Editor's Note
THE 4TH HORIZON OF GHANA'S GROWTH
“Change will not come if we wait for some other person, or if we wait for some other time. We are the ones we have been waiting for. We are the change that we seek.” – Barack Obama
At Ishmael Yamson & Associates, we take
immense pride in hos ng the annual Business Roundtable ‒ it is our way of making a meaningful impact and driving posi ve changeinourcountryandtheAfricancon nent.
Building the content for this magazine was quite a seamless process as we had a clear understanding of the message we intended to convey to readers. The magazine is enriched by the contribu ons of trailblazerswhohavesharedexcep onalinsights.
In recent years, our economy has encountered numerous challenges that are obvious to everyone. As argued by many, Ghana possesses an abundance of natural resources that have been touted as sufficient to help the country meet its needs Leaders have over the years also a empted strategic efforts to capitalize on the poten al of diverseindustriessuchasagribusiness,culture,arts and tourism, and the use of technology Although progress has been made, our ul mate objec ve of mee ng the needs of the ci zens and providing themwithbasicneedsremainsawork-in-progress.
Whatcouldbethereasonforthesetback?
BUILDINGASUSTAINABLEECONOMY
We have failed as a country to establish sustainable ini a ves that are able to endure in the long run. Countless promising ini a ves have fallen through the cracks over the years, o en due to changes in government and other unforeseen circumstances.
As the world finds itself in unprecedented mes, there is a crucial need to build a more sustainable economy
AGRIBUSINESS AS THE LIFE OF GHANA'S ECONOMY.
Agriculture has long been the backbone of Ghana's economy, accoun ng for a significant por on of employment and contribu ng to food security Its importancecanthereforenot beoverstated.Ghana can capture more value within the value chain by processing agricultural products and promo ng agro-industrial ac vi es The promo on of sustainable farming prac ces and the adop on of technology in agriculture can also contribute to environmental sustainability and resilience in the faceofclimatechange.
By adop ng modern agricultural prac ces, improving access to finance and markets, and suppor ng small-scale farmers, we are confident thatGhanacanboostitseconomicproduc vity.
LEVERAGING THE AFRICAN HERITAGE TO CREATE WEALTH.
Ghana is now able to a ract a growing number of interna onal tourists This not only generates revenue but also creates employment opportuni es, par cularly in the hospitality and crea vesectors‒anindica onthatourrichcultural
heritage presents a wealth of opportuni es for economic growth, job crea onandenhancingthecountry'simageontheglobalstage.
Investments in infrastructure, coupled with effec ve marke ng strategies, can showcase the beauty and diversity of Ghana's cultural tapestry Collabora ons between the public and private sectors, as well as engagement with local communi es, are similarly key to harnessing the poten al of our African heritage and transforming it into sustainablewealthcrea on.
LEVERAGING ICTTOMAXIMISEOUTCOME.
Technology has become an indispensable tool for driving economic growth and development, and our tech sector con nues to show promising growth. From improving access to educa on and healthcare to enhancing efficiency in governance and business opera ons, ICT plays a transforma ve role in shaping the economy Access to affordable internet connec vity and the development of digital skills are therefore cri cal in ensuring that all segments of society can par cipateinthedigitalrevolu on.
Ghana can unlock immense poten al across various sectors by harnessing the power of Informa on and Communica on Technology (ICT). We need to therefore create an enabling environment that encourages innova on and entrepreneurship in the tech sector to fosterthegrowthoflocaltalentanda ractmoreforeigninvestments.
In conclusion the adop on of ICT, leveraging Ghana's African heritage, and priori zing agribusiness are key strategies for building a sustainable economy By expanding internet access, fostering innova on in the tech sector, promo ng tourism, and inves ng in agribusiness, Ghana can achieve economic diversifica on, create employment opportuni es, and improve the overall well-being of its ci zens. These efforts will contribute to Ghana's development goals and posi on the country as a leader in sustainable economic growth in Africa. Let us seize this opportunity to be the change we seek and drive posi vetransforma onforgenera onstocome.
by Winnifred Adjei-Mireku & Juliana Essel AckomISHMAEL YAMSON & ASSOCIATES
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GOVERNANCE, LEADERSHIP & WEALTH CREATION
In 2014, when we first launched the Ishmael Yamson & Associates Business Roundtable, our purpose was to help develop strong founda ons on which to build much more robust economies in Ghana and Africa We decided therefore to focus on issues of economic growth, governance, and leadership, and how these must drive and shape Ghana's efforts towards building a fast growing, sustainable and resilient framework for wealth crea on, especially as Ghana had discovered oil and begun producing crude oil and gas in commercial quan es in 2011. Suddenly signs of the Dutch disease were beginningtoemerge,andthatwasaworrytous.
In the fourteen (14) years since 2010 Ghana's economic growth has been inconsistent, with high growth rates between 2010 and 2013, low growth rates between 2014 and 2016, high growth rates in 2017 and 2018, a crash to 0.51% growth in 2020 following the covid-19 disrup ons, a recovery in 2021 of 5.36% and a sharp decline in 2022 to 3.5%. The forecast for 2023is1.5%.
This clearly is an economy without resilience and sustainability It is an economy which is overly dependent on a very narrow commodity export base but highly import driven, o en dri ed around by global economic developments. Sadly, for instance, even with Ghana's enormous arable land, the country is the most dependent on food importsinAfrica.
To my mind, two factors have accounted for this dismal and inconsistent economic performance;
poor governance and leadership without conscienceandpurpose.
Issues of leadership and governance in Ghana have been discussed extensively because of the impact they have had on the performance of the economy and the country's ability to create wealth on a widespread basis. The only period that Ghana has witnessed real economic transforma on was under the leadership of Dr. Kwame Nkrumah, who had a clear purpose to build an industrial economy, a clear agenda to build Ghana's economic and social infrastructure and a clear understanding of how to build resilience and sustainability into Ghana's economy And he was in power for only nine (9) years!
While the disrup ve military interven ons of the 60s, 70s and 80s created major setbacks for the
economy, it is even more true that poor governance and poor leadership have aggravated the difficul es facing the Ghanaian economy. There is no administra on that has not been accused of serious economic mismanagement, greed, and corrup on And regre ably our democracy has itself become a vic m of the greed and corrup on that have captured our leadershipinGhana.
The recent report- Understanding How Dirty Money Fuels Campaign Funding in Ghana- An Exploratory Study, Commission by Adam Smith Interna onal and prepared by William Nyarko and Kojo Pumpuni Asante of CDD- Ghana, clearly demonstrates how Ghana's poli cs has been captured by dirty money and excluded many capable and visionary young people from ac vely par cipa ng in the poli cs of the country This is due to the prohibi ve cost of running for public office as the young men and women are normally unable to raise those funds. The example of the destruc on caused by State-capture in South Africa, should make it clear to Ghanaians that any f o r m o f c a p t u r e i s d a n g e r o u s a n d counterproduc ve, and we must as a na on fight it.
A er sixty-six (66) years of independence from colonial rule, which we o en blame as the cause of our backwardness and lack of development, Ghana is currently a highly and unsustainably indebted and poor country Many thousands of educated and capable young men and women
cannot find jobs and are leaving our shores in drovesforhopeelsewhere,hopetheycannotfind inGhana.
Governance and government are meaningless if they do not create growth. Good governance and good leadership cannot be separated from Ghana's effort to create a wealthy, prosperous country The two are inseparable, and Ghana must make every effort to embed them in its governanceculture.
But even in the midst of this deep crisis, I believe that a return to prudent economic management, an embrace of good governance, and aggressive fight against greed and corrup on are possible. What remains is our ability and determina on as a people to reject purposeless and rudderless leadership and elect leaders who can perform and who have integrity to lead our economic and socialtransforma on.
The Ishmael Yamson & Associates Business Roundtable started this Journey ten (10) years ago and it is our inten on to con nue on this path. We therefore invite you to join us, as Ghana embarks on a new journey to create an enabling economic and social environment in which its ci zens are empowered and feel proud to be Ghanaians.
OF GHANA'S GROWTH
This presenta on on Wealth Crea on as the 4thHorizon forGhana's Growthisintended to seed a review of the op ons Ghana has to create an economic transforma on and interrogate some ideas and op ons best suited fo r t h e r e c o v e r y, d e v e l o p m e n t a n d transforma on of Ghana's economy. A transforma on that moves finance, people, jobs in selected sectors from low to high produc vity andasustainedresilientgrowthtrajectory.
We have always assumed that if we produce more, we will earn more revenue and with more revenue, be able to look a er our economy and ci zens much be er. But the proof of 66 years of
MICHAEL HARRY YAMSON MANAGING PARTNER, IY&Aindependence is that more revenue does not necessarily lead to sustainable development that creates resilient wealth The ques on then becomes why we have allowed this false paradigm - that revenue equals development equalswealth-tostandforsolong.
If we look at agriculture in the last seven decades, we have paid much a en on to produc on. However, private and public investments in technology, related sciences, agriproduct branding, commercialising value-added agriproducts, and developing global markets for the services and know-how built through the agriculture and agribusiness value chains, have been insignificant and not sustained Consequently, agribusiness remains a daun ng exercise and therefore a low priority in alloca ng resources.Thisisinstarkcontrasttothestrategies successfully employed by Thailand, Indonesia, VietnamandMalaysiawhousedagriproductsand tourism to power economic transforma ons
Largely, revenues from cocoa exports, for example, have not gone into crea ng new industries, rather, apart from the alloca ons to scholarships, , the billions of dollars Ghana has earned from expor ng cocoa have been spent paying for recurrent expenditure and in some cases on bare-faced corrup on. Li le wonder that the sector has failed to drive Ghana's development.
Where do we find new ways to create industries from the agricultural supply chains, in planta ons, in storage, in value addi on, in branding, marke ng our food to the rest of the world and export market development? These have the poten al to turn revenue into new industry-building investments that generate stable, be er-paid jobs and medium-term wealth. Though mature, agribusiness could s ll be a source of long-term wealth. It is possible to maximise the residual value, earn significant surpluses and seed long-term growth in new industries.
The story of our heritage and crea ve industries is not much different. Revenues are mostly spent on low-value-adding ac vi es, employing few people in the sector and maintaining structures. Very li le has been invested in crea ve industries that help us tell our story be er to a global audience and generate profits in the process. I giveyoutheexampleofTheLionKing.Thestoryof Lion King originates from Southern Africa. Yet the story has been told to a global audience and commercialised by Hollywood. Hollywood has earned billions from films, merchandise, games, theatre products, and anima ons Southern Africa saw li le of that money and the creators of the theme song earned no royal es. So, what stories do we have that we can tell be er using different formats that can fetch us billions in revenues beyond invi ng people to visit Ghana? We can create new industries allied to the original baseheritageandcrea veeconomy.
Now considering ICT, Ghana sits in the West African sub-region where we s ll have one of the best educa onal systems. We have the poten al to leverage the brain power of our academia and students, par cularly in the rela vely new areas
of ICT and technology. Yet, students from across the region who graduate from places like Ashesi University, having developed ICT and technology solu ons for Africa and the world, leave yearly without the opportunity to register and build their ideas into businesses in Ghana. Today, we are dependent on solu ons created outside our region based on the needs of other socie es and cultures. All governments have overtaxed and inhibited the growth of ICT and technology industries rather than incuba ng technology firms and ICT solu ons relevant to the needs of our market, the daily reali es of our ci zens and solving global problems. It will be be er to untax technology and demand that firms heavily reinvest their profits to s mulate new technology industries.
WhyFocusonWealthCrea on?
My view is that rather than pursue revenue as an end in itself, it is even more important to decide how we will invest revenue in new spheres of high-value enterprise to generate stable, highquality revenue streams that bring resilience to the economy I agree with the view that Wealth Crea on means a sustainable acquisi on and accumula on of resources to compe vely generate relevant output and financial flows to a ain na onal development goals that fulfil the needs of ci zens without compromising the ability of future genera ons to meet their own needsii. This sort of Wealth Crea on indelibly improvesthequalityoflifeforallci zens.
Post-pandemic and debt default, there is an openingtoresettheeconomy.
Embracing Wealth Crea on as the development model for Ghana is right for many reasons, includingtherecogni onthat:
1. the days of one-size-fits-all solu ons and expor ng unprocessed cocoa, metals and fish; and li le processed and illegal mber are no longer viable in the new global economic p a ra d i g m G h a n a s h o u l d e m b ra c e differen ated paths to its wealth crea on goals and the managers of the economy must implement customised wealth crea on strategiesforselectedindustries.
2. to remain relevant and compe ve in global markets requires a diversified reservoir of intellectual property, patents, innova on, and value-addi onthatis'Made-in-Ghana'.
3. sustainable profits and savings determine the pace of investments in human capital developments and innova ons to create new anchor technologies that will maximise the speed, scale and longevity of economic transforma on.
