CLASS OF 2021_Chisvo, T

Page 65

various ethnic groups in a republic that was once characterised by the strict division of white and black under the apartheid regime. The colours must not be taken literally to represent particular ethnic or cultural groups but to bring an understanding that although people might seem different, there is a thin line in the colour spectrum as light is refracted and reflected through water. South Africans can co-exist (without dominating each other) for the good of the nation. Light and water are part of the original imagery of the monument. In this consideration, both are altered in both application and interpretation to be contemporary and relevant to the current socio-political climate of the nation. Altering the tile layout or pattern of the Hall of Heroes diffuses the perception of dominance, which is contrary to the doctrine of reconciliation. Everyone is as equal as light is in water.

Consideration B

Figure 3.33: Rainbow floor option

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LIST OF REFERENCES

5min
pages 88-91

legacies in the SADC

1min
page 81

4.4 Recommendations

2min
pages 85-87

Figure 3.46: One walkway with trees on both sides

1min
page 78

4.2.3 Review of policies of architectural decolonisation

1min
page 82

Figure 3.44: Main walkway with trees and grass

1min
page 76

Figure 3.45: Elevation with trees and grass

1min
page 77

Figure 3.43: Square with meandering pathways

1min
page 75

Figure 3.42: Square with a water garden

1min
page 74

Figure 3.41: Bridge crossing

1min
page 73

Figure 3.37: Africa Unity Square layout plan

1min
page 70

Figure 3.38: Walkways north of the square removed

1min
page 71

Figure 3.34: Broken tiles

1min
page 66

Figure 3.28: Closing the opening between the Hall of Heroes and Hall of the Altar

2min
pages 59-60

Figure 3.33: Rainbow floor option

1min
page 65

Figure 3.32: Rainbow patterned floor

1min
page 64

Figure 3.29: Upper dome opening closed

1min
page 61

Figure 3.27: Beam splitter for light on both Cenotaphs

1min
page 58

Figure 3.26: Adding another Cenotaph next to the existing

1min
page 57

Figure 3.25: Cenotaph inscribed in 11 languages

1min
pages 55-56

Figure 3.21: City development around the Voortrekker Monument

1min
page 51

Figure 3.23: Sunlight shining on the cenotaph

1min
page 53

Figure 3.15: Empty plinth at Church Square

1min
page 44

Figure 3.16: Voortrekker Monument

1min
page 47

3.3.5 Proposals in terms of statue or plinth position

2min
pages 37-38

3.3.7 Conclusion

1min
page 45

Figure 3.12: Another statue next to Paul Kruger

1min
page 42

Figure 3.10: Plinth and statue removed from the central point

1min
pages 39-40

Figure 1.0: Video QR Code

2min
page 13

2.5 SADC

1min
page 22

3.2.3 Conclusion

1min
page 27

Figure 3.3: Church Square and surroundings

1min
pages 30-31

Figure 3.9: Paul Kruger statue and plinth

1min
page 36

3.2.2 Height and scale

2min
page 26

2.3 Conflicting memories

1min
page 20

2.4 spirit of heritage

1min
page 21
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