The Tower 2022

Page 68

The Modern Tantalus Max Pritchard

The clock reads 5:58 as I sign back into my till at the local grocery store. Just over two more hours until I get to go home. For now, I return to my duties as a cashier. Greeting customers, taking their food from their carts, scanning it, and sending it over to the bagger, Jack. The same routine, over and over. A customer approaches with a full cart. I greet him, and he grumbles in return. Nothing unusual there. Then, to my dismay, I hear a noise. A rumbling in my stomach. I ignore it and focus on my present task: scanning seventeen microwave pizza boxes. Moments later, I hear it again. It’s unmistakable. I am hungry. I curse myself. I had just returned from my break, where I’d eaten nothing. I knew I was forgetting something, but hadn’t realized it was as simple as food. You know, one of the basic necessities for human survival. I check the time on my monitor: 5:59. I only have to last 121 more minutes. How hard can it be? I’ve nearly checked out all of the customer’s groceries when I extract a rotisserie chicken out of the cart. The smell of fresh food is intoxicating, settling in my senses and refusing to leave, like a tenant about to be evicted or a Band-Aid that has decided to meld into its host’s skin. 66

I scan it. The customer pays for his order, mumbles some sort of thanks, and leaves. Another takes his place. Their cart is loaded to the brim with fresh food. Fruits, vegetables, bakery meats, the whole nine yards. And I can’t eat any of it. I’m trapped, I realize. There’s a seemingly infinite amount of food passing by every minute, but I can’t use it to stave off my impending starvation-invoked demise. This is because—well, for starters, it would almost certainly violate some sort of company guideline. Hell, they might have to invent a whole new guideline in the handbook with a section proclaiming, “Employees may not consume the customer’s products.” New employees will read it and roll their eyes. They’ll think, “Who would ever do that?” That’s the second problem—a cashier tearing into the food they are checking out and proceeding to devour it is culturally taboo. Unacceptable. I can already see the headlines—“Ravenous Teen Horrifies Innocent Customers at Local Grocery Store.” I can imagine it clearly: as soon as I swallow the first bite, everyone in the store would turn and stare. The booing would start, followed quickly by heckling and threats of physical violence. I would be escorted out in handcuffs, condemned


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Ahrenholz 1 | Simone Traband | Visual Art

14min
pages 94-104

“Lion Hair” | Annie Zheng | Nonfiction

5min
pages 87-88

“Shrike” | Jasmine Snow | Poetry

1min
pages 92-93

“Ode to Leaving” | Katharine Anderson | Poetry

0
page 86

Me, Me, and Me | Hyunyoung Cho | Visual Art

4min
pages 89-90

Jelly Brain | Carina Lopez Segura | Visual Art

3min
pages 84-85

From Their Eyes | Samantha Bergren | Visual Art

0
page 83

“Chronicling Chronic Pain” | Marley Richmond | Nonfiction

2min
page 82

Walls and Reflections | Sage Caballero | Visual Art

3min
pages 69-70

“Arturo” | Alessandra Benitez | Poetry

0
page 80

“Graveyard Dirt” | Katharine Anderson | Poetry

1min
pages 78-79

“Writer’s Block” | Trinity V. Fritz Lawrence | Fiction

4min
pages 73-74

Working with (Coral Under the Sun) | Stefanie Amundsen | Visual Art

3min
pages 75-76

“The Caves Beneath Walter Library” | Mustapha Jallow | Poetry

0
page 77

“Seasons, or, Grief Underwater” | Laurel Reynolds | Poetry

0
page 71

“Letter of Termination” | Cole Normandin-Parker | Nonfiction

2min
pages 66-67

“The Modern Tantalus” | Max Pritchard | Fiction

2min
page 68

“Unviolence” | Amital Shaver | Poetry

1min
page 57

“Mullo*” | Trinity Fritz Lawrence | Poetry

1min
pages 62-63

Bridge | Tong Liao | Visual Art

1min
pages 55-56

“Meditations on Grief” | Simon Harms | Poetry

0
page 61

“portrait of an identity crisis, on the borderline” | Alexis Ma | Nonfiction

6min
pages 52-54

Passing (Kissing Couple) | Ruby Cromer | Visual Art

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page 51

“Taxidermy, Pointillism, & Growing into My Skin” | Erin Mullen | Poetry

2min
page 49

“Realtor” | Rachel Huberty | Poetry

1min
page 50

“Storge” | Ariana Nguyen | Poetry

0
page 48

Purgatory 2 | Anna Mamie Ross | Visual Art

0
page 43

“COLOSSUS” | Ian Krueger | Fiction

4min
pages 44-46

“x.” | K. Mouton | Poetry

0
page 42

“How to Work at Wrigley Field” | Jane Fenske-Newbart | Nonfiction

3min
pages 35-36

Shape | Hyunyoung Cho | Visual Art

2min
pages 37-39

“The Oakridge Herald, Page 5” | Emma Rasmussen | Poetry

1min
page 31

“Living in Minneapolis” | Simon Harms | Poetry

0
page 33

“A Scrap Metal Scorpion” | Stella Mehlhoff | Fiction

4min
pages 28-29

“Autumn Weather Report” | Brynn Nguyen | Nonfiction

5min
pages 19-20

“Hidden Genesis” | Lum Chi | Poetry

2min
pages 21-22

“Snowflakes in Your Hair” | Mahdi Khamseh | Poetry

1min
pages 15-16

“My Wife” | Nate Johnson | Poetry

0
page 12

“Strawberries Are Made to Mold” | Dani Barber | Poetry

2min
page 24

“Plains” | Mustapha Jallow | Poetry

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page 17

“Last Tuesday I Stuck My Finger Into the Socket of Nomenclature and Suddenly I Was Mr. Bean.” | Trinity V. Fritz Lawrence | Poetry

1min
page 10

“Delicate” | Morgan Coffeen | Poetry

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page 14
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