To paraphrase Dr Seyram Kawor of the UCC, “no country borrows to develop. Borrowingmust only supplement a country's own accumula on of its own resources and revenues.” Therefore, amid global vola lity, a fluctua ng Cedi, vanishing domes c savings and investments, and emp ed na onal reserves, we have to step back and urgently
(1) priori se crea ng resilient wealth with robustbufferstocontainmajorshocks.
(2) determine a new vision for wealth crea on and
(3) decide how to achieve material i m p r o v e m e n t a n d q u a l i t a v e transforma on for the benefit of ci zens nowandintothefuture.
Letmeexplainwhy.
CHANGEISUPONUS:OPPORTUNITIESABOUND
As in Africa and the developing world, Ghana's economy straddles centuries of economic revolu on from the mechanisa on of agriculture, the development of industry, the rise of services, and the knowledge economy powered by communica ons, ar ficial intelligence, nanotechnology and biosciences Ghana's economy is integrated with the global economy through global trade and financial markets and the intertwining of our economy with these powerful economic systems opens up new opportuni es for growth and wealth crea on. Ghana has an opportunity in the coming decades to harmonise all four revolu ons to accelerate economic transforma on and wealth crea on. There is no be er me than now when we have been presented with the “historic opportunity to
dosowiththeAfricaFreeTradeCon nentalArea” toquotetheWorldBank.
CHANGEISUPONUS:DOMESTICDISLOCATIONS
On the other hand, we have all witnessed worldwide economic disrup ons since 2020, and the slide of Ghana's economy into an unprecedented economic abyss that we are beginning to understand began as early as 2018. The ongoing collapse and uncertainty generated con nue to spook financial markets, slow investment and ul mately economic ac vity into the medium term Perversely, if the global recovery con nues to strengthen and as policies to frame the new global economic order are normalised, an emerging economy such as Ghana, can expect the process to expose its economy to external shocks and adverse spillovers, even as we strive to remain a viable player in key global economic systems – unless we build a more robust economy Just as Winston Churchill advised, we should not waste this crisis. Itisanopportunitytoremodeltheeconomy.
CHANGEISUPONUS:FUTUREDEVELOPMENTS
Three major developments are predicted between now and 2040 in the November 2021 World Bank Country Economic Memorandum tled Ghana Rising: Accelera ng Economic Transforma on and Crea ng Jobs; (a) Ghana's popula on will rise to 45 million (b) six in every ten people will be less than 30 years old, and (c) about 10 million young Ghanaians will join the labour force and must be gainfully engaged. It notes that "Ghana faces an acute challenge of genera ng more and be er jobs and has a 'missing middle' of employment in midproduc vity sectors". However, all is not lost. The report further acknowledged that Ghana has all it takes to con nue being an economic development star if it takes the right steps to nurture growth and job crea on despite the debilita ng effect of the pandemic. And I will add even more cri cally restoring prudent economic management. Specifically, the World Bank highlighted;
(1) macroeconomicstability,
(2) financialsectordevelopment,
(3) technologicaltransforma on,
(4) fosteringgreaterglobalintegra on, and I will addasakeypoint,
(5) restoring a robust governance architecture to underpinthefourpriori es
AWALKDOWNMEMORYLANE
In the Post-World War II process of wealth crea on, sub- Saharan Africa along with parts of the Middle East, the former Communist-Socialist bloc and La n America lost ground in various degrees to the winners like France, Germany, Japan, South Korea, Taiwan, Singapore, and Hong Kong, and then, Malaysia, Thailand, Indonesia, and Chinaiii. Some heavily-endowed na ons and regions mismanaged their blessingsiv whilst countries with precious li le became adept at sustainably acquiring and accumula ng resources and improving the lives of their people indelibly We know where Ghana fits in this picture.
Let us step briefly into 1957 to hear Victor Adams' describe the hope and op mism for a be er future when church bells rang across the city of Accra to signal the birth of modern Ghana, to the e-newsle er UN Africa Renewal. He was in his home village of Shiashi, a suburb of the Ghanaian capital. Shiashi had no electricity, roads or piped water There were only eight mud houses in the en re village. Shiashi and its surrounding areas have since been transformed but signs of underdevelopment s ll abound, including poor sanita on, unpaved roads and makeshi homes. In a way, the story of Shiashi reflects Ghana's uneven economic and social development over the years. A middle school student at the me of independence, Mr Adams said, "Our country could have done be er." Many Ghanaians share thatsen ment.
Ghana requires a new economic model to translate resources and revenues into resilient WealthCrea on.
Ghana cannot create wealth by just earning more money If that were untrue we would be rich from over 100 years of cocoa, bauxite and gold exports alone. The economy needs a new paradigm where we consciously reserve por ons of our
earnings to invest in a con nuous process of resource accumula on designed to create parallel streams of income through private industry and human capital investments. It cannot be a short-term ac vity Secondly, wealth crea on should have a clear intent to generate and distribute opportuni es across all stages of priori sed value chains. This clarity is crucial for the quality of outcomes from the alloca ons of resources:
(1) for human and capital investments to produceabiggereconomy,
(2) to transform Ghana into a technology and innova on-driveneconomy
(3) tosupportdomes cindustrialgrowth,and
(4) tosustain,resilientlong-termGDPgrowth. Ghana as a developing country ought to be aggressive about developing opportuni es through policy-making to a ract investments We must support innova on and produc vity solu ons that will enable the economy to generate wealth by a rac ng the spending and investments of both local and global consumers and investors. The “if we build it, they will come” approach of the Emirates is proof posi ve of the success of pursuing wealth crea on as a na onal objec ve.
For too long greed and corrup on, self-interest, poli cal longevity, the desire for aggrandising , power and social relevance have been the main obstacles undermining wealth crea on in Ghana. These mo va ons end with the erosion of the well-being of ci zens. Unfortunately, commentary on intangible sources of wealth like the environment, innova on, intellectual assets, social order etcetera are underplayed and remain elusive in economic and sociological literature. And we dare not look to na onal glory and honour for inspira on. Yet, these are what should strengthen the extent to which we produce sustainedeconomicwealthandgrowth.
The Alchemy of Growth - The Three Horizons of Growth
Some mes being a late bloomer has its advantages. Once the consensus bakes in, Ghana
will have a fresh canvas on which to define how to straddle the economic revolu ons in agriculture, industry, services and the new knowledge industriesandvaluechains.
(1) The first horizon should aim to shi the core of na onal revenues to agribusiness by rapidly expanding the scale, quality and performance of deriva ve industries that either add value to or innovate around previously raw or lightly processed agricultural products. It should shi targeted investments to increase their efficiency and produc vity. The same logic should apply to value-added cultural exports, tourism productsandotherbasicexports.
(2) The second horizon is the phase for selec ng and resourcing emerging technological and innova onindustrieswhichshouldbeatthe core of the New Ghana economy. A successful strategy will create self-funding growth from entrepreneurial ventures that will generate substan al broad and longterm economic opportuni es very quickly in thetransforma oncycle.
The transi on to technology and innova on driven industries requires three major shi s in culture,mind-setandfocusasfollows:
● THESHIFTINCULTURE
Ÿ SharetheVisionandCultureoftheFuture
Ÿ Clearly define the strategic direc on of the economy and society and get everyone deeply mo vated by and commi ed to the journey to transformlives;notjustchangelifestyles.
Ÿ Highlight the new na onal values and end the culture of seeing the na on's tolerance for mediocre leaders as infinite and embrace a meritocracy Demand changed behaviours to undergird the transforma on agenda in terms of personal responsibility and being accountable.
Ÿ Build the right habits to be a self-sufficient economy. Emphasise sound economic principles such as modera ng consumerism and disciplined work-ethic, building compe ve advantage across industries, low
debt,andbuyingMade-in-Ghana.
● THE SHIFT IN MIND-SET – STEP OUT. STAND OUT
Ÿ Develop Ghana Inc. as an economic philosophy founded on discipline, keeping high standards, andintegrity;theprotec onofindividualrights, property rights, and the environment; and the supremacyoftheruleoflaw.
Ÿ Build ecosystems to promote trade and rela onships that reinforce our development andgrowthplans.
Ÿ Intensify partnerships in markets and knowledge that enable the economy to u lise natural and human resources more efficiently andeffec velythanbefore.
Ÿ Break from the socioeconomic and poli cal norms in the African region. Ar culate a bold, standout vision about what life, work and leisureintheNewGhanaeconomywillbelike.
● THE SHIFT TO FOCUS – PRIORITISE INVESTMENTS
Ÿ Increase the savings rate in the economy and make genera onal investments in mul ple, long-term income flows; and break the false beliefthatfinancialsuccessispossiblewithouta disciplined focus on raising the rates of savings, (re)inves ng, and increasing the levels of financial literacy and business skills. Ergo, put wealth crea on above borrowing and crea ng unsustainabledebt.
Ÿ Concentrate government spending on na onal priori es and human resources founded on broad consensus, not poli cal ini a ves and schemes that drive the cost of government but do not create value; do not waste na onal resources on short-term projects and conspicuousconsump oningovernment.
Ÿ Decide more strategically, whose money to use for what. Leverage the geopoli cs of today Blend the resources of private investors with those of emerging economies, the IMF and World Bank, China, India and the West in seeking financing to invest in skills, physical infrastructure, and business development LearntoGAMEandstopbeingPLAYERS.
(3) The third and farthest-looking horizon of wealth crea on, targets how to elongate long-term growth by leveraging exploratory investmentsinR&D;anddeployingstrategies and technologies to establish new agribusinesses, crea ve, heritage, knowledge and technological industries to secure five long-term fundamentals in the NewGhanaeconomy,namely:
1. Job crea on through the radical transforma on of the core sectors and transi oning of labour with new skills into new industries with higher produc vity –especially innova on, ICT and business services. These more socially and geographically mobile workers also expand domes c trade, urbanisa on, and connec vity.
2. Produc vity growth, intensified innova on and entrepreneurship rates through domes c firms' adop on of digital and complementary technologies to accelerate the economic transforma on. To enable this change, The New Ghana will require r a d i c a l l y i m p r o v e d m i c r o - l e v e l infrastructure, internet connec vity and investmentsinawiderangeofdigitalskillsto facilitatetechnologyadop onbyfirms.
3. Inclusive private sector development that leverages domes c savings and financial resources to facilitate technology adop on, innova onandtheexpansionoflocalfirms.
4 Macro and fiscal stability, be er natural resource management and smart, broadbased revenue mobilisa on to generate revenues to fund reforms and economic transforma on.
5. Long-term inclusive growth that incen vises sustainable exploita on of natural resources, protects the environment and minimises the impactofclimatechangeonhouseholds.
LEADERSHIPISEVERYTHING
Leadership isindeedacrucialfactorinthesuccess anddevelopmentofanycountry,Ghanaincluded. It inspires and unites people, drives progress and economic growth, and makes posi ve changes in
the lives of ci zens happen. The underpinnings of Leadership are the Values of leaders that play a crucial role in determining the success of any country's efforts towards wealth crea on. The values held by Ghanaian leaders will significantly impact the country's economic growth, job crea on, and development. For Ghana to achieve sustainable and inclusive economic growth, its leaders must exorcise the wicked torments of mismanagement, corrup on and greed; and priori se core values, the most needed of which are:
VALUES
1. Integrity: the self-confidence to act with honesty and transparency in all their dealings, whether in public or private sector roles to build trust and credibility with ci zens,investors,andotherstakeholders.
2. Accountability: the humility to take responsibility for their ac ons and answer to the people they serve. This means being willing to submit to tough ques ons, admit mistakes, and take correc ve ac on to securethefuture.
ATTITUDES
3. Innova on:theforethought,an cipa on,and adapta on we some mes describe as being visionary Add to that, inves ng in research and development, entrepreneurship, and the passion to promote crea vity that changes lives in all aspects of society and all sectors of the economy. This ecosystem enables innova on, start-ups, and small businesses to thrive.
BEHAVIOURS
4. Discipline: respect for the new social norms, therule-oflawandarespectfor me.
5. Inclusivity: inves ng in educa on and training for all ci zens to ensure fair access to the benefits from economic growth for all segments of society; promo ng gender equality, and crea ng employment opportuni esformarginalisedgroups.
6 Sustainability: priori sing resilience from sustainable development prac ces,
protec ng natural resources, inves ng in renewable and green energy and the longterm aspects of economic growth, when considering the impact of any policy on the environment, future genera ons, and social cohesion. We cannot build sustainability in the New Ghana economy without building resilience in finance, supply chains, human capital,andbusinessmodels.
I set out to address five core areas that are cri cal for us to address and interrogate as we plan to move the Ghanaian economy from the chronic crises periphery of global economic and trade systemstowardsthecoreasfollows:
1. ending the false paradigm - that revenue equalsdevelopmentequalswealth
2. selec ng and inves ng in new high-value enterprise that bring resilience to the economy
3. building savings to invest in private industry and human capital to create parallel streams of income, resource accumula on and investments
4 defining how to straddle the economic revolu ons in agriculture, industry, services andknowledgeindustries,and
5. the importance of leadership values, a tudes and behaviours as the core underpinning for thechange.
