Portfolio 2016 by Jacob Westerman

07815410087 jacobwesterman@live.com www.linkedin.com/in/jacob-westerman

Jacob Westerman

Curriculum Vitae

A list of Referees and a portfolio can be made available upon a request

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CURRICULUM VITAE

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CURRICULUM VITAE

2nd YEAR In this section various projects from my 2nd year of architecture school can be seen, this year was a highly creative year dedicated to experimental domestic architecture.

ERASMUS YEAR For my 3rd year I was fortunate to gain an Erasmus placement at the Politecnico di Milano, this was year with a strong focus on theoretical approaches to design with a strong emphasis on group work

4th YEAR This was a year that was split evenly between Architectural Design and Town Planning, thus the year was dedicated to developing a Masterplan for the City of Newport and a suitable response to the cityâ&#x20AC;&#x2122;s new Masterplan.

CONTENTS

ALICE CHESTER MEDIEVAL HOUSE RECONSTRUCTION

Sleepover Project Sleepover Project

space at enables istol to f Bristol. here to be e creative io space, an explosion les the e the needs

Synopsis The site is an inﬁnitesimal space located above an alleyway that enables the artistic community of Bristol to percolate into the culture of Bristol. Therefore it is needed for there to be enough space produced for the creative spark to ﬂow in the new studio space, an explosion was required, this explosion formed a new space that enables the required space to accommodate the needs of the occupant.

Scan QR code to see video

ARTIST’S RETREAT, SLEEPOVER PROJECT

Construction

Cornelia Parker became best known for her project Cold Dark Matter: An Exploded View 1991 with this project she exploded a shed and suspended the remains to create the form of paused explosion, with this project she utilised light to enhance the experience felt when encountering the piece, upon studying this artwork I realised that it was not the presence of light that heightened the atmosphere created by the form but it was in fact the interruption of light by the solid masses which dramatised the appearance of an explosion, therefore I decided to focus on the interruption of light through solid masses which would only allow a small amount of light to percolate through.

The first phase of the construction process for the project will be the construction of the timber gridshell structure onto the already existing base of the bridge.

Dan Harvel & Dean Ruck are collaborative artists which use existing ordinary structures to create extraordinary semi-public spaces, looking at how Harvel & Ruck metamorphosed these structures inspired me to want to explore by how far I can alter an existing structure to increase its spatial properties.

The second phase of the construction will consist of the insertion of the floor joists in the overhanging area of the design. This phase will also include the placement of Structurally Insulated Panels onto the timber gridshell.

Breather Membrane

OSB Board

The third phase of the construction process will be the fitting out stage of the construction this will include the fitting of electric and lighting services and the internal finishes of the structure.

Internal Timber Frame

Internal Metal Sheeting

Vapour Barrier

External Metal Sheeting Batton

The SIP 1. 2. 3. 4. 5. 6. 7. 8. 9.

panel construction will consist of. Internal Timber Frame Internal Metal Sheeting Vapour Barrier Insulation Breather Membrane OSB Board External Metal Sheeting Window Frame Translucent Double Glazing

Insulation Batton OSB Board

Insect Mesh Window Frame

Translucent Double Glazing

ARTISTâ&#x20AC;&#x2122;S RETREAT, SLEEPOVER PROJECT

1. 2.

3. 4.

5. 6.

7. 8. 9.

SIP Panel Construction Detail 1. Internal Timber Frame 2. Internal Metal Sheeting 3. Vapour Barrier 4. Insulation 5. Breather Membrane 6. OSB Board 7. Exteral Metal Sheeting 8. Window Frame 9. Translucent Double Glazing

ARTISTâ&#x20AC;&#x2122;S RETREAT, SLEEPOVER PROJECT

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OFFICES INTO HOUSING

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uld always be sort after to ensure that it is fully maintained as symbol of Bristolâ&#x20AC;&#x2122;s lost heritage and the birth of its new heritage.

