Site Plan
Elevations 3D Views
02 2 3-4 5
Model 01 Technical Drawings Exterior & Interior Views
Model 02
Site Analysis
11-12 13-14
Shadow and Sun Analysis
6
Technical Drawings
15-16
Photographic Study
7
Exterior & Interior Views
17-18
Light Study 2
19-20
Access, Movement & Activities
Light Study 1
i
Satge
Stage
01
8 9-10
Technical Drawings
21 22
Model Concept
31-32 33
Exploded Diagram
Access Diagram
23-24
Structural Diagram
Exterior View
25-26
Component Diagram
Interior View
27-28
Construction Details
35-36
Light Study 3
29-30
Interior Views
37-38
Light Study 4
39-40
34
Table Of Content
Stage
Overview
Stage
04
03
ii
1
Site Plan Scale 1:1000
2
Eng & Maths Sciences And Santos Petroleum Engineering
Ingkarni Wardli
3
Elevation Barr Smith Library 4
5
3D View
SUMMER
9 am 12 pm
12 pm 3 pm
WINTER
3 pm
Shadow and Sun Analysis
Site Analysis
9 am
6
7 7
Photographic Study
rar B
S arr
it m
ib hL
In
iW
rn
a gk
li
ard
os um g nt Sa trole erin Pe gine En
Social/Cultural Quality Social Events, Picnic Sports Group Discussion, Meeting Place
Movement & Access
hs Mat ing d Buil
y
Th
s
gg
ra eB
S
Site Analysis
cu
le Mo
ife
L lar
Gate Entrance from Frome Rd
s
ce
n cie
Access and Movement Entrance and Exits The main pathway from Gate 9 to Hub or Horace Lamb Pathway throughout the buildings
8
Luminosity : Linguistic Definition
The brightness of light source of certain wavelength as it appears to eye. Relative quantity of radiation emitted by a celestial source The intrinsic brightness of a celestial object (as distinct from its apparent brightness diminished by distance).
Light Study 1
Philosophy of Light Light often be interpreted as the truth, faith, knowledge, strength and even hope. Light always gave a great impact to abstract matter like feelings, intuition, or inspiration. The impact always led one to move forward once they feel or see the light or pathway that may elevate them to another level of their life. The significant elements are knowledge and faith. Knowledge is an essence that can be felt same as feelings. To acquire this essence, it is all started from a ‘spark of light’ that moved their innnerself to search for an answer, and it is ‘curiosity’. Perhaps, answer does not have any limit to where or when or how they are revealed. It is when
Fluid Luminosity : Zaha Hadid Zaha hadid’s career as an architect throughout her buildings mostly about shifting from solid deconstructivism, to soft fluid luminosity. The light closes the gap between architecture and our perception. We sense the forms and materials with our eyes not directly but through the reflected light. Zaha Hadid ‘s experiment on light can be seen throughout her architecture projects.
they initiated an attempt to unravel the mysteries of world throughout their life. In the process of seeking knowledge, there are other kinds of knowledge acquired by them through obstacles, maybe even pleasures. Therefore, the intensity of light does not have any boundaries amongst their innerself. It is the matter of how they took a control of the luminosity of knowledge that they acquire. It is the matter how they value and apply the light in the, perhaps, right direction. Right direction in the meaning of non-self-destruct or destruct others. Image 1.1 : Lois and Richard Rosenthal Centre for Contemporary Arts, Zaha Hadid’s supremacist painting.
9
From natural lighting to artificial lighting, it was deep rooted from her abstracted supremacist painting. So her early work, Vitra Fire Station, been constructed with distinct non-parallel lines of light on concrete wall. Although the luminaires emphasized on the sharpness of Vitra’s edge, the natural light diffused in softly and subtle. Zaha’s exploration on her own abstract painting has led her to various graphical
Image 1.2 : Nanjing International Youth Cultural Centre, China.