CERTAINLY,ALLISNOTLOST.
Wealth crea on as the 4th Horizon of Ghana's Development is a viable, credible economic objec ve and I recommend further discourse on this.
Thank you.
Entertainment, Arts, Culture and Tourism
BRIGHT O. YEBOAH
CO-FOUNDER & COO, WIFLIXEntertainment and media covers a range of sectors, some well-established in Africa and other products of the digital revolu on heralded by mass smartphone use. Newspapers and magazines, tradi onal television, live music, cinema, radio and street-level adver sing remain strong on the con nent, par cularly in less developed markets. Yet they are no match in the long term for new industries, including video and music streaming, internet adver sing and socialmedia.
“The entertainment sector in Africa is s ll very much emerging and we have barely scratched the surface of what can be achieved by inves ng in African crea vity,” says Bright Yeoah, Co-founder of Wi-flix B.V, a strategic advisory firm specialized in the African crea ve and sport sectors. The tech giants “know that their next billion users will come from Africa, which is why they are all inves ng heavily in the con nent's internet infrastructure”
Africa's youthful popula on, growing middle class and rising internet connec vity offer a growth opportunity for streaming services in the entertainment, arts and culture industry The con nent's video-on-demand subscrip ons will almost triple from 4.89 million at the end of 2021 to 13.7 million in 2027. This growth drives the revenues to more than double from US$2.1 million in 2022 to US$3.97 billion in 2027. Ne lix and YouTube hold nearly half the market at 48%, but these global players are being confronted with the first signs of market satura on. The interna onal offerings aren't as a rac ve to Africans, since people prefer consuming local content. Hence, African streaming services such as the Wi-flix startup in Ghana, Kenya, and Nigeria grew from 300 thousand to over 1 million paid subscribers in 2021 alone. More established providers remain popular, such as IROKOTV and GloTV in Nigeria, and Showmax in
South Africa. These companies can offer large amounts oflocallymadecontentalongsidehigh-endinterna onal offerings.
Over the last five years, Africa has become a prized territory for mul na onal streaming services in their ongoing ba le for supremacy While many na ons on the con nent are, collec vely speaking, an undeveloped market in this regard, Africa boasts huge poten al for rapidgrowth.
According to a report by London-based intelligence firm Digital TV Research, streaming video on demand (SVOD) subscrip ons in Africa, which stood at around 5.11 millionbytheendof2021,looksettotripleby2026.This has been driven by the increased connec vity infrastructure throughout Africa, the prolifera on of smart devices and a steadily growing, young, tech-savvy popula on.
Streaming services, by nature, are disruptors. Their presence has already had a significant impact on movie theaters, terrestrial, and cable television markets interna onally, and now local streaming services are staking their claim, country-by-country, across the African con nent. We believe that local players have the edge over their interna onal counterparts. That is because they are closer to their audience, have a greater knowledge of what they like to watch, and have deeper insightsintohowtheyconsumethatcontent.
We have learned a lot over the past two years. We looked at what the interna onal streaming services were doing and asked – how can we disrupt the
disruptor?
While our audience enjoys interna onal blockbusters, there is a vibrant entertainment culture across the con nent that is crying out for recogni on. Whether it is music, art, or film and television content, African people love to celebrate their local heroes and we love to consume local content Today, African streaming services like Wi-flix in Ghana, Kenya and Nigeria, and iROKOtv and GloTV in Nigeria, and Showmax in South Africa – are all providing large amounts of locally made content (alongside high-end interna onal offerings), and their offerings are proving more popular with Africanaudiences.
Ne lix has even taken no ce, pledging to invest R929 million into South Africa's crea ve industry by 2023, and has entered a collabora on with EbonyLife to produce films for the Nigerian market Furthermore, local pla orm owners can navigate the entertainment terrain more easily, not just being more in touch with local audiences' tastes, but also being aware of the standards and requirements of the broadcas ng authori es in theirregions.
Content producers and commissioners have also taken note of the appe te for local content. According to Disrupt Africa, African content start-ups had their best funding year on record in 2020, raising a combined total of $13.9 million, almost 19 mes the amount raised in the previous year and nearly 116 mes what was secured in 2018. With entertainment pla orms and start-ups seeing increased success, investors are star ng to throw more money behind them, along with fintech, e-commerce and health ventures already in their por olios.
From a recent so survey conducted, It's safe to say that over 70% of Africa's youth popula on have never been to the cinema and yet this is a con nent with growing deep internet penetra on of a vibrant, informed and mostly educated young people. Africa has more people of working age than the en re world combined I understand that 41% of the global youth popula on will live in Africa in 2030 and those numbers may double by 2050.
Africa's media and entertainment industry at a crossroad
From Instagram comedians to the telecommunica ons giants that deliver their content, the future of media in Africaisinfizzingferment.
Trapped at home in Nairobi by the Covid-19 pandemic and, like millions around the world, feeling isolated, Elsa Majimbo started pos ng short comedic videos to Instagram. Si ng in bed ea ng crisps and laughing wildly,Majimboquicklybuiltadevotedfollowing.
Two years on, she boasts 2.5m followers on the social media pla orm; magazine covers; fashion campaigns; and a new home in glitzy West Hollywood. Like many African creators, from YouTubers and gamers to musicians and actors, Majimbo embodies the dizzying growth of the con nent's entertainment and media industry
Amid rapid digital adop on, behavioral shi s brought about by the Covid-19 pandemic, and stagna ng Western markets for companies such as Ne lix, YouTube and Facebook, the path to future growth in the dynamic sectorcouldrunthroughAfrica.
As a result, Africa's fractured entertainment and media industry finds itself at a crossroad. As African consumers devote more of their me and money to media, companies will need to be nimble. And while all agree that the sector is embarking on a period of huge expansion on the world's fastest-growing con nent, underlying vola lity means many companies will be le behind.
Tothemthatshallbegivengrowth
Impressive growth in entertainment and media in Africa is being driven by the con nent's most developed economies. South Africa, the most industrialized na on, is also the most structured market with an established crea ve industry and strong talent pool in film, anima on, design, gaming and music. It even has its own streaming service, Showmax The advent of 5G technology in South Africa looks set to boost the sector even more by increasing internet speeds and lowering prices.
Nigeria,withitsenormousyoungtech-savvypopula on,
is Africa's entertainment powerhouse, domina ng in music,film,fashionandevenvisualarts.
MeanwhileKenya,EastAfrica'seconomicgiantandstartup hub, holds huge poten al for entertainment and media companies. Last year Ne lix released its first Kenyan series, a gri y family drama called Country Queen.Highlyar s cGhana,too,showsgreatpoten al.
Industry experts say smaller markets including Rwanda, Côte d'Ivoire and even Benin could also help drive growth in the sector Dakar, Senegal's capital, has established itself as a West African cultural capital and a leading sports hub. And beyond sub-Saharan Africa, Egypt,MoroccoandTunisiaareshowingstronggrowthin gaming,visualartsandanima onrespec vely
S ll, markets such as Namibia and Botswana are five to six years behind the likes of South Africa, says Fakela, largelyduetothehighpriceofstreamingdataandslower digital uptake – which leave people reliant on tradi onal media,includingnewspapersandradio.
According to mobile network industry organiza on the GSMA, only 28% of sub-Saharan Africans were connected to the internet by the end of 2020. In some third- er markets, Fakela says, the state s ll has a big hold on media – though things are star ng to change.
“The cheaper data becomes, the more you have audiences coming through,” he said. “That will create a lot more fragmenta on, but I think it will drive down the costofmedia.”
Lora-Mungai says that Africa's entertainment industry is in the process of structuring itself. “About five years ago, governments and development financial ins tu ons, such as Afreximbank, the Interna onal Finance Corpora on, the Agence Française de Développement and its subsidiary Proparco, and the African DevelopmentBank–allthesestartedlookingseriouslyat the crea ve sector as a source of growth and job crea on,”shesays.
Mone sa ononthemove
Meanwhile, improvements in internet penetra on, smartphone ownership, online payments and mone sa on tools have given African creators access to the global online marketplace. During the pandemic, pla orms such as Instagram and YouTube made mone sa on tools, such as mobile payments and adverts,accessibletoAfricancreators,shesays.
As a result, entertainment and media revenue has grown strongly in South Africa, Nigeria and Kenya since 2021 as all three major markets emerged from the pandemic, according to a report by global consultancy firm PwC. Yet Covid-19 also exposed fractures in the industry, with some sub-sectors benefi ng from behavioral shi s and others losing out. Some former niche segments, such as gaming, have become more prominent for instance, while some established sectors such as newspapers are ontheslide.
Adver sing was hit hardest by the pandemic, but has experienced the largest rebound since, with internet adver sing set to grow rapidly in the coming years. The PwC report claims that 79.7% of entertainment and media revenue gained in South Africa by 2026 will come from internet adver sing, as consumers spend more and more of their me online and adver sers follow “I think the compe on then in the next five to ten years is likely to be between Google and Facebook versus Ne lix or Amazon Prime, as opposed to Ne lix versus the local statebroadcaster,”saysFakela.
Other sectors well posi oned for rapid growth include music and video streaming, whose revenue growth by 2026 is expected to outpace tradi onal TV subscrip ons in Africa's biggest markets – although TV will remain much larger. In Kenya, for instance, streaming revenue is expected to total $8.8m in 2026, while TV subscrip on revenue will total $420m, according to PwC. Similarly, music streaming is the fastest-growing component in Nigeria's music market with the country's ar sts, including Burna Boy and Wizkid, topping charts around theworld.
CanAfricaenterthemetaverse?
By contrast, newspapers and magazines are expected to seetheirmarketsharefall.Cinemascouldalsostrugglein the long term, amid rising streaming usage – though box office revenue in South Africa remains strong. For now, cinemas are springing up in ci es like Dakar and Nairobi, cateringtoagrowingAfricanmiddleclass.
In the con nent's biggest markets, a boost is coming down the track in the form of 5G (fi h genera on) mobile data technology, which should usher in cheaper and higher-quality lag-free streaming, cloud gaming and virtual reality. South Africa is on the brink of 5G adop on, a er a series of spectrum auc ons. Nigeria heldasuccessfulspectrumauc onin2021.
“5G is going to play a huge role because I think it will significantly reduce the costs of being connected,” says Fakela.“Iseeitasalsoaneconomicenabler,becauseyou have new businesses coming onstream as a result of faster connec vity, and connec vity in areas that were previouslyunderserved.”
Originalityandauthen citywillbreedsuccess
Those that will succeed in Africa's fragmented media and entertainment industry will be those that give African consumers what they want, rather than repurposing Western content for Africa. Nowhere is that trend clearer than in streaming, where the likes of Ne lix, Amazon Prime and Spo fy have begun taking Africaseriously
Today, Ne lix offers a vast content library, while Showmax has a slate of African originals and global sports coverage. Disney+ launched in South Africa last May,andhasafootholdinMorocco,Egypt,Algeria,Libya and Tunisia. Amazon Prime Video, meanwhile, launched a local service in Nigeria in August allowing customers to purchase subscrip ons in Naira, and has established dedicated country teams for Nigeria and South Africa. Similarexpansionhasoccurredinmusicstreaming.
In turn, local companies are receiving record amounts of funding. According to Disrupt Africa, African entertainment startups recorded their best ever funding year in 2020, raising $13.9m, mostly from venture capital firms. It comes as streaming signups start to slow downinsaturatedwesternmarkets.
There is s ll some way to go, however Streaming giants are s ll keen to match their investments to expected returns, Lora-Mungai says, causing African creators to grumble that budgets are s ll too low compared to elsewhere.
The ba le between streaming giants to boost their African customer bases shows the entertainment and media industry's trajectory, which is being set by the desires of African consumers. With low barriers to entry, consumers have a huge variety of content and services
available in their price range. Companies, meanwhile, must ba le intense compe on and con nual disrup on to stay relevant. For those that do so successfully,thepay-offwillbeenormous.
Science,TechnologyandInnova on,ICT
The third Senior Experts Dialogue on Science, Technology and Innova on and the African Transforma on Agenda (SED 2016) ended in Pretoria with experts agreeing African governments need to do more to support innova on, especially by young people intheirrespec vecountries.
The SED 2016, a ended by experts from 21 African countries, including representa ves from universi es, Member States and ci es, sought, among other things, to help African countries iden fy the main opportuni es and challenges at different policy and organiza onal levels for leveraging and maximizing the rapid rise of ci es, including the rise of mega-ci es on the con nent todriveinnova onandinven on.
