holiday classics and favorites from the mariachi songbook. See website for price. 8 p.m. Scottsdale Center for the Performing Arts, 7380, E. Second St., Scottsdale. scottsdaleperformingarts.org

Dec. 17

THE MIRACLES

The Musical Instrument Museum will welcome the classic Motown group The Miracles for a concert of holiday music. $64.50+. 3 and 7:30 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 17 and 18

JOURNEY TO BETHLEHEM

Coolwater Christian Church will host a drive-through Nativity, depicting six scenes of the story of Jesus’ birth. Guests are encouraged to bring donations of nonperishable food items to benefit Foothills Food Bank and Resource Center. Free. 5:30–8 p.m. Coolwater Christian Church, 28181 N. 56th St., Scottsdale. 480-585-5554; coolwaterchurch.org

Dec. 19

A HAPPY JOYOUS HANUKKAH

The Musical Instrument Museum will welcome The Klezmatics for a concert of Hanukkah music. $44.50+. 7 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480478-6000; mim.org

Dec. 20–24

‘FANCY NANCY SPLENDIFEROUS CHRISTMAS’

Arizona Broadway Theatre will present its Theatre for Young Audiences production of “Fancy Nancy Splendiferous Christmas,” based on the beloved children’s book. During the performance dates, the theater will collect new and slightly used chapter books for readers ages 12–19, which will be donated to Peoria Libraries. $15+. See website for times. Arizona Broadway Theatre, 7701 W. Paradise Lane, Peoria. 623-776-8400; azbroadway.org

Dec. 21

LONGEST NIGHT SERVICE

Desert Hills Presbyterian Church will host a service of contemplation and healing in its sanctuary for those who may be experiencing sadness or grief this holiday season. A light supper will follow. Free. 4 p.m. Desert Hills Presbyterian Church, 34605 N. Tom Darlington Road, Scottsdale. 480488-3384; deserthills.org

Dec. 23

DAVID ARCHULETA

Former “American Idol” contestant David Archuleta will perform a concert of holiday music. $39.90+. 7:30 p.m. Chandler Center for the Arts, 250 N. Arizona Ave., Chandler. 480-782-2680; chandlercenter.org

Dec. 24

A FAMILY CHRISTMAS EVE

Carefree Church will host a trio of Christmas Eve services featuring special guest vocalist Jody McBrayer, member of the Grammy Awardnominated group Avalon. Attendees are welcome to enjoy an outdoor festival with snow and a petting zoo following each service. Free. Noon, 2 p.m. and 4 p.m. Carefree Church, 5025 E. Carefree Highway, Cave Creek. 480488-5565; carefreechurch.com

COMMUNITY

December 2022

Dec. 29–31

A VERY MERRY CHRISTMAS

Writer Joseph J. Airdo

Dec. 17

WREATHS ACROSS AMERICA

Wreaths Across America will host its annual ceremony at the National Memorial Cemetery of Arizona in Phoenix, where thousands of holiday wreaths will be laid on the graves of our country's fallen heroes. Free. 10 a.m. National Memorial Cemetery of Arizona, 23029 N. Cave Creek Road, Phoenix. wreathsacrossamerica.org

The Musical Instrument Museum will welcome songwriter and pianist Jim Brickman for a concert of holiday music. $49.50+. See website for times. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

Dec. 31

BROADWAY SHOWSTOPPERS

Chandler Center for the Arts will host a New Year’s Eve celebration featuring the greatest hits from Broadway with six powerhouse vocalists and Showtune Productions’ live orchestra. $28+. 8 p.m. Chandler Center for the Arts, 250 N. Arizona Ave., Chandler. 480-782-2680; chandlercenter.org

Jan. 6

THE MODERN GENTLEMEN

Vocal quartet The Modern Gentlemen will perform a concert of doo-wop, Motown, pop and rock music with a sound that blends classic hits of yesterday with a modern dapper style as part of Arizona Musicfest. $51+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org

Jan. 6–22

‘MISERY’

Fountain Hills Theater will present its production of “Misery,” a play inspired by the bestselling novel by Stephen King. $32; youth, student and senior discounts available. See website for times. Fountain Hills Theater, 11445 N. Saguaro Blvd., Fountain Hills. 480-837-9661; fhtaz.org

Jan. 6–22

‘SEUSSICAL, JR.’

Scottsdale Desert Stages Theatre will present its youth production of “Seussical,” a musical caper in which Dr. Seuss' best-loved characters collide and cavort. See website for price and times. Scottsdale Desert Stages Theatre at Fashion Square, 7014 E. Camelback Road, Suite 0586, Scottsdale. 480-483-1664; desertstages.org

Jan. 7

COMMUNITY RECYCLE EVENT

Foothills Food Bank and Resource Center will host a community recycle event at which members of the public may drop off gently used clothing, housewares and book donations to the Goldmine Thrift Store and Desert Foothills Library. Small electronics, phones and computers will also be collected, destroyed and safely disposed. Free. 9 a.m.–1 p.m. Public Parking Lot, 6061 E. Hidden Valley Drive, Cave Creek. foothillsfoodbank.com

THE TEMPTATIONS

Often referred to as American music royalty, The Temptations will perform a concert in celebration of its 60th anniversary. See website for price. 7:30 p.m. Scottsdale Center for the Performing Arts, 7380, E. Second St., Scottsdale. scottsdaleperformingarts.org

ARTIST DEBUTS PUBLIC WORK INSPIRED

BY MCDOWELL MOUNTAINS

Arizona artist Mary Shindell this fall debuted her new public art “Mesquite Bosque” at the Bell94 Sports Complex in North Scottsdale. The McDowell Mountains, located east of the complex, became Shindell’s inspiration for the artwork from the moment she saw them as a backdrop to the complex. In addition to the violet color of the mountains, the artist also took inspiration from the Mesquite trees near the entrance to the park and throughout Scottsdale by weaving tree branches and leaves on each of the panels. scottsdalepublicart.org

FOOD BANK ACCEPTS GIFT DONATIONS

Foothills Food Bank and Resource Center this season is accepting donations made on behalf of the special people on your Christmas list for whom you do not know what to get. When you make a tax-deductible gift donation by Dec. 15, the nonprofit organization will send a beautifully designed, hand-crafted greeting card communicating that a donation has been made in celebration of the recipient. foothillsfoodbank.com/holiday

NEW INTERIOR DESIGN FIRM OPENS IN CAREFREE

Artistic Dwellings — a brand-new unique interior design firm dedicated to branding and supporting local Cave Creek and Carefree artisans and craftsmen — this fall held its grand opening, showcasing works from Sonoran Art League past juried members and décor from renowned Cave Creek and Carefree mural, decorative painted furniture and mixedmedium artists. The firm has also kicked off a free monthly workshop, led by owner and interior designer Ronnie Beckoff. Artistic Dwellings, 36600 N. Pima Road, Suite 402, Carefree. 480-361-9301; artisticdwellingsaz.com

HHoliday traditions are many and varied, but a common thread runs through nearly every one: food.

At the center of the dining table or on a cookie plate, recipes are passed down through generations and among friends, adapted little by little or remaining stalwart in such a way that tastes may directly reflect celebrations of many years past.

Here in our little corner of the Valley, we are blessed with a plethora of independently owned restaurants and the proprietors share their own family traditions and recipes with valued customers. Diners can celebrate away from home or, in some cases, can leave the cooking to the pros and bring home dinner to share with family and friends.

ENGLISH ROSE TEA ROOM

201 Easy Street, Suite 103, Carefree 480-488-4812 | carefreetea.com

For the last 20 years, owner Jo Gemmill has played host to a medley of performers and musicians that bring the spirit of Christmas to all of her customers at English Rose Tea Room and to neighboring merchants. Highlights have included Dickensian carolers, the Salvation Army brass band, ballerinas performing to the familiar strains of Tchaikovsky’s “Nutcracker Suite” and even Santa Claus.

“You think we look pink and sparkling right now?” Gemmill asks. “Just wait and see what happens once

have paid us a visit. Baubles, glitter and glitz, with gorgeous

trees are pink this year.”

Santa’s elves

decorations to buy or simply admire. Even our Christmas

Writer Shannon Severson

English Rose Tea Room

“

English Rose Tea Room’s six “Nutcracker” performances are already sold out, but Gemmill says that carolers will return each weekend and all visits are free. Santa Claus is also likely to make an appearance for children of the human and four-legged varieties.

Many groups keep a tradition of gathering at English Rose Tea Room each season, so she has added the restaurant to the Open Table app to ease the reservation process and will be serving traditional Christmas afternoon tea with the full lunch menu. Festive tea beverages like holiday spice tea and a traditional Christmas pudding will be added to the already extensive variety of sweets on the menu.

Gemmill, a Brit by birth, says that her own household’s Christmas is a blend of cultures and traditions. A turkey is the traditional Christmas dinner entree in the United Kingdom, but she usually adds prime rib for everyone else. There is much that the U.S. and the UK share when it comes to Christmas music, decorating the tree and decking the halls; but she has some special memories from her English upbringing.

“My favorite tradition as a child was opening the Christmas stocking at the end of my bed, having tried to stay awake half the night to see Father Christmas,” Gemmill recounts. “Inside the stocking were little gifts carefully wrapped up, together with chocolate money, a Christmas cracker and the obligatory tangerine. The queen’s speech came on TV on Christmas Day and we were all required to sit and listen; this year will be the very first king’s speech.”

At the center of the dining table or on a cookie plate, recipes are passed down through generations and among friends, adapted little by little or remaining stalwart in such a way that tastes may directly reflect celebrations of many years past.

English Rose Tea Room

KEELER’S NEIGHBORHOOD STEAKHOUSE

7212 E. Ho Hum Road, Carefree 602-374-4784 | keelerssteakhouse.com

Matt Keeler — director of operations for Keeler Hospitality group, which owns Keeler’s Steakhouse at Spanish Village in Carefree — says that being family-owned and operated means that guests are treated like family as soon as they walk in the door, regardless if one is among the restaurants’ many regulars or a first-time visitor.

The Keeler family may be busy hosting individual patrons and groups large and small during the most festive time of year, but it’s not just business.

“The holidays are very special to our family, especially my mom,” Keeler says. “They are a little tougher now since our father, the owner and leader, passed last October, but his legacy lives on through all of us. My mom personally decorates each restaurant, which takes her three days to do, but these are an extension of our own homes and she wants it to feel that way when our guests walk through the door.

“One family tradition that we have held onto is that the entire family gets together on Christmas Eve. After the kids and grandchildren go to sleep, we watch ‘National Lampoon’s Christmas Vacation’ while drinking adult beverages and wrapping gifts for the kids. I can pretty much recite the entire movie.”

