personal data February 5, 1994 Brasília, Brasil Currently in Porto, Portugal contact (351) 938 407 808 fgoulartisabella@gmail.com
language skills english (B2) spanish (basic)
softwares revit archicad autocad lumion
twinmotion sketchUp v-ray dynamo rhinoceros
grasshopper illustrator inDesign Photoshop
Tribunal de Contas do Distrito Federal (TCDF)
Intership | 2016 - 2017
Bora Architects
Intership | 2017 - 2019
TELA Architecture
Partner | 2019 - 2020
Bora Architects
Architect | 2020 - 2021
Development of residential, commercial and institutional projects including the survey phase, preliminary study, licensing and the executive project + budget study and construction work monitoring.
Alphalink / 3.5G Gestão de projetos
Architect / Project Manager | 2020 - 2023
Coordination of design and construction teams through all stages of concept, design, licensing and construction work as well as definition of contracting strategies and control of deadlines, costs and quality.
_academic education
Bachelors in Architecture and Urbanism
FAU - Unversity of Brasília (UnB) | concluded in 12/2019
Master Degree
Faculty of Architecture of University of Porto (MIARQ) | concluded in 09/2022
_academic experience
CASAS model office, FAU-UnB | member | 2015 - 2016
4th International Congress of Landscape Architecture - São Paulo | assistance / organization | 2016
III Habitat and Citizenship Colloquium - Housing in the countryside, in the waters and forests | assistance / organization | 2016
Extension program “More Culture 2016” for the organization of the university’s Architecture Week | scholar | 2016
_workshops
“BORAnaOBRA” | Construction and management. By Rafaella e Alex Brasileiro | 2018
“Curso de luz” | Lighting design. By Waldir Júnior | 2019
“Arquitetando lojas” | Comercial architecture. By Olga Portela e Lagildo Brasileiro | 2019
_publications
Real and virtual three-dimensionality in the teaching of architecture and urbanism | Arqui Magazine #11 | 2021
Gastronomic Center - “A Nova Quituart” | Revista Magazine #11 | 2021
The experimental and pedagogical potential of digital manufacturing in the teaching of architecture and structures | IV Encontro Nacional de Ensino de Estruturas em Escolas de Arquitetura - IV ENEEEA | UFPE Recife 2021
The pedagogical impact of digital technologies in the framework of the school of architecture and urbanism at the university of Brasília | IV Encontro Nacional de Ensino de Estruturas em Escolas de Arquitetura - IV ENEEEA | UFPE Recife 2021
pg. 08-13
Blockhold Complete project + construction
pg. 14-15
pg. 16-17
pg. 18-19
pg. 20-21
pg. 22-25
pg. 26-29
pg. 30-33
pg. 34-35
Salesiano School Architecture project Pequi House Architecture project Trinks House Architecture project AP 305 Architecture project AP IG Architecture project AP S. Roque Complete project + construction Mar House Architecture project AP 404N Complete project + construction
The new Quituart Graduation project pg. 38-49 pg. 50-59
Professional project
Year: 2019
Status: concluded
Typology:
Architectural project for the complete renovation of an apartment in SQN 404 in Asa Norte, Brasília + construction work follow up.
Developed projects:
- floor plan - construction / demolition
- floor plan - layout
- floor plan - executive
- Floor plan - lighting + circuits
- floor plan - electrical installations
- floor plan - hydraulics
- floor plan - avac
- floor plan - ceiling
- woodwork detailing - kitchen
- woodwork detailing - living room
- woodwork detailing - dining room
- woodwork detailing - suite
- woodwork detailing - suite wc
- woodwork detailing - guest room
- woodwork detailing - social wc
Professional project
Year: 2018
Status: concluded
Typology:
Office project for a company that operates in the areas of corporate finance and investments. The project occupies two rooms in the “Ion” building, located in Asa Norte, Brasília.
Developed projects:
- floor plan - construction / demolition
- floor plan - layout
- floor plan - executive
- Floor plan - lighting + circuits
- floor plan - electrical installations
- floor plan - hydraulics
- floor plan - avac
- floor plan - ceiling
- woodwork detailing - kitchen
- woodwork detailing - social wc
- doors and windows detailing
Professional project
Year: 2022
Status: concluded
Typology:
Interior design for an apartment in the heart of Porto (Portugal) with contemporary aesthetics and careful selection of furniture.
Developed projects:
- floor plan - layout
- Floor plan - lighting
Professional project
Year: 2018
Status: concluded
Typology:
Apartment renovation project in Asa Norte, Brasília. Developed with BORA Architects team.