OFFICES INTO HOUSING

Bedroom

Kitchen

Bathroom

Living Room

Short Section

Bedroom

Dining

Music Room/ Creative Studio

OfďŹ ce

Balcony

Lower Level Floor Plan

Upper Level Floor Plan

Future House Floor Plans Scale: 1:00 Jacob Westerman

Short Section

OFFICES INTO HOUSING

Long Section

tion

Axonometric

OFFICES INTO HOUSING

SHIREHAMPTON COHOUSING, COMMUNITY LED SOCIAL HOUSING

used to be homeless, became homeless at a young SHIREHAMPTON age, little/no qualifications, keeps chickens, mental heal COHOUSING, COMMUNITY LED SOCIAL HOUSING 12 min fficulties, late 20’s to early 30’s, drug and alcohol problems, can be really community orientated one

Access Diagram The block highlighted in red, is the lowest level block which is also a residential block consisting of two floor houses with two/three bedrooms, the dwellings of this block are accessible from an external street space which can be accessed directly from either the north or south side from ground level, the street is on the same level of the first floor of the apartments, this is to make access easier for the houses.

Concept sketch This drawing depicts the streetscape of the red residential block, the dwellings appear to be only one story high this is due to the entrance to houses are on the upper level of each dwelling. In the middle of the street are concrete blocks that provide spaces for social interaction between neighbours and spaces for children to gather.

Internal arrangements of a dwelling in the red block.

Access Diagram The blue block is a residential quarter on the same level as the commercial block, this consists of single ﬂoor ﬂats and is accessible via the south entrance of the site and the access is shared with the commercial and leisure blocks.

Concept sketch This illustration is of the main entrance corridor to the blue residential block, the corridor is deliberately inconspicuous in order to create a clear threshold between the residential space and immediately adjacent commercial yellow block.

A demonstration of the internal spatial layout of an apartment in the blue block

Access Diagram The yellow block is a commercial zone consisting of A1 and A3 classiﬁcations, access can be achieved via the North East, the South West, entrances, along with a minor entrance on the South East side. The Building acts as a bridge that links the site with the existing surrounding residents, proving Shirehampton with facilities that the neighbourhood is currently lacking.

Concept sketch This graphic is to display the vibrancy of the commercial block, as a social hub and a neighbourhood bridge.

An exhibition of the spatial interaction between the yellow and the blue block

Access Diagram The block highlighted in green, is on the highest level which is a residential block consisting of two ﬂoor houses with three bedrooms, the dwellings of this block are accessible from an external street space which can be accessed directly from either the north or south side from ground level, the street is on the same level of the ground ﬂoor of the apartments, the street has trees and benches to facilitate any social actions that may occur.

Concept sketch This drawing depicts the streetscape of the green residential block; the dwellings appear to be ordinary houses, so that residents can almost forget that they are walking on street in the sky. In the middle of the street are concrete blocks that provide spaces for social interaction between neighbours and spaces for children to gather, there is also a cherry tree to create a dynamic space which changes with each season.

This diagram reveals the spatial layout of an abode in the green block

Sun Path The site is facing the North West, with the buildings aligned so that the dwelling can gain the beneﬁts of the sunrise or sunsets.

Concept sketch This is a graphic representation of the view of the sunset that more than half of the residents will be able to from their homes.

A representation of how sunlight will enter a typical dwelling in the green block during a sunset.

SHIREHAMPTON COHOUSING, COMMUNITY LED SOCIAL HOUSING

Park hill was designed by the architects Ivor Smith and Jack Lynn under the supervision of Shefﬁeld’s city architect J Lewis Womersley, design work started in 1945 with the aim of slum clearance, Park Hill was the ﬁrst successful post world war scheme of an entire neighbourhood in Britain. The construction process started in 1957 and completed in 1961, upon completion it was triumphantly welcomed as an iconic inner city development.

The original façade consisted of 2/3 brick of different shades, and 1/3 glass per apartment, this was deemed the wrong way round by Architects Hawkins/Brown and Studio Egret West, responsible for the regeneration design, whom decided that in order for the correct amount of light levels the façade should comprise of 2/3 glass, due to levels of weathering that the original material of brick underwent it was also unequivocal that a different material should be used, the material that they went for was aluminium.

The apartments of Park Hill were generous and bright, they were skilfully planed and initially popular, Sheffeild and the rest of the U.K. were so pleased with the project that the city council published a guide in English, French, & Russian, architects came from all over the world to see this building, that spoke of a new civilised future in an old industrial town.