The 2016 SED was held under the theme “Ci es as Innova on
HubsforAfrica'sTransforma on”
The three-day mee ng, hosted by the Department of Science and Technology (DST) of the Republic of South Africa, iden fied key elements and issues, based on local as well as interna onal experience, that African governments, along with their interna onal development partners, can take into account in formula ng ac on plans to turn their ci es from manufacturing and trade hubs into innova on hubs and centers.
African ci es were already innova ve but the sad thing was that governments were s ll unable to close the gap betweenwhattheyspendonresearchanddevelopment and the new innova ons that can address some of the problemsfacingAfrica'sci es.
There is a lot happening in Africa, so much poten al and untapped sectors that I think we can harness by going into strategic partnership. Africa is on the rise, let's support the young with the right environment and mentorshipthatwillmakeAfricaproud.
By Bright O. Yeboah, Co-Founder of Wi-Flix B.VArts, Culture and Tourism
Arts, Culture and Tourism although closely intertwined are s ll separate sectors with dis nct roles. Each requires a separate treatment to unravel an aspect of their func on and impact on society For coherence, this ar cle will focus on tourism development with the tacit understanding that arts and culture are important enablers of tourism. Thus, there can´t be any meaningful development in tourism
without a meaningful development in arts and culture.
Ghana,afavouriteholidaydes na on?
It would seem the world descends on Ghana every December Thousands of holiday makers fly in to enjoy themselves in a variety of fun filled ac vi es.Theycomefortheconcerts,thepar es, the tours and the general cultural emersion. Social media lights up with their comments, pictures and videos; feeding into the frenzy of a ¨DecemberinGhana¨astheplacetobe.
December is only a culmina on of yearlong ac vi es as a steady stream of tourists fly into the country throughout the year Notable among the inflows are popular American celebri es whose visits help to push the hype of des na on Ghana. This impression is further bolstered by a lot of interna onal media a en on, whether organic or organised. Ghana o en comes up in all sorts of publica ons and news reports as an important touristdes na oninAfrica.
With so much a en on on the country, it is not uncommon to see social media comments from ci zens of neighbouring countries, par cularly Nigeria, bera ng their governments for failing to orchestrate such excitement about their own countries. They would o en wonder what Ghana isdoingrightthattheyaren't?
It would appear that one ini a ve, in recent mes, the Ghanaian government got right was the Year of Return (YOR) implemented in 2019 to
mark the 400th anniversary of the arrival of the first enslaved Africans in America. It was a PR success which helped to spur a renewed interest in the country. The private sector took advantage to launch new programmes or intensify exis ng ones. Major cultural and musical concerts such as Afrochella (now AfroFuture), Afrona on and The Black Star Fes val have all leveraged the ini a ve.
With all the excitement around Ghana and the many ac vi es and ini a ves promo ng Ghana as a major tourist des na on in Africa, one would imagine that the country will rank high as one of the con nent´s major tourist des na ons. But, it does not. Ghana does not even feature in the top 10des na onsinAfrica.
In the United Na ons World Tourism Organisa on´s 2019 rankings, the top three most visited countries in Africa were Egypt (13.0 million visitors), Morocco (12.9 million) and South Africa (10.2 million). The bo om three were Ivory Coast (2.0 million), Kenya (1.9 million) and Botswana (1.7 million). In-between were Tunisia (9 4million), Algeria (2 4million), Zimbabwe (2 3million) and Mozambique (2 million).
In comparison, Ghana received a li le over one million visitors in 2019 according to figures released by the Ghana Tourism Authority. In the authority´s last report for 2022, total visita ons stood at 914,892. It is quite clear that Ghana in nowhere near the big boys when it comes to tourisminAfrica.
HighontheNumbers
In the excitement following up from the Year of Return (YOR), many government officials bandied figures about that sought to create the impression of an unprecedented growth in Ghana´s tourism in order to claim as much
poli cal dividends as possible. Official sources revealed that Ghana cashed in 1.9 billion dollars as a result of the YOR This figure was widely quoted by many interna onal publica ons. The amount was, however, challenged by many experts as unfounded and overexaggerated. Policy analyst Bright Simmons, wri ng for the Africa Report in January 2020 stated that ¨the danger in eleva ng phantom figures to the level of truth is in the complacency they can breed¨.He stressed that ¨sounding the alarm about these widely publicised and widely believed numbers is the wish to forestall such a bad outcome and to mo vate the authori es to see their successful marke ng and communica ons strategies as merely the founda on on which to erect a truly effec ve sales plan for Ghana´s tourism and investmentclimatepoten al.
Bright Simmons is spot on with his observa on that any li le success realised so far must be seen as a founda on to build on. For the success is indeed li le in terms of traffic. A surgical analysis of the figures will reveal that Ghana´s tourism growth is consistent with past projec ons and that the current ini a ves have not led to any drama c increase in tourist numbers. At least not yet. At best, a few tens of thousands more visitors might be the marginal increase in visitors as a resultofrecentcampaigns.
TheBoomsandBursts
Of course, one that does not expect marke ng effort to bear immediate results But it is important to note that Ghana has had cycles of boom in its tourism experience followed by corresponding bursts. This will not be the first meGhana has beeninthe spotlight.In fact,right f ro m t h e in c ep o n o f t h e co u nt r y ´ s independence, there was great excitement around the country. Ghana was a mecca for freedom fighters and pan-Africanist Many notable black leaders such as W E. B. Du Bois,
George Padmore, Mar n Luther King Jnr, Maya Angelou and Mohammed Ali were all here Kwame Nkrumah´s drive for a united Africa also brought in many African leaders to Ghana. One can, indeed, say that in the late 50s to early 60s, Ghanawastheplacetobe.
The overthrow of Kwame Nkrumah and the subsequent military interven ons that followed created instability that would have affected visita ons into the country Nonetheless, Ghana s ll hosted one of the biggest concerts in its history, Soul to Soul, in 1971. It featured some of the most iconic American stars of the me—James Brown, Ike, Tina Turner, Santana, Wilson Picket, among others. The Blackstar Square overflowed with tens of thousands of people who came to enjoy the once-in-life- me experience. The concert made waves around the worldandhasalmostbecomethestaffoflegend.
Another important epoch in the meline of Ghana´s tourism drive is the Pan African Historical Theatre Fes val (PANAFEST) ini ated by Efua Sutherland and launched in 1992 by then President Rawlings to encourage a reconnec on of Africa and its diaspora For many years, PANAFEST was a big deal and a major item on the na onal calender. It garnered a lot of interna onal a en on and became an important pilgrimage for people of African descent who came in their thousands. The fes val is s ll on to this day, albeit without much of the luster in beganwith.
These examples are to demonstrate that there have always been moments of a en on and excitement around Ghana. Indeed, there is an organic pull of people, especially, the African diaspora, to Ghana because of the many enslaved people who were transported from here to the new world. And, also, the important role Ghana has played in the Pan-African struggle. Taken together, the various tourism projects launched
over the years and Ghana´s natural pull factor guaranteesacertainsteadystreamof visitorsinto the country But this has not been enough to put us up there with the big players in Africa´s tourism. The poten al is, however, there for Ghana to leverage its posi oning to drama cally increase traffic into the country. For that to happen though, we need a NEW DEAL FOR GHANATOURISM
TheNewDealforGhanaTourism
Over the years, there have been a myriad of laws, policies and ini a ves meant to bolster Ghana´s tourism industry. The ideas are there, the plans have been drawn and some ac ons have been taken What is, however, missing is an overarching vision and ambi on to connect the dotsandwhipallstakeholdersinline.
Ghana must aspire to rank within the top 10 most visited countries in Africa. It must set for itself a target to increase annual visita ons from 1 to 5 million visitors within 10 years by leveraging a USD10billioninvestmentintothetourismsector.
Poli cal leaders must seriously recalibrate their thinking around economic management away from the overreliance on natural resources to the crea on of new economic value that completely transforms the tradi onal structure of the economy.
Since independence, poli cal ambi on has always been to industrialise the economy as a path to prosperity Every government has pursued this elusive dream and 56 years on, we are nowhere closer to being labeled an industrialised economy. Perhaps this is so because it is not in the interest of the global capitalist world order to have an industrialised Africa. The con nent must necessary remain at the bo om of the pyramid feeding the industrial epicenters in the West and these days, the East—with raw materials. It is, therefore, not
surprisingthathardlyanycountryinSub-SaharanAfricacanbesaidtobeindustrialised.
For Ghana, even as we con nue to seek industrialisa on, how about we take compe ve advantage of some low hanging fruits to bring in billions of dollars annually to support our economic growth? Tourism is easilywithinourreach.
We need a poli cal leader whose ambi on will be to transform the economy in such a way as to make tourism the number one earner If he or she succeeds, it would mean a fundamental shi has occurred and new value has been created, and its ripple effects will be so impac ul across the economy. New wealth wouldhavebeenbecreated.
Any meaningful transforming in Ghana´s tourism industry leading to drama c increase in traffic will have to emerge from a new deal, from an obsessive ambi on to transform. Without that, we will con nue to just checktheboxesandalltheexcitementaroundbrandGhanawillnotleadtoanymeaningfulimpact.
UNPRECEDENTEDINVESTMENT
If we want to play in the big leagues, we must bring out the big guns. There can't be any drama c change in the fortunes of our tourism industry without a drama c transforma on in our tourism infrastructure, experiencesandrelatedservices.Thisrequiresmoney.Alotofit.Itwillonlytakeagovernmentwhosemajor priority is tourism to put in the kind of work geared towards a rac ng the colossal investments it needs to transform the sector. Leveraging a USD10 billion financing will have to come through a variety of sources: budgetary alloca ons, foreign direct investments, tourism bonds, public-private partnerships, buildoperate-transfereeagreements,amongothers.Wherethereisawill,therewillbeaway
It is important to note that any such colossal investment will not be at the expense of the general na onal development agenda. The things that tourism needs to thrive are also things that ci zens need; good roads, good public transport, good sanita on, good healthcare, good infrastructure, good public services and many others. Moreover, the dividends from massive investment into tourism will spur general economic growthtothebenefitofall.
There are many policies and ini a ves needed to transform the tourism sector and many of these have already been in the conversa on for years. This ar cle has sought to highlight what it believes is the missing link and the most important element needed for any drama c transforma on in Ghana´s tourism development—the ambi on to make tourism the biggest sector of the economy and the will to see it through. We must aim at the heavens, and even if we only reach the stars, we would have s ll made significantprogress.
BRAND DEVELOPMENT, BRAND BUILDING
AND DISRUPTIVE GLOBAL MARKET OPPORTUNITIES FOR AGRIBUSINESS, ARTS & TOURISM AND ICT BUSINESSES IN GHANA
BACKGROUND
Every business, no ma er what category it
operates in, needs to have a brand and a brand strategy that are aligned with its business objec ves That way, the process of developing and building that brand will have a well-thoughtthroughfounda on.
Developing and building a brand involves a con nuous process of brand development and brand building around two (2) broad pillars, thus: BrandImageandBrandIden ty.
Under these broad pillars, a business will have to create a messaging framework that influences the manner the business communicates with the buying public and clearly informs their audiences about what value they should expect when they patronizethebusinesses'productsorservices.
Now, let's look at the main considera ons when developingabrand.
In developing its brand image, a business will need tofocuson:
Ÿ The brand's core values – which will be the values that will guide the conduct of your business it's internal and external engagements. In essence the character of the business
Ÿ The brand's personality – represents how the business wants its audiences to perceive it. These are the emo onal connectors that enable the business to achieve affinity with theconsumer
Ÿ User percep on – this is the posi on that a business occupies in the market space,
directlyrelated to the brand's equitywithin its category
In developing its brand iden ty, a business will needtofocuson:
Ÿ Brand name & Logo – the name of the businessoritsproductorservice
Ÿ Typography – brand iden ty elements like fonts are a key part of building a brand's iden ty
Ÿ Colour pale e – brand iden ty elements like coloursarealsoakeypartofabrand'siden ty
These are the elements that make a brand, and these are the building blocks of brand development.
Brand building involves con nuous periodic brand ac vi es that feed off business and marke ng communica onstrategies.
Brandbuildinginvolves:
Ÿ Conduc ngeffec vemarketresearch
Ÿ Focusonvalueproposi on
Ÿ Develop emo onal connec on with consumers
Ÿ Deliverconsistentcampaigns
Ÿ Measurementsanditera ons
Brand development and brand building opportuni es
The adver sing category has been the main driver of marke ng communica ons in Ghana, and therefore brand development, brand building and digitalac vi es.
The brand development and brand building opportuni es for businesses in the Agribusiness, Arts & Culture and ICT categories in Ghana is prac cally the same. This is because the principles and elements of developing and building a brand for a business remain the same and can be applied acrossavariedrangeofindustries.
From my 20+ years experience in marke ng communica ons, the last 12 of which has been focused on the digital discipline, major branding
andrebrandingcampaignsbysomeofGhana'sClub 100 members have required the same considera ons in brand development and brand buildingdevelopingcampaigns.