Developed projects:
- floor plan - construction / demolition
- floor plan - layout
- floor plan - executive
- Floor plan - lighting + circuits
- floor plan - electrical installations
- floor plan - hydraulics
- floor plan - avac
- floor plan - ceiling
- woodwork detailing - kitchen
- woodwork detailing - living room
- woodwork detailing - dining room
- woodwork detailing - suite
- woodwork detailing - suite wc
- woodwork detailing - baby’s room
- woodwork detailing - social wc
Professional project
Year: 2022
Status: concluded
Typology:
Apartment renovation project located at Rua de S. Roque da Lameira - Porto, Portugal. Developed with the team of 3.5G Project Management.
Developed projects:
- floor plan - construction / demolition
- floor plan - layout
- floor plan - executive
- Floor plan - lighting + circuits
- floor plan - electrical installations
- floor plan - hydraulics
- floor plan - avac
- floor plan - ceiling
- woodwork detailing - wc’s
- woodwork detailing - room’s closets
Professional project
Year: 2017
Status: concluded
Typology: Executive project for a house in Park Way (Brasília) developed with BORA Architects team.
_Description
Professional project
Year: 2019
Status: under construction
Typology:
Architecture project for a house in Lago Sul (Brasília) developed with BORA Architects team.
Professional project
Year: 2017
Status: under construction
Typology:
Executive project for “Salesiano Nossa Senhora Auxiliadora” school in Brazil. Developed with BORA Architects and Flora Nativa team during the internship period.
_Description
Professional project
Year: 2018
Status: under construction
Typology:
Architecture project for a house in Park Way (Brasília) developed with BORA Architects team during the intership period.
Graduation project
Year: 2019
Information:
This work refers to the design of a gastronomic complex for Brasília, offering the city another option for food, entertainment and culture. Quituart’s story began 28 years ago, with 4 women selling food and crafts to the residents of Lago Norte. They decided to get together and create a cooperative called Quituart. The cooperative grew, took shape and became known in the city. Today Quituart does not fit into the space in which it finds itmself. It is necessary to expand in order to continue growing. Bearing in mind that sustainability is to build thinking about the future, this project was developed in a neglected place on the shore of Lake Paranoá that needs to be occupied in order to become really public and to be enjoyed. The project proposes a wide space, completely open and in contact with nature. The structure is not only functional, but also aesthetic and bioclimatic. The curve of the roof reflects the slope of the topography of the land and helps air circulation. The pillars follow the roof design, symbolizing the union, a word so present in the history of Quituart. Under the structure, the complex occurs freely on two floors, giving the viewer a total view of Lake Paranoá and Parque das Garças.
In order to enhance the local beauty, to allow different angles of views and greater bioclimatic comfort, the proposed architectural shape is linear and follows the border design, with angles of 45 degrees, allowing many possibilities of scenery. In other words, the land was used as a regulatory plan for the project and the implantation was carried out aiming the maximum use of the space. From the “knots” created at each change of direction of the line, it was possible to
establish breathing spaces in the complex with walkways and gardens, connecting the project to the local nature. As for the dimensions of the line, the lengths were not defined randomly. A 6x6m mesh was created and through it it was possible to establish a proportion based on the golden ratio or the Fibonacci sequence. Furthermore, the viewer can have a view of the entire environment, both of Lake Paranoá and Parque das Garças, in addition to having direct contact with the local “cerrado” vegetation.
Quituart aims to spread the art, culture and gastronomy of its members. The space for the reception of customers, such as tables, stage and bathrooms, is shared among the members of the cooperative who own businesses in the complex. Those who visit the space can enjoy a variety of cuisines in addition to listening to good music, meeting new people, celebrating and socializing.
The slab that separates the two floors is a rib, allowing the pillars to be separated from 9m to 12m, which contributed to the complex’s free plan, especially the garage, as it was possible to add more parking spaces. Pedestrians will have access to the complex through passages designed to make the route as inviting, safe and dynamic as possible.
The roof structure consists of two pairs of pillars. Each pair supports a pair of beams. Above the beams is the secondary structure, equivalent to the system of thirds of a conventional roof and, finally, there is the coverage that varies between opaque (thermoacoustic tile - TTR-40) and translucent (acrylic tile). In order to create points of interest, it was decided to separate the program into two independent floors, interconnected by the accesses and the structure. In order to improve the boxes equally, two axes were defined for the commercial area. Each of the axes is level and the front of the boxes faces west and southwest, with facades with the most visual highlights.
The boxes will be positioned side by side, establishing a unit between them, separated only by the circulations that connect the complex to the garage on level 0 and the park on level 4. In front of them are the living areas with tables and chairs that serve as support to all restaurants. In order to optimize the circulation of people and vehicles and given the need for a loading and unloading area capable of meeting the demand of the 56 boxes, it was positioned at level 0 equidistant from the ends of the complex and with easy access to all boxes.