The plan of the building was devised to utilise the most efﬁcient way of ensuring that every apartment had front and back windows for cross ventilation, and access to natural light, in relation to the topography of the site.

Elements that were changed in the regeneration of Park Hill, are the materiality of the façade, the internal floors were given wooding flooring, and more internal space, the lower two levels have been made into offices, shops, a nursery, restaurants, etc. (although this was the original intended use of the lower floors, the quality and flexibility has been improved), despite all the regeneration work key design features have remained, the majority of the work that has been undertaken has been aesthetic, and provision of contemporary needs. The largest change of them all has however been the social change, now the estate is only 1/3 social housing, this is to prevent the ghettoisation of the neighbourhood.

Inspired by Le Corbusier’s, Unite d’Habitation. The estate was supposed to function as a medieval village with everything a thriving community needs contained within the complex, the estate boasted numerous community facilities, like football goals, climbing frames, benches arranged for social interaction, four pubs, 42 shops (including ‘the best ﬁsh and chip shop in Shefﬁeld’ according to many), a community centre, social clubs, a health centre, dentists and nursery and primary schools. Grenville Squires – a caretaker on the estate for 26 years, one of a team of twelve – says it ‘was like a medieval village; you didn’t have to leave.’

The 3 metre wide decks were initially popular and worked as they were intended and encourage social interaction; however over time due to neglect, new tenants/old tenants leaving, the community atmosphere slowly declined. With the regeneration of Park Hill funded by Urban Splash, it was decided to remove a metre from the deck and use that space for increasing the internal space for the individual apartments, the apartments were also given a window facing onto the decks to increase internal light and to create a sense of passive observation and safety for residents.

The scheme’s deck access scheme was seen as revolutionary at the time, the decks were supposed to function as a normal ‘street in the sky’. There were 996 ﬂats, housing around 3000 people; “so planned as to give each household privacy and quiet despite the essentially communal nature of the project. Each dwelling, irrespective of size, is provided with a large sheltered balcony where small children can play in the open air, where a pram can be put out on and which an occasional meal can be taken.”

When

The design of the building was to ensure that there was a level roof line throughout the building despite the sloping site; this was achieved through increasing the number of ﬂoors as the building moves downhill. This resulted in each deck except the top deck having direct access to the ground.

Who is to blame for the failures of Park Hill? ‘it’s failure was not down to the architecture’ says Richard Waite, news editors for the Architects journal. Blame could be directed towards the council (or the tightness of local authority budgets) for poor maintenance. Some tenants also blame the council for its allocations policy: ‘They gave anyone who wanted one a ﬂat’; ‘problem people’ were concentrated in the estate rather than being ‘spread around the council housing stock’.

It started as a thriving community but quickly descended into a sink estate where crime and neglect saw Park Hill become a no go area. The streets created quick getaways for thieves and poorly lit walkways made people feel unsafe. Asked if he would have done anything differently, Ivor Smith said the ﬂats should have had windows onto the decks – ‘a street has windows at street level’ this would have created a sense of passive observation and made the streets feel safer.

A criticism of from the regeneration architects was that elements of the building were not on the human scale.

Park hill was designed to contain within it all the residents required like a as one resident described it, Grenville Squires – a caretaker on the estate for 26 years, one of a team of twelve – says it ‘was like a medieval village; you didn’t have to leave.’ When looking at Park Hill from afar it looks just like a medieval hill fort sat overlooking its surroundings.

A famous piece of grafﬁti that has become a symbol of Park Hill has been decided to be saved and incorporated into the restoration of the building, the words of ‘I love you will u marry me’ has been preserved and displayed proudly in neon lighting as a symbol of Park Hill, the former caretaker Grenville Squires described Park Hill as; “She’s lovely. She’s my mistress, the only lady who’s fetched me from the marital bed at two in the morning and made demands. She has come on hard times, but all she’s got to do is wash her face and put on a new dress and she will be ﬁne.”