In addition to the regular menu, Keeler’s Neighborhood Steakhouse’s Christmas Eve menu is a three-course affair that begins with a cozy, aromatic bowl of French onion soup or Caesar salad and continues on to luxurious prime rib with a jumbo prawn topper, roast lamb or Chilean sea bass. Indulgent chocolate peanut butter cake or peach cobbler end the meal on a sweet note.

The restaurant’s fourth annual New Year’s Eve gala will feature an extravagant buffet with prime steak, salmon and sea bass and

Keeler’s Neighborhood Steakhouse // Photos by Judy Keeler, Sunshine Sherard and Monica Teligades

a prime rib and spiral cut ham carving station, a crustacean station and a coffee and dessert bar. The $135-per-person ticket includes two drinks, bottomless champagne and live music and dancing on Keeler’s Neighborhood Steakhouse starlight roof-deck patio.

Keeler says that the parties they host for family gatherings and private events really give their locations a chance to shine.

“We have so many different venues and spaces that can accommodate any function, which allows us to be very flexible in helping to make the event a very special occasion,” Keeler explains. “For our restaurant group, we do an ugly sweater contest on Christmas Eve and the entire staff participates. The team and our guests love this!”

GIORDANO’S

TRATTORIA

ROMANO

7275 E. Easy St., Carefree 480-595-0233 giordanostrattoriaromana.com

Giordano’s Trattoria Romano is known for its home-style Italian specialties of pasta, meat and seafood, including veal shank osso buco. Adele Giordano says the restaurant will likely serve lamb shank osso buco on New Year’s Eve, which is the only holiday that the restaurant is open, but all throughout the holidays, the chefs feature what’s fresh. Shrimp scampi over lobster ravioli, for example, is a popular item for the many groups who visit to celebrate the holidays.

“We host dinner parties for families and enjoy sharing fun moments with

our customers,” says Giordano, adding that the restaurant is decorated for the holidays and festive music is playing continually. “Family time is important to us, so we take the holidays off to be with our own families.”

The Giordano family tradition is to gather on Christmas Eve to celebrate and Adele is always the one to host. The family arrives to feast on Italian seafood and pasta — and they do it in matching pajamas that Adele buys for everyone to change into when they arrive.

“After dinner, the dads take my grandbabies — four girls, ages five and six — for a drive through the neighborhood to look at Christmas lights, and the moms set up all the gifts under the Christmas trees,” Adele says. “Then, the moms take the Santa key from the front door and go for a short walk. When we all arrive back, the girls see the key missing and know that Santa came. Then the craziness begins!”

LOCAL JONNY’S

6033 E. Cave Creek Road, Cave Creek 480-488-7473

localjonnys.com

Local Jonny’s, another familyowned business, recently expanded its restaurant footprint to include an outdoor patio and live music performance space. Director of operations Rebecca Harding says that guests are welcomed as part of the family — especially this time of year, when winter visitors may be far away from their own families in other states.

The restaurant is the site of gatherings both large and small during the holidays — including hosting the Foothills Food Bank and Resource Center’s annual appreciation party, sports team dinners and brunches and formal, multi-course rehearsal dinners.

“It’s of the utmost importance to all of us at Local Jonny’s to welcome each guest [if it’s] their first time visiting us or their 100th [visit],” Harding says. “A couple of our core values include community and local first. This means any member of our community — visiting or year-round resident — is a part of us to our core and we want them to know that and feel that each time they come in.”

Harding says that the entire staff really looks forward to the holidays and making sure that the experience is wonderful for everyone. They also get to welcome family and friends of regulars and many of their dogs, too.

Local Jonny’s // Photo by Alex Chacon

Local Jonny’s // Photo by Alex Chacon

“Since we have a dog-friendly patio, we meet so many of our furry community members and that’s important to us,” Harding says. “We offer doggie treats for the pups and a delicious menu for their humans.”

This year, Local Jonny’s will participate in Cave Creek Winter on Dec. 3 — an ugly sweater, town-wide pub crawl.

“Along with several other businesses, we all throw money in a cap and get busses rented to shuttle guests from business to business for a one-hour stop each,” Harding says. “Local Jonny’s is the seventh pit stop. We’ll have a free photo booth and you might even catch a glimpse of Santa along with some snow; we’ll just have to see!”

A favorite holiday tradition for Local Jonny’s is celebrating its team and its town.

“Without our employees, we are nothing,” Harding says. “Each holiday season, we have a celebration for all our employees. It’s a time for Local Jonny’s staff to bond with one another, reconnect and become friends with the people we work sideby-side with day in and day out. It is really transforming.

“The holidays are our time to spread love and laughter from staff members to our guests. The happiness that our team feels gets passed on to our extremely dedicated and supportive guests. We at Local Jonny’s are a crew of dedicated and hard-working people [who] truly love what we do and aren’t afraid to show it.”

Wreaths of Remembrance

IIt is believed that wreaths were first introduced as Christmas decorations sometime in the 16th century, around the same time that people in northern and eastern Europe began bringing evergreen trees into their homes during the holidays.

Living in an era of meager rations, people made a conscious effort to use every last drop of everything in their lives. Not wanting to waste the branches that they had trimmed off the trees in order to make them appear more uniform and fit into their living rooms, they began weaving them into circles — a shape that has no end — to symbolize everlasting life.

Today, wreaths have become a standard practice in decorating our homes and are often the very first thing that our family and friends see when approaching our door, welcoming them into our seasonal celebrations during which memories are made that we cherish for generations.

However, for some, wreaths carry even more meaning as they bring comfort to those whose already painful losses are exponentially amplified this time of the year.

Thanks to the efforts of Wreaths Across America, a nonprofit organization that honors and remembers veterans by laying wreaths on the graves of our country's fallen heroes, these simple-yet-significant circular adornments make

Writer Joseph J. Airdo Photography by Marion Cartland

a world of difference at a time when being with the ones we love most is all that any of us long to do.

GRATITUDE, SUPPORT & EMULATION

Nearing the end of the holiday season 30 years ago, Worcester Wreath Company in Harrington, Maine found itself with a surplus of wreaths. Pondering what to do with the extra wreaths, owner Morrill Worcester thought back to an experience that he had as a 12-year-old Bangor Daily News paper boy when, having won a trip to Washington D.C., Arlington National Cemetery made an indelible impression on him.

With the help of Sen. Olympia Snowe, Worcester arranged for his company’s overabundance of wreaths to be placed at Arlington in one of the older sections of the cemetery that had been receiving fewer visitors with each passing year. Hearing of his plans, a number of other individuals and organizations stepped up to help.

The donation became an annual tradition for Worcester and the others involved, including members from the local American Legion and Veterans of Foreign Wars posts who gathered with other volunteers to decorate each wreath with traditional red, hand-tied bows.

In 2005, a photo of the stones at Arlington National Cemetery, adorned with wreaths and covered in snow, went viral on the internet. Suddenly, people from all across the country expressed their gratitude to Worcester, offered to lend their support and requested to emulate the project at their local cemeteries.

The following year, the Civil Air Patrol and other civic organizations held simultaneous wreath-laying ceremonies at more than 150 locations around the United States and, in 2007, the nonprofit Wreaths Across America was formed to continue and expand the effort as well as support other groups around the country who wanted to do the same.

One year later, more than 60,000 volunteers placed more than 100,000 wreaths on veterans’ graves at more than 300 locations across the country — including Arizona.

“Today, we are at close to 3,000 locations across the United States, abroad and at sea that hold some type of ceremony [every December],” says Tarra Matyas, Wreaths Across America’s project manager and location coordinator for the National Memorial Cemetery of Arizona in Phoenix.

ceremony is always at the same date and time across all locations to

“The

For one brief moment at 11 o’clock on a Saturday morning, you see all of these rows of wreaths and it is just beautiful. I do not know a human on this planet who does not take something away from that. Tarra Matyas

coordinate with the one at Arlington National Cemetery. We have our ceremony at 10 a.m. in Arizona to allow for the time difference so that we are all doing everything at roughly the same time.”

REMEMBER, HONOR & TEACH

About 75 people attended the National Memorial Cemetery of Arizona’s first ceremony, during which 300 wreaths were laid. The number of attendees rose to 2,000 in 2019 — the last year a public ceremony was held, due to restrictions associated with the COVID-19 pandemic — and 8,000 wreaths were laid during last year’s private event.

The National Memorial Cemetery of Arizona is one of the many locations across the country that accepts site-specific requests, ensuring that a wreath is placed on the grave of a veteran whose family member resides in a different state or is, for one reason or another, unable to attend the ceremony.

“We do about 300 to 350 site-specific requests each year,” says Matyas, noting that veterans' causes have always been near and dear to her heart. “The Paradise Valley chapter of the Daughters of the American Revolution handles those for us, making sure that they are always done with love, care and respect.”

Although every wreath laid is significant, the site-specific ones are those that have the most profound impact on Matyas.

“My phone starts ringing [in early October],” she explains. “I talk to these humans and I hear their stories. There are so many

organizations out there that are doing things for our veterans who are still alive. And I want them to continue to do those things because they matter hugely.

“But let me take care of the families. Let me take care of these people who are missing someone at their table this Christmas. Let us do this thing for them, to let them know that we have not forgotten and that we will always remember.”

Remembering our fallen U.S. veterans is one-third of Wreaths Across America’s mission, with the other two-thirds being honoring those who serve and teaching children the value of freedom.

“The ‘teach’ part of our mission is so important,” Matyas says. “We have a choir of kids that comes in from an elementary school to sing as part of our ceremony. We also have Boy Scouts, Girl Scouts and Youth for Troops who come to help out. And it is so impactful.”

Matyas will never forget the first year that her granddaughter got to lay a wreath on one of the graves.

“She was 5 years old,” Matyas says. “She pointed and said to me, ‘Come on, Grandma! Let's go there!’ I tracked this child all over the cemetery. She had something in mind and we walked everywhere until she found ‘the one’ that was going to be hers for the day. She laid the wreath then took my hand and said, ‘OK, now let's just be quiet for a moment.’ Through the eyes of a child is sometimes the most honest way to see the world.”

HUMBLING, SOLEMN & JOYFUL

Having had to lay wreaths without a public ceremony in 2020 and 2021, Matyas is thrilled to again be able to hold the full Wreaths Across America program this year.

Depending on how early in December you are reading this, the wreath sponsorship deadline may have already passed. However, the project manager and location coordinator encourages those who have never attended a Wreaths Across America ceremony to do so Saturday, Dec. 17 at the National Memorial Cemetery of Arizona.

Matyas suggests arriving early — no later than 9 a.m. — and wearing comfortable shoes, as parking can be problematic and a bit of a walk is a near certainty. Seating is extremely limited and should be reserved for those who absolutely need it, therefore attendees are welcome to bring their own folding chairs.

“The ceremony itself will last between 30 and 40 minutes,” says Matyas, noting that wreaths are staged in different areas throughout the cemetery prior to the start of the event. “When we close the ceremony, there is — for a very short amount of time — this sort of Black Friday vibe, where everyone runs to the nearest pile and starts grabbing wreaths.”