The entire area around the complex will feature a landscaping project aimed at rescuing the vegetation of the cerrado and creating areas that encourage social interaction and value the area as a whole. The landscaping of the site was designed from concentric circles and rays. For this, a grid of circles was made with the center in the focal point of the project. A minimum slope of the terrain is fundamental for the drainage of rainwater; if the slope is too small, the land easily floods, if it is too large, the water that runs through it acquires speed and produces erosion. As the slope is large and the contour lines were concentrated in the center of the land, two main levels were created (level 0 and level 4). This topographic configuration can generate a fast flow of water, which can cause erosion. To prevent rainwater from descending with great force and speed from level 4 to level 0, it is necessary to have mechanisms that facilitate the infiltration of water into the soil. In this sense, a large infiltration pond was created on level 4 in front of the complex, protecting it from possible flooding. In addition, it is possible to implement techniques that reduce runoff, such as enriching the soil with humus and maintaining existing vegetation, contributing to increased porosity and, consequently, reducing the risk of erosion.
_Description
Complementary project
Year: 2020
Information:
Architectural design of a single-family residence located in an area far from the urban center of Brasília with rural characteristics, inspired by Guthrie House from Felipe Assadi & Francisca Pulido.
The topography of the area intended for the house has a sharp drop of around 25%, showing the open view towards an extensive area of native vegetation.
The family’s main interest in having a house that was visually and structurally integrated with the landscape was the starting point of the project. The objective was to preserve the unevenness of the land in order to move as little land as possible in order to highlight the view through architecture.
By allowing nature to coauthor the project, it was possible to propose a house without a front facade (in contrast to the neighboring houses that block the view of the landscape in the background).
The access to the house is made by the highest part of the land, where the observer can see only the porches that structure the whole set of slabs and fences. In this way, the upper slab of the house received the function of a lookout and the porches direct the viewer’s gaze towards the landscape in the background.
The house program was divided into two areas: intimate and social.
The intimate area (which concentrates the rooms and bathrooms) was positioned on the northeast side, where the morning sun and the light of day enter through the windows of this facade. The access to the rooms is via a corridor facing the garden created inside the house, protected from the setting sun by brises.
The social area (including living room, dining room, kitchen, pantry and laundry area) was positioned in the southwest part of the house. It’s lighting and ventilation is made by frames that directly connect this entire area to the internal garden.
The architectural design follows the shape of the letter U with the interior part filled by the land, highlighting the existing gap.
This configuration made it possible to create a garden inside the house, bringing vegetation, clarity and ventilation to all rooms.
The roof slab of the house has a green cover which contributes to the internal air conditioning of the rooms and visual integration with the outdoor area.
The floor slab was suspended from the ground in order to highlight the structure, minimize earth movement and prevent the entry of wild animals and insects.
Academic project
Year: 2019
Information:
Igarapé - from Tupi Guarani = water path. Brook source, stream.
Like the Amazon River, the Igarapé pavilion is an installation proposed for the Parque Municipal do Mindu, in Manaus. The intention is to create a shelter that is a landmark in the midst of nature where cultural, gastronomic and musical events can be held, offering the city another option for leisure and entertainment. Its structure consists of two groups of metal tubes positioned perpendicular to each other. The first group is positioned on the vertical axis and is comprised of arches. These arches are connected by the second structural group, composed of curved tubes, responsible for structuring the tunnel shape of the set.
_Description
Academic project
Year: 2021
Information:
The vertical farm concept was coined in 1999 by biologist Dickson Despommier of the University of Columbia, in New York. However, Dickson was not the first to idealize it, since in 1979 the physicist Cesare Marchetti had already developed something similar.
A vertical farm is a spatial set intended for the production of food and medicine in layers vertical. This practice, designed mainly for large urban centers, has been seen as the future technology to power the next generations. The idea is to use automated installations with the least possible environmental impact. The alternative is considered sustainable by its advocates. On the other hand, those who oppose the technique claim that the financial costs do not outweigh the benefits.
In a vertical farm, in addition to the production of food and medicine in stacked layers vertically, surfaces can be used tilted vertically and/or integrated into other structures such as skyscrapers, warehouses and shipping containers. The techniques employed basically boil down to indoor farming and environmentally controlled farming (CEA) technology, where all environmental factors can be controlled.
These installations use artificial light control, environmental control (humidity, temperature, gases, etc.) and fertigation. Some vertical farms use techniques similar to greenhouses, where the use of natural sunlight can be complemented with artificial lighting and optimized with metallic reflectors.
