CLASS OF 2021_Chisvo, T

Altar to transform it into the Hall of the Altars. The multiplicity allows for introducing more Cenotaphs and includes closing the opening between the Hall of Heroes and the Hall of the Altars and transforming the lower hall into a ‘tomb’ (Figure 3.28).

Figure 3.28: Closing the opening between the Hall of Heroes and Hall of the Altar Source: Author (2021).

The transformation of the Hall of the Altar to become a tomb by closing the opening implies hindering the rays of sunshine from illuminating the Cenotaphs and rendering the lower hall a mass tomb and hindering the rays of sunshine from shining on any of the Cenotaphs. Instead, the rays are reflected back into the Hall of Heroes. The

CLASS OF 2021_Chisvo, T

Articles inside

LIST OF REFERENCES

legacies in the SADC

4.4 Recommendations

Figure 3.46: One walkway with trees on both sides

4.2.3 Review of policies of architectural decolonisation

Figure 3.44: Main walkway with trees and grass

Figure 3.45: Elevation with trees and grass

Figure 3.43: Square with meandering pathways

Figure 3.42: Square with a water garden

Figure 3.41: Bridge crossing

Figure 3.37: Africa Unity Square layout plan

Figure 3.38: Walkways north of the square removed

Figure 3.34: Broken tiles

Figure 3.28: Closing the opening between the Hall of Heroes and Hall of the Altar

Figure 3.33: Rainbow floor option

Figure 3.32: Rainbow patterned floor

Figure 3.29: Upper dome opening closed

Figure 3.27: Beam splitter for light on both Cenotaphs

Figure 3.26: Adding another Cenotaph next to the existing

Figure 3.25: Cenotaph inscribed in 11 languages

Figure 3.21: City development around the Voortrekker Monument

Figure 3.23: Sunlight shining on the cenotaph

Figure 3.15: Empty plinth at Church Square

Figure 3.16: Voortrekker Monument

3.3.5 Proposals in terms of statue or plinth position

3.3.7 Conclusion

Figure 3.12: Another statue next to Paul Kruger

Figure 3.10: Plinth and statue removed from the central point

Figure 1.0: Video QR Code

2.5 SADC

3.2.3 Conclusion

Figure 3.3: Church Square and surroundings

Figure 3.9: Paul Kruger statue and plinth

3.2.2 Height and scale

2.3 Conflicting memories

2.4 spirit of heritage