Dis nguished brand like Unilever, Diageo, Nestle, MTN, Vodafone and SMEs like Farmerline, ExpressPay, SlidePay, GhanaPost GPS and Hubtel have all benefited from marke ng communica ons campaign that have helped develop and growth theirbrandandthereforetheirbusinesses.
Even media companies have leveraged their media assets to develop and build their brands. Think of companies the Joy Media, Despite group of companies,Ci NewsGroupamongstothers.
As part of the brand building process, a business may need to remind the market of its original proposi on by relaunch the brand emphasise an exis ngposi onorreclaimitsposi on
In other cases, it may need to reposi on itself, and this may mean a change of brand iden ty, personality or core offering. This may require, primarily, a rebranding campaign to communicate thenewposi oningandpersonality.
Someexamplesof successfulbrandingcampaigns
Brand campaigns are what spearhead a business's engagement with the consuming public, with the aim to occupy a favourable posi on in the minds of theirtargetaudience.
In the realm of brand development and brand building, rebranding campaigns tend to be interes ng and engaging An example is the Enterprise Group “Your Advantage” rebranding campaign which was precede by a cap va ng “Horse Invasion” teaser, complete with a pseudotrailerofafic onalmovie.
This campaign did not only achieve its objec ve of crea ng synergy between the various subsidiaries, but also resulted in the stock price of the business gaining by about 23% in the month of the launch, June2014.
There are some campaigns that achieved less success. For example, AsaaseGPS was rebranded and promoted as GhanaPost GPS, based on the “Jack Where Are You?” teaser campaign This campaign ensured that the digital addressing system that was acquired by the government for Ghana Post Company was introduced to create awareness.
However, a er the ini al awareness drive, the campaign lost momentum as there was no followup campaigns to ac vate and engage with the Ghanaiansociety Thiscampaignthereforefailedto leverage the full consumer journey, to achieve growthinusage.
Based on the existence of rela vely old and strong agencies like Scanad, Ogilvy, Innova DDB, Dentsu and their track record of developing and building brands, there is, without a doubt an availability of brand development, brand building and transforma on services that are available to Ghanaianbusinesses.
ReachingGlobalandregionalaudiences
As of January 2023, 5.16 billion internet users worldwide have been recorded That is 64 4 percent of the global popula on. Of this, 4.76 billion, or 59.4 percent of the world's popula on, areonsocialmedia.
Of the 5.16 billion internet users globally, 13% of them are in Africa; and this is growing and set to reach 748+ million users by 2028.
This presents businesses in the Agribusiness, Arts and Culture, and ICT sectors, in Ghana, huge regional and global audiences to engage with, for growth.
Marketplaces like Alibaba, Jumia, Tonaton are opportuni es for small businesses to reach global audienceswiththeirgoodsandservices.
Opportuni esforMarketDisrup on
The Technology Age is arguably the most disrup ve age in human history, and digital technologies has democra zed growth opportuni esforbusinesses.
The speed with which things change due to technological advancement is mind-boggling. Becauseofthis,businessesthatareatthecu ngedgeoftheircategorymakethemostimpact.
Digital trends like So ware-as-a-Service (SaaS), Near Field Communica on (NFC), eCommerce, RFID, Blockchain, eMobility, Cloud Compu ng,
Big Data, Augmented Reality (AR), Mixed reality (MR) and Virtual Reality (VR) have impacted businessesposi velyforgrowth.
Now let's look at some of the truly disrup ve technologies that can be leveraged for growth by businessesintheAgribusiness,
LeveragingAIforbusinesstransforma on
AccordingtoRayKurzweil,computerswillachieve humanlevelsofintelligenceby2029.
The me has come for AI, and its influence seems to have permeated every facet of business, including marke ng communica ons. This has led to a prolifera on of AI-driven tools and pla orms across the fields of finance, fintech, agribusinessandartsandculture.
In Agribusiness, a Ghanaian AI company, KaraAgro AI, has developed a tool which enables farmerstoeasilyandaccuratelydetectdiseasesin their crops using Ar ficial Intelligence. By simply
taking a photo of the crop's leaf, the app would analyseitandtellifanydiseasesarepresent.
Farmers can detect diseases both online and offline KaraAgro AI currently has Ar ficial Intelligence systems for detec ng diseases in; Tomato, Maize, Sweet Pepper, Potato, Grapes, Peach,Strawberry,AppleandCherry.
The influence of AI in marke ng communica ons have reached dizzying propor ons and created a lot of excitement amongst category players regardingthepossibili es,whichseemsinfinite.
Then there is Microso 's ChatGPT4 and Google's Bard, the two (2) front-running AI tools for marke ngandadver sing.
Betweenthem,these2(two)pla ormsdeliver:
1. Data Analy cs to analyze data to understand customer behavior and uncover trends, supplyanddemand,andtrends.
2. Analyze leads through customer data to make adver sing recommenda ons based on previous purchase behavior, registra on informa on,searchhistory,etc.
3. Smartadobjectsthatcanautoma callycreate smart ad objects to increase interac vity, with factors such as age, gender, geographic loca onandinterest.
4. Op mize ads: use Machine learning to predict the performance of adver sing campaigns based on historical data use algorithms to op mize ad campaigns, from ad format, posi oning, pricing and ad content. can also track ad results and re-op mize campaigns over me.
5. Deep Learning: can use Deep Learning to analyze images and videos to determine appropriateandeffec veadver singcontent. Another instance is the integra on of AI into socialmediamanagementtoolslikeBuffer.
LeveragingContentforbusinesstransforma on
In the Arts and Culture category, Spo fy and Audiomack are examples of audio streaming pla orms that have enabled music ar stes to promote their works to global audiences, while mone zingtheirtraffic.
YouTube, Google's video streaming service is another opportunity for businesses to in the Arts and Culture category to promote and. mone ze their content. It can also be maintained as the videorepositoryforallthebrand'svideos.
In more recent mes, social media pla orms like Facebook and TikTok have also delivered mone zing opportuni es to content developers, therebypresen ngplayerswiththespacetogrow businessesinthatsector.
Over the years, the saying that “Content is King” has con nued to manifest in even more exci ng and rewarding ways, and players within the Arts and Culture space con nue to benefit from new waysofcrea ngcontentanddistribu ngthem.
Furthermore, a movie category disruptor like Ne lix has open a huge door of opportunity for filmmakers and other content creators, in Ghana, toshowcasetheircontenttoaglobalaudience.
LeveragingCloudtechnologyforbusinesstransforma on
Cloud Commerce, Cloud Mobility, Cloud Marke ng are examples of how cloud compu ng has presented businesses with the opportunity to see goods and services online without owning any of the hardware, so wareandtoolsrequirestorunaneBusiness.
Cloud Commerce delivers eCommerce solu ons that provide a range of features like hyperlocal marketplaces, mul -vendor marketplaces and payment and delivery processing pla orm integra ons that provides everything a business, whether small or big needs to reach wider markets, with efficiency at low costs. Examples of these players, both local and global, are Alibaba, Amazon, Jumia, Hubtel, ExpressPay, SlydePay,andTonaton.
Cloud Mobility has transformed the transport sector, with on-demand services like ride-hailing and courier. In Ghana, global players like Uber, Bolt and Yango have dominated the ride-hailing category. These companieshavealsodiversifiedintothecourierbusiness.
However, small businesses like ShaqExpress and FC Express have disrupted the courier category with the mobileapps.Therearemanyotherstart-upsandsmallbusinessesemergingfromthissector.
Cloud Marke ng provides businesses with the marke ng technology (also Martech) tools and pla orms requiredtoincreasetheaudiencereachandconvertahigherrateofsalesleads,acrossmarkets.
Cloud compu ng has become the backbone of eBusinesses, delivering low costs of opera ons, agile development and deployment of apps and tools because of access to resources that, hitherto, was within thereachofonlyafewbigbusinesses.
Promo ngeventsonaglobalscale
Event organizers are also taking advantage of digital transforma on opportuni es to deliver events to, not justlocalaudiences,butalsoglobalones.
Social media networks, as well as online publica ons have also enabled businesses to promote these events toaudiencesthat,inyearspast,wereinaccessible.
Moreover, COVID-19 precipitated the advent of innova on in terms of how we organized events - cue virtual events.
Ÿ There is a prolifera on of collabora ve and conferencing tools and pla orms like Zoom, GoTo and BlueJeans that have brought immense benefits to businesses that are looking for alterna ves to physicalconferencesandseminars.
EventtoolslikeEventbritecanbeleveragedtopromotebusinessevents,completewithannouncementsand cketssales.
There are also opportuni es for virtual conferences and seminars delivered using tools like Cvent and Bizzabo,whichcomewithexci ngfeatureslikevirtualbooths,mee ngroomsamongstothers.
These pla orms and tools also have marke ng features that enables event organizers to their events to the rightaudiences.
CONCLUSION
For businesses involved in Agribusiness, Arts and Culture, and ICT in Ghana, these present opportuni es to reach audiences all around the globe, thereby increasing the chances of exponen algrowth.
We cannot discuss these exci ng opportuni es without considering the challenges to achieving them, which is basically lack of infrastructure, mainly erra c energy, slow bandwidth and high costofinternetdata.
This is a thorny issue at the crux of digital transforma on in Ghana as all these tools and pla orms indicated above will depend on the availability of the internet speeds that come with 5G.
5G is what will deliver the necessary bandwidths and speeds required to seamlessly integrate these disrup ve tools and so ware into rou ne produc vitysystems.
Needless to say that the 5G revolu on can be accelerated by a concerted effort between government digi za on agencies, the NCA and mobilenetworkoperators(MNOs).
In conclusion, despite these challenges, there has been a significant growth in digital inclusion and opportuni es for businesses in the Agribusiness, ArtsandCultureandICTtothriveandgrow
I dare say that we are at the cusp of formalizing a digital economy in Ghana, as both government and corporate ins tu ons embark on their own digitaltransforma onagendas.
Therefore, it is within the space of this digital economy that businesses in Ghana will be expected to posi on their brands, if they are to remainrelevantinthefuture.
Andtheopportuni esareendlesslyexci ng.
THE CHOP BOX JOURNEY
Ilearned early on the value of h a r d w o r k a n d i n d e p e n d e n c e . Concurrently, I saw a father who was fully invested in his whitecollar career as a proofreader for one of Ghana's top publishing houses at the me. I'm the fi h of six kids and I grew up in a big, loving family. There was barely enough money between the two of them to get by Korkor ice, as she was known to those in her supply chain (fishmongers, ice water vendors, bone shaker drivers, etc.), dealt in ice slabs at Accra's Salaga Market, as well as charcoal, grains, and other commodi es. When she needed to find some of the stocks she traded, she would have to go far out into the countryside. Technology was far behind where we were at as a country, but she was fortunate enough to usehersister'slandlinewheneversheneededtogetin touch with any merchants or drivers. Whether my dad had been paid or not, my mom always made sure we hadfoodonthetable,helpedpayforschool,etc.
I picked up a lot of knowledge from observing her business prac ces that has proven useful to me in my own ventures since then. I have a lot of stories to tell, but the two tasks I remember most certainly were collec ng debts and distribu ng goods. I take heart from her toughness and enthusiasm for selfemployment because they give me faith that I, as well, can make it as an entrepreneur. Even though she didn't see me begin this path, her pride in me has never wavered.
Once upon a me, when I was a student ge ng my first degree, I tagged along when Unilever Ghana Limited came to campus to talk to us Through the Na onal Service Secretariat and the Management Trainee Program, I was able to land a posi on with such a Fortune 500 company in the Fast-Moving Consumer Goods (FMCG) sector Because of this, I got to learn about all aspects of customer development, from enhancing our sales team's abili es to expanding our clientele, product l i n e s , a n d c h a n n e l s o f distribu on in the modern and tradi onal markets of Ghana, South Africa (where I was sent on an interna onal assignment), Kenya, Nigeria, and Ivory Coast. Three years before leaving the corporate world, I imagined myself as a successful business owner. My burning ambi ons are to leave a las ng impact, lower local unemployment rates, and empower local women by providing them with access tobe eremploymentopportuni es.
Demanding and difficult, especially as a working mother and graduate student. As I prepared to return to work a er my maternity leave, I needed help from a caregiver, but more importantly, I needed the proper nutri ous, affordable foods to wean my son off. Homemade Hausa Koko paste (a famous street food) was handed to me bymy aunt This was going to be our super brand someday Again, I had an experience where my sister had to shop for my niece's school supplies I found myself wondering, "Can I get someone to do this for me and deliver it to her on
campus without her packing and stressing to se le in to school?" This seemed like a good opportunity, and I figured there had to be others in a similar boat. Originally, Chopbox Express was a web-based convenience store aimed squarely at college students away from home. The plan was to introduce packaged convenience foods, local foods, etc , a er people becameaccustomedtoourservice.