Park Hill was new all the community facilities were utilised fully by the neighbourhood former residents are quoted as saying; “It was luxury” ‘You think I live in council housing. I’ve got a penthouse.’ They felt as if they were part of a tight-knit and supportive community, one former resident said; “We all stuck together and looked after each other and felt safe” And the estate’s resident sociologist reported outstanding success and ‘an exceptionally vigorous tenants’ association’ in the estate’s early years

SHIREHAMPTON COHOUSING, COMMUNITY LED SOCIAL HOUSING

Extracurricular activities at the CentreSpace Gallery & Architecture Centre

BRISTOL ART EXHIBITIONS

PORTO PROJECT, CIVIC CENTRE

Politecnico di Milano | Scuola di Architettura e Società | Corso di Laurea in Scienze dell'Architettura

PORTO PROJECT, CIVIC CENTRE

Architectural Design Studio 3 | Professors: Carlotta Torricelli, Helene Hölzl | Tutors: Arch. M. Appiani, Arch. M. Cantoni, Arch. L. Favaloro, Arch. S. Monzani, Arch. C. Novelli, Arch. R. Petrella

THE CITY OF PORTO. THE RIVER AND THE CONSTRUCTION OF THE LANDSCAPE

Calçada do Ouro

Students: BUCAN, Deniz _ STEFAN, Barbara _ WESTERMAN, Jacob

Masterplan Scale 1:1000 | Section 1 : 500

0.00

+ 1.79

+ 3.40

0.00

+ 3.40

+ 1.76 1.200

+ 3.40

0.00

+ 1.79

+ 3.40

0.00

+ 3.40

+ 1.76

0.00

- 1.65 0.00

0.00 0.00

0.00

- 1.65 0.00

0.00 0.00

PORTO PROJECT, CIVIC CENTRE Politecnico di Milano | Scuola di Architettura e SocietÃ | Corso di Laurea in Scienze dell'Architettura

THE CITY OF PORTO. THE RIVER AND THE CONSTRUCTION OF THE LANDSCAPE

Students: BUCAN, Deniz _ STEFAN, Barbara _ WESTERMAN, Jacob

02 CIVIC CENTRE PORTO PROJECT,

Politecnico di Milano | Scuola di Architettura e Società | Corso di Laurea in Scienze dell'Architettura

Architectural Design Studio 3 | Professors: Carlotta Torricelli, Helene Hölzl | Tutors: Arch. M. Appiani, Arch. M. Cantoni, Arch. L. Favaloro, Arch. S. Monzani, Arch. C. Novelli, Arch. R. Petrella

THE CITY OF PORTO. THE RIVER AND THE CONSTRUCTION OF THE LANDSCAPE

Calçada do Ouro

Students: BUCAN, Deniz _ STEFAN, Barbara _ WESTERMAN, Jacob General Plan

Elevations

Scale 1:500

1:200

PORTO PROJECT, CIVIC CENTRE

         

Total : 145 m2 Courtyard:30 m2  





 



 Total : 145 m2  Courtyard:30 m2  

       

Total : 145 m2 Courtyard:30 m2 Total : 145 m2 Courtyard:30 m2

5 minutes to Valley Park

7 minutes

to Closest Bus Stop on foot

10 minutes

to Closest Supermarket on foot

5 minutes

to Valley Cycling Road

2 minutes

to Bridge Auto-Road

5 minutes to Valley Park

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

T5 | project of the building



    

Total : 145 m2 Courtyard:30 m2

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT



5 minutes to Valley Park

7 minutes

to Closest Bus Stop on foot

10 minutes

to Closest Supermarket on foot

5 minutes

to Valley Cycling Road

2 minutes

to Bridge Auto-Road

5 minutes to Valley Park

ANKARA PROJECT, PASSIVE HOUSE

OUNDFLOOR PLAN

PRODUCED BY AN AUTODESK EDUCATIO

1:100

ROOF LAN B

LOWER LEV

WER LEVELPLAN

GROUNDFLOOR PLAN

NORTHERN ELEVATION

A A

ROOF LAN

WESTERN ELEVATION NORTHERN ELEVATION

A 25

EASTERN ELEVATION SOUTHERN ELEVATION

LOWER LEVELPLAN ANKARA PROJECT, PASSIVE HOUSE

NORTHERN ELEVATION EASTERN ELEVATION

ANKARA PROJECT, PASSIVE HOUSE

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

ANKARA PROJECT, PASSIVE HOUSE

RIMANDATO, DESIGN & BUILD WOODSTORE

NEWPORT, CITY RESTORATION

Hydrotherapy centre Red Unit Green Unit Deck Circulation Vertical Circulation Waste Disposal Public Activity