Rather than doing that, Matyas asks attendees to be mindful of those who may not be as mobile, save the nearest wreaths for them and walk to one of the piles that are located a bit farther out.

“Everybody who attends the ceremony is guaranteed an opportunity to lay at least one wreath,” she adds. “Generally speaking, though, you always get more.”

All wreaths have typically been laid by 12:30 p.m., but attendees may wish to bring a light snack and an ounce of patience, as traffic bottle-necks are always anticipated.

Although last year’s figure of 8,000 wreaths may sound like a lot, it is important to remember that there are roughly 10 times that number of veterans interred at the National Memorial Cemetery of Arizona. Matyas is therefore hoping that simply attending this year’s ceremony will inspire you to sponsor wreaths next year.

“Please join us,” she says. “Once you do, you will come back every year. I have never seen anybody who did not come back or want to come back and do more. When you are standing in

that very special place, surrounded by people who are all there to do this one thing, you cannot help but be drawn to it.

“It is the strangest combination of humbling, solemn and joyful all at once. You are standing on sacred ground. You look one way and see family members who are grieving [the absence of] and placing a wreath for their loved one. You look the other way and see active duty [members of our armed forces] in uniform who are there to honor veterans in general.

“You see Veterans of Foreign Wars [members] and church groups — all of these people in the community from every walk of life, every age, who have gathered together. And for one brief moment at 11 o’clock on a Saturday morning, you see all of these rows of wreaths and it is just beautiful. I do not know a human on this planet who does not take something away from that. It is just a phenomenal thing to experience.”

wreathsacrossamerica.org

Visit anchor.fm/imagesaz or scan this QR code with your phone to listen to “Holidays with Our Heroes,” in which Tarra Maytas describes the feeling that you can expect to experience during the Wreaths Across America ceremony at the National Memorial Cemetery of Arizona.

ExperienceWreaths Across America

Saturday, Dec. 17 | 10 a.m. National Memorial Cemetery of Arizona 23029 N. Cave Creek Road, Phoenix Free wreathsacrossamerica.org

RRegardless of which holiday you are celebrating this season, there is a pretty high probability that lights play a fairly substantial role in it.

The tradition of adorning our homes with decorative lights dates back to the 17th century when those in Germany, and later Eastern Europe, attached small candles to tree branches with pins or melted wax. European Christians also displayed burning candles in their windows, indicating that those who shared their religious beliefs were welcome to come worship with them.

During the 1880 holiday season, Thomas Edison introduced the first outdoor electric Christmas light display on the outside of his laboratory compound, which sat near a railway where, each night, countless people could behold its wonder and glory. A few years later, Edward Johnson — an inventor under Edison’s supervision — created the first string of Christmas lights, which was made out of 80 small electric bulbs.

In 1890, Johnson’s light strings were mass-produced and department stores began displaying them in the Christmas displays in their stores. Five years later, President Grover Cleveland sponsored the first electrically lit Christmas tree at the White House, bringing national attention to the trend.

The brightly lit decorations quickly caught on and, at the turn of the century in the U.S., public displays of Christmas lights in retail stores and government buildings became increasingly popular. A few decades later, when electric lights became more affordable, it became a common practice for people to decorate their homes with them each holiday season.

Today, lights symbolize many things — from solemn remembrance to a guiding hope to joyful revelry — as we use them to communicate a belief or a feeling that words alone cannot relay as succinctly or as beautifully.

Photographer Nick Pease has captured some of the best representations of lights around Arizona, which we are proud and grateful to be able to share with our readers through this month’s photo essay. It is the sincere hope of everyone at Images Arizona that they bring unto you festive reflections of whatever it is that you are celebrating this season.

Writer Joseph J. Airdo Photography by Nick Pease

Ever since I was a kid, I have always loved Christmastime. My dad would put up the Christmas decorations outside in November and I would get so excited. I always wanted to help him. It was our goal to have all of the decorations put up and turned on before any of our neighbors.

Nick Pease

Growing up, most everyone in my neighborhood decorated for the holidays. My favorite thing, though, was when my parents, my brother and I would get into the car and drive around the city and the outskirts to look at all of the best Christmas lights and decorations around. Nick Pease

These images help me re-experience the cherished childhood memories I have of Christmastime. I enjoy driving around the Valley and all of Arizona in search of the best holiday decorations and other festive reflections. Nick Pease

About the Photographer

When Nick Pease moved from northeast Minnesota to Arizona in 2015, he spent a great deal of his free time exploring the state and taking pictures of its breathtaking beauty with his iPhone 4. Two years later, following the praise and advice of his father, Pease decided to pursue a career in photography and purchased a Canon EOS 77D as well as a couple of lenses.

“Two weeks after I bought my camera, I sold my first image,” Pease says. “It was so cool to see my own work on a canvas print. From that moment, I knew that I needed to continue doing this.”

Pease spent a couple of years learning about his camera and its various settings on his own until he crossed paths with other local photographers, from who he gained additional education and insight into the art form.

Since then, the south Tempe resident has sold numerous images to individuals across Arizona as well as to family and friends in other states, has been a finalist in two photography competitions and has published calendars showcasing his work for 2022 and 2023.

“Some of the things that photography has taught me is to be patient, to enjoy the little things in life, to savor each moment and to always be making memories,” says Pease, who also enjoys hiking and storm chasing. “Photography has also taught me that I am a very talented person and that I can make a difference in this world.

“The human experience is something I am blessed and thankful to be able to live every day. It really is something special. Not everybody is able to get out and road trip around the state or get the chance to go see five states during a given year. Not everyone gets a chance to get out and experience the world.

“I am always looking for new places to explore and I love being able to share my experiences of traveling and hiking all across the southwestern U.S. with everyone and showing them, through my art, just how awesome of a place we live in.”

instagram.com/nickpease_azphoto facebook.com/nick.pease.146

Writer Joseph J. Airdo

FFestive fables that are traditionally told in some way, shape or form each and every holiday season are quite possibly the stories that have the most memorable impacts on our lives.

Whether it is watching a reindeer named Rudolph save the day with his red nose, reading about how a green Grinch steals Christmas from a bunch of Whos in Whoville, listening to the account of a frosty snowman who comes to life and has to hurry on his way before he melts away or even seeing Tim Allen suit up as Santa because of a clause, these Yuletide tales leave a lasting imprint on our minds and in our hearts.

Perhaps it is just the joyful themes they relay and represent or maybe it is due to the fact that we first experience these stories with

Don Bluth Front Row Theater’s “It’s a Wonderful Life” // Photo by Stephanie Cartwright

“

the ones we love most — our parents when we are kids and our children when we are adults — but, either way, we return to them year after year to find a comforting feeling that makes everything merry and bright.

This month, some of the greatest Christmas chronicles of all time will take the stage courtesy of the tremendously talented performing arts organizations we are so privileged to have here in the Valley. From a cautionary tale about a boy who wants a Red Ryder BB gun for Christmas to a narrative that reminds us that every time a bell rings, an angel gets its wings, these are the stories that prove that this truly is the most wonderful time of the year.

‘A CHRISTMAS STORY’

One year shy of its 40th anniversary, “A Christmas Story” is at the forefront of everyone’s minds this holiday season thanks to a newly released HBO Max sequel in which star Peter Billingsley reprises his role of Ralphie who, now an adult, returns to the house on Cleveland street to give his kids a magical Christmas just like the one that he had as a child.

However, 13 years ago, the 1983 film saw a similar resurgence with the premiere of “A Christmas Story: The Musical” — a show that began as a regional production before opening on Broadway, going on tour and eventually making its way to television screens in 2017.

“‘A Christmas Story’ has always been one of my two favorite Christmas movies since I was a kid,” says Dan Ashlock, Jr., noting that his other favorite Christmas movie is “A Muppets Christmas Carol.” “Those are the two that I have to watch every year.”

Jace Wilson stars as Ralphie Parker in Scottsdale Desert Stages Theatre’s production of “A Christmas Story: The Musical” // Photo by Richard “Mickey” Courtney

‘A Christmas Story’ has always been one of my two favorite Christmas movies since I was a kid. It is especially nostalgic for adults to be able to look back and see what they enjoyed about the holidays of their childhood. It is just such a heartwarming holiday story.

Dan Ashlock, Jr.

Having produced the traditional narrative version of “A Christmas Story” for several years, Scottsdale Desert Stages Theatre this year brings the musical adaptation to its stage, with Ashlock as director. Through Dec. 18, audiences can experience everything from Ralphie’s pink bunny rabbit pajamas to the movie’s iconic leg lamp live on stage.

“It is pretty much the same story as the original,” Ashlock says. “All of the same characters are involved and most of the lines in the musical are taken directly from the movie. It just adds music to help [advance and enhance] the story.”

Scottsdale Desert Stages Theatre executive director Ellen Versen adds that the music and lyrics for “A Christmas Story: The Musical” were written by Benj Pasek and Justin Paul — the same songwriting duo behind “Dear Evan Hansen,” “The Greatest Showman” and many of the songs featured in “La La Land.”

Ashlock hopes to use the production’s songs and story to impart upon audiences all of the good feelings that are inherently tied to the holiday season — especially that magical moment when everything finally goes precisely as planned and you get that perfect Christmas gift of which you have been dreaming all year long.

“It is especially nostalgic for adults to be able to look back and see what they enjoyed about the holidays of their childhood,” explains the director, noting that everyone can relate to the perfectly imperfect Parker family that is at the center of “A Christmas Story.” “It is just such a heartwarming holiday story.”

‘THE NUTCRACKER’

As it is for many, “The Nutcracker” has been a holiday tradition for Tiffany Chatfield for as long as she can remember.

“My older sister and I loved dancing in our local dance studio’s [production of] ‘The Nutcracker,’ Chatfield says. “And even though I have performed some rendition of ‘The Nutcracker’ every year since the age of 5, the magic I felt as a baby ballerina still surrounds me each holiday season.”

Chatfield is honored to now be able to continue that tradition as a dancer in Ballet Arizona’s production of the classic story about a young girl who battles mischievous mice and charms the Sugar Plum Fairy

Ballet Arizona’s “The Nutcracker” // Photos by Rosalie O'Connor

— all while Phoenix Symphony performs Pyotr Ilyich Tchaikovsky’s iconic score that perfectly encapsulates the feeling of Christmas.

“Ballet Arizona’s production really brings the magic to life like nothing you have seen before,” Chatfield adds. “From the gigantic Rat King, to the twisty and twirly costumes of the Marzipan girls, the costumes are phenomenal. My favorite part of our production of ‘The Nutcracker’ is definitely the battle scene because of how immersive the set is.”

The battle scene is also a highlight for Ballet Arizona dancer Ethan Price, who credits “The Nutcracker” with solidifying his love for the magic of the stage.