With a plan in place beginning in August 2018, I set out to implement the changes I hoped to see in my life by the following August. On August 4, 2019, I received my first ever paying customer. Finally, in December of 2019, I made the decision to quit my posi on as the HeadofModernTradeatUnilevertofocusonChopbox Expressfull me.
In the week of COVID locked down in March 2020 in Ghana, we pivoted into convenience agro-foods targeted at working mothers seeking to offer healthier local breakfast, snack and soup-base delicacies prepared within a short cooking me to save the mother me to live be er. This was because children were home and mothers were saddled with preparing quick healthier meal solu ons as well as working from home. This season was the breakthrough for our convenience agro-foods. The product gained a lot of support from family and friends. Though we started without any branding, through word of mouth, we gained 2 new clients every week. My past professional experiences have allowed me to oversee the company's direc on, as well as its branding, quality, sales,andmarke ngini a ves.
One of our differen ators is the adop on of local catchy names which reminds people of the goodness of what they once enjoyed but for me – Toogbei, Pinkaso, Kunu, Hausa Koko etc. This is evidenced by the posi ve feedback we consistently get from customersandadvocatesofthelabel.
Though technology is expensive to many especially SMEs like myself, I have consciously worked with engineers and fabricators locally to customize 80% of ourequipment,whichtodayChopboxExpressnowhas
Hausa Koko produc on line which ensures a sanitary end-result. For our portrait sessions, we even have a specializedphotostand(inplaceofaringlightstand).
We have leveraged on the use of simple ICT tools like the internet, our Chopbox Express website, as well as popular social media pla orms like Instagram, Facebook, LinkedIn, Twi er, TicTok to drive our presenceandvisibility Inaddi on,85%ofoursalesare mainly via social media and ecommerce pla orms. We support our bookkeeping with an app called OZE which has improved our invoicing system, sales and debt tracking. One key uniqueness with our products comes on the package. This is the QR-code which offers audiovisual instruc ons on how to prepare each product. Regardlessof priorknowledgeinknowingthe food, this feature grants the Chopboxer the opportunity to try it first-hand just by watching and followingtheinstruc ons.
Women make up 83% of our 6-person team aged between 25 and 45. Together we have over 30 years of professionalexperience.
In addi on to my professional background, I come on board with 3years in food processing, degree in Foods and Nutri on, MBA in Business Administra on, 2 trainings on selected food processing cer fied by the Food & Research Ins tute and a Post Graduate Diploma cer ficate in Agribusiness. Clement has a technical background and joins us with three years of machine opera on experience and four years of retail sales Both Ruky and Vida have some trading experience despite their educa onal backgrounds (Ruky has a sixth-grade educa on and Vida has none). Accordingly, we adapted their training to help them perform their assigned du es. We have 2 part me ladies (students) we come in as and when the need arises. In addi on, we collaborate with Challenges Ghana, a venture that supports SMEs with graduates on a 4month project to support SMEs a er an opera onal audit is conducted and iden fied gaps are agreed.
This granted Chopbox Express 3 graduates in the year
to streamline our financial repor ng, enhance presence on social media and this has been of immense benefit. Our zeal to empower the youth in ourcommunityispartofoursurvival.
With the right technological backing, the agro-food industry can offer a lot more possibili es. Flakes made from millet and fonio are just two examples of the modern alterna ves (which are good subs tutes for cornflakes- imported). Flour from some of our root tubers can be a great replacement for wheat flour The Food Research Ins tute has the knowledge and tools to back up the industry. At Chopbox Express, we have tried and tested the use some of these and it presents same outcome in terms of the taste, texture and colour We have entered the Swiss, Canadian, and U.S. market through a few select African shops in an effort to cater to the preferences of West Africans. There is a lot of room for growth, and the demand for regional special esishuge.
Everything we do is driven by our desire to give the busy mom (The Chopboxer) a break by providing her with healthier, more accessible meal op ons in her area so that she can feed her family and, most importantly,takecareofherself There'ssomethingfor everyone in our menu, from light breakfast op ons to hearty soups. To that end, our formula ons aim to cut down cooking mes by as much as 70–90 percent. Chopbox Express takes the hassle out of meal me by
providing a variety of op ons in their boxed lunches. It's why we stock 4 dis nct varie es of Toogbei, 2 dis nct varie es of Pinkaso, Crunchy-Peanut and Cashew Bu er, Pancake, and various spice levels in 2 dis nctformatsofourbest-sellingHausaKoko.
FUTURE
The vision of Chopbox Express is to meet the West African taste across the globe, hence required to have interna onal foods standards and recogni on. This is expected to allow for ease of access to market and an opportunity scale-up to meet the poten al demand consistently. As a Foods and Nutri on degree holder, healthier ea ng enthusiast, coupled with my skills in customer development and marke ng, I believe I am equipped to build a great team, a big brand and leave an aspira onal legacy The future will be brighter if our team is well equipped, trained and are able to provide for their family's livelihoods. I am commi ed to suppor ng a community that seeks the well-being and nutri onalinterestofitsgenera on.
Shop with us at: h ps://wa.me/c/233248455864, h ps://chopbox.express, h ps://jumia.com.gh , h ps://GHBasket, h ps://plendify.com, h ps://jowato.com.
THE POWER AND POTENTIAL OF THE ORANGE ECONOMY
Juliet Yaa A. AsanteThe focus of the Ishmael Yamson and Associates Business Roundtable 2023 on wealth crea on, emphasises its urgency in the current circumstances.
The pandemic provided an opportunity for global reset and some countries and organisa on capitalized on the crea ve space as a route to crea ng a reenergisedeconomy.
The orange economy, which is what the crea ve economy is called, proved to be one of the most resilient sectors, if not the most resilient, during the pandemic. In the United States, average incomes in t h i s s e c to r exc e e d e d t h o s e o f o i l , ga s , telecommunica ons, and others by 40% during the pandemic.
During the pandemic, despite challenges in content crea on, there was a surge in demand as global streamers like Ne lix, Disney, and Amazon ramped up their content acquisi ons and produc on For example, Ne lix announced an investment of over $2 billion in South Korean content (K-Drama) and released a report on their ac vi es in Africa. However, investment levels by streamers in African countries remainrela velylowcomparedtoglobaltrends.
Nigeria'sFilmHouseanditssubsidiary, FilmOne, led the way in demonstra ng the power of local content during the pandemic. They produced indigenous content, taking advantage when content ou low from global studios was heavily challenged, to enhance investments in local content crea on. This resulted in indigenous content earning millions at the box office, a remarkable achievement. FilmHouse's significantinvestmentincontent,coupledwithothers,
includingGovernment,haspropelledtheNigerianfilm industryforward.
The case of Nigeria highlights the importance of a strategic decision and commitment by policymakers and the business community to invest in the sector The launch of ini a ves like the Nollywood Access Fund and support from the Bank of Industry have set an example that many African countries, including Ghana,havefailedtofollow.Merelywishingforsimilar results without accompanying investments is insufficient. African leaders o en offer lip service to the sector without implemen ng necessary policies and investments, while African investors tend to priori ze "tangible" investment opportuni es However, the sector, valued at over $20 billion according to a 2021 UNESCO report, presents significant poten al Investors like FilmHouse are already reaping substan al returns, as they emerge as the leading player in Nigeria and expand across the con nent.
Ghana, the second-largest content producer in the West Africa region a er Nigeria, has received minimal investment in the sector. While Ghana has established a film commission - the Na onal Film Authority of Ghana, the lack of the necessary accompanying funding has made it extremely challenging for the Authority to achieve an audacious strategic plan for
development. Success will mean significant gains for Ghana, as the sector has the capacity to create massive employment and a ract Foreign Direct investments. The example of Atlanta, Georgia in a rac ng over 10 billion dollars and crea ng 300 new jobs in its first year of posi oning as a film hub is a case study for most economies seeking to follow similar plans. Ghana's plan, similarly seeks to posi on Ghana as a film and content hub in the region. It is therefore important that Government follows through with its commitment to the sector It is worth no ng however, that only 40% of African countries have a film commission, according to the UNESCO report. Despite the difficul es faced, the recogni on of the Na onal Film Authority's work as strategic and innova ve by the authors of the UNESCO report is noteworthy and deservingofacknowledgment.
The private sector in Ghana has been slow to par cipate in the sector, possibly due to the lack of sector data and the inability of players to speak stronglytoaclearreturnoninvestments.
According to the 2021 Unesco report, the crea ve sector, par cularly film, is the largest employer in Africa. Addi onally, the emergence of anima on and video games presents significant opportuni es. In 2021, Ghanaians spent over $40 million on mobile game downloads, which increased to $60 million in 2022, posi oning Ghana as the second-largest video game market a er South Africa, where over 40% of the popula on are gamers. However, despite the growing interest in the gaming and anima on subsector, which is part of the global industry, es mated to exceed a worth over $400 billion in just a couple of years, Ghana mainly serves as a consumer market. Local video game and anima on studios struggle to secure investments to expand and tap into the revenue generated from Ghanaian and African consumers'expendituresongaming.
Three cri cal factors define our me and highlight bothreasonsforhopeandconcerns.
Firstly, the popula on explosion in Africa, par cularly the growing youth popula on, with es mates indica ng that by 2030, 40% of global youth will be in Africa, and this number is expected to double by 2050. This demographic shi surpasses that of China and India,whiletherestoftheworldagesincomparison.
Secondly, the increased internet penetra on,
widespread use of smartphones, and the rise of mobile money, along with the growing middle class, present exci ng developments. In the crea ve space, technology adop on, the establishment of crea ve fes vals and hubs, and the interest of streaming pla orms like Ne lix, Amazon, and Showmax have led to a boom in content crea on, leading to the phrase 'content is the new oil.' Major investments, such as Mul choice's $10 million investment in Ghanaian content for their channels, exemplify the increasing demandandopportuni esinthisarea.
Thirdly, the adapta on to content pla orms like TikTok, the ability to mone ze YouTube channels and Facebook pages, and the empowerment of individuals to produce, self-publish, and distribute their own content have brought success stories throughout the con nent. Technological advancements have reduced barriers to entry, allowing young people to enter the sector and create viable sources of income
Furthermore, technology has connected the con nent, facilita ng the rise of content with crosscon nental appeal, leveraging the poten al market size. The African Con nental Free Trade Area (AfCFTA) presents an exci ng opportunity to accelerate this trend. However, policymakers and African investors seem to overlook these trends due to a lack of trust, slow availability of data, resistance to change, and rela vely slower technology uptake, hindering efforts toa ractinvestorsintothesector.
The main obstacle to harnessing the poten al of the African crea ve sector for the benefit of its people is the lack of funding, rather than a lack of opportuni es orskilllevels.
The youth popula on in Africa represents energy, a skilled workforce, and poten al spending power. Considering the aging popula on in other parts of the world, it is crucial for African investors to take the lead in inves ng in African content and not wait to merely follow the footsteps of foreign investors who have already demonstrated a greater appe te and willingness to invest in the sector on the con nent. CanalPlus, for instance, not only invests but also acquires African investments, such as Iroko TV and Cote Quest, a major distributor serving Francophone countries and one of the four major distribu on companies on the con nent. There are significant investment opportuni es available throughout the value chain, spanning produc on, distribu on, and
exhibi on.
The poten al of Africa's rising youth popula on in rela on to global demographics is o en met with reac ons varying from surprise to alarm in my mee ngs worldwide It is crucial for businesses, including global ones, to develop a plan to capitalize on this dynamic youth demographic in Africa. Failing to do so means missing out on both the market and workforce The implica ons of this missed opportunity for businesses worldwide have yet to be quan fied but are undoubtedly significant. The absence of discussions about this topic at policy and investment tables is perplexing. Crea ve sector inclusion in investment summits and outreach, even byorganiza ons like the Ghana Investment Promo on Centre,israre.
Ghana's successful campaigns like "Year of Return" and "Beyond the Return" have highlighted the significant role played by the crea ve sector in driving tourism and subsequent gains for the country. Infrastructure alone is not what a racts tourists; it is the content and people of a country that engage and cap vate visitors. Film Tourism, in par cular, has proven to be a major driver of tourism globally, with the ability to increase tourist numbers by up to 500% for sustained periods of over 5 years. Examples such as "BraveHeart" and "Game of Thrones" have significantlyboostedtourisminScotland and Morocco as viewers travel to experience the loca ons featured inthesefilms.Moreover,thecrea vespaceservesasa powerful tool for promo ng culture and so power on a global scale. South Korea's deliberate investment in its people and content as major exports has not only propelled its entertainment industry but has also showcased its language and local products like "Soju"a local drink akin to Ghana's Akpeteshie, to the world. Soju is now recognized and served throughout the world.
The Ghana film industry aims to establish Ghana as a film and content hub. A rac ng film shoots to the country is a highly compe ve global strategy, par cularly as many economies seek to bolster their inflow of dollars through the sector in the postpandemic era. Major produc ons bring substan al financial investments, known as "so money," that s mulate local economies by suppor ng film crews and various businesses such as hotels, catering houses, clothing houses, and equipment rentals.