NEWPORT, CITY RESTORATION

LIGHT DIFFUSER 50mm thick CORTEN STEEL SPOT LIGHT

BRASS DRAIN COVER & BASIN AIR VENTILATION INLET ACCESS FLOOR PEDESTAL PRECAST CONCRETE WITH A 60mm GAP THAT IS SHEET STEEL FRAMED

OVERFLOW DRAIN Scale: 1:20

NEWPORT, CITY RESTORATION

50mm thick CORTEN STEEL

PRECAST CONCRETE WITH A 60mm GAP THAT IS SHEET STEEL FRAMED

PRECAST CONCRETE SLAB BRASS COVER I-BEAM ACCESS FLOOR PEDESTAL

Scale: 1:50 Scale: 1:20

NEWPORT, CITY RESTORATION

SPIDER GLASS SYSTEM 30mm SOUTH WALES GREY LIMESTONE FLOOR TITLES 50mm SOUTH WALES GREY LIMESTONE CLADDING

100mm RIGID INSULATION Cork insulation with a U-value of 0.02

PRECAST CONCRETE To operate as a light

CONCRETE SCREED

DAMP PROOF MEMBRANE

100mm RIGID INSULATION Cork insulation with a U-value of 0.02

SHELL CONCRETE EXTRACTOR SYSTEM

PRE-CAST CONCRETE WITH AN EMBEDDED SHELVING ANCHOR

150 mm IN SITU POURED REENFORCED CONCRETE

SHELL CONCRETE

PRECAST CONCRETE SLAB BRASS COVER I-BEAM

Scale: 1:20

NEWPORT, CITY RESTORATION

30mm SOUTH WALES GREY LIMESTONE FLOOR TILES

100mm RIGID INSULATION Cork insulation with a U-value of 0.02

CONCRETE SCREED 50mm thick CORTEN STEEL

PRECAST CONCRETE SLAB

LIGHT DIFFUSER

ACCESS FLOOR PEDESTAL

BRASS COVER

EMBEDDED SPOTLIGHT

I-BEAM

SPOT LIGHT

AIR VENTILATION INLET

PRECAST CONCRETE WITH A 60mm GAP THAT IS SHEET STEEL FRAMED

Scale: 1:20

OVERFLOW DRAIN Scale: 1:50

Scale: 1:20

NEWPORT, CITY RESTORATION

50mm SOUTH WALES GREY LIMESTONE CLADDING DAMP PROOF MEMBRANE 100mm RIGID INSULATION Cork insulation with a U-value of 0.02

PRE-CAST CONCRETE WITH AN EMBEDDED SHELVING ANCHOR

150 mm IN SITU POURED REENFORCED CONCRETE

PRECAST CONCRETE SLAB AIR VENTILATION INLET I-BEAM

50mm SOUTH WALES GREY LIMESTONE CLADDING DAMP PROOF MEMBRANE 100mm RIGID INSULATION Cork insulation with a U-value of 0.02

150 mm IN SITU POURED REENFORCED CONCRETE

SPIDER GLASS SYSTEM PRECAST CONCRETE To operate as a light

30mm SO LIMESTON

CONCRET

100mm R Cork insul U-value o

Scale: 1:20 Scale: 1:20

NEWPORT, CITY RESTORATION

OUTH WALES GREY NE FLOOR TITLES

50mm thick CORTEN STEEL

PRECAST CONCRETE WITH A 60mm GAP THAT IS SHEET STEEL FRAMED

ACCESS FLOOR PEDESTAL

Scale: 1:50

PRECAST CONCRETE SLAB BRASS COVER

WATERTIGHT RUBBER SEAL I-BEAM

TE SCREED

RIGID INSULATION lation with a of 0.02

Scale: 1:20

NEWPORT, CITY RESTORATION

07815410087 jacobwesterman@live.com www.linkedin.com/in/jacob-westerman

Jacob Westerman

Curriculum Vitae

A list of Referees and a portfolio can be made available upon a request