4th floor
- administration
- cup for employees
4º PAVIMENTO -ADMINISTRAÇÃO -COPA PARA FUNCIONÁRIOS -CULTURA DE VEGETAIS AO AR LIVRE DESTINADOS À VENDA DIRETA (SEM USO DE AGROTOXICOS E CONSERVANTES)
- cultivation of outdoor vegetables intended for direct sale (without the use of pesticides and preservatives)
3rd floor
- seed bank
- bee/honey culture in highly controlled environment
3º PAVIMENTO
-growing vegetables in a highly controlled environment
-BANCO DE SEMENTES -CULTURA DE ABELHAS / MEL EM AMBIENTE ALTAMENTE CONTROLADO -CULTURA DE LEGUMES EM AMBIENTE ALTAMENTE CONTROLADO
2nd floor
- cultivation of vegetables in the air free intended for sale (no use of pesticides and preservatives)
2º PAVIMENTO
-CULTURA DE VEGETAIS AO AR LIVRE DESTINADOS À VENDA DIRETA (SEM USO DE AGROTOXICOS E CONSERVANTES) -CULTURA DE LEGUMES EM AMBIENTE ALTAMENTE CONTROLADO
-growing vegetables in a highly controlled environment
1st floor
- food warehouse
1º PAVIMENTO
- cold chamber
- hydroponic polyculture (vegetables, legumes and Vegetables)
-ARMAZÉM DE ALIMENTOS -CÂMARA FRIA -POLICULTURA HIDROPÔNICA (VERDURAS, LEGUMINOSAS E HORTALIÇAS)
Ground floor
TÉRREO
- entry of employees and visitors
-ENTRADA DE FUNCIONÁRIOS E VISITANTES
- sale and distribution of products
- space for holding cultural and gastronomic fairs
-VENDA E DISTRIBUIÇÃO DE PRODUTOS -ESPAÇO PARA REALIZAÇÃO DE FEIRAS CULTURAIS E GASTRONOMICAS
The United Nations (UN) points out that the world population should increase by three billion people by 2050, reaching ten billion inhabitants. The UN also indicates that around 80% of the soil suitable for agricultural cultivation is compromised — 15% of which is devastated by inadequate land use.
With that estimate, agricultural production would need to increase by a billion hectares, which would be unlikely with current farming practices. In the quest to readjust plantation spaces, vertical farms emerge as a sustainable solution. The North American consulting firm Grand View Research estimates that the vertical farming sector should move US$ 9.6 billion by 2025. Through controlled environments and vertical planting panels, this type of planting is able to readjust work spaces, reduce water consumption, growing products without the need to use pesticides and with less fertilizer.
Ecologist Dickson Despommier defends the installation of vertical farms on the grounds that the vertical farming can help reduce hunger. According to him, changing the way of using the land from horizontal to vertical makes it possible to reduce pollution and the use of energy incorporated in agricultural processes.
According to Despommier, although vertical farming depletes the natural landscape, it offers in return the idea of “a skyscraper as a spaceship”. Cultivations would be mass-produced within hermetically sealed artificial environments, which could be built anywhere, regardless of the context.
The vertical farm would be designed to be sustainable and allow nearby inhabitants to work on it. In contrast, architect Ken Teang proposes that skyscrapers in cultivation be mixed-use. Yeang proposes that instead of hermetically sealed mass-produced agriculture, plant life should be cultivated outdoors, on rooftops for example. This version of vertical farming is based on personal use or community rather than mass production. Thus, it would require less initial investment than Despommier’s “vertical farm”.
Those in favor of installing vertical farms in cities argue that, by reducing the energy costs needed to transport food to consumers, vertical farms could significantly alleviate climate change produced by excess atmospheric carbon emissions.
On the other hand, critics of the concept argue that the costs of the additional energy needed for artificial lighting, heating and other operations of the vertical farm would outweigh the benefit of the building’s proximity to consumption areas.
_Description
Complementary project
Year: 2019
Information:
ter·raced house
noun: terrace house
1. A terraced house or a terrace house is one of a row of similar houses joined together by their side walls.
2. Which, with another, forms a pair or group
3. Establishes reciprocal relationships with something else
A small house for a young couple who lives in Buenos Aires and wants to get closer to the city. By having a limited area, this house must meet all the needs of the residents in a effectively and efficiently way.
The house has an area of 35,75 m2, which became a challenge for a project aimed at creating a living/dining room, functional kitchen, work space, one suite and a balcony.
Twinned on both sides, the project aimed to maximize natural light through large glass panels, cross ventilation and integration of internal and external areas. The volumetry is presented with pure lines and shapes giving the idea of unity to the whole.
