portfolio 2022

P O R T F O L I O

nguyen

thao vy

Since approaching architecture, am constantly questioning the role of architecture for the human community. In recent years, have begun to consider architecture in the exis tence of nature, environment and society.

I still remember my trip to the Old Bagan - ancient capital of Myanmar. Everyday, I went to the temples, the stupas hidden in pure natural space to experience the connection between the architecture and the everything. These religion edifices have become a part of the context. was there to observe myself and observe the tourists, surrounded by silence, immersed in the transformations of every moment of the day by feeling the movement of light, water and wind. The quiet space bring people to the way to explore their being.

Spatial discoveries always give people both physical and mental experiences to touch their inner emotions. In the context of a modern society people are always caught up in the pressures of urban life, so the existence of architectural spaces offers opportunities for people to rediscover themselves and their responsibility in relation to the surrounding world.

- FIBRA|Oiseaux Suspendus

FIBRA Exhibition - March 2020, Grenoble Designer: Equipe de Master 1

This project tells a story of everyday life, a natural space, a living image that combines times the trees, the branches, the leaves under the rays of the Sun. An image from my own experiences. The link be tween the delicate natural patterns was born from the light and shadow, it brings a magical photo that contemporary man misses him because of the rhythm infernal today.

La démarche de projet

maintenir en

tressage. 64 (8X4X2) brins d’osier blanc ont été utilisé pour élaborer un seul

Cette étape consiste à dessiner la forme, un cercle d’environ 80 cm de diamètre, (E1-A) puis de donner forme un gabarit, un modèle en grandeur réelle sur lequel on va contourner les tiges métalliques d’une section de 5mm (E1B). En arrivant au point de départ, on passe la soudure pour faire adhérer en faisant une seule masse (E1-C).

The motif has a steel structure then cov ered with wicker. Our team seeks to form natural textures. We are not trying to emphasize the essence of matter itself, but to use in the formation of objects, in the service of space.

Dans un deuxième temps, on commence exercer une force sur les anneaux afin d’avoir forme souhaitée (E2-A) puis notre but c’est d’avoir aussi une silhouette équilibrée, une hauteur de 25 cm entre les extrémités et le centre de notre cercle (E2B) La dernière partie de cette étape c’est de couvrir le cercle avec le Raphia pour garder l’aspect discret de notre motif (E2-C).

Tressage avec l’osier blanc pelé Pratiquer les techniques du tressage

Pour commencer le tressage faut engager pied du premier brin derrière l’anneau, tressage ce fait devant un montant et derrière suivant (E3-B et E3-C). On utilisé des brins de 140 et 160 cm, une fortification au milieu avec quelques brins d’osier brut était nécessaire pour maintenir en position tressage. 64 (8X4X2) brins d’osier

(E3-A).

Après la finalisation du tressage, on introduit brins d’osier blanc afin de maintenir stabilité du motif après la suspension (E4A) une hauteur convenable on réalisé un noeud japonais. Efficace cette étape, vu qu’on

Suspendre l’ensemble des

- Acessories

Workshop: Practice Technic Laser Cut

Materials: Yellow Carton

Collection: Carton Acessories -

Eco - design

de paille de riz

multitude d’essais de matériaux

is a mixture of light and shadow, calm and storm, and it’s all good.» Susan W. Krebs

des anneaux métalliques Traçage élaboration d’un gabarit soudage

Déformation des anneaux métalliques Distorsion recouvrir avec les fibres naturelles

Maintenir l’ensemble des motifs Imbriquer d’autres brins noeud japonais

toron papier

FIBRA Exhibition 2020

Grand Aterlier - ENSA de Grenoble

2020 - WORKSHOP| Lumière

The “Lights, Experiments and Narration” workshop takes place at the Grands Ateliers de l’Isle d’Abeau. Over a period of 3 days, we had the opportunity to experience light, its reactions in space, and all the emotions it can cause.

From Haiku, (extremely short Japanese poem aiming to cel ebrate the evanescence of things), we interpreted, created, played, innovated and produced lighting installations

The goal is for us to test emotions, feelings, impressions in situation

The experimentation takes place in 4 phases choice of haikuchoice of space - drawings of intention - real experimentation Lieux de projet LesGrandsAteliersdel’Isled’Abeau Encardants HervéAUDIBERT,ArnaudMISSE Participant Étudiant M1deDPEA-ENSAdeGreboble

Professional Experience

Architectural Project . Interior Project

Location HCM,

Location HCM,

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A hospitality project, located on a beach on the island of Phu Quoc, is geared towards respecting context char acteristics: the climate, the environment, cultural identity, and the creation of space that does not have any sep arations between inside and outside. This harmony gives customers the most authentic experiences, the visitors can find a place where they can find themselves.

A hospitality project, located on a beach of Nha Trang city, is a mixed building between hotel and condotel

Nha Trang, Vietnam Project