“The first act of Ballet Arizona’s ‘The Nutcracker’ has so many incredible sets and transformations,” Price explains. “The house growing into the battle scene is great, and capping off the act with the sparkling backdrop of snow scene is incredible to see. There is really nothing quite like it.”

On stage at Symphony Hall Dec. 9–24, the story of “The Nutcracker” is brought to life by Ballet Arizona’s artistic director, Ib Andersen — a choreographer that dancer Isabella Seo says provides that extra special element that makes the production stand out in a sea of wooden soldiers.

“I think it is cool that we get to dance many of his ballets that have his personality and thinking added into them,” explains Seo, noting that she, too, has cherished memories of dancing in “The Nutcracker” with her siblings. “It is a festive ballet with beautiful props, music and dancing that touches the audience in a way, leaving a warm holiday memory.”

Chatfield agrees.

“The ballet itself has themes of Christmas intertwined, so it is no wonder why so many have embraced [‘The Nutcracker’] as a [holiday] staple,” she adds. “But it is the heartwarming story of kindness that really makes it a perfect fit for the festive atmosphere of December.”

‘A CHRISTMAS CAROL’

You may be surprised to learn that quite possibly the most well-known holiday tale of all time, “A Christmas Carol,” was actually self-published in 1843 by author Charles

Dickens who, at the time, was unable to find anyone willing to release his book. However, it was an instant success.

Priced at 5 shillings — about $30 — the first edition was released Dec. 19 of that year and was sold out by Christmas Day. Two more editions were printed before the end of the year and the first stage adaptation appeared in London less than two months later, which was quickly followed by seven others.

Over the years, the story of a miserly misanthrope who is taken on a magical journey has been reimagined and retold in a variety of ways — via 1988’s “Scrooged!,” 1992’s “A Muppet Christmas Carol” and most recently Apple TV+’s “Spirited,” a musical starring Will Ferrell and Ryan Reynolds.

Locally, the story comes to life through Dec. 29 at Arizona Broadway Theatre. Marketing and communications director, Michele Meyer, says that the theater’s version of the production is the one that first premiered in 1994 at Madison Square Garden in New York, with music by Disney and Broadway legend Alan Menken, and a decade later was adapted for television with Kelsey Grammer in the role of Ebenezer Scrooge.

“Arizona Broadway Theatre is a dinner theater that only seats about 400 people or so,” Meyer adds. “So it is more spacious and, during each performance, you can enjoy a two-course meal and conversation with your family or friends.”

Local Arizona Broadway Theatre favorites who have returned to the stage in new roles for this year’s production include Jamie Michael Parnell as Ebenezer Scrooge.

Keeping with the tale’s message of generosity, audiences are encouraged to bring donations for the theater’s toy and clothing drive, which this year benefits Sunshine Residential Homes — an organization that provides clean, safe and structured homes for children who are victims of abuse, abandonment and neglect.

“We deck out the lobby and in front of the theater with trees,” Meyer adds. “We just want to give audiences a few hours to socialize and see a great show. The holidays are all about that warm feeling you get while gathering together.”

Arizona Broadway Theatre’s “A Christmas Carol: The Musical” // Photos Courtesy of Arizona Broadway Theatre

‘ELF’

High school theater teacher Megan Gardner’s favorite Christmas movie of all time is “Elf” — a 2003 comedy in which Will Ferrell plays a man who, raised as an oversized elf, travels from the North Pole to New York City to meet his biological father who does not know that he exists and is in desperate need of the holiday spirit.

“I could watch it a thousand times every Christmas season,” Gardner says.

She was therefore delighted when Ashlock offered her the opportunity to direct the musical version of the story for Starlight Community Theater, for which he serves as artistic director. Set for Dec. 2–18, “Elf: The Musical” marks Gardner’s fourth production for the theater this year, following in the footsteps of “My Son Pinocchio, Jr.” “Disney's The Little Mermaid” and “Heathers: The Musical — Teen Edition.”

“Anyone who knows the movie will definitely recognize a majority of the story,” Gardner says. “It is the movie put on stage — the seven levels of the Candy Cane Forest, Buddy the elf and all that good stuff — but with some really fun original music and dancing thrown in there as well.”

Gardner adds that the show, like most produced by Starlight Community Theater, is a multi-generational affair.

“We have all ages,” she explains. “I think that our youngest is 6 years old and our oldest is in their upper 50s or mid-60s. We have got brothers, parents, children — you name it. My favorite part of Starlight Community Theater is that it is a family theater through and through.”

In addition to the movie, “Elf: The Musical” also draws inspiration from “Elf: Buddy's Musical Christmas” — a 2014 animated special in which Jim Parsons voices the title character.

“That is actually a big part of our set design,” Gardner says. “The Starlight stage is very unique. We are small, but we are mighty — and we can do a lot of really cool things. We are playing a lot with the 3D element and trying to find ways to make the whole theater feel like

Less of this. More of this.

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a snow globe. Our goal is for the audience to feel like they are sitting in a Christmas snow globe in New York City.

“I want them to feel at home and in the Christmas spirit. I want this to be something that they can bring their whole family to, because ‘Elf’ is for everybody. Even if you do not like musicals but you like the movie, we have got it. It is right here — just with a little extra zazzle on top. This show is so fun and magical. And it is a really great way to set the Christmas spirit this December.”

After all, as Buddy says, “The best way to spread Christmas cheer is singing loud for all to hear.”

‘IT’S A WONDERFUL LIFE’

Quoting Dolly Parton’s character in 1989’s “Steel Magnolias,” Cheryl Schaar says that laughter through tears is her favorite emotion. Perhaps that is why her favorite holiday tale is Frank Capra’s 1946 Oscar-nominated film “It’s a Wonderful Life” — in which James Stewart plays a desperately frustrated businessman who, on Christmas Eve, is visited by an angel that shows him what life would have been like if he had never existed.

“I just love the inspirational quality of ‘It's a Wonderful Life,’ because I think that we often forget the impact that we have on other people and what life would be like for them if we were not there,” Schaar says. “We do not realize just how important we are to other people.”

For the past eight or nine years, Schaar has had the opportunity to share the movie’s meaningful message in a far more intimate setting — Don Bluth Front Row Theatre, which boasts a seating capacity of just 45.

Don Bluth Front Row Theater’s “It’s a Wonderful Life” // Photos by Stephanie Cartwright

“We keep it very comfortable,” says Schaar, who is directing the theater’s production of “It’s a Wonderful Life” through Dec. 30. “Our actors are not even miked. We are such an intimate space and the acoustics are such that you can hear everything. You feel like you are in the living room at a cocktail party, just listening to what is going on.”

This year, for the first time ever, the show will be performed in the round.

“We try to literally bring the movie to life,” says Schaar, noting that a little artistic license is taken to accommodate the theater’s budget — which is obviously considerably smaller than that of the Hollywood production. “Every year, we use a backdrop that [the theater’s founder Don Bluth] painted of Bedford Falls. You really feel like you are in Bedford Falls when you see this giant 18-by-10foot backdrop. If you allow yourself, you will leave the theater wiping a few tears away and being so glad that you came.”

Schaar adds that “It’s a Wonderful Life” is the theater’s Christmas gift to the community, one that she hopes may even lead to audiences leaving the theater a slightly different person than when they entered.

“Years ago, Don had a meeting with Lillian Gish — a movie star from the 20s,” Schaar explains. “She said to him, ‘When you sit in the dark, whether you are at a concert, a movie, a play or any other kind of production of the arts, your molecules are being rearranged and you leave that space slightly different.’ We hope that you leave our theater feeling inspired, motivated and happier.

“Every holiday story, at its heart, has the message of how it is better to give than to receive and how you must always appreciate what you have in life. To me, ‘It's a Wonderful Life’ says it best. It shows just how important we all are to our communities and to our families.

“It also encourages us to cherish the people in our lives as well. Because what would your life be like if they were not in it? Everybody who has ever lost somebody knows the answer to that. So while we have got them with us, we have to make the most of it. And do not forget to tell them that you love them every day.”

Experience‘A Christmas Story: The Musical’ Through Dec. 18 Scottsdale Desert Stages Theatre 7014 E. Camelback Road, Suite 0586, Scottsdale $30 480-483-1664 | desertstages.org

‘Elf: The Musical’ Dec. 2–18 Starlight Community Theater 1611 W. Whispering Wind Drive, Suite 9, Phoenix $25 starlightcommunitytheater.com

‘The Nutcracker’ Dec. 9–24 Symphony Hall 75 N. Second St., Phoenix $40+ 602-381-1096 | balletaz.org

‘A Christmas Carol: The Musical’ Through Dec. 29 Arizona Broadway Theatre 7701 W. Paradise Lane, Peoria $85+ 623-776-8400 | azbroadway.org

‘It’s a Wonderful Life’ Through Dec. 30 Don Bluth Front Row Theater 8989 E. Via Linda, Suite 118, Scottsdale $30; youth, student, senior, military and group discounts available 480-314-0841 | donbluthfrontrowtheatre.com

Visit anchor.fm/imagesaz or scan this QR code with your phone to listen to “Staging Christmas,” in which Cheryl Schaar discusses her career in theater and the “wonderful” appeal of Don Bluth Front Row Theater’s intimate setting.

What traits and tendencies are passed down through generations? A prominent physical feature? Lefthandedness? Special propensities or talents? Renowned wildlife artist Trevor Swanson can trace not only his artistic aptitude to generations of his forbears, but also the centuriesold techniques he uses today.

Each depiction of a quail, a coyote, a roadrunner or a bison tells a story of its own time and place and of Swanson’s adventurous experiences that inspire the paintings.

Now, he has developed another aspect of his art, using chemical treatment of metals to create patinas that serve as a new type of canvas and the results are durable works of art that can be displayed indoors or out and can even be utilized in functional home pieces. Swanson has partnered with Sue Bickerdyke Interiors Home Furnishings and Art Gallery in Carefree to feature these pieces.

“The patina metal is a unique technique that Trevor has developed over a period of years,” says Sue Bickerdyke, the

WWildlife artist Trevor Swanson’s paintings are available at Sue Bickerdyke Interiors Home Furnishings and Art Gallery in Carefree.

Writer Shannon Severson Photography by Loralei Lazurek

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showroom’s owner. “The surprises that are presented inspire the direction and the colors of the work that will become the completed art.”

It’s a twist on the talent that is embedded in Swanson’s DNA.

THE FAMILY THAT PAINTS TOGETHER…

Sitting in his light-filled Moon Valley studio, surrounded by volumes of photos and artifacts from his own lifetime of world travels and that of his family, Swanson says that his great-grandfather, Vernon, was an immigrant from Sweden.

It’s easy to go hiking somewhere and I come back with a bunch of different ideas and the beauty of the desert in different seasons. Each piece I do, I research and travel and it comes from a story that people are able to connect with.