interpretation of luminosity and illumination. In order to intertwine the surroundings with her discovery, she studied and get fascinated by the abstracted urban transport and transform them into luminaire patterns. The Phaeno Science Centre is Zaha Hadid’s turning point in her exploration of luminaires. The centre was approached by a holistic design shifting from a sharp edges theme like in her early designs. The building that consist of a large concrete as the main shaded structure and a path for natural lighting which emphasize the
dark void under the concrete structure. The shape of the building was translated into the rhombus-shaped windows as the façade and transferred them inside on the ceiling as luminaires to make them coherent. Moving on to her next project which is the landscape Nord Park Railway Station, Zaha Hadid innovated a new period of light and fluidity in her oeuvre. Inspired by the local features of ice and glacial moraines , she increased the reflectance of her surfaces for complex mirror glass. Illuminates during night, the
structure actually radiates a significant energy. An Italian museum, MAXXI museum, emphasize the interior energy with its contrast of black and white structures and linear, dynamic luminaires. The diffusion of light flows throughout the building formed a calm ambience. Moving on from pure reflection to gold class of designing, Guangzho Opera House was built with thousands of starlight on the ceiling. It was pixelated pattern lights that evoked the impression of reflection in waterfall. Same goes to her other two projects that is Heydar Aliyer Centre and Nanjing International Youth Cultural Centre which shared the same characteristic that is luminaires on ceiling and golden, glossy atmosphere. Heydar Aliyer Centre, volume reflects light, overall shadow pattern of sun dominates. Glass façade mirror surrounding. Interior light flows out to exterior and it enhanced the building geometry from interior. The difference are the dynamic transition of materials. Although Hadid limits her range of design to form and reflectance. However, she finds it hard to actually translate her visual painting language
into lighting for architecture. Zaha Hadid stands on using the luminaire design to magnify the visual effects instead of concentrated on light itself as an essential dimension of architecture. That explaines a lot on her usage of tonnes of luminaires around her architecture. It showed that light does not necessarily form the space all the time. It needs the aritificial lighting to help translate what is essence into reality.
References “Luminosity - definition of luminosity in English | Oxford Dictionaries.” Oxford Dictionaries | English. Accessed September 03, 2017. https://en.oxforddictionaries.com/definition/luminosity. “Fluid Luminosity: The Architectural Lighting of Zaha Hadid.” ArchDaily. March 31, 2017. Accessed September 03, 2017. http:// www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid.
10
Model 01 11
Section AA Scale 1:750
Section BB Scale 1:750
n a l P
Spatial Diagram
Scale 1:1000
12
Inte
Ariel and Ground View 13
Precedent
erior Perspective View
Rain Of Light
3D View
Jean Nouvel’s “The Rain of Light” located in Abu Dhabi has significant easthetic value in terms of light, shadow, water and calm. He applied the Islamis random geometric ornament to give a sense of belonging with the identity of the country. Both characteristic of calmness and complexity of the structure gives an unique insight through how light go through small openings as if there’s continuous rain of light penetrating through the roof. Not just going through it, it also diffuses and changes its intensity. Therefore, the heat of sunlight is reduced, in a way, it gives the brightness but not the excessive heat. References : “In Progress: Louvre Abu Dhabi / Jean Nouvel.” ArchDaily. August 11, 2016. Accessed September 04, 2017. http://www.archdaily.com/793182/in-progress-louvre-abu-dhabi-jean-nouvel.
14
Model 02 15
Section AA Scale 1:750
Section BB Scale 1:750
n a l P
Spatial Diagram
Scale 1:1000
16
Interio
Ariel and Ground View 17
or Perspective View
3D View
Precedent
Rain Of Light
Refering to Louvre Abu Dhabi’s Museum light quality, geometric which known to be Islamic ornament pattern are overlayed on top of each other to create a vast small openings for the light to penetrate. Thus, in the second design idea, It has been extracted from Jali , or screens that commonly used in Islamic architecture. it is one of significant part to explain the complexity of the geometry not only depicted the beauty but also to bring one to metaphysical world.
References : “In Progress: Louvre Abu Dhabi / Jean Nouvel.” ArchDaily. August 11, 2016. Accessed Septem ber 04, 2017. http://www.archdaily.com/793182/in-progress-louvre-abu-dhabi-jean-nouvel.
