IN Magazine: March/April 2020

Page 16

DRAG

MEET

Olivia Limehart Sky WINNIPEG’S YOUNGEST DRAG QUEEN Being a great performer runs in both her families By Al Donato

If watching Audrey II from Little Shop of Horrors death-dropping is on your bucket list, you should start following Olivia Limehart Sky. At just 11 years old, the Winnipeg youth is already a rising star in her city’s vibrant drag scene. She confesses that she’s usually nervous before performing, but that fades away when it’s time to shine. “Once I’m on stage, it feels super awesome. I’m more confident in drag,” Olivia says.

Even with all the love, it’s not always easy; Olivia’s age limits her from the bars and nightclubs most queens flock to. But being 11 means she can connect to fellow youth in meaningful ways. She’s read aloud to a packed library for drag queen storytime and has taught Winnipeg kids how to paint their faces at a drag 101 workshop, co-hosted by Guncle Smokey, a.k.a. her mom’s own drag persona – Issa joined in on the fun after dipping a toe at a fundraiser for the queer-positive drop-in centre Sunshine House last July, and hasn’t looked back since.

MARCH / APRIL 2020

A sashaying descendant of the House of Sky (helmed by revered Olivia’s community work has made her someone LGBTQ2S+ kids drag mother Prairie Sky), Olivia has range for days; you’re just admire, especially those who wish they could express themselves as likely to hear her getting cheers for a feisty Lizzo lip-sync as authentically. you are to hear whoops of laughter over her comedic schtick as a man-eating plant. Same goes for her style. She’ll have her signature “I really want to do what you’re doing, but my parents wouldn’t well-arched bold brows and big eyelashes for many appearances, allow me to do this,” one told Olivia after her workshop. but the junior entertainer’s stockpile of eyeshadow palettes, wigs and on-theme outfits lends her a scene credibility lacking in many Sentiments like these make what Olivia does out of drag impressive, queens twice her age. too. Ron co-founded a GSA at his school with two of his friends. All are welcome to their weekly rainbow lunch club meeting, Ron Kixen, a.k.a. Olivia, has made major headway since he fell whether they’re questioning, openly LGBTQ+, closeted or an ally. in love with drag a year ago. Seeing Kim Chi and other Season 8 contestants in an episode of RuPaul’s Drag Race led him to voice That inclusivity was extended to Ron by drag elders; now it is interest in the craft to his mother, Anishinaabe comedian Issa Kixen. something he’s extending to fellow students, and it’s also the heart A two-spirit performer themself and with plenty of connections to of the advice he gives kids curious about getting into drag. local drag, Issa was fully on-board with the idea. “Find people who can help you,” Olivia advises. “When Ron was younger, he was very shy and reserved. When he said he wanted to try drag, I was like, ‘Yes, I will do everything Issa echoes those words of wisdom to parents of queer kids who in my power to support that,’” Issa says. want to explore gender presentation. Olivia’s received support from another family, too; Issa notes that “Even if it’s scary, even if you think your child might be ostracized, many drag performers, especially Indigenous drag queens like there’s so much love within the queer community. You will be their drag mother, as well as Vida Lamour DeCosmo and Club embraced,” they say. 200 regular Anita Stallion, have taken Olivia under their wing. Dubbing themselves Olivia’s aunties and sisters, they help Olivia Winnipeg residents are lucky to see Olivia’s drag journey unfold, hone her art and engage in the age-old drag tradition of lending but there’s a chance other Canadians will be able to watch her wigs when needed. death-drop in person: she’s hopeful that someday she and her mom will do a Canada-wide tour of Pride celebrations across the country. “There’s similarities in both cultures I really dig,” Issa says. “As an Indigenous person and somebody who goes by the clan system, I would compare it to that. It’s very matriarchal.” 16

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