Trevor Swanson

“He was a full-time farmer, part-time painter,” Swanson explains. “I still have some of his work. It’s something that has been passed down and then skipped a generation to my uncle and father.”

Swanson’s uncle Ray discovered a set of paints at the family’s South Dakota farm and inspiration struck like a nearly divine spark from the past. At the time, Swanson’s father, Gary, was working as a taxidermist in the wilds of Alaska and his brother encouraged him to return so they could paint together.

Each depiction of a quail, a coyote, a roadrunner or a bison tells a story of its own time and place and of wildlife artist Trevor Swanson’s adventurous experiences that inspire the paintings.

Ray loved painting people and Americana themes, while Gary — like Swanson now — was passionate about painting wildlife. Ray became known for his depictions of Southwest Native American tribes and his studio is now replicated at Prescott’s Phippen Museum, which the family helped to establish.

“My uncle just felt this calling to start to paint,” Swanson says. “He kind of started this whole family business and all of us have used the style of the Dutch masters — Vermeer and Rembrandt. It’s a lot of over-painting, a lot of wet and dry techniques; it’s time-consuming.

“I liken it to building a house. You start with a real interesting kind of foundation layer where you get the general layout of what the painting is going to be. Then you go from there to start adding the things that create the structure.

“There is a point that’s the drywall stage — it’s going to be pretty even though it’s not right now. But in that last stage, the process that’s almost exactly what has been going on for centuries is applied; rabbit skin glue is what it used to be. It’s called a retouch varnish. You get a kind of soft sticky layer that goes across that paint and that last layer is where you build the light and the detail.”

Swanson, who grew up in Prescott, begins with using his larger paintbrushes and works his way down to the smallest and finest brushes, all the while applying a pallet of natural earth tones — the same ones his family has always used, so much so that he can always spot a Swanson painting in a gallery or museum.

“If you don’t find it in nature, it’s not going to be on my pallet,” Swanson says.

This process and practice is the result of extreme discipline. Swanson says that he keeps the rest of his life — from what he eats to how he orders his day — very routine. It allows him to save his mental energy for art. While he’s painting wildlife scenes that tend toward serene majesty, he’s probably cranking hardcore metal music in his studio.

“Everyone knows if the music is loud, don’t come in,” Swanson reveals. “If it’s quiet, then come in.”

His specific routines are a discipline that extends to his tools. He admits that he is obsessive about organizing and maintaining his brushes.

“I spend more time with my brushes than I do with my family,” Swanson says. “They’re like my babies and I take really good care of them. They have a little spa treatment at the end of the day in a lukewarm bath, then I treat them with olive oil. Some of these brushes have been with me for a decade. At first, I didn’t realize that not everyone does the same thing I do.”

HEAVY METAL

It seems fairly appropriate that a hardcore metal fan would end up using metal material, but it’s quite different from his 25 years

Wildlife

uses chemical treatment of metals to create patinas that serve as a new type of canvas and the results are durable works of art that can be displayed indoors or out and can even be utilized in functional home pieces

of painting only on canvas. Swanson’s metal works are a new level of process and careful attention to detail.

After so many years of oil on canvas, he became intrigued by steel patina and the chemical process associated with it. The journey began when a friend asked his advice for covering up an unsightly air conditioner condenser outside his kitchen window. Swanson located a company in California that was creating patina for steel.

“Most patinas are made to be used on bronze,” Swanson says. “These can be used on steel, copper and brass. I worked on it for a year to experiment and get the effect I wanted. Suddenly, I had a whole new branch of my work, a whole new avenue of what I can do.”

Swanson says that he had to go back and learn chemistry — a subject that he didn’t enjoy in school. But this time was different because it really meant something to him; he was on a mission. He delved deep into metal, chemicals and just how much heat and acids to apply. It’s a delicate balance so that, when the chemicals are washed away after curing, all the color doesn’t go with it.

At first, he was pleased that the patina produced similar color to the palette he was already working with — mostly browns and tans — but with time and practice, he has also developed rich forest greens and blues. He’s also chasing an elusive pink that would mimic the rosy-orange hue of a sunset. When it came time to present his results, some galleries weren't open to change.

“I started shopping around my work with different galleries that knew my canvas work,” Swanson recalls. “Some galleries were like, ‘Nah, that’s just too different; it’s not a traditional thing.’ I’d known Sue Bickerdyke for years and we spoke when I took my work to the Celebration of Fine Art in Scottsdale. We clicked and it’s opened up this whole different world of functional art.

“In working with Sue, we’ve done projects like copper table tops, outdoor fireplace screens and a custom-built

artist Trevor Swanson

refrigerator. Growing up in the desert, I love Arizona and people who move here want something of the desert in their homes. We are bringing the desert to them.”

Bickerdyke is just as thrilled to be working with Swanson and says that she loves sharing his talent with her clients, who are amazed at his attention to detail — the hundreds of tiny paintbrush strokes that are captured with his collection of hundreds of brushes. His quail works, for which he is well-known — are among her favorites.

“He was born to be an artist,” Bickerdyke says. “It’s just in his blood. “Trevor’s passion for his work and his unique approach to wildlife, nature and life are captured in his work; you just feel it. It doesn’t matter if it’s an animal or a vintage old truck; the expression and the personality make you fall in love with the subject.”

LASTING WORKS OF ART

Swanson says that he’s had to embrace the chaos and unpredictability of the chemical process on metal. Unlike the canvas process he uses, smooth metal surfaces aren’t “grippy,” and yet he’s found treatments that allow him to paint in even greater detail than in his traditional works.

“The feathers on my birds are even softer on a piece of copper than on my canvas work,” Swanson says.

Further, the pieces are durable enough to withstand daily use inside the home or the harsh conditions of Arizona’s weather. New ideas for

“

sturdy yet beautiful framing are also on Swanson’s mind. Everything is created to endure for generations and to fit traditional or modern design styles.

“The paintings will outlast me,” Swanson says. “The company that makes the patina has these incredible sealers that protect the pieces. It’s just amazing. With Sue, we do a lot of desert scenery. It’s easy to go hiking somewhere and I come back with a bunch of different ideas and the beauty of the desert in different seasons. Each piece I do, I research and travel and it comes from a story that people are able to connect with.”

The Swanson legacy and its true representation of the beauty of our desert environment is alive and well and now there are myriad ways for patrons to enjoy it. Galleries and collectors are enthusiastically embracing both of Swanson’s artistic formats.

“There’s a guy who has had one of my paintings for ten years now,” Swanson says. “I see him every once in a while and he says, ‘Man, I start my day with a cup of coffee and I look at your work.’ That just gives me the chills.

is sacrifice in this business; it’s not a steady paycheck, there’s no health insurance –– that type of stuff. But there is an intangible element in those types of moments where you see that someone has connected to your work. It’s amazing.”

There

Wildlife artist Trevor Swanson, who grew up in Prescott, begins with using his larger paintbrushes and works his way down to the smallest and finest brushes, all the while applying a pallet of natural earth tones.

Trevor’s passion for his work and his unique approach to wildlife, nature and life are captured in his work; you just feel it.

Sue Bickerdyke

Bickerdyke recounts her own joy of living daily with one of Swanson’s works in her home.

“Trevor was commissioned to paint San Xavier del Bac Mission as a surprise from my husband,” she says. “It is lit with a picture light at the top. Every morning I turn on the dimmers and enjoy the sky or the architecture or the beauty of it. By carrying his work in our showroom, it has upped our game.”

suebickerdyke.com

While he’s painting wildlife scenes that tend toward serene majesty, Trevor Swanson is probably cranking hardcore metal music in his studio.

AAfter eight years working alongside ancient artifacts at the Musical Instrument Museum, Rich Walter still stands in awe at many of the earliest examples of instrument development and items through which the world’s most celebrated artists have created iconic sounds.

“Just looking at them, you feel like you are in the presence of history and you are getting a little bit of an insight into design, creativity and radical new ideas that we now take for granted,” he says. “They provide such a cool window into the past.”

Last year, the Musical Instrument Museum debuted a special exhibition that featured 80 of the most historically significant and sought-after instruments in existence. Following exceptionally positive guest response, the museum has unveiled a second iteration of the showcase that will be on display through next fall.

“Even since the original Treasures exhibition has been open, our curatorial department has been acquiring new instruments and artifacts and making new relationships with lenders,” says Walter, who serves as the museum’s curator for USA/Canada. “Our collection is constantly growing and maturing with these really one-of-a-kind historical objects

Writer Joseph J. Airdo Photography Courtesy of The Musical Instrument Museum

from any given part of the world. So we actually have more things to show for those efforts and we are excited to basically bring some new energy into an existing theme.”

Alongside 28 new acquisitions that have been introduced to the gallery for Rediscover Treasures, a number of objects from the original showcase will be displayed with renewed context.

“We know that a lot of people come back and visit MIM on repeated occasions,” Walter explains. “So while there are a lot of new items that have not been seen before, many of them also relate to some of the previous items in new ways or kind of call attention to details or provide interesting contrasts and complements. That is the ‘rediscover’ aspect of Rediscover Treasures.’

You are looking at things that represent ancient traditions of craftsmanship, artistry, decorative features and aesthetics. To think that these concepts of art and communication have persisted for hundreds of generations is very cool.

Rich Walter

“

“We would love for people who have already seen some of the content in the [first iteration of the special exhibition] to come back and see them in the context of some of these new materials and, once again, join us in rethinking what constitutes a treasured musical object. Because there are a lot of different ways that we can approach that topic.”

For example, an 1889 Erard grand piano — the clear visual centerpiece of the original showcase — will still be on display, giving guests a taste of Paris’ Exposition Universelle, where it was awarded Grand Prix honors. However, it has been relocated to a slightly different area of the gallery, making way for a collection of items that once belonged to the High Priest of Pop.

“We have Prince's grand piano and [“Black Power”] bass guitar as well as one of his wardrobe items,” Walter says. “So I think that will have some real visual impact as you enter the gallery. That collection provides a really cool contemporary sense of treasures in that physically central spot.”

Featuring the word “beautiful” written in gold on three sides, the purple piano — which is on loan from The Estate of Prince Rogers Nelson and Paisley Park — was custom-made for the legendary singer-songwriter and used throughout his Jam of the Year Tour in 1997. Prince often danced atop the piano during his live performances as well as in his music video for “Somebody's Somebody.”

Also near the entrance is a 1958 Gibson Flying V electric guitar that was once played by world-class guitarists Joe Bonamassa, Eric Johnson and Jack Pearson. The provocatively shaped instrument was initially so controversial that only 81 examples were shipped in 1958, making originals incredibly rare.

“The body shape was such a radical departure from other guitars that players questioned its sensibility and were not quite ready to jump on board when it was first sold,” says Walter, noting that Eric Clapton’s iconic two-color sunburst 1956 Fender Stratocaster “Brownie” is also on display.