18
Reflection : Linguistic Definition
Veilled In Brilliance
The throwing back by a body or surface of light, heat, or sound with- Architecture has been out absorbing it. An image seen in a mirror or shiny surface. A thing always evolved throughout that is a consequence of or arises from something else. centuries. From Modernism
Light Study 2
Philosophy of Reflection “The world is reflected in the body, the body projected onto the world” - Eyes Of the Skin This phrase says a lot about experiencing in a space. All the senses we were given to is to feel the world around us. Feel inside till it reached into the deepest part in your emotional ___. When the eye grasps all the colors, textures and movement of the nature and the concrete, as if it touches inside our mind. It absorbed through our soul when our physical body could touch
to Post-Modernism, from bricks and masonry, to steel and glass. Evolution always taken into account for the sake of humanity and beauty.
The brilliance of every building created was interpreted differently but by using a glass transparent facade. However, when the trend has become cliché, the architects started to take out the interior light to the facade to create the image of crystalline using steel and glass as main materials.
get the feel from the origin. This is what the purpose of architecture by making world visible to human (Juhani,2005). In this book, it has been said that eyes are organ of distance while touch is an organ of nearness in which explains during emotional empowerment, people tend to close their eyes; when crying you close your eyes (Juhani,2005). Thus, the absence of light brings more meaning into human soul. The darkness itself will, somehow, bring peace or even fear. Image 1.1 & 1.2 : Details of glass facade Ephilharmonic and Future System.
19
of reflection through the twisted band of aluminium. Orienting towards the sky, light directly reflected on top side and creates shadow below it. Somehow, reflective facade not only gives the corporal identity, it could also be interpreted different from what its intended. It happens to Fernsehturm Berline when it was supposed to be a political addressing the deconstruction of old city turns out to be a religious cross reflected by sun. Image 1.2 : Ephilharmonic, Hamburgh by Herzoq and Meuron.
Mies Van Der Rohe worried that he might overdo the reflective effect on the Glass Skyscraper, so, he broke the facade, like cut crystal so the light reflects towards various direction. Other than him, Herzoq and de Meuron experimented different type of glass; convex curves of single glass that distorted the reflection around Elbphilharmonic. The legendary Frank Gehry has this ‘Bilbao effect’ on his Bilbao museum. He applied titanium cladding wrapping around his quirky structural form.
success applied to Disney Concert Brilliance brought by facade can be a tool to define building. Hall. The titanium cladding was also applied onto the National Grand Theatre in China lead by Paul Andrew. Reflective material could be used as landmark or a logo for its company like the Future System by Paco Rabanne using 16000 anodized aluminium disc, strong feeling of haptic was successfully conveyed. It also depicted the professionalism through its form and material in the industrialized board. Again, Herzog and de Meuron changed their interpretation
References “Reflection - definition of reflection in English | Oxford Dictionaries.” Oxford Dictionaries | English. Accessed September 03, 2017. https://en.oxforddictionaries.com/definition/reflection. Juhani, Pallasmaa. The eyes of the skin: architecture and the senses. Chichester: Wiley, 2005. “Veiled in Brilliance: How Reflective Facades Have Changed Modern Architecture.” ArchDaily. October 12, 2016. Accessed September 03, 2017. http://www.archdaily.com/796974/ veiled-in-brilliance-how-reflective-facadeshave-changed-modern-architecture.
20
1 - Disabled Access 2 - Relaxing/ Reading Area 3 - Library
7
1
6
4 - Seminar Room 1
2
8
5 - Reception Area 3
6 - Storage Room Extracted to one of the Islamic
Overview
ornament patterns - Jali screen,
7 - Toilets
9 - Exhibition Area
captured through the different
10 - Exhibition Area along the walkway
components, which have different
10
functions, throughout the form. Also, the exterior plays a vital role to incorporate with the landscape of Maths Lawn as top parts of pavilion is acceesible in human scale. Overall form is a scuplture itself.
21
5
9
8 - Seminar Room 2
the light quality of the interior is
4
Plan 1:100
Section AA 1:500
Section BB 1:500
22
23
cc
rA
te rio
Ex
Access Diagram
s
es
Interior Access
Colored components indication of functional room/area
24
25
Exterior Views
26
27
Interior View
28 22
Philosophy of Light
Opacity related close to tranparen-
cy. It is the degree of the intensity of light going through a material that allows it to pass through. However, arhcitecture is more than a surface or material itself. It is about the discovery of a mind. Revealing what is concealed within a soul of a human. It is ambiguous that ‘soul’ actually cannot be visioned. Beauty, he thought should be self-evident to vision, of course, such apprehension of beauty was unrelated to the invisible Pythagorean numbers. Image 3.1: Dybkaer Church, Silkerborg, Denmark.