Furthermore, the industry's growth contributes to the crea on of local jobs, facilitates skills transfer, and promotesfilmtourism.
Ghana possesses 60% of the necessary elements to realize its ambi on as a film and content hub, including desirable loca ons, safety, favourable weather, a robust banking sector, a skilled workforce, and training schools. However, cri cal gaps persist in infrastructure, such as studios, equipment and set design houses, skilled workforce availability, and produc on facili es capable of handling large-scale projects. For instance, the poten al interest of Girls Trip 2 to shoot in Ghana raised concerns about the lack of suppor ng infrastructure and the absence of a tax incen ve to a ract global filmmakers. Fortunately, the Na onal Film Authority of Ghana and related agencies are ac vely working on a Tax Incen ve program expected to be implemented in 2023. This program aims to provide tax reliefs to both foreign and local investors in the sector, an essen al factor in a rac ng interna onal producers to choose Ghana as their shoo ngdes na on.
The market for content distribu on presents a significant challenge and opportunity for investors in the crea ve sector, par cularly in film. The lack of a clear investment return plan has been a common concern among investors, emphasizing the need for a morebusiness-orientedapproachtofunding.
The African market, specifically in cinema, faces a substan al gap. With less than 1,000 cinemas and under 1,700 screens across the en re con nent, the numbers pale in comparison to countries like France, which boasts over 6,000 screens. Furthermore, over 70% of the African popula on has never been to a cinema, highligh ng the untapped poten al. While some argue that streaming has replaced cinemas, the reality on the ground suggests that cinema experiences can be adapted to suit the unique African context. Cinema-going remains a cost-effec ve form of entertainment and will con nue to be relevant. Addi onally, African filmmakers require access to the complete market value chain, including fes vals, cinemas, airlines, television, and video-on-demand pla orms. It is crucial to cater to African audiences, especially considering the significant youth demographic, which dominates content consump on worldwide.
Africa's youth is increasingly connected to global
entertainment trends, as evident in their following of interna onal programs and engagement on pla orms like Twi er This highlights the importance of not overlooking the global-mindedness of African youth, par cularlyinthefilmandmusicindustries.
The ques on of adap ng cinema to the African context remains a key topic of discussion. However, Africa represents the biggest opportunity for cinema in the 21st century. The upcoming Africa Cinema summit, taking place in Ghana in November 2023, further emphasizes Ghana's leading role in the industry The summit serves as a pla orm for African investors to seize this opportunity and determine whethertheywilltaketheleadorbeovershadowedby foreigninvestors.
Content crea on in Africa, including live-ac on produc on, anima on, and gaming, is supported by produc on studios on the con nent, including those in Ghana. Le Arts, a video game house, showcases the con nent's poten al by serving as a consultant and designer for global game developer Riot Games. However, despite their capabili es, many local studios face challenges in securing investments to expand and meet industry demands. This situa on raises concerns about the poten al loss of skilled talent to other regions.
Nigeria's success in local film and music investment, which led to the rise of global giants, serves as a valuable reference for local investors across the con nent.
It is crucial to address key ques ons regarding the prepara on of African youth for upcoming opportuni es and the existence of a comprehensive plan. The implica ons of the youth popula on growth for Africa and the rest of the world need to be understood. Will businesses ac vely seek to recruit from Africa to fill the emerging gaps? Is our educa onal system adequately equipped to train a workforce capable of capitalizing on the poten al global shortages resul ng from mass re rements? Are local investors sufficiently knowledgeable about the sector?Whatfactorshinderlocalinvestment,andhow can they be confronted? Addi onally, why do African governments con nue to overlook a sector that has the poten al to generate much-needed employment opportuni es amidst the unemployment crisis? How can schools play a role in training the required workforce for the crea ve sector, par cularly in film,
which demands specialized skills? There are notable gaps in suppor ng areas like entertainment law and setdesignthatneedtobeaddressed.
The rise in Africa's youth popula on poses poten al downsides if unemployment levels persist or worsen, considering the current high rates of youth unemployment in many African countries. With a median age below 25 and unemployment rates exceeding 60% in most African na ons, the presence of an energe c but jobless youth popula on becomes a significant risk for socie es and a cause for concern amonggovernmentsandcorporateleaders.
The Africa Con nental Free Trade Agreement (AfCFTA) presents a promising development. However, it is crucial to recognize that internal trade and growth opportuni es for indigenous businesses can only be fully realized if urgent a en on is given to cri cal areas such as access to funds and loans, interest rates, facilita on of travel between African states, and enhancement of technical skills training. These issues demand immediate a en on to leverage the poten albenefitsoftheAfCFTA
The rise of AI in Africa is an area of interest, but the slow adop on of efficient AI may have its advantages. Africa needs to con nue relying on human labour whilealsokeepingpacewiththeAIrevolu on.
According to the 2021 Unesco report on Film and Audiovisual in Africa, the crea ve sector is the largest employer on the con nent with low barriers to entry. The sector currently employs 5 million people and generates $5 billion in income for the con nent However, the report suggests that these numbers could poten ally reach 20 million and $20 billion respec vely.
It's evident that the crea ve sector can play a crucial role in addressing the unemployment challenges faced by African youth. This requires immediate a en on from policymakers and corporate en es as asolu onprovider.
The key is to maintain a crea ve mind-set and seek innova ve solu ons to generate sustainable wealth within the con nent. It is essen al for policymakers andbusinessleaderstotakeac onpromptly,as meis oftheessence.
The contribu on of Agriculture to the economic development of Africa and Ghana cannot be underes mated. Of course, this is true for the whole world Agriculture is what brought the ancestors of the en re human race in the East African savannah some 12,000 years ago from the toils and dangers of hunter gathering to the great civiliza on we see today Indeed, Agriculture provided the impetus that promoted large scale human coopera on and moved humankind from living in small bands of up to 100 people to large metropolis and subsequently to the forma on of city states, na ons, kingdoms, and empires. It's our quest to develop agriculture in the Nile Valley that brough in its wake the world's first civiliza on The Nile Valley was and is s ll characterized by prolonged drought and occasional heavy flooding. This scarcity of water and occasional flooding from the Nile Valley planted in the minds of our ancestors the need to come together to construct dams. This gradual mobiliza on of individual human bands to control the raging flood waters in the Nile Valley for agricultural purposes gave humankind its firstmajorciviliza on–TheEgyp anCiviliza on.
Since the Agrarian revolu on, which was prac cally started and invented by Africans, the world has gone through three major industrial revolu ons as shown here. Sadly, Africans, the inventors of the world's first large scale revolu on failed to take ac ve part in these
Daniel Asare-Kyei, PhD. Chief executive officer, Esoko daniel@esoko.com / www.esoko.commodernrevolu ons.
s t The 1 industrial revolu on was shaped by mechaniza on and steam engines The second industrial revolu on was ushered in by electricity which enabled mass produc on and assembly lines. The third industrial revolu on was powered by automa on, computers, and electronics. It must be noted that, at the heart of all these revolu ons were a big elephant lurking at the background called “Technology”
This technological magical wand is now ushering in an th even more powerful revolu on called the 4 Industrial Revolu on (4IR). The 4IR is being shaped by rapid advancements in Ar ficial Intelligence (AI), machine learning,blockchain,InternetofThings(IoT)etc.
What this means is that for an agribusiness to th contribute to significant wealth crea on in Ghana's 4 Industrial era of Growth, these 4IR technologies of AI, IoT, Block Chain and Big Data must be harnessed, developed, and incorporated in all facets of agricultural development and along the agribusiness value chain. Big Data, IoT, AI and Block Chain are
THE IMPORTANCE AND CONTRIBUTION OF AGRIBUSINESS TO THE CREATION OF WEALTH, IN THE CONTEXT OF GHANA'S 4TH INDUSTRIAL ERA OF GROWTH.
moving into Agriculture in a big way and we if we fail to harness the powers of these technologies we must as wellforgetaboutusingagribusinesstocreatewealth.
Our agriculture is s ll saddled with all the elements that our ancestors invented to usher in the Agrarian revolu on. The use of donkeys and animal drawn implements to ll the soil, the use of cutlasses and matchets to clear the weeds and the use of buckets to fetch water to irrigate crops were all major tools invented some 6000 years ago and yet these are the st same tools that our farmers are using in the 21 century. These tools can not in any way create wealth fromagricultureforthemodernmanandwoman.
To illustrate why these basic tools have lost their relevance in today's agriculture, see the graph below, Africa's popula on was just 100Miillion at the turn of st the 1 Industrial revolu on. Now, our popula on is set to hit 3.5B by the turn of the century It's therefore obvious that the tools that fed 100M people in 1800 can not feed 3.5B people in just 77 growing seasons fromnow.
less than two hectares in size Incomes of these Smallholder Farmers (SHFs) remain stubbornly low, largely due to low produc vity levels resul ng from threats of increasingly climate variability and droughts and economic stressors such as high cost of purchased inputs, lack of access to credit, limited access to mechaniza on services as well as high post-harvest losses and lack of market informa on on the value of theircrop,amongotherfactors.
The Government's Plan ng for Food and Job program and other ini a ves are changing the narra ves, but we s ll have a long way to go. Among the reasons for low input usage are the high costs of inputs and lack of access to capital to procure inputs. Only 40% of Ghanaian adults over 15 years old have bank accounts and those with formal savings schemes are es mated to be only 19%. A mere 8% of rural households in Ghana had access to credit for financing agriculture and crop and life insurance programs that could make these poor farmers more resilience in the face of these clima c,economic,andsocialstressorsandthreatsare virtuallynon-existent.
To change these nega ves and ensure that agriculture indeed contributes to wealth crea on, we must embrace the 4IR in all its forms. Let's see how these technologies can change the face of smallholder agriculture in Ghana with just one example of Big Data, IoTandAI.
Big Data deals essen ally with extremely large data sets that may be explored and analyzed computa onally to show pa erns, trends, and associa ons, especially rela ng to human behavior anditsinterac onswiththephysicalenvironment.
Technology is moving into agriculture in a big way and it's moving with the speed of light. Before we delve into how technology is going to change the face of Agriculture around the world including Ghana, let's look at some of the numbers of Ghana's agricultural sector.
In Ghana, the agricultural sector has been a major driver of poverty reduc on and dominates the livelihoods of rural households Although its contribu on to our GDP has been waning over the years from over 54% in the 2000's to 21% in 2021, it is s ll the major employment source. 71% of rural households are engaged in agricultural ac vi es. Agricultural land area in Ghana cons tutes 69.1% of the total land area; however, only 57.6% of the arable land is currently cul vated and the poten al for growth is enormous. About 90% of farm holdings are
In Agriculture, big data will be used to be er understand farmer's behavior in rela on to the crops he grows and field condi ons Measuring field condi ons such as soil moisture, nutrients, PH, temperature and rainfall and triangula ng that with prices of inputs and outputs will be revolu onary in changing how farmers use labour, buy inputs and op mize their produc on prac ces with the objec ve of op mizing profits and increasing income. This computa onal outcome from Big Data combined with AI will change the way we farm, harvest crops, sell and th even eat the harvested crop. Indeed, the 4 industrial revolu on is a data revolu on and the future is going to be owned by those who have the data and those whocanmakeuseofthedata.
To bring it home and take cursory tour into the future of Big Data and Agriculture we see this scenario. st Within the 21 century, to promote sustainable agriculture, a completely digi zed farmer will have his farmland mapped with Mobile GIS even before the
crops are seeded by drones or planted by robots which also apply fer lizers, crop protec on chemicals and weedicides during plan ng. Such a farmer will have sensors mounted at different sec ons of the farm that track soil moisture, land surface temperate as well as air temperature, rela ve humidity etc. This data is fed in real- me to the farmer's mobile phone through what has become known as the Internet of things and powerful algorithms running at the background with AI engines computes pa erns, reveal trends and show crop growth anomalies. The whole farm becomes modelled on the farmer's hands and the farmer can remotely control crop growth based on the real- me data fed to his mobile phone. Whenever, a sec on of the farm shows signs of water stress or nutrient scarcityorevenpestordiseaseinfesta on,thefarmers is alerted in real- me through powerful algorithms analyzing all these “big data” and recommend appropriate solu on. Such a recommenda on is site specific and take into considera ons the poten al marketvalueofthecrop,costofinputsetc.andstateof the environmental condi ons. The farmer could even automate a response mechanism that sends signals to robo c controls to move to the exact loca on and fix the problem either by applying fer lizers or water or control pests and diseases. It's such preciseness of recommenda ons enabled by Big Data that eventually makes agriculture sustainable and profitable even to thesmallholderfarmercul va ngsoybeaninTolon.