“When people walk into the exhibit, there is a wide spectrum of deep archaeological things up through these really cool 1950s rock and roll style guitars. The gallery will have a very broad feel to it and we want people to be captivated by those visual sight lines right off the bat.”

Speaking of deep archeological items, among the many historical artifacts that are featured in the exhibit are a 6,000-year-old drum and a 2,500-year-old bell.

“The bell comes from this very deep tradition of Chinese bronze bell casting,” Walter says. “It is really kind of monumental and extraordinary. There are a lot of details cast into the surface of the bell, which also features handles that are not only functional but also decorative and symbolic. It is

Prince Beautiful Piano

1958 Gibson Flying V

an amazing piece of art and has a real presence in the gallery.

“There is also a very stunning 14thcentury Japanese hitoyogiri flute that was once owned by Emperor GoDaigo. It is a small instrument, but it's just jaw-dropping. We know that there are going to be people who get really excited for some of the pop culture items, but it adds even more gravity to them when they stand shoulder-to-shoulder with centuriesold items and experimental things from all over the world.”

A flute that is perhaps even more impressive is one, developed by

Black Mountain Elementary School School of the Performing Arts

Desert Sun Academy French Program

Desert Willow Elementary School International Spanish Academy

Horseshoe Trails Elementary School Horsemanship Program

Lone Mountain Elementary School Excelling STEM Program

Sonoran Trails Middle School

World Language School of Excellence and Advanced Courses

Cactus Shadows High School

World Class Education including the IB and AP Capstone Diplomas

Brownie

French watchmaker and mechanic Claude Laurent in 1809, which is made almost entirely of glass. Referred to as a “crystal flute,” the instrument is unaffected by temperature and humidity, thereby providing a stable, even-toned and well-tuned sound.

“We have also got Lionel Hampton’s [‘King George’ model] vibraphone — which is this really stunning golden instrument that was custom-made for [the jazz legend],” Walter adds.

Meanwhile, hailing from 1720 Germany, Jacob Hochbrucker’s pedal harp — one of only four that remain — features a design that represents a revolutionary step in harp history. Then there is an instrument that is believed to be the very first Hawaiian ukulele, likely handcrafted in 1879 by Portuguese immigrant Jose do Espirito Santo. Despite its delicate construction and small size, this ukulele remains in playable condition and produces remarkable volume.

“It is just a total gem,” Walter says. “I mean, you are looking at the very first one. That is really heavy. We never lose track of that. At MIM, we are surrounded by thousands of musical instruments every day. But whenever we have a chance to have that kind of close contact with or close observation of these really deeply historic things, the novelty never wears off.

“And we constantly get excited. We constantly learn from them. We are constantly reminded that these historic instruments can be just as thought-provoking today because of all the progress that has been made in the meantime.”

Walter adds that Rediscover Treasures will delight and enthrall anyone who has an interest in the decorative arts, in music history or in celebrated, world-class music icons. The Musical Instrument Museum’s staff is extremely proud to continue the narrative started by last year’s showcase and grateful to the lenders and supporters that have made the special exhibition possible.

ExperienceRediscover Treasures

Daily | 9 a.m.–5 p.m. | The Musical Instrument Museum | 4725 E. Mayo Blvd., Phoenix | $10; youth discounts available 480-478-6000 | mim.org

Lionel Hampton's Vibraphone

“It is almost surreal,” Walter says. “Some of these objects are in such a wonderful state of preservation. You are looking at things that represent ancient traditions of craftsmanship, artistry, decorative features and aesthetics. To think that these concepts of art and communication have persisted for hundreds of generations is very cool.”

mim.org

Hochbrucker’s

Journey Noel

CCoolwater Christian Church Pastor Rick Gates fondly recalls the Christmases of his childhood, when he and his parents would get into the family car and ride around the neighborhood, looking at all of the beautiful holiday lights.

It is a tradition that many families have and pass down from generation to generation; one that, despite how much the world has changed over the decades, has somehow managed to retain its humble place in many people’s celebrations.

Journey to Bethlehem — a one-of-a-kind drive-through Nativity hosted by Coolwater Christian Church — aims to tap into that tradition and enrich it with reflections on the reason for the season.

The event was conceived last year when church leaders began pondering ways they could effectively reach out to the community and raise awareness about their congregation and campus.

“We had originally wanted to do an event in October — a fall festival with pumpkins, music and food trucks,” Gates says. However, with the effects of the COVID-19 pandemic still lingering and many people still hesitant to attend large gatherings, church leaders scrapped the idea and went back to the drawing board. That is when the thought of a live Nativity entered the conversation.

“We had previously done a live Nativity on our property in a kind of desert setting before our building was built,” says Gates, noting that — like most live Nativities — guests walked and gathered around the scene. “So we decided

Writer Joseph J. Airdo Photography Courtesy of Coolwater Christian Church

to introduce to the community a drive-through Nativity. That way, people could experience the Christmas story [in a socially distanced way].”

The event immediately became an all-church effort as everyone volunteered to bring the story of the birth of Jesus Christ to life the weekend before Christmas.

“We all poured into it and pulled it off,” Gates says. “And we were very pleased with how it went. It accomplished everything we wanted it to. It let people know about Coolwater Christian Church and offered the community something very meaningful at a time when everybody is out and about, looking for things to do. I think that we had about 100 cars that came through. The reception was so favorable, we just knew that it was something we really wanted to do again this year.”

Therefore, on Dec. 17 and 18, Coolwater Christian Church will once again host its drive-through Nativity, improving and expanding upon last year’s effort by enhancing its lighting and further enriching its message with two additional scenes.

“Last year, we had four scenes,” explains Gates, noting that Journey to Bethlehem essentially transported visitors back in time. “We had Mary and Joseph traveling to the City of David to pay their taxes, the shepherds in the field keeping watch over their flocks by night, the noble Wise Men ‘from the East’ who followed a miraculous guiding star to Bethlehem and the glorious birth of Jesus Christ into the world. And that was just spectacular.

“This year, we are adding the enunciation scene, where the angel Gabriel announces to Mary that she would be carrying the child, as well as a closing scene after the manger to help our guests ponder the meaning of the news. We are doing that to give it more impact and to make our Journey to Bethlehem a richer experience.”

The experience will also be more interactive this year.

“One of the actors at each scene will give a gift to each car,” Gates says. “The gift will be something as simple as a little votive candle from one of the scenes and a card, at one of the others, with frankincense and myrrh on it that people can pass around the car and have an idea of the fragrance of what the wise men were carrying.”

Like last year, guests will also receive goodie bags filled with candy and other surprises as well as be invited to tune their car radios to a special frequency that features music to set the tone of the experience. Guests are encouraged to bring donations of nonperishable food items to benefit Foothills Food Bank and Resource Center.

“This time before Christmas and the celebration of Christmas Day is a time to remember and reflect on the story of the birth of Jesus,” Gates says. “Our drivethrough Nativity is a way to convey that to people, to remind them of what Christmas is really all about and to help them experience it and think about what it means to them; what impact it might have on their life.”

“Say that you have got grandparents taking their grandchildren through and, on the way home, they have a conversation about what Christmas was like when those grandparents were growing up. It is a way to engage in conversation with yourself, with others and with God about what this time really means.”

coolwaterchurch.org

ExperienceJourney to Bethlehem

Dec. 17 and 18 | 5:30–8 p.m.

Coolwater Christian Church 28181 N. 56th St., Scottsdale

Free 480-585-5554 | coolwaterchurch.org

Visit anchor.fm/imagesaz or scan this QR code with your phone to listen to “Reason for the Season,” featuring Coolwater Christian Church pastor Rick Gates’ remarks about the true meaning of Christmas.

VVignettes of rare and specimenquality cacti in shades of green, yellow and purple nestle among strategically placed boulders. Towering saguaros are complemented by clusters of plump golden barrels, spiky agaves, flowering prickly pears, and shrubby groundcover. The result is both sophisticated and dramatic: Water-wise yardscapes that look as though they are indigenous to the desert — but even better.

The sight is a familiar one in some of the region’s toniest communities,

But now, thanks to landscape designer Chad Norris, it’s becoming more

which long has been known for its European-style gardens

stemmed roses.

from Desert Mountain to Estancia to Silverleaf.

familiar in enclaves such as Paradise Valley,

filled with verdant lawns, lush hedges and elegant long-

Writer Rebecca L. Rhoades Photography

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Chad Norris

Over the past decade, the native Phoenician made a name for himself as a top creator of eye-catching desert-friendly gardens in the North Valley. His work as the lead designer for a large landscape firm garnered him numerous accolades, including Phoenix Home and Garden magazine’s prestigious Masters of the Southwest award and Luxe Interiors + Design magazine’s Gold List honor.

So it was no surprise when, almost three years ago, Norris decided to strike out on his own.

With his new company, High Desert Designs, award-winning landscape designer Chad Norris looks to elevate Sonoran style.

“I never thought I would leave my previous job,” Norris says. “I loved the place. I loved the people. It was everything I had ever wanted to do. But things happen, and I decided to go a different route.”

Norris grew up in the industry. His father, Brian, owned a landscaping business, and Norris remembers spending his younger years mowing lawns and trimming plants.

“It’s never about the budget. I could do $5,000 projects or $500,000 projects. What’s important is that we’re using the landscape in the best way possible.”

Courtesy of High Desert Designs

“My dad was getting older and was ready to retire,” he explains. “He had this company, this space, this clientele. And I wanted to have more control over what I was doing and be 100 percent in charge of the things I was creating.”

On March 16, 2020, Norris officially opened his own landscaping company, High Desert Designs — four days before the worldwide COVID-19 lockdown began.

NEW GROWTH IN A TIME OF CRISIS

“When the pandemic hit, I was like, ‘Are you serious?’” says Norris, remembering the panic that he felt during the business’s early days. “We had worked so hard to get this started.”

However, within weeks of opening, the firm’s phone began ringing nonstop. While many companies fell victim to the shutdown, closing their doors for good, those in the housing and garden industry flourished. Now that people were staying home, they wanted prettier environments to enjoy, especially when it came to dining, playing and entertaining outdoors.

“There is so much opportunity in the field,” Norris explains. “Everybody’s busy. The other day, a well-known company said it is booked until next fall. Next fall? That just shows how much work there is.”

High Desert Designs is truly a family affair. Although Norris’ parents have stepped back from

the daily grind of running a company, they continue to help out, offering support and advice.

“My dad’s not a big computer guy, but he’s so smart,” Norris says. “He knows such much about irrigation.”

Norris’ wife, Bahia, handles the bookkeeping. And some close co-workers from his previous company who believed in Norris and followed him to his new firm now serve as his right-hand men, handling the day-to-day installation operations and managing the maintenance division.