Light Studies 3
Linguistic Definition the quality or state of a body that makes it impervious to the rays of light; broadly :the relative capacity of matter to obstruct the transmission of radiant energy
Whiteness in Nordic Countries The professor of University of Illinois, Henry
Scandinavia. He also mentioned that sum-
Plummer has studied various daylight phe-
mer and winter has different light quality.
nomena in Nordic countries. He looked be-
For Henry, whiteness is a central aspect of
yond the usage of the reflective white spac-
how Nordic architects responded to their
es but he interested in light effect play local
local environment. 15th century building -
beauty of nature and touch the human soul.
Steven Holl’s Herning Museum of Contem-
Architects used the white surfaces to coun-
porary Art is covered of white surfaces. Due
terbalance the long-dark winter. This is due
to its high reflectance, it maximise the in-
to the unique light changes happened in
terior brightness like a snow blanketed the landscape, Plummer claimed.
29
Religious buildings reveal various time-con-
sunlight that actually distract the liturgical
cepts - from materiality texture to specif-
services. He says, “Light originates some-
ic glass features and built volumes that
where. But man does not know to be wait.
change the image during day of season.
Lighting is not an end in itself. But the
Some sacred institution calls for attention
meaning is to create a reeling of infiniteness
throughout morning and some are through
of eternity. A continuity of rays of light thru
a very welcoming noon while others sub-
deep cavity South wall seem to appear. A
due light just to enhance contemplation.
harsh contrast was created through a small-
The outstanding church, according to
est creek lifts the room from wall. This cy-
Plummer, is Pirkkala Church by Kapy and
cle finally culminate in warm glow from an
Simo Paavilainen. Architect, like Aario Ru-
opening in another side at sunset.
vsuuori, avoided harsh dramatic
Image 2.2 : Nordyjllands Art Museum, Aalborg, Denmark. Image 3.3 : Dybkaer Church, Silkeborg, Denmark.
Denmark medieval churches are the earli-
I provided white walls and ceiling… pro-
est example of white architecture and still
duce an intensity of light that always great-
influence modern ones like Dykaer Church
er than outside. In the conception of white
by Regnbuen Arkitekter. Daylight concept
diffusion, the material used is white paint-
comes from three directions, “Low from
ed plaster, white enamelled steel and white
the north to emphasize on black steel cru-
linoleum - introduced by Alva Aalto in Pai-
cifix, broadly from south, behind the altar.
mio Santorium in 1930s. The pulse of na-
Reference
Bagsuaerd Church by John Utzon - explains
ture with vibrating patterns of light or the
https://www.archdaily.com/542503/light-matters-whiteness-in-nordic-
to Plummer, Light is the most important
transiency of dramatic light and shadow
feature of church.
belongs to Nordic light approach.
countries https://www.merriam-webster.com/dictionary/opacity
Image 3.4 : Hyvinkaa Church, Hyvinkaa, Finland.
30
Nur is Light
Using the Islamic pattern and referring to Nur as the theme of light for the pavilion,
Model Concept
it is an explicit way in revealing and interpreting the divinity the ultimate Light of the all lights - God. Nur originated from Arabic word, with a direct translation of light. However, in Arabic language and in the context of the Holy Book itself, Quran, Nur is so much more rather than just a physical light. It represent the divinity of God that is metaphysical being. having the pavilion that helps to translate the metaphysical into physical.
31
32
Frosted Glass Frosted Glass
Classic White Stone
Classic White Stone
Board Shutter Concrete
Exploded Diagram
Board Shutter Concrete
Modern Stone Flooring
Structural Diagram 33
Primary component
Secondary component
Tertiary component
Fourth component
Components Diagram 34
Perspectival Section
Construction Details
Black Garnite Marble Tile Cement Screed
Polysterene Block Precast Concrete
35
Perspectival Section 25mm Timber panel 10mm Plywood Waterproof Sheet Precast Concrete
36
37
Interior Views
38
Philosophy of Light Inner purification; All levels of reality, however, are also degrees and levels of light distinguished from each other by their degrees of intensity and weakness and by nothing other than light. The islamci ornaments are known, commonly, through its screens or Jali that used to be applied in mosque or in any Islamic architecture. The complex geometric consist of repetition or it also has vegetal organis ornaments as well.
