CLASS OF 2021_Chisvo, T

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84% of the population” in South Africa. With democracy and independence in the SADC, these legacies have become outdated and must be recontextualised. Societies and communities have begun to comprehend that not all monuments were created equal. Some were erected for cynical reasons that have little to do with history or heritage. History is a complex and ever-changing process and not a single position. Therefore, history is not best written in bronze, stone, and marble. History is all things that statues and monuments are not, as they only represent what designers and patrons wanted (Olusoga 2017). However, efforts should be applied to disassemble these artefacts, and in the process, to propose new meanings. Maré (2007:36) reminds us that although “memorials and statues inevitably cast a specific memory in stone and the structure cannot be modified; but unfortunately, meanings can be reinterpreted”. Erasing colonial and historical structures does not change the history of a community or nation and does not automatically address the current challenges that SADC countries and the world face. As Meents (2009) asserted, the consequence of a monument’s unyielding fixedness usually results in some demise over time. The fixed and rigid impression created by monuments and statues in establishing certain ideologies are passed to new periods, sometimes appearing outmoded, strange, and irrelevant to a contemporary society's values and thoughts. Buildings and infrastructures should remain open and flexible to the present and future needs and interpretations. Alternatively, in the initial stages of planning and designs, competition rules that require memorials to be apolitical should be enforced and adhered to. These initiatives must also be privately funded with pure and genuine intentions and motives. This follows after the procedures on the Vietnam Veterans Memorial establishment in Washington DC. (Spreiregen,2008).

4.2.2 Significance of artefacts, details and materials in analysing colonial traces and legacies in the SADC The hidden meanings in the designs and layouts of these legacies should not be overlooked as they carry the language and coding of the designers and patrons. They have a wealth of meaning, symbols, and metaphors. Statues and memorials

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LIST OF REFERENCES

5min
pages 88-91

legacies in the SADC

1min
page 81

4.4 Recommendations

2min
pages 85-87

Figure 3.46: One walkway with trees on both sides

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4.2.3 Review of policies of architectural decolonisation

1min
page 82

Figure 3.44: Main walkway with trees and grass

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Figure 3.45: Elevation with trees and grass

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Figure 3.43: Square with meandering pathways

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Figure 3.42: Square with a water garden

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Figure 3.41: Bridge crossing

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Figure 3.37: Africa Unity Square layout plan

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Figure 3.38: Walkways north of the square removed

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Figure 3.34: Broken tiles

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Figure 3.28: Closing the opening between the Hall of Heroes and Hall of the Altar

2min
pages 59-60

Figure 3.33: Rainbow floor option

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Figure 3.32: Rainbow patterned floor

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Figure 3.29: Upper dome opening closed

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Figure 3.27: Beam splitter for light on both Cenotaphs

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Figure 3.26: Adding another Cenotaph next to the existing

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Figure 3.25: Cenotaph inscribed in 11 languages

1min
pages 55-56

Figure 3.21: City development around the Voortrekker Monument

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Figure 3.23: Sunlight shining on the cenotaph

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Figure 3.15: Empty plinth at Church Square

1min
page 44

Figure 3.16: Voortrekker Monument

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3.3.5 Proposals in terms of statue or plinth position

2min
pages 37-38

3.3.7 Conclusion

1min
page 45

Figure 3.12: Another statue next to Paul Kruger

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Figure 3.10: Plinth and statue removed from the central point

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pages 39-40

Figure 1.0: Video QR Code

2min
page 13

2.5 SADC

1min
page 22

3.2.3 Conclusion

1min
page 27

Figure 3.3: Church Square and surroundings

1min
pages 30-31

Figure 3.9: Paul Kruger statue and plinth

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3.2.2 Height and scale

2min
page 26

2.3 Conflicting memories

1min
page 20

2.4 spirit of heritage

1min
page 21
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