In the almost three years since the company began, it has developed rapidly — faster, in fact, than even Norris had expected. Today, it employs about 75 to 80 workers, ranging from maintenance crew members to landscape planners to salespersons and office staff. Norris is the main designer, overseeing the entire team and making sure standards are the same from project to project.

“We didn’t have two crews for five years before we added another one, which is typically how landscaping companies grow,” he says. “We had to move very quickly.”

The firm’s fleet also has grown, expanding from an initial three trucks to 30 trucks in two-and-a-half years.

“It seemed like I had to buy another truck every month,” Norris remarks with a laugh.

RESHAPING VALLEY LANDSCAPES

The name High Desert Designs was born of Norris’ love of native plants and xeriscaping.

“My intention was to re-create my designs in Paradise Valley,” he explains. “I was seeing that grass was not as in demand as it used to be because water prices are going up and there are concerns about water usage. I felt that Paradise Valley will start to transition to a more low-water, low-maintenance type of design. It’s not just desert landscape. It’s not just lush green grass and hedges. It’s a combination. It’s high desert.”

Norris continues to develop landscapes throughout North Scottsdale and Cave Creek, areas in which he gained a loyal clientele over the past decade. In addition to working directly with owners of luxury properties, he frequently collaborates with builders and architects who create custom homes and want gardens that underscore the natural flow of the terrain and accentuate the lines of the architecture.

“It’s never about the budget,” Norris is quick to point out. “I could do $5,000 projects or $500,000 projects. What’s important is that we’re using the landscape in the best way possible.” It’s this desire to incorporate his aesthetic throughout the Valley that attracts him to Paradise Valley. In the northern communities, the land is rugged and mountainous, with rocky elevations and steep cliffsides. In the central and southern neighborhoods, large swaths of flat ground traditionally have been filled with pools, hardscape and expansive lawns.

“Paradise Valley projects are the most fun for me right now because they’re so different from what I’m used to doing,” Norris explains. “The size of the property could be the same as a place in Cave Creek or one of the golf communities, but you

can use all of it, so the projects are a lot bigger. It’s a challenge to anchor that much square footage. I’ve been incorporating more soft materials to fill in the space and create transitions between focal points.”

Norris speaks of a landscape he’s creating at a home near Cactus Road and 60th Street. The spacious — and flat — yard includes a pool and a tennis court.

“They could put two more courts back there, it’s so big,” he notes. “So how do you take a property like that and make it feel cozy and integrated around the living space? Most designers might put ramadas and more firepit seating, but people honestly don’t use that stuff. We didn’t add any hardscape. We created this cozy destination-style setting around the pool with plants that completely changed the backyard.”

DESIGNING THE FUTURE

Although business is booming, Norris is the first to admit that it hasn’t always been easy.

“There’s a lot more to do than I ever expected or gave credit to before,” he explains. “Invoicing, the computer software, the server, 401(k)s, insurance, bonus packages: all those little things you have to budget for and account for that are outside of the profit you think you made on a project. And you’re paying those paychecks every week on projects that might finish every few weeks. Those are the things you don’t think about when you’re just working for another company.”

So what’s next for Norris? Building a brick-and-mortar office — a home base for his team, who have been working from home since day one. Construction is expected to begin on the site of the company’s nursery near 16th Street and Deer Valley Road in the next three to six months.

Not bad for the self-taught landscape designer who just wanted to create.

“I never thought I’d want to run my own company,” Norris says. “I used to tell people that I’m not a good business owner; I’m a good second in command. And that was true for a long time. But I like being in control. I like creating something new, with all the knowledge that I have, or that my dad has. I like being in control of my own destiny and success. That’s the part that’s worth it. I’m blessed to be able to do that thing every day that I enjoy doing and don’t get tired of.”

highdesertdesigns.com

Changing Lives in the Kitchen

CCulinary talent is certainly the path to a delicious meal, but for at-risk young people in Arizona, it can also be a path to an education and a career.

For 32 years, the Careers through Culinary Arts Program has provided more than 20,000 high school students with real-world skills and $66 million in awarded scholarships, supported by 5,000 industry partners and private donors.

Tarbell’s restaurant owner and chef Mark Tarbell sits on both the program’s national board of directors and the Arizona regional advisory council. As busy as his life is, he enthusiastically gives his time to this worthy cause.

“I feel strongly about C-CAP,” Tarbell says. “High school is a very challenging age and their influences are great — both positive and negative. They haven’t had time on earth to figure it all out. They learn math, strategy, planning and prep and they learn camaraderie. That level of community drew me to my [culinary] career when I was very young.

“[C-CAP] gives students a sense of busyness and purpose, physical activity and mental acuity. Even more importantly, it gives them a community they can stay a part of throughout their whole lives.”

Tarbell credits Arizona C-CAP leaders like program director Jill Smith for growing C-CAP to be offered at more high schools than even New York City, and for innovating pre-apprenticeship and apprenticeship programs that he plans to advance on a national level.

For the past eight years, he has emceed C-CAP’s Harvest Moon Feast each October and this year was the second time he opened the doors of Tarbell’s to host the dinner. At this dynamic event, high school culinary teams and their professional

Writer Shannon Severson

Having landed a job as a line cook at Casino Arizona, Esai Raya plans to use

his $2500 cash scholarship from C-CAP to attend the culinary program at

Scottsdale Community College.

chef mentors prepare the meal and there is an honored guest. This year, that honored guest was Arizona C-CAP graduate and celebrity chef Brother Luck.

LUCK AND TENACITY

The 39-year-old Luck — who recently published his autobiography, “No Lucks Given” — had a rough start in life in his native San Francisco. His father passed away when he was 10 years old. At age 14, he and his family moved to Arizona where they had relatives, but times were hard.

Luck made ends meet any way he could, including working in professional kitchens. He enrolled at Trevor Brown High School and learned about the C-CAP program. It seemed to be a pretty good way to learn a skill and be assured that he would be able to eat every day.

“As a teen, I figured being a chef meant I would always have a job, would never go hungry and could live and work anywhere in the world,” Luck recalls. “I really believe in teaching kids vocational skills. They have a way to pay the bills and then can pursue any artistic or creative thing they want to go for.”

Luck didn’t believe that he was a good chef until people started telling him so in high school. He excelled at the C-CAP competitions, which prepared him for future appearances on food competition shows, including his

[C-CAP] gives students a sense of busyness and purpose, physical activity and mental acuity. Even more importantly, it gives them a community they can stay a part of throughout their whole lives. Mark Tarbell

winning episode of “Beat Bobby Flay,” making the finals on “Chopped” and two appearances on Bravo’s Emmy Award-winning “Top Chef.”

Luck worked relentlessly, training at his high school C-CAP program each morning, training with a master chef at Art Institute of Phoenix in the afternoons and working nights on the line at the Hyatt Phoenix. His talent and tenacity paid off when he was named Best Teen Chef and received $30,000 in scholarships from C-CAP and Art Institute of Phoenix, where he ultimately earned his culinary degree.

“Chef Mark Tarbell is the one who handed me the C-CAP scholarship when I was 17,” Luck says. “Chefs like Mark Tarbell, Vincent Guerithault and Beau MacMillan opened these doors for us. They are pioneers that created a generation like mine and now we are becoming the new voices.”

Luck married his high school sweetheart, Tina, and now operates two restaurants in Colorado Springs: Four by Brother Luck, which serves his signature take on southwestern cuisine, and Lucky Dumpling, a modern Asian eatery. He was recently nominated by the James Beard Foundation as a Best Chef semi-finalist for the Mountain Region. However, he’s not ruling out future opportunities back in Arizona. He also continues to give back to the C-CAP program as a chef mentor.

“It’s pretty surreal,” Luck says. “I see a lot of myself in young people — especially when I work with at-risk youth. They are guarded and angry and have had hard cards dealt their way. A mentorship begins with trust that hopefully turns into friendship. I start with, ‘I don’t want anything from you; I want to see you do well.’”

C-CAP GRADUATES COOKING UP SUCCESS

The connections made by chef mentors like Luck and teachers in the C-CAP program are the underpinnings for success — whether a scholarship winner decides to become a chef, work in the hospitality industry or pursue another path altogether. There are recent graduates who look back at what they learned and can credit C-CAP not just for scholarships,

Careers through Culinary Arts Program graduate Albert Placencio earned a full tuition scholarship for Johnson and Wales University in Charlotte, North Carolina, where he is pursuing a double degree in culinary arts and food and beverage service management.

but also for the connections they made and the fire that was kindled within them to pursue their dreams.

Albert Placencio is a 2022 graduate of Moon Valley High School who earned a full tuition scholarship for Johnson and Wales University in Charlotte, North Carolina, where he is pursuing a double degree in culinary arts and food and beverage service management. After graduation, he hopes to travel and work as an apprentice in professional kitchens. He’d also like to be a mentor for future C-CAP students.

“C-CAP was a great opportunity,” Placencio says. “I love to cook and they helped push me further as a cook, providing me with the resources necessary to become a great cook. My teacher, Vince Pernick, really helped to train me up into who I am. He helped me with everything I know and helped me win that top scholarship position.

“I’ve always known that I was a competitive person. But after going through C-CAP, I realized just how truly competitive I am. It taught me how important it is to strive for greatness.”

Ember Crecelius-Phelps is a 2022 graduate of Barry Goldwater High School. They earned a $20,000 scholarship sponsored by US Foods through C-CAP and are attending Johnson and Wales in Providence, Rhode Island in pursuit of a degree in food and beverage entrepreneurship.

“I hope to open my own pop-up food truck business, serving BBQ and desserts,” Crecelius-Phelps says. “The thing I loved about the C-CAP program was how much I was able to be involved, not only with C-CAP, but with many local chefs and restaurants. My time at Johnson and Wales has really shown me how many aspects of the culinary industry there are. It’s so much more than cooking.”

Esai Raya graduated from Perry High School in Chandler in 2022. He immediately landed a job as a line cook at Casino Arizona, working under C-CAP Regional Advisory Council member Andrew Helmandollar, he plans to use his $2500 cash scholarship from C-CAP to attend the culinary program at Scottsdale Community College.

Esai Raya hopes to own his own restaurant one day, but working at Casino Arizona has given him an insider’s

view of the amount of work it takes. He’s determined to glean as much knowledge and training as he can by working and preparing himself for the challenge of running his own business someday.

“I fell in love with a home economics class in elementary school,” Raya recalls. “In high school, I decided that culinary is what I wanted to do for my future. I was lucky enough to have C-CAP at Perry. My teacher, Mrs. Angela Stutz, helped me find job opportunities after I received my scholarship. Culinary school is expensive and I always felt like getting a job in a career I wanted was most important to me.

“Many chefs have told me that, in culinary, it’s better to learn on the job. One thing that surprised me in my work at Casino Arizona is all of the different backgrounds, languages and cultures of the chefs. No one does everything the same way. I am always learning something new.”