Image 4.1: Church of Saint Pierre, Firminy, France.
Light Studies 4
Linguistic Definition a transparent material (such as colored glass) that absorbs light of certain wavelengths or colors selectively and is used for modifying light that reaches a sensitized photographic material — called also color filter.
39
Le Cobusier’s Poem In all of his three buildings, the famous and
and holiness in many different religions. In
master architect, Le Cobusier played with
Christianity, Bible has mentioned God who
orientations, openings and textures in order
‘Light’ and Christ as ‘light of the world’. Al-
to create kinetic architecture with daylight.
though the divine light and the physical
The three - pilgrimage chapel at Ronchamp,
light cannot be reached at the same level,
monastery of Sainte Marie de La Tourette,
but it appears almost the same and there-
the parish church of Saint - Pierre of Firminy.
fore it linked in the same atmosphere. By
The following analysis was based on Henry
certain period of era, there is a new way of
Plummer research in his book, Cosmos of
communicating thru light - flow of Roman-
Light: The Sacred Architecture of Le Cobusi-
esque apse, golden shimmer of Byzantine
er. Linked has always been linked to divinity
mosaics or luminous walls of Gothic glass.
music waves. In this monastery, based on
but, unfortunately, could not be witnessed
Plummer, the light dominantly shows its
by it’s creator as the construction of the
power starting from sunset. A warm straight
building was carried decades after his
line appears from the crack top side on the
death. When the noons arises, the waves of
west wall connecting to the north side and
light disappear replaced by the light form
slowly moving upwards until the sun sets
tubes harshly defines the beam. As the day
down. Interestingly, the effect changes
approach the sunsets, the the sun directly
throughout the season - form small triangu-
appears on the altar wall.
lar in winter to big rectangle in summer.
Plummer has made a point where he said
Saint Pierre at Firminy (1960-2006)
that Le Cobusiers technique of using light is
The small stellar windows on east wall cre-
predominantly about the cosmic cycle that
ates dots of light and mysteriously gener-
changes throughout the days and year. His
ates a waves of light and follows the rise and
remarkable light pass thru his various sizes
fall due to course of the sun. The light only
of openings - small stellar to large openings.
hit the three walls that facing the altar. The
It is all to reflect his thoughts and under-
luminious pattern turned out unexpectedly
standing upon the divinity and cosmic power, which he also produces a personal systhesis of maxims - “The Poem of The Right
Image 4.2 & 4.3: Church of Saint Pierre, Firminy, France.
Angle”. However, it is exceptional for Le Cobusier
Sainte Marie de la Tourette at Eveux-sur-I’Ar-
in terms of expressing the lights thru his
bresle (1953-60)
masterpieces. Henry Plummer has a deep
La Tourette - The Light orchestration has
fascination towards Le Cobusier’s works.
more complex structure of light. All corri-
His statement is mostly describing how Le
dors have an open side facing one of the four
Cobusier amazingly uses light not only in
cardinal directions. The believers encounter
atypical way.
diverse light experience. Those corridors are
Chapel of Notre Dame du Haut at Ronchamp
also distinguished with differents windows
(1950-55)
arrangement. He stated that when he ob-
For Plummer, the dominant characteristic
served the corridor to atrium, the rhythm of
comes from continuous circe at solar events.
windows and columns in traditional church-
Starting down that illuminates the alcove of
es, are a periodic. The interval of waves of
the side chapel and appear redder than be-
light was based on the compression and
fore, as a metaphor of human birth.
expansion and formed into rhythmically
Reference https://www.archdaily.com/597598/light-matters-le-corbusier-and-the-trinity-of-light https://www.merriam-webster.com/dictionary/filter
Image 4.4: Manstery of Saint e Marie de le Tourette, Eveux-sur-I’Arbresle, France.
40
is Light