Upon harves ng, the completely digi zed farmer could be opera ng in a closed ecosystem with iden fiedoff-takersinastructuredmarketsystem.The farmerispaidthroughasmartcardthatisalsolinkedto the produc on informa on which op mizes selling prices and help the farmer nego ate be er with the offtakers.Thefarmermaybepaiddigitallythroughthe smart card or have the money sent to his mobile wallet. In a cashless ecosystem, the farmer never handles cash but can order for the next season's inputs through the same card system. The farmer walks to the nearest financial ins tu on, shows his smart card and the banking officer who knows li le about agriculture could swipe the farmer's card onto its data system to reveal the farmer's credit score. The digi zed farmer is given credit and a series of no fica ons are sent to input companies via SMS & Voice, who delivers the farmersinputs.
Ul mately, Ghana's rural folks who currently are not integrated into the formal economy becomes fully digitally and financially included. This is the means by which the whole society gets li ed out of poverty and then we can say indeed, agriculture is the mainstay of the economy because 71% of our rural compatriots who are engaged in this sector can now be tracked by
tax authori es whilst other service provides target them to sell a whole range of consumer goods and services.
The possibili es of big data powered by large algorithms in promo ng sustainable agriculture is endless and even at this stage, our finite minds cannot fathomallthepossibili esthatmayexist.
Commodity value chains present one of the best low hanging fruits to leverage technology to create massive wealth for our country Ghana s ll spends some $2B annually to import what I call “the cri cal 4 commodi es” – rice, poultry, wheat, and sugar. Along the value chains of these commodites are massive business opportuni es from produc on & mechaniza on, aggrega on, and post-harvest terminalto warehousing to logis cs and valueaddi on to marke ng. We need to leverage the 4IR technolgoes to unleash the latest poten al inherent in these commodi estocreatethewealththatweneed.
To go back to the story of industrial revolu ons. Having missed the first three industrial revolu ons, we need to embrace this new age with religious zealousness. It doesn't ma er whether you believe in it or not. As Africans, we gave the world its first civiliza on and even went ahead to populate the en re unknown places of planet earth. Somehow, we folded our hands and watched the first three industrial revolu ons passed by, choosing not to believe in them but rather pu ng our faith in needless religious ceremonies. we cannot afford to miss this train for it may well be the lasttrain.
All is not lost, neither is it too late. There are many young Ghanaians and Africans in general who now believe that the future lies in data and digi za on. We are now moving towards the knowledge economy and no longer believe in the raw material-based economy based on manpower and which were callously enforcedbyourcolonizers.
These young people who are star ng businesses in what we know call “Agritech” companies need to be given direct support through deliberate Government programs designed to encourage further innova on and scalability These start-ups as well as all the growth stage companies like my own needs to run Esoko faster than we have ever done to keep up with the rapidly evolving mantra of digi za on and data science. In doing so, we must learn to cooperate and work together. And we must remember that st agribusiness cannot creae 21 century wealth with the same tools our ancestors used to usher in the Agrarian revolu on.
THE PARTY CREW STORY
The Party Crew (TPC) is a licensed tourism agency in Ghana which exquisitely p a c ka g e s H e r i t a g e , A d v e n t u r e , Sightseeing, Recrea onal and Educa onal tourism ac vi es for corporate ins tu ons, groups, and individuals living in Ghana and abroad.
The Party Crew registered with the Registrar General in the year 2013. Our mission is 'to make tourismexci ng'andourvisionisto'a ractmore tourists to Ghana and increase the interest in tourism for Ghanaians. The Party Crew provides aspartofitsservices:
i. ToursinGhanaandotherpartsofAfrica
ii. Organising naming ceremonies for our BrothersandSistersindiaspora
iii. Planning and organising customary marriage
iv Signaturetourpackages
v Virtualtourism(comingsoon)
During the first few months of opera on, The Party Crew experienced challenges which brought the firm to a stands ll. Some challenges were:
a. The business suffered from low patronage because of targe ng the wrong market. I assumed I could tap into my network from my previous industry to market the services of The Party Crew. I completely ignored the power of social media and the worldwide web asmarke ngtools.
b. I had an ineffec ve working rela onship with the Ghana Tourism Authority (GTA) so the GTA did not know how to support The Party Crew
b u s i n e s s m o d e l t h a t only required us to operate from our computers since we intended to send
CYNTHIA CLASSPETERS
business proposals to corporate ins tu ons. We only wanted the targeted ins tu onal clients to find that The Party Crew was registered if they performed a background check with the GTA Simple. That was the onlytoreasonwedecidedattheonsettogeta tourism licence - in order to be legi mate and credible. Wrong! Registering with the GTA turned out to be a challenging process. The requirement to have a rented office space in
order to receive a licence was discouraging for a young company with no funds for this expenditure The young company experienced several other hurdles, including the cost of purchasing office equipment, accredita on fees, and acquiring a tourism educa oncer ficate.
c. I launched the business with zero cash and support from family and friends. The main issue of low patronage made it impossible to break-evenonplannedtrips.
Between 201 and 2017, TPC went on a hiatus because of the many issues faced but mainly because of the low patronage. During the years of hiatus, the passion for the industry made me restless. The more I suppressed my passion for the business, the more restless I became. I thought through the issues and a er se ng out op ons of the pathways available; I decided to do thefollowingandexaminetheoutcomes:
a. I would get a job with a tourism firm in order to gain some experience in the tourism industry. I had previously worked with the Associa on of Business Execu ves, a professional educa on body, and The Ghana Employers Associa on, which is in the training and nego a on industry. I had no experience in the tourism industry and was only driven by my passion and inspira on. I took a job at Jubilee Tours, but learned li le about the tours industry there because they focused more on selling airline ckets and my interest was in tours and not cke ng. I le Jubilee Tours a er two months, but at least I had learned the basics such as preparing a tourplan.
b. Ivisitedasmanytoursitesaspossibleinorder to know first-hand what they offered and the state of the road networks to the sites. This helped me to iden fy that relying on pictures posted on the internet to create my tour packages was dangerous for my business. The reality of the experience was usually different from what is shown on the internet. As a tour business, we can now pride ourselves in knowing about 80% of the tour
sites in the country well enough to curate experiencesthatfitourmission.
c. I finally opted to get a licensed partner in order to have shared responsibility and also be a support for each other. The Party Crew partnered with Mereki Tours in 2016, but unfortunately, the partnership did not last. But I learned some valuable lessons from the partnership, including not being emo onal in business and to u lise my network effec vely forbusinessgains.
HowWeGotBacktoWork
a. Giving it a try again – A friend living abroad who believed in the vision of TPC encouraged me and also convinced some colleagues to visitGhana. In2018,throughmyfriend'shelp in running a 14-day tour, three people visited Ghana. The feedback a er the tour was highly posi ve, so he helped with another group tour the following year In 2019, five people visited Ghana and had a fantas c me, so returned the following year. Unfortunately, Covid-19 global pandemic dashed the 2020 plans. The feedback from these two groups encouraged me to think about the viability of the business more cri cally. Finally, I concluded that the experience gained and posi ve feedback was enough to help me push forward with the TPC mission and vision, and thus the business was restartedinfullswing.
b. TheUseofSocialMediaformarke ng–From the incep on of the business ll 2020, TPC did not use social media as a business tool During the lockdown of 2020, I realised everyone was promo ng their business on social media. At that moment, I decided TPC would use the power of social media to create brand awareness. TPC's presence on social media generated expressions of interest, which turned into new business opportuni es a er the COVID-19 restric ons on movement were li ed. Since then, the company has been organising tours successfully for Ghanaians.
c. Introduc on to the Tour Operators Union of Ghana
Due to the level of service provided during my first post on Covid-19 tours, a friend of mine and her colleagues helped promote The Party Crewprogramstotheircircleofinfluence. During a work interac on, my friend found out thatoneofhercustomerswasthepresidentof the Tour Operators Union of Ghana (TOUGHA). Sheimmediatelyconnectedmeto the Tougha president to assist me with my issuesintheindustry
Ihadcreatedaworkingofficeathomeandhad a good social media presence. The President of TOUGHA offered to assist me get a Ghana Tourism Authority licence and also become a member of TOUGHA A er six months of interac on with the TOUGHA president, The Party Crew became a member of TOUGHA and also got its licence from the Ghana Tourism Authority
d. TheUseofmyNetwork
Between 2021 and 2022, TPC planned and executed many tours About 90% of our clients are Ghanaians and about 70% of these Ghanaian clients are families, friends and acquaintances from social media pla orms. Our network has been a significant source of support and we will keep harnessing that for greater gains Because of this, we have created The Party Crew membership club which comprises about 70% of past clients. Clients who are members enjoy some benefits such as discounts, special birthday celebra ons and free tourism ps and educa on.
These years of existence and experiences have given us clarity of purpose and passion to promote Ghana and Africa to the rest of the world. Even though as a country we have not invested enough in the tours sector by improving our road networks and adding value to our natural a rac ons, The Party Crew is doing its best to make what we have more a rac ve and beneficial to people in Ghana and beyond hoping things will keep improving in the tourism sector soon.
BrandingandBrandMarke ng
Our name, The Party Crew, and our mission 'to make tourism exci ng' has been our brand iden ty and has received accolades from clients as offering outstanding exci ng tours Even though our name does not scream out “tourism”, it creates curiosity and allows TPC to stand out in the tourism industry We have consistently showed to our target market and other major stakeholders that touring Ghana is exci ng, especially with The Party Crew, and the feedback showsourserviceexcellence. The Party Crew brand is marketed by its logo. The exci ng logo is on every picture and video we share on social media. This is to put the brand consistently in the minds of our target market. Insufficient funding has hindered TCP from u lising outdoor adver sement However, we have recently paid Homebase TV to run a daily adver sement for six months with the aim of making TPC the first choice when it comes to tourism in Ghana. Also, by way of marke ng our brand, staff and members wear The Party Crew Tshirtstoshowcasethebrand.
Incorpora onofICT
The Party Crew started from a laptop and now does50%ofitworkfromthemobilephone. From clients' interac ons, promo on of upcoming events, daily social media pos ng and communica ng with the team. This helps to make work truly mobile. We don't have to be sta oned at the office to perform certain tasks. As a firm, we market, sell and communicate via ICT with the use of email, WhatsApp messages and text messages. Due to this, we mostly meet the client at the me of service delivery of the tour or ceremony ICT is a key resource in our industry and has been essen al during the Covid19 period in rela on to sending our message across to our target market to create the necessary awareness about our services. We are also developing a website to make us more visible and accessible. Soon, we hope to make about 80% of our work digital TPC wants to be connected to different digital payment pla orms worldwide and also be able to issue digital receipts. One service we intend to promote and sell soon is Virtual Tourism This requires
investment in ICT in order to acquire the right gadgets and connec vity for the smooth delivery of this service. As a firm, we will do our best to incorporate the use of ICT at every stage of our business.
YouthEmployment
When I was working with the Associa on of Business Execu ves (ABE-UK) we conducted research in 2008 and published the findings in 2010. The research was on Ar ficial Intelligence and Robo cs. The lesson I learned from this research was that technology is good but it will also destroy a lot of jobs. The research finding made us (ABE-UK) develop the Entrepreneurship course to train and equip the youth with requisite skills to start their business. This made me think about entrepreneurship for the following reasons;
1. Start and build a business in order for my children to get a place to work from age 15tobuildexperienceandhaveexposure intheworkenvironment
2. Createemploymentfortheyouth.
The above reasons drove me to start The Party Crew a er my resigna on from ABE-UK in 2013. TPCcurrentlyemploys4peoplebetweentheages of 25 to 35 years. One administra ve assistant, one graphic designer, one photo and videographer,andonetourguide. Wealsohave6 non-permanent staff between the ages of 30 and 40, regional tour guides and drivers, who we call on when needed. That our small firm has offered these people an opportunity to work, learn and earnincomeisfulfilling.
LeveragingR&DandTechnology
As a firm, we are passionate about growth and thismeansweneedtoinvestintheaboveinorder to achieve our goal My experience in the Ghanaian corporate environment revealed that professionals living in Ghana do not appreciate tourism. At the ini al stages of TPC,professionals living in Ghana and people visi ng from abroad were our main target group. When we started opera ng as a business, we realised that ge ng
Ghanaian professionals to take part in our tours was very challenging. Even when they were interested in tours, their preference was to do so overseas. In 2021 we developed a ques onnaire and sent it to some medical doctors, lawyers, bankers, teachers, police officers, nurses and administra ve professionals in Ghana in order to find out why they do not patronise tourism in Ghana. Belowaresomefindings;
a. TourisminGhanaisexpensive
b. Tourism is for students and not for professionals
c. Ghana does not have beau ful a rac ons
These findings helped us with our marke ng strategies and pricing. One strategy that is also helping is making PowerPoint presenta ons to corporate groups. This means maximising R&D and technology will help us reach our vision, so wehopetoinvestmoreinthisarea.