That hands-on experience and embrace of every possible learning opportunity is exactly how Tarbell grew from a selfdescribed ruffian in New Hampshire to the owner of the award-winning Tarbell’s, James Beard Best Chef Southwest nominee and two-time inductee to the Arizona Culinary Hall of Fame, with countless television appearances under his belt and champions many philanthropic community causes.

Tarbell says the C-CAP students renew his own sense of enthusiasm for the culinary industry. I love to see their joy, their passion and their sense of awe around food and being able to create food,” he says. “For me, it’s such a gift to see that and have it reignited in myself. I still have a tremendous passion for it. I’m just lucky to do what I do.”

Tarbell adds that seeing young chefs who, just starting out, are beaming with joy upon making their first omelet reminds him of when he first did so and how hard it was.

“Seeing how what you do [in the culinary industry] brings joy to people and brings community is so rewarding,” he explains. “Community is what we’re most missing and it’s one of the cornerstones of a happy existence.”

ccapinc.org

Careers through Culinary Arts Program graduate Ember Crecelius-Phelps is attending Johnson and Wales in Providence, Rhode Island in pursuit of a degree in food and beverage entrepreneurship.

Walkin’ in a Western Wonderland

IIt’s beginning to look a lot like Christmas at Stagecoach Village in Cave Creek, where 28 beautifully lit trees welcome visitors to a uniquely Arizonan winter wonderland.

To help the community get into the spirit of the season, the retail district will on Dec. 9–11 host Western Holidays — a festive and fun-filled holiday event designed to bring people together while also benefitting a very admirable cause.

“We wanted to create a family-oriented holiday event,” says Patty Pollnow, property manager and special events manager of Stagecoach Village. “That was the goal going into it. We plan on having a lot of children's activities as well as several activities for adults. But we wanted it to be very family oriented.”

Part of that family aspect of Western Holidays is incorporating the gift of giving through title sponsors Sanderson Ford and Sanderson Lincoln’s Operation Santa Claus, which collects new unwrapped toys, children’s clothing items and packaged food items for those who need a helping hand this holiday season.

Pollnow says that while Stagecoach Village has hosted a number of different events over the years — including the Taste of Cave Creek and several fine art festivals — Western Holidays marks the retail district’s first foray into a Christmas celebration.

Among the many activities planned for the three-day event is a Yuletide artesian market, featuring a variety of pieces by local artists, hand-crafted holiday wares and other gifts. Meanwhile, a variety of festival food vendors will also be on hand, as will a beer and wine garden for the adults.

Writer Joseph J. Airdo

Photography Courtesy of Stagecoach Village

Although all three days of Western Holidays will be overbrimming with festive merriment, Saturday will be especially spectacular, with a spellbinding balloon glow scheduled for 5:30 p.m. that evening.

“The balloons will inflate and ignite their burners, resulting in a magical dance,” says Pollnow, noting that the hot air balloons will be tethered to the ground and feature music-synced illumination. “This way you can get up close to these colorful balloons while they glow and light up the area. We recommend arriving early to check out local vendors and ensure prime parking.”

Pollnow adds that Stagecoach Village’s various business owners are eager to welcome the community to celebrate the season in their unique little corner of Cave Creek. Some are even getting in on the action — such as Cowbells Western Interiors, which will be hosting a crazy Christmas hat contest on Saturday afternoon. Those who plan to attend are encouraged to create their wackiest winter headwear prior to the event.

Other notable happenings on the ever-growing list of activities during Western Holidays include visits with Mr. and Mrs. Claus, storytelling, ornament making, face

People are ready to celebrate again. They are ready to enjoy their neighbors and their community. Patty Pollnow

painting, glitter tattoos, wagon hayrides and quite possibly the most Cave Creek thing of all time — a parade of tractors, all decked out in festive Christmas lights.

“It started out as kind of a small event,” Pollnow says. “But it just keeps growing bigger and bigger every day.”

Of course, no holiday gathering would be complete without music, so Western Holidays will have plenty of it. Carolers will be roaming the retail district throughout the weekend, serenading attendees with the joyous sounds of the season. Additionally, bands, dancers and singers from Cactus Shadows High School will be performing on Friday evening as well as throughout the day on Saturday.

Western Holidays will even include a live concert 5–9 p.m. Saturday, featuring The Crown Kings — a band whose original music encompasses both the varied influences of its members and the feel of the Sonoran Desert.

Pollnow adds that in addition to providing community members a place to come together and celebrate the holiday season with one another, Western Holidays will also offer those who may have not visited Stagecoach Village recently an opportunity to discover all of the exciting new businesses that have opened at the retail district over the past few months.

Western Holidays is just one of at least seven events scheduled to take place at Stagecoach Village in the upcoming months. Future festivities include a large bicycle race in the spring and, of course, plenty of other opportunities to gather with friends and neighbors.

“People are ready to celebrate again,” Pollnow says. “They are ready to enjoy their neighbors and their community.”

Experience

Western Holidays

Dec. 9–11 | Friday 10 a.m.–7 p.m. | Saturday 10 a.m.–10 p.m. | Sunday 10 a.m.–4 p.m. Stagecoach Village | 7100 E. Cave Creek Road, Cave Creek | Free admission with toy or nonperishable food donation 480-876-6108

When you walk into Stickhorse Gallery, you are greeted with a warm welcome, a big smile, a sweet southern accent and a large assortment of all things decorative and fun for your home.

Having celebrated its grand opening at Stagecoach Village this fall, the gorgeous new gallery consists of four stores, collectively boasting an exciting and enticing variety of gift items; new, vintage and antique furniture; decorative items; Native American jewelry; art; sculptures; vintage clothing; antique and vintage toys; and so much more.

Born in Shidler, Oklahoma, Stickhorse Gallery owner Trish Prawl owned and managed a CPA and wealth management firm in Stillwater for 45 years before

STAGECOACHVillage Stickhorse Gallery

Wbecoming a permanent resident of Arizona this past January. A master gardener and lecturer in southern Yavapai County, Prawl has a long history and a lot of experience with buying and selling antiques for reputable dealers.

“I love beautiful things for the home and unusual things — things that are different,” she says. “I have always loved antiques and have always had an eye for them.”

The Stickhorse Gallery name and logo were taken from her husband’s cattle operation. She is joined by Cimarron River Company, The Men's Corner and Donald Alberts Antiques to create a one-of-a-kind shopping experience with something for everyone.

STAGECOACHVillage

PProudly celebrating 25 years in business, Dorleg Creations has mastered the art of making quality, handcrafted furniture. Founded in 1997, the familyowned and operated business creates unique, custom furniture, upholstery and accessories.

Each one of Dorleg Creations’ pieces is designed to not only make a statement but also with style and comfort in mind. Our exceptionally talented artisans have more than 50 years of experience in creating quality furnishings and upholstery. Every piece is a masterpiece!

Browsing Dorleg Creations’ fabulous showroom of unique southwest and contemporary designs yields boundless inspiration. Every item on its showroom floor

Creations

is for sale — including a large selection of original art, rugs and lamps; so when you see something that you love, it is yours!

Alternatively, you may have Dorleg Creations’ team guide you through the design and build process to create something unique just for you — or for someone you love! Come in and explore our unique collection of oneof-a-kind gifts that will be the hit of this holiday season.

DINING GUIDE

Tonto Bar and Grill

TTonto Bar & Grill in Cave Creek opened Dec. 2, 1994, with a dream and ambition to convert the original dude ranch at Rancho Mañana into a destination known for serving award-winning Southwestern and Native American ingredients.. Twenty nine years later, Tonto delivers an experience with a warm, welcoming atmosphere rich in Arizona lore that transcends most restaurants’ missions.

“I’ve told the story before, about how I was standing here in the hills of the Sonoran Desert with my buddy Eric Flatt,” says co-owner John Malcolm, who has been there from the beginning. “I was a California big city kid. We wanted to create an extraordinary, rustic, southwest experience. We wanted our friends and families from other places to come and visit. We knew how to cook and deliver fine hospitality. We quickly learned how to borrow from the charm, natural beauty and Native American legend that was already here in Cave Creek. We opened Tonto. But I am not sure we knew back then that tens of thousands of guests from around the world would make this one of their favorite places and experiences.”

Sure, the restaurant has grown. And Tonto hosts many weddings and special events on the lawn. Malcolm continues to head up the front of the house by greeting guests, working closely with servers, hostesses and bartenders to ensure that each guest has the experience that drove Tonto from the beginning. Chef Kurtis Purdy

develops cuisine that tells a story about Arizona’s vibrant heritage. He adapts the menu seasonally to reflect seasonal harvests.

Every item on Tonto Bar & Grill’s menu features the freshest ingredients, using only all-natural meats and sustainable seafood. Some of the seasonal ingredients are harvested on the restaurant’s property — such as ocotillo flowers, saguaro fruit, prickly pear fruit, palm dates and Hopi tea.

Southwestern specialties like pork tamale relleno, Puerto Nuevo Mexican tacos, tortilla-crusted crab cakes and the Tonto burger are long-time favorites here. Tonto also offers a V-GF menu that receives much praise. As for the deserts at Tonto, they are exciting, colorful, irresistible and delicious — such as its lemon-lime prickly pear meringue tart.

The entire Tonto Bar & Grill staff take great pride in the restaurant’s flavorful food, craft cocktails and outstanding service. The Tonto experience and culinary excellence has created a legend in and of itself.

Tonto Bar & Grill 5736 E. Rancho Manana Blvd., Cave Creek 480-488-0698 tontobarandgrill.com

No-Churn Peppermint Ice Cream

Serves: 6

Ingredients:

2-1/2 cups heavy whipping cream

14 ounces sweetened condensed milk

Pink food coloring, optional 3/4 teaspoon mint extract 1/2 cup crushed peppermint candy canes

Directions:

Add heavy cream and sweetened condensed milk to a large bowl. Whisk on a medium-low speed until the ingredients are smooth and even.

Turn the whisk up a bit higher and whisk until the mixture is starting to thicken and is smooth (it doesn’t need to be extremely thick), about 3 minutes on medium speed.

Add pink food coloring, if using, and mix until desired color is achieved. Add crushed candy canes and mix until distributed throughout.

Pour into a 9-by-5-inch loaf pan and place in the freezer until frozen and firm.

Chef’s Notes:

To crush candy canes, place into a Ziploc bag and pound with a rolling pin.

You may need to let the ice cream sit for 5–10 minutes before scooping.

Ice cream will last for 30 days in the freezer.

Writer and Photographer Francine Coles thefancypantskitchen.com

It may be winter, but some of us still have to enjoy our daily bite of ice cream— and there is no better fix than this no-churn peppermint ice cream, featuring fresh peppermint flavor with little bits of crushed candy canes in every bite. It’s also super easy to make!

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